June Estate Catalogue Auction

Lot: 1 - THREE STERLING SILVER PENS AND A PERFUME FLASK, AND A VINTAGE CIGARETTE HOLDER, early 20th century - .

THREE STERLING SILVER PENS AND A PERFUME FLASK, AND A VINTAGE CIGARETTE HOLDER Two similar sterling repousse fountain pens, L: 7 1/2 in.; Waterman sterling-overlay fountain pen with attached jump ring; T&Co. Art Nouveau with gilt highlights, L: 3 1/4 in.; and a French "Ambre & Jais Veritable" cigarette holder in fitted leather case.

Lot: 2 - 14K YELLOW GOLD AND SMOKY QUARTZ RING. - Ring size: 5 1/2. Gross wt.: 4 dwt.

14K YELLOW GOLD AND SMOKY QUARTZ RING. Emerald-cut Smoky quartz held by four corner prongs and raised on tapering, bright-polished shank.

Lot: 3 - 14K YELLOW GOLD AND PEAR-SHAPE MABE PEARL RING - Ring size: 6 3/4.

14K YELLOW GOLD AND PEAR-SHAPE MABE PEARL RING Mabe pearl held by three gold crescents on bright-polished shank

Lot: 4 - PAIR 14K BRIGHT-POLISHED YELLOW GOLD, TUBULAR POST-BACK HOOP EARRINGS - D: 1 1/8 in. Wt. 3 dwt..

PAIR 14K BRIGHT-POLISHED YELLOW GOLD, TUBULAR POST-BACK HOOP EARRINGS

Lot: 5 - HARLEY DAVIDSON MOTORCYCLE 10K YELLOW GOLD RING - Gross wt. 4 dwt.

HARLEY DAVIDSON MOTORCYCLE 10K YELLOW GOLD RING Asymmetrical black panel stamped with company logo sided by rose and white gold berry-and-leaf motifs. Ring size: 12 3/4. In Harley Davidson ring box

Lot: 6 - 14K YELLOW GOLD, DIAMOND AND SAPPHIRE SPRAY DESIGN RING - Ring size: 6 3/4. Gross wt. 2 dwt.

14K YELLOW GOLD, DIAMOND AND SAPPHIRE SPRAY DESIGN RING Four round diamonds and four marquise sapphires in asymmetrical bright-polished setting

Lot: 7 - 14K BRIGHT-POLISHED YELLOW AND WHITE GOLD AND DIAMOND PENDANT/ NECKLACE ENHANCER - L: 1 in. Gross wt. 2 dwt..

14K BRIGHT-POLISHED YELLOW AND WHITE GOLD AND DIAMOND PENDANT/ NECKLACE ENHANCER Three scrolling ribbons set with total of 37 graduated, tapering baguette diamonds together weighing app. 1.00 ct.

Lot: 8 - PAIR INDIAN YELLOW GOLD OPENWORK DROP PENDANTS FOR STUD EARRINGS - L: 1 5/8" wt.: 4 dwt.

PAIR INDIAN YELLOW GOLD OPENWORK DROP PENDANTS FOR STUD EARRINGS Carved scroll design drops each center a bezel-cut round green stone accent.

Lot: 9 - 14K (585) YELLOW GOLD, RUBY AND DIAMOND LEOPARD DESIGN RING - Gross wt. 2 dwt. Ring Size: 3 1/4..

14K (585) YELLOW GOLD, RUBY AND DIAMOND LEOPARD DESIGN RING Sculpted head and forearms of leopard pavé-set with numerous round diamonds and 16 round rubies.

Lot: 10 - THREE SIGNED JOHN HARDY STERLING SILVER DOT DISC DOME RINGS - Gross wt.: 1 oz. 6 dwt.

THREE SIGNED JOHN HARDY STERLING SILVER DOT DISC DOME RINGS One, horizontal oval with 18K yellow gold dot discs, size: 7 3/4; one, with sections of pink, strawberry color and red enamel dot discs, size: 6 1/2; one with sections of turquoise dot discs alternating with purple dot discs, size: 7. With a John Hardy Stamped orange and black box.

Lot: 11 - 14K YELLOW GOLD DIAMOND AND SAPPHIRE PENDANT/NECKLACE ENHANCER - L: 1 1/4 in. Gross wt. 3 dwt.

14K YELLOW GOLD DIAMOND AND SAPPHIRE PENDANT/NECKLACE ENHANCER Figure-eight design channel-set with 18 matched brilliant-cut round diamonds and 18 graduated sapphire baguettes

Lot: 12 - 14K YELLOW AND WHITE GOLD AND DIAMOND RING mid 20th century - Ring size: 6 1/4. Gross wt. 2 dwt.

14K YELLOW AND WHITE GOLD AND DIAMOND RING Horizontally-set row of three matched, transtional brilliant-cut round diamonds each weighing app. .20 ct., each held by corner prongs in individual box settings.

Lot: 13 - ART DECO 14K WHITE GOLD AND DIAMOND GEOMETRIC DESIGN RING - Ring size: 3 1/2. Gross wt. 2 dwt.

ART DECO 14K WHITE GOLD AND DIAMOND GEOMETRIC DESIGN RING Row of three vertically-oriented Old European cut round diamonds together weighing app. .40 ct. centered by six smaller round diamonds in openwork, filigree setting with bright-polished tapering shank

Lot: 14 - PAIR 10K YELLOW GOLD PRECIOUS WHITE OPAL AND GARNET NAVETTE-SHAPE RINGS - Ring size: 8. Gross wt. 4 dwt.

PAIR 10K YELLOW GOLD PRECIOUS WHITE OPAL AND GARNET NAVETTE-SHAPE RINGS Each has navette-shape opal cabochon surrounded by 12 matched round garnets.

Lot: 15 - ITALIAN 14K YELLOW GOLD, DIAMOND AND SYNTHETIC EMERALD CHOKER - L: 17 in. Gross wt. 3 dwt.

ITALIAN 14K YELLOW GOLD, DIAMOND AND SYNTHETIC EMERALD CHOKER Flexible-link gold chain centers throat ornament with vertically-set emerald-cut synthetic emerald centered by two pear shape emeralds with two clusters of matched brilliant-cut round diamonds

Lot: 16 - PAIR 14k (585) BRIGHT-POLISHED YELLOW GOLD, CULTURED PEARL AND COLORED GEMSTONE RINGS - Ring size: 8 1/2. Gross wt. 4 dwt.

PAIR 14k (585) BRIGHT-POLISHED YELLOW GOLD, CULTURED PEARL AND COLORED GEMSTONE RINGS One, with pearl surrounded by 16 matched round sapphires; other with matched round rubies.

Lot: 17 - PAIR 14K TEXTURED YELLOW GOLD SCREW-BACK DANGLE EARRINGS - L: 1 5/8 in. Wt. 5 dwt.

PAIR 14K TEXTURED YELLOW GOLD SCREW-BACK DANGLE EARRINGS Constructed as three graduated, freely-swinging, textured roundels

Lot: 18 - THREE ITEMS SIGNED JOHN HARDY STERLING SILVER AND YELLOW GOLD JEWELRY - Gross wt.: 4 oz.7 dwt..

THREE ITEMS SIGNED JOHN HARDY STERLING SILVER AND YELLOW GOLD JEWELRY Including woven tubular flexible bracelet with 18K gold-mounted oval cylindrical textured clasp, L:8"; open-end, tapering oval bangle bracelet centering 22K gold textured panel; and horizontal oval pendant centering 22K textured gold panel, L: 1 5/8" With a John Hardy stamped orange and black box.

Lot: 19 - PAIR SIGNED MARCO BICEGO, ITALY, 18K (750) TEXTURED YELOW AND WHITE GOLD AND DIAMOND POST-BACK STUD EARRINGS - D: 3/8".

PAIR SIGNED MARCO BICEGO, ITALY, 18K (750) TEXTURED YELOW AND WHITE GOLD AND DIAMOND POST-BACK STUD EARRINGS Each circular gold stud centers cluster of ten matched round diamonds set in white gold Panel. Retailed by Saks Fifth Avenue and accompanied by stamped box.

Lot: 20 - 18K (750) BRIGHT-POLISHED YELLOW GOLD FLEXIBLE-LINK ID BRACELET - L: 6 1/4 in. Wt. 5 dwt.

18K (750) BRIGHT-POLISHED YELLOW GOLD FLEXIBLE-LINK ID BRACELET Flattened curb link chain centers rectangular panel suitable for engraving

Lot: 21 - TWO CONTEMPORARY ARTISAN-CRAFTED STERLING SILVER AND SEMI-PRECIOUS GEMSTONE COLLARS - Gross wt.: 9 troy oz..

TWO CONTEMPORARY ARTISAN-CRAFTED STERLING SILVER AND SEMI-PRECIOUS GEMSTONE COLLARS One, bright-polished, tapering collar centering hinged trapezoidal panel inset with malachite roundel; other, tapering collar with five graduated bezel-set oval amethyst cabochons.

Lot: 22 - ITALIAN 14K YELLOW AND WHITE GOLD AND DIAMOND PENDANT ON 14K FLEXIBLE ROPE CHAIN, WITH PAIR MATCHING SCREW-BACK EARRINGS - Chain, 20 in. Gross wt. 6 dwt..

ITALIAN 14K YELLOW AND WHITE GOLD AND DIAMOND PENDANT ON 14K FLEXIBLE ROPE CHAIN, WITH PAIR MATCHING SCREW-BACK EARRINGS Scrolling loop pendant set with 14 tapering baguette diamonds and eight brilliant-cut round diamonds, L: 7/8 in.; earrings each with 17 diamonds.

Lot: 23 - FIVE ASSORTED ITEMS YELLOW GOLD AND PEARL JEWELRY - Gross wt. 6 dwt..

FIVE ASSORTED ITEMS YELLOW GOLD AND PEARL JEWELRY Including Egyptian gold ring with 7.25 mm white cultured pearl, size: 3 3/4; Egyptian Art Nouveau style openwork pendant with oval amethyst cabochon and freshwater pearl, L: 1 1/2 in.; two graduated 14K fish design pendants each with white cultured pearl; and 14K silver cultured pearl pendant with 15 diamond accents, suspended on 14K squared snake chain choker.

Lot: 24 - 10K YELLOW AND WHITE GOLD AND DIAMOND CHOKER - Total diamond weight app. 1.50 ct. L: 17 in. Gross wt. 7 dwt..

10K YELLOW AND WHITE GOLD AND DIAMOND CHOKER Chevron shape throat portion constructed of white gold links with 29 graduated brilliant-cut round diamonds, alternating with six yellow gold X-form link, centered by flexible gold chain.

Lot: 25 - TWO SIGNED JOHN HARDY STERLING SILVER AND 18K GOLD BRACELETS AND A SIMILAR UNSIGNED CHOKER - .

TWO SIGNED JOHN HARDY STERLING SILVER AND 18K GOLD BRACELETS AND A SIMILAR UNSIGNED CHOKER Openwork cuff bracelet has overall yellow gold dot disc motif, W: 1 3/4 in., at widest point; woven-link tubular flexible bracelet with white gold clasp, set overall with several hundred accent diamonds, L: 8 in. Squared woven link choker with magnetic clasp, L: 16 in. Wt. 6 oz. 12 dwt. With a John Hardy brown plus storage bag and orange polishing cloth

Lot: 26 - SIX ASSORTED GOLD PINS, FIVE SET WITH VARIOUS GEMSTONES late 19th-early 20th century - Gross wt.: 14 dwt..

SIX ASSORTED GOLD PINS, FIVE SET WITH VARIOUS GEMSTONES Including looped ribbon sunburst with seed pearls and enameled decoration centering .15ct. Old Mine cut diamond, D: 1½"; pair lingerie pins set with pearls, L: 15/16"; 14K bar pin centering round blue sapphire, L: 2 1/2 in.; 14K bar pin with geometric decoration, L: 1 7/8"; and English 9K geometric bar pin with seed pearls and colored store, L: 1 5/8". Gross wt.: 14 dwt.

Lot: 27 - LADY'S CONTINENTAL YELOW GOLD, ROSE CUT DIAMOND, TURQUOISE AND SEED PEARL PENDANT WATCH 19th century - D 1 3/8 in..

LADY'S CONTINENTAL YELOW GOLD, ROSE CUT DIAMOND, TURQUOISE AND SEED PEARL PENDANT WATCH Reverse of case has flowering branch motif set with rose cut diamonds centering by floral wreath with round turquoise cabochon accents; seed pearl borders; gold face with blued steel hands; key wind movement. (Lacking wind crystal). . On gold-plated chain of later date

Lot: 28 - UNMOUNTED BRILLIANT-CUT ROUND DIAMOND WEIGHING 1.00 CT - .

UNMOUNTED BRILLIANT-CUT ROUND DIAMOND WEIGHING 1.00 CT Color grade "G-H"; clarity grade "SI-1"

Lot: 29 - 18K (750) BRIGHT-POLISHED YELLOW GOLD, DIAMOND AND BLACK PEARL RING - Ring size: 9 1/4. Gross wt.: 6 dwt.

18K (750) BRIGHT-POLISHED YELLOW GOLD, DIAMOND AND BLACK PEARL RING 12mm black pearl centered by ten matched brilliant-cut round diamonds together weighing 1.00 ct.

Lot: 30 - PAIR SIGNED SEAMAN SCHEPPS 18K (750) YELLOW GOLD AND BROWN WOOD "CAGE" EARRINGS - .

PAIR SIGNED SEAMAN SCHEPPS 18K (750) YELLOW GOLD AND BROWN WOOD "CAGE" EARRINGS Domed rectangular/cushion-form carved wood with overlay of gold twisted wire lattice; clip backs. 1/4" x 1"

Lot: 31 - 14K BRIGHT-POLISHED YELLOW GOLD, RUBY AND DIAMOND HEART-SHAPE PENDANT SUSPENDED ON 14K BOX-LINK CHAIN - Heart, L: 1 3/16 in. Chain, L: 20 in. Gross wt. 9 dwt..

14K BRIGHT-POLISHED YELLOW GOLD, RUBY AND DIAMOND HEART-SHAPE PENDANT SUSPENDED ON 14K BOX-LINK CHAIN Scrolling heart with open center set with four channels of 25 round rubies and four channels of 15 round diamonds.

Lot: 32 - PAIR SIGNED SEAMAN SCHEPPS 14K YELLOW GOLD, SHELL, TURQUOISE AND CORAL CLIP-BACK EARRINGS - .

PAIR SIGNED SEAMAN SCHEPPS 14K YELLOW GOLD, SHELL, TURQUOISE AND CORAL CLIP-BACK EARRINGS Each earring has gold-backed opalescent shell with gold wirework and turquoise and orange coral end caps. L:1 1/4".

Lot: 33 - EGYPTIAN YELLOW GOLD AND AMETHYST FLEXIBLE LINK STRAP BRACELET Stamped. - L: 6 3/4 in. Gross wt. 13 dwt.

EGYPTIAN YELLOW GOLD AND AMETHYST FLEXIBLE LINK STRAP BRACELET Tapering openwork bracelet constructed of parallel rods, centers brilliant-cut round amethyst

Lot: 34 - 18K YELLOW GOLD AND ORANGE CORAL BEAD ROSARY. - L: 26", suspended length, including cross.,.

18K YELLOW GOLD AND ORANGE CORAL BEAD ROSARY. Gold cross centering intersecting lines of matched faceted coral beads. Suspended on chain of facted and smooth-polished coral beads measuring 8.5-9mm, spaced by scrolling openwork links and surmounted by a gold and coral bead bowknot motif. suspended a by bowknot

Lot: 35 - FLEXIBLE 18K (750) YELLOW GOLD SERPENT DESIGN CUFF - Wt. 1 oz. 4 dwt..

FLEXIBLE 18K (750) YELLOW GOLD SERPENT DESIGN CUFF Textured gold coiled serpent

Lot: 36 - 18K YELLOW GOLD AND BRITISH HALF-SOVEREIGN FLEXIBLE-LINK COIN BRACELET - L: 7 3/4 in. W: 1 in. Wt. 3 oz..

18K YELLOW GOLD AND BRITISH HALF-SOVEREIGN FLEXIBLE-LINK COIN BRACELET Row of 19 overlapping half-sovereigns all dated 1913 with 20th sovereign bisected for clasp, chain link borders; sliding pin clasp.

Lot: 37 - EGYPTIAN YELLOW GOLD OPENWORK WOVEN TUBULAR FLEXIBLE CHAIN NECKLACE - L: 36 1/2 in. W: 3/16 in. Wt. 2 oz. 10 dwt..

EGYPTIAN YELLOW GOLD OPENWORK WOVEN TUBULAR FLEXIBLE CHAIN NECKLACE Stamped. Tubular tongue-and-groove clasp.

Lot: 38 - THREE-PIECE REED & BARTON CO. SILVER-PLATED INDIVIDUAL COFFEE/TEA SET late 19th century - Pot, H: 5½".

THREE-PIECE REED & BARTON CO. SILVER-PLATED INDIVIDUAL COFFEE/TEA SET Including pot, two-handle sugar bowl with lift cover, and creamer. Vessels of oval cylindrical outline have chased floral and cartouche decoration.

Lot: 39 - PLAIN STERLING SILVER (950-FINE) HINGED-TOP RECTANGULAR CIGARETTE BOX - 6 in. x 3 1/4 in..

PLAIN STERLING SILVER (950-FINE) HINGED-TOP RECTANGULAR CIGARETTE BOX Wooden base and interior.

Lot: 40 - 67-PIECE PARTIAL SERVICE GERMAN SILVER-PLATED FLATWARE - .

67-PIECE PARTIAL SERVICE GERMAN SILVER-PLATED FLATWARE Including 21 dinner knives, 21 dinner forks, 20 tablespoons, one luncheon knife, one luncheon fork, and three teaspoons

Lot: 41 - GORHAM CO. ART NOUVEAU CUT COLORLESS CRYSTAL LOBED INKWELL WITH HINGED STERLING SILVER COVER - H: 4 1/2 in. D: 6 in..

GORHAM CO. ART NOUVEAU CUT COLORLESS CRYSTAL LOBED INKWELL WITH HINGED STERLING SILVER COVER Cover has floral blossom in relief with conjoined joined script monogram.

Lot: 42 - AMERICAN BRILLIANT PERIOD CUT COLOR CRYSTAL BOWL WITH REED & BARTON STERLNG SILVER RIM late 19th century - H: 4 1/2 in. D: 8 1/2 in..

AMERICAN BRILLIANT PERIOD CUT COLOR CRYSTAL BOWL WITH REED & BARTON STERLNG SILVER RIM Band of beaded ornamentation; monogrammed

Lot: 43 - GEORGE III STYLE SILVER-ON-COPPER OVAL SERVING TRAY WITH PIERCED SERPENTINE GALLERY - 23 1/4 in. x 15 3/4 in..

GEORGE III STYLE SILVER-ON-COPPER OVAL SERVING TRAY WITH PIERCED SERPENTINE GALLERY Cut-out handholds; raised on four cast leafy feet

Lot: 44 - WEIGHTED STERLING SILVER EPERGNE early 20th century - H: 7 7/8 in. Gross wt. 9.2 troy oz..

WEIGHTED STERLING SILVER EPERGNE Trumpet shape flowerholder centered by three small holders in frame; domed base.

Lot: 45 - SEVEN ASSORTED STERLING SILVER TABLE ARTICLES 19th-20th century - Gross wt. 4.8 troy oz..

SEVEN ASSORTED STERLING SILVER TABLE ARTICLES Including Georgian teacaddy spoon, made London, 1801, by George Wintie; decanter label for "Port"; Japanese salt shaker fashioned as dresser with swing mirror, engraved Bluff Hotel, Yokohama, 1712-1933; pair Japanese shamisen guitar-form salt and pepper shakers; Mexican Sanborns napkin ring, and Victorian napkin ring with green enamel highlights

Lot: 46 - HEAVY SILVER PLATED SERVING TRAY late 19th century - Between handles, 22 in. 16 3/4 in..

HEAVY SILVER PLATED SERVING TRAY Rectangular with canted corners; pierced gallery; chased center; projecting handles; raised on four bun-form feet

Lot: 47 - SET 12 DUTCH SILVER CHOCOLATE SPOONS WITH MATCHING SUGAR SPOON - L: 5 1/8 in. Wt. 4.8 troy oz..

SET 12 DUTCH SILVER CHOCOLATE SPOONS WITH MATCHING SUGAR SPOON Handles have spinning windmill terminals.

Lot: 48 - FIVE ASSORTED SILVER RECTANGULAR MINIATURE BOXES - .

FIVE ASSORTED SILVER RECTANGULAR MINIATURE BOXES Including four Continental (800-fine), one with green and black enamel cover; and one sterling with rounded corners, 1 7/8 in. x 1 1/8 in. Wt. 2.6 troy oz. In lot with table bell having cherub-and-fish finial.

Lot: 49 - 24-PIECE MAPPIN & WEBB SILVER-PLATED FRUIT SET WITH MOTHER-OF-PEARL HANDLES late 19th century - .

24-PIECE MAPPIN & WEBB SILVER-PLATED FRUIT SET WITH MOTHER-OF-PEARL HANDLES 12 knives and 12 forks. In fitted wooden box with inset brass shield shape reserve; interior stamped "Mappin & Webb... London"

Lot: 50 - SET ELEVEN WHITING CO. STERLING SILVER ICE CREAM SPOONS late 19th century - Wt. 6.4 troy oz..

SET ELEVEN WHITING CO. STERLING SILVER ICE CREAM SPOONS Enameled handles; vermeil bowls

Lot: 51 - PAIR SILVER-ON-COPPER THREE-LIGHT CANDELABRA CONVERTIBLE TO SINGLE CANDLESTICKS - H: 15 1/4 in..

PAIR SILVER-ON-COPPER THREE-LIGHT CANDELABRA CONVERTIBLE TO SINGLE CANDLESTICKS Molded, domed foot below trumpet shape support issuing pair scrolling arms with nozzles having removable bobeches

Lot: 52 - FIVE ASSORTED SILVER ACCESSORIES 19th-20th century - Larges, L: 2 5/8 in. Gross wt. 4.2 troy oz..

FIVE ASSORTED SILVER ACCESSORIES Including nickel-and-dime coin carrier on chain with ring; rectangular perfume bottle with diapered decoration; circular powder compact on chain with ring; "Aide de Memoire" with fanning celluloid pages between silver covers; and pierced mailbox-form container

Lot: 53 - TWO CONTINENTAL SILVER CUPS 19th century - .

TWO CONTINENTAL SILVER CUPS One, plain, with scroll handle; one, with relief flowering branch decoration. Taller, H: 3 5/8 in. Wt. 7.2 troy oz. In lot with two silver plated salvers, a jar lid, and a circular napkin ring engraved "George"

Lot: 54 - SET THREE FRENCH CHRISTOFLE HEAVY SILVER-PLATED PLATTERS - D: 12 3/4 in. and 14 in.; and an oval meat platter, 19 1/2 in. x 13 1/2 in..

SET THREE FRENCH CHRISTOFLE HEAVY SILVER-PLATED PLATTERS Two graduated round.

Lot: 55 - TWO STERLING SILVER TABLE ITEMS, early 20th century - Silver wt.: 6.8 troy oz..

TWO STERLING SILVER TABLE ITEMS English Mappin & Webb footed cup with fluted wave decoration, H: 3 1/2 in.; and American sterling hinged-top pierced cylindrical mustard pot with separate cranberry glass liner and mustard spoon

Lot: 55A - ASPREY OF LONDON TRAVELING VANITY SET early to mid 20th century - Case, 8 7/8 in. x 13 1/4 in. x 6 in..

ASPREY OF LONDON TRAVELING VANITY SET Compartment fitted with ten sterling silver and sea green guilloche-mounted toiletry items including paddle-form hand mirror and brush, clothes brush, comb and six various rectangular glass bottles, over open compartment

Lot: 56 - CHINESE SILVER OVOID TEACADDY WITH LIFT COVER late 19th-early 20th century - H: 5 1/4 in. Wt. 8 troy oz..

CHINESE SILVER OVOID TEACADDY WITH LIFT COVER Signed with character mark and "CS" within punch. Overall relief bamboo with perched birds on stippled ground; raised shield shape reserve engraved with initials

Lot: 57 - TWO GEORGIAN SILVER NUTMEG GRATERS AND A PATCH BOX - Wt. 3 troy oz..

TWO GEORGIAN SILVER NUTMEG GRATERS AND A PATCH BOX Including nutmeg grater by Cocks & Betteridge, Birmingham, 1813, 15/16 in. x 3/4 in.; nutmeg grater by Samuel Pemberton, Birmingham, 1802; and patch box, made Birmingham, 1829, with ruled decoration, 2 3/4 in. x 1 5/8 in.

Lot: 58 - FOUR SILVER SERVING IMPLEMENTS 19th century - Wt. 11 troy oz..

FOUR SILVER SERVING IMPLEMENTS Including Georgian silver platter spoon with engraved armorial device, made London, 1801-2, by William Eleyad and WIlliam Fenn; coin silver tablespoon made by Thomas Arnold, Philadelphia, PA; Bailey & Co. Philadelphia, PA, berry spoon and matching serving spoon with cockle shell bowl

Lot: 59 - GERMAN STERLING SILVER GRAVY BOAT 19th century - H: 4 1/2 in. L: 8 1/4 in. Wt. 12.5 troy oz..

GERMAN STERLING SILVER GRAVY BOAT Shaped and fluted, two-handle boat-form with relief-floral decoration; vermeil interior; hallmarked.

Lot: 60 - SIX ASSORTED SILVER SERVING IMPLEMENTS 19th and 20th century - Wt. 13.8 troy oz..

SIX ASSORTED SILVER SERVING IMPLEMENTS Including coin silver pastry trowel by J.T. & E.M. Edwards, two Georgian berry spoons, Dominick & Haff master butter knife, Mexican flat server, and Camusso tea strainer

Lot: 61 - FIVE ASSORTED STERLING SILVER TABLE ITEMS - Silver weight, 13.2 troy oz..

FIVE ASSORTED STERLING SILVER TABLE ITEMS Wallace Co. circular serving plate with relief border decoration, D: 10 in.; pair Japanese (950-fine) garden lantern-form salt and pepper shakers, H: 2 3/4 in.; cut colorless crystal powder jar with sterling lift cover, D: 4 1/4 in.; and cut glass jam jar with sterling lift cover, D: 3 1/2 in.

Lot: 62 - 21 PIECES ASSORTED SILVER FLATWARE 19th and 20th century - Weighable silver: 12.6 troy oz..

21 PIECES ASSORTED SILVER FLATWARE Including set 8 American coin silver spoons (6 teaspoons and 2 tablespoons) by T. Wambley & Cleaves; cold meat fork; olive spoon; master butter knife; cream ladle; pair teaspoons; pickle fork; souvenir demitasse spoon (Court House, Dallas, TX); sterling-handle cake server, cheese server dessert knife; and teaball; and Continental silver cocktail implement

Lot: 63 - EIGHT STERLING SILVER TABLE ARTICLES - Silver wt. app. 13 troy oz..

EIGHT STERLING SILVER TABLE ARTICLES Including two-handle footed circular bon-bon dish with cobalt glass liner; English oval hinged-top mustard pot with cobalt glass liner; pair footed circular open salt with matching pepper shakers having relief lion mask decoration; and pair salt spoons

Lot: 64 - TWELVE ASSORTED STERLING SILVER SERVING IMPLEMENTS late 19th-early 20th century - Wt. 15 troy oz..

TWELVE ASSORTED STERLING SILVER SERVING IMPLEMENTS Including two gravy ladles, master butter knife, tablespoon, lettuce fork, small cold meat fork, cream ladle, sugar sifting spoon, olive spoon, and three pairs sugar tongs

Lot: 65 - PAIR GERMAN SILVER (800-FINE) SCROLLING BOAT-FORM BON-BON DISHES MADE BY POSEN 19th century - H: 3 3/4 in. L: 5 1/2 in. Wt. 11 troy oz..

PAIR GERMAN SILVER (800-FINE) SCROLLING BOAT-FORM BON-BON DISHES MADE BY POSEN Hallmarked. Each raised on three cockleshell-form feet; vessels have relief leaf, floral and cartouche decoration; vermeil interiors.

Lot: 66 - 15 ASSORTED PIECES STERLING SILVER AND STERLING-HANDLED FLATWARE late 19th-early 20th century - Weighable silver: 13.6 troy oz..

15 ASSORTED PIECES STERLING SILVER AND STERLING-HANDLED FLATWARE Including English Victorian gravy ladle; pair Victorian serving tongs; Georgian berry spoon; two pierced flat servers; set four Art Nouveau floral teaspoons; and six sterling-handled implements (steak carving knife and fork; roast carving fork, cake/pie server; candle snuffer, and pair serving tongs)

Lot: 67 - SET EIGHT S. KIRK & SON, INC. STERLING SILVER FOOTED LIQUEUR CUPS, WITH SET SIX CLOSELY SIMILAR SILVER-PLATED CUPS - H: 2 7/8 in. Sterling cups, wt. 17.6 troy oz..

SET EIGHT S. KIRK & SON, INC. STERLING SILVER FOOTED LIQUEUR CUPS, WITH SET SIX CLOSELY SIMILAR SILVER-PLATED CUPS One engraved as Horseshow tropy

Lot: 68 - THREE CONTINENTAL SILVER (900-FINE) WINE BOTTLE COASTERS 19th century - D: 5 3/8 in. Wt. 18 troy oz..

THREE CONTINENTAL SILVER (900-FINE) WINE BOTTLE COASTERS Pair made by Fils S. Narik, Smyrne, one with Greek punchmark. Circular with low relief border decoration; raised on three leafy scrolling feet.

Lot: 69 - MEXICAN STERLING SILVER OVAL TRAY - 12 in. x 7 1/4 in. Wt. 16. troy oz..

MEXICAN STERLING SILVER OVAL TRAY Lobed border with high-relief scrolling edge.

Lot: 70 - ENGLISH SILVER FOOTED SQUARE SALVER 20th century - Wt. 23.2 troy oz. 10 1/2 in. square..

ENGLISH SILVER FOOTED SQUARE SALVER Made Sheffield by HE Lmtd. Serpentine corners; beaded edge; raised on four pad feet; monogrammed

Lot: 71 - GERMAN SILVER (800-FINE) SHAPED OVAL TRAY - 17 in. x 12 3/4 in. Wt. 27 troy oz..

GERMAN SILVER (800-FINE) SHAPED OVAL TRAY Plain center; pierced basketweave border spaced by scrolling leaves and shells

Lot: 72 - AMERICAN EMPIRE COIN SILVER CREAMER AND TWO-HANDLE SUGAR BOWL BY DAVIS PALMER & CO., BOSTON, MA 19th century - Sugar bowl, H: 8 3/4 in. Wt. 30 troy oz..

AMERICAN EMPIRE COIN SILVER CREAMER AND TWO-HANDLE SUGAR BOWL BY DAVIS PALMER & CO., BOSTON, MA Pedestal bases; bands of low relief floral and leaf decoration on stippled ground; sugar bowl has coordinating but not matching cover

Lot: 73 - SEVEN ASSORTED STERLING SILVER TABLE ARTICLES - .

SEVEN ASSORTED STERLING SILVER TABLE ARTICLES Including English footed round bowl with beaded edge, D: 7 7/8 in.; bon-bon dish with fluted border, D: 4 3/8 in.; footed ovoid creamer, H: 4 1/4 in.; two bail-handle bon-bon baskets; Georg Jensen scroll-handle spoon; and Reed & Barton sugar spoon

Lot: 74 - 31 ASSORTED ITEMS LATE STERLING SILVER FLATWARE late 19th-early 20th century - Wt. 27 troy oz..

31 ASSORTED ITEMS LATE STERLING SILVER FLATWARE Including 8 pieces S. Kirk "Calvert" pattern; set eight Whiting Co. "Louis XV" pattern oyster forks and serving spoon; Gorham Co. "Chantilly" pattern olive spoon and butter knife; set 6 Georgian teaspoons monogrammed "EM"; set four chowder spoons; and "Floral Repousse" cold meat fork, oyster fork, and salt spoon.

Lot: 75 - NINE CLOSELY SIMILAR STERLING SILVER WINE GOBLETS - H: 6 7/8 in. Wt. 32 troy oz..

NINE CLOSELY SIMILAR STERLING SILVER WINE GOBLETS Set six by Watson Co.; pair by Manchester Co.; one by Alvin Co.

Lot: 76 - S. KIRK & SON "CASTLE REPOUSSE" STERLING SILVER OVOID WATER PITCHER WITH ASSOCIATED "CASTLE REPOUSSE" STERLING SILVER BALUSTER-FORM CREAMER - Pitcher, H: 9 3/4 in. Creamer, H: 4 1/2 in. Total wt. 27.2 troy oz..

S. KIRK & SON "CASTLE REPOUSSE" STERLING SILVER OVOID WATER PITCHER WITH ASSOCIATED "CASTLE REPOUSSE" STERLING SILVER BALUSTER-FORM CREAMER Relief dwellings in landscape centered by floral garlands; pitcher is monogrammed.

Lot: 77 - TWO PARTIAL SETS STERLING SILVER FLATWARE - Wt . 32 troy oz..

TWO PARTIAL SETS STERLING SILVER FLATWARE 32 pieces including 14 pieces Lunt Co. "William & Mary" pattern (10 oyster forks, chowder spoon, gravy ladle, cream ladle, and flat server); and 18 pieces Durgin Co. "Victorian" pattern (8 place forks and 10 teaspoons).

Lot: 78 - SEVEN CONTINENTAL SILVER TABLE ARTICLES late 19th-early 20th century - Wt. 35 troy oz. (including treen handle on creamer).

SEVEN CONTINENTAL SILVER TABLE ARTICLES Including Neoclassical footed creamer with treen handle, H: 6 in.; two-handle oval, open sugar bowl with repousse genre scene decoration in style of Teniers, pair shaped oval leaf-design bon-bon dishes; two-handle oval serving dish with relief figure of goddess in chariot with putti, L: 8 in overall; and fluted and relief decorated candleholder with two three-light candelabra tops

Lot: 79 - 26-PIECE PARTIAL SERVICE WALLACE CO. "GRAND BAROQUE" PATTERN STERLING SILVER FLATWARE - Wt. 29 troy oz. (excluding knives).

26-PIECE PARTIAL SERVICE WALLACE CO. "GRAND BAROQUE" PATTERN STERLING SILVER FLATWARE Including 8 dinner knives, L: 8 7/8 in.; 7 dinner forks, L: 7 1/4 in.; 6 salad/dessert forks; and 5 teaspoons

Lot: 80 - AMERICAN COIN SILVER URN-FORM PEDESTAL-BASE WATER PITCHER 19th century - H: 12 1/4 in. Wt. 38.2 troy oz..

AMERICAN COIN SILVER URN-FORM PEDESTAL-BASE WATER PITCHER Scrolling handle; ribbed collar band; unmarked (maker unknown)

Lot: 81 - 31-PIECE GORHAM CO. "OLD DOMINION" PATTERN STERLING SILVER FLATWARE SERVICE. - Weighable silver: 44 troy oz. (excluding seven knives)..

31-PIECE GORHAM CO. "OLD DOMINION" PATTERN STERLING SILVER FLATWARE SERVICE. Including 6 dinner knives, 9½"; 6 dinner forks, L: 7 3/4"; 3 salad/dessert forks; 4 place/dessert spoons; 6 teaspoons; 2 sugar shells; 1 gravy ladle; 1 serving spoon; 1 vegetable serving spoon; one sterling handle master butter knife.

Lot: 82 - THREE-PIECE AMERICAN EMPIRE COIN SILVER TEA SERVICE Maker unknown (unmarked) - Teapot, H: 10 1/2 in. Wt. 53 troy oz..

THREE-PIECE AMERICAN EMPIRE COIN SILVER TEA SERVICE Teapot and two-handle, lift-cover sugar bowl with pair coordinating Empire sugar tongs made by Stodder & Frobisher, Boston, MA. Lobed, pedestal-base vessels with bands of scrolling leaf and blossom decoration on scrolling ground.

Lot: 83 - 83-PIECE SERVICE ALVIN CO. "CHATEAU ROSE" PATTERN STERLING SILVER FLATWARE - Weighable silver: 67 troy oz..

83-PIECE SERVICE ALVIN CO. "CHATEAU ROSE" PATTERN STERLING SILVER FLATWARE Including 13 dinner knives, 8 dinner forks (one extra large), 11 salad/dessert forks, 12 teaspoons, 6 iced beverage spoons, 9 cream soup spoons, 11 flat handle butter knives, 9 demitasse spoons, one serving spoon, one gravy ladle, and two pickle forks

Lot: 84 - 66-PIECE SERVICE FOR EIGHT OF LUNT CO. "AMERICAN VICTORIAN" PATTERN STERLING SILVER FLATWARE - Weighable silver: 57 troy oz. (excluding 17 inives).

66-PIECE SERVICE FOR EIGHT OF LUNT CO. "AMERICAN VICTORIAN" PATTERN STERLING SILVER FLATWARE Including 8 place knives; 8 place forks; 8 salad/dessert forks; 8 cream soup spoons; 16 teaspoons; 8 hollow-handle butter knives; 2 serving spoons; 1 cold meat fork; 1 sugar shell; 1 gravy ladle; 1 cream ladle; 1 jelly spoon; 1 nut spoon; 1 master butter knife, and 1 pickle fork

Lot: 85 - 75-PIECE SERVICE TOWLE CO. "LADY CONSTANCE" PATTERN STERLING SILVER FLATWARE SERVICE - Weighable silver, 62 troy oz. (excluding ten silver-handle pieces).

75-PIECE SERVICE TOWLE CO. "LADY CONSTANCE" PATTERN STERLING SILVER FLATWARE SERVICE Some pieces monogrammed. Including 6 dinner knives; 6 dinner forks; 6 salad/dessert forks; 6 soup/place/dessert spoons; 18 teaspoons; 6 iced beverage spoons; 6 demitasse spoons; 6 bouillon spoons; 6 flat-handle butter knives, 6 serving spoons; 2 sugar shells;1 sauce ladle; 1 cold meat fork; 1 lemon/pickle fork; two-piece steak carving set (knife and fork); 1 cake knife; and bread knife

Lot: 86 - FIVE-PIECE JAPANESE SILVER NEOCLASSICAL STYLE TEA/COFFEE SERVICE - Coffee pot, H: 10 in. Wt. 75 troy oz..

FIVE-PIECE JAPANESE SILVER NEOCLASSICAL STYLE TEA/COFFEE SERVICE Including teapot, coffee pot, creamer, two-handle sugar bowl with lift-cover and and waste bowl. Urn-form vessels with reeded lower bodies; pedestal feet

Lot: 87 - 97-PIECE SERVICE LUNT CO. "MODERN VICTORIAN" PATTERN STERLING SILVER FLATWARE - Weighable silver: 81 troy oz..

97-PIECE SERVICE LUNT CO. "MODERN VICTORIAN" PATTERN STERLING SILVER FLATWARE Including 12 dinner knives, 11 dinner forks, 12 salad/dessert forks. 12 teaspoons, 11 soup/dessert spoons, 10 demitasse spoons, 5 iced beverage spoons, 12 hollow-handle butter knives, 2 serving spoons, 3 cold meat forks, 1 vegetable serving spoon, 1 gravy ladle 2 pickle forks, and three sterling-handle serving implements (cake/pie server, flat server, and cheese server)

Lot: 88 - 74-PIECE SERVICE REED & BARTON "SIR FRANCIS I" PATTERN STERLING SILVER FLATWARE, - Weighable silver: 97 troy oz. (excluding 11 sterling-handle pieces).

74-PIECE SERVICE REED & BARTON "SIR FRANCIS I" PATTERN STERLING SILVER FLATWARE Including 8 dinner knives, L: 9 ½"; . Inc ": 5 dinner forks, L: 7 3/4"; 20 20 salad/dessert forks; 10 place/dessert spoons; 16 teaspoons; 8 iced beverage spoons; one hollow-handle butter knife, one serving spoon; one sugar shell; one gravy ladle; one sterling-handle pie cake knife; and one master butter knife.

Lot: 88A - CHINESE POLYCHROME PORCELAIN OVOID JAR MOUNTED AS TABLE LAMP, - Jar portion, H: 10 1/4 in..

CHINESE POLYCHROME PORCELAIN OVOID JAR MOUNTED AS TABLE LAMP Flowering branch decoration with poem in characters.

Lot: 89 - CHINESE KANGXI-STYLE FOU (HAPPINESS) WINE VASE - .

CHINESE KANGXI-STYLE FOU (HAPPINESS) WINE VASE Central medallion with dragon and stylized characters, with green, orange, and white enamel decoration

Lot: 90 - SET THREE CHINESE POLYCHROME PORCELAIN CABBAGE BOWLS - D: 6 7/8 in..

SET THREE CHINESE POLYCHROME PORCELAIN CABBAGE BOWLS Richly textured dark green and white leaves naturalistically rendered on the exterior and smooth celadon green interior.

Lot: 91 - CHINESE BLUE AND WHITE PORCELAIN CHENGHUA NIANZHI-STYLE SHALLOW BOWL. Cobalt blue underglaze painting on white porcelain body. Central medallion of stylized fish swimming in wave and nibbling on gingko leaf with a wid...

CHINESE BLUE AND WHITE PORCELAIN CHENGHUA NIANZHI-STYLE SHALLOW BOWL. Cobalt blue underglaze painting on white porcelain body. Central medallion of stylized fish swimming in wave and nibbling on gingko leaf with a wide rim border of stylized waves and roundels with simple floral motifs. While the plate is 19th century, the base mark reads "Chenghua Nianzhi" or "Made in the Chenghua period" (1465-1487). - Diameter: 10.5 inches.

Lot: 92 - CHINESE FAMILLE VERTE BALUSTER-FORM VASE MOUNTED AS TABLE LAMP 19th century - Vase, H: 17 in..

CHINESE FAMILLE VERTE BALUSTER-FORM VASE MOUNTED AS TABLE LAMP Decoration of birds perched in flowering branches; carved teakwood stand.

Lot: 93 - TWO CHINESE VASES early 20th century - .

TWO CHINESE VASES One, blue and white porcelain ovoid, with carved teakwood cover and separate stand. Other, carved cinnabar, with decoration of figures in landscape, H; 6 in.

Lot: 94 - COBALT BLUE MOTTLED GLAZED BALUSTER-FORM PORCELAIN VASE MOUNTED AS TABLE LAMP - Vase, H: 17 1/2 in..

COBALT BLUE MOTTLED GLAZED BALUSTER-FORM PORCELAIN VASE MOUNTED AS TABLE LAMP Relief-molded gilt circular base.

Lot: 95 - CHINESE CELADON GLAZED PORCELAIN CHARGER 19th century - D: 14 ¾”.

CHINESE CELADON GLAZED PORCELAIN CHARGER Overall low-relief underglaze decoration. Accompanied by certificate of authenticity from Chinese gallery

Lot: 96 - CHINESE FAMILLE ROSE 'SANDUO' PEACH-FORM POLYCHROMED PORCELAIN SWEETMEAT BOX AND COVER Qing Dynasty, Guangxu Period - Top: 9 x 9 in.; height: 4 1/2 in..

CHINESE FAMILLE ROSE 'SANDUO' PEACH-FORM POLYCHROMED PORCELAIN SWEETMEAT BOX AND COVER Polychrome porcelain sweetmeat box and cover in the form of the Three Abundances: peach, pomegranate, and Buddha's hand citron.

Lot: 97 - CHINESE BLUE AND WHITE PORCELAIN COVERED JAR WITH DRAGON AND PHOENIX DECORATION ON HARDWOOD STAND Late 18th century - .

CHINESE BLUE AND WHITE PORCELAIN COVERED JAR WITH DRAGON AND PHOENIX DECORATION ON HARDWOOD STAND Baluster jar and cover, decorated with dragons and phoenix amongst clouds and waves, with lion-dog finial and mask handles, on carved hardwood stand, in the Kangxi style.

Lot: 98 - 17 ASSORTED PIECES CHINESE ROSE MEDALLION PORCELAIN TABLEWARE 19th century - .

17 ASSORTED PIECES CHINESE ROSE MEDALLION PORCELAIN TABLEWARE Including cylindrical teapot (lacking cover); two-handle sugar bowl (lacking cover); five assorted plates (largest, D: 7 7/8 in.) jar lid (repaired); six assorted cups and three small plates

Lot: 99 - CHINESE ROSE MEDALLION OVAL PLATTER 19th century - 16 1/2 in. x 13 1/2 in..

CHINESE ROSE MEDALLION OVAL PLATTER

Lot: 100 - 24 PIECES CHINESE ROSE MEDALLION PORCELAIN TABLEWARE - .

24 PIECES CHINESE ROSE MEDALLION PORCELAIN TABLEWARE Including oval platter, 12 1/4 in. x 9 3/4 in. (rim chips); pair lozenge shape covered vegetable dishes; eight assorted cups; eleven assorted saucers; and two dessert plates, D: 8 1/4 in.

Lot: 101 - CHINESE FAMILLE ROSE PORCELAIN PUNCH BOWL 19th century. - D: 16 in..

CHINESE FAMILLE ROSE PORCELAIN PUNCH BOWL Decorated with alternating shaped panels of court figures in interior scenes and birds amongst peonies and foliage. On teak wood stand

Lot: 102 - CHINESE CANTON PORCELAIN COVERED TUREEN early 19th century - length: 13 in. (including handles); width: 9 in.; height: 5 in..

CHINESE CANTON PORCELAIN COVERED TUREEN Riverside landscape of pavilions and trees, with geometric border, lion-mask handles, and apple-form finial.

Lot: 103 - ELEVEN PIECES CANTON PORCELAIN 19th Century - .

ELEVEN PIECES CANTON PORCELAIN Comprising rectangular platter, serving dish, mug, eight plates of varying sizes. All decorated in the blue and white palette with iconic Canton pattern of pagodas, bridges, willow trees, and rocky landscapes.

Lot: 104 - FIVE PIECES CHINESE EXPORT PORCELAIN late 18th-early 19th century - Tallest, H; 5 in..

FIVE PIECES CHINESE EXPORT PORCELAIN Various floral decoration. Including cylindrical teapot, apple-form teapot, helmet-shape creamer, ovoid creamer with book-form spout, and two-handle open sugar bowl

Lot: 105 - CHINESE EXPORT ARMORIALLY-DECORATED BLUE AND WHITE TEAPOT WITH LIFT COVER, MADE FOR THE AMERICAN FEDERAL MARKET late 18th-early 19th century - H: 5 1/4 in..

CHINESE EXPORT ARMORIALLY-DECORATED BLUE AND WHITE TEAPOT WITH LIFT COVER, MADE FOR THE AMERICAN FEDERAL MARKET Each side with polychromed floral sprays centering shield with conjoined monogram.

Lot: 106 - CHINESE EXPORT PORCELAIN FIGURAL-AND-SHIP DECORATED CYLINDRICAL TEAPOT WITH LIFT COVER early 19th century - H: 6 1/4 in..

CHINESE EXPORT PORCELAIN FIGURAL-AND-SHIP DECORATED CYLINDRICAL TEAPOT WITH LIFT COVER

Lot: 107 - SET OF FIVE CHINESE EXPORT PORCELAIN DECORATED PLATES MADE FOR THE AMERICAN MARKET, CIRCA 1790 Qianlong or early Jiaqing period - D: 9 3/4 in..

SET OF FIVE CHINESE EXPORT PORCELAIN DECORATED PLATES MADE FOR THE AMERICAN MARKET, CIRCA 1790 Each decorated with enamel peach/apricot color and gilt borders featuring ribbon-tied floral swags, interlaced foliate bands, and a central gilt cartouche.

Lot: 108 - CHINESE CHAMPLEVE ENAMEL BALUSTER-FORM VASE WITH DRAGON HANDLES - H: 18 1/2 in..

CHINESE CHAMPLEVE ENAMEL BALUSTER-FORM VASE WITH DRAGON HANDLES

Lot: 109 - TWO SIMILAR CHINESE IRON FIGURES OF SAMURAI - H: 16 3/4 in..

TWO SIMILAR CHINESE IRON FIGURES OF SAMURAI

Lot: 110 - FOUR PIECES CHINESE CLOISONNE AND CHAMPLEVE ENAMEL - Teapot, H: 13 in..

FOUR PIECES CHINESE CLOISONNE AND CHAMPLEVE ENAMEL Including pedestal-base, baluster-form teapot with lift-cover; and three various vases.

Lot: 111 - CHINESE CARVED WHITE HARDSTONE LAMP. Carved to depict traditional tiered pagoda surrounded by dragons or mythical creatures at sides; elements of trees and other foliage. Mounted on a metal stand., - Height (excluding...

CHINESE CARVED WHITE HARDSTONE LAMP. Carved to depict traditional tiered pagoda surrounded by dragons or mythical creatures at sides; elements of trees and other foliage. Mounted on a metal stand. - Height (excluding harp): 14.5 inches (24 inches including harp).

Lot: 112 - FOUR CHINESE DECORATIVE PANELS DEPICTING CHILDREN AT PLAY - .

FOUR CHINESE DECORATIVE PANELS DEPICTING CHILDREN AT PLAY Red lacquer panels; originally doors from a Chinese cabinet or armoire. Each panel with large circular brass plate and teardrop-shaped pull.

Lot: 113 - CHINESE CARVED AND GILDED WOODEN TEMPLE PANEL - 13 1/2 in. x 6 3/4 in..

CHINESE CARVED AND GILDED WOODEN TEMPLE PANEL Figures of warriors on horseback on landscape with bridge.

Lot: 114 - CHINESE EMBROIDERED SILK RECTANGULAR PANEL 19th century - Panel, 24 1/2 in. x 12 3/4 in..

CHINESE EMBROIDERED SILK RECTANGULAR PANEL Decoration of bats and urns with flowering plants; floral border. Framed, floating between glass borders

Lot: 115 - CARVED FIGURE OF FISHERMAN ON HARDWOOD STAND Late 19th–Early 20th Century - height: 8 in. (including base); width: 2 1/4 in..

CARVED FIGURE OF FISHERMAN ON HARDWOOD STAND Finely carved figure of smiling bearded fisherman wearing conical hat, holding fishing rod with dragon-form finial and wicker basket, mounted on carved hardwood base.

Lot: 116 - CHINESE CARVED AND PIERCED TEAKWOOD TABOURET late 19th century - H: 19 in. D: 13 in., overall.

CHINESE CARVED AND PIERCED TEAKWOOD TABOURET Top inset with marble roundel

Lot: 117 - CHINESE FLORAL AND PIERCED TABOURET late 19th-early 20th century - H: 24 1/2 in. Top, D: 11 3/4 in..

CHINESE FLORAL AND PIERCED TABOURET Octagonal top centers inset mottled rouge marble panel

Lot: 118 - CHINESE RED LACQUER TWO-DOOR WEDDING CABINET 19th century - H: 70 in.; W: 46 in. D: 21 5/8 in..

CHINESE RED LACQUER TWO-DOOR WEDDING CABINET Doors open to two shelves above lift-top storage compartment; brass lockplate

Lot: 119 - TIBETAN POLYCHROME FLORAL PAINTED PINE TWO-DOOR THREE-DRAWER CABINET - H: 42 1/2 in. W: 44 1/2 in. D: 11 3/4 in..

TIBETAN POLYCHROME FLORAL PAINTED PINE TWO-DOOR THREE-DRAWER CABINET Red-painted front with 13 panels of red, green and cream color floral and bird decoration

Lot: 120 - CHINESE CARVED AND PAINTED WRITING DESK WITH MATCHING DESK CHAIR - Desk, H: 42 3/4 in.; W: 30 in. (top). D: 16 1/2 in. (top).

CHINESE CARVED AND PAINTED WRITING DESK WITH MATCHING DESK CHAIR Desk has superstructure with compartment having staggered shelves centered by pair cabinet doors with applied, high-relief bone flowerheads; desk and chair painted with red, dark green, and cream roundels of writhing dragons

Lot: 121 - CHINESE EIGHT-FOLD STITCH-WORK FLOOR SCREEN - H: 70". W: 12"..

CHINESE EIGHT-FOLD STITCH-WORK FLOOR SCREEN Stitch-work and medallion decoration on cream color ground with stitch-work calligraphy.

Lot: 122 - CHINESE ANCESTRAL PORTRAIT OF A NOBLE LADY IN COURT DRESS, QING DYNASTY 19th century - 43 in. x 21 in., sight size as framed.

CHINESE ANCESTRAL PORTRAIT OF A NOBLE LADY IN COURT DRESS, QING DYNASTY Painted on paper depicting seated noblewoman wearing elaborate jewelled headdress and richly embroidered red dragon robe, enthroned above peony-strewn foreground In gilt wood frame with red slip

Lot: 123 - BIRD-AND-FLOWER SCROLL PAINTING - Scroll: 24 in. x 59 in.; frame: 39 in. x 71 in..

BIRD-AND-FLOWER SCROLL PAINTING Ink and colors on silk; depicts white egrets gathered near lily pond, surrounded by pink hibiscuses in full bloom and swaying willow tree. Framed.

Lot: 124 - REVERSE GLASS PAINTING DEPICTING MOTHER AND CHILD, QUING DYNASTY - .

REVERSE GLASS PAINTING DEPICTING MOTHER AND CHILD, QUING DYNASTY Framed. Not examined out of frame.

Lot: 125 - TIBETAN THANGKA OF A WRATHFUL DEITY - (approx.) 26.5 x 18 inches.

TIBETAN THANGKA OF A WRATHFUL DEITY Richly detailed Tibetan thangka painting on cloth depicts fearsome multi-armed wrathful deity rendered in bold jewel tones, surrounded by hierarchy of subsidiary figures, sacred animals, and celestial beings arranged across cloud-filled landscapes, consistent with the iconographic traditions of Vajrayana Buddhist devotional art. Unframed.

Lot: 126 - SINO-TIBETAN OR MONGOLIAN THANGKA - .

SINO-TIBETAN OR MONGOLIAN THANGKA Depicting central warrior deity mounted on white horse, surrounded by armored horsemen, animals, and billowing flames, with wrathful figure enthroned above in celestial realm. Framed. Not examined out of frame.

Lot: 127 - JAPANESE TEA CEREMONY MIZUSASHI GLAZED CERAMIC LIDDED CONTAINER WITH HANDLES OR FRESH WATER JAR. Presented in wooden box tied with ribbon, accompanied by paper documents. This type of presentation is known as a kiriba...

JAPANESE TEA CEREMONY MIZUSASHI GLAZED CERAMIC LIDDED CONTAINER WITH HANDLES OR FRESH WATER JAR. Presented in wooden box tied with ribbon, accompanied by paper documents. This type of presentation is known as a kiribako (paulownia wood box). The texture and style is characteristic of Shigaraki ware which the documents confirm. - height: 7 1/2 in.

Lot: 128 - PAIR JAPANESE POLYCHROMED PORCELAIN "FAN" DECORATED PLATES late 19th century - D: 8 1/4 in..

PAIR JAPANESE POLYCHROMED PORCELAIN "FAN" DECORATED PLATES

Lot: 129 - IMARI PORCELAIN BOWL 19th century - D: 9 3/4 in..

IMARI PORCELAIN BOWL Central floral decoration; borders of green, rust, and cobalt with gilt accents; six-character mark under foot.

Lot: 130 - TWO JAPANESE SATSUMA FIGURAL DECORATED PORCELAIN VASES, ONE MOUNTED AS TABLELAMP - .

TWO JAPANESE SATSUMA FIGURAL DECORATED PORCELAIN VASES, ONE MOUNTED AS TABLELAMP Larger with lavish decoration, H: 11 3/4 in. (vase portion)

Lot: 131 - JAPANESE SATSUMA PORCELAIN TETE-A-TETE TYPE MINIATURE TEA SET late 19th century - H: 4 5/8 in..

JAPANESE SATSUMA PORCELAIN TETE-A-TETE TYPE MINIATURE TEA SET Signed with gilt characters under each piece. Including teapot with cover, covered sugar bowl, creamer and two cups with two saucers. Figural decoration with gold accents;have dragon-form spouts, handles, and cover finials.

Lot: 132 - JAPANESE STUDIO POTTERY OVOID VASE late 19th-early 20th century - H: 18 1/2 in..

JAPANESE STUDIO POTTERY OVOID VASE Incised signature under base. Relief floral branch decoration; upper portion with dark green drip glaze

Lot: 133 - SMALL JAPANESE VASE PLUS A CASE DECORATED WITH DRAGONS early 20th century - .

SMALL JAPANESE VASE PLUS A CASE DECORATED WITH DRAGONS One, miniature wireless cloisonne cabinet vase with decoration of three storks on celadon color ground, H: 4 3/4 in. Other, red with black enamel on gilt, hinged-top rectangular cigarette case with writhing dragon on front cover reversing to scene of Mt. Fuji. 3 7/8 in. x 1 7/8 in.

Lot: 134 - TWO JAPANESE CLOISONNE CABINET VASES late 19th-early 20th century - Taller, H: 6 in..

TWO JAPANESE CLOISONNE CABINET VASES One, elongated ovoid; other, ovoid with straight neck. Both finely decorated with panels of mythical birds and flowers on gold-flecked grounds.

Lot: 135 - JAPANESE BRONZE FIGURE CAST AS STANDING PEASANT WORKER ON NATURALISTIC ROCKY GROUND 19th century - H: 9 1/2 in..

JAPANESE BRONZE FIGURE CAST AS STANDING PEASANT WORKER ON NATURALISTIC ROCKY GROUND Character foundry mark at base

Lot: 136 - TOYOKUNI III UTAGAWA (Japanese, 1786-1865). Singing Young Nightingale, 1852, ukiyo-e woodblock print style.

TOYOKUNI III UTAGAWA Japanese, 1786-1865 ukiyo-e woodblock print style. Young woman in elaborate floral kimono reclines on decorative mat inside traditional Japanese interior, while man peers down from upper room amid blossoming plum branches.Publisher: Iseya Kanekichi. Framed. Not examined out of frame.

Lot: 137 - UTAGAWA KUNISADA (ALSO KNOWN AS TOYOKUNI III) (JAPANESE, EDO PERIOD) 19th century - Sight (as matted): 14 x 9.5 inches; frame: 21 x 16 inches.

UTAGAWA KUNISADA (ALSO KNOWN AS TOYOKUNI III) (JAPANESE, EDO PERIOD) Woodblock print, or ukiyo-e, of a Kabuki actor, identified by the calligraphy as Ichikawa Juzo or Sumizo, in the role of the formidable samurai Fuwa Banzaemon. Framed. Not examined out of frame.

Lot: 138 - JAPANESE TWO-PANEL SCREEN, SAGES CONTEMPLATING A WATERFALL, SIGNED AND SEALED Meiji Period - Each panel: width: 37 1/2 in.; height: 67 1/2 in..

JAPANESE TWO-PANEL SCREEN, SAGES CONTEMPLATING A WATERFALL, SIGNED AND SEALED Ink on paper screen depicting two seated sages gazing upward beside cascading waterfall and rocky landscape, rendered in bold ink wash, with inscription reading apparently stating it is "Meiji shinmi no natsu" (summer of Meiji *shinmi*, 1871), signed Kenkyo-sai Mori Kosho with two red seals, gold brocade borders and lacquered frame.

Lot: 139 - UTAGAWA HIROSHIGE (Japanese, 1797–1858). FAMOUS PLACES OF THE EASTERN CAPITAL: ILLUSTRATION OF TSUKIJI NISHIMIDO TEMPLE, CIRCA 1830S, ukiyo-e woodblock triptych

UTAGAWA HIROSHIGE Japanese, 1797–1858 ukiyo-e woodblock triptych Unframed colour woodblock triptych depicting a sweeping bird's-eye view of Tsukiji Nishi-Mido temple, Tokyo, a branch temple of Kyoto's Nishi Hongan-ji, originally founded in Asakusa in 1617 and relocated to its present Tsukiji site in 1679 following the Great Fire of Meireki. The composition shows the temple precinct with figures amongst pine trees and traditional architecture, with Japanese text cartouches and publisher's seal. Unframed. Publisher: Tsutakichi NOTE: The colours are remarkably fresh and vibrant. Minor defects to note include the publisher's mark at the lower edge being partially trimmed, and evidence of old repair work to the verso where minor insect damage may have occurred.

Lot: 140 - ASIAN HINGED-TOP BRASS RECTANGULAR BOX 19th century - H: 2 3/4 in. Top, 6 1/8 in. x 3 1/8 in..

ASIAN HINGED-TOP BRASS RECTANGULAR BOX Overall relief scrollwork decoration; fitted interior with tow hinged-top compartments

Lot: 141 - TWO VINTAGE INDIAN BRASS RECTANGULAR TRAYS - .

TWO VINTAGE INDIAN BRASS RECTANGULAR TRAYS One, with overall figural decoration, 27 in. x 18 in.; other, with overall floral and bird motifs, 25 3/4 in. x 10 7/8 in. Finely tooled

Lot: 142 - FOUR ANTIQUE PERSIAN CERAMIC BOWLS WITH HAND-PAINTED POLYCHROME FLORAL DECORATION - Largest, D; 10 in..

FOUR ANTIQUE PERSIAN CERAMIC BOWLS WITH HAND-PAINTED POLYCHROME FLORAL DECORATION Chips and imperfections

Lot: 143 - KOREAN BRASS-MOUNTED ELMWOOD TANSU - H: 44 in. D: 16 1/2 in..

KOREAN BRASS-MOUNTED ELMWOOD TANSU Drop-front panel over pair cabinet doors; elaborate butterfly mounts, latch and hinges; fish-form lock; bailside handles; dovetailed construction

Lot: 144 - BURMESE MANDALAY ALABASTER MARBLE BUDDHA HEAD - H: 13 1/2 in. (head only); 19 in. including base..

BURMESE MANDALAY ALABASTER MARBLE BUDDHA HEAD Sculptural fragment carved in classic Mandalay style. Mounted on square black metal display stand.

Lot: 145 - LARGE GILDED AND GEM-INLAID RECLINING BUDDHA (PARINIRVANA), BURMESE, MANDALAY STYLE early 19th Century - Length: 45 in.; height: 14.5 in.; width: 14 in..

LARGE GILDED AND GEM-INLAID RECLINING BUDDHA (PARINIRVANA), BURMESE, MANDALAY STYLE Reclining Buddha depicted intraditional pose on his right side with his head resting on his right hand, representing the moment of his passing into final Nirvana. Richly gilded carved wooden figure with elaborate decoration of inlaid colored glass stones adorning robe, headband, and sash.

Lot: 150 - CONTINENTAL FIGURINE DEPICTING SANCTA MARIA AUXILIUM CHRISTIANORUM - Height: 10.25 inches.

CONTINENTAL FIGURINE DEPICTING SANCTA MARIA AUXILIUM CHRISTIANORUM Hand-painted, carved and gilded figurine depicting Mary Help of Christians (also known as Maria Auxiliatrix or Regina Coeli), a title of the Virgin Mary traditionally associated with the defense of Christian Europe. These statues are associated with carvers from Northern Italy and Austria.

Lot: 151 - PAIR OF CONTINENTAL RELIGIOUS RELIEFS 19th century - .

PAIR OF CONTINENTAL RELIGIOUS RELIEFS Pair of heavily weathered continental reliefs mounted on a modern board. The larger panel (right) features a Gothic Madonna and Child. The smaller, arched relief depicts a standing saint, potentially Saint John the Evangelist or Saint George, identified by the accompanying cross and an attendant figure. Note: Both works exhibit surface erosion, structural cracking, and wormhole damage.

Lot: 152 - TWO PATINATED WOODEN SANTO FIGURINES, EACH DEPICTING A MALE RELIGIOUS FIGURE - Height (approx.): 13.5 inches.

TWO PATINATED WOODEN SANTO FIGURINES, EACH DEPICTING A MALE RELIGIOUS FIGURE Two carved wooden santo figurines, each depicting a male religious figure. The figure on the left portrays Jesus Christ with a gilded metal halo crown above his head and one raised hand. The figure on the right depicts a Franciscan friar — most likely Saint Anthony of Padua — dressed in the distinctive ribbed grey-green habit of the Franciscan order, holding a small book or Bible extended on his outstretched hand.

Lot: 153 - THREE HAND-CARVED WOODEN DECORATED RELIGIOUS SANTOS: THE VIRGIN MARY AND OTHERS - tallest statue (including base): 21.5 inches.

THREE HAND-CARVED WOODEN DECORATED RELIGIOUS SANTOS: THE VIRGIN MARY AND OTHERS Three hand-carved wooden religious figures. The figures appear to represent a bishop or saint in a mitered hat, a central female figure—likely the Virgin Mary—in a prayerful pose with a crown, and a bearded male figure, possibly a disciple or Christ. Each statue shows significant age with weathered surfaces, chipped dark and ochre paint, and a rustic, folk-art aesthetic.

Lot: 154 - THREE WEATHERED HAND-CARVED RELIGIOUS FIGURINES OR SANTOS. - .

THREE WEATHERED HAND-CARVED RELIGIOUS FIGURINES OR SANTOS. Three weathered hand-carved religious figurines or Santos. The figures, likely representing saints or biblical characters, exhibit varying degrees of age and wear; the left and center statues feature dark, weathered paint and missing hands, while the right figure is carved from a lighter wood with visible grain and a vertical crack. Each stands on a distinct wooden pedestal, reflecting a rustic, folk-art tradition of devotional sculpture.

Lot: 155 - TWO HAND-CARVED RELIGIOUS FIGURINES OF DIFFERENT SCALES. - height (tallest statue including base): 16.75 inches.

TWO HAND-CARVED RELIGIOUS FIGURINES OF DIFFERENT SCALES. Two hand-carved religious figurines of different scales. The taller figure is carved from a light-colored wood with remnants of green and yellow pigment, standing on a bulbous pedestal. The smaller figure is more intricately painted with a patterned green cloak and red trim, posed with hands in prayer atop a dark, tiered wooden base. Both pieces exhibit a weathered, antique patina characteristic of traditional folk-art devotional carvings.

Lot: 156 - CONTINENTAL HAND-CARVED WOODEN FIGURE OF CHRIST CHILD ATOP A TASSELED CUSHION. - height: 18 inches.

CONTINENTAL HAND-CARVED WOODEN FIGURE OF CHRIST CHILD ATOP A TASSELED CUSHION. Hand-carved wooden figure of the Christ Child (Santo Niño) in a seated position atop a tasseled cushion. The figure is posed with the right hand raised in a gesture of benediction, while the left hand is extended outward in a welcoming or teaching posture.

Lot: 157 - THREE WOODEN SANTO FIGURINES, EACH DEPICTING THE VIRGIN MARY - Height (approx): 9.5 inches.

THREE WOODEN SANTO FIGURINES, EACH DEPICTING THE VIRGIN MARY Three antique patinated carved wooden santo figurines, each depicting the Virgin Mary in a traditional devotional pose. All three have been hand-carved in wood, have polychrome painted surfaces, and have hands either clasped in prayer.

Lot: 158 - THREE CARVED DECORATED WOODEN SANTO FIGURINES - Height (approx): 12 inches.

THREE CARVED DECORATED WOODEN SANTO FIGURINES Collection of three patinated and carved wooden santo figurines representing religious figures. The figure on the left is dressed in green and ochre robes, one hand raised to the chest and the other extended in a gesture of offering or teaching. The central figure depicts a veiled Madonna with a flaming heart motif carved into the chest. The figure on the right shows a young saint dressed in soft turquoise and cream robes on a decorative stepped pedestal.

Lot: 159 - THREE WOODEN SANTO FIGURINES EACH DEPICTING FRANCISCAN FRIARS. - height central figure (including base) is approx. 7 inches.

THREE WOODEN SANTO FIGURINES EACH DEPICTING FRANCISCAN FRIARS. Three hand-carved and decorated wooden santo figurines each likely depicting Franciscan friars. The largest figure stands on a decorative stepped red and green base, holding a scroll or small cylindrical object in one hand, with a rosary draped across his robes — most likely a representation of Saint Anthony of Padua or Saint Francis of Assisi. The smaller figure on the left carries a staff topped with a small pennant or banner flag.

Lot: 160 - THREE PATINATED WOODEN SANTO FIGURINES OF A MONK AND TWO SAINTS - Height (approx.) 11 inches.

THREE PATINATED WOODEN SANTO FIGURINES OF A MONK AND TWO SAINTS Three patinated carved wooden santo figurines represent male religious figures. The figure on the left depicts a monk holding a red book and a staff. The central figure, crowned and carrying a large shield or orb, likely represents a warrior saint. The figure on the right portrays a bearded apostle or saint in flowing robes.

Lot: 161 - THREE WOODEN SANTO FIGURINES DEPICT FEMALE RELIGIOUS FIGURES - Height (approx.) 13.5 inches.

THREE WOODEN SANTO FIGURINES DEPICT FEMALE RELIGIOUS FIGURES Three patinated hand-carved wooden santo figurines with surfaces darkened to a deep, almost uniform black. All three depict female religious figures, most likely the Virgin Mary in various forms, each with hands clasped in prayer. The central figure wears a metal crown and stands on a small circular base. The figure on the right stands atop a carved sphere — a classical iconographic symbol of the Immaculate Conception — mounted on a faceted wooden base.

Lot: 162 - FOUR CARVED WOODEN SANTO FIGURINES OF MALE SAINTS OR MONKS - Height of each statue (approx.): 8 inches.

FOUR CARVED WOODEN SANTO FIGURINES OF MALE SAINTS OR MONKS Collection of four hand-carved and decorated carved wooden santo figurines each displaying distinctive iconographic attributes. The figure on the far left depicts a bearded apostle or saint; the second figure portrays a Franciscan friar in the order's characteristic ribbed habit; the third shows a deeply veiled figure bowing in reverence or grief and the figure on the far right, mounted on a dark wooden base, depicts a bearded saint in flowing gilded robes with a floral or flame motif at the chest, suggesting the Sacred Heart.

Lot: 163 - FIGURE OF THE VIRGIN MARY: POLYCHROMED WOOD WITH INSET GLASS DETAIL - Total Height (including base): 22.5 inches; height (base): 4.25 inches.

FIGURE OF THE VIRGIN MARY: POLYCHROMED WOOD WITH INSET GLASS DETAIL Heavily weathered polychromed wooden sculpture of the Virgin Mary, likely an 18th or 19th-century Spanish Colonial or Mexican devotional work. It is an example of the Mater Dolorosa (Sorrowful Mother) iconographic tradition. A feature of this piece is the use of inset glass eyes. Statue is set up on a weathered wooden plinth.

Lot: 164 - SANTO GROUP INCLUDING THE VIRGIN MARY HOLDING THE CHRIST CHILD AND A SMALLER SAINT FIGURE NEXT TO A DEMONIC OR GROTESQUE MASK AT HER FEET - height: 20.75 inches; width: 10 inches.

SANTO GROUP INCLUDING THE VIRGIN MARY HOLDING THE CHRIST CHILD AND A SMALLER SAINT FIGURE NEXT TO A DEMONIC OR GROTESQUE MASK AT HER FEET Heavily weathered carved wooden Santo group depicting the Virgin Mary holding the Christ Child, flanked by a smaller attendant saint figure and a dramatically carved demonic or grotesque mask at her feet — the latter likely representing the defeat of evil or the devil.

Lot: 165 - WEATHERED POLYCHROMED STATUE OF SAINT FRANCIS XAVIER - Height: 24.5 inches.

WEATHERED POLYCHROMED STATUE OF SAINT FRANCIS XAVIER Weathered polychromed wood statue depicts Saint Francis Xavier, a co-founder of the Society of Jesus. The saint is shown wearing traditional liturgical vestments, including a dark cassock beneath a surplice and a richly draped, earth-toned stole.

Lot: 166 - SANTOS TRILOGY OF THE HOLY FAMILY (SAGRADA FAMILIA) - Height: 16.5 inches; width: 12 inches.

SANTOS TRILOGY OF THE HOLY FAMILY (SAGRADA FAMILIA) Heavily weathered Santos trilogy of the Holy Family (Sagrada Familia), a traditional religious icon common in Spain and its former colonies, particularly the Philippines and Latin America. Hand-carved and polychromed over a gesso base, this group depicts Saint Joseph, the Virgin Mary, and a young Jesus Christ in the de tallado style, meaning the figures are fully carved rather than designed to be dressed in cloth. Lastly, the figures stand together on an ornate, hand-carved wooden base featuring floral or cherubic motifs.

Lot: 167 - PAIR OF TWO HAND CARVED WOODEN CHURCH ALTAR CANDLESTICKS 19th / 20th century - Height: 14 inches.

PAIR OF TWO HAND CARVED WOODEN CHURCH ALTAR CANDLESTICKS Pair of antique-style rustic candleholders featuring a weathered, moss-green patina. Each piece is composed of a Baluster-form stem accented by scalloped or gadrooned collars and a central acanthus leaf bulb. The columns rest on architectural bases characterized by heavy, scrolled feet and deep relief carvings of sweeping leaves.

Lot: 168 - HAND-CARVED BOLIVIAN WOOD RELIEF DEPICTING THE MADONNA HOLDING THE CHILD JESUS - Height: 8 inches.

HAND-CARVED BOLIVIAN WOOD RELIEF DEPICTING THE MADONNA HOLDING THE CHILD JESUS Hand-carved Bolivian wood relief depicting the Madonna holding the Child Jesus, likely representing the Virgin of Carmen as indicated by the scapulars held by both figures. The central figures are flanked by two smaller individuals, possibly representing souls in purgatory or devotees seeking protection, carved in a folk-art style characteristic of the region's devotional traditions. The composition is set within a rustic, grotto-like arched frame with deep, horizontal gouges that create a rhythmic texture around the subjects. Traces of original polychrome pigment—including earthy reds, deep blues, and golds—linger across the surface.

Lot: 169 - THREE SWINGING INCENSE BURNERS SHOWCASING VARYING ARCHITECTURAL AND ORNAMENTAL STYLES 20th century - height: 8.5 inches (excluding suspension chains).

THREE SWINGING INCENSE BURNERS SHOWCASING VARYING ARCHITECTURAL AND ORNAMENTAL STYLES Trio of thuribles, or swinging incense burners, showcase the varying architectural and ornamental styles found in liturgical metalwork. Each vessel is designed with a lidded, vented top to allow for the release of smoke and two are equipped with suspension chains.

Lot: 170 - PAIR OF CRUCIFIXES FEATURING GUATEMALA'S BLACK CHRIST OF ESQUIPULAS - Height: (approx.) 18 inches.

PAIR OF CRUCIFIXES FEATURING GUATEMALA'S BLACK CHRIST OF ESQUIPULAS Pair of carved and polychromed wooden crucifixes featuring a primitive version of the Black Christ of Esquipulas (Cristo Negro) on the right. This figure (Cristo Negro), a deeply venerated icon originating in Guatemala, is characterized by its dark-toned skin. The companion crucifix on the left features a more traditional light-toned corpus, mounted on a rustic, hand-carved wooden cross with a decorative, fluted circular base that suggests a provincial or domestic altar setting.

Lot: 171 - PRAYER NUT FEATURING THE BAPTISM OF CHRIST AND A CELESTIAL SCENE - Diameter is 2 inches.

PRAYER NUT FEATURING THE BAPTISM OF CHRIST AND A CELESTIAL SCENE Undated. Northern European prayer nut — a small spherical capsule that opens on a hinge to reveal two carved scenes inside. The outside is decorated with neat geometric bands, which contrasts sharply with the detailed religious scenes hidden within. n the left, John the Baptist pours water over Jesus as a dove descends from the clouds above. On the right, a figure kneels in prayer before three winged angels likely depicting the Hospitality of Abraham or a similar divine encounter.

Lot: 172 - "THE WIDOW'S MITE" (JESUS AND THE POOR WIDOW AT THE TEMPLE TREASURY) - 25.5 x 20 inches.

"THE WIDOW'S MITE" (JESUS AND THE POOR WIDOW AT THE TEMPLE TREASURY) (for restoration) Continental painting that illustrates the biblical scene from Mark 12:41–44, in which Jesus observes a poor widow making her humble offering at the temple treasury. Christ is depicted seated at the center-left while the the widow is seen approaching the stone treasury box. Unsigned. Unframed.

Lot: 173 - CUZCO-STYLE PAINTING DEPICTING SAINT JAMES THE GREATER - Frame: 11 x 8 inches.

CUZCO-STYLE PAINTING DEPICTING SAINT JAMES THE GREATER Cuzco-style oil on canvas traditional devotional painting depicting Saint James the Greater in his militant iconographic form as Santiago Matamoros (Saint James the Moor-Slayer). Characterized by the stylistic hallmarks of the 18th or 19th-century Cuzco School (Escuela Cuzqueña) of Peru, the artwork features the saint as a knight on a charging white horse, wielding a sword over defeated figures—a composition popularized in Spanish Colonial art to commemorate his legendary appearance during the Reconquista. The piece exhibits the flattened perspective, vibrant palette, and intricate gilded detailing typical of the era, and was likely executed in oil on a metal or wood panel. Saint James is shown in a billowing red cape and a distinct hat, while the figures beneath the horse's hooves represent his defeated adversaries, a motif sometimes reinterpreted in Latin American contexts as Santiago Mataindios. The entire work is housed in a classic Spanish Colonial hand-carved and gilded frame, featuring characteristic "scalloped" ears and original gold leaf over a dark base.

Lot: 174 - CHRIST AT THE COLUMN WITH MOURNING FIGURES: 19TH-CENTURY DEVOTIONAL RETABLO ON WOOD - 13 x 9.5 inches.

CHRIST AT THE COLUMN WITH MOURNING FIGURES: 19TH-CENTURY DEVOTIONAL RETABLO ON WOOD Oil-on-wood painting, likely a 19th-century devotional retablo, captures the Flagellation of Christ (or Christ at the Column). To the right of Christ are smaller figures—likely the Virgin Mary and other mourners—who are depicted in a state of grief-stricken witness.

Lot: 175 - MADONNA DI SAN SISTO FEATURING SIXTUS II, SAINT BARBARA AND MARY WITH CHRIST CHILD, Oil on canvas-board - .

MADONNA DI SAN SISTO FEATURING SIXTUS II, SAINT BARBARA AND MARY WITH CHRIST CHILD 19th / 20th century Continental copy of "The Sistine Madonna," also known as the Madonna di San Sisto, which is a celebrated oil paintings by the Italian Renaissance master Raphael. The canvas portrays the Madonna cradling the Christ Child, flanked by Saint Sixtus and Saint Barbara. Framed.

Lot: 176 - CUZCO-STYLE SCHOOL PAINTING OF SAINT MICHAEL THE ARCHANGEL - 32.5 x 21.5 inches; frame: 39 x 28 inches.

CUZCO-STYLE SCHOOL PAINTING OF SAINT MICHAEL THE ARCHANGEL Cuzco-style school oil painting depicting Saint Michael the Archangel holding a scale and standing triumphantly over a defeated devil. Unsigned. Framed.

Lot: 177 - 19TH CENTURY OIL-ON-TIN PAINTING POSSIBLY DEPICTING A JESUIT SAINT - 14 x 10 inches.

19TH CENTURY OIL-ON-TIN PAINTING POSSIBLY DEPICTING A JESUIT SAINT 19th century oil-on-tin painting possibly depicting a Jesuit saint as the subject is shown in their traditional black cassock with a distinctive lace collar and cuffs. The choice of tin as a substrate was common in Mexican and Spanish colonial traditions, prized for its durability in domestic altars. NOTE: The piece shows significant age-related wear, including flaking and oxidation of the metal support.

Lot: 178 - Pair of Cuzco-style School Paintings, Archangels in Courtly Dress - .

Pair of Cuzco-style School Paintings, Archangels in Courtly Dress Pair of oil vintage paintings that follow the celebrated Cuzco School tradition. Each painting depicts a richly dressed archangel rendered in full standing pose against a dark background, clothed in elaborately embroidered courtly garments adorned with gold floral detailing. Both figures wear broad-brimmed cavalier hats and are presented in elegant gilt wood frames.

Lot: 179 - CUZCO-STYLE "ARCHANGEL IN SPLENDOR" (ANGEL ARCABUCERO) - 22 x 16 inches; frame: 26 x 20 inches.

CUZCO-STYLE "ARCHANGEL IN SPLENDOR" (ANGEL ARCABUCERO) Oil on canvas, laid down to a board. Cuzco-style School (Escuela Cusqueña) painting of an archangel — most likely one of the Ángeles Arcabuceros (Harquebusier Angels). Angel is depicted in an ornate teal and gold embroidered cape, is wearing a wide-brimmed hat adorned with a dark feathered plume and is carrying a long staff or arquebus (a type of early firearm). Unsigned. Framed.

Lot: 180 - CUSCO-STYLE OIL-ON-COPPER PAINTING OF SAINT JAMES THE MOOR-SLAYER - 10.5 x 10.5 inches; frame: 12.5 x 12.5 inches.

CUSCO-STYLE OIL-ON-COPPER PAINTING OF SAINT JAMES THE MOOR-SLAYER Framed Cuzco-style oil-on-copper painting depicting Saint James the Moor-Slayer (Santiago Matamoros). The composition centers on the saint as a knight mounted on a powerful white horse. The scene is set within a lush landscape filled with stylized trees and colorful parrots. Framed.

Lot: 181 - ITALIAN OIL PAINTING DEPICTING THE MATER DOLOROSA OR VIRGIN OF SORROWS 19th century or earlier - 52.5 x 38 inches; frame 62.5 x 48 inches.

ITALIAN OIL PAINTING DEPICTING THE MATER DOLOROSA OR VIRGIN OF SORROWS Unsigned. Oil-on-canvas portrait of the Virgin Mary; the composition is deeply influenced by Italian Baroque traditions, utilizing tenebrism to emerge the subject from a dark. Mary is draped in a teal gown and a heavy brown veil that casts a gentle shadow over her face, emphasizing her downward gaze and interior spiritual intensity. Her hands are tightly clasped in her lap, holding a white cloth that serves as a poignant iconographic element within this somber devotional work. The artwork is presented in a multi-tiered gilded frame.

Lot: 182 - PAINTED WOODEN RETABLO DEPICTING SAINT PETER (SAN PEDRO) - 15.5 X 8.5 inches.

PAINTED WOODEN RETABLO DEPICTING SAINT PETER (SAN PEDRO) Rustic Mexican retablo executed in oil on a hand-carved wood panel of Saint Peter (San Pedro). The composition is defined by the central figure of the saint standing beneath a stylized golden radiance that symbolizes divine inspiration. At his feet is a rooster while his hand holds the keys to the Kingdom of Heaven. The artwork is surrounded by a painted framed or border of scrolling foliate motifs.

Lot: 183 - OIL ON TIN MEXICAN PAINTING AS CHRIST CARRYING THE CROSS - Frame: 15.25 x 11.25 inches.

OIL ON TIN MEXICAN PAINTING AS CHRIST CARRYING THE CROSS 19th century (or earlier) oil-on-tin painting, likely a Mexican retablo, depicts Christ Carrying the Cross (also known as The Way to Calvary or Via Crucis). The composition follows a traditional devotional format, featuring Jesus in a moment of physical and spiritual struggle, draped in a deep teal or emerald robe embellished with intricate gold leaf stenciling. He is shown crowned with thorns, laboring under the weight of the wooden cross. Framed. NOTE: There is significant oxidation and surface pitting.

Lot: 184 - PAIR OF WOODEN PLAQUES: SAINT GEORGE AND SAINT JAMES THE GREATER - (approx) 19.5 x 9 inches.

PAIR OF WOODEN PLAQUES: SAINT GEORGE AND SAINT JAMES THE GREATER Pair of wooden plaques depicting religious / historical figures. The left plaque is a 20th century marquetry (wood inlay) panel labeled "S. Georges" (Saint George) at the base, featuring the iconic scene of the armored knight standing triumphantly over a defeated dragon. The right plaque is a 19th century (or older) carved oak relief panel depicting a bearded robed figure — likely Saint James the Greater.

Lot: 185 - RUSSIAN ORTHODOX ICON DEPICTING THE "THE NATIVITY OF THE MOST HOLY MOTHER OF GOD" - 12.5 x 10.5 inches.

RUSSIAN ORTHODOX ICON DEPICTING THE "THE NATIVITY OF THE MOST HOLY MOTHER OF GOD" This Russian Orthodox icon, bearing the a Slavonic inscription translated to: "The Nativity of the Most Holy Mother of God," it presents a multi-figural composition characteristic of the style of 19th-century iconography. The narrative center of the piece is Saint Anne, the mother of Mary, who is depicted reclining on a high, draped bed after childbirth, attended by women bearing gifts and offerings. In the foreground, a domestic scene unfolds as midwives prepare to bathe the infant Virgin Mary in a golden basin, a traditional iconographic element that emphasizes her humanity. To the far left, Saint Joachim, Mary's father, is shown in a moment of quiet, prayerful reflection, while the background architectural elements—including draped swags and classical columns—convey a sense of sacred grandeur.

Lot: 186 - THREE ICONS LIKELY OF EASTERN ORTHODOX OR BYZANTINE IN ORIGIN - .

THREE ICONS LIKELY OF EASTERN ORTHODOX OR BYZANTINE IN ORIGIN Three religious icons appear to be of Eastern Orthodox or Byzantine in origin. The two larger wooden panel icons both depict the Virgin Mary (Theotokos) holding the Christ Child with the left panel rendered in a darker, more weathered palette of gold and muted tones, while the right panel retains more vivid reds and warm golds in the traditional Byzantine style. Between them sits a small gilded Russian traveler's metal icon or pendant.

Lot: 187 - RUSSIAN ORTHODOX ICON OF THREE HOLY FIGURES - .

RUSSIAN ORTHODOX ICON OF THREE HOLY FIGURES Undated Russian Orthodox icon on a wooden panel of three holy figures standing in frontal poses characteristic of the Byzantine iconographic tradition. The central and flanking figures, possibly Saint John the Baptist and Saint Nicholas, are rendered with stylized features, each one holds a gilded reliquary box, and each one is dressed with richly decorated vestments trimmed in gold.

Lot: 188 - RUSSIAN ORTHODOX ICON DEPICTING SEVERAL BIBLICAL SCENES DEPICTING THE NATIVITY OF THE MOTHER OF GOD - Icon: 12.25 x 10.25 inches; Board: 17 x 14.75 inches.

RUSSIAN ORTHODOX ICON DEPICTING SEVERAL BIBLICAL SCENES DEPICTING THE NATIVITY OF THE MOTHER OF GOD Russian Orthodox icon depicting several biblical scenes around the Nativity of the Mother of God (the Birth of Mary). The icon includes multiple scenes to tell the narrative: on the left, Saint Anna (Mary's mother) is shown reclining on a high bed after giving birth, while the lower-left corner depicts midwives preparing a bath for the infant Mary. In the center and right, the icon shows the joyful celebration of the birth, featuring Saint Joachim (Mary's father) alongside Anna, and a procession of maidens bringing gifts. At the very top, within a celestial arc, sits God the Father (Sabaoth) blessing the scene below. This iconographic style is highly detailed and meant to be "read" like a story. it is painted in the classic 18th or 19th-century style with egg tempera on wood. Icon is mounted to a board.

Lot: 189 - OIL ON TIN PAINTINGS OR RETABLOS OF "THE SOUL OF MARY" AND "THE HOLY CHILD OF ATOCHA" - .

OIL ON TIN PAINTINGS OR RETABLOS OF "THE SOUL OF MARY" AND "THE HOLY CHILD OF ATOCHA" These two 19th-century Mexican retablos (oil on tin) exemplify the charming folk-art traditions of colonial devotional painting, featuring "The Soul of Mary" and the "Holy Child of Atocha." The smaller retablo on the left depicts The Soul of Mary (El Alma de María), personified as a youthful, beatified figure crowned with flowers and surrounded by a celestial halo of stars, symbolizing her purity and divine grace. Beside it, the larger retablo illustrates the Holy Child of Atocha (Santo Niño de Atocha), a beloved patron of travelers and prisoners, seated upon a formal throne and dressed in traditional pilgrim's attire, including a feathered hat and a cape adorned with a scallop shell.

Lot: 190 - PAIR OF DEVOTIONAL RETABLOS: SAINT RAYMOND NONNATUS AND THE ARCHANGEL URIEL - 11 x 8 inches (approx.).

PAIR OF DEVOTIONAL RETABLOS: SAINT RAYMOND NONNATUS AND THE ARCHANGEL URIEL Two 19th-century Latin American retablos, executed in oil on wood and tin. The retablo on the left (painted on wood) depicts Saint Raymond Nonnatus (San Ramón Nonato), a member of the Mercedarian Order; he is shown in his traditional red and gold vestments while holding a monstrance and a triple-crowned palm branch. Beside it, the retablo on the right (painted on tin) illustrates the Archangel Uriel with a red plumed hat and a billowing cape while holding a palm frond and a small orb or heart.

Lot: 191 - ORTHODOX CHRISTIAN ICONS: BOGOLUBSKAYA-INSPIRED ICON WITH THE VIRGIN MARY AND SAINT NATALIA OF NICOMEDIA - .

ORTHODOX CHRISTIAN ICONS: BOGOLUBSKAYA-INSPIRED ICON WITH THE VIRGIN MARY AND SAINT NATALIA OF NICOMEDIA Two Eastern Orthodox icons, executed on wood panels. The larger weathered icon on the left follows the Bogolubskaya tradition, depicting the Virgin Mary in a standing posture of intercession. Beside it, the smaller icon depicts Saint Natalia of Nicomedia, identified by the Cyrillic inscriptions and her attribute of a martyr's cross.

Lot: 192 - RUSSIAN ORTHODOX ICON: PROPHET ELIAS IN THE WILDERNESS 19th-Century - 12 x 10.5 inches; Mount 17 x 14.5 inches.

RUSSIAN ORTHODOX ICON: PROPHET ELIAS IN THE WILDERNESS Eastern Orthodox icon on a wooden panel, likely of Russian origin, depicting the Prophet Elias (Elijah) in a moment of deep spiritual communion within a rocky wilderness. The central figure is shown standing in a prayerful gaze turned upward toward the manifestation of Christ appearing from a dark cloud in the upper-left corner. Icon is mounted on a board.

Lot: 193 - RUSSIAN ORTHODOX ICON OF A NEW TESTAMENT TRINITY OR "PATERNITY" VARIATION 1920s or earlier - .

RUSSIAN ORTHODOX ICON OF A NEW TESTAMENT TRINITY OR "PATERNITY" VARIATION Russian Orthodox icon that depicts a complex theological composition, likely a variation of the New Testament Trinity or "Paternity," executed in egg tempera on a wooden panel. The central scene features two figures—traditionally God the Father (Sabaoth) and God the Son—seated on ornate thrones flanking a symbolic representation of the Holy Spirit in the form of a dove within a celestial mandorla. The figures are set against a stylized landscape of towering, tiered trees and architectural elements. Surrounding the central image is a heavily embossed silvered basma (metal okiad). The border includes a Cyrillic inscription along the upper edge and small inset medallions at the corners, possibly representing the Four Evangelists.

Lot: 195 - FRAMED BEAD-WORK, AFRICAN CEREMONIAL WAIST VESTMENT - .

FRAMED BEAD-WORK, AFRICAN CEREMONIAL WAIST VESTMENT

Lot: 197 - "Toi enfant sera heureux" (You child will be happy), Poster 1989 Lithographic poster - Image: 18.5 x 14.75 inches; Poster: 25.5 x 15.75 inches.

"Toi enfant sera heureux" (You child will be happy), Poster 1989 Unframed. Lithographic poster depicting a historical artwork about the French Revolution in the Caribbean, titled "Images de la Révolution aux Antilles." The poster features an artwork depicting a woman with a child, titled "Toi enfant sera heureux" (You child will be happy) by Rollet, circa 1794. The text at the bottom indicates the subject is "Images de la Révolution aux Antilles" (Images of the Revolution in the Antilles); location and date "Fort Saint Charles, 1989"

Lot: 198 - "Côte Est d'Afrique, commerce des esclaves à Zanzibar" (East Coast of Africa, Slave Trade in Zanzibar), 19th century - DIMENSIONS: Plate: 3.5 x 5 inches; sheet: 6 x 9 inches.

"Côte Est d'Afrique, commerce des esclaves à Zanzibar" (East Coast of Africa, Slave Trade in Zanzibar), 19th century This 19th-century engraving, titled Côte Est d'Afrique, commerce des esclaves à Zanzibar, captures the grim reality of the Zanzibar slave market, which served as the primary commercial hub for the East African slave trade. Strategically linking the labor demands of Indian Ocean plantations with African regional rulers, the Sultanate of Zanzibar oversaw a market defined by the dehumanizing "negotiations" and physical inspections depicted in the scene, where enslaved individuals were often examined for health and vitality before being auctioned. Attributed to the engraver Lechard and the artist Hemy, and featured in mid-19th-century publications such as Voyage autour du monde, the illustration documents the diverse participants of this trade, including Arab merchants and European observers. Although the trade was officially abolished in Zanzibar in 1873—with the institution itself ending in 1897—the historical weight of this site remains today, as the Anglican Christ Church Cathedral in Stone Town now stands on the former market's grounds as a permanent memorial.

Lot: 199 - Village de Bel-Air sur la Côte d’Afrique, circa 1835 - Image: 10.5 x 14.5 inches; sheet: 12.25 x 18.75 inches.

Village de Bel-Air sur la Côte d'Afrique, circa 1835 Unframed. This (circa) 1835 lithograph, titled Village de Bel-Air sur la Côte d'Afrique, provides a detailed visual record of a coastal settlement in present-day Guinea as observed during the early 19th century. Created by François-Edmond Pâris and lithographed by Sigismond Himely, the work was originally published in the official account of the corvette La Favorite's global expedition, commanded by Cyrille Pierre Théodore Laplace between 1830 and 1832. The scene captures the village architecture, featuring conical dwellings with thatched straw.

Lot: 200 - Timballier et Tambour Major de la Garde Royale (Kettledrummer and Drum Major of the Royal Guard), early 19th century - DIMENSIONS: Plate / image: 14.5 x 10 inches; Sheet: 18.5 x 12.5 inches.

Timballier et Tambour Major de la Garde Royale (Kettledrummer and Drum Major of the Royal Guard), early 19th century Unframed. Engraving titled "Timballier et Tambour Major de la Garde Royale" (Kettledrummer and Drum Major of the Royal Guard), dates to approximately 1818 and offers a meticulous look at the French Royal Guard during the Bourbon Restoration. The artwork is characteristic of the detailed military uniform studies produced by renowned artists of the era, such as Auguste Raffet or Carle Vernet, who specialized in documenting the transition of French military dress from the Napoleonic to the Restoration periods. On the right, the Drum Major is depicted in a highly decorative uniform featuring a tall, plumed bearskin hat and elaborate frogging, while holding a ceremonial mace. To the left, the Kettledrummer wears an "oriental-style" turban—a traditional costume element for specific musical roles in European regiments that reflected the widespread influence of "Janissary" music trends. Rendered as a finely detailed lithograph on paper, the piece serves as both a historical record and a sophisticated example of early 19th-century military illustration.

Lot: 201 - President Lincoln Taking the Oath at his Second Inauguration, March 18, 1865, illustration Harper's Weekly - 10 x 15".

President Lincoln Taking the Oath at his Second Inauguration, March 18, 1865, illustration Harper's Weekly A rare and historically significant original illustrated front page from Harper's Weekly dated March 18, 1865, featuring a large engraved scene of President Abraham Lincoln taking his second inaugural oath, surrounded by dignitaries, just weeks before his assassination. Unframed.

Lot: 202 - "The Pad" by Sawrey Gilpin (English, 1733–1807), circa 1760 - DIMENSIONS: Plate: 6 x 7 inches; sheet: 7.5 x 10 inches.

"The Pad" by Sawrey Gilpin (English, 1733–1807), circa 1760 Unframed etching of a horse in parkland held by a black servant who stands on the left. Created around 1760, "The Pad" is a significant early work by the English animal painter and Royal Academician Sawrey Gilpin (1733–1807), produced shortly after his move to London. The piece depicts a "pad," a horse known for its steady, comfortable gait, and serves as an example of Gilpin's specialized interest in equine portraiture.

Lot: 203 - Expulsion of Negroes and Abolitionists from Tremont Temple, Boston December 1860, Harper's Weekly Illustration by Winslow Homer - 7 x 9 ¼".

Expulsion of Negroes and Abolitionists from Tremont Temple, Boston December 1860, Harper's Weekly Illustration by Winslow Homer This wood engraving on paper created by the American landscape painter and illustrator Winslow Homer Winslow Homer (1836 – 1910) shows a charged and tumultuous historical scene from the American abolitionist movement, capturing the violent disruption known as "The Expulsion of Negroes and Abolitionists from Tremont Temple, Boston, Massachusetts, on December 3, 1860." The illustration portrays the chaotic moment when a pro-slavery mob, aided by police, forcibly broke up a public meeting that had gathered to commemorate the anniversary of the execution of radical abolitionist John Brown, scattering attendees — both Black and white — in a scene of disorder and physical confrontation that laid bare the fierce tensions gripping the nation on the eve of the Civil War. The work published in the widely circulated Harper's Weekly on December 15, 1860, bringing national attention to the incident and cementing its place in the visual record of the abolitionist struggle.

Lot: 204 - "La Chasse aux esclaves fugitifs" (Pursuit of Fugitive Slaves) is associated with the French painter François-Auguste Biard, Circa 1861 - 10 x 13 ½".

"La Chasse aux esclaves fugitifs" (Pursuit of Fugitive Slaves) is associated with the French painter François-Auguste Biard, A historically significant mid-19th-century steel engraving depicting a dramatic scene of enslaved fugitives at the base of a great waterfall, a man raising his arm in defiance or supplication while others struggle against hunting dogs and armed pursuers emerging from the treeline. Unframed.

Lot: 205 - Jean-Pierre Boyer, President of Haiti - 11 x 14".

Jean-Pierre Boyer, President of Haiti Black-and-white lithographic portrait of Jean-Pierre Boyer, president of Haiti from 1818 to 1843, shown from the chest up in a richly decorated military uniform with large epaulettes, a chest sash, gold braiding, and medal insignia. The fine shading is typical of early 19th-century printmaking. Artist and publisher credits appear at the bottom margin, suggesting this portrait was part of a series documenting notable political and military figures of the era. Unframed.

Lot: 206 - Portrait of Jérôme Pétion de Villeneuve (1756–1794), French lawyer and politician who rose to considerable prominence during the French Revolution. - 11 x 15".

Portrait of Jérôme Pétion de Villeneuve (1756–1794), French lawyer and politician who rose to considerable prominence during the French Revolution. This 19th-century lithograph, based on an original by artist Henri Joseph Hesse, portrays Jérôme Pétion de Villeneuve (1756–1794), a French lawyer and politician who played a significant role in the French Revolution. He served as the second Mayor of Paris from 1791 to 1792 and was once a close ally of Robespierre before the two became rivals. Pétion sided with the moderate Girondins against Robespierre's radical faction, and after the Girondins were forced from power in 1793, he went into hiding to avoid arrest. He died in June 1794, just weeks before Robespierre himself was overthrown. Unframed.

Lot: 207 - "La Vie Noire; Un chef Sofa et sa maison militaire" ("Black Life; A Sofa Chief and His Military Household") circa 1892 - 15 x 22".

"La Vie Noire; Un chef Sofa et sa maison militaire" ("Black Life; A Sofa Chief and His Military Household") Colored chromolithograph after a watercolor painted from life by the French artist Adrien Emmanuel Marie (1848–1891), bearing the title "La Vie Noire, Un chef Sofa et sa maison militaire" ("Black Life; A Sofa Chief and His Military Household"), a work that documents the Sofas, the warrior soldiers of the West African Islamic military leader Samori Touré, who fiercely resisted French colonial expansion in the region during the late 19th century. The composition depicts a mounted chief leading a procession of armed warriors and attendants through a dense field of dry savanna grasses with the group carrying weapons, supplies, and goods balanced atop their heads. It may have been published in the the early 1890s in "L'Illustration," a pioneering weekly French news periodical published in Paris from 1843 to 1944. Unframed.

Lot: 208 - Two Men in a Wrestling Match, Rodolphe Julian (1839 – 1907) circa 1880 - 7 x 10 ½".

Two Men in a Wrestling Match, Rodolphe Julian (1839 – 1907) This is a powerfully rendered etching depicting two male figures locked in an intense wrestling bout. The composition focuses on the two athletes, one lifting and overpowering the other in a dominant grappling hold, their muscular bodies intertwined in a dynamic struggle that conveys raw physical strength and tension. Behind the wrestlers, a lively crowd of spectators is loosely sketched in the background, providing context and atmosphere without distracting from the central figures. The print bears Julian's signature in the lower right and the printer's mark in the lower left, consistent with his graphic work from around 1880.

Lot: 209 - Portrait of Jean Pierre Boyer President D'Haiti after Gilbert Barincou circa 1821 - 8 x 11".

Portrait of Jean Pierre Boyer President D'Haiti after Gilbert Barincou Unframed lithographed portrait. A finely detailed early 19th-century lithograph by Gilbert Barincou depicting Jean-Pierre Boyer in left-facing profile, rendered in an oval vignette format and showing the Haitian president in full military dress with ornate epaulettes, decorative collar, and sash.

Lot: 210 - Portrait of E.V. Mentor, Representative of Haiti to the Council of Five Hundred (1795 – 1799) 1802. - 10 x 11".

Portrait of E.V. Mentor, Representative of Haiti to the Council of Five Hundred (1795 – 1799) Stipple engraving by French painter and draughtsman François Bonneville (active 1787-1802) after the work by French artist Nanine Vallain (1767-1815). Artwork was originally published in "Portraits des personnages celebres de la Revolution, v. 4" (Paris: 1802).; this engraving portrays Étienne Victor Mentor, born in Saint-Pierre, Martinique on December 26, 1771, and identified in the cursive inscription below as Adjutant Général, Député de Saint-Domingue au Conseil des Cinq-Cents — meaning Adjutant General and Deputy of Saint-Domingue to the Council of Five Hundred, the lower legislative chamber of the French Directory government during the late 1790s. The subject is depicted in an oval portrait format, shown from the chest up, wearing a military coat with epaulettes and a high wrapped cravat, his gaze calm, direct, and self-assured. Unframed.

Lot: 211 - Toussaint Louverture, the legendary Haitian revolutionary leader and general, early 19th century - 6 x 9 ½".

Toussaint Louverture, the legendary Haitian revolutionary leader and general, Hand-colored engraved portrait depicting Toussaint Louverture, the legendary Haitian revolutionary leader and general, shown in a distinguished side profile (facing left). He is dressed in an elaborate military uniform adorned with gold epaulettes, decorative braiding, and a high-collared coat befitting his rank as a commanding general. Atop his head sits a striking bicorne hat embellished with a large feathered plume, a hallmark of high military authority of the late 18th and early 19th century. Below the portrait, his name is inscribed in elegant script — "Toussaint Louverture" — followed by what appears to be his bold, flowing signature. The work captures both the dignity and the commanding presence of one of history's most important freedom fighters.

Lot: 212 - General Leclerc, leader of French expeditionary forces in St. Domingue - 8 x 11".

General Leclerc, leader of French expeditionary forces in St. Domingue Hand-colored engraving of General Charles Victor Emmanuel Leclerc, Napoleon Bonaparte's brother-in-law, who led the French expedition to Saint-Domingue in 1801–1802. He is mounted on a chestnut horse with ornate spotted decorative saddlecloth trimmed in gold fringe. The general is shown in full military dress: a dark blue coat with gold epaulettes, white breeches, and a tall bicorne hat adorned with a tricolor cockade and red and white feathered plume. The horse is rendered in a proud, high-stepping pose. Unframed.

Lot: 213 - Portrait of Charles Sumner, American Statesman and Abolitionist - 11 x 14".

Portrait of Charles Sumner, American Statesman and Abolitionist Finely executed mid-19th-century lithograph depicting Charles Sumner in three-quarter view, the influential Massachusetts senator and leading abolitionist shown in civilian dress with a bow tie and dark coat, captured with sophisticated tonal shading that conveys both his intellectual bearing and moral authority. Unframed.

Lot: 214 - Black Servant Offering Coffee to a Turkish Sultan - 14 x 17".

Black Servant Offering Coffee to a Turkish Sultan A vibrant hand-colored lithograph by possibly Augusto Grossi, likely published in the 19th-century Italian satirical magazine "Il Papagallo," depicting an exaggerated caricature of a kneeling Black servant in red military livery offering a steaming cup of coffee to a rotund Turkish official in a green turban and Ottoman dress. While visually striking in its bold color and draftsmanship, the print reflects the racial and cultural stereotypes commonplace in European satirical illustration of the period. Unframed.

Lot: 215 - L'Automne" (Autumn) — After Leygue - 19 x 22".

L'Automne" (Autumn) — After Leygue 19th-century lithograph reproducing a painting by French artist Leygue, depicting an allegorical scene of Autumn in which a dark-skinned male figure presents a basket overflowing with harvest fruits and flowers to an elegantly dressed classical female figure. Unframed.

Lot: 216 - Framed Pair of Vintage Big Band Era Concert Posters (Reproduction) Lithographic poster - Each poster, app. 21 in. x 15 in. Frame, 28 in. x 40 1/2 in..

Framed Pair of Vintage Big Band Era Concert Posters (Reproduction) Framed double poster showcasing two iconic figures of the Swing Era. The left poster advertises Count Basie and His Orchestra appearing "One Night Only" at Sweet's Ballroom in Oakland, California. The right poster promotes a "Band Battle" at the Graystone Ballroom featuring Duke Ellington and His Orchestra alongside Detroit favorites McKinney's Cotton Pickers. Framed. Not examined out of frame.

Lot: 217 - ANTONI CLAVE (Spanish, 1913 – 2005). Head of a Girl, circa 1948, Lithograph

ANTONI CLAVE Spanish, 1913 – 2005 Lithograph A bold and expressive lithograph created for the 1948 illustrated edition of Voltaire's Candide, depicting a frontal female face rendered in dramatic black and grey tones with swirling, textured linework framing the subject in the artist's distinctive modernist style. Unframed. Matted. Edition Size: 250.

Lot: 218 - The North African "Le Planteur" -- Dufresne’s fusion of Cubist structure and Fauvist expressionism circa 1919 - Image: 9.25 x 7 inches; sheet: 12.5 x 9.25 inches.

The North African "Le Planteur" -- Dufresne's fusion of Cubist structure and Fauvist expressionism CHARLES DUFRESNE (French, 1876-1938). Le Planteur, circa 1919, Limited edition etching and drypoint numbered 12 of an edition of 35. Pencil numbered, titled, and artist signed at base. Blind stamp: E. Sagot Editeur, Paris. The piece reflects Dufresne's unique fusion of Cubist structure and Fauvist expressionism, a style he refined following his influential stay in North Africa. The composition centers on a towering European planter in colonial attire, flanked by Indigenous figures and a large sailing ship in the background, which serves as a poignant symbol of maritime trade and the colonial era. Dufresne's work from this period often reimagined exotic and lyrical themes through a modernist lens, and examples of this specific print are preserved in major institutions like the Metropolitan Museum of Art and the British Museum. Unframed. Not mounted or laid down. -

Lot: 219 - RACHEL HAUTOT (French, 1882–1935). The Tunisian Flutist, Bronze, Height: 14 3/4 in. (37.5 cm.)

RACHEL HAUTOT French, 1882–1935 Bronze Bronze sculpture which captures the quiet, soulful dignity of a North African young boy. The figure, a young boy standing barefoot on a circular base, is depicted in a moment of focused concentration as he plays a simple pipe or flute. Signed at base and with an oval foundry stamp of Montagutelli Freres, a renowned early 20th-century Parisian art foundry, active around 1899–1912, specializing in high-quality bronze castings.

Lot: 220 - Portraits of Native American Peoples of the Missouri River; Karl Bodmer, 1836–1843 Engraved in Paris between 1836 and 1843 - Each Sheet: 15 x 11 inches.

Portraits of Native American Peoples of the Missouri River; Karl Bodmer, 1836–1843 Two unframed lithographic plates belong to the landmark publication "Travels in the Interior of North America" by Prince Maximilian of Wied-Neuwied, illustrated with prints based on field sketches made by the Swiss artist Karl Bodmer during their 1832–1834 expedition along the Missouri River. The upper plate, numbered 40, presents three figures identified in bilingual German and French captions as a Chief of the Pawnee, an Oto Indian, and a Missouri Indian. The lower plate, numbered 47, depicts a Sauk man and a Sauk woman in profile and three-quarter view respectively, the man distinguished by a roach headdress with feathers and facial tattooing, the woman wrapped in a blanket and wearing traditional dress with fringe ornamentation. Originally engraved in Paris between 1836 and 1843, these prints stand as some of the most ethnographically precise and artistically accomplished visual documents of Plains and Woodland Native American peoples ever produced, capturing with rare fidelity the dress, adornment, and dignified bearing of individuals. Unframed.

Lot: 221 - Dakota Warrior and Dakota Woman with Child, Karl Bodmer, 1836–1843 Engraved in Paris between 1836 and 1843 - Each Sheet: 15 x 11 inches.

Dakota Warrior and Dakota Woman with Child, Karl Bodmer, 1836–1843 Unframed two lithographic plates, numbered 43 and 44, are among the most compelling portraits from Karl Bodmer's monumental atlas accompanying Prince Maximilian of Wied-Neuwied's "Travels in the Interior of North America," engraved in Paris between 1836 and 1843. The left plate, captioned "Dacota-Krieger / Guerrier Dacota" (Dakota Warrior), presents a full-length, full-figure portrait of a Dakota man standing with quiet authority, dressed in an elaborately fringed and fur-trimmed robe, decorated leggings and moccasins, a beaded breastplate, and a feathered headdress, holding a tomahawk at his side. The right plate, "Dacota Indianerin / Indienne Dacota" (Dakota Woman), depicts a Dakota woman and child standing on an open prairie under a clouded sky, the woman wrapped in a patterned blanket and wearing beaded moccasins and leggings, the child at her side dressed in traditional garments. Unframed.

Lot: 222 - Munitarri-Krieger im Anzuge des Hundetanzes (Hidatsa Warrior in the Costume of the Dog Dance); Karl Bodmer, 1836–1843 - Sight (as matted): 13 x 9 inches; frame: 19 x 15.5 inches.

Munitarri-Krieger im Anzuge des Hundetanzes (Hidatsa Warrior in the Costume of the Dog Dance); Karl Bodmer, 1836–1843 Large-format lithograph, plate number 41 from Karl Bodmer's atlas accompanying Prince Maximilian of Wied-Neuwied's "Travels in the Interior of North America." The bilingual caption reads "Munitarri-Krieger im Anzuge des Hundetanzes / Guerrier Munitarri costumé pour la Danse du Chien: (a Hidatsa warrior dressed for the Dog Dance), one of the most important ceremonial societies among the Upper Missouri peoples. The figure dominates the composition in a commanding three-quarter stance, adorned in an elaborate dance costume. The plate credits record "Ch. Bodmer ad nat. pinx." (drawn from life by Karl Bodmer), "Fuchs del." (drawn for the lithograph by Fuchs), and "J. Honegger lith." (lithographed by J. Honegger), reflecting the collaborative Parisian production process through which Bodmer's field watercolors were transformed into finished prints between 1836 and 1843. This plate is widely regarded as one of the supreme achievements of ethnographic portraiture in the history of American printmaking, capturing with extraordinary fidelity a moment of ceremonial life.

Lot: 223 - Mandan Chief / Chef Mandan" (Mato-Tope) — Karl Bodmer (after) - Sight (as matted): 12.5 x 9 inches; frame: 16 x 14.25 inches.

Mandan Chief / Chef Mandan" (Mato-Tope) — Karl Bodmer (after) Framed large-format lithograph, plate number 38 in "Naturgeschichte und Abbildungen des Menschen" by H.R. Schinz, is a portrait of Mato-Tope (known in English as Four Bears) the celebrated second chief of the Mandan people, drawn from life by Karl Bodmer during his 1832–1834 expedition along the Missouri River with Prince Maximilian of Wied-Neuwied. Lithographed by J. Honegger after Bodmer's original field painting and depicts Mato-Tope in full ceremonial regalia: a trailing eagle-feather headdress cascading over his shoulders, a decorated buckskin shirt, beaded chest ornaments, and fringed leggings and moccasins. In his raised right hand he holds his ceremonial lance.

Lot: 224 - Two Lithographic Plates from Heinrich Rudolf Schinz's "Naturgeschichte des Menschen," Zürich, J. Honneggersche Lithographische Anstalt circa 1845 - Each sheet: 15 x 11 inches.

Two Lithographic Plates from Heinrich Rudolf Schinz's "Naturgeschichte des Menschen," Zürich, J. Honneggersche Lithographische Anstalt Two lithographic plates, numbered 27 and 27b, are from Heinrich Rudolf Schinz's landmark ethnographic work "Naturgeschichte des Menschen der verschiedenen Rassen und Stämme" (Natural History of Man of the Various Races and Tribes), published in Zürich in 1845 by the J. Honneggersche Lithographische Anstalt. Schinz, a Swiss naturalist and zoologist, compiled this ambitious survey of the world's peoples drawing on the most current exploration accounts and scientific sources of his day, and the plates — captioned in both German and French to reach a broad European audience — reflect the period's intense scholarly and popular fascination with indigenous cultures encountered through voyages of discovery. The left plate depicts a fully tattooed warrior from Nuku Hiva in the Marquesas Islands, his entire body adorned with the intricate geometric and figurative tattoo patterns that had captivated European explorers since the late 18th century, shown holding a ceremonial club and a woven fan. The right plate presents three women from Michoacán, Mexico, dressed in regional costume of blouse and layered skirts, rendered with ethnographic attention to dress and bearing. Unframed.