Asian & European Arts & Antiques,

Lot: 1A - Early Christianity, Terracotta Chalice, Near East, 1000 BC-33 AD

Early Christianity, Terracotta Chalice, 1000 BC-33 AD In Christian tradition, the Holy Chalice is the vessel which Jesus used at the Last Supper to serve the wine. New Testament texts make no mention of the cup except within the context of the Last Supper and give no significance whatsoever to the object itself. An entirely different and pervasive tradition concerns the cup of the Last Supper. In this highly muddled though better-known version, the vessel is known as the Holy Grail. In this legend, Jesus used the cup at the Last Supper to institute the Mass. Other stories claim that Joseph of Arimathea used the cup to collect and store the blood of Christ at the Crucifixion. In Orthodoxy and Eastern Catholicism, all communicants receive both the Body of Christ and the Blood of Christ. To accomplish this, a portion of the Lamb (host) is placed in the chalice, and then the faithful receive Communion on a spoon. For this reason, eastern chalices tend to have larger, rounded cups. In the Russian Orthodox Church, the faithful will often kiss the "foot" (base) of the chalice after receiving Holy Communion. In other traditions, they will kiss the cup. Although Orthodox monks are not permitted to hold personal possessions, the canons permit a hieromonk (i.e., a monk who has been ordained to the priesthood) to keep a chalice and other vessels necessary to celebrate the Divine Liturgy. The chalice is considered to be one of the most sacred vessels in Christian liturgical worship, and it is often blessed before use. In the Roman Catholic Church and some Anglo-Catholic churches, it was the custom for a chalice to be consecrated by being anointed with chrism, and this consecration could only be performed by a bishop or abbot (only for use within his own monastery).[3] Among the Eastern Churches, there are varying practices regarding blessing. In some traditions, the very act of celebrating the Sacred Mysteries (Eucharist) is the only blessing necessary; in others, there is a special rite of blessing. In some Eastern traditions, this blessing may be done only by a bishop, in some it may be done by a priest. In any case, in both the East and the West, once a chalice has been blessed, it may only be touched by an ordained member of the higher clergy (bishop, priest or deacon). In the Russian Orthodox Church, a subdeacon is permitted to touch the holy vessels, but only if they are wrapped in cloth. Age: 1st millennium B.C. With broad base, balustered column with gusseted moulding, shallow bowl and broad flange rim. On the upper part of chalice and on the base - there are painted faded black decorations in the shape of leaves. Weight: 1.210 kg, 2 lb. 10.7 oz. Height: 18.3 cm = 7.2 inches; Upper diameter: 17 cm = 6.7 inches; Base diameter: 16.9 cm = 6.7 inches; Condition: genuine old terracotta, no major defects. Look at the photos, please. Provenance: Ex property of a North London, UK, gentleman, 1990’s.

Lot: 1B - Etruscan heavy bronze libation bowl (500-600 BC), amazing lace decoration, genuine patina

Etruscan heavy bronze libation bowl (500-600 BC), amazing lace patina; Absolutely incredible bronze patera (shallow bowl) with intricate multicolored patina; Weight: 2 lb. 11.6 oz = 1236 g = 1 kg 236 g; Diameter: 7 inches = 178 mm = 17.8 cm; Provenance: bought on auction in Western Europe in 1970s. Similar found in Metropolitan museum, New York, USA. https://www.alamy.com/bronze-patera-shallow-bowl-culture-etruscan-dimensions-h-2-34-in-7-cm-diameter-14-in-356-cm-date-late-4th-century-bc-shallow-dish-with-a-wide-horizontal-lip-suthina-in-etruscan-letters-is-inscribed-on-the-patera-museum-metropolitan-museum-of-art-new-york-usa-image213210185.html

Lot: 1C - Philistis, wife of Hieron II, Lead applique, 308 BC-215 BC, Greek Sicily, Syracuse

Greek SICILY, SYRACUSE Philistis, wife of Hieron II, Lead applique, 308 BC-215 BC. Size 1.25 inches diameter = 32 mm = 3.2 cm; Beautiful cast lead round applique with Philistis head facing right. Provenance: Ex East Coast Collection, Ex; Fortuna Fine Arts. References: Philistis, the wife of Hieron II, was a queen of ancient Syracuse, Magna Graecia, known from her coins, which are numerous, and of fine workmanship, and from the occurrence of her name (bearing the title of queen, as it does also on her coins) in some Greek inscriptions on the stands of the theater of Tauromenium (Taormina).[1] The circumstance that it is here associated with that of Nereis, the wife of Gelon II, as well as the style and fabric of the coins, which closely resemble those of Hieron II and his son, leads to the conclusion that these were struck during the long reign of Hieron II. The most probable conjecture is that Philistis was the wife of Hieron himself. Hiero II (Greek: Ἱέρων Β΄; c. 308 BC – 215 BC), also called Hieron II, was the Greek tyrant of Syracuse, Greek Sicily, from 275 to 215 BC, and the illegitimate son of a Syracusan noble, Hierocles, who claimed descent from Gelon.[1] He was a former general of Pyrrhus of Epirus and an important figure of the First Punic War.[2] He figures in the story of famed thinker Archimedes shouting "Eureka".

Lot: 1G - Roman phallus shaped bronze ring, size 8.0, 100 BC-200 AD

Roman phallus shaped bronze ring, size 8.0, 100 BC-200 AD; Height: 40 mm = 4.0 cm; Diameter: 20 mm = 2.0 cm Inner diameter: 18 mm= 1.8 cm US Size: 7.5 – 8.0 Weight: 18.63 g;

Lot: 1H - 東周 戰國 銅幾何紋帶鉤 Eastern Zhou dynasty (771-256 BC) bronze belt hook, China

東周 戰國 銅幾何紋帶鉤 Eastern Zhou dynasty (771-256 BC) bronze belt hook, China; Eastern Zhou dynasty Chinese archaic bronze belt hook of elongated form, decorated with inlaid abstract and geometric scrolls. Eastern Zhou Dynasty/ Warring States Bronze Geometric Pattern Hook; Length: 17.2 cm = 172 mm; Weight: 116.67 g; 東周 銅帶鉤; Condition Report: Loss to most to inlay. Small loss to lower end of hook. Expected surface wear and encrustations. Provenance: private collection in UK. Similar belt hook was published on Sotheby’s https://www.sothebys.com/en/buy/auction/2023/china-5000-years/a-bronze-belt-hook-eastern-zhou-dynasty-warring Sotheby’s Estimate: $3000-$5000 USD

Lot: 1I - 東周 戰國 Warring States to E. Zhou dynasty (1046 B.C. - 256 B.C.), Chinese archaic ancient belt bronze buckle /hook with a head of dragon, holding a “pearl of wisdom”

東周 戰國 Warring States to E. Zhou dynasty (1046 B.C. - 256 B.C.), Chinese archaic ancient belt bronze buckle /hook with a head of dragon, holding a “pearl of wisdom” Length: 103 mm; Weight: 36.50 g; Condition: Very good condition for the age, with genuine patina and rust Provenance: private collection in St Petersburg, Florida, USA The dragon also symbolizes wisdom and knowledge. Its serpentine form and often depicted with a pearl, which represents wisdom, enlightenment, and spiritual essence. The dragon's wisdom is seen as celestial or divine, a wisdom that transcends earthly understanding and is often sought by heroes in myths and legends. Similar sale on Sotheby’s: A gold-inlaid bronze belt hook, Eastern Zhou dynasty, Warring States period | 東周 戰國 銅錯金獸面紋帶鉤 Estimate: 4,000 - 6,000 USD; https://www.sothebys.com/en/buy/auction/2023/china-5000-years/a-gold-inlaid-bronze-belt-hook-eastern-zhou?locale=en Sotheby’s, March 28, 2023

Lot: 1J - Archaic Chinese bronze 金蟾 Jin Chan toad/frog, Tang dynasty 618-907 AD

Archaic bronze toad/frog, Tang Dynasty 618-907 AD. Length of the frog: 8.6 cm = 86 mm; Maximum width with legs: 10.5 cm = 105 mm; Thickness of the ring: 1.8 cm = 18 mm. Weight of the frog. 10.1 oz. = 285 g; Condition: genuine antique patina, does not stick to the magnet. Provenance: Private collection in St Petersburg, Florida, USA. The Jin Chan (Chinese: 金蟾; pinyin: jīn chán; lit. 'Golden Toad'), also called Chan Chuy (Chinese: 蟾蜍; pinyin: chánchú; lit. 'Toad') or "Zhaocai Chan Chu" (Chinese: 招财蟾蜍; pinyin: zhāocái chánchú; lit. 'wealth-beckoning toad'), is most commonly translated as "Money Toad" or "Money Frog". It represents a popular feng shui charm for prosperity. This mythical creature is said to appear during the full moon, near houses or businesses that will soon receive good news (most of the time, the nature of this good news is understood to be wealth-related). The Jin Chan is usually depicted as a bullfrog with red eyes, flared nostrils and only one hind leg (for a total of three legs), sitting on a pile of traditional Chinese cash, with a coin in its mouth. On its back, it often displays seven diamond spots. According to feng shui beliefs, Jin Chan helps attract and protect wealth, and guards against bad luck. Because it symbolizes the flow of money, feng shui lore insists that a Jin Chan statue should not be positioned facing the main door ("outward"). It also "should never be kept in the bathroom, bedroom, dining room or kitchen". The Jin Chan is a legendary animal of the Han people. The money toad is associated with the Daoist monk, Liu Haichan, as the xianren's animal companion. According to students from UC Irvine, a three-legged toad is the equivalent of the moon in Chinese mythology (yin concept), which is personified by the goddess Chang'e. Several tales of the Chinese folklore may explain the relation between the toad and the good fortune, but no official reason seems to prevail.[1]

Lot: 1K - 清代瑪瑙廟府犬 Exceptional Chinese carved agate temple Fu Dog, Late Qing Dynasty

清代瑪瑙廟府犬 Exceptional Chinese carved agate temple Fu Dog, Late Qing Dynasty Height: 88 mm = 8.8 cm = 3.5 inches; Length: 145 mm = 14.5 cm = 5.75 inches; Weight: 568 g = 1 lb.4.1 oz.; Mohs’ hardness. 9.0-10.0; Provenance: Private collection of American Doctor MD. Appraisal by Gem Era, Fine Gemstones, November 24, 1979. Agate. Chinese temple lion or Fu Dog. Grey-black color. Dog has one foot on large ball of banded agate, showing colors of gray white and black. Appraised value $4,500.00. References: Similar agate statue was sold for $64,363 http://www.sothebys.com/en/auctions/ecatalogue/2018/gems-of-chinese-art-from-speelman-collection-hk0795/lot.3459.html A RARE PALE AGATE 'LUDUAN' INCENSE BURNER AND COVER QING DYNASTY, 18TH CENTURY Estimate 300,000 — 500,000 HKD LOT SOLD. 500,000 HKD = 64,363.73 United States Dollar

Lot: 1L - Qing dynasty, Carved fluorite crystal fish “Boy sitting on the head of the Ao”

This work depicts a little boy sitting on a large fish with a long tail, and he holds the end of the fish tail. Actually, the large fish with a long tail represents Ao, a huge legendary animal combining fish and dragon from sea. A boy sitting on the head of Ao represents a lucky meaning: to come to the first in triennial palace examinations. In ancient China, the main purpose of scholars’ study was to pass the civil examinations to get official position from the governments. Therefore, this piece should be made for the interest of scholars, installing in a scholar’s studio. There is a carved cavity underneath, which is for a pedestal to make the art work stable. Length: 13.1 inches (33.5 cm); Height: 7.5 inches (19.5 cm); Width: 3.75 inches (10.8 cm); Weight: 14.4 lb. (6.530 kg); Mohs’ hardness: 5.0 - 5.5; Circa 19th century; Qing dynasty (1644-1911)

Lot: 1R - Scythian battle iron Akinakes (Acinaces) Sword, 200-600 BC, Northern Black Sea region

Scythian battle iron Akinakes (Acinaces) Sword, 200-600 BC, Northern Black Sea region Ancient iron battle Scythian short sword or dagger: akinakes, acinaces, akinaka. The flattened handle with lobed (Butterfly) guard and double-loop pommel, often called "antenna" pommel. Material: iron; The total length: 378 mm = 14.88 inches; Blade width: 32 mm = 1.53 inches; Weight: 383 gram. The acinaces, also spelled akinakes (Greek ἀκῑνάκης) or akinaka (unattested Old Persian *akīnakah, Sogdian kynʼk) is a type of dagger or short sword used mainly in the first millennium BC in the eastern Mediterranean region, especially by the Medes,[1] Scythians and Persians, then by the Greeks.[2] The acinaces is of Scythian origin, but was made famous by the Persians, and rapidly spread throughout the ancient world. The Romans believed this weapon originated with the Medes.[2] The acinaces is typically 40–60 cm. (14-18 in.) in length and double-edged,[2] and although there is no universal design, the guard may be lobed[3] with the hilt resembling that of a bollock dagger, or the pommel may be split[4] or of the "antenna" type.[5] The scabbard as much as anything else defines the acinaces and usually has a large decorative mount near the opening allowing it to be suspended from a belt on the wearer's right side.[6][2]

Lot: 1S - The original Sarmathian-Scythian iron short sword Akinakes, 300-500 BC.

The original Sarmathian-Scythian iron short sword Akinakes, 300-500 BC. Weight: 472 g = 1 lb. 0.7 oz.; Length: 45.7 cm = 18 inches; Strong attraction to the magnet. Condition: natural rust, not treated, still strong. Found in the steps of the Northern Coast of Black Sea. The Sarmatians (/sɑːrˈmeɪʃiənz/; Greek:

Lot: 1X - Etruscan, life size, mounted, terracotta goddess head, 600-500 BC

Etruscan, life size, mounted, terracotta goddess head, 600-500 BC. Height with stand: 10 inches = 25.4 cm. Width: 5.25 inches = 13.33 cm. Life-size terracotta female head depicted with a curly updo, naturalistic facial features, deeply set eyes and high cheek bones. Some remaining traces of a red-brown surface pigment. Missing the upper left side of her head; and ancient loss to the tip of her nose. Mounted on an old homemade display base. Provenance: Brooklyn collection. Acquired from Emmanuel Tiliakos, MA. Purportedly from an early 20th century collection. Reference: Etruscan sculpture was one of the most important artistic expressions of the Etruscan people, who inhabited the regions of Northern Italy and Central Italy between about the 9th century BC and the 1st century BC. Etruscan art was largely a derivation of Greek art, although developed with many characteristics of its own.[1] Given the almost total lack of Etruscan written documents, a problem compounded by the paucity of information on their language—still largely undeciphered—it is in their art that the keys to the reconstruction of their history are to be found, although Greek and Roman chronicles are also of great help. Like its culture in general, Etruscan sculpture has many obscure aspects for scholars, being the subject of controversy and forcing them to propose their interpretations always tentatively, but the consensus is that it was part of the most important and original legacy of Italian art and even contributed significantly to the initial formation of the artistic traditions of ancient Rome.[2][3] The view of Etruscan sculpture as a homogeneous whole is erroneous, there being important variations, both regional and temporal.[4] The Etruscans were very accomplished sculptors, with many surviving examples in terracotta, both small-scale and monumental, bronze, and alabaster. However, there is very little in stone, in contrast to the Greeks and Romans. Terracotta sculptures from temples have nearly all had to be reconstructed from a mass of fragments, but sculptures from tombs, including the distinctive form of sarcophagus tops with near life-size reclining figures, have usually survived in good condition, although the painting on them has usually suffered.

Lot: 1Y - Ancient Phoenician terracotta goddess Astarte with a child statue, circa 500-300 BC

Ancient Phoenician terracotta goddess Astarte statue, 500-300 BC An ancient Phoenician terracotta pottery statuette of crowned goddess Astarte. She is holding a baby in her arm. Scalloped rims. Circa: 500-300 BC. Astarte is the Hellenized form of the Ancient Near Eastern goddess Astarte. Astarte was the Northwest Semitic equivalent of the East Semitic goddess Ishtar. Ancient Terracotta and Ceramic Figures, Figurines, Statues, Museum Pieces, and Historical Artifacts. Height: 6.5 inch = 16.51 cm. All measurements are approximate. Condition Report: Overall good antique condition. Signs of wear and age. Refer to photos. Sold as is. Astarte (/əˈstɑːrtiː/; Ἀστάρτη, Astartē) is the Hellenized form of the Ancient Near Eastern goddess ʿAṯtart. ʿAṯtart was the Northwest Semitic equivalent of the East Semitic goddess Ishtar.[5] Astarte was worshipped from the Bronze Age through classical antiquity, and her name is particularly associated with her worship in the ancient Levant among the Canaanites and Phoenicians, though she was originally associated with Amorite cities like Ugarit and Emar, as well as Mari and Ebla.[6] She was also celebrated in Egypt, especially during the reign of the Ramessides, following the importation of foreign cults there. Phoenicians introduced her cult in their colonies on the Iberian Peninsula. In various cultures Astarte was connected with some combination of the following spheres: war, sexuality, royal power, beauty, healing and - especially in Ugarit and Emar - hunting;[14] however, known sources do not indicate she was a fertility goddess, contrary to opinions in early scholarship.[15] Her symbol was the lion and she was also often associated with the horse and by extension chariots. The dove might be a symbol of her as well, as evidenced by some Bronze Age cylinder seals.[16] The only images identified with absolute certainty as Astarte are these depicting her as a combatant on horseback or in a chariot.[17] While many authors in the past asserted that she has been known as the deified morning and/or evening star,[18] it has been called into question if she had an astral character at all, at least in Ugarit and Emar.[19] God lists known from Ugarit and other prominent Bronze Age Syrian cities regarded her as the counterpart of Assyro-Babylonian goddess Ištar, and of the Hurrian Ishtar-like goddesses Ishara (presumably in her aspect of "lady of love") and Shaushka; in some cities, the western forms of the name and the eastern form "Ishtar" were fully interchangeable.[20]

Lot: 2 - Phoenician marble sculpture of BA'AL HAMMON & TANIT, 600 BC-300 BC

Certified Genuine Phoenician carved marble sculpture of BA'AL HAMMON & TANIT: 400-500 BC Figure of Phoenician god Tanit and Ba'al Hammon, chief god of Carthage. Height: 17.5 cm = 6.85 inches. Width: 3.8 cm = 38 mm = 1.5 inches; Depth: 55 mm = 5.5 cm = 2.25 inches. Weight: 2 lb. 2.4 oz. = 976 g; Age: 400-500 BC; This statue is 100% authentic considering the: 1) Artistic expression of Phoenician

Lot: 2A - Mycenaean Greek terracotta pottery jug, Bronze Age, 1750 BC-1050 BC

Mycenaean Greek terracotta pottery jug, Bronze Age, 1750-1050 BC. An ancient Greek terracotta pottery vessel. The vessel is adorned with a flared lip, a wide neck, and a wide handle that tapers to a globular shaped body standing on a flat base. Age: circa 1750 B.C. – 1050 B.C. Height: 4 inches = 10.16 cm; Diameter 2 7/8 inches = 7.30 cm; Weight: 296.92 g; Condition Report: Overall good antique condition. Signs of wear and age. Refer to photos. Sold as is. Provenance: private collection in New York, USA. Mycenaean Greece (or the Mycenaean civilization) was the last phase of the Bronze Age in ancient Greece, spanning the period from approximately 1750 to 1050 BC.[1] It represents the first advanced and distinctively Greek civilization in mainland Greece with its palatial states, urban organization, works of art, and writing system.[2][3] The Mycenaeans were mainland Greek peoples who were likely stimulated by their contact with insular Minoan Crete and other Mediterranean cultures to develop a more sophisticated sociopolitical culture of their own.[4] The most prominent site was Mycenae, after which the culture of this era is named. Other centers of power that emerged included Pylos, Tiryns, and Midea in the Peloponnese, Orchomenos, Thebes, and Athens in Central Greece, and Iolcos in Thessaly. Mycenaean settlements also appeared in Epirus,[5] Macedonia,[6] on islands in the Aegean Sea,[7] on the south-west coast of Asia Minor, [7] and on Cyprus,[8] while Mycenaean-influenced settlements appeared in the Levant[9] and Italy.[10]

Lot: 2B - “Two Samurais + cicada” antique Satsuma Vase, Japan, Edo period

“Two Samurais + cicada” antique Satsuma Vase, Japan, Edo period. Museum quality, breathtaking Satsuma vase with the images of two Samurais: one with a horse; another with a sword and a brush, holding in his teeth. Height: 12 inches = 30.5 cm; Diameter of the base: 5.25 inches = 13.3 cm Weight: 1862 g = 4 lb. 1.7 oz. Condition: genuine tiny craquelures, seen under x50 magnification; Provenance: private collection in Clearwater, Florida, USA

Lot: 2G - Three Samurais, Joshuya Kinzo (上州屋金蔵), Japanese woodblock print, Edo period

Three Samurais. Publisher - Joshuya Kinzo (上州屋金蔵), Japanese woodblock print, Edo period; Publisher: Joshuya Kinzo (上州屋金蔵); Period: Late Edo period to early Meiji period; Years of active life: Mid-19th century; It seems that he had a bookstore in the Edo period, producing prints and books. Provenance: private collection in Sarasota, Florida, USA. https://www.britishmuseum.org/collection/term/BIOG2382

Lot: 2H - Ottoman antique iron armor: Helmet, Tabar axe, Dhal buckler shield

Ottoman antique iron armor: Helmet, Tabar axe, Dhal buckler shield Lot of Indo-Persian weaponry, including Tabar Axe, Kulah Khud Helmet, and Dhal buckler shield with etched figures, scenes and Arabic writing. Shield diameter: 18 inches = 45 cm; Axe length: 29.0” = 74 cm; Helmet diameter: 8 inches = 20 cm; Helmet weight: 1 kg 110 g = 2 lb. 7 oz. Provenance: private collection, California, USA. The tabar (also called tabarzin, which means "saddle axe" [in persian], Modern Turkish: teber) is a type of battle axe. The term tabar is used for axes originating from the Ottoman Empire, Persia, India and surrounding countries and cultures. As a loanword taken through Iranian Scythian, the word tabar is also used in most Slavic languages as the word for axe[1] (e.g. Russian: топор). Persia The tabarzin (saddle axe) (Persian: تبرزین; sometimes translated "saddle-hatchet") is the traditional battle axe of Persia (Iran). It bears one or two crescent-shaped blades. The long form of the tabar was about seven feet long, while a shorter version was about three feet long. What makes the Persian axe unique is the very thin handle, which is very light and always metallic.[2] The tabarzin was sometimes carried as a symbolic weapon by wandering dervishes (Muslim ascetic worshippers).[citation needed] The word tabar for axe was directly borrowed into Armenian as tapar (Armenian: տապար) from Middle Persian tabar,[3][4] as well as into Proto-Slavonic as "topor" (*toporъ), the latter word known to be taken through Scythian,[5][1] and is still the common Slavic word for axe.[1] India During the 17th and 18th centuries, the tabar battle axe was a standard weapon of the mounted warriors of Punjab, Sikh Khalsa army and what is now modern day India and Pakistan. Made entirely of metal or with a wood haft, it had a strongly curved blade and a hammer-headed poll and was often decorated with scroll work. Sometimes a small knife was inserted in the tabar's hollow haft. Arabia According to Adam Metz's "Islamic Civilization in the Fourth Century of the Hegira," the tabar was frequently not only a weapon used by police chiefs (Sahib al-Shurta), but also a mark of office for them. The dhal is a type of shield found in the Indian subcontinent.[1] They are nearly always geometrically round and yet they vary in diameter from about eight inches to twenty-four inches. Some are nearly flat while others are strongly convex or curved.[2] The edges may be flat or rolled back in the reverse direction to that of the curvature of the shield. Dhal shields were either made from metal or hide.[3]

Lot: 2I - Pistol and Revolver Digest, by Dean A. Grennell, Illinois

Pistol and Revolver Digest, by Dean A. Grennell, Illinois

Lot: 2M - European medieval Viking long iron sword blade, Kievan Rus, 800-1200 AD

European medieval Viking long iron sword blade, Kievan Rus, 800-1200 AD; Total sword length: 23.75 inches = 60 cm; Length of the blade: 16.5 inches = 42 cm; Weight of the sword: 370 g; Condition: natural stable rust; Location: found in Ukraine Provenance: private collection in Europe; Shipping details: We ship swords to USA, Canada, Australia, Hong Kong and some countries in Europe. We do not ship swords to Belgium, China, Russia and some other countries. Please, check restrictions customs clearance for your country, by yourself.

Lot: 2N - Antique hunting steel sword “KOHL Stuttgart” with leather scabbard, Germany

Antique hunting steel sword “KOHL Stuttgart” with leather scabbard, Germany; German hunting sword inscribed 'Kohl, Stuttgart'. The steel blade (attracted to the magnet) etched with floral motifs and arrows, with stag horn grip handle, in leather scabbard, with hunting knife missing. • Length of the sword with handle: 62.7 cm; • Length with a handle and scabbard: 65.5 cm; • Length of the blade: 48.2 cm; • Length of the scabbard: 50. 5 cm; • Weight of the sword: 620 g; • Weight of the sword in scabbard: 840 g; • Condition: used, a lot of original old grease, but no defects; • Provenance: Private collection of arms and swords in Florida, USA. Auction results: $1,550; https://www.ebay.com/itm/164332947909?hash=item264301c9c5:g:95IAAOSwqHFcyv97

Lot: 2O - European German iron fighting small light battle black Axe #17, 700-1050 AD.

Opinion of the US Expert in antique axes: This is your best axe. The round socket hole was used in ancient times. It was pretty much abandoned by the 12th century. This axe could date back to Viking times, but it isn't a Viking axe. I am guessing it was probably found in Germany. If that is the case it must be a German working axe which could have been used for battle if necessary. The German's were always warring with themselves, because they were basically divided along 'tribal' which became regional lines. If a common man was pressed into battle, he would have fought with his working tools. This axe would have been a good choice. If your axes were found in Germany that adds a little value because so much of what is on the market is from Eastern Europe. I would probably list this one as a 'Viking age' axe found in Germany that was for both work and battle. That same axe would have easily topped $3000 back in the old days. Ron Very easy to handle and fight because of the light weight. Length (anterior-posterior): 11 cm = 4.25 inches; Cutting blade length (superior-inferior): 8.5 cm = 3.25 inches; Diameter of the hole: 25 mm x 23 mm; Weight: 123 g = 4.3 oz. Strong attraction to the magnet. Condition: natural black stable rust all over (after touching the axe – your fingers stay clean) Provenance: from a Central European (Germany) collection.

Lot: 2P - European Medieval German iron fighting small battle black Axe #18, 1600-1700 AD

Opinion of the US expert on antique Axes: This is a strange little axe. The fact that it was riveted together almost guarantees that it is 17th century or later. It looks like the keyhole was probably going up and down... the perfect orientation for pulling nails. I have to believe it was a small working axe of some kind, probably a carpenter's axe. I have no history on a price on this one. Ron P.S.... about this particular axe. If it was me I would use the artists' varnish rather liberally. It looks like it will soak up a lot of it. That is actually a good thing because the varnish will actually help to hold it together. Well balanced, light and easy to handle and fight, with drop shaped opening in the blade. Length (anterior-posterior): 10 cm = 4 inches; Cutting blade length (superior-inferior): 5.7 cm = 2.25 inches; Diameter of the hole: 20 mm x 13 mm; Weight: 216 g = 7.6 oz. Condition: natural oxidized reddish rust all over the body; Provenance: from a Central European (Germany) collection.

Lot: 2R - Russian bebut sword (kindjal) with Imperial symbol on scabbard, 1907-1917

Extremely sharp, with comfortable grip, very dangerous and strong weapon in the arms of Russian Cossacks. Russian Cossacks from Don, Kuban, Volga and Zaporozhie were decisive army, protecting Russian Empire, in multiple battles for 500 years. Russian Cossacks were Orthodox Christians and honored Russian tsars. Length of the sword without scabbard: 23.5 inches = 60 cm; Length of the sword in scabbard: 26.25 inches = 67 cm; Length of the blade; 43.5 cm; Weight without scabbard: 15.3 oz. = 434 g; Weight with scabbard: 1 lb. 6.9 oz. = 650 g; Condition: perfect for the age, the leather for the wooden scabbard was deteriorated and replaced by new leather. Provenance: private collection in Florida, from Estate of early Russian emigrants (after 1917). REFERENCE: The 1907 kindjal entered service to provide an alternative weapon to the cumbersome shashka for the enlisted soldiers. It was first issued to all gendarme enlisted men. In 1908 the weapon was issued to the enlisted men of machine gun crews. The following year the kindjal replaced the shashkas used by enlisted men of the artillery (with the exception of artillerymen in cavalry and mounted mountain artillery units). Sergeant majors of the artillery and buglers of the foot artillery retained their shashka. Cavalry scouts attached to infantry regiments were issued the M-1907 kindjal in 1910. Later that year, the M-1907 kindjal was replaced by a shashka in the enlisted ranks of the gendarme troops. Despite this, the M-1907 kindjal saw extensive service in the battles of the Great War. It was manufactured by major state factories such as Zlatoust Arms Factory until the revolution of 1917;. The weapon saw some use in during the Civil War and subsequent revolution, but was never officially adopted by the Bolshevik government.

Lot: 2S - 龍泉 Longquan Jian Chinese sword and scabbard, Qing dynasty

龍泉 Longquan Jian Chinese sword and scabbard, Qing dynasty Longquan, located in Zhejiang Province, China, is a traditional sword-making region. In particular, the "Longquan Sword" (Lóngquán Bǎojiàn) is famous, with a history said to span over 2,500 years. It is regarded as a symbol of fine craftsmanship and legendary blades in China. Known Lóngquán makers: Several workshops are mentioned in Chinese sources. These were called jiàn pù (剑铺) or sword shops. 1) Qiān Zì Hao (千字号). Founded 1748. Active to at least Guangxu period (1875-1908). 1748, the 13th year of Qianlong, blacksmith Zhèng Yì Shēng ((郑义生) opened the shop in Lóngquán East Street. He used a traditional method of guàn gāng (灌钢), combining molten pig iron and wrought iron to make swords. The method resulted in sharp swords that do not rust easily. 2) 1830 (circa), Daoguang period, the Liào Tài Hé (廖太和) sword shop was known for skilled lòukè gōng (镂刻工), carving, in a decorative style of the Warring States period. 3) 1858 (8th year of Xianfeng). The Taiping Army was stationed in Lóngquán and needed a large number of swords and weapons. The fourth-generation grandson of Zhèng Yì Shēng, Zhèng Sāngǔ (郑三古)'s shop was overwhelmed by the surge in demand. Description: Old Chinese Jian sword and scabbard. Straight double edged blade with brass inlaid circles to either side of the fuller. Mounts in pierced brass openwork with dragons and inscribed motifs throughout. Total length: 36 1/8" = 91.75 cm; Blade length: 28 7/8" = 73.34 cm; Provenance: Ex-Southern California Estate Similar sword is exhibited in Metropolitan Museum, New York, USA (the last photo #14)

Lot: 2U - Authentic Chinese Jian, signed 青龙剑 "Green Dragon Sword", Qing Dynasty

Authentic Chinese Jian, signed 青龙剑 "Green Dragon Sword", Qing Dynasty The handle is bronze and blade is steel. Weight is 1.3 lbs. The blade is semi sharp. This is the only sword of this type I've seen. Would be interesting to polish the blade if you wish. • All metal construction - handle, guard and blade. No rattling; • Chinese character on hilt & characters and dragon design on the blade. • Total sword Length: 35 “ = 89 cm; • Blade Length 27” = 68.6 cm; • Blade Width: 1 1/8” = 2.86 cm; • Total weight: 1 lb. 5 oz. = 596 g; • Provenance: bought in Beijing, China in 1985, then private collection in California, USA

Lot: 2V - Authentic Chinese Jian 67.6 cm, with seven stars and brass scabbard, Qing Dynasty

Authentic Chinese Jian 67.6 cm, with seven stars and brass scabbard, Qing Dynasty. • Well balanced sword with seven copper stars on both sides of the blade. • Decorated brass (above the wood) scabbard and fittings. • Age: Qing Dynasty. • Province: 龍泉 Longquan region (?) • Sword length: 26.5” = 67.6 cm; • Blade Length: 20.5 = 52 cm; • Blade Width: 1 3/8”; • Total weight (sword + scabbard): 1 lb. 9.3 oz. = 716 g; • Weight of the sword: 1 lb. 1.5 oz. = 497 g; • Weight of the scabbard: 7.6 oz. = 218 g; • The seven stars represent the big dipper constellation. Taoism in China associated the big dipper constellation with divine power and protection from evil. The stars are decorative in nature and for above belief. Provenance: private collection in California, USA. Possibly made in Longquan region in China. REFERENCES: Longquan, located in Zhejiang Province, China, is a traditional sword-making region. In particular, the "Longquan Sword" (Lóngquán Bǎojiàn) is famous, with a history said to span over 2,500 years. It is regarded as a symbol of fine craftsmanship and legendary blades in China. Běidǒu (北斗) means "the Big Dipper", also known as Ursa Major. A constellation that consists of seven stars. In the realm of arms and armor, běidǒu is commonly encountered on sword blades, often in the form of seven copper alloy plugs inserted into the blade, sometimes with lines connecting them. This is most often seen on Chinese straight-swords, called "seven stars jiàn" by collectors but they also appear on yǎnyuèdāo (偃月刀), and, more rarely, saber blades and spearheads. The motif is also seen on some blades from Korea and Vietnam. The Big Dipper is seen as the throne of Shàngdì (上帝), the "Supreme Deity" in ancient Chinese religion from the Shang dynasty to later Daoism. It was customarily worshipped on the 14th or 15th day of the 8th month.1 In folklore, the Southern Dipper is responsible for birth while the Big (Northern) Dipper was seen as responsible for death. The frequent placement of the Big Dipper on fighting swords was perhaps seen as taking this responsibility in one's own hands.2 https://www.mandarinmansion.com/glossary/beidou-beidou

Lot: 2W - Chinese Jian huge double-edged sword with sanmei hamon, Ming dynasty or earlier, black & gold scabbard.

Chinese Jian huge double-edged sword with sanmei hamon, Ming dynasty or earlier, black & gold scabbard. • This massive and long sword belonged to a tall athletic soldier or general, right-handed or possibly hold by both hands. • Strong fighting Jian sword with sanmei layered steel hamon. • Hamon on sharp edge: 87 cm; • Hamon on dull edge: 10” = 26 cm; • Sharp part of “dull edge” from the blade point: 7.5” = 19 cm; • So, this sword was designed for both: cutting and thrusting. • Black and gold wooden lacquered scabbard with metal fittings. • Iron fittings with some silvered finish. • Total length in scabbard: 41 1/2” = 105.41 cm; • Total Blade Length 40 ½” = 102.87 cm; • Blade Length 34 1/4” = 87 cm; • Blade Width: 1 1/2” = 3.8 cm; • Total weight of sword in scabbard: 3 lb. 8.3 oz. = 1595 g = 1 kg 595 g; • Weight of the sword (without scabbard): 2 lb. 10.1 oz. = 1194 g = 1 kg 194 g; • Weight of wooden scabbard: 14.1 oz. = 401 g; • Sword perfectly fits into scabbard only one way; • The blade has 2 deep fullers and one shallow fuller in between. • There are 8 X crosses embedded at the spine of the blade. Traditional jian blades are usually of sanmei (three plate) construction, which involved sandwiching a core of hard steel between two plates of softer steel. The central plate protrudes slightly from its surrounding pieces, allowing for a sharp edge, while the softer spine protects the brittle core. Some blades had wumei or five plate construction, with two more soft plates being used at the central ridge.[9] Bronze jian were often made in a somewhat similar manner: in this case an alloy with a high copper content would be used to make a resilient core and spine, while the edge would be made from a high-tin-content alloy for sharpness and welded onto the rest of the blade. The sword smiths of China are often credited with the forging technologies that traveled to Vietnam, Japan and Korea to allow sword smiths there to create such weapons as the katana. These technologies include folding, inserted alloys, and differential hardening of the edge.[10][11] While the Japanese would be more influenced by the Chinese dāo (single-edged swords of various forms), the early Japanese swords known as ken are often based on jian. The Korean version of the jian is known as the geom or gum, and these swords often preserve features found in Ming-era jian, such as openwork pommels and sharply angled tips.

Lot: 3 - Western Asiatic antique carved stone oil lamp, circa 2500 BC

Western Asiatic oil lamp, circa 2500 BC; Width: 2.5 x 2.5 in = 64 mm x 64 mm; Height: 0.4 in. = 15 mm; Weight: 104.05 g; Condition: The item is in excellent condition, 100% authentic, no restoration;

Lot: 3B - 76 cm long, Khazar Empire semi-nomadic iron sword, 650-965 AD

76 cm long, Khazar Empire semi-nomadic iron sword, 650-965 AD Length: 76 cm = 30 inches; Length of the blade: 69 cm = 27.25 inches; Weight: 448 g; Condition: genuine stable rust, do not required additional preservation; Provenance: Private collection in London, United Kingdom; before - Private Oxfordshire collection; formerly acquired on the European art market from pre-2000 collections.

Lot: 3C - Ancient Celtic bronze sword for stabbing and chopping blows, Europe, 2000BC-1000BC

Ancient Celtic bronze sword for stabbing and chopping blows, Europe, 2000BC-1000BC This ancient bronze sword with leaf-shaped blade, was designed for thrusting/stabbing and chopping blows. Full length: 44.7 cm = 17.7 inches; Blade length: 30.3 cm = 12 inches; Weight: 935 g =2 lb. 1.0 oz. Not attracted to the magnet. Provenance: private collection in USA. Similar swords sold on another auctions: https://www.bonhams.com/auction/22739/lot/88/an-irish-bronze-sword/ An Irish bronze sword, Late Bronze Age, circa 1000-800 B.C. The typical leaf-shaped blade with slightly beveled edges and mid-rib, the butt perforated with six rivet holes, terminating with a cast-on tang with flanged end and central slot to attach the hilt, 63.7 cm long. 16 April 2015, 10:30 BST, London, New Bond Street, Sold for £10,000 inc. premium

Lot: 3E - Middle Eastern (Mesopotamian, Persian) carved stone sitting King 2000 BC-3000 BC

Middle Eastern (Mesopotamian, Persian) carved stone sitting King 2000 BC-2500 BC. Height with a head: 14 cm; Height without head; 9.5 cm Size of the base 76 mm x 82 mm = 7.6 cm x 8.2 cm; Weight of the body: 2 lb. 6.6 oz. = 1093 g = 1 kg 93 g; Weight of the head: 2.0 oz. = 56 g; Condition: great for the age of 4500 years. Mohs, hardness: 2.5-3.0 (average range for chlorite stones 2.0-3.0); The head was made from different stone – alabaster? Decorations on the body: Large ibex at the bottom, two cheetahs lying on the shoulders, 2 hybrid figures of cheetah with human heads instead of arms. Nineteen soldiers profiles, in front and back. Jiroft iconography & cosmogony: The striking thing in the Jiroft iconography and cosmogony is the total absence of a reference to a concept of the divine. Hybrid figures mastering animals exist in the ancient Neolithic tradition, and are still evidenced at the turn of the 5th to the 4th millennium in Susiana, Iran. This heroic image of man stems from a profoundly human urge to dominate and transcend. The “master of animals” has never been worshipped and cannot be considered as a god. Whereas Mesopotamian glyptic art swarms with “deities” and characters engaged in cult-related hunting or war scenes, similar scenes are unknown at Jiroft. Whereas Mesopotamian, Sumerian, or Semitic cosmogony separates reality from a mysterious world inhabited by supernatural transcendent powers whose favor must be gained, Iranian cosmogony is sober and differently oriented. Two opposing principles arise from the Jiroft imagery: one is negative, with the scorpion and the snake, symbols of suffering and death; the other is positive, with the cheetah and the eagle engaged on the side of man against the reptile. Chlorite stones: The typical general formula is: (Mg,Fe)3(Si,Al)4O10(OH)2·(Mg,Fe)3(OH)6. This formula emphasizes the structure of the group. Chlorite minerals have a generalized chemical composition of (X,Y)4-6(Si,Al)4O10(OH,O)8. The "X" and "Y" in the formula represent ions, which might include: Fe+2, Fe+3, Mg+2, Mn+2, Ni+2, Zn+2, Al+3, Li+1, or Ti+4. The composition and physical properties of chlorites vary as these ions substitute for one another in solid solution. There are 12 different stones, distinguished by chemical formula in the chlorite group. Clinoclore, pennantite, and chamosite are the most common varieties. Several other sub-varieties have been described. A massive compact variety of clinochlore used as a decorative carving stone is referred to by the trade name seraphinite. Provenance: private collection in Near East.

Lot: 3F - Archaic Tell Halaf culture terracotta mother Goddess, 6th millennium BC

Archaic Tell Halaf culture terracotta mother Goddess, 6th millennium BC. Tell Halaf (Arabic: تل حلف‎) is an archaeological site in the Al Hasakah governorate of northeastern Syria, a few kilometers from the city of Ra’s al-‘Ayn near the Turkish border. The site, which dates to the 6th millennium BCE, was the first to be excavated from a Neolithic culture, later called the Halaf culture, characterized by glazed pottery painted with geometric and animal designs. Painted ceramics flourished in the area, with containers showing decorative motifs, both figurative and geometric, which could possibly have a religious content: human beings, bucraniums, reptiles, scorpions, panthers, birds, painted in black and red. In the more recent phase of Tell Halaf, it was the most important center for quality, polychrome pottery, in shades of red, brown and white on a light background, with a more pronounced taste for floral and geometric motifs. Terracotta figurines of animals have been found, preferably of bovids, ram heads, double axes and polychrome female figures, which would have a religious conception, probably mother-goddesses, preferably in a sitting position, with wide breasts and thighs. This mother Goddess is painted with the typical polychromes of the Halaf culture. She has large breasts and hips as a symbol of fertility. Height: 3.25 inches = 8.25 cm; Provenance: private collection in New York;

Lot: 3G - Paleolithic carved petrified wood statue Venus Mother Goddess, 12,000 BC-150,000 BC, certified

Paleolithic carved petrified wood statue Venus Mother Goddess, 12,000 BC-150,000 BC, certified. An archaic carved petrified wood female figurine, rendered with topless form and prominently detailed breasts. The mother Venus carries a long necklace with a long amulet between her breasts. The main features of the face are still visible: two eyes, nose, mouth, chin, ears (left ear is more prominent).

Lot: 3H - Annunaki(?) Neolithic terracotta Goddess, large Alien type eyes, 5000-12000 BC

Annunaki(?) Neolithic terracotta Goddess, large Alien type eyes, 5000-12000 BC. Very rare ancient anthropomorphic terracotta figure. Features prominently large alien type eyes, a characteristic detail that speaks to the artistry and symbolic significance of its creators. The statue’s stylized form and expressive features, reflect the cultural and spiritual values of the ancient civilizations. Height: 3.5 inches = 8.9 cm; Width: 1 7/8 inches = 4.76 cm; Weight: 56.63 g; Condition Report: Overall good vintage condition. Signs of wear and age. Has chips. Refer to photos. Sold as is. Origin: possibly Near East Provenance: private collection in New York, USA. Discussion: In his 1976 book The Twelfth Planet, author Zecharia Sitchin claimed that the Anunnaki were actually an advanced humanoid extraterrestrial species from the undiscovered planet Nibiru, who came to Earth around 500,000 years ago and constructed a base of operations in order to mine gold after discovering that the planet was rich in the precious metal.[69][70][72] According to Sitchin, the Anunnaki hybridized their species and Homo erectus via in vitro fertilization in order to create humans as a slave species of miners.[69][70][72] Sitchin claimed that the Anunnaki were forced to temporarily leave Earth's surface and orbit the planet when Antarctic glaciers melted, causing the Great Flood,[73] which also destroyed the Anunnaki's bases on Earth.[73] These had to be rebuilt, and the Anunnaki, needing more humans to help in this massive effort, taught mankind agriculture.[73]

Lot: 3I - Ancient Anunnaki terracotta altar with the God image and inscriptions, 3000 BC - 600AD

Ancient Anunnaki terracotta altar with the God image and inscriptions, 3000 BC - 600AD; Height: 4.15 inches = 10.5 cm. Diameter: 3.2 inches = 7.5 cm; Weight: 1 lb. 8.3 oz. = 690 g An ancient religious clay piece, dating from 3000 BC to 600 AD. This artifact features a detailed relief of a deity on one side. The top is inscribed with intricate inscriptions, offering valuable insights into the religious and cultural practices of early Christian Egypt. Condition Report: Overall good vintage condition. Signs of age and wear. Refer to photos. Sold As Is. Authenticity report: 100% authentic, certificate of authenticity will be sent; Provenance: private collection in New York, USA. DISCUSSION: This altar came from Near East, so it could be any other religions: Christianity, Coptic, Ancient Egyptian, Arabian, Eblaite, Elamite, Hurrian, Hittite, Canaanite, Ugaritic, Mesopotamian, Anunnaki, etc. DISCUSSION: The Anunnaki (Sumerian: also transcribed as Anunaki, Annunaki, Anunna, Ananaki and other variations) are a group of deities of the ancient Sumerians, Akkadians, Assyrians and Babylonians. In the earliest Sumerian writings about them, which come from the Post-Akkadian period, the Anunnaki are deities in the pantheon, descendants of An (the god of the heavens) and Ki (the goddess of earth), and their primary function was to decree the fates of humanity. DISCUSSION: In his 1976 book The Twelfth Planet, author Zecharia Sitchin claimed that the Anunnaki were actually an advanced humanoid extraterrestrial species from the undiscovered planet Nibiru, who came to Earth around 500,000 years ago and constructed a base of operations in order to mine gold after discovering that the planet was rich in the precious metal.[69][70][72] According to Sitchin, the Anunnaki hybridized their species and Homo erectus via in vitro fertilization in order to create humans as a slave species of miners.[69][70][72] Sitchin claimed that the Anunnaki were forced to temporarily leave Earth's surface and orbit the planet when Antarctic glaciers melted, causing the Great Flood,[73] which also destroyed the Anunnaki's bases on Earth.[73] These had to be rebuilt, and the Anunnaki, needing more humans to help in this massive effort, taught mankind agriculture.[73]

Lot: 3J - Carved bone Neolithic Venus 22 cm, Cucuteni-Tripillian culture, 5050-2950 BC

Carved bone Neolithic Venus 22 cm, Cucuteni-Tripillian culture, 5050-2950 BC Height: 22 cm; Width: 5 cm; Weight: 106 g; Provenance: It comes from collection of J. Cronier in France, private ex-collector who died in 2018. Reference: The Cucuteni–Trypillia culture, also known as the Cucuteni culture or Trypillia culture is a Neolithic–Chalcolithic archaeological culture (c. 5050 to 2950 BC)[1] of Southeast Europe. It extended from the Carpathian Mountains to the Dniester and Dnieper regions, centered on modern-day Moldova and covering substantial parts of western Ukraine and northeastern Romania, encompassing an area of 350,000 km2 (140,000 sq mi), with a diameter of 500 km (300 mi; roughly from Kyiv in the northeast to Brașov in the southwest).[2][3] The majority of Cucuteni–Trypillia settlements were of small size, high density (spaced 3 to 4 kilometres apart), concentrated mainly in the Siret, Prut and Dniester river valleys.[4] During its middle phase (c. 4100 to 3500 BC), populations belonging to the Cucuteni–Trypillia culture built some of the largest settlements in Eurasia, some of which contained as many as three thousand structures and were possibly inhabited by 20,000 to 46,000 people.[5][6][7] The 'mega-sites' of the culture, which have been claimed to be early forms of cities, were the largest settlements in Eurasia, and possibly the world, dating to the 5th millennium BC.[8][9][10] The population of the culture at its peak may have reached or exceeded one million people.[11] The culture was wealthy and influential in Eneolithic Europe[12] and the late Trypillia culture has been described by scholar Asko Parpola as thriving and populous during the Copper Age.[13] It has been proposed that it was initially egalitarian and that the rise of inequality contributed to its downfall.[14]

Lot: 3P - Antique marble bird lid, Middle East, 2200-1800 BC

Based on the style of the carving, - several origins could be suggested in Western Central Asia: 1) Intercultural style carved stone objects, produced in many locations west to east - between Euphrates and Indus river and north to south - between Oxus river and the Gulf 2) Bactria-Margiana in Central Asia; 3) Mesopotamia; 4) Fullol Hoard from Northern Afghanistan; Time: Late 3rd – early 2nd millennium BC; Length: 8.5 inches = 21 cm; Width: 4.75 inches = 12 cm; Height: 5.75 inches = 14.5 cm; Weight: 4 lb. 3.1 oz. = 1902 g = 1 kg 902 g; Mohs’ hardness: 3.0 (normal range for marble stones 3.0-5.0); Color of the stone surface: beige/yellow, darker in the groves; Color and structure of the rock stone inside (in the area of chips): very small, less than 1 mm, snowy white mineral crystals, looks like quartz crystals. Condition: the lid was broken and professionally repaired in the region of the neck of the bird. Provenance: private collection in UK.

Lot: 3Q - Viking bronze mirror 85 mm, Kievan Rus, 750 AD – 1100 AD

Viking bronze mirror 85 mm, Kievan Rus, 750 AD – 1100 AD; Diameter 64 mm; Height: 85 mm Weight: 99.95 g; Not attracted to magnet. Origin: found in the area of Northern Pontic Steppes, north to the Black Sea. Condition: some genuine patina and stable rust, overall perfect condition; Some history: The story of the arrival of the Rus in the east is first told in the Primary Chronicle (also known as the Tale of Bygone Years, c. 12th century CE) of Russia. This work relates how the people of the land invited the Rus (identified as Scandinavian Vikings) to rule and maintain order in their country in the mid-9th century CE. Three brothers, including one named Rurik, accepted the invitation and founded the Rurik Dynasty which would last for over 700 years. This version of events is supported in the present day by historians who are labeled `Normanists’ (those who accept a Norse origin for the Rurikid Dynasty) and is challenged by so-called `Anti-Normanists’ who argue for a Slavic origin of Russia and the other states. The Normanist claims are presently considered more valid and it is generally accepted that the Norse leader Rurik (r. 862-879 CE) founded the dynasty which would endure, in an unbroken line, through the reign of Ivan IV, first Tsar of Russia (r. 1547-1584 CE) also known as Ivan the Terrible. The state of Kievan Rus fell to the Mongols between 1237-1242 CE, breaking the region in pieces which eventually developed into the modern states of Belarus, Russia, and the Ukraine. Vikings founded Kievan Rus in the mid-9th century, but Scandanavian settlements in Eastern Europe actually date back to at least A.D. 750. This is when pre-Viking-Age Scandanavians likely settled the northwestern Russian town of Staraya Ladoga (or “Old Ladoga”), across Lake Ladoga from what is now Finland. One of the artifacts archaeologists have unearthed from the city is a talisman with the face of Odin, the Norse god of war. “The early Scandinavians were particularly attracted to Ladoga by the appearance of Islamic silver coins or dirhams there,” writes scholar Thomas S. Noonan. “The regular flow of Islamic dirhams from Russia to Scandinavia via Ladoga began in the early ninth century and is further evidence of a Viking presence in Ladoga long before 840.” https://www.history.com/news/vikings-in-russia-kiev-rus-varangians-prince-oleg

Lot: 3R - Archaic style Greek/Roman/Cypriot terracotta male head, 20 cm

Archaic style Greek/Roman/Cypriot terracotta male head. An ancient style Greek/Roman/Cypriot terracotta head, crafted to depict a male head with detail. The head features a full beard and curly hair, capturing the essence of Greek/Roman portraiture. Ancient Greek/Roman terracotta figurines and historical artifacts for collectors. Age unknown. Dimensions: Height 8 in. = 20 cm; All measurements are approximate. Condition Report: Overall good vintage condition. There are several holes in the area of hair. We suggest two explanations: 1) holes to keep a crown on the top of the head; 2) holes to facilitate the process molding, drying and deep baking. Signs of age and wear. Refer to photos. Sold as is. Provenance: private collection of an archaeologist from New York, USA. https://www.metmuseum.org/art/collection/search/241014

Lot: 3S - Ancient Greco-Roman head of Satyr or Bacchus terracotta oil lamp, 100 BC -350 AD

Ancient Greco-Roman head of Satyr or Bacchus terracotta oil lamp, 100 BC -350 AD. An ancient Greco-Roman figural terracotta pottery oil lamp. The lamp is made in the traditional slipper shape manner and adorned with a relief image of a head of a Nubian man representing a Satyr or Bacchus figure, probably with horns. The lamp is adorned with a raised handle and three wide nozzles. The face is adorned with engraved facial features, Circa: 2nd century to 3rd century. Ancient and Antique Roman Imperial Terracotta and Ceramic Oil Lamps, Museum Pieces, and Historical Artifacts. Length: 4.5 in = 11.43 cm. All measurements are approximate. Condition Report: Overall good antique condition. Signs of wear and age. Refer to photos. Sold as is. Provenance: private collection in New York. In Greek mythology, a satyr[a] (Greek: σάτυρος, translit. sátyros, pronounced [sátyros]), also known as a silenus[b] or silenos (Greek: σειληνός, translit. seilēnós [seːlɛːnós]), and sileni (plural), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs.[4] Comically hideous, they have mane-like hair, bestial faces, and snub noses and they always are shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbating or engaging in bestiality.

Lot: 3T - Etruscan? Greek? Roman? Antique marble oil lamp with erotic sex scene and lion

Etruscan? Greek? Roman? Antique marble oil lamp with erotic sex scene and lion; Length: 6.3 inches = 162 mm; Weight: 1 lb. = 450 g; Mohs hardness: 3.0 – 3.5; Condition; used, but no defects; Provenance: private collection in Clearwater, Florida, USA; EROS IN GREECE. Eros appears in ancient Greek sources under several different guises. In the earliest sources (the cosmogonies, the earliest philosophers, and texts referring to the mystery religions), he is one of the primordial gods involved in the coming into being of the cosmos. In later sources, however, Eros is represented as the son of Aphrodite, whose mischievous interventions in the affairs of gods and mortals cause bonds of love to form, often illicitly. Ultimately, in the later satirical poets, he is represented as a blindfolded child, the precursor to the chubby Renaissance Cupid, whereas in early Greek poetry and art, Eros was depicted as a young adult male who embodies sexual power, and a profound artist.[9] A cult of Eros existed in pre-classical Greece, but it was much less important than that of Aphrodite. However, in late antiquity, Eros was worshiped by a fertility cult in Thespiae. In Athens, he shared a very popular cult with Aphrodite, and the fourth day of every month was sacred to him (also shared by Herakles, Hermes and Aphrodite).[10] SEXUALITY IN ANCIENT ROME: Sexual attitudes and behaviors in ancient Rome are indicated by art, literature, and inscriptions, and to a lesser extent by archaeological remains such as erotic artifacts and architecture. It has sometimes been assumed that "unlimited sexual license" was characteristic of ancient Rome,[1][2] but sexuality was not excluded as a concern of the mos maiorum, the traditional social norms that affected public, private, and military life.[3] Pudor, "shame, modesty", was a regulating factor in behavior,[4] as were legal strictures on certain sexual transgressions in both the Republican and Imperial periods.[5] The censors—public officials who determined the social rank of individuals—had the power to remove citizens from the senatorial or equestrian order for sexual misconduct, and on occasion did so.[6][7] The mid-20th-century sexuality theorist Michel Foucault regarded sex throughout the Greco-Roman world as governed by restraint and the art of managing sexual pleasure.[8]

Lot: 4A - Ancient Roman 24k gold single earring, 3.13 g, 100 BC-200 AD

Ancient Roman 24k gold single earring (100 BC-200 AD), worn by high rank Roman citizen lady; Length: 42 mm =1.65 inch; Weight: 3.13 gram. Fine high karat gold single earring with ornate design. Provenance: Private NYC Collection acquired in 1960's. Condition Report: Minor wear, else in good condition. Roman women collected and wore more jewelry than men. Women usually had pierced ears, in which they would wear one set of earrings. Additionally, they would adorn themselves with necklaces, bracelets, rings, and fibulae. One choker-style necklace, two bracelets, and multiple rings would be worn at once. Jewelry was particularly important to women because it was considered to be their own property, which could be kept independently of their husband's wealth and used as the women saw fit. They had the right to buy, sell, bequeath, or barter their own jewelry.[8] Women in Ancient Rome were valued on their elegance in dress and adornment with extravagant jewelry. The way an elite woman accessorized and presented herself in public.

Lot: 4B - Ancient Roman 24k gold matching pair of elaborated earrings - 2.48 g, 100 BC-200 AD

Rare case of finding of both matching 24k gold earrings, worn by high rank Roman citizen lady. Size: 18 mm = 0.71 inches. Weight: 2.48 grams. Fine high karat gold matching pair of earrings with ornate design. Provenance: Private NYC Collection acquired in 1960's. Condition Report: old dents as seen else in good condition Roman women collected and wore more jewelry than men. Women usually had pierced ears, in which they would wear one set of earrings. Additionally, they would adorn themselves with necklaces, bracelets, rings, and fibulae. One choker-style necklace, two bracelets, and multiple rings would be worn at once. Jewelry was particularly important to women because it was considered to be their own property, which could be kept independently of their husband's wealth and used as the women saw fit. They had the right to buy, sell, bequeath, or barter their own jewelry.[8] Women in Ancient Rome were valued on their elegance in dress and adornment with extravagant jewelry. The way an elite woman accessorized and presented herself in public

Lot: 4C - Ancient Roman 24K gold single earring (0.92 g), 100 BC-200 AD, worn by Roman lady

Ancient Roman 24K gold single earring, 100 BC-200 AD, worn by high rank Roman citizen lady. Size: 25 mm = 0.98 inch; Weight: 0.92 gram. Fine high karat gold earring, originally had glass or stone now missing. Provenance: Private NYC Collection acquired in 1960’s. Roman women collected and wore more jewelry than men. Women usually had pierced ears, in which they would wear one set of earrings. Additionally, they would adorn themselves with necklaces, bracelets, rings, and fibulae. One choker-style necklace, two bracelets, and multiple rings would be worn at once. Jewelry was particularly important to women because it was considered to be their own property, which could be kept independently of their husband's wealth and used as the women saw fit. They had the right to buy, sell, bequeath, or barter their own jewelry.[8] Women in Ancient Rome were valued on their elegance in dress and adornment with extravagant jewelry. The way an elite woman accessorized and presented herself in public

Lot: 4E - Set of six ancient silver rings, Near East, circa 500-1500 AD

Set of six ancient silver rings, Near East, circa 500-1500 AD A lot of six ancient silver rings, presumably of Eastern origin. Four unpatterned rings with a flat top and an oval shaped flare. One thin wedding ring. One ring with a Medieval engraved design. Ancient and Antique Jewelry Wares and Accessories, Historical Artifacts. Total weight: 9.8 g. Largest size: 7.5. The smallest size: 0.5. All measurements are approximate. Condition Report: Overall good vintage condition. Signs of wear and age. Refer to photos. Sold as is. Provenance: private collection in New York, USA.

Lot: 4F - Antique small gunpowder translucent tan black horn, flint primer, 77g

Antique small gunpowder translucent tan black horn, flint primer, 77g Length: 8 inches = 20 cm; Width: 2 3/16 inches; Weight: 2.7 oz. = 77 g; Upper stopper: available; Lower stopper: absent; Provenance: Estate collection in Florida, USA. A powder horn is a container for gunpowder, and was generally created from cow, ox or buffalo horn. The term may also be used for any personal container for gunpowder, although powder flask is the strictly correct term. Typically there was a stopper at both ends, in later examples spring-loaded to close automatically for safety.[1] The wide mouth was used for refilling, while the powder was dispensed from the narrow point. In some cases the point was closed and the mouth used for both, with a powder measure, a type of scoop used to dispense the powder, and in others both ends were open and the horn merely used as a funnel. The horn was typically held by a long strap and slung over the shoulder.[2] The inside and outside of a powder horn were often polished to make the horn translucent so that the soldier would be able to see how much powder he had left. The use of animal horn along with nonferrous metal parts ensured that the powder would not be detonated by sparks during storage and loading. Horn was also naturally waterproof and already hollow inside. Powder horns also served the important purpose of keeping black powder dry. They began to be replaced by copper flasks in the nineteenth century.[3] Powder horns were also used for the priming of large naval guns, and in blasting operations; apparently sometimes the horn shape was merely a convenient form of funnel in such cases, and was open at both ends and not used as a container. In America, a number of period horns dating from the French and Indian war throughout the American Revolution and beyond have been preserved in private collections with a few exceptions. Many decorated examples shed light on the life and history of the individuals that used them and can be classified as a medium of folk art. Powder horns were often decorated, most often with engraving, making a form of scrimshaw, which was sometimes supplemented with color. The powder horn was rendered obsolete by the innovations brought about by Hall, Sharps, Spencer and the later development of self-contained cartridges that were developed and marketed successfully by Oliver Winchester, after which manufactured metallic cartridges became standard

Lot: 4G - Neo-Elamite Period, silver fibula brooch pair, 20.4 g, Babylonia, Elam, 1000 BC-539 BC

Neo-Elamite Period, Silver fibula brooch pair, Babylonia, Elam, 1000 BC-539 BC; The Neo-Elamite period (for the first use of this term in a linguistic sense, see Hüsing 1898: 1, 1908b: 3, 7) is dated from c. 1000 BC until the conquest of Babylonia in 539 BC by Cyrus the Great. Circa 700 B.C. A group of two arm-and-hand brooches each with ribbed collars to the shank and the catchplate formed as a stylised hand. 20.4 grams total, 33-34 mm (1 1/4 in.). I would imagine this item was used as a garment accessory, perhaps similar to Anglo-Saxon brooches designed to secure clothing. From the collection of a London antiquarian, formed since the 1980s. Historical references: Elam (/ˈiːləm/)[a] was an ancient civilization centered in the far west and southwest of modern-day Iran, stretching from the lowlands of what is now Khuzestan and Ilam Province as well as a small part of southern Iraq. The modern name Elam stems from the Sumerian transliteration elam(a), along with the later Akkadian elamtu, and the Elamite haltamti. Elamite states were among the leading political forces of the Ancient Near East.[3] In classical literature, Elam was also known as Susiana (US: /ˌsuːʒiˈænə/ UK: /ˌsuːziˈɑːnə/; Ancient Greek: Σουσιανή Sousiānḗ), a name derived from its capital Susa.[4] Elam was part of the early urbanization of the Near East during the Chalcolithic period (Copper Age). The emergence of written records from around 3000 BC also parallels Sumerian history, where slightly earlier records have been found.[5][6] In the Old Elamite period (Middle Bronze Age), Elam consisted of kingdoms on the Iranian plateau, centered in Anshan, and from the mid-2nd millennium BC, it was centered in Susa in the Khuzestan lowlands.[7] Its culture played a crucial role during the Persian Achaemenid dynasty that succeeded Elam, when the Elamite language remained among those in official use. Elamite is generally considered a language isolate unrelated to any other languages. According to Daniel T. Potts, Walther Hinz was less cautious in suggesting that the Elamites were ‘Proto-Lurs’ — that is, ancestors of the inhabitants of modern-day Lurestan in western Iran.[8]

Lot: 4K - Incense burner in the shape of the lion/tiger, Middle East, 11th -12th century AD

Incense burner in the shape of the lion/tiger, 11th -12th century AD Bronze finial coming from an incense burner in the shape of the head of the lion or tiger. Origin: Eastern Iran or Afghanistan; The head with pair of erected ears and nice face details including round recessed eyes for inlays, a pointed nose, and an open mouth. Perforated neck for the scented smoke to escape. For a complete incense burner in the shape of a lion see The Metropolitan Museum, Credit Line: The David Collection, Copenhagen (48/1981). Length: 38mm. Width: 27 mm; Weight: 65g. Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s. Reference: Feline predators were among the most popular forms for incense burners produced in the eastern parts of the Seljuq realm. Anatomy, proportion, and detail are commonly ignored in favor of abstraction and ornamentation. The thick “mustache,” prominent teeth, and protruding tongue are further expressive characteristics. With the feline standing on its four paws, its tail terminating in the head of a bird (of prey?) and its sharp beak pointing forward, evoking a weapon, this incense burner takes on a frightening and powerful dimension. The royal iconography of this piece is reinforced by the preciousness of the incense that it contained. https://www.metmuseum.org/art/collection/search/642232

Lot: 4L - Antique bronze eye cosmetic kohl tripod, Middle Asia, 200BC- 800AD.

Antique bronze eye cosmetic kohl tripod, Middle Asia, 200BC- 800AD. Made in Bactria or Persia, circa 200 BC-800 AD. A delightful cast bronze vessel for holding kohl. The pot has a highly decorated rounded body with incised patterns and applied beaded lines. Three bent legs with hoof-like feet support it. Kohl is an eye cosmetic, still in use, made by grinding stibnite for use as mascara or eyeliner. Length: 80 mm; Width: 55 mm; Weight: 17 g; Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.

Lot: 4N - Carved marble sheep head, Asia Minor, Old Hittite Kingdom, 2100 BC-1200 BC (?)

Carved marble sheep head, Asia Minor, Old Hittite Kingdom, 2100 BC-1200 BC (?) Size: 52 mm x 41 mm x 24 mm; Weight: 49 gram = 1.8 oz. Mohs hardness: 3.0- 3.5 (marble); Provenance: private collection of famous antique collector in Manhattan, Mew York; Sheep were one of the first domesticated livestock in the Neolithic period, about 10,000 years ago. Archaeological data showed that domestication of

Lot: 5 - Bronze age, Mediterranean/Near East, large 21.6cm, bronze jug, circa 3300-1200 BC.

Bronze age, Mediterranean/Near East, large bronze jug, circa 3300-1200 BC. Ancient large bronze jug, circa 3300-1200 BC. Rare large three footed bronze jug with handle. Genuine lovely incrustation, firmly attached green patina. On one side there is possible image of ram head (very obscure). Height: 8.5 inches = 21.6 cm; Width at widest point: 6 inches = 15.24 cm; Weight: 3 lb. 13.4 oz. = 1740 g = 1 kg 740 g. Provenance: Ex Robert Haber, Ancient Art Gallery, New York City, USA. Robert Haber’s interest in archeology and antiquities came about while studying in Jerusalem. While working on an excavation, he discovered the practical world of archaeological conservation, and was immediately enthralled with the field. In pursuit of a career in the conservation of antiquities, Mr. Haber was awarded an apprenticeship at the Israel Museum and was later hired by the restoration department. He went on to study at the University College London as a Kress Fellow under Prof. Henry Hodges and received a Diploma in the Conservation of Ancient Materials. Condition Report: great for the age. The Bronze Age was a historical period lasting from approximately 3300 to 1200 BC. It was characterized by the use of bronze, the use of writing in some areas, and other features of early urban civilization. The Bronze Age is the middle principal period of the three-age system, between the Stone and Iron Ages.[1] Worldwide, the Bronze Age generally followed the Neolithic period, with the Chalcolithic serving as a transition. Reference: The Bronze Age is generally considered to have ended with the Late Bronze Age collapse, a time of widespread societal collapse between c. 1200 and 1150 BC. This collapse affected a large area of the Eastern Mediterranean, including North Africa and Southeast Europe, as well as the Near East, in particular Egypt, eastern Libya, the Balkans, the Aegean, Anatolia, and the Caucasus. It was sudden, violent, and culturally disruptive for many Bronze Age civilizations, and it brought a sharp economic decline to regional powers, most notably ushering in the Greek Dark Ages. An ancient civilization is deemed to be part of the Bronze Age if it either produced bronze by smelting its own copper and alloying it with tin, arsenic, or other metals, or traded other items for bronze from producing areas elsewhere. Bronze Age cultures were the first to develop writing. According to archaeological evidence, cultures in Mesopotamia, which used cuneiform script, and Egypt, which used hieroglyphs, developed the earliest practical writing systems.

Lot: 5C - Parthian Empire (247 BC – 224 AD) ceramic glazed vase, from the collection of Medill Sarkisian (1909-1993)

Parthian Empire (247 BC – 224 AD) ceramic glazed vase, from the collection of Medill Sarkisian (1909-1993). Provenance: Ex-collection of H. Medill Sarkisian (1909-1993), Denver, Colorado, then passed through the family to the current owner, grandson Medill Sarkisian, Condition: Intact, 6 small old chips on the upper rim, green glaze mostly lost its green color Height: 11.25 inches = 28.5 cm; Width: 7 inches = 17 cm; Weight: 4 lb. 0.4 oz. = 1825 g;

Lot: 5D - Four Phoenixes antique Chinese porcelain vase, Qing dynasty (1636-1912)

Four Phoenixes antique Chinese porcelain vase, Qing dynasty Amazing hand painted vase, with genuine network of craquelures, which is a sign of authentic aging antique. Height of the vase: 14 inches = 35.5 cm; Diameter of the widest part: 8 inches = 21 cm; Diameter of the base 5.8 inches = 14.5 cm; Weight: 7 lb. 14 oz. = 3,572 g = 3 kg 572; Condition: genuine imperfections of glaze, mostly at the bottom, no cracks or other defects. Provenance: bought approximately 8 years ago at St. Petersburg, Florida, USA, estate sale.

Lot: 5E - 康熙皇帝 Kang Xi period: 1660-1722, Chinese porcelain vase with original stand, Qing dynasty

康熙皇帝 Kang Xi period: 1660-1722, Chinese porcelain vase with original stand, Qing dynasty Double circle concept. When the Qing dynasty succeeded the Ming in 1644, the use of nianhao (Imperial reign marks) initially continued, but were suspended for a period by imperial edict during the Kangxi reign (1660-1722). Height of the vase: 9 inches = 23.7 cm; Height of the vase on the wooden stand: 12 inches = 30.5 cm; Diameter of the widest part: 4.3 inches = 11 cm; Diameter of the base 3.25 inches = 8 cm; Weight: 1 lb. 12 oz. = 792 g; The wooden stand is antique and a masterpiece by itself. Condition: genuine imperfections of glaze, mostly at the bottom, no cracks or other defects. Provenance: bought 20 years ago at Sarasota estate sale.

Lot: 5F - 同治帝间 Chinese porcelain vase Tongzhi Emperor Period (1861-1875)

同治年间 Chinese porcelain vase Tongzhi Emperor Period (1861-1875). Height: 8.25 inches = 22 cm; Width: 7 inches = 17 cm; Upper diameter: 3.6 inches = 9.3 cm; Base diameter: 3.75 inches = 9.7 cm Weight: 2 lb. 5.5 oz. = 1062 g; Condition: hand-painted, some wear at the bottom, no defects. Tongzhi 1861-1875. The Tongzhi (To Rule Together a State of Order) Emperor, born Zaichun AISIN GIORO in April 27, 1856, became emperor at the age of five as the only surviving son of the Xianfeng Emperor and the Noble Consort Yi (Empress Dowager Cixi). He was the ninth emperor of the Manchu Qing Dynasty, and the eight Qing emperor to rule over China. During his period in practice his mother, the Empress Dowager Cixi, wielded the real power, ruling sitting behind a curtain in the audience hall. Under his reign some attempts to political reforms was made, which are know as the Tongzhi Restoration. In January 12, 1875, the Tongzhi Emperor died at age 19 of small pox without a son. It has been rumored that his cause of death was actually syphilis "due to his excessive and bizarre sexual appetite and alleged affairs with prostitutes outside of the palace".

Lot: 5G - 乾隆帝 Qianlong Emperor mark and period (1736-1795), Chinese copper red porcelain dragon vase, Qing dynasty, Jingdezhen ware,

乾隆帝 Qianlong Emperor mark and period (1736-1795), Chinese copper red porcelain dragon vase, Qing dynasty, Jingdezhen ware, A globular form Chinese porcelain vase, having five-toed Dragons amongst Lotus Blossoms and a scrolled foliate. Stylized Waves at rim. Blue double rings at foot & rim. Underside bears a blue Qianlong (1736-1795) mark. Imperial reign mark: Da Qing Qian

Lot: 5H - 康熙帝 Kangxi Emperor mark and period (1662-1722), Chinese porcelain vase with 3 groups of court people, Qing dynasty

康熙帝 Kangxi Emperor mark and period (1662-1722), Chinese porcelain vase with 3 groups of court people, Qing dynasty; A Chinese Baluster form porcelain vase, having a Scholarly palace scene. Bamboo motif neck with flared rim. Underside bears a blue 6- character Kangxi mark (1662-1722). Imperial reign mark: Da Qing Kang Xi Nian Zhi. (Made during the Kangxi period of the Great

Lot: 5J - Ming dynasty, Hongwu reign (1368-1398), Jingdezhen ware, underglaze antique Chinese blue/white porcelain bowl/platter with lotus design.

Ming dynasty, Hongwu reign (1368-1398), Jingdezhen ware, underglaze antique Chinese blue/white porcelain bowl/platter with lotus design. Chinese porcelain bowl, having a Lotus motif with a ribbon. Encompassing floral band. Exterior has a Lotus motif band. Height: 2.5" = 6.35 cm; Diameter: 11.375" = 28.9 cm; Weight: 3 lb. 6.2 oz. = 1,536 kg = 1 kg 536 g Condition Report: Prior professional repair at rim, crazing at glaze consistent with age and use. Provenance: Estate collection in St. Petersburg, FL, USA. Reference: “Chinese ceramics”, by Li Jiyan and Virginia Bower and He Li, similar blue platter is photographed on fig 8.15, from palace museum Beijing, page 407, 382

Lot: 6 - Archaic Greek - Aegean Bronze Age, 155 mm- bronze sharp spearhead, 3200 BC -1050 BC

Archaic Greek - Aegean Bronze Age, 155 mm- bronze sharp spearhead, 3200 BC -1050 BC; Length: 155 mm = 15.5 cm = 6.10 inches; Weight: 22.70 g. Condition: the edges are sharp, genuine green patina, some rust. «In the second half of the nineteenth century, archaeologists began to focus on understanding prehistoric Greece and its extraordinary flowering during the Greek Bronze Age (about

Lot: 6A - Archaic Greek - Aegean Bronze Age, 293 mm- long bronze sharp spearhead, 3200 BC -1050 BC

Archaic Greek - Aegean Bronze Age, 293 mm- long bronze sharp spearhead, 3200 BC -1050 BC; Length: 293 mm = 29.3 cm = 11.5 inches; Weight: 117.93 g. Condition: the edges are sharp, genuine green & brown patina. «In the second half of the nineteenth century, archaeologists began to focus on understanding prehistoric Greece and its extraordinary flowering during the Greek Bronze Age (about

Lot: 6B - Ancient bronze, 12.2 cm, uni-blade curved dagger armor, Mesopotamia 2800 BC – 2400 BC

Ancient bronze, 12.2 cm, uni-blade curved dagger armor, Mesopotamia 2800 BC – 2400 BC. An ancient bronze armor featuring as an axe head. This artifact showcases a curved blade with a fixer designed for mounting to a handle. The robust construction and elegant curvature of the ax head highlight its dual purpose as both a tool and a weapon. Origin: similar curved daggers were found in Kish, Mesopotamia, at 3rd millennium BC. Length: 4.75 inches = 12.2 cm; Weight: 1.9 oz. = 54 g; Not attracted to the magnet. Condition Report: Genuine green patina. Overall good vintage condition. Signs of wear and age. Has discoloration and chips. Refer to photos. Sold as is. Provenance: private collection in New York, USA. REFERENCES: Kish (Sumerian: Kiš; Kiški; cuneiform: 𒆧𒆠;[1] Akkadian: Kiššatu,[2] near modern Tell al-Uhaymir) is an important archaeological site in Babil Governorate (Iraq), located 80 km (50 mi) south of Baghdad and 12 km (7.5 mi) east of the ancient city of Babylon. The Ubaid period site of Ras al-Amiyah is 8 km (5.0 mi) away. It was occupied from the Ubaid period to the Hellenistic period.[3] In Early Dynastic times the city's patron deity was Ishtar with her consort Ea. Her temple, at Tell Ingharra, was (E)-hursag-kalama.[4][5] By Old Babylonian times the patron deities had become Zababa, along with his consort, the goddess Bau and Istar. His temple Emeteursag (later Ekišiba) was at Uhaimir.[6] 1- 6) бронза, Киш, Месопотамия, середина III тысячелетия до н. э.; 4, 25) бронза, Хаттуса (Богазкёй), XVI — XV вв. до н. э.

Lot: 6C - Ancient bronze 17 cm, uni-blade curved dagger armor, Mesopotamia 2800 BC – 2400 BC

Ancient bronze 17 cm, uni-blade curved dagger armor, Mesopotamia 2800 BC – 2400 BC; An ancient bronze armor featuring as an axe head. This artifact showcases a curved blade with a fixer designed for mounting to a handle. The robust construction and elegant curvature of the ax head highlight its dual purpose as both a tool and a weapon. Origin: similar curved dagger were found in Kish, Mesopotamia, at 3rd millennium BC. Length: 6.6 inches = 17 cm; all measurements are approximate. Weight: 5.1 oz. = 145 g; Not attracted to the magnet; Condition Report: Genuine green patina. Overall good vintage condition. Signs of wear and age. Has a crack. Has discoloration and chips. Refer to photos. Sold as is. Provenance: private collection in New York, USA. REFERENCES: Kish (Sumerian: Kiš; Kiški; cuneiform: 𒆧𒆠;[1] Akkadian: Kiššatu,[2] near modern Tell al-Uhaymir) is an important archaeological site in Babil Governorate (Iraq), located 80 km (50 mi) south of Baghdad and 12 km (7.5 mi) east of the ancient city of Babylon. The Ubaid period site of Ras al-Amiyah is 8 km (5.0 mi) away. It was occupied from the Ubaid period to the Hellenistic period.[3] In Early Dynastic times the city's patron deity was Ishtar with her consort Ea. Her temple, at Tell Ingharra, was (E)-hursag-kalama.[4][5] By Old Babylonian times the patron deities had become Zababa, along with his consort, the goddess Bau and Istar. His temple Emeteursag (later Ekišiba) was at Uhaimir.[6]. 1— 6) бронза, Киш, Месопотамия, середина III тысячелетия до н. э.;

Lot: 6E - Bronze Celtic Arrowhead money – 4.17 g, Proto-coins from ancient Moesia, found in Pontic Olbia (Black Sea Olbia), trading with Sarmatians, circa 600-400 BC.

Bronze Celtic Arrowhead money – 4.17 g, Proto-coins from ancient Moesia, found in Pontic Olbia (Black Sea Olbia), trading with Sarmatians, circa 600-400 BC. Length: 36.5 mm; Weight: 4.17 g; Weight: 8.45 g (in the carton envelop); Weight of envelop: 4.28 g; Bronze Celtic Arrowhead money Proto-coins from ancient Moesia circa 600-400 BC. Used in the Eastern Danube region as currency before the introduction of coins. Provenance: New York, USA. From the collection of Franke Zollman, D. Min. For forty years Zollman has been using archaeology to help teach about the Bible and has become an expert in the cultural remains of the Bible peoples and their times. He has amassed a large library and collection of ancient artifacts to help illustrate his lecture series on archaeology and the Bible which are available on YouTube. The items offered here are mostly duplicates culled from his collection and described as to their place in the Biblical record and story. Each artifact has a story to tell. Zollman has participated in archaeological excavations in the United States and in Jordan- where he served as square supervisor. Hold history in your hands and connect with the people of the Bible!

Lot: 6F - 2 Bronze Celtic Arrowhead money-2.98 g, Proto-coins from ancient Moesia, found in Pontic Olbia (Black Sea Olbia), trading with Sarmatians, circa 600-400 BC.

Two Bronze Celtic Arrowhead money-2.98 g, Proto-coins from ancient Moesia, found in Pontic Olbia (Black Sea Olbia), trading with Sarmatians, circa 600-400 BC. Length: 23 mm and 22 mm; Weight of 2 arrowheads: 2.98 g; Weight: 7.26 g (in the carton envelop); Weight of envelop without coins: 4.28 g; Lot of 2 Bronze Celtic Arrowhead money Proto-coins from ancient Moesia, circa 600-400 BC. Used by Greeks and Celts in the Eastern Danube region as currency before the introduction of coins. Struck in Istros. PROVENANCE: New York, USA. From the collection of Franke Zollman, D. Min. For forty years Zollman has been using archaeology to help teach about the Bible and has become an expert in the cultural remains of the Bible peoples and their times. He has amassed a large library and collection of ancient artifacts to help illustrate his lecture series on archaeology and the Bible which are available on YouTube. The items offered here are mostly duplicates culled from his collection and described as to their place in the Biblical record and story. Each artifact has a story to tell. Zollman has participated in archaeological excavations in the United States and in Jordan- where he served as square supervisor. Hold history in your hands and connect with the people of the Bible!

Lot: 7G - Ancient Viking 7.90 g, thin rectangular iron arrowhead from Kievan Rus, 75 mm, 800 AD-1200 AD

Ancient Viking 7.90 g, thin rectangular iron arrowhead from Kievan Rus, 75 mm, 800 AD-1200 AD These thin arrowheads were ideal for penetrating armour, leather, and clothing. Arrowhead was found along the “Varangians to the Greeks” trade route, on the bank Dnieper River. Length: 75 mm = 7.5 cm; Weight: 7.90 g; Strong attraction to magnet. Provenance: private collection in Moscow; Condition: some genuine patina and stable rust, overall perfect condition; The “trade route from the Varangians to the Greeks” was a medieval trade route that connected Scandinavia, Kievan Rus' and the Eastern Roman Empire. The route allowed merchants along its length to establish a direct prosperous trade with the Empire, and prompted some of them to settle in the territories of present-day Belarus, Russia and Ukraine. The majority of the route comprised a long-distance waterway, including the Baltic Sea, several rivers flowing into the Baltic Sea, and rivers of the Dnieper river system, with portages on the drainage divides. An alternative route was along the Dniestr river with stops on the Western shore of Black Sea. These more specific sub-routes are sometimes referred to as the Dnieper trade route and Dniestr trade route, respectively. The route began in Scandinavian trading centers such as Birka, Hedeby, and Gotland, crossed the Baltic Sea, entered the Gulf of Finland, and followed the Neva River into Lake Ladoga. Then it followed the Volkhov River upstream past the towns of Staraya Ladoga and Velikiy Novgorod, crossed Lake Ilmen, and continued up the Lovat River, the Kunya River and possibly the Seryozha River [ru]. From there, a portage led to the Toropa River [ru] and downstream to the Western Dvina River. From the Western Dvina, the ships went upstream along the Kasplya River and were portaged again to the Katynka River (near Katyn), a tributary of the Dnieper. Along the Dnieper, the route crossed several major rapids and passed through Kiev. After entering the Black Sea, it followed its west coast to Constantinople.[1] The Varangian Guard (Greek: Τάγμα των Βαράγγων, Tágma tōn Varángōn) were a part of Byzantine Army and personal bodyguards of the Byzantine emperors from the 10th to the 14th centuries. Initially the guard was composed of Varangians who came from Kievan Rus'. Origin: Hello. Arrows were found in Ukraine (outskirts of the city of Kherson). Sergei

Lot: 7J - Rare European Medieval Viking, iron horse stirrup, Kievan Rus

Rare European Medieval Viking, iron horse stirrup, Kievan Rus Unique original artifact from Viking era, found in Ukraine, on the bank of river Dnieper. Height: 12.7 cm = 5 inches; Diameter (width) of the stirrup: 13.8 cm = 5.5 inches Weight: 209 g = 7.4 oz. Maximum width of the base: 3.9 cm = 1.5 inches Strong attraction to the magnet. Condition: natural reddish rust all over the body.

Lot: 8 - Dagestan dagger (Kubachi), silver mark 84, Niello silver, Imperial Russia, 1750-1917, very sharp.

Dagestan dagger (Kubachi), silver mark 84, Niello silver, Imperial Russia, 1750-1917, very sharp. Length of dagger in scabbard: 16 inches = 40 cm; Length of dagger: 15 inches = 38 cm; Length of blade: 10.75 inches = 276 cm; Bladder is extremely sharp. Silver mark 84 with female profile to the right. Provenance: brought by Russian immigrants from Russia after 1917 Reference: Kubachi is small ancient settlement in the republic of Dagestan, which is situated on the southern border of Russia, in the Caucasus mountains. The area is rich in silver which was mined since early Greek times, hence the art of silversmith was developed and perfected in Kubachi. Especially known in Kubachi silver work is the art of producing and decorating arms and armor. Kubachi artisans have created sword and daggers for Russian nobility as well as to foreign rulers and high standing personalities, Kubachi made arms and armor are exhibited in the major world museums. Kindjals made in Kubachi, Degastan are famous for their very decorative values and especially known for the rich gold and silver inlay work. Here is a classic example: Off centered fullered blade of diamond cross section, Steel grip and scabbard very richly inlaid with dense silver work. Khanjali (Abkhaz: Аҩҽы/Кама; Adyghe: къамэ; Avar: Ханжар; Azerbaijani: Qəmə/xəncər; Chechen: шаьлта; Dargin: ханжал, Georgian: ხანჯალი; Ingush: шалта; Lezgin: Гапур; Ossetian: Хъама)[1][2][3][4][5][6][7] also known as a kindjal, is a double-edged dagger used in the Caucasus.[8][9] The shape of the weapon is similar to that of the ancient Roman gladius, the Scottish dirk and the ancient Greek xiphos.[10][11] Inhabitants of Caucasus have used the Kindjal as a secondary weapon since the 18th century. Such daggers and their scabbards are often highly engraved with gold or silver designs, and sometimes include embedded gemstones. The scabbard will generally feature a ballpoint extension on the tip, and the handle is usually made of materials such as wood or ivory.

Lot: 8P - Dagestan, Northern Caucasian mountains, steel dagger with silver filigree scabbard, 1800-1900AD

Dagestan (Russian) steel dagger with silver filigree scabbard, 1800-1900AD. Circa 1800-1900 AD. A steel kindjal dagger. The dagger features a long double-edged steel blade with a prominent central ridge, adding strength and visual appeal to the weapon's design. The short handle of the kindjal is carefully shaped to ensure a comfortable and secure grip during combat or everyday use. Made of bone, the handle is riveted to the weapon, providing stability and durability. To protect the blade and facilitate ease of carrying, the kindjal comes with a black leather scabbard. The scabbard is designed to securely hold the dagger, featuring a pointed finial that adds a touch of elegance to its overall appearance. Kindjal daggers served multiple functions. Primarily used as a personal defense weapon, the kindjal was an essential tool for self-defense and combat. Its tapered shape and sturdy construction allowed for effective thrusting and slashing movements, making it suitable for close-quarter combat situations. Beyond its practical use, the kindjal also held symbolic value. It served as a status symbol, denoting the martial prowess and social standing of the individuals who possessed and wore such daggers. Kindjals were often intricately adorned with decorative elements, reflecting the artistic traditions and aesthetic preferences of the region. Length: 390 mm. Width: 40 mm ; Weight: 300 g; Provenance: Private English collection. Shipping details: We ship swords and daggers to USA, Canada, Australia, Hong Kong and some countries in Europe. We do not ship swords and daggers to Belgium, China, Russia and some other countries. Please, check restrictions customs clearance for your country, by yourself.

Lot: 9 - Pakistani artist Meher Raheem, 1970, Charcoal portrait of Old Man from Saudi Arabia

Pakistani artist Meher Raheem, 1970, Charcoal portrait of Old Man from Saudi Arabia Very lively portrait of Saudi old, wise, noble man, possibly from royal family. Size of the frame: 22.75 x 17.75 = 58 cm x 45 cm Weight: 4 lb. 2.6 oz. = 1 kg 896 g Charcoal drawing; Condition: the portrait preserved under glass, some aging spots on the paper. Provenance: Painted and then shipped from Saudi Arabia to Pakistan, then private collection in Clearwater, Florida, USA. https://picclick.com/MEHER-RAHEEM-Pakistani-drawing-Saudi-Arabia-1967-131885055598.html

Lot: 9A - Islamic Middle East sharp dagger #2 with wood and bone handle, 19th century

Islamic Middle East dagger with wood and bone handle, 19th century Beautiful antique dagger has a wooden handle with bone inlay that has designs and brass cuffs. The end of the handle has brass with designs on it. The scabbard is brass and has designs all around it, along with two rings for a handle. Length: 16 inches = 40.6 cm; Condition: good condition. Provenance: This dagger came from collector from Halifax, Massachusetts, USA. He spent several years Middle East and Morocco. He passed away in 2021. Shipping details: We ship swords and daggers to USA, Canada, Australia, Hong Kong and some countries in Europe. We do not ship swords to Belgium, China, Russia and some other countries. Please, check restrictions customs clearance for your country, by yourself.

Lot: 9B - Antique Jambiya dagger in leather sheath, Yemen, 1750-1900 AD

Antique Jambiya dagger in leather sheath, Yemen, 1750-1900 AD. Description: Jambiya dagger with a short curved blade and a medial ridge. Fine decorated scabbard with metal bands and stippled metal finial. Well known for their significant cultural symbol of heritage, honor, and status, particularly for men in Yemen, where it is traditionally worn as an accessory to their clothing. The double edged blade of the Jambiya is constructed of steel that in some cases is Damascus or wootz steel. The blade is stored in a sheath known as 'Asib (Arabic: العسيب), usually made of wood covered with metal, leather or cloth. Length in scabbard: 14 + 8 inches = 34 cm + 20 cm (because of the curve). Blade length: 8.5 inches = 21 cm; Weight: 1 lb. 0.5 oz. = 469 g. Weight 6. 2 oz., = 176 g. Blade: pretty sharp Damascus steel, but not like a blade, attracted to the magnet; Handle: wood or bone with 2 copper pins and plates. Scabbard: leather decorated with white metal, possibly silver (not attracted to magnet). Silver is not magnetic, not even with the strongest magnet. However, silver is diamagnetic. Condition Report: The blade and handle are in perfect condition. There is a dent to metal tip of scabbard, patina and wear commensurate with age and use. The leather of the scabbard is really old, leather attachment to the belt does not function any more. Request more information

Lot: 9C - Middle Eastern antique sharp dagger #4 with brass/copper scabbard, circa 1700-1900

Middle Eastern antique dagger #4 with brass/copper scabbard, circa 1700-1900. Gorgeous Middle Eastern dagger, curved with designs on the handle and sheath. Wooden handle has the design at the bottom of the handle are shaped like a half-circle and have similar floral designs and patterns. Sharp blade is curved show and some signs of use. Length are roughly 16 inches = 40.6 cm. Condition: used, but in excellent condition; Provenance: This dagger came from collector from Halifax, Massachusetts, USA. He spent several years Middle East and Morocco. He passed away in 2021. Shipping details: We ship swords and daggers to USA, Canada, Australia, Hong Kong and some countries in Europe. We do not ship swords and daggers to Belgium, China, Russia and some other countries. Please, check restrictions customs clearance for your country, by yourself.

Lot: 9E - Middle Eastern antique sharp dagger #6 with brass/copper scabbard, circa 1700-1900

Middle Eastern antique dagger #6 with brass/copper scabbard, circa 1700-1900; Authentic Middle Eastern dagger, curved with designs on the handle and sheath. Wooden handle has the design at the bottom of the handle are shaped like a half-circle and have similar floral designs and patterns. Sharp blade is curved show and some signs of use. Length are roughly 16 inches = 40 cm; Condition: used, but in excellent condition; Provenance: This dagger came from collector from Halifax, Massachusetts, USA. He spent several years Middle East and Morocco. He passed away in 2021. Shipping details: We ship swords and daggers to USA, Canada, Australia, Hong Kong and some countries in Europe. We do not ship swords to Belgium, China, Russia and some other countries. Please, check restrictions customs clearance for your country, by yourself.

Lot: 9F - Islamic Yemeni antique small dagger Jambiya Khanjar with a scabbard, silver plated

Islamic Yemeni antique small dagger Jambiya Khanjar with a scabbard, silver plated; Total length of the dagger; 23.3 cm; Total length of dagger in scabbard: 25 cm; Weight of dagger: 81.72 g Weight of dagger + scabbard: 120.14 g; Blade and handle are attracted to the magnet. Scabbard is not attracted to the magnet, so it is possible that scabbard is a solid silver.

Lot: 9G - Vintage, 35.5 cm stainless steel dagger with a scabbard, decorated with lions

Vintage, 35.5 cm stainless steel dagger with a scabbard, decorated with lions; Total length of the dagger; 35.5 cm = 13.75 inches; Total length of dagger in scabbard: 36.8 cm = 14.25 inches; Weight of dagger: 337 g = 11.9 oz. Weight of dagger + scabbard: 639 g = 1 lb. 6.5 oz. Blade is attracted to the magnet. Scabbard and handle are not attracted to the magnet. Condition: the handle has an open end; Provenance: private collection in Clearwater, FL, USA.

Lot: 9H - Antique hunting double edged dagger, India or Pakistan, 1900-1950?

Antique hunting double edged dagger, India or Pakistan, 1900-1950? Blade is sharp, made of steel, attracted to magnet; Handle: wooden; Guard and pommel: brass; There is one brass ring on the wooden handle. Length: 43.3 cm = 17 inches; Blade 29.4 cm = 11.62 inches; Weight: 537 g = 1 lb. 2.9 oz. Condition: there is some rust on the blade; Provenance: private collection of museum curator in St Petersburg, FL, USA.

Lot: 10 - Pair of antique Islamic bronze stirrups with Kufic ornament, 1100-1200AD

Pair of antique Islamic bronze stirrups with Kufic ornament, 1100-1200 AD; Height of each: 109 mm; Width of each: 97 mm; Weight: 107.11 g + 107.16 g = 214.27 g; Condition: Natural aging of the bronze, original patina, no restorations;

Lot: 11A - Mughal Dynasty, Mohammed Akbar the Great (1542-1605), Heavy Islamic Coin, Arabic Writing, 13.85 g

Mughal Dynasty, Mohammed Akbar the Great (1542-1605), Heavy Islamic Coin, Arabic Writing, 13.85 g Diameter: 20 mm; Thickness: 5 mm; Weight: 13.85 g; Abu'l-Fath Jalal-ud-din Muhammad Akbar[8] (25 October 1542[a] – 27 October 1605),[11][12][13] popularly known as Akbar the Great[14], and also as Akbar I,[15] was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his

Lot: 11B - Mughal Dynasty, Mohammed Akbar the Great (1542-1605AD), Heavy Islamic Coin, Arabic Writing, 14.45 g

Mughal Dynasty, Mohammed Akbar the Great (1542-1605AD), Heavy Islamic Coin, Arabic Writing, 14.45 g Diameter: 19 g; Thickness: 7 mm; Weight: 14.45 g; Provenance: private collection in Texas; Abu'l-Fath Jalal-ud-din Muhammad Akbar[8] (25 October 1542[a] – 27 October 1605),[11][12][13] popularly known as Akbar the Great[14] and also as Akbar I,[15] was the third Mughal emperor, who reigned

Lot: 11C - Mughal Dynasty, Mohammed Akbar the Great, Heavy Islamic Coin, Arabic Writing

Mughal Dynasty, Mohammed Akbar the Great, Heavy Islamic Coin, Arabic Writing; Diameter: 19 mm; Thickness: 7 mm Weight: 16.84-2.28 =14.56 g Provenance: private collection in Texas; Abu'l-Fath Jalal-ud-din Muhammad Akbar[8] (25 October 1542[a] – 27 October 1605),[11][12][13] popularly known as Akbar the Great[14] and also as Akbar I,[15] was the third Mughal emperor, who reigned from 1556 to

Lot: 11D - 14.4 g, Mughal Dynasty, Mohammed Akbar the Great (1542-1605), Heavy Islamic Coin, Arabic Writing,

14.4 g, Mughal Dynasty, Mohammed Akbar the Great (1542-1605), Heavy Islamic Coin, Arabic Writing, Diameter: 16 mm; Thickness: 5 mm; Weight: 14.4 g; Abu'l-Fath Jalal-ud-din Muhammad Akbar[8] (25 October 1542[a] – 27 October 1605),[11][12][13] popularly known as Akbar the Great[14], and also as Akbar I,[15] was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his

Lot: 11E - 14.41 g, Mughal Dynasty, Mohammed Akbar the Great (1542-1605), Heavy Islamic Coin, Arabic Writing

14.41 g, Mughal Dynasty, Mohammed Akbar the Great (1542-1605), Heavy Islamic Coin, Arabic Writing Diameter: 18 mm; Thickness: 5 mm; Weight: 14.41 g; Abu'l-Fath Jalal-ud-din Muhammad Akbar[8] (25 October 1542[a] – 27 October 1605),[11][12][13] popularly known as Akbar the Great[14], and also as Akbar I,[15] was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his

Lot: 11F - 14.43 g, Mughal Dynasty, Mohammed Akbar the Great (1542-1605), Heavy Islamic Coin, Arabic Writing.

14.43 g, Mughal Dynasty, Mohammed Akbar the Great (1542-1605), Heavy Islamic Coin, Arabic Writing. Diameter: 19 mm; Thickness: 5 mm; Weight: 14.43 g; Abu'l-Fath Jalal-ud-din Muhammad Akbar[8] (25 October 1542[a] – 27 October 1605),[11][12][13] popularly known as Akbar the Great[14], and also as Akbar I,[15] was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his

Lot: 11G - 14.52 g, Mughal Dynasty, Mohammed Akbar the Great (1542-1605), Heavy Islamic Coin, Arabic Writing

14.52 g, Mughal Dynasty, Mohammed Akbar the Great (1542-1605), Heavy Islamic Coin, Arabic Writing Diameter: 20 mm; Thickness: 5 mm; Weight: 14.52 g; Abu'l-Fath Jalal-ud-din Muhammad Akbar[8] (25 October 1542[a] – 27 October 1605),[11][12][13] popularly known as Akbar the Great[14], and also as Akbar I,[15] was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his

Lot: 11H - 18.98 g, Mughal Dynasty, Mohammed Akbar the Great (1542-1605), Heavy Islamic Coin, Arabic Writing

18.98 g, Mughal Dynasty, Mohammed Akbar the Great (1542-1605), Heavy Islamic Coin, Arabic Writing Diameter: 21 mm; Thickness: 5 mm; Weight: 18.98 g; Abu'l-Fath Jalal-ud-din Muhammad Akbar[8] (25 October 1542[a] – 27 October 1605),[11][12][13] popularly known as Akbar the Great[14], and also as Akbar I,[15] was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his

Lot: 11I - 21.25 g, Mughal Dynasty, Mohammed Akbar the Great (1542-1605), Heavy Islamic Coin, Arabic Writing,

21.25 g, Mughal Dynasty, Mohammed Akbar the Great (1542-1605), Heavy Islamic Coin, Arabic Writing, Diameter: 20 mm; Thickness: 5 mm; Weight: 21.25 g; Abu'l-Fath Jalal-ud-din Muhammad Akbar[8] (25 October 1542[a] – 27 October 1605),[11][12][13] popularly known as Akbar the Great[14], and also as Akbar I,[15] was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his

Lot: 11J - 4.41 g, Antique bronze Islamic Coin, Arabic Writing

4.41 g, Antique bronze Islamic Coin, Arabic Writing. Diameter: 17 mm; Thickness: 5 mm; Weight: 4.41 g;

Lot: 13 - Mysterious, genuine, Islamic glazed bowl (oil lamp?), 1300-1400 AD

Mysterious, genuine, Islamic glazed bowl, 1300-1400 AD. The inside shape is very unusual - with partial, not symmetrical, inclined surface, which was glazed with colorful ornaments.Possible purposes of the bowl:1) Water drop or brush washer for the artist. 2) Religious vessel. 3) Cosmetic bowl for women. 4) Extraterrestrial origin. Diameter: 9 cm = 3.5 inches. Height: 2 cm = 0.7 inches. Weight: 109 g. Condition: Glaze is partially lost, bottom was not glazed, 100% authentic. Origin: Middle East (Afghanistan?); Low Estimate: 1500; High Estimate: 3000; Condition: Good to Very Good; Original: Yes; Circa: 1350;

Lot: 15 - Islamic bronze mirror, Two sphinxes with scorpion tails, Kufic inscriptions around, 500-1200AD

Islamic bronze mirror, Two sphinxes with scorpion tails, Kufic inscriptions around, 500-1200AD; Weight: 302.80 g = 10.7 oz. Diameter 11.4 cm; Condition: old natural patina all over; Language: Kufic language; This cast, round mirror is decorated with relief. Carved on the back of the mirror is pair of sphinxes with scorpion tails, surrounded by floral ornament. A kufic inscription around the rim

Lot: 16 - Islamic bronze mirror, Kufic inscriptions, two sphinxes with scorpio tails, 500-1200 AD

Antique early Islamic bronze mirror, Eastern Anatolia, 500 AD-1200 AD. Antique early Islamic bronze mirror with 2 symmetrical sphinxes and inscriptions around Weight: 8 oz. = 220 g; Diameter: 4.25 inches = 10.6 cm = 106 mm; Knob: 7 mm with hole, open all the way through; Provenance: Ex Gibbons collection by inheritance in UK; acquired before 1990; Condition: old natural patina all over; Language: Kufic language; References: http://www.antiques.com/classified/1065041/Antique-Seljuk-Bronze-Mirror---FZ-289; $6,000; Seljuk Bronze Mirror - FZ.289, Origin: Central Asia, Circa: 11 th Century AD to 12 th Century AD, Dimensions: 4.375" (11.1cm) high, Collection: Islamic Art, Style: Seljuk, Medium: Bronze. In the 9th century, hordes of nomadic Turkic horseman living on the outskirts of the Muslim world began to migrate westward into the heart of Central Asia. By the 10 century, a branch known as the House of Seljuk had broken off from the Oghuz confederation of Turkomen tribesmen, arrived into mainland Persia, and settled in the province of Khurasan. Overtime, the Seljuks converted to Islam and began to adopt the Persian language and culture. In the 11th century, the Seljuks set up an independent state under their leader Tugrul Bey with its capital in Isfahan, initially under the auspices of the Abbasid Caliph in Baghdad. The arts thrived during the Seljuk period as the Turkic rulers patronized Persian culture, arts, and literature. Condition old natural patina and some wear all over; no defects. Low Estimate: 8000; High Estimate: 15000; Original: Yes;

Lot: 17A - Middle East bronze mirror, 500 BC - 500AD, 6.5 cm

Middle East bronze mirror, 500 BC - 500AD, Diameter: 63 mm = 2.5 inches; Weight: 65.78g; Small knob in the center, without hole; Mirror surface is slightly convex (bulging outside): Condition: genuine, patina and oxidation all over, no restorations, no defects;

Lot: 18A - Genuine Islamic bronze mirror 73 mm, circa 900-1100 AD

Genuine Islamic bronze mirror circa 900-1100 AD; Mirror surface has a pronounced convex shape in order to catch and reflect as much space as possible. The reverse surface has pronounced concave shape with 4 concentric bands of different meander ornaments. The knob is not complete and we don’t know for sure was it an original design or it was broken later. Condition: The outer edge is broken at 20 mm long. Possibly it was spot, connected to the handle. The item is in fine condition 100% authentic, no restoration. Diameter: 7.3 cm = 73 mm; Weight: 44.33 g; Origin: Pakistan (?). You'll get the same item as it is showing in the photos.

Lot: 18C - Genuine Islamic Middle Eastern bronze mirror, circa 900-1100 AD

Genuine Islamic Middle Eastern bronze mirror, circa 900-1100 AD; Mirror surface is flat. The reverse surface is also flat with 4 concentric bands of different meander ornaments. Small knob is complete; Condition: mostly reddish patina with green islands. The item is in fine condition 100% authentic no restoration. Diameter: 7.4 cm = 74 mm; Weight: 53.94 g; Origin: Afghanistan. You'll get the same item as it is showing in the photos.

Lot: 18D - Islamic bronze mirror with Kufic script (?), 74 mm, 700-800 AD;

Islamic bronze mirror with Kufic script (?), 74 mm, 700-800 AD; Kufic scriptures in outer and inner circles; Diameter: 74 mm; Weight: 64.20 g; Mirror surface is flat; Knob has a full arc without interruption and without hole; Condition: normal aging, with authentic patina, no restorations, no defects Origin: Afghanistan (?) Kufic is the oldest calligraphic form of the various Arabic scripts and consists of a modified form of the old Nabataean script. Kufic developed around the end of the 7th century in Kufa, Iraq, from which it takes its name, and other centers.[1] Until about the 11th century it was the main script used to copy Qur'ans.[1] Professional copyists employed a particular form of kufic for reproducing the earliest surviving copies of the Qur'an, which were written on parchment and date from the 8th to 10th centuries.

Lot: 18E - Genuine Islamic bronze mirror, 67 mm, circa 800-1100 AD, Afghanistan

Genuine Islamic bronze mirror, 67 mm, circa 800-1100 AD, Afghanistan Mirror surface has a flat shape. Mirror surface is covered with thick genuine multicolored patina The reverse surface has flat shape with raised edges. There is two concentric circle in the middle, two concentric lines at the periphery and many radial lines, like sun beams, between them. Between radial lines we can see Islamic decoration pattern. More research is needed to solve the enigma. The knob is not complete and we don’t know for sure was it an original design or it was broken later. Condition: The item is in fine condition, 100% authentic no restoration. Mirror is covered with thick brown-greenish genuine patina on both sides. 2 mm hole Diameter: 6.7 cm = 67 mm; Weight: 54.86 g; Origin: Afghanistan.

Lot: 18F - Genuine Islamic bronze mirror, 75 mm, circa 800AD-1200AD, Afghanistan

Genuine Islamic bronze mirror, 75 mm, circa 800AD-1200AD, Afghanistan; Mirror surface has a flat shape. Mirror surface is covered with thick genuine multicolored patina The reverse surface has flat shape with raised edges. There are 4 concentric circles at the periphery and 6 small circles in the middle with Islamic decoration pattern. More research is needed to solve the enigma. The massive knob is complete and partially filled with rust. Condition: The item is in fine condition, 100% authentic no restoration. Mirror is covered with thick brown-greenish genuine patina on both sides. Diameter: 7.5 cm = 75 mm; Weight: 71.34 g; Origin: Afghanistan. Age: the real age could be much earlier, pre-Islamic, circa 1000 BC

Lot: 19A - Ancient Bactrian bronze mirror 73 mm, circa 300-200 BC,

Ancient Bactrian bronze mirror 73 mm, circa 300-200 BC, Diameter: 2.8 in. = 73 mm = 7.3 cm; Weight: 125.68g Condition: genuine patina all over, the handle is broken, no restoration Authenticity report: 100% authentic;

Lot: 19B - Genuine Islamic bronze/silver mirror, Sun beams design, circa 1000-1100 AD

Genuine Islamic bronze mirror, Sun beams design, circa 1000-1100 AD Mirror surface has a convex shape in order to catch and reflect as much space as possible. Mirror surface, fortunately, preserved most of its original reflective lust and you can see partially your reflection in the mirror. The reverse surface has concave shape with 5 concentric lines/bands in the middle and many radial lines, like sun beams, in the outer area. The knob is absent and we don’t know for sure was it an original design or it was broken later. Condition: The item is in fine condition, 100% authentic no restoration. There are islands of genuine green patina. There is a small hole 5 x 5 mm near the edge Diameter: 10.4 cm = 104 mm; Weight: 112.68 g; Origin: Pakistan or Afghanistan. You'll get the same item as it is showing in the photos.

Lot: 19C - Islamic bronze mirror, 800-1200 AD

Plain Islamic bronze mirror, 800-1200 AD; Diameter: 94 mm = 3.65 inches; Weight: 84.89 g; Mirror surface: slightly convex;

Lot: 19D - Antique Bactrian Middle Eastern bronze mirror with 5 knobs, 200 BC-100 AD

Antique Bactrian Middle Eastern bronze mirror with 5 knobs, 200 BC-100 AD; The central knob is the biggest and it is filled with rust and oxidation. Diameter: 84 mm = 8.4 cm. Weight: 62.59 g. Condition: thick patina all over, no defects. Provenance: found in Afghanistan, private collection in Florida, USA

Lot: 19E - Antique Middle Eastern Bactrian bronze mirror with 2 snakes, 200 BC-100 AD

Antique Middle Eastern Bactrian bronze mirror with 2 snakes, 200 BC-100 AD. There are 2 shakes chasing each other and biting the tail of another snake. Research is not finished yet Diameter: 84 mm = 8.4 cm; Weight: 65.59 g; Central knob: small with preserved hole inside; Condition: thick patina all over, no defects. Provenance: found in Afghanistan, - private collection in Florida, USA

Lot: 19F - Convex Chinese TLV Bronze mirror found in Afghanistan, W. Han dynasty 206BC-9AD

Convex Chinese TLV Bronze mirror found in Afghanistan, W. Han dynasty 206 BC-9 AD; This mirror was brought from China to Bactria through the Silk Way. Outer circle: Saw tooth design; Inner circle: TLV mixing with flowers; Diameter: 80 mm = 8 cm; Weight: 66.31 g; Condition: authentic patina, the knob is high and has a hole through it. Age: Western Han Dynasty, 206 BC-9AD

Lot: 20 - Antique Islamic copper silver flask, with Arabic inscriptions, 1320-1321 (Hijri)

Antique Islamic copper silver flask, with Arabic inscriptions, 1320-1321 (Hijri); Height: 21 cm; Width 8.7 cm; Weight: 324 g; Condition: used, but no defects; Provenance: Sarasota, Florida - Estate collection; Year made: The Hijri date 1/6/1321 corresponds to the Gregorian date of Sunday, August 23, 1903. The Hijri year (Arabic: سَنة هِجْريّة) or era (التقويم الهجري at-taqwīm al-hijrī) is the era used in the Islamic lunar calendar. It begins its count from the Islamic New Year in which Muhammad and his followers migrated from Mecca to Yathrib (now Medina). This event, known as the Hijrah, is commemorated in Islam for its role in the founding of the first Muslim community (ummah). In the West, this era is most commonly denoted as AH (Latin: Anno Hegirae /ˈænoʊ ˈhɛdʒɪriː/, 'in the year of the Hijra') in parallel with the Christian (AD), Common (CE) and Jewish eras (AM) and can similarly be placed before or after the date. In predominantly Muslim countries, it is also commonly abbreviated H ("Hijra") from its Arabic abbreviation hāʾ (هـ). Years prior to AH 1 are reckoned in English as BH ("Before the Hijrah"), which should follow the date.[1] A year in the Islamic lunar calendar consists of twelve lunar months and has only 354 or 355 days in its year. Consequently its New Year's Day occurs ten days earlier each year relative to the Gregorian calendar. The year 2023 CE corresponds to the Islamic years AH 1444 – 1445; AH 1444 corresponds to 2022 – 2023 in the Common Era.[a]

Lot: 20A - Antique Persian Islamic polychrome painted ceramic vase with three figures, Qajar Empire (1789-1925)

Antique Persian polychrome painted ceramic vase with three figures, Qajar Empire (1789-1925). Antique Persian Polychrome Painted Ceramic Vase – as is. Polychrome painted Persian vase with figural and foliate decoration. There are 3 figures: a praying man (mullah?), one sitting woman holding a bird and another sitting woman, playing tambourine. Condition: Superficial stable crack at base. Loss on rim of foot. Size: 12 x 9 in. Weight: 5 lb. 6 oz. = 2 kg 435 g; Provenance: private collection in Sarasota, FL. Microscopic research x50 magnification showed gas microbubbles in the glaze, which is a prove of several hundred years old firing technique (see microscopic photos #15 - #21). The Qajar dynasty (Persian: دودمان قاجار, romanized: Dudemâne Ǧâjâr; 1789–1925) [a] was an Iranian [1] royal dynasty founded by Mohammad Khan (r. 1789–1797) of the Qoyunlu clan of the Turkoman [2] Qajar tribe. The dynasty's effective rule in Iran ended in 1925 when Iran's Majlis, convening as a constituent assembly on 12 December 1925, declared Reza Shah, a former brigadier-general of the Persian Cossack Brigade, as the new shah of Pahlavi Iran. Other auctions: 1st dibs - Antique Persian Qajar Dynasty Bottle Vase, 19th Century - $1,925 https://www.1stdibs.com/furniture/decorative-objects/vases-vessels/vases/antique-persian-qajar-dynasty-bottle-vase-19th-century/id-f_41816032/?gad_source=1&gad_campaignid=13519109261&gbraid=0AAAAADhpJtWk-a2gz-BVD_HBZT2c-QWnN&gclid=CjwKCAjwsZPDBhBWEiwADuO6y1fSp0at7EWiopq2vOtgueLnbBHmefKLZ98CdyjZJqFudZCVoTQvHhoCVf8QAvD_BwE&gclsrc=aw.ds

Lot: 21 - Bronze Age mirror with Griffin, Achaemenid Persian Empire, 550 BC -330BC

Bronze Age mirror with Griffin, Achaemenid Persian Empire, 550 BC -330BC Diameter: 9 cm x 8.3 cm = 3.5 inches x 3.25 inches Weight: 69.57 g Condition: the mirror is worn, genuine patina, 2 small stable cracks: 7 mm and 11 mm long; Provenance: found in Bajaur Valley in Pakistan; Origin: Achaemenid Persian Empire, 550 BC -330BC; The Achaemenids considered the griffin "a protector from evil,

Lot: 22A - Ancient Mesopotamian carved bone God (8.25 cm), circa 3000 BC.

Ancient Mesopotamian carved bone God (8.25 cm), circa 3000 BC. Ancient Mesopotamian carved bone God idol, circa 3000 BC. Height: 3.25 inches = 8.25 cm + stand. Rare carved bone seated God idol, with big thighs, seated on a throne. Provenance: Ex Robert Haber Ancient Art NYC. Robert Habera’s interest in archaeology and antiquities came about while studying in Jerusalem. While working on an

Lot: 23 - Authentic Medieval carved stone oil lamp, Afghanistan, ca 1000 AD

Authentic antique carved stone oil lamp from Afghanistan, middle ages. Weight: 4 lb. 6 oz. = 2 kg. Diameter: 9 inches = 23 cm. Material: hard stone- marble or alabaster.  Age: Presumably, it was carved several hundred years ago, as an oil lamp without hanging hook. Around 100-150 years later it was broken and fixed, by skillful artisan, with wires; and the new hook was attached to prevent another fall. Condition: Well preserved for the age. There is a repaired crack 20 cm long. The crack was repaired long time ago (several hundred years ago). Presumably, it was carved several hundred years ago, as an oil lamp without hanging hook. Around 100-150 years later it was broken and fixed, by skillful artisan, with wires; and the new hook was attached to prevent another fall. Low Estimate: 2000; High Estimate: 5000; Original: Yes; Circa: 1000 AD;

Lot: 23D - Genuine antique iron body guard -Dou (胴) of Samurai’s armor o-Yoroi, Edo period (1603-1868)

Genuine antique iron body guard -Dou (胴) of Samurai’s armor o-Yoroi, Edo period (1603-1868). Dō or dou (胴) "breastplate, cuirass" is one of the major components of Japanese armour worn by the samurai and ashigaru or foot soldiers of feudal Japan. The ō-yoroi (大鎧) is a prominent example of early Japanese armor worn by the samurai class of feudal Japan.

Lot: 23I - Genuine antique iron Japanese sword guard TSUBA w/signature & gold inlaid mark, Edo period, circa 1600-1700 AD

Genuine antique iron Japanese sword guard TSUBA w/signature & gold inlaid mark, Edo period, circa 1600-1700 AD. Tasteful, high quality old iron tsuba, with running signature and gold inlaid mark, made by a great master. SIZE: 59 x 55 mm; Weight: 2.82 oz. = 80 g; CONDITION: Good considering the age of 200-300 years. AGE: Over 200 years ago, in the middle Edo Period. Authenticity: Genuine antique, NOT a reproduction. MATERIAL: Iron, gold; TYPE: Sword guard TSUBA suitable for a middle length sword WAKIZASHI Provenance: Private collection in Japan.

Lot: 23L - Japanese genuine antique iron TSUBA for samurai katana sword in wooden Box

Japanese genuine antique iron TSUBA samurai for Katana Sword in Wooden Box. About this item: TSUBA(Guard) is one of the parts of the samurai sword. TSUBA is placed between the TSUKA(Handle) and the blade of the sword to protect the hand that grips the TSUKA. This item is a set of TSUBA and a wooden box. The body of the samurai sword is not included. This pattern is called RAIMON and represents lightning. In ancient times, it was believed that lightning brought rain as a blessing from heaven, symbolizing the rain bringing blessings to all living things. Additionally, since RAIMON is often used continuously, it is also an auspicious pattern that means continuous longevity. Condition: used, strongly attracted to the magnet ・Weight: 136 g; Size: 71 mm×67 mm×4 mm; ・Wooden Box Weight: 64 g; Size:120 mm×112 mm ×30 mm; Provenance: trusted collector from Japan

Lot: 23N - Japanese genuine antique iron TSUBA for Samurai sword katana with vine pattern KARAKUSA

Japanese genuine antique iron TSUBA for Samurai sword katana with vine pattern KARAKUSA The front side features a vine pattern called KARAKUSA. Because it is strongly vital and extends vines without interruption, it has meanings such as "prosperity" and "longevity," making it an auspicious pattern. The back side has two dragons. About this item: TSUBA (Guard) is one of the parts of the samurai sword. TSUBA is placed between the TSUKA (handle) and the blade of the sword to protect the hand that grips the TSUKA. The body of the samurai sword is not included. Condition: used, strongly attracted to the magnet; Weight: 96 g; Size: 66 mm × 61 mm × 4 mm; Provenance: private collection of trusted Japanese collector.

Lot: 24 - Genuine Early Islamic bronze spoon; great patina

Genuine Early Islamic bronze spoon; great patina. Weight: 16.59 g; Length: 2.75 in. = 72 mm; Authenticity report: genuine, thick patina all over, the curvature of the spoon is flattened, probably, because of intensive usage. Condition: genuine, thick patina all over, the curvature of the spoon is flattened, probably, because of intensive usage. Low Estimate: 700; High Estimate: 1500; Original: Yes; Circa: 800 AD;

Lot: 25 - Scythian (Chinese?) open work bronze plaque with 2 deer, circa 900-400 BC

Scythian open work bronze plaque with 2 deer, circa 900-400 BC; Description: ancient Scythian bronze applique with two stags circa 900-400 BC. Diameter: 64 mm = 6.4 cm = 2.5 inches. Weight: 57.55 g Provenance: Ex NYC collection, acquired in 1980s. Scythians The Scythians (/?s??i.?n/ or /?s?ði.?n/; from Greek ??????, ??????), also known as Scyth, Saka, Sakae, Sacae, Sai, Iskuzai, or Askuzai,

Lot: 25A - Ancient Greece, large terracotta statue of woman, Boeotia or Megaris, 700-400 BC

Ancient Greece, large terracotta statue of woman, Boeotia or Megaris 700-400 BC. Large terracotta woman statue, stands on a lsquare base, with voluminous hair, wearing chiton. Himation and peplum. The peplum (from Latin peplum , in turn from Greek πέπλος) is an ancient Greek tunic worn by Greek women . The himation ( Ancient Greek : ἱμάτιον, himátion ) was a clothing item from Ancient Greece . It was a wide and enveloping cloak, a kind of shawl . It was worn on one's own body or more usually on top of a chiton . Intact, with remains of white dressing and red pigment in the hair. From a prominent New York City collection. There is a square empty space inside and at the back of the statue, possibly for votive or praying purposes. Size: 3 1/8 x 3 x 10 5/8 in. = 33.33 cm x 7.62 cm x 27 cm; Provenance: private collection in Sarasota, FL, USA. Reference: In Boeotia (Greece) terracotta figures of this type from the Greek period were used both as offerings in temples and sanctuaries and in funerary offerings. The earliest Greek sculptures (9th century BC) were small human figures made of malleable materials such as clay, ivory or wax. It was not until the Archaic period (7th and 6th centuries BC) that the Greeks began to work with stone, although other materials were preserved, mainly ceramics due to the rise of this industry, for small pieces intended to serve as offerings in temples or as part of funerary offerings. These types of pieces were modelled in clay and decorated with white or black engobes (coloured liquid clay), which were then fired in the kiln. The most common theme was the human figure, not so much divinities as in the large pieces, but characters from everyday life, as in the case of this statuette. Reference: Megaris (Ancient Greek: Μεγαρίς) was a small but populous state of ancient Greece, west of Attica and north of Corinthia, whose inhabitants were adventurous seafarers, credited with deceitful propensities. The capital, Megara, was famous for white marble and fine clay. Mount Geraneia dominated the center of the region. The island of Salamis was originally under the control of Megara, before it was lost to Athens in the late 7th century BCE.

Lot: 25B - Ancient Greek terracotta God idol, circa 700-400 BC

Ancient Greek terracotta God idol, circa 700-400 BC. Height: 4 3/8 inches = 11.11 cm. Unusual terracotta god idol, made with separate head. The body has original painted decoration. The body of the idol is original ancient, but the head is a later match. Provenance: Ex Robert Haber, Ancient Art New York City gallery. Robert Habera’s interest in archaeology and antiquities came about while studying in Jerusalem. While working on an excavation, he discovered the practical world of archaeological conservation, and was immediately enthralled with the field. In pursuit of a career in the conservation of antiquities, Mr. Haber was awarded an apprenticeship at the Israel Museum and was later hired by the restoration department. He went on to study at the University College London as a Kress Fellow under Prof. Henry Hodges and received a Diploma in the Conservation of Ancient Materials. Condition report: chips and insignificant losses as seen. Reference: Ancient Greece (Greek: Ἑλλάς, romanized: Hellás) was a northeastern Mediterranean civilization, existing from the Greek Dark Ages of the 12th–9th centuries BC to the end of classical antiquity (c. 600 AD), that comprised a loose collection of culturally and linguistically related city-states and other territories. Most of these regions were officially unified only once, for 13 years, under Alexander the Great's empire from 336 to 323 BC.[a]

Lot: 25J - Flint Simpson mustache arrowhead point Neolithic or Paleolithic, Native American, 82 mm

A masterpiece Neolithic/Paleolithic tool, which can be used as a knife, scraper, chopper, hand-axe, arrow head, spear head, etc. Length: 82 mm; Weight: 20.64 g; Mohs’ hardness: 9.0-9.5; Origin: North America, Florida; private collection in USA Flint was one of the most important materials in the Stone Age, used by people everywhere around the world. This raises at least one obvious

Lot: 25K - Multi-functional flint Neolithic or Paleolithic arrowhead point, 88 mm

A masterpiece Neolithic tool, which can be used as a knife, scraper, chopper, hand-axe, arrow head, spear head, etc. Length: 88 mm; Width: 20 mm; Weight: 11.46 g; Mohs’ hardness: 9.0-9.5; Flint was one of the most important materials in the Stone Age, used by people everywhere around the world. This raises at least one obvious question: why? What makes flint so special? Flint is a unique kind of rock. Like other forms of quartz, it's very hard and very durable. That's useful. After all, for all the effort it would take a nomadic people to create their tools, you don't want to waste resources or time. So, why not just use quartz? As a microcrystalline variety of quartz, flint has a unique molecular structure. There's a lot of science that we don't really need to discuss here, but what matters is that when you strike flint in just the right way, it breaks into uniform flakes with a very sharp edge. This is what made flint so valuable to ancient people. It was hard enough to be used time and again, but was also workable. They knew that if they took a large piece of flint and hit it with another rock or bone, it would break in predictable and controllable ways. Other kinds of rock would just shatter or splinter, making them impossible to craft into a useable tool. Flint is one of the best stones there is for creating a reliable tool, particularly if you need one with a sharp edge, and ancient people around the world discovered that. https://study.com/academy/lesson/stone-age-flint-tools.html Flint is a sedimentary cryptocrystalline form of the mineral quartz,[1][2] categorized as the variety of chert that occurs in chalk or marly limestone. Flint was widely used historically to make stone tools and start fires. It occurs chiefly as nodules and masses in sedimentary rocks, such as chalks and limestones.[3][4] Inside the nodule, flint is usually dark grey, black, green, white or brown in colour, and often has a glassy or waxy appearance. A thin layer on the outside of the nodules is usually different in colour, typically white and rough in texture. The nodules can often be found along streams and beaches. Flint breaks and chips into sharp-edged pieces, making it useful for knife blades and other cutting tools. The use of flint to make stone tools dates back millions of years, and flint's extreme durability has made it possible to accurately date its use over this time. Flint is one of the primary materials used to define the Stone Age. During the Stone Age, access to flint was so important for survival that people would travel or trade to obtain flint. Flint Ridge in Ohio was an important source of flint and Native Americans extracted the flint from hundreds of quarries along the ridge. This "Ohio Flint" was traded across the eastern United States and has been found as far west as the Rocky Mountains and south around the Gulf of Mexico.[5]

Lot: 25O - Mesoamerican Neolithic carved stone Jaguar or Cougar/Puma

Mesoamerican Neolithic carved stone Jaguar or Cougar/Puma Length: 5 inches = 12 cm; Weight: 10.6 oz. = 299 g; Moh’s hardness: 2.5; Provenance: private collection in USA

Lot: 25S - Lower Paleolithic: Acheulean ~1.6 million to 200,000 years ago, human tool – chert cleaver, from W. Europe

Size: 87 mm x 39 mm x 20 mm; Weight: 74.83 g; Mohs hardness: 9.5-10.0; Material: Chert; Found on the territory of the Nature Park Altmühltal, covering 3,000 square kilometers at the heart of Bavaria, is one of Germany's largest nature parks. Chert is a hard, fine-grained sedimentary rock composed of crystals of quartz (silica) that are very small. In prehistoric times, chert was often used as

Lot: 26 - A set of 18 Neolithic flint Arrowheads points + Slate Spade, from Seminole County, Georgia

A set of 18 Neolithic flint Arrowheads points + Slate Spade, from Seminole County, Georgia; Provenance: These arrowheads were found in 1960’s in Seminole County, Georgia, USA. A slate spade was found in 1960’s in Hampton County, South Carolina, USA. Collection was put together and framed in 1960’s, sold to antique dealer in 1990s, bought in 2020 from antique dealer in St

Lot: 26A - Facts and fundamentals of JAPANESE SWORDS a collector’s guide, by Nobuo Nakahara, 2010-2016

Facts and fundamentals of JAPANESE SWORDS a collector’s guide, by Nobuo Nakahara, 2010-2016; Facts and Fundamentals of Japanese Swords is a practical, comprehensive volume that offers information, along with 300 photos and illustrations, enabling collectors to evaluate the veracity and quality of swords that they are considering acquiring or already have in their collections. The book is divided into three sections: An Overview of the Japanese Sword, The Forged Sword, and Consequences of Modification and Wear. Each section provides very specific, useful lessons by the author that serve as virtual hands-on experiences. With easily understandable examples, the author precisely instructs readers on how to discern and obtain a "healthy" blade, while avoiding fakes or potentially problematic blades. In addition, he shows not only the difference in styles and shapes of blades, but explains what the differences mean and how to interpret them from a buyer's/collector's point of view. Paul Martin, a Japanese sword researcher and curator, is a former member of the Department of Japanese Antiquities at the British Museum, London. He has translated the text, and drawn on his extensive experience and expertise in the field to adapt the author's theories and discussions, making them more accessible to Western readers. Condition: slightly used, almost new, the jacket has insignificant wrinkles at 2 corners, also there is a fixed tear (2 cm long) of the upper part of jacket • Publisher ‏ : ‎ Kodansha USA • Publication date ‏ : ‎ September 1, 2010 • Edition ‏ : ‎ 1st • Language ‏ : ‎ English • Print length ‏ : ‎ 192 pages • Item Weight ‏ : ‎ 1.65 pounds • Dimensions ‏ : ‎ 10.3 x 0.9 x 7.5 inches • Printed in South Korea. Market price online: $258 for used book, $1,176.71 - for new hardcover book on AbeBooks

Lot: 26F - 國 安 Kuniyasu, Edo or Shōji period (1199-1201), Naginata - samurai Watanabe Clan, Japanese sword

國 安 Kuniyasu, Edo or Shōji period (1199-1201), Naginata - samurai Watanabe Clan, Japanese sword; So far, we have two opinions: 1) This Naginata was made in EDO period for female warriors- onna-musha (女武者) from Samurai Watanabe clan, by 國 安 Kuniyasu Horikawa (1596-1624 AD); 2) Based on the signature, 國 安 Kuniyasu, this naginata

Lot: 26G - Minamoto no Yoritomo (1147-1199) "SAMURAI SHOGUN" Hand-Painted Vintage Japanese KAKEJIKU Scroll, by Tsubata Michihiko (津端道彦)

Minamoto no Yoritomo (1147-1199) "SAMURAI SHOGUN" Hand-Painted Vintage Japanese KAKEJIKU Scroll, by Tsubata Michihiko (津端道彦) The artist of this kakejiku (hanging scroll) is Tsubata Michihiko (津端道彦). He was born in 1868 and passed away in 1938. He was an artist who was active mainly in Japan and is known among collectors of Japanese paintings. The signature and the red seal both read “Michihiko (道彦).” Condition: used; Weight: 409 g; Size: 201×54.5 cm; Age: 1900-1950; Provenance: private collection in Hamamatsu, Japan. The man on the portrait is most likely Minamoto no Yoritomo (1147–1199), the first shogun of Japan who established the Kamakura shogunate. He is often depicted with a bow and arrows, symbolizing the martial spirit of the samurai. The reason his upper body looks large and his lower body small is due to a traditional Japanese painting style that emphasizes authority and dignity, rather than realistic proportions. Kamakura shogunate (1185–1333) Further information: Kamakura shogunate and Kamakura period

Lot: 26H - Artist: Keigetsu 渓月, Vintage Japanese KAKEJIKU Hanging Scroll – "SANSUI" Hand-Painted

Artist: Keigetsu 渓月, Vintage Japanese KAKEJIKU Hanging Scroll – "SANSUI" Hand-Painted, circa 1930-1960 Condition: used; Weight: 380 g; Size: 189 × 54.5 cm; Provenance: private collection in Hamamatsu, Japan. Hikuma, Chuo-ku Hamamatsu shi Shizuoka The artist's name is “Keigetsu (渓月).”

Lot: 26I - Artist: 虎堂 Kodo, Vintage Japanese KAKEJIKU Hanging Scroll "Mountain" Hand-Painted, Signed

Artist: 虎堂 Kodo, Vintage Japanese KAKEJIKU Hanging Scroll "Mountain" Hand-Painted, Signed Condition: used, but no defects, refer to the photos. Weight: 397 g; Size: 179 × 52.5 cm Provenance: private collection in Hamamatsu, Japan

Lot: 26U - Wakizashi, 33.2 cm - blade, Japanese Samurai sword, Edo period or earlier

Wakizashi, 33.2 cm - blade, Japanese Samurai sword, Edo period or earlier; Overall length: 442 mm = 44.2 cm = 17.4 inches; Length of the blade (nagasa) only: 332 mm = 33.2 cm = 13 inches; there is one 3-mm long chip on the blade; Weight: 266 g; SORI (curvature): 7.5 mm; Nakago (tang): one hole; Provenance: Private collection of arms in Florida. Shipping details: We ship swords to USA, Canada, Australia, Hong Kong and some countries in Europe. We do not ship swords to Belgium, China, Russia and some other countries. Please, check restrictions customs clearance for your country, by yourself.

Lot: 27C - Forged by Kiyotsugu 清次, Japanese Yari spear 26.7 cm, Muromachi period (1336-1573)

Forged by Kiyotsugu 清次, Japanese Yari spear 26.7 cm, Muromachi period (1336-1573) Yari, forged by Kiyotsugu (清次...); Extremely sharp double edged blade, attracted to the magnet. Length: 267 mm = 26.7 cm Weight: 33 g; Provenance: Estate sale of a collector - American officer in Texas, USA Yari (槍) is the term for a traditionally-made Japanese blade (nihonto)[2][3]

Lot: 27D - Japanese Yari spear 39.6 cm, Muromachi period (1336-1573)

Japanese Yari spear 39.6 cm, Muromachi period (1336-1573); Extremely sharp double edged blade, attracted to the magnet. Length: 396 mm = 39.6 cm Weight: 131 g; Provenance: Estate sale of a collector - American officer in Texas, USA Yari (槍) is the term for a traditionally-made Japanese blade (nihonto)[2][3] in the form of a spear, or more specifically, the straight-headed spear.[4] The

Lot: 27E - Bactrian bronze cosmetic bottle, 2200-1700 BC

Bactrian bronze cosmetic bottle, 2200-1700 BC Height: 5.2 cm = 52 mm; Weight: 2.9 oz. = 81 gram; Condition: genuine multicolored patina; The Bactria–Margiana Archaeological Complex (BMAC, also known as the "Oxus civilization") is the modern archaeological designation for a Bronze Age culture of Central Asia, dated to c. 2200–1700 BC, located in present-day eastern Turkmenistan, northern Afghanistan, southern Uzbekistan and western Tajikistan, centred on the upper Amu Darya (Oxus River), an area covering ancient Bactria. Its sites were discovered and named by the Soviet archaeologist Viktor Sarianidi (1976). Bactria was the Greek name for Old Persian Bāxtriš (from native *Bāxçiš)[4] (named for its capital Bactra, modern Balkh), in what is now northern Afghanistan, and Margiana was the Greek name for the Persian satrapy of Margu, the capital of which was Merv, in today's Turkmenistan. The early Greek historian Ctesias, c. 400 BC (followed by Diodorus Siculus), alleged that the legendary Assyrian king Ninus had defeated a Bactrian king named Oxyartes in c. 2140 BC, or some 1000 years before the Trojan War. Since the decipherment of cuneiform script in the 19th century, however, which enabled actual Assyrian records to be read, historians have ascribed little value to the Greek account.

Lot: 27F - Authentic Bactrian large bronze cosmetic bottle with a cork, 2200-1700 BC;

Authentic Bactrian large bronze cosmetic bottle with a cork, 2200-1700 BC; Total height with a cork: 15.5 cm; Weight: 6.6 oz. = 188 g Condition: genuine multicolored patina, a vertical crack and 12 mm hole at the side, and repaired damage at the bottom. The Bactria-Margiana Archaeological Complex (BMAC, also known as the "Oxus civilization") is the modern archaeological designation for a Bronze Age culture of Central Asia, dated to c. 2200–1700 BC, and located in present-day eastern Turkmenistan, northern Afghanistan, southern Uzbekistan and western Tajikistan, centred on the upper Amu Darya (Oxus River), an area covering ancient Bactria. Its sites were discovered and named by the Soviet archaeologist Viktor Sarianidi (1976). Bactria was the Greek name for Old Persian Bāxtriš (from native *Bāxçiš) (named for its capital Bactra, modern Balkh), in what is now northern Afghanistan, and Margiana was the Greek name for the Persian satrapy of Margu, the capital of which was Merv, in today's Turkmenistan. The early Greek historian Ctesias, c. 400 BC (followed by Diodorus Siculus), alleged that the legendary Assyrian king Ninus had defeated a Bactrian king named Oxyartes in c. 2140 BC, or some 1000 years before the Trojan War. Since the decipherment of cuneiform script in the 19th century, however, which enabled actual Assyrian records to be read, historians have ascribed little value to the Greek account.

Lot: 28 - Neptune/Poseidon antique carved black marble head, Renaissance, Italy, 1400-1700 AD

Neptun/Poseidon antique carved black marble head, Italy or Greece. Beautiful portrait of the Sea God in his 50’s with a long curly hair and beard. Height: 9.5 inches = 24.1 cm. Weight: 14 lb. = 6.35 kg; Mohs’ hardness: 3.0- 3.5; Condition: used, but no defects; Provenance: private collection, Clearwater, Florida, USA; Reference: Poseidon (/pəˈsaɪdən, pɒ-, poʊ-/;[1] Greek: Ποσειδῶν) was one of the Twelve Olympians in ancient Greek religion and mythology, presiding over the sea, storms, earthquakes and horses.[2] He was the protector of seafarers and the guardian of many Hellenic cities and colonies. In pre-Olympian Bronze Age Greece, Poseidon was venerated as a chief deity at Pylos and Thebes, with the cult title "earth shaker";[2] in the myths of isolated Arcadia, he is related to Demeter and Persephone and was venerated as a horse, and as a god of the waters.[3] Poseidon maintained both associations among most Greeks: He was regarded as the tamer or father of horses,[2] who, with a strike of his trident, created springs (in the Greek language, the terms for both are related).[4] His Roman equivalent is Neptune.

Lot: 28A - Forged by 東都藤原國重作, Japanese Yari spear 54 cm, Muromachi period (1336-1573)

Forged by 東都藤原國重作, Japanese Yari spear 54 cm, Muromachi period (1336-1573); Exceptional Yari, forged by 東都藤原國重作 = “Toh-to Fujiwara Kunishige saku” “Toh-to” is Edo (now Tokyo). Another optional translation: Kunishige Fujiwara, Toto. There were 3 swordsmiths with the name

Lot: 28B - Vintage Samurai Japanese wool kimono, size Medium - Large

Vintage Samurai Japanese wool kimono, size Medium - Large

Lot: 28G - A Navy officer's sword, Two Sicilies, signed “1849, Napoli Labruna”, Italy

A Navy officer's sword, Two Sicilies, signed “1849, Napoli Labruna”, Italy. Provenance: Kingdom of the Two Sicilies. Straight blade of hexagonal section, with light fuller and engraved at the forte, featuring trophies and racemes, on one side OF THE BLADE - a small inscription with date '1849 Napoli Labruna'. Brass hilt. Butt-plate with two valves, the front one with crowned shield surmounted by 6 flags, all in relief. Guard decorated with floral motifs in relief. Pommel decorated en suite. Horn grip with metal wire binding (minor damage and defects). Without scabbard. The sword was probably reused in the Unitarian period as the Bourbon lilies have been abraded. Interesting. Total Length: 94.3 cm. Blade length: 79.5 cm; Weight: 793 g = 1 lb. 12 oz. Very similar sword was sold for € 3.750, AT FINARTE, ON MARCH 30, 2023, SARZANA, ITALY https://www.finarte.it/auction/military-arms-and-memorabilia-sarzana-2023-03-30/a-navy-officer-s-sword-94448?lang=en

Lot: 28H - Ex-Christie's antique Italian short signed tri-blade sword (1600-1750 AD)

Ex-Christie's antique Italian short signed tri-blade sword (1600-1750 AD); Italian short court sword with tri-foil blade, gilt enhanced hilt. Cast globe ferrule, knuckle guard with foliate scroll, clam shell guard with embossed accents, silver grip. Guard has images of the bust of the King (General, Commander) over 2 flags and 2 cannons. Tri foil blade with engraved foliate scroll, waving flags, figure of Madonna, and illegible family name: FLATTERIE? Blade length: 16 5/8" inches = 42.5 cm; Overall sword length: 23 5/8" inches = 60 cm; Christie's tag attached to guard. Condition: Blade natural dark staining, fleabite chips from battle usage. Provenance: private collection in Florida, USA. Colichemarde is a type of small sword (often written "smallsword") blade that was popular from the late 17th to the mid-18th century

Lot: 29 - Astonishing Bactrian stone bird on stand with many additional carvings, 300-200BC

Astonishing Bactrian stone bird on stand with many additional carvings, 300-200BC; There are several additional carvings on the body of the bird: Carved feline on the left wing, Carved worrier with a bow or a sword on the right side Carved antelope on the top of the back; Carved animal on the front of the bird; 5 carvings on the stand: Horse, Worrier with a bow, three worriers with bows or swords.

Lot: 29A - Antique bronze Samurai warrior, 25 cm, 7.71 kg

Antique bronze Samurai warrior, heavy and solid, with natural patina Height: 51 cm; Width of the base: 25 cm; Weight: 17 lb. = 7.71 kg; Provenance: private collection in Sarasota, Florida, USA.

Lot: 29E - Wakizashi, antique Japanese Samurai sword 68.4 cm, sharp, recently polished

Wakizashi, antique Japanese Samurai sword 68.4 cm. extremely sharp blade, cuts paper right away. Prominent flat wavy hamon. Full length of the sword: 66.8 cm; Blade length: 55 cm; Sori (curvature): 17 mm; Length of wooden scabbard: 71 cm; Sword in the scabbard length: 82.8 cm; Weight (sword+ habaki) – 511 g; Weight of the scabbard: - 206 g; Weight: sword+habaki+saya: 715 g; Original copper habaki with perfect fit to the blade and to the scabbard (saya). Provenance: private collection in Missoula, Montana, USA

Lot: 29M - Neolithic Asian carved stone Libation Bowl

Neolithic Asian carved stone Libation Bowl

Lot: 30A - Genuine Bactrian carved alabaster bird pendant, 2500 BC-1000 AD

Absolutely stunning archaic Bactrian carved bird statue with unknown meaning. There is a whole between the legs and the tail for the string. Width in wings: 3.5 inches = 85 mm = 8.5 cm Length of the body: 1.9 inches = 48 mm = 4.8 cm Weight: 39.43 g; Mohs hardness: 2.0- 2.5 Condition: the head is broken, the wings were damaged and glued together. Provenance: private collection in Italy

Lot: 31B - Antique porcelain Japanese vase with 3-D high relief, 4 figures with fan as a weapon, Edo period (1603-1867)

Antique porcelain Japanese vase with 3-D high relief, 4 figures with fan as a weapon, Edo period (1603-1867); Unique porcelain vase with 3-dimensional protruding 4 figures: 2 figures of court women in kimono and 2 figures of court men with fans. At first, fans were the used solely by men, but as they came to be decorated with colors and paintings, women began to carry them for decoration. At that time, only aristocrats and similarly wealthy people would carry them, but by the Edo period (1603-1867), they had become widely popular among the general public. The oldest signs of fans can be seen in ancient Chinese records as well as visually represented in the wall paintings of the Ancient Egyptians. In ancient Japan, they were first used as symbols to indicate people's rank in society. They were also used as weapons and a place to write messages. In battles, they were used as signals to their soldiers and they are still to this day used in important ceremonies and rituals. There are many different versions and we shall be exploring two today. First came the Uchiwa, which is believed to have been introduced to Japan from China in the Nara Period (710-794). The Sensu was thought to be created by accident in the Japanese Court in the 6-9th century. Japan then repays China the favor and introduces them to this new type of fan. Sharing is caring after all! Height: 14.25” = 36.5 cm Width of the base: 9 x 9 cm; Weight: 7 lb. = 3.17 kg; Provenance: Private collection in Sarasota, FL

Lot: 32 - Antique Chinese silver necklace “God of Longevity Shou ? on the deer”

Antique Chinese silver necklace “God of Longevity Shou ? on the deer” Made of two pieces, connected together There are 2 small characters on one side and another two on the opposite side, for double happiness and longevity (shòu ?) Height: 70 mm; Width: 60 mm Thickness: 6-8 mm Weight; 35.24 g; Condition: used, old genuine patina Provenance: private collection from Lebanon;

Lot: 35 - 北宋- 元朝 Chinese porcelain vase N.Song-Yuan dynasty, Cizhou vase Playboys, certified

北宋- 元朝 Chinese heavy porcelain vase, N. Song -Yuan dynasty Cizhou vase with Playing boys design. S graffitto design Playing boys was made by engraving lines and pressing a reed or bamboo tool through engobe, a clay slip painted on the unfired vessel. A transparent glaze was added before firing a kiln. Height: approximately 8 in. = 20 cm; Width: 5.5 inches = 14 cm; Weight: 2 lb. 12 oz.= 1280 g. Condition: archaeological digging find, there is still orange dusty sand inside the vase. Natural aging of the glaze. No defects. References: The Yuan dynasty (1206-1368). While the Mongol occupation destroyed much, it also shook China free from the static traditions and techniques of the late Southern Song and made possible many innovations, both in painting and in the decorative arts. The north was not progressive, and the main center of pottery activity shifted permanently to the south. The northern traditions of Jun and Cizhou ware continued through the Jin and Yuan, bolder but coarser than before. New shapes included a heavy, wide-mouthed jar, sometimes with decoration boldly carved through a black or brown slip or painted in two or three colours. These new techniques and the overglaze painting already developed in the Jin dynasty prepared the way for the three- and five-colour wares of the Ming.Auction results:http://www.sothebys.com/content/sothebys/en/auctions/ecatalogue/2014/fine-chinese-ceramics-works-of-art-n09116/lot.212.htmlA 'CIZHOU' BROWN-SLIP PAINTED 'BIRD' BOTTLE VASE (YUHUCHUNPING)YUAN DYNASTYLOT SOLD. 8,750 USD (Hammer Price with Buyer's Premium)http://www.sothebys.com/content/sothebys/en/auctions/ecatalogue/2014/fine-chinese-ceramics-works-of-art-n09116/lot.212.htmlhttp://www.christies.com/lotfinder/lot/a-chinese-chizou-bottle-vase-yuan-4326272-details.aspx?intObjectID=4326272 Condition Archaeological digging find, there is still orange dusty sand inside the vase. Natural aging of the glaze. No defects; Low Estimate: 10,000.0; High Estimate: 50,000.0; Original: Yes; Circa: 1250;

Lot: 36 - Genuine Chinese porcelain plate, Ming dynasty, shipwreck, circa 1608 AD. Swatow porcelain Zhangzhou (Swatow), Wanli period.

Genuine Chinese porcelain plate, Ming dynasty, shipwreck, circa 1608 AD. Swatow porcelain Zhangzhou (Swatow), Wanli period. Weight: 1 lb. 11 oz. = 780 g; Diameter: 10.2 inch = 25.9 cm = 259 mm; Base diameter: 5.25 inch = 13.3 cm = 133 mm; Height: 2 inch = 5 cm; Provenance: 1) South China Sea Bin Thua wreck in 1608; 2) Huge private collection of Chinese porcelain in California; Swatow ware. Swatow ware or Swatow is a common name for a group of mainly late Ming Dynasty export porcelain from China intended for the South East Asian market. One of the probable reasons for this trade developing out of Swatow, or present-day Shantou, has to do with the disproportionately large numbers of ethnic Chinese migrating to South East Asia from Guangdong and neighboring Fujian Province. Their presence in South East Asia is still very much palpable, especially in Singapore and the Malaysian cities of Penang and Melacca. The name Swatow is rendered in Teochew, or Chao Zhou dialect, belonging to a relatively small group of ethnic Chinese that reside within present-day Canton, or Guang Dong Province. Linguistically though, the dialect has more in common with the dialect of Fujian Province. Swatow literally means: mountain head; head of the mountain. The name may be claimed to be misleading as the exact location of the kilns are as yet largely unidentified. However, they are generally thought to be located in the vicinity of what was formerly known as the port of Swatow (now Shantou) on the northern coast of the Guangdong region. Swatow ware is generally coarse, crudely potted and often under fired. Decoration in blue and white is by far the most common, although many poly-chrome wares, mainly with iron red and green overglaze decorations, are known. History of excavation: Bin Thua Shipwreck Ming Swatow blue and white plate (phoenix). The Binh Thuan Wreck was found by fishermen 40 miles off the coast of Binh Thuan Province, southern Vietnam, in 40 m of water. Maritime Explorations excavated the wreck in conjunction with the Vietnam Salvage Corporation (Visal), the Binh Thuan People's Committee, and the Ministry of Culture. The hull was that of a Chinese junk, 24 m long, 7 m wide, and divided into 25 narrow compartments by transverse bulkheads. Archival evidence points to the junk of the unfortunate merchant, I Sin Ho, who was transporting a cargo of silk and Chinese goods from China to Johore for the Dutch when his ship sank off the south of Vietnam in 1608. References: Binh Thuan Shipwreck Bowl, Swatow Ware Zhangzhou Porcelain, circa 1608 Estimate: $8,000

Lot: 37 - Set of 15 Imperial jade stamps/seals set, attributed to Qianlong period (1735-1796), Qing dynasty

Set of 15 Imperial jade stamps/seals set, attributed to Qianlong period (1735-1796), Qing dynasty. Extremely high quality of carving of hard black jade, worthy of the Qianlong Royal Court. Below are translations of all 15 seals on the red background: 1) Seal #1 - Rectangular parallelepiped seal - 乐善堂 - means “Happy and kind, Emperor use the stamp in his own poems and

Lot: 38 - Neolithic carved fossilized stone 25 cm idol found in Altai Mountains, Kuyus village, Katun River, 5,000-20,000 BC

Neolithic carved fossilized stone idol found in Altai Mountains, Kuyus village, Katun River, 5,000-20,000 BC. Height: 25 cm; Length 18 cm; Depth: 2 cm: Weight: 839 g Provenance: found in Altai Mountains, on the bank of Katun River, near Kuyus village. Collection of Andrey Kuznetsov REFERENCES: Комплекс

Lot: 38A - Neolithic carved stone 33 cm Idol, found in Altai Mountains, Katun River, 5,000-20,000 BC;

Neolithic carved stone 33 cm Idol, found in Altai Mountains, Katun River, 5,000-20,000 BC; Height: 33 cm; Length: 14 cm; Depth: 2 cm; Weight: 1,300 g = 1 kg 300 g Provenance: found in Altai Mountains, on the bank of Katun River, near Kuyus village. Collection of Andrey Kuznetsov REFERENCES: Комплекс

Lot: 38B - Neolithic carved plaque stone 29 cm idol, found in Altai Mountains, Kuyus village, Katun River, 5,000 BC -20,000 BC

Neolithic carved plaque stone 29 cm idol, found in Altai Mountains, Kuyus village, Katun River, 5,000 BC -20,000 BC; Height: 29 cm; Length: 20 cm; Depth: 3.5 cm; Weight: 2,400 g = 2 kg 400 g; Provenance: found in Altai Mountains, on the bank of Katun River, near Kuyus village. Collection of Andrey Kuznetsov REFERENCES: Комплекс

Lot: 40H - Adena Neolithic culture chert point, 5 1/4", Indiana, 500 BC-100 AD, #8

#8 Adena Neolithic culture Chert Point, 5 1/4", Indiana, 500 BC-100AD; Length: 5.3 inches = 14.7 cm; Width: 2 inches = 5 cm; Weight: 68.10 g; Moh’s hardness: 9.0 (normal for chert 7.0); Provenance: Private Ex Park’s collection in Indiana, USA Contrary to popular colonial myth, the continent was widely settled far in advance of the Pilgrim’s arrival in 1620, and the southeastern cultures were particularly advanced hundreds of years earlier. The Adena and Hopewell civilizations lasting from 800 BCE to 500 CE were the first to build large cities and impressive earthworks in areas spanning the current states of Ohio, Kentucky, Indiana, and West Virginia. We do not know the names these indigenous peoples called themselves; Adena and Hopewell were given to them later based on local settlements in their regions. At the same time as the height of Roman Empire (100-476 CE), there were thriving civilizations in North America. The extent of their trade network spans the eastern half of the United States, rivaling that of the Roman Empire. Massive earthwork enclosures built by these peoples are the largest collection on the planet, yet their construction still a mystery. Adena. Existing for about 900-1000 years, the Adena began mound building in central and southern Ohio regions. This evolved from prior practice of burying dead in piles of shells alongside rivers, including pet dogs, then moving to burials in large mounds of earth along with funerary objects such as jewelry, art, and ceramics. The Adena were notable for an extensive trading network which supplied them with copper from the Great Lakes to shells from the Gulf Coast. They developed agricultural practices, pottery, and artistic works although still living semi-nomadic lives and relying on hunting and gathering. Some Adena mounds—actually pyramids—were very tall and conical in shape, the highest being 65 feet tall at Miamisburg, Ohio. These pyramids were smooth on top and capped with clay, beginning as mortuary buildings which were ceremonially burned, then layers of burials placed on top followed by a new mortuary structure, and the process kept repeating. Adena people lived in small settlements of one to two structures; houses typically built in a circle ranging from 15 to 45 feet diameter. Walls were made of paired posts tilted outward, joined to other wood pieces to form a cone shaped roof covered with bark. The Adena had stone tools and axes, bone and antler tools, spoons and other implements. A few copper axes were found, but metal was generally hammered into jewelry such as bracelets, rings, and pendants.

Lot: 40I - Neolithic chert arrowhead notch 4”, Hancock County, Indiana, 500 BC-100AD, #16

Neolithic chert arrowhead notch 4”, Hancock County, Indiana, USA, 500 BC-100 AD, #16; Shape: beveled corner notch, projectile point. Length: 4 inches = 10.1 cm Width: 1.7 inches = 4 cm; Weight: 47.52 g; Mohs’ hardness: 9.5 Provenance: private old collection in Ohio from 1930’s Types of arrowheads found in Indiana State. Common projectile point types found in Indiana include Clovis, Gainey, Hi-Lo, Agate Basin, Cumberland, Quad, Plainview, and, in late Paleoindian times, Dalton The Adena culture was a Pre-Columbian Native American culture that existed from 500 BCE[1] to 100 CE,[2] in a time known as the Early Woodland period.[3] The Adena culture refers to what were probably a number of related Native American societies sharing a burial complex and ceremonial system. The Adena culture was centered on the location of the modern state of Ohio, but also extended into contiguous areas of northern Kentucky, eastern Indiana, West Virginia, and parts of extreme western Pennsylvania.[3] 8,000-6,000 B.C. Early Archaic Indians live in what is now Ind. (Outline,1). 6,000-3,500 B.C. Middle Archaic Indians live in what is now Ind. (Outline, 2). 3,500-1,500 B.C. Late Archaic Indians live in what is now Ind. (Outline, 2). 1,500-700 B.C. Terminal Late Archaic Indians live in what is now Ind. (Outline, 2). 700-200 B.C. Early Woodland Indians live in what is now Ind. (Outline, 3). 200 B.C.-500 A.D. Middle Woodland Indians live in what is now Ind. (Outline, 3). In Mesoamerica, a similar set of events (i.e., crop domestication and sedentary lifestyles) occurred by around 4500 BC in South America, but possibly as early as 11,000–10,000 BC. These cultures are usually not referred to as belonging to the Neolithic; in America different terms are used such as Formative stage instead of mid-late Neolithic, Archaic Era instead of Early Neolithic, and Paleo-Indian for the preceding period.[64] The Formative stage is equivalent to the Neolithic Revolution period in Europe, Asia, and Africa. In the southwestern United States it occurred from 500 to 1200 AD when there was a dramatic increase in population and development of large villages supported by agriculture based on dryland farming of maize, and later, beans, squash, and domesticated turkeys. During this period the bow and arrow and ceramic pottery were also introduced.[65] In later periods cities of considerable size developed, and some metallurgy by 700 BC.[66]

Lot: 40O - Neolithic chert scraper, Florida, Putnam County, 12,550 BC–500 AD, #39

Neolithic chert scraper, Florida, Putnam County, 12,550 BC–500 AD, #39; Length: 2.5 inches = 6 cm; Width: 2.0 inches = 5 cm; Weight: 40.97 g; Moh’s hardness: 9.5; Provenance: Private ex Diller’s collection in Florida, USA This stone artifact, shown from different angles, was excavated from a submerged site in Florida. This and other evidence shows that people lived there 14,550 years ago.

Lot: 41 - Antique iron harpoon (to hunt salmons?) 10.5", North America, Pioneers’ tool, 1500-1700 AD,

Antique iron harpoon (to hunt salmons?) 10.5", North America, Pioneers’ tool, 1500-1700 AD, Harpoon to hunt salmons? Length: 10.5 inches = 27 cm; Weight: 184.42 g. Provenance: Purchased from Tlingit tribe(?) private collection in USA.

Lot: 41E - Neolithic Five carved Bone Charms

Neolithic Five Bone Charms; Weight of the box: 250.05 g; Largest bone pendant: 37 x 30 mm; Private collection in USA;

Lot: 41F - 1939 metal Ohio Hunting car/truck License, VGC

1939 Metal Ohio Hunting car or truck License, VGC XV -194; Condition: some rust on the back; Weight; 25.54 g;

Lot: 41G - Ohio collection, Neolithic, contracting stemmed, 62 mm, 25.6g, carved chert, arrowhead #1

Ohio collection Neolithic, contracting stemmed, 62 mm, 25.6g, carved chert, arrowhead #1; Length: 62 mm; Weight: 25.62 g; Location: Indiana, Ohio Provenance: private collection in Ohio, USA

Lot: 41H - Phallic body shape, carved sedimentation rock, Neolithic Venus, Balkans, 7000 BC-3000 BC

Phallic body shape, carved sedimentation rock, Neolithic Venus, Balkans, 7000 BC-3000 BC. A rare Neolithic Venus in the shape of phallus, with prominent vulva in between rudimental legs. The statue has rudimental arms and small breasts. This is interesting concept of procreation-focused amalgam of maleness and femaleness. This type is relatively rare, but archeologists used to find it in Balkans (Neolithic Vinca culture), Göbekli Tepe, etc. Origin: Found in Balkans, Southern Europe. Height: 60 mm; Width at the bottom: 34 mm; Weight: 47.67 g; Mohs’ hardness: 4.5-5.0; sedimentation rock with microfossils. Provenance from the collection of Italian collector P. Pazzi. REFERENCE: The European Neolithic is the period from the arrival of Neolithic (New Stone Age) technology and the associated population of Early European Farmers in Europe, c. 7000 BC (the approximate time of the first farming societies in Greece) until c. 2000–1700 BC (the beginning of Bronze Age Europe with the Nordic Bronze Age). The Neolithic overlaps the Mesolithic and Bronze Age periods in Europe as cultural changes moved from the southeast to northwest at about 1 km/year – this is called the Neolithic Expansion.[1] The duration of the Neolithic varies from place to place, its end marked by the introduction of bronze tools: in southeast Europe it is approximately 4,000 years (i.e. 7000 BC–3000 BC) while in parts of Northwest Europe it is just under 3,000 years (c. 4500 BC–1700 BC). In parts of Europe, notably the Balkans, the period after c. 5000 BC is known as the Chalcolithic (Copper Age) due to the invention of copper smelting and the prevalence of copper tools, weapons and other artifacts. End

Lot: 41I - Ohio collection Neolithic, 75 mm, contracting stemmed, carved chert arrowhead #3

Ohio collection Neolithic, 75 mm, contracting stemmed, carved chert arrowhead #3; Length: 75 mm; Weight: 18.06 g; Location: Indiana, Ohio Provenance: private collection in Ohio, USA

Lot: 41J - Ohio collection Neolithic, 51 mm, straight stemmed, carved chert arrowhead #4

Ohio collection Neolithic, 51 mm, straight stemmed carved chert arrowhead #4; Length: 51 mm; Weight: 12.04 g; Location: Indiana, Ohio Provenance: private collection in Ohio, USA

Lot: 41K - Ohio collection Neolithic, 71 mm, phallus shaped, carved chert arrowhead #2

Ohio collection Neolithic, 71 mm, phallus shaped, carved chert arrowhead #2; Length: 71 mm; Weight: 13.61 g; Location: Indiana, Ohio Provenance: private collection in Ohio, USA

Lot: 41L - Ohio collection Neolithic, 74 mm, corner notched, carved chert arrowhead #6

Ohio collection Neolithic, 74 mm, corner notched, carved chert arrowhead #6 Length: 74 mm; Weight: 16.09 g; Location: Indiana, Ohio Provenance: private collection in Ohio, USA

Lot: 41M - Ohio collection, Neolithic, 56 mm, straight stemmed, carved chert arrowhead #7

Ohio collection, Neolithic, 56 mm, straight stemmed, carved chert arrowhead #7 Length: 56 mm; Weight: 6.93 g; Location: Indiana, Ohio Provenance: private collection in Ohio, USA

Lot: 41N - Ohio collection Neolithic, 49 mm, drop-shaped, carved chert arrowhead #8

Ohio collection Neolithic, drop-shaped, carved chert arrowhead #8 Length: 49 mm; Weight: 7.56 g; Location: Indiana, Ohio Provenance: private collection in Ohio, USA

Lot: 41O - Ohio collection Neolithic, 65 mm, side notched, carved flint arrowhead #9

Ohio collection Neolithic, 65 mm, side notched, carved flint arrowhead #9; Length: 65 mm; Weight: 19.88 g; Location: Indiana, Ohio Provenance: private collection in Ohio, USA

Lot: 41P - Ohio collection Neolithic, 65 mm, 17.1 g; fish shaped, carved chert arrowhead #2

Ohio collection Neolithic, 65 mm, 17.1 g; fish shaped, carved chert arrowhead #2 Length: 65 mm; Weight: 17.10 g; Location: Indiana, Ohio Provenance: private collection in Ohio, USA

Lot: 41Q - Large handless carved stone Neolithic Venus, Southern Europe, 7,000 BC-3,000 BC

Large handless carved stone Neolithic Venus, Southern Europe, 7,000 BC-3,000 BC. Carved from hard stone this Venus statue, has relatively good proportions all over the body except for rudimental lower legs. The surface of the broken hands look similar to the other parts of the body, so we can presume that the fractures happened thousands years ago. Height: 167 mm; Width in the shoulders: 58 mm; Weight: 407.45 g; Moh’s hardness 4.5-5.0; Condition: the surface of the stone has natural erosions, in the shape of long lines or short dips or stars. All erosions are stable. Found: Southern Europe; Provenance: came from private collection of J. Cronier France, who died in 2018 REFERENCE: The European Neolithic is the period from the arrival of Neolithic (New Stone Age) technology and the associated population of Early European Farmers in Europe, c. 7000 BC (the approximate time of the first farming societies in Greece) until c. 2000–1700 BC (the beginning of Bronze Age Europe with the Nordic Bronze Age). The Neolithic overlaps the Mesolithic and Bronze Age periods in Europe as cultural changes moved from the southeast to northwest at about 1 km/year – this is called the Neolithic Expansion.[1] The duration of the Neolithic varies from place to place, its end marked by the introduction of bronze tools: in southeast Europe it is approximately 4,000 years (i.e. 7000 BC–3000 BC) while in parts of Northwest Europe it is just under 3,000 years (c. 4500 BC–1700 BC). In parts of Europe, notably the Balkans, the period after c. 5000 BC is known as the Chalcolithic (Copper Age) due to the invention of copper smelting and the prevalence of copper tools, weapons and other artifacts.

Lot: 42A - 西周 Elegant and Rare Jade Belt Buckle of Western Zhou Period (1046-256BC)

西周 Elegant and Rare Jade Belt Buckle of Western Zhou Period; Length: 5.30 inches = 13.2 cm; Width: 2.0 inches = 5 cm; Height: 1.50 inches = 3.75 cm; Weight: 11 oz. = 312 g; Elegant and Rare Jade Belt Buckle of Western Zhou (1046-256 BC) with Characteristic Motifs of “Tao-Tie” Animal. Beautiful Engravings of Dragons & Other Auspicious Heavenly Animals. The Buckle consists of a Dragon Head. The Lower round button of the clothing hook with 3 Swirl Design typical of Zhou Period. The large size of jade buckle is rare and likely used for burial of high court nobles. Good as gift and investment of rare art piece. Provenance: Item from US Estate Collection, examined by 2 antique experts. Estimate $5,000-$10,000

Lot: 45 - Antique Thai Buddha covered with golden leaf, Ayutthaya 1351-1767 AD

Antique Thai Buddha covered with golden leaf, Ayutthaya 1351-1767 AD Height without base: 40 inches = 102 cm; Height with base: 50 inches = 127 cm; Weight: 150-200 kg; Material: Solid bronze covered with golden leaves. Condition: some damage to golden leaf at the back; Provenance: private collection in London, UK. Ayutthaya period (1351–1767). Other auction results: https://www.sothebys.com/en/buy/auction/2021/worlds-within-worlds-works-from-the-collection-of-peter-petrou/thailand-ayutthaya-period-16th-17th-century-seated Thailand, Ayutthaya Period, 16th/17th century | Seated Buddha Estimate 30,000 - 50,000 GBP

Lot: 46 - Antique Thai/Chinese/Tibetan bronze head of Buddha, beautiful patina

Antique Thai/Chinese/Tibetan bronze head of Buddha, beautiful patina. Pleasant antique Thai/Chinese/Tibetan bronze head of Buddha on wooden stand. Height: 4.5 inches = 12 cm Weight: 1 lb. 10.6 oz. = 754 g Not attracted by magnet. Approximate age: 1700-1900 AD. Provenance: private collection in Florida, USA.

Lot: 48 - Antique Buddha bronze statue, Ayutthaya Kingdom, 1500-1750 AD

Antique Buddha bronze statue, Ayutthaya Kingdom, 1500-1750 AD Height: 23.5 inches = 60 cm; Condition: genuine antique patina with some rust; Provenance: private collection in St Petersburg, Florida, USA The Ayutthaya Kingdom - the Empire of Ayutthaya (1569–1767),[29] or the Ayutthaya Empire,[30] was a Siamese kingdom that existed in Southeast Asia from 12 March 1351[1] to 7 April 1767, centered around the city of Ayutthaya, in Siam, or present-day Thailand. European travellers in the early 16th century called Ayutthaya one of the three great powers of Asia (alongside Vijayanagar and China).[1] The Ayutthaya Kingdom is considered to be the precursor of modern Thailand, and its developments are an important part of the history of Thailand.[1] Karana mudra: The Karana gesture has its index finger and little finger pointing straight upwards, while the other fingers fold into the palm. The Karana Buddha can be depicted both seated and standing. The meaning of this gesture is to ward off evil and to get rid of demons and negative energy. A mudra is a symbolic hand gesture and finger posture that acts as a non-verbal mode of communication and self-expression. The mudra helps to evoke symbolic meanings of the specific mudra used to the mind. We can observe these mudras used in various forms of traditional and folk dances, yoga and meditation, sculptures, etc. Besides, Buddhist arts also depict the mudra as they are regarded as the general guidelines of the spiritual gestures portrayed and taught by the Buddha. Additionally, when Buddhist followers practice meditation while confronting Buddha Statue, the mudra maintained as that of Buddha statue helps to evoke symbolic representations of that mudra to the mind. This will help to achieve what they are seeking for.

Lot: 49A - Antique Buddhist Tibetan ritual fire sword, 38.8 cm; brass/iron phurba, 19th century

Antique Buddhist Tibetan ritual fire sword/dagger, phurba, 19th century. Length: 15.25 inches = 38.8 cm; Width: 2 inches = 5 cm; Weight: 13.9 oz. = 395 g; Material: brass and iron; Provenance: private collection in New York, USA; REFERENCES: The phurba (Tibetan: ཕུར་པ or ཕུར་བ, Wylie: phur pa or phur ba; alternate transliterations:

Lot: 49B - Antique Buddhist Tibetan ritual brass fire sword, phurba 16 cm, 19th century

Antique Buddhist Tibetan ritual brass fire sword, phurba 16 cm, 19th century; Antique Buddhist Tibetan ritual fire sword/dagger phurba Length: 6.25 inches = 16 cm; Width: 3.75 inches = 9.6 cm Weight: 7.1 oz. = 200 g; Material: brass Provenance: private collection in New York, USA; REFERENCES: The phurba (Tibetan: ཕུར་པ or ཕུར་བ, Wylie:

Lot: 49C - Antique Tibetan ritual fire flaying knife iron/bronze Kartika, 18th century

Antique Tibetan ritual fire flaying knife iron/bronze Kartika, 18th century Length: From the sharp tip of the axe to the bottom of handle it measures 11 inches = 28 cm; Blade section length: 4 1/2 inches = 11.7 cm; Weight: 8.0 oz. = 224 g. Materials: blade and handle: iron (attracted to the magnet). Ornamental decorations: bronze (not attracted to the magnet). Provenance: Acquired long time ago from the estate of a lady who traveled the world and had wonderful Asian antiquities. She lives in Boulder, California, USA. A kartika or drigug (Sanskrit: kartari; Tibetan: གྲི་གུག་, Wylie: gri-gug,[1] or kartrika in Nepal[2]) is a small, crescent-shaped, hand-held ritual flaying knife used in the tantric ceremonies of Vajrayana Buddhism. The kartari is said to be "one of the quintessential attributes of the wrathful Tantric deities."[3] It is commonly known as the "knife of the dakinis."[1] Its shape is similar to the Inuit ulu or woman's knife, which is used for many things including cleaning skins. While the kartika is normally held in the right hand of a dakini in Vajrayana iconography and spiritual practice, occasionally it can be seen being held by esoteric male deities,[4] such as certain forms of Yamantaka.[5] It is also found frequently in the iconography of the Tibetan Buddhist spiritual practice of Chöd. The End

Lot: 51 - 大明宣德年製 Xuande Emperor mark & period (1426-1435), finely cast gilt bronze Sino-Tibetan, Vajrasattva

大明宣德年製 Xuande Emperor Period (1426-1435), finely cast gilt bronze Sino-Tibetan, Vajrasattva. 大明宣德年施. Finely cast, gilt bronze Sino-Tibetan figure of Vajrasattva in dhyanasana pose, on a double lotus base. Vajrasattva holds a Ghana in the left hand, symbolizing compassion and wisdom, wearing a long flowing dhoti

Lot: 52 - Huge Chinese Bronze 笑佛 laughing Buddha Budai, Qing dynasty, 53 cm

Huge Chinese Bronze 笑佛 laughing Buddha Budai, Qing dynasty, 53 cm. Large Chinese cast bronze sculpture of Hotei the Happy Buddha. Double Lotus base with copper bottom. Approx. 21" = 53 cm high x 17" wide x 14" depth. Weight: 25-35 lb. = 10-17 kg. Condition: scattered wear, commensurate with age and use, genuine green patina. Provenance: private collection in St Petersburg, Florida, USA. Pick up is available at Tampa, Florida 33647, USA. Reference: Budai (Chinese: 布袋; pinyin: Bùdài; Korean: 포대, romanized: Podae; Japanese: 布袋, romanized: Hotei; Vietnamese: Bố Đại) is a nickname given to the ancient Chinese monk Qici (Chinese: 契此) who is often identified with and venerated as Maitreya Buddha in Chan Buddhism. With the spread of Chan Buddhism, he also came to be venerated in Vietnam, Korea, and Japan.[1] He is said to have lived around the 10th century CE in the Wuyue kingdom. The name "Budai" literally means "cloth sack",[1] and refers to the bag he is usually depicted carrying as he wanders aimlessly. His jolly nature, humorous personality, and eccentric lifestyle distinguish him from most Buddhist masters or figures. He is almost always shown smiling or laughing, hence his nickname in Chinese, the "Laughing Buddha".[a][2][3] As Budai is traditionally depicted as overweight and having a huge stomach (possibly a symbol of abundance or forgiveness) and many stories surrounding Budai involve his love of food and drink, he is also referred to as the "Fat Buddha", especially in the Western world.[4] The main textual evidence pointing to Budai resides in a collection of Chan Buddhist monks' biographies known as The Transmission of the Lamp.[5]

Lot: 53 - 南北朝-隋朝 Chinese Bodhisattva carved stone head, 6th century AD.

Chinese Bodhisattva carved stone head, 6th century AD. Chinese Stone Head Of Buddha, carved stone Bodhisattva head with serene expression, downcast eyes and full lips flanked by elongated ears, the Buddha with tiara, with hole 17-mm deep to head back. There are two birds, sitting on each brow. Birds may have meaning of purity and high spiritual values, which Bodhisattva achieved during meditation. Age: Attributed to Northern and Southern dynasties (386-589 AD) or Sui Dynasty (581-618 AD); Height: 4 in. = 11.5 cm; Width; 3 in. = 9 cm; Weight: 1 lb. 12 oz. = 800 g; Condition: fine, some wear and insignificant scratches. There is a fixed stable horizontal crack at the base of the head, all the way around the neck.Provenance: From a prominent Atlanta Collection. Originally came from the Collection of Henry Francis Thompson. Henry Thompson an importer of Asian Art and antiques and co-founder of the Bollentin and Thompson oriental Rugs, acquired the artifacts during several round the world trips to and after World War I, between 1900 and 1920. The items on this auction were left to Thompsons son - Charles Rose Thompson. A graduate of the Princeton University, Charles Rose Thompson, briefly lent the collection to the Princeton University Art Museum in the 1960's. Later, it has remained in his collection until his death in 1975. References: Chan (simplified Chinese: 禅; traditional Chinese: 禪; pinyin: Chán; abbr. of Chinese: 禪那; pinyin: chánnà), from Sanskrit dhyāna[1] (meaning "meditation" or "meditative state"[2]), is a Chinese school of Mahāyāna Buddhism. It developed in China from the 6th century CE onwards, becoming dominant during the Tang and Song dynasties.[3] After the Yuan dynasty, Chan more or less fused with Pure Land Buddhism. Chan is the originating tradition of Zen Buddhism (the Japanese pronunciation of the same character, which is the most commonly used name for the school in English). Chan Buddhism spread from China south to Vietnam as Thiền and north to Korea as Seon, and, in the 13th century, east to Japan as Japanese Zen.

Lot: 54 - Antique carved hardwood Buddha head statue

Antique carved hardwood Buddha head statue: Height: 195 cm = 77 inches; Weight: approximately 40-50 lb. = 20-25 kg; Provenance: private collection in Florida;

Lot: 55 - Japanese/Chinese old copper/bronze ITA-BUTSU (Buddhist image of plate) with many characters (Buddhist mantras?) 1185-1868 AD

Japanese/Chinese old copper/bronze ITA-BUTSU (Buddhist image of plate) with many characters (Buddhist mantras?) 1185-1868 AD. REGION OF ORIGIN: Japan/China Width: 14cm = 5.5 inches : Height 18.7cm = 7.3 inches : Weight 449 g = 15.87 oz. CONDITION : Good considering the age. Used. This is the old original. This is never an imitation. MATERIAL : Copper or bronze; TYPE : ITA-BUTSU (Buddhist image of plate) Provenance: private collection in Japan. Buddhism in Japan (日本の仏教, Nihon no Bukkyō) was first established in the 6th century CE.[3][4][5] Most of the Japanese Buddhists belong to new schools of Buddhism which were established in the Kamakura period (1185－1333).[6] During the Edo (Tokugawa)-period (1603–1868), Buddhism was controlled by the feudal Shogunate. The Meiji-period (1868–1912) saw a strong response against Buddhism, with persecution and a forced separation between Buddhism and Shinto (Shinbutsu bunri).

Lot: 55B - Antique bronze plaque of thousand armed Avalokiteshvara with sutra, Japanese

Antique bronze plaque of thousand armed Avalokiteshvara with sutra, Japanese (1185-1800 AD). An antique inscribed bronze plaque, of arched rectangular form, one side cast in relief with the multi-armed deity Avalokiteshvara seated on a throne, the reverse side - with an eight vertical line Sutra. Size: 6.5 x 4.25 inches = 16.5 cm x 10.7 cm; Weight: 539 g; One of the most popular devotional deities in Himalayan Buddhism, Avalokiteshvara (the Bodhisattva of Compassion) appears in many forms, but this “thousand-armed” form is one of the most popular. The many heads, eyes, and hands represent the countless ways in which Avalokiteshvara can see, hear, and benefit all sentient beings. Opinion of Japanese collector: I think it is a Japanese Thousand-Armed Kannon. The writing on the back is not a sutra, but looks like a wish for health or happiness. Buddhism was first established in Japan in the 6th century CE.[3][4][5] Most of the Japanese Buddhists belong to new schools of Buddhism which were established in the Kamakura period (1185－1333).[6] During the Edo (Tokugawa)-period (1603–1868), Buddhism was controlled by the feudal Shogunate. The Meiji-period (1868–1912) saw a strong response against Buddhism, with persecution and a forced separation between Buddhism and Shinto (Shinbutsu bunri). - Provenance: this item comes from the private Philippine collection of Lou A. and Barbara B. Pritchett. Lou Pritchett was the ex-Vice President of Procter and Gamble. Lou Pritchett rose through the ranks at Procter & Gamble and was instrumental in the creation of the partnership between Procter & Gamble and Wal-Mart. Pritchett was instrumental in bringing Proctor & Gamble to the Philippines during his time there. Now retired, Lou is a sought-after public speaker and author of Stop Paddling & Start Rocking the Boat.

Lot: 56 - Tibetan copper gilded Buddha icon 1600-1750 AD (17th -18th century)

Tibetan copper gilded sitting Buddha icon 1600-1750 AD (17th -18th century); Highly elaborated copper icon with semiprecious stones and gilded sitting figure of Buddha. For many centuries Tibet was a spiritual and religious leader in Asia. Many countries like China, Japan, Mongolia, South-Eastern Russia, Thailand, Indonesia, etc. adopted Buddhism as a major religion. Most of men in Tibet, instead of serving in the army, - served as monks. Tibet did not need an army, because it was respected as a motherland of Buddhism and protected by the neighboring countries. Size: 16.5 inches x 13.25 inches = 41.5 cm x 33.5 cm; Weight: 2504 gram = 2 kg 504 gram; Provenance: Made in Bhutan? Then - private collection in USA in 1940’s.

Lot: 57 - Tibetan Thangka with three Buddhas and many other people, circa 1700 AD.

Tibetan Tangka with three Buddhas and many other people, circa 1700 AD. For many centuries Tibet was a spiritual and religious leader in Asia. Many countries like China, Japan, Mongolia, South-Eastern Russia, Thailand, Indonesia, etc. adopted Buddhism as a major religion. Most of men in Tibet, instead of serving in the army, - served as monks. Tibet did not need an army, because it was respected as a motherland of Buddhism and protected by the neighboring countries. On this tangka, you can see that people around three Buddhas have characteristic features of Tibetans with some relation to Chinese customs. Provenance: Central Tibet, Ngor Monastery(?), circa 1700, Painting. Mineral pigments on cotton cloth/canvas. Names (all three the same) of the sitting Buddhas are inscribed in Sanskrit, at the back of the painting cloth. Size: 35” x 27” = 89 cm x 68.5 cm Provenance: private collection in USA of American citizen, who used to live in China in 20th century

Lot: 57A - Buddhist temple, antique 14 religious pottery clay items, 1600-1900

Buddhist temple, antique 14 religious pottery clay items, 1600-1900. Description: 19th c. (and earlier), (14) pieces, including: • Two Tibetan clay Tsa-Tsa (2); • Three Stupa (3); • a glazed jar with Stupa form lid, • an old Chinese gray pottery round covered box, • and other assorted offerings and altar objects, etc., Dimensions: 6.25 inches (height) x 3.5"width (largest), 1.5" inches width - (smallest); Provenance: private collection in New Jersey; TSATSA (also tsa-tsa, tsha-tsha) is a small sculptural votive offering used in Tibetan Buddhism. They are normally small plaques with decoration in relief, made in moulds with clay or rammed earth, but sometimes other materials such as metal may be used.[1] They descend from similar Indian plaques made for pilgrims to Buddhist pilgrimage sites such as Bodh Gaya.[2] STUPA In Bhutan the usual shape is a small chorten or stupa, also sometimes seen in Tibet, where it is a special funerary form.[3] In Buddhism, a stupa (Sanskrit: स्तूप, lit. 'heap', IAST: stūpa) is a mound-like or hemispherical structure containing relics (such as śarīra – typically the remains of Buddhist monks or nuns) that is used as a place of meditation.[1]

Lot: 58 - Antique Tibetan prayer or mantra book, handwritten in Sanskrit, adorned with colorful Buddha figures on both covers, 1500-1750 AD

Antique Tibetan prayer or mantra book, handwritten in Sanskrit, adorned with colorful Buddha figures on both covers, 1500-1750 AD Antique Tibetan prayer or mantra book adorned with colorful Buddha figures on both covers. If you open wooden hard cover – you can find 10 lose semi-hard velum (?) pages of mantras/prayers in Sanskrit in good condition, with a pleasant sandal smell. Mantras are written in black ink. Every page has a picture of sitting Buddha in different colors. It may have served as a portable aid for meditation and prayer. Size: 15 cm x 6 cm; Weight: 101.20 g; Condition: used, but perfect condition; Provenance: private collection in Sarasota, FL, USA.

Lot: 59 - 大清 Chinese carved wooden statue of Guan Yin, Ming dynasty or earlier

大清 Chinese carved wooden statue of Guan Yin, Qing dynasty or earlier. Height: 30 inches = 75 cm. Base: 12 x 8 inches = 30 cm x 20 cm. Weight: 35 lb. = 15.75 kg. Provenance: bought at the auction in USA, from a big US collection of Oriental antiques. Condition: Overall condition is good for the age, with original paint. The paint is partially lost throughout the statue. Right hand, including fingers and wrist, was damaged during transportation and then professionally restored. Low Estimate: 4000; High Estimate: 12000; Original: Yes;

Lot: 60 - Antique Tibetan/Chinese bronze Buddha - Avalokiteshvara

Antique Tibetan Chinese bronze Buddha statue as Avalokitesvara Height: 8 in. = 20 cm. Width: 5.5 in. = 14 cm; Weight: 3 lb. = 1400 g Condition: part of the decoration, coming from left arm is missing References: Avalokitesvara (Sanskrit: lit. "Lord who looks down") is a bodhisattva who embodies the compassion of all Buddhas. Portrayed in different cultures as either male or female, Avalokitevara is one of the more widely revered bodhisattvas in mainstream Mahayana Buddhism, as well as unofficially in Theravada Buddhism. The original name for this bodhisattva was Avalokitasvara. The Chinese name Gunshyn Ps () is a translation of the earlier name "Avalokitasvara Bodhisattva." This bodhisattva is variably depicted as male or female, and may also be referred to simply as Gunyn. In Sanskrit, Avalokitesvara is also referred to as Padmapni ("Holder of the Lotus") or Lokevara ("Lord of the World"). In Tibetan, Avalokitesvara is known as Chenrezig, (Wylie: spyan ras gzigs) and is said to emanate as the Dalai Lama, the Karmapa and other high lamas. Condition: fine antique. Low Estimate: $1,000; High Estimate: $2,000

Lot: 61 - Antique silver Prayer Wheel, decorated with turquoise and semiprecious stones, Tibet, circa1800-1920

Antique silver Prayer Wheel, decorated with turquoise and semiprecious stones, Tibet, 19th century. This Tibetan prayer wheel has a rolled prayer on old antique paper, has a full set of details and is completely functional: can be rotated. Length: 18 cm; Weight: 60.45 g; Prayer wheels are a common religious tool in Tibetan Buddhism. They typically consist of a cylindrical container filled with written mantras or prayers, often printed on paper or cloth. The cylinder is mounted on a spindle and can be spun signifying the rotation of Dharma. As the wheel is spun, the prayers are believed to be recited, accumulating merit for the spinner. This prayer wheel has a decorative outer casing with turquoise and coral colored beads, suggesting it may be a more ornate or ceremonial piece. Condition: used, but perfect condition; Provenance: private collection in Sarasota, FL, USA.

Lot: 61A - Antique Ganesh third eye mask, with semiprecious stone on it, 19th century, Tibet, Nepal, India

Antique Ganesh mask with semiprecious stone: corals and turquoise inlay, 19th century, Tibet/India/Nepal. Height: 9.75 inches = 25 cm; Width: 7 inches = 18 cm; Weight: 7.8 oz. = 220 g; Provenance: private collection: Sarasota, FL, USA. Ganesha or Ganesh (Sanskrit: गणेश, IAST: Gaṇeśa, IPA: [ɡɐˈɳeːɕɐ]), also known as Ganapati, Vinayaka and Pillaiyar, is one of the best-known and most revered and worshipped deities in the Hindu pantheon[4] and is the Supreme God in the Ganapatya sect.[5] His depictions are found throughout India.[6] Hindu denominations worship him regardless of affiliations.[7] Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India.[8]. The third eye (also called the mind's eye or inner eye) is an invisible eye, usually depicted as located on the forehead, supposed to provide perception beyond ordinary sight.[1] In Hinduism, the third eye refers to the ajna (or brow) chakra. In both Hinduism and Buddhism, the third eye is said to be located around the middle of the forehead, slightly above the junction of the eyebrows, representing the enlightenment one achieves through meditation. Especially in Eastern spiritual practices, the third eye refers to the gate that leads to the inner realms and spaces of higher consciousness, and often symbolizes a state of enlightenment. The third eye is often associated with religious visions, clairvoyance, the ability to observe chakras and auras,[2] precognition, and out-of-body experiences.

Lot: 62 - Genuine antique Tibetan wooden printing block, - Lotus

Antique Tibetan wooden printing block, - Lotus. Size: 16.7 cm x 14.6 cm x 2.4 cm = 6.5 x 6 x 1 inches. Weight: 10 oz. = 300 g. Age: 15th-19th century Condition: Fine, normal wood aging, no defects; Low Estimate: 500.0; High Estimate: 2000.0; Original: Yes; Circa: 1750;

Lot: 62A - Brass statue of dancing Shiva, India, 20th century

Brass statue of a dancing Shiva, India, 20th century. Statue of a dancing Shiva. Shiva in his form as the cosmic dancer is called Nataraja and is represented in metal or stone in many Shaivite temples, particularly in South India. Surrounded by a ring of fire, this dancing Shiva statue is meant to represent the cosmos coming into being. Height: 15.2 cm Weight: 402.32 g; Condition: used, but perfect condition; Provenance: private collection in Sarasota, FL, USA.

Lot: 62B - Antique brass/bronze tingsha cymbals connected by a cord, Buddhism, Tibet, India

Antique brass/bronze tingsha cymbals connected by a cord, Buddhism, Tibet, India; Pair of tingsha cymbals connected by a leather cord. Tingsha cymbals are small, hand-held cymbals often used in Tibetan Buddhism and other spiritual practices. They are typically made of bronze or brass and are played by striking them together. Tingsha cymbals are known for their clear, ringing sound, believed to awaken the mind. Diameter: 4.5 cm; Weight: 93.92 g; Condition: used, but perfect condition; Provenance: private collection in Sarasota, FL, USA.

Lot: 63 - Chinese antique soapstone Scholar ink box or incense box

Chinese antique carved soapstone scholar ink box or incense box; Length: 10. 5 inches = 26.7 cm; Width x depth 1.5 x 1.5 inches = 3.6 cm x 3.6 cm = 36 mm x 36 mm Weight: 1 lb. 3.4 oz. = 549 g; Mohs hardness: 2.5 -3.0 Provenance: private collection in Clearwater, Florida, USA.

Lot: 64 - CD 1000+ years’ old sound of Buddhist mantras, harmonizing human body, by Qi Gong Great Master Foo

CD 1000+ years’ old sound of Buddhist mantras, harmonizing human body, by Qi Gong Great Master Foo; Emei Sacred Healing Sounds; By Great Qi Gong Master Foo (Zhongshi Wei Zhong Foo); 1) Universal Mantra; 2) Puxian Mantra; 3) Emei Healing Sounds for Healthy Internal Organs (approximately 10 different mantras for heart, blood, small and large intestines, kidney, liver, skin, muscles, brain, etc.); Condition: You will get brand new, sealed in plastic CD.

Lot: 65 - Huge antique Chinese/Japanese/Tibetan temple bronze bell, 11.6 lb.

Huge antique Chinese or Japanese temple bronze bell, 11.6 lb. Nice deep sound. Height 14 inches = 36 cm; Width: 8.75 inches = 22 cm; Provenance: private collection in Sarasota, Florida, USA

Lot: 68 - Antique crowned Buddha head Thai bronze statue 1600-1750 AD, Ayutthaya Kingdom

Antique crowned Buddha head Thai bronze statue 1600-1750 AD, Ayutthaya Kingdom. The Buddha Shakyamuni with a serene expression, marked by half-closed eyes, elegantly arched eyebrows, an aquiline nose and full lips forming a benevolent smile. The elongated lobes with loti form earrings. The crown elaborated in a floral headband and surmounted by a conical ushnisha. Height of the head: 11 inches = 28 cm; Height of the Buddha head + wooden base: 15.25 inches = 39 cm; Width: 6 inches = 14 cm; Weight: 8 lb. 11.9 oz. = 3 kg 967 g Weight of the head 6 lb. 9.9 oz. 3 kg 2 g Condition: genuine bronze patina Not attracted to the magnet Provenance: private collection in London, UK. Similar statues sold on auctions: https://www.christies.com/en/lot/lot-6417039 A BRONZE HEAD OF BUDDHA THAILAND, AYUTTHAYA STYLE, 15TH-16TH CENTURY Price realized: USD 25,200 Estimate: USD 20,000 – USD 30,000 End

Lot: 69 - 大清 Chinese carved gilt wood seated Buddha, Qing/Ming, 107 cm

大清 Chinese carved gilt wood seated Buddha, Qing/Ming dynasty. Buddha is seating on pedestal, in royal ease posture, ready to help those in need. Real gold gilt with red and black paint showing through. Height: 42.75 in. = 107 cm; Base: 27 in. x 17 in. = 67 cm x 42 cm. Weight: 150 - 200 lb. Provenance: from the private collection of the Lawyer from Florida, acquired in 1950's-1960's. Shipping in USA: Freight UPS or FED EX - $800-$1600; Shipping overseas (international): $2,000-$3,500. Condition: Overall very good condition for the age, partial loss of gilt and paint, several vertical age splits and cracks, missing pieces, on the left side of the head, lower part of the body, and especially at base. Low Estimate: 30,000; High Estimate: 60,000; Original: Yes; Medium: Wood;

Lot: 70 - Made at 乾隆 Qianlong Emperor, Chinese carved bone clad QUAN YIN (Guanyin)

乾隆 Qianlong Emperor, Chinese carved bone clad QUAN YIN (Guanyin) Bone clad Quan Yin holding a bottle that holds the water of life in one hand, standing on a double lotus base. Incised makers mark 乾隆 at the underside. Approx. 21'' h x 5.75'' w. Condition: very high quality carving, ox bone, ivory? Provenance: private collection in St Petersburg, Florida, USA. Guanyin

Lot: 71 - 何朝宗 Antique white porcelain Chinese Kwan-yin Guanyin, mark: made in Dehua city, kiln of He ChaoZong, Ming Dynasty, 17th century

何朝宗 Antique white porcelain Chinese Kwan-yin Guanyin, 2 marks: made in Dehua city, kiln of He ChaoZong, Ming Dynasty, 17th century. Blanc de Chine Kwan-yin Guanyin. Sitting position. Holding prayer beads in left hand. Elongated ear lobes. Headpiece on top of head in front of bun. 4 character mark + 8 shaped mark on upper back, between shoulder blades. Size: 9 1/2 x 8 x 15 1/2

Lot: 72 - Antique bronze nude sexy Indian Goddess, 36.5 cm, 1700-1900 AD, India

Antique mesmerizing statue of nude Indian Goddess with a lotus flower in her left hand and a sign of Akash Mudra in her right hand. Height with base: 14.5 inches = 36.5 cm; Base: 4 inches = 10 cm: Weight: 3 lb. 4.5 oz. = 1,487 g = 1 kg 487 g; Provenance: from private collection in Florida; AKASH MUDRA: The tip of the middle finger touches to the top of thumb. Remaining fingers are to be kept straight but at ease. BENEFITS: • Develops intuition and extra sensory powers, • Detoxifies the body by the elimination of metabolic wastes. • Activates throat Chakra. • Purifies and emotions and thoughts. • Increases intuition power and alertness. • Beneficial for heart disease.

Lot: 75 - Imperial antique porcelain guardian foo dog lion, with tail as a ruyi, Ming dynasty, China

Considering style, colors and condition of the glaze, this guardian lion came possibly from Imperial Chinese palace of Ming dynasty. His long, bushy tail has been shaped as a ruyi. Bulging eyes and oversized ears give him a whimsical, almost comical look. A single, slight horn protrudes from the top of his head. Height: 25.5 cm = 10 inches; Length: 20 cm = 8 inches; Depth: 11.5 cm = 4.5 inches; Weight: 1734 g = 1 kg 734 g; Provenance: private collection, Sarasota, Florida, USA; Chinese guardian lions, or imperial guardian lions, are a traditional Chinese architectural ornament. Typically made of stone, they are also known as stone lions or shishi (石獅; shíshī). They are known in colloquial English as lion dogs or foo dogs / fu dogs. The concept, which originated and became popular in Chinese Buddhism, features a pair of highly stylized Asiatic lions—often one male with a ball which represents the material elements and one female with a cub which represents the element of spirit— that were thought to protect the building from harmful spiritual influences and harmful people that might be a threat. Used in imperial Chinese palaces and tombs, the lions subsequently spread to other parts of Asia including Japan (see komainu), Korea, the Philippines, Tibet, Thailand, Myanmar, Vietnam, Sri Lanka, India, Nepal, Cambodia, Laos, and Malaysia.

Lot: 76 - Chinese bronze mirror Buddha on lotus flower, Ming dynasty, Rare

Chinese bronze mirror with sitting Buddha on lotus flower, 15.8 cm; Rare. Weight: 1 lb. 9 oz. = 710 g; Diameter: 6.2 inches = 15.8 cm; Thickness of the rim: 5 mm; Rim: steeply inclined; Side: steeply inclined inward; Material: bronze ; Outer section: Raised circle; Inner section: Sitting Buddha; Mirror side: concave with preserved remnants of original polish; Age: presumably Qing or Ming dynasty. Condition Worn by natural aging, authentic patina, no defects Low Estimate: 1500; High Estimate: 3000; Original: Yes;

Lot: 77 - Chinese Buddhist antique bronze hand mirror, 500-1000 AD

Chinese Buddhist antique bronze hand mirror. An archaic, leaf-shaped, hand mirror with one polished face, panel of figural scenes to the reverse within a border of stylized flames. Weight: 985 grams = 2 lb. Length: 23 cm = 9 in.Width: 17.4 cm. Age: 500-1000 AD. Provenance: From a central London collection formed between 1990-2000 Condition: edges are smooth; mirror is not symmetrical, which are good signs of being antiques; Low Estimate: 3000; High Estimate: 15000; Orignal: Yes;

Lot: 78 - Lotus Bronze mirror: Buddhist Chinese inscriptions & Sanskrit counter-clockwise swastika, Tang dynasty (618–907)

Lotus Bronze mirror with Buddhist symbols and Chinese inscriptions. Translation of Dr. Q_____ C________, PhD in Chinese Arts: - "Four grand pledges; The pledge to stop the endless worries". Diameter: 70 mm = 2 ¾ in. Weight: 129 g = 4 oz. Knob: 4 mm high, open. Mirror surface is flat and has 2 types of inscriptions. The words "" come from the Buddhist scripture calling"", which are the rules to obey being a true Buddha. "" = There are so many things disturbing us,- Men should calm their heart and improve themselves. References: The swastika (Sanskrit: ) is an equilateral cross with four arms bent at 90 degrees. The earliest archaeological evidence of swastika-shaped ornaments dates back to the Indus Valley Civilization, Ancient India as well as Classical Antiquity. Swastikas have also been used in various other ancient civilizations around the world. It remains widely used in Indian religions, specifically in Hinduism, Buddhism, and Jainism, primarily as a tantric symbol to evoke shakti or the sacred symbol of auspiciousness. The word "swastika" comes from the Sanskrit swastika - "su" meaning "good" or "auspicious," "asti" meaning "to be," and "ka" as a suffix. The swastika literally means "to be good". Or another translation can be made: "swa" is "higher self", "asti" meaning "being", and "ka" as a suffix, so the translation can be interpreted as "being with higher self". Condition: Normal aging of the bronze, genuine patina, no defects Low Estimate: 3000; High Estimate: 6000; Original: Yes;

Lot: 79 - 大明宣德 Large Sanskrit Bronze Ewer, Ming dynasty, Xuande Emperor mark

大明宣德 Large Sanskrit Bronze Ewer, Ming dynasty, Xuande Emperor mark; Fine Sanskrit carving bronze ewer, made in Ming dynasty, Xuande Emperor period. Marked大明宣德 on underside. Dragon head spout with intricate designed handle. Height: 10 inches = 26 cm; Width: 8.75 inches = 22 cm; Weight: 1.155 kg = 1155 g = 2 lb. 8.7 oz. Private collection in Sarasota, Florida, USA.

Lot: 80 - Newari altar bronze mirror,-right thought, Nepal

Newari altar bronze mirror,-right thought, Kathmandu, Nepal. This old mirror is a sacred symbol representing right thought. It reflects things as they really are, & can be seen on both Tibetan & Newari altars. This belonged to a Newari in Kathmandu, & is in excellent condition, nice patina. Width: The face is 7 inches across = 17.5 cm. Height: it stands 12 inches tall = 30 cm. Weight: 170 g. Newa people The Newa (Nepal Bhasa: New(h), Classical Nepal Bhasa: Newr or Newl) (Nepali: ) are the indigenous people of Nepal's Kathmandu Valley. The valley and surrounding territory have been known from ancient times as Nepal Mandala. Newars have lived in Nepal Mandala since prehistoric times, and immigrants that arrived at different periods in its history eventually merged with the local population by adopting their language and customs. Newars are a linguistic and cultural community of mostly Tibeto-Burman and some Indo-Aryan ethnicities. Scholars have also described the Newars as being a nation. Scholars in this field have consensus that prehistoric Newar (Newari) were originally interconnected to the ancient Kirat people (Kiratis). Stone Age, prehistoric Kirat tools found by Dr. A. Y. Shetenko (Leningrad Institute of Archaeology) date back to 30,000 years ago, matching prehistoric tools unearthed in China's Gobi Desert and Yunnan. According to Nepal's 2001 census, the 1,245,232 Newars in the country are the nation's sixth largest ethnic group, representing 5.48% of the population. Condition Very good condition, original patina, no defects Low Estimate: 500 High Estimate: 1000 Orignal: Yes

Lot: 81 - Chinese Neolithic(?) carved jade turtle, Inner Mongolia

Chinese Neolithic(?) carved jade turtle statue with a bird, Inner Mongolia. Length: 8 ½ inches = 21.5 cm; Width: 5 ½ inches = 14.5 cm; Weight: 2 lb. 15 oz. = 1340 g = 1kg 340g; Age: presumably 2000-4000 BC; Condition: very good for the age; there is minor stable hairline natural crack 3 long at the right posterior area (refer to the photos), which do not affect the integrity of the statue. This crack goes only to the center and then stops Condition very good for the age; there is minor stable hairline natural crack 3 long at the right posterior area (refer to the photos), which do not affect the integrity of the statue. This crack goes only to the center and then stops Low Estimate: 2000 High Estimate: 10000

Lot: 82 - Chinese erotic jade double phallus, 30 cm, Shang Dynasty, 1700-1027 BC

Ancient Chinese carved jade statue KISSING DOVES, 30 cm, Shang Dynasty (1700-1027 BC). Moh's scale of mineral hardness: 5.5 (Normal range for nephrite jade is 5.0-6.5); Length: 30 cm = 12 inches; Weight: 1,100 g = 2 lb. 7 oz. Condition: age related weathering of jade; Age: Shang Dynasty; References: Jade has been used in virtually all periods of Chinese history and generally accords with the style of decorative art characteristic of each period. Thus, the earliest jades, of the Neolithic Period, are often quite simple and unornamented ritual and impractical versions of the tools and weapons that were in ordinary use, often much larger than normal examples. These are presumed to have been symbols of political power or possibly religious authority. The bi and cong are types of objects only found in jade in early periods, and probably had religious or cosmic significance. The bi is a circular disk with a hole, originally usually plain, but increasingly decorated, and the cong is a vessel, square on the outside but circular inside. In later literature the cong represents the earth and the bi the sky. Jades of the Shang (18th–12th century BC), Zhou (1111–255 BC), and Han (206 BC–AD 220) dynasties are increasingly embellished with animal and other decorative motifs characteristic of those times, and craftsmen developed great skill in detailed small relief work in objects such as the belt-hooks that became part of elite costume. In later periods ancient jade shapes, shapes derived from bronze sacrificial vessels, and motifs of painting were used, essentially to demonstrate the craftsman's extraordinary technical facility. During Neolithic times, the key known sources of nephrite jade in China for utilitarian and ceremonial jade items were the now depleted deposits in the Ningshao area in the Yangtze River Delta (Liangzhu culture 3400–2250 BC) and in an area of the Liaoning province in Inner Mongolia (Hongshan culture 4700–2200 BC). As early as 6000 BC, Dushan Jade has been mined. In the Yin Ruins of Shang Dynasty (1600 BC to 1050 BC) in Anyang, Dushan Jade ornaments was unearthed in the tomb of the Shang kings.

Lot: 83A - Archaic Chinese Jade Fish Ritual Axe Amulet with English translation

Archaic Chinese Jade Fish Ritual Axe Amulet with English Translation: “This Jade Axe is an Example of My Perfect Work." Estimated Age: Hongshan culture (4500 BC-2250 BC) “A gentleman always carried a jade pendant, as a symbol of class and to remind him the virtues of a gentleman, since those virtues were found in jade. “ —Confucius This beautiful & stunning Chinese Jade

Lot: 84 - Antique Chinese jade dragon arch, attributed to Shang dynasty, 1600-1046 BC

Archaic jade dragon arch from Shang dynasty, weight: 2 oz. = 74.74 g. Length: 4.25 in. = 10.5 cm Height: 2 in. = 5.5 cm. Archaic evidences of differential weathering, cleaving veins, diffusive markings are apparent. Age: attributed to Shang dynasty (1600-1046 BC). Condition: used, no defects. Provenance: from private collection in Florida, USA; purchased in 1980’s -1990's

Lot: 85 - Chinese antique jade musician, Northern and Southern dynasties, (420 AD-581 AD)

Chinese antique jade musician, Northern and Southern dynasties, (420 AD-581 AD) An ancient Chinese jade carving figure, representing a seated human musician, playing a flute. Presumably era of Northern and Southern dynasties, (420 AD-581 AD) Size 10.5 cm; Depth: 4.5 cm; Width: 3.4 cm; Weight: 254 g = 8.9 oz. Mohs hardness: 5.0-5.5; Condition: Genuine patina all over the statue; traces of application of antique tools are present. Crystallization of the jade surface, which happens over thousands of years is noticeable. Provenance: private collection of antique collector in New York, USA.

Lot: 86 - Shang dynasty? Chinese Carved Jade 3 Rams Tripod Burner

Shang dynasty(?) Chinese Carved Jade 3 Rams Tripod vase burner. Weight: 2 lb. = 900 g; Height: 4.25 inches = 10 cm; Condition: very good for age, no cracks or defects, just minor scratches; Condition: very good for age, no cracks or defects, just minor scratches. Low Estimate: 3000; High Estimate: 6000;

Lot: 87 - 商朝 -周 Shang-Zhou dynasty, Chinese carved dark jade animal statue, 1600-255 BC

商朝 -周 Shang/Zhou dynasty Chinese carved dark jade statue, great patina. Possible attributions: Shang dynasty: 1600 BC to 1046 BC or Zhou dynasty: 1111 BC to 255 BC; Weight: 2 lb. 8 oz. = 1150 g; Length: 6 = 15 cm; Height: 3.75 = 9 cm; Condition: Some aging wear of the surface (refer to the pictures); Low Estimate: 3000; High Estimate: 6000;

Lot: 88 - Antique Chinese jade cup with 21 oracle bone script characters

Antique Chinese jade cup with 21 oracle bone script characters Nicely polished, antique, partially transparent to light, definitely has some age. Height: 2.5 inches = 6.7 cm; Weight: 121.14 g; Mohs hardness: 4.5 – 5.0 Provenance: private collection in California, USA Oracle bone script is the oldest attested form of written Chinese, dating to the late 2nd millennium BC. Inscriptions were made by carving characters into oracle bones, usually either the shoulder bones of oxen or the plastrons of turtles. The writings themselves mainly record the results of official divinations carried out on behalf of the Late Shang royal family. These divinations took the form of scapulimancy where the oracle bones were exposed to flames, creating patterns of cracks that were then subjected to interpretation. Both the prompt and interpretation were inscribed on the same piece of bone that had been used for the divination itself. Out of an estimated 150,000 inscriptions that have been uncovered, the vast majority were unearthed at Yinxu, the site of the final Shang capital (modern-day Anyang, Henan). The most recent major discovery was the Huayuanzhuang cache found near the site in 1993. Of the 1,608 Huayuanzhang pieces, 579 bear inscriptions.[1] Each of the last nine Shang kings are named in the inscriptions[a] beginning with Wu Ding, whose accession is variously dated between 1250 and 1200 BC.[2][3] Oracle bone inscriptions corresponding to Wu Ding's reign have been radiocarbon dated to 1254–1197 BC (±10 years).[4] Following the overthrow of the Shang by the Zhou dynasty in c. 1046 BC, divination using milfoil became more common; far fewer oracle bone inscriptions are dated to the Western Zhou.[5] No Zhou-era sites with a comparable cache of inscriptions to Yinxu have been found; however, examples from this period appear to be more widespread, having been found near most major population centers. New sites have continued to be discovered since 2000.[6]

Lot: 89 - Liao dyn(?) Chinese antique jade small recumbent horse

Chinese antique jade small recumbent horse, attributed to Liao dynasty (9071125). Height: 2.75 in. = 7 cm; Length: 5 in. = 12.5 cm; Weight: 1 lb. = 450 g; Age: attributed to Liao dynasty (9071125). Condition: Fine, no defects. Archaic evidences of exposed crystal plane, diffusive markings, dissolved pits and cleaving veins are seen. Provenance: from private collection in Florida, USA; purchased in 1980s -1990's References: Sui, Tang, Song & Yuan Dynasties (589 D.D. -1368 A.D.) The designs of Tang Dynasty jade artifacts are seen to be characterized by reality and its relation to daily life. Due to the popularity of Buddhism, many jade Buddhist figures are made during this period. Owing to the particular cultural development such as the Tang trio color ceramics, many jade artifacts are painted with rich colors and guilt with gold. Flying fairy of Buddhist figure is appeared as single piece jade artifacts or constitutes major motif on the artifacts. Because of frequent communication with foreign countries, foreigners visited China quite often that many motifs of Tang Dynasty are appeared as foreigners from the west which are called Hu people. The designs of Song, Yuan, Liao and Kim Dynasties jade artifacts are more daily life oriented. The main theme of many Song Dynasty jade artifacts is lad with different posture and the main themes of Liao and Kim Dynasties are the scenes of spring with birds, flowers and ponds, the scenes of Autumn Mountain with pine trees, deer and animals. Condition: Fine, no defects. Archaic evidences of exposed crystal plane, diffusive markings, dissolved pits and cleaving veins are seen. Low Estimate: $5,000; High Estimate: $10,000; Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 90 - Qing/Ming Chinese Jade antique Vase, 11.5 cm

Chinese Antique Jade vase, attributed to Qing/Ming dynasty. In Buddhism the elephant is a symbol of mental strength. Height: 4.5 in. = 11.5 cm; Width: 3.5 in = 10.5 cm; Depth: 2.5 in. = 6.5 cm; Weight: 1 lb. 12 oz. = 800 g; Condition: some natural aging, no defects; Provenance: from private collection in Florida, USA; purchased in 1980's -1990's in Germany; Ming & Qing Dynasties( 1368 A.D. -

Lot: 91 - Certified Qing/Ming dynasty Chinese jade spinach vase, 26 cm

Certified Qing/Ming dynasty Chinese antique jade spinach vase with lid, 26 cm. The relief pattern imitates the pattern is from the Bronze Age period during the Shang dynasty. The two elephant heads represent a Buddhist meaning. In Buddhism the elephant is a symbol of mental strength. Age: Ming to mid Qing dynasty 1368- 1700 AD; The handles in the shape of the elephant trunks hold the rings. The rings were carved originally from the whole piece. Height: 10.5 in. = 26 cm; Width: 5 in. = 12.5 cm; Depth: 2.5 in. = 6.2 cm; Weight: 2 lb. 14 oz. = 1.2 kg; Condition: there is stable vertical crack from the rim down to the middle of the vase; otherwise very good condition. This jade vase is accompanied by certificate of authenticity. Condition: Fine. There is stable vertical crack from the rim down to the middle of the vase; otherwise very good condition; Low Estimate: $15,000; High Estimate: $50,000; Original: Yes; Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 92 - Antique jadeite nephrite 48 mm - short fatty cicada, Ming or Qing dynasty (1368-1800AD)

Antique jadeite nephrite 48 mm - short fatty cicada, Ming or Qing dynasty (1368-1800AD). Length: 48 mm = 4.8 cm; Width: 42 mm = 4.2 cm; Weight: 74.60 g; Mohs hardness: 7.5-8.0; Jadeite is 6.5 to 7 and nephrite is 6 to 6.5 on the Mohs hardness scale. Research under x50 magnification: Hand-made tools were used. Individual chisel strokes can be seen. Micro-crystallization is minimal for 2 reasons, 1) not enough time passed since Ming or Qing dynasties 2) very hard jadeite. Provenance: private collection in London, United Kingdom REFERENCES:…when the dome of heaven was split, Nüwa, the female creator of humanity, sealed the split by grinding five different coloured stones together. Its dust at once covered the earth and lay there for aeons… when the time was ripe, manifested it in the lustrous splendour of pearls, the glowing translucence of gemstones, the skill of intricacy, and the quality of magnificence. Whereupon, jade appeared amongst mankind’ [1]. https://www.maadigitallab.org/blog/2024/12/03/jade-cicadas-a-journey-through-time-and-culture/ Literature: How to purchase archaic jade, by Stephen Payne, p. 176-184, 192-197

Lot: 92A - Antique jade/jadeite nephrite 75 mm long cicada, Ming or Qing dynasty (1368-1800 AD)

Antique jadeite nephrite 75 mm long cicada, Ming or Qing dynasty (1368-1800 AD); Length: 75 mm = 7. 5 cm; Width: 32 mm = 3.2 cm; Weight: 55.49 g; Mohs hardness: 7.5-8.0 extremely hard jadeite; Jadeite is 6.5 to 7 and nephrite is 6 to 6.5 on the Mohs hardness scale, Research under x50 magnification: Hand-made tools were used. Individual chisel strokes can be seen. Micro-crystallization is minimal for 2 reasons, 1) not enough time passed since Ming or Qing dynasties 2) very hard jade or jadeite, which holds its structure Provenance: private collection in London, United Kingdom; REFERENCES: …when the dome of heaven was split, Nüwa, the female creator of humanity, sealed the split by grinding five different coloured stones together. Its dust at once covered the earth and lay there for aeons… when the time was ripe, manifested it in the lustrous splendour of pearls, the glowing translucence of gemstones, the skill of intricacy, and the quality of magnificence. Whereupon, jade appeared amongst mankind’ [1]. https://www.maadigitallab.org/blog/2024/12/03/jade-cicadas-a-journey-through-time-and-culture/ Literature: How to purchase archaic jade, by Stephen Payne, p. 176-184, 192-197

Lot: 93 - Certified Chinese jade horse & monkey on chariot, Sui/Tang dyn

Genuine certified antique Chinese jade horse and monkey on chariot trophy, Sui/Tang dynasties. Weight: 3 lb.10 oz. = 1660 g; Length: 9.5 in. = 23.5 cm; Height: 4.5 in. = 11.5 cm; Authenticity report: Genuine antique, appraised and analyzed by Orenda Lab, Santa Fe, NM. Fair Market value: $145,000 US; Replacement value: $250,000 US; Age: Sui/Tang dynasty (581-650 C.E.); Condition: used, no defects. Provenance: from private collection in Florida, USA; purchased in 1980s -1990's. References: Frank Aon, M. Sci., is a renowned antiquities forensic scientist of Orenda Lab, Investigation and Analysis of Artifacts and Antiquities of Santa Fe, NM. He has 37 years of experience in evaluating Chinese and American jades, bronzes, and other antiquities. Orenda lab is the only one in USA, which has developed hand-made ancient tools and has a database of ancient tools signatures and aging samples of the jades, corresponding to different Chinese dynasties. Frank Aon has a highest record in selling of jade items on the US auctions with his appraisal. http://www.liveauctioneers.com/item/10346988 Auction House: Elite Decorative Arts, Boynton Beach, Fl, on Dec 10, 2011. Lot 100, Rare Eastern Han dynasty Solid Nephrite Jade Bear was sold for $7,050,000 US. This jade statue is accompanied by certificate of authenticity. Condition: used, no defects, microscopically - ancient tools signatures; Low Estimate: 150000; High Estimate: 250000; Original: Yes;

Lot: 94 - Amazing white jade ritualistic mask, Qing/Shang Dynasty

White jade nephrite ritualistic mask, made in Early Qing dynasty in the style of Shang dynasty. Weight: 1 lb. 12 oz. = 800 g; Height: 9.25 in. = 23.7 cm; Width: 6.5 in. = 16.7 cm. Authenticity report: according to the opinion of Frank Aon (Orenda Lab): early Qing dynasty (by tool signatures) in the style of Shang dynasty. Provenance: from private collection in USA, purchased in 1980's. This jade mask is accompanied by certificate of authenticity. Condition: Very good, no defects; there is some dirt, which is hard to remove (I keep it for authenticity). Low Estimate: 15000; High Estimate: 30000; Original: Yes; Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 95 - S. Song dynasty (1127-1279 AD), Longquan kiln, double eared celadon porcelain vase, Chinese, China, double certified

Song dynasty (960-1279AD), Longquan kiln, Ge ware, double eared (phoenix heads) celadon porcelain vase, Chinese, China, double certified. The characters on the box are 宋代龙泉官窑双耳瓶 宝藏 = Song Dai Long Quan Guan Yao Shuang Er Ping Bao Cang, which means - precious double eared vase from Long Quan imperial kiln of Song dynasty.

Lot: 96 - S. Song (960-1279) to Yuan (1271-1368) dynasty, Ge-type stone ware exquisite antique Chinese vase, Ancient China

S. Song (960-1279) to Yuan (1271-1368) dynasty, Ge-type stone ware exquisite antique Chinese vase, Ancient China. Ge-type high fired stone ware vase in the shape of ancient bronze vessel, glazed creamy blue, with iron colored crackles, Southern Song or Yuan dynasty. The vase is covered with pale blue glaze, suffused with a network of irregular black crackle ('iron wire'). Catalog number

Lot: 97 - Antique Chinese Jade sitting dragon

Weight: 7.5 lb. Height: 12 in. Width: 5 in. Condition: used, no defects Provenance: from private collection in Florida, USA; purchased in 1980’s -1990's

Lot: 98 - Antique Chinese greenish jade small vase container, ca 500 BC

Antique Chinese greenish jade vase container. Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 99 - Antique Chinese green nephrite jade turtle seal/stamp, Song dynasty?

Antique Chinese green nephrite jade turtle seal/stamp, Song dynasty? Dimensions of the stamp: 22 mm x 22 mm; Height: 25 mm; Weight: 67.62 g; Mohs hardness: 7.0-8.0 - very hard. Average jade hardness= 6.0-7.0; Characteristics of jade: partially translucent, very hard, carved by hand. A turtle has a hole, which was blocked by the dark brown soil/send. We removed partially this soil, made a photo and saved this soil in plastic bag. So, it is possible in the future to make analysis of this soil to understand where it was found.

Lot: 100 - Neolithic Chinese Museum Jade crawling Amphibian, 20 cm

Neolithic Chinese Museum Jade crawling Amphibian. Length: 8 inches = 20 cm; Weight: 4 lb. = 1.8 kg; Condition: natural aging of jade, old chips with smooth edges; Age: over 4000 years old; Authenticity report: Genuine; Provenance: from private collection in Florida, USA; purchased in 1980's -1990's. Condition: natural aging of jade, old chips with smooth edges; Low Estimate: $6,000; High Estimate: $30,000; Original: Yes; Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 101 - 石家河文化 Chinese Nephrite jade pitcher, Shijiahe culture, certified

石家河文化 Certified Chinese Nephrite jade pitcher, Shijiahe culture (2500-2000 BC), Hubei. Width: 9 inches = 235 mm. Diameter: 5.52 inches = 135 mm. Height from the bottom to the top of the lid: 6 inches = 160 mm. Weight of pitcher: 4 lb. 12 oz. = 2170 g. Weight of Lid: 12 oz. = 320 g. Total weight, including lid: 5.5 lb. = 2500 g. Provenance: from the estate sale in Washington State, USA. Condition: normal age wear more at the bottom and on the side walls, which is another proof of authenticity, no defects. Authenticity report by Dr. Ming Chieh Chen, Certified Appraiser, Palm Beach Appraisers Association:Made of green tone nephrite jade pitcher vase was used possibly for ritual ceremonies.Based on the degree of jade antiquity, motif and carving style, age of object may be from the Shijiahe culture (2500-2000 BC) of late Neolithic cultures, centered around Yangtze river region in Hubei, China. Estimate Value for object is :$120,000-150,000. References: Shijiahe culture. The Shijiahe culture (Chinese: ; pinyin: Shjih Wnhu) (2500-2000 BC) was a late Neolithic culture centered around the middle Yangtze River region in Hubei, China. It succeeded the Qujialing culture in the same region and inherited its unique artifact of painted spindle whorls. Pottery figurines and distinct jade worked with advanced techniques were also common to the culture. The remains of copper ore and artifacts were discovered in one Shijiahe settlement.The type site was discovered at Tianmen County, Hubei, China. The upper layer of the type site belonged to the Qujialing culture. The site at Shijiahe covered an area of around 1,200,000 m. The settlement was surrounded by a moat and rammed earth wall. The type site was likely a regional center. Shijiahe is one of the largest towns excavated so far, almost a perfect square, one kilometer on each side. This was a period in which villages and towns expanded symmetrically in oval, square, rectangle and trapezoid shapes.[1] Condition: normal age wear more at the bottom and on the side walls, which is another proof of authenticity, no defects; Low Estimate: 50000; High Estimate: 150000; Original: Yes; Terms of sales: All sales are final: no refunds, no returns.

Lot: 102 - 夏朝 Certified Chinese jade Phoenix bird, Xia dynasty (2070 -1600BC)

夏朝 Certified archaic Chinese jade Phoenix bird, Xia dynasty (2070- 1600 BC). Weight: 1 oz. = 36.31 g. Length: 4.5 in. = 10 cm. Height: 2 in. = 5 cm. Authenticity report: Genuine antique tremolite jade, with ancient tools signatures according to the opinion of Frank Aon (Orenda Lab). Age: Xia dynasty 2070 - 1600 BC. Provenance: from private collection in Florida, USA; purchased in 1980's -1990's. This jade is accompanied by certificate of authenticity. Condition: Used, with age related changes, no defects. Low Estimate: $5,000; High Estimate: $10,000; Original: Yes; Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 103 - 唐朝 Certified Jade plaque Chariot, Chinese God over cloud, Tang dynasty

唐朝 Certified Jade plaque with chariot with Chinese God over cloud, Early Tang dynasty 618-750 C.E. Description: A chariot with a man, riding a horse over the clouds. There is a two dragon - design around the plaque. Possibly, the plaque was a part of table screen or a wall decoration. Width: 13.25 in. = 33 cm. Height: 8.25 in. = 20.7 cm. Weight: 2 lb. 5 oz. = 1180 g. Authenticity report: Genuine, - antique hand-made carved jade, analyzed and appraised by Frank Aon from Orenda Lab, Santa FE, NM. Fair Market value: $75,000. Replacement value: $150,000. Provenance: from private collection in Florida, USA; purchased in 1980's -1990's. References: Frank Aon, M. Sci., is a renowned antiquities forensic scientist of Orenda Lab, Investigation and Analysis of Artifacts and Antiquities of Santa Fe, NM. He has 37 years of experience in evaluating Chinese and American jades, bronzes, and other antiquities. Orenda lab is the only one in USA, which developed ancient tools and has a database of ancient tools signatures and aging samples of the jades, corresponding to different Chinese dynasties. Frank Aon has a highest record in selling of jade items on the US auctions with his appraisal. http://www.liveauctioneers.com/item/10346988 Auction House: Elite Decorative Arts, Boynton Beach, Fl, on Dec 10, 2011. Lot 100, Rare Eastern Han dynasty Solid Nephrite Jade Bear was sold for $7,050,000 US! This jade plaque is accompanied by certificate of authenticity. Condition: The front surface is covered with mottled white thin patina. The back surface is more polished. No defects Low Estimate: 75000; High Estimate: 150000; Original: Yes.

Lot: 104 - 战国时代 (450-220 BC) Certified Chinese Warring States, Jade Horse Trophy

Certified Chinese Jade double horse container with lid: Warring States period 450 B.C.E. - 220 B.C.E. Possible purpose of the container: 1. trophy award for the hero in the war; 2. used as a container for water, wine or balsamic oils; 3. used as a food or wine container or libation cup. Dimensions of the major horse: Weight: 10 kg = 23 lb. Height: 22.5 cm = 9 in. Width: 13.6 cm = 5.5 in. Length:

Lot: 105 - Kangxi mark and period (1662-1722), large Chinese b/w porcelain charger.

Kangxi mark and period (1662-1722), large Chinese b/w porcelain charger. LARGE CHINESE BLUE & WHITE PORCELAIN CHARGER: Chinese porcelain charger, having a Ceremonial parade / festival with riders on Horseback. Underside bears a blue 6- character Kangxi (1662-1722) mark in a double circle. Approx. 2.375" h x 14.5" dia. Condition Report: condition issues to be noted. Provenance: private

Lot: 106 - 大明 Certified Chinese Jade Wine Cup: Beast on Bull, Ming dynasty

大明 Certified Chinese Jade Wine Container Beast, Standing on the Bull, Ming dynasty/Early Qing dynasty. Length: 7 in. = 17.5 cm; Height: 10 in. = 25 cm; Weight: approximately. 5-8 lb. Condition: used, normal age wear, no damage. Jade is semitransparent to light; Age: Ming dynasty (1368 - 1644). Provenance: from private collection in Florida, USA; purchased in 1980's -1990's. This jade statue is accompanied by certificate of authenticity. Condition: used, normal age wear, no damage. Jade is semitransparent to light; Low Estimate: $50,000; High Estimate: $100,000; Original: Yes;

Lot: 108 - 大清 Lying Bull, -Antique Chinese Jade Statue, Qing dynasty (1636-1912)

大清 Lying Bull, - Antique Chinese Jade Statue, Qing dynasty, 16.5 cm, 700 g. Height: 2.5 = 6 cm. Width: 6.5 = 16.5 cm. Depth: 2 = 5.5 cm Weight: 1 lb. 8 oz. = 700 g. Age: Qing Dynasty (1636-1912); Condition: fine, no defects, natural aging of jade; Low Estimate: 2000; High Estimate: 6000; Original: Yes;

Lot: 110 - 東漢 Certified Chinese Nephrite Jade Panda Bear, 36 cm, Eastern Han Dynasty 25-220 AD

東漢 Chinese Nephrite Jade Bear, 36 cm, Eastern Han Dynasty (25-220 AD). Kneeling bear with human like body. The body of the bear is covered with raised archaic images of people, animals, trees, etc. Age: Eastern Han Dynasty (25-220 AD) with Zhou Dynasty motifs (1046-256 BC). Weight: 42.0 lb. = 19 kg; Height: 14.5 in. = 36.2 cm; Width: 12” = 30 cm; Base: 7 x 8 inches = 18 x 21.5 cm: Proves of old age (all microscopic pictures x50 are available on demand): · Additive crystal planes: Additive crystal planes are the crystal planes added to the jade artifacts due to exterior materials. Needle like flat crystals are fabricated into the jade itself as a new material. Present · Cleaving veins: The cleaving veins seen inside the jade artifact are caused by the interaction of jade of the physical factors of heat and pressure. They are different from the cracks caused by percussion. Usually there are no exterior cracks for cleaving veins and exterior cracks are common phenomena for cracks caused by percussion. Present · Diffusive markings: Diffusive markings are the phenomena caused by the incremental penetration of exterior chemicals (iron, ) after the impact of heat and pressure conditions of the underground environment. Different levels of condensed of colors are seen in the jade artifacts. Present · Differential weathering: By the definition of the Random House Unabridged Dictionary, (Copyright © 1997, by Random House, Inc., ), differential weathering is the difference in degree of discoloration, disintegration, etc., of rocks of different kinds exposed to the same environment. Here we define it as the different deterioration of the surface of the traces of carving on jade artifact due to humidity, heat and chemicals in the air after a long period of time. Wrinkles are seen in the traces of carving due to differential weathering. Present at small degree. · Dissolved Pits: These are the holes caused by natural causes. Mineral crystals are seen inside the hole. These mineral crystals are impossible to imitate through artificial methods. Present at small degree. · Exposed crystal plane (mica): Exposure crystals: Exposure crystals are crystals transformed from the jade itself due to physical factors such as heat and pressure. Proves of the usage of ancient tools: jade surface has uneven traces of cuts, polishing and hand drilling. A lot of microscopic pictures (x50) are available on demand. Certificate of authenticity will be issued by Eternity Gallery. References: Similar Jade Bear was sold in USA, on Sat, Dec 10, 2011 on Live Auctioneers by Elite Decorative Arts, for $7,050,000. https://www.liveauctioneers.com/item/10346988_100-rare-eastern-han-dynasty-solid-nephrite-jade-bear

Lot: 111 - Chinese carved Honan jade vase with lid and 3 palm tree

Chinese carved Honan jade vase with lid and 3 palm trees, 16.7 cm Height with cover: 6.75 inches = 16.7 cm. Height without cover: 5 inches = 12.5 cm. Weight with cover: 1 lb. 20z. = 500 g. Age: unknown. Provenance: was purchased on American auction for $1295 on July 19, 2003 Condition: the biggest palm tree is partially broken, refer to the images; Low Estimate: 2500; High Estimate: 5000; Original: Yes;

Lot: 112 - Astonishing translucent Nephrite Chinese jade ram Qing dynasty

Astonishing Chinese antique jade translucent nephrite cup with ram head, Age: Qing dynasty or earlier. Weight: 1 lb. = 450 g. Height; 4 in.= 10.5cm. Length: 3.5 in. = 9 cm. Width: 2.75 in. = 7 cm. Age: Qing dynasty or earlier Condition: There are 2 vertical and one horizontal veins 3-5 cm long, which look like cracks, but they are absolutely stable and should be considered as natural veins; no other defects, refer to the images, please Low Estimate: 5000; High Estimate: 10000; Original: Yes

Lot: 113 - Chinese huge green antique jade/ jadeite ship 127 cm x 122 cm

Chinese huge green antique jade/ jadeite ship 127 cm x 122 cm. Length: 50 inches = 127 cm; Height: 48 inches = 122 cm; Weight: approximately 100 lb. = 45 kg; Provenance: private collection in Clearwater, FL, USA Price: $4000 - $1200

Lot: 114 - 商末-周初 Chinese Ritual Jade Wine Vessel (Zun), Late Shang - Early Zhou dynasty

商末-周初 Chinese Ritual Jade Wine Vessel (Zun), Late Shang - Early Zhou dynasty Measurements: Length; 9 inches = 22.5 cm; Height: 4 ¾ inches = 12 cm; Width: 3 ½ inches = 8.8 cm; Weight = 3 lb. 11 oz. = 1.67 kg; Estimated price = $25,000-40,000; Research and authenticity report This museum quality rare sacrificial wine vessel (known as “zun”) belongs to late Shang dynasty or early Zhou dynasty. It consists of 2 parts: the lid and the body of the vessel. Both parts were engraved with auspicious animal figures. The engravings of dragon and phoenix birds are rudimentary, compared to the more intricate design of later ages. The head of the vessel showed a ferocious rhinoceros or Tao-tie like fictitious animal from heaven with imposing teeth. Note the well-known “swirling cloud” design at the knob of the lid. Archaeological digs had found bronze wine vessels of similar design. However this is a truly rare jade ritual wine vessel of extremely fine quality. The authenticity of this vessel is supported by differential weathering, cleaving veins, dissolved pits & diffusive markings. The statue workmanship is of mastery workmanship quality. Provenance: This statue is acquired from an astute antique collector family with interest in archaeology. A seasoned antique collector, - Chinese professor from New Jersey, USA, who wishes to divest his high value estate collection.

Lot: 114A - 戰國時期 Chinese Jade Jigsaw Monkey on the horse, Warring States period

戰國時期 Jade Jigsaw Monkey on the horse, Warring States period Amazing, ten (10) pieces jade jigsaw. Height: 10.8 inches Length: 17.2 inches Provenance: from the private collection of Chinese professor from New Jersey, USA. Certified by prof. Ming Chieh Chen in 2011, as a jade carved in Warring States period (403-221 BC) with estimate value $50,000 - $55,000.

Lot: 114B - Chinese carved Jadeite turtle

Chinese carved Jadeite turtle Length: 55 mm Weight: 65 g = 2.3 oz. Age: unknown; Condition: great, no defects

Lot: 115A - Pleasant antique Chinese carved stone Buddha rectangular seal

Antique Chinese carved stone Buddha rectangular seal Height: 66 mm; Weight: 71.20 g; Mohs hardness: 2.5-3.0; Condition: Very good condition for the age, the bottom is flat. Nicely polished, pleasant to touch. Provenance: private collection in St Petersburg, Florida, USA

Lot: 117 - Carved stone transparent to light antique Chinese seal

Carved stone transparent to light antique Chinese seal Height: 75 mm; Weight: 174.19 g; Mohs hardness: 2.5 -3.0; Condition: Very good condition for the age, transparent to light, natural stone shape. Provenance: private collection in St Petersburg, Florida, USA Mohs hardness references: Soap stone: 1-2.5; Jade: 6.0 - 6.5; Jadeite: 6.5-7.0

Lot: 117A - Antique Chinese carved stone panda seal

Antique Chinese carved stone panda seal Height: 72 mm; Weight: 75.35 g; Mohs hardness: 2.5; Condition: Very good condition for the age, Provenance: private collection in St Petersburg, Florida, USA Mohs hardness references: Soap stone: 1-2.5; Jade: 6.0 - 6.5; Jadeite: 6.5-7.0

Lot: 117B - Antique Chinese Buddha carved stone cylindrical seal

Antique Chinese Buddha carved stone cylindrical seal; Height: 55 mm; Weight: 25.32 g; Mohs hardness: 2.5; Condition: Very good condition for the age; Provenance: private collection in St Petersburg, Florida, USA Mohs hardness references: Soap stone: 1-2.5; Jade: 6.0 - 6.5; Jadeite: 6.5-7.0

Lot: 117C - Multicolored carved stone Chinese Taoist rectangular seal

Multicolored carved stone Chinese Taoist rectangular seal Height: 58 mm; Weight: 46.60 g; Mohs hardness: 5.0; Condition: Very good condition for the age, Provenance: private collection in St Petersburg, Florida, USA Mohs hardness references: Soap stone: 1-2.5; Jade: 6.0 - 6.5; Jadeite: 6.5-7.0

Lot: 117D - Carved hard stone Foo Dog seal, China

Carved hard stone Foo Dog seal, China Height: 48 mm; Weight: 28.94 g; Mohs hardness: 9.0-9.5; We are not sure about the nature of the stone, but it is extremely hard. Condition: Very good condition for the age, hard stone nicely polished. Provenance: private collection in St Petersburg, Florida, USA Mohs hardness references: Soap stone: 1-2.5; Jade: 6.0 - 6.5; Jadeite: 6.5-7.0; Agate: 6.5-7.0; Rose Quartz -7.0, Carnelian: 6.5-7.0

Lot: 118 - Antique Chinese Bronze foo dog seal, Qing Dynasty, 24.75g

Antique Chinese Bronze foo dog seal, Qing dynasty, 24.75 g. Height: 25 mm; Weight: 24.75 g; Condition: Very good condition for the age, Provenance: private collection in St Petersburg, Florida, USA

Lot: 118A - Antique Chinese bronze turtle seal, Qing dynasty

Antique Chinese bronze turtle seal, Qing dynasty; Base: 18 mm x 18 mm; Weight: 27.20 g; Condition: Used, but very good condition for the age. Provenance: private collection in St Petersburg, Florida, USA

Lot: 119 - Antique carved stone carved Dragon, Chinese Grass script

Antique carved Stone carved Dragon, Chinese Grass script; Ancient Chinese Running or Grass inscriptions, Qing dynasty or earlier. Height: 3 inches = 7.8 cm = 78 mm; Base: 2 in x 1 in. inches = 49 mm x 29 mm; Weight: 8 oz. = 200 g; Approximate age: 100-1000 years old; Condition Very good, insignificant scratches, no defects; Low Estimate: 400; High Estimate: 1000; Original: Yes;

Lot: 120 - Chinese antique carved bamboo dragon boat with 18 Archats, awaiting return of Buddha

Length: 15.5 inches = 38.7 cm; Width: 6 inches = 15 cm; Weight: 2 lb. 5.7 oz. = 1064 g; In Buddhism, an Arhat (Sanskrit) or Arahant (Pali) is one who has gained insight into the true nature of existence and has achieved nirvana.[1][2] Mahayana Buddhist traditions have used the term for people far advanced along the path of Enlightenment, but who may not have reached full Buddha-hood.[3] The understanding of the concept has changed over the centuries, and varies between different schools of Buddhism and different regions. A range of views on the attainment of Arhats existed in the early Buddhist schools. The Sarvāstivāda, Kāśyapīya, Mahāsāṃghika, Ekavyāvahārika, Lokottaravāda, Bahuśrutīya, Prajñaptivāda, and Caitika schools all regarded Arhats as imperfect in their attainments compared to Buddhas.[4][5][6] Mahayana Buddhist teachings urge followers to take up the path of a bodhisattva, and to not fall back to the level of Arhats and śrāvakas.[7] The arhats, or at least the senior Arhats, came to be widely regarded by Hinayana (Theravada) Buddhists as "moving beyond the state of personal freedom to join the Bodhisattva enterprise in their own way".[3] Mahayana Buddhism regarded a group of Eighteen Arhats (with names and personalities) as awaiting the return of the Buddha as Maitreya, while other groupings of 6, 8, 16, 100, and 500 also appear in tradition and Buddhist art, especially in East Asia called luohan or lohan.[8][9] They may be seen as the Buddhist equivalents of the Christian saint, apostles or early disciples and leaders of the faith.[8]

Lot: 121 - Chinese huge yellow antique jade/ jadeite ship 127 cm x 122 cm

Chinese huge yellow antique jade/ jadeite ship 127 cm x 122 cm; Length: approximately 45 inches = 114 cm; Height: approximately 44 inches = 112 cm; Weight: approximately 100 lb. = 45 kg; Provenance: private collection in Clearwater, FL, USA

Lot: 122 - Chinese antique carved bull horn: 4 monkeys & fruit

Chinese antique carved bull horn with 4 monkeys and huge fruit Length: 10.75 in. = 27.5 cm; Weight: 163.82 g; Age: unknown; Provenance: from private collection in Florida, USA; purchased in 1980's -1990's; Condition: used, but no defects; Low Estimate: $2,500; High Estimate: $5,000; Original: Yes; Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 123 - Antique tribal, side blown, carved tusk 57 cm war trumpet, Central Africa, 19th century

Antique tribal, side blown, 57 cm tusk war trumpet, Central Africa, 19th century; Length: 57 cm = 22 inches; Weight: 790 g; An old side-blown trumpet made of ivory, with offset carved tip. On the inside of the tip is the oval mouthpiece. A very old piece, with convincing age patina (ivory naturally darkens with time). The colour ranges from honey yellow under the mouthpiece, where a carrying strap was attached for many years, to a dark red brown. Condition: used, but perfect for the age of more than 140 years old.

Lot: 124 - Antique tribal, side blown, carved tusk 103 cm war trumpet, Central Africa, 19th century

Antique tribal, side blown, 103 cm tusk war trumpet, Central Africa, 19th century; Length: 103.5 cm = 40.5 inches; Weight: 10 kg (approximate); An old side-blown trumpet made of ivory, with offset carved tip. On the inside of the tip is the oval mouthpiece. A very old piece, with convincing age patina (ivory naturally darkens with time). The colour ranges from honey yellow under the mouthpiece, where a carrying strap was attached for many years, to a dark red brown. Condition: used, there is a stable cured crack along the tusk. Otherwise great condition.

Lot: 124C - Antique carved bone bracelet of the wife of the tribal chief, Central Africa, 1850-1900

Antique ivory bracelet of the wife of the tribal chief, Central Africa, 1850-1900; Outer diameter: 108 mm; Inner diameter: 65.5 mm; Weight: 394.57 g; Provenance: old collection in Florida, USA

Lot: 125A - Chinese antique bronze dog, Taoist mythology, Qing dynasty

Chinese antique bronze dog, Taoist mythology, Qing dynasty Length: 50 mm = 5 cm Weight: 24.59 g; Provenance: private collection in St Petersburg, Florida, USA; Dogs are an important motif in Chinese mythology. These motifs include a particular dog which accompanies a hero, the dog as one of the twelve totem creatures for which years are named, a dog giving first provision of grain which allowed current agriculture, and claims of having a magical dog as an original ancestor in the case of certain ethnic groups.

Lot: 125C - Chinese antique bronze Qilin, Taoist mythology, Qing dynasty

Chinese antique bronze Qilin, Taoist mythology, Qing dynasty; Length: 72 mm; Weight: 171.11 g; Provenance: private collection in St Petersburg, Florida, USA The qilin (English: /tʃiˈlɪn/ chee-LIN; Chinese: 麒麟) is a legendary hooved chimerical creature that appears in Chinese mythology, and is said to appear with the imminent arrival or passing of a sage or illustrious ruler.[1] Qilin are a specific type of the lin mythological family of one-horned beasts. The qilin also appears in the mythologies of other Chinese-influenced cultures.

Lot: 126 - Amazing Chinese antique carved bone 觀音 Guanyin (Kwan Yin)

Amazing Chinese carved antique Ivory 觀音 Guanyin (Kwan Yin) Height: 147 mm = 14.7 cm; Weight without base: 96.27 g; Weight with base: 109.28 g; Weight of the base: 13.03 g; Guanyin is the Buddhist bodhisattva associated with compassion. ... She was first given the appellation of "goddess of Mercy" or the Mercy goddess by Jesuit missionaries in China. The Chinese name Guanyin is short for Guanshiyin, which means "[The One Who] Perceives the Sounds of the World." Guanyin, Guan Yin or Kuan Yin (/ˌɡwɑːnˈjɪn/) (Chinese: 觀音) is the most commonly used Chinese translation of the bodhisattva known as Avalokitesvara.[1] Guanyin is the Buddhist bodhisattva associated with compassion. In the East Asian world, Guanyin is the equivalent term for Avalokitesvara Bodhisattva. Guanyin also refers to the bodhisattva as adopted by other Eastern religions.[2] She was first given the appellation of "goddess of Mercy" or the Mercy goddess by Jesuit missionaries in China.[3] The Chinese name Guanyin is short for Guanshiyin, which means "[The One Who] Perceives the Sounds of the World."[4] On the 19th day of the 6th lunar month, Guan Shi Yin's attainment of Buddhahood is celebrated.[5]

Lot: 127 - Antique Chinese carved bone Doctor’s model, circa 1900's

Antique Chinese carved and polished bone Doctor’s model, circa 1900's. Depicting a reclining nude holding a peony, a flower associated with feminine beauty, spring and love. Engraving for the hair and the pupils of the eyes; otherwise an uncolored expanse of voluptuous surfaces. The young woman wears a slight smile, a necklace, two freely moving bracelets and tiny shoes on her lotus (bound) feet. Wooden base. Height: 10.5 inches = 26.5 cm. Width: 2.25 in. = 5.5 cm. Condition: excellent, rich color of cream to gold, smooth unctuous surface polished to a high hand finish. Shipping in USA only.

Lot: 128 - Pair of Chinese antique carved bone vases with 3 men design

Pair of carved bone vases with 3 men design. Height: 7.25 in = 181 mm =18.1 cm; Weight: 167.8 g (base) + 167.3 g (lid); Condition: Excellent, no defects; Low Estimate: $1,000; High Estimate: $2,000; Original: Yes;

Lot: 129 - Pair of Chinese antique carved bone vases with 2 ladies design

Pair of Chinese carved bone vases with 2 females design. Height: 7.28 in = 185 mm = 18.5 cm. Weight: 165.62 g (base) + 152.68 g (lid). Condition: Excellent, no defects; Low Estimate: $1,000; High Estimate: $2,000; Original: Yes; Shipping in USA only

Lot: 130 - Set of antique carved bone salt & pepper shakers

Set of antique carved bone salt and pepper shakers. Height of salt shaker: 58 mm; Height of pepper shaker: 70 mm; Weight of salt shaker: 31.94 g; Weight of pepper shaker: 56.57 g. Shipping in USA only.

Lot: 131 - Burmese opium weight antique bronze Chinthe lion 19 g, 1600-1885 AD

Antique Bronze Qilin 19 g, Chinese mythology, Ming to Qing dynasty(?) Weight: 19 g; Height: 27 mm; Base: 12 x 12 mm; Age: several hundred years old(?) Provenance: private collection in St Petersburg, FL The qilin (English: /tʃiˈlɪn/ chee-LIN; Chinese: 麒麟) is a legendary hooved chimerical creature that appears in Chinese mythology, and is said to appear with the imminent arrival or passing of a sage or illustrious ruler.[1] Qilin are a specific type of the lin mythological family of one-horned beasts. The qilin also appears in the mythologies of other Chinese-influenced cultures. The earliest mention of the mythical qilin is in the poem 麟之趾; Lín zhī zhǐ; 'Feet of the Lin' included in the Classic of Poetry (11th – 7th c. BCE).[2][3] Spring and Autumn Annals mentioned that a lin (麟) was captured in the 14th year of Duke Ai of Lu (魯哀公) (481 CE); Zuo Zhuan credited Confucius with identifying the lin as such.[4][5][6] The bisyllabic form qilin (麒麟 ~ 騏驎), which carries the same generic meaning as lin alone, is attested in works dated to the Warring States period (475 – 221 BCE).[7] Qi denotes the male and lin denotes the female[8] (e.g. in Shuowen Jiezi).[9][10] Legends tell that qilin have appeared in the garden of the legendary Yellow Emperor and in the capital of Emperor Yao; both events bore testimony to the benevolent nature of the rulers.[20] It has also been told that the birth of the great sage Confucius was foretold by the arrival of a qilin.[1] Qilin generally have Chinese dragon-like features: similar heads with antlers, eyes with thick eyelashes, manes that always flow upward, and beards. The body is fully or partially scaled and often shaped like an ox, deer, or horse.[19][20] They are always shown with cloven hooves.[21] While dragons in China (and thus qilin) are also most commonly depicted as golden, qilin may be of any color or even various colors, and can be depicted as bejeweled or exhibiting a jewel-like brilliance.[22] The qilin is depicted throughout a wide range of Chinese art, sometimes with parts of their bodies on fire.[21]

Lot: 131A - Burmese Opium weight viss,- antique bronze Chinthe lion, 32 g, 1600-1885 AD

Antique Bronze Qilin 32 g, Chinese mythology, Ming to Qing dynasty(?) Weight: 32.16 g; Height: 32 mm; Base: 16 mm x 16 mm; Age: several hundred years old (?); Provenance: private collection in St Petersburg, FL The qilin (English: /tʃiˈlɪn/ chee-LIN; Chinese: 麒麟) is a legendary hooved chimerical creature that appears in Chinese mythology, and is said to appear with the imminent arrival or passing of a sage or illustrious ruler.[1] Qilin are a specific type of the lin mythological family of one-horned beasts. The qilin also appears in the mythologies of other Chinese-influenced cultures. The earliest mention of the mythical qilin is in the poem 麟之趾; Lín zhī zhǐ; 'Feet of the Lin' included in the Classic of Poetry (11th – 7th c. BCE).[2][3] Spring and Autumn Annals mentioned that a lin (麟) was captured in the 14th year of Duke Ai of Lu (魯哀公) (481 CE); Zuo Zhuan credited Confucius with identifying the lin as such.[4][5][6] The bisyllabic form qilin (麒麟 ~ 騏驎), which carries the same generic meaning as lin alone, is attested in works dated to the Warring States period (475 – 221 BCE).[7] Qi denotes the male and lin denotes the female[8] (e.g. in Shuowen Jiezi).[9][10] Legends tell that qilin have appeared in the garden of the legendary Yellow Emperor and in the capital of Emperor Yao; both events bore testimony to the benevolent nature of the rulers.[20] It has also been told that the birth of the great sage Confucius was foretold by the arrival of a qilin.[1] Qilin generally have Chinese dragon-like features: similar heads with antlers, eyes with thick eyelashes, manes that always flow upward, and beards. The body is fully or partially scaled and often shaped like an ox, deer, or horse.[19][20] They are always shown with cloven hooves.[21] While dragons in China (and thus qilin) are also most commonly depicted as golden, qilin may be of any color or even various colors, and can be depicted as bejeweled or exhibiting a jewel-like brilliance.[22] The qilin is depicted throughout a wide range of Chinese art, sometimes with parts of their bodies on fire.[21]

Lot: 131B - Burmese opium weight - antique bronze Chinthe lion 55 g, 1600-1885 AD

Antique Bronze Qilin 55 g, Chinese mythology, Ming to Qing dynasty (?) Weight: 55.23 g; Height: 41 mm; Base: 22 mm x 19 mm; Age: several hundred years old (?) Provenance: private collection in St Petersburg, FL The qilin (English: /tʃiˈlɪn/ chee-LIN; Chinese: 麒麟) is a legendary hooved chimerical creature that appears in Chinese mythology, and is said to appear with the imminent arrival or passing of a sage or illustrious ruler.[1] Qilin are a specific type of the lin mythological family of one-horned beasts. The qilin also appears in the mythologies of other Chinese-influenced cultures. The earliest mention of the mythical qilin is in the poem 麟之趾; Lín zhī zhǐ; 'Feet of the Lin' included in the Classic of Poetry (11th – 7th c. BCE).[2][3] Spring and Autumn Annals mentioned that a lin (麟) was captured in the 14th year of Duke Ai of Lu (魯哀公) (481 CE); Zuo Zhuan credited Confucius with identifying the lin as such.[4][5][6] The bisyllabic form qilin (麒麟 ~ 騏驎), which carries the same generic meaning as lin alone, is attested in works dated to the Warring States period (475 – 221 BCE).[7] Qi denotes the male and lin denotes the female[8] (e.g. in Shuowen Jiezi).[9][10] Legends tell that qilin have appeared in the garden of the legendary Yellow Emperor and in the capital of Emperor Yao; both events bore testimony to the benevolent nature of the rulers.[20] It has also been told that the birth of the great sage Confucius was foretold by the arrival of a qilin.[1] Qilin generally have Chinese dragon-like features: similar heads with antlers, eyes with thick eyelashes, manes that always flow upward, and beards. The body is fully or partially scaled and often shaped like an ox, deer, or horse.[19][20] They are always shown with cloven hooves.[21] While dragons in China (and thus qilin) are also most commonly depicted as golden, qilin may be of any color or even various colors, and can be depicted as bejeweled or exhibiting a jewel-like brilliance.[22] The qilin is depicted throughout a wide range of Chinese art, sometimes with parts of their bodies on fire.[21]

Lot: 131C - Burmese opium weight antique bronze Chinthe lion 78 g, 1600-1885 AD

Antique Bronze Qilin 78 g, Chinese mythology, Ming to Qing dynasty (?) Weight: 77.77 g; Height: 45 mm; Base: 25 mm x 21 mm; Not attracted to the magnet; Age: several hundred years old; Provenance: private collection in St Petersburg, FL The qilin (English: /tʃiˈlɪn/ chee-LIN; Chinese: 麒麟) is a legendary hooved chimerical creature that appears in Chinese mythology, and is said to appear with the imminent arrival or passing of a sage or illustrious ruler.[1] Qilin are a specific type of the lin mythological family of one-horned beasts. The qilin also appears in the mythologies of other Chinese-influenced cultures. The earliest mention of the mythical qilin is in the poem 麟之趾; Lín zhī zhǐ; 'Feet of the Lin' included in the Classic of Poetry (11th – 7th c. BCE).[2][3] Spring and Autumn Annals mentioned that a lin (麟) was captured in the 14th year of Duke Ai of Lu (魯哀公) (481 CE); Zuo Zhuan credited Confucius with identifying the lin as such.[4][5][6] The bisyllabic form qilin (麒麟 ~ 騏驎), which carries the same generic meaning as lin alone, is attested in works dated to the Warring States period (475 – 221 BCE).[7] Qi denotes the male and lin denotes the female[8] (e.g. in Shuowen Jiezi).[9][10] Legends tell that qilin have appeared in the garden of the legendary Yellow Emperor and in the capital of Emperor Yao; both events bore testimony to the benevolent nature of the rulers.[20] It has also been told that the birth of the great sage Confucius was foretold by the arrival of a qilin.[1] Qilin generally have Chinese dragon-like features: similar heads with antlers, eyes with thick eyelashes, manes that always flow upward, and beards. The body is fully or partially scaled and often shaped like an ox, deer, or horse.[19][20] They are always shown with cloven hooves.[21] While dragons in China (and thus qilin) are also most commonly depicted as golden, qilin may be of any color or even various colors, and can be depicted as bejeweled or exhibiting a jewel-like brilliance.[22] The qilin is depicted throughout a wide range of Chinese art, sometimes with parts of their bodies on fire.[21]

Lot: 131D - Burmese opium weight antique bronze Chinthe lion 111 g, 1600-1885 AD

Antique Bronze Qilin 111 g, Chinese mythology, Ming to Qing dynasty (?) Weight: 110.90 g; Height: 50 mm; Base: 30 mm x 25 mm; Not attracted to the magnet; Age: several hundred years old; Provenance: private collection in St Petersburg, FL The qilin (English: /tʃiˈlɪn/ chee-LIN; Chinese: 麒麟) is a legendary hooved chimerical creature that appears in Chinese mythology, and is said to appear with the imminent arrival or passing of a sage or illustrious ruler.[1] Qilin are a specific type of the lin mythological family of one-horned beasts. The qilin also appears in the mythologies of other Chinese-influenced cultures. The earliest mention of the mythical qilin is in the poem 麟之趾; Lín zhī zhǐ; 'Feet of the Lin' included in the Classic of Poetry (11th – 7th c. BCE).[2][3] Spring and Autumn Annals mentioned that a lin (麟) was captured in the 14th year of Duke Ai of Lu (魯哀公) (481 CE); Zuo Zhuan credited Confucius with identifying the lin as such.[4][5][6] The bisyllabic form qilin (麒麟 ~ 騏驎), which carries the same generic meaning as lin alone, is attested in works dated to the Warring States period (475 – 221 BCE).[7] Qi denotes the male and lin denotes the female[8] (e.g. in Shuowen Jiezi).[9][10] Legends tell that qilin have appeared in the garden of the legendary Yellow Emperor and in the capital of Emperor Yao; both events bore testimony to the benevolent nature of the rulers.[20] It has also been told that the birth of the great sage Confucius was foretold by the arrival of a qilin.[1] Qilin generally have Chinese dragon-like features: similar heads with antlers, eyes with thick eyelashes, manes that always flow upward, and beards. The body is fully or partially scaled and often shaped like an ox, deer, or horse.[19][20] They are always shown with cloven hooves.[21] While dragons in China (and thus qilin) are also most commonly depicted as golden, qilin may be of any color or even various colors, and can be depicted as bejeweled or exhibiting a jewel-like brilliance.[22] The qilin is depicted throughout a wide range of Chinese art, sometimes with parts of their bodies on fire.[21]

Lot: 131E - Burmese opium weight antique bronze Chinthe lion 218 g, 1600-1885 AD

Antique Bronze Qilin 218 g, Chinese mythology, Ming to Qing dynasty (?) Weight: 218.50 g; Height: 50 mm; Base: 30 mm x 25 mm; Not attracted to the magnet; Age: several hundred years old; Provenance: private collection in St Petersburg, FL The qilin (English: /tʃiˈlɪn/ chee-LIN; Chinese: 麒麟) is a legendary hooved chimerical creature that appears in Chinese mythology, and is said to appear with the imminent arrival or passing of a sage or illustrious ruler.[1] Qilin are a specific type of the lin mythological family of one-horned beasts. The qilin also appears in the mythologies of other Chinese-influenced cultures. The earliest mention of the mythical qilin is in the poem 麟之趾; Lín zhī zhǐ; 'Feet of the Lin' included in the Classic of Poetry (11th – 7th c. BCE).[2][3] Spring and Autumn Annals mentioned that a lin (麟) was captured in the 14th year of Duke Ai of Lu (魯哀公) (481 CE); Zuo Zhuan credited Confucius with identifying the lin as such.[4][5][6] The bisyllabic form qilin (麒麟 ~ 騏驎), which carries the same generic meaning as lin alone, is attested in works dated to the Warring States period (475 – 221 BCE).[7] Qi denotes the male and lin denotes the female[8] (e.g. in Shuowen Jiezi).[9][10] Legends tell that qilin have appeared in the garden of the legendary Yellow Emperor and in the capital of Emperor Yao; both events bore testimony to the benevolent nature of the rulers.[20] It has also been told that the birth of the great sage Confucius was foretold by the arrival of a qilin.[1] Qilin generally have Chinese dragon-like features: similar heads with antlers, eyes with thick eyelashes, manes that always flow upward, and beards. The body is fully or partially scaled and often shaped like an ox, deer, or horse.[19][20] They are always shown with cloven hooves.[21] While dragons in China (and thus qilin) are also most commonly depicted as golden, qilin may be of any color or even various colors, and can be depicted as bejeweled or exhibiting a jewel-like brilliance.[22] The qilin is depicted throughout a wide range of Chinese art, sometimes with parts of their bodies on fire.[21]

Lot: 131F - Burmese opium weight bronze Chinthe lion 314 g, 1600-1885 AD

Antique Bronze Qilin 314 g, Chinese mythology, Ming to Qing dynasty (?) Weight: 314.59 g; Height: 70 mm; Base: 35 x 35 mm; Age: several hundred years old; Not attracted to the magnet; Provenance: private collection in St Petersburg, FL The qilin (English: /tʃiˈlɪn/ chee-LIN; Chinese: 麒麟) is a legendary hooved chimerical creature that appears in Chinese mythology, and is said to appear with the imminent arrival or passing of a sage or illustrious ruler.[1] Qilin are a specific type of the lin mythological family of one-horned beasts. The qilin also appears in the mythologies of other Chinese-influenced cultures. The earliest mention of the mythical qilin is in the poem 麟之趾; Lín zhī zhǐ; 'Feet of the Lin' included in the Classic of Poetry (11th – 7th c. BCE).[2][3] Spring and Autumn Annals mentioned that a lin (麟) was captured in the 14th year of Duke Ai of Lu (魯哀公) (481 CE); Zuo Zhuan credited Confucius with identifying the lin as such.[4][5][6] The bisyllabic form qilin (麒麟 ~ 騏驎), which carries the same generic meaning as lin alone, is attested in works dated to the Warring States period (475 – 221 BCE).[7] Qi denotes the male and lin denotes the female[8] (e.g. in Shuowen Jiezi).[9][10] Legends tell that qilin have appeared in the garden of the legendary Yellow Emperor and in the capital of Emperor Yao; both events bore testimony to the benevolent nature of the rulers.[20] It has also been told that the birth of the great sage Confucius was foretold by the arrival of a qilin.[1] Qilin generally have Chinese dragon-like features: similar heads with antlers, eyes with thick eyelashes, manes that always flow upward, and beards. The body is fully or partially scaled and often shaped like an ox, deer, or horse.[19][20] They are always shown with cloven hooves.[21] While dragons in China (and thus qilin) are also most commonly depicted as golden, qilin may be of any color or even various colors, and can be depicted as bejeweled or exhibiting a jewel-like brilliance.[22] The qilin is depicted throughout a wide range of Chinese art, sometimes with parts of their bodies on fire.[21]

Lot: 133 - Pair of cats and butterflies by 禄川 Lu Chuan, Qing Dynasty. Chinese antique silk scroll painting

Pair of cats and butterflies by Lu Chuan, Qing Dynasty. Chinese antique silk scroll painting Beautiful Chinese antique scroll painting on silk, signed. -Name of the artist is Lu Chuan, Chinese characters 禄川. -The year of the painting was made? -It shows Ren Yin year summer time, Ren Yin year means 60 years a circle, should be 1902 or 1842 or 1782. -What is written above the red seal? -The seal is Lu Chuan, the two Chinese characters, usually the painters name is in the seal. -The words above seal is Ren Yin, Xia Xue Yu, Xiang Jiang, Lu Chuan, means the paintings was made by Lu Chuan in Ren Yin year summer time at Xiang Jiang area. Measures: scroll 70 x 21 inches = 178 cm x 53.5 cm; Heart size of the painting: 44 x 18 inches = 112 cm x 45.75 cm; Condition: Good, showing minor losses and wear consistent with age. The lower end of the scroll was damaged and repaired.

Lot: 134 - 天照皇大神 Calligraphy, by 神宫 Sheng Gong - Chinese paper scroll painting

天照皇大神 Calligraphy, by 神宫 Sheng Gong - Chinese paper scroll painting The characters are 天照皇大神 which means God bless royal people one seal is 神宫之章 – Chapter of the Shrine. another seal is 皇大神宫御玺- Imperial Seal of the Imperial Shrine. The two seals are classic seals used by 神宫 (Sheng Gong) temple, which is a famous royal temple in Japan, still available now. Called Seitenkyū in Japanese, Sheng Tian Gong is the largest Taoist temple in Japan. Its name translates to "Holy Celestial Palace," and can alternately be spelled as "Xien Ten Gong." Sheng Tian Gong was founded by a Toaist priest named Kang Kuo-Den, who was stricken with an incurable illness in his early forties. He credited his Taoist meditations for his miraculous recovery and, in a gesture of gratitude, wanted to build a place of worship, salvation and protection. The location for his temple was revealed to him in a dream, as was the name and design of the building. Construction began in 1981 and lasted for 15 years until its completion in the autumn of 1995. Image Size: 34 x 11.75 inches = 86.4 cm x 29.8 cm; Overall Unrolled Size: 61 x 16.5 inches = 155 cm x 42 cm; - Can be rolled for shipping purposes. Condition Report: used, but no defects.

Lot: 135 - Artist 瑞景 Ruijing, 溪山铮趣 Mountain and River Fun, antique Chinese silk scroll painting, certified

Antique Chinese silk scroll painting, signed Signed, antique Chinese silk scroll painting. Original watercolor/ink painting. Signed upper left. Artist seal lower left. Image size: 43 x 14.5 inches = 109.2 cm x 36.8 cm; Overall Unrolled Size: 77 x 19.5 inches = 195.6 cm x 49.5 cm; - Can be rolled for shipping purposes. Condition: antique but good condition, needs one bone end Catalogue # 6400 Ali

Lot: 136 - Chinese paper scroll painting: Love date

Chinese paper scroll painting: Love date; Size of the paper painting: 48 x 23 inches; Size of scroll: 73 x 27 inches; Roll ends: wood; Condition: Very good, a lot of horizontal folds, dirt on the old paper, some loss of paint; Research under x50 magnification: hand painted Age: unknown

Lot: 137 - Artist- Ze Sun, 清朝-明朝: Zhang Fei punishing Du You, Qing dynasty, certified Chinese painting on silk.

清朝-明朝 Chinese painting on silk, Artist- Zesun, Qing dynasty. Certified by Dr. Qing Chang, Ph.D. Description: Scene depicts a man being tortured, Water-color and ink on silk, sight size is 13" x 13" = 32.5 cm x 32.5 cm. Signed upper right. Exceptional detail in the features of the figures. Encased in wooden frame that measures 17" x 16.50" = 42.5 cm x 41.25 cm; Opinion

Lot: 139 - 砚台 Antique Chinese ink stone with famous poem - Feng Qiao Ye Bo 枫桥夜泊, by the author - Zhang Ji 张继, from the Tang dynasty

砚台 Antique Chinese ink stone with a poem Size: 13 cm x 7.5 cm x 2 cm; Weight: 470 g; 1 lb. 0.5 oz. Mohs hardness: 5.5; This ink stone is from China, and would have been used to grind hardened 'inksticks' of pigment into paint through a process of rubbing and mixing with water. The ink stone is of rectangular form, and features a rectangular inkwell + bell shaped well, which is where

Lot: 140 - Calligraphy 18 characters, Chinese antique scroll painting on paper

Calligraphy 18 characters, Chinese scroll painting on paper Description: Image Size: 53 in x 22 inches = 134.6 cm x 56 cm Overall Unrolled Size: 75 in x 26 inches = 190.5 cm x 66 cm. - Can be rolled for shipping purposes. Condition Report: antique, but no defects. Provenance: private collection of trusted Chinese scholar in Sarasota, Florida, USA

Lot: 141 - Man on the bridge, attributed to Jin Cheng - (1878-1926), Chinese scroll painting on silk#P001883:

Chinese scroll painting on silk -Man on the bridge, in the manner of Jin Cheng - (1878-1926), #P001883: Scroll: 86 inches x 23 inches = 218 cm x 58 cm; Painting: 51 inches x 17 inches = 130 cm x 43 cm; Artist name: Jin Cheng (silk painting) (1878～1926), originally from Zhejiang province; Auction results: 14 paintings sold from $2,000 up to $108,000, on average - $5,000-$50,000. Material: Hand-painted ink and colors on silk; Condition: Excellent, refer to insignificant creases;

Lot: 142 - 王晓蔚印 Wang Xiaowei Yin, - “"Ancient people and crane"”, Chinese scroll painting

“Ancient people and crane”, by Wang Xiaowei, Chinese scroll painting 80”x 28 inches. Materials: ink, watercolors, hand painted on paper Signed: seal unknown Scroll: = 70” x 22” inches = 175 cm x 55 cm Painting: 38” x 19” = 95 cm x 47.5 cm Age: unknown. The characters in Chinese could be written under moon in autumn of the Chinese cyclic year of Gui Wei (...1823, 1883, 1943, 2003) by Xiao Wei. The seal can be read as the seal of Wang Xiaowei. The other seal can be identified as fragrant wind and fine rain. Condition report: almost perfect. Refer to insignificant creases, stains, aging and imperfections; Shipping in USA and overseas: We suggest USPS Priority.

Lot: 143 - 王素 Wang Su (1794-1877): famous artist in late Qing dynasty, Chinese antique scroll painting on paper – Mountains, Certified

王素 Wang Su (1794-1877): famous artist in late Qing dynasty, Chinese antique scroll painting on paper – Mountains, Certified 就船买得鱼偏美，踏雪沽来酒更香, which means “the fish bought on the boat is better, and the wine is more fragrant when receiving on snowing days”. 丙舍旁启 雅正 弟王素 Chinese classic saying – “Bing She Bang Qi” which means “Life happiness or truth usually comes from surprises”. 王素（Wang Su）1794-1877：a very famous artist in late Qing dynasty. The red stamp is 小亭赤字素僕, which means - the artist is with very peaceful mind for life and achievements. Mountains Chinese Scroll Painting Description: Image Size: 52 x 12.5 inches = 132 cm x 31.75 cm; Overall Unrolled Size: 78.5 x 16.5 inches = 199.39 cm x 41.91 cm; Can be rolled for shipping purposes. Old style wet mounting on rice paper. Condition: several creases and repairs. Certified by Chinese art expert from Jingdezhen, China. AUCTION RESULTS: Other paintings of Wan Su were sold on different auctions for $30,000 USD, $25,600 USD, $15,000 USD, $8,960 USD, and $8,000 USD.

Lot: 144 - 壬午岁阑 悲鸿 贵阳客中 Xu Beihong (1895-1953) Chinese magpie, paper scroll painting, certified

壬午岁阑 悲鸿 贵阳客中 Xu Beihong (1895-1953) Chinese magpie, paper scroll painting, certified. The characters are 壬午岁阑 悲鸿 贵阳客中 壬午岁阑 means the end of Ren Wu year (the year of every 60 years is called Ren Wu year), here should be 1942. 悲鸿 is the painter's name 徐悲鸿 Xu Beihong (1895-1953), he is a very famous artist in China. 贵阳客中 means during the stay in Gui Yang city of China. one seal is 江南布衣 , another seal is 东海王孙; the third round seal is 悲鸿 ; The three seals are classic seals used by Xu Beihong. The three handwritten characters are 徐悲鸿 Xu Beihong, the artist name. Description: Image Size: 40 x 20 inches = 101.6 cm x 50.8 cm. Overall Unrolled Size: 87 x 25.5 inches = 221 cm x 64.8 cm. - Can be rolled for shipping purposes. Condition Report: excellent for the age, no defects, painted on thick paper, which has a rectangular cellular structure. Microscopic photos with magnification x50 are attached. Certified by an art expert from China. Catalogue # BS 20881. Certified by Chinese art expert from Jingdezhen, China. Auction results: Sold total approximately 370 paintings: 11 paintings sold for $1,024,000 USD - $3,200,000 USD. 15 painting sold between $512,000 and $896,000 USD.

Lot: 145 - 然发书 Ran Fa, Calligraphy - 10 characters: 气清观宇宙，畅怀叙幽情 Chinese Scroll Painting

然发书 Ran Fa, Calligraphy 10 characters: 气清观宇宙，畅怀叙幽情 Chinese Scroll Painting The characters are 气清观宇宙，畅怀叙幽情 （this is a poem about broad mind and heart) 癸酉年夏日 （summer day of Gui You year which is the year of every 60 years). 然发书 = wrote by Ran Fa. The characters on the back of the sroll are 气清观宇宙 (half part of above poem). Description: Image Size: 47 x 21.25 inches = 119.38 x 54 cm; Overall Unrolled Size: 76 x 25 inches = 193 cm x 63.5 cm; - Can be rolled for shipping purposes. Condition Report: used, but no defects.

Lot: 146 - 指挥若定 – “Command with confidence”, Chinese antique painting paper scroll

指挥若定 – “Command with confidence”, Chinese antique painting paper scroll Chinese Hanging Silk Scroll with Frolicking Children. Depicts a vibrant hillside where five children play a game together. Characters vertically in the middle left roughly translates the title to: "Command with Confidence." Two red seals of the artist - next to the message. Condition: Minor spotting throughout. Commensurate with age. Provenance: Chicago, Illinois, USA Size: 37 3/4 x 14 3/8 in.

Lot: 147A - Chinese Watercolor Scroll painting, 王震 Wang Zhen (1867-1938), certified

Chinese Watercolor Scroll painting, 王震 Wang Zhen (1867-1938), certified. The characters are: 拒霜蜀锦艳秋江，闲鹭窥鱼立钓矼，云锦为裳雪为羽，西风一路倚篷窗 This is a poem about beautiful lake view. 王震 (this is the painter name Wang Zhen )： (1867-1938). one seal is 一亭父; another seal is 王震大利 ; These two seals are all seals usually used by Wang Zhen. A successful Shanghai businessman as well as a devout Buddhist, Wang Zhen is best known for his paintings of Buddhist figures in the calligraphic brush manner of his mentor, Wu Changshi (1844–1927). Watercolor scroll painting. Signed upper right and verso. Provenance: Private Sonoma California collection. Image Size: 53.5 x 27 inches = 136 cm x 69 cm; Overall Unrolled Size: 78 x 31.25 inches = 198 cm x 79 cm; - Can be rolled for shipping purposes. Certified by Chinese art expert from Jingdezhen, China. Similar style painting about Buddhism is exhibited in Metropolitan Museum. https://www.metmuseum.org/art/collection/search/41504 270 paintings were sold on different auctions. 30 paintings were sold between $25,600 USD and 76,800 USD;

Lot: 150 - Qianlong period, Bingshen year (1780 AD), He Jing Ai Mei story, porcelain plaque. Certified. 名称：乾隆丙申年作和靖爱梅人物故事粉彩瓷板画

Qianlong period, Bingshen year (1780 AD), famille rose, He Jing Ai Mei story, porcelain plaque. Certified. 名称：乾隆丙申年作和靖爱梅人物故事粉彩瓷板画. 年代：乾隆丙申年. Age: 45th year of Qianlong Emperor period: 1780 AD; 质地 Material：瓷器 Porcelain; 尺寸 Dimensions：10 x 15.5 inches = 25.4 cm x 39.37 cm; Weight: 1451 g = 1 kg 451 g Qianlong Bingshen Zuo famille rose He Jing Ai Mei story porcelain plaque. This porcelain plaque is inscribed with the theme of He Jing Ai Mei, and the specific time and place of painting, which is painted in Zhushan area, on the third day of the middle period, of the second month, of summer in Bing Shen year, of Qian Long period. The picture is so vivid, Lin Hejing and his personal servant are sitting on the ground, and the plum blossoms are placed beside them. The whole is well preserved and has a high collector's value. Lin Hejing was a famous poet of the Song Dynasty, and his love for plum blossoms reached the level of obsession. He lived a simple life, living alone in the lonely mountain of West Lake, surrounded by plum blossoms. Lin Hejing expressed his deep feelings for plum blossoms through Yongmei's poems, such as "sparse shadows and horizontal slopes, clear water, dark fragrance floating moon dusk", these poems not only depict the beauty of plum blossoms, but also entrust Lin Hejing's pursuit of noble, tenacious and noble spirit. His attitude and way of behaving, such as the company of plum blossoms and the communication of his existence through the raising of cranes, embody a philosophy of life that is detached from the world and pursues spiritual freedom. Lin Hejing's allusion to "Plum Wife and Crane" not only left a deep imprint on the history of Chinese literature, but his poetry and personality also influenced later generations of literati and writers. His attitude to life and love of nature became a symbol of an ideal life. His poems have been widely praised, especially the sentence "The shadow is sparse and the water is shallow, and the dark fragrance floats in the dusk of the moon", which has become a classic poem describing plum blossoms. The moral of Lin Hejing Aimei is to pursue the spiritual realm of purity, tenacity and purity. Lin Hejing's life was very simple, he never got married, and made a living from the money from selling plums. He planted a large number of plum blossoms on the lonely mountain, and whenever the plum blossoms were in full bloom, he would chant poetry alone in the plum garden and enjoy the time with plum blossoms. His poems are full of love for plum blossoms and awe of nature, among which the sentence "sparse shadows and horizontal slopes, clear water, dark fragrance floating moon dusk" has become a classic sentence for writing plums. Provenance: private collection in Sarasota, FL, USA.

Lot: 151 - Attributed to 張大千 Zhang Daqian (1899-1983), (CHANG DAI-CHIEN), Pair of Chinese scroll paintings: “Scholar under a tree”, attributed

Attributed to 張大千 Zhang Daqian (1899-1983), (CHANG DAI-CHIEN), Pair of Chinese scroll paintings: “Scholar under a tree”. Heart size of each painting: 52.5” x 17.25” inches = 133.3 x 43.8 cm; Size of each scroll: 73”x 20.6” = 185.4 cm x 52.32 cm; Roller length: 23.85” = 60.6 cm; Roller ends: old brown wood. Paper yellowish, 50-80 years old. Biography: Chang Dai-Chien or Zhang Daqian (Chinese: 张大千; Wade–Giles: Chang Ta-ch'ien; 10 May 1899 – 2 April 1983) was one of the best-known and most prodigious Chinese artists of the twentieth century. Originally known as a guohua (traditionalist) painter, by the 1960s he was also renowned as a modern impressionist and expressionist painter. In addition, he is regarded as one of the most gifted master forgers of the twentieth century. Auction results: Sold 30 paintings from $24,575,213 to $2,966,107; Sold 30 paintings from $2,822,046 to $1,439,063; Sold 30 paintings from $1,405,235 to $988,488; Sold 30 paintings from $979,086 to $776,898; Sold 210 paintings from $774,326 to $267,541

Lot: 152 - Attributed to 郞世寧 Chinese scroll silk painting “White Eagle on the rock”, signed Lang Shining, (Giuseppe Castiglione) 1725 AD.

郞世寧 Chinese scroll silk painting “White Eagle on the rock”, signed Lang Shining, (Giuseppe Castiglione) 1725 AD. Giuseppe Castiglione, S.J. (simplified Chinese: 郞世宁; traditional Chinese: 郞世寧; pinyin: Láng Shìníng; 19 July 1688 – 17 July 1766), was an Italian Jesuit brother and missionary in China, where he served as an artist at the imperial court of three Qing emperors – the Kangxi, Yongzheng and Qianlong emperors. He painted in a style that is a fusion of European and Chinese traditions. Chinese scroll painting of an eagle on silk, signed Lang Shining. The first painting characters: 乙已秋月臣郎世宁恭绘 yǐ yǐ qiū yuè chén láng shì níng gōng huì. This means artist Lang Shining paint this in autumn of Yi yǐ year (1725AD). “Courteously painted by Yiji Qiuyuechen Lang Shining” 11 seals altogether: One large square seal - on the top: 太上皇帝之宝 - Tai Shang Huang Di Zhi Bao (this seal is from Qian Long Emperor period) The Supreme Emperor's Treasure. Emperors usually have a lot of stamps, this stamp belongs to the emperor, and this seal means the emperor like this painting. 1 rectangular – upper left; 御书房鉴藏宝- Yu Shu Fang Jian Cang Bao (this seal is also from emperors in Qing Dynasty) Imperial Study Room Appraisal of Treasures 1 round – middle left; 2 square – lower left under the characters: 臣世宁 - Cheng ShiNing; 恭画-Gong Hua; the two seals belong to Lang Shining, 臣Cheng and 恭 Gong are respectful words to emperor. 1 large square – lower left; 1 round – upper right (in the tree); 古稀天子- Gu Xi Tian Zi (this seal is also from Qian Long Emperor), just means good emperor. 1 round small - in the needles, upper right center; 1 rectangular left corner; 1 oval in the center; The seal in second picture is: 鉴古 -Jian Gu = Appreciating the past; 1 rectangular – middle right; Heart size of the painting: 16“x 36” inches = 40.6 cm x 91.4 cm; Size of the scroll: 24” x 86” inches = 61 cm x 218.4 cm; Roller length: 27.75”= 70.5 cm; Roller ends: brown wood; Luxury mounting, very pleasant smell, paper has several aging or water spots 3-6 mm in diameter. Also paper has tiny horizontal ribs with 0.5 mm step, which is a sign of antique paper used in 17th and 18th centuries. Potentially age of the paper is over 200 years old. This is a rare case, where antiquity is preserved in excellent condition. The last several images represent microscopic photos with x50 magnification, proving that it is hand-painted, and not - a print.

Lot: 154 - 趙孟頫; Zhao Mengfu (1254-1322 AD) of the Yuan Dynasty, “Horse inspection”, - Large antique Chinese painting

趙孟頫; Zhao Mengfu (1254-1322 AD) of the Yuan Dynasty, “Horse inspection”, - Large antique Chinese painting. The painting itself is surrounded by inscriptions by Zhao Mengfu. The painting was framed under glass, many years ago. It appears to be in ink and color on silk; may be laid down on board (I have not had it out of the frame). Some toning and minor cracks in

Lot: 154A - Guanyin Goddess, signed by Li Gonglin (1049-1106 AD), Song dynasty period, certified Chinese scroll painting on silk

GuanYin Buddha, painted & signed by Li Gonglin (1049-1106 AD), Song dynasty period, certified Chinese scroll painting on silk Painting: 51.6” x 26.35” = 131 cm x 67 cm; Scroll: 90” x 32” = 228 cm x 81.3 cm; Length of the roll: 33.5” = 85 cm; Six red seals/stamps (2 large square – upper middle, 1 square -lower right, 1 similar square-lower left,

Lot: 155 - Attributed to 于非闇 Yu Fei An (1888-1959) painting of a peacock, with calligraphy, Chinese scroll

于非闇 Yu Fei An (1888-1959) silk painting of a peacock, with calligraphy, Chinese scroll Painting: 50” x 26”= 127 cm x 66 cm; Scroll: 83” x 30.5“= 211 cm x 77.5 cm; Roller: 34” = 86 cm; Roller ends: black wood; Auction prices for original: $10,000 - $100,000 USD; Condition: perfect for the age. Biography: Yu Fei'an was born in Beijing in 1889. Educated in Beijing Normal University. Lived in Taiwan. Died July 3, 1989. Has works collection in are Ashmolean Museum, Museum of Fine Arts Boston, Taipei Fine Arts Museum. 于非闇（1889年4月21日—1959年7月3日[1][2]），满族，初名魁照，后改名照，字仰枢，别署非闇，又号非厂、老非、闲人[3]。祖籍山东蓬莱，生於北京，清末贡生[1]，是中华民国和中华人民共和国工笔花鸟画家、书法家[3]，北京市一、二、三届人大代表[2]。 Yu Fei'an (April 21, 1889 - July 3, 1959[1][2]) was a Manchu. His first name was Kuizhao, and later he was renamed Zhao. His courtesy name was Yangshu, and his alias was Fei'an, also known as Feichang and Feichang. Laofei, idler [3]. His ancestral home is Penglai, Shandong, and he was born in Beijing. He was a Gongsheng student in the late Qing Dynasty[1]. He is a meticulous flower-and-bird painter and calligrapher in the Republic of China and the People's Republic of China[3], and a representative of the first, second and third Beijing Municipal People's Congress[2]

Lot: 156 - 姑苏繁华图 Prosperous Su Zhou city, by Xu Yang 徐扬 (1750-1776), Chinese scroll painting, Giclee print 12 meters

姑苏繁华图 Prosperous Su Zhou city, by Xu Yang 徐扬 (1750-1776), Chinese scroll painting, Giclee print 12 meters This name of the painting is 姑苏繁华图 Gu Su Fan Hua Tu, which means “Beautiful rich Su Zhou city”. Prosperous Suzhou is a handscroll, a long narrow scroll for displaying a series of scenes. It is

Lot: 157 - Fan Jialin 汎加琳 Framed Chinese watercolor painting, signed, 76 x 37 cm

Framed Chinese watercolor painting, signed, sealed. Three characters are the name of the artist, Fan Jialin 汎加琳, and the seal also is his name with the same 3 characters. Painting size: 23 in. x 11 in. = 57.5 cm x 27.5 cm; Frame size: 30.5 in. x 15 in. = 76.25 cm x 37.5 cm; Condition: Perfect, - preserved under glass; Best wishes, Qing Chang Framed Chinese watercolor painting, ink and color on paper; inscribed and signed with one artist seal; Painting size: 23 in. x 11 in. = 57.5 cm x 27.5 cm; Frame size: 30.5 in. x 15 in. = 76.25 cm x 37.5 cm; Condition: Perfect, - preserved under glass; Condition Perfect, - preserved under glass. Low Estimate: 600; High Estimate: 2000; Original: Yes;

Lot: 158 - Taoist Priest 道士, Antique Chinese oil painting on canvas, Qing dynasty

A daoshi (道士 "master of the Tao"), translated as Taoist priest, Taoist monk, Taoist master or Professional Taoist, is a priest in Taoism. Along with Han Chinese priests, there are also many practicing ethnic minority priests in China.[1] Some orders are monastic (Quanzhen orders), while the majority are not (Zhengyi orders). Some of the monastic orders are hermitic, and their members practice seclusion and ascetic lifestyles in the mountains, with the aim of becoming xian, or immortal beings. Non-monastic priests live among the populace and manage and serve their own temples or popular temples. The activities of the Taoists tend to be informed by materials which may be found in the Daozang, or Daoist Canon; however, Taoists generally choose, or inherit, specific texts which have been passed down for generations from teacher to student, rather than consulting published versions of these works. Beautiful Chinese painting: Oil on Canvas on Board, Heart/sight size 22" x 13.5"= 56 cm x 34.3 cm; Size with frame, 24" x 16" = 61 cm x 40.6 cm; Weight with a frame: 1645 g = 3 lb. 10 oz. Condition Report: Canvas has cracks scattered throughout. Provenance: Bought on the auction in Florida, USA, originally - from private collection in Florida, USA

Lot: 159 - Qian Hui An, "Three wise men talking", Chinese hanging scroll painting

Chinese hanging scroll painting, -Three wise men, - attributed to Qian Hui An (1833-1911) #P001615. Scroll size: 72” x 17.4” = 180 cm x 43.5 cm Painting size: 25.5” x 9.8” inches = 64 cm x 24.7 cm Material: ink and water colors on paper Condition: Good, refer to several aging creases, some repaired tears near wooden bars Hand-painted (verified under x100-magnification microscope). Auction results: from $1153 up to $37065 (from 1 thousand to 37 thousand dollars) $37065, $23166, $19293, $15444, $12500, $11254, $11119, $10625; $8870, $6563, $5627, $5240, $4942, $4180, $3600, $2895, $2129, $1209, $1153

Lot: 160 - Chinese hanging scroll painting, Stranger, - attributed to Xiao Qian Zhong #P001896

Chinese hanging scroll painting, Stranger, - attributed to Xiao Qian Zhong, #P001896. Painting size: 54 x 19 inches = 135 cm x 47.5 cm; Scroll size: 77 x 25 inches = 192 cm x 62 cm; Material: ink, water colors on paper; Hand painted (verified microscopically, under x 100 magnification); Ends: wood; Condition: very good, refer to several horizontal creases;

Lot: 160A - Chinese paper scroll painting Teacher and 3 disciples

Chinese paper scroll painting Teacher and 3 disciples; Size of the paper painting: 50 x 23 inches = 125 cm x 59 cm; Size of scroll: 75 x 27 inches = 187 cm x 68 cm; Roll ends: wood; Condition: Very good, a lot of horizontal folds, aging of the paper, some loss of paint; Research under x50 magnification: hand painted, look at the last 3 photos

Lot: 160B - Rare antique self portrait of Chinese artist Fu Baoshi 傅抱石, print

Rare antique self portrait of Chinese artist Fu Baoshi 傅抱石, print • This man looks like Fu Baoshi 傅抱石 • The signature is in Chinese Baoshi 抱石 • Frame: 12.5 inches x 10.5 inches = 32 cm x 26.8 cm; • Framed in 1982. • Print painting unfolded: 24.4 cm x 18.8 cm; • Weight: 882 g = 1 lb. 15 oz. • Provenance: private collection in Clearwater, Florida, USA Fu Baoshi (Chinese: 傅抱石), or Fu Pao-Shih, (October 5, 1904– September 29, 1965) was a Chinese painter from Xinyu, Jiangxi Province. He went to Japan to study the History of Oriental Art in the Tokyo School of Fine Arts in 1933. He translated many books from Japanese and carried out his own research. In painting itself, he brought Japanese visual elements to the Chinese ink painting tradition. He was the director of the Jiangsu Province Chinese Painting School and a vice-chairman of the Federation of Chinese Artists. He also taught in the Art Department of Central University (now Nanjing University).[1] His works of landscape painting employed skillful use of dots and inking methods, creating a new technique encompassing many varieties within traditional rules. He was able to create an old, elegant style through his integration of poetic atmosphere and painting techniques. He held many personal exhibitions in China and won favourable comments. Fu had strong feelings towards the land of China. During his travel to many places, he recorded the splendors of the rivers and mountains, drawing inspiration from nature and becoming the representative landscape painter of his time.

Lot: 160F - Vol II, France Illustrated, exhibiting its landscape scenery, antiquities, military and ecclesiastical architecture, drawing Thomas Allom, description by Rev G. N. Wright, Vol II, 1840-1849

Vol II, France Illustrated, exhibiting its landscape scenery, antiquities, military and ecclesiastical architecture, drawing Thomas Allom, description by Rev G. N. Wright, Vol II, 1840-1849 Published by Fisher Son, & Co. 1800 [?] s.d., London (1800) Estimate: £ 411.18 https://www.abebooks.co.uk/book-search/title/france-illustrated-exhibiting-landscape-scenery-antiquities-military-and-ecclesiastical-architecture-c/author/wright-g-n/

Lot: 162D - The Rickshaw Boy or Camel Xiangzi, (1936-1937) by Lao She (1899-1966), printed Hong Kong in traditional Chinese

The Rickshaw Boy or Camel Xiangzi, (1936-1937) by Lao She (1899-1966), printed Hong Kong in traditional Chinese characters. An important book, written by famous Chinese writer Lao She, published in Honk Kong in 1936-1937. Shu Qingchun (3 February 1899 – 24 August 1966), courtesy name Sheyu, best known by his pen name Lao She, was a Chinese novelist and dramatist. He was one of the most

Lot: 162E - K.C. Wu, Chinese Heritage, a new & provocative view of the origin of Chinese societies, 1982

Published in 1982; Size of the book: 24 cm x 18.5 cm; Wight of the book: 1 kg 33 g = 1033 g = 2 lb. 4.4 oz. Condition of the book: perfect; Condition of the jacket: satisfactory; Published by Crown Publishers New York, NY, USA

Lot: 162F - Natural Advanced Geography, 1898-1901, bibliographical antiquarian rarity

This geographical atlas is very interesting. It shows a different map of Europe with a huge Empire Austria-Hungary, which disappeared after the 1st Word War. Africa also had different borders with a huge country Algeria. Also, it has a lot of photos and information on industries, climate, nature, animals, vegetation, people, nations, population, etc. Size: 31 cm x 25.5 cm; Weight: 2 lb. 7.8 oz. = 1129 g = 1 kg 129 g; Number of pages: approximately 160 p. Condition: old, but satisfactory.

Lot: 163A - Burmese opium weight brass Fenghuang (Phoenix bird) bird 76 g, 1600-1885 AD

Antique brass Fenghuang (Phoenix bird) bird 76 g, Chinese mythology, Ming to Qing dynasty Weight: 76.58 g; Height: 34 mm; Base: 19 x 16 mm; Age: several hundred years old (?) Not attracted to the magnet; Provenance: private collection in St Petersburg, FL Fènghuáng (Chinese: 鳳凰; Jyutping: fung6 wong4; Cantonese Yale: fuhng wòhng, Mandarin pronunciation: [fə̂ŋ.xwǎŋ]) are mythological birds found in Sinospheric mythology that reign over all other birds. The males were originally called fèng and the females huáng, but this distinction of gender is often no longer made and they are blurred into a single feminine entity so that the bird can be paired with the Chinese dragon, which is traditionally deemed male. It is known under similar names in various other languages (Japanese: hōō; Vietnamese: phượng hoàng or phụng hoàng; Korean: bonghwang). In the Western world, it is commonly called the Chinese phoenix or simply phoenix, although mythological similarities with the Western phoenix are superficial. A common depiction of fenghuang was of it attacking snakes with its talons and its wings spread. According to the Erya's chapter 17 Shiniao, fenghuang is made up of the beak of a rooster, the face of a swallow, the forehead of a fowl, the neck of a snake, the breast of a goose, the back of a tortoise, the hindquarters of a stag and the tail of a fish.[1] Today, however, it is often described as a composite of many birds including the head of a golden pheasant, the body of a mandarin duck, the tail of a peacock, the legs of a crane, the mouth of a parrot, and the wings of a swallow.[citation needed] The fenghuang's body symbolizes the celestial bodies: the head is the sky, the eyes are the sun, the back is the moon, the wings are the wind, the feet are the earth, and the tail is the planets.[2] The fenghuang is said to have originated in the sun.[2] Its body contains the five fundamental colors: black, white, red, yellow, and green.[2] It sometimes carries scrolls or a box with sacred books.[2] It is sometimes depicted with a fireball.[2] It is believed that the bird only appears in areas or places that are blessed with utmost peace and prosperity or happiness. Chinese tradition cites it as living atop the Kunlun Mountains in northern China.

Lot: 163B - Burmese opium weight Fenghuang (Phoenix bird) bird 167 g, 1600-1885 AD

Antique brass Fenghuang (Phoenix bird) bird 167 g, Chinese mythology, Ming to Qing dynasty(?) Weight: 167.18 g; Height: 43 mm; Base: 25 x 24 mm; Age: several hundred years old (?) Not attracted to the magnet; Provenance: private collection in St Petersburg, FL Fènghuáng (Chinese: 鳳凰; Jyutping: fung6 wong4; Cantonese Yale: fuhng wòhng, Mandarin pronunciation: [fə̂ŋ.xwǎŋ]) are mythological birds found in Sinospheric mythology that reign over all other birds. The males were originally called fèng and the females huáng, but this distinction of gender is often no longer made and they are blurred into a single feminine entity so that the bird can be paired with the Chinese dragon, which is traditionally deemed male. It is known under similar names in various other languages (Japanese: hōō; Vietnamese: phượng hoàng or phụng hoàng; Korean: bonghwang). In the Western world, it is commonly called the Chinese phoenix or simply phoenix, although mythological similarities with the Western phoenix are superficial. A common depiction of fenghuang was of it attacking snakes with its talons and its wings spread. According to the Erya's chapter 17 Shiniao, fenghuang is made up of the beak of a rooster, the face of a swallow, the forehead of a fowl, the neck of a snake, the breast of a goose, the back of a tortoise, the hindquarters of a stag and the tail of a fish.[1] Today, however, it is often described as a composite of many birds including the head of a golden pheasant, the body of a mandarin duck, the tail of a peacock, the legs of a crane, the mouth of a parrot, and the wings of a swallow.[citation needed] The fenghuang's body symbolizes the celestial bodies: the head is the sky, the eyes are the sun, the back is the moon, the wings are the wind, the feet are the earth, and the tail is the planets.[2] The fenghuang is said to have originated in the sun.[2] Its body contains the five fundamental colors: black, white, red, yellow, and green.[2] It sometimes carries scrolls or a box with sacred books.[2] It is sometimes depicted with a fireball.[2] It is believed that the bird only appears in areas or places that are blessed with utmost peace and prosperity or happiness. Chinese tradition cites it as living atop the Kunlun Mountains in northern China.

Lot: 163C - Burmese opium weight brass Fenghuang (Phoenix bird) bird 341 g, 1600-1885 AD

Antique brass Fenghuang (Phoenix bird) bird 341 g, Chinese mythology, Ming to Qing dynasty(?) Weight: 340.95 g; Height: 56 mm; Base: 32 x 31 mm; Age: several hundred years old (?) Not attracted to the magnet; Provenance: private collection in St Petersburg, FL Fènghuáng (Chinese: 鳳凰; Jyutping: fung6 wong4; Cantonese Yale: fuhng wòhng, Mandarin pronunciation: [fə̂ŋ.xwǎŋ]) are mythological birds found in Sinospheric mythology that reign over all other birds. The males were originally called fèng and the females huáng, but this distinction of gender is often no longer made and they are blurred into a single feminine entity so that the bird can be paired with the Chinese dragon, which is traditionally deemed male. It is known under similar names in various other languages (Japanese: hōō; Vietnamese: phượng hoàng or phụng hoàng; Korean: bonghwang). In the Western world, it is commonly called the Chinese phoenix or simply phoenix, although mythological similarities with the Western phoenix are superficial. A common depiction of fenghuang was of it attacking snakes with its talons and its wings spread. According to the Erya's chapter 17 Shiniao, fenghuang is made up of the beak of a rooster, the face of a swallow, the forehead of a fowl, the neck of a snake, the breast of a goose, the back of a tortoise, the hindquarters of a stag and the tail of a fish.[1] Today, however, it is often described as a composite of many birds including the head of a golden pheasant, the body of a mandarin duck, the tail of a peacock, the legs of a crane, the mouth of a parrot, and the wings of a swallow.[citation needed] The fenghuang's body symbolizes the celestial bodies: the head is the sky, the eyes are the sun, the back is the moon, the wings are the wind, the feet are the earth, and the tail is the planets.[2] The fenghuang is said to have originated in the sun.[2] Its body contains the five fundamental colors: black, white, red, yellow, and green.[2] It sometimes carries scrolls or a box with sacred books.[2] It is sometimes depicted with a fireball.[2] It is believed that the bird only appears in areas or places that are blessed with utmost peace and prosperity or happiness. Chinese tradition cites it as living atop the Kunlun Mountains in northern China.

Lot: 163D - Burmese opium weight antique bronze Fenghuang (Phoenix bird) bird 314 g, 1600-1885

Antique bronze Fenghuang (Phoenix bird) bird 314 g, Chinese mythology, Ming to Qing dynasty; Weight: 314.16 g; Height: 65 mm; Base: 42 x 42 mm; Age: several hundred years old; Not attracted to the magnet; Full tail; Provenance: private collection in St Petersburg, FL Fènghuáng (Chinese: 鳳凰; Jyutping: fung6 wong4; Cantonese Yale: fuhng wòhng, Mandarin pronunciation: [fə̂ŋ.xwǎŋ]) are mythological birds found in Sinospheric mythology that reign over all other birds. The males were originally called fèng and the females huáng, but this distinction of gender is often no longer made and they are blurred into a single feminine entity so that the bird can be paired with the Chinese dragon, which is traditionally deemed male. It is known under similar names in various other languages (Japanese: hōō; Vietnamese: phượng hoàng or phụng hoàng; Korean: bonghwang). In the Western world, it is commonly called the Chinese phoenix or simply phoenix, although mythological similarities with the Western phoenix are superficial. A common depiction of fenghuang was of it attacking snakes with its talons and its wings spread. According to the Erya's chapter 17 Shiniao, fenghuang is made up of the beak of a rooster, the face of a swallow, the forehead of a fowl, the neck of a snake, the breast of a goose, the back of a tortoise, the hindquarters of a stag and the tail of a fish.[1] Today, however, it is often described as a composite of many birds including the head of a golden pheasant, the body of a mandarin duck, the tail of a peacock, the legs of a crane, the mouth of a parrot, and the wings of a swallow.[citation needed] The fenghuang's body symbolizes the celestial bodies: the head is the sky, the eyes are the sun, the back is the moon, the wings are the wind, the feet are the earth, and the tail is the planets.[2] The fenghuang is said to have originated in the sun.[2] Its body contains the five fundamental colors: black, white, red, yellow, and green.[2] It sometimes carries scrolls or a box with sacred books.[2] It is sometimes depicted with a fireball.[2] It is believed that the bird only appears in areas or places that are blessed with utmost peace and prosperity or happiness. Chinese tradition cites it as living atop the Kunlun Mountains in northern China.

Lot: 163E - Burmese opium weight, antique bronze Fenghuang (Phoenix bird) bird 296 g, 1600-1885 AD

Antique bronze Fenghuang (Phoenix bird) bird 296 g, Chinese mythology, Ming to Qing dynasty; Weight: 296.64 g; Height: 63 mm; Base: 38 x 38 mm; Age: several hundred years old; Not attracted to the magnet; empty tail; Provenance: private collection in St Petersburg, Florida, USA. Fènghuáng (Chinese: 鳳凰; Jyutping: fung6 wong4; Cantonese Yale: fuhng wòhng, Mandarin pronunciation: [fə̂ŋ.xwǎŋ]) are mythological birds found in Sinospheric mythology that reign over all other birds. The males were originally called fèng and the females huáng, but this distinction of gender is often no longer made and they are blurred into a single feminine entity so that the bird can be paired with the Chinese dragon, which is traditionally deemed male. It is known under similar names in various other languages (Japanese: hōō; Vietnamese: phượng hoàng or phụng hoàng; Korean: bonghwang). In the Western world, it is commonly called the Chinese phoenix or simply phoenix, although mythological similarities with the Western phoenix are superficial. A common depiction of fenghuang was of it attacking snakes with its talons and its wings spread. According to the Erya's chapter 17 Shiniao, fenghuang is made up of the beak of a rooster, the face of a swallow, the forehead of a fowl, the neck of a snake, the breast of a goose, the back of a tortoise, the hindquarters of a stag and the tail of a fish.[1] Today, however, it is often described as a composite of many birds including the head of a golden pheasant, the body of a mandarin duck, the tail of a peacock, the legs of a crane, the mouth of a parrot, and the wings of a swallow.[citation needed] The fenghuang's body symbolizes the celestial bodies: the head is the sky, the eyes are the sun, the back is the moon, the wings are the wind, the feet are the earth, and the tail is the planets.[2] The fenghuang is said to have originated in the sun.[2] Its body contains the five fundamental colors: black, white, red, yellow, and green.[2] It sometimes carries scrolls or a box with sacred books.[2] It is sometimes depicted with a fireball.[2] It is believed that the bird only appears in areas or places that are blessed with utmost peace and prosperity or happiness. Chinese tradition cites it as living atop the Kunlun Mountains in northern China.

Lot: 165 - Oval copper plate, 11.7 cm, Yuan dynasty (1271-1386)

Oval copper plate, 11.7 cm, Yuan dynasty (1271-1386). Weight: 250 g = 11 oz. Length: 11.7 cm = 4.5 inches. Width: 75 mm = 2 7/8 inches. Made: Yuan dynasty (1271-1386); Condition: normal age and usage wear; Low Estimate: $800; High Estimate: $2,000; Original: Yes;

Lot: 166 - Song Dynasty, Lovely Antique Chinese Blue Crackled porcelain Jar

Song Dynasty(?) Lovely Antique Chinese Celadon Crackle Glaze Vase or Jar w/ Stand. This is a 2-tone thick porcelain or pottery vase, jar or storage vessel. It has a crackle celadon glaze with dark stains in areas. Vase comes with a simple Chinese wood display stand. With an old dealer price tag that reads: "MING 1450 $495.00 ". Age: Although exact age is unknown, but it does appear to be antique and likely of Song dynasty (1115-1368). Width: 4.1 in. = 10 cm. Height without stand: 4.5 in. = 11 cm. Height with stand: 5.5" tall. Weight: 12.8 ounces total = 300 g. Condition: Good overall condition with wear, spots, glaze stains, base rim restoration. Vase is, obviously, handmade and the shape is not proportional, which proves old age. Provenance: from a huge private collection of Chinese porcelain and pottery from Santa Cruz estate, California, USA. Chinese Collector (he paid $495 for it many years ago). Similar bowl was sold on Sothebys for $185,000 http://www.sothebys.com/en/auctions/ecatalogue/2013/chinese-works-of-art-n08974/lot.92.lotnum.html Condition: Good overall condition with wear, spots, glaze stains, base rim restoration. Vase is, obviously, handmade and the shape is not proportional, which proves old age. Low Estimate: $3,000; High Estimate: $20,000; Original: Yes;

Lot: 166C - Chinese antique porcelain heavy ginger jar, Qing dynasty?

Chinese antique porcelain heavy ginger jar, Qing dynasty? Weight: 4 lb. 9 oz. = 2 kg 80 g; Height: 5.5” = 19.5 cm; Biggest diameter: 8” = 20 cm; Condition: perfect;

Lot: 167 - Pair of Chinese porcelain white-blue saucers, Qing Dynasty, TongZhi Emperor period (1856-1875)

Beautiful Genuine Pair of Chinese antique porcelain white-blue saucers. Diameter of bigger plate: 6.25 in. = 19 cm; Diameter of smaller plate: 5.5 in. =14 cm; Weight of bigger plate: 7 oz. = 200 g; Weight of smaller plate: 5 oz. = 120 g; Age: presumably during TongZhi Emperor period (1856-1875) Condition Very good, some age wear; there are several small (1-2 mm) chips on the edges, no cracks. The chips are old and smooth, looks like they were a part of manufacturing process. The edges of the rim at the bottom of both saucers are not glazed. All these details prove authenticity of Qing dynasty age. Low Estimate: 500 High Estimate: 2000 Orignal: Yes

Lot: 168A - Antique Chinese Rose Medallion Kettle & cup in a warming basket, Qing dynasty

Antique Chinese Rose Medallion Kettle & cup in a warming basket, Qing dynasty Height of kettle: approximately: 7 inches = 17 cm; Age: circa 1800-1880; Condition: Genuine antique, some wear of the basket and material inside. Perfect condition for porcelain

Lot: 168B - Chinese porcelain teapot, Qing dynasty

Chinese porcelain teapot, Qing dynasty Height: 14 cm; Base Diameter: 11.5 cm; Weight with cover: 859 g = 1 lb. 14.3 oz. Condition: perfect for the age, some wear at the bottom; Provenance: private collection, Florida, USA;

Lot: 168C - Chinese porcelain tea pot with cover, Qing dynasty(?)

Chinese porcelain tea pot with cover, Qing dynasty(?) The Chinese characters. The 4 characters on the side read "FANG GU ZUO REN" meaning - imitate the ancient people (antique writers). The 2 characters on the cover read "JI YANG" meaning the auspicious sheep, it is quite common in my opinion. ?? - Chinese traditional auspicious patterns. Sheep, ancient "Cheung" word. Furukawa Yi Yi knowledge, Xiang word often written Ji yang. Southern Song "Yuan Jia knife Ming": "Yi Hou Wang, great luck" ("subordinate" fourteen). Han bronze on the common "Kyrgyzstan sheep", "big Jiyang" text decoration. Height: 6 inches = 14.5 cm; Diameter: 4.9 inches = 12.7 cm Weight with cover: 1 lb. 12 oz. = 794 g; Condition: Very good for the age, genuine gentle crazing all over, a small chip at the edge, the handles lost their cover; Provenance: bought in antique store in Florida, USA.

Lot: 169A - Chinese antique hand painted Rose Medallion porcelain plate, Qing dynasty

Chinese antique hand painted Rose Medallion porcelain plate, Qing dynasty Diameter: 10.25 inches = 26.1 cm; Height: 49 mm = 4.9 cm; Weight: 1 lb. 10.9 oz. = 763 g; Condition: There is a stable professionally cured crack, almost invisible at the face side. Provenance: very old private collection in Clearwater, Florida

Lot: 170 - 成化年制 Cheng Hua Emperor, Nian Zhi (1465-1487), Ming dynasty, Chinese creamy crackled porcelain vase.

成化年制 Cheng Hua Emperor, Nian Zhi (1465-1487), Ming dynasty, Chinese creamy crackled porcelain vase. Pale white creamy crackled vase with an unctuous pale grey glaze, suffused with a network of irregular black crackle ('iron wire'), with two bronze handles (not attracted to the magnet) and seal mark underside the bottom base with 4 characters. The four characters are: 成化年制 Cheng Hua Nian Zhi, which means Made in Cheng Hua Year of Ming dynasty. Cheng Hua is the name of Zhu Cheng Hua is the name of Zhu Jianshen, the eighth emperor of the Ming Dynasty. The starting and ending time is from the first year of Chenghua (1465) to the twenty-third year of Chenghua (1487), a total of 23 years. Creamy crackled vase with two bronze handles Height: 13.7 inches = 34.8 cm; Width: 7 inches = 17.5 cm; Base diameter: 5 inches = 13 cm; Weight: 6 lb. 5.8 oz. = 2,885 g = 2 kg 885 g; REFERENCE: The Chenghua Emperor (9 December 1447 – 9 September 1487), also known by his temple name as the Emperor Xianzong of Ming, personal name Zhu Jianshen, changed to Zhu Jianru in 1457, was the ninth emperor of the Ming dynasty, reigning from 1464 to 1487. He succeeded his father, Emperor Yingzong. The Chenghua Emperor was born in 1447 as the son of Emperor Yingzong. However, when he was only two years old, his father was captured by the Mongols during the Battle of Tumu Fortress. As a result, Emperor Yingzong was deposed and his younger brother, the new Jingtai Emperor, took over the throne. Emperor Yingzong was eventually released from captivity, but was forced into seclusion and house arrest. During this time, he was named crown prince, but was removed from this position after only three years. It was not until 1457, when the Jingtai Emperor was overthrown and died, that Emperor Yingzong was able to return to the throne. At this point, he was once again named crown prince. He ascended to the throne in February 1464 at the young age of sixteen, succeeding his father. During the initial years of his reign, he implemented a new policy that included tax cuts and a focus on strengthening the state's power. REAL AGE: Vase with applied decoration. Mark Chenghua Nian Zhi - "Chenghua Period Made". Dated according to live family memory to "at least early 20th century". Probably Late Guangxu to Early Republic.

Lot: 171 - Portrait of princess UlaNara at age 16, painted by Giuseppe Castiglione “Lang Shining” in 1734, Chinese

Portrait of princess UlaNara at age 16, painted by Giuseppe Castiglione “Lang Shining” in 1734, Chinese porcelain plate. Hoifa-Nara, the Step Empress: Ula-Nara or Ulanara, the Step Empress (11 March 1718 – 19 August 1766), of the Manchu Plain Yellow Banner Ula-Nara clan, was a consort of the Qianlong Emperor. She was seven years his junior. Diameter: 8 inches = 20 cm; Weight: 13. 6 oz. = 385 gram; Height: 1.75 inches = 4.5 cm; Condition: perfect, no defects Provenance: private collection of in USA. Market price: A silk painting of Ula-Nara was auctioned at HK$ 40 million = $5 million USD in 2012. Another painting of Qing Dynasty Empress was sold at more than $130 Million USD in 2015. Giuseppe Castiglione, S.J. (simplified Chinese: 郎世宁; traditional Chinese: 郎世寧; pinyin: Lángshìníng) (19 July 1688 – 17 July 1766), was an Italian Jesuit brother and a missionary in China, where he served as an artist at the imperial court of three emperors – the Kangxi, Youngzheng and Qianlong emperors. He painted in a style that is a fusion of European and Chinese traditions.

Lot: 172 - 徽宗 Emperor Huizong period (1100-1126 AD) oil drop style, glazed, porcelain tea bowl

徽宗 Emperor Huizong period (1100-1126 AD) oil drop, glazed, porcelain tea bowl. 为 徽宗 所制 Height: 4” inches = 10.2 cm; Diameter: 8.25” inches = 21 cm; Base diameter: 2.5 inches = 6.35 cm; Provenance: private collection of Chinese University professor from New Jersey. Originally brought by his parents from Taiwan after WW2. Biography: Emperor Huizong of Song (7 June 1082 – 4 June 1135), personal name Zhao Ji, was the eighth emperor of the Song dynasty of China and the penultimate emperor of the Northern Song dynasty. He was also a very well-known painter, poet and calligrapher. Born as the 11th son of Emperor Shenzong, he ascended the throne in 1100 upon the death of his elder brother and predecessor, Emperor Zhezong, because Emperor Zhezong's only son died prematurely. He lived in luxury, sophistication and art in the first half of his life. In 1126, when the Jurchen-led Jin dynasty invaded the Song dynasty during the Jin–Song Wars, Emperor Huizong abdicated and passed on his throne to his eldest son, Zhao Huan while Huizong assumed the honorary title of Taishang Huang (or "Retired Emperor").

Lot: 173 - Chinese flambe glazed porcelain vase, Qianlong (1736-1795) Fanghu mark on bottom,

Chinese flambe glazed porcelain vase, Qianlong (1736-1795) Fanghu mark on bottom/ Height: 7.5” = 19 cm. A FLAMBÉ-glazed vase, Fanghu seal mark and period of Qianlong Emperor (1736-1795). 亞洲重要私人收藏 清乾隆 窰變釉杏圓貫耳方壺 《大清乾隆年製》款 Provenance: Private collection in Alabama, USA Auction results: Christie’s and Sotheby’s: $30,000 - $200,000 USD

Lot: 174 - 安居乐业 Antique pottery turtle in the cave, Qing dynasty

安居乐业 Antique pottery turtle in the cave, Qing dynasty. Adorable Chinese porcelain turtle depicting nesting or resting under a rock or in a hollowed out section of wood. Painted all over in red with polka dots. The head is moving side to side. Calligraphy on the top: 安居乐业 = Live and work in piece and contentment (happiness) Amazing technology of firing parts of pottery from inside and moving. Size: 11" L = 28 cm; Weight 4 lb. 13.4 oz. = 2 kg 194 g; Provenance: Private collection in Brea, California, USA

Lot: 175 - Yu Wenxiang (1910-1993), a pair of snow scene tiles, raised surface, Chinese, each 14.5” x 9.75”.

Yu Wenxiang (1910-1993), a pair of snow scene tiles, raised surface, Chinese, each 14.5” x 9.75”. Yu Wenxiang, a pair of snow scene tiles, raised surface, Chinese, each 14.5” x 9.75”. Provenance: private collection in Alabama, USA Auction results: One panel: $5,625; https://hindmanauctions.com/items/10546015-yu-wenxiang Lot 30: Yu Wenxiang, Sep 23, 2021 10:00 AM CT; LIVE / CHICAGO; Porcelain height 29 1/4 x width 17 in., 74.3 x 43.2 cm. Estimate: $5,000 - $7,000; Sold for $5,625

Lot: 176 - Qianlong mark (1736-1795), porcelain lidded vase with 2 Koi Fish and Lotus, China

Qianlong mark (1736-1795), porcelain lidded vase with 2 Koi Fish and Lotus, China • Height: 11 inches = 28 cm; • Width: 8.5 inches = 22 cm; • Base diameter: 5” = 12 cm; • Upper opening diameter: 3.75” = 9.5 cm; • Weight: 4 lb. 12.4 oz. = 2.165 kg = 2,165 g; • Cover top has gilded point. • Microscopic pictures proves hand painting and

Lot: 178 - Genuine TANG/Song dynasty Chinese celadon bowl, 153 mm

Genuine Chinese celadon TANG/Song dynasty bowl, 153 mm THIS IS A BEAUTIFUL PIECE OF CHINESE CELADON WARE. This celadon bowl is probably Tang/Song (618-1279 AD) type of porcelain ware. Authenticity report: Genuine. Inner center of the bowl lost the glaze because of continuous usage. Dimensions: Diameter: 6 in. = 153 mm, Height: 2.5 in. = 67 mm, Weight: 13.10 oz. = 370 g. Condition: there is a hair-line, absolutely stable, almost invisible crack inside the bowl and a chip on the base rim. Low Estimate: 2000 High Estimate: 6000 Original: Yes

Lot: 180 - 製堂和中亥辛熙康 Kangxi period (1672) magnificent Chinese porcelain vase with battle scene (story of Mu Guiying- female general from N. Song dynasty), certified

製堂和中亥辛熙康 Kangxi period (1672) magnificent Chinese porcelain vase with battle scene (story of Mu Guiying- female general from N. Song dynasty), certified. Signed with 8 characters: 康熙辛亥中和堂製 left to right, 製堂和中亥辛熙康 right to left,

Lot: 181A - Chinese porcelain vase with translated poem, Daoguang Emperor 1820-1850 period

Chinese porcelain blue white vase, Daoguang Emperor 1820-1850 period Height: 26 cm = 10.25 inches Width: 15 cm = 5.5 inches This heavy porcelain vase is decorated in under glaze blue and white and shows a landscape scene reminiscent of Wang Hui (1632-1717), with a house, a lake, a bridge, a fisherman and mountains. The neck is decorated with simplified lion / Fu dog / Qilin handles and bat motifs. The reverse bears a poem in Chinese. Included are some documents offering an English explanation of the poem. Condition: the vase has been reduced in height due to previous damage, leaving a couple of hairlines in the neck. Otherwise - good.

Lot: 181B - Magnificent Japanese B&W Arita/Imari charger of the late Meiji period

Japanese B&W Arita/Imari ware of the late Meiji period. The charger contains a beautiful painting of several peonies, other flowers, many leaves and two tropical birds, sitting on a cherry tree, with a background of bamboo constructions. The surface of the charger is wavy, proving handmade production. There are 7 stilt marks on the back in the center. Stilts can be used in a few ways: they can be used to allow vessels to have glaze on the interior and exterior (including the bottom), as well as to nest and stack them in the kiln. Stand is made of hard red wood, carved especially for this charger. Diameter of the charger: 24.25 inches = 56.5 cm; Height: 4 inches = 10 cm; Height of the charger & stand: Approximately 30.5 inches = 76 cm Weight: approximately 6-8 kg; Condition: almost perfect, no chips, no cracks, just a small area (1 x 2 cm) of uneven glaze on the front surface. Provenance: from estate collection in Florida, USA.

Lot: 182 - Chinese porcelain fish bowl, Qianlong Emperor 1711-1799

Chinese Masterpiece, Famille Rose, porcelain fish bowl, Qianlong Emperor Period Made. Magnificent fish bowl, on a matching wooden stand, with a lot of hand-painted decorations. Mark: Da Qing Qianlong Nian Zhi "Great Qing Qianlong Period Made": 25 September 1711 7 February 1799. The style of writing of Qing reign marks varies, but can be separated into two broad divisions within which there are

Lot: 183 - PORCELAIN GILT CHINESE ROSE MEDALLION FLOOR VASE 95 cm with stand

PORCELAIN GILT CHINESE ROSE MEDALLION FLOOR VASE with wooden stand. Approx. height: 38 inches = 95 cm tall, The wood stands adds 12 inches = 30 cm. Approximate weight: 70-80 lb. Approximate age: 1850-1950. Authenticity report: The dating of Asian Works of Art is very difficult and opinions of authenticity vary between experts and specialists. Subsequently, we strongly encourage all prospective buyers and/or his/her agent to carefully examine and inspect any and all items they wish to bid on before the auction. All references to time periods and cultures are only an opinion and are not a guarantee of authenticity. Shipping in USA by Craters and Freighters 5105 W Knox St., Tampa, FL 33634 (813) 889-9008 (813-889-9008), approximately $400-$600. International shipping: UPS, Craters and Freighters (813-988-4162). Example: shipping to China by ocean boat to port Hong Kong - $950. Shipping to China by air - $1700-$2000. Ask for shipping cost, please! Local pick up is available, - if you live or take your vacation in Florida or Georgia. You can save hundreds of dollars by picking it up from Clearwater or Tampa, FL. This vase fits perfectly to the back seat of most of the large size cars, make sure there is 38-40" x 20" space in your car. Condition Perfect for the age, no cracks or chips, some normal wear of the lower base rim. Low Estimate: 4000 High Estimate: 10000

Lot: 184 - LARGE SATSUMA EARTHENWARE KORO VASE & lid: Meiji period

LARGE SATSUMA EARTHENWARE KORO VASE with lid: Meiji period. The Meiji period ( Meiji-jidai), also known as the Meiji era, is a Japanese era which extended from September 1868 through July 1912. The cover surmounted by a shishi or guardian dog, also with shishi handles on the main body. Decorated in colored enamels and gilding. Beautiful aging crackles all over. Size: Approximately 33 in. tall x 22 in. wide. Weight: 40 lb. Weight with packing: 55 lb. Condition: Several cracks and chips in the area of legs of the vase, body of the dog on the lid and ears of all three dogs are damaged, refer to the photos, please. Shipping in USA by Freight FedEx or UPS may cost $500-$1000, depending on shipping terms. International shipping is available: Approximate cost $1000-$2000, please, contact before bidding about the cost and terms. Condition Several cracks and chips in the area of legs of the vase and body of the dog on the lid. Ears of all three dogs are damaged/broken, refer to the photos, please. Low Estimate: 10000 High Estimate: 40000 Original: Yes

Lot: 185 - Rare Japanese antique vase, by Shimizu Yasuda, Kyoto, 1889-1947

Rare Japanese antique vase, by Shimizu Yasuda, Kyoto, 1889-1947. Characters at the left of bottom read "Painted by Furukawa of Kyoto", While at right - read "Made by Shimizu Yasuda of Kyoto, the Great Japan". The sign of the bottom says that: - Empire of Greater Japan; made by Shimizu Yasuda; painted by Tanigawa in Kyoto. Opinion of the Expert: I think that this is Kiyomizu ware made in 1889-1947 and the artist is Tanigawa. Height: 92 cm = 36 inches; Weight: 20.2 kg = 45 lb.; Condition: almost perfect for the age, gentle crazing, mostly at the bottom, hairline crack at the bottom; Provenance: from Estate sale in Florida, USA. Kiyomizu ware ( Kiyomizu-yaki) is a type of Ky ware traditionally from Gojzaka district near Kiyomizu Temple, in Kyoto. The history of Kiyomizu ware dates back to the Momoyama period (1573-1600). The earlier production phase is known as Ko-Kiyomizu (old Kiyomizu). One of the foremost producers of Kiyomizu ware is the Unraku kiln ( Unraku-gama), led by the current Unrako Saito III.

Lot: 186 - Chinese snuff blue bottle: Peasants threshing rice Qing

Chinese antique snuff blue bottle: Peasants threshing rice, Qing dynasty (1600-1800). Description: peasants, thrashing rice. Height (with a cork): 3 in. = 73 mm. Weight: 2 oz. = 69.29 g. Condition: Used, slightly scratched, no defects. Authenticity report: genuine antique hand-made carving. Provenance: from private collection in Florida, USA; purchased in 1980's -1990's. History: Snuff bottles were used by the Chinese during the Qing Dynasty to contain powdered tobacco. Smoking tobacco was illegal during the Dynasty, but the use of snuff was allowed because the Chinese considered snuff to be a remedy for common illnesses such as colds, headaches and stomach disorders. Therefore, snuff was carried in a small bottle like other medicines. The snuff bottle is comparable to the snuff box used by Europeans. Tobacco was introduced to the court at Beijing some time during the mid- to late-16th century. It was originally smoked in pipes before the establishment of the Qing Dynasty. The use of snuff and snuff bottles spread through the upper class, and by the end of the 17th century it had become a part of social ritual to use snuff. This lasted through most of the 18th century. Eventually, the trend spread into the rest of the country and into every social class. It was common to offer a pinch of snuff as a way to greet friends and relatives. Snuff bottles soon became an object of beauty and a way to represent status. The highest status went to whoever had the rarest and finest snuff bottle. The peak of snuff bottle manufacture was during the 18th century. The use of snuff increased and decreased with the rise and fall of the Qing Dynasty and died away soon after the establishment of the Republic of China. However, replica snuff bottles are still being made, and can be purchased in souvenir shops, flea markets and museum gift shops. Original snuff bottles from the Qing period are a desirable target for serious collectors and museums. A good bottle has an extra quality over and above its exquisite beauty and value: that is touch. Snuff bottles were made to be held and so, as a rule, they have a pleasant tactile quality. Condition: Used, very good, no defects. Low Estimate: $500; High Estimate: $1,500; Original: Yes; Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 187 - Chinese antique snuff black bottle: Waiter & cashier

Chinese antique snuff black glass bottle: Waiter and cashier in Chinese restaurant. The bottle was open for a while and original bronze cosmetic powder/eye shadow has accumulated in a plastic bag. The lucky bidder will get original ancient cosmetics!!!!!!! Description: Waiter in the restaurant with inscriptions Height (cork including): 2.7 in. = 73 mm, Weight: 2 oz. = 64.35 g Condition: Used, slightly scratched, no defects Authenticity report: genuine antique hand-made painting and glass blowing Provenance: from private collection in Florida, USA; purchased in 1980s -1990's History Snuff bottles were used by the Chinese during the Qing Dynasty to contain powdered tobacco. Smoking tobacco was illegal during the Dynasty, but the use of snuff was allowed because the Chinese considered snuff to be a remedy for common illnesses such as colds, headaches and stomach disorders. Therefore, snuff was carried in a small bottle like other medicines. The snuff bottle is comparable to the snuff box used by Europeans. Tobacco was introduced to the court at Beijing some time during the mid- to late-16th century. It was originally smoked in pipes before the establishment of the Qing Dynasty. The use of snuff and snuff bottles spread through the upper class, and by the end of the 17th century it had become a part of social ritual to use snuff. This lasted through most of the 18th century. Eventually, the trend spread into the rest of the country and into every social class. It was common to offer a pinch of snuff as a way to greet friends and relatives. Snuff bottles soon became an object of beauty and a way to represent status. The highest status went to whoever had the rarest and finest snuff bottle. The peak of snuff bottle manufacture was during the 18th century. The use of snuff increased and decreased with the rise and fall of the Qing Dynasty and died away soon after the establishment of the Republic of China. However, replica snuff bottles are still being made, and can be purchased in souvenir shops, flea markets and museum gift shops. Original snuff bottles from the Qing period are a desirable target for serious collectors and museums. A good bottle has an extra quality over and above its exquisite beauty and value: that is touch. Snuff bottles were made to be held and so, as a rule, they have a pleasant tactile quality. Condition: Used, slightly scratched, no defects; Original: Yes; Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 188 - Chinese antique snuff black bottle: Great Wall of China

Chinese antique snuff black glass bottle: Great Wall of China Description: under the glass you can see Great Wall of China with characters on both sides. Height (with the cork): 2.7 in. = 6.8 cm. Weight: 1.5 oz. = 39.83g. Authenticity report: genuine antique hand-made painting and glass blowing Provenance: from private collection in Florida, USA; purchased in 1980s -1990's Condition: Used, slightly scratched, no defects; Low Estimate: 500; High Estimate: 1500; Original: Yes; Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 189 - Beautiful Imperial Chinese vintage porcelain plate, signed, 20th century

Beautiful Imperial Chinese vintage porcelain plate, signed. Diameter: 8.7 inches = 21.8 cm; Weight: 1 lb. 2.7 oz. = 529 g; Partially - printed, partially - hand-painted. Provenance: private collection in Tampa, FL, USA.

Lot: 190 - Chinese antique rectangular porcelain vase, Qing dynasty

Chinese antique rectangular porcelain vase, Qing dynasty Height: 11 inches = 28 cm; Condition: used, but perfect condition, no defects; Provenance: estate sale Clearwater, FL, USA;

Lot: 192 - Chinese antique carved Beijing Glass tall yellow/purple vase, 23 cm

Chinese antique carved Beijing Glass tall yellow/purple vase, 23 cm Height: 9.5 in. = 23 cm; Weight: 1002 g = 1 kg 2 g = 2 lb. 3.4 oz. Seal marks on the bottom and 4 marks on the body. Provenance: from private collection in Florida, USA; purchased in 1980’s -1990's in Honolulu, Hawaii. Auction results: these vases could be sold in the range of $5,000 - $25,000 Terms of sale: All sales are final. No refunds, no returns. Ask all your questions before bidding, please.

Lot: 193 - Peking antique glass yellow ball vase

Chinese carved Beijing Glass yellow-green vase. Height:__________Seal mark on the bottom. Provenance: from private collection in Florida, USA; purchased in 1980s -1990's Condition: Excellent, no defects; Low Estimate: $1,000; High Estimate: $2,000; Original: Yes; Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 194 - Tongzhi mark and period 1862-1874, hand-painted Chinese rectangular porcelain vase, with a poem

Tongzhi mark and period 1862-1874, hand-painted Chinese rectangular porcelain vase, with a poem; Height 9.5 inches = 23.7 cm; Weight: 739 g = 1 lb. 10 oz. Provenance: private collection in Sarasota, Florida, USA Tongzhi (1862-1874) The Tongzhi (To Rule Together a State of Order) Emperor, born Zaichun AISIN GIORO in April 27, 1856, became emperor at the age of five, as the only surviving son of the Xianfeng Emperor and the Noble Consort Yi (Empress Dowager Cixi). He was the ninth emperor of the Manchu Qing Dynasty, and the eight Qing emperor to rule over China. During his period in practice his mother, the Empress Dowager Cixi, wielded the real power, ruling sitting behind a curtain in the audience hall. Under his reign some attempts to political reforms was made, which are known as the Tongzhi Restoration. In January 12, 1875, the Tongzhi Emperor died at age 19 of small pox without a son. It has been rumored that his cause of death was actually syphilis "due to his excessive and bizarre sexual appetite and alleged affairs with prostitutes outside of the palace".

Lot: 195 - Certified rare Famille Rose “Chicken cup”, with 大清乾隆仿古 Qiang Long Fanggu seal mark and period (1776)

Certified rare Famille Rose “Chicken cup”, with 大清乾隆仿古 Qiang Long Fanggu seal mark and period (1776) Chinese porcelain Chicken Cup with calligraphy inscription throughout exterior of the cup. Marked on bottom: 大清乾隆仿古 Da Qing Qianlong fanggu. Height: 2.9 inches = 74 mm; Upper diameter 3.2 inches = 82 mm; Base diameter 45 mm; Weight: 130 g = 4.6 oz. Provenance: private collection in Sarasota, Florida, USA. Lot Essay: An example in the Palace Museum Collection, Beijing, was included in the exhibition The Life of Emperor Qianlong, Macao Museum of Art, Macao, 2002, and illustrated in the Catalogue, no. 90. A pair of bowls of the same design in the National Palace Museum, Taipei was included in the exhibition K'ang-hsi, Yung-cheng and Ch'ien-lung Ware from the Ch'ing Dynasty, National Palace Museum, Taipei 1986, illustrated in the Catalogue, no.144. Cups of this type are based on earlier Chenghua doucai prototypes such as the pair of cups of similar shape, but decorated with chickens only, included in the Illustrated Catalogue of Chinese Government Exhibits for International Exhibition of Chinese Art in London, vol. II, Porcelain, 1948, p. 130, no. 171. The mark on the base of all of these cups reads Da Qing Qianlong fanggu, which translates as 'made in imitation of antiquity in the Qianlong reign of the Great Qing dynasty'. The imitation of antiquity, or archaism, was a theme close to the Qianlong emperor's heart and a considerable number of imperial art objects in a range of different media bear this mark. The correct rendering of the mark was given by D. Howard and J. Ayers when they included a similar cup in their catalogue of the Mottahedeh Collection, Chinese for the West, London/New York, 1978, vol. 1, pp. 171-2, no. 165, in which they date the cup to the Qianlong reign. A cup of this type was also published as dating to the Qianlong period by S. Bushell, who translated the poem in Oriental Ceramic Art, New York, 1899, pp. 49-51. The poem is in praise of well-known works of art from earlier periods and in particular to Ming dynasty chicken cups. As with most of Qianlong's poems, there are many archaic references. In this instance, the Emperor mentions the child prodigy, Jia Chang (b. AD 713), as depicted by the image of the boy on the present cup. At the age of thirteen, Jia Chang was such a talented trainer of fighting cocks that the Tang dynasty emperor Xuanzong (r. AD 713-56) employed him to train the imperial fighting cocks. The design on these cups is therefore often known as 'the precocious boy'. Auction results: Very similar chicken cup A VERY RARE FAMILLE ROSE 'CHICKEN' CUP QIANLONG SIX-CHARACTER FANGGU SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795) was sold on Christie’s Auction, for $221,000; Closed: 19 Sep 2014. https://www.christies.com/en/lot/lot-5823872

Lot: 196 - Certified Chinese Junyao porcelain vase, Jin/Yuan dynasty (1115-1368 AD)

Junyao pear-shaped vase, yuhu-chun-ping, Jin/Yuan dynasty (1115-1368). Delicately potted, standing on a short straight-cut foot, the swollen body with a tall neck, ending on a flaring rim, covered overall in a light-blue glaze and attractively splashed purple color in several (10) areas, suffused throughout with an attractive irregular russet crackles. Height: 7.2 in. = 18 cm. Biggest diameter: 4.5 in. = 11.5 cm. Diameter of the base: 2.35 in. = 6 cm. The opening is very small: 4 mm. Weight: 1 lb. 3 oz. = 540 g. Condition: very good for the age, about one dozen of tiny (1-4 mm) indentations (from the bubbles?) throughout the surface. They were originally present at the moment of glazing because of the original technique glazing over the hot wood. It means, they actually prove the authenticity. Age: Jin/Yuan dynasty (1115-1368). Authenticity report: According to our 30 years' experience in collecting of Asian and European antiques this vase is 100% genuine. Provenance: from old US collection, purchased in 1980's. References: 1) Similar vase was sold at Christie's for $84,241 US + 15% buyers premium, on Nov 2009. http://www.christies.com/Lotfinder/lot_details.aspx? 2) Another similar Jun bowl Song dynasty was sold in 2013 for $173,000. http://www.sothebys.com/en/auctions/ecatalogue/2013/chinese-works-of-art-n08974/lot.93.lotnum.html Condition: Very good. No defects, no cracks, natural aging of the porcelain; Proof of authenticity: finely crackled glaze, where larger lines of crazing are broken down into smaller paddocks, occasional detritus, bubble bursts (areas of misfiring), natural wear of the bottom rim. (Allen pp.159-160) Low Estimate: $50,000; High Estimate: $80,000; Original: Yes;

Lot: 196B - Antique Chinese Junyao Vase, Northern Song/Yuan dynasty, 1100-1300 AD

Antique Chinese Junyao Vase, Northern Song/Yuan dynasty, 1100-1300 AD. Description: Jun ware vase, with noble blue-silver color, with purple splash, from Late N. Song – Early Yuan dynasty. Height: 17.7 cm = 7 inches; Weight: 479 g = 1 lb. 0.9 oz. Item condition: perfect, no cracks or imperfections, base rim unglazed. Jun ware is a type of Chinese pottery one of the Five great kilns of Song dynasty ceramics. Despite its fame, much about Jun ware remains unclear, and the subject of arguments among experts. Several different types of pottery are covered by the term, produced over several centuries and in several places, during the Northern Song Dynasty (960–1126), Jin dynasty (1115–1234) and Yuan dynasty (1271–1368), and (as has become clearer in recent years) lasting into the early Ming dynasty. Some of the wares were popular, especially the drinking vessels, but others seem to have been made for the imperial court and are known as "official Jun wares"; they are not mentioned in contemporary documents and their dating remains somewhat controversial. These are mostly bowls for growing bulbs or flower-pots with matching stands, such as can be seen in many paintings of scenes in imperial palaces. The consensus that seems to be emerging, driven largely by the interpretation of excavations at kiln sites, divides Jun wares into two groups: a large group of relatively popular wares made in simple shapes from the Northern Song to (at lower quality) the Yuan, and a much rarer group of official Jun wares made at a single site (Juntai) for the imperial palaces in the Yuan and early Ming periods. Both types rely largely for their effect on their use of the blue and purple glaze colors; the latter group are sturdy shapes for relatively low-status uses such as flowerpots and perhaps spittoons. The most striking and distinctive Jun wares use blue to purple glaze colors, sometimes suffused with white, made with straw ash in the glaze. They often show "splashes" of purple on blue, sometimes appearing as though random, though they are usually planned. A different group are "streaked" purple on blue, the Chinese describing the streaks as "worm-tracks". This is a high-prestige stoneware which was greatly admired and often imitated in later periods. But colors range from a light greenish-brown through green to blue and purple. The shapes are mostly simple, except for the official wares, and other decoration is normally limited to the glaze effects. Most often, the "unofficial" wares are wheel-thrown, but the official ones molded. The wares are stoneware in terms of Western classification, and "high-fired" or porcelain in Chinese terms (where the class of stoneware is not generally recognized). Like the still more prestigious Ru ware, they are often not quite fired as high as the normal stoneware temperature range, and the body remains permeable to water. They form a "close relative" of the wider group of Northern celadons or green wares.

Lot: 197 - Longquan celadon blue glazed bottle vase, S. Song-Yuan dynasties (1200-1400AD)

Longquan celadon blue glazed bottle vase, S. Song-Yuan dynasties (1200-1400 AD) Bottle vase with Molded Peony and Arabesque Vine Decorations, Southern Song-Yuan Dynasties (13th-14th Centuries). Vase has magnificent colors, which depends on the intensity of the light and change from green in the room to green/blue in the shadow to bright blue color on the sun. Height: 30.75 cm = 307 mm; Weight: 1 kg 540 g = 1540 g = 3 lb. Condition: normal age ware, no defects, base was not glazed. References: Similar celadon vase was sold in 2015, on Sotheby’s Auction for $237,500 USD: http://www.sothebys.com/en/auctions/ecatalogue/2015/song-ceramics-yang-de-tang-collection-n09338/lot.101.html Similar celadon vases from Yuan dynasty: https://www.pinterest.com/pin/364721269800425792/ Similar celadon vase with molded peony from Southern Song – Yuan dynasties, is located in Kyoto National Museum, Japan https://www.pinterest.com/pin/23643966764111262/

Lot: 198 - Song-Yuan Dynasty (11th-14th c) brown-glazed Martaban storage jar

Song-Yuan Dynasty (11th-14th c) brown-glazed Martaban storage jar; Height: 13.75 in. = 34.92 cm; Width: 12.5 in. = 31.75 cm; Upper opening (outer diameter): 5 in. = 12.7 cm; Weight: 13 lb. = 5.896 kg; A stoneware pottery jar used for storage, made in southern China Fujian or Guangdong province, since Song Dynasty for domestic use, as well as export. They were widely exported to South East Asia and further afield, and sometimes known as Martaban Jars due to the transit port of that name in Burma. This jar on offer is of the classic form, likely made in the South China during Southern Song to Yuan Dynasty (11-14th century, precisely dating these pieces are difficult). The jar features a full dipped dark iron glaze on the top half of the body. Some glaze running and uneven application makes this piece very charming. Four hand-molded handles perch on the shoulder for ropes in its original use. Strong surface wear and characteristic patina suggests its age and possible burial history. Part of the glaze near the bottom, appears worn off due to the use and age, or it wasn't applied fully originally. It retains an old dealer sticker on the upper part as shown in one of the detail photos. These utilitarian jars were humble in nature, unrefined and rustic, devoid of excessive decoration, but some resumed a mystic status in cultures such as Japanese, Philippine and Borneo Dyak people. - Provenance: this item comes from the private collection of Lou A. and Barbara B. Pritchett. Lou Pritchett was the ex-Vice President of Procter and Gamble. Lou Pritchett rose through the ranks at Procter & Gamble and was instrumental in the creation of the partnership between Procter & Gamble and Wal-Mart. Pritchett was instrumental in bringing Proctor & Gamble to the Philippines during his time there. Now retired, Lou is a sought-after public speaker and author of Stop Paddling & Start Rocking the Boat.

Lot: 199 - Ming dynasty (1368-1644) blue/white large porcelain temple jar 37 cm, Lotus design

Ming dynasty (1368-1644) blue/white large porcelain temple jar 37 cm, Lotus design. Height: 37 cm = 14.8 inches; Width (mid diameter): 24 cm = 9.0 inches; Upper diameter: 13 cm = 5.0 inches; Base diameter: 20 cm = 7.8 inches; Weight: 3,743 g = 3 kg 743 g = 8 lb. 4 oz. Provenance: private collection in Florida, USA. AUTHENTICITY was confirmed by microscopic research at magnification x50: we can see

Lot: 200 - Chinese white blue noble porcelain Meiping vase with court scene, Ming dynasty, Tianshun period (1458-1464),

Chinese white blue noble porcelain Meiping vase with court scene, Ming dynasty, Tianshun period (1458-1464), Jiangxi province Description: Amazing handmade porcelain vase with underglaze blue decoration of court scene in the middle; flowers (roses?) at the top and leaves at the bottom. Traditional Chinese method of painting corresponds to the method of painting in Ming dynasty: simplicity and absence of Western perspective, which is a strong sign of authenticity.The surface of the vase is smooth and cool to touch and slightly wavy (with wavelength 1.5 cm) according to the movement of the potter’s hands during rotating of the potter’s wheel. The blue colors are muted with a noble ivory shade. The shape is very attractive to the eye, tapering gradually to the base. Height: 11.8 inches = 30 cm; Width: 6.5 inches = 16.8 cm; Widest circumference: 20.5 inches = 52 cm; Diameter of the base: 4 inches = 10 cm; Weight: 4 lb. 4.2 oz. = 1932 g = 1 kg 932 g; Provenance: from private collection in Florida, USA Era dates: Zhengtong: 18 January 1436 – 13 January 1450 Tianshun: 15 February 1457 – 26 January 1465 References: 1. He Li Chinese ceramics a new comprehensive survey. 1996, The Asian Art museum of San Francisco. p.223 2. Zhu Qizhen (Chinese; 29 November 1427 – 23 February 1464) was the sixth and eighth emperor of the Ming Dynasty. He ascended the throne as the Zhengtong Emperor (Chinese; pinyin: Zhèngt'ng; literally: "right governance") in 1435, but was forced to abdicate in 1449, in favour of his younger brother the Jingtai Emperor, after being captured by the Mongols during the Tumu Crisis. In 1457, he deposed Jingtai and ruled again as the Tianshun Emperor (Chinese; pinyin: Ti'nshùn; literally: "obedience to Heaven") until his death in 1464. His temple name is Yingzong.

Lot: 201 - Qianlong 1736-1795 mark, Chinese porcelain vase, 12 people

Huge Chinese porcelain vase & lid, 12 busy people, Qianlong Emperor mark period 1736-1795, 35 cm. Scene of the family, horseman and peasants, working at the estate. Height: 14 in. = 35 cm. Biggest diameter: 5.25 in. = 15.5 cm. Weight: 5.5 lb. = 2.5 kg. Condition: perfect, no defects. Provenance: from private collection in Florida, USA; purchased in 1980s -1990's. Condition: Excellent, no defects, some wear around the contact area between lid and vase. Low Estimate: $5,000; High Estimate: $10,000; Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 202 - Chinese porcelain Sang de Boeuf with purple flame vase, 18th century Qianlong mark

Chinese porcelain Sang de Boeuf with purple flame vase, 18th century Qianlong mark; The 6 character mark at the bottom is not clear: it is either or Qianlong (1711-1799) or Jingdezhen kiln mark; Height: 6.4 inch = 16 cm; Weight: 11.5 oz. = 325 g; Condition: no defects, normal wear at the bottom. Provenance: private collection in USA Jingdezhen ware (Chinese: ?????) refers to ceramics, particularly Chinese porcelain, produced in the vicinity of Jingdezhen in southern China. Jingdezhen may have produced pottery as early as the sixth century CE, though it is named after the reign name of Emperor Zhenzong, in whose reign it became a major kiln site, around 1004. By the 14th century it had become the largest center of production of Chinese porcelain, which it has remained.[1] From the Ming period onwards, official kilns in Jingdezhen were controlled by the emperor, making imperial porcelain in large quantity for the court and the emperor to give as gifts. Although apparently an unpromising location for potteries, being a remote town in a hilly region, Jingdezhen is close to the best quality deposits of petuntse, or porcelain stone, in China, as well as being surrounded by forests, mostly of pine, providing wood for the kilns. It also has a river leading to river systems flowing north and south.[2] It has produced a great variety of pottery and porcelain, for the Chinese market and as Chinese export porcelain, but its best-known high quality porcelain wares have been successively Qingbai ware in the Song and Yuan dynasties, blue and white porcelain from the 1330s, and the "famille rose" and other "famille" colours under the Qing dynasty

Lot: 203 - Chinese Kangxi blue/white five Dragons porcelain Vase, mark and period, 1661-1722

Chinese Kangxi blue/white five Dragons porcelain Vase, mark and period. Chinese Kangxi Blue/White Porcelain Dragon Vase. Marked on bottom of vessel. Height: 6.5 inches = 16.6 cm; Width: 5.6 inches = 14 cm; Weight: 1 lb 0.8 oz. = 475 g. Authenticity: According to the shape, fading colors, tender network of craquelures, hand-painted dragons and 6 characters of seal mark, we can confirm authenticity

Lot: 204A - Chinese Mandarin beautiful porcelain tea/milk pot, 1600-1750, Qing Dynasty;

Chinese Mandarin beautiful porcelain tea/milk pot, 1600-1750, Qing Dynasty; Authentic amazing antique pot; Height: 4.2 in. = 10.5 cm; Diameter: 6.5 cm; Weight: 159.06g; Condition: used, one microchip 0.5 mm at the upper rim (non-visible); Provenance: Bought at the auction in USA.

Lot: 205 - Ming dynasty (1368-1644) blue/white porcelain temple jar 38 cm, “6 peonies+ 6 lotuses” design

Ming dynasty (1368-1644) blue/white porcelain temple jar 38 cm, “6 peonies+ 6 lotuses” design; Height: 38 cm = 15 inches; Width (mid diameter): 25 cm = 9.5 inches; Upper diameter: 14 cm = 5.5 inches; Base diameter: 23 cm = 9 inches; Weight: 4 kg 940 g; Provenance: private collection in Florida, USA. AUTHENTICITY was confirmed by microscopic research at magnification x50: we can see a

Lot: 206 - Chinese blue white porcelain vase, Qianlong mark, Carps & Lotus

Chinese Porcelain Vase Qing Dynasty Carps & Lotus, Qianlong Emperor 1736-1795 Chien Lung = Qianlong Emperor 1736-1795. Height: 14.5 in = 36 cm: Weight: 4 lb. = 2 kg. Shipping in USA by FEDEX International shipping: FEDEX, UPS, USPS Express mail Ask for shipping cost, please! References: Reign Marks on Qing Ceramics 1644-1912 http://www.chinese-porcelain-art.com/Chinese-Reign-Marks-Ming-Qing.html Condition Perfect, no chips, no cracking, some normal age wear on the bottom; Low Estimate: 800; High Estimate: 3000;

Lot: 207 - Attributed to Tang Yin 1736, Qing Dynasty, Chinese porcelain vase

Attribution: Precious Chinese porcelain vase, Qing Dynasty, signed by Tang Yin, 1736, There are following characters on the vase: 1) From Left to right: ________________, Red Phoenix in Morning Sun. One of the Chinese traditional Lucky pictures, saying talented person in the right time. ____________________, January,1736, , Place, _______________- . 2) The very famous seal _________________"", meaning very good precious collection. 3) Seals on the bottom. _______________, the two are Emperor Qian Long's seals. I don't know the one in the middle. The words around the bottom: ____________. Saying that Tang Ying take advantage of making this vase pot on January, 1736. TangYing was the best porcelain artist. He was good at painting, making poems, making seals and he was famous for making good porcelain. His works were in top quality and were liked by Emperor Yong Zheng and Emperor Qian Long.Translation by expert, PhD: Blue-and-White porcelain Jar. Chinese Inscription on the body: which means: Imperially written in the middle period of the great auspicious month in the first year of Qianlong reign (1736). Produced by ? studio. Seal: which means: The red phoenix flying toward the sun. Inscription on the bottom: which means: On the great auspicious day in the first year of Qianlong of the Great Qing (dynasty), Tang Ying, the imperial bestowed vice director of Imperial Household Office, who also manages the imperial kiln factory, produced (the jar) based on the commission of the emperor. Seals from right to left: Seal 1: Seal of imperial review of Qianlong. Seal 2: Art studio of bamboo art. Seal 3: Imperially used by Qianlong of the Imperial Qing (dynasty). Weight: 10 lb. = 4500 g. Height: 14 inches = 35 cm. Diameter in the middle: 8.5 inches = 21 cm. Diameter at the top: 2 inches = 5 cm. Diameter at the bottom: 2.65 inches = 12 cm. Provenance: from private collection in Florida, USA; Purchased in 1980's -1990's. References: http://most-expensive.net/vase. Condition perfect, some aging wear, no major defects. There is one imperfection on the side surface of the vase, above the right wing of the phoenix bird; Low Estimate: 150000; High Estimate: 300000;

Lot: 208 - 成化帝 大明 Certified Chinese porcelain vase, Ming dynasty, (1447-1487) mark and period

成化帝 大明 Certified Chinese porcelain vase, Ming dynasty, (1447-1487) mark and period. The mark of 4 characters in seal script pronounced CHEN GHUA NIAN ZHI, which means made during reign of Chenghua. The seal is incised in a deep black square area at the bottom, without glaze. Chenghua is the reign of a Chinese emperor during Ming dynasty. Height: 23.6 inches = 60 cm; Upper Diameter: 6 inches = 15.5 cm; Biggest Diameter: 10.8 inches = 27 cm; Biggest Circumference/Perimeter: 32.8 inches = 82 cm; Base diameter: 7.5 inches = 18.7 cm Weight: 19 lb. = 8.5 kg; Condition: Very good for the age, genuine gentle crazing all over, several hairline stable cracks at the bottom (see the photos), which continue to the body of the vase for approximately 7 cm and then disappear. Possibly these cracks appeared during baking in the kiln. There is no glaze on the upper rim, which means that upper part of the vase was cut, presumably in 18th century, by European collector. High magnification photos (x50) are available on demand. Provenance: made in China in 1447-1487 at Jingdezhen kiln in Jiangxi province, at the same period has been decorated with colors in Beijing. Bought by Western European buyer in 18th-19th century. Later in 20th century moved to USA, sold from Estate sale, bought in antique store in Florida, USA. Market price: If this vase would not be cut at the top and there would not be a hairline crack at the bottom – the price may go up to $50,000,000 and higher. Because of these 2 problems – the market price is only $5,000,000 - $10,000,000 USD. This vase is still unbelievable beautiful and rare. https://alaintruong2014.wordpress.com/tag/mark-and-period-of-chenghua/ http://www.greatestcollectibles.com/most-expensive-vases/#.WSd9HE2rPX4 https://successstory.com/spendit/most-expensive-vases. This vase is authenticated as genuine, made in the period of ?? (1447-1487) by Dr. Qing Chang, PhD, who is a Research Curator of the Crow Collection of Asian Art, Dallas Arts District, TX, USA. http://crowcollection.org/curator-conversations/a-conversation-with-our-new-curator-dr-qing-chang/ Certificate of authenticity is available in English and Chinese.

Lot: 209 - Museum saddled horse, Chinese Ming (1368-1644?) early glazed ceramic

Museum horse with a saddle, Chinese early glazed ceramics, Ming Dynasty(?) Height: 13 = 32.5 cm; Weight: 10 lb. = 4.5 kg; Age: Attributed to Ming dynasty (1368-1644) or earlier; If you look at the the glaze, you can see tiny craquelures all over the body of the horse, which happens after several hundred years of aging. Estimated price: $10,000-$20,000 US. Condition: very good for this age, insignificant repairs: right ear and end of the tail was glued; Provenance: purchased from the antiques auction in 2009 in St. Petersburg, FL, USA. Similar to the Renaissance in Europe, the Ming Dynasty signed a period of artistic and literary prosperity in China with porcelain being its most recognizable and admired production. Some of the Ming artistic innovations can be attested on horse mingqi figures from this period, including the doucai (鬥彩, contending colours) and and wucai (五彩, five-colour) glazes.

Lot: 210 - 拓跋魏 Northern Wei/ Six dynasties 222-589 AD, Chinese Terracotta Horse

拓跋魏 Genuine ancient, excavated Chinese Terracotta Horse, made in Wei/ Six dynasties (A.D. 222-589). Height: 16.5 in. = 41 cm, Length: 13 in. = 32.5 cm, Weight: 9 lb. = 4 kg. Condition: fine, no cracks or other defects. Authenticity: genuine antique, Wei/ Six dynasties (A.D 222-589). Authenticated by Dr. Qing Chang, PhD as Northern Wei terracotta horse. Provenance: from private collection in Florida, USA; purchased in 1991 at auction in California. Similar horse was estimated at Sotheby's at 60,000-80,000 in 2003. Condition: Very Fine, no cracks or other defects, spots of imprints of antique tissues. Originally there was a lot of soil and dirt after excavation, so extensive cleaning was done. Low Estimate: $30,000; High Estimate: $100,000; Genuine: Yes; Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 211 - Chinese YiXin Zisha tea pot with cover, signed

Authentic Chinese YiXin Zisha tea pot with cover, signed Chinese character seal mark at the bottom of the pot and 2 marks on the bottom of the lid It's not clay and it's not sandy mud. It's a special kind of rock which is mostly mineral deposits found under the ground near Yixing city. Nowadays the rock after it's mined are grounded by the machine with water, then it's filtered. The paste (just like the bean paste) is then used to make the teapots, Bonsai Pot, etc This paste is called Zisha Sand, because it contains very fine sandy particles. Height: 4 inches = 10 cm Length: 4-6 inches = 10-15 cm Approximate Weight: 300-400 g. Age: unknown. Provenance: from private collection in Florida, USA; purchased in 1980's -1990's Condition: Used, very good, no defects; Low Estimate: $500; High Estimate: $1,000; Original: Yes; Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 212 - Thai Sawankhalok ceramic charger, 26 cm, ca 1350 AD, Thailand/Siam

Incredible, genuine, antique Thai charger, decorated with double fish and flower, circa 1350 AD. Sawankhalok: The term Sawankhalok covers the production of many hundreds of kilns of central Thailand. It is frequently used interchangeably with the term “Si Satchanalai”, but refers to a wider area not covered by specific Si Satchanalai kilns. For more information about these specific kilns of Si Satchanalai, see the map spot “Si Satchanalai”. Sawankhalok was in full production by the mid-1300s. The kilns produced: • Unglazed wares; • Monochrome white, black, brown, celadon, and olive wares; • Brown glaze with incised decoration inlaid with white; and • Underglaze iron decorated wares. Sawankhalok/Si Satchanalai clay is finer than Sukhothai clay and has many small black spots, due to the high iron content of the clay. Sometimes, the inclusions can be red or silver colored. Like Sukhothai, Sawankhalok mainly created relatively simple shapes – jars, bottles, kendis, bowls and plates. The earliest Sawankhalok/Si Satchanalai wares included dishes decorated with under-glaze iron depictions of flowers in the bases, with fish on the cavettos, and specimens of the flowers and fish design have been found on the Turiang shipwreck, dated to around 1370. Diameter: 10.5 inches = 26 cm; Weight: 2 lb. 7.5 oz. = 1120 g = 1 kg 120 g; Condition: stable almost invisible hairline crack (photo 8); Estimate: $2000-$4000

Lot: 213 - Ming dynasty (1368-1644), blue/white porcelain large temple jar - 37 cm, “two pheasants + cherry blossoms design”

Ming dynasty (1368-1644), blue/white porcelain large temple jar - 37 cm, “two pheasants + cherry blossoms design”. Height: 37 cm = 14.75 inches; Width (mid diameter): 24 cm = 10 inches; Upper diameter: 13 cm = 5 inches; Base diameter: 21.5 cm = 8.5 inches; Provenance: private collection in Florida, USA. Pheasants were appreciated in China for their striking tail feathers, making them

Lot: 214 - 清朝 Chinese porcelain Container for dry tea, Qing Dynasty

清朝 Chinese porcelain Container for dry tea, Qing Dynasty; High quality hand painted porcelain container with the poem and artist name from Qing dynasty Weight: 450 g = 1lb, Weight with lid: 520 g = 1 lb. 30z. Width: 5 in. = 12.5 cm Height: 13.7 cm = 5.5 in. Height with lid: 14.5 cm = 5.7 in. Condition: couple of small chips at the bottom, the lid is not matching, but from the same period. Provenance: from private collection in Florida, USA

Lot: 215 - 明朝 Chinese antique porcelain blue bowl, Ming dynasty (1368-1644), floral motif

明朝 Chinese antique porcelain dark blue bowl, Ming dynasty (1368-1644), floral motifs. Diameter: 11.75 inches = 29.6 cm; Height: 4 inches = 10 cm; Weight: 1209 g = 2 lb. 10.54 oz. Condition: perfect no defects Provenance: private collection in Florida, USA. General Information on Microscopic Identification; For a long time since the beginning, identification of ancient ceramics are

Lot: 216 - 明朝 Chinese antique porcelain geometrical blue bowl, Ming dynasty (1368-1644);

明朝 Chinese antique porcelain light blue bowl, Ming dynasty; Geometrical design. Diameter: 12 inches = 30 cm; Height: 4 inches = 10 cm; Weight: 3 lb. 1.7 oz. = 1410 g; Condition: perfect no defects; Provenance: private collection in Florida, USA. General Information on Microscopic Identification: For a long time since the beginning, identification of ancient ceramics are only using

Lot: 217 - Chinese porcelain vase with 6 pictures, Tong Zhi mark (1862-1874), Qing dynasty

Mark: Tong Zhi (1862-1874); Height: 7 inches = 13 cm; Width: 5.25 inches = 13.5 cm; Weight: 1 lb. 6.5 oz. = 639 g; Provenance: private collection in Florida, USA The Tongzhi Emperor (27 April 1856 – 12 January 1875), born Zaichun of the Aisin Gioro clan,[1] was the ninth Emperor of the Qing dynasty, and the eighth Qing emperor to rule over China proper. His reign, from 1861 to 1875, which effectively lasted through his adolescence, was largely overshadowed by the rule of his mother, Empress Dowager Cixi. Although he had little influence over state affairs, the events of his reign gave rise to what historians call the "Tongzhi Restoration", an unsuccessful modernization program.

Lot: 218 - Chinese celadon Porcelain 10 cm bowl with corals, shipwreck in 1752

Chinese celadon Porcelain 10 cm bowl with beautiful corals, shipwreck GELDERMALSEN anno 1752. From our Shipwreck Porcelain Collection, a fine crackled porcelain bowl, ex-Christie's, from the so-called "Nanking Cargo," which is the term applied to the porcelain recovered from the wreck of the Geldermalsen ship that sank on January 3rd, 1752. The Geldermalsen was a cargo ship belonging to the Dutch East India Company that struck a reef on its way back from Canton China, and sank off the coast of Indonesia in the Linnga archipelago. It took with it to the bottom of the sea over 150,000 ceramic pieces, nearly 700,000 pounds of tea, as well as gold and other cargo. The ship lay submerged for over 230 years, before being salvaged by Michael Hatcher in 1984, where after the recovered porcelain was sold through Christie's auction house. The treasure was sold at Christie's for 37 million guilders, about 50,000,000 euro today Nice shipwreck bowl from the ship GELDERMALSEN. The ship sunk on January 3, 1752. The wreck is found in 1984. The ship contained over 160.000 pieces of porcelain. Some of the salvaged cargo of Geldermalsen was auctioned in May 1986 at Christie's auction house in Amsterdam. Diameter: 4 inch. = 10.3 cm = 103 mm Height: ca. 1 6/8 inch. = 4.5 cm = 45 mm Weight: 200 g = 8 oz. Age: 1752 and older Condition; covered with coral incrustations, no defects Condition; the plate is covered with coral incrustations, especially at the bottom, no defects; Low Estimate: 500.0; High Estimate: 2000.0; Original: Yes; Circa: 1750;

Lot: 219 - Marvelous 靜夜思 Chinese porcelain vase with Tang dynasty poem, written by Li Bai (701-762 AD)

Amazing 靜夜思 Chinese porcelain vase with Tang dynasty poem, written by Li Bai (701-762 AD); Quiet Night Thought (Chinese: 靜夜思) is a famous poem written by the Tang Dynasty poet, Li Bai (also known as Li Bo or Li Po).[1] 床前明月光, 疑是地上霜, 舉頭望明月, 低頭思故鄉. Translation: “Before my bed there's a pool of light, I wonder if it's frost on the ground, Looking up, I find the moon bright, Then bowing my head, I drown in homesickness”. Height: 9.5 = 24 cm Weight: 1.626 g = 1 kg 626 g = 3 lb. 9.3 oz. Condition: perfect, no defects. Provenance: private collection in Clearwater, Florida. Li drew inspiration for the poem through personal experiences as a Confucian scholar detached from his hometown. In the times of Imperial China, scholars and artisans affiliated with the court were often detached from their hometowns for extended periods of times as part of their duties and loyalties as courtiers or worthy subjects to the Emperor of China. While it was expected in traditional Confucian ritual to remain a loyal subject to the Emperor and abide by the Emperor's wishes, filial piety also formed one of the foundations of Confucian thought, and emphasized upon the importance of embracing and honouring one's ancestry and roots. However, the Emperor was also considered the "Father" of all his subjects, and so his courtiers were also required to express their filial duties to the Emperor. Through the poem, Li Bai fulfils responsibilities of filial piety to both Emperor and his ascendants as he expresses his yearning for his hometown, in accordance with Confucian values, as well as obedience towards the sad obligation of remaining loyal to imperial edict, again in accordance to Confucian values of filial piety. Indeed, the poem alludes to the August moon and therefore the Mid-Autumn Festival. The Mid-Autumn Festival serves as a highly important festival in Chinese culture for its adherence to Chinese family values, and is traditionally associated with family reunion. Li is therefore lamenting over the impossibility of family reunion due to the importance of the imperial edict, yet stresses the importance of valuing one's origin even amidst the impossibility of reunion. The poem is one of Li's shi poems, structured as a single quatrain in five-character regulated verse with a simple AABA rhyme scheme (at least in its original Middle Chinese dialect as well as the majority of contemporary Chinese dialects). It is short and direct in accordance with the guidelines for shi poetry, and cannot be conceived as purely a personal poem, but as a poem relatable to all those detached from their hometowns out of obligation. Hence, in contrast to Li Bai's longer, more free-form gushi, "Quiet Night Thought" is vague, yet expresses solemnity and yearning through a combination of its night-time imagery and its spare form.

Lot: 220 - Chinese celadon porcelain 16.5 cm, shipwreck plate with flower mark

Chinese celadon Porcelain 16 cm plate flower design, shipwreck GELDERMALSEN, 1752 From our Shipwreck Porcelain Collection, a fine crackled porcelain bowl, ex-Christie's, from the so-called "Nanking Cargo," which is the term applied to the porcelain recovered from the wreck of the Geldermalsen ship that sank on January 3rd, 1752. The Geldermalsen was a cargo ship belonging to the Dutch East India Company that struck a reef on its way back from Canton China, and sank off the coast of Indonesia in the Linnga archipelago. It took with it to the bottom of the sea over 150,000 ceramic pieces, nearly 700,000 pounds of tea, as well as gold and other cargo. The ship lay submerged for over 230 years, before being salvaged by Michael Hatcher in 1984, where after the recovered porcelain was sold through Christie's auction house. The treasure was sold at Christies for 37 million guilders, about 50,000,000 euro today Nice shipwreck plate from the ship GELDERMALSEN. The ship sunk on January 3, 1752. The wreck is found in 1984. The ship contained over 160.000 pieces of porcelain. Some of the salvaged cargo of Geldermalsen was auctioned in May 1986 at Christie's auction house in Amsterdam. This is 1 part of it. Diameter: 6.5 inch. = 165 mm = 16.5 cm. Height: 1 5/8 inch. = 43 mm = 4.3 cm. Weight: 1 lb. = 450 g; Age: 1752 and older. Condition: Fine, the bottom is covered with corals, no defect; Low Estimate: 1000.0; High Estimate: 2000.0; Original: Yes; Circa: 1750;

Lot: 222 - Antique Chinese mirror with carved framed, circa 1880-1920

Antique Chinese mirror with carved framed, circa 1880-1920 Height: 38 inches = 96.5 cm; Width: 11.5 inches = 29.2 cm; Condition: used, but no defects; Provenance: private collection in Florida, USA

Lot: 223 - Chinese antique Carved Canopy from Opium or Wedding Day-bed, Qing Dynasty, 201cm

Opposite to the Beijing category, characterized by its elaborate decoration, developed from early Qing Dynasty furniture; Size: 80.5 in. x 26.5 in. = 201 cm x 66 cm = 2 m x 0.66 m; Weight: 10 -15 lb. = 5-10 kg; Condition: used, some chips at the back, no major defects; Materials: wood, rattan, covered with red lacquer in front. The upper bar is a long solid wood, without any interruptions. The upper bar has to two strong metal handles, which are connected to the bar in an original a secure way: all the way through. Six vertical bars are connected to the upper bar by woodworking joints, without nails. Small horizontal lower bars are connected to vertical bars through the wooden joints, enforced by 10 antique nails. We have counted 8 x 2 small nails (golden or copper) to attach two metal covers around the corners. Low Estimate: 5000.0; High Estimate: 10000.0; Original: Yes; Circa: 1750 AD;

Lot: 224 - Antique Chinese wooden cabinet, 179 cm, Qing dynasty, 1644-1850.

Antique Chinese wooden cabinet, 179 cm, Qing dynasty, 1644-1850. This magnificent cabinet is embellished with gilding and breathtaking hand-painted scenes, expertly captured on the cabinet's surface. Three fitted interior shelves. Still retaining its original bronze hardware. Chinese carved huanghuali/zitan wood cabinet, with Chinese copper character as a handle. Condition: This exclusive antique is in very good shape. Width: 3 feet 2 inch = 97 cm; Height: 5 feet 10.5 inch = 179 cm; Depth: 1 foot 7 inch = 53 cm; This cabinet was made meticulously from 2 species of wood, without any nails or screws. Later some screws were added for the handles. All the connections are made with mortise and tenon joints. The frame is made from harder species of wood: oak or zitan. The walls are made from different wood: Huanghuali. Provenance: private collection in Ottawa, Ontario, Canada, Estimate price: $5,000-$10,000 US

Lot: 225 - Chinese wooden board table screen carving, Qing dynasty

Chinese Antique Wooden board table screen carving, Qing/Ming dynasty. Height of the screen + base: 11 inches = 26.8 cm. Width of the screen: 7.5 inches = 14 cm. Width of the base: 6.5 inches = 16.5 cm. Weight of the base: 160 g. Weight of the screen: 260 g Total weight: 420 g. Provenance: from private collection in Florida, USA; purchased in 1980s -1990's Condition: natural aging of the wood, no damage; Low Estimate: $3,000; High Estimate: $6,000; Original: Yes; All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 225A - Chinese Antique Wooden board table screen Taoist God carving, Qing dynasty;

Chinese Antique Wooden board table screen Taoist God carving, Qing dynasty; Carving: Taoist god, holding calligraphy scroll with 4 characters. Height of the screen + base: 25 in. = 75 cm; Width of the screen: 13.5 inches = 34 cm; Width of the base: 15 inches = 45 cm; Weight of the screen: 1750 g; Total weight: 2100 g; Condition: natural aging, no damage; Provenance: from private collection in USA; purchased in 1980’s -1990's;

Lot: 226 - Antique Chinese carved redwood Fisherman, Qing dynasty

Antique Chinese carved hard red wooden Fisherman, late Qing dynasty(?) Weight: 2 lb. 8 oz. = 1150 g. Height: 13 inches = 32.5 cm. Condition: normal age wear, no defects. A fisherman is holding on a left shoulder a long stick with wide part at the top. I am not sure what does it mean. There are 2 drilled holes in the funnel part of the stick. Age: approximately 1800-1920 Condition normal age wear, no defects; Low Estimate: 2500; High Estimate: 5000;

Lot: 227 - 唐三彩 Tang Sancai glazed powerful horse rider warrior, China (618-907 AD)

唐三彩 Tang Sancai glazed powerful horse rider warrior, China (618-907 AD); Figure Dimensions: 10.5 x 10 inches = 26.67 cm x 25.4 cm; Stand is included. Sancai (Chinese: 三彩; pinyin: sāncǎi; lit. 'three colours')[1] is a versatile type of decoration on Chinese pottery using glazes or slip, predominantly in the three colours of brown (or amber), green, and a creamy off-white. It is particularly associated with the Tang dynasty (618–907) and its tomb figures,[1] appearing around 700.[2] Therefore, it is commonly referred to as Chinese: 唐三彩 Tang Sancai in Chinese. Tang sancai wares were sometimes referred in China and the West as egg-and-spinach by dealers, for their use of green, yellow, and white, especially when combined with a streaked effect.[3] The Tang dynasty three-color glazed pottery is the treasure of ancient Chinese ceramic firing techniques. It is a kind of low-temperature glazed pottery popular in the Tang dynasty. The glaze has yellow, green, white, brown, blue, black and other colours. The yellow, green, and white colour-based are most predominant, so people call it "Tang Sancai." Because the Tang Sancai is unearthed in Luoyang earliest and is found the most in Luoyang, it is also called "Luoyang Tang Sancai." It uses lead-glazed earthenware, and although two firings were needed,[1] it was easier and therefore cheaper to make than Chinese porcelain or celadon, and suitable for making large figures, if necessary made up of several moulded sections assembled after a first firing. Vessels, mostly rather small and made for burial, were made in the technique as well as figures. Small plates with three feet, typically about 18–40 cm (7–16 inches) across, called "offering-trays", are a distinctive type, with more carefully controlled decoration than other types of pieces.[4] The white may come from the natural colour of the fired clay, sometimes coated with a transparent glaze, or there may be a white slip. The brown and green colours came from adding metal oxides to a lead glaze, and in fact blues and blacks are also found. The blue came from adding imported cobalt, and was therefore more expensive and used sparingly, often on smaller pieces.[5] - Provenance: this item comes from the private collection of Lou A. and Barbara B. Pritchett. Lou Pritchett was the ex-Vice President of Procter and Gamble. Lou Pritchett rose through the ranks at Procter & Gamble and was instrumental in the creation of the partnership between Procter & Gamble and Wal-Mart. Pritchett was instrumental in bringing Proctor & Gamble to the Phillipines during his time there. Now retired, Lou is a sought-after public speaker and author of Stop Paddling & Start Rocking the Boat. Special fitted wooden stand is included.

Lot: 228 - Chinese antique wooden jewelry box with jade incrustation & a lock.

Chinese antique wooden jewelry box with jade incrustation & a lock. Size: 7” x 5” x 2” inches = 18 cm x 13 cm x 5 cm; Condition: used, but in perfect condition, no smell; Provenance: Estate sale, Clearwater, Florida, USA

Lot: 229 - Chinese cloisonné bronze vase, Qing dynasty, 1800-1900 AD

Chinese cloisonné bronze vase, Qing dynasty, 1800-1900 AD; Height: 12 inches = 30 cm; Weight: 2224 g = 4 lb. 15.1 oz. Provenance: private collection in St. Petersburg, Florida, USA

Lot: 230 - Chinese huge cloisonné enamel & bronze vase with dragons, Qing dynasty

Chinese huge cloisonné vase with dragons, Qing dynasty Diameter: 20 cm; Upper opening 12 cm; Height: 29.5 cm; Weight: 5 lb. 0.4 oz. = 2 kg 281 g; Original carved black wooden stand. Condition: natural patina outside and oxidation inside. Provenance: bought in antique store in Florida, USA.

Lot: 231 - Chinese antique Carved redwood Qilin, Qing dynasty

Chinese antique handmade Carved Wooden Qilin, Qing dynasty (?) Weight: 3 lb. 7 oz. = 1600 g. Height: 12 inches = 29.5 cm. Length: 7.5 inches = 18.5 cm. Age: presumably Qing dynasty (1644-1912). Material: Red hard wood. Condition: Overall very good condition. Amazing handmade carving from the whole piece of hardwood There are following damages: the right ear is broken, front upper and lower teeth are missing, decoration detail under left leg is partially broken. There is a stable (only 5 mm deep) vertical crack in the base (picture#2); Low Estimate: $1000; High Estimate: $2000; Original: Yes;

Lot: 232 - Tobacciana: vintage Chinese tobacco/opium cloisonné set

Tobacciana: vintage Chinese tobacco/opium cloisonné set; Height: 3.25 inches = 8.5 cm; Width: 7.5 inches = 19 cm; Weight: 10.7 oz. = 302 g Condition: Good for the age, no major problems Provenance: bought in antique store in Florida, USA.

Lot: 233 - Chinese cloisonne enamel & bronze vase, 12 inches, 19th c

Chinese cloisonne vase, 19th c. Height: 12 inches = 30 cm. Condition: used, but nice, no defects; Low Estimate: 1500; High Estimate: 3000; Original: Yes;

Lot: 234 - Chinese antique red cloisonne enamel & bronze vase, Qing Dynasty

Heavy: 4-7 lb. Height: approximately 20 inches; Diameter in the middle: 8 in. Diameter at the opening: 7 in. Provenance: from private collection in Florida, USA; purchased in 1987 in Germany; Condition: natural aging, no damage; Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 236 - Chinese antique Ordos style bronze camel, Bronze Age

Chinese antique bronze camel. Length: 5.5 inches = 14 cm, Height: 4.25 inches = 10 cm, Weight: 2 lb. 1 oz. = 940 g. Age: several hundred years old. Provenance: private collection in Florida, purchased in 1980s -1990's. The Ordos culture comprises the period from Upper Paleolithic to the late Bronze age at the Ordos Desert, in the south of the Inner Mongolian Autonomous Region of the People's Republic of China. The Ordos were predominantly Mongoloid, as known from their skeletal remains and artifacts,[1] but numerous interactions between Europoid and Mongoloid might have also taken place in that region over the course of several centuries,[2] until its occupation by Qin and Han dynasties. Condition: beautiful old patina, no defects. All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 237 - Warring States Chinese Bronze Rhinoceros wine container

Chinese Bronze Rhinoceros wine container, Warring States (4th cent.-221B.C) ZUN, shaped as a rhinoceros, has two horns on the head and a round lid on the back. The whole body is covered with cloud decoration. Around the neck and about the front part of the body are wrinkles. Age: Warring States (mid.4th cent.-221B.C). Weight: 4 lb. 9 oz. = 2080 g. Length: 11 in. = 28 cm. Width: 4 = 9cm Height: 5.5 in. = 13.5 cm. Condition: very old, authentic patina all over, the lid opens only up to 40 degrees, otherwise there are no other defects, a lot of white oxidation inside the vessel. Authenticity report: Genuine. Provenance: from private collection in Florida, USA, purchased in 1980's -1990's. References: Archaeological evidence shows that rhinoceros have been found in China since earliest times. A text on oracle bones from the late Shang dynasty (ca.1300 - 1050 BC) records the king hunting rhinoceros, whose tough, thick hide was used as body armor by high-ranking soldiers. In the war-torn centuries preceding the Han period, the rhinoceros was hunted nearly to distinction, becoming so rare that it attained almost mythical status. http://www.easterncurio.com/easten%20curio/F%20Bronze&Copper%20Pieces/F2%20Animal/Animal01.htm...... http://www.flickr.com/photos/sftrajan/7315946912/ Rhinoceros-shaped bronze 'Zun' (wine vessel) - gold and silver inlaid cloud design - Western Han Dynasty (202 BC to 8 AD). Unearthed in Shaanxi Province National Museum of China () Beijing, China .the rhinoceros lived in China in ancient times...... Condition: very old, authentic patina all over, the lid opens only up to 40 degrees, otherwise there are no other defects, a lot of white oxidation inside the vessel. Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 238 - Chinese antique copper/brass horse

Chinese antique copper/brass horse Height: 13.5 cm = 5. 5 inches Length: 22 cm = 8.5 inches Weight: 2 lb. 5 oz. = 1054 g = 1 kg 54 g; Provenance: private collection in Florida, USA.

Lot: 239 - Chinese Bronze Deer, Qianlong Emperor mark Qing dynasty

Qing dynasty, Qianlong Emperor (1735-1796) period, Chinese bronze deer. Height: 15 inches = 42 cm; Length: 11.5 inches = 29 cm; Weight: 7 lb. = 3 kg; Provenance: private collection in Florida, purchased in 1980's -1990's. Condition: Partial oxidation of the bronze, some loss of gilded layer, otherwise - perfect Low Estimate: $2,000; High Estimate: $5,000 ; Original: Yes Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 240 - Four Chinese Bronze Worriers, Qin dynasty (221 to 206 BC)

Four Chinese Bronze Worriers, Qin dynasty style; Attributed to Qin dynasty (221 to 206 BC); -Tallest soldier with 2 hair nodes. Weight: 1480 g = 3 lb. 4 oz , Height: 14 = 35 cm; -Middle soldier with 1 small hair node Weight: 3 lb. 8 oz. =1600 g; Height: 13.5 = 34 cm; -Middle soldier with 1 big hair node - Weight: 3 lb.=1400 g; Height: 13.25 = 33.5 cm; -Kneeling soldier with 1 small hair node Weight: 3 lb. 8 oz.= 1600 g ; Height: 10.5 in. = 26.5 cm; Total weight: 14 lb. = 6 kg; Tallest soldier with 2 hair nodes: 14 = 35 cm; 3 lb 4 oz = 1480 g; Middle soldier with 1 small hair node: 13.5 = 34 cm; 3lb 8 oz = 1600g; Middle soldier with 1 big hair node 13.25=33.5 cm 3 lb. = 1400 g. Kneeling soldier with 1 small hair node 10.5 = 26.5 cm; 3 lb. 8 oz. = 1600 g; Suggested Shipping in USA - FEDEX ground, UPS ground, approximately $50-$100. International shipping is available, ask for rates, please. Condition Natural green patina and oxidation all over, remnants of clay or soil - inside the statues; Low Estimate: 2000; High Estimate: 6000;

Lot: 242 - Chinese Gilded Iron pair of Foo Dogs, Ming/Qing dynasty or earlier

Chinese gilded Iron pair of Foo Dogs, Ming/Qing dynasty or earlier. Weight: 5 lb. Base; 2.5 x 5.5 in. Height: 6 in. = 15 cm. Age: over 300 years old. Provenance: private collection in Florida, USA, purchased in 1980's -1990's Condition: rust all over, partial loss of gild, no major defects; Low Estimate: 3000; High Estimate: 6000; Original: Yes; Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 243 - Chinese gilded bronze lotus incense burner, Qing dynasty

Chinese gilded bronze incense burner in the shape of lotus, Qing Dynasty. Symbolism of the burner: "Lotus" means "to continue" in Chinese language means many. So, Lotus with a child means "continue to deliver many children". Lucky words for mothers. Three legs in the shape of frogs. Diameter: 5.5 inches = 14 cm. Height: 6 in. = 14 cm. Weight: 4 lb. 12 oz. = 2 kg 150 g. Authenticity report: genuine. Provenance: from private collection in Florida, USA, purchased in 1980's -1990's; Condition: used, natural patina, no obvious defects; Low Estimate: $4,000; High Estimate: $10,000; Original: Yes; Terms of sale: All sales are final! Buyer assumes all responsibility! No refunds will be given under any circumstances! No returns! Please, ask all you questions before you bid! If you have any doubts - do not bid!

Lot: 244 - Western Zhou (1122-771 BC) archaic bronze tripod ding, China.

Western Zhou (1122-771 BC) tripod ding, twin handled archaic bronze, China. Geometrical design – two fighting animals? Dimensions: 6.5 x 11.25 in. = 16.51 cm x 28.57 cm; Weight: approx. 10 lb. = 4.5 kg; Natural patination of bronze, more expressed inside the ding. Metallurgical analysis of similar dings from Allen’s collection: copper – 47.7%, tin – 7.34%, lead- 43.91%. According to the protocols of the Western Zhou, a common officer was entitled to three dings. - Provenance: this item comes from the private collection of Lou A. and Barbara B. Pritchett, collected during their life in Philippines. Lou Pritchett was the ex-Vice President of Procter and Gamble. Lou Pritchett rose through the ranks at Procter & Gamble and was instrumental in the creation of the partnership between Procter & Gamble and Wal-Mart. Pritchett was instrumental in bringing Proctor & Gamble to the Phillipines during his time there. Now retired, Lou is a sought-after public speaker and author of Stop Paddling & Start Rocking the Boat.

Lot: 244A - Monumental bronze Gui/Kuei (ritual vessel) Zhou dynasty (1046 BC-256 BC), China

Monumental bronze Gui/Kuei (ritual vessel) Zhou dynasty (1046 BC-256 BC), China Huge size archaic Chinese ritual bronze Gui/Kuei vessel. Mounted with two figural animal handles and having an ample bowl-shaped body with rounded sides, all cast in low relief with geometric patterns, bands, and Taotie masks. Approx. 8'' height x 20'' width x 15'' diameter. Weight: 24 lb. = 10.88 kg. Provenance: Private collection in St Petersburg, Florida, USA. A gui is a type of bowl-shaped ancient Chinese ritual bronze vessel used to hold offerings of food, probably mainly grain, for ancestral tombs. As with other shapes, the ritual bronzes followed early pottery versions for domestic use, and were recalled in later art in both metal, pottery, and sometimes stone. The shape changed somewhat over the centuries but constant characteristics are a circular form (seen from above), with a rounded, wide, profile or shape from the side, standing on a narrower rim or foot. There are usually two, or sometimes four, handles, and there may be a cover or a square base (or both). The Kang Hou Gui, an 11th-century BC example in the British Museum was chosen as object 23 in the A History of the World in 100 Objects.[3] The British Museum bowl inscription on the inside of the bowl tells that King Wu's brother, Kang Hou, who was the Duke of Kang and Mei Situ were given territory in Wei. The inscription relates a rebellion by remnants of the Shang, and its defeat by the Zhou, which helps us to date it. Because historians know exactly when this unsuccessful rebellion against the Zhou dynasty took place then the bowl can be dated very accurately.[4] https://ncartmuseum.org/object/kuei-ritual-vessel/

Lot: 245A - 戰國時期-西漢 Genuine Chinese bronze banded Hu jar – Warring States- Western Han dynasty (206 BC-9 AD)

戰國時期-西漢 Genuine Chinese bronze banded Hu jar – Warring States- Western Han dynasty (206 BC-9 AD) The Hu was a lidded jar or vase, dating from the late Shang, through Warring Sates period to the Western Han dynasty. Its original use was a wine vessel. Two small Taotie lion mask rings handles of the hu. Note mold casting lines on the bottom. Height: 6 inches = 15 cm; Width: 4.5 inches = 11 cm; Weight: 1 lb. 9.2 oz. = 714 g; Condition: genuine multicolored patina; no defects; Provenance: from the American collection of Washington, DC, USA, collected prior to 1949;

Lot: 245B - Broken bronze ding, Shang – Zhou dynasties (1200 BC -300 BC)

Broken bronze ding, Shang – Zhou dynasties (1200 BC -300 BC). Weight: 6.8 lb. Original size: 10.3 x 10.2 x 8.7 inches. Provenance: private collection in California, USA.

Lot: 246 - Chinese Antique Bronze Tea Pot, Qing Dynasty

Chinese antique bronze tea pot, Qing dynasty (1644-1912); There is an image of the jade girl on the phoenix bird and golden boy on the dragon on both sides of the pot. - Dragon and Phoenix; - golden boy and jade girl -- immortal boy and girl in waiting of a divine house; Weight: 12 oz. = 350 g; Height: 4 in. = 10.5 cm; Diameter: 3.25 in. = 7.5 cm; Authenticity report: genuine antique, 6 character mark on the bottom; Provenance: bought on antique market in Germany in 1980's. Condition: Natural patina with some oxidation; Low Estimate: $5,000; High Estimate: $10,000;

Lot: 247 - 明代宣德年间 Ming Dynasty, Xuande period (1435-1425) Bronze/Copper Lion Incense Burner with Lion on lid

明代宣德年间 Ming Dynasty, Xuande period (1435-1425), Bronze/Copper Lion Incense Burner with lion and 2 candle holders Mystical lion on the cover, 2 candle holders on the sides. Rich patina everywhere; rich natural bronze oxidation inside 4 ancient characters on one side with 2 phoenix birds above 4 ancient characters on the other side with 2 phoenix birds above. Translation of the characters: Let your house - be full of gold and jade. Usually, these burners were used for burning candles and herbs for Buddha shrine. Seal with 6 characters on the bottom. Weight: 2 lb. 6 oz. = 1100 g. Height (burner with lion cover): 7.5 inches = 17.5 cm. Width: 6.5 inches = 16 cm; Condition: Rich patina everywhere; rich natural bronze oxidation inside; Low Estimate: 3,000; High Estimate: 6,000; Original: Yes; Auction results: https://www.cambiaste.com/uk/auction-0179-2/a-small-bronze-censer-china-ming-dynasty-17th--3.asp

Lot: 248 - Chinese Museum Bronze plate, Song dynasty with gilded Dragon

Antique Chinese Bronze hand-made plate with gilded Dragon, birds and flowers Bronze or Silver(?) with chased and punched decoration and gilding. Vessels such as these were made for formal entertaining. Presumable age: Southern Song dynasty (1127-1279) or Yuan dynasty (1271-1368), Possibly was made in lower reaches of Yangzi River. Weight: 8 oz. = 230 g; Diameter: 17 cm = 6.75 inches. Similar plate is exposed in Metropolitan museum, in New York, USA. Condition: Beautiful patina, no defects; Low Estimate: $5,000; High Estimate: $20,000; Original: Yes;

Lot: 249 - 明代宣德年间 (1425-1435) White Bronze Ming Dynasty, Xuande period, Bronze Incense Burner

明代宣德年间 White Bronze Ming Dynasty, Xuande period (1425-1435) Bronze Incense Burner, silvered and gilded; partial oxidation. Usually, these burners were used for burning candles and herbs for Buddha shrine. Seal with 6 characters on the bottom. Weight: 4 lb. = 1800 g. Height: 8 inches = 20.5 cm; Biggest width: 9.5 inches = 25 cm. Provenance: bought on antique market in Florida, USA. Condition: Natural patina everywhere; silvered and gilded; partial oxidation; Low Estimate: 3000; High Estimate: 6000; Original: Yes;

Lot: 249A - Antique Chinese bronze camel, amazing patina, Qing dynasty (?)

Antique Chinese bronze camel, amazing patina, Qing dynasty (?) Height: 17 cm; Length: 26 cm; Weight: 1915 g = 1 kg 915 g; Provenance: private collection in USA

Lot: 249B - Ancient prehistoric Dong Son Culture bronze bracelet, 1000 BC – 100 AD, Rare, Vietnam

Ancient Prehistoric Dong Son culture Bronze Bracelet, 1000 BC – 100 AD, Rare, Vietnam. Ancient Vietnamese Dong Son culture, Massive Bronze Bracelet, circa 1000 BC– 50AD. Outer Diameter: 82 mm = 3.25 inches. A cast hollow bronze bracelet or anklet bell. Weight: 80.00 g; Provenance: From a private St Louis, MO Doctor collection, acquired from Antiquities Science, James Connell, MA, USA. REFERENCE: The Dong Son culture, Dongsonian culture,[1][2] or the Lạc Việt culture (named for modern village Đông Sơn, a village in Thanh Hóa, Vietnam) was a Bronze Age culture in ancient Vietnam centred at the Red River Valley of northern Vietnam from 1000 BC until the first century AD.[3]: 207 Vietnamese historians attribute the culture to the states of Văn Lang and Âu Lạc. Its influence spread to other parts of Southeast Asia, including Maritime Southeast Asia, from about 1000 BC to 1 BC.[4][5][6] The Dong Son people were skilled at cultivating rice, keeping water buffalos and pigs, fishing and sailing in long dugout canoes. They also were skilled bronze casters, which is evidenced by the Dong Son drum found widely throughout northern Vietnam and Guangxi in China.[7] To the south of the Dong Son culture was the Sa Huỳnh culture of the proto-Chams.

Lot: 250 - Xuande Emperor (1426-1435), Ming Dynasty lidded bronze burner, China

Xuande Emperor (1426-1435), Ming Dynasty certified lidded bronze burner, China. Amazing genuine bronze burner with foo dog on the lid, marked with six characters on the bottom. The lid has 4 stoppers and 5 windows for the flavors to come out. Xuande reign marks proliferate on bronze censers but many of these are apocryphal. The Xuande Emperor (1425-1435) was a great patron of Vajrayana Buddhism, commissioning the production of thousands of exquisite ritual and religious bronzes for the altars and halls of the newly constructed Forbidden City as well as to present to Tibetan emissaries. His ten-year reign is considered the peak of Chinese bronze production and the Xuande reign mark’s continued employment gives an insight into the reverence towards the wares he produced. Height: 8 inches = 20. 2 cm. Weight: 3 lb. 6.1 oz. = 1.534 kg. Condition: genuine patina all over. Provenance: private collection in Sarasota, Florida, USA. Censers, also known as incense burners, have a long history in China, dating back to ancient times. They were used for a variety of purposes, including religious ceremonies, medicinal treatments, and as a means of purifying the air.

Lot: 250A - Antique Chinese iron lock with a key, Qing dynasty

Antique Chinese iron lock with a key, Qing dynasty; Weight: 266.23 g; Length: 13 cm = 130 mm; Length with a key: 17.8 cm = 178 mm; Age: several hundred years old (?) Attracted to the magnet; Condition: The key partially moves, but it is impossible to remove it out of the lock completely. Provenance: private collection in St Petersburg, Florida, USA.

Lot: 250B - Antique Chinese brass/bronze butterfly furniture decoration, Qing dynasty

Antique Chinese brass/bronze butterfly furniture decoration, Qing dynasty; Weight: 63.85 g; Height: 7.6 cm = 76 mm; Width: 12.1 cm = 121 mm; Age: several hundred years old (?) Not attracted to the magnet; Condition: one small piece in the middle of the butterfly moves up and down, like a hinge. Provenance: private collection in St Petersburg, Florida, USA.

Lot: 251 - Warring States, Chinese Bronze mirror: Three Shan

Chinese Bronze mirror: Three T Shan, Warring States, 480-221 BC. Diameter: 5 inches = 126 mm. Weight: 7 oz. = 200 g. Rim: concave, with sharp edge. Side: slightly inclined inwards. Knob is very small, hole is blocked by oxidized metal; Round circle around knob, which is rare, usually a square. Mirror surface: flat. Inner section: 3 T Shan, against finely patterned ground (feather pattern) Metal: white bronze, nice patina. Mirrors with 4 or 5 Shan shapes as the main motif are one of the representative types of Warring States period. It is not clear, however, what the Shan shape signifies. One suggestion is that it is an early form of the T-shape, found on TLV mirrors and the liubo gaming board, but to date there is no proof of this. Condition Some oxidation, patina and rust, which is normal for this age. Low Estimate: 800; High Estimate: 3000;

Lot: 252 - Warring States, Chinese bronze mirror T Shan Tiger Deer

Chinese Bronze mirror - 3 T Shan, 2 deer & tiger, Warring States 480-221 BC; Diameter: 8.25 in. = 208 mm; Weight: 2 lb. 5 oz. = 1080 g; Condition: beautiful genuine patina, no other defects. Condition: beautiful genuine multicolored patina, no other defects. Low Estimate: 20000; High Estimate: 50000; Original: Yes;

Lot: 266 - 西漢 W. Han dynasty, Chinese Bronze TLV Mirror, 107 mm

西漢 Genuine Cosmic TLV Chinese Bronze Mirror 107 mm, Western Han Dynasty, 206 BC - 220 AD. TLV design incorporates both scientific and mythological elements. These mirrors are also called "compass mirrors" by Chinese Scholars. Made in Han Dynasty: 206 BC - 220 AD; Diameter: 107 mm = 4.5 inches; Weight = 200 g = 7 oz. Mirror surface is slightly convex; Knob - 5 mm high, open

Lot: 268 - E Jin dynasty Chinese bronze convex mirror - Phoenix, 87mm

Genuine antique Chinese bronze convex mirror with Phoenix, Eastern Jin dynasty (265-420 AD); Decorated with a bird, bands of short lines, saw and wave pattern; Diameter: 87 mm = 3 ½ inches; Weight: 119 g; Condition: genuine patina with original reflective areas. Age: Eastern Jin dynasty (265-420 AD). Knob: 7 mm high, filled with oxidative materials; Condition Genuine noble patina; Low Estimate: 2000; High Estimate: 10000; Original: Yes;

Lot: 269 - W Han Convex Chinese TLV Bronze mirror 8 flowers design

Convex Chinese TLV Bronze mirror with eight flowers design, Western Han dynasty (206 BC-220 AD); Outer circle: Saw tooth design; Inner circle: TLV mixing with flowers; Diameter: 92 mm = 3.55. Weight: 173.65 g; Condition: authentic patina; Age: Western Han Dynasty, 206 BC-9AD; Condition: authentic patina, no defects; Low Estimate: 2000; High Estimate: 10000; Original: Yes;

Lot: 274 - W Han dynasty, Cosmic TLV Chinese Bronze Mirror

Genuine Cosmic TLV Chinese Bronze Mirror Han Dynasty, 206 BC-220 AD. Stunning, absolutely incredible Cosmic TLV Chinese Bronze Mirror, 100% authentic. This mirror has a distinctive island of reflective surface 35 x 15 mm TLV design incorporates both scientific and mythological elements. The mirrors are also called "compass mirrors" by Chinese Scholars. Made in Han Dynasty: 206 BC-AD 220; Diameter:

Lot: 275 - E Han dynasty, Chinese Bronze mirror, 4 Phoenixes, 84mm

Authentic Bronze mirror with Four Phoenixes, Eastern Han Dynasty, 25 - 220 AD; Weight: 146 g; Diameter: 3.25 in. = 84 mm. Condition: Genuine patina, remnants of original mirror polishing; Low Estimate: 5000; High Estimate: 20000; Original: Yes;

Lot: 276 - Authentic Han dynasty (200BC-220AD) Bronze mirror with unusual flower decoration, 135 mm

Authentic Han dynasty Bronze mirror with unusual flower décor; Age: Eastern Han Dynasty, 25 220 AD Dragon, Phoenix, Tiger and __________design One knob in the middle with 4 small knobs around; Weight: 12 oz. = 340 g; Diameter: 5.25 = 135 mm; Mirror surface is nicely convex and has very unusual small flower decoration at the partial outer rim. Condition: nice genuine patina all the way around; Provenance: From the collection of Chinese Professor from New Jersey, USA;  

Lot: 282 - Tang dynasty, unearthed, mysterious iron mirror, with 8 Horses, 32cm

Unearthed, mysterious iron mirror(?) Eight Horses; Tang dynasty (618-906 AD); Diameter: 12.75 inches = 31.87 cm; Weight: 4.5 lb. = 2.1 kg; This mirror is a Chinese historical puzzle and we are still doing research on it. It may not be a mirror, because of the way it was crafted, but it might have a big historical significance. Provenance: This mirror was brought to UK from China, at the beginning of the 1900. We purchased it in UK. Shipping in USA by FEDEX or UPS. International shipping is available, ask for rates, please. Condition A lot of rust and oxidation, which correspond to the old age of the iron cast; Low Estimate: 20000; High Estimate: 100000; Original: Yes;

Lot: 284 - Sui /Tang dyn, Chinese bronze 5 suani & grapes, 14 cm

Masterpiece antique Chinese bronze 5 suani and grapes, Sui Early Tang dynasties. Weight: 1 lb. = 450 g; Diameter: 5.5 inches = 14 cm; Thickness of the rim: 4 mm; Rim: steeply inclined (triangular profile), with one small 3 mm dent. Side: steeply inclined inward; Knob: 10 mm with a hole all the way through; Material: White bronze + gild; Outer section: Raised circle with double saw tooth pattern; Medial and inner section: 5 running suani with grape design; Mirror side: concave with preserved remnants of original polish; Age: presumably Sui (581-618) or Early Tang (618-906;) Condition: Worn by natural aging, beautiful multicolored (bronze-greenish) patina, no defects; Low Estimate: 5000; High Estimate: 20000; Original: Yes;

Lot: 285 - Tang dynasty, Chinese bronze mirror- Suani, Birds, Grapes

Antique Chinese convex bronze mirror- Suani, Birds & Grapes, 131 mm, Tang Dynasty. Age: Tang Dynasty (618-906 AD); Weight: 1lb. 4 oz. = 590 g; Diameter: 5 inches = 131 mm; Thickness of the rim: 10 mm; Knob: 7 mm, small hole all the way through. Mirror surface: slightly convex. Rim: 8 mm, inclined inward, saw tooth pattern. Side: slightly inclined inward. Provenance: From private collection. Condition Worn by natural aging, beautiful patina; Low Estimate: 5000; High Estimate: 10000; Original: Yes;

Lot: 286 - Sui - Early Tang dynasty, Chinese bronze mirror 4 suani,

Masterpiece antique Chinese bronze 4 suani and grapes, Sui Early Tang dynasties; Weight: 14 oz. = 400 g; Diameter: 5 inches = 14 cm; Thickness of the rim: 9 mm; Rim: steeply inclined (convex profile), Side: steeply inclined inward with saw-tooth pattern; Knob: 7 mm with a hole all the way through; Material: antique bronze; Outer section: Raised circle with double saw tooth pattern; Medial section: 2 running animals and 5 birds; Inner section: 4 running suani with grape design; Mirror side: concave with preserved remnants of original polish; Age: presumably Sui (581-618) Early Tang (618-906) Condition Worn by natural aging, beautiful patina. Mirror side: concave with preserved remnants of original polish; Low Estimate: 10000; High Estimate: 30000; Original: Yes;

Lot: 287 - Sui/Early Tang (581-906 AD) Chinese bronze mirror with 6 running animals;

Sui/Early Tang (581-906 AD) Chinese bronze mirror with 6 running animals; Age: Sui (581-618)/Early Tang (618-906); Rim: inclined; raised band double saw tooth pattern; Side: inclined inward; Inner section: 3 pairs (3 x 2 = 6) of running animals with horns (suani or semurv?). Three of the animals have thin tails and three have thick tails. Material: White bronze; Diameter: 3.6 in. = 92 mm; Weight: 8 oz. = 220 g; Knob: 17 mm diameter at the base; Condition: Excellent for the age, thin layer of patina, mostly in the groove, the bulging details are shine because of a lot of handling. Mirror surface has several greenish spots of patina; Provenance: from the collection of Chinese professor in New Jersey, USA  

Lot: 291 - Chinese Liao Dynasty Imperial Sacrificial Memorial bronze Plaque (907—1125年）辽朝皇室及官员所用原物, certified

Chinese Liao Dynasty Imperial Sacrificial Memorial bronze Plaque (907—1125年）辽朝皇室及官员所用原物, certified by Chinese expert. This is the Liao Dynasty bronze plaque with 20 Khitan small characters on front side and 16 Khitan original words cipher Khitan rune on back side. It is specially made as the

Lot: 297 - Ming dynasty, Chinese Bronze mirror: 4 sons getting career

Ming dynasty Chinese Bronze mirror: "Having children with good prospect to pass examinations and get government degrees" Age: Ming dynasty (1368-1644). Diameter: 8 inches = 202 mm; Weight: 2 lb. 4 oz. = 1000 g; Rim: convex, with sharp edge; Side: slightly inclined inwards; Knob 7 mm high, the hole is open all the way through; Mirror surface: concave; Inner section: 4 characters + 8 diagrams of prosperity, happiness, fortunate business, etc. Condition Well preserved, no defects. Metal: white bronze, nice patina; Low Estimate: 3000; High Estimate: 10000; Original: Yes;

Lot: 299 - GuangXu Emperor property, Qing dynasty Chinese bronze mirror

Authentic Chinese bronze mirror, a property of Guang Xu Emperor, Qing Dynasty. Diameter: 3.5 in. = 93 mm. Weight: 70 g = 2 oz. Knob: 2-3 mm with a hole all the way through. Thickness - unusually thin: 1-2 mm. Mirror surface: nicely concave, with original polishing. The Guangxu Emperor (14 August 1871 14 November 1908), born Zaitian of the Manchu Aisin Gioro clan, was the eleventh emperor of the Qing Dynasty, and the ninth Qing emperor to rule over China. His reign lasted from 1875 to 1908, but in practice he ruled, under Empress Dowager Cixi's influence, only from 1889 to 1898. He initiated the Hundred Days' Reform, but was abruptly stopped when Cixi launched a coup in 1898, after which he was put under house arrest until his death. His regal name means "glorious succession". Condition: Well preserved, natural patina. Mirror surface: nicely concave, with original polishing. Low Estimate: 5000; High Estimate: 15000: Original: Yes;

Lot: 300 - Qing Dynasty Chinese bronze laquer mirror 2 birds design

Genuine Chinese bronze mirror with design of 2 birds sitting on the tree, on a lacquer base. Qing dynasty (AD 1644-AD 1911). Diameter from the back: 20 cm = 7 ¾ inches. Diameter from the front: 19.7 cm = 7 ¾ inches. Weight: 12 oz. = 790 g. Similar mirror was sold on China Guardian Auction in 2010, in Beijing, China for $68,000 = RMB 504,000 (last 4 photographs). Provenance: Purchased at the auction in USA. Only serious buyers, please!!! Shipping in USA: UPS only, with full insurance. International shipping: UPS only with full insurance. Please, contact about details (security, customs, insurance, etc.) before bidding. Condition Well preserved. Lacquer is cracked in some places. Original patina. Low Estimate: 30000; High Estimate: 100000; Original: Yes;

Lot: 300A - Genuine Chinese bronze lacquered mirror – 2 Dragons design, Qing Dynasty

Genuine Chinese bronze lacquered mirror – 2 Dragons design, Qing Dynasty: Made in Qing dynasty (AD 1644-AD 1911); Using dark red-brown lacquer as primer, the mirror is painted in tri-color of red, yellow and gold with 2 large dragons’ design, which are accompanied with clouds. The rim is adorned with bands of strip and rope pattern in gold lacquer on black prim. Diameter from the back: 147 mm = 5 ¾ inches; Diameter from the front: 145 mm = 5 ¾ inches; Weight: 11 oz. = 320 g; Provenance: Purchased at the auction in USA. Only serious buyers, please!!! Shipping in USA: UPS only, with full insurance. International shipping: UPS only. Please, contact about details (security, customs, insurance, etc.) before bidding. Auction results: Similar mirrors was sold on: 1) China Guardian Auction, Nov 17, 2011 in Beijing, China; Estimate 400,000-800,000 RMB = $64,432- $128,865 US.; Lot 167, Bronze Mirror with Dragon Phoenixes and flowers, Qing dynasty 1644-1911, Diameter – 263 mm, Weight - 2660g; 2) China Guardian Auction, 2010 spring, in Beijing, China; Sold for 504,000 RMB = $68,000 (last 3 photographs). Lot 7232, Mirror with one dragon design, Qing dynasty 1644-1911, Diameter - 19.7 cm; 3) China Guardian Auction 2009, Beijing, China, Lot 5775, Dragon & Phoenix; Ming dynasty (1368-1644); Sold for 280,000 RMB =$45,103 US;

Lot: 301C - Antique Chinese Buddhist 2 brass temple bells, 124 g, 40 mm in diameter

Antique Chinese Buddhist 2 brass temple bells, 124 g, 40 mm diameter. The bells produce pleasant low pitch sound, which protects from evil spirits. Diameter of each bell: 40 mm; Weight of bell 1: 59.50 g; Weight of bell 2: 63.43 g; Provenance private collection in St. Petersburg, Florida, USA

Lot: 306 - Edo Japanese/Korean bronze mirror 2 cranes & 2 turtles

Authentic Japanese/Korean bronze mirror 2 cranes, 2 turtles, etc., Edo period (1600-1868); Lot of symbols of longevity (turtles), fidelity (cranes), happiness, good fortune, etc. Nice patina all over; Weight: 1 lb. 8 oz. = 700 g; Diameter: 7.5 in. = 183 mm; Total length with a handle: 11 = 28 cm; Rim: 5 mm, rectangular; Mirror surface: flat; Material: bronze; This is a Japanese (or remotely possible-a Korean) bronze mirror. It has elaborate decoration as seen in my photos. The large Chinese characters depict Long life and Happiness and there are many symbols of longevity, such as the Crane, Bundles of rice, etc. It appears that the makers name might have been removed from this mirror. It is in great condition other than the possible missing signature and has no dings, dents or repairs. It is approximately 11" high and 7 3/4" wide. It was made about the turn of the century or possibly earlier. Provenance: this mirror was purchased in Korea by Americans, when they lived in South Korea from 1966 until 1974 and again from 1976 until 1985. Condition Authentic patina and oxidation; Low Estimate: 1000; High Estimate: 3000; Original: Yes;

Lot: 309 - Edo Emp Japanese Wedding bronze mirror, 9.5 in., 2 lb.

Authentic Edo Emp Japanese Wedding bronze mirror, 9.5 in., 2 lb. Made in Edo Emperor period (1600-1868); The mirror has a hanging chain. Has very nice sound if you strike it, can be used as a gong or bell; Diameter: 9.5 in. = 24 cm; Length with a handle: 13.5 = 34 cm. Weight: 2 lb. 3 oz. = 1000 g; Condition: perfect for the age, notice several spots of bronze oxidation References: Japanese bronze mirrors; Bronze mirrors were introduced into Japan from China and Korea during the Yayoi period (about 300 BC - AD 300). At first they had a religious function and were regarded as symbols of authority. The Japanese soon learnt to make their own mirrors using the lost-wax technique, decorating them with Chinese or native Japanese designs. By the Nara period (AD 710 -794) mirrors were being made for everyday use, with the increasing use of Japanese designs, such as native plants and animals symbolizing good fortune. From the Kamakura period (1185-1333) a design showing Hôraizan (the Chinese 'Island of Immortality') became popular. Mirrors gradually became more robust. They mostly have a central boss, often in the shape of a tortoise, which was pierced and a cord passed through for holding. More new designs and the first handled mirrors appeared in the Muromachi period (1333-1568). During the Edo period (1600-1868), mirrors decorated with lucky symbols or Chinese characters were given at weddings. Mirrors became larger as hairstyles became more ornate; some mirrors in Kabuki theatre dressing-rooms were up to fifty centimeters across and were placed on stands. The faces of mirrors were highly polished or burnished, with itinerant tanners and polishers specializing in this work. Since the mirror, together with the sword and the jewel, were symbols of Imperial power, mirror-makers were deeply revered and often given honorary titles such as Tenka-Ichi ('First under Heaven'). However, this title was often misused and was officially prohibited in 1682. This Japanese hand mirror is probably 75-100 years old, and is made primarily of brass. The maker's mark at the left on the back is partially illegible, but appears to be an address that begins "Ooshita Ichigami-mura . . ." ("Ooshita, Ichigami Town . . ."), although it might also be something like a caption telling what the design depicts. As shown, there is a pretty fair amount of wear and tarnish, with several spots and patches of minor, green oxidation, but there is no significant structural damage. The reflective face is quite tarnished and stained, however, and so gives virtually no reflection at all. Condition perfect for the age, notice several spots of bronze oxidation; Low Estimate: 1000; High Estimate: 3000; Original: Yes;

Lot: 310 - Japanese bronze mirror, Blooming Sakura, 21cm, Edo period

Authentic Japanese bronze mirror, Blooming Sakura, Edo period (1600-1868); Weight: 1 lb. 9 oz. = 730 g; Diameter: 8.25 in. = 21 cm = 210 mm; Total length with a handle: 12 in. = 30 cm; Rim: 4 mm, rectangular; Mirror surface: flat, polished, has some green patina; Material: bronze; Signed by the artist on the left side. Condition: Genuine patina all over, several green spots on mirror surface References: Japanese bronze mirrors: Bronze mirrors were introduced into Japan from China and Korea during the Yayoi period (about 300 BC - AD 300). At first they had a religious function and were regarded as symbols of authority. The Japanese soon learnt to make their own mirrors using the lost-wax technique, decorating them with Chinese or native Japanese designs. By the Nara period (AD 710 -794) mirrors were being made for everyday use, with the increasing use of Japanese designs, such as native plants and animals symbolizing good fortune. From the Kamakura period (1185-1333) a design showing Hôraizan (the Chinese 'Island of Immortality') became popular. Mirrors gradually became more robust. They mostly have a central boss, often in the shape of a tortoise, which was pierced and a cord passed through for holding. More new designs and the first handled mirrors appeared in the Muromachi period (1333-1568). During the Edo period (1600-1868), mirrors decorated with lucky symbols or Chinese characters were given at weddings. Mirrors became larger as hairstyles became more ornate; some mirrors in Kabuki theatre dressing-rooms were up to fifty centimeters across and were placed on stands. The faces of mirrors were highly polished or burnished, with itinerant tanners and polishers specializing in this work. Since the mirror, together with the sword and the jewel, were symbols of Imperial power, mirror-makers were deeply revered and often given honorary titles such as Tenka-Ichi ('First under Heaven'). However, this title was often misused and was officially prohibited in 1682. Condition Genuine patina all over, several green spots on mirror surface; Low Estimate: 1000; High Estimate: 2000; Original: Yes;

Lot: 312 - Japanese bronze mirror, Meiji period with monkeys on handle, circa 1700-1800;

Japanese bronze mirror, Meiji period with monkeys on handle, circa 1700-1800; Very rare, genuine and beautiful. Condition: The mirror surface is in perfect condition – you can see reflection of your face or other objects. Height: 12 inches = 30 cm; Diameter of the mirror: 6 inches = 15.3 cm; Weight: 1 lb. 0.3 oz. = 462 g; Provenance: private collection in Florida, USA;

Lot: 313 - Japanese painting on silk, 1700-1850, Autumn Official

Japanese antique painting on silk, -Sweeping Lesson, 18th- 19th c. Evaluation is done by Dr. Qing Chang, PhD in Chinese arts: The two Chinese characters above the seal is , and the seal represents the same two characters. This should be the first name or nickname of the artist. Because the artist is a Japanese, I do not know the Japanese pronunciation. The Chinese pronunciation is Qiuqing. In China, this is an old official title. The meaning of the two characters is Autumn Official. Qing also is a respectful way to call a man or a woman, with a meaning similar to sir or lady. Measurements: Size of the frame: 57 in x 28.5 in. = 142 cm x 71 cm; Size of the silk painting: 40 x 15.5 in. = 100 cm x 39 cm;Weight of the painting with frame and glass: 20 lb. = 9 kg. Shipping could be simplified by un-framing the painting and making a scroll again.This would save a lot of money and would be much safer (no glass) Condition natural aging of silk, refer to insignificant folds and spots on the photos, well preserved under glass. Low Estimate: 10000; High Estimate: 30000; Original: Yes;

Lot: 314 - Japanese Silk Painting, Kamijima Sosui, 1900-1940

Japanese Painting on Silk, singing bird, flower & spider, signed Japanese painting with flower and bird motif. The artist used boneless brush strokes to paint the tree, leafs and the bird, with a strong influenced from Chinese Qing dynasty artists. The seal on the lower right side read as . Kamijima Sosui active in the first half of the 20th century. Authenticated by Dr. Qing Chang, PhD. Signed: red artist seal in the lower right corner. Framed without glass and mounted on plywood, probably 50 years ago. Size of the painting: 39 inches x 15 inches = 99 cm x 39 cm; Size of the frame: 43 x 19 inches = 109 cm x 49 cm; Weight: 8 lb. = 3.6 kg; Condition: Very good, no damage, some natural darkening because of the dust (no glass); Authenticity report: Genuine; Provenance: private Chinese collector from New York, USA; Shipping in USA: FEDEX ground Condition Very good, no damage, some natural darkening because of the dust (no glass); Low Estimate: 5000; High Estimate: 12000; Orignal: Yes

Lot: 314B - "Takasago" Japanese antique silk scroll painting

"Takasago" Japanese antique silk scroll painting Primary Material: Silk & Fabric; Technique: Hand-painted; Roller Ends: Plastic; Condition: Refer to all pictures: insignificant stains and wrinkles; Size: W 54 x H 187 (cm) = W 21.26 x H 73.62 (inch); Weight: 360 g; Waist (including roller ends): 59.5 cm;

Lot: 314H - "Two Beauties under Sakura" Japanese antique silk scroll painting

"Two Beauties under Sakura" Japanese antique silk scroll painting Primary Material: Silk & Fabric; Technique: Hand painted; Roller Ends: Bone; Condition : Refer to all pictures: insignificant stains, wrinkles, damage; Size: W 50.5 x H 187 (cm) = W 19.88 x H 73.62 (inch); Weight: 400 g; Waist (including roller ends): 56 cm; #E4905

Lot: 315 - Artist: Sōbō (草坊) Tiger Antique Japanese painting on silk scroll

Artist: Sōbō (草坊) Tiger Antique Japanese painting on silk scroll Size: 177 × 53 cm; Weight: 377 g; Condition: used Provenance: private collection in Japan

Lot: 316 - Japanese antique erotic love 10 silk paintings in one scroll.

Exclusive masterpiece - Japanese antique erotic love 10 silk paintings in one scroll. Length: 164 inches = 416.5 cm; Width: 11.5 inches = 29.2 cm; Size of each painting varies from 14.25” x 10” to 15.25” x 10” (inches) or 36.2 cm x 25.4 cm to 38.7 cm. Provenance: private collection in Florida, USA. What is the age of the scroll? - I could not find any signatures or characters on this Japanese erotic scroll. But looking at the condition of the silk, - I would evaluate the age, as 100-250 years old.

Lot: 317 - JAPANESE HANGING scroll painting: by KOKO "Beautiful Woman" (1900-1940)

JAPANESE HANGING scroll painting: by KOKO "Beautiful Woman" (1900-1940) Date: 1900-1940; Primary Material = Silk. Technique = Hand-painted. Roller Ends = Wood; Condition = Refer to all pictures, there are stains and wrinkles overall. Size of the scroll: 72cm x 202cm = 28.3" x 79.5"

Lot: 320B - Japanese silk scroll painting "Mt. Horai", by Ishikawa Ryujo 1847-1927

Japanese silk scroll painting "Mt. Horai", by Ishikawa Ryujo 1847-1927 Ishikawa Ryujo: 1847-1927 Ishikawa Ryujo was born in Aichi. Learned from the artist Yoshida Kaun. Primary Material: Silk & Fabric Technique: Hand painted Roller Ends: Wood Condition: Refer to all pictures, (insignificant stains, wrinkles, damage) Size of the scroll: W58 x H 196 (cm) = W22.83 x H77.17 (inch) Weight: 520 g; Width (including roller ends): 65 cm

Lot: 320D - Chinese hanging scroll "Plum Blossoms", hand-painted on paper

Chinese hanging scroll "Plum Blossoms", hand-painted on paper; Primary Material: Paper; Technique: Hand painted; Roller Ends: Wood; Condition: Refer to all pictures: insignificant stains, wrinkles, damage. Size of the scroll: W68.5 x H 139(cm): W 26.97 x 0 .72 (inch); Weight: 510 g; Width (including roller ends): 78 cm;

Lot: 323E - Japanese hanging scroll Kakejiku "Peacocks" painting by Shunpou

Japanese hanging scroll Kakejiku Peacocks painting by Shunpou Size: 72.5 cm x 190 cm; Material of the Main Artwork: Silk; Roller End Material: artificial ivory; Condition: Used | some dirty parts are found on the entire scroll. | Hand painted | Made in Japan; The “kakejiku” is a Japanese hanging scroll; it is a work of painting or calligraphy, which is usually mounted with silk fabric

Lot: 325C - 玉凰: Gyokuo, Japanese scroll silk painting "Bird and Flower", 1900’s

玉凰: Gyokuo, Japanese scroll silk painting "Bird and Flower", 1900’s The signature and seal is 玉凰: Gyokuo. Primary material: Silk & Fabric; Technique : Hand-painted; Roller Ends : Bone; Condition : Refer to all pictures: (Stain, Wrinkle, Damage); Height: 186 cm = 73.2 inches Width: 44.5 cm = 17.5 inches Weight: 380g Waist (including roller ends): 49.5cm; Provenance: private collection in Japan;

Lot: 326B - Antique Chinese/ Japanese Wild Boar scroll painting on paper

Antique Chinese/ Japanese Wild Boar scroll painting on paper; Heart size: 6.5 inches x 13.25 inches = 16.5 cm x 33.7 cm; Full size: 10.6 inches x 37 inches = 27 cm x 94 cm; Length of wooden roller stick: 12.5 inches = 32 cm; Age: circa 1700-1900;

Lot: 327 - Pair of antique Japanese (Chinese?) porcelain sake cups with a seal

Pair of antique Japanese (Chinese?) porcelain sake cups with a seal; Beautiful thin porcelain, transparent to the light. Hand-painted. There are seals at the bottom. Height: 2.25 in. = 6.0 cm; Diameter: 82 mm; The weight is different of each cup: 119 g for the first one and 134 g for another cup; Condition: fine, no defects

Lot: 328 - English porcelain tea set: 2 cups & 3 saucers, made by The Friendly Village, Johnson brothers, England

English porcelain tea set: 2 cups & 3 saucers, made by The Friendly Village, Johnson brothers, England. Friendly Village by Johnson Brothers is a traditional dinnerware pattern best known for its charming depictions of idyllic village scenes. First produced in 1953, this heirloom-quality pattern adds a timeless appeal to any table! Cup #1: 8.3 oz. = 235 g; H- 83 mm, D- 116 mm; Cup #2: 8.5 oz. = 239 g; H – 81 mm, D – 115 mm; Saucer #1 pink: 9.4 oz. = 268 g; D- 174 mm; Saucer #2 pink: 9.5 oz. = 270 g; D- 176 mm; Saucer #3 red: 9.0 oz. = 254 g; D- 179 mm;

Lot: 329 - Antique Japanese Kutani delicate porcelain jar, Edo period

Antique Japanese Kutani delicate porcelain jar, Edo period The porcelain is thin and the light can shine through (penetrate) through the walls. Height with lid: 6.5 inches = 17 cm Diameter: 6 inches = 14.5 cm; Weight of the lid: 84.16 g; Weight with lid: 1 lb. 5 oz. = 595 g; Condition: antique, but no defects Provenance: private collection in Clearwater, Florida, USA. Ko-Kutani The term kutani means "Nine Valleys". The first mention was in 1655 during the Meireki era. According to tradition, clays suitable for porcelain making were found in the Kutani mines of the Daishōji clan, a cadet branch of the Maida clan who ruled Daishōji Domain. Gotō Saijirō, a member of the Maeda clan, was sent by orders of Maeda Toshiharu, daimyō of Kaga Domain to Arita in Hizen Province to learn how to make porcelain.[6] He set up a kiln in the village of Kutani.[3] The daimyō of Kaga Domain became great patrons of Kutani. Porcelains from this early period are specifically called old Kutani (古九谷, ko-Kutani) and are very rare.[1][4] Saikō-Kutani Saikō-Kutani style porcelain sweets tray with underglaze flower and leaves decoration and overglaze enamels, c. 1825, late Edo period. Saikō-Kutani porcelain plate depicting Li Bo riding a carp, 19th century, Edo period Iidaya style plate. In 1804, or possibly 1807, production was re-established with the help of several kamamoto, or production potters.[6][14] New overglaze painting techniques from various kamamoto were infused in the development of what became known as revived Kutani (再興九谷, Saikō-Kutani). In the 19th century the style shifted to a more red design called aka-e (赤絵), which features intricate designs.[15] The gold technique is called kinran-de (金襴手), and the combination became aka-e kinran-de (赤絵 金襴手) Kutani.[14][16]

Lot: 330 - Small Japanese Kinkōzan Satsuma antique slender vase, Japan, ca 1850

Small Japanese Kinkōzan Satsuma antique slender vase, Japan, ca 1850; Height: 8 inches = 20.3 cm; Weight: 173.92 g; Condition: some loss of gilt on the handle, otherwise perfect Provenance: private collection in Clearwater, Florida, USA Auction results: $3,600 • Kinkōzan Sōbei VI [錦光山宗兵衛 (6代)] (1824–1884), Kinkōzan Sōbei VII [錦光山宗兵衛 (7代)] (1867–1927) https://www.1stdibs.com/furniture/asian-art-furniture/more-asian-art-furniture/kinkozan-japanese-satsuma-vase-meiji-period/id-f_18503942/?utm_content=condensed&allowUniversalLink=no&gclid=CjwKCAjwk6-LBhBZEiwAOUUDp4Z_BR-zqPlcuYfsrcRDor6HOs-jmnPLUXUI5Wl3_qgWzQ-2skd5wxoCORYQAvD_BwE&gclsrc=aw.ds

Lot: 330A - Antique Japanese/Chinese pewter teapot warmer with calligraphy and landscape, Japan or China

Antique Japanese pewter teapot warmer with calligraphy and landscape, Japan; Height: 8 cm; Weight: 161.68 (outer vessel) + 110.86 g (inner teapot) = 272.50 g; Provenance: private collection in Florida, USA

Lot: 330B - Japanese SHIBUICHI gold inlaid KORO (antique incense burner) with pierced lid, Japan, Edo period

Japanese SHIBUICHI gold inlaid KORO (antique incense burner) with pierced lid, Japan, Edo period Shibuichi (四分一) is a historically Japanese copper alloy, a member of the irogane class, which is patinated into a range of subtle greys and muted shades of blue, green, and brown, through the use of niiro processes, involving the rokushō compound. Shibuichi means "one-fourth" in Japanese, and indicates the standard formulation of one part silver to three parts copper, though this may be varied considerably according to the desired effect. Several major variants of the alloy have specific names, as detailed below. In addition, the metal in general, and especially the paler shades, may be named rogin. As part of our Japanese art collection, we are delighted to offer this most unusual high quality mixed metal koro or incense burner with 3 genuine essence pyramids inside. This fine and heavy little item is made from a Japanese alloy known as Shibuichi , the technique was devised by mixing alloys with silver to produce a wonderful grey to brown bronze skin, the Shibuichi is then inlaid using gold and depicts symbolic mixture of oriental foliage, the koro is nicely finished off with the addition of a pierced lid . Condition: superb, it is far too heavy a gauge to be dented or damaged and only has minor wear commensurate with its age. Height: 8.5 cm; Width: 10.5 cm; Weight of the koro with lid: 652 g; https://www.steveslyjapaneseart.com/product/japanese-shibuichi-gold-inlaid-koro-pierced-silver-lid/#sthash.nmksOYUq.dpuf

Lot: 331 - Perfectly imperfect museum Japanese Imari porcelain plate, circa 1800-1867

Perfectly imperfect museum Japanese Imari porcelain plate, circa 1800-1867; This museum quality plate was hand painted with blue, gold, red, black and green colors. The shape is imperfect, because of old hand made technique. Diameter: 8.5 inches = 21 cm; Condition: almost perfect for the age, some wear of gild, some wear or rim at the bottom.

Lot: 332 - Japanese antique Satsuma porcelain plate with court scene, hand-paintedJapan

Japanese antique Satsuma porcelain plate with court scene, Japan Diameter: 10 inches = 26.4 cm; Height: 1.3 inches = 3.5 cm; Weight: 2 lb. 5.6 oz. = 1 kg 65 g Provenance: private collection in Tampa, FL, USA. Microscopic photos with x50 magnification attached. They prove for hand-painted technique. REFERENCE: Satsuma ware (薩摩焼, Satsuma-yaki) is a type of Japanese pottery originally from Satsuma Province, southern Kyūshū. Today, it can be divided into two distinct categories: the original plain dark clay early Satsuma (古薩摩, Ko-Satsuma) made in Satsuma from around 1600, and the elaborately decorated export Satsuma (京薩摩, Kyō-Satsuma) ivory-bodied pieces which began to be produced in the nineteenth century in various Japanese cities. By adapting their gilded polychromatic enamel overglaze designs to appeal to the tastes of western consumers, manufacturers of the latter made Satsuma ware one of the most recognized and profitable export products of Japan for centuries, and even became one of the key sources of funding for the Meiji period reforms.

Lot: 335 - Japanese Art Deco Beautiful Musical Lighter, Tobacciano

Japanese Art Deco Beautiful Musical Lighter, Tobacciano; Weight: 1 lb. 4 oz. = 570 g; Height: 17.5 cm = 6.75” in. Condition: Original lighter does not work, although there is a possibility to get a spare lighter or fix original for $40. Musical part works well as long as you hold it in your hand, there is a possibility to turn a key at the bottom and to hear dancing melody. As long as you put it on the table – music stops because of the stopper at the base. Several shining decorations are missing. Art Deco (/ˌɑrt ˈdɛkoʊ/), or Deco, is an influential visual arts design style that first appeared in France after World War I and began flourishing internationally in the 1920s, 1930s and 1940s before its popularity waned after World War II.[1] It is an eclectic style that combines traditional craft motifs with Machine Age imagery and materials. The style is often characterized by rich colours, bold geometric shapes and lavish ornamentation. Deco emerged from the interwar period when rapid industrialisation was transforming culture. One of its major attributes is an embrace of technology. This distinguishes Deco from the organic motifs favoured by its predecessor Art Nouveau. Historian Bevis Hillier defined Art Deco as "an assertively modern style [that] ran to symmetry rather than asymmetry, and to the rectilinear rather than the curvilinear; it responded to the demands of the machine and of new material [and] the requirements of mass production".[2] During its heyday, Art Deco represented luxury, glamour, exuberance and faith in social and technological progress.

Lot: 337 - Maria Magdalena & Jesus, Attributed to Lavinia Fontana (1552-1614), Italy

Oil painting, - Maria Magdalena washing Jesus Christ, Italy. Attributed to Lavinia Fontana. Other opinion: woman of Samaria at the well. Size of the stretcher: 17.8 x 11.75 inches = 44.5 cm x 29.8 cm. There is no frame. Weight of painting on stretcher: 520 g = 1 lb. 3 oz. Signature: none. Provenance: purchased at the big and reputable auction house in Italy. The last photo shows the full original painting of Maria Magdalena with Jesus Christ. Lavinia Fontana, (born 1552, Bologna [Italy]—died August 11, 1614, Rome), Italian painter of the Mannerist school and one of the most important portraitists in Bologna during the late 16th century. She was one of the first women to execute large, publicly commissioned figure paintings. Condition: very good for the age, natural aging of the oil paint; Low Estimate: $5,000; High Estimate: $10,000; Original: Yes;

Lot: 338 - Day Dreams of the blonde girl, - oil painting on canvas, by Vera Rabe, USA

Artist: Vera Rabe. Antique oil painting on canvas. Size of stretcher: 24 in. x 20 in. = 60 cm x 50 cm; Weight: 1 lb. 12 oz. = 800 g; Unframed; Condition: fine, some natural aging; Age: second half of 20th century; Vera Rabe studied in Provincetown, later moved to Florida.

Lot: 339 - Portrait of the blond nude, - oil painting on canvas, by Vera Rabe, USA

Size of stretcher: 24 in. x 30 in. = 60 cm x 75 cm; Weight: 2 lb. 5 oz. = 1080 g; Unframed; Condition: fine, some natural aging; Age: second half of 20th century; Artist Vera Rabe studied in Provincetown, later moved to Florida.

Lot: 339A - Mystic flowers, - oil painting on canvas, by Vera Rabe, USA

Mystic flowers, - oil painting on canvas, by artist Vera Rabe, USA. Size of stretcher: 24 in. x 20 in. = 60 cm x 50 cm; Weight: 1 lb. 12 oz. = 800 g; Unframed; Condition: fine, some natural aging, small 7-mm tear in the upper left corner; Age: second half of 20th century; Vera Rabe studied in Provincetown, later moved to Florida.

Lot: 340 - Bronze nude sexy statue of young woman, playing with cicada, France

Antique charming statue of nude woman on a marble base. Height with base: 13.25 inches = 33 cm; Height of bronze statue only: 11.75 inches = =29.5 cm Weight: 7 lb. 5.1 oz. = 3,320 g = 3 kg 320 g; Provenance: private collection in Florida

Lot: 340A - Russian bronze casting, “Three Men in a Troika”, 1880, signed by Evgeni Ivanovich Naps.

Russian bronze casting, “Three Men in a Troika”, 1880, signed by Evgeni Ivanovich Naps. Size: 7.25” x 6” x 11” = 18.41 cm x 15.24 cm x 28 cm; Provenance: Private collection in Alabama, USA Biography: Evgeniy Ivanovich Naps is a Russian 19th Century sculptor. Yevgeniy Ivanovich Naps's work has been offered at auction multiple times, with realized prices ranging from 335 USD to 80,800 USD, depending on the size and medium of the artwork. Since 2008 the record price for this artist at auction is $80,800 USD for A Bear Attack, sold at Jackson's in 2013. Artist's alternative names: Evgeny Ivanovich Naps, Evgeny Naps, Yevgeniy Naps.

Lot: 340B - David Burliuk (1882-1967), Sunflowers (1951?), oil painting 22" x 19"

Painting, still life of sunflowers, signed by David Davidovich Burliuk (1882-1967), Size of the stretcher: 22.25” x 19.25” inches sight. Frame: (26” x 24” in frame}. Burliuk has painted several similar still life paintings in the early 1950's. Provenance: Estate of Lisabeth Scott. Hollywood CA. Authenticity report: According to our research: 1) The signature is

Lot: 340C - Portrait of an old woman, attributed to Wilhelm Maria Hubertus Leibl (1844-1900)

Portrait of an old woman, attributed to Wilhelm Maria Hubertus Leibl (1844-1900); Not signed masterpiece. The portrait of the old woman, holding a Bible, is very alive, definitely has a soul and emanates good feelings. Approximate age: 1873-1878; Dimensions of the canvas: 31' x 43' = 77.5 cm x 107.5 cm; Dimensions of the frame: 43" x 57' inches = 109 cm x 142.5 cm; Original old wooden massive

Lot: 341 - Jean Baptiste Greuze (1725-1805) French, “Study of young girl head” Oil on canvas, Ex-Christie’s, certified

Jean Baptiste Greuze (1725-1805) French, “Study of young girl head” Oil on canvas, Ex-Christie, certified. Jean Baptiste Greuze (1725-1805) French, oil on canvas. Titled 'Study of Young Girls Head'. Oil on canvas. Traces of two attached stencils on the stretcher at the back, possibly from Christie’s auction. 1. Red round sun-like stencil, 21 mm in diameter, with the number

Lot: 341A - Marie Anna Elysa Bonaparte, sister of Napoleon, by Joseph Franque, oil painting, 1814

Marie Anna Elysa Bonaparte, in 1814, at the age of 37 years old, attributed to Joseph Franque, not signed, oil on canvas; Canvas on old antique stretcher: 22.2 x 18.4 inches = 55.5 cm x 46 cm; Old wooden frame: 31 x 27.5 inches = 77.5 cm x 69 cm; Weight of the painting in the frame: 12 lb. = 5.44 kg; Condition: Genuine old painting, possibly relined, very good condition, natural aging of the oil paint, no visible defects; Provenance: Purchased in Antique art gallery in St Petersburg, Florida, USA in 2009. References and history: Maria Anna (Marie Anne) Elisa Bonaparte Baciocchi Levoy, Princesse Française, Duchess of Lucca and Princess of Piombino, Grand Duchess of Tuscany, Countess of Compignano (3 January 1777 - 7 August 1820) was the fourth surviving child and eldest surviving daughter of Carlo Buonaparte and Letizia Ramolino, making her the younger sister of Napoleon Bonaparte. Her other elder siblings were Joseph and Lucien, whilst her younger siblings were Louis, Pauline, Caroline and Jerome. As princess of Piombino and Lucca, then grand duchess of Tuscany, she was his only sister to possess real political power, though her sharp tongue often caused troubles in her relations with him. Highly interested in the arts, particularly the theater, she encouraged them in the territories over which she ruled. References about artist: Joseph-Boniface Francou, known as Joseph Franque (11 August 1774, Buis-les-Baronnies - 14 November 1833, Naples)[1] was a French portrait painter who worked in Italy. He was the twin brother of Jean-Pierre Franque, who was also a portrait painter. They went to Paris together to pursue a career in art. In 1792, both received financial assistance for their studies from the National Convention. Sometime after 1794, they became students of Jacques-Louis David and were influenced by the Secte des Barbus [fr], led by Pierre-Maurice Quays. Both had their debuts at the Salon in 1806.[2] In 1812 Joseph left France for Italy, where Elisa Bonaparte had appointed him to be an art teacher at the Accademia di Belle Arti di Carrara. He also served as her court painter. After the fall of the Napoleonic Empire, he was invited to be a drawing teacher at the Accademia di Belle Arti di Napoli, eventually becoming a Professor in 1823.[2] His portrayal of the Empress Marie Louise watching over her son, Napoleon II, is on display in the Palace of Versailles. Several of his portraits, notably two of Charles Ferdinand, Duke of Berry, may be seen at the Galleria dell'Accademia [it].[3] His Scene During the Eruption of Vesuvius (1827) is at the Philadelphia Museum of Art.

Lot: 342 - Portrait of Leopold I, King of Belgium, 1810-1815 by George Dawe (1781-1829)

Portrait of Leopold I, King of Belgium, 1810-1815 by George Dawe. This is a very rare and unique portrait of Leopold I, King of Belgium (1790-1865), in his young age: 20-25 years of old. Presumably, the year when the portrait was painted in 1810-1815, the time of Napoleon invasion of Europe and Russia. BIOGRAPHY: Leopold I (French: Léopold; 16 December 1790 – 10 December 1865) was the

Lot: 342A - Portrait of Beatrice Cenci, by Ginevra Cantofoli (after), 1650, Woman wearing a turban, oil painted on porcelain plaque.

Portrait of Beatrice Cenci, by Ginevra Cantofoli (after), 1650, Woman wearing a turban, oil painted on porcelain plaque. Size of the painted plaque: 7.5 inches x 5.5 inches = 19.4 cm x 14.4 cm; Size of the frame: 9.25 inches x 7.25 inches = 23.5 cm x 18.3 cm; Total Weight: 13.5 oz. = 382 g; Provenance: private collection in London, UK. The Portrait of Beatrice Cenci is a painting once attributed to the Italian Baroque painter Guido Reni but now to Ginevra Cantofoli. It is housed in the Galleria Nazionale d'Arte Antica of Palazzo Barberini, Rome. The painting dealt with a controversial topic of Beatrice Cenci, a woman who was executed by Papal authorities, specifically Pope Clement VIII Aldobrandini. In 1777 Goethe confided to his friend G. Zimmermann that “In this face there is more than I have ever seen in any other human face.” The face Goethe was talking about was that of Beatrice Cenci, the ill-fated Roman noblewoman put to death in 1599 in Rome for killing her father. According to a tradition consolidated in the 18th century, her portrait is said to have been painted by Guido Reni on the eve of her execution. Before becoming part of the Barberini collection in 1818, the painting belonged to the Colonna collection, appearing in its inventories starting in 1783. However, even earlier, it must have been popularised through a series of copies, mainly those by Friedrich G. Naumann. Naturally, the fame of this portrait was not determined by the fact that the girl resembled an angel; and if Lavater could write in his Physiognomische Fragmente (1778) that the young woman looked “incapable of any sort of malevolent design” it was because he had in mind the tragic story that was once again popular thanks to Lodovico Antonio Muratori’s Annals of Italy (1749), presenting Beatrice as the victim of her father’s “unruly cravings” and the merciless inflexibility of the Pope. This helped fuel the lively imagination of the Romantics; and in the 19th century this unfortunate heroine was celebrated in the works of Hawthorne, Melville, Dickens, Stendhal and Shelley. As a consequence, Cenci’s portrait became a true object of cult and pilgrimage, right up to the story’s more recent interpretations by Artaud and Moravia. Actually, there has been considerable doubt surrounding the subject of the piece and its author: mainly, whether it was plausible for a girl sentenced to death under those circumstances to have her portrait painted. Today, the piece’s attribution to Reni has been almost unanimously refuted; and according to the most recent hypothesis, the anonymous portrait, perhaps in the guise of a sibyl, may be ascribed to Bolognese painter Ginevra Cantofoli.

Lot: 343 - Diana, Princess of Wales portrait, masterpiece oil painting, by Elena Tsytko, 2023

Diana, Princess of Wales portrait, masterpiece oil painting, by Elena Tsytko, 2023; Size of the stretcher: 40.6 cm x 50.8 cm = 16 inches x 20 inches; Oil on canvas, varnish. There are three men in tuxedo at the background. Diana, Princess of Wales (born Diana Frances Spencer; 1 July 1961 – 31 August 1997) was a member of the British royal family. She was the first wife of Charles, Prince of

Lot: 344 - Pair of Carrara marble cupids (cherubs, angels), circa 1560-1750, Bernini’s school (?)

Pair of Carrara marble cupids (cherubs, angels), circa 1560-1750, Bernini’s school (?) Material: Carrara marble with aging spots; Weight: approximately 100 kg each; Size: H 21.5 x L 19 inches x D 18 inches = H 54.6 cm x L 48.2 cm x D 45 cm; Country of manufacture: Italy or France; Sculptor: unknown, Early Bernini or Bernini’s school? Provenance: private collection in London, UK, purchased in 1960’s; Age: circa 1560-1750; Reference: Sculptors in Europe began widely adding fig leaves to statues—especially to figures like cupids and angels—during the 16th century, in the wake of the Protestant Reformation and the Catholic Counter-Reformation. A key turning point was the Council of Trent (1545–1563), which responded to Protestant criticism by calling for greater modesty and decorum in religious art. As a result, nudity in sacred contexts was increasingly censored or altered. Existing artworks were sometimes modified by adding drapery or fig leaves, and new works were created with greater restraint. One famous example is the later modification of the nude figures in Sistine Chapel. After Michelangelo painted The Last Judgment, additional draperies were added by Daniele da Volterra in the 1560s to cover exposed nudity. While some modesty additions occurred earlier, the mid-to-late 16th century marks the period when the practice became widespread and institutionally encouraged across Catholic Europe. Later waves of moral censorship—especially in the 19th century Victorian era—also led to further additions of fig leaves to classical sculptures. Estimate: $15,000 – $100,000 USD

Lot: 345 - Huge abstraction painting “Absence of time”, frame: 46”x 46”

Huge abstraction painting “Absence of time”, frame: 46”x 46” Framed under the glass; Size of the frame: 46 inches x 46 inches = 117 cm x 117 cm; Weight: 20 lb. = 10 kg (approximately). Provenance: Estate sale Tampa, FL, USA.

Lot: 346 - Antique academic classical style Italian/English drawing of young woman, circa 1850, Italy;

Antique academic classical style Italian/English drawing of young woman, circa 1850, Italy; A masterpiece classic Italian portrait in academic style. The more you look at this portrait – the more peace and harmony come into your soul and heart. Drawing: 18 x 14 inches = 47cm x 35.5 cm; Frame: 33 x 29 inches = 83cm x 73 cm; Weight with frame: 16 lb. Condition of the drawing: perfect, covered with glass; Original carved wooden frame. Research in ultraviolet light: no overpaint or repairs. Shipping in USA: $150-$300, depending on carrier and urgency.

Lot: 347 - Antique engraving Duchess of Guise, Paris, France, 1684

Antique French engraving: portrait of Marie of Lorraine, Duchess of Guise, Paris, France, 1684. Engraving after Pierre Mignard (1612 1695). Marie de Lorraine (15 August 1615 3 March 1688) was the daughter of Charles de Lorraine, Duke of Guise and Henriette Catherine de Joyeuse and the last member of the House of Guise, a branch of the House of Lorraine.Size of the engraving: 9.75 x 14 = 24.4 cm x

Lot: 348 - Antique Italian engraving by Visentini after Canaletto “Area St. Josephi cum templo St. Nikolai ad castrum”, Italy, 1751-1754

Antique Italian engraving by Visentini after Canaletto “Area St. Josephi cum templo St. Nikolai ad castrum”, Italy, 1751-1754 After artist Antonio Canal, called Canaletto (1697-1768) by Antonio Visentini (1688-1782); “St. Joseph the temple area to the castle of St. Nikolai”, in Venice, plate #16. Italian Gravure 16.4 inches x 9.9 inches = 41.65 cm x 25.15 cm; Frame: 23.25 x 18.75 inches = 59 cm x 47.6 cm; Weight: 5 lb. 5.3 oz. Antonio Visentini (21 November 1688 – 26 June 1782) was an Italian architectural designer, painter and engraver, known for his architectural fantasies and capricci, the author of treatises on perspective and a professor at the Venetian Academy. https://shapero.com/the-gallery/prints-and-originals/travel/western-europe 750 GBP each engraving

Lot: 348A - Antique Italian Engraving by Vinsentini after Canaletto “Area St Rocchi cum ejusdem Templo et Schola”, Venice, Italy, circa 1790

Antique Italian Engraving by Vinsentini after Canaletto “Area St Rocchi cum ejusdem Templo et Schola”, Venice, Italy, circa 1790; “St. Rocchi area with the same temple and school”, plate #18; Italian Gravure: 16.4 inches x 9.9 inches = 41.7 cm x 25.14 cm; Frame: 23.25 x 18.75 inches = 59 cm x 47.6 cm; Weight with a frame: 5 lb. 5.3 oz. The most widely known and the best of the many engravings after Canaletto’s views of Venice. They were originally commissioned by Consul Smith and based on paintings by Canaletto. Antonio Visentini (21 November 1688 – 26 June 1782) was an Italian architectural designer, painter and engraver, known for his architectural fantasies and capricci, the author of treatises on perspective and a professor at the Venetian Academy. The Church of Saint Roch (Italian: Chiesa di San Rocco) is a Roman Catholic church dedicated to Saint Roch in Venice, northern Italy. It was built between 1489 and 1508 by Bartolomeo Bon the Younger, but was substantially altered in 1725. The façade dates from 1765 to 1771,[1] and was designed by Bernardino Maccarucci. The church is one of the Plague-churches built in Venice.[2] St. Roch, whose relics rest in the church after their transfer from Voghera (trad. Montpellier), was declared a patron saint of the city in 1576. Every year, on his feast day (16 August), the Doge made a pilgrimage to the church. Near the church is the Scuola Grande di San Rocco, noted for its numerous Tintoretto paintings. It was founded in the 15th century as a confraternity to assist the citizens in time of plague. https://www.biblio.com/book/area-rocchi-ejusdem-templo-schola-canaletto/d/1329650592

Lot: 351 - Andy Warhol CARS calendar for MERCEDES-BENZ 1989, - 100th anniversary

Andy Warhol CARS calendar for MERCEDES-BENZ 1989, - 100th anniversary; Andy Warhol for Mercedes-Benz 1989 calendar In 1886, Carl Benz patented his revolutionary motorized car and Gottlieb Daimler developed his four-wheeled motorized carriage making Mercedes Benz the oldest car manufacturer in the world. Andy was to produce 80 pieces depicting 20 cars for the 100th anniversary. Unfortunately Warhol died in 1987, leaving the complete project incomplete. This calendar contains 11 cars, but if you consider different colors, - much more. This calendar was intended as a promotional item, distributed to clients, partners, and possibly as a giveaway at events making it rare. The "Cars" series was one of Warhol's final projects before his death in 1987. Condition: has some light average wear from age, storage, and handling, some light cover and edge wear, etc., please refer to all enlarged photographs Measures approx. 22.25 inches x 14.5 inches Provenance: private collection in Clearwater, Florida, USA.

Lot: 352 - Marc Chagall (French 1887-1985), "Enlevement de Chloe" and "Le Printemps", finely screened offset prints from an unknown edition or publication

Marc Chagall (French 1887-1985), "Enlevement de Chloe" and "Le Printemps", finely screened offset prints from an unknown edition or publication Marc Chagall (French 1887-1985), "Enlevement de Chloe" and "Le Printemps", finely screened offset prints from an unknown edition or publication, 12.25"h x 18.5"w (sight), 17"h x 23"w (frame). Artist or Maker: Mark Chagall. Condition Report: Good, soft vertical center crease, not examined out of frame. **Condition reports are rendered as specialist opinion by the staff of the Auction House and not as statements of fact. We do not guarantee the content of written or verbal condition reports. The absence of a condition report does not imply that there are no condition issues with the lot. Please call us at (727) 254-3924 or e-mail usa.eternitygallery@yahoo.com with any questions about this lot at least 24 hours prior to auction. Notes: Signature has not been verified and is not guaranteed. Shipping box: 26.5 x 20.5 x 4.5 inches, Weight 13.6 lb.

Lot: 353B - #9 Cubism, Menachem Helholz-Or “Venus dancer”, circa 1950s

#9 Cubism, Menachem Helholz-Or “Venus dancer”, circa 1950s; “Abstract Dancer” Oil on canvas: 64 x 54 cm; High quality wooden frame, made in UK: 76.5 cm x 65 cm; Just cost of the frame was 200 GBP. Certified by Alon Zacaim, London, UK; Menachem Helholz-Or is a visual artist. Many works by the artist have been sold at auction, including 'A cubist fragmentation' sold at Bonham’s, New Bond Street: 'Impressionist and Modern Art' in 2009 for $7,451. On Sotheby’s his paintings were sold $8,000 and more. Biography Menachem Helholz-Or was born in Germany in 1911. Although his training was never formal, he was exposed to the influence of various German Artists of the Expressionist and Bauhaus Movements whilst in his youth, most notably Franz Marc, Heinrich Campendonk, Paul Klee and Auguste Macke. His later work shows the influence of several of these artists especially in his fusing together of Cubism and vivid Expressionist colour. In 1933, when Hitler came to power, Helholz-Or fled from Germany and settled in Palestine, where from 1937, after initial hardships, he was able to devote himself to his painting. His favored subjects include figurative scenes, marine life and schematic cities, some of which are based on Jerusalem, Jaffa and also memories of German cities and railway bridges, reminiscent of motifs used by Max Beckmann. He stood out in the nascent Israeli art scene because of his adherence to avant-garde rather than nostalgic forms. Helholz -Or also experimented with the prismatic effects of light, and like many other German artists of the period, his work fluctuated between an Expressionist version of Orphism (under the influence of the Delaunays) and Cubism. His townscapes and still lives owe much to Paul Klee, particularly his creation of "all-over" formal poetic patterning. In 1977 the artist was awarded a prize from the National Museum of Monaco.

Lot: 353D - Menachem Gueffen: reclining nude with a robe / Israeli/British/French realism

Artist: Menachem Gueffen; 1930, Haifa, Israel - 2016, France; Young Nude Reclining with a Robe; Print from original Hand-Signed Ink Drawing; Past Provenance: the art collection of the Israeli cultural icon Dahn Ben-Amotz Artist Name: Menachem Gueffen; Title: Young nude reclining with a robe; Signature Description: Hand-signed in Hebrew on the left; Technique: Ink on paper; Size: 25 x 35 cm =

Lot: 353E - Menachem Gueffen, Young Woman Reclining & Mirror/ Israeli/British/French Realism, Print

Artist: Menachem Gueffen; 1930, Haifa, Israel - 2016, France; Young Woman Reclining with a Mirror; Print from original Hand-Signed Ink Drawing; Past Provenance: the art collection of the Israeli cultural icon Dahn Ben-Amotz; Artist Name: Menachem Gueffen; Title: Young woman reclining with a mirror; Signature Description: Hand-Signed in Hebrew lower right; Technique: Ink on paper; Size: 25 x 34 cm

Lot: 353F - 1974 Press Photo Diana Rigg and Menachem Gueffen in London - RSH47281

1974 Press Photo Diana Rigg and Menachem Gueffen in London - RSH47281; This is an original press photo. Photo measures 8.5 x 10.5 inches. Photo is dated 2-2-1974.

Lot: 354 - Doge's Palace in Venice, by Ricco Azzuro, oil on canvas

Doges Palace in Venice, by Ricco Azzuro, oil on canvas painting 24 x 20 in. Signed in right bottom corner: Rico Azzuro. At the back: Rico Azzuro - Veedig - Dogenpalast. From Paris Art Gallery, Chicago Illinois Size of the stretcher: 27.5 x 20 inches = 55 cm x 50 cm Refer to partial loss of paint, creases The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace in Venice, northern Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible façades look towards the Venetian Lagoon and St. Mark's Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting "gravity-defying" effect. There is also effective use of colour contrasts Shipping in USA by FEDEX International shipping is available: ask for rates Condition: Used, very good, no frame; Provenance: Paris Art Gallery, Chicago, IL, USA; Low Estimate: 2000; High Estimate: 4000; Original: Yes; Medium: Oil Paint; Circa: 1950; Style: Impressionism;

Lot: 360 - Alabaster sculpture Boy Feeding Goat, 19th-20th c, 15in

Alabaster boy feeding a goat, 19th-20th c. EXCEPTIONAL, TURN OF THE XIX-XX CENTURY ALABASTER SCULPTURE OF A BOY FEEDING A GOAT: Height: 15 1/4 inches, no visible signature. Weight netto: 25 lb. Weight brutto with packing: 35 lb. Shipping in USA: FedEx of UPS. International shipping is available. Please, contact about rates. Condition: Professional repairs to goat ear and front and back legs, boy's right toe; Low Estimate: 5000; High Estimate: 15000; Condition: Excellent; Original: Yes; Circa: 1900

Lot: 361 - Antique porcelain young lady in a ball gown, made in USA

Antique porcelain Lady in a ball gown, made in USA Height: 22.5 cm; Weight: 718 g; Made by “Heirlooms tomorrow”, USA. Provenance: private collection in Clearwater, Florida A ball gown, ballgown or gown is a type of evening gown worn to a ball or a formal event. Most versions are cut off the shoulder with a low décolletage, exposed arms, and long bouffant styled skirts.[1] Such gowns are typically worn with a opera-length white gloves and vintage jewelry or couture, stole (a formal shawl in expensive fabric), cape or cloak in lieu of a coat. Where "state decorations" are to be worn, they are on a bow pinned to the chest, and married women wear a tiara if they have one. Although synthetic fabrics are now sometimes used, the most common fabrics are satin, silk, taffeta and velvet with trimmings of lace, pearls, sequins, embroidery, ruffles, ribbons, rosettes and ruching.[1]

Lot: 363B - Antique German porcelain Flower Girl figurine 32 cm, circa 1800-1900, Germany

Antique German porcelain Flower Girl figurine, circa 1800-1900, Germany; Height: 12.5 inches = 32 cm; Weight: 3 lb. 3 oz. = 1460 g ; Condition: perfect, no defects; Handmade and hand painted figurines are based on designs that were particularly popular in the mid-19th century. Handmade in Germany. Provenance: private collection in Clearwater, Florida, USA; Auction results: $650 - $5,000 References: The Royal Porcelain Factory in Berlin (German: Königliche Porzellan-Manufaktur Berlin, abbreviated as KPM), also known as the Royal Porcelain Manufactory Berlin and whose products are generally called Berlin porcelain, was founded in 1763 by King Frederick II of Prussia (known as Frederick the Great). Its actual origins, however, lie in three private enterprises which, under crown patronage, were trying to establish the production of "white gold" (i.e. porcelain) in Berlin from the mid-18th century onwards. The company logo is a cobalt blue sceptre, which is stamped (painted prior to 1837) on every piece. All painted pieces produced by KPM are signed by the painter. KPM is still producing to this day; each piece of dishware and decorative porcelain is entirely unique. KPM has produced a number of dishware forms and porcelain figurines throughout its history. Some forms have hardly changed their shape in over 200 years of production. Frederick the Great, who, as the owner, jokingly referred to himself as his own "best customer", was under the spell of the Rococo style during his life; a culmination of this artistic style can be seen in his castles. To this day, the most successful designs of the 1930s are the Urbino, Urania and Arkadia (originally a tea set designed in honor of KPM's 175th anniversary) created by Trude Petri. The Arkadia medallions were created by Siegmund Schütz and the Urania set (with the same basic form as the Arkadia) did not enter production until after the war, as was also the case with the Arkadia table set. Porcelain figurines of different styles corresponding to each era have always been created under the guidance of the master workshop, including the modern animal sculptures, such as the miniature Buddy Bear or the Knut Bear.

Lot: 363C - Large antique gilded French porcelain vase, France, circa 1700-1850

Large antique gilded French porcelain vase, France, circa 1700-1850; Height: 11 inches = 28 cm; Condition: some loss of gilt, otherwise excellent condition; Provenance: private collection in Clearwater, Florida, USA; There is a letter “V” incised under the glaze at the bottom;

Lot: 363D - Sevres antique French vase with portait of young lady, France, ca 1750-1850

Sevres antique French green vase, France, ca 1750-1850 Height: 12 inches; Provenance: private collection in Clearwater, FL, USA; References: In 1740, the Manufacture de Vincennes was founded, thanks to the support of Louis XV and his mistress Madame de Pompadour, in order to compete with factories such as Chantilly in France and Meissen in Germany.[1] In 1756, the manufactory was moved to a building in Sèvres, built at the initiative of Madame de Pompadour, near her château de Bellevue. From about 1745, the porcelain manufactory at Vincennes (established in 1740 on the grounds of a former hunting lodge, east of Paris) marked its wares with the royal cipher – two interlaced L’s. This is usually painted in cobalt blue, either in over-glaze enamel or in underglaze pigment. A date-lettering system was introduced around 1754. Soon the factory’s decorators, particularly painters, began to mark their work. Throwers, moulders and répareurs, who fashioned or assembled objects, incised marks into the clay, which although largely unidentified, provide some evidence of authenticity. For a detailed discussion of marks see Rosalind Savill, The Wallace Collection Catalogue of Sèvres Porcelain (London, 1988), vol. III, pp. 1081-1137.

Lot: 364 - Antique porcelain bisque/biscuit nude Venus, anchor mark, Paris, France, 1870-1890

Antique porcelain bisque/biscuit nude Venus, anchor mark, Paris, France, 1870-1890 The Vion & Baury factory in Paris is well-documented as using an anchor mark in the latter 19th century (1870–1890) on bisque porcelain figures — including mythological subjects such as Venus. His father Jean Gilles started the company around 1840 with the earlier mark Height: 28.7 inches = 72.9 cm; Base diameter: 11 inches = 28 cm; Approximate weight: 35 lb. = 16 kg; Condition; normal wear for the age, no defects. Provenance: from private collection in London UK in 1920-1980’s REFERENCES: Biscuit porcelain, bisque porcelain or bisque is unglazed, white porcelain treated as a final product,[1][2] with a matte appearance and texture to the touch. It has been widely used in European pottery, mainly for sculptural and decorative objects that are not tableware and so do not need a glaze for protection. The term "biscuit" refers to any type of fired but unglazed pottery in the course of manufacture, but only in porcelain is biscuit or bisque a term for a final product. Unglazed earthenware as a final product is often called terracotta, and in stoneware equivalent unglazed wares (such as jasperware) are often called "dry-bodied". Many types of pottery, including most porcelain wares, have a glaze applied, either before a single firing, or at the biscuit stage, with a further firing. Small figurines and other decorative pieces have often been made in biscuit, as well as larger portrait busts and other sculptures; the appearance of biscuit is very similar to that of carved and smoothed marble, the traditional prestige material for sculpture in the West. It is hardly used in Chinese porcelain or that of other East Asian countries, but in Europe became very popular for figures in the second half of the 18th century, as Neoclassicism dominated contemporary styles. It was first used at Vincennes porcelain in 1751 by Jean-Jacques Bachelier.[3] Biscuit figures have to be free from the common small imperfections that a glaze and painted decoration could cover up, and were therefore usually more expensive than glazed ones. They are also more difficult to keep clean.

Lot: 365 - Elegant Sevres porcelain & bronze vase, 25in.=62cm

Elegant Sevres porcelain & bronze vase, 25 in.=62 cm. Signed by G. Poitevin. Lid is not original, it was made later. Height: 25 inches = 62.5 cm. Height with lid: 28.5 inches = 71 cm. Width: 9 inches = 22.5 cm. Weight: 10 lb. = 4.5 kg. Weight with packing: 15 lb. = 7 kg. Shipping in USA: UPS or FEDEX. International shipping is available, ask for terms, please. Condition Excellent for the age, no cracks, and no chips, lid is not original, on sale as is; Low Estimate: 6000; High Estimate: 12000; Original: Yes; Circa: 1850;

Lot: 366 - Genuine Sevres marks porcelain vase, 2 bronze fauns, signed,19 c

Sevres porcelain vase, with 2 bronze fauns, with number and blue Sevres sign in the lower part of the vase. Signed by G. Poitevin. Lid is possibly not original. Height without lid: 19.5 inches = 49 cm. Height with lid: 25 inches = 62.5 cm. Weight: 19 lb. Weight with packing: 25-30 lb. Shipping in USA: UPS or FEDEX International shipping is available, ask for terms, please. Condition: Very good for the age, no cracks, no chips, used, lid is fixed with a new screw, on sale as is; Low Estimate: 6000; High Estimate: 12000; Original: Yes; Circa: 1850;

Lot: 368 - Royal Vienna porcelain plate, Ackerman & Fritze 19th c

Ackerman & Fritze in antique wooden frame, signed by R. Dittrich, 19th c; Royal Vienna porcelain plate, Phsyche u Amor; Height: 33.5 inches; Width: 18 inches; Porcelain plaque diameter: 8.5 inches; Total weight: 9-10 lb. Condition: perfect for the age;used, on sale as is; Low Estimate: 6000; High Estimate: 12000; Original: Yes; Circa: 1850; Style: Classicism;

Lot: 369A - Pair of Royal Cauldon porcelain English plates, England, ca 1830-1930

Pair of Royal Cauldon porcelain English plates, England, ca 1830-1930; State House in Philadelphia 1776; Diameter: 11.25 inches = 28. 4 cm; Weight: 630 g; The Cauldon Place works of Brown-Westhead, Moore and Co - founded c.1802 by Job Ridgway - This picture from "A descriptive account of The Potteries (illustrated)" a 1893 advertising and trade journal. Page 9 from the journal

Lot: 370 - Huge antique bronze mortar and pestle, which sounds like a bell

Huge antique bronze mortar and pestle, which sounds like a bell Height of the mortar 4.25 inches = 10.5 cm; Upper diameter: 5 inches = 12.7 cm; Pestle length: 7.25 inches = 20 cm; Weight of mortar: 2 lb. 15.9 oz. = 1,358 kg; Weight of pestle: 14.3 oz. = 406 g; Weight of mortar and pestle: 3 lb. 14.2 oz. = 1,764 kg; Provenance: Antique market Clearwater, Florida, USA. Condition: used, but no defects;

Lot: 374 - Judaica: Antique Silver Kiddush cup, 1900-1925

Judaica: Antique Silver Kiddush cup, 1900-1925 Weight: 43.90 g; Height: 105 mm = 4 inches; Engraved: Ben Slonimer: Ben Socy: Age: 1900-1925

Lot: 376 - Antique Russian bronze mantel clock by Samuel Wehl, ca 1840, with Roxolana (Hurrem Sultan) – lovely wife of Suleiman the Great

Antique Russian bronze mantel clock by Samuel Wehl, circa 1840, with Roxolana (Hurrem Sultan) – lovely wife of Suleiman the Great Unique and astonishing mantel clock, made by Samuel Wehl in St. Petersburg, Russia in 1840’s. Movement mechanism: Japy Freres & Cie, CP MED D’Honneur Movement was made by Japy Freres & Cie and this design won the Grand Medal of Honor at the

Lot: 377 - Elegant AD Mougin French antique bronze mantel clock, with beautiful young lady, 19th century

Elegant AD Mougin French antique bronze mantel clock, with beautiful young lady, 19th century. Exceptional antique, late 19th-century French cast bronze mantel clock with key-wind mechanism. The base rests on claw feet and is decorated with female mascaron and acanthus leaves. The clock case is situated in the center, black dial with gilt Roman numerals and framing, glass lid. A figurine of a young woman with a wine grape basket tops the composition. Made by AD Mougin – Deux Medailles Signed/stamped: “AD Mougin Deux Medailles 867 5*8” Width of the base: 16 inches = 40 cm; Height: 20.5 inches = 52 cm; Depth: 7 inches = 18 cm; Approximate weight: 30 lb. Condition: The clock works, with appropriate number of bell sounds, but after 5 minutes of walking, the pendulum stops. So it needs minor adjustment of the pendulum mechanism.

Lot: 378A - Antique Ethiopian processional Coptic gothic orthodox cutout brass cross, 1850-1920

Antique Ethiopian processional Coptic gothic orthodox cutout brass cross, 1850-1920; This antique Ethiopian processional cross is a stunning piece of history. It appears to look almost exactly the same on both sides. Made of brass with intricate cutouts, it embodies the beauty of Coptic - Gothic design. Originating from Ethiopia, it holds religious significance for those practicing Christianity. Length: 11.5” = 29 cm; Width: 5.25” = 13.5 cm; Weight: 8 oz. = 226 g; Provenance: private collection in Melville, New York, United States.

Lot: 378C - Medieval Crusaders bronze reliquary cross pendant, 1200 - 1400 AD

Medieval Crusaders bronze reliquary cross pendant, 1200 - 1400 AD Item Details, Description Date: 12th - 14th century AD Material: bronze. Dimensions: 30 mm x 17 mm; Weight 4.66 g; Provenance: private collection in Ukraine

Lot: 378D - Byzantine bronze follis coin pendant with Jesus Christ & Virgin Mary, 1068 AD-1071 AD

Byzantine bronze follis coin pendant with Jesus Christ & Virgin Mary, 1068 AD-1071 AD; Height of the coin: 27 mm; Width of the coin: 25 mm; Weight of the pendant with coin: 13.64 g; Provenance: Near Eastern collection; • Denomination: Follis;; • Date: 1068 - 1071 AD • Emperor: Romanus IV; • Obverse (Front): Jesus Christ Holding the Gospels in Left Hand and Right Hand Raised in Benediction - to the left and right of Christ: IC XC; • Reverse (Back): The Virgin Mary, left MP, right, ΘV meaning "Mother of God" • Coin Metal: Bronze; • Mint: Constantinople; • Bezel Metal: antique silver; • Articulating Bail Interior Diameter: Will accommodate chain or leather necklace up to 6.2 mm; • Pendant Size including the bezel: 1 1/8” Across, 1 1/2” Tall - almost the width of a 50 cent piece; By the early 5th Century, the once dominant Roman Empire was a fragmented collection of on-again, off-again allied or warring regions. Divided roughly between the western and eastern halves of the empire, the glory of Rome was no longer. Out of the ashes of this once great society rose the empire that would dominate European culture, economics and warfare for close to a millennium: The Eastern Roman, or Christian Byzantine Empire. It is from this mighty Christian empire, surrounded by non-christian kingdoms, that this regal bronze follis comes. Bearing a portrait of Jesus Christ with the book of the Gospels on the front, on the back is the bold cross. By the rule of Emperor Justinian II (685–695), Byzantine coins were becoming more distinctly “Byzantine” in both art and symbolism. Justinian was the first to picture Jesus Christ on the obverse of his coinage, with a half, or full-length depiction of the Emperor on the reverse.

Lot: 378E - Byzantine bronze coin 30 numm (3/4 follis), obverse: standing Jesus Christ, reverse: Two emperors holding Christian cross, 800-1110 AD;

Byzantine bronze coin 30 numm (3/4 follis), obverse: standing Jesus Christ, reverse: Two emperors holding Christian cross, 800-1110 AD; Diameter: 28 mm x 20 mm; Weight: 6.80 g; Provenance: private collection in St Petersburg, FL, USA

Lot: 380 - Golden lady’s watch with original 8 rose diamonds, Imperial Russia, 19th century

Engraving outside B.I. = Vasiley Ivanov; Gold probe: 583; Similar watch, by the same master, is exposed in State Historical Museum, in Moscow, Russia. Inside: Swiss mechanism, based on 4 ruby stones; Inside engraving: Zenith 2819717; Weight: 16.6 g; Length: 35 mm; Width: 23 mm; Condition: ideal working condition, checked and cleaned by professional watch master. Authenticity report: 100% genuine

Lot: 380A - Imperial Russian 84 silver blue enamel Easter Egg

Two marks on the side of the ring holder: 84, Initials (not clear). One mark 84 silver probe and the name of the master on the body of the egg (last enlarged photo). The egg is a solid one piece. Height with handle: 88 mm; Height without handle: 72 mm; Weight: 116.6 g; Weight with base: 128.4 g; Provenance: private collection of Russian immigrants in Florida, USA.

Lot: 380B - Imperial Russian 56 = 14 K golden ring, Moscow

3 stamps/marks: 56, C, Georgiy Pobedonosets = St. George the Victorious (which means Moscow). American size: 7.5; European internal diameter: 18 mm; Weight: 1.4 g; Provenance: private collection in Florida, USA.

Lot: 380C - Russian Imperial cup holder, silver 84, cloisonné enamel, gilt, ДН mark, circa 1893-1917

Russian Imperial cup holder, silver 84, cloisonné enamel, gilt, ДН mark, circa 1893-1917. Genuine, beautiful Imperial Russian 84 silver cloisonné glass holder with a genuine antique glass withy engraved decorations. Mark: Female profile looking to the right, 84, ДН (DN) = ДН - Никитин Д.П. (1893-1917) (“Золотое Серебряное Дело”, Постникова - Лосева, Исторический Музей, Москва). Height with handle: 64 mm = 6.4 cm; Height without handle: 50 mm = 5 cm; Diameter of the base: 57 mm = 5.7 cm; Diameter at the top: 50 mm = 5.0 cm; Glass height: 71 mm = 7.1 cm; Glass diameter: 48 mm = 4.8 cm; Provenance: Family treasure of Russian immigrants, moved from Russia in 1917 to USA.

Lot: 380D - Silver vodka shot with Imperial symbol and garnet stone, mark by C.K. 1800-1900 AD.

Silver vodka shot with Imperial symbol and garnet stone, mark by C.K. 1800-1900 AD. Height: 91 mm = 9.1 cm; Upper Diameter: 35 mm; Base diameter: 35 mm Weight: 34.2 g; Mark: C.K. Provenance: private collection in Florida, from Estate of early Russian emigrants (after 1917)

Lot: 383 - Antique English samovar, silver plate, by James Dixon & Sons, 19th century

Antique English samovar, silver plate, by James Dixon and Sons, 19th century. 19th c. Neoclassical Style Dispenser by James Dixon and Sons, Sheffield, with tall vented lid, reeded side handles, Greek key shoulder and base trim, shell motif spigot, set on a square base with compressed ball form feet, with patented slide out back base section for heating material (possibly coals?), 17 1/4" high, 10" x 9". Lid base rim dents, otherwise good condition. Provenance: private collection in Maine, USA

Lot: 383A - Russian Imperial gilded silver milk jug, Ignatius Sazikov, 1812-1879

Russian Imperial gilded silver milk jug, Ignatius Sazikov, 1812-1879 Silver hallmarks: 84, И.С., Kokoshnik profile, looking left. Ignatius Sazikov, son of Dmitry Sazikov Imperial Jewelry factory 1812-1879. The owner’s initials are engraved on the side. Weight: 85.13 g; Height: 85 mm = 8.5 cm; The Sazikov house (or Sazikoff in aged spelling), in Cyrillic "Сазиков" , is a goldsmith company founded in 1810 in the Russian Empire , famous for its objects in gold, silver and/or decorated with precious stones. She has received numerous awards at various Russian and international exhibitions. Supplier to the court of SMI, it was one of the first goldsmith houses to begin to develop the neo-Russian style 1 . It is also famous for its representations sculpted in silver 2 . It was in 1793 that the first goldsmith's workshop was founded in Moscow by the son of a peasant, Pavel Fiodorovitch Sazikov, born in Pavlovski Possad and died in 1830 2 . Later, the founder and his son Ignatius (Ignaty) are enrolled in the class of merchants and produce pieces of goldsmithery for the needs of the Church and for the pleasure of the wealthy classes. In 1812, the workshop gave way to a real factory with a store. Ignace Sazikov (died 1879) traveled to Western Europe to learn how to master production techniques 2 , 3 . In 1836, the department (ministry) of manufactures and internal trade issued a decree according to which the firm acquired the status of a factory 4 . Ignatius Sazikov organized the division of labor in the factory, which had a positive effect on productivity. In addition, he opened in 1845 a school of craftsmen-goldsmiths for 80 places 3 . In 1837, he had the right to add “Manufacturer of the Court” to the name of the factory , which was equivalent to the title of “SMI Supplier to the Court” 4 . He opened his subsidiary in Saint Petersburg in 1842. In 1843, he imported from France the first machine for guilloches in Russia. The firm is registered with theUniversal Exhibition of 1851 . The jury selects nine works on popular themes: a rooster, a peasant with a bear, a village woman with a bandoura , a milkmaid, a hunter, etc. For the candelabrum decorated with subjects from the Battle of Kulikovo , the Sazikov house wins the gold medal 1 . In 1868, Ignatius' sons, Pavel and Sergei, succeeded their father in the Moscow business, while the third son, Valentin, succeeded in the Saint Petersburg branch. In the 1880s, the St. Petersburg store moved to Bolchaya Morskaya Street at No. 29. In 1881, the Moscow factory worked for 58 silver poods at 127,000 rubles, that of St. Petersburg for 67 poods at 139,000 rubles. Forty-six employees worked in Moscow and seventy-four in St. Petersburg. In 1887, the company was sold to Khlebnikov 5 .

Lot: 383B - Ancient silver crescent Lunula, Lunnitsa, Лунница, pendant, Russia, 900-1300 AD

Ancient silver crescent Lunula, Lunnitsa, Лунница, pendant, Russia, 900-1300 AD. An ancient Russian low grade silver Lunnitsa pendant. Circa the 10 to 12 century. The pendant is a symbol of the growing moon and is made in the form of a crescent and cast with a traditional relief pattern. The female amulet of the ancient Slavs. It is believed that the

Lot: 384 - Pavlovsky pectoral silver cross, Павловский наперсный крест, 1797

Pavlovsky pectoral silver cross, Павловский наперсный крест, 1797 Height: 12.00 cm; Width: 7.40 cm; Weight: 71.17 g; Provenance: private collection, Germany; Inscription: “Пресвитеру

Lot: 384A - Imperial Russian 84 silver reliquary Ladanka pectoral cross with Jesus Christ, by Romanov, 1886

Imperial Russian 84 silver reliquary Ladanka pectoral cross with Jesus Christ, by Romanov, 1886; Mark: 84 МНР? (In Cyrillic). The cross has a miniature screw to lock ladanka Weight: 6.5 g; Height: 44 mm; Width: 25 mm; Provenance: private collection of Russian immigrant in St Petersburg, Florida, USA

Lot: 384C - Imperial antique Russian Orthodox enameled bronze "Crucifixion" cross with angels and saints, 18th century

Imperial antique Russian Orthodox enameled bronze "Crucifixion" cross with angels and saints, 18th century Antique RUSSIAN BRONZE "Crucifixion" in great condition! Detailed Enameled! Size: 6.8 inches = 175 mm = 17.5 cm; Width 4.45 inches = 113 mm = 11.3 cm; Weight: 10 oz. = 284 g; The religion aspect of this cross is Orthodox Old Believers Christianity, and it was made in the Russia. Please note that this item is antique, with some loss of blue enamel, but is still in great condition. Provenance: found in Ukraine

Lot: 385 - Крест старообрядцев Russian Bronze Cross with crucifixion 1700-1900 AD

Authentic Russian Christian Bronze Cross with crucifixion 19th c, 15 inches tall. Height: 15 inches = 38 cm. Width: 8 in. = 20 cm. Weight: 2 lb. 5 oz. = 1070 g. Material: antique bronze with beautiful patina. Condition: Very good/fine for the age, natural patina, no defects;

Lot: 386 - Orthodox silver crucifix 10.5 cm, with the name Russian Tsar Nicholas II, by Gustav Klingert

Russian pectoral silver cross with the name of Emperor Nicholas II (1868-1918). Weight: 68.7 g, Height: 10.5 cm, Provenance: from the family of early Russian immigrants after 1917 Revolution. Nicholas or Nikolai II Alexandrovich Romanov (18 May [O.S. 6 May] 1868 – 17 July 1918), known in the Russian Orthodox Church as Saint Nicholas the Passion-Bearer,[e] was the last Emperor of All Russia, ruling from 1 November 1894 until his forced abdication on 15 March 1917. During his reign, the Russian Empire implemented reforms such as the first civil liberties in the Russian History, literacy programs, State representation, modern infrastructures, beginning of major Industrialization and military reforms after the defeat in the Russo-Japanese war (1904–1905)[1][2][3][4][5]. He was reviled by Soviet historians promoted by state propaganda as a weak and incompetent leader whose decisions led to military defeats and the deaths of millions of his subjects. Gustav Klingert (1865-1916) Gustav Klingert (in Russian: Густав Клингерт), originally from Germany, began his career working as a master for Fabergé. In 1865 he founded his own factory in Moscow employing over 200 artisans and manufactured items worth 400,000 roubles. In 1889 he exhibited at the Exposition Universelle in Paris where his works were granted honourable mentions. Four years later at the World Fair in Chicago, Klingert was described as one of the most important firms in Russia. Thanks to the large popularity received, the firm started to export its wares in United States through Tiffany & Co. In 1896 Gustav Klingert was granted the Imperial Warrant. After Gustav retirement, the business was carried on by his sons and grandsons until it was forced to close due to the outbreak of the Russian Revolution. The firm specialized in silver gilt, cloisonne and champleve enamel snuff boxes, cigarette cases and tableware. Until 1899 Klingert used to mark his items with Latin characters GK, thereafter in Cyrillic.

Lot: 387 - Крест старообрядцев genuine Russian bronze cross with blue enamel, 18th century

Genuine Russian bronze cross with blue enamel, 18th century. Weight: 230 g = 9 oz. Length: 199 mm = 19.9 cm = 8 inches; Width: 11.6 cm = 4.75 inches; Lord Savaof- on the top of the cross. Below - 2 angels with trumpets. Inscription below the angels - Lord of the Glory. Above the cross crucifixion of the Son of the God - Our Lord Jesus Christ. Jesus Christ on the right and left of the cross. Below the cross - resurrection in Your glory. On the back of the cross - praying in Cyrillic language. Condition: Normal age wear, used, insignificant scratches, but no defects;

Lot: 387A - Old Believer’s Russian Christian Orthodox crucifixion copper cross, 1500-1700 AD.

Old Believer’s Christian Orthodox crucifixion copper cross, 1500-1700 AD. Height: 250 mm = 25 cm; Width: 120 mm = 12 cm; Weight: 14.6 oz. = 0.414 kg = 414 g; Provenance: private collection in Florida, from Estate of early Russian emigrants (after 1917) Old Believers, also called Old Ritualists,[a] are Eastern Orthodox Christians who maintain the liturgical and ritual practices of the Russian Orthodox Church as they were before the reforms of Patriarch Nikon of Moscow between 1652 and 1666. Resisting the accommodation of Russian piety to the contemporary forms of Greek Orthodox worship, these Christians were anathematized, together with their ritual, in a Synod of 1666–67, producing a division in Eastern Europe between the Old Believers and those who followed the state church in its condemnation of the Old Rite. Russian speakers refer to the schism itself as raskol (раскол), etymologically indicating a "cleaving-apart".

Lot: 389 - Antique Russian icon, silver oklad, 1859, St Petersburg

Antique Russian icon, silver oklad, 1859, St Petersburg. Scenes from the Life of Christ, St. Petersburg School, having 16 vignettes around the center parade of Saints, oil on panel with gilding, Cyrillic inscriptions, fine pierce work in oklad (which is marked with letters and numbers) reveals heads, hands and feet only. Size: 10.5 inches x 9 inches = 26.7 cm x 23 cm; Condition: minor losses. Provenance: private collection in Thomaston, Maine, USA

Lot: 390 - Antique Russian Icon, 17th century, with 4 images: Jesus Christ, Madonna & child, St. Nicholas, St. George.

Antique Russian Icon, 17th century, with 4 images: Jesus Christ, Madonna & child, St. Nicholas, St. George. Height: 290 mm = 29 cm; Width: 200 mm = 20 cm; Provenance: private collection of Russian immigrants in St Petersburg, FL.

Lot: 391 - Russian Christian bronze crosses, 1700-1900 AD mounted on oak board, Ex-Christie’s label: PX 901-305, bar code 2447-0162

Russian Christian bronze crosses, 1700-1900 AD mounted on oak board, Ex-Christie’s; A plaque of mounted old believers’ icons, 18th-19th century. The panel set of eleven bronze/copper icon plaques or crucifixes. Height: 45.5 cm; Width: 30 cm; Weight: 3,805 g = 3 kg 805 g; Provenance: Christie's, New York, March 21, 2006, lot 1217 (as part of a set).

Lot: 391A - Terracotta Holy Grail/Graal Cup or Chalice(?), Near East, 2000 BC -33 AD(?)

Terracotta Holy Grail/Graal Cup or Chalice(?), Near East, 2000 BC -33 AD (?) The Holy Chalice, also known as the Holy Grail, is in some Christian traditions the vessel that Jesus used at the Last Supper to share his blood. The Synoptic Gospels refer to Jesus sharing a cup of wine with the Apostles, saying it was the covenant in his blood. The use of wine and chalice in the Eucharist in Christian

Lot: 392 - St. Vladimir silver icon, by Michael Pershin/Perchin, employee of Karl Faberge, 1895-1900

St. Vladimir silver icon, by Michael Pershin, employee of Karl Faberge, 1895-1900; 84 silver probe; Weight: 15.1 g; Height: 2 inches = 4.9 cm; This icon was made by Michael Pershin, who worked for Karl Faberge in St Petersburg, Russia, in 1895-1900.

Lot: 393 - Russian Imperial 84 silver pendant icon with Spas Nerukotvorniy, by Pavel Sazikov, 1830

Russian Imperial 84 silver pendant icon with Spas Nerukotvorniy, by Pavel Sazikov, 1830; Height: 29 mm Width: 20 mm; Weight: 2.6 g Age: circa 1830; PAVEL Fedorovich Sazikov. Supplier of the Imperial Court. 1793-1830 Pavel Sazikov dates back to 1793. Pavel Sazikov: born circa 1770, Vokhna (Moscow Province); Died: 1845, Moscow; Movements: Empire Imperial Russian Jewellery 19th–20th Centuries; Jeweller, silversmith, goldsmith, engraver, merchant. Hallmark: ?? or ???????? in a rectangle. Born in the family of a serf called Fyodor Yermolaevich in the village of Vokhna (now Pavlovsky Posad) in Moscow Province (c. 1770). Moved with his family to Moscow (1796), where he qualified as a merchant of the third guild (late 1790s) and opened a workshop (before 1804). Adopted the surname of Sazikov (1811). Awarded the workshop to his son Ignaty (1830) and died in Moscow (1845). http://www.rusartnet.com/biographies/russian-artists/19th-century/early-19th-century/jeweller/pavel-sazikov https://www.rbth.com/longreads/russian-imperial-jewelers/ https://www.proantic.com/en/display.php?mode=obj&id=165392 4,600 euro

Lot: 394 - Antique Russian Orthodox Christian bronze icon with 6 saints, 17th century

Antique Russian bronze icon with 6 saints, 17th century Above each pair of saints there is a text in Old Russian Cyrillic letters, probably the names of the Saints. Weight: 9.11 g; Size: 48 x 23 mm;

Lot: 394B - Saint Quiricus (Kḗrykos) and his mother Julitta, Antique copper travel Russian icon, 1600-1800 AD

St John and Jesus, Russian copper antique icon, 1700-1850. Height: 65 mm; Width: 48 mm; пречистый иоанн предтеча - русская икона античная.

Lot: 396 - Magnificent Russian Silver spoon 130 g with two cornucopias, by Nikolai Dubrovin, 1837

Magnificent Russian Silver spoon 130 g with two cornucopias, by Nikolai Dubrovin, 1837 Silver marks: Н.Д. 1837 EC; Length: 28.5 cm Width: 5.8 cm; Weight: 130.65 g. Русская серебранная ложка, Императорский герб: два рога изобилия, Николай Дубровин, period of Nicholas I (1825-1855)

Lot: 397 - Levin Russian Imperial 84 silver cigarette case, 19th c

Levin Russian Imperial 84 silver cigarette case, 19th c, CEC Jeweler. Weight: 110.3 g. Size: 90 x 67 x 18 mm. Four stamps with 84 probe silver. Name of the jeweler: CEC Low Estimate: 2500; High Estimate: 5000; Condition: Very Good to Excellent; Original: Yes; Circa: 1870;

Lot: 399 - Pastel original drawing "Head of a Child", Aleksey Pisemsky, Russia, circa 1890

Pastel drawing "Head of a Child", by Russian artist A.A. Pisemsky (1859-1913) Amazing pastel and charcoal drawing "Head of a Child", by Russian artist Aleksey Alexandrovitch Pisemsky (1859-1913) Medium: colored pastel, carton, covered with glass for protection Size of the carton: 41 x 31 cm = 16 x 13 inches; Size of the frame: 57 x 46 cm = 22.5 x 18 inches; Weight with a frame and glass: 6 lb. = 3 kg; Condition: perfect, pastel was kept framed, under glass; Highest price for Pisemskys oil on canvas "Autumn landscape with a lake" was sold on Christie's, London, in 2007 for $258,788 USD Biography The son of a landowner, Alexei Pisemsky grew up in the densely wooded province of Kostroma, north-east of Yaroslavl. His uncle was a famous writer, Alexei Feofilaktovich Pisemsky, regarded as an equal of Ivan Turgenev in his time. Alexei Alexandrovich began his studies at secondary school in the regional town of Kostroma, but at the insistence of his patron he left before finishing the course in order to enroll at the Imperial Academy of Arts in St Petersburg (1878-1890). He studied landscape painting under Mikhail Klodt and Yuli Klever and exhibited with the Itinerants from 1887-1889. He is best known for his oils, which were immensely popular among collectors including Pavel Tretyakov and the Imperial family, but he was also a stalwart member of the Society of Russian Watercolourists and celebrated illustrator. Remarkably for the period, he traveled to North Africa in the 1890s. Condition: perfect, pastel was kept framed, under glass; Low Estimate: 10000; High Estimate: 20000; Original: Yes; Medium: Pastel, Charcoal; Circa: 1890;

Lot: 400A - Antique Russian 84 silver cloisonné enamel gilded tea spoon, signed П. Овчинниковъ

Antique Russian 84 silver cloisonné enamel gilded tea spoon, signed П. Овчинниковъ; Length: 139 mm; Weight: 28.37 g; Condition: slightly used, but perfect for age Provenance: private collection in New York, NY, USA

Lot: 400B - Antique cloisonné enameled 84 silver gilt tzedakah donation cup, Faberge mark, Russian

Antique cloisonné enameled 84 silver gilt donation tzedakah cup, Faberge mark, Russian. Mark: 84 К ФАБЕРЖЕ; Height: 102 mm; Width: 50 mm; Width with handle: 87 mm; Upped diameter: 60 mm; Weight: 162.6 g; Provenance: private collection of Russian immigrants in St Petersburg, Florida.

Lot: 400C - Opium silver cloisonné enamel pipe, Russian Empire, 1900-1917 AD.

Opium silver cloisonné enamel pipe, Russian Empire, 1900-1917 AD. Length: 118 mm = 11.8 cm; Length without mouthpiece: 76 mm = 7.6 cm; Upper diameter: 14 mm; Weight: 12.5 g; Provenance: private collection in Florida, from Estate of early Russian emigrants (after 1917)

Lot: 401 - Игнатий Сазиков (Ignatiy Sazikov) antique 84th silver lady’s purse, Russian Imperial, 1850-1917

Игнатий Сазиков (Ignatiy Sazikov) antique 84th silver lady’s purse, Russian Imperial, 1850-1917. First seal: Artist: И. С. Игнатий Сазиков = Ignatiy Sazikov, Moscow (coat of arms -St George the Victorious) Second seal (upside down): 84 -from Saint Petersburg (Coat of arms- 2 Anchors) Пробирный мастер по серебру П.Т. (Silver master assay initials P.T.). That was a seal for the goods imported into Saint Petersburg in 1850-1900. The coat of arms of Saint Petersburg is a heraldic red shield with an image on its field of two silver anchors - a sea anchor and a river anchor, laid crosswise, and on them a golden scepter with a double-headed eagle. Length: 3.25 inches = 8 cm; Width: 2.75 inches = 7 cm Weight: 117.8 g; Provenance: brought to USA by Russian immigrants after 1917. Ignaty Sazikov is remembered for his desire to modernise the craft of silverwork. Sazikov had an early introduction into silverwork. His father, Pavel Fedorovich Sazikov, was a silversmith and jeweller with a firm in Moscow. As a young boy, Ignaty began apprenticing to his father, from whom he learnt the ins and outs of the craft. Upon his father’s death in 1830, Ignaty took over his father’s Moscow workshop and opened a factory and school for eighty trainee gold- and silversmiths in St Petersburg. Production was focused on tablewares and vertu in the Neo-Russian style, figurative and sculptural works depicting historical and genre scenes, and jewellery. Ignatii Pavlovich Sazikov (1793-1868) was the son of the founder of the eponymous firm which opened in Moscow in 1793, and which became a court manufacturer in 1837. In 1842, Ignatii Pavlovich set up a branch in St. Petersburg where the firm supplied important works in silver to the court. This work dates from the mid-19th century and is a rare example of jewelry by the firm. A silver, nephrite and enamel casket, Sazikov, St Petersburg, 1875 Sotheby’s Auction Closed June 4, 12:28 PM EDT Estimate 40,000 - 60,000 GBP https://www.sothebys.com/en/buy/auction/2019/russian-works-of-art-faberge-icons/a-silver-nephrite-and-enamel-casket-sazikov-st?locale=en

Lot: 401A - Silver Niello bracelet, Dagestan, Imperial Russia, circa 1720

Silver Niello bracelet, Dagestan, Imperial Russia, circa 1720 Internal Diameter: 53 mm; Weight: 36.3 g; Provenance; from early immigrants from Russia (to USA) in 1917

Lot: 401B - Antique Jewish silver Torah pointer 84th probe, Russian Imperial, 1873, Judaica

Antique Jewish silver Torah pointer 84th probe, Russian Imperial, 1873 Artist: И.А. Length: 7 inches = 18 cm Weight: 19.4 g; Provenance: brought to USA by Russian immigrants after 1917. A yad (Hebrew: יד, romanized: yad; Yiddish: האַנט, romanized: hant, lit. 'hand') is a Jewish ritual pointer, or stylus, popularly known as a Torah pointer, used by the reader to follow the text during the Torah reading from the parchment Torah scrolls. It is often shaped like a long rod, capped by a small hand with its index finger pointing from it. Beyond its practical usage in pointing out letters, the yad ensures that the parchment is not touched during the reading. There are several suggested reasons for this, including the mistaken idea that the fragile parchment is easily damaged by skin oils. However, the reason provided by the Talmud and other aspects of Jewish tradition state that the original reason was related to ritual purity.[1][2] While not required when chanting from the Torah, a yad is used frequently and is considered a hidur mitzvah ("embellishment of the commandment") of reading the Torah.

Lot: 401C - Antique Art Deco box, silver 84th probe, Б.Б., Russian Imperial, 1850-1920

Antique Art Deco box, silver 84th probe, Б.Б., Russian Imperial, 1850-1920. Artist: Б.Б. Length: 2.25” = 5.5 cm = 55 mm; Width: 1.5” = 4 cm = 40 mm; Height: 0.75 inches = 18 mm Weight: 35.1 g; Provenance brought to USA by Russian immigrants after 1917 REFERENCE: Russian Art Deco. Art Deco is an artistic style which originated in France in 1920s and influenced many forms of art, from visual to performing arts. Versatile and multifaceted, this style is full of elegance, functionality, modern feel and eclecticism. Art Deco owes much to Russia: some of the key figures of this artistic style come from this country. That gives us basis to speak of Russian Art Deco style. An artistic union called Mir Iskusstva (World of Art) emerged in St. Petersburg in 1908. It was standing at the origins of the Russian art deco. The members of this group were: a great Russian impressario Sergei Diagilev, an outstanding artist Léon Bakst, a Russian artist, illustrator, and stage designer Alexandre Benois. It is on the basis of World of Art that a world famous ballet company—Ballets Russes—was created. It became a true epitome of avant-garde style in fashion, ballet, music, choreography and stage design and one of the facets of Russian Art Deco. Hardly any history of art-deco can miss the work of a Russian-born fashion designer Erte (real name Roman Tyrtov), who may be called the face of Russian Art Deco in visual art and fashion. His name conjures covers of glossy magazines, stage designs and garments, all combining Western elegance and exquisiteness of Ancient Greece—these two influences merged in a magical way to create luxurious yet ethereal lyrical shapes, which are quintessence of the Art Deco style and symbolize the Russian Art Deco.

Lot: 401D - Antique binocular mother of pearl, by Oscar Richter, Russian Imperial, 1850-1914

Antique binocular mother of pearl, by Oscar Richter, Russian Imperial, 1850-1914. Length closed: 3.5” = 9.0 cm = 90 mm; Length open: 4.75” = 12 cm = 120 mm; Width: 5 inches = 12.5 cm Weight: 35.1 g; Provenance brought to USA by Russian immigrants after 1917 History: "The establishment of optical, physical, mathematical, mechanical, and meteorological instruments" Oscar Richter was founded 1850 in St. Petersburg Saxon subjects, a merchant of the 2nd Guild Richter Oscar Bernhard (1823 - ?). The company in the late 19th - early 20th century, gained great fame in St. Petersburg and even recommended by the Ministry of Finance for orders sextants, theodolites and other optical equipment. The store was on the corner of the Admiralty square, Nevsky prospect, Gref, No. 4/1. With its convenient location in the centre of Petersburg, near the Admiralty and the General staff of the store were very popular among the Russian military and sailors looking for yourself through binoculars or a spotting scope, a binocular purchased in the store in 1861 and tested on the Volkov field, was adopted as a model for the supply of the artillery units of the Russian army for the newly commissioned batteries with rifled guns until the end of 70-ies of the XIX century. Firm a and supplier of binoculars for the fortress artillery. In 1870 the firm took part in the all-Russian manufactory exhibition in St. Petersburg , following which he was awarded the bronze medal. At this time the school worked 20 workers, the annual production amounted to 80 thousand rubles. According to the results of the Polytechnic exhibition of 1872 in Moscow "by O. Richter" was awarded the Grand gold medal "for the devices in all branches of applied physics." Another great success the participation of the company in the all-Russia industrial and art exhibition in Moscow in 1882 was presented: the different physical and mechanical instruments and tools, including: centrifugal machine, air pump, sundial, magic lanterns. At this time the company employed 65 workers , annual production reached 250 thousand. In 1883 the firm is converted into a trading house on the rights of a full partnership. The owner of the trading house , in addition to Richter's Oscar-Bernhard becomes H. Ewald-Emily (1837-?). After the death of Richter's Oscar-Bernhard in the case in 1893, entering his son Richter, Emil Richard. Both companion living in the same house Gref No. 4-1, where there is a shop and workshop. In 1910, the owners transferred the shop building Washing, house 59. Later, there is transferred and workshop. In 1917 in the Studio working 14 people, and in April 1918 to 4 people. The firm ceased to exist after 1918.

Lot: 402 - Genuine antique Caucasian Dagestan Russian sharp iron sword (dagger) with wooden scabbard, 1000-1500 AD, Russia

Genuine antique Caucasian Dagestan Russian sharp iron sword (dagger) with wooden scabbard, 1000-1500 AD, Russia The origin of this double edged iron (attracted to magnet) sword is not clear. Approximate age is 500-1000 years old. The scabbard is constructed of two wood pieces, covered with leather and stitched with heavy thread. There is a special wooden loop, designed to carry scabbard on the belt. The handle is constructed of two wooden parts, connected by two antique iron nails Length with a handle: 60 cm; Length of the scabbard: 51 cm; Length of the sword in scabbard: 64 cm; Weight of the sword: 400 g; Weight of the sword in scabbard: 550 g; Condition: heavy used in battles, scabbard is missing some leather; Provenance: Private collection of arms and swords in Florida, USA. Auction results: $3,500 https://www.ebay.com/itm/133491589458?hash=item1f14b80152:g:URoAAOSwf2dfDxmZ

Lot: 403 - The Civil War book with CD-ROM, 1861-1865, by David E. Roth, 1992

ISBN 0-7651-9267-5; Size: 14 x 10.5 inches; 245 pages; Printed in Italy; Condition: excellent, no damage, no smell. Rare antiquarian edition, not available on Amazon.com

Lot: 405 - The presidents of USA, two volumes set, by John & Alice Durant, commemorative edition, 1976;

The presidents of USA, two volumes set, by John & Alice Durant, commemorative edition, 1976; 4 lb. 13.4 oz. = 2 kg 195 g. Volume 1: George Washington to William McKinley, 204 pages; Volume 2: Theodore Roosevelt to Gerald Ford, 387 pages; Includes small booklet titled "Portraits of American Presidents."; 4 to 11" - 13" tall; 80 pages; Condition: used, but in great Very Good. Very Good in boards in a Very Good slipcase. Publisher: Gache @ Son, Publishers – Miami, Florida

Lot: 406 - 16th President of USA- ABRAHAM LINCOLN in 1864 – 8x10”= 20.32x 25.4cm, photo

16th President of USA- ABRAHAM LINCOLN in 1864 – 8x10”= 20.32x 25.4cm, photo; 1864 Matthew Brady photograph of the 16th President of the United States, Abraham Lincoln.

Lot: 408 - Encyclopedia of American cars from 1930

Encyclopedia of American cars from 1930; Product details • Hardcover • Publisher: Publications Intl; First Edition edition (September 1993) • Language: English • ISBN-10: 0785301755 • ISBN-13: 978-0785301752 • Product Dimensions: 3 x 9.5 x 11.2 inches • Shipping Weight: 7.3 pounds • Average Customer Review: 4.5 out of 5 stars 8 customer reviews Amazon Best Sellers Rank: #1,581,132 in Books (See Top 100 in Books)

Lot: 409A - SENATOR JOHN F. KENNEDY & his wife JACQUELINE in November, 1960, 8x10” inches = 20.32 x 25.4 cm, photo

SENATOR JOHN F. KENNEDY & his wife JACQUELINE in November, 1960, 8x10” inches = 20.32 x 25.4 cm, photo. Senator John F. Kennedy with his wife Jacqueline in November, 1960.

Lot: 409B - JOHN F. KENNEDY with his wife JACQUELINE, at Hyannis Armory, November 9, 1960 – 8x10”= 20.32 x 25.4 cm, photo

JOHN F. KENNEDY with his wife JACQUELINE, at Hyannis Armory, November 9, 1960 – 8x10”= 20.32 x 25.4 cm, photo. President-elect John F. Kennedy gets a congratulatory handshake as he arrives at the Hyannis Armory, on November 9, 1960. Wife Jacqueline is at his side with father Joseph P. Kennedy behind him at the left of the image.

Lot: 409C - President JOHN F. KENNEDY with brothers Bobby & Ted – 8”x10” inches photo

PRESIDENT JOHN F. KENNEDY with brothers Bobby & Ted – 8”x10” inches photo President John F. Kennedy with brothers Robert Kennedy (left) and Edward Kennedy (center).

Lot: 409D - President JOHN F. KENNEDY with brothers ROBERT & EDWARD in 1962, 11”x14” photo

President JOHN F. KENNEDY with brothers ROBERT & EDWARD in 1962, 11”x14” photo

Lot: 409F - President JOHN F. KENNEDY with ROBERT KENNEDY & MARILYN MONROE, 8”x10” inches photo

President JOHN F. KENNEDY with ROBERT KENNEDY & MARILYN MONROE, 8”x10” inches photo. President John F. Kennedy (with his back to the camera), Attorney General Robert Kennedy (far left), and actress Marilyn Monroe, on the occasion of President Kennedy's 45th birthday celebrations at Madison Square Garden in New York City on May 19, 1962.

Lot: 409G - Marilyn Monroe and Steven Smith, JFK's brother in law, 1962, 4x6 inches, black and white photo

Marilyn Monroe and Steven Smith, 1962, 4x6 inches, black and white photo; The man is Steven Smith, JFK's brother in law married to one of his sisters!

Lot: 409H - Color Portrait of Jacqueline Kennedy, her signature engraved, - as a gift to William Casey, 1961-1963

Color Portrait of Jacqueline Kennedy, signed by her, - as a gift to William Casey, 1961-1963 Color portrait of the wife of President J.F. Kennedy, was framed in a luxurious leather frame and inscribed as: “With appreciation to Mr. and Mrs. William J Casey”. Below - signature of Jacqueline Kennedy Size of the frame: 10.5 inches x 12.75 inches; Size of the photo: 8 inches x 10 inches;

Lot: 409I - Richard Nixon meets Leonid Brezhnev at Moscow ABM Summit, with pioneers, USSR, 1972, genuine antique 8x10” color photo

Private Talking -Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, with pioneers, .genuine antique 8x10” color photo The Moscow Summit of 1972 was a summit meeting between President Richard M. Nixon of the United States and General Secretary Leonid Brezhnev of the Communist Party of the Soviet Union. It was held May 22–30, 1972. It featured the signing of the Anti-Ballistic Missile (ABM) Treaty, the first Strategic Arms Limitation Treaty (SALT I), and the U.S.–Soviet Incidents at Sea agreement. The summit is considered one of the hallmarks of the détente at the time between the two Cold War antagonists. The summit followed in the wake of the historic 1972 Nixon visit to China earlier that year, with the Nixon administration soon concluding negotiations for the president to visit the Soviet Union. On May 22, Nixon became the first U.S. president to visit Moscow (and only the second president, after Franklin D. Roosevelt, to visit the Soviet Union), as he and Henry Kissinger arrived to begin a summit meeting with Brezhnev.[1] First Lady of the United States Pat Nixon also made the trip.[2] Nixon and Brezhnev engaged in unscheduled talks on that first day.[2] Later that evening, a banquet was held at the Kremlin.[2] On May 23, Nixon and Chairman of the Presidium of the Supreme Soviet Nikolai Podgorny signed the Agreement on Cooperation in the Field of Environmental Protection.[3] On May 24, Nixon and Premier of the Soviet Union Alexei Kosygin signed an agreement paving the way for the Apollo-Soyuz Test Project.[4] On May 26, Nixon and Brezhnev signed two landmark nuclear arms control agreements. The SALT I treaty, product of the Strategic Arms Limitation Talks, froze the number of strategic ballistic missile launchers at existing levels, while the Anti-Ballistic Missile Treaty restricted both sides to only two sites for anti-ballistic missiles, with 100 missiles each.[5] On May 29, Nixon and Brezhnev concluded the conference, with the signing of a joint declaration of long-range plans to avoid a military confrontation and to eventually disarm.[6]

Lot: 409J - Signing an ABM treaty -Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo

Signing an ABM treaty -Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo The Moscow Summit of 1972 was a summit meeting between President Richard M. Nixon of the United States and General Secretary Leonid Brezhnev of the Communist Party of the Soviet Union. It was held May 22–30, 1972. It featured the signing of the Anti-Ballistic Missile (ABM) Treaty, the first Strategic Arms Limitation Treaty (SALT I), and the U.S.–Soviet Incidents at Sea agreement. The summit is considered one of the hallmarks of the détente at the time between the two Cold War antagonists. The summit followed in the wake of the historic 1972 Nixon visit to China earlier that year, with the Nixon administration soon concluding negotiations for the president to visit the Soviet Union. On May 22, Nixon became the first U.S. president to visit Moscow (and only the second president, after Franklin D. Roosevelt, to visit the Soviet Union), as he and Henry Kissinger arrived to begin a summit meeting with Brezhnev.[1] First Lady of the United States Pat Nixon also made the trip.[2] Nixon and Brezhnev engaged in unscheduled talks on that first day.[2] Later that evening, a banquet was held at the Kremlin.[2] On May 23, Nixon and Chairman of the Presidium of the Supreme Soviet Nikolai Podgorny signed the Agreement on Cooperation in the Field of Environmental Protection.[3] On May 24, Nixon and Premier of the Soviet Union Alexei Kosygin signed an agreement paving the way for the Apollo-Soyuz Test Project.[4] On May 26, Nixon and Brezhnev signed two landmark nuclear arms control agreements. The SALT I treaty, product of the Strategic Arms Limitation Talks, froze the number of strategic ballistic missile launchers at existing levels, while the Anti-Ballistic Missile Treaty restricted both sides to only two sites for anti-ballistic missiles, with 100 missiles each.[5] On May 29, Nixon and Brezhnev concluded the conference, with the signing of a joint declaration of long-range plans to avoid a military confrontation and to eventually disarm.[6]

Lot: 409M - President Bill Clinton and Monica Lewinsky in 1997, 8x10 inches color photo

President Bill Clinton and Monica Lewinsky in 1997, 8x10 inches color photo;

Lot: 409N - Drinking champagne -Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo

Drinking champagne -Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo. The Moscow Summit of 1972 was a summit meeting between President Richard M. Nixon of the United States and General Secretary Leonid Brezhnev of the Communist Party of the Soviet Union. It was held May 22–30, 1972. It featured the signing of the Anti-Ballistic Missile (ABM) Treaty, the first Strategic Arms Limitation Treaty (SALT I), and the U.S.–Soviet Incidents at Sea agreement. The summit is considered one of the hallmarks of the détente at the time between the two Cold War antagonists. The summit followed in the wake of the historic 1972 Nixon visit to China earlier that year, with the Nixon administration soon concluding negotiations for the president to visit the Soviet Union. On May 22, Nixon became the first U.S. president to visit Moscow (and only the second president, after Franklin D. Roosevelt, to visit the Soviet Union), as he and Henry Kissinger arrived to begin a summit meeting with Brezhnev.[1] First Lady of the United States Pat Nixon also made the trip.[2] Nixon and Brezhnev engaged in unscheduled talks on that first day.[2] Later that evening, a banquet was held at the Kremlin.[2] On May 23, Nixon and Chairman of the Presidium of the Supreme Soviet Nikolai Podgorny signed the Agreement on Cooperation in the Field of Environmental Protection.[3] On May 24, Nixon and Premier of the Soviet Union Alexei Kosygin signed an agreement paving the way for the Apollo-Soyuz Test Project.[4] On May 26, Nixon and Brezhnev signed two landmark nuclear arms control agreements. The SALT I treaty, product of the Strategic Arms Limitation Talks, froze the number of strategic ballistic missile launchers at existing levels, while the Anti-Ballistic Missile Treaty restricted both sides to only two sites for anti-ballistic missiles, with 100 missiles each.[5] On May 29, Nixon and Brezhnev concluded the conference, with the signing of a joint declaration of long-range plans to avoid a military confrontation and to eventually disarm.[6]

Lot: 409O - Shaking hands - Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo

Shaking hands: Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo. The Moscow Summit of 1972 was a summit meeting between President Richard M. Nixon of the United States and General Secretary Leonid Brezhnev of the Communist Party of the Soviet Union. It was held May 22–30, 1972. It featured the signing of the Anti-Ballistic Missile (ABM) Treaty, the first Strategic Arms Limitation Treaty (SALT I), and the U.S.–Soviet Incidents at Sea agreement. The summit is considered one of the hallmarks of the détente at the time between the two Cold War antagonists. The summit followed in the wake of the historic 1972 Nixon visit to China earlier that year, with the Nixon administration soon concluding negotiations for the president to visit the Soviet Union. On May 22, Nixon became the first U.S. president to visit Moscow (and only the second president, after Franklin D. Roosevelt, to visit the Soviet Union), as he and Henry Kissinger arrived to begin a summit meeting with Brezhnev.[1] First Lady of the United States Pat Nixon also made the trip.[2] Nixon and Brezhnev engaged in unscheduled talks on that first day.[2] Later that evening, a banquet was held at the Kremlin.[2] On May 23, Nixon and Chairman of the Presidium of the Supreme Soviet Nikolai Podgorny signed the Agreement on Cooperation in the Field of Environmental Protection.[3] On May 24, Nixon and Premier of the Soviet Union Alexei Kosygin signed an agreement paving the way for the Apollo-Soyuz Test Project.[4] On May 26, Nixon and Brezhnev signed two landmark nuclear arms control agreements. The SALT I treaty, product of the Strategic Arms Limitation Talks, froze the number of strategic ballistic missile launchers at existing levels, while the Anti-Ballistic Missile Treaty restricted both sides to only two sites for anti-ballistic missiles, with 100 missiles each.[5] On May 29, Nixon and Brezhnev concluded the conference, with the signing of a joint declaration of long-range plans to avoid a military confrontation and to eventually disarm.[6]

Lot: 409P - Table for official dinner -Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo

Table for official dinner -Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo The Moscow Summit of 1972 was a summit meeting between President Richard M. Nixon of the United States and General Secretary Leonid Brezhnev of the Communist Party of the Soviet Union. It was held May 22–30, 1972. It featured the signing of the Anti-Ballistic Missile (ABM) Treaty, the first Strategic Arms Limitation Treaty (SALT I), and the U.S.–Soviet Incidents at Sea agreement. The summit is considered one of the hallmarks of the détente at the time between the two Cold War antagonists. The summit followed in the wake of the historic 1972 Nixon visit to China earlier that year, with the Nixon administration soon concluding negotiations for the president to visit the Soviet Union. On May 22, Nixon became the first U.S. president to visit Moscow (and only the second president, after Franklin D. Roosevelt, to visit the Soviet Union), as he and Henry Kissinger arrived to begin a summit meeting with Brezhnev.[1] First Lady of the United States Pat Nixon also made the trip.[2] Nixon and Brezhnev engaged in unscheduled talks on that first day.[2] Later that evening, a banquet was held at the Kremlin.[2] On May 23, Nixon and Chairman of the Presidium of the Supreme Soviet Nikolai Podgorny signed the Agreement on Cooperation in the Field of Environmental Protection.[3] On May 24, Nixon and Premier of the Soviet Union Alexei Kosygin signed an agreement paving the way for the Apollo-Soyuz Test Project.[4] On May 26, Nixon and Brezhnev signed two landmark nuclear arms control agreements. The SALT I treaty, product of the Strategic Arms Limitation Talks, froze the number of strategic ballistic missile launchers at existing levels, while the Anti-Ballistic Missile Treaty restricted both sides to only two sites for anti-ballistic missiles, with 100 missiles each.[5] On May 29, Nixon and Brezhnev concluded the conference, with the signing of a joint declaration of long-range plans to avoid a military confrontation and to eventually disarm.[6]

Lot: 409Q - US/USSR Military Guards -Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo

US/USSR Military Guards -Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo The Moscow Summit of 1972 was a summit meeting between President Richard M. Nixon of the United States and General Secretary Leonid Brezhnev of the Communist Party of the Soviet Union. It was held May 22–30, 1972. It featured the signing of the Anti-Ballistic Missile (ABM) Treaty, the first Strategic Arms Limitation Treaty (SALT I), and the U.S.–Soviet Incidents at Sea agreement. The summit is considered one of the hallmarks of the détente at the time between the two Cold War antagonists. The summit followed in the wake of the historic 1972 Nixon visit to China earlier that year, with the Nixon administration soon concluding negotiations for the president to visit the Soviet Union. On May 22, Nixon became the first U.S. president to visit Moscow (and only the second president, after Franklin D. Roosevelt, to visit the Soviet Union), as he and Henry Kissinger arrived to begin a summit meeting with Brezhnev.[1] First Lady of the United States Pat Nixon also made the trip.[2] Nixon and Brezhnev engaged in unscheduled talks on that first day.[2] Later that evening, a banquet was held at the Kremlin.[2] On May 23, Nixon and Chairman of the Presidium of the Supreme Soviet Nikolai Podgorny signed the Agreement on Cooperation in the Field of Environmental Protection.[3] On May 24, Nixon and Premier of the Soviet Union Alexei Kosygin signed an agreement paving the way for the Apollo-Soyuz Test Project.[4] On May 26, Nixon and Brezhnev signed two landmark nuclear arms control agreements. The SALT I treaty, product of the Strategic Arms Limitation Talks, froze the number of strategic ballistic missile launchers at existing levels, while the Anti-Ballistic Missile Treaty restricted both sides to only two sites for anti-ballistic missiles, with 100 missiles each.[5] On May 29, Nixon and Brezhnev concluded the conference, with the signing of a joint declaration of long-range plans to avoid a military confrontation and to eventually disarm.[6]

Lot: 409R - President Richard Nixon, presidential campaign 1968, b/w historical photo

President Richard Nixon, presidential campaign 1968, b/w historical photo The 1968 presidential campaign of Richard Nixon, the 36th vice president of the United States, began when Nixon, the Republican nominee of 1960, formally announced his candidacy, following a year's preparation and five years' political reorganization after defeats in the 1960 presidential election and the 1962 California gubernatorial election. En route to the Republican Party's presidential nomination, Nixon faced challenges from Governor George Romney of Michigan, Governor Nelson Rockefeller of New York, Governor Ronald Reagan of California, and Senator Charles Percy of Illinois. Nixon won nine of the thirteen state primaries held that season, although due to the population of his state, Governor Reagan won the popular vote while carrying only California. These victories, along with pledged delegate support from states not holding primaries, secured Nixon the nomination on the first ballot of the Republican National Convention, where he named Governor Spiro Agnew of Maryland as his running mate. In the general election, Nixon emphasized "law and order", positioning himself as the champion of what he called the "silent majority". Running well ahead of his opponent, incumbent Vice President Hubert Humphrey, his support slipped in the polls following his refusal to partake in presidential debates, and following an announcement from President Lyndon B. Johnson that a halt in the bombing of Vietnam had been negotiated. Winning a close election on November 5, 1968, Nixon and Agnew were inaugurated as the 37th president of the United States and 39th vice president of the United States, respectively, on January 20, 1969. Nixon was the first vice president since Martin Van Buren in 1836 to be elected president without first having succeeded to that office through the death of his predecessor, and the first non-incumbent vice president to be elected president.[3]

Lot: 409S - Richard Nixon and his family, antique historical black white photo, 1969

Richard Nixon and his family, antique historical black white photo, 1969. Size: Provenance: White House, Washington, DC, and then private collection in St Petersburg, FL, USA Richard Milhous Nixon (January 9, 1913 – April 22, 1994) was the 37th president of the United States, serving from 1969 to 1974. A lawyer and member of the Republican Party, he previously served as a representative and

Lot: 409T - Richard Nixon and Spiro Agnew in 1968 presidential campaign, historical antique b/w photo.

Richard Nixon and Spiro Agnew in 1968 presidential campaign, historical antique b/w photo. Size: 8" x 10" inches; The 1968 presidential campaign of Richard Nixon, the 36th vice president of the United States, began when Nixon, the Republican nominee of 1960, formally announced his candidacy, following a year's preparation and five years' political reorganization after defeats in the 1960 presidential election and the 1962 California gubernatorial election. En route to the Republican Party's presidential nomination, Nixon faced challenges from Governor George Romney of Michigan, Governor Nelson Rockefeller of New York, Governor Ronald Reagan of California, and Senator Charles Percy of Illinois. Nixon won nine of the thirteen state primaries held that season, although due to the population of his state, Governor Reagan won the popular vote while carrying only California. These victories, along with pledged delegate support from states not holding primaries, secured Nixon the nomination on the first ballot of the Republican National Convention, where he named Governor Spiro Agnew of Maryland as his running mate. In the general election, Nixon emphasized "law and order", positioning himself as the champion of what he called the "silent majority". Running well ahead of his opponent, incumbent Vice President Hubert Humphrey, his support slipped in the polls following his refusal to partake in presidential debates, and following an announcement from President Lyndon B. Johnson that a halt in the bombing of Vietnam had been negotiated. Winning a close election on November 5, 1968, Nixon and Agnew were inaugurated as the 37th president of the United States and 39th vice president of the United States, respectively, on January 20, 1969. Nixon was the first vice president since Martin Van Buren in 1836 to be elected president without first having succeeded to that office through the death of his predecessor, and the first non-incumbent vice president to be elected president.[3]

Lot: 409U - Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo

Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo; The Moscow Summit of 1972 was a summit meeting between President Richard M. Nixon of the United States and General Secretary Leonid Brezhnev of the Communist Party of the Soviet Union. It was held May 22–30, 1972. It featured the signing of the Anti-Ballistic Missile (ABM) Treaty, the first Strategic Arms Limitation Treaty (SALT I), and the U.S.–Soviet Incidents at Sea agreement. The summit is considered one of the hallmarks of the détente at the time between the two Cold War antagonists. The summit followed in the wake of the historic 1972 Nixon visit to China earlier that year, with the Nixon administration soon concluding negotiations for the president to visit the Soviet Union. On May 22, Nixon became the first U.S. president to visit Moscow (and only the second president, after Franklin D. Roosevelt, to visit the Soviet Union), as he and Henry Kissinger arrived to begin a summit meeting with Brezhnev.[1] First Lady of the United States Pat Nixon also made the trip.[2] Nixon and Brezhnev engaged in unscheduled talks on that first day.[2] Later that evening, a banquet was held at the Kremlin.[2] On May 23, Nixon and Chairman of the Presidium of the Supreme Soviet Nikolai Podgorny signed the Agreement on Cooperation in the Field of Environmental Protection.[3] On May 24, Nixon and Premier of the Soviet Union Alexei Kosygin signed an agreement paving the way for the Apollo-Soyuz Test Project.[4] On May 26, Nixon and Brezhnev signed two landmark nuclear arms control agreements. The SALT I treaty, product of the Strategic Arms Limitation Talks, froze the number of strategic ballistic missile launchers at existing levels, while the Anti-Ballistic Missile Treaty restricted both sides to only two sites for anti-ballistic missiles, with 100 missiles each.[5] On May 29, Nixon and Brezhnev concluded the conference, with the signing of a joint declaration of long-range plans to avoid a military confrontation and to eventually disarm.[6]

Lot: 409V - Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo, Security

Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo. Security. The Moscow Summit of 1972 was a summit meeting between President Richard M. Nixon of the United States and General Secretary Leonid Brezhnev of the Communist Party of the Soviet Union. It was held May 22–30, 1972. It featured the signing of the Anti-Ballistic Missile (ABM) Treaty, the first Strategic Arms Limitation Treaty (SALT I), and the U.S.–Soviet Incidents at Sea agreement. The summit is considered one of the hallmarks of the détente at the time between the two Cold War antagonists. The summit followed in the wake of the historic 1972 Nixon visit to China earlier that year, with the Nixon administration soon concluding negotiations for the president to visit the Soviet Union. On May 22, Nixon became the first U.S. president to visit Moscow (and only the second president, after Franklin D. Roosevelt, to visit the Soviet Union), as he and Henry Kissinger arrived to begin a summit meeting with Brezhnev.[1] First Lady of the United States Pat Nixon also made the trip.[2] Nixon and Brezhnev engaged in unscheduled talks on that first day.[2] Later that evening, a banquet was held at the Kremlin.[2] On May 23, Nixon and Chairman of the Presidium of the Supreme Soviet Nikolai Podgorny signed the Agreement on Cooperation in the Field of Environmental Protection.[3] On May 24, Nixon and Premier of the Soviet Union Alexei Kosygin signed an agreement paving the way for the Apollo-Soyuz Test Project.[4] On May 26, Nixon and Brezhnev signed two landmark nuclear arms control agreements. The SALT I treaty, product of the Strategic Arms Limitation Talks, froze the number of strategic ballistic missile launchers at existing levels, while the Anti-Ballistic Missile Treaty restricted both sides to only two sites for anti-ballistic missiles, with 100 missiles each.[5] On May 29, Nixon and Brezhnev concluded the conference, with the signing of a joint declaration of long-range plans to avoid a military confrontation and to eventually disarm.[6]

Lot: 409W - Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo

Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo The Moscow Summit of 1972 was a summit meeting between President Richard M. Nixon of the United States and General Secretary Leonid Brezhnev of the Communist Party of the Soviet Union. It was held May 22–30, 1972. It featured the signing of the Anti-Ballistic Missile (ABM) Treaty, the first Strategic Arms Limitation Treaty (SALT I), and the U.S.–Soviet Incidents at Sea agreement. The summit is considered one of the hallmarks of the détente at the time between the two Cold War antagonists. The summit followed in the wake of the historic 1972 Nixon visit to China earlier that year, with the Nixon administration soon concluding negotiations for the president to visit the Soviet Union. On May 22, Nixon became the first U.S. president to visit Moscow (and only the second president, after Franklin D. Roosevelt, to visit the Soviet Union), as he and Henry Kissinger arrived to begin a summit meeting with Brezhnev.[1] First Lady of the United States Pat Nixon also made the trip.[2] Nixon and Brezhnev engaged in unscheduled talks on that first day.[2] Later that evening, a banquet was held at the Kremlin.[2] On May 23, Nixon and Chairman of the Presidium of the Supreme Soviet Nikolai Podgorny signed the Agreement on Cooperation in the Field of Environmental Protection.[3] On May 24, Nixon and Premier of the Soviet Union Alexei Kosygin signed an agreement paving the way for the Apollo-Soyuz Test Project.[4] On May 26, Nixon and Brezhnev signed two landmark nuclear arms control agreements. The SALT I treaty, product of the Strategic Arms Limitation Talks, froze the number of strategic ballistic missile launchers at existing levels, while the Anti-Ballistic Missile Treaty restricted both sides to only two sites for anti-ballistic missiles, with 100 missiles each.[5] On May 29, Nixon and Brezhnev concluded the conference, with the signing of a joint declaration of long-range plans to avoid a military confrontation and to eventually disarm.[6]

Lot: 409X - Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo. Guard of Honor.

Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo. Guard of honor. The Moscow Summit of 1972 was a summit meeting between President Richard M. Nixon of the United States and General Secretary Leonid Brezhnev of the Communist Party of the Soviet Union. It was held May 22–30, 1972. It featured the signing of the Anti-Ballistic Missile (ABM) Treaty, the first Strategic Arms Limitation Treaty (SALT I), and the U.S.–Soviet Incidents at Sea agreement. The summit is considered one of the hallmarks of the détente at the time between the two Cold War antagonists. The summit followed in the wake of the historic 1972 Nixon visit to China earlier that year, with the Nixon administration soon concluding negotiations for the president to visit the Soviet Union. On May 22, Nixon became the first U.S. president to visit Moscow (and only the second president, after Franklin D. Roosevelt, to visit the Soviet Union), as he and Henry Kissinger arrived to begin a summit meeting with Brezhnev.[1] First Lady of the United States Pat Nixon also made the trip.[2] Nixon and Brezhnev engaged in unscheduled talks on that first day.[2] Later that evening, a banquet was held at the Kremlin.[2] On May 23, Nixon and Chairman of the Presidium of the Supreme Soviet Nikolai Podgorny signed the Agreement on Cooperation in the Field of Environmental Protection.[3] On May 24, Nixon and Premier of the Soviet Union Alexei Kosygin signed an agreement paving the way for the Apollo-Soyuz Test Project.[4] On May 26, Nixon and Brezhnev signed two landmark nuclear arms control agreements. The SALT I treaty, product of the Strategic Arms Limitation Talks, froze the number of strategic ballistic missile launchers at existing levels, while the Anti-Ballistic Missile Treaty restricted both sides to only two sites for anti-ballistic missiles, with 100 missiles each.[5] On May 29, Nixon and Brezhnev concluded the conference, with the signing of a joint declaration of long-range plans to avoid a military confrontation and to eventually disarm.[6]

Lot: 409Y - Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo, Sheremetyevo airport

Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo, International Airport. The Moscow Summit of 1972 was a summit meeting between President Richard M. Nixon of the United States and General Secretary Leonid Brezhnev of the Communist Party of the Soviet Union. It was held May 22–30, 1972. It featured the signing of the Anti-Ballistic Missile (ABM) Treaty, the first Strategic Arms Limitation Treaty (SALT I), and the U.S.–Soviet Incidents at Sea agreement. The summit is considered one of the hallmarks of the détente at the time between the two Cold War antagonists. The summit followed in the wake of the historic 1972 Nixon visit to China earlier that year, with the Nixon administration soon concluding negotiations for the president to visit the Soviet Union. On May 22, Nixon became the first U.S. president to visit Moscow (and only the second president, after Franklin D. Roosevelt, to visit the Soviet Union), as he and Henry Kissinger arrived to begin a summit meeting with Brezhnev.[1] First Lady of the United States Pat Nixon also made the trip.[2] Nixon and Brezhnev engaged in unscheduled talks on that first day.[2] Later that evening, a banquet was held at the Kremlin.[2] On May 23, Nixon and Chairman of the Presidium of the Supreme Soviet Nikolai Podgorny signed the Agreement on Cooperation in the Field of Environmental Protection.[3] On May 24, Nixon and Premier of the Soviet Union Alexei Kosygin signed an agreement paving the way for the Apollo-Soyuz Test Project.[4] On May 26, Nixon and Brezhnev signed two landmark nuclear arms control agreements. The SALT I treaty, product of the Strategic Arms Limitation Talks, froze the number of strategic ballistic missile launchers at existing levels, while the Anti-Ballistic Missile Treaty restricted both sides to only two sites for anti-ballistic missiles, with 100 missiles each.[5] On May 29, Nixon and Brezhnev concluded the conference, with the signing of a joint declaration of long-range plans to avoid a military confrontation and to eventually disarm.[6]

Lot: 409Z - US/USSR Military Guards -Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo

US/USSR Military Guards -Richard Nixon meets Leonid Brezhnev at Moscow Summit, USSR, 1972, genuine antique 8x10” color photo. The Moscow Summit of 1972 was a summit meeting between President Richard M. Nixon of the United States and General Secretary Leonid Brezhnev of the Communist Party of the Soviet Union. It was held May 22–30, 1972. It featured the signing of the Anti-Ballistic Missile (ABM) Treaty, the first Strategic Arms Limitation Treaty (SALT I), and the U.S.–Soviet Incidents at Sea agreement. The summit is considered one of the hallmarks of the détente at the time between the two Cold War antagonists. The summit followed in the wake of the historic 1972 Nixon visit to China earlier that year, with the Nixon administration soon concluding negotiations for the president to visit the Soviet Union. On May 22, Nixon became the first U.S. president to visit Moscow (and only the second president, after Franklin D. Roosevelt, to visit the Soviet Union), as he and Henry Kissinger arrived to begin a summit meeting with Brezhnev.[1] First Lady of the United States Pat Nixon also made the trip.[2] Nixon and Brezhnev engaged in unscheduled talks on that first day.[2] Later that evening, a banquet was held at the Kremlin.[2] On May 23, Nixon and Chairman of the Presidium of the Supreme Soviet Nikolai Podgorny signed the Agreement on Cooperation in the Field of Environmental Protection.[3] On May 24, Nixon and Premier of the Soviet Union Alexei Kosygin signed an agreement paving the way for the Apollo-Soyuz Test Project.[4] On May 26, Nixon and Brezhnev signed two landmark nuclear arms control agreements. The SALT I treaty, product of the Strategic Arms Limitation Talks, froze the number of strategic ballistic missile launchers at existing levels, while the Anti-Ballistic Missile Treaty restricted both sides to only two sites for anti-ballistic missiles, with 100 missiles each.[5] On May 29, Nixon and Brezhnev concluded the conference, with the signing of a joint declaration of long-range plans to avoid a military confrontation and to eventually disarm.[6]

Lot: 410 - Portrait of young nude woman with a comb, 1960s, California

Size of the original photo: 10 inches x 8 inches = 25 cm x 20 cm; Full size of the photocopy: 11 x 8.5 inches; Provenance: below is a letter from the owner in California: “Hi, Sorry, bought the photo from a dealer a few years ago . . . Like so many of these wonderful photos, unknown model, unknown photographer (Great shot). I am pretty sure the photo was taken in S. California (LA area). Back in the 60's one could go to a "camera club" (which I did) and choose a model to photograph for an hour.(more innocent times). The model in this photo in her youthful perfection, looks almost exactly like the young lady I photographed that day. Best wishes, -R.”

Lot: 410D - Marilyn Monroe naked in swimming pool in 1962 (36 years old) color photo 8.5"x11"= 21.5 cm x 28 cm

Marilyn Monroe naked in swimming pool in 1962 (36 years old) color photo 8.25"x10.5"= 21 cm x 26.7 cm. PHOTOGRAPHER LAWRENCE SCHILLER. The last professional photos taken of actress Marilyn Monroe are on public display for the first time at New York City's Pop International Galleries. The pictures, taken on the set of the 1962 film "Something's Got to Give," reveal a nude Monroe just two months before her death. The portfolio of photographs have been published since in the 1960s, but the gallery prints mark their first public exhibition, as well as their first limited edition sale. Taken in both colour and black and white, the photographs show Monroe as a true sex symbol, posing for the camera while in and around a swimming pool. Photographer Lawrence Schiller was hired by Paris Match magazine to follow Monroe for 10 days. Schiller said he still remembers seeing Monroe naked in the swimming pool. "Marilyn came out of her dressing room in this wonderful blue bathrobe, terrycloth, one like you would have lying around your own house, jumped into the swimming pool, dog-paddled around, and then came up to the edge of the pool and didn't have a bra on. Well immediately, myself and everybody on the set knew this was the first time in like 10 or 12 years that Marilyn might be photographed nude," he said. The prints of Monroe range in price from 3,000 to 12,000 U.S. dollars. Schiller said that Monroe was a joy to work with, but was also a stern guardian of her image. "Marilyn was very, very fussy on who photographed her. She in fact had approval of every one of the pictures. She would sit there with a grease pencil and cross them out or pinking sheers and cut them. She knew who she wanted to photograph her and when she wanted to be photographed," he said. Monroe was eventually fired from the set of "Something's Got to Give," and died on August 5, 1962 of a drug overdose. Marilyn Monroe (/ˈmærəlɪn mənˈroʊ/; born Norma Jeane Mortenson; June 1, 1926 – August 4, 1962) was an American actress, model, and singer. Famous for playing comic "blonde bombshell" characters, she became one of the most popular sex symbols of the 1950s and early 1960s, as well as an emblem of the era's sexual revolution. She was a top-billed actress for a decade, and her films grossed $200 million (equivalent to $2 billion in 2021) by the time of her death in 1962.[3] Long after her death, Monroe remains a major icon of pop culture.[4] In 1999, the American Film Institute ranked her sixth on their list of the greatest female screen legends from the Golden Age of Hollywood.

Lot: 410F - Marilyn Monroe in blue dress at Niagara Phalls 8”x10” inches = 20.32 cm x 25.4 cm photo

Marilyn Monroe in blue dress at Niagara Phalls 8”x10” inches = 20.32 cm x 25.4 cm photo

Lot: 411C - Sylvester Stallone in "Robert Rocky Balboa", 1976-1982

Sylvester Stallone in Robert Rocky Balboa, 1976-1982; Sylvester Gardenzio Stallone (/stəˈloʊn/; born July 6, 1946) is an American actor and filmmaker. In a film career spanning more than fifty years, Stallone has received numerous accolades, including a Golden Globe Award and a Critics' Choice Award, as well as nominations for three Academy Awards and two BAFTA Awards. In contrast, Stallone has also been awarded more Golden Raspberry Awards[3] than any other actor. Stallone is one of only two actors in history (alongside Harrison Ford) to have starred in a box-office No. 1 film across six consecutive decades.[4][5] Robert "Rocky" Balboa (also known by his ring name the Italian Stallion) is a fictional character and the titular protagonist of the Rocky franchise. The character was created by Sylvester Stallone, who has also portrayed him in eight of the nine films in the franchise. He is depicted as a working class or poor Italian-American from the slums of Philadelphia who started out as a club fighter and "enforcer" for a local Philly Mafia loan shark. He is portrayed as overcoming the obstacles that had occurred in his life and in his career as a professional boxer.

Lot: 411D - 1983 Martha Smith on "Scarecrow and Mrs. King", press photo

This is an original press photo. Photo measures 7 x 9 inches. Photo is dated --1983. Martha Anne Smith (born October 16, 1952)[1] is an American actress, model and real estate broker. Smith attended Michigan State University,[2] where she acquired fluency in French and Italian.[3] Note: Please study the images carefully to determine the condition of this vintage photograph, as it may not be in perfect condition. It may contain wrinkles, cracks, and possibly even tears due to its age and how it was handled before it got to us. A scanner may interpret colors and contrast differently than human eyes will, so it is possible that the actual photograph may be slightly darker or lighter in person. This vintage photograph is offered for sale as a collectible item and conveys no transfer of copyright.

Lot: 411E - 1986 Press Photo 7”x 9” Actors Don Murray & Otis Young Star in "The Outcasts"

1986 Press Photo 7”x 9” Actors Don Murray & Otis Young Star in "The Outcasts" 1986 Press Photo Actors Don Murray & Otis Young Star in "The Outcasts" This is an original press photo. Exclusive to You in Your City - Don Murray (right) and Otis Young star in ABC-TV's new hour-long adventure series, "The Outcasts," which premieres in the Fall and will be seen Mondays, 9-10 p.m., EDT. This new series presents the tale of a former slave and former slave owner teamed in an unlikely, uneasy partnership as bounty hunters in the post-Civil War West. The concept of an equal-to-equal relationship between a black man and a white man is alien to them and forms the basis for the existing series. Photo measures 7.25 x 9.25inches. Photo is dated 08-06-1986.

Lot: 411F - 1977 Press Photo 9”x 8” Denise Nicholas and Bill Cosby star in "A Piece of the Action"

1977 Press Photo 9”x 8” Denise Nicholas and Bill Cosby star in "A Piece of the Action" This is an original press photo. Denise Nicholas and Bill Cosby find romance in a community center despite the hilarious antics of 30 incorrigible youngsters in the new Verdon-First Artists comedy "A Piece of the Action" released by Warner Bros. Sidney Poitier co-stars and directed. James Earl Jones, Hope Clarke and Tracy Reed also star. Screenplay by Charles Blackwell was produced by Mel Tucker. Photo measures 9.25 x 8 inches.

Lot: 411G - 1985 Press Photo 8”x10” Michael Douglas and Kathleen Turner star in “Romancing the Stone”

1985 Press Photo 8”x10” Michael Douglas and Kathleen Turner star in “Romancing the Stone”. This is an original press photo. Love on the Run: Michael Douglas and Kathleen Turner find romance and adventure in the jungles of South America in the smash adventure “Romancing the Stone”, making its prime-time HBO debut Monday, April 1, at 8:00 p.m. (ET). The Oscar-nominated film makes its Cinemax debut Thursday, April 4, at 8:00 p.m. (ET). Photo measures 8 x 10 inches. Photo is dated 03-31-1985.

Lot: 411H - 1992 Press Photo 7”x9.25” Emma Samms and Anthony Geary star in "General Hospital"

1992 Press Photo 7”x9.25” Emma Samms and Anthony Geary star in "General Hospital" 1992 Press Photo Emma Samms and Anthony Geary star in "General Hospital" This is an original press photo. Emma Samms stars as the beautiful Holly Scorpio and Anthony Geary stars as the bigger than life Bill Eckert on General Hospital, which airs weekdays (3:00-4:00 PM ET) on the ABC Television Network. Photo measures 7 x 9.25 inches. Photo is dated 7-6-1992.

Lot: 411I - 1994 Press Photo Brad Pitt and Julia Ormond star in “Legends of the Fall”

1994 Press Photo Brad Pitt and Julia Ormond star in “Legends of the Fall”. This is an original press photo. Tristan (Brad Pitt) is a wild, untamable spirit who wins the love of Susannah (Julie Ormond), his brother's fiancée, in the epic drama Legends of the Fall, A TriStar Pictures release. Photo measures 10” x 8.25” inches. Photo is dated -1994.

Lot: 411J - 1994 Press Photo 8”x10” Harrison Ford stars in the action film Clear and Present Danger

1994 Press Photo Harrison Ford stars in the action film Clear and Present Danger. This is an original press photo. Harrison Ford stars as the CIA's Jack Ryan in Clear and Present Danger. Produced by Mace Neufeld and Robert Rehme, the Paramount action-thriller was directed by Phillip Noyce from a screenplay by Donald Stewart and Steven Zaillian and John Milius, based on the novel by Tom Clancy. Photo measures 10.25 x 8.25 inches. Photo is dated --1994.

Lot: 411K - 1994 Press Photo 8”x10” Mel Gibson, James Garner and Jodie Foster star in "Maverick."

1994 Press Photo Mel Gibson, James Garner and Jodie Foster star in "Maverick." This is an original press photo. Bret Maverick (Mel Gibson), Zane Cooper (James Garner) and Annabelle Bransford (Jodie Foster) watch approaching Indians in Warner Bros.' romantic comedy adventure, "Maverick." Photo measures 10 x 8 inches. Photo is dated --1994.

Lot: 411L - 1994 Press Photo 10”x8” Sharon Stone stars in the suspense thriller "The Specialist"

1994 Press Photo Sharon Stone stars in the suspense thriller "The Specialist". This is an original press photo. Sharon Stone portrays sultry and beautiful May Munro in Warner Bros' sensual suspense thriller, "The Specialist," also starring Sylvester Stallone. Photo measures 10” x 8” inches. Photo is dated --1994.

Lot: 411M - 1994 Press Photo 8”x10” Young actress Winona Ryder stars in the comedy "Reality Bites"

1994 Press Photo Young actress Winona Ryder stars in the comedy "Reality Bites". This is an original press photo. In the irreverent comedy "Reality Bites" Winona Ryder plays Lelaina, a recent college graduate who has to choose between her career ambitions and her personal loyalties. Photo measures 8 x 10.25inches. Photo is dated --1994.

Lot: 411N - 1997 Press Photo 8”x10” Cast in "Star Wars Trilogy Special Edition" composite.

1997 Press Photo Cast in Composite of "Star Wars Trilogy Special Edition". This is an original press photo. (Top) Princess Leia (Carrie Fisher) comforts Luke Skywalker (Mark Hamill) after the disappearance of Ben Kenobi. Bottom left: Alec Guiness is Ben Kenobi, who was one of the greatest warriors in the Old Republic before the rise of the sinister Galactic Empire. Bottom right: Harrison Ford is Han Solo, the Corellian and captain of the Millennium Falcon from "Star Wars." Photo measures 8 x 10 inches. Photo is dated --1997.

Lot: 411O - 1997 Press Photo 8”x10” Brendan Fraser and others star in the film "George of the Jungle"

Press Photo Brendan Fraser and others star in the film "George of the Jungle", 1997. This is an original press photo. Top: While on safari in Africa, Ursula (Leslie Mann, right) finds love when she discovers George (Brendan Fraser, center) the fabled White Ape and his friend Tookie Tookie (left), in Walt Disney Pictures' live-action comedy/adventure "George of the Jungle." Below: (Left) The balance of nature in the jungle paradise is jeopardized when two opportunist thugs, Thor (Abraham Benrubi, center) and Max (Greg Cruttwell, right) try to kidnap Ape (left, voice of John Cleese). (Right) As King of the Jungle, George (Fraser, right) has a menagerie of playful animal friends, including his capuchin monley pal (Binks, left). Buena Vista Pictures distributes. Photo measures 8 x 10.25inches.

Lot: 411R - Ivanka Trump, gorgeous profile in white dress, color photo 8x10 inches

Ivanka Trump, gorgeous profile in white dress, color photo 8x10 inches

Lot: 412 - Ivanka Trump in black dress, color photo 8x10 inches

Ivanka Trump in black dress, color photo 8x10 inches

Lot: 412A - IVANKA TRUMP – 8x10 color PHOTO

IVANKA TRUMP first daughter and advisor to the president elect – 8x10 color PHOTO

Lot: 412B - IVANKA TRUMP in burgundy dress – 8’ x 10” PHOTO

IVANKA TRUMP in burgundy dress, daugter and advisor to the president – 8’ x 10” color photo. THIS IS AN AWESOME PHOTO! Our photographs are high quality reproductions, in MINT condition, professionally printed on beautiful luster finish photographic paper. Each photograph is packed in a highly protective hard photographic mailer and shipped via United States Postal Service (U.S.P.S.) First Class Mail.

Lot: 412C - CLINT EASTWOOD IN THE FILM "COOGAN'S BLUFF" – 8”x 10” PUBLICITY PHOTO

Clint Eastwood (as Coogan) in a publicity photo from the 1968 Universal Pictures film "Coogan's Bluff". THIS IS AN AWESOME PHOTO! Our photographs are high quality reproductions, in MINT condition, professionally printed on beautiful lustre finish photographic paper. Each photograph is packed in a highly protective hard photographic mailer and shipped via United States Postal Service (U.S.P.S.) First Class Mail within one business day (usually the same day). (BB-569)

Lot: 412D - Young CLINT EASTWOOD legendary actor – 8”x 10” publicity photo

CLINT EASTWOOD. Publicity photo featuring legendary actor and director Clint Eastwood. THIS IS AN AWESOME PHOTO! Our photographs are high quality reproductions, in MINT condition, professionally printed on beautiful lustre finish photographic paper. Each photograph is packed in a highly protective hard photographic mailer and shipped via United States Postal Service (U.S.P.S.) First Class Mail within one business day (usually the same day). (BB-242)

Lot: 412F - JANE SEYMOUR IN "LIVE AND LET DIE" JAMES BOND - 8"x 10" PUBLICITY PHOTO

JANE SEYMOUR IN "LIVE AND LET DIE". Jane Seymour (as Solitaire) in a publicity photo from the 1973 United Artists film "Live and Let Die". THIS IS AN AWESOME PHOTO! Our photographs are high quality reproductions, in MINT condition, professionally printed on beautiful lustre finish photographic paper. Each photograph is packed in a highly protective hard photographic mailer and shipped via United States Postal Service (U.S.P.S.) First Class Mail within one business day (usually in 2-3 days). (FB-723) ________________________________________

Lot: 412G - PIERCE BROSNAN AS "JAMES BOND 007" – 8”x 10” publicity photo

PIERCE BROSNAN AS "JAMES BOND 007" Pierce Brosnan in a publicity photo as "Bond... James Bond 007". THIS IS AN AWESOME PHOTO! Our photographs are high quality reproductions, in MINT condition, professionally printed on beautiful luster finish photographic paper. Each photograph is packed in a highly protective hard photographic mailer and shipped via United States Postal Service (U.S.P.S.) First Class Mail within one business day (usually in 2-3 days). (ZY-254)

Lot: 412H - SOPHIA LOREN Italian actress – 8” x 10” publicity photo

SOPHIA LOREN, Publicity photo featuring legendary actress and sex-symbol Sophia Loren. THIS IS AN AWESOME PHOTO! Our photographs are high quality reproductions, in MINT condition, professionally printed on beautiful lustre finish photographic paper. Each photograph is packed in a highly protective hard photographic mailer and shipped via United States Postal Service (U.S.P.S.) First Class Mail within one business day (usually the same day). (OP-636)

Lot: 412I - SOPHIA LOREN profile Italian legendary actress – 8” x 10” publicity photo

Publicity photo featuring legendary Italian actress and sex-symbol Sophia Loren. THIS IS AN AWESOME PHOTO! Our photographs are high quality reproductions, in MINT condition, professionally printed on beautiful lustre finish photographic paper. Each photograph is packed in a highly protective hard photographic mailer and shipped via United States Postal Service (U.S.P.S.) First Class Mail within one business day (usually the same day). (OP-603)

Lot: 412J - TIMOTHY DALTON & CAREY LOWELL in "License to kill" JAMES BOND 8” x 10 PHOTO

TIMOTHY DALTON & CAREY LOWELL in "License to kill" Timothy Dalton (as James Bond, 007) and Carey Lowell (as Pam Bouvier) in a publicity photo from the 1989 MGM/UA Communications Company film "License to Kill". THIS IS AN AWESOME PHOTO! Our photographs are high quality reproductions, in MINT condition, professionally printed on beautiful luster finish photographic paper. Each photograph is packed in a highly protective hard photographic mailer and shipped via United States Postal Service (U.S.P.S.) First Class Mail. (ZZ-702)

Lot: 412K - SOPHIA LOREN & JAYNE MANSFIELD, 1957 lavish party – 8”x 10” PUBLICITY PHOTO

ACTRESSES SOPHIA LOREN AND JAYNE MANSFIELD IN 1957 Actresses Sophia Loren with Jayne Mansfield at a lavish party thrown for Loren by Paramount Pictures in 1957. THIS IS AN AWESOME PHOTO! Our photographs are high quality reproductions, in MINT condition, professionally printed on beautiful luster finish photographic paper. Each photograph is packed in a highly protective hard photographic mailer and shipped via United States Postal Service (U.S.P.S.) (CC-872)

Lot: 412L - Sophia Loren in red dress, color photo 8”x12”

Sophia Loren in red dress, color photo 8”x12” Sofia Costanza Brigida Villani Scicolone L.d'H. OMRI (Italian: [soˈfiːa vilˈlaːni ʃʃikoˈloːne]; born 20 September 1934), known professionally as Sophia Loren (/ləˈrɛn/ lə-REN,[1] Italian: [ˈlɔːren]), is an Italian actress, active in her native country and the United States. With a career spanning over 70 years, she is one of the last surviving stars from the Golden Age of Hollywood cinema.[2] Encouraged to enroll in acting lessons after entering a beauty pageant, Loren began her film career at age 16 in 1950. She appeared in several bit parts and minor roles in the early part of the decade, until her five-picture contract with Paramount in 1956 launched her international career. Her film appearances around this time include The Pride and the Passion, Houseboat, and It Started in Naples. During the 1950s, she starred in films as a sexually emancipated persona and was one of the best known sex symbols of the time. Loren's performance as Cesira in the film Two Women (1960), directed by Vittorio De Sica, won her the Academy Award for Best Actress, making her the first performer to ever win an Oscar for a non-English-language performance. She holds the record for having earned seven David di Donatello Awards for Best Actress: Two Women; Yesterday, Today and Tomorrow (1963); Marriage Italian Style (1964, for which she was nominated for a second Oscar); Sunflower (1970); The Voyage (1974); A Special Day (1977) and The Life Ahead (2020). She has won five special Golden Globes (including the Cecil B. DeMille Award), a BAFTA Award, a Laurel Award, a Grammy Award, the Volpi Cup for Best Actress at the Venice Film Festival and the Best Actress Award at the Cannes Film Festival. In 1991, she received the Academy Honorary Award for lifetime achievements. In 1999, the American Film Institute named her one of the greatest stars of American film history.

Lot: 412M - ACTRESS SHIRLEY EATON, 8” x 10” publicity photo

Publicity photo featuring actress Shirley Eaton. THIS IS AN AWESOME PHOTO! Our photographs are high quality reproductions, in MINT condition, professionally printed on beautiful luster finish photographic paper. Each photograph is packed in a highly protective hard photographic mailer and shipped via United States Postal Service (U.S.P.S.). (BT-080)

Lot: 412N - SOPHIA LOREN & JAYNE MANSFIELD at a party in 1957

Italian actress SOPHIA LOREN & JAYNE MANSFIELD at a party in 1957. 8 x 10 inches PUBLICITY PHOTO (AB-150)

Lot: 412O - FREDDIE MERCURY on stage at "LIVE AID" in 1985 "QUEEN", 8x10" photo

8 x 10 inches PHOTO Freddie Mercury (born Farrokh Bulsara; 5 September 1946 – 24 November 1991)[2] was a British singer, songwriter, record producer, and lead vocalist of the rock band Queen. Regarded as one of the greatest lead singers in the history of rock music, he was known for his flamboyant stage persona and four-octave vocal range. Mercury defied the conventions of a rock frontman, with his highly theatrical style influencing the artistic direction of Queen. Born in 1946 in Zanzibar to Parsi-Indian parents, he attended English-style boarding schools in India from the age of eight and returned to Zanzibar after secondary school. In 1964, his family fled the Zanzibar Revolution, moving to Middlesex, England. Having studied and written music for years, he formed Queen in 1970 with guitarist Brian May and drummer Roger Taylor. Mercury wrote numerous hits for Queen, including "Killer Queen", "Bohemian Rhapsody", "Somebody to Love", "We Are the Champions", "Don't Stop Me Now", and "Crazy Little Thing Called Love". His charismatic stage performances often saw him interact with the audience, as displayed at the 1985 Live Aid concert. He also led a solo career and served as a producer and guest musician for other artists. Mercury died in 1991 at age 45 due to complications from AIDS. He confirmed the day before his death that he had contracted the disease, having been diagnosed in 1987. Mercury had continued to record with Queen following his diagnosis, and he was posthumously featured on the band’s final album, Made in Heaven (1995). In 1992, his tribute concert was held at Wembley Stadium. His career with Queen was dramatised in the 2018 biopic Bohemian Rhapsody. As a member of Queen, Mercury was posthumously inducted into the Rock and Roll Hall of Fame in 2001, the Songwriters Hall of Fame in 2003, and the UK Music Hall of Fame in 2004. In 1990, he and the other Queen members were awarded the Brit Award for Outstanding Contribution to British Music, and one year after his death Mercury was awarded it individually. In 2005, Queen were awarded an Ivor Novello Award for Outstanding Song Collection from the British Academy of Songwriters, Composers, and Authors. In 2002, Mercury ranked number 58 in the BBC's poll of the 100 Greatest Britons.

Lot: 412T - YASMEEN GHAURI – famous Canadian model, 4”x 6” color photo

THIS IS A 4x6 COLOR PHOTO OF YASMEEN GHAURI. Yasmeen Ghauri was born in Montreal, Quebec to a German mother, Linda, and a Pakistani father, Moin Ghauri. Ghauri who was raised Muslim had a difficult childhood and was bullied by her classmates at school for her Pakistani heritage. Ghauri went with her parents for the Islamic Hajj pilgrimage to Mecca when she was 12. When she was 17, Ghauri was discovered while working at a McDonald's restaurant by Montreal hairdresser and artistic director of Platine Coiffure, Edward Zaccaria.[1] Soon after her discovery, there was a shift in mentality within the fashion industry, moving from predominantly Nordic-looking models to more "ethnic" models, a trend which Ghauri helped to inspire. Despite her parents' disapproval, Ghauri actively pursued a modeling career, premiering in Milan and Paris before moving to New York in 1990. Here, she was noticed by fashion critics and labels alike.[1] The New York Times described her runway walk as a "ball-bearing swivel of her hips".[2] Her appearance prompted part of what is now termed in fashion the "Canadian invasion".[3] Achievments One of her early appearances was in the music video for the Elton John song Sacrifice, along with Chris Isaak. Ghauri enjoyed fame in the early 1990s after her first major cover with Elle Magazine in January 1991. Soon after, she became the face of both Chanel and Jil Sander. By the end of 1990, Ghauri appeared on the cover of French Elle magazine in July and December. In September, she graced the catwalk for Gianni Versace's show in Milan and by the next month, she was walking for Chanel, Helmut Lang, Jean Paul Gaultier and Lanvin in Paris. She became the face of Christian Dior and Anne Klein in 1991. In January, she was photographed by Steven Meisel for the cover of Italian Vogue magazine and toward the end of the year, she appeared in British and Italian Vogue editorials. Photographer Patrick Demarchelier, who photographed her for the Italian issue, called her his favourite subject.[4] In 1992, she landed a contract with Victoria's Secret and became a face of Valentino couture and Versace. According to an NYMag.com online model profile, Ghauri walked the controversial Gianni Versace "Bondage" show in Milan in February 1992. Ghauri became the face of Hermès and Lanvin in 1993 and was photographed by Gilles Bensimon for Elle. She appeared in the 1995 documentary Unzipped by Isaac Mizrahi, and walked the 1996 annual Victoria's Secret Fashion Show.

Lot: 412U - Monica Bellucci with Yasmeen Ghauri, Famous movie star & famous model.

4” x 6” black and white photo

Lot: 413A - Elvis Presley and Pamela Austin in Kissin’ Cousins, 1964, Color photo 8x10 inches

Elvis Presley and Pamela Austin in Kissin’ Cousins, 1964, Color photo 8x10 inches Kissin' Cousins is a 1964 American musical Panavision Metrocolor comedy film directed by Gene Nelson and starring Elvis Presley. Written by Gerald Drayson Adams and Gene Nelson, the film featured Presley playing two roles: an Air Force officer, with dark hair, and his look-alike hillbilly distant cousin, with blond hair. Plot [edit] The U.S. Federal Government has run into a dead end trying to negotiate the lease of mountaintop land owned by Pappy Tatum, in the Great Smoky Mountains of Tennessee, for use as an ICBM missile base. U.S. Army General Alvin Donford gives Captain Robert Salbo seven days to secure the lease, or face permanent assignment to Greenland. After a quick computer search of military records, Salbo requests that U.S. Air Force pilot Second Lt. Josh Morgan, born elsewhere in the Great Smoky Mountains, be assigned as his number two. When they arrive in Tennessee with a small platoon, dark-haired Josh is surprised to meet his look-alike third cousin Jodie Tatum, a blond hillbilly. Josh also meets his two beautiful country cousins, Azalea and Selena, who compete to win his affections. Josh eventually chooses Azalea and pairs off Selena with his friend, Master Sgt. William Bailey. Jodie, on the other hand, falls for Private Midge Riley, a beautiful but fiery soldier. There are also a group of 13 mountain maidens called the Kittyhawks who create havoc when they set their sights on the marriage-eligible soldiers. Josh persuades Pappy Tatum to lease the mountaintop to the government for a monthly payment of $1,000 ($9,800 today) as long as an access road is built from the far side and the military provide security to prevent government employees from accessing Tatum's side – which will prevent "revenoors" from interfering with Pappy's moonshining.

Lot: 414 - Original 1959 press photo (8”x10.25”) of Marlon Brando, starring in "One Eyed Jacks" movie

This is an original press photo of Marlon Brando, "One Eyed Jacks", A Paramount Release, Vista Vision Technicolor. Photo measures 8 inches x 10.25 inches = 20.3 cm x 26 cm; Photo is dated --1959. This vintage photograph is offered for sale as a collectible item and conveys no transfer of copyright.

Lot: 414B - Original 1961 Press Photo (7.25”x8.25”) of Gina Lollobrigida and Anthony Franciosa in “Go Naked”

Genuine 1961 Press Photo of Gina Lollobrigida and Anthony Franciosa in “Go Naked” - orx03238 This is an original press photo. Gina Lollabrigida and Anthony Franciosa co-star in Go Naked in the World, MGM release at Orpheum. Ernest Borgmnine also stars as father to force son to bow to will. Photo measures 7.25 x 8.25 inches = 18.40 cm x 21 cm. Photo is dated 02-12-1961. Note: Please study the images carefully to determine the condition of this vintage photograph, as it may not be in perfect condition. It may contain wrinkles, cracks, and possibly even tears due to its age and how it was handled before it got to us. A scanner may interpret colors and contrast differently than human eyes will, so it is possible that the actual photograph may be slightly darker or lighter in person. This vintage photograph is offered for sale as a collectible item and conveys no transfer of copyright.

Lot: 414E - Original 1964 press photo of Sean Connery with Gina Lollobrigida in "Woman of Straw"

This is an original press photo of Sean Connery with Gina Lollobrigida in "Woman of Straw". Photo measures 8 inches x 10.5 inches = 20.32 cm x 26.67 cm. Photo is dated 09-12-1964. This vintage photograph is offered for sale as a collectible item and conveys no transfer of copyright.

Lot: 414F - Elvis Presley, Pamela Austin and Yvonne Craig taking a break, 1964 film "Kissin' Cousins". 8x 10 inches, black and white photo

Elvis Presley, Pamela Austin and Yvonne Craig taking a break, 1964 film "Kissin' Cousins". 8x 10 inches, black and white photo From left: Publicity photo featuring Pamela Austin, Elvis Presley and Yvonne Craig taking a break on the set of the 1964 film "Kissin' Cousins". 8x 10 inches

Lot: 414G - Elvis Presley dancing with Ann Margret (Hollywood actress) in “Viva Las Vegas”, 8”x10” =20.3x25.4cm color photo

Elvis Presley dancing with Ann Margret (Hollywood actress) in “Viva Las Vegas”, 8”x10” =20.3x25.4cm color photo; Viva Las Vegas is a 1964 American musical film directed by George Sidney and starring Elvis Presley and Ann-Margret. The film is regarded by fans and film critics as one of Presley's best films, and it is noted for the on-screen chemistry between Presley and Ann-Margret. It also presents a strong set of ten musical song-and-dance scenes choreographed by David Winters and features his dancers.[2] Viva Las Vegas was a hit at film theaters, as it was #14 on the Variety year end box office list of the top-grossing films of 1964.[3] Region of Origin: US; Size Type/Largest Dimension: Medium (Up to 10"); Time Period Manufactured: Contemporary (1940-Now); Listed By: Dealer or Reseller; Subject: Las Vegas; Size: 8” x 10” inches; Country/Region of Manufacture: United States; Photo Type: Snapshot; Date of Creation: 1950-1959; Image Color: Color; Featured Person/Artist: Ann-Margret, Elvis Presley; Color: Color; Theme: Music; Type: Photograph;

Lot: 414H - Elvis Presley – Famous American singer, 8”x10” high quality photo

Elvis Presley – Famous American singer, 8”x10” high quality photo Music Memorabilia Rock and Pop photo Size of the photo: 8 x 10 inches = 20.3 cm x 25.4 cm; Elvis Aaron Presley (January 8, 1935 – August 16, 1977), also known simply as Elvis, was an American singer, musician and actor. He is regarded as one of the most significant cultural icons of the 20th century and

Lot: 414I - Photo of Gina Lollobrigida 8”x10” Italian Actress, in “The hunchback of Notre-Dame”, 1956

Photo of Gina Lollobrigida 8”x10” Italian Actress, in “The hunchback of Notre-Dame”, 1956 High quality 8x10 inches photo of Gina Lollobrigida in Notre Dame de Paris (1956). Size: 8x10 inches = 20.30 cm x 25.4 cm; The Hunchback of Notre Dame (in French Notre-Dame de Paris) is a 1956 French-Italian CinemaScope film version of Victor Hugo's 1831 novel, directed by Jean Delannoy and produced by Raymond Hakim and Robert Hakim. It stars American actor Anthony Quinn and Italian actress Gina Lollobrigida. The film is the first version of the novel to be made in color. In the tradition of many sword and sandal spectacles, Quinn and Lollobrigida are the only two actors in the film who actually speak in English; the rest of the cast is made up of French actors who have had their voices dubbed into English. Anthony Quinn's portrayal of the hunchback Quasimodo is more human and less horrific than most other portrayals. Instead of having a huge hump and a hideously deformed face, he only has a small curve in his spine and a slightly deformed face. Luigia Lollobrigida[1][a] (born 4 July 1927), known professionally as Gina Lollobrigida, is an Italian actress and photojournalist. She was one of the highest-profile European actresses of the 1950s and early 1960s, a period in which she was an international sex symbol. As her film career slowed, she established a second career as a photojournalist. In the 1970s, she achieved a scoop by gaining access to Fidel Castro for an exclusive interview. She has continued as an active supporter of Italian and Italian American causes, particularly the National Italian American Foundation (NIAF). In 2008, she received the NIAF Lifetime Achievement Award at the Foundation's Anniversary Gala.[2][3] In 2013, she sold her jewelry collection, and donated the nearly $5 million from the sale to benefit stem-cell therapy research.[4]

Lot: 414J - The Godfather 8”x10”, photo of Al Pacino, Marlon Brando, James Caan and Fredo (left to right), 1972

The Godfather 8”x10”, photo of Al Pacino, Marlon Brando, James Caan and Fredo (left to right), 1972 High quality photo 8 inches x 10 inches = 20.32 cm x 25.4 cm. The Godfather is a 1972 American crime film directed by Francis Ford Coppola, who co-wrote the screenplay with Mario Puzo, based on Puzo's best-selling 1969 novel of the same name. The film stars Marlon Brando, Al Pacino, James Caan, Richard Castellano, Robert Duvall, Sterling Hayden, John Marley, Richard Conte, and Diane Keaton. It is the first installment in The Godfather trilogy. The story, spanning from 1945 to 1955, chronicles the Corleone family under patriarch Vito Corleone (Brando), focusing on the transformation of his youngest son, Michael Corleone (Pacino), from reluctant family outsider to ruthless mafia boss. Paramount Pictures obtained the rights to the novel for the price of $80,000, before it gained popularity.[2][3] Studio executives had trouble finding a director; the first few candidates turned down the position before Coppola signed on to direct the film but disagreement followed over casting several characters, in particular, Vito and Michael. Filming took place primarily on location around New York City and in Sicily, and was completed ahead of schedule. The musical score was composed principally by Nino Rota, with additional pieces by Carmine Coppola. The Godfather premiered at the Loew's State Theatre on March 14, 1972, and was widely released in the United States on March 24, 1972. It was the highest-grossing film of 1972,[4] and was for a time the highest-grossing film ever made,[3] earning between $246 and $287 million at the box office. The film received universal acclaim from critics and audiences, with praise for the performances, particularly those of Brando and Pacino, the directing, screenplay, cinematography, editing, score, and portrayal of the mafia. The Godfather acted as a catalyst for the successful careers of Coppola, Pacino, and other relative newcomers in the cast and crew. Additionally the film revitalized Brando's career, which had declined in the 1960s, and he went on to star in films such as Last Tango in Paris, Superman, and Apocalypse Now. At the 45th Academy Awards, the film won the Oscars for Best Picture, Best Actor (Brando), and Best Adapted Screenplay (for Puzo and Coppola). In addition, the seven other Oscar nominations included Pacino, Caan, and Duvall for Best Supporting Actor, and Coppola for Best Director. Since its release, The Godfather has been widely regarded as one of the greatest and most influential films ever made, especially in the gangster genre.[5] It was selected for preservation in the U.S. National Film Registry of the Library of Congress in 1990, being deemed "culturally, historically, or aesthetically significant" and is ranked the second-greatest film in American cinema (behind Citizen Kane) by the American Film Institute. It was followed by sequels The Godfather Part II (1974) and The Godfather Part III (1990).

Lot: 414M - Amazing sexy glossy photo portrait 8” x 10” of Monica Bellucci – Italian actress

Modern famous Italian moving star Monica Bellucci: “Transparency” Size: 8 x 10 inches = 20.32 cm x 25.4 cm. Monica Anna Maria Bellucci (Italian pronunciation: [ˈmɔːnika belˈluttʃi]; born 30 September 1964) is an Italian actress and model. Bellucci began her career as a fashion model, modelling for Dolce & Gabbana and Dior, before making a transition to Italian films and later American films and French films. She played a Bride of Dracula in Francis Ford Coppola's gothic romance film Bram Stoker's Dracula (1992) and Malèna Scordia in the Italian-language romantic drama Malèna (2000). She was in the controversial Gaspar Noé arthouse horror film Irréversible (2002), and portrayed Mary Magdalene in Mel Gibson's biblical drama The Passion of the Christ (2004). In the 2003 science-fiction films The Matrix Reloaded and The Matrix Revolutions, she played Persephone. In the 2015 James Bond film Spectre, she became the oldest Bond girl in the history of the franchise.[1]

Lot: 414N - Gina Lollabrigida, scene from the movie, photo 8 x10 inches

Gina Lollabrigida, scene from the movie, photo print 8 x 10 inches 25 cm x 20 cm = 8 inch x 10 inch. Luigia Lollobrigida (born 4 July 1927), known professionally as Gina Lollobrigida, is an Italian actress and photojournalist. She was one of the highest-profile European actresses of the 1950's and early 1960's, a period in which she was an international sex symbol. As her film career slowed, she established a second career as a photojournalist. In the 1970's, she achieved a scoop by gaining access to Fidel Castro for an exclusive interview. She has continued as an active supporter of Italian and Italian American causes, particularly the National Italian American Foundation (NIAF). In 2008, she received the NIAF Lifetime Achievement Award at the Foundation's Anniversary Gala.[2][3] In 2013, she sold her jewelry collection, and donated the nearly $5 million from the sale to benefit stem-cell therapy research.[4]

Lot: 414O - Vivien Leigh in the movie “Gone with the wind”, photo 9.5” x 7.25”

Vivien Leigh in the movie “Gone with the wind”, photo print 9.5” x 7.25”. Size: 9.5 inches x 7.25 inches Vivien Leigh (/liː/; 5 November 1913 – 8 July 1967; born Vivian Mary Hartley and styled as Lady Olivier after 1947) was a British actress. She won the Academy Award for Best Actress twice, for her definitive performances as Scarlett O'Hara in Gone with the Wind (1939) and Blanche DuBois in the film version of A Streetcar Named Desire (1951), a role she had also played on stage in London's West End in 1949. She also won a Tony Award for her work in the Broadway musical version of Tovarich (1963). After completing her drama school education, Leigh appeared in small roles in four films in 1935 and progressed to the role of heroine in Fire Over England (1937). Lauded for her beauty, Leigh felt that her physical attributes sometimes prevented her from being taken seriously as an actress. Despite her fame as a screen actress, Leigh was primarily a stage performer. During her 30-year career, she played roles ranging from the heroines of Noël Coward and George Bernard Shaw comedies to classic Shakespearean characters such as Ophelia, Cleopatra, Juliet and Lady Macbeth. Later in life, she performed as a character actress in a few films. At the time, the public strongly identified Leigh with her second husband, Laurence Olivier, who was her spouse from 1940 to 1960. Leigh and Olivier starred together in many stage productions, with Olivier often directing, and in three films. She earned a reputation for being difficult to work with and for much of her adult life, she had bipolar disorder, as well as recurrent bouts of chronic tuberculosis, which was first diagnosed in the mid-1940s and ultimately killed her at the age of 53.[1] Although her career had periods of inactivity, in 1999 the American Film Institute ranked Leigh as the 16th greatest female movie star of classic Hollywood cinema.

Lot: 414P - Photo from the movie “Gone with the wind” Vivien Leigh and Hattie McDaniel, 1939, photo 13.75” x 8.5”

Photo from the movie “Gone with the wind” Vivien Leigh and Hattie McDaniel, 1939, photo print 13.75” x 8.5”. Size: 13.75 x 8.5 inches Vivien Leigh (5 November 1913 – 8 July 1967; born Vivian Mary Hartley and styled as Lady Olivier after 1947) was a British actress. She won the Academy Award for Best Actress twice, for her definitive performances as Scarlett

Lot: 414Y - Marilyn Monroe – lively look, color photo 4 x 6 inches = 6.31 x 9.47 cm

Marilyn Monroe – lively look, color photo 4x6 inches = 6.31 cm x 9.47 cm; Marilyn Monroe (/ˈmærəlɪn mənˈroʊ/; born Norma Jeane Mortenson; June 1, 1926 – August 4, 1962) was an American actress, model, and singer. Known for playing comic "blonde bombshell" characters, she became one of the most popular sex symbols of the 1950s and early 1960s, as well as an emblem of the era's sexual revolution. She was a top-billed actress for a decade, and her films grossed $200 million (equivalent to $2 billion in 2022) by the time of her death in 1962.[3] Long after her death, Monroe remains a pop culture icon.[4] In 1999, the American Film Institute ranked her as the sixth-greatest female screen legend from the Golden Age of Hollywood.

Lot: 415D - Marilyn Monroe – charming smile, color photo 4 x 6 inches = 6.31 x 9.47 cm

Marilyn Monroe – charming smile, color photo 4x6 inches = 6.31 x 9.47 cm; Marilyn Monroe (/ˈmærəlɪn mənˈroʊ/; born Norma Jeane Mortenson; June 1, 1926 – August 4, 1962) was an American actress, model, and singer. Known for playing comic "blonde bombshell" characters, she became one of the most popular sex symbols of the 1950s and early 1960s, as well as an emblem of the era's sexual revolution. She was a top-billed actress for a decade, and her films grossed $200 million (equivalent to $2 billion in 2022) by the time of her death in 1962.[3] Long after her death, Monroe remains a pop culture icon.[4] In 1999, the American Film Institute ranked her as the sixth-greatest female screen legend from the Golden Age of Hollywood.

Lot: 415F - Authentic Coach White Leather Shoulder Bag + Coach silk tie

Authentic Coach White Leather Shoulder Bag + Coach silk tie Size: Medium; Weight: 1 lb. 6 oz. = 600g; Condition: Lightly used, looks new, zipper works perfectly, from a good family (no smoking or other bad habits); White Leather (soft milled cowhide); Plumped Pebbled Leather, slouchy silhouette, worn as a shoulder bag; Tan brown leather strap with golden buckle and hardware and zipper; Coach tie (100% silk) was purchased separately (value of 50$) included – excellent condition. Coach dust-bag is included. Width: 13.2 in. = 33 cm; Height: 11 in. = 27.5 cm; Handle inch drop (from handle to the top of the bag): 6 inches; Inside zip, cell phone and multifunction pockets;

Lot: 415H - Bottega Veneta Point Leather-Trimmed Jacquard Pouch

Bottega Veneta Point Leather-Trimmed Jacquard Pouch Featuring the signature 'V' silhouette, the Bottega Veneta “Point” small pouch bag is named for its triangular top handles made from leather and the nylon jacquard material is designed to mimic its iconic intrecciato weave. Compact silhouette is still spacious enough to hold the essentials (cell phone, cards and keys). Detach the shoulder strap to carry in-hand. Fastening at top. Composition: leather, nylon. Measurements: 9.75 x 3.25 x 6.75" Made in Italy. Retail price $2500+

Lot: 415I - Prada Re-edition 2000 style, mini handbag in a green satin studded with crystals and decorated with a green enamel metal triangle logo, slightly used

Prada Re-edition 2000 style, mini handbag in a green satin studded with crystals and decorated with a green enamel metal triangle logo. Features zipper closure and silk satin interior lining. Bag Dimensions: Height: 17 cm; Width: 22 cm; Length: 6 cm. Comes with original dust bag, authenticity cards including RFID. Condition: slightly used for several days, labels are not attached anymore.

Lot: 415J - Rare! BALMAIN Navy Military Jacket with Metallic Chain buttons

Rare! BALMAIN Navy Military Jacket with Metallic Chain Buttons. Balmain silk-blend military evening jacket designed with gold and silver crest-embossed button, hanging chain detailing, structured shoulders, a high round neckline and a moderately fitted waist. Fully lined with silk and closes with a concealed hook fastening at the front. Measurements: Shoulder: 18"; Length: 25.5"; Sleeve: 23.75"; Bust: 32"; Waist: 29"; Color: Navy; Clothing Size: S; Foreign Size: US4, FR36; Fabric: 95% Silk, 5% Cotton; Lining 100% Silk; Condition: Light wear throughout, minor pulls; Original Retail Price: 5,819 USD ;

Lot: 415L - Sexy Juli Fama Sherbet dress

Sexy Juli Fama Sherbet dress; Color: Sherbet; Tarulata; Size: XS; Weight: 400 g = 14 oz. Bought in 2014 in Miami, FL; Condition: Brand new; Made in Colombia;

Lot: 415M - Luxury Sexy Juli Fama swimming suite

Luxury Sexy Juli Fama swimming suite Size of the bra: medium; Size of the underwear: XS; Bought in 2014 in Miami, FL ; Condition: Brand new; Made in Colombia; 80% nylon; 20% spandex;

Lot: 415N - Rallys Leopard Print Red Sole High Heel Shoes, size 38

Rallys Leopard Print Red Sole High Heel Shoes, size 38 Size: 38; Heel 4.75 inches; Weight: 9 oz. x 2 = 18 oz.; Condition: Worn once, slight dents on bottom of shoe. From a good family, no smoking or other bad habits; Origin: Made in Argentina, Buenos Aires; Description: Calf hair in leopard print, patent black leather trimming and also on the back and on the heel. Red bottom sole; Leather inside;

Lot: 415O - Schiaparelli Corset Bustier with Piercing Bijoux Detail - Size 36 - New w/ Tags

Schiaparelli Corset Bustier with Piercing Bijoux Detail - Size 36 - New w/ Tags. ICONIC PIECE!! Exquisitely crafted Schiaparelli corset bustier in black colour made from virgin wool (outer) and silk (inner), corseted and waisted, elegantly finished with iconic Schiaparelli piercing details and gold-tone details throughout. Schiaparelli Fall/Winter 2022 ready-to-wear collection. Made in Italy Highlights: • Black corset, cinched waist, cups crafted to be slightly pointed • Outer virgin wool and inner silk • Calf leather panel with iconic piercing details • Gold zipper with Schiaparelli logo, secured hook fastening detail in the back Composition: Virgin Wool 100%, Silk 100%, insert Calf Leather 100% Approximate measurements: tbc Size: 36/4 (fits very tightly, corset has no stretch - please be familiar with Schiaparelli ready-to-wear sizing) Condition: Unworn with tags from Neiman Marcus. Tiny crystal missing from piercing as shown in photo. Retail price: $5,800 + tax Asking price: $3,800

Lot: 415P - Ted Baker Floral Bomber Jacket, Black

Ted Baker Floral Bomber Jacket, Black This vintage Ted Baker bomber-style jacket is crafted with a lightweight fabric, features a baseball collar neckline, long sleeves and floral pattern in the back and front. Designer size 2.

Lot: 415Q - Mugler High-Rise Straight Leg Spiral Jeans – Tags included

Mugler High-Rise Straight Leg Spiral Jeans – Tags included Description: • Mugler Straight Leg Jeans; • Blue; • Signature multi-seam spiral construction; • Light Wash with High-Rise; • 5 Pockets; • Zip & Button Closure; Fit: Jeans by Mugler typically fit true to size. Details: Hip: 33.25"; Waist: 26.75"; Inseam: 33.5"; Rise: 11.5"; Leg Opening: 14"; Color: Blue; Fabric: 72% Cotton, 28% Elasto-multiester; Clothing Size: XS; Foreign Size: US2, FR34; Very Good. Includes tags; faint wear throughout. Original retail price: $1000 + tax.

Lot: 415R - GIVENCHY Logo High-Rise Straight-Leg Jeans, Size - 26 US

GIVENCHY Logo High-Rise Straight-Leg Jeans Givenchy high-rise blue jeans designed for a straight-leg fit, features all over signature logo, four pockets, with a hook and concealed button and zip fastening at front. Composition 99% cotton, 1% elastane. Size small- 26 US. Good condition. Approximate measurements: Leg Opening: 13.5"; Waist: 25.5"; Hip: 34.75"; Inseam: 30"; Rise: 11.5"; Size: 26 US; Original price $1035 + tax; Estimate lot price $700 - $1000.

Lot: 415S - Gucci dog black harness, made in Italy, brand new

Designed by Gucci, this dog harness is a must-have for any fashionable pup. Made in Italy, it is perfect for both male and female dogs. The harness is designed for comfort and control, ensuring your furry friend stays safe and stylish while on walks. The harness features a unisex design, making it suitable for all genders. It is also made of high-quality materials, ensuring durability and longevity. This is a designer size medium dog pet harness made with animal-free raw materials from primarily sustainable, renewable and bio-based sources. Whether you're taking your dog for a stroll or a hike, this harness is the perfect accessory. Condition brand new. Comes with Gucci box and dust cover. • Black harness with gold-stamped GUCCI logo — crafted from at least 70% of vegetable raw materials from renewable sources (viscose, wood pulp, bio-based polyurethane) • GG Supreme logo on buckle; • Gold-toned hardware; • Buckle closure; • 0.8" width; • Designer size medium; • Made in Italy; • Original price $575.00 USD + tax; • This item is compatible with the small/medium Gucci leashes. The matching Small/Medium Gucci black leash with gold hardware (39.4” long .8” wide) is available for sale for this item, sold separately, please inquire if interested.

Lot: 415T - New w/ tags: Bottega Veneta Jeans

New w/ tags: Bottega Veneta Jeans Bottega Veneta mid-rise non-stretch denim jeans, boyfriend-style straight-leg fit, with fading and whiskering throughout. New with tags. · Belt loops · Five-pocket styling · Button-fly, with signature green button · Signature green leather logo patch at back waistband · Contrast stitching in orange Color: Medium blue Size: 36 (from designer, it is smaller than US size). Composition: 100% cotton. Made in Italy. Retail price $1000+ Receipt available upon request.

Lot: 415U - Gucci dog leash, black, brand new small/medium #1

Gucci dog leash, small/medium size, black #1. This Gucci pet leash comes in black canvas adorned with the Gucci signature Interlocking G mini logo. The designer size is small/medium. This accessory for pets is an ideal addition to the Gucci pet collars and harnesses. The Gucci pet harness is sold separately and is also available for purchase in the matching black color if interested please inquire. Excellent unused condition comes with original packaging, box and dust bag. • Black canvas—crafted from at least 70% of vegetable raw materials from renewable sources (viscose, wood pulp, bio-based polyurethane) • Gold-toned hardware • Interlocking G detail • Clasp closure • 39.4" long • .8" width • Made in Italy • Designer size small/medium • Retail price $535USD + tax • Matching pet harness available for purchase Provenance: purchased in USA.

Lot: 415V - Gucci dog leash, black, brand new small/medium #2

Gucci dog leash, small/medium size, black #2. This Gucci pet leash comes in black canvas adorned with the Gucci signature Interlocking G mini logo. The designer size is small/medium. This accessory for pets is an ideal addition to the Gucci pet collars and harnesses. The Gucci pet harness is sold separately and is also available for purchase in the matching black color if interested please inquire. Excellent unused condition comes with original packaging, box and dust bag. • Black canvas—crafted from at least 70% of vegetable raw materials from renewable sources (viscose, wood pulp, bio-based polyurethane) • Gold-toned hardware; • Interlocking G detail; • Clasp closure; • 39.4" long; • .8" width; • Made in Italy; • Designer size small/medium; • Retail price $535USD + tax; • Matching pet harness available for purchase;

Lot: 415W - Gucci dog harness, black leather, brand new #2

Gucci dog harness, black leather, brand new #2 Designed by Gucci, this dog harness is a must-have for any fashionable pup. Made in Italy, it is perfect for both male and female dogs. The harness is designed for comfort and control, ensuring your furry friend stays safe and stylish while on walks. The harness features a unisex design, making it suitable for all genders. It is also made of high-quality materials, ensuring durability and longevity. This is a designer size medium dog pet harness made with animal-free raw materials from primarily sustainable, renewable and bio-based sources. Whether you're taking your dog for a stroll or a hike, this harness is the perfect accessory. Condition brand new. Comes with Gucci box and dust cover. • Black harness with gold-stamped GUCCI logo — crafted from at least 70% of vegetable raw materials from renewable sources (viscose, wood pulp, bio-based polyurethane) • GG Supreme logo on buckle • Gold-toned hardware • Buckle closure • 0.8" width • Designer size medium • Made in Italy • Original price $575.00 USD + tax • This item is compatible with the small/medium Gucci leashes. The matching Small/Medium Gucci black leash with gold hardware (39.4” long .8” wide) is available for sale for this item, sold separately, please inquire if interested.

Lot: 415X - Balenciaga Triple S Sneakers in size 39 EUR (9 US) Yellow / beige / green / black / grey mesh foam fabric rubber.

Balenciaga Triple S Sneakers in size 39 EUR (9 US) Yellow / beige / green / black / grey mesh foam fabric rubber. Condition very good, comes with original Balenciaga dust bag and box.

Lot: 415Y - Christian Dior Cannage Couture Collection 4 pc Brush Set, brand new

Christian Dior Cannage Couture Collection 4 pc Brush Set. Size: 5.25 in. x 3.75 in. = 13 cm x 9.3 cm. Weight: 6 oz. = 166.5 g. Condition: Brand new with box. Deluxe travel brush set includes convenient mini sizes for foundation, eye shadow, blush, and lips brushes in a black patent case with Christian Dior signature stitching, with signature D on zipper and mirror inside.

Lot: 415Z - Jimmy Choo Chiara Crisscross Patent Leather Wedge Sandals

JIMMY CHOO Jimmy Choo Chiara Crisscross Patent Leather Wedge Sandals Regular price $675.00 USD $299.00 USD Sale Description: Jimmy Choo sandal in neon pink patent leather and gold hardware detail features a comfortable wedge for added height, for a look that says glamour, femininity and confidence. As seen on former First Lady Michelle Obama (wearing the gold version). • 0.5" covered wedge heel • Neon pink patent leather • Toe strap; crisscross straps over instep • Adjustable ankle strap • Golden hardware • Leather lining and sole • Made in Italy Size & Fit: Size 38. Fits true to size, we recommend ordering your usual size. Condition: Gently worn, visible signs of wear on the bottom of the shoe sole, interior of shoes is like new. Comes with original Jimmy Choo dustbag and box. Please note that vintage items are not new and therefore might have minor imperfections.

Lot: 416B - 12 cm- hardwood phallus/penis Thai amulet (Palad Khik), Thailand, 1940’s

Beautiful 12 cm – pendant - hardwood Palad Khik phallic Amulet, Thailand, 1940’s. Carved wood phallus with inscription in Thai language – wishes for successful love and fertility. Size: 12 cm = 4.72 inches; Weight: 9 g; Provenance: private collection in Philadelphia, PA, US Palad Khik (Thai: ปลัดขิก, pronounced [pā.làt kʰìk], RTGS: palatkhik) is a kind of Thai amulet that is shaped like a penis. The phrase "palad khik" means "honorable surrogate penis". These amulets range from a few inches to several feet long in length. The smaller versions are usually worn on the body while the larger versions are displayed in shops and other establishments.[1] Palad Khiks are usually worn by males on a cord around their waist under the clothes and off-center from the real penis. It is not unusual for a male to wear many palad khiks at the same time, in the hope to attract women, increase gambling luck and protection from dangerous objects such as bullets and knives.[7] At times, women in Thailand also carry it in their purses to protect them from rape and mugging. Shop owners display them in their shops or in the cash register area to protect their business and also bring good luck and sales.[8] A notable feature of this type of amulet is it can be worn in places considered as lowly or unclean such as bars, gambling casinos and brothels. Normally, you cannot bring a Buddhist amulet inside such establishments.[9]

Lot: 416E - 11.2 cm- hardwood phallus/penis - Thai amulet (Palad Khik), Thailand, 1940’s

Beautiful 11.2 cm – pendant – hardwood Palad Khik phallic Amulet, Thailand, 1940’s. Carved wood phallus with inscription in Thai language – wishes for successful love and fertility. Size: 11.2 cm = 4.40 inches; Weight: 22 g; Provenance: private collection in Philadelphia, PA, US Palad Khik (Thai: ปลัดขิก, pronounced [pā.làt kʰìk], RTGS: palatkhik) is a kind of Thai amulet that is shaped like a penis. The phrase "palad khik" means "honorable surrogate penis". These amulets range from a few inches to several feet long in length. The smaller versions are usually worn on the body while the larger versions are displayed in shops and other establishments.[1] Palad Khiks are usually worn by males on a cord around their waist under the clothes and off-center from the real penis. It is not unusual for a male to wear many palad khiks at the same time, in the hope to attract women, increase gambling luck and protection from dangerous objects such as bullets and knives.[7] At times, women in Thailand also carry it in their purses to protect them from rape and mugging. Shop owners display them in their shops or in the cash register area to protect their business and also bring good luck and sales.[8] A notable feature of this type of amulet is it can be worn in places considered as lowly or unclean such as bars, gambling casinos and brothels. Normally, you cannot bring a Buddhist amulet inside such establishments.[9]

Lot: 416F - 10 cm- hardwood phallus/penis - Thai amulet (Palad Khik), Thailand, 1940’s

10 cm- hardwood phallus/penis + monkey- Thai amulet (Palad Khik), Thailand, 1940’s Beautiful 11.2 cm – pendant – hardwood Palad Khik phallic Amulet, Thailand, 1940’s. Carved wood phallus with inscription in Thai language – wishes for successful love and fertility. Size: 10 cm = 3.94 inches; Weight: 25 g; Provenance: private collection in Philadelphia, PA, US Palad Khik (Thai: ปลัดขิก, pronounced [pā.làt kʰìk], RTGS: palatkhik) is a kind of Thai amulet that is shaped like a penis. The phrase "palad khik" means "honorable surrogate penis". These amulets range from a few inches to several feet long in length. The smaller versions are usually worn on the body while the larger versions are displayed in shops and other establishments.[1] Palad Khiks are usually worn by males on a cord around their waist under the clothes and off-center from the real penis. It is not unusual for a male to wear many palad khiks at the same time, in the hope to attract women, increase gambling luck and protection from dangerous objects such as bullets and knives.[7] At times, women in Thailand also carry it in their purses to protect them from rape and mugging. Shop owners display them in their shops or in the cash register area to protect their business and also bring good luck and sales.[8] A notable feature of this type of amulet is it can be worn in places considered as lowly or unclean such as bars, gambling casinos and brothels. Normally, you cannot bring a Buddhist amulet inside such establishments.[9]

Lot: 417 - Genuine fossil giant Trilobite, 521-250 million years BC

Size: 9.5 x 6.5 x 1 inches = 24 cm x 16 cm x 2.5 cm; Weight: 3 lb. 1oz. = 1387 g = 1 kg 387 g; Trilobites (pronunciation: /ˈtraɪləˌbaɪt, ˈtrɪ-, -loʊ-/;[2][3] meaning "three lobes") are a fossil group of extinct marine arthropods that form the class Trilobita. Trilobites form one of the earliest known groups of arthropods. The first appearance of trilobites in the fossil record defines the base of the Atdabanian stage of the Early Cambrian period (521 million years ago), and they flourished throughout the lower Paleozoic era before beginning a drawn-out decline to extinction when, during the Devonian, all trilobite orders except the Proetids died out. Trilobites finally disappeared in the mass extinction at the end of the Permian about 250 million years ago. The trilobites were among the most successful of all early animals, roaming the oceans for over 270 million years.[4] By the time trilobites first appeared in the fossil record, they were already highly diversified and geographically dispersed. Because trilobites had wide diversity and an easily fossilized exoskeleton, an extensive fossil record was left behind, with some 17,000 known species spanning Paleozoic time. The study of these fossils has facilitated important contributions to biostratigraphy, paleontology, evolutionary biology, and plate tectonics. Trilobites are often placed within the arthropod subphylum Schizoramia within the superclass Arachnomorpha (equivalent to the Arachnata),[5] although several alternative taxonomies are found in the literature. Trilobites had many lifestyles; some moved over the sea bed as predators, scavengers, or filter feeders, and some swam, feeding on plankton. Most lifestyles expected of modern marine arthropods are seen in trilobites, with the possible exception of parasitism (where scientific debates still exist).[6] Some trilobites (particularly the family Olenidae) are even thought to have evolved a symbiotic relationship with sulfur-eating bacteria from which they derived food.[7]

Lot: 417A - Trilobite petrified fossil, 500 -250 million years old

Trilobite petrified fossil, 500 -250 million years old • Length: 80 mm = 8.0 cm • Width: 52 mm = 5.2 cm; • Weight: 107.81 g; • Provenance: private collection in Florida, USA. • Trilobites (/ˈtraɪləˌbaɪts, ˈtrɪlə-/;[4][5][6] meaning "three-lobed entities") are extinct marine arthropods that form the class Trilobita. One of the earliest groups of arthropods to appear in the fossil record, trilobites were among the most successful of all early animals, existing in oceans for almost 270 million years, with over 22,000 species having been described. Because trilobites had wide diversity and an easily fossilized mineralized exoskeleton made of calcite, they left an extensive fossil record. The study of their fossils has facilitated important contributions to biostratigraphy, paleontology, evolutionary biology, and plate tectonics. Trilobites are placed within the clade Artiopoda, which includes many organisms that are morphologically similar to trilobites, but are largely unmineralised. The relationship of Artiopoda to other arthropods is uncertain. • Trilobites evolved into many ecological niches; some moved over the seabed as predators, scavengers, or filter feeders, and some swam, feeding on plankton. Some even crawled onto land.[7] Most lifestyles expected of modern marine arthropods are seen in trilobites, with the possible exception of parasitism (where scientific debate continues).[8] Some trilobites (particularly the family Olenidae) are even thought to have evolved a symbiotic relationship with sulfur-eating bacteria from which they derived food.[9] The largest trilobites were more than 70 centimetres (28 in) long and may have weighed as much as 4.5 kilograms (9.9 lb).[10] • The first appearance of trilobites in the fossil record defines the base of the Atdabanian/Cambrian Stage 3 time period of the Early Cambrian around 521 million years ago. Trilobites were already diverse and globally dispersed shortly after their origination, with trilobites reaching an apex of diversity during the late Cambrian–Ordovician, and remained diverse during the following Silurian and early Devonian. During the mid-late Devonian, their diversity strongly declined, being impacted by successive extinction events, including the Taghanic event, the Late Devonian mass extinction/Kellwasser event and the Hangenberg/end-Devonian mass extinction, wiping out most trilobite diversity and leaving Proetida as the only surviving order. Their diversity moderately recovered during the Early Carboniferous, before dropping to persistently low levels during the late Carboniferous and Permian periods, though they remained widespread until the end of their existence. The last trilobites disappeared in the end-Permian mass extinction event about 251.9 million years ago, by which time only a handful of species remained.

Lot: 418D - Tiger Cowrie sea shell, Madagascar, 7.5 cm, 72 g;

Tiger Cowrie sea shell, Madagascar, 7.5 cm, 72 g; Cypraea tigris, commonly known as the tiger cowrie, is a species of cowry, a large sea snail, a marine gastropod mollusk in the family Cypraeidae, the cowries. The tiger cowry was one of the many species originally described by Carl Linnaeus in his 1758 10th edition of Systema Naturae, and the species still bears its original name of Cypraea tigris.[1] Its specific epithet tigris relates to its common name "tiger" (the shell however is spotted, not striped). This species is the type species of the genus Cypraea. The tiger cowrie is found on the ocean floor in the Indo-Pacific region, from the eastern coast of Africa to the waters of Micronesia and Polynesia, the Coral Sea and around the Philippines. Along the Australian Coast it is found from northern New South Wales to northern Western Australia, as well as Lord Howe Island, and along the east coast of Africa including Madagascar.[9] Found between depths of 10 and 40 meters (35–130 ft), it is often associated with live coral colonies, such as the table-forming Acropora,[10] either found on the reefs themselves or the sandy sea bottom nearby.[9] Once common, it is now much less abundant due to shell collecting and the destruction of its habitat by such processes as dynamite fishing, especially in shallower areas.[9] Carnivorous, the adult tiger cowrie eats coral and various invertebrates, while juveniles eat algae. This species is endangered in Singapore.[10] Length: 3 inches = 7.5 cm; Weight: 72 g; Country: Madagascar; Common Family: Cowries; Common Name: Tiger Cowrie

Lot: 418E - Tiger Cowrie sea shell, Madagascar, 7.0 cm, 62 g;

Tiger Cowrie sea shell, Madagascar, 7.0 cm, 62 g; Cypraea tigris, commonly known as the tiger cowrie, is a species of cowry, a large sea snail, a marine gastropod mollusk in the family Cypraeidae, the cowries. The tiger cowry was one of the many species originally described by Carl Linnaeus in his 1758 10th edition of Systema Naturae, and the species still bears its original name of Cypraea tigris.[1] Its specific epithet tigris relates to its common name "tiger" (the shell however is spotted, not striped). This species is the type species of the genus Cypraea. The tiger cowrie is found on the ocean floor in the Indo-Pacific region, from the eastern coast of Africa to the waters of Micronesia and Polynesia, the Coral Sea and around the Philippines. Along the Australian Coast it is found from northern New South Wales to northern Western Australia, as well as Lord Howe Island, and along the east coast of Africa including Madagascar.[9] Found between depths of 10 and 40 meters (35–130 ft), it is often associated with live coral colonies, such as the table-forming Acropora,[10] either found on the reefs themselves or the sandy sea bottom nearby.[9] Once common, it is now much less abundant due to shell collecting and the destruction of its habitat by such processes as dynamite fishing, especially in shallower areas.[9] Carnivorous, the adult tiger cowrie eats coral and various invertebrates, while juveniles eat algae. This species is endangered in Singapore.[10] Length: 2.75 inches = 7.0 cm; Weight: 62 g; Country: Madagascar; Common Family: Cowries; Common Name: Tiger Cowrie

Lot: 418G - Lion’s paw scallop sea shell, 14x14 cm

Lion’s paw scallop sea shell, 14x14 cm Size: 14 cm x 14 cm; Weight: 241 g; Nodipecten nodosus, or the lion's paw scallop, is a species of bivalve mollusc in the family Pectinidae. It can be found along the Atlantic coast of North America, ranging from Cape Hatteras to the West Indies, including Brazil and Bermuda.[1] The lion's paw scallop is a species that consists of large scallop shells with ridges and bumps that have a rough texture. The shell is known for its distinct knobs on the ridges. Ranging from red to orange and also purple, the lion's paw scallop ranges in color. The shell’s common name is derived from its appearance, the color, and the knobs giving it some visual similarities to the paw of a lion.[2] As the largest scallop of the Western-Atlantic Ocean, the lion's paw has been commercially fished for human consumption for decades. Indeed, the recent decline of abalone fisheries along with an increase in the shell’s value has led to aquaculture specific to the species. Their high growth rate makes them popular; however, not much is known about the requirements to improve farming. Due to their popularity in commercial fishing, the lion's paw scallops native to Brazil face the risk of extinction.[2][3][4] Lion's paw scallops are known to be hermaphroditic, so they have both male and female gonads. In external fertilization, an organism will release both eggs and sperm.[5] The lion's paw shell is valuable to collectors because of its size, vibrant colors, and extremely distinctive features. The lion's paw scallop is an epibenthic bivalve that usually lives on rocks inside of caves or in shaded areas. Spawning begins when sperm and egg are released into the water column. "D-shaped" veligers begin to form 22-24 hours after being fertilized.

Lot: 418H - Lion’s paw scallop sea shell, 14.5 cm, 202 g

Lion’s paw scallop sea shell, 14.5 cm, 202 g; Size: 14.5 cm x 13.5 cm; Weight: 202 g; Nodipecten nodosus, or the lion's paw scallop, is a species of bivalve mollusc in the family Pectinidae. It can be found along the Atlantic coast of North America, ranging from Cape Hatteras to the West Indies, including Brazil and Bermuda.[1] The lion's paw scallop is a species that consists of large scallop shells with ridges and bumps that have a rough texture. The shell is known for its distinct knobs on the ridges. Ranging from red to orange and also purple, the lion's paw scallop ranges in color. The shell’s common name is derived from its appearance, the color, and the knobs giving it some visual similarities to the paw of a lion.[2] As the largest scallop of the Western-Atlantic Ocean, the lion's paw has been commercially fished for human consumption for decades. Indeed, the recent decline of abalone fisheries along with an increase in the shell’s value has led to aquaculture specific to the species. Their high growth rate makes them popular; however, not much is known about the requirements to improve farming. Due to their popularity in commercial fishing, the lion's paw scallops native to Brazil face the risk of extinction.[2][3][4] Lion's paw scallops are known to be hermaphroditic, so they have both male and female gonads. In external fertilization, an organism will release both eggs and sperm.[5] The lion's paw shell is valuable to collectors because of its size, vibrant colors, and extremely distinctive features. The lion's paw scallop is an epibenthic bivalve that usually lives on rocks inside of caves or in shaded areas. Spawning begins when sperm and egg are released into the water column. "D-shaped" veligers begin to form 22-24 hours after being fertilized.

Lot: 419 - White romantic beach seashell necklace from Philippines #1

White romantic beach seashell necklace from Philippines #1 Length: 17” x 2 = 34 inches = 43 cm x 2 = 86 cm; Condition: brand new

Lot: 419A - Brown romantic beach seashell necklace from Philippines #2

Brown romantic beach seashell necklace from Philippines #2 Length: 17” x 2 = 34 inches = 43 cm x 2 = 86 cm; Condition: brand new

Lot: 419B - Romantic beach white seashell necklace from Philippines #3

Romantic beach white seashell necklace from Philippines #3 Length: 17” x 2 = 34 inches = 43 cm x 2 = 86 cm; Condition: brand new;

Lot: 419C - Romantic beach white Seashell necklace from Philippines #4

Romantic beach white Seashell necklace from Philippines #4 Length: 17” x 2 = 34 inches = 43 cm x 2 = 86 cm; Condition: brand new;

Lot: 419D - Beach romantic white seashell necklace from Philippines #5

Beach romantic seashell necklace from Philippines #5 Length: 17” x 2 = 34 inches = 43 cm x 2 = 86 cm; Condition: brand new;

Lot: 420 - Pink conch shell from Bahamas islands, 25 cm, 1220 g

Pink conch shell from Bahamas islands, 25 cm, 1220 g; Size: 10 inches x 8 inches = 25 cm x 20 cm; Weight: 2 lb. 11 oz. = 1220 g = 1 kg 220 g; Interesting Facts: – Conchs are native to the coasts of the Caribbean, the Florida Keys, the Bahamas, and Bermuda. – The conch’s main predators include loggerhead turtles, nurse sharks, other snail species, blue crabs, eagle rays, spiny lobsters, and other crustaceans. – During the first year of life, conchs live under the sand during the day and come out to feed on the surface of the sand at night. – Conchs are herbivores—they eat algae and other tiny marine plants. – It may take a queen conch at least 5 years to reach maturity—growing up to a maximum of 12 inches long and 5 pounds. – The adult conch has a large, solid and heavy shell, with knob-like spines on the shoulder, a flared thick, outer lip and characteristic pink/orange colored opening. – The Queen conch is a long-living species, with an estimated lifespan up to 40 years. – Conchs produce natural pearls in hues of white, brown, orange, and pink. – Only grown conch should be caught. – When you listen through a conch shell it’s not the sound of the ocean you hear but the sound of blood rushing through the veins in your head. -Conch shells can be used as wind instruments. They are prepared by cutting a hole in the spire of the shell near the apex and then blowing into the shell as if it were a trumpet, as a blowing horn. Sometimes a mouthpiece is used, but some shell trumpets are blown without one. Pitch is adjusted by moving one's hand in and out of the aperture; the deeper the hand, the lower the note. Various species of large marine gastropod shells can be turned into blowing shells, but some of the best-known species used are the sacred chank or shankha Turbinella pyrum, the Triton's trumpet Charonia tritonis, and the queen conch Strombus gigas.

Lot: 420B - Huge 8”=20 cm, Cymbiola imperialis, the imperial volute sea shell from Philippines.

Huge 8”=20 cm, Cymbiola imperialis, the imperial volute sea shell from Philippines. Length: 8 inches = 20 cm Weight: 1 lb. 5.3 oz. = 603 g; Cymbiola imperialis, the imperial volute, is a species of sea snail, a marine gastropod mollusk of the genus Cymbiola in the family Volutidae, the volutes. Shells of Cymbiola imperialis can reach a size of 70–250 millimeters (2.8–9.8 in).[5] These large and glossy shells are elongate and fusiform, light to heavy in weight. The basic color is whitish. The spire is high, with canaliculate sutures, strong red-brown axial ribs and narrow red-brown spiral lines. The aperture is whitish, elongate-ovate, with the outer lip showing many black denticles. The operculum is dark brown, thick and small.[6] This species can be found in the Philippines, Sulu Sea.[2][5][7]

Lot: 420E - Tiger striped helmet conch seashell, Cassis tuberosa, 6 inches = 15 cm, 517 g

Tiger striped helmet conch seashell, Cassis tuberosa, 6 inches = 15 cm; Here is a lovely vintage display specimen of a genuine Queen Helmet conch shell (Cassis tuberosa). As would be expected, it shows some wear/age on the topside that is consistent with natural weathering & aging. Cassis tuberosa, the king helmet, is a species of very large sea snail with a solid, heavy shell, a marine gastropod mollusk in the family Cassidae, the helmet shells and their allies.[1] This species occurs in the Western Atlantic Ocean in: North Carolina, Florida, Mexico, Honduras, Colombia, Costa Rica, Panama, Venezuela, Bermuda, Bahamas, Turks & Caicos, Cuba, Hispaniola, Puerto Rico, Virgin Islands, Leeward Islands, Windward Islands, Brazil, and in the Eastern Atlantic Ocean at the Cape Verde Islands. [3] Base: 5” x 5.5 inches; Length: 6 inches = 15 cm; Weight: 517 g = 1 lb. 2.3 oz.

Lot: 420F - Tiger striped helmet conch seashell, Cassis tuberosa, 6 inches = 15 cm, 602 g

Tiger striped helmet conch seashell, Cassis tuberosa, 6 inches = 15 cm, 602 g Here is a lovely vintage display specimen of a genuine Queen Helmet conch shell (Cassis tuberosa). As would be expected, it shows some wear/age on the topside that is consistent with natural weathering & aging. Cassis tuberosa, the king helmet, is a species of very large sea snail with a solid, heavy shell, a marine gastropod mollusk in the family Cassidae, the helmet shells and their allies.[1] This species occurs in the Western Atlantic Ocean in: North Carolina, Florida, Mexico, Honduras, Colombia, Costa Rica, Panama, Venezuela, Bermuda, Bahamas, Turks & Caicos, Cuba, Hispaniola, Puerto Rico, Virgin Islands, Leeward Islands, Windward Islands, Brazil, and in the Eastern Atlantic Ocean at the Cape Verde Islands. [3] Base: 5” x 5.5 inches; Length: 6 inches = 15 cm; Weight: 602 g = 1 lb. 5.2 oz.

Lot: 421 - Fossil petrified mammoth molar tooth, 14.4 cm

Fossil petrified mammoth molar tooth. Height: 5.7 in. = 14.4 cm; Weight: 2 lb 15 oz.= 1330 g; A mammoth is any species of the extinct genus Mammuthus, proboscideans commonly equipped with long, curved tusks and, in northern species, a covering of long hair. They lived from the Pliocene epoch (from around 5 million years ago) into the Holocene at about 4,500 years ago in Europe, Asia, and America as far south as Mexico. They were members of the family Elephantidae which contains, along with mammoths, the two genera of modern elephants and their ancestors. Like their modern relatives, mammoths were quite large. The largest known species reached heights in the region of 4 m (13 ft) at the shoulder and weights up to 8 tones (9 short tons), while exceptionally large males may have exceeded 12 tones (13 short tons). However, most species of mammoth were only about as large as a modern Asian elephant (which are about 2.5m to 3m high at the shoulder, and rarely exceeding 5.4 tonnes). Both sexes bore tusks. A first, small set appeared at about the age of six months and these were replaced at about 18 months by the permanent set. Growth of the permanent set was at a rate of about 1 to 6 inches (2.5 to 15 cm) per year.[9] Based on studies of their close relatives, the modern elephants, mammoths probably had a gestation period of 22 months, resulting in a single calf being born. Their social structure was probably the same as that of African and Asian elephants, with females living in herds headed by a matriarch, whilst bulls lived solitary lives or formed loose groups after sexual maturity. Condition very good for the age, no cracks; Low Estimate: 1000; High Estimate: 3000; Original: Yes;

Lot: 422 - Genuine Ostrich egg shell, Ivory Coast, Africa, 1981

Genuine Ostrich egg shell, Ivory Coast, Africa, 1981 Height: 145 mm = 14.5 cm Weight: 324.4 g; Condition: there is a hole, which was used to extract the yolk and white. There are some herbs inside. The egg shell is strong, there are no cracks. Provenance: brought from Ivory Coast in 1981. Biology The female common ostrich lays her fertilized eggs in a single communal nest, a simple pit, 30 to 60 cm (12–24 in) deep and 3 m (9.8 ft) wide,[1] scraped in the ground by the male. The dominant female lays her eggs first, and when it is time to cover them for incubation she discards extra eggs from the weaker females, leaving about 20 in most cases.[2] A female common ostrich can distinguish her own eggs from the others in a communal nest.[3] Ostrich eggs are the largest of all eggs,[4] though they are actually the smallest eggs relative to the size of the adult bird — on average they are 15 cm (5.9 in) long, 13 cm (5.1 in) wide, and weigh 1.4 kilograms (3.1 lb), over 20 times the weight of a chicken's egg and only 1 to 4% the size of the female.[5] They are glossy cream-colored, with thick shells marked by small pits.[6] The eggs are incubated by the females by day and by the males by night. This uses the coloration of the two sexes to escape detection of the nest, as the drab female blends in with the sand, while the black male is nearly undetectable in the night.[6] The incubation period is 35 to 45 days, which is rather short compared to other ratites. This is believed to be the case due to the high rate of predation.[5] Typically, the male defends the hatchlings and teaches them to feed, although males and females cooperate in rearing chicks. Fewer than 10% of nests survive the 9 week period of laying and incubation, and of the surviving chicks, only 15% of those survive to 1 year of age.[7] A possible origin for the myth that ostriches bury their heads in sand to avoid danger lies with the fact that ostriches keep their eggs in holes in the sand instead of nests, and must rotate them using their beaks during incubation; digging the hole, placing the eggs, and rotating them might each be mistaken for an attempt to bury their heads in the sand.[8]

Lot: 423 - Exceptionally preserved Stegodon fossil mo teeth, 590 g

Exceptionally preserved Stegodon fossil molar teeth, 590 g. Weight: 590 g = 1 lb. 5oz. Height: 8 cm = 3 in. Width: 9 cm = 3.5 in. Provenance: dig out in Borneo, Indonesia Age: 11.6 million years 4,100 years BC Condition: Perfect for the age, fossilized into rock all the ways around. Stegodon (meaning "roofed tooth" from the Greek words stegein 'to cover' and odous 'tooth'), is a genus of the extinct subfamily Stegodontinae of the order Proboscidea. It was assigned to the family Elephantidae (Abel, 1919), but has also been placed in Stegodontidae (R. L. Carroll, 1988).[1] Stegodonts were present from 11.6 mya to 4,100 years ago. They lived in large parts of Asia during the Pliocene and Pleistocene, and locally in Indonesia into the Holocene epoch Condition: Perfect for the age of millions years; Low Estimate: 2000; High Estimate: 4000; Original: Yes;

Lot: 429A - 4.73”=12.01 cm, 193g; Megalodon Shark tooth, natural real fossil - #7944

This is a 100% real, unaltered prehistoric Megalodon Shark Tooth. There has been absolutely NO restoration OR repair and the tooth is in its natural form. Each and every Megalodon Tooth sold has been personally recovered by our divers off the N.C. Coast LENGTH: 4.73" = 12.01 cm; WIDTH: 3.34" = 8.48 cm; Weight: 193 g; All Measurements taken with a Digital Caliper Please note that all pictures attempt to capture every detail of each tooth, but if you still have a question, please ask before buying.

Lot: 431 - Ammonite spiral shell, genuine fossil, 400-65 million years BC

Weight: 910 g = 2 lb. 0.1 oz. Size: 5 x 4 x 2.5 inches = 12.0 cm x 10 cm x 5 cm Ammonites[1] were marine cephalopod molluscs of the subclass Ammonoidea. Their widely-known fossils show a ribbed spiral-form shell, in the end compartment of which lived the tentacled animal. These creatures lived in the seas from at least 400 to 65 million years ago. They became extinct at the K/T extinction event.

Lot: 433 - Tektite from Indonesia, with imbedded iron particles, injected during meteorite impact.

Tektite from Indonesia, with imbedded iron particles, injected during meteorite impact. Dimensions: 52 mm x 48 mm x 27 mm; Weight: 76.25 g; Tektites (from Ancient Greek τηκτός (tēktós) 'molten') are gravel-sized bodies composed of black, green, brown or grey natural glass formed from terrestrial debris ejected during meteorite impacts. The term was coined by Austrian geologist Franz Eduard Suess (1867–1941), son of Eduard Suess.[note 1][1] They generally range in size from millimetres to centimetres. Millimetre-scale tektites are known as microtektites.[

Lot: 436 - Genuine Pyrite (Fool’s Gold) mineral stone, attracts money

Weight: 82.61 g; Size: 40 x 25 x 30 mm; The mineral pyrite (/ˈpaɪraɪt/),[5] or iron pyrite, also known as fool's gold, is an iron sulfide with the chemical formula FeS2 (iron(II) disulfide). Pyrite is considered the most common form of sulfide minerals. Pyrite's metallic luster and pale brass-yellow hue give it a superficial resemblance to gold, hence the well-known nickname of fool's gold. The color has also led to the nicknames brass, brazzle, and Brazil, primarily used to refer to pyrite found in coal.[6][7] The name pyrite is derived from the Greek πυρίτης λίθος (pyritēs lithos), "stone or mineral which strikes fire",[8] in turn from πῦρ (pyr), "fire".[9] In ancient Roman times, this name was applied to several types of stone that would create sparks when struck against steel; Pliny the Elder described one of them as being brassy, almost certainly a reference to what we now call pyrite.[10] By Georgius Agricola's

Lot: 464 - Authentic Ecuador Pre-Columbian 29 cm-terracotta Deity, Chorrera culture, 900-300 BC

Authentic Ecuador Pre-Columbian 29 cm-terracotta Deity, Chorrera culture, 900-300 BC Weight: 2 lb. 11.3 oz. = 1227 g; Height: 11.5 inches = 29 cm; Chorrera Culture: Existing in the late Formative period, the Chorrera culture lived in the Andes and Coastal Regions of Ecuador between 900 and 300 BC.[9] They were best known for their hollow ceramic animal- and plant-shaped figurines.[10] The Chorrera culture or Chorrera tradition is a Late Formative indigenous culture that flourished between 1300 BCE and 300 BCE in Ecuador.[1] Chorrera culture was one of the most widespread cultures in pre-Columbian Ecuador, spanning the Pacific lowlands to the Andean highlands,[2] and even into southern Colombia.[1] Provenance: private collection in Sarasota, Florida, USA. Certificate will be issued by Eternity Gallery.

Lot: 465 - Stunning Pre-Columbian terracotta God, Mesoamerica, ca 300 BC-200 AD

Stunning Pre-Columbian terracotta God, Mesoamerica, ca 300 BC-200 AD; Height: 12.3 cm; Width; 9.7 cm Weight: 4.2 oz. = 118 g; Condition: no defects, natural aging, some black traces of firing at the back; Provenance: acquired on antique market in Sweden in the 1980s

Lot: 468 - Pre-Columbian Guerrero Mezcala Jade Figure, ex-Schmitt collection, Certified

Pre-Columbian Guerrero Mezcala Jade Figure, ex-Schmitt collection, Certified. Pre-Columbian, southern Mexico, Guerrero region, Mezcala culture, ca. 600 to 100 BCE. A hand-carved omphacite jade figure of characteristically abstract form. Deep, string-cut grooves form the delineated physiognomy while a pair of shallow drill holes form the eyes. A pair of bi-conically drilled holes on the shoulders suggest this figure was worn as a pendant on either the living or the dead. Size: 1.9" W x 4.125" H (4.8 cm x 10.5 cm); Provenance: Ex-Marc Amiguet Schmitt estate, Amiguet's Ancient Art, Evansville, Indiana, USA, acquired prior to January 1, 2010. Condition Report: Light abrasions and earthen deposits commensurate with age, otherwise intact and very good. Nice root marks and string-cut features. Certified by Artemis Gallery.

Lot: 469 - Pre-Columbian Toltec (800-1000 AD) Mysterious Jade Man

Pre-Columbian Toltec (800-1000 AD) Mysterious carved Jade figurine, 20 cm. Height: 8 in. = 20 cm. Weight: 2 lb. 6 oz. = 1100 g = 1 kg 100g. Age: 800-1000 AD. Condition: Very good, partially translucent jade, old hand-made carving, small superficial 2-mm chip on the nose. No other defects. The Toltec culture is an archaeological Mesoamerican culture that dominated a state centered in Tula, in the early post-classic period of Mesoamerican chronology (ca 800-1000 CE). The later Aztec culture saw the Toltecs as their intellectual and cultural predecessors and described Toltec culture emanating from Tlln ['tolan] (Nahuatl for Tula) as the epitome of civilization; indeed in the Nahuatl language the word "Tltcatl" [tol'tekat] (singular) or "Tltcah" [tol'teka] (plural) came to take on the meaning "artisan". The Aztec oral and pictographic tradition also described the history of the Toltec Empire, giving lists of rulers and their exploits. Among modern scholars it is a matter of debate whether the Aztec narratives of Toltec history should be given credence as descriptions of actual historical events. While all scholars acknowledge that there is a large mythological part of the narrative, some maintain that by using a critical comparative method some level of historicity can be salvaged from the sources. Others maintain that continued analysis of the narratives as sources of actual history is futile and hinders access to actual knowledge of the culture of Tula, Hidalgo. Other controversies relating to the Toltecs include how best to understand the reasons behind the perceived similarities in architecture and iconography between the archaeological site of Tula and the Mayan site of Chichén Itzá. No consensus has yet emerged about the degree or direction of influence between these two sites. Condition: Very good, partially translucent jade, ancient tools hand-made carving, small superficial 2-mm chip on the nose. No other defects. Low Estimate: 30000; High Estimate: 60000; Original: Yes; Circa: 900;

Lot: 470 - Pre-Columbian carved stone humanoid Peru, 200 BC-600 BC

Pre-Columbian carved stone humanoid Ancient Peru, Recuay culture, circa 200 BC-600 CE. A stone figure of an anthropomorphic figure in begging or kneeling position. Height: 5.5 inches = 14 cm. Width: 6 inches = 15 cm. Weight: 2 kg. Provenance: Property of a London gentleman, acquired through heritage. Recuay, pre-Columbian culture and site near present-day Recuay in the Callejón de Huaylas Valley of the northern highlands of Peru. Recuay culture dates to the Early Intermediate Period (c. 200 BC-AD 600) and was contemporaneous with the Moche culture of the neighbouring northern coast. Recuay is best known for its distinctive pottery, which features a type of decoration in three colours and a style of modeling in which small figures of men, jaguars, llamas, and other animals are affixed to the vessel. Recuay stone carving is related to that of the Pucará and Tiwanaku cultures. Condition Genuine natural wear, no defects; Low Estimate: 6000; High Estimate: 12000; Original: Yes; Circa: 100;

Lot: 472 - Antique carved, 40 inches, wooden statue of Spanish Saint –Santo(s), circa 1700-1850

Antique carved, 40 inches, wooden statue of Spanish Saint –Santo(s), circa 1700-1850 Height: 40 inches = 100 cm; Width: 10.5 inches = 26.25 cm; Base: 12.5 inches x 11.25 inches = 31.25 x 28 cm; Weight: 26.8 lb. = 12 kg; Condition: normal wood aging, stable cracks, some loss of paint. The statue is carved from a whole trunk of a tree, you can see circles of the cut and some deterioration of the center of the trunk (last photo). Shipping in USA by Freight Company, in the individually carved wooden crate - $500-$600. Santo (English: Saint) are various religious artforms found in colonized parts of Spain consisting of wooden or ivory statues that depict various saints, angels, or Marian titles or one of the personages of the Holy Trinity. A Santero refers to a wood-carver who makes the image, but has also come to be known as someone who collects Santo images either as a religious devotion, or artistic hobby, or both. Some Santo images which have gained greater public devotion among the faithful have also merited Papal approval through Canonical Coronations. History Icons and other religious images were crucial for the conversions of indigenous peoples to Roman Catholic Church, which was itself an integral part of the Spanish colonization of the Americas. However, long distances, inefficient methods of transportation, and high demand for such artworks limited the ability of ecclesiastical authorities to supply parish churches, especially those in remote outposts, with works of religious art from the Kingdom of Spain. The practice of creating Santo objects began in Spain, where mannequin style religious images were commonly vested in ornate religious clothing, often expensive and funded by religious devotees. An early known example is the 1555 statue of Infant Jesus of Prague, already vested during the time of Saint Teresa of Avila. Customarily, jewels are various accessories were also added onto the image, a tradition still carried today. Santo images are also common throughout Latin America and the Caribbean, while the tradition of santo carving was preserved as a folk art in Northern New Mexico, whose isolated villages remain secluded to this day. Of particular note is the village of Cordova which has produced several well-known Santeros (carvers of santos). A major one was George López, who was awarded the National Heritage Fellowship by the National Endowment for the Arts in 1982. Santo statues are commonly known as revultos or informally as bultos. They are usually carved from cottonwood root, pine or aspen. A Santero carves a bulto with a knife and then covers it with gesso, a mixture of native gypsum and glue, to prepare it for painting. Some contemporary santeros still use paints from homemade pigments.[1] Shipping in USA - Craters and Freighters – (813-889-9008) -$650

Lot: 473 - Ancient Greek coin; Lucania, Velia, Silver Stater/Didrachm, c.440-280 BC;

Ancient Greek coin; Lucania, Velia, Silver Stater/Didrachm, c.440-280 BC; Weight: 7.30 g; Diameter: 20 mm; A port city along the Tyrrhenian Sea, Velia issued a varied and artistic coinage. The earliest coins were struck on thick, narrow planchets, and later issues were struck on increasingly broad, round flans. A few unusual issues aside, most Velian staters show on their obverse the head of Athena wearing a helmet with a great variety of decorations, including a laurel wreath, a wing, a chariot, a dolphin, a griffin and the creature Scylla. The reverse usually shows a lion in a variety of poses; typically he is prowling, but other times he stands with his head more erect. Major varieties of the reverse design include a lion attacking a stag, gnawing on prey, or walking before a palm tree.

Lot: 474 - Darius the Great to Xerxes II king, Achaemenid Empire silver siglos coin, 485 BC-420 BC. King advancing with bow and spear, incuse punch, SM 8 # 2450

Darius the Great to Xerxes II king, Achaemenid Empire, Persian silver siglos coin, 485 BC-420 BC. King advancing with bow and spear, incuse punch, SM 8 # 2450. Diameter: 14 mm; Weight: 5.44 g; Provenance: private collection in St Petersburg, FL. Darius I-Xerxes II. 485-420 BC. Achaemenid Empire Silver Siglos. Darius I (Old Persian: 𐎭𐎠𐎼𐎹𐎺𐎢𐏁 Dārayavaʰuš; Greek: Δαρεῖος Dareios; c. 550 – 486 BCE), commonly known as Darius the Great, was a Persian ruler who served as the third King of Kings of the Achaemenid Empire, reigning from 522 BCE until his death in 486 BCE. He ruled the empire at its territorial peak, when it included much of Western Asia, parts of the Balkans (Thrace–Macedonia and Paeonia) and the Caucasus, most of the Black Sea's coastal regions, Central Asia, the Indus Valley in the far east, and portions of North Africa and Northeast Africa including Egypt (Mudrâya), eastern Libya, and coastal Sudan.Darius ascended the throne by overthrowing the legitimate Achaemenid monarch Bardiya, whom he later fabricated to be an imposter named Gaumata. The new king met with rebellions throughout his kingdom and quelled them each time; a major event in Darius' life was his expedition to subjugate Greece and punish Athens and Eretria for their participation in the Ionian Revolt. Although his campaign ultimately resulted in failure at the Battle of Marathon, he succeeded in the re-subjugation of Thrace and expanded the Achaemenid Empire through his conquests of Macedon, the Cyclades and the island of Naxos as well as the sacked Greek city of Eretria. Darius organized the empire by dividing it into administrative provinces that were governed by satraps. He organized Achaemenid coinage as a new uniform monetary system, and made Aramaic a co-official language of the empire alongside Persian. He also put the empire in better standing by building roads and introducing standard weighing and measuring systems. Through these changes, the Achaemenid Empire became centralized and unified. Darius worked on other construction projects throughout the empire, primarily focusing on Susa, Pasargadae, Persepolis, Babylon and Egypt. He had the cliff-face Behistun Inscription carved at Mount Behistun to record his conquests, which would later become an important testimony of the Old Persian language. Darius is mentioned in the books of Haggai, Zechariah and Ezra–Nehemiah of the Hebrew Bible.

Lot: 475 - Miletos diobol - lion silver Greek coin, 600-550 BC, Minoan Period.

Miletos diobol - lion silver Greek coin, 600-550 BC, Minoan Period. Obverse: lion, the emblem of Miletos city; Reverse: a star in the square; Diameter: 28 mm x 20 mm; Weight: 1.23 g; SM 8 #2481; Provenance: private collection in St Petersburg, FL, USA One of The World’s Oldest Coins! This beautiful Diobol coin from Miletos—one of the most important Greek city-states in Asia Minor—dates from the mid-6th century B.C., making it one of the world’s oldest coins in existence. It depicts a lion, the emblem of the city, on the obverse and a square with a star on the reverse. Rather than a realistic depiction, however, the Miletos Lion has an artistic flair. Additionally, unlike the very first coins made of electrum, (a silver alloy), this Diobol was struck between 550 and 500 B.C. from pure silver! The Tragic Fate of Miletos. By the 6th century B.C., Miletos (also referred to as Miletus) had carved out a maritime empire that had established many colonies including the Greek colony of Naukratis in Egypt, and more than 60 settlements on the shores of the Black Sea. A major trading center of the ancient world, this city state was also home to philosopher Thales of Miletus (624–545 B.C.), who was known as one of the legendary Seven Wise Men of antiquity and remembered primarily for his cosmology based on water as the essence of all matter, with Earth a flat disk floating on a vast sea. Unfortunately for the people of Miletos, their empire brushed up against the Persian Empire and sat firmly in Darius the Great’s crosshairs. Following an unsuccessful uprising against Persian rule in 499 B.C., Darius exacted a terrible punishment on the city and its inhabitants: He had all the adult men killed, sold all of the city’s women and children into slavery, and made eunuchs of all the adolescent males thus assuring that no Miletian citizen would ever be born again

Lot: 476 - Lot of three coins: ancient Judea Biblical Christ time, bronze prutah, Agrippa 1, circa 37 AD.

Lot of three ancient Biblical Christ time bronze prutah coin, c.37 AD. Size: 18-16 mm. Ancient Judaea Christ time Bronze Prutah, Agrippa I. Provenance: Ex Secret Eyes Gallery New York 1970's-1980's Condition Report: Fine

Lot: 477 - Three bronze Byzantine scyphate (cup-shaped) coins, 1000-1100 BC Byzantine Empire. Alexius III Angelus-Comnenus, April 8 1195-July 17 1203 AD.

Three bronze Byzantine scyphate (cup-shaped) coins, 1000-1100 BC Byzantine Empire. Alexius III Angelus-Comnenus, April 8 1195-July 17 1203 AD. Billon aspron trachy. "Scyphate" (cup-shaped) coin. Facing bust of Christ, wearing nimbus, pallium and colobrium, holding scroll and raising hand in benediction, KE ROHQEI around, IC-XC to left and right / Alexius (on left) and St. Constantine (on rt) holding cross and labarum, ALEZIW DECP O KWNTANTI. ref: SB 2012. 25.5 mm, 3.73 g. Incredible detail! Lovely coppery tone. Exceptionally nice for these. #CB2182: $175 SOLD www.ancientresource.com/lots/byzantine-empire/byzantine-coins.html

Lot: 478 - Huge bronze Greek coin Ptolemy III of Egypt, 246-221 BC.

Huge bronze Greek coin Ptolemy III of Egypt, 246-221 BC. Egypt, Ptolemy III Euergetes, 246-221 BC. AE41. Obverse: Head of Zeus Ammon right. Reverse: Eagle standing left on thunderbolt looking right. BMC 39. Weight: 43.71 g. Diameter: 38 mm.

Lot: 480 - Small bronze Greek coin, Ptolemy III of Egypt, 246-221 BC, 29 mm, 22.8 g

Small bronze Greek coin, Ptolemy III of Egypt, 246-221 BC, 29 mm, 22.8 g Egypt, Ptolemy III Euergetes, 246-221 BC. Obverse: Head of Zeus Ammon right. Reverse: Eagle standing left on thunderbolt looking right. Weight: 22.84 g. Diameter: 29 mm.

Lot: 481 - SELEUKID KINGS of SYRIA. Antiochus VII. 138-129 BC. AR Tetradrachm

SELEUKID KINGS of SYRIA. Antiochus VII. 138-129 BC. AR Tetradrachm Weight: 16.4 gm. Diameter: 31 mm. Condition: VF. Tyre mint. Dated year 181 (132/1 BC). Diademed head right / Athena standing half-left, holding Nike, shield, and spear; club surmounted by monogram to left, date and ZB in exergue; all within wreath. SNG Spaer 2075 var. (same obverse die, monogram right of date); Newell, Tyre 135.

Lot: 482 - Seleukid kings of Syria, Antiochos III, 223-187 BC, Greek silver coin tetradrachm

Greek silver coin tetradrachm Seleukid kings of Syria, Antiochos III 223-187 BC Diameter: 29 mm; Weight: 17.15 g Mint: Edessa; Diademed head right; Apollo Delphios seated left on omphalos; rose and monogram Authenticity guaranteed.

Lot: 484 - Ancient Greek silver coin 189-133 B.C. Apamea, Phrygia Silver Cistaphoric Tetradrachm

Ancient Greek silver coin 189-133 B.C. Apamea, Phrygia Silver Cistaphoric Tetradrachm Weight: 12.52 g Diameter: 28 mm These Cistaphoric Tetradrachms were hand selected for eye appeal and all are nicely struck in nearly pure silver. Each displays a Cista Mystica (mystic basket) with serpents emerging on the obverse. Apamea Cibotus, Apamea ad Maeandrum, Apamea or Apameia (Ἀπάμεια, κιβωτός) was an ancient city in Anatolia founded in the 3rd century BC by Antiochus I, who named it after his mother Apama. It was in Hellenistic Phrygia,[1] but became part of the Roman province of Pisidia.[2][3] It was near, but on lower ground than, Celaenae (Kelainai).

Lot: 485 - Rare ancient Phoenician city Sidon tetradrachm- 22 mm, 6.37 g silver coin with goddess Tyche & Eagle (107 BC-44 AD)

Rare ancient Phoenician city Sidon tetradrachm- 22 mm, 6.37 g silver coin with goddess Tyche & Eagle (107 BC-44 AD) Diameter: 0.75 inches = 19 mm; Weight: 6.37 g; Sidon. 107-106 BC-AD 43-44. Tetradrachm (Silver, 22.2 mm, 6.37 g, 1 h), year 6 = 106/105 BC. Obv. Turreted, veiled and draped bust of Tyche to right, wearing pearl necklace. Rev. ΣΙΔΩΝΙΩΝ Eagle, with closed wings and palm branch over his right shoulder, standing to left on galley prow; in field to left L? over monogram. BMC 102. Rare. Authenticity report. 100% authentic. Certificate of authenticity is available on demand. Provenance: private collection in New York, USA. Tyche (/ˈtaɪki/; Ancient Greek: Τύχη Túkhē, 'Luck', Ancient Greek: [tý.kʰɛː], Modern Greek: [ˈti.çi]; Roman equivalent: Fortuna) was the presiding tutelary deity who governed the fortune and prosperity of a city, its destiny. In Classical Greek mythology, she is usually the daughter of the Titans Tethys and Oceanus, or sometimes Zeus, and at this time served to bring positive messages to people, relating to external events outside their control.[1] During the Hellenistic period, with dramatic socio-political changes starting with Alexander the Great, Tyche increasingly embodied the whims of fate (both negative and positive), eclipsing the role of the Olympic gods.[1][2] The Greek historian Polybius believed that when no cause can be discovered to events such as floods, droughts, frosts, or even in politics, then the cause of these events may be fairly attributed to Tyche.[3] Other ancient Greek sources corroborate Polybius, such as Pindar who claims Tyche could hand victory to a lesser athlete.[4] This "Hellenistic Tyche" is often featured on coins such as those minted by Demetrius I Soter. Further, Tyche comes to represent not only personal fate, but the fate of communities. Cities venerated their own Tychai, specific iconic versions of the original Tyche. This practice was continued in the iconography of Roman art, even into the Christian period, often as sets of the greatest cities of the empire. Sold similar coin on other auctions: Phoenicia Sidon. 107-106 BC-AD 43-44. Tetradrachm (Silver, 28 mm, 14.02 g, 1 h), year 6 = 106/105 BC. Turreted, veiled and draped bust of Tyche to right, wearing pearl necklace. Rev. ΣΙΔΩΝΙΩΝ Eagle, with closed wings and palm branch over his right shoulder, standing to left on galley prow; in field to left L? over monogram. BMC 102. Rare. From a European collection, and from the Prospero Collection, The New York Sale XXVII, 4 January 2012, 618, originally acquired from Spink & Sons Ltd., London, on 29 September 1988. https://www.numisbids.com/n.php?p=lot&sid=3922&lot=284 Estimate: 7500 CHF Price realized: 8000 CHF = $9,458.52 USD

Lot: 486 - Roman bronze coin sestertius Diva Faustina Senior AD 146-161, thick and heavy 26.45g, 30mm;

Roman bronze coin sestertius Diva Faustina Senior AD 146-161, thick and heavy 26.45g, 30mm; Weight: 26.45 g; Diameter: 30 mm; Thickness: 4 mm; Obverse: Draped bust right with inscription around: DIVA FAUSTINA; Reverse: Juno, standing, raising arm and holding scepter ; Struck under Antonius Pius, circa AD 146/7-161; Beautiful brown patina; Faustina the Elder: Annia Galeria Faustina, more familiarly

Lot: 487 - Ancient Roman Emperor Vespasian tetradrachm- 24 mm, 13.05 g SILVER COIN, 69-79 AD

Ancient Roman Emperor Vespasian tetradrachm- 24 mm, 13.05 g SILVER COIN, 69-79 AD. Vespasian - Roman Emperor: 69-79 A.D. Silver Tetradrachm, 24 mm (13.05 grams), Antioch in Seleukis and Pieria mint, year 2, 69/70 A.D. Reference: RPC II 1945; Wruck 79; McAlee 11; AYTOKPAT KAIΣA OVEΣΠAΣIANOY, Laureate head of Vespasian right. ETOYΣ B IEPOY, Eagle standing left on club;

Lot: 499 - Silver Miliaresion, Basil II Bulgaroktonos, with Constantine VIII. 976-1025 AD.

Silver Miliaresion, Basil II Bulgaroktonos, with Constantine VIII. 976-1025 AD. Basil II Bulgaroktonos, with Constantine VIII. 976-1025 AD. Silver Miliaresion (24.5 mm, 2.20 g). Constantinople mint. Struck 977-989. Cross crosslet, with central saltire; set upon globe on four steps; to left and right respectively, crowned facing busts of Basil, wearing loros, and Constantine, wearing chlamys. Legend in five lines. DOC 17a; SB 1810. Toned, weakness, a few light scratches under tone. Repaired. Near VF. ЄҺ TOVTω ҺICAT' - baSILЄI C CωҺST• Cross crosslet, with X at center and pellet within crescent on shaft; beneath, globus on four steps; in field to left, facing bust of Basil, with short beard, wearing crown and loros; to right, facing bust of Constantine, beardless, wearing crown and chlamys. Rev. ✠ bASIL' / C CωnSTAn' / ΠORFVROς' / ΠISTOI bAS' / RωmAIω' in five lines; above and below, ornaments. DOC 17. SB 1810. Condition Report: Very Fine, Repaired

Lot: 500I - Byzantine bronze coin AE follis 40 numm, Phocas 602-619AD, Byzantium

Byzantine bronze coin AE follis 40 numm, Phocas 602-619AD, Byzantium Diameter: 31 mm; Weight (with carton holder): 13.96 g; Exact weight is available on request; Nicomedia mint. Authenticity guaranteed. Phocas (Latin: Flavius Phocas Augustus; Greek: ?????, Phokas), (547 – 5 October 610) was Byzantine Emperor from 602 to 610. He usurped the throne from the Emperor Maurice, and was himself overthrown by Heraclius after losing a civil war. The Column of Phocas was the last Imperial monument ever to be erected in the Roman forum. In Phocas's reign, the Byzantines were sovereign over the city of Rome, although the Pope was the most powerful figure resident in the city. Phocas tended to support the popes in many of the theological controversies of the time, and thus enjoyed good relations with the papacy. Phocas gave the Pantheon to Pope Boniface IV for use as a church and intervened to restore Smaragdus to the Exarchate of Ravenna. In gratitude Smaragdus erected in the Roman Forum a gilded statue atop the rededicated "Column of Phocas", which featured a new inscription on its base in the Emperor's honour. The fluted Corinthian column and the marble plinth on which it sits were already standing in situ, scavenged previously from yet other monuments. Despite the popularity Phocas enjoyed early on in his reign, it was during his reign that the traditional frontiers of the Byzantine Empire began to collapse. The Balkans had been pacified under Maurice, the Avars and Slavs having been kept at bay. With the removal of the army from the Danube after 605, the way was paved for new attacks which were to put an end to the Byzantine Balkans. In the east, the situation was grave. The Persian King Khosrau II had been helped onto his throne years earlier by Maurice during a civil war in Persia. Now, he used the death of his erstwhile patron as an excuse to break his treaty with the Empire. He received at his court an individual claiming falsely to be Maurice's eldest son and co-emperor Theodosius. Khosrau arranged a coronation for this pretender and demanded that the Byzantines accept him as emperor. He also took advantage of the difficulties in the Byzantine military, coming to the aid of Narses, a Byzantine general who refused to acknowledge the new Emperor's authority and who was besieged by troops loyal to Phocas in Edessa. This expedition was part of a war of attrition Khosrau waged against Byzantine forts in northern Mesopotamia, and by 607 or so he had advanced Persian control to the Euphrates. The reign of Phocas is also marked by the change of Imperial fashion set by Constantine the Great. Constantine and all his successors, except Julian the Apostate, were beardless. Phocas again introduced the wearing of the beard.

Lot: 500M - Byzantine gold solidus, Constans II (AD 641-668) and Constantine IV (AD 654-685).

Byzantine gold solidus, Constans II (AD 641-668) and Constantine IV (AD 654-685). Byzantine Empire Constans II, Pagonatos (AD 641-668) and Constantine IV (AD 654-685). AV solidus, graffiti. Obverse: facing busts of Constans (on left) larger with moustache and long beard, and Constantine IV (on right) smaller and beardless, each wearing crown and chlamys; Cross in field above Obverse: ?N CONSTAN-TIN?S ? CONSTI, crowned and draped facing busts of Constans II, wearing long beard, and Constantine IV; cross above. Reverse: VICTORIA AV??, cross potent set on three steps; ?//CONOB below. Constantinople mint, 3rd or 9th officina. Struck 654-668 A.D. Reference: Sear 959; DOC 25c; MIB 26 Strike: 5/5 Surface: 3/5 42529967-020 Weight: 4.28 g; Diameter: 20 mm Condition: bold EF/About Uncirculated Provenance: bought in 1990s on Montreal Coin Show.

Lot: 502 - British Bronze medal George, Order of Bath revived, 1725.

British Bronze medal George, Order of Bath revived, 1725. Obverse: profile of King George. Inscription: GEORGIUS DE G MAG BR. FR. Et HIB. REX F. D. Reverse: SPES. ALTERA RD. EQUIT. DE. BALNREST. ET. INSIG. AVCT. MDCCXXV. Weight: 57.11g. Diameter: 46 mm. Condition: bold EF?Excellent, noble patina. Provenance: private collection, Montreal, Quebec, Canada. Order of the Bath The Most Honourable Order of the Bath (formerly the Most Honourable Military Order of the Bath)[1] is a British order of chivalry founded by George I on 18 May 1725.[2] The name derives from the elaborate mediaeval ceremony for creating a knight, which involved bathing (as a symbol of purification) as one of its elements. The knights so created were known as "Knights of the Bath".[3] George I "erected the Knights of the Bath into a regular Military Order".[4] He did not (as is commonly believed) revive the Order of the Bath,[5] since it had never previously existed as an Order, in the sense of a body of knights who were governed by a set of statutes and whose numbers were replenished when vacancies occurred.[6][7] The Order consists of the Sovereign (currently Queen Elizabeth II), the Great Master (currently The Prince of Wales),[8] and three Classes of members:[9] • Knight Grand Cross (GCB) or Dame Grand Cross (GCB) • Knight Commander (KCB) or Dame Commander (DCB) • Companion (CB) Members belong to either the Civil or the Military Division.[10] Prior to 1815, the order had only a single class, Knight Companion (KB), which no longer exists.[11] Recipients of the Order are now usually senior military officers or senior civil servants.[12][13] Commonwealth citizens not subjects of the Queen and foreigners may be made Honorary Members.[14] The Order of the Bath is the fourth-most senior of the British Orders of Chivalry, after The Most Noble Order of the Garter, The Most Ancient and Most Noble Order of the Thistle, and The Most Illustrious Order of St Patrick (dormant).[15] The last of the aforementioned Orders, which relates to Ireland, still exists but has been in disuse since the formation, in December 1922, of the Irish Free State.[16]

Lot: 503 - French silver ECU coin Louis XV, 1768

French silver ECU coin Louis XV, 1768; Obverse: LUD XV D.G. FR. ET NAV. REX; Reverse: BENEDICTUM SIT NOMEN DOMINI 1768 L; Weight: 29.00 g; Diameter: 41 mm; Condition: EF; black noble patina; Provenance: Private collection Quebec Canada; Louis XV (15 February 1710 – 10 May 1774), known as Louis the Beloved (Louis le bien aimé) was a monarch of the House of Bourbon who ruled as King of France and Navarre from 1 September 1715 until his death. He succeeded his great-grandfather Louis XIV at the age of five. Until he reached maturity in 1723, his kingdom was ruled by Philippe II, Duke of Orléans as Regent of France; the duke was his maternal great-uncle, as well as first cousin twice removed patrilineally. Cardinal Fleury was his chief minister from 1726 until the Cardinal's death in 1743, at which time the young king took sole control of the kingdom. During his reign, Louis returned the Austrian Netherlands; this territory was won at the Battle of Fontenoy of 1745 but given back to Austria by the terms of the Treaty of Aix-la-Chapelle of 1748. Louis also ceded New France in North America at the conclusion of the Seven Years' War in 1763. He incorporated the territories of Lorraine and Corsica into the kingdom of France. He was succeeded by his grandson Louis XVI in 1774. Most scholars believe Louis XV's decisions damaged the power of France, weakened the treasury, discredited the absolute monarchy, and made it more vulnerable to distrust and destruction, as happened in the French Revolution, which broke out 15 years after his death.[1] Davies says that after Louis XV took full control in 1723, his reign "was one of debilitating stagnation," characterized by lost wars, endless clashes between the Court and Parliament, and religious feuds.[2] A few scholars defend Louis, arguing that his highly negative reputation was based on propaganda meant to justify the French Revolution. Blum says he was "a perpetual adolescent called to do a man's job."

Lot: 511 - French antique huge 67-mm silver medal, Anatole France, 1844, 168 g

French antique silver medal, Anatole France, 1844 J’ai ete nourri sur les quais, ou les vieux livres se melent aux paysages; Metal: Silver; “ARGENT” on the rim Diameter: 67 mm; Weight: 168 g = 5.9 oz. Condition: used, original patina, no defects Authenticity report: 100% genuine Anatole France (French: [anat?l f???s]; born François-Anatole Thibault, [fr??swa anat?l tibo]; 16 April 1844 – 12 October 1924) was a French poet, journalist, and novelist. He was born in Paris, and died in Saint-Cyr-sur-Loire. He was a successful novelist, with several best-sellers. Ironic and skeptical, he was considered in his day the ideal French man of letters. He was a member of the Académie française, and won the 1921 Nobel Prize for Literature "in recognition of his brilliant literary achievements, characterized as they are by a nobility of style, a profound human sympathy, grace, and a true Gallic temperament". France is also widely believed to be the model for narrator Marcel's literary idol Bergotte in Marcel Proust's In Search of Lost Time.[1]

Lot: 514 - British Virgin Islands, proof set of 6 uncirculated coins, 1973

British Virgin Islands, proof set of 6 uncirculated coins, 1973 Featuring silver $1 coin with magnificent frigate bird. The British Virgin Islands (abbreviated BVI),[3] officially the Virgin Islands,[4] are a British Overseas Territory in the Caribbean, to the east of Puerto Rico and the U.S. Virgin Islands and north-west of Anguilla. The islands are geographically part of the Virgin Islands archipelago and are located in the Leeward Islands of the Lesser Antilles and part of the West Indies. The British Virgin Islands consist of the main islands of Tortola, Virgin Gorda, Anegada, and Jost Van Dyke, along with more than 50 other smaller islands and cays.[5] About 16 of the islands are inhabited.[3] The capital, Road Town, is on Tortola, the largest island, which is about 20 km (12 mi) long and 5 km (3 mi) wide. The islands had a population of 28,054 at the 2010 Census, of whom 23,491 lived on Tortola;[1] current estimates put the population at 35,802 (July 2018).[3] British Virgin Islanders are British Overseas Territories citizens and since 2002 are British citizens as well.

Lot: 515 - Adolphe Max - Burgmestre de Bruxelles, Bronze French medal, 1914

Adolphe Max - Burgmestre de Bruxelles, Bronze French medal, 1914; Reverse: Les vertus civique; Justice, Vigilance, Charite Diameter: 27.5 mm; Weight: 11.43 g; Provenance: private collection in Sarasota, Florida Adolphe Eugène Jean Henri Max (30 December 1869 – 6 November 1939) was a Belgian liberal politician and Mayor of Brussels from 1909 until his death. He graduated in law at the Université Libre de Bruxelles, and entered the legal profession, besides doing journalistic work. When he was 25 years old, he was elected a province councillor for Brabant, and was elected a city councillor in 1903. After he had worked as a magistrate, he was appointed city mayor of Brussels on 6 December 1909. Under the German occupation of Brussels during the First World War, Max refused to cooperate with the occupying forces. As a result, he was arrested and held in captivity, first at Namur, and then at Glatz and Goslar, until he escaped on 13 November 1918. Charles Lemonnier was acting mayor during his captivity. On his return to Brussels, he was greeted as a hero. In 1919, he was elected to the Belgian Chamber of Representatives, where he campaigned for universal adult suffrage, a goal not achieved until after his death. Among the monuments from Max's time in office as mayor of Brussels are parts of the Royal Museums of Fine Arts of Belgium and the Heysel exhibition park built for the Expo of 1935, begun to mark the centenary of the Belgian Revolution of 1830. Adolphe Max was an irregular freemason, an honorary Minister of State and a member of the Institut de France. Boulevard Adolphe Max, a main boulevard of the City of Brussels, is named after him. Primary and secondary schools near Square Ambiorix are named after him. There is also a Place Adolphe Max in the 9th arrondissement of Paris which was named after him in January 1940, shortly after his death.

Lot: 515C - France in war helmet, Bronze French WW1 medal, by Henri Dropsy

France in war helmet, Bronze French WW1 medal, by Henri Dropsy; Artist: Henri Dropsy; Henri Dropsy (21 January 1885 – 2 November 1969) was a French sculptor. His work was part of the art competitions at the 1924 Summer Olympics and the 1928 Summer Olympics.[1] Diameter: 49.5 mm; Weight: 46.51 g; Provenance: private collection in Sarasota, Florida

Lot: 519 - Silver French medal -celebration of new type of deposit bank system in France, 1850

Silver French medal -celebration of new type of deposit bank system in France, 1850; Weight: 34 g; Diameter: 46 mm, Year- 1850. Condition: about uncirculated with rainbow toning. HISTORY: Following the economic crisis of 1847, which saw 829 banking institutions fail between 1846 and 1848, and the revolutionary turmoil of February 1848, the money markets were paralyzed. Payments in cash replaced supplier credit and trade discounting. Faced with this situation, urgent measures were needed to revive trade. The provisional government, led by Louis-Antoine Garnier-Pagès, issued a decree to set up comptoirs d’escompte or local banks offering short-term credit to unblock bank lending and stem the recession of the years 1845-1848. The creation of the comptoirs d’escompte, established at French department level, brought together the State, the municipalities and the business community. 66 comptoirs were created, including Comptoir National d’Escompte de Paris (CNEP), created by decree on 10 March 1848. With a share capital of 20 million francs, CNEP was constituted in the amount of one third in cash by the subscribing partners, mainly those of the corporation of booksellers and publishers, in the amount of one third in bonds from the City of Paris, and in the amount of one third in Treasury bonds from the State. An antique French medal Comptoir National D Escompte de Paris, business and industry. Made of silver (Argent). The obverse of the coin depicts a relief of two women looking at each other. One woman holds a caduceus rod in her hand. The background around the women consists of an anchor, cargo, lighthouse, steam locomotive, and various black-smithing objects. Both women are standing barefoot on the line that marks the ground. Under the line are highlighted signature J. CAVELIER F. - L. MERLEY. S. The coin on the reverse consists of an inscription and images of a ship, black-smithing tools, a caduceus rod, and a lamp. Surrounded by an inscription: REPVBLIQVE FRANCAISE and COMPTOIR NATIONAL D ESCOMPTE DE PARIS. An inscription in the center: CREATION VII-VIII MARS MDCCCXLVIII, INSTITVTION IX-X MARS, CONSTITVTION XX-MARS, ORGANISATION XXVIII MARS, SOVS COMPTOIRS XXIV MARS, PROROGATION DV COMPTOIR, XX FEVRIER XXII MARS V AVRIL, MDCCCL. Until the middle of the 19th century, there were only private banks intended for large fortunes, like the Rothschilds. They then took the name of investment banks such as the Banque de Paris et des Pays Bas, the Union Generale, etc. The development of the activity, born of the Industrial Revolution, caused the creation of banks of a new type, for all, called deposit banks. The first was the Comptoir d'Escompte, founded in 1853. Condition Report: About uncirculated, amazing rainbow patina. On the rim engraved: ARGENT Provenance: private collection in New York, USA.

Lot: 520 - French bronze medal Minister de l’Agriculture, 1896

French bronze medal Minister de l’Agriculture, 1896 Obverse: Republique Francaise, H. Ponscarme; Reverse: Ministere de l’Agriculture, Paris 1896, H. Ponscarme; Rim: BRONZE; Size: 50 mm; Weight: 62.84 g; Condition: perfect, noble patina; Provenance: private collection, Montreal, Quebec, Canada;

Lot: 521 - Graceful French bronze medal - Monnais de Paris, 1900;

Graceful French bronze medal - Monnais de Paris, 1900; Diameter: 50 mm; Weight: 60.16 g; Condition: used, great original patina, but no defects;

Lot: 522 - French silver medal Minister de l'’Agriculture, 1897

French silver medal Minister de l’Agriculture, 1897 Obverse: Republique Francaise, H. Ponscarme; Reverse: Ministere de l’Agriculture, Vesoul 1897, Concours Regal Hippique Membre du Jury, H. Ponscarme Size: 42 mm; Rim: Argent; Weight with carton holder: 36.70 g; Condition: perfect, noble patina; Provenance: private collection, Montreal, Quebec, Canada;

Lot: 527A - Brand new, consecutive genuine five $2 USA banknotes: 05, 07, 08, 09, 10

Brand new, genuine five $2 USA banknotes: 05, 07, 08, 09, 10; These banknotes are brand new, 100% genuine and were verified by the Bank of America. The Buyer will get exactly the same Serial Numbers as on the photos: F 30929905 A; F 30929907 A; F 30929908 A; F 30929909 A; F 30929910 A;

Lot: 528B - Elvis Presley 16 FOREVER postal stamps block, USPS, USA 2017

Elvis Presley 16 FOREVER postal stamps block, USPS, USA 2017; Issued by United States Postal Services in 2017; Size: 18 x 18 cm = 7 x 7 inches; Condition: brand new;

Lot: 530 - Germany Saxony Albertine 1601 HB 1 Thaler Taler

Germany Saxony Albertine 1601 HB 1 Thaler Taler Silver Coin VF 3 Brothers Toned Weight: 28.69 g; Diameter: 40 mm; Germany Saxony Albertine 1601-HB 1 Taler Silver Coin "3 Brothers"; Dav #9820; MB #314; VF Toned Christian II, Johann Georg I and August

Lot: 531 - Silver AR Taller 1696 Ferdinand et Maria Anna, Austria, Schwarzenberg

Silver AR Taller 1696 Ferdinand et Maria Anna, Austria, Schwarzenberg Ferdinand Wilhelm Eusebius with Maria Anna 1683-1703; Diameter: 47 mm; Weight: 28.80 g; Wien (Vienna) mint; Dated: 1696; Jugate busts of Ferdinand and Maria right; Crowned and draped double coats-of-arms; Davenport 1696; Good FV, nice patina;

Lot: 533 - German States Coronation Silver medal, Prussia 1861

German States Coronation Silver medal, Prussia 1861 Diameter: 42 mm; Weight: 29.85 g; Obverse: Wilhelm Koenig Augusta Koenigin V. Preussen; ZUR CROENUNG AM 18 OCT 1861; Reverse: SUUM CUIQUE with 7 heraldic emblems around; C PFEUFFER F.E.C. William I, also known as Wilhelm I (full name: William Frederick Louis, German: Wilhelm Friedrich Ludwig, 22 March 1797 – 9 March 1888), of the House of Hohenzollern was the King of Prussia (2 January 1861 – 9 March 1888) and the first German Emperor (18 January 1871 – 9 March 1888), as well as the first Head of State of a united Germany. Under the leadership of William and his Minister President Otto von Bismarck, Prussia achieved the unification of Germany and the establishment of the German Empire. Despite his long support of Bismarck as Minister President, however, William held strong reservations about some of Bismarck's more reactionary policies, including his anti-Catholicism and tough handling of subordinates. Contrary to Bismarck, William was described as polite, gentlemanly, and while a staunch conservative, more open to certain classical liberal ideas than his grandson Wilhelm II.

Lot: 534 - One thaler/taler 1861 Prussia coronation Wilhelm Koenig & Augusta Koenigin V Preussen, silver (.900) proof, 18.51 g

One thaler/taler 1861 Prussia coronation Wilhelm Koenig & Augusta Koenigin V Preussen, silver (.900) proof. Commemorative issue: Coronation of Wilhelm and Augusta; Obverse: King Wilhelm I and Queen Augusta; Script: Latin; Lettering: WILHELM KOENIG AUGUSTA KOENIGIN V. PREUSSEN; Translation: Wilhelm King and Augusta Queen of Prussia; Reverse: Arms at the center of crowned monograms; Script: Latin; Lettering: SUUM CUIQUE; W R A R W R A R; KROENUNGS THALER 1861; Edge: Inscripted. Lettering: GOTT MIT UNS; Translation: God be with us; Issuer Kingdom of Prussia (German States) King William I (1861-1888); Type Circulating commemorative coin; Year 1861; Value 1 Thaler Currency Vereinsthaler (1821-1873) Composition Silver (.900) Weight 18.51 g; Diameter 33 mm; Thickness 2.5 mm; Shape Round; Technique Milled; Orientation Medal alignment ↑↑ Demonetized Yes; Number N# 16991 References KM# 488, AKS# 116, Olding FR# 403, Neum# 1, Schr# 59, Dav GT III# 778

Lot: 535 - One thaler/taler 1861 Prussia coronation Wilhelm Koenig & Augusta Koenigin V Preussen, silver (.900) AU, 18.47g

One thaler/taler 1861 Prussia coronation Wilhelm Koenig & Augusta Koenigin V Preussen, silver (.900) AU. Commemorative issue: Coronation of Wilhelm and Augusta; Obverse: King Wilhelm I and Queen Augusta; Script: Latin; Lettering: WILHELM KOENIG AUGUSTA KOENIGIN V. PREUSSEN; Translation: Wilhelm King and Augusta Queen of Prussia; Reverse: Arms at the center of crowned monograms; Script: Latin; Lettering: SUUM CUIQUE; W R A R W R A R; KROENUNGS THALER 1861; Edge: Inscripted. Lettering: GOTT MIT UNS; Translation: God be with us; Issuer Kingdom of Prussia (German States) King William I (1861-1888); Type Circulating commemorative coin; Year 1861; Value 1 Thaler Currency Vereinsthaler (1821-1873) Composition Silver (.900) Weight 18.47 g; Diameter 33 mm; Thickness 2.5 mm; Shape Round; Technique Milled; Orientation Medal alignment ↑↑ Demonetized Yes; Number N# 16991 References KM# 488, AKS# 116, Olding FR# 403, Neum# 1, Schr# 59, Dav GT III# 778

Lot: 540 - Azes II - last Scythian king in Gandhara (35-12 BC), bilingual copper very rare coin #1, reddish patina, 14.75g

Azes II - last Scythian king in Gandhara (35-12 BC), bilingual copper very rare coin #1, reddish patina, 14.75 g. Bronze coin: Hexa-Chalkon Mint: Taxila Obverse: humped bull, standing facing right with monogram above. Greek legend around----“Vasileos Vasilion Megaloy/Azoy” (The Great King of King Azes) Reverse: Lion, standing facing right with monograms above. Kharoshti lend around:

Lot: 541 - Azes II - last Scythian king in Gandhara (35-12 BC), bilingual copper very rare coin #2, 14.02 g.

Azes II - last Scythian king in Gandhara (35-12 BC), bilingual copper very rare coin #2, 14.02 g. Bronze coin: Hexa-Chalkon Mint: Taxila Obverse: humped bull, standing facing right with monogram above. Greek legend around----“Vasileos Vasilion Megaloy/Azoy” (The Great King of King Azes) Reverse: Lion, standing facing right with monograms above. Kharoshti lend around: Maharajasa

Lot: 543 - Azes II - last Scythian king in Gandhara (35-12 BC), bilingual copper very rare coin #4, 12.25 g.

Azes II - last Scythian king in Gandhara (35-12 BC), bilingual copper very rare coin #4, 12.25 g. Bronze coin: Hexa-Chalkon. Mint: Taxila. Obverse: humped bull, standing facing right with monogram above. Greek legend around----“Vasileos Vasilion Megaloy/Azoy” (The Great King of King Azes). Reverse: Lion, standing facing right with monograms above. Kharoshti lend around: Maharajasa rajarajasa mahatasa/ayuasa (The Great King of Kings Azes). Weight: 12.25 g; Diameter: 26 mm; Thickness: 2.5 mm; Numista Rarity index: 86 (meaning 0 - common and 100 extremely rare). Azes II (reigned c. 35–12 BCE) would have been the last Scythian king in Gandhara, western Pakistan. His existence has been questioned — would he not have existed, artefacts attributed to his reign, such as coins, would likely be those Azes I.[1] After the death of Azes II, the rule of the Indo-Scythians in northwestern India and Pakistan finally crumbled with the conquest of the Kushans, one of the five tribes of the Yuezhi who had lived in Bactria for more than a century, and who were then expanding into India to create a Kushan Empire. Soon after, the Parthians invaded from the west. Their leader Gondophares temporarily displaced the Kushans and founded the Parthian that was to last until the middle of the 1st century CE. The Kushans ultimately regained Mardan and ancient Taxila c. 75 CE, where they were to prosper for several centuries. Taxila (from Pāli: Takkasilā, Sanskrit: तक्षशिला, IAST: Takṣaśilā, meaning "City of Cut Stone" or "Takṣa Rock") is an important archaeological site of the ancient Indian subcontinent, located in the city of Taxila in Punjab, Pakistan. It lies about 32 km (20 mi) north-west of Islamabad and Rawalpindi, just off the famous Grand Trunk Road. Ancient Taxila was situated at the pivotal junction of the Indian subcontinent and Central Asia. The origin of Taxila as a city goes back to c. 1000 BCE.[1] Some ruins at Taxila date to the time of the Achaemenid Empire in the 6th century BCE, followed successively by Mauryan Empire, Indo-Greek, Indo-Scythian, and Kushan Empire periods. Owing to its strategic location, Taxila has changed hands many times over the centuries, with many empires vying for its control. When the great ancient trade routes connecting these regions ceased to be important, the city sank into insignificance and was finally destroyed by the nomadic Hunas in the 5th century. The renowned archaeologist Sir Alexander Cunningham rediscovered the ruins of Taxila in the mid-19th century. In 1980, Taxila was declared a UNESCO World Heritage Site.[2] In 2006 it was ranked as the top tourist destination in Pakistan by The Guardian newspaper.[3]

Lot: 552 - Kushan bronze coin #2, Elephant rider, King Huvishka, 151-180 AD, AE

Kushan bronze coin #2, Elephant rider, King Huvishka, 151-180 AD, AE; Diameter: 23 mm; Weight: 10.96 g; Tamga: King Huvishka (140-180 AD); Huvishka (Kushan: Οοηϸκι, "Ooishki") was the emperor of the Kushan Empire from the death of Kanishka (assumed on the best evidence available to be in 140 CE) until the succession of Vasudeva I about forty years later. His rule was a period of retrenchment and consolidation for the Empire. Religion Huvishka was the son of Kanishka. His reign is also known as the golden age of Kushan rule. The reign of Huvishka corresponds to the first known epigraphic evidence of the Buddha Amitabha, on the bottom part of a 2nd-century statue which has been found in Govindo-Nagar, and now at the Mathura Museum. The statue is dated to "the 28th year of the reign of Huvishka", and dedicated to "Amitabha Buddha" by a family of merchants. There is also some evidence that Huvishka himself was a follower of Mahāyāna Buddhism. A Sanskrit manuscript fragment in the Schøyen Collection describes Huvishka as one who has "set forth in the Mahāyāna."[1] Compared to his predecessor Kanishka, Huvishka was worshipper of Shiva.[2] Kushan coinage. In the coinage of the North Indian and Central Asian Kushan Empire (approximately 30-375 CE) the main coins issued were gold, weighing 7.9g., and base metal issues of various weights between 12g and 1.5g. Little silver coinage was issued, but in later periods the gold used was debased with silver.[1] The coin designs usually broadly follow the styles of the preceding Greco-Bactrian rulers in using Hellenistic styles of image, with a deity on one side and the king on the other. Kings may be shown as a profile head, a standing figure, typically officiating at a fire altar in Zoroastrian style, or mounted on a horse. The artistry of the dies is generally lower than the exceptionally high standards of the best coins of Greco-Bactrian rulers. Continuing influence from Roman coins can be seen in designs of the late 1st and 2nd century CE, and also in mint practices evidenced on the coins, as well as a gradual reduction in the value of the metal in base metal coins, so that they become virtual tokens. Iranian influence, especially in the royal figures and the pantheon of deities used, is even stronger.[2] Under Kanishka the royal title of "King of kings" changed from the Greek "ΒΑΣΙΛΕΥΣ ΒΑΣΙΛΕΩΝ" to the Persian form "ϷAONANOϷAO" (Shah of Shahs).[3] Much of what little information we have of Kushan political history derives from coins. The language of inscriptions is typically the Bactrian language, written in a script derived from Greek. Many coins show the tamga symbols (see table) as a kind of monogram for the ruler. There were several regional mints, and the evidence from coins suggests that much of the empire was semi-independent.

Lot: 554 - Kushan kingdom bronze coin #4, Horse rider;

Kushan kingdom bronze coin #4, Horse rider; Diameter: 19 mm; Weight: 9.37 g; Kushan coinage. In the coinage of the North Indian and Central Asian Kushan Empire (approximately 30-375 CE) the main coins issued were gold, weighing 7.9g., and base metal issues of various weights between 12g and 1.5g. Little silver coinage was issued, but in later periods the gold used was debased with silver.[1] The coin designs usually broadly follow the styles of the preceding Greco-Bactrian rulers in using Hellenistic styles of image, with a deity on one side and the king on the other. Kings may be shown as a profile head, a standing figure, typically officiating at a fire altar in Zoroastrian style, or mounted on a horse. The artistry of the dies is generally lower than the exceptionally high standards of the best coins of Greco-Bactrian rulers. Continuing influence from Roman coins can be seen in designs of the late 1st and 2nd century CE, and also in mint practices evidenced on the coins, as well as a gradual reduction in the value of the metal in base metal coins, so that they become virtual tokens. Iranian influence, especially in the royal figures and the pantheon of deities used, is even stronger.[2] Under Kanishka the royal title of "King of kings" changed from the Greek "ΒΑΣΙΛΕΥΣ ΒΑΣΙΛΕΩΝ" to the Persian form "ϷAONANOϷAO" (Shah of Shahs).[3] Much of what little information we have of Kushan political history derives from coins. The language of inscriptions is typically the Bactrian language, written in a script derived from Greek. Many coins show the tamga symbols (see table) as a kind of monogram for the ruler. There were several regional mints, and the evidence from coins suggests that much of the empire was semi-independent.

Lot: 555 - Kushan kingdom bronze coin #5, Kadphises II (30-80 AD),

Kushan kingdom bronze coin #5, Kadphises II (30-80AD), Obverse: Standing Man figure with Royal tamga of Kadphises II; Weight: 9.82 g; Diameter: 22 x 23 mm; Kujula Kadphises (30–80) According to the Hou Hanshu (compiled by Fan Ye in the fifth century): "the prince (xihou) of Guishuang (Badakhshan and the adjoining territories north of the Oxus), named Kujula Kadphises (Ch: 丘就却, "Qiujiuque") attacked and exterminated the four other princes (xihou). He set himself up as king of a kingdom called Guishuang."[12] He invaded Anxi (Parthia) and took the Gaofu (Kabul) region. He also defeated the whole of the kingdoms of Puda, and Jibin (Kapisha-Gandhara). Qiujiuque (Kujula Kadphises) was more than 80 years old when he died. Those conquests probably took place sometime between 45 and 60, and laid the basis for the Kushan Empire which was rapidly expanded by his descendants. Kujula issued an extensive series of coins and fathered at least two sons, Sadaṣkaṇa, known from only two inscriptions, especially the Rabatak inscription, and apparently never have ruled, and apparently Vima Taktu. Kujula Kadphises had been the great grandfather of Kanishka.

Lot: 556 - Kushan kingdom bronze coin, Vima Taktu or Soter Megas (80-100 AD)

Kushan kingdom bronze coin, Vima Taktu or Soter Megas (80-100 AD) Obverse: King profile bust, holding scepter, looking to the right Diameter: 20 mm; Weight: 8.31 g; Obverse: Copper alloy tetradrachm depicting diademed bust of king right, holding scepter on obverse, Reverse: mounted king, right holding whip or dagger with Greek legend around. Reign of King Vima Takto or ‘Soter Megas’ (the Great Saviour) (circa 80 – 100 AD). Kushan Empire. For details, see Wikipedia here. Vima Taktu or Sadashkana (c. 80 – c. 95) Vima Takto (Ancient Chinese: 閻膏珍 Yangaozhen) is mentioned in the Rabatak inscription (another son, Sadashkana, is mentioned in an inscription of Senavarman, the King of Odi). He was the predecessor of Vima Kadphises, and Kanishka I. He expanded the Kushan Empire into the northwest of South Asia. The Hou Hanshu says: His son, Yangaozhen [probably Vema Tahk (tu) or, possibly, his brother Sadaṣkaṇa], became king in his place. He defeated Tianzhu [North-western India] and installed Generals to supervise and lead it. The Yuezhi then became extremely rich. All the kingdoms call [their king] the Guishuang [Kushan] king, but the Han call them by their original name, Da Yuezhi. — Hou Hanshu[34] Kushan coinage. In the coinage of the North Indian and Central Asian Kushan Empire (approximately 30-375 CE) the main coins issued were gold, weighing 7.9g., and base metal issues of various weights between 12g and 1.5g. Little silver coinage was issued, but in later periods the gold used was debased with silver.[1] The coin designs usually broadly follow the styles of the preceding Greco-Bactrian rulers in using Hellenistic styles of image, with a deity on one side and the king on the other. Kings may be shown as a profile head, a standing figure, typically officiating at a fire altar in Zoroastrian style, or mounted on a horse. The artistry of the dies is generally lower than the exceptionally high standards of the best coins of Greco-Bactrian rulers. Continuing influence from Roman coins can be seen in designs of the late 1st and 2nd century CE, and also in mint practices evidenced on the coins, as well as a gradual reduction in the value of the metal in base metal coins, so that they become virtual tokens. Iranian influence, especially in the royal figures and the pantheon of deities used, is even stronger.[2] Under Kanishka the royal title of "King of kings" changed from the Greek "ΒΑΣΙΛΕΥΣ ΒΑΣΙΛΕΩΝ" to the Persian form "ϷAONANOϷAO" (Shah of Shahs).[3] Much of what little information we have of Kushan political history derives from coins. The language of inscriptions is typically the Bactrian language, written in a script derived from Greek. Many coins show the tamga symbols (see table) as a kind of monogram for the ruler. There were several regional mints, and the evidence from coins suggests that much of the empire was semi-independent.

Lot: 557 - Set of 12 ancient Islamic Mamluk period silver coins, 21.2 g (1250-1517 AD)

Set of 12 ancient Islamic Mamluk period silver coins, 21.2 g (1250-1517 AD); A group of ancient Islamic Mamluk period coins, dating back to around 1200 AD. This diverse collection features coins of various sizes adorned with inscriptions in Arabic script, reflecting religious verses, rulers’ names, or poetic phrases. Ancient Islamic Coins and Numismatic Collectibles. Total weight of 12 coins: 21.20 g. Largest Diameter 7/8 inches = 22.2 mm. All measurements are approximate. Condition Report: Overall good vintage condition. Signs of age and wear. Refer to photos. Sold As Is. REFERENCE: The Mamluk dynasty. This process of usurping power was epitomized by and culminated in the establishment of the Mamluk dynasty, which ruled Egypt and Syria from 1250 to 1517 and whose descendants survived in Egypt as an important political force during the Ottoman occupation (1517–1798). Provenance: Private collection in New York, USA.

Lot: 579 - Vintage Texas Ford 1918 car model, made in Iowa, USA, 5.5 inches = 13.7 cm

Vintage Texas Ford 1918 car model, made in Iowa, USA, 5.5 inches = 13.7 cm

Lot: 580 - 2007-2016 Presidential Dollar set 39 coins, uncirculated, in a special folder

2007-2016 Presidential Dollar set 39 coins, uncirculated, in a special folder Size of 1 coin: 26 mm; Weight of 1 coin: 7.96 g Size of the folder: 21.1 cm x 15.8 cm = 8.35” x 6.25” inches Weight of folder with 39 coins: 1 lb. 0.5 oz. = 466 g;

Lot: 586 - Certified Morgan-O silver dollar, USA, 1887, Fine

Certified Morgan-O silver dollar, USA, 1887, Fine Mint: O = New Orleans; Grade: Fine; Weight: 26.64 g; Diameter: 37 mm; Provenance: bought from National Collector’s Mint processing center, 32 Railroad Ave, West Haven, CT, 06516 Weight variations: The weight of an uncirculated Morgan silver dollar is 26.73 grams. Most replica coins weigh substantially less. Authentic Morgan silver dollars may also weigh less than the standard specs if they have had wear and tear from being in circulation; although, any variation in weight will likely be less than a gram.

Lot: 587 - Certified Morgan O silver dollar, USA, 1891, Fine

Certified Morgan O silver dollar, USA, 1891, Fine Mint: O = New Orleans; Grade: Fine; Weight: 26.23 g; Diameter: 37.0 mm; Provenance: bought from National Collector’s Mint processing center, 32 Railroad Ave, West Haven, CT, 06516 Weight variations: The weight of an uncirculated Morgan silver dollar is 26.73 grams. Most replica coins weigh substantially less. Authentic Morgan silver dollars may also weigh less than the standard specs if they have had wear and tear from being in circulation; although, any variation in weight will likely be less than a gram.

Lot: 588 - Certified Morgan O silver dollar, USA, 1921, Extra Fine

Certified Morgan O silver dollar, USA, 1921, Extra Fine Mint: no mint; Grade: Extra Fine; Weight: 26.69 g; Diameter: 37.0 mm; Provenance: bought from National Collector’s Mint processing center, 32 Railroad Ave, West Haven, CT, 06516 Weight variations: The weight of an uncirculated Morgan silver dollar is 26.73 grams. Most replica coins weigh substantially less. Authentic Morgan silver dollars may also weigh less than the standard specs if they have had wear and tear from being in circulation; although, any variation in weight will likely be less than a gram.

Lot: 592 - The 1933 Gold Double Colossal proof, Cu, layered 24 k gold coin collection, American Mint

The 1933 Gold Double Colossal proof, Cu, layered 24 k gold coin collection, American Mint; A magnificent reproduction of the coin, which was sold for the record price of $18.87 million Material: CU, layered in 24k gold; Limitation: 9,999; Diameter: 70 mm = 2.75 inch; Thickness: 0.16” inch; Weight: 3.88 ounces = 376 g; Quality: Proof; Obverse: Liberty 1933; Reverse: Classic Eagle, In God we trust;

Lot: 594 - Liberty Head Double Eagle, Cu, layered 24 k gold coin collection, American Mint, 2016

Liberty Head Double Eagle, Cu, layered 24 k gold coin collection, American Mint, 2016; Material: CU, layered in 24k gold; Limitation: 9999; Diameter: 100 mm; Weight: 376 g; Quality: Proof; Obverse: Liberty Head, Double Head; Reverse: Classic Eagles;

Lot: 595 - Set of BIG FIVE (Rare African animals), Six 0.999 pure gold coins x 40 mm diameter each, certified, 2022

Set of BIG FIVE (Rare African animals), Six 0.999 pure gold coins x 40 mm diameter each, certified, 2022. African Lion, Black Rhinoceros, African Buffalo, Leopard, African Bush Elephant. 2022 set BIG FIVE 1/200 oz. - Six gold coins. Material: 0.999 pure gold; Weight: 1/200th ounce x 6 coins; Issue year: 2022, Diameter: 40 mm; Quality: Proof, Republique Togolaise (Africa); Face value: 1500 franks CFA. Low mintage: 15,000 sets worldwide Obverse: image and inscription: Lion, Black Rhinoceros, African Buffalo, Leopard, African Bush Elephant, Big Five coin. Africa is a continent full of natural wonders. During the heyday of the big game hunter, there were five animals, considered the greatest trophies. The most dangerous of all big game, they became known as Big Five: African Lion, Black Rhinoceros, African Buffalo, Leopard, African Bush Elephant. Today the big Five are still the most sought after trophies, but mostly on tourist and photography safaris.

Lot: 604 - Ant Nose Chinese bronze coin, ghost face, 400-220 BC

Ant Nose Chinese bronze coin, ghost face, 400-220 BC Obverse: Ghost face; Three crude Chinese characters "Ge Liu Zhu" ("Each 6 zhu (by weight)") Reverse: Blank. Size: 20 mm x 11 mm, Weight: 3.15 grams. Issued: ca.400-220 BC. Schjöth #14; Hartill 1.5-1.7, but larger size; These bronze pieces with inscriptions are known as Yi Bi Qian (Ant Nose Money) or Gui Lian Qian (Ghost Face Money) were definitely used as money. They have been found in hoards, strung up, like the later cash with holes, in the areas to the south of the Yellow River corresponding to the State of Chu in the Warring States period. Their weight is very variable, and their alloy often contains a high proportion of lead. The name Ant (and) Nose refers to the appearance of the inscriptions, and is nothing to do with keeping ants out of the noses of corpses. It is likely that these coins were actually meant to imitate the cowrie shells which were used as money for centuries earlier. This coin is unconditionally genuine.

Lot: 605 - Chinese pair of bronze coins Ant Nose, State of Chu, 250 BC

Chinese pair of bronze coins Ant Nose, State of Chu, 250 BC A lot of 2 pieces Warring States "ant nose" bronze coins (~ BC 250) cast in State Chu in Southern China. These bronze coins are evolved from early primitive money using natural cowrie as prototype, Weight: 2.35 g; and 1 g, Condition: Fine; genuine deep patina. Hartill: 1.4

Lot: 606 - Wang Mang, Chinese bronze key knife money, 7-23 AD

Wang Mang, Chinese bronze key knife money, 7-23 AD. Obverse: Yi Dao Ping Wu Qian = One knife worth five thousand. Weight 21.06 g; Length: 72 mm; David Hartill: 9.12 (p. 87); Wang Mang, a nephew of the Dowager Empress Wang was appointed regent over 2 year old Ruzi in AD 7. In AD 9 he usurpated the throne and founded the Xin Dynasty. Provenance: Private collection, New Jersey, USA. Microscopic photos with 50 magnification show genuine multicolored patina

Lot: 607 - Yi Dao Ping Wu Qian, Wang Mang (7-23 AD), Chinese bronze archaic coin

Yi Dao Ping Wu Qian, Wang Mang (7-23 AD), Chinese bronze archaic coin. One knife worth five thousand. Wang Mang, a nephew of the Dowager Empress Wang was appointed regent over 2 year old Ruzi in AD 7. In AD 9 he usurpated the throne and founded the Xin Dynasty. Value: $150 (in 2005 Hartill); Weight: 22.04 g; Height: 67 mm; Hartill 9.13; Issuer China (ancient); Emperor Xin dynasty › Wang Mang (7-23); Type Standard circulation coin: Years: 7-9; Value: 5000 Cash; Currency Zhu (first reform, 7-9); Composition Bronze; Shape Knife Technique Cast Orientation Medal alignment ↑↑ Demonetized Yes References Hartill# 9.12, FD# 458, Schjoth# 119 In 9 AD, an usurper named Wang Mang came to power for a short time in China. Wang introduced many reforms, most of them to secure his power. At the same time, however, he tried to re-erect the "ideal" state, which in Wang’s opinion had existed during the period of the Zhou (1045-221 BC). For Wang, this meant among other things the reintroduction of the old spade and knife currency. This coin, often described as knife or key money, dates from the reign of Wang Mang. The coin merged the old with the new: its lower part looks like an old Zhou knife coin, while the upper part was made like the Chinese round coins. It was of pretty high value, as it was worth 5000 round coins.

Lot: 608A - Warring States period Ming Knife AE money, 250 BC, certified Chinese coin

China, Warring States period Ming Knife AE money, 250 BC, certified. Cast by State of Yan during Warring States period (475 BC - 220 BC) of China. Ming knife money with straight back, a later type. Unearthed from a hoard in Northern China. Length: 137 mm. Weight: 14.4 g, Condition: heavily encrusted. Secured with cushion in a presentable acrylic case.

Lot: 610 - A set of 5 early Chinese bronze cast coins on a cardboard 400 BC - 14 AD.

China, a set of 5 early bronze cast coins of various types from 400 BC to 14 AD. 1. Warring States: Ming Knife money from state of Yan, 2. "Ant Nose" (imitation of natural cowrie) money from state of Chu. 3. Han Dynasty: Wu Zhu, Da Quan Wu Shi and 4. Interregnum Wang Mang Huo Bu Spade money. All coins are secured on a presentable cardboard with their attributions, Fine - EF

Lot: 615 - Arched foot spade (425-344 BC), Yan Yi Yi Jin, bronze Chinese coin Yan Yi Yi Jin (Yanyi one jin)

Arched foot spade (425-344 BC), Yan Yi Yi Jin, bronze Chinese coin Yan Yi Yi Jin (Yanyi one jin) Hartill 3.32; This type has an arched crutch, often like inverted U. The shoulders can be rounded or angular. Denominations of half, one or two jin are normally specified. They are associated with the state of Liang (also known as Wei), which flourished between 425 and 344 BC and the state of Han. Estimate $1000- $2000 (in 2005 Hartill catalogue); Height: 50 mm; Width at the bottom: 32 mm; Weight: 15.86 g; Provenance: private collection in New York, NY, USA

Lot: 616 - Chinese antique large bronze coin

Chinese antique large bronze coin Diameter: 46 mm; Weight: 34.36 g; Condition: Dark brown patina. Not attracted to the magnet

Lot: 617 - Chinese antique bronze token amulet

Chinese antique bronze token amulet Diameter: 49 mm; Weight: 35.09 g; Provenance: private collection in Madison, CT, USA

Lot: 618 - Obverse: Chun You Tong Bao, Reverse: Wu Bai = 500 cash Chinese bronze coin, Xiao Zhong 1163-1190 AD, Southern Song dynasty.

Obverse: Chun You Tong Bao, Reverse: Wu Bai = 500 cash Chinese bronze coin, Xiao Zhong 1163-1190 AD, Southern Song dynasty. Obverse: Chun You Tong Bao. Reverse: Wu Bai (500-cash). Diameter: 48 mm Weight: 40.74 g;

Lot: 619 - Genuine Chinese bronze coin, Han Interregnum Wang Mang, 7 AD

Da Quan Wu Shi Large coin 50; Diameter: 27.5 mm; Weight: 4.70 g, Condition: green-brownish genuine crusty patina, F/VG Hartill 9.1

Lot: 619A - 漢代王莽大泉五十, Han Interregnum, Wang Mang, Da Quan Wu Shi, with extra metal, Chinese antique coin

漢代王莽大泉五十, Han Interregnum, Wang Mang, Da Quan Wu Shi, with extra metal, Chinese antique coin. Han Interregnum Wang Mang (AD 7 - 23) Da Quan Wu Shi bronze coin with extra metal from mold defect, Salvaged from a riverside hoard, Fine.

Lot: 620 - China, Han Dynasty, WU ZHU bronze coin half-moon mark below the hole, VF

China, Han Dynasty, WU ZHU bronze coin half-moon mark below the hole, VF. China, Western Han (BC 206 - AD 25) Wu Zhu bronze coin obverse half-moon mark below hole. Attribute to Shang Lin San Guang Wu Zhu cast from BC 113. H10.8, 25.6 mm / 3.4 g, VF

Lot: 621 - China, Tang, KAI YUAN TONG BAO early issue, EF

China, Tang, KAI YUAN TONG BAO early issue, EF. Cast in AD 621 of Tang Dynasty (AD 618 - 907), Kai Yuan Tong Bao early issue, The JING component of KAI is not touching the hole and 2 vertical strokes of BAI is not touching the sides. Hartill #14.1, lovely EF.

Lot: 621A - China, Tang, KAI YUAN TONG BAO reverse - short bar top, lovely EF

China, Tang, KAI YUAN TONG BAO reverse - short bar top, lovely EF. Cast in AD 732 to 907 of Tang Dynasty (AD 618 - 907), Kai Yuan Tong Bao late issue with short bar reverse. Hartill #14.6.a, lovely EF.

Lot: 621B - Tang dynasty, set of 9 coins Kai Yuan Tong Bao AE cash some with crescent reverse, Chinese antique bronze coins

Tang dynasty, set of 9 coins Kai Yuan Tong Bao AE cash some with crescent reverse, Chinese antique bronze coins 9 pieces Tang Dynasty (AD 618 - 907) Kai Yuan Tong Bao bronze cash in Li script. Some with crescent on reverse. Average 24 mm / 3 g, Condition: Fine

Lot: 622 - Collection album of 90 coins, N. Song Dynasty (960-1127 AD), Chinese unique bronze coins

Collection album of 90 coins, N. Song Dynasty (960-1127AD), Chinese unique bronze coins. A lot of 90 pieces 1-cash bronze coins from Northern Song Dynasty (960 - 1127 AD) Bearing 24 reign names with many calligraphic styles (Regular, Seal, Running and Li script etc.) of subtle differences, each coin is unique. Coins are arranged in chronological order in an album with a list of attribution and sequence number for easy cross referencing. Average 24 mm / 3 g, condition: F -EF. From Java, Indonesia. Although far from complete, still an interesting group representing the varieties of Chinese coins from this important period.

Lot: 622C - N. Song Dynasty, 998 AD, Xian Fu Tong Bao, Genuine Chinese bronze coin

Xian Fu Tong Bao; Diameter: 25 mm; Weight: 3.20 g, Condition: green-blue-brownish genuine crusty patina, Fine; Hartill 16.59

Lot: 622D - China, N Song, Yuan Fu Tong Bao 1-cash coin Seal script, lovely VF Hartill: 16.328, Seal script

China, N Song, Yuan Fu Tong Bao 1-cash coin Seal script, lovely VF Hartill: 16.328, Seal script

Lot: 622E - China, N. Song Sheng Song Yuan Bao 1-cash coin Running script, VF

China, N. Song Sheng Song Yuan Bao 1-cash coin Running script, VF. Cast during 1101 - 06 AD under rule of Emperor Hui Zong of Northern Song Dynasty (960 - 1127 AD). Sheng Song Yuan Bao 1-cash bronze coin in “Running script”. Rosette hole, pinhole at 11:00, VF

Lot: 622G - N. Song Dynasty, 1078 AD, 2 cash Yuan Feng Tong Bao, Shipwreck Chinese bronze coin

Yuan Feng Tong Bao; Seal script; Diameter: 28.5 mm; Weight: 6.01 g, Condition: green-blueish genuine patina, there is a 1 mm-hole, coin was found at shipwreck, Fine. Hartill 16.229

Lot: 625B - Qing Dynasty, 1680 AD, 1 cash Kang Xi Tong Bao, Chinese bronze coin

Kang Xi Tong Bao; private cast (?) Diameter: 22 mm; Weight: 1.25 g, Condition: Dark green genuine patina, VG/G. Hartill 22.87

Lot: 630A - Han Interregnum 14 AD, Wang Mang, Chinese bronze coin

Obverse: Huo Quan (Wealth/Money coin), Weight 5 zhu Hartill: 9.32; p. 89; Diameter: 24.5 mm; Weight: 2.07 g; Condition: VG, Genuine green patina;

Lot: 630F - 1064 AD, N. Song, Zhi Ping Yuan Bao, 1 cash Chinese bronze coin

Rare genuine antique 1 cash coin. Diameter: 24.5 mm; Weight: 2.22 g; Condition: Fine, genuine green patina Hartill: not listed, which means very rare

Lot: 630I - 1119 AD, N. Song, Zhi Ping Yuan Bao, 1 cash Chinese bronze coin

Rare 1 cash genuine coin, almost 1000 years old. Diameter: 24.5 mm; Weight: 2.40 g; Condition: Fine, 1 mm- hole, genuine green patina Hartill: not listed, which means very rare

Lot: 630K - 1039 AD, N. Song, Huang Song Tong Bao, Seal script, 1 cash Chinese bronze coin

1 cash genuine coin, almost 1000 years old. Diameter: 24.5 mm; Weight: 2.7 g; Condition: Very Good, genuine green patina Hartill: 16.93

Lot: 630L - 1056 AD, N. Song, Jia You Tong Bao, Li script, 1 cash Chinese bronze coin

1 cash genuine coin, almost 1000 years old. Diameter: 24.5 mm; Weight: 2.4 g; Condition: Very Good, genuine green patina; Hartill: 16.153

Lot: 630M - 1078 AD, N. Song, Yuan Feng Tong Bao, Running script, 1 cash Chinese bronze coin

1 cash genuine coin, almost 1000 years old. Diameter: 24.5 mm; Weight: 2.4 g; Condition: Very Good, genuine green & brown patina Hartill: 16.236

Lot: 630N - 1086 AD, N. Song, Yuan You Tong Bao, Running script, 1 cash Chinese bronze coin

1 cash genuine coin, almost 1000 years old. Diameter: 24.5 mm; Weight: 2.4 g; Condition: Very Good, genuine green & brown patina Hartill: 16.275

Lot: 630O - 紹熙元寶小平背二, S. Song, Shao Xi Yuan Bao 1-cash Rev ER (2), VF Chinese coin

紹熙元寶小平背二, S. Song, Shao Xi Yuan Bao 1-cash Rev ER (2), VF Chinese coin Cast in AD 1191 under rule of Emperor Guang Zong of Southern Song Dynasty (AD 1127 - 1279) Obverse: Shao Xi Yuan Bao 1-cash bronze coin in regular script. Reverse: Er (2nd year of reign), VF. 紹熙元寶小平背二

Lot: 630P - Southern Song, Chun You Yuan Bao AE cash, rev SHI (10), VF, Chinese coin

China, Southern Song, Chun You Yuan Bao AE cash, rev SHI (10), VF. Cast in AD 1250 under rule of Emperor Li Zong of Southern Song Dynasty (AD 1127 - 1279). Chun You Yuan Bao 1-cash bronze coin in regular script, reverse SHI (10th year of reign Chun You), VF.

Lot: 630R - Southern Song, Chun You Yuan Bao AE cash, reverse - SHI (10), VF, Chinese coin

China, Southern Song, Chun You Yuan Bao AE bronze cash, reverse - SHI (10), VF. Hartill: 17.788

Lot: 630S - 淳熙元寶小平背十六, S. Song, Chun Xi Yuan Bao 1-cash Reverse: Shi-liu (16), EF, Chinese coin

淳熙元寶小平背十六, S. Song, Chun Xi Yuan Bao 1-cash, Reverse: Shi-liu (16), EF, Chinese coin. Cast in AD 1188 under rule of Emperor Xiao Zong of Southern Song Dynasty (AD 1127 - 1279). Chun Xi Yuan Bao 1-cash bronze coin in regular script, reverse SHI-LIU (16th year of reign), EF. 淳熙元寶小平背十六

Lot: 630T - 1127 AD, S. Song, Jian Yan Tong Bao, Regular script, 2 cash Chinese bronze coin

Rare large EF 2 cash genuine shipwreck coin, almost 1000 years old. Diameter: 28 mm; Weight: 5.38 g; Condition: Extra Fine, genuine black patina Hartill: 17.29; Estimate: $300 - $1200

Lot: 630U - Jin Tartar, 1158 AD, Zheng Long Yuan Bao, Chinese bronze coin

Hartill 18.40, if Zheng is 4 stroke - $50 Hartill 18.41, if Zheng is 5 stroke - $500 Diameter: 25 mm; Weight: 2.16 g; Estimate: $200-$600

Lot: 630V - Southern Song, Huang Song Yuan Bao, AE cash, reverse: SAN (3), EF, Chinese coin

Southern Song, Huang Song Yuan Bao, AE cash, reverse: SAN (3), EF, Chinese coin; Cast in AD 1255 under rule of Emperor Li Zong of Southern Song Dynasty (AD 1127 - 1279); Huang Song Yuan Bao 1-cash bronze coin in regular script, reverse SAN (3rd year of reign Bao You), Hartill: 17.815, EF.

Lot: 630W - Rare S. Song, CHUN YOU YB AE cash year 11, key date, lovely EF, Chinese coin

Rare S. Song, CHUN YOU YB AE cash year 11, key date, lovely EF, Chinese coin. Cast in AD 1251 under rule of Emperor Li Zong of Southern Song Dynasty (AD 1127 - 1279). Chun You Yuan Bao 1-cash bronze coin in regular script, reverse SHI YI (11th year of reign Chun You), key date, Hartill # 17.788, lovely EF.

Lot: 630Z - 1679 AD, Qing Dynasty, Qian Long Tong Bao, Lovely EF, 1 cash Chinese bronze coin

1679 AD, Qing Dynasty, Qian Long Tong Bao, Lovely EF, 1 cash Chinese bronze coin Chengdu mint. Rare EF 1 cash genuine coin, large issue almost 300 years old. Diameter: 25 mm; Weight: 2.48 g; Condition: Lovely Extra Fine, genuine black patina Hartill: 22.335 Estimate: $200 - $400

Lot: 632 - Chinese antique bronze charm coin, 46 mm, 39.37 g

Chinese antique bronze charm coin, 46 mm, 39.37 g Diameter: 46 mm Weight: 39.37 g; Provenance: private collection in Florida, USA.

Lot: 633 - Chinese bronze coin, Tang dynasty (618-907 AD) Kai Yuan

Chinese bronze coin, Tang dynasty (618-907 AD) Kai Yuan Obverse: Kai Yuan Reverse: Jing – above, Crescent – below Hartill: 14-68

Lot: 634 - Chinese bronze coin Tang dynasty Hui Chang Kai Yuan", 2.51g, H 14.90

Lot 634: Chinese bronze coin Tang dynasty Hui Chang Kai Yuan", 2.51g, H 14.90 Description: 1 cash; Obverse: Kai Yuan Tong Bao Reverse: Provincial mint " Yan " top, - Yan for Yan Prefecture (Shandong) Size: 23 mm; Weight: 2.51 grams; Material: Bronze from Buddhist Statues; Tang Dynasty (618-907), Emperor Wu Zong (841-847). Kai Yuan Tong Bao - "Hui Chang" Kai Yuan. Local mint names on reverse. Refer to FD #709 - #745. Provenance: from coin collector from Netherlands; Huichang Kai Yuan 845 A.D. In 845, in the Huichang period, the Emperor Wu Zong, a fervent follower of Taoism, destroyed the Buddhist monasteries and used the copper bells, gongs, incense burners and statues to cast coins in various localities. These local mints were under the control of the provincial governors. The New Tang History states that Li Shen, governor of Huainan province, requested that the empire might cast coins bearing the name of the prefecture in which they were cast, and this was agreed. These coins with mint names on the reverses, known as Huichang Kai Yuans, are of poor workmanship and size compared with the early Kai Yuans. However, when Xuanzong ascended to the throne the next year, this policy was reversed, and the new coins were recast to make Buddhist statues.

Lot: 635 - Lot of 5 ancient coins from major dynasties (Han, Tang, Song, Ming, Qing) on a cardboard #1

Lot of 5 ancient coins from major dynasties (Han, Tang, Song, Ming, Qing) on a cardboard #1. China, a lot of 5 pieces ancient bronze and brass cash coins from many dynasties. Secured on a presentable cardboard with their attributions. China, lot of 5 pieces ancient coins from major dynasty on a cardboard

Lot: 636 - Five ancient coins: Han, Tang, Song, Ming, Qing Dynasties, Chinese bronze coins, #2

Five ancient coins: Han, Tang, Song, Ming, Qing Dynasties, Chinese bronze coins, Lot #2. China, a lot of 5 pieces ancient bronze and brass cash coins from many dynasties. Secured on a presentable cardboard with their attributions. China, lot of 5 pieces ancient coins Han - Qing Dynasty

Lot: 640 - N. Song Chong Ning Tong Bao AE 10 cash, Slender Gold script, rev crescent, VF, Chinese coin

N. Song Chong Ning Tong Bao AE 10 cash, Slender Gold script, rev crescent, VF, Chinese coin Cast in AD 1102 under rule of emperor Hui Zong of Northern Song Dynasty (AD 960 - 1127) Chong Ning Tong Bao - bronze 10-cash bronze coin, Slender Gold script, reverse crescent, pinhole at 9:00, VF

Lot: 640B - Song Dynasty, 10 cash CHONG NING ZHONG BAO AE Chinese bronze coin Li script, rev dot below, Fine

Chinese bronze 10-cash in Li script, rev dot below, Fine Cast in AD 1102 under rule of emperor Hui Zong of Northern Song Dynasty (AD 960 – AD 1127). Chong Ning Zhong Bao bronze 10-cash in Li Script, reverse dot below touching center rim. Diameter: 34.9 mm; Weight: 10.61 g; Condition: Very Fine, genuine green patina; Hartill: 16.407-412 Similar to Hartill 16.407, but with fine strokes.

Lot: 640E - S. Song Qing Yuan Tong Bao AE 5-cash rev SI below,

Chinese coin, S Song Qing Yuan Tong Bao AE 5-cash rev SI below, Cast in AD1198 under rule of Emperor Ning Zong of Southern Song Dynasty (AD1127 - 1279) Qing Yuan Tong Bao bronze 5-cash reverse reign year number SI (4) below Hartill: 17.445, rarity 11 ($125-$200) Diameter: 34 mm; Weight: 9.56 g, Condition: nice blue and green genuine patina, Fine

Lot: 641 - Chinese bronze Coin, Northern Song "Xiang Fu Yuan Bao" 1008-1017 A.D

Chinese bronze Coin, Northern Song "Xiang Fu Yuan Bao" 1008-1017 A.D Description: 1000 Years Old Chinese Coin Northern Song "Xiang Fu Yuan Bao" 1008-1017 A.D Obverse: Xian Fu Yuan Bao, Northern Song, 1008-1017 A.D. Xiang Fu yuan bao. which means: Currency of Lucky Charm Regular script. (10081017 AD) Weight: 3.23 g; Size: 25 mm; Hartill: 16.59, p. 131; Provenance: private collection, USA, Florida; Literature: Emperor Zhen Zong (998-1022). Xian Ping yuan bao. Regular script. (998-1003). Found in bronze and iron. Jing De yuan bao. Regular script. (100407). Bronze. Iron, Value Two. Iron, Value Ten. The large iron coins were minted at Jiazhou and Qiongzhou in Sichuan in 1005. They weighed 4 qian each. Xiang Fu yuan bao. Regular script. (100816). Bronze. Iron. Medium size and large size. The large iron coins were cast from 1014 to 1016 in Yizhou, Sichuan. Their nominal value was 10 cash and weight 3.2 qian. Xiang Fu tong bao. Regular script. (100816). Tian Xi tong bao. Regular script. (101722). Bronze and iron. At this time, there were copper coin mints at Yongping in Jiangxi, Yongfeng in Anhui, Kuangning in Fujian, Fengguo in Shanxi, and in the capital. There were also three iron coin mints in Sichuan. No coins were produced with the Qian Xing period title, which only lasted one year, 1022.

Lot: 642 - Qing dynasty, Qian Long Tong Bao BOR mint, lovely EF, Chinese coin

Qing dynasty, Qian Long Tong Bao BOR mint, lovely EF, Chinese coin. Cast in AD 1736 - 95 under rule of Emperor Gao Zong in Qing Dynasty (AD1644 - 1911). Board of revenue mint, Peking, triangle head TONG, EF, brass

Lot: 642A - Qing Dynasty Tong Zhi Tong Bao Yunnan mint, large issue 同治通寶小平雲局大樣, Chinese brass coin

Qing Dynasty Tong Zhi Tong Bao Yunnan mint, large issue 同治通寶小平雲局大樣, Chinese brass coin. Cast in AD 1862 under reign of emperor Mu Zong of Qing Dynasty (1644 - 1911 AD). Tong Zhi Tong Bao 1-cash brass coin, Yunnan mint, large heavy issue, 25.6 mm / 5.6 g, VF. 同治通寶小平雲局大樣

Lot: 642B - Qing dynasty, 1678 AD, Rebel, Wu Sangui, Zhao Wu Tong Bao, Chinese bronze coin, Hartill H21.105

Qing dynasty, 1678 AD, Rebel, Wu Sangui, Zhao Wu Tong Bao, Chinese bronze coin, Hartill H21.105

Lot: 643 - Chinese bronze weight (16 tael) Northern Song Dynasty, 9591126 AD

Chinese bronze weight (16 tael) Northern Song Dynasty, 9591126 AD Weight: 591 g = 1 lb. 4 oz. Height: 101 mm = 4 inches; Width: 68 mm = 2.7 in; Thickness at the base: 28 mm. Condition: natural patina, oxidation and rust all over. 591g : 36.7g = 16.1 tael. Tael. Tael or tahil can refer to any one of several weight measures of the Far East. Most commonly, it refers to the Chinese tael, a part of the Chinese system of weights and currency. Historical usage In China, there were many different weighting standards of tael depending on the region or type of trade. In general the silver tael weighed around 40 grams (1.3 ozt). The most common government measure was the Kuping ("treasury standard") tael, weighing 37.5 grams (1.21 ozt). A common commercial weight, the Caoping ( "canal shipping standard") tael weighed 36.7 grams (1.18 ozt) of marginally less pure silver.

Lot: 644 - Chinese large bronze coin, Qing dynasty, Sheng Zhu Emperor (1662-1722)

Chinese large bronze coin, Qing dynasty, Sheng Zhu Emperor (1662-1722); Diameter: 63 mm; Weight: 69.53 g;

Lot: 645 - 國父 孫中山先生, 壹 圓, Sun Yat-sen- father of the nation, 1 yuan, Taiwan, Chinese very rare commemorative coin

國父 孫中山先生, 壹 圓, Sun Yat-sen- father of the nation, 1 yuan, Taiwan, Chinese very rare commemorative coin. 1 Yuan - Sun Yat-sen Memorial; Obverse: Script: Chinese (traditional, regular script); Lettering: 國父 孫中山先生, 壹 圓 Translation: Sun Yat-sen, father of the nation; One Yuan; Reverse: Script: Chinese (traditional, regular script); Lettering: 國父紀念館 Translation: Sun Yat-Sen Memorial Hall Edge: Reeded. Pretended issuer: Taiwan; Ruling authority: Republic (1949-date); Composition Copper-nickel plated steel; .Weight 17.24 g; Diameter 38.26 mm; Thickness 2.27 mm; Shape: Round; Technique: Milled; Orientation Medal alignment ↑↑ Number N# 346447; Comments: In 1966, Mr. Sun Yat-sen, the father of the nation, Sun Yat-sen Memorial Hall, one-yuan silver coin, embodies the typical Western deep-relief technique. On the back of the silver coin, the five characters "Sun Yat-Sen Memorial Hall" are framed on the upper end, with clouds at the bottom, and the rising sun and an aerial view of the buildings and gardens of the Sun Yat-Sen Memorial Hall in Taipei are engraved on the lower half. When Chiang Kai-shek was in power in Taiwan, he made a plan to counterattack the mainland, and sent secret agents to lurk in the mainland through various channels to wait for opportunities. Later, due to the increasingly stable political situation and the consolidation of the political power in the mainland, Chiang Kai-shek's plan to counterattack the mainland was aborted. In 1966, the one-yuan silver coin of the National Father Sun Yat-sen Memorial Hall was brought into the mainland by the Kuomintang military and political agents secretly dispatched by Taiwan to the mainland during the implementation of Chiang Kai-shek's plan to counterattack the mainland during the 1960s and 1970s. Very rare.; https://en.numista.com/catalogue/exonumia346447.html Numista › Catalog › Taiwan

Lot: 650 - Genuine Chinese 4 bronze coins in clump salvaged from Song Dynasty 1200 AD shipwreck

Genuine Chinese 4 bronze coins in clump salvaged from Song Dynasty 1200 AD shipwreck; Weight: 29.96 g; Diameter: 3 coins 24 mm each (1 cash), 1 coin - 30 mm (2 cash). This clump of 4 Chinese bronze coins was salvaged from a Song Dynasty (1127-1279 AD) shipwreck. The shipwreck was discovered under the deep water of South China Sea. The latest coin found in this hoard is Shao Xing Yuan Bao (1131-1162 AD). This evidence suggested that the ship was sunk during early era of Southern Song Dynasty (1127 - 1279 AD). The coins are fused with limestone picked up from seabed. This is a good reference for those who study the ancient maritime archaeology of Chinese history. Imagine that these coins have been traveled for 3000 km and finally rest on the seabed for more than 800 years!

Lot: 651 - Chinese 5 bronze coins in clump, salvaged from Song Dynasty 1200 AD shipwreck

Chinese 5 bronze coins in clump, salvaged from Song Dynasty, 1200 AD shipwreck. Weight: 35.27 g; Diameter of 5 coins: 24 mm; This clump of 5 Chinese bronze coins was salvaged from a Song Dynasty (1127-1279 AD) shipwreck. The shipwreck was discovered under the deep water of South China Sea. The latest coin found in this hoard is Shao Xing Yuan Bao (1131-1162 AD). This evidence suggested that the ship was sunk during early era of Southern Song Dynasty (1127 - 1279 AD). Condition: 2 small coins and 1 large coin are broken. The coins are fused with limestone picked up from seabed. This is a good reference for those who study the ancient maritime archaeology of Chinese history. Imagine that these coins have been traveled for 3000 km and finally rest on the seabed for more than 800 years!

Lot: 652 - Antique tin/bronze coin with crocodile, Malaysia or Thailand, 1600-1700AD

Antique tin/bronze coin with crocodile, Malaysia or Thailand, 1600-1700 AD; Very attractive, antique heavy coin depicting crocodile. Length: 60 mm; Weight: 50.00 g. Provenance: private collection in USA

Lot: 653 - Antique tin/bronze coin with scorpion, Malaysia or Thailand, 1600-1700AD

Antique tin/bronze coin with scorpion, Malaysia or Thailand, 1600-1700 AD; Very attractive, antique heavy coin depicting scorpion. Diameter – 73 mm, Weight - 129.14 g. Provenance: private collection in USA

Lot: 664 - Strange Kang Xi Tong Bao, Chinese copper coin, plain reverse.

Strange Kang Xi Tong Bao, Chinese copper coin, plain reverse. Unlike Chinese Qing dynasty (AD 1644 - 1911) issue, this coin is very small and light with a plain reverse. It could be attributing to ancient Vietnamese private issue. Weight: 2.66 g; Diameter: 24.2 mm

Lot: 665A - Ten dollars banknote, Hong Kong & Shanghai banking corporation, China, 1948

Ten dollars banknote, Hong Kong & Shanghai banking corporation, China, 1948; Size: 183 mm x 105 mm; Condition: fine; Provenance; private collection in Tampa, Florida, USA The customs gold unit (CGU) was a currency issued by the Central Bank of China between 1930 and 1948. In Chinese, the name of the currency was 關金圓 guānjīnyuán, literally "customs gold

Lot: 667 - Russian silver Kopek coin 0.42 g, Ivan IV, “The Terrible.” 1540’s “Wire money”

Russian silver Kopek coin, Ivan IV, “The Terrible.” 1540’s “Wire money”, 0.42 g This coin is a genuine silver Kopek coin issued during the reign of Ivan IV, “The Terrible.” often referred to as “wire money” because of the method of manufacture. Weight: 0.42 g; Size: 13 mm x 10.5 mm; Obverse: The Tsar as St. George on horse, killing

Lot: 668 - Russian silver Kopek coin 0.48 g, Ivan IV, “The Terrible.” 1540’s “Wire money”

Russian silver Kopek coin, Ivan IV, “The Terrible.” 1540’s “Wire money”, 0.42 g. This coin is a genuine silver Kopek coin issued during the reign of Ivan IV, “The Terrible.” often referred to as “wire money” because of the method of manufacture. Weight: 0.48 g; Size: 15 mm x 9 mm; Obverse: The Tsar as St. George on horse, killing

Lot: 669A - Pair of Russian silver Kopek coins, Ivan IV, “The Terrible.” 1540’s “Wire money”, 0.48g & 0.26g

Pair of Russian silver Kopek coins, Ivan IV, “The Terrible.” 1540’s “Wire money”, 0.48g & 0.26g This coins are genuine silver Kopek coins issued during the reign of Ivan IV, “The Terrible.” often referred to as “wire money” because of the method of manufacture. Weight: 0.26 g and 0.48 g; Size: 9 x 7 mm; 15 x 10 mm; Obverse: The

Lot: 670 - Russian Imperial 10 kopeks/kopeek, copper coin 1761, Elizabeth (1741-1762), rare

Russian Imperial 10 kopeks/kopeek, copper coin 1761, Elizabeth (1741-1762), rare; Diameter: 46 mm; Weight: 38.71 g; Rim: coarse and fine grilled; Condition: about very fine; Provenance: private collection of immigrants from Russia, St Petersburg, Florida, USA Market price 100,000 Rub = $1250 US https://www.m-dv.ru/en/monety-rossii-1700-1917/kid,12/mid,7/nid,29/types.html

Lot: 671 - Russian Imperial Siberian 5 kopeks/kopeek, copper coin 1774, Catherine II (1762-1796), rare

Russian Imperial Siberian 5 kopeks/kopeek, copper coin 1774, Catherine II (1762-1796), rare; Diameter: 39 mm; Weight: 44.06 g; Rim: coarse grilled; Year: 1774; Condition: about very fine; Provenance: private collection of immigrants from Russia, St Petersburg, Florida, USA

Lot: 672 - Russian Imperial 5 kopeks copper coin 1764, 52.23 g, Ekaterina II, EF

Russian Imperial 5 kopeks copper coin 1764, 52.23 g, Ekaterina II, EF; Weight: 52.23 g; Diameter: 40 mm; The edge netlike; Condition: EF; REFERENCES: Catherine II[a] (born Sophie of Anhalt-Zerbst; 2 May 1729 – 17 November 1796[b]), most commonly known as Catherine the Great,[c] was Empress of All Russia from 1762 until 1796—the country's longest-ruling female leader. She came to power following a coup d'état that overthrew her husband and second cousin, Peter III. Under her reign, Russia grew larger, its culture was revitalised, and it was recognized as one of the great powers worldwide.[citation needed] In her accession to power and her rule of the empire, Catherine often relied on her noble favourites, most notably Count Grigory Orlov and Grigory Potemkin. Assisted by highly successful generals such as Alexander Suvorov and Pyotr Rumyantsev, and admirals such as Samuel Greig and Fyodor Ushakov, she governed at a time when the Russian Empire was expanding rapidly by conquest and diplomacy. In the south, the Crimean Khanate was crushed following victories over the Bar confederation and Ottoman Empire in the Russo-Turkish War, 1768-1774 due to the support of the United Kingdom, and Russia colonised the territories of Novorossiya along the coasts of the Black and Azov Seas. In the west, the Polish–Lithuanian Commonwealth, ruled by Catherine's former lover, King Stanisław August Poniatowski, was eventually partitioned, with the Russian Empire gaining the largest share. In the east, Russia started to colonise Alaska, establishing Russian America. Catherine reformed the administration of Russian guberniyas (governorates), and many new cities and towns were founded on her orders. An admirer of Peter the Great, Catherine continued to modernize Russia along Western European lines. However, military conscription and the economy continued to depend on serfdom, and the increasing demands of the state and of private landowners intensified the exploitation of serf labour. This was one of the chief reasons behind rebellions, including the large-scale Pugachev Rebellion of Cossacks, nomads, peoples of Volga and peasants. The period of Catherine the Great's rule, the Catherinian Era,[1] is considered a Golden Age of Russia.[2] The Manifesto on Freedom of the Nobility, issued during the short reign of Peter III and confirmed by Catherine, freed Russian nobles from compulsory military or state service. Construction of many mansions of the nobility, in the classical style endorsed by the empress, changed the face of the country. She enthusiastically supported the ideals of the Enlightenment and is often included in the ranks of the enlightened despots.[3] As a patron of the arts, she presided over the age of the Russian Enlightenment, including the establishment of the Smolny Institute for Noble Maidens, the first state-financed higher education institution for women in Europe.

Lot: 673 - Russian Imperial 5 kopeks copper coin 1767, 52.65 g, Ekaterina II, EF

Russian Imperial 5 kopeks copper coin 1767, 52.65 g, Ekaterina II, EF; Weight: 52.65 g; Diameter: 42 mm; The edge netlike; Condition: EF; REFERENCES: Catherine II[a] (born Sophie of Anhalt-Zerbst; 2 May 1729 – 17 November 1796[b]), most commonly known as Catherine the Great,[c] was Empress of All Russia from 1762 until 1796—the country's longest-ruling female leader. She came to power following a coup d'état that overthrew her husband and second cousin, Peter III. Under her reign, Russia grew larger, its culture was revitalised, and it was recognized as one of the great powers worldwide.[citation needed] In her accession to power and her rule of the empire, Catherine often relied on her noble favourites, most notably Count Grigory Orlov and Grigory Potemkin. Assisted by highly successful generals such as Alexander Suvorov and Pyotr Rumyantsev, and admirals such as Samuel Greig and Fyodor Ushakov, she governed at a time when the Russian Empire was expanding rapidly by conquest and diplomacy. In the south, the Crimean Khanate was crushed following victories over the Bar confederation and Ottoman Empire in the Russo-Turkish War, 1768-1774 due to the support of the United Kingdom, and Russia colonised the territories of Novorossiya along the coasts of the Black and Azov Seas. In the west, the Polish–Lithuanian Commonwealth, ruled by Catherine's former lover, King Stanisław August Poniatowski, was eventually partitioned, with the Russian Empire gaining the largest share. In the east, Russia started to colonise Alaska, establishing Russian America. Catherine reformed the administration of Russian guberniyas (governorates), and many new cities and towns were founded on her orders. An admirer of Peter the Great, Catherine continued to modernize Russia along Western European lines. However, military conscription and the economy continued to depend on serfdom, and the increasing demands of the state and of private landowners intensified the exploitation of serf labour. This was one of the chief reasons behind rebellions, including the large-scale Pugachev Rebellion of Cossacks, nomads, peoples of Volga and peasants. The period of Catherine the Great's rule, the Catherinian Era,[1] is considered a Golden Age of Russia.[2] The Manifesto on Freedom of the Nobility, issued during the short reign of Peter III and confirmed by Catherine, freed Russian nobles from compulsory military or state service. Construction of many mansions of the nobility, in the classical style endorsed by the empress, changed the face of the country. She enthusiastically supported the ideals of the Enlightenment and is often included in the ranks of the enlightened despots.[3] As a patron of the arts, she presided over the age of the Russian Enlightenment, including the establishment of the Smolny Institute for Noble Maidens, the first state-financed higher education institution for women in Europe.

Lot: 679 - Anna Ioannovna 1732, Russian Silver One Rouble, NGC certified Plain cross of orb. Tail divides "РУ БЛЬ" between the letters "У" and "Б". Silver.

Anna Ioannovna 1732, Russian Silver One Rouble, NGC certified Plain cross of orb. Tail divides "РУ БЛЬ" between the letters "У" and "Б". Silver. Edge patterned. Weight: 25.85 g; Diameter: 40 mm; Anna Ioannovna (Russian: Анна Иоанновна; 7 February [O.S. 28 January] 1693 – 28 October [O.S. 17 October] 1740), also spelled Anna Ivanovna[1] and sometimes anglicized as Anne, was regent of the duchy of Courland from 1711 until 1730 and then ruled as Empress of Russia from 1730 to 1740. Much of her administration was defined or heavily influenced by actions set in motion by her uncle, Peter the Great, such as the lavish building projects in St. Petersburg, funding the Russian Academy of Science, and measures which generally favored the nobility, such as the repeal of a primogeniture law in 1730. In the West, Anna's reign was traditionally viewed as a continuation of the transition from the old Muscovy ways to the European court envisioned by Peter the Great.[1] Within Russia, Anna's reign is often referred to as a "dark era".[2]

Lot: 681 - Georgian (Caucasus region) High School Honor Silver Medal, circa 1930-1950

Georgian (Caucasus region) High School Honor Silver Medal, circa 1930-1950 Diameter: 32 mm; Weight: 16 g;

Lot: 685A - Mikhail Fedorovich 1613-1645 - first tsar from Romanov’s dynasty, rare Russian bronze medal, made in 1652.

Mikhail Fedorovich 1613-1645 - first tsar from Romanov’s dynasty, rare Russian bronze medal, made in 1652. Genuine, very rare medal, made in Moscow, in 1652. Diameter: 39 mm; Weight: 30.12 g; Inscriptions in the old Russian language: "Царь и Вел Кн Михаил Федоровичъ, Единогласно избран на престолъ царств. 1613 г, заключилъ с Польш. Мир. Bл. 33 г, Жилъ 49 летъ (49)." References: “Medals of the Russian Empire” Mikhail Diakov, Part 1. 1672–1725

Lot: 686A - 1809 “За переход на Шведский Берег” Russian silver Imperial medal, Alexander II

1809 “За переход на Шведский Берег” Russian silver Imperial medal, Alexander II Alexander II; Diameter: 29 mm; Weight: 11.32 g; Медаль «За переход

Lot: 687 - АЛЕКСАНДР 1 БЛАГОСЛОВЕННЫЙ - НАШ АНГЕЛ В НЕБЕСАХ 1812, Russian bronze antique medal Alexander I, 1777-1825

АЛЕКСАНДР 1 БЛАГОСЛОВЕННЫЙ - НАШ АНГЕЛ В НЕБЕСАХ 1812, Russian bronze antique medal Alexander I, 1777-1825

Lot: 687A - ЗА ВЗЯТІЕ ПАРИЖА, 19 Марта 1814, Russian Imperial silver medal

ЗА ВЗЯТІЕ ПАРИЖА, 19 Марта 1814, Russian Imperial silver medal Diameter: 28 mm; Weight: 10.44 g; Медаль «За взятие Парижа 19 марта

Lot: 688 - Smolny Cathedral, Imperial Russian bronze medal in honor of Maria Fedorovna 1748-1835

Imperial Russian bronze medal in honor of Maria Fedorovna 1748-1835; Obverse: ОСТАВИТЕ ДЕТЕЙ ПРИХОДИТЕ КО МНЕ ТАЦЕХ БО ЕСТЬ ЦАРСТВИЕ БОЖИЕ Reverse: 1748-1835 ОКОНЧЕН В ПАМЯТЬ ИМПЕРАТРИЦЫ МАРИИ ФЕДОРОВНЫ. Weight: 146.11 g Diameter: 3 inches = 75 mm. Thickness: 5 mm. Russia. Nicholas I, 1825-55. 1835 AE Medal, 75mm, by H. Gube. On the Consecration of the Smolny Cathedral in Saint Petersburg, in Memory of Empress Maria Feodorovna. Diakov-515.1. References: Мария Фёдоровна (императрица, жена Павла I) (1759—1828) • Auction results: Sold for $1,955 (lot 3837) http://images.goldbergauctions.com/php/chap_auc.php?site=1&lang=1&sale=41&chapter=101&page=1

Lot: 688A - For the storming of Akhulgo – Imperial Russian silver medal, 22 August 1839

For the storming of Akhulgo – Imperial Russian silver medal, 22 August 1839. ЗА ВЗЯТИЕ ШТУРМОМ АХУЛЬГО, 22 авг. 1839 Г. Medal "For the storming of Akhulgo" Diameter: 28.5 mm Weight; 11.23 g; Russian empire. Award silver medal "for the

Lot: 688B - Antique Dagestan Qama dagger with Russian Imperial coat arm, 19th century

Antique Dagestan Qama dagger with Russian Imperial coat arm, 19th century. Total length: 17.4 inches = 44 cm; Length of the blade: 11.8 inches = 30 cm; Weight of dagger with scabbard: 538 g; Weight of dagger only: 343 g; Provenance: private collection in St Petersburg, Florida, USA. References: Qama dagger: Among the huge variety of custom daggers, one unique type can be distinguished. The Qama dagger is a legendary weapon of the peoples of the Caucasus and Transcaucasia. It is impossible to imagine the history of the warlike mountaineers without this masterpiece. THE HISTORY OF QAMA DAGGER: The dagger gained its popularity in the East in the 17th – 19th centuries. In the Caucasus, it was actively used in the 18th – 19th centuries. It was used: • as a weapon; • for household affairs. The dagger was worn from a young age in many countries: • Dagestan; • Adygea; • Ossetia; • Chechnya; • Kabardino-Balkaria. After the Caucasian War ended, checkers were worn by those who were in the ranks of the Russian army. This, according to scientists, gave an impetus to the production of Caucasian weapons. The dagger not only complemented the checker, but could also completely replace it. Cossacks who lived in border regions and took part in wars were armed with Qamas. The Caucasian warrior is associated with this dagger. There is a version that it originated from the sword “gladius”, which was famous in ancient Rome. The blade is straight, double-edged, the tip is tetrahedral elongated. The blades were worked out in dales, the maximum number was 4 pieces. This contributed to: • weight reduction; • giving dagger greater strength. The handle was made of the following materials: • horns; • bones; • iron; • silver. The handle has a wide base, a narrow shaft ended with a pommel, similar to an arch. The handle did not have a guard, rivets were attached to the shank of the blade. There were engravings on the handles and scabbards: • wooden, leather-covered and with a metal tip; • iron or silver. The masters put their own brands. The pattern defined the area of origin and the master. An original ornament was often applied to the scabbard.

Lot: 688C - Antique Islamic dagger in a metal scabbard, circa 1650-1800 AD

Antique Islamic dagger in a metal scabbard, circa 1650-1800 AD Total length of dagger in a scabbard: 15.75 inches = 40 cm; Length of the blade: 9 inches = 23.4 cm; Weight of dagger + scabbard: 276 g = 9.9 oz. Provenance: private collection in St Petersburg, Florida, USA

Lot: 689 - ЗА УСЕРДИЕ, АЛЕКСАНДРЪ II, silver medal Russian Empire, "FOR ZEAL" the Russian Tsar Alexander II portrait to the left, 1856

ЗА УСЕРДИЕ, АЛЕКСАНДРЪ II, silver medal Russian Empire, "FOR ZEAL" the Russian Tsar Alexander II portrait to the left, 1856 ЗА УСЕРДИЕ, АЛЕКСАНДРЪ II, silver medal 39 mm.

Lot: 690 - Russian Bronze Medal, Tsar Alexander II liberates peasants-slaves in 1861

Russian Bronze Medal, Tsar Alexander II liberates peasants-slaves in 1861. Obverse: 19 February 1861. съ модели графа Толстаго РEЗ. Н. Козинъ. Reverse: ________съ

Lot: 691 - Finance prime minister Alexander M. Kniazhevich - Russian imperial bronze medal 1861, AU

One of the best Finance prime minister of Russia in 19th century - Kniazhevich - Russian imperial bronze medal 1861, Diameter: 58.5 mm; About Uncirculated. Медаль в честь 50-летия службы Министра финансов А. М. Княжевича, 19 января 1861 г. СПб монетный двор, 1861 г. Медальер К.-Г. Лоренц. Бронза, 103,93 г. Диаметр 58,5 мм. Сохранность отличная. Иверсен# CCLXXVII. Смирнов# 636. Дьяков# 700.1 (R0).

Lot: 692 - Russian Imperial bronze medal, ЗА ХРАБРОСТЬ, Alexander III, 1881-1894

Russian Imperial bronze medal, ЗА ХРАБРОСТЬ, Alexander III, 1881-1894; Diameter: 28.5 mm; Weight: 11.32 g; Alexander III (Russian: Александр III Александрович, tr. Aleksandr III Aleksandrovich; 10 March 1845 – 1 November 1894)[1] was Emperor of Russia, King of Poland and Grand Duke of Finland from 13 March 1881 until his death in 1894.[2] He was highly reactionary and reversed some of the liberal reforms of his father, Alexander II. Under the influence of Konstantin Pobedonostsev (1827–1907), he opposed any reform that limited his autocratic rule. During his reign, Russia fought no major wars; he was therefore styled "The Peacemaker" (Russian: Миротворец, tr. Mirotvorets).

Lot: 692B - Франц Иосиф. Russian Imperial silver medal, 1848-1898

Франц Иосиф. Russian Imperial silver medal, 1848-1898 Франц Иосиф. Кексгольмскому Императора

Lot: 693 - Russian Imperial bronze medal, ЗА ХРАБРОСТЬ, Nicholas II, 1894-1917

Russian Imperial bronze medal, ЗА ХРАБРОСТЬ, Nicholas II, 1894-1917; Diameter: 28.5 mm; Weight: 10.33 g; Nicholas II or Nikolai II Alexandrovich Romanov[d] (18 May [O.S. 6 May] 1868 – 17 July 1918), known in the Russian Orthodox Church as Saint Nicholas the Passion-Bearer,[e] was the last Emperor of All Russia, ruling from 1 November 1894 until his abdication on 15 March 1917. During his reign, Nicholas gave support to the economic and political reforms promoted by his prime ministers, Sergei Witte and Pyotr Stolypin. He advocated modernization based on foreign loans and close ties with France, but resisted giving the new parliament (the Duma) major roles.[1][2] Ultimately, progress was undermined by Nicholas's commitment to autocratic rule,[3][4] strong aristocratic opposition and defeats sustained by the Russian military in the Russo-Japanese War and World War I.[5][6][7] By March 1917, public support for Nicholas had collapsed and he was forced to abdicate the throne, thereby ending the Romanov dynasty's 300-year rule of Russia.

Lot: 693A - Russian Imperial silver medal, ЗА ХРАБРОСТЬ, 4-й степени, # 934168, Nicholas II, 1894-1917;

Russian Imperial silver medal, ЗА ХРАБРОСТЬ, 4-й степени, # 934168, Nicholas II, 1894-1917; Diameter: 28.5 mm; Weight of medal + ribbon and suspension: 19.32 g; Nicholas II or Nikolai II Alexandrovich Romanov[d] (18 May [O.S. 6 May] 1868 – 17 July 1918), known in the Russian Orthodox Church as Saint Nicholas the Passion-Bearer,[e] was the last Emperor of All Russia, ruling from 1 November 1894 until his abdication on 15 March 1917. During his reign, Nicholas gave support to the economic and political reforms promoted by his prime ministers, Sergei Witte and Pyotr Stolypin. He advocated modernization based on foreign loans and close ties with France, but resisted giving the new parliament (the Duma) major roles.[1][2] Ultimately, progress was undermined by Nicholas's commitment to autocratic rule,[3][4] strong aristocratic opposition and defeats sustained by the Russian military in the Russo-Japanese War and World War I.[5][6][7] By March 1917, public support for Nicholas had collapsed and he was forced to abdicate the throne, thereby ending the Romanov dynasty's 300-year rule of Russia.

Lot: 693B - Дневник Императора Николая II, Diary of Emperor Nicholas II, period of 1890-1906, published in 1923 in Berlin, First edition, Rare

Дневник Императора Николая II, Diary of Emperor Nicholas II, period of 1890-1906, published in 1923 in Berlin, limited first edition. Number of pages: 273; Size of the book: 22.6 cm x 17.7 cm Weight: 460 g; Provenance: from the family heirlooms of Russian Orthodox Old believers (Староверов), from Latvia.

Lot: 694 - Nicholas II and his family: Last Royal Family of Russia- 1914, Photo 5”x7”=12.7 cm x17.8 cm

Nicholas II and his family: Last Royal Family of Russia- 1914, Photo 5”x7” = 12.7 cm x 17.8 cm Nicholas II or Nikolai II Alexandrovich Romanov[d] (18 May [O.S. 6 May] 1868 – 17 July 1918), known in the Russian Orthodox Church as Saint Nicholas the Passion-Bearer,[e] was the last Emperor of Russia, ruling from 1 November 1894 until his abdication on 15 March 1917. During his reign, Nicholas gave support to the economic and political reforms promoted by his prime ministers, Sergei Witte and Pyotr Stolypin. He advocated modernization based on foreign loans and close ties with France, but resisted giving the new parliament (the Duma) major roles.[1][2] Ultimately, progress was undermined by Nicholas's commitment to autocratic rule,[3][4] strong aristocratic opposition and defeats sustained by the Russian military in the Russo-Japanese War and World War I.[5][6][7] By March 1917, public support for Nicholas had collapsed and he was forced to abdicate the throne, thereby ending the Romanov dynasty's 300-year rule of Russia. Fine Quality Photo Reproductions; Photo Size: 5x7 Glossy Borderless; Members of the Romanovs, the last royal family of Russia, including: seated (left to right) Marie, Queen Alexandra, Czar Nicholas II, Anastasia, Alexei (front), and standing (left to right), Olga and Tatiana.

Lot: 697 - "За Храбрость 4 Класс", “For bravery” #436512 - Imperial Russian silver medal, Czar NICHOLAS II, 1905

"За Храбрость 4 Класс", “For bravery” #436512 - Imperial Russian silver medal, Czar NICHOLAS II, 1905 Weight: 14.04 g; Diameter: 30 mm; Height: 35 mm; RARE ORIGINAL imperial Russian silver medal. An attractive Russian Imperial WWI medal for bravery that shows a lot of wear. Number 436512 is engraved on the back of the medal. The medal is looped at the top. Medal for Bravery was first established during the reign of Tsar Alexander II. In the first years of the reign of Emperor Nicholas II, the Medal for Bravery was thoroughly redesigned and its statute changed. Obverse of the silver Medal for Bravery shows the truncated bust of Tsar Nicholas II, facing left encircled by an inscription meaning: "By the Grace of God Nicholas II Emperor and Autocrat of All Russia". Reverse of the Medal: bears an inscription meaning: "For Bravery, Fourth Class, #436512". No ribbon. Heavy worn, rare, in good condition, 100% ORIGINAL! РЕДКОСТЬ: Оригинальная Медаль "За Храбрость 4 Класс", серебро, диаметр 30 мм, была учреждена указом Императора Александра-II, в хорошем состоянии для своего возраста. СТАРЕНЬКАЯ ПОТРЁПАНАЯ МЕДАЛЬ, НО ЗАТО НАСТОЯЩАЯ, А НЕ СОВРЕМЕННАЯ ПОДДЕЛКА.

Lot: 698 - Rigascher gartenbauverbein 1894, Russian Imperial silver medal, Riga horticultural Association

Rigascher gartenbauverbein 1894, Russian Imperial silver medal, Riga horticultural Association Diameter: 55 mm; Weight: 54.14 g; Riga horticultural association; MEDAL "RIGASCHER GARTENBAUVEREIN"; Наградная: 1894 г. Страна: Российская Империя; Серебро / 55,00 мм / Медальеры: л.ст. - подпись медальера под портретом «С.В.» (Сергей Важенин). Об.ст. - подпись медальера под гербом Риги справа «А.Г. Г.» (Авенир Григорьевич Грилихес). Diakov# 1108.1(R4) Очень редкая. https://www.osta.ee/riia-aednike-uhing-medal-rizhskogo-obshhestva-sadovodstva-103494681.html

Lot: 700 - Genuine WW II, four battle medals, Great Britain, 1939-1945 WW2 Territorial Medal Miniature Group 3 silver medals + 1939-1945 bronze star.

Genuine WW II, four battle medals, Great Britain, 1939-1945 WW2 Territorial Medal Miniature Group 3 silver medals + 1939-1945 bronze star. Group mounted on bar with second bar on territorial Medal. Condition is "Used". Total weight: 1. Territorial - For efficient Service silver/ George VI 2. 1939-1945 silver/George VI 3. The defense medal silver/ George VI 4. The 1939-1945 Star The 1939–1945 Star is a military campaign medal instituted by the United Kingdom on 8 July 1943 for award to British and Commonwealth forces for service in the Second World War. Two clasps were instituted to be worn on the medal ribbon, Battle of Britain and Bomber Command

Lot: 702 - Medieval European Viking long iron sword blade #2

Medieval European Viking iron sword blade #2 Length: 57 cm = 22.5 inches; Maximum width: 32 mm; Weight: 338 g = 12 oz. Strong attraction to the magnet. Condition: natural rust all over; Provenance: from a Central European (Germany) collection.

Lot: 703 - “For excellent shooting from tank weapons” “За отличную стрельбу. Танк” Soviet Russian award badge.

“For excellent shooting from tank weapons” “За отличную стрельбу. Танк” Soviet Russian award badge. An award badge “For excellent shooting from tank weapons”, in the background there is a large five-pointed star filled with red enamel. On its background, in the lower part of the badge, there is an image of a round target, made in white, red and black enamel, with the inscription: “For excellent shooting”, placed in a circle in the outer sector of the target. Above the target is placed an overhead schematic image of the T-26 tank. Issued in 1930’s. Possibly later copy. Dimensions: 45 mm x 37 mm; Weight: 18.39 g; Condition Report: Overall good vintage condition. Refer to photos.

Lot: 705 - Sniper (sharp shooter) “Снайпер РККА” 1939-1942, Russian Soviet award badge.

Sniper (sharp shooter) “Снайпер РККА” 1939-1942, Russian Soviet award badge. A Pre WII Soviet Russian Sniper award enameled badge in red and white enamel construction, established May 21, 1938. Possibly - later copy. Weight: 18.74 g; Size: 48 mm x 40 mm;

Lot: 731 - 1886 “In His Name” Silver Cross, Malta, Knights Hospitallers of St. John of Jerusalem

Introduced to Malta by the Knights of St. John of Jerusalem upon taking possession of the islands in 1530, the Maltese Cross has become an intrinsic part of Malta’s culture and heritage, as well as a much-cherished symbol by the Maltese. What’s the meaning of the Maltese cross? The Maltese Cross formally adopted by the Knights Hospitallers of St. John in 1126, stylistically owes its origins to the crosses used in the crusades, when it was identified as the symbol of the “Christian warrior”: Its eight points denote the eight obligations or aspirations of the knights, namely “to live in truth, have faith, repent one’s sins, give proof of humility, love justice, be merciful, be sincere and whole¬hearted, and to endure persecution”. With time, the eight points also came to represent the eight langues (or “tongues”, but in effect national groupings) of the noblemen who were admitted to the famed order, namely those of Auvergne, Provence, France, Aragon, Castille and Portugal, Italy, Baviere (Germany), and England (with Scotland and Ireland). The Maltese cross remains the symbol of the Sovereign Military Order of Malta, which is still in existence (and active as an international organization for medical and humanitarian aid) today. As part of its present-day teachings, the cross represents eight beatitudes (or ‘blessings’). A good first aider in service of the Order of St. John is Observant, Tactful, Resourceful, Dextrous, Explicit, Discriminating, Persevering and Sympathetic. Size: 19 mm x 19 mm; Weight: 1.65 g; Provenance: private collection from Chicago, Illinois

Lot: 734 - United States Navy, Good conduct, Fidelity, Zeal, Obedience, Constitution USS frigate, bronze medal 1885-1945

United States Navy, Good conduct, Fidelity, Zeal, Obedience, Constitution USS frigate, bronze medal 1885-1945; Title: Medal, Good Conduct, Type III, Navy; Circa: 1905; Diameter: 32 mm; Weight: 21.91 g; Medium: burgundy fabric (silk or satin), bronze; One U.S. Navy Good Conduct Medal. Circular bronze medal with red suspension ribbon. The center of the obverse side of the medal is a depiction of the USS Constitution. The image has a circular rope border with an anchor underlay. The edge of the medal has a chain border. Between the rope and chain borders are the words “United States Navy.” The medal is bordered by the words "Fidelity / Zeal / Obedience" around the perimeter. A suspension ring attaches to a straight ribbon bar (missing) The Navy adopted a new style of Good Conduct Medal in 1885 that was used until minor changes were made in 1961. The Type III medal was a Good Conduct medallion suspended from an all red ribbon with a suspension ring attaching to a ribbon bar with an un-tapered ribbon. Enlistment bars, denoting each honorable enlistment completed, were pinned on the ribbon as attachments. The pins were later changed to slip on bars. In the 1950s, bronze and silver stars replaced the enlistment bars, with one silver star worn in lieu of five bronze stars. USS Constitution, also known as Old Ironsides, is a three-masted wooden-hulled heavy frigate of the United States Navy. She is the world's oldest commissioned naval warship still afloat.[9][Note 1] She was launched in 1797, one of six original frigates authorized for construction by the Naval Act of 1794 and the third constructed. The name "Constitution" was among ten names submitted to President George Washington by Secretary of War Timothy Pickering in March of 1795 for the frigates that were to be constructed.[11][12] Joshua Humphreys designed the frigates to be the young Navy's capital ships, and so Constitution and her sister ships were larger and more heavily armed and built than standard frigates of the period. She was built at Edmund Hartt's shipyard in the North End of Boston, Massachusetts. Her first duties were to provide protection for American merchant shipping during the Quasi-War with France and to defeat the Barbary pirates in the First Barbary War.

Lot: 737 - Original WWII U.S. ARMY GOOD CONDUCT MEDAL

Diameter: 32 mm; Provenance: private collection from Chicago, Illinois; awarded in 1945. The Army Good Conduct Medal is awarded for exemplary behavior, efficiency, and fidelity in active Federal Military service. It is awarded on a selective basis to each enlisted soldier who distinguishes himself from among his fellow soldiers by exemplary conduct, efficiency and fidelity throughout the specified period of continuous enlisted active Federal Military service. Qualifying service includes each 3 years completed after 27 August 1940 or, for first award only, upon completion of at least one year upon termination of service, if separated prior to three years. The immediate Commander must approve the award and the award must be announced in permanent orders. During wartime the Army Good Conduct Medal may be awarded on completion of one year of continuous service rather than three. Executive Order 9323, March 31, 1943 lowered this time limit for service during the Second World War, and it was amended by Executive Order 10444 on April 10, 1953 applying the one-year ruling to the Korean Conflict, (1950-1954) and to any future period in which the United States is at war, including the war in Vietnam, (1964-1973). Effective from 1 September 1982, Active Guard Reserve personnel became eligible for award of the Army Good Conduct Medal. For Active Guard Reserve personnel, the Good Conduct Medal qualification period may commence from a time during the three years immediately preceding the 1 September 1982 effective date, provided no portion of service for the Good Conduct Medal is included in a period of service for which the Army Reserve Components Achievement Medal was awarded.

Lot: 739A - WWII US Army Good Conduct Medal Engraved Named, Niles W Borst, 1945

Awarded to Niles W. Borst. Diameter: 32 mm; Weight: 24 g; Good used condition. Provenance: private collection from Chicago, Illinois. The Army Good Conduct Medal is awarded for exemplary behavior, efficiency, and fidelity in active Federal Military service. It is awarded on a selective basis to each enlisted soldier who distinguishes himself from among his fellow soldiers by exemplary conduct, efficiency and fidelity throughout the specified period of continuous enlisted active Federal Military service. Qualifying service includes each 3 years completed after 27 August 1940 or, for first award only, upon completion of at least one year upon termination of service, if separated prior to three years. The immediate Commander must approve the award and the award must be announced in permanent orders. During wartime the Army Good Conduct Medal may be awarded on completion of one year of continuous service rather than three. Executive Order 9323, March 31, 1943 lowered this time limit for service during the Second World War, and it was amended by Executive Order 10444 on April 10, 1953 applying the one-year ruling to the Korean Conflict, (1950-1954) and to any future period in which the United States is at war, including the war in Vietnam, (1964-1973). Effective from 1 September 1982, Active Guard Reserve personnel became eligible for award of the Army Good Conduct Medal. For Active Guard Reserve personnel, the Good Conduct Medal qualification period may commence from a time during the three years immediately preceding the 1 September 1982 effective date, provided no portion of service for the Good Conduct Medal is included in a period of service for which the Army Reserve Components Achievement Medal was awarded.

Lot: 744 - Large set of medals and other awards of American officer, 1973

We intentionally keep all medals and rewards together. If you buy it, please, pay honor and respect to this brave officer! For serious collectors only!

Lot: 751 - US Southwest Asia Service Medal, Desert Storm, 1990-1991

Weight: 22.94 g; Diameter- 32 mm; Condition: used, awarded in 1990-1991; Provenance: Private collection from Spring Valley, California, USA; Awarded to members of the United States Armed Forces who participated in, or directly supported, military operations in Southwest Asia or in surrounding areas between August 2, 1990 and November 30, 1995 (Operations Desert Shield, Desert Storm and follow-up). The medal was established by an executive order signed by President George Bush on March 15, 1991. Notes: Recipients of this medal are usually entitled to the Saudi Arabian Medal for the Liberation of Kuwait and the Emirate of Kuwait Medal for the Liberation of Kuwait Service: All Services; Instituted: 1992; Dates Awarded: 1991 to 1995; Criteria: Active participation in, or support of, Operations Desert Shield, Desert Storm, and/or subsequent follow-on operations in Southwest Asia. Devices: All Services: Bronze Star; Navy: bronze Marine Corps device

Lot: 753 - US National Defense Service Medal, Desert Storm, 1990-1991

Diameter: 31 mm; Weight: 15.50 g; Condition: used, awarded in 1990-1991; Provenance: private collection spring Valley, California; Service: All Services; Instituted: 1953; Dates: 1950-54, 1961-74, 1990-95, 2001-TBD; Criteria: 120 consecutive days of service participating in, or any honorable active duty service during any of the above periods; Devices: Bronze Star, Bronze Oak Leaf Cluster

Lot: 800 - Imperial Russian banknote 500 rubles, Peter I, series ГЗ 038971, 1912; Size: 273 mm x 129 mm;

Imperial Russian banknote 500 rubles, Peter I, series ГЗ 038971, 1912; Size: 273 mm x 129 mm; 1 ruble = 17.424 доли (доля-старорусская мера веса = 0.044 грамма), значит в одном рубле содержалось 0.7666 грамм золота. 500 rubles x 0.7666 gram of gold = 383.3 gram of gold; Manager: Шиповъ; Cashier: Гавриловъ; Condition: About Uncirculated

Lot: 801 - Imperial Russian banknote 5 rubles, УА 010, Nicholas II period, 1909, EF;

Imperial Russian banknote 5 rubles, УА 010, Nicholas II period, 1909, EF; Size: 160 x 99 mm; Manager: Шиповъ: Condition: bold EF;

Lot: 809 - Civil War in Russia, 1919, 10,000 rubles banknote, ЯД 036

Civil War in Russia, 1919, 10,000 rubles banknote, ЯД 036 Issued by: Главное Командование Вооруженными Силами на Юге России; Issued by High Command of the Armed Forces in the South of Russia; Manager of Finances: Бернацкий; Chief of Credit Department: Никифоров; Size: 200 mm x 105 mm;

Lot: 810A - Imperial Russian banknote 1000 rubles, series АЭ 026128, 1917, FV;

Imperial Russian banknote 1000 rubles, series АЭ 026128, 1917, FV; Size: 227 x 115 mm; Manager: Шиповъ; Cashier: Сафроновъ; Condition: fine; 1 ruble = 17.424 доли (доля-старорусская мера веса = 0.044 грамма), значит в одном рубле содержалось 0.7666 грамм золота. 1000 rubles contain 0.7666 g x 1000 rubles = 766 gram of gold; Condition: EF to Fine,

Lot: 818 - 1910, Imperial Russian Volgo-Bugulmin Railroad 4% Bonds, Russia

Modern value $40,000. Guaranteed for the capital of 37,950,000 rubles, by Russian Imperial government. Size: 41.8 x 38.6 cm; Condition: Very good, see photos Provenance: from early Russia immigrants after 1917 revolution in Russia. https://www.rbth.com/lifestyle/327261-french-still-waiting-for-debts-payment French still waiting for multi-million imperial debt payout from Moscow. LIFESTYLE MAGAZINE, JAN 15 2018, RUSSIA BEYOND. Around 400,000 people are seeking 30 billion euros from Russia in payments for the bonds issued by the tsarist government, RFI reports. Despite the fact Moscow and Paris reached an agreement 20 years ago that settled the matter, it appears almost half a million French people have other ideas. Between 1880 and 1917 French citizens bought a total of 30 million Russian bonds. In January 1918 the head of the new revolutionary government Vladimir Lenin refused to pay off the bonds. However, in the mid-1990's Russia signed an agreement with France over the Romanov government’s debts and paid Paris 330 million euros. Moscow asserts that the issue is over and there are no grounds to discuss any new payments. Meanwhile, descendants of the original bond owners argue that this sum should be 100 times bigger. Eric Sanitas, the head of the International Federative Association of Russian Debt Holder, said Russia is obliged to pay the sum as the country is not officially broke. As Russian daily Kommersant asserted, the period of prescription on the issue is over, so it’s not possible to get the money through the court system. According to the newspaper (the article is in Russian), after the Russian Revolution France confiscated some assets that belonged to the imperial government but did not compensate its citizens the losses on bond payments, in the manner that the British authorities did. France never officially brought up the issue of the Russian imperial debts and the agreement of the 1990's was Moscow’s gesture of good will. It was done to secure Russia’s entrance into the Paris Club. You can read more on Russia’s debts here.

Lot: 829 - Loan of the city Ekaterinoslav, 200 rub = 533.4 franks, #0821, Russia 1904

Loan of the city Ekaterinoslav, 200 rub = 533.4 franks, #0821, Russia 1904 Guaranteed for the capital of 2,500,000 rubles = 6,667.500 franks, by Russian Imperial government. Size: 41.8 x 38.6 cm; Obligation Number: 0821; Thirty three coupons attached. Potential income: 5% per year: 1954-1904=50 years; (533.4 francs x 0.05) x 50 years)+533.4 franks at maturity = 1,333 fr + 533.4 fr = 1,866.9 franks Condition: Very good, see photos. This obligation has historical and a potential financial value. Partial payments for Russian bonds has been done to investors, in 1990’s by Russian Government (President Boris Eltsin) (Financial Times, October 23-24, 1999) Provenance: from early Russia immigrants after 1917 revolution in Russia

Lot: 829A - Loan of the city Moscow, 945 rubles = 100 Great Britain pounds, #04189, Russia 1908-1957

Loan of the city Moscow, 945 rubles = 100 Great Britain pounds, #04189, Russia 1908-1957. Guaranteed for the capital of 17,256,342 rubles = 1,889,560 Great Britain pounds, by Russian Imperial government and city of Moscow. Size: 40 cm x 28 cm; Obligation Number: 04189; Two (2) coupons attached. Potential income: 5% per year: 1957-1908=50 years; ((100 GBP x 0.05) x 50 years) + 100 GBP (at maturity) = 250 GBP + 100 GBP = 350 GBP; Condition: Very good, see photos. This obligation has historical and a potential financial value. Partial payments for Russian bonds has been done to investors, in 1990’s by Russian Government (President Boris Eltsin) (Financial Times, October 23-24, 1999) Provenance: from early Russia immigrants after 1917 revolution in Russia

Lot: 829B - Loan of the city Moscow, 187.5 rubles = 20 Great Britain pounds, #090286, Russia 1909-1957

Loan of the city Moscow, 187.5 rubles = 20 Great Britain pounds, #090286, Russia 1909-1957. Guaranteed for the capital of 21,199,875 rubles = 2,243,417 Great Britain pounds = 500 franks, by Russian Imperial government and city of Moscow. Size: 40 cm x 28 cm; Obligation Number: 04189; Three (3) coupons attached. Potential income: 5% per year: 1957-1909=49 years; ((20 GBP x 0.05) x 49 years) + 20 GBP (at maturity) = 49 GBP + 20 GBP = 69 GBP; Condition: Very good, see photos. This obligation has historical and a potential financial value. Partial payments for Russian bonds has been done to investors, in 1990’s by Russian Government (President Boris Eltsin) (Financial Times, October 23-24, 1999) Provenance: from early Russia immigrants after 1917 revolution in Russia

Lot: 829D - 5% Loan (bond/obligation) of the city of Sevast pol, Imperial Russian, very rare, #4054, 1910-1946.

5% Loan (bond/obligation) of the city of Sevast pol, Imperial Russian, very rare, #4054, 1910-1946. Purchased for: 187.50 rubles = 500 francs= 404 German marks, in 1910. Terms: Guaranteed for the capital of 1,500,000 rubles = 4,000,000 francs, by the Government of Sevastopol. Maturation: starting from the year 1946. Income: 5% per year; Size: 36.5cm x 28.5 cm; Obligation Number: 4054; Ten coupons attached: 11-20 Income at maturity and later: ((500 fr x 0.05) x 36 years) + 500 franks = 900 fr+ 500 fr = 1400 franks; Condition: Very good, see photos. This obligation has historical and a potential financial value. Partial payments for Russian bonds has been done to investors, in 1990’s by Russian Government (President Boris Eltsin) (Financial Times, October 23-24, 1999) Provenance: from early Russia immigrants after 1917 revolution in Russia

Lot: 829E - 5% Loan (obligation) of the city of Sevas__pol, Imperial Russian, very rare, #2212, 1910

5% Loan (obligation) of the city of Sevastopol, Imperial Russian, very rare, #2212, 1910. Purchased for: 187.50 rubles = 500 francs in 1910. Terms: Guaranteed for the capital of 1,500,000 rubles = 4,000,000 francs, by the Government of Sevastopol. Maturation: starting from the year 1946. Income: 5% per year + original loan = (500 fr x 0.05) x 36 years) + 500 fr = 900 fr + 500 fr = $1400 fr Size: 36.5cm x 28.5 cm; Obligation Number: 2212; Condition: Very good, see photos. This obligation has historical and a potential financial value. Partial payments for Russian bonds has been done to investors, in 1990’s by Russian Government (President Boris Eltsin) (Financial Times, October 23-24, 1999) Provenance: from early Russia immigrants after 1917 revolution in Russia

Lot: 830 - Collection of 40 German used stamps, Germany

Collection of 40 German used stamps, Germany

Lot: 830A - 5% Loan (bond/obligation) of the city of Tiflis, 1910 #06675

5% Loan (bond/obligation) of the city of Tiflis, 1910 #06675. Purchased for: 187.50 gold rubles = 500 French Francs, in 1910. Terms: Guaranteed for the total capital of 3,000,000 rubles = 6.464,000 German marks = 8,000,000 French francs, by the City Government of Tiflis, by 1935 (maturation year). Potential Income: 5% per year of 500 francs for 25 years + 500 franks at maturity, which were paid originally = 625+500 = 1125 franks Size: 37 cm x 28 cm; Obligation Number: 06674; Five coupons attached. Condition: Very good, see photos. This obligation has historical and a potential financial value. Partial payments for Russian bonds has been done to investors, in 1990’s by Yeltzin's Government (Financial Times, October 23-24, 1999) Provenance: from early Russia immigrants after 1917 revolution in Russia

Lot: 831 - Collection 28 German used stamps, Germany

Collection 28 German used stamps, Germany

Lot: 832 - Collection of 28 used German stamps, Europa, Germany

Collection of 28 used German stamps, Europa, Germany

Lot: 833 - Collection of 29 used German postal stamps

Collection of 29 used German postal stamps

Lot: 835 - Antique German Weimar Republic 13 stamps, Coach Horn 1921-1923

Antique German Weimar Republic 13 stamps, Coach Horn 1921-1923; 1922-1923 Coach horn, mostly unused; • 2 Mk dark violet 241 A AN 13; • 2Mk dark violet; • 3 Mk orange red; • 4 Mk green; • 5 Mk reddish orange; • 6 Mk blue; • 6 MK blue; • 8 Mk dark olive; • 20 MK violet; 1921: • 50 Mk – dark green purple 1921; I could not find in the catalogue 2 stamps with eagle in the background: • 10 M dark green; • 75/50 purple;

Lot: 838 - German Weimar Republic New daily & Overprinted 6 postal stamps, 1923

German Weimar Republic New daily & Overprinted 6 postal stamps, 1923; 1923 New Daily stamp: • 100 Mk purple; • 200 Mk, carmine; • 300 Mk, green; 1923 Overprinted Stamps: • 75/400 Mk bluish green, • 800/400 Mk, green; • 125/1000 Mk, rose;

Lot: 841 - Collection of used postal stamps, Denmark, Lichtenstein, Luxembourg;

Collection of used postal stamps, Denmark, Lichtenstein, Luxembourg; Denmark – 22 stamps; Lichtenstein – 2 stamps; Luxemburg – 2 stamps Total: 26 stamps

Lot: 843 - 1909-1913 King Franz Jozeph I, 1 korona, Hungary 2 stamps;

1909-1913 King Franz Jozeph I, 1 korona, Hungary 2 stamps; Featuring: 1909-1913 King Franz Jozeph I, 1 korona, 134 G16 brownish red -_______$(?)

Lot: 844 - Hungary. Collection of antique used postal 7 stamps, 1916

Collection of antique used postal 7 stamps, Hungary, 1916 . 1916 – Reaper Magyar KIR Posta, 1 Filler, not found in catalogue Rare? 1916 – Reaper Magyar KIR Posta, 2 Filler 1916 – Reaper Magyar KIR Posta, 5 Filler 1916 – Reaper Magyar KIR Posta, 5 Filler 1916 – Reaper Magyar KIR Posta, 10 Filler 1916 – Reaper Magyar KIR Posta, 10 Filler 1916 – Reaper Magyar KIR Posta, 15 Filler

Lot: 845 - Collection of 12 used postal stamps, Hungary, 1945 and later;

Collection of 12 used postal stamps, Hungary, 1945 and later; Condition: used

Lot: 846 - Collection of 7 used postal stamps, Poland;

Collection of 7 used postal stamps, Poland;

Lot: 849 - Collection of 8 used postal stamps, Canada;

Collection of 8 used postal stamps, Canada;

Lot: 851 - Collection of 19 used postal stamps, Canada;

Collection of 19 used postal stamps, Canada;

Lot: 854 - Collection of used 25 postal stamps: Spain, Ecuador, Haiti, Costa Rica

Collection of used 25 postal stamps: Spain, Ecuador, Haiti, Costa Rica

Lot: 860 - Nederland & Norway: Collection of antique postal stamps

Nederland & Norway: Collection of antique postal stamps Total: 1 page; Nederland: 19 stamps; Norway: 24+ stamps; Additional photos are available on request;

Lot: 871 - Portugal, Guatemala, Dominica: collection of antique postal stamps;

Portugal, Guatemala, Dominica: collection of antique postal stamps; Portugal - 13 stamps; Dominica, - 5 stamps; Guatemala – 4 stamps;

Lot: 873 - Sweden, Yugoslavia: Collection of antique postal stamps

Sweden, Yugoslavia: Collection of antique postal stamps; Sweden: 23 stamps (1 pages) Yugoslavia – 2 stamps:

Lot: 879 - Monaco, Switzerland: Collection of used postal stamps:

Monaco, Switzerland: Collection of used postal stamps: Monaco: 13 stamps; Switzerland: 13 stamps; Total: 26 stamps; Additional photos are available on request;

Lot: 881 - Russian imperial stamps, 1889 Coat of Arms – New drawings, 20 kop, 50 kop, 1 rub.

Russian imperial stamps, 1889 Coat of Arms – New drawings, 20 kop, 50 kop, 1 rub. 20 kop – 1 stamp; 50 kop – 1 stamp; 1 rub – 1 stamp brown orange, price ranges from $7- to $997 depends on perforation...

Lot: 882 - Russian stamps 1910-1917 Coat of Arms – Thunderbolts across post horns, vertically laid paper;

Russian stamps 1910-1917 Coat of Arms – Thunderbolts across post horns, vertically laid paper; 45 A 16 - 2 kop – emerald green; 3 rub 50 kop – purple /light green; 7 rub - dark green/rose;

Lot: 883 - Imperial Russian postal Stamps, Coat of Arms, 1908 - 1012

Imperial Russian postal Stamps, Coat of Arms, 1908 - 1012; 15 kop brown/blue 1908-1912; 25 kop light green/greyish violet: 30 kop brown/green; 70 kop - 35 E3 reddish brown/orange yellow - estimate $99.70

Lot: 884 - Five antique Russian Imperial stamps

Five antique Russian Imperial stamps

Lot: 903 - #3 Necklace Baroque White Pearls

#3 Necklace Baroque White Pearls This necklace of fresh water baroque pearls in natural colors white, highly iridescent, made with silver-look wire, with a chain on a back of the neck and matching clasp. Unique hand-made necklace will enhance your beauty and charm. Wonderful real fresh water pearls with great luster shimmering with unevenness of the baroque pearls. One of a kind piece will make you feel special for any occasion. This kind of pearls look great on almost any skin. Reference: Baroque pearls are pearls with an irregular non-spherical shape. Shapes can range from minor aberrations to distinctly ovoid, curved, pinch, or lumpy shapes. Length (from clasp down to the last pearl): 11 inches = 27.5 cm; Length of the pearls of each side: 9 inches = 22.5 cm; Length of the chain: 3 inches = 7.5 cm; Number of pearls: 35 baroque pearls; Low estimate: $250 US; High Estimate: $350 US; Shell on one photo is not for sale. Note from the consignor: considering the cost of pearls and amount of hours spent for creating of necklace the minimum reserve price is $150.00.

Lot: 907 - #16 Necklace Baroque Pearl Peach

This necklace of fresh water baroque pearls in natural colors from white to peach, to light pink and champagne, highly iridescent, twisted with golden-look wire, with a chain on a back of the neck and matching clasp. Unique hand-made necklace will enhance your beauty and charm. Wonderful real fresh water pearls with great luster shimmering with unevenness of the baroque pearls. One of a kind piece will make you feel special for any occasion. This kind of pearls look great on almost any skin. Reference: Baroque pearls are pearls with an irregular non-spherical shape. Shapes can range from minor aberrations to distinctly ovoid, curved, pinch, or lumpy shapes. Length (from clasp down to the last pearl): 11 inches = 28 cm; Length of the pearls of each side: 6.0 inches = 15 cm; Length of the chain on each side: 5 inches = 12.5 cm; Number of pearls: 28 baroque pearls; Low estimate: $300 US; High Estimate: $450 US

Lot: 917 - Long Earrings white pearls, silver color, unique design, customs made

Long Earrings white pearls, silver, unique design, customs made; Fresh water cultured pearls. Silver plated, nickel free base metal. The shells on the photos are not for sale

Lot: 919 - Natural Pearl Earrings: 1 black + 1 white pearls, handmade

Natural Pearl Earrings: 1 black + 1 white pearls, handmade

Lot: 920 - Golden/Bronze Hair Pin - made of glass bids and wire, custom made and unique

Weight: 33.70 g; Length: 128 mm = 12.8 cm; Shells on the photos are not for sale

Lot: 921 - Hair pin made with glass bids & “silver” wire, customs design

Weight: 34.14 g; Length: 10.4 cm; The shells on the photo are not for sale

Lot: 922 - 1 large pearl + 1 small pearl, Natural Pearl earrings, handmade

1 large pearl + 1 small pearl, Natural Pearl earrings, handmade

Lot: 923 - Natural 6 pearls Earrings, unique handmade

Natural 6 pearls Earrings, unique handmade

Lot: 924 - Natural eight bronze pearls handmade earrings

Natural eight bronze pearls handmade earrings

Lot: 925 - Natural bronze pearl earrings, spiral design

Natural bronze pearl earrings, spiral design

Lot: 926 - Natural 11 pearls’ earrings, handmade

Natural 11 pearls’ earrings, handmade

Lot: 927 - Natural pearl earring, solar system, “12 planets”

Natural pearl earring, solar system, “12 planets”

Lot: 928 - Natural pearl earrings, bronze star handmade design

Natural pearl earrings, bronze star handmade design

Lot: 929 - Natural 11 pearls earring, handmade design

Natural 11 pearls earring, handmade design

Lot: 930 - Baroque peach Pearls necklace

This necklace of fresh water baroque pearls in natural color peach, highly iridescent, made with pink gold-look wire and matching clasp. Unique hand-made necklace will enhance your beauty and charm. Wonderful real fresh water pearls with great luster shimmering with unevenness of the baroque pearls. One of a kind piece will make you feel special for any occasion. This kind of pearls look great on almost any skin. Reference: Baroque pearls are pearls with an irregular non-spherical shape. Shapes can range from minor aberrations to distinctly ovoid, curved, pinch, or lumpy shapes. Length (from clasp down to the last pearl): 10.5 inches = 27 cm; Number of pearls: 71 baroque pearls; Low estimate: $250 US; High Estimate: $350 US; Note from the consignor: considering the cost of pearls and amount of hours spent for creating of necklace the minimum reserve price is $150.00.

Lot: 933 - Golden 30 baroque and 28 seed berries pearl necklace

This necklace of fresh water baroque pearls in golden color, highly iridescent, made with gold-look wire, with a chain on a back of the neck and matching clasp. Unique hand-made necklace will enhance your beauty and charm. Wonderful real fresh water pearls with great luster shimmering with unevenness of the baroque pearls. One of a kind piece will make you feel special for any occasion. This kind of pearls look great on almost any skin. Reference: Baroque pearls are pearls with an irregular non-spherical shape. Shapes can range from minor aberrations to distinctly ovoid, curved, pinch, or lumpy shapes. Length (from clasp down to the last pearl): 10 inches = 25 cm; Length of the pearls of each side: 8.5 inches = 21.5 cm; Number of seed pearls: 28 pearls; Number of baroque pearls: 30 pearls; Low estimate: $250 US; High Estimate: $350 US; Note from the consignor: considering the cost of pearls and amount of hours spent for creating of necklace the minimum reserve price is $150.00.

Lot: 934 - Baroque white 36 pearls double necklace

This necklace of fresh water baroque pearls in natural colors white, highly iridescent, made with silver-look wire, with a chain on a back of the neck and matching clasp. Unique hand-made necklace will enhance your beauty and charm. Wonderful real fresh water pearls with great luster shimmering with unevenness of the baroque pearls. One of a kind piece will make you feel special for any occasion. This kind of pearls look great on almost any skin. Reference: Baroque pearls are pearls with an irregular non-spherical shape. Shapes can range from minor aberrations to distinctly ovoid, curved, pinch, or lumpy shapes. Length (from clasp down to the last pearl): 10.5 inches = 27 cm; Length of the pearls of each side: 5.5 inches = 14 cm; Length of the chain: 10 inches = 25 cm; Number of pearls: 36 baroque pearls; Low estimate: $200 US; High Estimate: $300 US; Note from the consignor: considering the cost of pearls and amount of hours spent for creating of necklace the minimum reserve price is $150.00.

Lot: 936 - Baroque olive color 26 pearls necklace

This necklace of fresh water baroque pearls in olive color, highly iridescent, made with golden-look wire, with a chain on a back of the neck and matching clasp. Unique hand-made necklace will enhance your beauty and charm. Wonderful real fresh water pearls with great luster shimmering with unevenness of the baroque pearls. One of a kind piece will make you feel special for any occasion. This kind of pearls look great on almost any skin. Reference: Baroque pearls are pearls with an irregular non-spherical shape. Shapes can range from minor aberrations to distinctly ovoid, curved, pinch, or lumpy shapes. Length (from clasp down to the central pearl): 10.5 inches = 27 cm; Length of the pearls of each side: 5 inches = 12.5 cm; Length of the chain: 11 inches = 14 cm; Number of pearls: 26 baroque pearls; Low estimate: $200 US; High Estimate: $300 US; Note from the consignor: considering the cost of pearls and amount of hours spent for creating of necklace the minimum reserve price is $150.00.

Lot: 937 - Seed silver color tripled 81 pearls necklace

This necklace of fresh water seed pearls in natural color silver, highly iridescent, made with silver-look wire, with a chain on a back of the neck and matching clasp. Unique hand-made necklace will enhance your beauty and charm. Wonderful real fresh water pearls with great luster shimmering with unevenness of the seed pearls. One of a kind piece will make you feel special for any occasion. This kind of pearls look great on almost any skin. Reference: Seed pearls are pearls with an irregular non-spherical shape. Shapes can range from minor aberrations to distinctly ovoid, curved, pinch, or lumpy shapes. Length (from clasp down to the last pearl): 9.5 inches = 24.5 cm; Length of the pearls of each side: 7.5 inches = 19 cm; Length of the chain: 6 inches = 15 cm; Number of pearls: 81 seed pearls; Low estimate: $200 US; High Estimate: $300 US; Note from the consignor: considering the cost of pearls and amount of hours spent for creating of necklace the minimum reserve price is $150.00.

Lot: 938 - Baroque brown 52 pearls necklace

This necklace of fresh water baroque pearls in colors bronze brown, highly iridescent, made with golden-look wire, with a chain on a back of the neck and matching clasp. Unique hand-made necklace will enhance your beauty and charm. Wonderful real fresh water pearls with great luster shimmering with unevenness of the baroque pearls. One of a kind piece will make you feel special for any occasion. This kind of pearls look great on almost any skin. Reference: Baroque pearls are pearls with an irregular non-spherical shape. Shapes can range from minor aberrations to distinctly ovoid, curved, pinch, or lumpy shapes. Length (from clasp down to the last pearl): 10.5 inches = 27 cm; Length of the pearls of each side: 6 inches = 15 cm; Length of the chain: 10 inches = 13 cm; Number of pearls: 52 baroque pearls; Low estimate: $250 US; High Estimate: $350 US; Note from the consignor: considering the cost of pearls and amount of hours spent for creating of necklace the minimum reserve price is $150.00.

Lot: 939 - Very long necklace with Tiger’s Eye Stones and multiple Pearls

This necklace of fresh water pearls in natural colors creamy and light brown highly iridescent, made with golden-look wire, with a chain on a back of the neck and matching clasp. Unique hand-made necklace will enhance your beauty and charm. Wonderful real fresh water pearls with great luster shimmering with unevenness of the natural pearls. One of a kind piece will make you feel special for any occasion. This kind of pearls look great on almost any skin. Reference: Baroque pearls are pearls with an irregular non-spherical shape. Shapes can range from minor aberrations to distinctly ovoid, curved, pinch, or lumpy shapes. Length (from clasp down to the last pearl): 42 inches + 2.5 inches attachment; Number of pearls: 12 peach baroque pearls; Number of golden brown pearls: 22; Small peach pearls: 12 Number of small Tiger’s eye stones: 88; Low estimate: $150 US; High Estimate: $250 US; Note from the consignor: considering the cost of pearls and amount of hours spent for creating of necklace the minimum reserve price is $150.00. Nicknamed The Shape-Shifter, the earthly rich and curious gemstone of Tiger’s Eye invites the wearer to embrace their inner-strength, personal willpower, and to call on the powers of protection. Colored with golden bands, flecks of sand, and smudges of inky black and brown – there’s no disputing the wild force and energy that can be found in this stone. Traditionally the Tiger Eye Gemstone was carried as a protective amulet against the forces of evil. It was said to ward off curses and to keep the wearer safe from ill-wishes. But beyond the powers of protection, the Tiger Eye comes with a whole host of healing properties. From the big cat lands of South Africa, the Spice Islands and tumbling tea plantations of India, and the arid endless outback of Western Australia, Tiger’s Eye is mined in places where heat, dry air and a sense of wilderness runs rampant. It is formed by altering crocidolite, maintains its mineral rich moods, and takes its golden orb color scheme from iron oxide. In the 16th century, Tigers Eye was so rare it was considered to be an element so precious, it’s worth was so much higher than gold. The stories behind Tiger’s Eye says that the Egyptians fell hard for the iridescent rays of the Tiger Eye Stone, they believed that it expressed divine vision and would even use it as a stone to represent the eyes when creating great deities.

Lot: 940 - Long necklace with Tiger’s Eye Stones and multiple Pearls

This necklace of fresh water pearls in natural colors creamy and light brown highly iridescent, made with golden-look wire, with a chain on a back of the neck and matching clasp. Unique hand-made necklace will enhance your beauty and charm. Wonderful real fresh water pearls with great luster shimmering with unevenness of the natural pearls. One of a kind piece will make you feel special for any occasion. This kind of pearls look great on almost any skin. Reference: Baroque pearls are pearls with an irregular non-spherical shape. Shapes can range from minor aberrations to distinctly ovoid, curved, pinch, or lumpy shapes. Length (from clasp down to the last pearl): 47 inches + 5 inches attachment; Number of pearls: 17 peach pearls; Number of golden brown pearls: 11; Number of small Tiger’s eye stones: 72; Low estimate: $150 US; High Estimate: $250 US; Note from the consignor: considering the cost of pearls and amount of hours spent for creating of necklace the minimum reserve price is $150.00. Nicknamed The Shapeshifter, the earthly rich and curious gemstone of Tiger’s Eye invites the wearer to embrace their inner-strength, personal willpower, and to call on the powers of protection. Colored with golden bands, flecks of sand, and smudges of inky black and brown – there’s no disputing the wild force and energy that can be found in this stone. Traditionally the Tiger Eye Gemstone was carried as a protective amulet against the forces of evil. It was said to ward off curses and to keep the wearer safe from ill-wishes. But beyond the powers of protection, the Tiger Eye comes with a whole host of healing properties. From the big cat lands of South Africa, the Spice Islands and tumbling tea plantations of India, and the arid endless outback of Western Australia, Tiger’s Eye is mined in places where heat, dry air and a sense of wilderness runs rampant. It is formed by altering crocidolite, maintains its mineral rich moods, and takes its golden orb color scheme from iron oxide. In the 16th century, Tigers Eye was so rare it was considered to be an element so precious, it’s worth was so much higher than gold. The stories behind Tiger’s Eye says that the Egyptians fell hard for the iridescent rays of the Tiger Eye Stone, they believed that it expressed divine vision and would even use it as a stone to represent the eyes when creating great deities.

Lot: 942 - Double line 50 silver color seed pearl necklace

Double line 50 silver color seed pearl necklace This necklace of fresh water seed pearls in silver color, highly iridescent, made with silver-look wire, with a chain on a back of the neck and matching clasp. Unique hand-made necklace will enhance your beauty and charm. Wonderful real fresh water pearls with great luster shimmering with unevenness of the seed pearls. One of a kind piece will make you feel special for any occasion. This kind of pearls look great on almost any skin. Reference: seed pearls are pearls with an irregular non-spherical shape. Shapes can range from minor aberrations to distinctly ovoid, curved, pinch, or lumpy shapes. Length (from clasp down to the last pearl): 9.5 inches = 24 cm; Length of the pearls of each side: 7 inches = 18 cm; Length of the chain: 6 inches = 15 cm; Number of pearls: 50 seed pearls; Low estimate: $200 US; High Estimate: $300 US; Note from the consignor: considering the cost of pearls and amount of hours spent for creating of necklace the minimum reserve price is $150.00.

Lot: 943 - 38 Baroque bronze brown pearls necklace

This necklace of fresh water baroque pearls in bronze brown color, highly iridescent, made with golden-look wire, with a chain on a back of the neck and matching clasp. Unique hand-made necklace will enhance your beauty and charm. Wonderful real fresh water pearls with great luster shimmering with unevenness of the baroque pearls. One of a kind piece will make you feel special for any occasion. This kind of pearls look great on almost any skin. Reference: Baroque pearls are pearls with an irregular non-spherical shape. Shapes can range from minor aberrations to distinctly ovoid, curved, pinch, or lumpy shapes. Length (from clasp down to the last pearl): 10 inches = 25 cm; Length of the pearls of each side: 6 inches = 15 cm; Length of the chain: 9 inches = 22.5 cm; Number of pearls: 38 baroque pearls; Low estimate: $200 US; High Estimate: $300 US; Note from the consignor: considering the cost of pearls and amount of hours spent for creating of necklace the minimum reserve price is $150.00.

Lot: 944 - Triple line of beautiful baroque classic pearl (41+36+32) necklace

This necklace of fresh water baroque pearls in natural peach color, highly iridescent, made with golden-look clasp. The necklace contains bronze color beads between the pearls. Unique hand-made necklace will enhance your beauty and charm. Wonderful real fresh water pearls with great luster shimmering with unevenness of the baroque pearls. One of a kind piece will make you feel special for any occasion. This kind of pearls look great on almost any skin. Reference: Baroque pearls are pearls with an irregular non-spherical shape. Shapes can range from minor aberrations to distinctly ovoid, curved, pinch, or lumpy shapes. Length of the first necklace with a clasp: 20.5 inches = 51 cm; number of pearls: 41; Length of the second necklace with a clasp: 18 inches = 45.5 cm; number of pearls: 36; Length of the third necklace with a clasp: 16.25 inches = 41 cm; number of pearls: 32; Low estimate: $300 US; High Estimate: $600 US; Note from the consignor: considering the cost of pearls and amount of hours spent for creating of necklace the minimum reserve price is $150.00.

Lot: 945 - Elegant pearl earring #1

Simple, but elegant earring with a drop pearl. Very light weight. Fresh water cultured pearls. Gold plated, nickel free base metal.

Lot: 962 - Natural 2 pearl earrings, flower design, handmade

Natural 2 pearl earrings, flower design, handmade

Lot: 1000 - Multi-layer cashew white pearls necklace

Multi-layer cashew white pearls necklace This necklace of fresh water cashew white pearls, highly iridescent, made with silver-look wire, with a chain on a back of the neck and matching clasp. Unique hand-made necklace will enhance your beauty and charm. Wonderful real fresh water pearls with great luster shimmering with unevenness of the seed pearls. One of a kind piece will make you feel special for any occasion. This kind of pearls look great on almost any skin. Reference: seed pearls are pearls with an irregular non-spherical shape. Shapes can range from minor aberrations to distinctly ovoid, curved, pinch, or lumpy shapes. Whole length: 21 inches = 54 cm; Low estimate: $200 US; High Estimate: $300 US; Note from the consignor: considering the cost of pearls and amount of hours spent for creating of necklace the minimum reserve price is $150.00.

Lot: 1001 - Huge baroque off-white pearls necklace

This necklace of fresh water off white baroque pearls, highly iridescent, made with gold-look wire, with pearls in the back of the neck and matching clasp. Unique hand-made necklace will enhance your beauty and charm. Wonderful real fresh water pearls with great luster shimmering with unevenness of the seed pearls. One of a kind piece will make you feel special for any occasion. This kind of pearls look great on almost any skin. Shapes can range from minor aberrations to distinctly ovoid, curved, pinch, or lumpy shapes. Whole length 22 inches = 60 cm; Number of pearls: 25 large + 12 medium; Low estimate: $200 US; High Estimate: $400 US; Note from the consignor: considering the cost of pearls and amount of hours spent for creating of necklace the minimum reserve price is $150.00.

Lot: 1003 - Large peach color, drop shape pearls necklace

This necklace of fresh water peach color, drop shape pearls, highly iridescent, made with gold-look wire, with chain in the back of the neck and matching clasp and extension. Unique hand-made necklace will enhance your beauty and charm. Wonderful real fresh water pearls with great luster shimmering with unevenness of the seed pearls. One of a kind piece will make you feel special for any occasion. This kind of pearls look great on almost any skin. Whole length: 19 inches = 48.5 cm; + 2 inches extension Number of pearls: circa 45 Low estimate: $200 US; High Estimate: $400 US; Note from the consignor: considering the cost of pearls and amount of hours spent for creating of necklace the minimum reserve price is $150.00.

Lot: 1006 - Sautoir tiger eye stones and pearls + mother of pearls necklace

This necklace of tiger eye natural stone, creamy fresh water pearls, mother of pearl beads, highly iridescent, made with gold-look wire, Unique hand-made necklace will enhance your beauty and charm. Wonderful real fresh water pearls with great luster shimmering with unevenness of the seed pearls. One of a kind piece will make you feel special for any occasion. This kind of pearls look great on almost any skin. Whole length (one side) 24 inches = 63 cm; Low estimate: $400 US; High Estimate: $800 US; Note from the consignor: considering the cost of pearls and amount of hours spent for creating of necklace the minimum reserve price is $300.00.

Lot: 1152 - Rare book 1861, First edition, EXPLORATIONS ADVENTURES in EQUATORIAL AFRICA by Paul Belloni du Chaillu, illustrated antique. EXPLORATIONS AND ADVENTURES in EQUATORIAL AFRICA.

Rare book 1861, First edition, EXPLORATIONS ADVENTURES in EQUATORIAL AFRICA by Paul Belloni du Chaillu, illustrated antique. EXPLORATIONS AND ADVENTURES in EQUATORIAL AFRICA. With Accounts of the Manners and Customs of the People, and of the Chase of the Gorilla, Crocodile, Leopard, Elephant, Hippopotamus, and Other Animals, by Paul B. Du Chaillu. John Murray, London, 1861. First edition, 479 pages + 20 pages of advertisements. Weight 2 lb. 7.1 oz. = 1 kg 110 g. Condition: excellent for the age, all the pages are intact, the binding is still strong. Explorations and Adventures in Equatorial Africa is a book written by Paul Belloni Du Chaillu and published in 1861. The book is a detailed account of Du Chaillu's travels and adventures in Equatorial Africa, where he spent several years exploring the region and studying its people and wildlife.Du Chaillu's journey took him through the dense forests of Gabon, where he encountered various indigenous tribes, including the Fang people, who were known for their elaborate tattoos and headhunting practices. He also encountered gorillas for the first time, which he described in great detail in the book. The book is divided into several chapters, each of which covers a different aspect of Du Chaillu's journey. In addition to his encounters with the local people and wildlife, he also describes the geography and climate of the region, as well as the challenges he faced during his travels. Overall, Explorations and Adventures in Equatorial Africa is an important historical document that provides a fascinating glimpse into the early exploration of Africa and the many challenges faced by explorers in the 19th century. It is a must-read for anyone interested in African history, anthropology, or wildlife. Folding frontispiece of gorilla illustration, folding map at the end, with 72 other illustrations. Size 6 by 9". Original decorated cloth with gilt printed engraving of a gorilla on front cover. This book, especially the illustrations of gorillas, was an inspiration for film producer Merion Cooper’s famous movie King Kong (according to his widow). xviii, 479 pp. The first work to document the existence of the gorilla. 'A noted if somewhat controversial travel-writer in his day. He was among the first white men to trek into gorilla territory, and some of his remarks and sketches were viewed as being fictional by experts of that era' (Czech). Text in English. Price: $1317.63 on AbeBooks, in worse condition.

Lot: 1154 - Book Miracle: A Celebration of New Life [French], by Anne Dion, Celine Geddes

Book Miracle: A Celebration of New Life [French], by Anne Dion, Celine Geddes Never before have had two top artists created such a multimedia work to honor the unique and steadfast bond between mother and child. Vocalist Celine Dion and photographer Anne Geddes conceived Miracle as a way to express something deep within their own hearts, and now both the experience and the outcome will delight music and visual art fans throughout the world. Miracle features more than 100 stunning new Geddes images. Each frame reflects the beauty, grace, and magic of both the photographer and her subject. Babies enfolded in blooms, mothers embracing the life flowering within: Anne's artistic eye captures it all. The exquisite images are wedded with the lyrics to all-new songs by Dion, created and performed on the book-accompanying CD in Celine's unmistakable international superstar style. It's easy to hear how her clear and melodious voice has captivated millions throughout her career. A DVD rounds out this artistic package, exploring the genesis of the Miracle project and taking its audience behind the scenes to witness the making of this memorable production. Celine's title track music video highlights the DVD.As a complement to this many-faceted experience, Sony Music will release its stand-alone Dion CD concurrent with the book's debut. AMP is delighted to play a role in bringing this important collaboration to readers and listeners, providing a crossover experience rivaled by few others. Mothers, grown children, grandmothers, friends, and gift givers everywhere will want to join this celebration of wonder. Weight: 66.7 oz. Size: 13” x 11.2” x 0.9” inches; Compact disk, hardcover ISBN-10 074074690 ISBN-13

Lot: 1156 - Gray’s Anatomy a facsimile, Henri Gray, F.R.S., Drawings by H.V. Carter

11” X 14” inches. Gray's Anatomy is an English written textbook of human anatomy originally written by Henry Gray and illustrated by Henry Vandyke Carter. Earlier editions were called Anatomy: Descriptive and Surgical, Anatomy of the Human Body and Gray's Anatomy: Descriptive and Applied, but the book's name is commonly shortened to, and later editions are titled, Gray's Anatomy. The book is widely regarded as an extremely influential work on the subject, and continued to be revised and republished from its initial publication in 1858 to the present day. Due to its inclusion of also histology, physiology, and pathology subjects, and also its commercial success, it has been term as the "doctors' bible".[1] The latest edition of the book, the 42nd, was published in October 2020.

Lot: 1159 - Gods, graves and scholars. The story of archaeology, by C.W Ceram, Germany, 1967

Gods, graves and scholars. The story of archaeology, by C.W Ceram, Germany, 1967; Translated from German, Hardcover. • ASIN : B000SOW6DC; • Publisher : Alfred A. Knopf; Second Edition (January 1, 1967); • Hardcover : 441 pages; • Item Weight : 1.7 pounds;

Lot: 1161 - Building a Medical vocabulary with Spanish Translations, Peggy C. Leonard, 6th edition, 2006

Building a Medical vocabulary with Spanish Translations, Peggy C. Leonard, 6th edition, 2006; Instructor’s Curriculum Resource to accompany; ISBN 0-7216-0465-X; Sixth edition; Evolve, Elsevier, Saunders; Condition: brand new;

Lot: 1172 - Frank Netter Atlas of Human Anatomy, 3rd edition, 2004, brand new

Netter Atlas of Human Anatomy, 3rd edition, 2004, brand new Atlas of Human Anatomy uses Frank H. Netter, MD's detailed illustrations to demystify this often intimidating subject, providing a coherent, lasting visual vocabulary for understanding anatomy and how it applies to medicine. This fifth edition features a stronger clinical focus-with new diagnostic imaging examples--making it easier to correlate anatomy with practice. Student Consult online access includes supplementary learning resources, from additional illustrations to an anatomy dissection guide and more. Netter. It's how you know. • See anatomy from a clinical perspective with hundreds of exquisite, hand-painted illustrations created by, and in the tradition of, pre-eminent medical illustrator Frank H. Netter, MD. • Join the global community of healthcare professionals who've mastered anatomy the Netter way! • Expand your study at Student Consult online, where you'll find a suite of learning aids including selected Netter illustrations, additional clinically focused illustrations and radiologic images, videos from Netter's 3D Interactive Anatomy, dissection modules, an anatomy dissection guide, multiple-choice review questions, "drag-and-drop" exercises, clinical pearls, clinical cases, survival guides, surgical procedures, and more. • Correlate anatomy with practice through an increased clinical focus, many new diagnostic imaging examples, and bonus clinical illustrations and guides online. • ASIN : 1416059512; • Publisher : Saunders; 5th edition (May 17, 2010); • Language : English; • Paperback : 624 pages; • ISBN-10 : 9781416059516; • ISBN-13 : 978-1416059516; • Item Weight : 1 pounds; • Dimensions : 8.5 x 1.5 x 11 inches; ISBN 978-1-4160-5951-6

Lot: 1173 - Pocket Guide to the operating room, by Maxine Goldman, 2nd edition, brand new

Pocket Guide to the operating room, by Maxine Goldman, 2nd edition, brand new; 5.0 out of 5 stars Great guide, simple to understand; Reviewed in the United States on February 18, 2012; I bought this edition of the book while I was a surgical technologist student. It was a great resource to have while I did my clinicals. (Clinicals = working in an operating room for free with a teacher/preceptor helping and watching). I was able to lookup the surgeries I would assist in very easily and it does help pass instruments when you can anticipate what the surgeon will need. The book has a broad range of surgeries that cover many of the ones done most often. I would recommend this book to any student that will be in the O.R., nurses, medical students, PA students, and even sales reps. Published by F.A. Davis, Philadelphia, brand new • ASIN : B004O9OCAC • Item Weight : 1.1 pounds

Lot: 1174 - Mosby's Comprehensive Review for General Sonography Examinations, 1st Edition, 2008

Mosby's Comprehensive Review for General Sonography Examinations, 1st Edition, 2008; Be confident that you can answer any and all questions on your registry exams correctly when you prepare with this complete review. Mosby's Comprehensive Review for General Sonography Examinations provides study resources for all three main exams required for general ultrasound practice: physics, abdomen, and ob/gyn. Each chapter is arranged in table and outline format with 50 review questions at the end of the chapter and a mock exam at the end of each section. Access additional mock exams for each subject area on the companion CD or Evolve site. These exams give you experience with timed test taking in an electronic environment that simulates the actual registry exam experience. With this realistic preview of the exam environment and solid review of the material, you'll be prepared to ace the exams!Complete preparation for the three general ARDMS exams (physics, abdomen, and ob/gyn)Content review in outline and tabular format provides a quick review of all the materi By Susanna Ovel, RDMS, RVT, RT(R)(R) Susanna Ovel RDMS RVT RT(R) (Author) • Publisher : Mosby; 1st edition (December 22, 2008) • Language : English • Paperback : 552 pages • ISBN-10 : 0323052827 • ISBN-13 : 978-0323052825 • Item Weight : 2.9 pounds • Dimensions : 8.5 x 1 x 10.75 inches ISBN 978-0-323-05282-5

Lot: 1175 - Study Guide for Ingraham and Ingraham's Introduction to Microbiology: A Case-Study Approach, 3rd Edition, brand new, by Jay M Templin (Author), Catherine A. Ingraham (Author)

Study Guide for Ingraham and Ingraham's Introduction to Microbiology: A Case-Study Approach, 3rd Edition, brand new, by Jay M Templin (Author), Catherine A. Ingraham (Author) 0-534-39466-3 • Publisher : Brooks Cole; 3rd edition (September 10, 2003) • Language : English • Paperback : 217 pages • ISBN-10 : 0534394663 • ISBN-13 : 978-0534394660 • Item Weight : 1.15 pounds • Dimensions : 8.5 x 0.5 x 11 inches John Ingraham was a professor of microbiology at UC Davis. He has taught microbiology at all levels, and says that the introductory course was always his favorite. He hopes to create the same fascination with the microbial world in his students that he discovered in the introductory course. John has co-authored several microbiology texts and a CD, and was elected president of the American Society for Microbiology in 1993. Catherine Ingraham is a board-certified pediatrician with the Permanente Medical Group, Inc. in Rancho Cordova, CA. She received a great many honors during her studies and medical training, including being named the Outstanding Student in Obstetrics and Gynecology during her final year at the University of California-Davis. The compelling case studies which appear throughout the text are drawn from actual cases in Catherine's medical practice.

Lot: 1190 - 1995, March, Sotheby’s Catalogue “Indian and Southeast Asian Art”, New York

1995, March, Sotheby’s Catalogue “Indian and Southeast Asian Art”, New York; Wednesday, March 23, 1995 Number of pages: approximately 100; Number of lots: 344; Each lot has a color or black & white photo, description in English and estimate in US dollars; Price: $200

Lot: 1200 - 2010, January, Christie’s Catalogue “The Collection of Benjamin F Edwards III”, New York

2010, January, Christie’s Catalogue “The Collection of Benjamin F Edwards III”, New York Tuesday 26, January 2010; Number of pages: 279; Number of lots: 407; Each lot has a color photo, description in English and estimate in US dollars;

Lot: 1201 - 2013, June 19, TimeLine Catalogue “Coins”, London June 19, 2013;

2013, June 19, TimeLine Catalogue “Coins”, London June 19, 2013; Number of pages: 28; Number of lots: 285; Each lot has a color photo, description in English and estimate in EURO and US dollars; Price: $20

Lot: 1202 - 2013, June, TimeLine Auctions Catalogue “Antiquities”, London, UK 20, June 2013;

2013, June, TimeLine Auctions Catalogue “Antiquities”, London, UK 20, June 2013; Number of pages: 110; Number of lots: 820; Each lot has a color photo, description in English and estimate in EURO and US dollars; Price: $40-$50

Lot: 1203 - 2013, June 21, TimeLine Catalogue “Antiquities”, London, UK June 21, 2013;

2013, June 21, TimeLine Catalogue “Antiquities”, London, UK June 21, 2013; Number of pages: 134; Number of lots: 1374; Each lot has a color photo, description in English and estimate in EURO and US dollars; Price: $200

Lot: 1204 - 2012, December, TimeLine Catalogue “Coins and Antiquities”, London December 14, 2012;

2012, December, TimeLine Catalogue “Coins and Antiquities”, London December 14, 2012; Number of pages: 190; Number of lots: 781; Each lot has a color photo, description in English and estimate in EURO and US dollars; Price: $200

Lot: 1243 - L'art de vivre dans l'ancienne Égypte (Passion de l'Égypte), French Edition book, 2002, France

L'art de vivre dans l'ancienne Égypte (Passion de l'Égypte), French Edition book, 2002, France; • Language ‏ : ‎ French; • Number of pages: 125;

Lot: 1244 - Les momies et leurs fascinants secrets (Passion de l'Égypte) Hardcover – January 1, 2002, French Edition by Editions Atlas (Author), French book

Les momies et leurs fascinants secrets (Passion de l'Égypte) Hardcover – January 1, 2002, French Edition by Editions Atlas (Author), French book; Product details: • Publisher: ‎ Éd. Atlas (January 1, 2002); • Language: ‎ French; • Item Weight: ‎ 1.98 pounds; • Number of pages: 125;

Lot: 1245 - Rites funéraires et voyage vers l'au-delà (Passion de l'Égypte) Hardcover, French Edition book, France;

Rites funéraires et voyage vers l'au-delà (Passion de l'Égypte) Hardcover, French Edition book, France; • Language ‏ : ‎ French; • Number of pages: 125;

Lot: 1246 - À la recherche du trésor de Toutankhamon Hardcover, French Edition book;

À la recherche du trésor de Toutankhamon Hardcover, French Edition book; Product details: Language: ‎ French; Item Weight: ‎ 1.98 pounds; Number of pages: 125;

Lot: 1247 - Les sublimes trésors des temples égyptiens (Passion de l'Égypte), French book

Les sublimes trésors des temples égyptiens (Passion de l'Égypte), French book; Author: Editions Atlas; Format/Binding: Hardcover; Book Condition: Used – Good; Binding: Hardcover; Publisher: Éd. Atlas; Date Published: 2003; Number of pages: 125;

Lot: 1250 - Memoires la Vie du Prince de Conde, Paris, France, M.DC.XCIII=1693, Antique

Memoires la Vie du Prince de Conde, Paris, France, 1643, Antique French book; Louis de Bourbon Prince de Conde. Height: 15 cm = 150 mm; Width: 8.5 cm = 85 mm; Thickness: 3.0 cm = 30 mm; Number of pages: 362; Condition: Very Good inside; Good/Fair outside. All pages present. Provenance: private collection in Missouri, USA

Lot: 1251 - Dictionnaire raisonne universelle d’histoire Naturelle, v. 2, Geneve, Switzerland, 1776, Antique French book

Dictionnaire raisonne universelle d’histoire Naturelle, v. 2, Geneve, Switzerland, 1776, Antique French book; Universal Reasonable Dictionary of Natural History, in French language. Basically, it is an antique Encyclopedia of Nature, in French; Height: 17.7 cm = 177 mm; Width: 11.3 cm = 113 mm; Thickness: 3.8 cm = 38 mm; Number of pages: 654; Condition: Very Good inside and outside; All pages present Provenance: private collection in Missouri, USA

Lot: 1252 - Dictionnaire raisonne universelle d’histoire Naturelle, v. 4, Geneve, Switzerland, 1776, Antique French book

Dictionnaire raisonne universelle d’histoire Naturelle, v. 4, Geneve, Switzerland, 1776, Antique French book; Universal Reasonable Dictionary of Natural History, in French language. Basically, it is an antique Encyclopedia of Nature, in French. Height: 17.7 cm = 177 mm; Width: 11.3 cm = 113 mm; Thickness: 3.8 cm = 38 mm; Number of pages: 617; Condition: Very Good inside and outside; All pages present Provenance: private collection in Missouri, USA

Lot: 1253 - Dictionnaire raisonne universelle d’histoire Naturelle, v. 8, Geneve, France, 1776, Antique French book

Dictionnaire raisonne universelle d’histoire Naturelle, v. 8, Geneve, France, 1776, Antique French book. "Universal Reasonable Dictionary of Natural History", in French language. Basically, it is an antique Encyclopedia of Nature, in French Height: 17.7 cm = 177 mm; Width: 11.3 cm = 113 mm; Thickness: 3.8 cm = 38 mm; Number of pages: 613; Condition: Very Good inside and outside; All pages present Provenance: private collection in Missouri, USA

Lot: 1255 - Biography of Napoleon & Louis XIV in “Plutarque Francaise”, Limoges, France, 1838, Antique French book

Biography of Napoleon & Louis XIV in “Plutarque Francaise”, Limoges, France, 1838, Antique French book. List of famous people, described in this book: Pascal, Poussin, Moliere, Turenne, Lamoignon, Paul de Gondi, Colbert, Gorneille, Conde, Perrault, Quinault, Lebaun, Pellisson, Puget, La Fontaine, Racine, Lenotre, Bossuet, Bourdaloue, Vauron, Regnard, Boileau, Fenelon, Louis XIV, Villars, Duguay-Trouin, Rollin, Massillon, D”Aguesseau, Montesqueu, Turgot, Malesherbes, Napoleon. Height: 17.5 cm = 175 mm; Width: 10.7 cm = 107 mm; Thickness: 2.3 cm = 23 mm; Number of pages: 288; Condition: Very Good inside and outside; All pages present Provenance: private collection in Missouri, USA

Lot: 1271 - The Indians (Old West time Life series), by Benjamin Capps, hard cover book, 1973

The Indians (Old West time Life series), by Benjamin Capps, hard cover book, 1973. I bought these for my dad as he was looking for something new to read he reads all the time. He mentioned he wanted something western old west and I found this and several others that I gave home for Christmas and he loves them. • Publisher ‏ : ‎ Time-Life Books; First Edition (January 1, 1973) • Language ‏ : ‎ English • Hardcover ‏ : ‎ 240 pages • ISBN-10 ‏ : ‎ 0809414554 • ISBN-13 ‏ : ‎ 978-0809414550 • Item Weight ‏ : ‎ 2.15 pounds

Lot: 1274 - Story of the Great American West Hardcover – July 1, 1978

Story of the Great American West Hardcover – July 1, 1978 Recounts the settlement of the West from the first pioneers who crossed the Appalachians to the eventual disappearance of the frontier • Publisher ‏ : ‎ Readers Digest; First Edition (July 1, 1978) • Language ‏ : ‎ English • Hardcover ‏ : ‎ 384 pages • ISBN-10 ‏ : ‎ 0895770393 • ISBN-13 ‏ : ‎ 978-0895770394 • Item Weight ‏ : ‎ 3.2 pounds • Dimensions ‏ : ‎ 20 x 20 x 20 inches

Lot: 1276 - The Blockade: Runners and Raiders (The Civil War Series, Vol. 3) Hardcover book – July 1, 1983, by Time-Life Books (Author)

The Blockade: Runners and Raiders (The Civil War Series, Vol. 3) Hardcover book – July 1, 1983, by Time-Life Books (Author) • ASIN ‏ : ‎ 0809447088; • Publisher ‏ : ‎ Time-Life Books (July 1, 1983); • Language ‏ : ‎ English; • Hardcover ‏ : ‎ 176 pages; • Item Weight ‏ : ‎ 1.98 pounds; • Dimensions ‏ : ‎ 9.5 x 0.75 x 11.25 inches;

Lot: 1281 - Confederate Ordeal: The Southern Home Front: The Civil War Hardcover – January 1, 1989

Confederate Ordeal: The Southern Home Front: The Civil War Hardcover – January 1, 1989; Describes the efforts of Southern women and other civilians on behalf of the Confederacy and recounts Union occupation of Southern cities. This book, like all the Time Life series, is full of excellent maps, photographs and historical information, written in such a way that even an Englishman like myself--can really enter into the atmosphere of the turbulent times of the period. • Publisher ‏ : ‎ Time Life Education (January 1, 1989); • Language ‏ : ‎ English; • Hardcover ‏ : ‎ 176 pages; • ISBN-10 ‏ : ‎ 0809447282; • ISBN-13 ‏ : ‎ 978-0809447282; • Item Weight ‏ : ‎ 1.85 pounds; • Dimensions ‏ : ‎ 9.25 x 0.5 x 11 inches;

Lot: 1284 - The Civil War. First blood. Fort Summer to Bull Run, 1999

The Civil War. First blood. Fort Summer to Bull Run, 1999 Publisher: Time Life, Incorporated ISBN-10: 0809447045 ISBN-13: 9780809447046 Product Key Features Book Title: FIRST Blood; Author: Time-Life Books Editors; Format: Hardcover; Language: English; Topic: United States / Civil War Period (1850-1877); Publication Year: 1999; Genre: History; Number of Pages: 176 Pages; Dimensions: Item Length: 11.1 in. Item Height: 0.6 in. Item Width: 9.3 in. Item Weight: 29.3 oz.

Lot: 1285 - The Civil War. The Fight for Chattanooga: Chickamauga to Missionary Ridge (Civil War) Hardcover – January 1, 1985

The Civil War. The Fight for Chattanooga: Chickamauga to Missionary Ridge (Civil War) Hardcover – January 1, 1985 Discusses the strategies and results of the Chattanooga Campaign during the Civil War, discussing the key people involved. Same old thing over and over ..... man is a big failure in trying to use war as a means to gain righteous government . This book highlights that fact ...... glad I read it for the facts. Publisher ‏ : ‎ Time Life Education (January 1, 1985); Language ‏ : ‎ English; Hardcover ‏ : ‎ 176 pages; ISBN-10 ‏ : ‎ 0809448165; ISBN-13 ‏ : ‎ 978-0809448166; Item Weight ‏ : ‎ 1.98 pounds; Dimensions ‏ : ‎ 9.5 x 0.75 x 11.25 inches;

Lot: 1290 - Spies, Scouts, and Raiders: Irregular Operations (Time-Life The Civil War) Hardcover – January 1, 1985

Spies, Scouts, and Raiders: Irregular Operations (Time-Life The Civil War) Hardcover – January 1, 1985 Describes the activities of spies and couriers during the Civil War, looks at acts of sabotage and guerrilla warfare, and offers profiles of leaders of special operations. I really enjoyed this book! I love the series, but I think this volume is my favorite! I've studied the American Civil War for about 10 years now. I've always enjoyed the aspects that were outside of the battles. I loved the antidotes and stories contained in this volume. There are quite a few obscure bits in this one. (The volumes I have mostly center on just the battles) This will make a great addition to your collection! • Publisher ‏ : ‎ Time Life Education; 1st edition (January 1, 1985); • Language ‏ : ‎ English; • Hardcover ‏ : ‎ 176 pages; • ISBN-10 ‏ : ‎ 0809447169; • ISBN-13 ‏ : ‎ 978-0809447169; • Grade level ‏ : ‎ 7 – 9; • Item Weight ‏ : ‎ 1.84 pounds; • Dimensions ‏ : ‎ 9.25 x 0.75 x 11.25 inches;

Lot: 1293 - The Shenandoah in Flames: The Valley Campaign of 1864 (Civil War) Hardcover – January 1, 1987

The Shenandoah in Flames: The Valley Campaign of 1864 (Civil War) Hardcover – January 1, 1987; This volume looks at the 1864 Shenandoah Campaign, a federal military operation which ran concurrently with the Grant's Wilderness Campaign in central Virginia. While Grant attempted to get between Lee and Richmond a succession of Union generals tried to eliminate Confederate control over the strategic Shenandoah valley and possibly use it to cut the vital railroad supplying the Army of Northern Virginia. As the author shows in this volume of the Time-Life Civil War series, some of these generals were inept and experienced Confederate officers were able to beat the Federals and even use the Valley to invade Maryland and threaten Washington D.C. Eventually General Sheridan would be hand-picked by Grant to destroy the Confederates in the Shenandoah. Well-illustrated, with great photos, artwork, maps and pictures of artifacts. Includes sidebars on the Volunteer Reserve Corps, the forts of Washington, artwork of the Battle of Cedar Creek, VMI, Sheridan's army, and the destruction of Chambersburg. • Publisher ‏ : ‎ Time Life Education (January 1, 1987); • Language ‏ : ‎ English; • Hardcover ‏ : ‎ 176 pages; • ISBN-10 ‏ : ‎ 0809447843; • ISBN-13 ‏ : ‎ 978-0809447848; • Reading age ‏ : ‎ Baby - 2 years; • Item Weight ‏ : ‎ 1.78 pounds; • Dimensions ‏ : ‎ 9.25 x 0.5 x 11 inches;

Lot: 1295 - Hollywood Babylon II, by Kenneth Anger, 1984, very rare book

Hollywood Babylon II, by Kenneth Anger, 1984, very rare book HOLLYWOOD BABYLON II – KENNETH ANGER Needing no introduction, the second of Anger’s Hollywood excavations is as essential as the first. This 1984 sequel to his myth breaking and making first volume remains as hot lipped now as upon publication, with Liz Taylor’s full purple frock gracing the cover. In excellent condition with two small closed tears to the dust jacket, otherwise very sharp all around with a tight binding, uncommon for this title. Hardcover, First Edition (2nd printing), 331 pages 7.5 x 10.25 inches E.P. Dutton Inc., 1984

Lot: 1298 - The book of waves, form and beauty on the ocean, by Drew Kampion, First edition, made in Italy, 1989

The book of waves, form and beauty on the ocean, by Drew Kampion, First edition, made in Italy, 1989 I purchased this book for my father-in-law who is now 87 years young. He surfed until he was approx. 60, has a home on the beach in Newport Beach, CA and takes immense joy in the ocean on a daily basis. He loved this book, and felt that it captured the unique, ever-changing beauty of the ocean. I was stoked to find this book, since I believe it is now out of print. My only disappointment was the cover was a little roughed up, but my father-in-law didn't seem to mind, so I'm pretty satisfied with this purchase. I have really come to appreciate AMAZON.com. You can literally (no pun intended) find everything and then some. • Publisher ‏ : ‎ Arpel Graphics, Incorporated; 1st edition (January 1, 1989) • Language ‏ : ‎ English • Hardcover ‏ : ‎ 122 pages • ISBN-10 ‏ : ‎ 0916567141 • ISBN-13 ‏ : ‎ 978-0916567149 • Item Weight ‏ : ‎ 4.15 pounds • Dimensions ‏ : ‎ 0.9 x 11.8 x 12.1 inches $888.00 – signed hardcover on Amazon- extremely rare, very good condition $97.00 –not signed $90 – new paperback

Lot: 1300 - Diana: Portrait of a Princess Hardcover – August 31, 1998, by Jayne Fincher (Author), Judy Wade (Contributor) book

Diana: Portrait of a Princess Hardcover – August 31, 1998, by Jayne Fincher (Author), Judy Wade (Contributor) An array of five hundred photographs, many never before released, provides a visual portrait of Diana, Princess of Wales, and includes anecdotes about and reflections on Diana's life Amazon.com Review Alone among award-winning photographers, Jayne Fincher snapped some of the most private moments ever seen of the late Princess Diana. What's her secret? Perhaps it's because, as an official royal photographer, she did not provoke the fear and panic that outside photographers tragically did, and her status as the only woman in the pool of royal photographers somehow put the royal family and the Princess of Wales off their guard in her presence. Diana: Portrait of a Princess contains never-before-seen photos from the early 1980s until Diana's death in August of 1997. Fincher captures the shy, awkward Lady Spencer, the picture of innocence and bewilderment thrust onto the global stage. Later in this chronologically ordered collection we see this young woman evolve into the glamorous and sophisticated princess. Some of the most striking images reflect the raw emotion and revealing intimacy in Diana's life, such as the private moments in which you can sense her fiercely tender devotion to her sons. Many of the natural, spontaneous shots depict a deeply distressed woman, trapped in a world of conformity, while still other pictures illustrate the growing strain in her loveless marriage to Prince Charles. Royal writer Judy Wade worked with Fincher to provide the text to go with these, the best of Fincher's 30,000 candid images of Princess Di. From Kirkus Reviews In one of what will undoubtedly be a host of tributes on the anniversary of her death comes a collection of several hundred color photographs of ``the people's princess,'' taken by the only female photographer granted access to Diana by Buckingham Palace. Ranging front Diana's emergence on the scene in 1980 up to the extraordinary events surrounding her funeral, Fincher's workmanlike photographs serve to remind the viewer both how exhausting Diana's public schedule was and how uniquely photogenic she was. Ranging from diplomatic receptions to balls to sporting events, the chronologically arranged photos also chart Diana's emergence as a confident public figure, as well as the deterioration of her marriage (there are some memorable shots of an acutely embarrassed couple at public events, clearly anxious to be away from each other). The most memorable shots are of Diana and her sons; her love for them is almost palpable. Judy Wade, a journalist, sets down Finchers carefully diplomatic recollections of Diana and Charles. Those who were fans of the princess and pictorial icon will find this a vivid review. Others may be moved to a contemplation of the peculiar modern fixation with celebrity. (500 color photographs) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.

Lot: 1301 - The watercolor painting book by Wendon Blake, 1978

The watercolor painting book by Wendon Blake, 1978 Here is the most comprehensive book ever published on the technique of watercolor painting, with 400 illustrations, including 32 step-by-step demonstrations... Provides detailed demonstrations to help the beginner develop and refine skills and techniques in painting still lifes, landscapes, and seascapes. • Publisher ‏ : ‎ Watson-Guptill Pubns; First Edition (January 1, 1978) • Language ‏ : ‎ English • Hardcover ‏ : ‎ 256 pages • ISBN-10 ‏ : ‎ 0823056724 • ISBN-13 ‏ : ‎ 978-0823056729 • Item Weight ‏ : ‎ 3.3 pounds

Lot: 1310 - Journey into China Hardcover – January 1, 1984 by National Geographic Society

Journey into China Hardcover – January 1, 1984 by National Geographic Society • ASIN ‏ : ‎ B000JV4DZS • Publisher ‏ : ‎ National Geographic Society; Stated First Edition (January 1, 1984) • Language ‏ : ‎ English • Hardcover ‏ : ‎ 518 pages • Item Weight ‏ : ‎ 2.4 ounces National Geographic One of the world's leading nonfiction publishers, National Geographic Books has published more than 1,700 titles, featuring such categories as history, travel, nature, photography, space, science, health, biography, and memoir. A portion of its proceeds is used to fund exploration, conservation, and education through ongoing contributions to the work of the National Geographic Society.

Lot: 1311 - Wide Angle: National Geographic Greatest Places (National Geographic Collectors Series) Hardcover – November 1, 2011

Wide Angle: National Geographic Greatest Places (National Geographic Collectors Series) Hardcover – November 1, 2011. In 250 glorious photographs Wide Angle: National Geographic Greatest Places documents the beauty and depth of every part of the world. Delving deeply into a picture archive that houses over ten million images, with many photographs being published for the first time, this new book-the third and final in the "greatest photographs" series-presents the world's amazingly diverse places with epic grandeur, unparalleled intimacy, romantic beauty, and gritty realism. The photographs are landscapes, cityscapes, famous landmarks, and unfamiliar spots that reveal special qualities of geography or culture one might otherwise never see. Spanning more than eleven decades, the images in Wide Angle are divided into twelve chapters, each depicting a unique geography—including East and Southeast Asia, the Middle East, North Africa, and the Polar Regions. Each chapter is introduced by award-winning cultural writer and critic Ferdinand Protzman, whose essays accent the stunning photographs by renowned National Geographic photographers. Both essays and photographs carefully examine a region's special qualities, creating unique character and its own special and unforgettable sense of place. In Wide Angle, National Geographic photographers have recorded the world's places close up, in sweeping breadth, in depth, and over time. • ASIN ‏ : ‎ 1426208936 • Publisher ‏ : ‎ National Geographic; Reprint edition (November 1, 2011) • Language ‏ : ‎ English • Hardcover ‏ : ‎ 504 pages • ISBN-10 ‏ : ‎ 9781426208935 • ISBN-13 ‏ : ‎ 978-1426208935 • Item Weight ‏ : ‎ 2.05 pounds • Dimensions ‏ : ‎ 6.26 x 1.37 x 6.78 inches

Lot: 1314 - Kaplan SAT Prep PLUS 2022: Heart of Algebra, Problem Solving and Data Analysis, Passport to Advanced Math, Algebra, Geometry, Calculus

Kaplan SAT Prep PLUS 2022: Heart of Algebra, Problem Solving and Data Analysis, Passport to Advanced Math, Algebra, Geometry, Calculus. The SAT Math test can be broken down into 4 main content areas: Heart of Algebra, Problem Solving and Data Analysis, Passport to Advanced Math, and Additional Topics. Some questions on the SAT Math test may include concepts that seem unfamiliar to you, but don’t worry–all the topics tested on the SAT Math test are taught in your typical high school Pre-algebra, Algebra I, Algebra II, Geometry, and Pre-Calculus classes. Read on for a more in-depth look at the concepts you might see on the SAT Math test.

Lot: 1315 - The Cambridge Encyclopedia of China (Cambridge World Encyclopedias) 1st Edition, by Brian Hook (Editor), 1982, used book.

The Cambridge Encyclopedia of China (Cambridge World Encyclopedias) 1st Edition, by Brian Hook (Editor), 1982, used book. The Cambridge Encyclopedia of China provides an absorbing and authoritative account of China and all things Chinese - geography, politics, customs, food and drink, the arts, and a rich and colourful history, from ancient times through to the momentous events of the past decade. Brian Hook and his team of expert contributors have thoroughly revised and updated the Encyclopedia to take full account of the most recent developments in China, from the economic reforms and increased freedoms of the early 1980s to the crisis of 1989 and its aftermath. The book is thus a uniquely broad-ranging account of China for everyone with an interest in the area, which will appeal both as a highly attractive illustrated reference book and as an invaluable source of practical information on a developing superpower. • Publisher ‏ : ‎ Cambridge University Press; 1st edition (October 25, 1982); • Language ‏ : ‎ English; • Hardcover ‏ : ‎ 492 pages; • ISBN-10 ‏ : ‎ 0 521 23099 3; • Item Weight ‏ : ‎ 4.17 pounds; • Dimensions ‏ : ‎ 9 x 1.5 x 10 inches;

Lot: 1316 - Royal Taste: The Art of Princely Courts in Fifteenth-Century China Hardcover – November 6, 2015, Brand new book

Royal Taste: The Art of Princely Courts in Fifteenth-Century China Hardcover – November 6, 2015, Brand new luxury book. Royal Taste offers a rare opportunity to examine more than a hundred objects from five museums in Hubei, China, including metal and porcelain work, jewelry, paintings and sculpture. Highlights include exciting archeological finds from recently excavated royal tombs and state-commissioned Daoist statues from Mt Wudang that illustrate the luxurious life and religious practice of princely courts in early and mid-Ming China (1368-1644). With essays and entries from seven leading scholars, this beautifully illustrated catalogue offers fresh perspectives on the material culture of China at a time before Europe entered its great age of discovery. Major themes include the impact of state patronage on Daoist and Tibetan Buddhist art, and the role of princely courts in defining late imperial Chinese art and culture. Condition: Brand new book, still in plastic. Original price: $65.00 + taxes • Publisher ‏ : ‎ Ringling Museum Scala Arts Publishers Inc. (November 6, 2015) • Language ‏ : ‎ English • Hardcover ‏ : ‎ 192 pages • ISBN-10 ‏ : ‎ • ISBN-13 ‏ : ‎ • Item Weight ‏ : ‎ 3.7 pounds • Dimensions ‏ : ‎ 9.95 x 1.02 x 11.81 inches

Lot: 1317 - Highly intellectual, vintage tournament Othello game, made by Gabriel, age: 8 years to adults

Highly intellectual, vintage tournament Othello game, made by Gabriel, age: 8 years - to adults. Although there have been a few different versions of how the game Othello came about, the person who defined the modern game of Othello was undoubtedly Goro Hasegawa of Japan. He invented the game in 1971 with rules that made the game playable with general simplicity yet combined with complex possibilities. As the founding father of Othello, he has made it a point to attend the most prestigious Meijin-Sen Tournament in Japan every year as much as possible. Till today, he still attends the Meijin-Sen Tournament among many others and confers players with honour. The Rise of Othello After Othello was invented in 1971, the popularity of the game grew tremendously and game sets were produced in a large scale for the consumers of the world. According to the game's International Licensor, Anjar Co., over 40 million sets of Othello have been sold worldwide. This does not even include the great number of "Reversi" sets that have been also sold worldwide which are in fact the same game. Othello's distinct colours are green, black and white. The colour of the board is usually green with black lines defining the playing regions. The discs are two sided with black on one side and white on the other. World Othello Championship (WOC) Since the year 1977 when it was held in Tokyo, the World Othello Championship has been held annually across the globe consecutively till today. This most prestigious Othello tournament has seen the birth and rise of many legendary players such as Hiroshi Inoue, Ken'Ichi Ishii, Hideshi Tamenori, David Shaman, Takeshi Murakami, Ben Seeley and more recently, Takanashi Yusuke and Suekuni Makoto who all have at least 2 World Champion titles to their names. Participating in the World Othello Championship often gives players greater exposure and opportunities to get to meet new friends. The Strongest Man in Othello History Defined by his stunning total of 7 World Championship titles to his name, Hideshi Tamenori is widely recognised as the strongest man to ever play the game justified by his dominating number of World titles. Second to him, are Takanashi Yusuke, David Shaman and Takeshi Murakami who each have 3 World titles to their name. Hideshi Tamenori triumphed in the years, 1986 in Tokyo, 1988 in Paris, 1989 in Warsaw, 1990 in Stockholm, 1995 in Melbourne, 2005 in Reykjavik and finally his last title coming back in Tokyo in the year 2006.

Lot: 1318 - Gershwin on Broadway. Buffalo philharmonic orchestra, Overtures, stereo vinyl record disc, under Michael Tilson Thomas

Gershwin on Broadway. Buffalo philharmonic orchestra, Overtures, stereo vinyl record disc, under Michael Tilson Thomas; Manhattan is the original motion picture soundtrack to Woody Allen's 1979 film Manhattan with music by George Gershwin. It was performed by the New York Philharmonic under Zubin Mehta and the Buffalo Philharmonic Orchestra under Michael Tilson Thomas. It was nominated for Best Soundtrack in the 33rd British Academy Film Awards.

Lot: 1320 - Placido Domingo, stereo vinyl record disc

Placido Domingo, stereo vinyl record disc José Plácido Domingo Embil[a] (born 21 January 1941)[1] is a Spanish opera singer, conductor, and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world. Although primarily a lirico-spinto tenor for most of his career, especially popular for his Cavaradossi, Hoffmann, Don José and Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation.[2][3][4] In the early 2010s, he transitioned from the tenor repertory into exclusively baritone parts, most notably Simon Boccanegra. As of 2020, he has performed 151 different roles.[5][6] Domingo has also achieved significant success as a crossover artist, especially in the genres of Latin and popular music. In addition to winning fourteen Grammy and Latin Grammy Awards, several of his records have gone silver, gold, platinum and multi-platinum. His first pop album, Perhaps Love (1981), spread his fame beyond the opera world. The title song, performed as a duet with country and folk singer John Denver, has sold almost four million copies[7] and helped lead to numerous television appearances for the tenor. He also starred in many cinematically released and televised opera movies, particularly under the direction of Franco Zeffirelli. In 1990, he began singing with fellow tenors Luciano Pavarotti and José Carreras as part of The Three Tenors. The first Three Tenors recording became the best-selling classical album of all time.[8][9] Growing up working in his parents' zarzuela company in Mexico, Domingo has since regularly promoted this form of Spanish opera. He also increasingly conducts operas and concerts and was the general director of the Los Angeles Opera in California from 2017 to 2019.[10][11] He was initially the artistic director and later general director of the Washington National Opera from 1996 to 2011. He has been involved in numerous humanitarian works, as well as efforts to help young opera singers, including starting and running the international singing competition, Operalia. In the years 2019–2021 he has performed continuously on stages in Berlin, Budapest, Cologne, Graz, Madrid, Mérida, Milan, Monte Carlo, Moscow, Munich, Palermo, Rome, Salzburg, Sofia, Verona, Versailles, Vienna and Zurich.

Lot: 1321 - 60 years of Music – America loves best, Phonograph vinyl disk record, 1961

60 years of Music – America loves best, Phonograph vinyl disk record, 1961 Frank Sinatra, Benny Goodman, Ella Fitzgerald, Glenn Miller, Bing Crosby, and others

Lot: 1322 - Frank Sinatra Cycles, 10 songs, studio album, Phonograph vinyl disk record, 1968

Frank Sinatra Cycles, 10 songs, studio album, Phonograph vinyl disk record, 1968. Cycles is a studio album by American singer Frank Sinatra, released in 1968. Released just before Christmas in 1968, there was a ten-month gap between the release of Francis A. & Edward K. and this album, which was the longest period in Sinatra's Reprise years in which he did not commercially record music (barring his contributions to The Sinatra Family Wish You a Merry Christmas). Sinatra sang a variety of folk-rock oriented songs, including Judy Collins' hit "Both Sides Now" (written by Joni Mitchell) and the Glen Campbell hits "Gentle on My Mind" (written by John Hartford) and "By the Time I Get to Phoenix" (written by Jimmy Webb). The title song was released as a single, reaching #23 on the Billboard Hot 100 chart and #2 on the Easy Listening chart, while the album peaked at #18 on the Billboard 200 chart. Production Cycles was recorded in Los Angeles during one session that lasted three hours from 8 p.m. to 11 p.m. During the session, 25 people including George Harrison, Pattie Boyd, and Tiny Tim came and visited Sinatra.[2] As seen on the front cover, the song "Wait by the Fire" by Al Gorgoni and Chip Taylor and was supposed to appear on the album, but Sinatra scrapped the song and substituted "My Way of Life" after the cover had already been printed.[3]

Lot: 1323 - #5 Harry Potter and the Order of the Phoenix, Printed in USA, First Edition, July 2003, hard cover book #5

Harry Potter and the Order of the Phoenix, Printed in USA, First Edition, July 2003, hard cover book #5 * Harry's outburst to his friends at No. 12 Grimmauld Place. A combination of frustration over being kept in the dark and fear that he will be expelled fuels much of Harry's anger, and it all comes out at once, directly aimed at Ron and Hermione. Rowling perfectly portrays Harry's frustration at being too old to shirk responsibility, but too young to be accepted as part of the fight that he knows is coming. * Harry's detention with Professor Umbridge. Rowling shows her darker side, leading readers to believe that Hogwarts is no longer a safe haven for young wizards. Dolores represents a bureaucratic tyrant capable of real evil, and Harry is forced to endure their private battle of wills alone. * Harry and Cho's painfully awkward interactions. Rowling clearly remembers what it was like to be a teenager. * Harry's Occlumency lessons with Snape. * Dumbledore's confession to Harry. Price on eBay: $3,000 - $4,700; Price on AbeBooks.com: $2,500; • Publisher ‏ : ‎ Scholastic Incorporation; • Publication date ‏ : ‎ July 1, 2003; • Edition ‏ : ‎ First Edition; • Language ‏ : ‎ English; • Print length ‏ : ‎ 896 pages; • Item Weight ‏ : ‎ 2.7 pounds; • Dimensions ‏ : ‎ 6.4 x 2.1 x 9.25 inches; • Book 5 of 7 ‏ : ‎ Harry Potter;

Lot: 1325 - Devdas, an erotic film by Sanjay Leela Bhansali on 2 disk set video movie, 2002

Devdas, an erotic film by Sanjay Leela Bhansali on 2 disk set video movie, 2002 Romance musical, melodramatic movie. One day only in usa. Based on 1917 novel Strange was the fate of Devdas. Intensely loved by two women, who were never meant to be his. • Starring: Aishwarya Rai , Ananya Khare , Dina Pathak and Jackie Shroff • Directed by: Sanjay Leela Bhansali • Devdas is a 2002 Indian Hindi-language period romantic drama film directed by Sanjay Leela Bhansali and produced by Bharat Shah under his banner, Mega Bollywood. It stars Shah Rukh Khan, Aishwarya Rai and Madhuri Dixit in lead roles, with Jackie Shroff, Kirron Kher, Smita Jaykar, and Vijayendra Ghatge in supporting roles. Based on the 1917 novel of the same name by Sarat Chandra Chattopadhyay, the film narrates the story of Devdas Mukherjee (Khan), a wealthy law graduate who returns from London to marry his childhood friend, Parvati "Paro" (Rai). However, the rejection of their marriage by his own family sparks his descent into alcoholism, ultimately leading to his emotional deterioration and him seeking refuge with the golden-hearted courtesan Chandramukhi (Dixit). • Bhansali was inspired to remake the novel into a film after reading it for a second time, and announced the project in November 1999. The screenplay was written by him and Prakash Ranjit Kapadia, who also wrote the dialogue. Nitin Chandrakant Desai built the sets between August 2000 and May 2001, spending ₹200 million (US$4.12 million). Along with Bhansali and other crews, he did extensive research on Calcuttan building design from the period of the British Raj. Principal photography was handled by Binod Pradhan from November 2000 to April 2002, taking place in Bikaner, Film City, and Filmistan. While Ismail Darbar and Birju Maharaj composed the soundtrack, Monty Sharma composed the background score. • Devdas is featured in Out of Competition section at the 2002 Cannes Film Festival on 23 May 2002 and was released worldwide on 12 July that year. It was the most expensive Indian film ever made at the time, with a budget of ₹500 million (US$10.29 million). The film received mixed reviews when it premiered at Cannes, but was better received when it was theatrically released. The film was a major commercial success and emerged as the highest-grossing Indian film of the year, earning approximately ₹1.68 billion ($35 million) worldwide. It won several accolades, including 5 awards at the 50th National Film Awards, including Best Popular Film Providing Wholesome Entertainment and Best Female Playback Singer (Shreya Ghoshal for "Bairi Piya"). At the 48th Filmfare Awards, it won a record-setting 11 awards, including Best Film, Best Director (Bhansali), Best Actor (Khan), Best Actress (Rai) and Best Supporting Actress (Dixit). It was also nominated for the BAFTA Award for Best Film Not in the English Language.

Lot: 1327 - #2 Harry Potter and the Chamber of Secrets, First American Edition, 1999, Rare hardcover book #2.

#2 Harry Potter and the Chamber of Secrets, First American Edition, 1999, Rare hardcover book #2. * The de-gnoming of the Weasleys' garden. Harry discovers that even wizards have chores--gnomes must be grabbed (ignoring angry protests "Gerroff me! Gerroff me!"), swung about (to make them too dizzy to come back), and tossed out of the garden--this delightful scene highlights Rowling's clever and witty genius. * Harry's first experience with a Howler, sent to Ron by his mother. * The Dueling Club battle between Harry and Malfoy. Gilderoy Lockhart starts the Dueling Club to help students practice spells on each other, but he is not prepared for the intensity of the animosity between Harry and Draco. Since they are still young, their minibattle is innocent enough, including tickling and dancing charms. Price on eBay for used book: $1,750 - $4,400 - $6,000; • Publisher: ‎ Scholastic Inc. • Language ‏ : ‎ English • Print length ‏ : ‎ 352 pages • Item Weight ‏ : ‎ 8 ounces • Dimensions ‏ : ‎ 5.35 x 0.81 x 7.56 inches • Book 2 of 7 ‏ : ‎ Harry Potter

Lot: 1328 - #3 Harry Potter and the Prisoner of Azkaban, Printed in USA, First edition, Oct 1999, rare hard cover book #3

#3 Harry Potter and the Prisoner of Azkaban, Printed in USA, First edition, Oct 1999, rare hard cover book #3 * Ron's attempt to use a telephone to call Harry at the Dursleys'. * Harry's first encounter with a Dementor on the train (and just about any other encounter with Dementors). Harry's brush with the Dementors is terrifying and prepares Potter fans for a darker, scarier book. * Harry, Ron, and Hermione's behavior in Professor Trelawney's Divination class. Some of the best moments in Rowling's books occur when she reminds us that the wizards-in-training at Hogwarts are, after all, just children. Clearly, even at a school of witchcraft and wizardry, classes can be boring and seem pointless to children. * The Boggart lesson in Professor Lupin's classroom. * Harry, Ron, and Hermione's knock-down confrontation with Snape. Price on eBay: $2,000 - $3,300 - $5,000 • Publisher ‏ : ‎ Scholastic • Publication date ‏ : ‎ October 1, 1999 • Edition ‏ : ‎ First Edition • Language ‏ : ‎ English • Print length ‏ : ‎ 435 pages • Item Weight ‏ : ‎ 2.05 pounds • Dimensions ‏ : ‎ 6.3 x 1.6 x 9.1 inches • Book 3 of 7 ‏ : ‎ Harry Potter

Lot: 1331 - Angels & demons, by Dan Brown, hardcover book, printed in 2003, New York, USA

Angels & demons, by Dan Brown, hardcover book, printed in 2003, New York, USA Angels & Demons is a 2000 bestselling mystery-thriller novel written by American author Dan Brown and published by Pocket Books and then by Corgi Books. The novel introduces the character Robert Langdon, who recurs as the protagonist of Brown's subsequent novels. Angels & Demons shares many stylistic literary elements with its sequels, such as conspiracies of secret societies, a single-day time frame, and the Catholic Church. Ancient history, architecture, and symbology are also heavily referenced throughout the book. A film adaptation was released on May 15, 2009.

Lot: 1332 - The Fresco, by Sheri S. Tepper, hardcover book, printed in 2000, in USA.

The Fresco, by Sheri S. Tepper, hardcover book, printed in 2000, in USA. The Fresco is a science fiction novel by American writer Sheri S. Tepper, published in 2000. It describes Earth's contact with a confederation of intelligent alien races. The Fresco was on the shortlist ("honor list") for 2001 James Tiptree, Jr. Award[1]. Plot: Multiple alien races have discovered Earth. Two members of one of those races, “Chiddy” and “Vess” of the Pistach, approach Benita Alvarez-Shipton and ask her to carry a device to the authorities that will communicate their message. Benita uses this as an opportunity to escape her abusive husband. The device ultimately reaches the U. S. President, and the Pistach envoys arrange a personal meeting with him. Having noticed Earth's forays into space, the Pistach envoys have been sent to evaluate Earth for membership in a confederation of intelligent races. Failing to qualify for membership exposes Earth to sequestration from space travel and predation by the three other races that have become aware of Earth. The envoys point out some issues that Earth needs to resolve and then take various actions to assist with those problems. The envoys also insist that Benita act as their official intermediary. Throughout the book, one of the envoys, Chiddy, explains the history of Pistach and their religion in journal entries. The Pistach religion and way of life are driven by the stories revealed in the eponymous Fresco, a series of seventeen painted panels. Age and soot and grime have darkened the panels beyond recognition, so the Pistach rely on the Compendium which contains annotated copies of the Fresco panels. When rebel Pistach take possession of the Fresco and clean the panels, it is revealed that the stories told in the Compendium are contradicted by the actual paintings, threatening the entire body of principles on which Pistach society is based. To prevent the Pistach from withdrawing their protection of Earth, Benita and a group of artists from Earth put the Pistach to sleep with sarsparilla and secretly repaint the panels to be in accordance with the Compendium. The changes to the panels are acclaimed a miracle. Inspired, Chiddy and Vess continue to help Earth and teach them to be neighborly. One year later, Benita is granted a divorce from her husband by the president and marries Chiddy, who had fallen in love with her throughout the book.

Lot: 1333 - The Comic Mark Twain Reader: The Most Humorous Selections from His Stories, Sketches, Novels, Travel Books and Lectures, Hardcover – January 1, 1977

The Comic Mark Twain Reader: The Most Humorous Selections from His Stories, Sketches, Novels, Travel Books and Lectures Hardcover – January 1, 1977 Collects works, including perennial favorites and lesser known writings, that reveal and together celebrate Twain's genius as a humorist. Mark Twain is the pseudonym of Samuel Langhorne Clemens (1835 - 1910). He was born and brought up in the American state of Missouri and, because of his father's death, he left school to earn his living when he was only twelve. He was a great adventurer and travelled round America as a printer; prospected for gold and set off for South America to earn his fortune. He returned to become a steam-boat pilot on the Mississippi River, close to where he had grown up. The Civil War put an end to steam-boating and Clemens briefly joined the Confederate army - although the rest of his family were Unionists! He had already tried his hand at newspaper reporting and now became a successful journalist. He started to use the alias Mark Twain during the Civil War and it was under this pen name that he became a famous travel writer. He took the name from his steam-boat days - it was the river pilots' cry to let their men know that the water was two fathoms deep. Mark Twain was always nostalgic about his childhood and in 1876 The Adventures of Tom Sawyer was published, based on his own experiences. The book was soon recognised as a work of genius and eight years later the sequel, The Adventures of Huckleberry Finn, was published. The great writer Ernest Hemingway claimed that 'All modern literature stems from this one book.' Mark Twain was soon famous all over the world. He made a fortune from writing and lost it on a typesetter he invented. He then made another fortune and lost it on a bad investment. He was an impulsive, hot-tempered man but was also quite sentimental and superstitious. He was born when Halley's Comet was passing the Earth and always believed he would die when it returned - this is exactly what happened. • Publisher ‏ : ‎ Doubleday & Co.; First Edition (January 1, 1977) • Language ‏ : ‎ English • Hardcover ‏ : ‎ 489 pages • ISBN-10 ‏ : ‎ 038511334X • ISBN-13 ‏ : ‎ 978-0385113342 • Item Weight ‏ : ‎ 1.6 pounds

Lot: 1336 - Oriental Antiques Art, an Identification and value guide book, by Sandra Andacht, 1987

Oriental Antiques Art, an Identification and value guide book, by Sandra Andacht, 1987. Condition: used, softcover, one page is lose

Lot: 1337 - Danielle Steel – 2 hardcover books 1) Friends Forever 2) The House on Hope Street Friends Forever- NEW YORK TIMES BESTSELLER

Danielle Steel – 2 hardcover books 1) Friends Forever 2) The House on Hope Street, Friends Forever- NEW YORK TIMES BESTSELLER. Five children meet on the first day of kindergarten. In the years that follow, they become friends and more than friends. Together, they will find strength, meet challenges, face life’s adventures, endure loss, face stark realities, and open their hearts. In

Lot: 1338 - Danielle Steel. Until the End of time. Happy birthday. Two hardcover books

Danielle Steel. Until the End of time. Happy birthday. Two hardcover books

Lot: 1339 - Danielle Steel, 3 softcover books, “The Mistress” etc., Stephen King – “The shining”

Danielle Steel, 3 softcover books, “The Mistress” etc., Stephen King – “The shining”

Lot: 1340 - Danielle Steel, “The sins of the mother”, "Sunset in St Tropez", - 2 hardcover books

Danielle Steel, “The sins of the mother”, "Sunset in St Tropez", - 2 hardcover books

Lot: 1341 - Danielle Steel “The Wedding”’ “Five days in Paris” – two hardcover books

Danielle Steel “The Wedding”’ “Five days in Paris” – two hardcover books

Lot: 1342 - Danielle Steel, Four softcover books: “Dangerous Games”, “Zoya”, “The right time”, ”Family Album”

Danielle Steel, Four softcover books: “Dangerous Games”, “Zoya”, “The right time”, ”Family Album”

Lot: 1344 - “Biggest book of questions and answers”, by Jane Parker Resnick et al, Kids books soft cover book. Great for travel, rainy days, vacations, and family fun time, 2009

“Biggest book of questions and answers”, by Jane Parker Resnick et al, Kids books soft cover book. Great for travel, rainy days, vacations, and family fun time, 2009

Lot: 1345 - “Chinese Art”, by Francesco Abbate, 1972, Octopus books Limited, London, New York, Sydney, and Hong Kong, hard cover book with 101 full color illustrations

“Chinese Art”, by Francesco Abbate, 1972, Octopus books Limited, London, New York, Sydney, and Hong Kong, hard cover book with 101 full color illustrations

Lot: 1347 - Pre-Columbian art of North America and Mexico, 1972 Book by Abbatte, Francesco, editor

Pre-Columbian art of North America and Mexico, 1972 Book by Abbatte, Francesco, editor • ASIN ‏ : ‎ B004B3YGAM • Publisher ‏ : ‎ Octopus Books • Publication date ‏ : ‎ January 1, 1972 • Edition ‏ : ‎ First Edition • Language ‏ : ‎ Spanish • ISBN-10 ‏ : ‎ 0706400305 • ISBN-13 ‏ : ‎ 978-0706400304

Lot: 1348 - Pinakothek Munich (Great Museums of the World) Hardcover – Illustrated, January 1, 1969, by Carlo Ludovico Ragghianti (Author)

Pinakothek Munich (Great Museums of the World) Hardcover – Illustrated, January 1, 1969, by Carlo Ludovico Ragghianti (Author) 128 magnificent photographs bring to the reader the one of the world's finest collections of European paintins - the Alte Pinakothek - Munich's Old Picture Gallery. • ASIN ‏ : ‎ B0006D5IRG • Publisher ‏ : ‎ Newsweek (January 1, 1969) • Language ‏ : ‎ English • Hardcover ‏ : ‎ 171 pages • Item Weight ‏ : ‎ 2.85 pounds

Lot: 1349 - Seven Centuries of Art--Survey and Index (Time-Life Library of Art) by Robert Wallace and The Editors of Time - (1970) Hardcover

Seven Centuries of Art--Survey and Index (Time-Life Library of Art) by Robert Wallace and The Editors of Time - (1970). Hardcover • ASIN ‏ : ‎ B00ZM3595G • Publisher ‏ : ‎ New York: Time - Life Books, 1; • Publication date ‏ : ‎ January 1, 1970; • Edition ‏ : ‎ First Edition; • Language ‏ : ‎ English; • Print length ‏ : ‎ 192 pages; • ISBN-10 ‏ : ‎ 0771331886; • ISBN-13 ‏ : ‎ 978-0771331886; • Item Weight ‏ : ‎ 2.05 pounds;

Lot: 1351 - Geisha softcover book– January 1, 1983-1998, Japanese Edition, by Liza Crihfield Dalby (Author)

Geisha softcover – January 1, 1983-1998. Japanese Edition by Liza Crihfield Dalby (Author). • Publisher ‏ : ‎ University of California press, Los Angeles, California • Publication date ‏ : ‎ January 1, 1983 • Edition ‏ : ‎ First California paperback edition; • Language ‏ : ‎ English • ISBN ‏ : ‎ 0-520-20495-6 • Item Weight ‏ : ‎ 2.51 pounds • Number of pages: 347

Lot: 1352 - Mark Chagal 1887-1985 painting and poetry, by Ingo Walther and Rainer Metzger, 1987 West Germany, hard cover book

Mark Chagal 1887-1985 painting and poetry, by Ingo Walther and Rainer Metzger, 1987 West Germany, hard cover book Cologne : Benedikt Taschen Verlag GmbH & Co, 1990. First Edition. Hardcover. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Remains quite well-preserved overall. Physical description : 95 pages : illustrations (chiefly color) ; 30 cm. Subjects : Chagall, Marc 1887-1985 Criticism and interpretation. Painting, Modern 20th century Russia (Federation). Painting, Russian Russia (Federation). Painters France ; Biography.

Lot: 1353 - The Road to Eden: The Journey Home by John S. Romain, Paperback book – April 25, 2019

The Road to Eden: The Journey Home by John S. Romain, Paperback – April 25, 2019 The Road to Eden is the narrative of a magical journey home. The sequence of unlikely activities, events, and chance encounters that led a successful Los Angeles advertising executive/film producer to follow a childhood calling and start anew in a remote community on the island of Maui is a story of passion and patience, courage and faith, persistence and compassion, humor and reflection, fate and destiny. More than a memoir, It is a portrait painted with honest resolve and commentary as to where we've been, where we are now, and a vision of a primitive future where technology and indigenous wisdom are intertwined. Do we possess the fortitude to question our course and pursue the risks that discovery and enlightenment require? The Road to Eden may currently seem "a road less traveled", but it is worth the trip. About the Author John S. Romain, former Los Angeles advertising executive/film producer turned inn keeper/fish farmer resides on the island of Maui. Essay, The Road to Eden, was included in Sacred Trusts, Essays in Stewardship, published by Mercury House 1993. Ambassador of Hāna, appeared in Chicken Soup From the Soul of Hawaii, published in 2003, Articles and stories have appeared Hāna Hou, Hawaiian Airlines in-flight magazine, Maui Times and Hui Aina Ohāna news letters. Essay, The Road to Eden, was included in Sacred Trusts, Essays in Stewardship, published by Mercury House 1993. Ambassador of Hāna, appeared in Chicken Soup From the Soul of Hawaii, published in 2003, Articles and stories have appeared Hāna Hou, Hawaiian Airlines in-flight magazine, Maui Times and Hui Aina Ohāna news letters. • Publisher ‏ : ‎ Full Circle Publications LLC • Publication date ‏ : ‎ April 25, 2019 • Language ‏ : ‎ English • Print length ‏ : ‎ 368 pages • ISBN-10 ‏ : ‎ 173374052X • ISBN-13 ‏ : ‎ 978-1733740524 • Item Weight ‏ : ‎ 1.08 pounds • Dimensions ‏ : ‎ 6 x 0.76 x 9 inches

Lot: 1354 - The Joy of Yiddish by Leo Rosten, 1968 First Edition, Rare Find, hardcover book

The Joy of Yiddish by Leo Rosten, 1968 First Edition, Rare Find, hardcover book. The Joys of Yiddish is a book containing a lexicon of common words and phrases of Yinglish—i.e., words originating in the Yiddish language that had become known to speakers of American English due to the influence of American Ashkenazi Jews. It was originally published in 1968 and written by Leo Rosten.[1][2] The book distinguished itself by how it explained the meaning of the Yiddish words and phrases: almost every entry was illustrated by a joke. This made the book not only a useful reference, but also a treasured collection of Jewish humor. As is inevitable with any book that references popular culture, it quickly became dated due to the dramatic changes that American culture (and Jewish-American culture) underwent over the next 30 years. Rosten published revised versions of the book with different titles: Hooray for Yiddish! (1982) and The Joys of Yinglish (1989). In 2003, a new edition of the original book was published. Titled The New Joys of Yiddish, it was revised by Lawrence Bush, with copious footnotes added to clarify passages that had become outdated.[3] Some material was also rearranged. References in popular culture [edit] In 1998, Charles Schumer and Al D'Amato were running for the position of United States Senator representing New York. During the race, D'Amato referred to Schumer as a putzhead. The New York Times referenced the entry for putz in The Joy of Yiddish and maintained that the phrase did not merely mean "fool", as D'Amato insisted, but was significantly more pejorative: based on that entry, a better translation might be "dickhead".[4] D'Amato ended up losing the race; some observers credit this incident with costing him the election. Harlan Ellison's 1974 science fiction story "I'm Looking for Kadak" (collected in Ellison's 1976 book Approaching Oblivion and in Wandering Stars: An Anthology of Jewish Fantasy and Science Fiction) is narrated by an eleven-armed Jewish alien from the planet Zsouchmuhn with an extensive Yiddish vocabulary.[5] Dave McKean and Neil Gaiman's 2005 fantasy film MirrorMask includes Rosten's classic riddle, discussed in The Joys of Yiddish as follows:[6] The first riddle I ever heard, one familiar to almost every Jewish child, was propounded to me by my father: "What is it that hangs on the wall, is green, wet -- and whistles?" I knit my brow and thought and thought, and in final perplexity gave up. "A herring," said my father. "A herring," I echoed. "A herring doesn't hang on the wall!" "So hang it there." "But a herring isn't green!" I protested. "Paint it." "But a herring isn't wet." "If it's just painted it's still wet." "But -- " I sputtered, summoning all my outrage, "-- a herring doesn't whistle!!" "Right, " smiled my father. "I just put that in to make it hard."

Lot: 1355 - The Complete Book of Essential Oils and Aromatherapy: Over 600 Natural, Non-Toxic and Fragrant Recipes to Create Health Beauty a Safe Home Environment Paperback – January 1, 1993, by Valerie Ann Worwood (Author)

The Complete Book of Essential Oils and Aromatherapy: Over 600 Natural, Non-Toxic and Fragrant Recipes to Create Health Beauty a Safe Home Environment Paperback – January 1, 1993, by Valerie Ann Worwood (Author) A necessary resource for anyone interested in alternative approaches to healing, this book contains more than 600 easy-to-follow recipes for essential oil treatments and aromatherapy. • Publisher ‏ : ‎ New World Library • Publication date ‏ : ‎ January 1, 1993 • Edition ‏ : ‎ 1st • Language ‏ : ‎ English • Print length ‏ : ‎ 448 pages • Item Weight ‏ : ‎ 1.1 pounds • Dimensions ‏ : ‎ 6.25 x 1.5 x 9.25 inches

Lot: 1356 - Romeo and Juliet: A Graphic Novel (Shakespeare Classics Graphic Novels) Paperback – Illustrated, September 10, 2013, by Gareth Hinds (Author, Illustrator)

Romeo and Juliet: A Graphic Novel (Shakespeare Classics Graphic Novels) Paperback – Illustrated, September 10, 2013, by Gareth Hinds (Author, Illustrator) Gareth Hinds’s stylish graphic adaptation of the Bard’s romantic tragedy offers modern touches — including a diverse cast that underscores the story’s universality. She’s a Capulet. He’s a Montague. But when Romeo and Juliet first meet, they don’t know they’re from rival families — and when they find out, they don’t care. Their love is honest and raw and all consuming. But it’s also dangerous. How much will they have to sacrifice before they can be together? In a masterful adaptation faithful to Shakespeare’s original text, Gareth Hinds transports readers to the sun-washed streets and market squares of Shakespeare’s Verona, vividly bringing the classic play to life on the printed page. • Publisher ‏ : ‎ Candlewick • Publication date ‏ : ‎ September 10, 2013 • Edition ‏ : ‎ Illustrated • Language ‏ : ‎ English • Print length ‏ : ‎ 144 pages • ISBN-10 ‏ : ‎ 0763668079 • ISBN-13 ‏ : ‎ 978-0763668075 • Item Weight ‏ : ‎ 1 pounds • Reading age ‏ : ‎ 12 - 17 years • Dimensions ‏ : ‎ 6.75 x 0.37 x 10.5 inches • Grade level ‏ : ‎ 7 - 9 • Lexile measure ‏ : ‎ 730L

Lot: 1357 - CRÓNICAS DEL COMERCIO EN CARTAGENA $193,000.00 =$48.26 USD

CRÓNICAS DEL COMERCIO EN CARTAGENA $193,000.00 =$48.26 USD DESCRIPCIÓN El libro, que aglutina 12 crónicas alusivas al comercio de la ciudad, fue dirigido por el Centro de Estudios para el Desarrollo y la Competitividad (CEDEC) de la Cámara de Comercio de Cartagena, con la orientación de Juan Gossaín y editado por la empresa Villegas y asociados. El objeto de la obra literaria es dejar un documento que reconstruya de manera ejemplar lo vivido en el comercio de Cartagena desde el siglo XX. Este libro cuenta con historias contadas desde diferentes ópticas, enfoques diferentes, fundamentados en datos históricos, en un género literario que, como la crónica distingue al ser Caribe. Brand new hardcover book

Lot: 1358 - All under Heaven: The Chinese World in Maps, Pictures, and Texts from the Collection of Floyd Sully (Bruce Peel Special Collections) hardcover – July 15, 2013, Rare, Limited First Edition by Walter Davis (Author)

All under Heaven: The Chinese World in Maps, Pictures, and Texts from the Collection of Floyd Sully (Bruce Peel Special Collections) hardcover – July 15, 2013, Rare, Limited First Edition by Walter Davis (Author) Floyd Sully, a Canadian collector fascinated by practical yet beautiful representations of China, laboured over 15 years to assemble this beautiful collection focused on maps, documentary paintings, and illustrated texts. It features works produced inside China and abroad that were created for both Chinese and Western viewers. This publication explores important dimensions of Chinese visual culture and offers a diverse and telling set of perspectives on the Chinese world as it underwent a process of profound transformation spanning five centuries of artistic production through to modern times. Review "Dealing with a highly original topic, this catalog showcases original materials rarely seen in a library and museum setting: 16th to 18th century Chinese manuscripts, and hand-colored woodblock prints," said Cherry Williams, chair of the RBMS Exhibition Awards committee and curator of manuscripts at Indiana University. "Its rich information content, with extensive, well-written notes composed by curator Walter Davis, has intellectual depth and constitutes a contribution to scholarship on the subject of early Chinese history and culture. In addition, the curators narrowed the choices well, resulting in a spectacular choice of items; each item is unusual, visually interesting and stunning in appearance."―Jury comments, 2014 Katharine Kyes Leab and Daniel J. Leab, "American Book Prices Current" Exhibition Awards About the Author Walter Davis is an assistant professor in the Department of Art and Design and the Department of East Asian Studies at the University of Alberta. • Publisher ‏ : ‎ University of Alberta Press • Publication date ‏ : ‎ July 15, 2013 • Edition ‏ : ‎ First Edition • Language ‏ : ‎ English • Print length ‏ : ‎ 128 pages • ISBN-13 ‏ : ‎ 978-1-55195-3205 • Item Weight ‏ : ‎ 2.46 pounds • Dimensions ‏ : ‎ 12.5 x 0.38 x 12 inches

Lot: 1877 - 1877 Italian stamp, orange, fco Bollo Postale Italiane 20 c Victor Emmanuel II.

1877 Italian stamp, orange, fco Bollo Postale Italiane 20 c Victor Emmanuel II.

Lot: 1901 - 1901, Overprinted: BENGASI, 1 Piastra, Poste Italiana 25 c, Italian stamp, Italy

1901, Overprinted: BENGASI, 1 Piastra, Poste Italiana 25 c, Italian stamp. Italian post offices in Turkish Empire.

Lot: 1908 - Poste Italiane, 1908 "10 Para" surcharge on 5c Green, Italy postal stamp

Poste Italiane, 1908 "10 Para" surcharge on 5c Green, Italy postal stamp Emmanuel III, Poste Italiane, 1908 "10 Para" surcharge on 5c Green, Italy postal stamp Similar auction: Sassone #1a, 1908 "10 Para" surcharge on 5c Green, vertical pair, attractive bottom sheet-margin example of this rare variety, deep rich color, e.g., lightly hinged, fine and elusive variety; signed A. D(iena), (Scott #6a; $1,050.00). (Image) Estimate: €3,000; SOLD for $425.00 https://stampauctionnetwork.com/f/f9816.cfm

Lot: 1908A - Italy 1908, King Victor Emmanuel III, SC: 105 50c Violet Used Stamp, over-stamped by 80 PARA office in Turkey, Poste Italiane

Emmanuel III, Italy 1908 King Victor Emmanuel III SC: 105 50c Violet Used Stamp, over-stamped by 80 PARA office in Turkey, Poste Italiane Estimate: $2,250 EURO

Lot: 1918 - Venezia Tridentina, 20 Heller Poste Italiano, 1918-1921 Postage stamp 1918 Italian Occupation of Trentin - Venezia Tridentina, 20 HELLER

Venezia Tridentina, 20 Heller Poste Italiano, 1918-1921 Postage stamp 1918 Italian Occupation of Trentin - Venezia Tridentina, 20 HELLER

Lot: 1919 - 1919, overprinted 1 CORONA, Austria Italian occupation, Poste Italiane, 1 lira, RARE

1919, overprinted 1 CORONA, Austria Italian occupation, Poste Italiane, 1 lira, RARE

Lot: 1921 - Poste Italiane 20 c, overprinted with 4 piastre, OCCUPAZIONI LEVANTE COSTANTINOPOLI 1921

Poste Italiane 20 c, overprinted with 4 piastre, OCCUPAZIONI LEVANTE COSTANTINOPOLI 1921 Victor Emmanuel III, Poste Italiane 20 c overprinted with 4 piastre, OCCUPAZIONI LEVANTE COSTANTINOPOLI 1921

Lot: 1924 - 1924, Poste Italiane, 1 lira, overprint CASTELROSSO, Italian stamp

1924, Poste Italiane, 1 lira, overprint CASTELROSSO, Italian stamp. Short term Italian colony 1920-1947 Stanley Gibbons, 2022, p.215 catalogue price: 65 GBP = $88.76 US Now: Kastellorizo, Greece (island near Turkey)

Lot: 1955 - 1955 Siracusane 15 Lire, purple, Repvbblica Italiana, Italian stamp, Italy

1955 Siracusane 15 Lire, purple, Repvbblica Italiana, Italian stamp, Italy Stanley Gibbons catalogue, p. 35

Lot: 1955A - Star water mark, 1955 Siracusane 35 Lire, carmine-red, Repubblica Italiana, Italian stamp

1955 Siracusane 35 Lire, carmine-red, Repubblica Italiana, Italian stamp, star water mark Stanley Gibbons catalogue, p. 35

Lot: 1955B - Italy 1955, Siracusane 70 lire deep bluish green rare, Repvbblica Italiana, Italian stamp

Italy 1955, Siracusane 70 lire deep bluish green rare, Repvbblica Italiana, Italian stamp Stanley Gibbons catalogue, p. 35

Lot: 1955C - Italy 1955, Siracusane 100 lire brown rare, Repvbblica Italiana, Italian stamp

Italy 1955, Siracusane 100 lire brown rare, Repvbblica Italiana, Italian stamp Stanley Gibbons catalogue, p. 35