June Fine and Decorative Arts Auction

Lot: 1 - Reuven Rubin, "Thou Shall Not Kill," artist proof.

Rubin, Reuven (Israeli, 1893-1974). "Thou Shall Not Kill, Commandment 6." Color lithograph. Artist proof. Pencil signed and editioned. Image: 27" x 21 1/4". Sight: 34" x 27". Frame: 34 3/4" x 27 3/4". Condition: creasing u.r.

Lot: 2 - Tapies, "Cercle croix et collage," etching.

Tapies, Antoni (Spanish, 1923-2012). "Cercle, Croix et collage." Etching with color aquatint and collage on wove paper. Edition 67/75. Signed l.r. Frame: 32 3/8" x 42 5/8". Condition: Toning along edges.

Lot: 3 - Antoni Tapies, "Arc i Creu," 1982.

Tapies, Antoni (Spanish, 1923-2012). "Arc i Creu." Etching. 1982. Edition 41/99. Signed l.r. Frame: 32 3/8" x 42 5/8". Condition: Toning, buckling.

Lot: 4 - "SB XXXII," lithograph.

A black and white lithograph. "SB XXXII." Edition 5/10. Signed l.r. Frame: 28 3/4" x 24 1/4". Condition: Not examined under glass.

Lot: 5 - Laszlo Dus, "Echos," 1982.

Laszlo Dus (Hungarian, b. 1941). "Echos" artist proof lithograph. Edition 8/23. Signed l.r. Frame: 33 1/8" x 25 3/4". Condition: Not examined under glass.

Lot: 6 - Leonard Baskin, "Little Bird Arapahoe," lithograph

Baskin, Leonard (American, 1922-2000). "Little Bird Arapahoe." Color lithograph on paper. 1973. Edition 10/100. Pencil signed and editioned. Sight: 36 1/2" x 26". Frame: 45" x 34".

Lot: 7 - Paula Crane, "Summer Windows," print series.

Crane, Paula (American, b. 1945). "Summer Windows" print series, I-IV. Aquatint on paper. Each an edition of 300. Pencil signed, titled, and editioned. Image: 17 1/2" x 23 1/2". Sight: 20" x 26". Frame: 29 1/2" x 35". Condition: Foxing, twohave warp to paper, and ink bleeding on edge.

Lot: 8 - Pair of Carl Aubock III bookends.

A pair of Carl Aubock III (Austrian, 1924-1993) bookends. Model 5403. Nickel plated cast iron. Vienna, circa 1968. Unmarked. 4" x 4" x 4". Condition: Scratches, small chips, accretions, and discoloration.

Lot: 9 - Peter Lovig Nielson teak desk.

A Peter Lovig Nielson teak desk. 34" x 64" x 29". Extended: 29" x 64" x 38".

Lot: 10 - Norway Torbjorn Afdal rosewood slant front desk.

A Norway Modern Torbjorn Afdal (Norwegian, 1917-1999) for Mellemstrands Trevareindustri A/S rosewood slant front desk. "MADE IN NORWAY" brand and Mellemstrands sticker. 37" x 24" x 35 1/2". Condition: Locked with no key. Missing hardware.

Lot: 11 - American Mel Smilow slat side table.

An Mel Smilow (American, 1922-2002) slat side table. 18 1/4" x 28" x 18". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford,Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 12 - Frank Malina, "Tableau Mobile," c. 1960.

Malina, Frank (American/French, 1912-1981). "Tableau Mobile" kinetic art panel. Circa 1960. Marked "Tableau Mobile/ Malina/ Paris 892/60/ 100 Volts/ 50 or 60 cycles/ 90 watts" on back. with attached paper reading "Tableau Mobile" andincludes operating instructions. 33" x 49 1/8" x 5 1/4". Condition: Abrasions and small loss to wood sides, surface dirt.

Lot: 13 - Lisa Mee, "Woman in a blue dress," MM/C.

Mee, Lisa (Irish/Korean/American, b. 1974). "Woman in a blue dress." #194. Mixed media on canvas. Signed l.c. Signed, titled, and numbered on verso. Sight: 29 1/2" x 23 1/2". Frame: 35" x 29".

Lot: 14 - Lisa Mee, "View of the Luberon Valley...," MM/C.

Mee, Lisa (Irish/Korean/American, b. 1974). "View of the Luberon Valley from Les Baux Provence, France." #180. Mixed media on canvas. Signed l.l. Signed, titled, and numbered on verso. Sight: 29 1/2" x 23 1/2". Frame: 36 1/2" x 31".

Lot: 15 - Lisa Mee, "Bountiful bouquet," MM/C.

Mee, Lisa (Irish/Korean/American, b. 1974). "Bountiful bouquet." #182. Mixed media on canvas. Signed l.l. Signed, titled, and numbered on verso. Sight: 23 1/2" x 29 1/2". Frame: 31" x 36 1/2".

Lot: 16 - Copy of Alberto Vargas, "Dragonfly," O/C.

A copy of Alberto Vargas (Peruvian/American, 1896-1982) 1922 watercolor "Dragonfly." Oil on canvas. Mid 20th century. Sight: 15" x 11 1/4". Frame: 20" x 16". Condition: Craquelure, warping to canvas, and puncture l.l.

Lot: 17 - Holly Hoffman, "Elizabeth," 1987, O/C.

Hoffman, Holly L. (American, active 20th century). "Elizabeth." Oil on canvas. February 1987. Signed, titled, and dated on verso. Sight: 36" x 38 1/2". Frame: 37 1/2" x 40 1/2".

Lot: 18 - Cameron Bone-Kemper, Landscape, O/C.

Bone-Kemper, Cameron (Virginia, active 1960's/70's). Untitled, abstract landscape. Oil on canvas. Signed l.r. Sight: 30" x 53". Frame: 30 1/2" x 54".

Lot: 19 - Paolo Buggiani, Abstract, 1960, O/C.

Buggiani, Paolo (Italian, b. 1933). Abstract composition. Oil on canvas. 1960. Signed and dated l.r. Sight 38" x 51". Frame: 40" x 53". Condition: Craquelure.

Lot: 20 - Frahn Koerner, "Jacob's Ladder," 1996, MM/C.

Koerner, Francesca "Frahn" (New Orleans, 20th/21st century). "Jacob's Ladder." From the "My Mind is in Evolution" series. Oil and mixed media on canvas. 1996. Signed, dated, and titled on verso. Inscription on verso reads "To my dear friendMary." Unframed. 47" x 46 1/2".

Lot: 21 - Howard Finster, "Merry Christmas," 1991.

Finster, Howard (American/Georgia, 1916-2001). "Merry Christmas." Paint and marker on board. 12/14/1991. Signed, dated, and titled. 20" x 8".

Lot: 22 - Margaret Smith, "Nile Watch," A/C.

Smith, Margaret (American, b. 1946). "Nile Watch." Acrylic on canvas. Signed and titled on verso. Sight: 34" x 47". Frame: 35" x 48". Condition: Slight warp to canvas u.r.

Lot: 23 - Sam Gilliam, "To Braque with Ovals," 1982, A/C.

Gilliam, Sam (Washington, D.C., 1933-2022). "To Braque with Ovals." Acrylic on canvas with enameled aluminum element, 1982. Signed, dated, and titled on the verso, “To Braque with Ovals,” 1982. The vertically oriented mixed-mediacomposition incorporates Gilliam’s characteristic richly textured surfaces and vibrant color fields, combining marbled and impasto passages with geometric forms and an attached enameled aluminum element projecting from the lower edge. Animportant work from the artist’s mature period, reflecting his exploration of abstraction, materiality, and homage to earlier modernist traditions. 72 3/4" x 29 1/2". Provenance: "This painting belongs to the "D paintings" seriescharacterized by narrow, vertical strips of canvas, beveled edges, and a metal element in the form of the letter D. Inspired by a commission for the Davis Square subway station near Boston, they are hybrids of painting and decorative object. ."Exerpt from description of a Similar painting at the Cleveland Museum of Art.

Lot: 24 - Gene Davis, Abstract composition, 1970, A/C.

Davis, Gene (Washington D.C., 1920-1985). An abstract composition featuring a rhythmic arrangement of narrow vertical stripes in lavender, orange, pale blue, yellow, green, and gray against a warm tan ground. The paintingexemplifies Davis’s signature exploration of color interval, repetition, and visual rhythm, characteristics. Acrylic on canvas. 1970. Signed and dated on verso. Sight: 24" x 30". Frame: 25" x 31".

Lot: 25 - Hunt Slonem, "Rudi Valentino," 1996, A/C.

Slonem, Hunt (New York, b. 1951). "Rudi Valentino." Acrylic on canvas. 1996. Signed, dated, and titled on verso. Sight: 19 1/2" x 15 1/2". Frame: 27 1/2" x 23 1/2". Condition: Loose in frame.

Lot: 26 - Greg Osterhaus, "Head of Cattle," 2001, O/C.

Osterhaus, Greg (Virginia, b. 1963). "Head of Cattle." Oil on canvas. 2001. Titled and dated on verso. Sight: 30" x 20". Frame: 30 1/2" x 20 1/2".

Lot: 27 - Jon Smith, "National Gallery, D.C.," O/C.

Smith, Jon (Florida, active 20th/21st century). "National Gallery D.C." Depicting a couple looking at art in the National Gallery in Washington, D.C. Oil on canvas on board. 2009. Signed l.l. Signed, titled, and dated on verso. Sight: 9 1/2"x 7 1/2". Frame: 19" x 17".

Lot: 28 - Philippe Gautier, "Ballerines Dans le Foyer," O/C.

Gautier, Philippe (France, 1928-2004). "Ballerines Dans le Foyer." Oil on canvas. Signed l.r. Titled on verso. Sight: 15 1/2" x 31 1/2". Frame: 26 1/4" x 42".

Lot: 29 - Mapplethorpe, "Susie," 1984, gelatin silver print.

Mapplethorpe, Robert (American, 1946-1989). "Susie." Gelatin silver print. 1984. 1/10. Signed on verso. Robert Berman Gallery label on verso. Sight: 15" x 15". Frame: 18" x 18".

Lot: 30 - Steeplechase Coney Island B&B Carousell Horse.

A Steeplechase Park B&B Carousell (sic.) two-saddle stationary jumper horse. Coney Island, Brooklyn, New York. Painted wood, metal. 55 1/2" x 95". Condition: Abrasions, some paint loss.

Lot: 31 - Art Deco Crystal and bronze chandelier.

An Art Deco crystal and bronze chandelier. In the Baccarat style. Circa 1930s. 11" diameter x 26" drop from ceiling. Provenance: Purchased by current owner from Greenwich Living Antiques, Stampford, Connecticut, in 2012.

Lot: 32 - 3 putti girandoles.

A group of three girandoles with grape leaf and putti. ++ One three-light. 17 1/2" x 15 3/4" x 4". ++ A pair of one-light. 16 3/4" x 6" x 4". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chairof the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 33 - Pair of Brass three-light girandoles.

A pair of brass three-light girandoles. Late 19th to early 20th century. With hanging crystals. 18" x 15 1/2" x 5". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department atTrinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 34 - 3 American gilt girandoles.

A group of two-light and one five-light American gilt girandoles depicting a woman. Smallest: 16 1/4" x 6 1/2" x 6 1/2". Largest: 22 1/2" x 16 1/2" x 4". Condition: Some missing crystals.

Lot: 35 - A. Seguso Murano torchiere lamp.

An Archimede Seguso (Italian, 1909-1999) Murano torchiere lamp. Custom designed with six section spiral twist shaft. Signed and dated 1997. 73 1/2". Provenance: Purchased by current owner from Roberto Pedrina,, London. in 1997.

Lot: 36 - Cast iron mermaid fountain.

A cast iron fountain of a mermaid with a bird. 46" x 24" x 15". Condition: Bird's wing separated. Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College inHartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 37 - 2 Omersa leather ducks.

A group of two Dimitri Omersa leather ducks. Large one marked on bottom "MADE IN ENGLAND. " Smallest: 5 1/4" x 7 3/4" x 3". Largest: 8" x 15" x 6 1/4".

Lot: 38 - Omersa small pig leather ottoman.

A Dimitri Omersa small pig leather ottoman. 13" x 22" x 9".

Lot: 39 - Omersa leather seal ottoman.

A Dimitri Omersa leather seal ottoman. Unmarked. 101 1/2" x 27" x 19".

Lot: 40 - Omersa leather frog ottoman.

A Dimitri Omersa leather frog ottoman. Unmarked. 16 3/4" x 19" x 6".

Lot: 41 - Omersa leather donkey ottoman.

A Dimitri Omersa leather donkey ottoman. Unmarked. 18 1/2" x 27" x 10". Condition: Detached tail.

Lot: 42 - Omersa leather hippo ottoman.

A Dimitri Omersa leather hippo ottoman. Unmarked. 15 1/2" x 35" x 10 1/2".

Lot: 43 - Large Omersa rhino ottoman.

A large Dimitri Omersa rhino ottoman. Unmarked. 76" x 25" x 18 1/2".

Lot: 44 - Galle pitcher and 3 liquor glasses.

Emile Galle (French, 1846-1904). Glass pitcher and three liquor glasses. ++ Three liquor glasses. Engraved on underside "Cristallerie de Galle a Nancy." 2 1/2" x 1 1/2". ++ Pitcher with enamel coat of arms. Engraved on bottom "Galle de Nancy."9 3/4" x 9". Provenance: Current owner purchased the glasses from Christie's London in 2000.

Lot: 45 - Dodie Thayer lettuce ware platter.

A Dodie Thayer (Palm Beach, FL) lettuce ware platter. Incised mark on base. 17 1/2" x 12 1/2". Condition: Light pitting, residue, abrasions on bottom, and chipped rim.

Lot: 46 - Strasbourg Faience glazed cabbage tureen.

A Strasbourg Faience glazed cabbage tureen and cover. Late 18th century. 6 1/4" x 12" x 12 1/2". Provenance: Purchased from Sotheby's Zurich, in 1997.

Lot: 47 - English porcelain traveling tea service, 19th c.

An English porcelain bachelor’s tea service in fitted mahogany traveling box. With teapot, covered sugar bowl, cream jug, pair of teacups and saucers, and serving tray. 19th century. 7" x 13" x 11" Provenance: From the Estates of RaymondBahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington,DC.

Lot: 48 - 3 French vases, 19th-20th c.

A group of three French vases. Includes one pair decorated with florals and gilt paint. 19th to 20th century. Smallest: 9 5/8" x 7". Largest: 10" x 9 3/8". Condition: Multiple cracks, residue, pigment loss, and surface dirt. Provenance: Fromthe Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the NationalGallery of Art, Washington, DC.

Lot: 49 - Alexander R. James, Portrait of a woman, 1921, O/C

James, Alexander Robertson (New Hampshire, 1890-1946). Portrait of a seated young woman wearing a cloche-style hat, a dark dress with white collar and cuffs, and a fur stole. Circa 1921. Oil on canvas. Signed and dated l.r. Sight:35 1/2" x 25 1/2". Frame: 38 1/4" x 28". Condition: Craquelure.

Lot: 50 - Porcelain cane handle.

A porcelain can handle modeled after a lady's head with Watteau scenes. Possibly Meissen. Not marked. With mount: 4 1/2" x 4". Provenance: Exhibited at Dumbarton House, Washington, DC. From the Estates of Raymond Bahor & MichaelMahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, D.C.

Lot: 51 - Meissen porcelain lidded sugar bowl.

A Meissen porcelain lidded sugar bowl with flower finial and pink hunting scenes. Underglaze mark on bottom. 4 1/4" x 4 1/2". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Artsdepartment at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 52 - Meissen Rothschild style bowl.

A Meissen after Herend "Rothschild" pattern bowl. 1815-1924. Underglaze pommel swords mark. 3 6/8" x 7 1/4". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at TrinityCollege in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 53 - Continental porcelain allegorical figure.

A Continental, probably German, porcelain classical nude male warrior beside a shield and armor, likely after a Meissen or Berlin model, with underglaze blue mark and impressed/model numbers to underside. Late 19th century. 6 1/4".Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at theNational Gallery of Art, Washington, DC.

Lot: 54 - Continental porcelain female figure.

A Continental, probably German, porcelain allegorical figure of Truth (“Veritas”) with polychrome enamel and gilt decoration. Late 19th to early 20th century. Marked to underside with underglaze blue factory mark and impressednumerals. 6 1/2". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curatorand editor at the National Gallery of Art, Washington, DC.

Lot: 55 - Meissen Imari porcelain plate.

A Meissen porcelain plate with an Imari design. 18th to 19th century. Blue crossed swords mark underglaze. 9 1/4". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department atTrinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 56 - Meissen Kakiemon porcelain plate.

A Meissen porcelain reticulated plate with Kakiemon design. Circa 18th to 19th century. Blue crossed swords mark underglaze. 8 1/2". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chairof the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 57 - Meissen porcelain plate.

A Meissen porcelain plate in the Geber Lowe pattern decorated in Kakiemon style with a tiger beneath flowering branches and bamboo. 18th to 19th century. Blue crossed swords mark underglaze. 9". Provenance: From the Estates of Raymond Bahor& Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington,DC.

Lot: 58 - Meissen Ming Dragon porcelain plate.

A Meissen porcelain plate decorated in the Ming Dragon pattern with two red dragons chasing flaming pearls around the rim. 18th to 19th century. Blue crossed swords mark underglaze. 9". Provenance: From the Estates of Raymond Bahor &Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 59 - Meissen porcelain plate.

A Meissen porcelain plate with molded body and floral designs of roses, chrysanthemums, and other flowers. 19th century. Blue crossed swords mark underglaze. 10". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was aprofessor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 60 - Ludwigsburg porcelain charger.

A Ducal Real Porcelain factory, Ludwigsburg porcelain charger. Floral design of tulips, roses, forget-me-nots, and other blossoms, with a basket weave border. Circa 1764-1793. Blue crowned mark underglaze. 15". Provenance: From the Estates ofRaymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art,Washington, DC.

Lot: 61 - Meissen Kakiemon porcelain lobed dish.

A Meissen porcelain lobed circular dish with Kakiemon design of a phoenix and beetle with flowers and a basket weave border. 18th to 19th century. Blue crossed swords mark underglaze. 13". Provenance: From the Estates of Raymond Bahor &Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 62 - Meissen Kakiemon porcelain bowl.

A Meissen porcelain bowl with Kakiemon design of a phoenix and beetle with flowers and a scalloped rim. 19th century. Blue crossed swords mark underglaze. 10". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was aprofessor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 63 - Meissen porcelain dish.

A Meissen large porcelain dish decorated with florals and insects with a basket weave border. 19th century. Blue crossed swords mark underglaze. 15". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professorand Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 64 - German nodding head pagoda figure.

A German style nodding head pagoda figure. Head and tongue rock back and forth. Underglaze blue mark. 6" x 5 1/2" x 6 1/4". Condition: Repair to foot, broken thumb on right hand, and weight separated from head. Provenance: From the Estatesof Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art,Washington, DC.

Lot: 65 - Nymphenburg porcelain plate.

A Nymphenburg porcelain plate decorated with florals and insects. 18th to 19th century. 16". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College inHartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 66 - Meissen porcelain plate.

A Meissen porcelain plate with Kakiemon and Imari pattern with a fox flying over a rat. 18th to 19th century. 9 1/2" across. Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Artsdepartment at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 67 - French Chantilly Soft-Paste porcelain box.

A French Chantilly soft paste porcelain box with rectangular serpentine form porcelain casket and silver mounts. Decorated in polychrome enamels with chinoiserie figures, floral motifs, and insects in the Kakiemon style. Marked on bottom.Condition: Wear to mounts, firing imperfections, and wear consistent with age. Provenance: Exhibited at Dumbarton House, Georgetown, Washington, DC. Purchased from C.G. Sloan & Co. 11/17/1996. Auction number 865.From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at theNational Gallery of Art, Washington, DC.

Lot: 68 - 12 Samson armorial plates.

A group of twelve Samson armorial plates painted with bianco-sopra-bianco decoration. Faux Asian style mark on reverse. 9 1/2" x 1". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of theFine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 69 - 2 Meissen plates.

A group of two Meissen plates. Underglaze crossed swords mark on bottom. Smallest: 9" x 3/8". Largest: 10" x 1 1/2". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Artsdepartment at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 70 - Ludwigsburg & KPM porcelain plates.

A group of two German porcelain plates. ++ Ducal Real Porcelain, Ludwigsburg plate. Circa 1765-1770. 10" x 1 1/2". ++ KPM pierced plate. 9 1/4" x 1 1/4". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was aprofessor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 71 - 2 German porcelain figural pieces.

A group of two German porcelain figural pieces. ++ Royal Vienna style watch holder with female figure. Underglaze shield/beehive mark. 9" x 7" x 3 1/2". ++ Seated male figure sweet meat bowl. 6 1/4" x 5 1/2" x 4". Condition: Broken fingers onsweet meat bowl. Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curatorand editor at the National Gallery of Art, Washington, DC.

Lot: 72 - 2 Meissen pieces.

A group of two Meissen pieces. Underglaze crossed swords mark on bottom. ++ Lidded dish with figures in green on top. 2" x 3 1/2". ++ Small dish with central image with ships in harbor. 5 1/4". Provenance: From the Estates of Raymond Bahor &Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 73 - Continental porcelain figure of a young boy.

A Continental porcelain figure of a young boy in a hat standing beside a tree stump. 6 1/4" x 3 1/2" Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College inHartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 74 - French George Washington snuff box, late 18th c.

A French circular snuff box with inset gilt George Washington profile medallion. c.1790-1820, Composition or paper mache box with stamped circles surrounding the medal. Medal of a left facing Washington with :Georgius Washington:flanking him . Box retains the original glass bezel. Accompanied by research material.. 2 3/8".

Lot: 75 - Snuff box with Washington medallion.

A George Washington burl wood snuff box. 19th century. Wood box lid having inset brass George Washington portrait medallion. Interior fitted with tortoise shell. 1 7/8".

Lot: 76 - George Washington snuff box.

A George Washington black composition or gutta percha hinged snuff box. Late 18th/early 19th century.Hinged lid molded with portrait of Washington and words "George Washington. Top of box molded with death notice "Obii1 / Dec, 15 1799/ Abt 68" " 3 5/8" x 2 1/2".

Lot: 77 - George Washington snuff box.

A circular George Washington snuff box. French, late 18th/early 19th century. Burl walnut with coin silver medallion of George Washington in the lid. 3".

Lot: 78 - After Stuart, George Washington, watercolor brooch

After Gilbert Stuart (American, 1755-1828). "Washington at Dorchester Heights." A miniature watercolor brooch depicting George Washington beside a white horse in gold mount. 1 1/2" x 1 1/8".

Lot: 79 - George Washington portrait miniature.

A small framed George Washington portrait miniature. paintied on thin piece of ivory. In an oval gilt composition frame. Frame: 5 1/4" x 3 7/8".

Lot: 80 - George Washington profile relief medallion.

A medallion of George Washington in profile under the title :George Washington. Design is stamoped on thin metal, edge is folded(as seen from the reverse. Frame: 4 1/4" x 4 1/4".

Lot: 81 - Bust of George Washington.

A French bronze bust of George Washington in Continental military uniform. mid 19th century. Mounted on cylindrical white marble and gilt pedestal with plaque that reads "LIBERTAS GEORGE WASHINGTON GENERAL EN CHEF LES ARMEES DES ETATSUNIS DE L'AMERIQUE." Translate to - "Freedom. His Excellency George Washington, General-in-Chief of the Armies of the United States of America." 9 1/2" x 4".

Lot: 82 - Molded wax George Washington, 19th c.

A molded wax profile portrait of George Washington. early 19th century. Facing right. Period shadow box frame with eglomise painting on the glass. frame 7 3/8" x 6 1/4".

Lot: 83 - Wax profile portrait of Martha Washington.

A wax profile portrait of Martha Washington. Late 18th/early 19th century. Right facing Washington with hair tied up, in period shadow box frame. Partial old label visible to reverse. Frame: 7" x 5 1/2".

Lot: 84 - George Washington silver plaque, c. 1800.

A silver profile portrait plaque of George Washington. Circa 1800. Frame: 6 3/4". Provenance: Purchased from Gallery 76 Americana, 2021.

Lot: 85 - After Sharples, Wax miniature of Thomas Jefferson.

After James Sharples (British, 1751-1811). A wax portrait of Thomas Jefferson. Early 19th century. Monochromatic wax of a left facing Jefferson. In a gilt composition frame. Frame: 5". Provenance: Includes appraisal from 2021.

Lot: 86 - Profile portrait of a Gentleman.

A high relief wax portrait of George Washington. early 18th century. reverse of frame with label for London 19th century frame shop - "A. Westby / Carver & Gilder". Oval frame: 5 1/2" x 4 1/2".

Lot: 87 - Profile portrait of George Washington.

A molded relief profile portrait of George Washington. Mounted beneath glass. Frame: 5" x 5".

Lot: 88 - Wax Relief Portrait of General George Washington

A Wax High-Relief Portrait of General George Washington. c.1780-90. During his lifetime, shows a right facing Washington in his military uniform. In a period shadow box frame. 2 1/2" x 1 1/2", frame: 6 5/8" x 5 1/2".

Lot: 89 - French portrait medallion of Lafayette.

A French wax profile portrait medallion of Marquis de Lafayette. Dated "1757" on verso. Frame: 7 1/8" x 5 3/8". Provenance: Purchased from Suchow & Seigel Antiques.

Lot: 90 - George Washington pen wipe, c. 1830.

A layered fabric pen wipe with George Washington in Continental military dress. Circa 1830. 12" x 5 3/4".

Lot: 91 - Portrait medallion of George Washington.

A profile portrait medallion of George Washington. Marked "HOUQUET Rue de la Paix No. 34 Paris" on verso. 3 1/4" x 2 3/4".

Lot: 92 - French figure of Jean-Jacques Rousseau.

A French ivory figure of Jean-Jacques Rousseau. 19th century. Mounted to square wooden base. 7 7/8" x 2".

Lot: 93 - Continental figure of George Washington.

A Continental carved ivory figure of George Washington. Late 19th century. Standing with outstretched arm on a circular pedestal base. 10 3/4" x 3 3/8".

Lot: 94 - George Washington, bronze.

A French bronze figure of George Washington with a book in his right hand. mid 19th century. Figure attached to gilt metal base. 10 3/4" x 3 7/8".

Lot: 95 - George Washington, gilt metal.

A French patinated bronze figure of George Washington with a book in his right hand. Mid 19th century. 11 3/4" x 5 1/4".

Lot: 96 - George Washington wood box.

A George Washington commemorative snuff box. Late 18th/early 19th century. Hard pressed stiff lacquered paper box with Washington's portrait under the title "Washington" on the lid. 3 1/4" x 3/4".

Lot: 97 - George Washington portrait snuff box.

A round George Washington portrait snuff box with printed portrait and reads "First in war, first in peace, and first in the hearts of his Countrymen." c.1820. Paper mache, pressed lacquered paper, snuff box with black transferimage of Washington 3 1/2".

Lot: 98 - War of 1812 snuff box - The Glorious Victory.

A War of 1812 "The Glorious Victory" round snuff box with decorated lid of Historic naval battle scene. Complete rirle reads "THE GLORIOUS VICTORY/Achieved in the short space of Seventeen Minutes, by the American Frigate / UNITED STATES /Commanded by Commodore DECATUR, over the British Frigate / MACEDONIA / Mounting Forth nine guns." Reverse with American eagle and "United we stand / divided we fall / Liberty Freedom Independence." 3 1/2".

Lot: 99 - George Washington snuff box.

Cornelius Tiebout (New York, 1773-1832) after Gilbert Stuart (Boston, 1755-1828). A paper mache box with lacquered print of George Washington. 19th century. 3 3/4" x 3".

Lot: 100 - George Washington snuff box.

A George Washington paper mache snuff box. Early 19th century. Polychrome transfer print of "General George Washington" on a brown horse 2 7/8".

Lot: 101 - Henry Kirke Brown, George Washington plaque.

Henry Kirke Brown (Massachusetts, 1814-1886). A bronze portrait plaque of George Washington. Signed and dated "H.K. Brown Sculptor June 1852." 9 7/8" x 9 7/8".

Lot: 102 - George Washington portrait, O/C.

A portrait of George Washington, Oil on canvas. Early 19th century. Labels on Frame for Newman Galleries, Philadelphia, with a post 1935 Walnut street address on one. Oval portrait in rectangular frame. Canvas has been lined tosupport this framing. Old repairs visible from the reverse. Frame: 38" x 33". Condition: Craquelure, multiple areas of repair evident on verso, and relined.

Lot: 103 - George Washington portrait, O/C.

A portrait of George Washington. Oil on canvas. 19th to 20th century. Sight: 29 1/2" x 24 1/2". Frame: 36" x 31". Condition: Craquelure.

Lot: 104 - Attrib. Turnbull, "Surrender at Yorktown," O/P.

Attributed to Charles Turnbull. "George Washington and the Surrender of Yorktown." Oil on wood panel with cradle attached. Mid to late 19th century. Sight: 13" x 10". Frame: 16 1/2" x 13 1/2". Provenance: sold at Bonham's in 2010.

Lot: 105 - Mount Vernon, 1880, O/C.

A painting of Mount Vernon, similar to C.H. Well's 1859 engraving. Oil on canvas. 1880. Signed "Burlingain" and dated l.r. Sight: 17 1/2" x 23 1/4". Frame: 22" x 28". Condition: Craquelure, discoloration, and repair evident on verso.

Lot: 106 - View of Washington's Tomb, charcoal.

After William Henry Bartlett (British, 1809-1854). "View of Washington's Tomb" with Mount Vernon in the background. Charcoal on sandpaper. Circa 1830. Unsigned. Sight: 14" x 17 1/2". Frame: 17" x 20 1/2". Provenance: Includes appraisal by MalcomMagruder, American Antiques and Related Accessories, 2009.

Lot: 107 - Bartlett & Tanner, "America Guided by Wisdom."

John Bartlett and engraved by Benjamin Tanner (American, active 18th-19th c.). "America Guided by Wisdom." Engraving on paper. Circa 1815. Sight: 17" x 22 3/4". Frame: 27" x 33 1/2". Provenance: Appraised by Old Colony Shop in 2015.

Lot: 108 - Miniature portrait of George Washington.

A miniature portrait of George Washington in military uniform. Frame: 5 1/2" x 4 3/4".

Lot: 109 - Miniature portrait of George Washington.

A miniature portrait of George Washington in Continental Army uniform. Frame: 5 5/8" x 5 1/8".

Lot: 110 - George Washington mourners, watercolor, 19th c.

A miniature depicting mourning figures before a George Washington memorial monument. Watercolor or gouache. Late 18th to early 19th century. Frame: 4 3/8" x 3 5/8".

Lot: 111 - 2 George Washington portraits.

A pair of small framed George Washington portrait prints. Smallest frame: 4 1/8" x 4". Largest frame: 5 1/4" x 4".

Lot: 112 - George Washington engraving.

A portrait engraving of George Washington. Circa 1776. Published in Ireland. Captioned "His Excellency George Washington Esq’r, Captain General of all the American Forces." Frame: 10" x 8".

Lot: 113 - Silhouette portrait of George Washington.

A black silhouette of George Washington reverse painted on glass panel. Early 19th century. Inscribed "WASHINGTON." Frame: 6" x 4 3/4".

Lot: 114 - George Washington silhouette, 1790.

A silhouette on glass of George Washington wearing a red coat. Marked "Washington 1790." Frame: 8" x 6". Provenance: Purchased from Heritage Auctions November 23, 2013.

Lot: 115 - Alexander Hamilton portrait pendant.

A small engraved portrait of Alexander Hamilton. Inscribed "Genl. Hamilton." Hand colored with stars and stripes shield below Hamilton. In a gold metal frame. Frame: 4 1/2" x 3 1/4".

Lot: 116 - George Washington portrait miniature.

A small portrait miniature after a likeness of George Washington. Frame: 5 1/2" x 4 1/2".

Lot: 117 - George Washington relief portrait.

A Profile relief portrait of George Washington, executed in molded plaster and mounted against a pink silk ground within an oval black-painted wood frame. The left-facing bust depicts Washington with tied queue hairstyle in the neoclassicalmanner, Frame: 4 5/8" x 4".

Lot: 118 - Sulphide portrait glass of George Washington.

A French sulphide glass pendant depicting George Washington in profile. 19th century. The white sulphide portrait molded within a clear pressed-glass medallion with radiating sunburst design. Mounted with a gilt-metal suspension capand hanging ring. 4" x 2 5/8".

Lot: 119 - After Stuart, George Washington portrait medallion

An earthenware black transfer print of George Washington after Gilbert Stuart. Late 18th century. Oval framed. Frame: 6" x 4 3/4". Provenance: Note on reverse says pictured in Antiques the Magazine August 1971 - Part II, page236-40.

Lot: 120 - Portrait medallion of Lafayette.

A small profile portrait medallion of Marquis de Lafayette. Frame: 4 5/8" x 3 5/8".

Lot: 121 - Porcelain George Washington trinket box.

A small enamel on metal George Washington trinket box. 20th century. With painting of Washington and blue enamel ground. 2" x 1 1/2".

Lot: 122 - Portrait miniature of George Washington, 20th c.

A portrait miniature depicting George Washington in military uniform next to a horse and a cannon. Late 19th to early 20th century. Frame: 14 3/8" x 12 3/8".

Lot: 123 - After Campbell, George Washington, print.

After Alexander Campbell. A print of George Washington on horseback in Continental Army uniform. Published September 1775 by C. Shepherd. Frame: 16 3/8" x 12 3/8".

Lot: 124 - Hinton & Stampa, "Wisdom Supported by Liberty."

J. Hinton (British) and P. Stampa (British, 1798-1817). "Wisdom Supported by Liberty" hand-colored engraving depicting George Washington receiving a code of laws from allegorical figures. Published November 5, 1801. Frame: 18" x13 1/2".

Lot: 125 - Stampa, "America," engraving.

P. Stampa (British, 1798-1817). "America." Hand colored allegorical engraving of a female figure next to a memorial urn. Frame: 17 3/4" x 13 5/8".

Lot: 126 - Memorial for George Washington, engraving, c. 1800

Enoch G. Gridley (Philadelphia, active 1803-1818) after John Coles, Jr. (Boston, 1778-1854). "Memorial for George Washington" engraving depicting various cherubs and allegorical female figures as well as a banner listing the battles of"Trenton, Princeton, Monmouth, and Yorktown." Circa 1800. Frame: 16 3/4" x 12 1/4". Provenance: Multiple engravings are located at the National Gallery of Art and Smithsonian American Art Museum, Washington, D.C.

Lot: 127 - Washington Memorial mourning print.

A Washington memorial print after an early American mourning engraving. Depicting a female mourner beside a monument inscribed "Sacred to the Memory of the Illustrious Washington," with Mount Vernon in the background. Frame: 24" x 18".

Lot: 128 - Kahler, "George Washington Mourning Epaulet," 1997

Troy D. Kahler, a historic costumer and tailor. "The George Washington Mourning Epaulet." 1997. Numbered 44/200. Signed and dated. Handwritten and drawn certificate of authenticity on verso. Frame: 18" x 8".

Lot: 129 - View of Mount Vernon, embroidery on silk.

An embroidery on silk landscape view of Mount Vernon. Frame: 25" x 15".

Lot: 130 - Drawing of Mount Vernon & George Washington

A drawing of Mount Vernon with a standing figure representing George Washington accompanied by a dog. Frame: 13" x 8".

Lot: 131 - George Washington portrait brooch, c. 1790.

A small oval porcelain portrait of George Washington in metal pin-back brooch setting. Circa 1790. Likely from Washington's Inaugural period. 2". Provenance: Purchased from Early American HistoryAuctions, Inc., 2023.

Lot: 132 - After Collett, "Paul Jones Shooting a Sailor..."

After John Collett (British, 1720-1780). "Paul Jones Shooting a Sailor who had attempted to strike his Colours in an Engagement." Hand-colored engraving. Published by Carington Bowles, London, December 2, 1779. Frame: 16 1/8" x 12 1/2".

Lot: 133 - "George Washington, Late President..." 1801.

A portrait print of "General Washington, Late President of the United States of America." Published by Haines & Son in London March 21, 1801. Frame: 16 3/4" x 13".

Lot: 134 - 2 Patriotic engravings, early 19th c.

A pair of hand-colored engravings depicting female classical figures. Early 19th century. Frame: 15 3/4" x 13 1/2".

Lot: 135 - Portrait medallion of George Washington.

A profile portrait medallion of George Washington.

Lot: 136 - Biedermeier chest of drawers.

A Swedish Biedermeier chest of drawers. Circa 1830. Birch primary. Three drawers raised on tapered feet. 31 1/2" x 38 1/2" x 19". Provenance: Purchased by current owner from Victoria Wade, Ltd. London, in 1997.

Lot: 137 - Continental Biedermeier walnut butler's secretary

A Continental Biedermeier butler's secretary chest of drawers. Walnut primary and pine secondary. Top drawer opens to reveal a writing surface with four drawers with balustrade side over three drawers raised on square legs. 37" x 50 1/2" x 241/2". Condition: Right edge of top separated.

Lot: 138 - French mirrored mantle piece.

A French painted trumeau mirror with putti panel. 19th century. Upper register inset with an oil on canvas panel depicting putti amid swirling clouds in the Rococo taste, above a rectangular mirrored plate. The frame with molded reserves andbeadwork ornament, finished in a soft painted surface enhancing the decorative composition. 65" x 46 1/2" x 2".

Lot: 139 - French Louis XV game table.

A French Louis XV inlaid ormolu mounted game table, 18th Century. Top flips to reveal felted surface and backgammon board. 29" x 46 1/2" x 23 1/2". Condition: Bottom is water damaged.

Lot: 140 - French Louis XV commode converted to a sink.

A French Louis XV commode ormolu mounted converted to a sink with pink marble, 18th/ 19th Century. Lille Herbeau brass faucet and porcelain wash basin. 44" x 47 1/2" x 20 1/2". Condition: Missing pull.

Lot: 141 - Oak trumeau mirror and still life.

An oak trumeau mirror with still life. Oil on canvas. 19th century. 54" x 68".

Lot: 142 - Queen Anne Giltwood girandole mirror.

A Queen Anne Giltwood girandole mirror. Beveled double arched giltwood with lass S scroll candle sconces. Period mirror plate. Circa 1710. 35" x 21". Condition: Broken arms. Provenance: Purchased by current owner from Mallet & Son Antiques,London, in 1998.

Lot: 143 - 6 George III mahogany dining chairs.

A group of six George III mahogany dining chairs. Mid to late 18th century. Each with arched padded back and seat on square chamfered legs joined by H-stretchers. Five with green upholstry, one in green & white check. 38" high.

Lot: 144 - 2 painted occasional tables.

A pair of painted occasional tables. 24" x 14". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991.Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 145 - Regency mahogany kneehole desk.

A Regency mahogany kneehole desk. Attributed to Gillows. Flame mahogany. Beaded decoration raised on bun feet. Leather top with brass gallery. One drawer flanked by two doors. Early 19th century. 30" x 44" x 24". Provenance: Purchased fromMichael Liptich, Ltd., London, in 1997.

Lot: 146 - 3 English Regency painted chairs.

A group of three painted English Regency cane seated chairs. 33" x 19" x 17". Condition: One seat damaged. Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department atTrinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 147 - 4 John Gee Regency painted armchairs.

A set of four English Regency painted armchairs by John Gee. Circa 1820. Interlaced back with caned seat. Stamped on the underside, intertwined "JG" with Journeyman maker "WF." 33" x 22" 18 1/2". Provenance: Purchased by current owner from Mallet& Son Antiques, London. in 1998.

Lot: 148 - English Provincial pine cupboard cabinet.

An English or Welsh Provincial pine stepback cupboard cabinet. 19th century. Four shelves with wave pediment over three drawers over two doors. Replaced brass pulls. 80" x 59 1/2" x 66 1/2".

Lot: 149 - English mahogany sarcophagus cellarette.

An English sarcophagus cellarette on stand. Mahogany primary and pine secondary. Missing lock. 25" x 18".

Lot: 150 - 2 Renaissance Revival high back chairs.

A group of two Renaissance Revival walnut high back chairs. 19th century. Tapestry seats. Arm chair: 63" x 28" x 23". Side chair: 57 1/2" x 25" x 20".

Lot: 151 - English paper mache table.

An English paper mache table with tray. 19" x 30" x 23". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retiredin 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 152 - English chest on chest.

An English chest on chest. 19th century. Mahogany primary and pine secondary. Dentil pediment over eight drawers with replaced brass pulls raised on bracket feet. 68" x 46" x 22". Condition: Crack in both sides missing trim.

Lot: 153 - English oak Jacobean Revival settee & 2 chairs.

An English oak Jacobean Revival settee and pair of side and arm chairs. Late 19th to early 20th century. Carved and pierced backs, turned supports, and upholstered seats. Set of three pieces. Chairs: 32 1/4" x 29 1/2" x 22". Bench:33" x 43" x 22". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curatorand editor at the National Gallery of Art, Washington, DC.

Lot: 154 - English Regency mahogany sofa table.

An English Regency mahogany sofa table. 28" x 30" x 36" 58" open. Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, untilhe retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 155 - Victorian tete-a-tete conversation chair.

A Victorian tete-a-tete three seat conversation chair. Craved wood with putti heads. 31" x 47" x 45".

Lot: 156 - English chest of drawers.

An English chest of drawers. Five drawers with wood pulls raised on turned feet. 19th century. 45" x 45" x 18 3/4". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department atTrinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 157 - English hutch.

An English hutch. Mahogany primary and pine secondary. Gothic arched glazed glass two doors over two doors revealing three drawers and two shelves. 19th century. 95" x 60" x 18". Condition: Right door edge separated at top hinge.Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at theNational Gallery of Art, Washington, DC.

Lot: 158 - 2 American Windsor chairs.

A pair of Windsor side chairs attributed to John Letchworth. Philadelphia. Circa 1790. Made from poplar, maple and hickory. Marked JL on front of underside of seat. Seat on one chair with significant scraping. 35" x 17 3/4" x 15".Provenance: Purchased from H&R Sandor, Inc. Antiques, April 30, 1966. From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College inHartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 159 - Side table.

A side table. 27" x 33" x 23". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior tothat he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 160 - American walnut drop front secretaire.

An American walnut drop front secretaire. 19th century. Two six-pane doors over drop front door revealing pigeon holes. Pine base missing drawers. 82" x 41 1/2" x 22".

Lot: 161 - Walnut cannonball four poster bed.

A walnut cannonball four poster queen bed. 81" x 58 1/2". Mattress 74" x 50".

Lot: 162 - American Classical/Empire mahogany secretary.

An American Classical/Empire mahogany secretary bookcase with fall-front writing surface over drawers on turned feet. Circa 1825-1845. 95" x 60" x 18" Provenance: From the Estates of Raymond Bahor &Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 163 - American Classical mahogany tilt-top table.

An American Classical mahogany tilt-top breakfast table with four scrolled legs on casters. Late 19th century. 28 1/2" x 54" x 43". Condition: Wear to surface, some loss. Provenance: From the Estates of Raymond Bahor & Michael Mahoney.Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 164 - American Classical mahogany drop-leaf table.

An American Classical mahogany drop-leaf work or sofa table. Mid 19th century. Rectangular top with drop leaves at the ends, two drawers, turned pedestal support, and scrolled feet. 28 1/2" x 36" x 21" Condition: Wear consistent with age.Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at theNational Gallery of Art, Washington, DC.

Lot: 165 - American walnut drop leaf table.

An American walnut gate leg drop leaf table. 27 3/4" x 35 3/4" x 15". Condition: Broken leg. Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College inHartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 166 - American Classical console table.

An American Classical console table. 30" x 35" x 36". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retiredin 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 167 - American Classical mahogany chest of drawers.

An American Classical mahogany chest of drawer with mirror. Mid 19th century. Figured drawer fronts, turned pulls, and columnar supports; mirror mounted above case. 48" x 44 1/2" x 18 3/4". Condition: Surface wear and minorveneer/losses. Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curatorand editor at the National Gallery of Art, Washington, DC.

Lot: 168 - American Classical mahogany chest of drawers.

An American Classical mahogany chest of drawers. 19th century. Graduated drawers, oval brass pulls, and figured mahogany fronts. 45 3/8" x 21 1/2" x 45 1/2". Condition: Wear, shrinkage, and losses consistent with age. Provenance: From the Estatesof Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art,Washington, DC.

Lot: 169 - American Classical mahogany butler’s desk chest.

An American Classical mahogany butler’s desk chest. Mid 19th century. The molded rectangular top opening to a fitted writing surface above four long graduated drawers with oval brass pulls, raised on bracket feet. 49 1/2" x 45" x 22 1/4".Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at theNational Gallery of Art, Washington, DC.

Lot: 170 - American Classical mahogany secretary.

An American Classical mahogany secretary/bookcase. Mid 19th century. Glazed bookcase top over a cylinder writing compartment and lower drawers, on shaped supports. Marked on back "W.S.G." 73" x 40" x 18 1/2". Condition: Wear and restorationpossible. Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator andeditor at the National Gallery of Art, Washington, DC.

Lot: 171 - French Louis XIV G. Martinot ormolu boulle clock.

A French Louis XIV Gilles Martinot a Paris (1656-1726) gilt bronze mantle clock. Work marked on reverse. "Gilles Martinot à Paris." Gilt bronze seated woman surmounting boullework body with ormolu. Gilt face with enamel Roman Numerialsface. 27" x 14 1/2" x 6 1/2".

Lot: 172 - English Regency mahogany mantle clock.

An English Regency mahogany twin fusee mantle clock. Early 19th century. Painted face with Roman Numerals. Marked obscured maker and "Hight Street/ Exeter." Gothic acres case with three finials. 25 1/2" x 11 6/16" x 7".

Lot: 173 - French Lafayette marquetry clock.

A French Lafayette marquetry mantle clock. Mid 19th century. Gilt brass open face with Roman numerals over walnut marquetry inlaid body with central Jasperware Marquis Lafayette portrait plaque. Gilt brass pendulum. 18" x 7 6/8" x 41/2". Provenance: Purchased from Rex Stark in 2016 and includes facsimile of receipt.

Lot: 174 - American Eli Terry clock.

An American Eli Terry clock. 19th century. Reverse painted glass door. Painted wood face with Arabic numerals. Includes weights and key. Paper label on inside. Walnut case with brass finials and open pediment. 30 3/4" x 17 1/2" x 4 1/4".

Lot: 175 - Dutch Donderglas barometer.

A Dutch Donderglas blown glass barometer. 18th century. 4" x 10 1/4" x 4".

Lot: 176 - Attrib. John Glover, Landscape, O/C.

Attributed to John Grover (British, 1767-1849). A pastoral landscape with figures and classical ruins. Oil on canvas. 19th century. Inscribed on the reverse by the previous owner with the attribution to Glover. Sight: 9 7/8" x 12 3/8".Frame: 14 1/2" x 18". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was acurator and editor at the National Gallery of Art, Washington, DC.

Lot: 177 - Clausen, Rural labor scene, O/C.

Sir George Clausen RA RWS RI ROI (British, 1852-1944). Rural labor scene depicting a farmer leading a draft horse. Oil on canvas. Signed l.r. Label for Spink & Son, on verso. Sight: 12" x 16". Frame: 14 1/4" x 18 1/4". Provenance: Purchasedfrom Spink & Son July 18, 1968. Receipt included. From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991.Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 178 - British School, Choral singers, O/C, 19th c.

A British School painting depicting a group of young choral singers. Oil on relined canvas. 19th century. Inscribed "STEPHANOFF" on verso. Sight: 18" x 15". Frame: 24 1/2" x 21 3/4". Provenance: From the Estates of Raymond Bahor & MichaelMahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 179 - Simpson, Landscape, O/C.

Simpson, Golden (British, 1878-1960). A woodland landscape. Oil on canvas. Signed l.l. Winsor & Newton stamp on verso. Sight: 9 1/2" x 7". Frame: 15" x 12 1/2". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was aprofessor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 180 - Charles-Marie Bouton, Gothic interior, O/C.

Bouton, Charles-Marie (French, 1781-1853). Gothic interior with statuary. Oil on canvas. Signed l.r. Sight: 9 1/2" x 12 1/2". Provenance: Purchased from Robert Frank, London, July 17, 1968. From the Estates of Raymond Bahor & MichaelMahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 181 - George Barbier, Battle scene, pochoir, 1918.

Barbier, George (French, 1882-1932). A battle scene with a winged female figure above warriors. Pochoir print with gouache on paper. Signed and dated "George Barbier 1918" l.r. Sight: 9 3/8". Frame: 11". Provenance: From the Estates ofRaymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art,Washington, DC.

Lot: 182 - Attrib. Darricau, Child resting, O/C.

Attributed to Henry Leonce Darricau (French,1870-1963). A resting child. Oil on canvas. Inscribed "Henry Leonce Darricau 1870 Bordeaux 1962" and remnants of an exhibition or transport label from Bordeaux on verso. Sight: 18"x 15". Frame: 24" x 20 3/4". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior tothat he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 183 - Louis Alexandre Cabie, Coastal landscape, 1897.

Cabie, Louis Alexandre (French, 1853-1939). Coastal landscape with sandy path through dunes. Oil on panel. 1897. Signed and dated "Louis Cabie 1897" l.l. Sight: 14 1/2" x 20 1/2". Frame: 21" x 27". Provenance: From the Estates of Raymond Bahor& Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington,DC.

Lot: 184 - Henri Linguet, Rural landscape, O/C.

Linguet, Henri (French, 1891-1974). A rural landscape depicting a cottage with a female figure tending fowl. Oil on canvas. Signed l.l. Sight: 12 3/4" x 18". Frame: 18" x 23 1/2". Provenance: Purchased from City Kunsthandel, July 1965,Copenhagen, Denmark. From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991.Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 185 - After Corot, Landscape, O/B.

After Jean Baptiste Camille Corot (French, 1796-1875). Landscape depicting a figure standing along a river bank. Oil on board. Sight: 6 1/4" x 5 1/4".

Lot: 186 - After Henri Fantin-Latour, Still life, O/C.

After Henri Fantin-Latour (French, 1836-1904). Still life of yellow flowers. Oil on canvas. 1886. Signed and dated u.l. In a Bernard Badura (American, 1896-1986) frame. Sight: 12 1/4" x 14 1/2". Frame: 17" x 19"

Lot: 187 - Signed Henri Fantin-Latour, Still life, O/C.

Signed Henri Fantin-Latour (French, 1836-1904). Still life of purple flowers. Oil on canvas. 1886. Signed and dated u.l. In a Bernard Badura (American, 1896-1986) frame. Sight: 12 1/4" x 14 1/2" Frame: 17" x 19"

Lot: 188 - Sculpture of Eros, 17th-18th c.

A possibly French marble figural sculpture of Eros (Cupid) holding a quiver of arrows. Late 17th to early 18th century. 14" x 6 1/4". Condition: Abrasions, residue. Provenance: Appraised by Trifles in 2017.

Lot: 189 - Carved musician figure.

A Carved ivory figure depicting a violinist in a plumed hat and costume. Late 19th century. Figure standing with crossed legs while playing a violin. Mounted on a cylindrical ebonized pedestal with ivory mounts. 8" x 2 1/4". Condition: Abrasions,wear.

Lot: 190 - 2 Continental figural groups.

A group of two Continental ivory figural groups. 17th/18th century. After Gian Lorenzo Bernini "Rape of Proserpina" and two wrestling men on ivory bases. Each mounted on a rectangular tortoiseshell veneered pedestal with ivory trim.Smallest: 7 1/2" x 2" x 2". Largest: 7 3/4" x 2" x 2".

Lot: 191 - Carved figure of Eros, 17th-18th c.

A carved ivory figure of Cupid shown standing with bow, quiver, and wings. 17th to 18th century. Mounted on a tapered pedestal veneered in tortoiseshell and trimmed with ivory. 11 1/4" x 3" x 2 1/4".

Lot: 192 - Carved Figural Group, 17th/18th century

A Carved ivory figural group depicting two nude male figures in a classical or mythological scene. 17th/18th century. The figures shown intertwined in a dynamic pose and mounted on a rectangular ivory plinth over a stepped ebonized wood base. 73/4" x 5". Condition: Cracks, repaired breaks, abrasions, and residue.

Lot: 193 - Carved Figure of Venus and Cupid, 18th c.

A Carved ivory figure depicting Venus standing nude with drapery, accompanied by Cupid at her side. 18th century.Raised on an oval plinth and mounted to an ebonized wood pedestal base with ivory ball feet. With mount: 13" x 5 1/4".Condition: Cracks, surface dirt.

Lot: 194 - Carved Figure of a Mourning Cupid, 18th c.

A Carved ivory figure of a winged Cupid shown standing with clasped hands and upturned gaze, 18th century. raised on a circular ivory plinth and mounted to a green hardstone base. Finely carved with detailed wings and curled hair. 8" x3" x 3 1/2".

Lot: 195 - Carved wood Abas & Demeter.

A carved wood piece with the face of Demeter mocking Abas and Abas turning into a lizard. 1 1/2" x 1 1/8".

Lot: 196 - Circle of Troger, Two beggars.

Attributed to Simon Troger (Austrian, 1683-1768) or core follower. Pair of wood and bone male and female beggars. 18th century. Smallest: 10 3/8" x 4". Largest: 10 1/2" x 3 5/8". Condition: Cracks, surface dirt. Provenance: Purchased from ObjetsDart Workshop.

Lot: 197 - "Winter," Terracotta sculpture, 18th c.

"Winter (One of the Four Seasons)." Terracotta sculpture depicting a child personifying Winter, shown clutching a bundle of sticks and partially draped, modeled with academic naturalism in the Neoclassical taste. The expressive figure isanimated by soft movement and carefully articulated anatomy, the surface retaining a warm aged patina consistent with 18th-century studio terracotta. Mid 18th century. Sculpture: 43" x 14". Stand: 34 1/2" x 19 1/2" x 18 3/4".Provenance: Purchased in France prior to 2009.

Lot: 199 - Italian gilt bronze Minerva.

An Italian gilt bronze Minerva. 17th century. Canvas on wood stand. Figure: 6" x 2 3/4" x 1 1/2". With mount: 7 7/8" x 4 1/2" x 2".

Lot: 200 - Victorian E.J. Poynter bronze plaque.

A Victorian Edward John Poynter (English, 1839-1919) bronze plaque featuring a young male in profile. Marked "VNA CAPRESE" and signed "EJP 1882." 5 3/4". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was aprofessor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 201 - Continental gilt bronze enameled woman.

A Continental gilt bronze enameled woman. 16th to 17th century. 2 3/4" x 7/8" x 1/2".

Lot: 202 - 2 Continental gilt bronze enameled women.

A pair of Continental gilt bronze enameled women. 16th to 17th century. 3 1/2" x 7/8".

Lot: 203 - "The Dancing Faun," bronze, 19th c.

A bronze statue of "The Dancing Faun" after the 2nd century sculpture "House of the Dancing Faun" in Pompeii. 19th century. 31" x 8 1/2".

Lot: 204 - Grand Tour ancient marble basin.

A Grand Tour ancient marble basin. Late 18th to Early 19th century. Verde Antico basin on Giallo Antico base with legs with lion paw decoration. 11 1/4" x 24" x 11 3/4".

Lot: 205 - Parrot gilt bronze & glass Claret jug.

A Parrot gilt bronze and glass bodied Claret jug. Parrot head opens to reveal stopper. Unmarked. Circa 1900. 12" x 6 3/4" x 5".

Lot: 206 - Miniature secretary hutch.

Continental ebonized wood miniature cabinet-form jewelry casket. late 19th/early 20th century. Tthe façade fitted with eight drawers surrounding a central architectural compartment with barley twist columns and molded pediment. The drawersretain marbled paper linings and feature embossed white metal mounts and pulls. The top is enclosed by a pierced gallery with turned balusters and finials, while the sides are fitted with carrying handles. Likely inspired by 17th-century Flemishor German cabinet forms and produced as a decorative jewelry or stationery box,. 5" x 5 1/2" x 3 1/2".

Lot: 207 - Spanish Colonial tortoiseshell & silver casket.

A Spanish Colonial etched tortoise shell silver mounted wood casket. 18th to 19th century. Writing on reverse. 5 1/4" x 7" x 4".

Lot: 208 - 2 Horn and antler boxes.

A group of two horn and antler boxes. ++ German antler with carved hunt scenes and faux tortoiseshell interior. 1 1/2" x 3" x 3". ++ Horn box with pastoral painted scenes. 7/8" x 3 1/4" x 2".

Lot: 209 - Carved snuff box, 18th c.

A Continental carved ivory and horn snuff box with hinged lid decorated with Neptune riding a sea creature and holding a trident. 18th century. 3/4" x 3 1/2" x 2 1/8".

Lot: 210 - 3 Utilitarian objects.

A group of three ivory utilitarian objects. ++ Box with sliding lid with miniature dominos and dice. 7/8" x 2 3/8" x 3/4". ++ Ivory jewelry box with gold and hair decoration. 3 1/4" x 1 1/8" x 1/2". ++ Ivory and leather purse. 3" x 2 1/4" x 1/2".

Lot: 211 - 5 Silver snuff boxes.

A group of five snuff boxes. Two with tortoise shell silver mounted, two with shell bodies, and one with agate bodies. Agate box partial English hallmarks. Smallest: 2 3/4". Largest: 1 1/2" x 3" x 2 1/2".

Lot: 212 - 5 horn and wood silver mounted boxes.

A group of two horn and three wood silver mounted boxes. Smallest: 3" x 1/2" x 3/4". Largest: 1 1/4" x 2 3/4" x 2".

Lot: 213 - Old Master style drawing of Death of Procis.

An Old Master style drawing of Procis and Cephalus or The Death of Procis. Graphite, ink, and wash on paper. Unsigned. Sight: 5 1/2" x 7". Frame: 12" x 15 1/2".

Lot: 214 - James McBey, Harbor scene, 1933.

McBey, James (Scottish, 1883-1959). A harbor scene with a moored vessel. Pen and ink drawing on paper. Signed and inscribed across the bottom "To my Kay James McBey 15 April 1933. ?? June 1932." Sight: 10 1/2" x 16". Frame 19" x 24". Provenance:Purchased in 1968 at a Portobello Road antique store. From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College inHartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 215 - French School, Grisaille drawing of muses.

A French School grisaille drawing of an allegorical group of classical figures representing muses. 19th century. Depicting a romanticized assembly of draped mythological figures beneath a windswept banner, executed inthe Old Master academic manner. Composition recalls 18th century French decorative designs and atelier studies after Rococo and Neoclassical prototypes. Frame: 16" x 11".

Lot: 216 - Continental School, Child and lamb, 19th c.

A Continental School drawing of a small child and lamb. Graphite on paper. Early 19th century. Depicting a nude child seated in a pastoral landscape beside a small sheep, rendered with delicate academic line and soft shading suggestiveof a neoclassical study after an allegorical subject. Frame: 16" x 19".

Lot: 217 - French school, Children bathing, O/B.

French school. Children bathing on a riverbank. Oil on board. Late 19th century to early 20th century. Sight: 20 1/2" x 25". Frame: 25 1/2" x 30". Condition: Craquelure, discoloration, and paint loss.

Lot: 218 - Venetian School drawing, 18th c.

A Venetian School drawing of a castle along a river. Early 18th century. Pen and ink and wash on paper. Unsigned. Sight: 3 3/4" x 5 1/4". Frame: 7 1/2" x 9 3/4". Condition: Foxing, mat burn, and slightly loose in frame. Provenance: Christie'sMay 2001 auction sticker on verso.

Lot: 219 - Old Master style red chalk study of putti.

An Old Master style study of putti in a garden setting. Red chalk on paper. Inscription on verso. Unsigned. Unframed. 8 1/2" x 10 1/2". Condition: Edges worn, damage to l.l. corner, and tear to bottom center edge.

Lot: 220 - Jules-Emile Saintin, Study of boys, 1865.

Saintin, Jules Emile (French,1829-1894). Study of nude boys. Graphite and chalk on paper, upper corners cut. 1865. Signed, dated, and inscribed "a l'ami R. Madrazo. J. Emile Saintin 1865" l.r. Sight: 14 1/2" x 8 1/4". Frame: 23 1/4" x 16 3/4".Condition: Creases to paper.

Lot: 221 - After W. Van der Hagen, Study of a couple.

After Willem Van der Hagen (Dutch, 1675-1745). Old Master style study of a couple. Ink and wash on paper. Signed l.r. Sight: 8 3/4" x 5 3/4". Frame: 13" x 10". Condition: Foxing, tear in paper l.r.

Lot: 222 - Old Master style drawing of Daphne and Apollo.

An Old Master style drawing of Daphne and Apollo. Ink on paper. Unsigned. Sight: 7 1/2" x 6 1/2". Frame: 13 1/2" x 12 1/4". Condition: Warping to paper, fading.

Lot: 223 - After Charles Antoine Cambon, Opera set sketch.

After Charles Antoine Cambon (French, 1802-1875). Sketch for an opera set. Graphite, white chalk, and wash on paper. Unsigned. Sight: 6 3/4" x 10 1/4". Frame: 13" x 16".

Lot: 224 - Goltzius, Bacchantes and putti drawing.

An Old Master style drawing of bacchantes and putti. Ink and wash on paper. Stamp NE under crown in lower left corner. Sketches on verso with multiple signatures of "Jan Goltzius." Inscription on verso lists "Collection of Prince NicholasEsterhazy." In double sided frame. Sight: 9 1/2" x 13". Frame: 16" x 19 1/2". Condition: Foxing, creases, and discoloration.

Lot: 225 - Old Master style drawing of a family scene.

An Old Masters style drawing of a family scene. Ink and wash on paper. Unsigned. Sight: 6 1/4" x 7 1/4". Frame: 13" x 14". Condition: Fading, creasing, discoloration, and foxing.

Lot: 226 - Old Master style sketch of angels.

An Old Master style sketch of angels. Graphite on paper. Signed Eugno Veneziano l.r. Sight: 9 1/2" x 7 1/2". Frame: 13" x 12". Condition: Foxing, discoloration.

Lot: 227 - Old Master style religious scene.

An Old Master style religious scene with Mary and Christ Child. Graphite, ink, and wash on paper. Unsigned. Sight: 6 1/4" x 7 1/2". Frame: 13 3/4" x 14 1/2". Condition: Fading, foxing.

Lot: 228 - Salvator Rosa, Hercules, drawing.

Rosa, Salvator (Rome, 1615-1673). "Hercules Killing the Dragon." Pen and ink drawing. Attribution to "S. Rosa" on verso. Sight: 5 1/4" x 6 3/8". Provenance: Mahoney wrote a catalogue raisonne of Salvator Rosa's drawings.From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at theNational Gallery of Art, Washington, DC.

Lot: 229 - Salvator Rosa, Seated prophet, drawing.

Rosa, Salvator (Rome, 1615-1673). A Seated prophet. Pen and ink drawing. Attribution to "S. Rosa" on verso. Sight: 7 1/2" x 7 1/8". Provenance: Mahoney wrote a catalogue raisonne of Salvator Rosa's drawings.From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at theNational Gallery of Art, Washington, DC.

Lot: 230 - Salvator Rosa, Double-sided drawing.

Rosa, Salvator (Rome, 1615-1673). Double sided pen and ink drawing. Frame: 16" x 10 1/2" Provenance: Mahoney wrote a catalogue raisonne of Salvator Rosa's drawings. From the Estates of Raymond Bahor & MichaelMahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 231 - Restrike of Rembrandt's "Self Portrait Etching..."

A restrike of Rembrandt van Rijn's (Dutch, 1606-1669) 1648 etching "Self Portrait Etching at a Window." Etching on paper. Image: 6 1/8" x 5 1/8". Frame: 17 1/4" x 16 1/4".

Lot: 232 - After Rembrandt, The Descent from the Cross, 1775.

After Rembrandt (Dutch, 1606-1669). A French engraving of "The Descent from the Cross." Dated 1775 l.r. Sight: 11 7/8" x 8 1/2". Frame: 14 7/8" x 11 5/8". Condition: Not examined under glass. Provenance: Purchased from Cavalier Antiques.

Lot: 233 - Piranesi, "Interior of Temple of Hera," etching.

Piranesi, Giovanni Battista (Italian, 1720-1778). "Interior of the Temple of Hera, Paestum." From the "Different Views of Paestum" series. 1778. Sheet size: 19 3/4" x 26 3/4".

Lot: 234 - Gorham "King George" sterling ladle.

A Gorham "King George" sterling silver ladle. 9.51 ozt. 12 1/4" x 4 3/4" x 3 1/4".

Lot: 235 - Tiffany & Co. Strawberry sterling berry spoon.

A Tiffany & Co. Strawberry sterling silver berry spoon. Pierced strawberry handle and kidney gold washed bowl. "MAH November 24th, 1910" monogram. 4.28 ozt. 9 1/2".

Lot: 236 - American Lincoln & Foss coin silver footed bowl.

An American Lincoln and Foss coin silver footed bowl. Circa 1850. Beeded rim raised on paw foot. "P" monogram. 12.67 ozt. 4" x 5". Condition: One leg indented into body. Provenance: From the Estates of Raymond Bahor & Michael Mahoney.Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 237 - American Charters, Cann, & Dunn coin silver cup.

An American Charters, Cann, & Dunn coin silver cup. Circa 1850s. Named on front "E.R." Whiteley." Marked with pictorial mark over stamped "AC." 4.56 ozt. 4" x 4 1/2" x 3 1/8". Provenance: From the Estates of Raymond Bahor & Michael Mahoney.Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 238 - Early American J. Foster coin silver beaker cup.

An Early American Joseph Foster (Boston, 1759-1839) coin silver beaker cup. Marked "FOSTER" on bottom and "W" monogram. 4.62 ozt. 3 3/4" x 3". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor andChair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 239 - 1949 Penn Athletic Club Purse sterling charger.

A Gorham Penn Athletic Club Purse sterling charger. "PENN ATHELTIC CLUB PURSE/ WON BY/ LLANGOLLEN FARMS BULLET PROOF, S/ BY STEPHENFETCHIT- SHATTERPRPOOF/ GARDEN STATE PARK/ OCTOBER 21, 1949." 36.95 ozt. 15 3/4" across.Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at theNational Gallery of Art, Washington, DC.

Lot: 240 - Kirk & Sons "Repousse" sterling flatware.

A Kirk & Sons/ Stieff "Repousse" sterling silver flatware service. 146.15 ozt. One hundred twenty-nine pieces. Twenty-four 7 7/8" forks, twelve 7 1/4" tablespoons, ten 6 1/4" salad forks, twelve 6" soup spoons, fifteen 5 7/8" teaspoons,five 7 1/2" iced tea spoons, one 9 1/8" berry casserole spoon, two 8 1/2" medium cold meat fork, one 7 1/2" small cold meat fork, three 8 1/4" tablespoons, two 7" ladles, one 6" sugar spoon, one 5" bon bon spoon, eleven 5 1/4" butter knives,two 10" hollow pie servers, twelve 9 3/4" modern hollow knives, twelve 8 7/8" French hollow knives, and four 7" steak knives. Condition: Two butter knives are damaged. Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was aprofessor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 241 - Gorham sterling four piece coffee set.

A Gorham sterling four piece repousse decoration coffee set. Early 20th century. Monogrammed raised "JHW." 121.56 ozt. ++ Coffee pot. 32.79 ozt. 11" x 8 1/2". ++ Creamer. 10.93 ozt. 5 1/4" x 5 3/4" x 3 1/4". ++ Sugar with no lid. 12.21 ozt. 3" x 6"x 4 3/4". ++ Solid tray 65.63 ozt. 21" x 14 1/4" x 2".

Lot: 242 - International "1810" sterling flatware service.

An International "1810" sterling flatware service. 247.35 ozt. One hundred eighty-two pieces. Some monogrammed with a "B." Twenty-eight 7 1/4" dinner forks, twenty-seven 6 1/2" salad forks, thirteen 7" tablespoons, thirteen 6 1/8" soup spoons,thirty-seven 6" teaspoons, eighteen 7 1/4" iced tea spoons, seven 7 7/8" serving tablespoons, three 8 1/8" cold meat forks, three 7 3/4" pierced tablespoon, two 6 1/2" ladles, one 5 3/4" oval serving spoon, two 5 3/4" cocktail fork, two 41/2" lemon forks, fourteen 6" flat butter knives, and twelve 8 7/8" hollow knives. Condition: One fork damaged prongs.

Lot: 243 - International "Richelieu" sterling flatware.

An International "Richelieu" sterling flatware service. 67.93 ozt. Fifty-two pieces. Eight 71/4" forks, eight 6 1/2" salad forks, eight 6 3/8" soup spoons, eight 5 7/8" teaspoons, two 8 1/2" tablespoons, one 8 3/4" cold forks, one 8" tomatoserver, one 6 1/4" ladle, one 7 1/4" master butter knife, one 5 3/4" spoon, six 5 3/4" hollow butter knives, and eight 9 1/8" hollow knives.

Lot: 244 - Tuttle "Onslow" sterling flatware service.

A Tuttle "Onslow" sterling silver flatware service. 45.19 ozt. Fifty-nine pieces. Ten 7 3/8" forks, seven 6 1/8" salad forks, ten 7 1/4" tablespoons, seven 6" teaspoons, six 5 3/4" cocktail forks, one 6 1/4" jelly server, one 63/4" master butter knife, nine 8 3/4" hollow knives, one 9 7/8" hollow caving knife, one 8 1/2" carving knife, and six 5 6/8" hollow butter knives.

Lot: 245 - 2 Silver Islamic cases.

A group of two silver Islamic cases. ++ Parcel gilt Sancak Quran case. 1.36 ozt. 7/8" x 2 1/4". ++ Round case with Emirate of Afghanistan emblem. 1.56 ozt. 1 1/4" x 2 3/8".

Lot: 246 - 2 Pricket candlesticks.

A pair of Continental Pricket candlesticks. Repousse silver body. 26" x 8 1/4".

Lot: 247 - Continental silver vinaigrette scent box.

A Continental silver vinaigrette scent box with gemstone. Dated "AL/ 1795" with obscured maker marks. .90 ozt. 2 6/8" x 1 1 1/2" x 3/4".

Lot: 248 - Silver box.

A silver box with King in Roman dress with monogram "GRII." Marked with "B" stamp in reverse. .42 ozt. 1 1/2 x 1/2".

Lot: 249 - Continental Classical silver box.

A Continental Classical silver box. 17th to 18th century. Featuring a pair of putti on lid riding an owl and stork with Bacchic putti and ram scene wrapping around sides. Unmarked. 3.03 ozt. 3/4" x 2 7/8" x 1 1/2".

Lot: 250 - Continental silver and glass box.

A Continental silver and glass box. Raised floral decoration. 2.6 ozt. 2 3/4" x 2" x 3/4".

Lot: 251 - Continental silver cup.

A Continental silver cup. Unmarked. 4.19 ozt. 4 1/2" x 4 1/8" x 3". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, untilhe retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 252 - Ukrainian silver cigarette case.

A Ukrainian silver cigarette case with floral and foliate chased design with dog and lion. "BK" monogram. 1862 Vasily Lapshin assay, 84 zolotnik, and Odessa city mark. 2.71 ozt. 3 7/8" x 2 3/8" x 1".

Lot: 253 - Danish Christian VII silver footed bowl.

A Danish Christian VII 826/1000 silver footed bowl. Danish hallmarks 1759 Copenhagen, "BL" maker mark, Fabricius assay, and Gemini. 5.32 ozt. 1 3/4" x 5 1/2" x 4 1/2".

Lot: 254 - Dutch Kempen silver tea service.

A Dutch JM Van Kempen and Sons, Voorschoten (1858-1924) silver three piece tea set. "VK" maker's mark and .934 lion hallmark. ++ Teapot. 14.68 ozt. 53/4" x 8" x 4 1/2". ++ Lidded sugar. 11.05 ozt. 5" x 6" x 4". ++ Creamer. 6.82 ozt. 4"x 5 1/2" x 3 3/8". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curatorand editor at the National Gallery of Art, Washington, DC.

Lot: 255 - French Louis XVI silver Selfish coffee pot.

A French Louis XVI silver Selfish or Verseuse Marabout coffee pot. Circa 1787. Marker mark of Maitre Orfèvre’ Noël César Boutheroue-Desmarais on bottom. Repousse rocaille decoration and leaf with 4 date mark on side. MB monogram. Rosewoodcarved handle. 8.32 ozt. without handle. 5 1/2" x 7" x 3 1/4". Provenance: Purchased from Silver Art by D&R in 2020. Includes receipt.

Lot: 256 - French Restoration gilt silver drageoir.

A French Bourbon Restoration gilt silver drageoir with crystal insert. Circa 1819. Lid with swan finial. Floral handles with pierced classical form body with shields and Leocampus on pierced base with ball feet. Paris Moyene Minerva Guaranty and1819 Paris Fleur de lys inventory mark. 17.93 ozt. 7 1/2" x 8" x 5 1/4".

Lot: 257 - French silver CL Bourgeois drageoir.

A French Charles Louis Bourgeois silver drageoir with crystal insert. Swan finial lid. With pierced body with palmetto designs raised on a square base with ball feet. Lid marked with 1793 Greek woman's head with P, .950 rooster fineness mark,and 1819-1838 Paris Michel-Angel mark. Lid and base marked 1809-1819 Paris Minerva Guaranty object and 1819-1838 Paris Ceres mark. Base marked wasp maker mark. 14.32 ozt. 9" x 8" x 4 3/4". Provenance: Purchased from Silver art by D&R in2018 with receipt.

Lot: 258 - French CM Granger drageoir.

A French Charles Marie Granger drageoir with cobalt glass insert. Swan finial lid with pierced body with palm leaves and classical women with wine and grapes. Lid marked 1819-1838 Paris Michel-Angel mark. Base marked "CMG" maker's mark,1819-1838 Ceres guaranty large objects and 1835-1838 large object inventory mark. 16.01 ozt. 10" x 8 1/2" x 5". Provenance: Purchased from Silver art by D&R in 2018 with receipt.

Lot: 259 - French EA Coutois silver drageoir.

A French Etienne August Coutois silver drageoir with crystal insert. Lid with swan finial. Open work body with palm leaves on square base with ball feet. Monogram on lid. Lid marked with 1819-1838 Paris Michel-Angel mark and "AC" makermark. Base marked with1819-1838 Ceres guaranty large objects. 15.75 ozt. 10 1/4" x 7 1/2" x 5". Provenance: Purchased from Silver art by D&R in 2018 with receipt.

Lot: 260 - French JN Boulanger silver mustard pot.

A French Jean Nicholas Boulanger silver mustard pot. Lid with pinecone finial, rosette in handle and open wire work body. Lid and body marked with .800 Paris fineness mark, 1809-1819 Paris guaranty mark. Body marked with "JNB" maker mark. 5.86ozt. 5" x 4 3/4" x 2 3/4". Condition: Missing insert. Provenance: Purchased from Silver art by D&R in 2018 with receipt.

Lot: 261 - 2 French P. Bourguignon silver mustard pots.

A group of two French P. Bourguignon silver mustard pots with vermeil inserts. Classical form body with open body and round base. Lid and body marked 1809-1819 Paris .950 fineness, 1809-1819 Paris guaranty mark. Insert and underside markedwith 1794 "Greek woman's head" with P and "PB" maker mark. Includes two French silver spoons with .950 Paris fineness marks and "FLG" maker marks. Spoons and pots monogrammed. 20.07 ozt. 6 1/4" x 4" x 3 1/4". Provenance: Purchased fromSilver art by D&R in 2020 with receipt.

Lot: 262 - French silver tastevin.

A French Marc Parrod (Dijon, Bourgohne, active 1903-1944). .800 silver wine tastevin. Marked on side "'PETOT' SANTENAY 1793." 1838-1962 crab .800 hallmark and "MP" arrow mark. 3 ozt. 3/4" x 4" x 3 1/8".

Lot: 263 - French repousse silver panel.

A French repousse silver panel. 16th to 17th century. Bone and silver frame. Panel: 3 3/4" x 3". Frame: 6" x 5 1/2". Provenance: Similar example in the The Metropolitan Museum of Art.

Lot: 264 - French silver sugar bowl.

A French silver sugar bowl. Flame finial with eagle head handles. 1838-1973 .800 Minerva head hallmarks. 3.98 ozt. 3 1/2" x 5" x 3 1/2". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chairof the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 265 - French P.F.A. Turquet silver Rococo charger.

A French Pierre-Francois-Augustin Turquet, Paris silver Rococo charger. Circa 1844-55. "PA/T" rampant lion maker's mark and .950 Minerva head hallmarks. 36.01 ozt. 12 6/8" across. Provenance: From the Estates of Raymond Bahor & MichaelMahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 266 - French silver footed cup.

A French silver footed cup. Marked on side "HENRIET* LOUET * CHARAUX*" and "AMABLE CHARRAULT ERNST CHARRAULT." 1838-1984 Paris Boars head .800 hallmark and obscured marks on bottom. 4.12 ozt. 4" x 3 1/4". Provenance: From the Estates ofRaymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art,Washington, DC.

Lot: 267 - German G. Friedlander silver tureen.

A German Gebruder Friedlander weighted silver tureen. Circa 1900. Blossom finial with naturalistic loped design and two handles. Marked "GEBR. FRIEDLANDER," 800, Catle tower, and crown/crescent. 38.38 ozt. 6" x 11 1/4" x 8 3/4".Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at theNational Gallery of Art, Washington, DC.

Lot: 268 - 22 German silver forks and spoons.

A group of twenty-two German silver forks and spoons. Eleven forks and eleven spoons. Monogrammed. Spoons marked with "FRIEDRICH," Berlin city mark with L assay, and two Gothic letters. Forks are marked "FRIEDRICH" and 12Loth. 38.36 ozt. Fork 8 1/2" and spoon 9 1/2". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991.Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 269 - 13 Georgian sterling table forks.

A group of thirteen Georgian sterling silver table forks. ++ Nine George IV forks. "IP IH," London, 1822 hallmarks. 15.38 ozt. 7 1/4". ++ Two matching "ML" monogram. No maker mark, London, 1829 and 1807 hallmarks. 4.27 ozt. 7 3/4". ++ Two GeorgeSmith & William Fearnforks. "GS WF," London, 1809 hallmarks. 4.32 ozt. 7 3/4". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford,Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 270 - 6 Italian Brandimarte Firenze silver fruit cups.

A group of six Brandimarte Guscelli (Florence, 1924–1994) Brandimarte Firenze Johannes B retailed .800 silver repousse fruit hammered cups. Circa 1960-1968. Each features a different fruit. Marked "IOHANNES B" in roundel, women's head in profile,and "BR." Each cup approximately 3.90 ozt. Total 29.15 ozt. 3 6/8" x 3". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford,Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 271 - Charles de Lorraine enamel plaque.

A Charles de Lorraine enamel plaque. Marked "CAROLUS CARDNALIS A LOTHARINGIA" on bottom. Sight: 6 1/4" x 4 1/2". Frame: 11" x 9 1/2".

Lot: 272 - Landscape scene, 1823, O/B.

A landscape scene with a woman in white mourning at a tombstone. Oil on board. Signed and dated "T.A.D. 1823."17 3/4" x 23 3/4". Condition: Abrasions, wear.

Lot: 273 - Still life of a pipe, O/B.

A still life of a pipe, matches, and pouch of tobacco. Late 19th century to early 20th century. Oil on board. Signed illegibly l.l. Sight: 5 1/2" x 8 1/2". Frame: 15 1/2" x 20". Condition: Discoloration above pipe.

Lot: 274 - Still life with pitcher and lemons, O/C.

A still life of a pitcher and lemons. Oil on canvas. 19th century. Signed illegible "W.E.H..." l.r. Sight: 12 1/2" x 17 1/2". Frame: 19" x 24". Condition: Craquelure, discoloration, and repair evident center left.

Lot: 275 - Still life, O/C.

A still life of a pipe, newspaper, and whiskey. Oil on canvas. 19th century. Signed illegibly "L.T.B..." l.r. Sight: 11 1/2" x 19 1/2". Frame: 18 1/2" x 27 1/2". Condition: Some scratches, two repairs evident on verso.

Lot: 276 - Rocky landscape, O/C, 19th c.

A rocky landscape with trees in the background and a heron or crane in the lower right. 19th century. Signed l.l. Sight: 21 1/8" x 17". Frame: 22 1/2" x 18 1/2". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was aprofessor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 277 - River landscape, O/B.

A river landscape with figures along the bank and sheep on a path. Oil on wood panel. Late 19th to early 20th century. Signed l.r. Sight: 14" x 10 1/4". Frame: 20 3/4" x 17". Provenance: From the Estates of Raymond Bahor & Michael Mahoney.Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 278 - E. L. Smith, Coastal landscape, O/C, 1898.

A coastal landscape with a rocky shoreline and crashing waves. Oil on canvas. Circa 1898. Signed and dated "E.L. Smith 1898" l.l. Sight: 13 1/2" x x 22". Frame: 18 1/4" x 26 3/4". Provenance: From the Estates of Raymond Bahor & Michael Mahoney.Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 279 - William Wendt, California coast, 1915, O/C

Wendt, William (American, 1865-1946). A California coast scene. Oil on canvas. Circa 1915. Signed and dated "William Wendt 1915" l.r. Sight: 25" x 30". Frame: 32 1/4" x 37 1/4". Provenance: From the Estates of Raymond Bahor & Michael Mahoney.Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 280 - F.W. Hayes, "Landwyn," c. 1885, O/B.

Hayes, Frederick William (British, 1848-1918). "Llandwyn." A coastal scene with rocky shoreline and distant hills. Oil on paper laid to board. Circa 1885. Titled, signed, and dated "Llandwyn / F.W. Hayes / 1885." Labels from a 1922 memorialexhibition at Walker’s Galleries, London on verso. Sight: 6 1/8" x 12 1/4". Frame: 9 3/4" x 15 3/4". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College inHartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 281 - Portrait on bronze of young woman.

Portrait miniature on bronze depicting a young woman, possibly Princess Mary of Orange-Nassau, shown in three-quarter view wearing a dark gown, pearl necklace, and white chemise. The portrait is housed in an ornate carved giltwood frame withscrolling foliate decoration. Portrait: 3 1/4" x 2 1/2". Frame: 7 3/4" x 6".

Lot: 282 - John Varley Jr., Villa by a lake, WC/P.

Varley, Jr., John (British, 1850-1933). Figures gathered on villa steps near a lake. Watercolor on paper. Circa 1892. Signed and dated "John Varley -92" l.l. Inscriptions on verso identifies the scene as "Bathing Ghats on the Sacred Jumna,Agra." Sight: 13" x 10" Frame: 23" x 20" Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991.Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 283 - Thetis receiving the Shield of Achilles, O/C.

A large continental old master style painting of a Baroque scene. 18th century. Oil on canvas depicting Thetis receiving the weapons of Achilles from Hephaestus. Presented in a later giltwood frame. Reverse with old transport labelfor “Alan Franklin Transport” and stretcher bearing partial canvas stamp. Sight: 34 1/2" x 45". Frame: 48" x 57". Condition: Relined, craquelure, scratches on right side, discoloration in center, and warping upper left.

Lot: 284 - Allegorical scene, O/B.

A Continental School allegorical or religious scene. c.17th century. Scene with saintly male figure(Possibly John the Baptist), richly attired female figure, winged attendants, and distant battle scene. The costume and facial types feellate Mannerist into early Baroque. Large oil on joined wood panel. The reverse with old transport and dealer labels including Eric Turquin, Paris, and exhibiting extensive historic panel stabilization with inset butterfly braces. Housedin an elaborate giltwood frame. Sight: 48" x 40". Frame: 60 1/2" x 53". Condition: Craquelure, paint loss, and discoloration.

Lot: 285 - Attrib. Oeconomo, Portrait of Francis I, O/C.

Attributed to Aristides Oeconomo (Austrian/Greek, 1821-1887). Portrait of an officer, possibly Emperor Francis I of Austria (1768-1835). Oil on canvas. 19th century. Artist symbol l.r. Sight: 50 1/2" x 34". Frame: 64" x 48". Condition:Craquelure, scratches.

Lot: 286 - Continental School, Capriccio ruin scene, O/P.

A Continental School capriccio scene with classical ruins and figures in a moonlit landscape. Oil on panel. Collection and estate labels "Property of Mary T.B. Cushing" and "Belongs to Annie H. Backman Estate" on verso.Sight: 6 1/2" x 8 1/2". Frame: 11 1/2" x 13 1/2". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991.Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 287 - Continental School, Religious scene.

A Continental School painting of figures, possibly the Presentation of Jesus in the Temple. 18th to 19th century. Oil on wood panel. Unsigned. Sight: 17 3/8" x 16 3/4". Frame: 23" x 22 1/2". Condition: Craquelure. Provenance: From theEstates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the NationalGallery of Art, Washington, DC.

Lot: 288 - H. Rhondahl, Seascape, O/C.

H. Rhondahl (Danish, active 19th-20th c.). Seascape with ships and boats on the water and a church on land. Oil on canvas. Early 20th century. Sight: 9 1/4" x 13 1/2". Frame: 13 1/2" x 17 3/4".Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at theNational Gallery of Art, Washington, DC.

Lot: 289 - Classical scene, W/P.

A classical scene with figures gathered in the foreground. Watercolor on paper. Sight: 7 7/8" x 15 1/4". Frame: 15 3/4" x 23 1/4". Condition: Not examined under glass.

Lot: 290 - Attrib. Prout, 2 Architectural scenes, WC/P.

Attributed to Samuel Prout (English, 1783-1852). Two architectural scenes including a European town square and an interior Gothic architectural capriccio with figures. Watercolor on paper. Larger: Sight: 19" x 13" Frame: 31" x 25 1/2".Smaller: Sight: 15" x 11" Frame: 24" x 19" Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991.Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 291 - 4 Berthe Morisot prints.

Morisot, Berthe (French, 1841-1895). A group of four prints depicting "The Drawing Lesson," child with cat, two swans in water, and two geese in a landscape. Frame: 13 7/8" x 11". Condition: Not examined under glass.

Lot: 292 - P. Stampa, 4 Allegorical Emblems.

Possibly P. Stampa (British, 1798-1817). A set of four allegorical emblems. Hand colored mezzotints personifying Africa, America, Asia, and Europe. Sight: 11 5/8" x 8 7/8". Frame: 14 1/4" x 11 1/2". Condition: Not examined under glass. Provenance:Purchased from Nadeau's Auction Gallery, 2016. Property from Credit Suisse's Americana Collection (Donaldson, Lufkin, and Jenrette). New York, New York.

Lot: 293 - Russian Caucasus Kindjal sword with scabbard.

A Russian Caucasus Kindjal short sword with scabbard. 19th century. 14 1/4" double edged tapered blade. Gold damascened Imperial double headed eagle. Bone grips with silver mounts. Leather scabbard with silver niello, filigree, andrepousse decoration. Scabbard stamped on reverse "AM." 19" overall. 15 3/4" scabbard. Condition: Verdigris on metal.

Lot: 294 - Russian Caucasus cloisonne Kindjal sword.

A Russian Caucasus Kindjal short sword with scabbard. 19th century. 10" double edged double fuller tapered blade. Partial gilt silver grip and scabbard with cloisonne, filigree, and niello decoration. 14 1/2" overall. 11" scabbard.Condition: Pitting on blade.

Lot: 295 - Russian Bebut Kindjal gold damascened sword.

A Russian Bebut Kindjal sword and scabbard. 19th century. 11" gold damascened single edged blade with deep fuller with "A" and stamped maker's mark. Bone grip with gold damascened iron decoration. Leather and gold damascened ironscabbard. 15" overall. 11 3/4" scabbard.

Lot: 296 - Russian bone marquetry box.

An Arkhangelsk, Russia bone and painted horn marquetry box. 19th century. Floral decorated panels with larger pictorial panels of hunting scenes and putti. Interior features mirror with paper lining. Missing lock. 5" x 12" x 7 3/4".

Lot: 297 - Russian bone marquetry box.

An Arkhangelsk, Russia Prisoner of War bone and brass marquetry box. 19th century. 4" x 6 6/8" x 5".

Lot: 298 - Russian bone marquetry box.

An Arkhangelsk, Russia Prisoner of War bone and brass marquetry box. 19th century. 4" x 7 1/8 x 5 3/4".

Lot: 299 - Russian Faberge Nielle silver box.

A Russian Faberge Nielle silver box. Circa 1896. Circular box with foliate decoration. Gold washed interior. Lid and interior marked Double Headed Eagle over "K FABERGE" in Cyrillic. Lid marked with 1896 Moscow city marks and interior withcombined 1882-1899 84 Zolotnik combined Moscow mark. 3.25 ozt. 1 1/4" x 3".

Lot: 300 - 3 Niello silver boxes.

A group of three Niello silver boxes with gold washed interior. ++ Unmarked box with star and diamond design. 2.90 ozt. 1" x 3 1/4" x 1 3/8". ++ Russian box with diamond and floral design. "AYAM" Cyrillic maker, Moscow city, AndreyKovalsky 1844 assay, and 84 zolotnik mark. 2.16 ozt. 1 1/8" x 3" x 1/4". ++ Russian box. Marked "FV" in Cyrillic maker, 1908-1926 Moscow 84 zolotnik mark. 1.59 ozt. 3/4" x 2 3/8" x 1 3/4".

Lot: 301 - Russian enamel brass ink well.

Russian brass and cloisonné enamel double inkwell, late 19th to early 20th century. Rectangular form decorated with polychrome enamel panels in blue, green, and white floral and foliate designs. The top fitted with two removable covered ink wellsand a central row of apertures for pens or desk accessories. One end with a pull-out drawer and ring handle. 3" x 5 1/4" x 3".

Lot: 302 - Russian carved bone game box, Late 18th c.

A carved bone game box with dominoes and cribbage pieces inside. Late 18th century. Russia. 3" x 7". Condition: Various cracks, broken hinge on door. Provenance: Purchased from Hoffman Gampetro Antiques, 2011.

Lot: 303 - 2 Russian Nielle silver boxes.

A group of two Russian Nielle silver boxes with village scenes. ++ Small rectangular box. 1896-1908. 84 Kokoshnik mark and "ANI" in Cyrillic. 1.37 ozt. 3/4" x 2 1/2" x 1 1/8". ++ Alexander Gotkovski round box. 1836 Russianhallmarks. 3.56 ozt. 1" x 2 1/2".

Lot: 304 - 2 Filigree silver boxes.

A group of two filigree silver boxes. ++ Unmarked small box with painted enamel biblical scenes. 3.39 ozt. 2" x 3 1/8" x 2". ++ Russian filigree box. Moscow city, 91 zolotnik, Andrey Kovalsky 1854, and "BP" in Cyrillic. 5.10 ozt. 2 3/4" x 4"x 3". Condition: Damage and missing sections to Russian box.

Lot: 305 - Russian enamel silver footed Charka.

A Russian enamel decorated silver footed Charka. Decorated with enamel and repousse flowers and birds. Unmarked. 6.01 ozt. 1 3/4" x 5".

Lot: 306 - Russian silver muffineer.

A Russian Itska Lozinsky, Moscow muffineer. 1896-1908 Kokoshnik with no purity and "IL" in Cyrillic maker's mark. 5.29 ozt. 5 1/4" x 3".

Lot: 307 - 2 Russian silver candlesticks with tray.

A pair of Russian silver candlesticks with tray. St. Petersburg city, 84 zolotnik, "AJa" in Cyrillic, and "Glask?" mark. 6.32 ozt. 3/4" x 4 1/8" x 3 3/8".

Lot: 308 - Russian silver ribbed cigarette holder.

A Russian Mikail Iakovlevich Isakov silver ribbed cigarette holder. "MI" in Cyrillic and St. Petersburg 84 Zolonik hallmark. 5.79 ozt. 3 7/8" x 2 3/8" x 7/8". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was aprofessor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 309 - 10 Imperial Russian silver forks.

A group of ten Russian mixed makers silver forks. 37.16 ozt. 8 3/4" long. ++ Four Nichols & Plinke forks. Marked NP, PK St. Petersburg, 84 zolonik, and 1866-1871 assay marks. OM monogram. ++ Two forks. Marked PK St. Petersburg, 84 zolonik, and1870 assay marks. OM monogram. ++ Four Mikail Grachev forks. Marked with St. Petersburg mark and 84 Kokoshnik mark. DF monogram.

Lot: 310 - 2 Polish S.Szkarlat silver candlesticks.

A pair of Warsaw, Poland Szmul Szkarlat candlesticks. Acanthus leaf decoration. Russian marks bottom "S. Szkarlat," Josef Sosnkowski 1882 assay mark, and 84 zoloniki. 27.38 ozt. 14" x 4 3/4".

Lot: 311 - Russian silver sugar box.

A Russian silver locking sugar box. 84 zolotniks and city mark on bottom. Includes key. 10.50 ozt. 5 1/2" x 6 1/4" x 5".

Lot: 312 - Russian Alexander II I. Sazikov silver tea pot.

A Russian Alexander II Ignaty Sazikov (Russian, 1793–1868) silver tea pot. Heraldry on the side "COR UNUM VIA UNA." Bottom marked with Imperial Warrant eagle and Czar and Czarina in profile, Sazikov in Cyrillic, St. Petersburg city, AleksanrNikolayevich Mitin 1858 assay, and 84 zolotnik mark. 10.26 ozt. 4 1/4" x 7" x 4 1/4".

Lot: 313 - 6 Russian silver bowls bowls and cups.

A group of six Russian silver bowls bowls and cups. 19th century. Chased designs. 16.91 ozt. Smallest: 2 1/8" x 2 1/2". Largest: 3 1/4" x 2 3/4".

Lot: 314 - 2 Silver boxes.

A group of two silver boxes. ++ Russian box. "NF" maker's mark, 1859 Assay mark, 84 Zolotnik, and Moscow. 2.82 ozt. 3 1/8" x 1 3/4" x 6/8". ++ Unmarked book form box with gold washed interior. 2.13 ozt. 1 7/8" x 3" x 1/2".

Lot: 315 - Carved Relief Plaque-Battle of Pavia, 17th c.

A carved ivory relief plaquette depicting the Battle of Pavia, the 1525 conflict between the forces of Charles V and Francis I of France. 17th century. The composition centered with mounted and standing soldiers in combat beneath anallegorical figure holding a cross and attended by putti, with architectural elements in the background. Mounted within an octagonal wood and ivory veneered frame with engraved decoration and textile backing 1 7/8" x 2 1/2". Frame: 2 3/4" x 21/2".

Lot: 316 - 2 Flemish carved bas-relief plaques, 17th c.

A pair of Flemish carved ivory bas-relief plaques depicting Trojan war scenes with mounted and standing soldiers engaged in combat and Achilles dragging Hector. 17th century. 3 1/2" x 6 1/8".

Lot: 317 - Anglo-Indian Sadeli sewing box.

An Anglo-Indian Sadeli micro-mosaic, carved sandalwood, and inlaid bone sewing box. 19th century. Interior reveals six wood lidded compartments, seven bone spool holders, bone ribbon spindle, and pin cushion. 5" x 12 1/2" x 91/4".

Lot: 318 - Continental silk embroidery slant top box.

A Continental silk embroidery under glass and wood slant top box with the Abduction of Europa with pastoral scenes on the front and sides. 9 1/2" x 17" x 9 1/2".

Lot: 319 - Allegorical petit point, 19th c.

An allegorical petit point depicting five figures seated in front of a tree. Frame: 7 1/4" x 10 1/4". Condition: Staining. Not examined under glass.

Lot: 320 - 2 Needlework memorials.

A group of two needlework memorials. Includes a cross under a tree and a headstone under a tree. Smallest: 6" x 6. Largest: 7" x 6 7/8". Condition: Surface dirt.

Lot: 321 - 3 Needlework memorials.

A group of three needlework memorials. Includes one memorial under a tree that reads "A notre Mere Cherie (To our dear mother)" and another reads "Amelie Piliale." Smallest: 4 7/8" x 4 7/8". Largest: 5 1/2" x 5 3/8". Condition: Surface dirt.One frame cracked.

Lot: 322 - 3 Needlework memorials.

A group of three needlework and painting memorials. Includes one with a memorial in German and one with male and female figures watering flowers on a headstone. Smallest: 5 1/8" x 7/8". Largest: 5 5/8" x 4". Condition: Surface dirt.

Lot: 323 - 3 Memorials.

A group of three memorials made with natural fibers. One reads "M.T.E.P." Smallest: 3 1/2" x 3 7/8". Largest: 6 1/4" x 5 1/2". Condition: Surface dirt.

Lot: 324 - 2 Memorials.

A group of two memorials made with natural fibers. Includes one that reads "Restes precieux (Precious remains)" and "In Memory of J. Nelson 12 June 1801 at 62" with a smaller headstone reading "WSP 19 May 1801." Smallest: 8 1/2" x 7 1/8".Largest: 11 3/4" x 10 1/8". Condition: Surface dirt. Cracks to gold frame.

Lot: 325 - English aubergine tea caddy.

An English tea caddy in the shape of an aubergine (eggplant). Late 18th century. 5 3/4" x 3". Condition: Crack.

Lot: 326 - George III fruitwood pear tea caddy.

A George III stained fruitwood tea caddy in the shape of pear. With a carved wood stem and ivory escutcheon. Late 18th to early 19th century. 8" x 5".

Lot: 327 - English pineapple tea caddy, c. 1800.

An English tea caddy in the shape of a pineapple with painted wood crown of leaves. Circa 1800. Includes a key. 5 1/2" x 4 1/2". Condition: Abrasions, gouges, and small loss.

Lot: 328 - Fruitwood pear snuff box, c. 1820.

A fruitwood snuff box in the form of a pear. Circa 1820. 4" x 2 1/2". Condition: Abrasions, gouges, and chips.

Lot: 329 - Applewood apple tea caddy, c. 1810.

An applewood tea caddy in the form of an apple. Circa 1810. 5 3/4" x 4 1/2". Condition: Abrasions.

Lot: 330 - 2 Fruit shaped tea caddies.

A group of two fruitwood fruit form tea caddies.19th century. Includes an apple and a pear. Smallest: 4 3/4" x 4 1/2". Largest: 7" x 4". Condition: Abrasions, small crack to pear.

Lot: 331 - English fruitwood apple tea caddy.

An English fruitwood tea caddy in the shape of an apple. Early 19th century. 5 1/2" x 4 1/4". Condition: Abrasions, gouges, and small crack on back.

Lot: 332 - English fruitwood apple tea caddy, c. 1795-1805.

An English fruitwood tea caddy in the shape of an apple with small oval ivory escutcheon. Circa 1795-1805. Includes original key. 5 1/2" x 4 7/8". Condition: Abrasions, cracks, and gouges. Provenance: Includes appraisal document.

Lot: 333 - Pear tea caddy.

An English wood tea caddy in the shape of a pear. Late 19th century. 8 1/2" x 4 3/4". Condition: Chips, abrasions.

Lot: 334 - 2 Treenware wood bowl stands.

A group of two treenware wood bowl stands. Smallest: 8 1/8" x 12 1/4" x 9 3/8". Largest: 10" x 11 5/8" x 16 1/4". Condition: Gouges, chips, abrasions, and loss.

Lot: 335 - 2 Turned wood containers.

A group of two turned wood containers. Smallest: 10 1/2" x 4 1/8". Largest: 13 1/4" x 6". Condition: Abrasions, gouges.

Lot: 336 - Turned burl wood container.

A turned burl wood container. 6" x 6". Condition: Cracks, abrasions, and hole in bottom.

Lot: 337 - Silverplate Monteith wine cooler & tureen.

A silverplate Monteith wine cooler and tureen. ++ Monteith wine cooler with heraldry. Marked "2" on bottom. Includes insert. 10 1/4" x 10". ++ Tureen with heraldry. Lid marked with two suns and oak leaf. 10 1/2" x 18" x 10".

Lot: 338 - Christolfe silverplate cake server.

A Christolfe silverplate cake server. Mid 19th century. 11 3/8" overall. Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford,Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 339 - 2 Victorian silverplate spoon warmer bases.

A pair of Victorian silverplate spoon warmer bases missing glass insert. Putti on chariot with two swans. 6" x 8 1/4" x 6". Condition: One broken cat tail and broken reins.

Lot: 340 - Gilt wine trolley.

A gilt metal and wood wine trolley. Unmarked. 4 1/2" x 18" x 7 3/4".

Lot: 341 - English Old Sheffield silverplate wine trolley.

An English T. and J. Creswick Old Sheffield silverplate wine trolley. Marked with crossed arrows on bottom. The Order of the Bath armorial and motto in center. 3 1/4" x 15 1/4" x 7".

Lot: 342 - Old Sheffield Argyle chocolate pot.

An Old Sheffield Argyle chocolate pot. Two spouts and rattan wrapped handle. Open hand maker's mark on bottom. 5 1/2" x 6" x 5 1/2". Provenance: Marked used by N.Smith & Co, Smith & Co, J.Watson & Co, and Padley, Parkin & Co.From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at theNational Gallery of Art, Washington, DC.

Lot: 343 - Old Sheffield Matthew Boulton silverplate teapot.

An Old Sheffield Matthew Boulton & Co Soho Works, Birmingham silverplate teapot. Circa 1762-1832. Wood finial and handle. Double sun mark on bottom. 5" x 10" x 6 1/4". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was aprofessor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 344 - Edwardian tooth & tortoiseshell page turner.

An Edwardian silver mounted tortoiseshell blade and whale tooth handled page turner. Circa 1904. E Blumenstein & Co. London, 1904 hallmarks.16" x 1 1/4" x 1 1/8". Condition: Large chip on tip and small on sides. Provenance: From the Estates ofRaymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art,Washington, DC.

Lot: 345 - Leica M3 ELC camera and accessories.

A Leica M3 camera with accessories. ++ Leica M3 ELC black and chrome film camera. 1957. Serial number 894241. Leitz Summarit 5cm lens nr. 1419805. Lens cap included. 3" x 5 3/4" x 3". ++ Leitz Elmar 9cm lens no. 698830. ++ Leitz Hektor13.5cm nr. 824184. ++ Leica leather carrying case. ++ Tewe viewfinder. Condition: Shutter broken, damage to leather, and surface scratches.

Lot: 346 - Leica IIIc camera and accessories.

A Leica IIIc camera and accessories. ++ Leica IIIc black and chrome film camera. 1950. Serial number 508880. Leitz Summitar 5cm lens nr. 784586. With Leica Meter 3. Lens cap not included. ++ Leitz flash extender. ++ Steinheil Munchen culminar8.5cm lens and case. ++ Leitz Summaron 3.5cm lens. ++ Leitz Elmar 3.5cm lens in case. Back cap stuck. Condition: Surface scratches.

Lot: 347 - 3 Nikon cameras, 1970's-1990's.

A group of three Nikon film cameras. 1970's to 1990's. ++ Nikon FM2n. Serial Number N 7606608. 1987 or 1997. Micro NIKKOR P.C. 55mm lens. With carrying strap. ++ Nikon F2. Serial 7668068. 1975-1976. NIKKOR 85mm lens. Lens cap and carryingstrap included. ++ Nikon FM. 1977-1982. Serial 2106898. With carrying strap. Peeling to leather. Condition: Scratches to body, wear to body.

Lot: 348 - Nikon F2 and F3.

A group of two Nikon film cameras. Carrying strap included. ++ Nikon F2. Serial number 7628474. Nikkor 105mm lens. MD-3 motor drive and MB-2 battery pack. No lens cap. ++ Nikon F3. Serial number 1453390. Nikkor 180mm lens. MD-4 motordrive. Lens cap included. Condition: Scratches, wear to body.

Lot: 349 - Nikon F2 Titanium.

A Nikon F2 Titanium film camera. 1978. Serial number 9200985. With Nikon MD-2 motor drive and MB-1 battery pack. No lens. Carrying strap included. Condition: Wear, scratches to body, and dented.

Lot: 350 - 3 Silver mounted canes.

A group of three silver mounted canes. ++ Sterling mounted cane. 35 1/2" long. ++ Chinese cane with dragon knob and floral carved body. 30 1/4". ++ Silver mounted wood cane with Charles Klauberg New York marked 11" blade. 38" long.

Lot: 351 - French wood artist lay figure mannequin.

A French wood artist lay figure mannequin. 19th century. 25 1/2" x 7 1/2" x 3".

Lot: 352 - Greek Black-figure lekythos.

A black-figure lekythos (vessel for oil) with a scene of soldiers preparing for war. Possibly 6th century BCE. Greece. 5 3/4" x 3 1/4". Condition: Abrasions, pigment loss, gouges, chipped base, spout broken along previous break, and repairedbreak to handle. Provenance: Purchased from E. Gazarossian & E. Vitali in 1972.

Lot: 353 - Greek lekythos.

A Greek lekythos (vessel for oil). 7 3/4" x 2 1/2". Condition: Loss to design, abrasions, and gouges. Provenance: Purchased from E. Gazarossian & E. Vitali.

Lot: 354 - 3 Continental bronze mortars.

A group of three Continental bronze mortars. 18th to 19th century. Smallest: 3 1/4" x 5". Largest: 5 1/4" x 6 3/8".

Lot: 355 - 2 Large pewter chargers.

A group of two large pewter chargers. One has partial touchmarks. One has winged deer head amorial. Smallest: 16 1/2". Largest: 18".

Lot: 356 - 2 English brass footed teapots.

A group of two English brass footed teapots. Smallest: 10" x 10" x 6 1/2". Largest: 10 1/4" x 9 1/2" x 6 1/2".

Lot: 357 - Brass tobacco jar.

A lidded brass tobacco jar with weight. 5 1/2" x 3 7/8".

Lot: 358 - 2 Antique brass and copper kettles.

A brass kettle and copper kettle on warming stand. Smallest: 11 1/2" x 12" x 7 1/4". Largest: 14 1/2" x 12" x 6". Condition: Heavy tarnish and pitting.

Lot: 359 - 2 American brass oil lamps.

A pair of two American brass oil lamps with arms holding glass hurricanes. Converted to electric. 17 1/2" x 12". Condition: One glass hurricane broken on bottom.

Lot: 360 - Biedermier table dressing mirror.

A German Biedermier table dressing mirror. Pointed pediment over mirror flanked by two columns with two drawers raised on ball feet. 25" x 15 1/2" x 7 1/2".

Lot: 361 - German Biedermier table dressing mirror.

A German Biedermier table dressing mirror. Pointed pediment over mirror flanked by two columns with two drawers with bone pulls raised on claw feet. 21 1/2" x 15 1/2" x 8 1/2".

Lot: 362 - English burlwood dressing mirror.

An English Georgian dressing mirror. Burl walnut primary and pine secondary. Mirror with gilt pediment over serpentine front two drawer base. 19" x 10 1/4" x 5 3/4".

Lot: 363 - Dutch pewter bowl.

A Dutch pewter bowl. Early 19th century. Partial Maastrict touch mark, and "HD" 1690 crowned rose, and initials "PIK/PIS." 14 6/8" x 2 1/4".

Lot: 364 - Painted porcelain plaque.

A painted porcelain plaque of a lady in mourning at a tomb with plaque that reads "There's Rest but in Heaven". 19th century. Sight: 3 1/2" x 2 1/2". Frame: 5" x 4". Condition: Cracks in plaque.

Lot: 365 - 4 Decanters in silverplate and wood stands.

A group of Bristol blue decanters in silverplate stand and one decanter in wood and brass stand. 18th to 19th century. Smallest: 10 1/2" x 8". Largest: 12" x 8 1/2". Condition: Wooden stand is broken.

Lot: 366 - English Regency Biggs sterling 3 piece tea set.

An English Regency Joseph Biggs sterling silver three piece tea service. Ornately repousse and chased decoration. Tea pot and creamer features a seated figure finial with rocaille and floral decorations with martial scenes on side panels ahead thumb piece and an animal head spout on teapot. Hallmarks on bottom for Joseph Biggs, London, and 1819. Teapot: 36.12 ozt. 6" x 11" x 6 1/2". Creamer: 14.27 ozt. 5 1/4" x 5 3/4" x 4". Sugar: 21.95 ozt. 5 1/2" x 8" x 5 1/2".

Lot: 367 - 2 English James II sterling sweetmeat dishes.

A pair of matching English James II sterling sweetmeat dishes. Repousse decoration. English hallmarks with obscured maker mark and marks for London 1689. 19.02 ozt. 10 1/2" x 7 1/2" x 1 1/2".

Lot: 368 - English George I diminutive sterling teapot.

An English George I diminutive sterling silver teapot. Circa 1726. Wood finial and handle. Marked on bottom "RG" in a heart, London assay marks missing date stamp, and "RT." 13.48 ozt. 4 1/2" x 8" x 4".

Lot: 369 - English George I sterling tankard.

An English George I sterling silver lidded tankard. Later added heraldry added to front. Side and under lid marked with maker mark seated dog over "MO" makers mark (possibly James Morson) and 1722 date letter with incorrect pre 1720 LeopardsHead and Seated Britannia mark. 32.24 ozt. 8" x 8" x 5 3/4".

Lot: 370 - English George II W. Cafe sterling candlestick.

An English George II William Cafe sterling candlestick. Seal on bobeche and base. William Cafe and 1757 London hallmark. 40.53 ozt. 10" x 4 1/2".

Lot: 371 - English George II E. Godfrey sterling candlesticks

A pair of English George II Elizabeth Pantin Buteux Godfrey (English, ca. 1700-1771) figural candlesticks in French Rococo style. Female form column on a circular base with repousse and chased flowers and lions heads. Marked with "EG" makersand London, 1751 hallmarks. 50.51 ozt. 10 3/4" x 6".

Lot: 372 - George II sterling muffineer sugar caster.

A George II Thomas Bamford sterling silver muffineer sugar caster. "TB," London, 1729 hallmark. 5.72 ozt. 5 7/8" x 2 1/2". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of theFine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 373 - English George II William Plummer sterling basket.

An English George II sterling silver basket. Bacchus head and grape decoration to base of handle. Pierced basket with floral rim. Raised on pierced foot legs with masque roundel shoulders. English hallmarks on rim for William Plummer,London, and 1756. 55.55 ozt. 4 1/2" x 14 1/2" x 12 1/4".

Lot: 374 - George II English sterling samovar.

A George II English sterling silver samovar. Flame finial lid with chimney with weight. Classical urn form body with fluted neck beadwork decoration and laurel swags with central roundels raised on ball feet. Wood handle on spigot. 1752 Londonhallmark on bottom. 80.21 ozt. without chimney. 19" x 13" 12".

Lot: 375 - 3 English Georgian sterling plates.

A group of three English Georgian sterling silver plates. ++Richard Crossley plate. Bird heraldry. Hallmarked "RC" London, 1797. 14.78 ozt. 9 7/8" x 1 1/4". ++ John Mewburn plate. Hallmarked ""IM" London, 1817. 17.77 ozt. 9 3/4" x 1 3/4". ++Charles Aldridge & Henry Green plate. Royal cypher. Hallmaked "HGCA" London, 1784. 18.67 ozt. 10" x 1 1/4".

Lot: 376 - 3 Georgian sterling footed trays.

A group of three Georgian sterling silver footed trays. ++ 1769 John Cox, London footed tray. 11.02 ozt. 1" x 8 1/8". ++ 1769 John Cox London footed tray. 6.64 ozt. 1" x 6 1/4". ++ 1807 London footed tray. 18.46 ozt. 1 1/4" x 9".

Lot: 377 - English George III sterling wine funnel.

An English George III Robert Hunnel I (active 1772-1804) sterling silver wine funnel. "R*H," London, 1788 English Hallmarks. 2.92 ozt. 5 1/4" x 3 3/8".

Lot: 378 - 2 English Georgian sterling ladles.

A group of two English Georgian sterling ladles. ++ George III ladle with shell form bowl. "TL" 1768, London hallmarks. 2.57 ozt. 12 1 /4" long. ++ George II Richard Bayley Toddy ladle with wood handle."RB" London, 1740. 13 1/2" long.

Lot: 379 - 2 English George III sterling muffineers.

A group of two English George III Henry Chawner and John Eames sterling muffineer sugar casters. Unicorn armorial mark. 8.25 ozt. 6" x 2".

Lot: 380 - 5 English George III sterling glass inserts.

A group of five English sterling silver with cobalt glass inserts. ++ 1785 George III John Wall or James Water gravy boat. 7.64 ozt. 5 1/2" x 6" x 4 3/8". ++ A pair of 1774 Robert Hennell I footed cellars. 3.23 ozt. 2" x 3 1/4" x 2 1/2". ++A pair of 1780 Thomas Daniell footed cellars. 2.80 ozt. 2" x 3 1/2" x 2 3/8".

Lot: 381 - 2 Georgian sterling marrow spoons.

A group of two Georgian sterling silver marrow spoons. ++ An 1809 William Eley I, William Fearn & William Chawner spoon. Boar head over gothic "G" monogram. 1.68 ozt. 8 1/2". ++ A 1759 Paul Callard spoon. Horse head amorial. 1.93 ozt. 9".

Lot: 382 - English George III strainer spoon & 2 berry spoons

An English George III strainer spoon and a pair of berry spoons. ++ An 1809 William Eley I, William Fearn & William Chawner strainer spoon. Monogrammed. 4.14 ozt. 12 1/4" long. ++ 1795 Peter & Ann Bateman chased decoration with repoussebowl. 2.06 ozt. 8 1/2" long. ++ 1807 Peter & William Bateman hased decoration with repousse bowl. 1.82 ozt. 8 6/8".

Lot: 383 - English George III Putti & Lion sterling platter.

An English George III Benjamin Smith II (English, 1764-1823) sterling silver decorative platter. Central repousse raised scene of Putti riding a lion and another Putti feeds the lion grapes. "RS," London 1815-1816 hallmarks on front. 65.63ozt. 17" x 2 1/2".

Lot: 384 - George III sterling and glass mustard jar.

A George III Duncan Urquhart and Naphtali Hart sterling and glass mustard jar. "DU NH" 1786 hallmarks. Includes partial hallmarked spoon. 4 1/4" x 3 1/4" x 2 3/4".

Lot: 385 - George III John King sterling tankard.

A George III John King sterling silver tankard with weighted handle. "I.K," London, 1776 hallmarks. 12.24 ozt. 5 1/4" x 5 1/2" x 4". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chairof the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 386 - George III sterling gravy boat.

A George III sterling silver gravy boat. Scalloped edge raised on hoof feet. "I.B," 1764, London hallmarks. 10.34 ozt. 4 3/4" x 8 1/2" x 4 1/4". Condition: Repair to one leg. Provenance: From the Estates of Raymond Bahor & Michael Mahoney.Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 387 - George III sterling letter opener.

A George III William Eley I, William Fearn & William Chawner sterling silver letter opener. Stag heraldry. "WE/ WF/ WC," London, 1808 Hallmark. 5.01 ozt. 13 1/2" long. Provenance: From the Estates of Raymond Bahor & Michael Mahoney.Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 388 - George III sterling salver footed tray.

A George III John Crouch I & Thomas Hannam sterling silver salver footed tray raised on claw and ball feet. "I.C/ T.H," London, 1775 hallmarks. 12.22 ozt. 1 1/4" x 8 1/2". Provenance: From the Estates of Raymond Bahor & Michael Mahoney.Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 389 - English George III John E. Terry sterling teapot.

An English George III John Edward Terry Chinoiserie sterling silver teapot. Hexagonal form with repousse Chinese scenes. Partially obscured maker's mark and 1816 London hallmarks. 43.42 ozt. 7 1/4" x 11" x 5 1/4". Provenance: Included 2004appraisal by Rubesch and Miller Inc. Alexandria, Virginia.

Lot: 390 - 2 English George III sterling plates.

A pair of 1768 English George III Mary Chawner sterling silver plates. Monogrammed. English hallmarks for maker Mary Chawner, London, and 1768. 35.08 ozt. 10" x 1".

Lot: 391 - 2 English George III sterling plates.

A pair of 1782 English George III sterling silver plates. English hallmarks on bottom for Charles Wright, London, and 1782. 44.12 ozt. 9 1/2" x 1".

Lot: 392 - 3 English George III sterling plates.

A group of three 1787 English George III sterling plates. Monogram under a crown. Royal cypher. English hallmarks for maker William Pitts and London 1787 assay. 52.93 ozt. 9 7/8" x 1 1/8".

Lot: 393 - 2 English George III silverplate tureens.

A pair of English George III John Parker I & Edward Wakelin, Birmingham Old Sheffield silver plate tureen with married unmarked warming under tray. Circa 1760-1776. Coat of arms on lid. Bottom marked with I.P over E.W under a fleur de lys.Warming tray has wood handles and feet. 9" x 15 1/4" x 9 1/4".

Lot: 394 - 2 English George III sterling gravy boats.

A pair of English George III John Wakelin and William Taylor Neoclassical sterling silver gravy boats. Rooster head heraldry on side. Fluted body and arms ending in an acanthus leaf. English hallmarks on bottom for Wakelin & Taylor, London,and 1782. 24.18 ozt. 5" x 8" x 4".

Lot: 395 - 2 English sterling serving ware.

A group of two English sterling silver serving ware. ++ Victorian Chawner & Co pierced fish server. London, 1863 hallmark. 5.64 ozt. 12 6/8" long. ++ George III pierced hollow handle server. London, 1791 hallmark. 12". Provenance: From theEstates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the NationalGallery of Art, Washington, DC.

Lot: 396 - 12 English Regency William Stroud sterling plates.

A set of twelve English Regency William Stroud sterling silver plates. Crown heraldry. "WS," London, 1813 hallmarks. Each approximately 20 ozt. 247.92 ozt. total. 10" across. Provenance: From the Estates of Raymond Bahor & Michael Mahoney.Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 397 - Regency J. Mewburn sterling salver.

An English Regency John Mewburn sterling silver footed salver. Parbury family crest. "IM," London, 1813 hallmarks. 24.83 ozt. 10 1/4" x 2". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chairof the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 398 - George IV sterling teapot.

A George IV Charles Fox II sterling teapot. Wood finial and handle. "CF," London, 1828 hallmark. 10.99 ozt. 4" x 9" x 5 1/4". Condition: Loose finial, dent in side. Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was aprofessor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 399 - 2 English George V sterling gravy boats.

A pair of English George V Wakely and Wheeler sterling silver gravy boats. Acanthus leaf handle and raised on legs. English hallmarks on bottom for Wakely and Wheeler, London, and 1911. 19.24 ozt. 4 1/2" x 7 3/4" x 4 1/2".

Lot: 400 - 3 English sterling boxes.

A group of three English sterling boxes. ++ George III Joseph Willmore, Birmingham silver box. "J.W," 1814, Birmingham hallmarks. 2.03 ozt. 2 3/8" x 1 6/8" x 1/2". ++ George III Thomas Phipps & Edward Robinson scent box. "T.P/ E.R," 1791,London hallmarks. 1.31 ozt. 2" x 1 1/2" x 7/8". ++ Victorian Joseph Foxall & Co tool case. "F & Co.," 1850, Birmingham hallmarks. .83 ozt. 2 1/2" x 1" x 1/2".

Lot: 401 - 2 England Regency sterling urns.

A group of two England Regency sterling urns. Obliterated maker mark with 1806 London mark and Thomas Wallis and Jonathan Hayne (TW over JH) with 1813 London mark. 19.34 ozt. 8" x 4".

Lot: 402 - English Arts & Crafts wood & sterling candlesticks

A pair of English Arts and Crafts Albert Edward Jones (English, 1878-1954) barley twist wood and sterling silver candlesticks with smoked glass bases. Obscured maker's marks. 6 1/4" x 3 1/4". Provenance: From the Estates of Raymond Bahor &Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 403 - English Victorian sterling tea caddy.

An English Victorian George Nathan and Ridley Hayes sterling silver tea caddy. Chased village scene on sides. "EAMP" monogram. N&H, Birmingham, and 1893. 5.66 ozt. 4" x 3" x 2 1/4".

Lot: 404 - English Victorian elephant sterling inkwell.

An English Victorian Benjamin Preston elephant inkwell. Scrolled edge form base surmounted by standing elephant with caparison and inkwell in howdah. English hallmarks "MP" and London 1843. 17.06 ozt. 4" x 7 3/4"x 5 1/4".

Lot: 405 - 2 Elizabeth II Corinthian column candlesticks.

A pair of Elizabeth II David Shaw Silverware Ltd Corinthian column weighted candlesticks. "DS/S," London, 1990 hallmarks. 8" x 3 1/2". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of theFine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 406 - 4 Elizabeth II Corinthian column candlesticks.

A group of four Elizabeth II David Shaw Silverware Ltd Corinthian column weighted candlesticks. "DS/S," London, 1978 hallmarks. 12" x 5". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chairof the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 407 - Irish sterling loving cup.

An Irish sterling silver loving cup. Circa 1730-1806. Heraldry court of arms on both sides. Partial "W" maker marks possibly William Walsh. Seated Britannia and Dublin harp missing date mark. 31.79 ozt. 6 7/8" x 10 1/2" x 5 3/4".

Lot: 408 - 3 Pairs Englsh & Irish table spoons.

A group of three pairs of English and Irish table spoons. ++ Two Dublin monogrammed chased spoons. 1760 John Shiels & 1785 possibly "IL." 6.79 ozt. 12 1/2". ++ Two Dublin spoons with chased design with Clan Scot crest. John Dalrymple maker, JohnAsh retailer, and Dublin, 1790 hallmark. 4.35 ozt. 9 3/8" long. ++ Two English spoons with portcullis armorial. Obscured maker mark and London, 1773 hallmarks. 4.53 ozt. 8 1/2" long.

Lot: 409 - Irish George III Christopher Clarke silver piggen.

An Irish George III Christopher Clarke, Dublin silver piggen. Circa 1775-1779. Open chased pastoral scene. "CC" maker's mark on bottom no assay mark. Cobalt blue glass insert. 2.66 ozt. 3 1/4" x 4 1/4" x 3 3/4". Provenance: Includes 2004Shelton Gallery & Fine Silver Nashville, TN appraisal.

Lot: 410 - Irish George III silver dish ring.

An Irish George III John Craig silver dish ring depicts open work pierced repousse design of foliate, animals, and hunters. Stamped in design "IC" Dublin, 1775. 16.48 ozt. 4 3/4" x 8". Provenance: Appraised by Shelton Gallery & FineSilver, Nashville in 2004.

Lot: 411 - Irish George III sterling tea caddy.

An Irish George III Richard Sawyer sterling tea caddy. Chinoiserie recling man finial. Amorial shield on front and bird on lid. "RS" Dublin, 1804 hallmarks. Dutch tax import mark on bottom. 9.14 ozt. 4" x 4".

Lot: 412 - Irish George III gravy boat.

An Irish George III footed gravy boat. Circa 1797-1806. Obscured marks. "PTM" monogram. 6.88 ozt. 4 1/4" x 6 1/2" x 3 1/2".

Lot: 413 - Scottish George III M. Craw sterling mustard pot.

A Scottish George III Matthew Craw sterling mustard pot with cobalt glass insert. "MC" and Edinburgh, 1806-7 hallmark. Partial Edinburgh marks on spoon. 3.83 ozt. 3" x 4" x 2 1/4".

Lot: 414 - Peter Parr, "Dancing Walrus," stone carving.

Parr, Peter (Cape Dorset, Canada, 1970-2012). "Dancing Walrus." Inuit soapstone carving. Signed on base. 7 1/2" x 13" x 8".

Lot: 415 - Inuit owl stone carving.

An Inuit soapstone carving of an owl with a baby owl on its back. Signed in syllabics on base. 9" x 10 1/2" x 5 1/4".

Lot: 416 - Whalebone walrus sculpture.

A whalebone sculpture of a walrus with walrus tusks. Signed illegibly on bottom. 10" x 22" x 12".

Lot: 417 - Inuit jawbone carving.

An Inuit walrus jawbone carving of a person attacking a polar bear with a spear. Signed "ALO" on base. 9 3/4" x 9 1/2" x 6".

Lot: 418 - Oozevaseuk, Tusk carving of an owl.

Melcher Oozevaseuk (Gambell, Alaska 1974-2018). A Yup'ik walrus tusk carving of an owl. Signed on base. 8" x 6" x 6 1/2".

Lot: 419 - "The Niger" whale tooth scrimshaw.

A whale tooth scrimshaw depicting the ship "Niger" of New Bedford on one side and the island of Fiji on the other. 6" x 2 1/4". Condition: Cracks, wear. Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professorand Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 420 - Martinez and Popovi, Avanyu blackware plate.

Maria Martinez (San Ildefonso Pueblo, New Mexico, 1887-1980) and Popovi Da (San Ildefonso Pueblo, New Mexico, 1923-1971). Avanyu blackware pottery plate. Signed "Maria Popovi" on bottom. 6 3/4" x 6 3/4". Condition: Abrasions, small gouges on rim.

Lot: 421 - Dunlap, Blackware vase, 1981.

Carmelita Dunlap (San Ildefanso Pueblo, New Mexico, 1925-1999). A blackware vase with geometric cutout along rim and designs along body. 1981. Signed and dated on bottom. 7 1/8" x 6 1/2". Condition: Abrasions, light surface dirt.

Lot: 422 - Tafoya, Wedding vase.

Jessica Tafoya (Santa Clara Pueblo, New Mexico, b. 1977). A blackware wedding vase decorated with Avanyu design. Signed on bottom. 7 1/8" x 5 1/4". Condition: Abrasions, small cracks. Provenance: From the collection of D'Ari-Magid, Virginia.Purchased from Gilbert Ortega's Indian Arts, 1986. COA from Ortega's is included.

Lot: 423 - 2 Hopi vessels.

A group of two Hopi vessels. ++ Clinton Polacca Nampeyo (Hopi Pueblo, New Mexico, 1958-2022). Vase. Signed on bottom. 6 3/8" x 6 1/2". ++ Illegibly signed double spout vessel. 10 3/4" x 8". Condition: Abrasions, residue.

Lot: 424 - Pueblo blackware vase and seed pot.

A group of two Pueblo blackware pottery pieces. ++ Linda Tafoya Oyenque (Santa Clara and San Juan Pueblo, New Mexico, b. 1962). Seed pot decorated with hummingbirds. Signed on bottom. 3 1/4" x 3 1/2". ++ Caremlita Dunlap (San Ildefonso Pueblo,New Mexico, 1925-1999). Vase. Signed on bottom. 2 3/4" x 5". Condition: Abrasions.

Lot: 425 - 3 Santa Clara Pueblo blackware vases.

A group of three Santa Clara Pueblo blackware vases. ++ Includes Celes Tafoya (Santa Clara Pueblo, New Mexico, 1931-2011) and Evelyn Aguilar. Double spout vase. Signed on bottom. ++ Virginia Garcia (Santa Clara Pueblo, New Mexico, b. 1963).Blackware vase. Signed on bottom. ++ Joe Chavarria (Santa Clara Pueblo, New Mexico). Vase decorated with avanyu. ++ Smallest: 6 1/4" x 8 1/2". Largest: 9 1/4" x 7". Condition: Abrasions.

Lot: 426 - Moche bird stirrup vessel, Peru.

A Moche bi-chrome stirrup vessel in the shape of a bird. Peru. 8" x 3 1/2". Condition: Cracked handle and back of head, chipped rim, abrasions, pigment loss, and surface dirt.

Lot: 427 - Moche fish stirrup vessel, Peru.

A Moche fish stirrup vessel. Peru. 8 1/8" x 3" x 6 1/2". Condition: Pigment loss, chipped rim, and surface dirt.

Lot: 428 - Stirrup vessel, Peru.

A Peruvian stirrup vessel with a figural decoration. 6 3/4" x 6" x 7 1/2". Condition: Abrasions, surface dirt.

Lot: 429 - Irving Toddy, Portrait of Native American man.

Toddy, Irving (Navajo, 1951- 2020). Portrait of a Native American man wearing a bear skin and eagle feather. Watercolor on board. A dramatic ceremonial portrait featuring a figure in animal regalia, rendered with expressive brushwork andatmospheric color fields characteristic of Toddy’s later figurative style. Signed l.r. Sight: 15 3/4" x 23 1/2". Frame: 19 3/4" x 28".

Lot: 430 - Tiger Jr, Native Americans & Bison, G/P.

Tiger Jr, Johnny Moore (Muscogee Creek-Seminole, 1940-2015). Composition of two Native Americans figures and bison rendered in a monochromatic blue palette, the faces emerging from a misted landscape in a dreamlike, symbolic stylecharacteristic of the artist’s mature work. Gouache on paper. 1982. Signed and dated l.r. Sight: 9 3/4" x 19 1/2". Frame: 18 1/2" x 28 1/2".

Lot: 431 - 2 Grey Cohoe etchings.

A group of two Grey Cohoe (Navajo,1944-1991) etchings. Pencil signed, titled, and editioned. ++ "Papago Sloters, Class of '29." 6/35. Sight: 18 1/4" x 13" Frame: 27 1/2" x 21 1/2" ++ "Warriors Returning in Winter's Snow." 22/25. Sight: 19" x13 1/2" Frame: 27 1/2" x 21 1/2"

Lot: 432 - Gene Kloss, "Enduring Sanctuary," etching.

Kloss N.A., Gene (California/New Mexico, 1903-1996). "Enduring Sanctuary." Etching, drypoint, and aquatint. Circa 1973. Artist Proof. Pencil titled and signed. Image:12" x 15". Sight: 13" x 16". Frame: 21 1/2" x 23 1/2".

Lot: 433 - Gene Kloss, "To a Wedding in North House," etching

Kloss N.A., Gene (California/New Mexico, 1903-1996). "To a Wedding in North House." Etching, drypoint, and aquatint on paper. Circa 1973. Artist Proof. Pencil titled and signed. Image:12" x 15". Sight: 13" x 16". Frame: 21 1/2"x 23 1/2". Condition: Slight warp in paper.

Lot: 434 - Gilt bronze Buddha.

A gilt bronze Buddha. 11 1/4" x 7 1/4". Condition: Abrasions, residue.

Lot: 435 - Bronze Buddha.

A bronze Buddha. Marked on bottom. 9 3/4" x 7". Condition: Verdigris.

Lot: 436 - Chinese Ming Dynasty deity, bronze.

A Chinese Ming Dynasty bronze figure of a deity. Marked on bottom. 11 1/4" x 8". Condition: Verdigris. Provenance: Purchased from Objets Dart Workshop in 2015.

Lot: 437 - Chinese Ming Dynasty Buddha, bronze.

A Chinese Ming Dynasty lacquered and gilded bronze Buddha. 10 1/2" x 6 3/4". Condition: Loss, abrasions, and residue. Provenance: Purchased from Objets Dart Workshop in 2023.

Lot: 438 - Ming Dynasty Bodhisattva, bronze.

A Ming Dynasty gilt lacquered bronze Bodhisattva, possibly Mahasthamaprapta. The deity wears a foliate crown with the kalasha on the front and flowing robes while sitting dhyanasana with the proper right hand raised in the karanamudra. 23" x15". Condition: Abrasions.

Lot: 439 - Chinese Ming Dynasty Buddha, 16th c.

A Chinese Ming Dynasty gold lacquered bronze Buddha. 16th century. With mount: 9 1/4" x 6". Condition: Abrasions, loss. Provenance: Purchased from Objets Dart Workshop in 2023.

Lot: 440 - Chinese bronze Qilin sculpture.

A Chinese bronze Qilin sculpture. 8 1/4" x 10" x 3 1/4".

Lot: 441 - Sino-Tibetan Buddha, 18th c.

A Sino-Tibetan gilded bronze Buddha. 18th century. 11 1/4" x 6 1/4". Condition: Abrasions, loss. Provenance: Purchased from Objets Dart Workshop in 2020.

Lot: 442 - Tibetan gilt bronze Buddha.

A Tibetan gilt bronze Buddha. Marked on bottom. 14 1/4" x 11 1/2". Condition: Abrasions.

Lot: 443 - Thai Buddha, 13th-14th c.

A Thai bronze Buddha. 13th to 14th century. 10 1/4" x 9". Condition: Abrasions, gouges. Provenance: Purchased from Objets Dart Workshop in 2016.

Lot: 444 - Thai Buddha, 17th c.

A Thai bronze Buddha. 17th century. 18 1/4" x 11 1/2". Condition: Abrasions, residue, and loss. Provenance: Purchased from Objets Dart Workshop, 2023.

Lot: 445 - Thai Pang Proht Sat gilt bronze Buddha.

A Thai Pang Proht Sat gilt bronze Buddha on wood base. 17 1/2" x 7" x 3 1/2".

Lot: 446 - Gilded bronze Buddha, 17th c.

A possibly Japanese gilded bronze Buddha. 17th century. 12 1/2" x 5 1/8". Condition: Cracks, loss to gilding. Provenance: Purchased from Objets Dart Workshop in 2011.

Lot: 447 - Japanese wood parcel gilt Buddha.

A Japanese wood parcel gilt Buddha. 25 3/4" x 8" x 5 1/2".

Lot: 448 - Korean Buddha, bronze.

A Korean bronze figure of the Buddha. Standing on lotus platform. 9 1/2" x 2 3/4".

Lot: 449 - 3 Buddhas.

A group of three Buddhas, including a small Japanese portable shrine. Smallest: 3 1/2" x 3 1/2" open. Largest: 7 3/8" x 3 1/4". Condition: Loss, abrasions.

Lot: 450 - 3 Buddhas.

A group of three metal Buddhas. Smallest: 4 1/2" x 3 1/8". Largest: 8 3/8" x 4 3/4". Condition: Abrasions, pigment loss.

Lot: 451 - 3 Buddha heads.

Group of three Southeast Asian bronze Buddha fragments, comprising two heads and one partial bust, each depicting serene facial features beneath a pointed ushnisha or headdress. The fragments exhibit varying degrees of age-relatedsurface encrustation and verdigris patination and are mounted on later wood display stands. Smallest with mount: 2 7/8" x 1 1/2". Largest with mount: 6" x 2". Condition: Abrasions, residue, and verdigris.

Lot: 452 - 4 South East Asian Buddha heads.

Group of four Southeast Asian Buddha heads, comprising three carved stone examples and one bronze example, likely from Thailand or neighboring regions. The group includes heads of varying scale and style, each depicting serenefacial features, elongated earlobes, and flame-form or tiered ushnisha finials. The stone examples exhibit extensive weathering and mineral accretions, while the bronze head retains a dark patina with areas of wear. All mounted on laterwood or metal display stands. Smallest with mount: 3 5/8" x 1 3/4". Largest with mount: 5" x 2". Condition: Abrasions, loss, verdigris, and surface dirt.

Lot: 453 - 4 Buddha heads.

A group of four metal Buddha heads. Smallest with mount: 3 1/4" x 1 1/2". Largest with mount: 3 5/8" x 1 3/4". Condition: Abrasions, loss, and cracks.

Lot: 454 - Partial Taizo-kai mandara.

A partial central mandala of the Taizo-kai mandara of Buddha and various figures. Frame: 16 1/2" x 14 1/2". Condition: Creases, loss, and wear.

Lot: 455 - Chinese bronze standing Buddha.

A Chinese bronze standing Buddha on lotus throne. 10" x 3 3/4". Condition: Remnants of gilt.

Lot: 456 - Chinese polychrome wood figure.

A Chinese polychrome wood figure. 6 1/8" x 2 1/2" x 2 6/8".

Lot: 457 - Ming Dynasty seawater dragon vase.

A Chinese Ming Dynasty blue and white seawater dragon pattern vase. 16 1/4" x 11 1/2". Includes box.

Lot: 458 - Pair of Chinese Cloisonne lamps.

A pair of Chinese cloisonne vases mounted as lamps with square tapering form. Fitted for electricity. Mid 19th century. 11". Provenance: Purchased by current owner from Mallet & Son Antiques, London, in 1997.

Lot: 459 - Chinese export painting of bodhisattvas, 19th c.

A Chinese export painting depicting three celestial female figures or bodhisattvas amidst stylized cloud forms. Likely late Qing dynasty (19th century) or early 20th century. Frame: 34 1/2" x 31 1/2" Condition: Overall surface wear,craquelure, fading, and areas of loss consistent with age. Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retiredin 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 460 - Chinese porcelain lidded vase.

A Chinese porcelain lidded vase with famille rose decoration and Tongzhi-style mark. Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College inHartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 461 - Chinese blue and white rice wine jug.

A Chinese blue and white rice wine jug. Four character underglaze mark on bottom. 10 1/2" x 7".

Lot: 462 - Celadon nephrite snuff bottle, 20th c.

A celadon nephrite snuff bottle with carved masks on either side of body. 20th century. 3 1/2" x 2 1/4". Condition: Abrasions, residue, and chips.

Lot: 463 - Yellow glass snuff bottle, 20th c.

A yellow glass snuff bottle decorated with carved dragons and mask handles. 20th century. 3" x 2". Condition: Residue, abrasions.

Lot: 464 - 2 Glass snuff bottles, 20th c.

A group of two glass snuff bottles. Includes white snuff bottle with dark red overlay of dragons and amber snuff bottle carved in the form of a seated monkey. 20th century. Smallest: 2 1/2" x 1 3/4". Largest: 2 3/4" x 1 3/4". Condition: Abrasions,residue.

Lot: 465 - 2 Glass snuff bottles, 19th-20th c.

A group of two glass snuff bottles. Includes clear snuff bottle with red overlay of flowers and birds (1850-1900) and green snuff bottle (1850-1920). Smallest: 2 5/8" x 2". Largest: 3" x 2". Condition: Abrasions, residue, chip tooverlay.

Lot: 466 - 3 Agate snuff bottles, 19th-20th c.

A group of three agate snuff bottles. Includes brown agate snuff bottle with banding and inclusions (1800-1860), light brown snuff bottle with Shoulao by rocks (20th century), and brown snuff bottle with incised lotus and handles(1750-1860). Smallest: 2" x 1 1/2". Largest: 3" x 2 1/4". Condition: Abrasions, hole in stone, and two stoppers are stuck.

Lot: 467 - 3 Porcelain snuff bottles, 19th-20th c.

A group of three snuff bottles. Includes square snuff bottle with longevity symbols (late 19th to early 20th century), snuff bottle with a landscape scene (late 19th to early 20th century), and snuff bottle with scholars objects (1840-1880).Smallest: 3" x 1 1/4". Largest: 3 1/2" x 1 1/8". Condition: Residue, light pitting, one stopper stuck, and small crack on one.

Lot: 468 - Carved horn snuff bottle, 19th-20th c.

A carved horn snuff bottle with calligraphy on both sides of the body. Late 19th to early 20th century. 2 1/2" x 2 1/8".

Lot: 469 - Glass snuff bottle, 20th c.

A glass inside painted snuff bottle with two Mao era portraits. 3 3/8" x 1 7/8". Condition: Residue, abrasions.

Lot: 470 - Glass snuff bottle, 20th c.

A glass inside painted snuff bottle with one Mao era portrait and calligraphy. 20th century. 3 1/2" x 1 7/8". Condition: Residue, abrasions, and chips.

Lot: 471 - 3 Snuff bottles, 20th c.

A group of three snuff bottles. Includes carved horn snuff bottle of a cicada on a lead with a dragon on the reverse, carved horn snuff bottle with animals on each side, and a glass inside painted snuff bottle of birds. 20th century.Smallest: 3" x 1 1/8". Largest: 3 1/2" x 1 1/2". Condition: Abrasions, residue.

Lot: 472 - Hardstone snuff bottle, 1880-1920.

A hardstone snuff bottle with striations and mask handles on each side. 1880 to 1920. 2 3/4" x 2". Condition: Light abrasions around rim, light residue, and stopper missing spoon.

Lot: 473 - 2 Stone snuff bottles, 20th c.

A group of two stone snuff bottles. Includes tiger's eye snuff bottle with carved pine tree and rocks and chrysoprase snuff bottle in a carved shield shape with holes. 20th century. Smallest: 2" x 1 1/2". Largest: 2 1/2" x 1 3/4".

Lot: 474 - 2 Snuff bottles, 20th c.

A group of two snuff bottles. Includes amethyst snuff bottle with carved dragons and chalcedony and carnelion snuff bottle with carved figure under a pine tree. 20th century. Smallest: 2 1/2" x 2". Largest: 3 1/4" x 2". Condition: Abrasions,residue, chips, and missing stopper.

Lot: 475 - 2 Porcelain snuff bottles, 20th c.

A group of two porcelain snuff bottles. Includes figural snuff bottle and snuff bottle with two floral scenes with animals. One is marked on bottom. 20th century. Smallest: 2 1/2" x 1 1/4". Largest: 3 1/4" x 2". Condition: Abrasions, onemissing stopper.

Lot: 476 - 2 Stone snuff bottles, 20th c.

A group of two stone snuff bottles. Includes double snuff bottle with carved insects on one side and an oblong snuff bottle. 20th century. Smallest: 2 1/2" x 1 3/8". Largest: 3 3/4" x 2". Condition: Abrasions, light residue, and twomissing stoppers.

Lot: 477 - 2 Snuff bottles, 20th c.

A group of two snuff bottles. Includes glass snuff bottle with carved design and mother of pearl snuff bottle with carved design. 20th century. Smallest: 2 3/4" x 2 1/4". Largest: 2 7/8" x 1 1/4". Condition: Abrasions, residue.

Lot: 478 - 4 Snuff bottles, 20th c.

A group of four snuff bottles. Includes metal snuff bottle with birds and floral designs, glass snuff bottle with inside painted scenes, purple stone snuff bottle with carved designs and mounted on stand, and green glass snuff bottle withanimal designs. 20th century. Smallest: 2 3/8" x 2". Largest (with mount): 3" x 1 3/8". Condition: Abrasions, residue.

Lot: 479 - South Asian carved wood chest.

A South Asian carved wood chest. 20" x 23 1/2" x 14 1/4". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retiredin 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 480 - Indonesian wood figure.

An Indonesian wood figure. 21" x 9 1/2" x 5".

Lot: 481 - 2 Indian miniature paintings on paper.

A group of two Indian miniature paintings on paper depicting an interior palace with musicians, attendants, and nobles and a royal procession with mounted figures, palanquins, and attendants. Larger: Frame: 10 1/2" x 14 1/2" Condition: lossto paper. Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator andeditor at the National Gallery of Art, Washington, DC.

Lot: 482 - Mughal Kudan parrot jade dagger handle.

An Indo-Persian Mughal parrot jade dagger handle. Kundan goldwork and inset precious stones. 4 3/4" x 1 1/8" x 1". Provenance: Purchased from Oscar Meyer Antique Works of Art, Los Angeles, CA. September 1964.From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at theNational Gallery of Art, Washington, DC.

Lot: 483 - Shan silver Betel box.

A Burmese or Thai Shan silver Betel box. Repousse decoration. 13.75 ozt. 4 1/2" x 5".

Lot: 484 - Nepalese gilt metal panel, Vishnu riding Garuda.

Nepalese gilt metal repoussé relief plaque depicting the Hindu god Vishnu seated upon Garuda, 18th/19th century. Vishnu is shown with four arms holding attributes, seated in a meditative posture within a foliate aureole, while Garudaappears below with wings spread and hands raised in reverence. The plaque displays traces of original gilding and polychromy, and is mounted within a later red lacquered frame. 8" x 5".

Lot: 485 - Japanese bronze censer.

A Japanese bronze censer with twisted upright handles and globular body on three feet. 20th century. Marked with apocryphal reign mark on bottom. 3 1/2" x 3 3/4" Provenance: From the Estates ofRaymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art,Washington, DC.

Lot: 486 - Japanese okimono of monk, 19th c.

A Japanese wood okimono of a monk holding a skull. Mid 19th century. 7 1/4" x 2 1/4". Condition: Small cracks. Provenance: Purchased from Objets dart Workshop, 2017.

Lot: 487 - Japanese Emma-O wood figure.

A wood figure of the Japanese deity Emma-O. 11 5/8" x 11 1/2". Condition: Chips, loss, and cracks.

Lot: 488 - Japanese Choba Tansu merchant's chest.

A Japanese Choba Tansu merchant's chest. Pair of fur lined cabinet doors over ten drawers. Keyaki and Sugi woods. Circa 1825. 34" x 29 3/4" x 16".

Lot: 489 - Japanese Shibayama samurai, wood panel.

A Japanese Shibayama lacquered gilt and hardstone wood panel of a samurai crouching behind a tree. 23 3/4" x 14 3/4".

Lot: 490 - 2 After N. Rosetsu six panel folding screen.

After Nagasawa Rosetsu (Japan, 1755-1799). A pair of six panel folding screens of animals. 19th century. Smallest: 68 1/2" x 24 1/2". Largest: 68 3/4" x 25 1/4". Provenance: Purchased from Joseph U. Seo Oriental Art Gallery, New York in 1964.Receipt included. From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991.Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 491 - Pair of Japanese pigeons, cast iron.

A pair of Japanese cast iron pigeons. 20th century. Not marked. Smallest: 4 1/4" x 4" x 8 1/2". Largest: 5 5/8" x 5 1/4" x 7 1/2". Condition: Residue, abrasions, surface dirt, and one damaged foot. Provenance: From the Estates ofRaymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art,Washington, DC.

Lot: 492 - 2 Japanese Meiji cloisonne plate.

A pair of Japanese Meiji cloisonne plate with fruit and insects. 11" x 1 1/4". Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford,Connecticut, until he retired in 1991. Prior to that he was a curator and editor at the National Gallery of Art, Washington, DC.

Lot: 493 - Japanese Satsuma tea caddy.

A Japanese Meiji Satsuma porcelain tea caddy. Signed "Ryozan." 3" x 1 1/4". Provenance: Includes 2020 receipt from Michael E. Bound London.

Lot: 494 - Japanese stoneware vase.

A Japanese glazed stoneware vase. Potter's mark and incised characters on base. Made in Japan sticker on body. Comes with original box. 8" x 5". Condition: Crazing.

Lot: 495 - 2 Chinese ceramic tea bowls.

A Fujian Kiln Tenmoku and Ganzhou black glazed tea bowl. Smallest: 3/4" x 5". Largest: 1 1/4" x 4 1/4".

Lot: 496 - Tamako Kataoka, Landscape, 1967.

Tamako Kataoka (Japanese, 1905-2008). Landscape. Print on paper. 1967. Editioned 27/35. Framers label from Richmond Virginia dated September 1978, Signed l.r. Sight: 19 1/4" x 14 7/8". Frame: 29 7/8" x 25".

Lot: 497 - Adachi Ginko, Sino-Japanese War triptych, 1894.

Adachi Ginko (Japanese, 1869-1908). A Japanese Meiji Period Ukiyo-e woodblock print triptych depicting scenes related to the First Sino-Japanese War. Published Tokyo, September 1894. Sight: 9" x 14" Frame" 21 1/2" x 36"Provenance: From the Estates of Raymond Bahor & Michael Mahoney. Mahoney was a professor and Chair of the Fine Arts department at Trinity College in Hartford, Connecticut, until he retired in 1991. Prior to that he was a curator and editor at theNational Gallery of Art, Washington, DC.

Lot: 498 - Japanese bone carved handle.

A Japanese bone carved handle of samurai. 7" x 3/4".

Lot: 499 - Japanese Meiji Jizai okimono snake.

A Japanese Meiji Period ivory articulated Jizai okimono snake. Late19th century. Horn eyes with hinged mouth that opens with retracting tongue. 45" x 1 1/4". Condition: Missing section of scales. Staining. Provenance: Appraisal by 2017Objets Dart Workshop.

Lot: 500 - Japanese tiger and lion brush pot.

A Japanese Meiji Period ivory brush pot with a reclining tiger on lid and a tiger and a lion fighting on sides. Signature in round disk that is loose. 5" x 3 6/8" x 3 1/8".

Lot: 501 - Japanese articulated Spiny Lobster okimono.

A finely carved Japanese ivory articulated model of a Spiny Lobster. jizai okimono. Meiji period (1868-1912). Executed with remarkable attention to naturalistic detail, the figure is composed of numerous individually carved and pinned elements,including a segmented body, textured shell, articulated legs, claws, antennae, swimmerets, and tail fins. The eyes are inset with dark materials,10 3/4" x 6" x 3". Condition: Separated antenna and both antennule.

Lot: 502 - Japanese articulated Spiny Lobster okimono.Meiji

A Japanese articulated jizai okimono model of a spiny lobster. Early 20th century. Finely constructed of carved and stained wood with movable segmented body, legs, antennae, and tail. The creature is rendered with remarkablenaturalism, the body composed of numerous fitted elements joined to permit lifelike positioning. Signed on the underside of the tail section. Displayed on a custom metal stand.Two character signature on tail. 11 1/2" x 1 1/2" x 3 1/2".Condition: Broken tips of antenna, includes one separated tip.

Lot: 503 - Japanese articulated Spiny Lobster wood okimono.

A Japanese articulated Spiny Lobster wood jizai okimono. Two character signature on tail. 11 1/2" x 1 1/2" x 3 1/2". Condition: Missing one telson tail fin.

Lot: 504 - Orissa erotic plaquette.

An Orissa, India ivory erotic plaquette in wood frame. 2 7/8" x 2 1/4". Frame: 4 1/4" x 3 3/4" x 3 /8".

Lot: 505 - Sinhalese jewelry casket.

An ivory Sinhalese (Sri Lanka) jewelry casket with floral designs and one drawer. Lined with blue and green velvet. 7 1/4" x 8 3/8". Condition: Cracks, residue, and top and drawer are askew.

Lot: 506 - South Indian decorative box, 17th c.

A South Indian carved ivory box decorated with figures of Lira and Buddha on top and figures along the sides. 17th century. Label inside. 3 1/4" x 9". Condition: Cracks, some repairs.

Lot: 507 - Meerschaum pipe of skull, 19th c.

A Meerschaum pipe of a hand holding a skull in fitted case. 19th century. 2 3/4" x 1 3/4". Condition: Abrasions, residue, missing finger. Provenance: Purchased from Janet K. Fanto Antiques and Rare Books, 2010.

Lot: 508 - Wood memento mori skull.

A Japanese carved wood netsuke in the form of a human skull. 19th century. finely carved with detailed dentition, eye sockets, and cranial sutures. Hollow-carved underside with himotoshi. The wood has developed a rich dark brown patinafrom handling and age. 3" x 4" x 3".

Lot: 509 - Wood crowned skull memento mori.

A Japanese carved wood skull depicting a human cranium encircled by a crown of thorns. Maeiji period. Finely modeled with detailed eye sockets, and cranial sutures, with articulated moving jaw, the thorn wreath carved in dark relief against thewarm brown wood. A decorative interpretation of the memento mori theme. 3 1/8" x 4 3/4" x 2 7/8".

Lot: 510 - 2 Skulls with snakes.

A group of two ivory skulls with snakes. Smallest: 2" x 1 1/4". Largest: 3 3/8" x 1 3/4". Condition: Abrasions, residue, repair to base, and surface dirt.

Lot: 511 - 2 Skulls with snakes.

A group of two ivory skulls with snakes. Smallest: 1 1/4" x 1". Largest: 2" x 1 1/4". Condition: Repaired crack, crack, and surface dirt.

Lot: 512 - Memento mori pendant.

A Continental carved ivory or bone memento mori pendant / charm, the carved head opening to reveal a skull visage, with split facial treatment depicting a bearded gentleman and skeleton, mounted with white metal suspension loop andfoliate cap. 3 1/2" x 1 3/4". Condition: Cracks.

Lot: 513 - Memento mori coral pendant, c. 1650.

A memento mori coral and ivory pendant with the face of Christ opposite a skull and a hand holding a cornucopia with a heart. Worn as a short rosary. Circa 1650. 4 1/2" x 1 1/4". Condition: Abrasions, cracks, residue, and loss to skull'sjaw. Provenance: Appraised by E. Foxe Harrell Jewelry and Antiques in 2015.

Lot: 514 - Carved bone skull.

A carved ivory memento mori skull, 19th century, depicted with detailed dentition, eye sockets, cranial sutures, and carved anatomical features. Mounted on a turned and stained wood display stand. The skull may be removed from the stand,revealing additional carved detail to the underside. 2 7/8" x 1 1/2". Condition: Abrasions, missing teeth.

Lot: 515 - 6 Skulls.

A group of six carved skull figures, including examples carved from bone, ivory, and hardstone. The group features several naturalistic anatomical skulls with detailed dentition and cranial features, along with stylized examples including afolk-art skull and a polished hardstone skull with variegated coloration. Smallest: 3/4" x 1/2". Largest: 1 1/4" x 3/4". Condition: Cracks, wear.

Lot: 516 - 4 Skulls.

A group of four carved skull figures, including three examples carved from ivory and one pendant-form skull with silver suspension mount. The lot features a large naturalistic skull with engraved cranial sutures, a smaller dark-patinatedskull with articulated-style jaw carving, a pendant skull, and a polished miniature skull Smallest: 1 1/4" x 1". Largest: 2" x 1 5/8". Condition: Abrasions, wear.

Lot: 517 - 2 Carved skeletons with coffins.

A Pair of carved ivory skeleton figures reclining within fitted ivory coffins. Late 19th century. Each with carved skull, ribcage, pelvis, and limbs, housed in matching removable-lid coffins. Smallest: 4 5/8" x 1 5/8". Largest: 4 7/8" x 15/8". Condition: Abrasions.

Lot: 518 - 4 Skulls and skeleton.

A Group of four carved ivory memento mori objects. Late 19th/early 20th century. Comprising two carved skulls with removable calvaria, one articulated or jointed skeleton figure, and one small carved skull with engraved cranial sutures.The larger skulls are carved with detailed dentition and anatomical features, while the skeleton retains carved ribs, limbs, and skull. Smallest: 1 3/8" x 1". Largest: 3 1/4" x 1". Condition: Abrasions, cracks, and residue.

Lot: 519 - Japanese skull with spring hinged jaw, 19th c.

A fine Japanese ivory model of a skull with a spring hinged jaw and lift off cranium. 19th century. Paper tag on inside reads "...H. J. Bigelow 2." 4 1/2" x 3". Condition: Crack on bottom, cranium not properly attached. Provenance:Previously offered at auction in the October 21-22, 1977 Society of Parkinsons, Inc. sale of the properties of Kenneth Jay Lane.

Lot: 520 - Articulated skeleton.

A carved ivory articulated skeleton, likely Japanese. 19th century. THe full length figure assembled with wire-linked joints and carved skeletal details throughout, including articulated jaw, rib cage, pelvis, hands and feet. 8 3/4" x 21/2". Condition: Foot not attached, repair to chest/ribs.

Lot: 521 - Skull form snuff box.

A Carved ivory skull-form snuff box, likely Continental. late 19th century. Realistically carved with engraved cranial sutures, detailed dentition, and a hinged lower jaw opening to reveal a compartment for snuff. The reverse insetwith a plaque reading “SNUFF.” 2" x 1 1/8" x 1 1/2".

Lot: 522 - Japanese ceramic skull okimono.

A Japanese ceramic realistic skull okimono. 4 3/4" x 4 1/2" x 6 1/2".

Lot: 523 - 2 Articulated nickel clad skulls.

A group of two articulated nickel clad skulls. 4 1/2" x 6" x 3 1/2". Condition: Verdigris.

Lot: 524 - German wood Todlein Memento Mori coffin.

A German or Austrian Todlein wood memento mori. The black-painted coffin decorated with a skull-and-crossbones, cross, and dotted border opens to reveal a glazed linen wrapped mummy figure with a carved wood skull head. The interiorretains traces of blue paint, and the figure is secured within the coffin. 4 1/4" x1 1/7" x 3/4".

Lot: 525 - Metal articulated skeleton.

A metal articulated skeleton. 12" x 2 2/3" x 1".

Lot: 526 - German wood Todlien Memento Mori coffin.

A German or Austrian wood Todlien memento mori. Cross painted on wood coffin with wood skeleton under glass inside. 2 1/4" x 6 1/2" x 2 1/2".

Lot: 527 - Continental memento mori.

A memento mori desk ornament featuring a cast skull mounted atop a gilt metal pedestal, with an articulated lower jaw element resting at the base, Late 19th/early 20 century. 4 1/2" x 2" x 1 3/4".