June 6, 2026, Fine Art, Modern & Antique

Lot: 1 - Large Rude Osolnik Turned Walnut Bowl

Osolnik, Rude (New Mexico/Kentucky, 1915-2001), Large organic-form walnut bowl, 20th century, lathe turned, signed on underside. Beautiful figure. 16 x 18 inches.

Lot: 2 - Jens Quistgaard for Dansk Fjord 49pc Flatware Set plus Salad Bowl

Jens Quistgaard for Dansk, Set of Flatware plus Salad Bowl. 49 piece Fjord flatware set, c.1960, includes: 8 spoons, 8 teaspoons, 4 iced tea spoons, 4 serving spoons, 8 forks, 8 salad forks, 8 knives and 1 butter knife, teak and stainless, each one marked Dansk Designs Germany IHQ on the metal, the knives also have 4 duck mark. Salad Bowl: Teak, 16 inch diameter, marked on the underside, with 2 large serving utensils.

Lot: 3 - Pair of Stephen Swift Bar Stools in Cherry and Ash

Pair of Stephen Swift (American/New England, Contemporary) The Swift bar stools in Cherry and Ash, American, late 20th/early 21st century. 26.5 x 17.5 x 15.25 inches.

Lot: 4 - Set of 6 Stephen Swift High Back Dining Side Chairs

Set of 6 Stephen Swift (American/New England, Contemporary) High Back dining chairs, American, late 20th/early 21st century. Curved spindle backs, low armrests, molded seats, resting on slightly splayed legs. 46.5 x 23 x 20 inches.

Lot: 5 - Stephen Swift Youth High Chair

Stephen Swift youth high chair, American, 2000s. Studio craft high chair with slight saber legs. Apparently unsigned. 40 x 16 x 19 inches. Seat height 20 inches.

Lot: 6 - 7 Giancarlo Piretti for Castelli Plia Folding Chairs

Giancarlo Piretti (Italian, 1940-2026) for Anonima Castelli, 7 Plia folding chairs, Italy, first introduced in 1967. One with original tag still attached; the 4 with black plastic feet have maker's mark on the underside of the seat.

Lot: 7 - 8 Eero Saarinen style Dining Chairs

After Eero Saarinen style 8 Dining Chairs with lemon upholstered cushions, swivel bases and white plastic and white lacquered bases, 32 inches tall, seat 19.5 inches tall.

Lot: 8 - Antonio Citterio and Oliver Low for Kartell Glossy Dining Table, 2001

Antonio Citterio and Oliver Low for Kartell, Glossy Dining Table, 2001, oval white table with chrome base, blending purity and material innovation. 28 inches tall, table top 76.5 x 47.25 inches, marked Kartell on legs.

Lot: 9 - Antonio Citterio for B&B Italia 2 piece George Sofa Sectional

Antonio Citterio for B&B Italia, 2 piece George Sectional Sofa, contemporary, larger piece 22.5 x 72 x 42 inches, the other 22.5 x 42 x 60 inches, both with original tags and labels. Original charcoal upholstery; aluminum frame. Seat 13 inches high. Comes with 4 custom cushions.

Lot: 10 - Antonio Citterio for B&B Italia George Sofa

Antonio Citterio for B&B Italia, George Sofa, contemporary, 22.5 x 93 x 42 inches, with original tags and labels. Original charcoal upholstery; aluminum frame. Seat 13 inches high. Comes with 4 custom cushions.

Lot: 11 - Antonio Citterio for B&B Italia George Sofa

Antonio Citterio for B&B Italia, George Sofa, contemporary, 22.5 x 93 x 42 inches, with original tags and labels. Original charcoal upholstery; aluminum frame. Seat 13 inches high. Comes with 4 custom cushions.

Lot: 12 - Pair of Marble Amoeba Shaped Coffee Tables with Tapering Legs

Pair of attractive modernist low coffee tables with tapering splayed black metal legs, amoeba shaped tops, 12 x 47 x 32.5 inches and 14.5 x 31.5 x 26 inches, no maker's marks.

Lot: 13 - Christian Liaigre for Holly Hunt Courier Wood Dining Table

Christian Liaigre for Holly Hunt, Courrier table, 2000s, stained and lacquered mahogany, with attached brass label on underside, X-form legs, 29 x 120 x 45 inches.

Lot: 14 - Pair of Corbusier Style Chrome and Leather Club Chairs

A pair of black leather and chrome frame club chairs, mid to late 20th century production, borrowing design elements from the iconic LC2/LC3 Grand Confort chair designed by Le Corbusier, Pierre Jeanneret and Charlotte Perriand in 1928. Each chair 28.5 x 29.5 x 26 inches.

Lot: 15 - Contemporary Womb Chair with Ottoman

Modern production after Eero Saarinen's iconic Womb Chair and Ottoman, likely made in the early 21st century, marled gray upholstery, no maker's marks, chair 36 x 39 x 33 inches, foot rest 17 x 20 x 20 inches.

Lot: 16 - 4 Charles Pollock for Knoll Executive Brown Office Chairs

Charles Pollock for Knoll International, 4 Executive Office Chairs, c.1980s, brown upholstery, each one with original label showing 745 5th Ave. address, 31 x 26.5 x 38 inches.

Lot: 17 - Borge Mogensen Danish MCM Teak Dresser

Borge Mogensen, Mid Century Modern Danish 8 Drawer Dresser, c.1960s, teak, apparently unmarked, 31.75 x 71.25 x 18 inches, with 6 original drawer dividers.

Lot: 18 - Pair Bruce Hannah and Andrew Morrison for Knoll Lounge Chairs

Pair of Bruce Hannah (American, b. 1941) and Andrew Morrison (American, 1939–2021)for Knoll International Sling Lounge Chairs, American, 1970s. Cast and extruded aluminum frame, enameled in cream, with original orange wool upholstery. With Knoll International stickers on undersides. 27.5 x 29.5 x 26.5 inches.

Lot: 19 - Pair Bruce Hannah and Andrew Morrison for Knoll Lounge Chairs

Pair of Bruce Hannah (American, b. 1941) and Andrew Morrison (American, 1939–2021) for Knoll International Sling Lounge Chairs, American, 1970s. Cast and extruded aluminum frame, enameled in cream, with original orange wool upholstery. With Knoll International stickers on undersides. 27.5 x 29.5 x 26.5 inches.

Lot: 20 - Paul McCobb for Calvin Model 1013 Gentleman's Chest

Paul McCobb (American, 1917-1969) for Calvin Model #1013 tall chest in mahogany, Grand Rapids, MI, 1950s. Three drawers over a storage space, drop front door opens to reveal four drawers, four drawers below in case. Brass hardware. Tapered legs joined by a brass x-form stretcher. Calvin metal plaque on interior of upper drawer. 52.75 x 36 x 19.25 inches.

Lot: 21 - Karl Springer Sculpture Leg Coffee Table Signed

Karl Springer (American, 1931-1991) for Karl Springer Ltd. Sculpture Leg coffee table, USA, 1980s. Rectangular glass table top resting on four brass columnar sculptural supports. Impressed signature on one support. Approximately 66 x 46 inches.

Lot: 22 - Set of 4 Cy Mann Sling Cantilever Side Chairs, 1 Modern Armchair

Set of 4 Cy Mann sling leather cantilever side chairs, American, New York, 1970s/1980s. Brown leather buckled sling seats and backs on brass tone frames, with Motif Designs for Paloma Picasso Kianga linen upholstered seat cushions. Together with a chrome squared base armchair with Motif Designs for Paloma Picasso Kianga linen upholstery. Cy Mann labels on undersides of the cantilever chairs. Cantilever chairs are 32 x 19.25 x 20.5 inches, and the armchair is 32.5 x 21.75 x 24 inches.

Lot: 23 - Pair of Le Corbusier Style LC 2 Petit 2-Seat Grey Leather Sofas

Pair of Le Corbusier LC 2 style petit 2-seat grey leather sofas, late 20th century. Chromed tubular frames, grey leather down filled cushions, rubber sling seat supports. Apparently unmarked. 31 x 67 x 28 inches.

Lot: 24 - Le Corbusier Style LC 2 Petit 2-Seat Grey Leather Sofa

Le Corbusier LC 2 style petit 2-seat grey leather sofa, late 20th century. Chromed tubular frame, grey leather down filled cushions, rubber sling seat support. Apparently unmarked. 31 x 67 x 28 inches.

Lot: 25 - Le Corbusier LC 4 Style Black Leather Chaise Lounge

Le Corbusier LC 4 style black leather chaise lounge, late 20th century. Apparently unmarked. 28.5 x 62.5 x 21.5 inches.

Lot: 26 - Pair of Eileen Grey Style 419 Side Tables

Pair of Eileen Grey model 419 side tables, first designed in 1927. Chromed tubular steel frame, base and top in a black lacquer finish. Labeled Movimento Moderno. Both 27.75 x 19 x 15.75 inches.

Lot: 27 - Custom Made Birdseye Maple Credenza

Custom made Birdseye maple credenza, Canada, early 2000s. Birdseye veneer cabinet finished in grey. Chromed tubular steel frame supported a clear glass top rests on the cabinet, with the ability to slide and adjust to your desired length. Glass top 72 x 16 inches. Base 24.5 x 48 x 16.25 inches.

Lot: 28 - Set of 4 Philippe Starck for Baleri Italia Cafe Chairs

Set of 4 Philippe Starck for Baleri Italia stackable Cafe Chairs, Italian, 21st century. Grey metal frames with rubber sling seats. Appropriately stamped and marked throughout. Approximately 28.75 x 20.54 x 20 inches.

Lot: 29 - Set of 4 Philippe Starck for Baleri Italia Cafe Barstools

Set of 4 Philippe Starck for Baleri Italia Cafe Barstools, Italian, 21st century. Grey metal frames with rubber sling seats. Appropriately stamped and marked throughout. Approximately 32.75 x 21 x 18 inches.

Lot: 30 - Pair of Russell Woodard Sculptura Chaise Lounges

Pair of Russell Woodard Sculptura chaise lounges, American, 1950s/1960s. Steel enameled in black. Resting on two wheels with flower motif, and two legs with pad feet. Both 34 x 25.25 x 66 inches.

Lot: 31 - Joe Kelly Custom Cherry Sideboard with Shelving

Joe Kelly (American/Pittsburgh, Contemporary) custom made cherry sideboard with open shelving unit. Of modern design. Left cabinet with 2 shelves, right portion with 1 shelf, center portion with appliance shelf and square portion cut out of the back panel to allow for wires, etc. 3-shelf attachment resting on the top surface. 73 x 96 x 20 inches overall. Shelving unit is 38.75 x 15 inches.

Lot: 32 - Joe Kelly Custom Cherry Tall Bookshelf

Joe Kelly (American/Pittsburgh, Contemporary) custom made cherry bookshelf. 6 shelves, resting on a base. 87 x 41 x 12 inches.

Lot: 33 - Pierre Paulin for Ligne Roset Pumpkin Sofa and Ottoman

Pierre Paulin for Ligne Roset Pumpkin two-seat sofa and ottoman, French, 2000s. Polyurethane foam interior, woven wool upholstery. The loveseat in orange, and the ottoman in yellow. With Ligne Roset tags. Sofa 27 x 68 x 34 inches, ottoman 14.5 x 30 x 30 inches.

Lot: 34 - Karel Appel Couple Rouge 1969 Signed Lithograph

Appel, Karel (Dutch, 1921-2006), Couple Rouge [Red Couple/Deux Figures], 1969, color lithograph on Arches paper, signed, dated and numbered 12/75 in pencil to lower margin, image 19.5 x 24.5 inches, full sheet 22.25 x 30 inches, unframed.

Lot: 35 - Rudy Autio 1981 Work on Paper Nude with Wolves

Autio, Rudy (American, 1926-2007), Nude with Wolves, 1981, watercolor and ink on paper, signed and dated lower right, 22.5 x 28.75 inches, matted and framed 29 x 35 inches. Provenance: gift of the artist to fellow Montana ceramicist Maxine Blackmer.

Lot: 36 - George Bellows Murder of Edith Cavell 1918 Lithograph Signed

Bellows, George Wesley (American, 1882-1925), Murder of Edith Cavell, 1918, lithograph, signed, titled and numbered 95 (from the edition of 99) in pencil to the lower edge, image size 18.5 x 24.25 inches, matted and framed 28.5 x 34.5 inches. In 1915 Edith Cavell, head of the Training School for Nurses in occupied Brussels, was arrested for assisting Allied Powers soldiers escape from the country. Two months later, she was shot by the German authorities. Other impressions of this print are in the permanent collections of The Metropolitan Museum, National Gallery of Art and Los Angeles County Museum of Art, among others.

Lot: 37 - Laura Bodebender Portrait of a Woman with Dog and Child Oil on Canvas

Bodebender, Laura (American/New Orleans, b.1900), Portrait of a Woman with Dog and Child, undated, c.1930s, oil on canvas, relined, signed on the right edge, 24.5 x 19.75 inches, in a newer painted wood frame 29 x 25 inches. Very little information is available about the artist, including her date of death. Bodebender studied at the University of Chicago and the Art Students League in New York before spending six years painting in Italy. She had a one-woman show in New Orleans in 1936. Most of her other paintings to appear at auction have also been portraits. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 38 - Aaron Bohrod Gouache on Board The Valley

Bohrod, Aaron (American, 1907-1992), The Valley, mid 20th century, gouache on board, signed lower center, 15 x 20 inches, framed 24 x 29 inches. Provenance: Associated American Artists Gallery, New York, with an old label on the verso; Doyle auction, March, 2018.

Lot: 39 - Stanley Boxer Untitled painting on handmade paper

Boxer, Stanley (American, 1926-2000), Untitled, 1988, watercolor and mixed media on hand made paper, 24.75 x 36 inches, signed and dated in pencil lower right, unframed.

Lot: 40 - Roger Brown Rolling Meadows 1979 Lithograph

Brown, Roger (American, 1941-1997), Rolling Meadows, 1979, lithograph on paper, signed, titled, dated and numbered 18/20 in pencil to lower margin, image size 5.5 x 9.75 inches, matted and framed 12 x 16 inches. Born in the south, Brown was later associated with the with the Chicago Imagist groups.

Lot: 41 - William Theophilus Brown Work on Paper Conversation and Plants

Brown, William Theophilus (American/Bay Area, 1919-2012), Two Men in Conversation Among the Plants, mid 20th century, gouache on paper, signed lower right in ink and additional inscribed For D.R., sheet size 7.75 x 10.5 inches, floated in a white frame 19.5 x 23 inches. Provenance: Bonhams, May, 2016. Brown was a queer artist and member of the Bay Area Figurative Movement.

Lot: 42 - Alexander Calder Signed Lithograph from the Flight Portfolio

Calder, Alexander (American, 1898-1976), Untitled, from The Flight Portfolio, printed and published in 1971, color lithograph on Arches paper, signed and numbered 201/250 in pencil to the bottom edge, image 24 x 18 inches, full sheet 26 x 19.5 inches, matted and framed 36 x 30 inches. Printed in Paris by Mourlot. The Flight portfolio was published to benefit the International Rescue Committee. Please note: the last photo of the title and contents pages are for informational purposes only - they are not included with the lot.

Lot: 43 - Marc Chagall Original Lithograph from the Flight Portfolio

Chagall, Marc (Russian/French, 1887-1985), Untitled, from The Flight Portfolio, printed in 1968, published in 1971, color lithograph on Arches paper, unsigned as issued, numbered 201/250 in pencil to the bottom edge, image 18 x 13 inches, matted and framed 37 x 32 inches. Printed in Paris by Mourlot. The Flight portfolio was published to benefit the International Rescue Committee. Please note: the last photo of the title and contents pages are for informational purposes only - they are not included with the lot.

Lot: 44 - Adolph Gottlieb Signed Lithograph from the Flight Portfolio

Gottlieb, Adolph (American, 1903-1974), Untitled, from The Flight Portfolio, printed in 1969, published in 1971, color lithograph on Arches paper, signed, dated and numbered 201/250 to the bottom edge, full sheet 25.5 x 20 inches, unframed. Printed in Paris by Mourlot. The Flight portfolio was published to benefit the International Rescue Committee. Please note: the last photo of the title and contents pages are for informational purposes only - they are not included with the lot.

Lot: 45 - Wifredo Lam Signed Lithograph from the Flight Portfolio

Lam, Wifredo (Cuban, 1902-1982), Untitled, from The Flight Portfolio, printed in 1967, published in 1971, color lithograph on Rives paper, signed and numbered 201/250 in pencil to the bottom edge, image 24 x 18 inches, matted and framed 33 x 26.5 inches. Printed in Zurich by Matthieu. The Flight portfolio was published to benefit the International Rescue Committee. Please note: the last photo of the title and contents pages are for informational purposes only - they are not included with the lot.

Lot: 46 - Andre Masson Signed Lithograph from the Flight Portfolio

Masson, Andre (French, 1896-1987), Untitled, from The Flight Portfolio, printed in 1966, published in 1971, color lithograph on Arches paper, signed and numbered 201/250 in pencil to the bottom edge, image 21 x 16 inches, matted and framed 33 x 26.5 inches. Printed in Paris by Mourlot. The Flight portfolio was published to benefit the International Rescue Committee. Please note: the last photo of the title and contents pages are for informational purposes only - they are not included with the lot.

Lot: 47 - Joan Miro Signed Lithograph from the Flight Portfolio

Miro, Joan (Spanish, 1893-1983), Untitled, from The Flight Portfolio, printed in 1966, published in 1971, color lithograph on Arches paper, signed and numbered 201/250 in pencil to the bottom edge, image 13.75 x 19.5 inches, matted and framed 26 x 32 inches. Printed in Paris by Mourlot. The Flight portfolio was published to benefit the International Rescue Committee. Please note: the last photo of the title and contents pages are for informational purposes only - they are not included with the lot.

Lot: 48 - Robert Motherwell Signed Serigraph from the Flight Portfolio

Motherwell, Robert (American, 1915-1991), Untitled, from The Flight Portfolio, printed in 1970, published in 1971, color serigraph on Arches paper, signed and numbered 201/250 in pencil to the bottom edge, image 23 x 16.75 inches, matted and framed 33 x 27 inches. Printed in New York by Maurel. The Flight portfolio was published to benefit the International Rescue Committee. Please note: the last photo of the title and contents pages are for informational purposes only - they are not included with the lot.

Lot: 49 - Vieira da Silva Signed Lithograph from the Flight Portfolio

Silva, Maria Helena Vieira da (Portuguese, 1908-1992), Untitled, from The Flight Portfolio, printed in 1968, published in 1971, color lithograph on Arches paper, signed and numbered 201/250 in pencil to the bottom edge, image 25.5 x 19.5 inches, matted and framed 35 x 29 inches. Printed in Paris by Mourlot. The Flight portfolio was published to benefit the International Rescue Committee. Please note: the last photo of the title and contents pages are for informational purposes only - they are not included with the lot.

Lot: 50 - Kenneth Callahan Tempera on Paper Crater 1955

Callahan, Kenneth (American/Seattle, 1905-1986), Crater, 1955, tempera on paper, signed and dated lower right, 30 x 22 inches, floated in a wood frame 36 x 28 inches. Callahan is one of the most important 20th century painters to come from the Pacific Northwest. Exhibited: Art: USA: 59, New York Coliseum, April, 1959, where it was lent by the Maynard Walker Gallery, original exhibition label taped to the back of the frame (plus see scan from catalog, last photo). Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 51 - Suzanne Caporael Gouache on Paper Andres 2001

Caporael, Suzanne (American, contemporary), Andres #3, 2001. gouache on paper, signed and dated lower right, 23.5 x 19.5 inches, floated in a wood frame 28 x 24 inches. Provenance: Douglas Udell Gallery, Edmonton, Canada; Reyes Contemporary Art, Phoenix, AZ; acquired at auction, Freeman's, July 2023.

Lot: 52 - Ricardo Cardenas Nest Outdoor Metal Sculpture

Cardenas, Ricardo (Columbian, born 1966), Nest, welded stainless steel tubing, 64 x 68 x 80 inches, apparently unsigned, acquired directly from the artist for a corporate collection. Comes with 2 ground stakes. Last photo with chair for scale only - this lot does NOT include the chair.

Lot: 53 - 2 William Crozier 2007 color aquatints Labyrinth and Verona Garden

Crozier, William (Scottish, 1930-2011), Labyrinth and Verona Garden, 2007, aquatints printed in colors, image 19 x 23.25 inches, each pencil signed and numbered 57/80 and 62/80, unframed.

Lot: 54 - Salvador Dali Signed Etching Dalinian Prophecy 1975

Dali, Salvador (Spanish, 1904-1989), Dalinian Prophecy - from the Imagination and Objects of the Future Portfolio, 1975, etching with pochoir color on wove paper (no watermark), signed and numbered 55/250 in pencil at the bottom, impression size 16 x 23.25 inches, sheet size 22 x 30.5 inches, matted and framed 35 x 41 inches. Published by Merrill Chase, Chicago. FIELD 75-13.

Lot: 55 - Adolf Dehn Mountain Landscape 1947 Watercolor

Dehn, Adolf (American, 1895-1968), Mountain Landscape, 1947, watercolor on paper, signed and dated lower left, 13.5 x 18 inches, matted and framed 20 x 25 inches. A very similar scene for the 1950 lithographs titled Winter in the Rockies that he made for the AAA.

Lot: 56 - Etienne Demonte Hummingbird Drinking Nectar 1985 Work on Paper

Demonte, Etienne (Brazilian, 1931-2004), Hummingbird Drinking Nectar, 1985, watercolor and gouache on paper, signed and dated lower right, sight 20 x 13 inches, matted and framed 27 x 20 inches. Provenance: James J. White, Curator of Art and Senior Research Scholar at the Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh, PA. In 1985 White curated the show For Love of Nature: Brazilian Flora and Fauna in Watercolor by Etienne, Rosalia and Yvonne Demonte at the Hunt Institute.

Lot: 57 - Phil Dike Watercolor Southern Town with Train Station

Dike, Phil Latimer (American, 1906-1990), American Town, with Trains Station, undated, c.1930s, watercolor, signed lower right, 13.5 x 21 inches, matted and framed 20 x 27 inches. Provenance: Ferargil Galleries; Pennsylvania Educational Institute; Skinner auctions, February, 1983, lot 346. A rare scene, showing young white children playing among a group of African-American women enjoying the sunshine and workers on horse and buggy.

Lot: 58 - William Dole 1949 Watercolor From the S.P. Station

Dole, William (American, 1917-1983), From the S.P. Station, 1949, watercolor on paper, signed and dated lower center, 9.75 x 15.5 inches, matted and framed 19 x 24.5 inches. Provenance: Mr. and Mrs. Francis E. Bishop; Kraushaar Galleries, Inc., New York; Heritage Auctions, September, 2018. Exhibited: Santa Barbara Museum of Art, Santa Barbara, California, n.d.; M. H. de Young Memorial Museum, San Francisco, California, n.d.

Lot: 59 - Melvin Edwards 1980 Signed Serigraph Premonitions

Edwards, Melvin (African-American, 1937-2026), Premonitions, 2007, screenprint in colors on Arches paper, image: 23.75 x 18.75 inches, sheet 30.25 x 22.75 inches, pencil signed, dated, titled, and numbered 10/60, unframed.

Lot: 60 - Thomas Brownell Eldred Mid Century Abstraction Work on Paper 1942

Eldred, Thomas Brownell (American, 1903-1993), Untitled Geometric Abstraction, 1942, watercolor, gouache and ink on paper, signed and dated lower right, 8.75 x 11.5 inches, matted and framed 18.5 x 21.5 inches. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 61 - Seymour Fogel Social Realism Work on Paper Two Standing Figures

Fogel, Seymour (American, 1911-1984), Two Standing Figures, 1944, gouache on paper, signed and dated lower right, 27.5 x 22 inches, matted and framed 37.5 x 32 inches. A WPA era social realist portrait of a white and African-American man.

Lot: 62 - Ann Frantic Morley Acrylic on Board Moon and Stars Goddess

Frantic, Ann Roberts Morley (American/Florida, 1936-2009) Moon and Stars Goddess, 1980s-2000s, acrylic on board, signed at lower right. Board 8 x 36 inches, in a wooden frame. Frantic was a prolific Southern Visionary Artist.

Lot: 63 - Ann Frantic Morley Acrylic on Board Sun Goddess

Frantic, Ann Roberts Morley (American/Florida, 1936-2009) Sun Goddess, acrylic on panel, 1980s-2000s, signed at lower left. Board 36 x 8 inches, in a wooden frame. Frantic was a prolific Southern Visionary Artist.

Lot: 64 - Bernard Gantner Countryside in Winter 1979 Watercolor

Gantner, Bernard (French, 1928-2018), Countryside in Winter, 1979, watercolor and gouache on paper, signed and dated lower right, 9.5 x 20.5 inches, matted and framed 14 x 26 inches. Provenance: Wally Findlay Galleries, Chicago, inventory number 77866.

Lot: 65 - Fritz Glarner Color Lithograph Signed Relational Study

Glarner, Fritz (Swiss/American, 1899-1972), Color Drawing for Relational Painting, 1963, color lithograph, signed, dated and numbered 29/35 in pencil to the bottom, image 20.5 x 11.5 inches, in Kulicke metal frame 32.5 x 24 inches. Printed and published by Universal Limited Art Editions (ULAE), New York. Provenance: M. Knoedler and Co. Gallery.

Lot: 66 - Enrico Glicenstein Caryatid Wood Sculpture 1929-1930

Glicenstein, Enrico (Henryk) (Polish/Jewish/American, 1870-1942), Caryatid (Offer), 1929-1930, wood sculpture, unsigned, 20.75 x 5.75 x 3 inches. This work may have been intended as column design model for a proposed synagogue. Carved into the surface of the block is the Hebrew word Kedoshim, meaning "holies" or "holy ones." Catalogue Raisonne number 144. Literature: Cassou, 1948; Cassou, 1958; Cassou, 1963; Werner, 1963. A copy of the catalogue raisonne is included with purchase. Provenance: The Estate of Hugo Dreyfuss (the son-in-law of the artist, who was married to Beatrice Glicenstein). Born in Switzerland in 1910, Dreyfuss started a textile business with his brother before moving to America in 1940. In the 1950s, he partnered with furniture designer Vladimir Kagan and designed and hand printed many fabrics for furniture and interior decorating. Hugo, Beatrice and her brother Emanuel Romano Glicenstein (who was also an artist) were the keepers and cataloguers of Glicenstein's body of work. Hugo worked on the biography/catalogue raisonne project that would become the book 'Life and Work of Enrico Glicenstein,' by Charlotte Sholod. The book was finally published in 2014, seven years after Hugo's death. Enrico Glicenstein's sculpture is in the permanent collection of the Metropolitan Museum of Art, Hirshhorn Museum, Musee d'Art Moderne, Israel Museum, Galleria Nazionale d'Arte Moderna, Brooklyn Museum, Jewish Museum and the United States Holocaust Memorial Museum, among others. Glicenstein won the Prix de Rome in 1895 and 1896, and was the only sculptor to have exhibited jointly with Auguste Rodin, who was a close friend of Glicenstein's and one of his earliest admirers. In addition to sculpture, Glicenstein was also a respected painter and etcher.

Lot: 67 - Enrico Glicenstein Girl and Turtle Oak Bas-Relief 1930

Glicenstein, Enrico (Henryk) (Polish/Jewish/American, 1870-1942), Girl and Turtle (Child and Turtle), 1930 (Chicago), oak wood bas-relief, with wire for hanging and carved study at reverse, unsigned, 38 x 14.25 x 1.5 inches. Catalogue Raisonne number 145. Provenance: The Estate of Hugo Dreyfuss (the son-in-law of the artist, who was married to Beatrice Glicenstein). Born in Switzerland in 1910, Dreyfuss started a textile business with his brother before moving to America in 1940. In the 1950s, he partnered with furniture designer Vladimir Kagan and designed and hand printed many fabrics for furniture and interior decorating. Hugo, Beatrice and her brother Emanuel Romano Glicenstein (who was also an artist) were the keepers and cataloguers of Glicenstein's body of work. Hugo worked on the biography/catalogue raisonne project that would become the book 'Life and Work of Enrico Glicenstein,' by Charlotte Sholod. The book was finally published in 2014, seven years after Hugo's death. Enrico Glicenstein's sculpture is in the permanent collection of the Metropolitan Museum of Art, Hirshhorn Museum, Musee d'Art Moderne, Israel Museum, Galleria Nazionale d'Arte Moderna, Brooklyn Museum, Jewish Museum and the United States Holocaust Memorial Museum, among others. Glicenstein won the Prix de Rome in 1895 and 1896, and was the only sculptor to have exhibited jointly with Auguste Rodin, who was a close friend of Glicenstein's and one of his earliest admirers. In addition to sculpture, Glicenstein was also a respected painter and etcher.

Lot: 68 - Enrico Glicenstein Arthur James Balfour Bronze 1928

Glicenstein, Enrico (Henryk) (Polish/Jewish/American, 1870-1942), Lord Arthur James Balfour (The Earl of Balfour), 1928, cast bronze sculpture, signed and dated on right side, inscribed "BALFOUR" across front base, 10 x 5.25 x 5 inches. Balfour was an active political leader known for being a major architect of Zionism as well as the British Prime Minister from 1902 to 1905. A larger version of the bust was cast in 1924 for the inauguration of the Hebrew University in Jerusalem, but it has now been lost. This smaller version was possibly made as a gift to the donor. Catalogue Raisonne number 76. A copy of the catalogue raisonne is included with purchase. Provenance: The Estate of Hugo Dreyfuss (the son-in-law of the artist, who was married to Beatrice Glicenstein). Born in Switzerland in 1910, Dreyfuss started a textile business with his brother before moving to America in 1940. In the 1950s, he partnered with furniture designer Vladimir Kagan and designed and hand printed many fabrics for furniture and interior decorating. Hugo, Beatrice and her brother Emanuel Romano Glicenstein (who was also an artist) were the keepers and cataloguers of Glicenstein's body of work. Hugo worked on the biography/catalogue raisonne project that would become the book 'Life and Work of Enrico Glicenstein,' by Charlotte Sholod. The book was finally published in 2014, seven years after Hugo's death. Enrico Glicenstein's sculpture is in the permanent collection of the Metropolitan Museum of Art, Hirshhorn Museum, Musee d'Art Moderne, Israel Museum, Galleria Nazionale d'Arte Moderna, Brooklyn Museum, Jewish Museum and the United States Holocaust Memorial Museum, among others. Glicenstein won the Prix de Rome in 1895 and 1896, and was the only sculptor to have exhibited jointly with Auguste Rodin, who was a close friend of Glicenstein's and one of his earliest admirers. In addition to sculpture, Glicenstein was also a respected painter and etcher.

Lot: 69 - Enrico Glicenstein Fettered Man Wood Sculpture 1930

Glicenstein, Enrico (Henryk) (Polish/Jewish/American, 1870-1942), Fettered Man (Chained), 1930, wood sculpture, unsigned, 40.5 x 8.5 x 6.5 inches. Catalogue Raisonne number 156. Exhibited: Sculptors Guild, New York, 1939; American Contemporary Artists Gallery, New York, 1939. The figure is attributed as a likeness to Glicenstein, meant to reflect his reaction to the growing threat of fascism. A copy of the catalogue raisonne is included with purchase. Provenance: The Estate of Hugo Dreyfuss (the son-in-law of the artist, who was married to Beatrice Glicenstein). Born in Switzerland in 1910, Dreyfuss started a textile business with his brother before moving to America in 1940. In the 1950s, he partnered with furniture designer Vladimir Kagan and designed and hand printed many fabrics for furniture and interior decorating. Hugo, Beatrice and her brother Emanuel Romano Glicenstein (who was also an artist) were the keepers and cataloguers of Glicenstein's body of work. Hugo worked on the biography/catalogue raisonne project that would become the book 'Life and Work of Enrico Glicenstein,' by Charlotte Sholod. The book was finally published in 2014, seven years after Hugo's death. Enrico Glicenstein's sculpture is in the permanent collection of the Metropolitan Museum of Art, Hirshhorn Museum, Musee d'Art Moderne, Israel Museum, Galleria Nazionale d'Arte Moderna, Brooklyn Museum, Jewish Museum and the United States Holocaust Memorial Museum, among others. Glicenstein won the Prix de Rome in 1895 and 1896, and was the only sculptor to have exhibited jointly with Auguste Rodin, who was a close friend of Glicenstein's and one of his earliest admirers. In addition to sculpture, Glicenstein was also a respected painter and etcher.

Lot: 70 - Enrico Glicenstein Tree of Life Book with Original Illustrations

Glicenstein, Enrico (Henryk) (Polish/Jewish/American, 1870-1942), Tree of Life Biblical Book with portfolio of 23 original sketches for the book's illustrations. Book: Enrico Glicenstein and Alexander M. Dushkin, The Tree of Life: Sketches from Jewish Life of Yesterday and Today in Drawing, Prose and Verse, 1933, author's copy with original ink drawing frontis tipped in and original drawing on the margin of page 39, first edition, hardcover, faux leather binding, published by L.M. Stein, Chicago, 12.75 x 9.75 x 1 inch. Drawings: 23 sketches, pen and ink on paper, 20 sheets, 3 sheets with drawings on verso, one is signed, the rest with estate stamp, ranging in size 7.5 x 5.5 inches to 12 x 9 inches, unframed; all with Glicenstein estate labels attached to the verso. Provenance: The Estate of Hugo Dreyfuss (the son-in-law of the artist, who was married to Beatrice Glicenstein). Born in Switzerland in 1910, Dreyfuss started a textile business with his brother before moving to America in 1940. In the 1950s, he partnered with furniture designer Vladimir Kagan and designed and hand printed many fabrics for furniture and interior decorating. Hugo, Beatrice and her brother Emanuel Romano Glicenstein (who was also an artist) were the keepers and cataloguers of Glicenstein's body of work. Hugo worked on the biography/catalogue raisonne project that would become the book 'Life and Work of Enrico Glicenstein,' by Charlotte Sholod. The book was finally published in 2014, seven years after Hugo's death. Enrico Glicenstein's sculpture is in the permanent collection of the Metropolitan Museum of Art, Hirshhorn Museum, Musee d'Art Moderne, Israel Museum, Galleria Nazionale d'Arte Moderna, Brooklyn Museum, Jewish Museum and the United States Holocaust Memorial Museum, among others. Glicenstein won the Prix de Rome in 1895 and 1896, and was the only sculptor to have exhibited jointly with Auguste Rodin, who was a close friend of Glicenstein's and one of his earliest admirers. In addition to sculpture, Glicenstein was also a respected painter and etcher.

Lot: 71 - Enrico Glicenstein Youth with Mask Bronze Sculpture 1910

Glicenstein, Enrico (Henryk) (Polish/Jewish/American, 1870-1942), Youth with Mask (Love Abducting Power), 1910, bronze sculpture, etched signature and "Roma" at base, 22.5 x 13 x 5 inches. Catalogue Raisonne number 46. A copy of the catalogue raisonne is included with purchase. Provenance: The Estate of Hugo Dreyfuss (the son-in-law of the artist, who was married to Beatrice Glicenstein). Born in Switzerland in 1910, Dreyfuss started a textile business with his brother before moving to America in 1940. In the 1950s, he partnered with furniture designer Vladimir Kagan and designed and hand printed many fabrics for furniture and interior decorating. Hugo, Beatrice and her brother Emanuel Romano Glicenstein (who was also an artist) were the keepers and cataloguers of Glicenstein's body of work. Hugo worked on the biography/catalogue raisonne project that would become the book 'Life and Work of Enrico Glicenstein,' by Charlotte Sholod. The book was finally published in 2014, seven years after Hugo's death. Enrico Glicenstein's sculpture is in the permanent collection of the Metropolitan Museum of Art, Hirshhorn Museum, Musee d'Art Moderne, Israel Museum, Galleria Nazionale d'Arte Moderna, Brooklyn Museum, Jewish Museum and the United States Holocaust Memorial Museum, among others. Glicenstein won the Prix de Rome in 1895 and 1896, and was the only sculptor to have exhibited jointly with Auguste Rodin, who was a close friend of Glicenstein's and one of his earliest admirers. In addition to sculpture, Glicenstein was also a respected painter and etcher.

Lot: 72 - Leon Golub Niobid Signed Color Lithograph 1965

Golub, Leon (American, 1922-2004), Niobid, 1965, color lithograph on Rives BFK, signed in pencil to the lower right corner, an artist's proof aside from the regular edition of 20, sheet size 41.5 x 29.5 inches, floated in a metal frame 44 x 32 inches. Printed by Tamarind Institute, with their chop to the lower right. Other impressions from this edition are in the permanent collection of The Museum of Modern Art (MoMA) and the National Gallery of Art, among other institutions.

Lot: 73 - Richard Gorman woodblock diptych Big Grey 2005

Gorman RHA, Richard (Irish, 1946-2026), Big Grey, 2005, color woodcut diptych, each sheet 29.5 x 42 inches, pencil signed, titled, and numbered 14/40 on the reverse of panel B, unframed.

Lot: 74 - Richard Gorman woodblock diptych Big Red 2005

Gorman RHA, Richard (Irish, 1946-2026), Big Red, 2005, color woodcut diptych, each sheet 29.5 x 42 inches, pencil signed, titled, and numbered 7/40 on the reverse of panel B, unframed.

Lot: 75 - Laura Hickman Pastel on Paper Picnic Bench in Yard

Hickman, Laura (American/Delaware, 20th/21st Century), Picnic Bench in Yard, 1980s/1990s, pastel on paper, signed at lower right. Sheet 30 x 36 inches, behind plexiglass, floated, in a 34 x 40 inch frame.

Lot: 76 - Irwin D. Hoffman Coal Miner's Break WPA Era Oil on Canvas

Hoffman, Irwin D. (American/Boston, 1901-1989), Coal Miner's Cigarette Break, undated, c.1930s, oil on canvas, signed lower right, 38 x 24 inches, in a newer black painted wood frame 44.5 x 30.5 inches. A WPA era labor portrait. Provenance: Artist's estate to the Boston Public Library Trustees; Walker Cunningham Fine Art; Private collection; Marion Antique Auctions, Marion MA.

Lot: 77 - Frank Howell Teton Dancer Signed Color Lithograph 1991

Howell, Frank (American/Santa Fe, 1937-1997), Teton Dancer, 1991, color lithograph, signed, dated and titled in red pencil to the lower edge, a trial proof aside from the regular edition of 140, sight 15 x 24.5 inches, matted and framed 32 x 39.5 inches.

Lot: 78 - Dong Kingman Mid Century Watercolor One Way Street

Kingman, Dong (Dong Moy Shu) (Chinese-American, 1911-2000), One Way Street, c.1960s, watercolor on paper, signed lower left, 22 x 14 inches, matted and framed 31 x 23 inches.

Lot: 79 - Frank Kleinholz Oil Ptg Abstractionists, Exhibited Carnegie Museum 1941

Kleinholz, Frank (American, 1901-1987), Abstractionists, 1941, oil on canvas, relined, signed lower left, 24 x 30 inches, in a carved wood frame 32 x 38 inches. Exhibited: Directions in American Painting, Carnegie Museum of Art, 1941, where it was purchased by the exhibit's curator John O’Connor, Jr., reproduced as plate 65 in the catalog; Associated American Artists, New York City, December 1942. A New York Times article from December 9th, 1942, frequently mentions this painting as helping to get Kleinholz on the map and help launch his career (see newspaper scan at the end). Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 80 - Gene Kloss Snow and Adobe Watercolor

Kloss, Gene (American, 1903-1996), Snow and Adobe, undated, watercolor on paper, signed lower center, 14 x 21 inches, matted and framed 21 x 28 inches. Provenance: Gallery A, Taos, New Mexico; Estate of Judge Thomas and Betty Phelps; Freeman's Auction, November, 2018.

Lot: 81 - Gene Kloss Trip to Town 1979 Signed Drypoint Etching

Kloss, Gene (American, 1903-1996), Trip to Town, 1979, drypoint etching, signed, titled and numbered 16/25 in pencil to the lower edge, impression size 11.75 x 9 inches, matted and framed 20 x 16.5 inches. Provenance: Nedra Matteucci Gallery, Santa Fe, New Mexico; Estate of Judge Thomas and Betty Phelps; Freeman's Auction, Sale 590, Arts of the American West.

Lot: 82 - Kathe Kollwitz Lithograph on Paper Brot! Signed

Kollwitz, Kathe (German, 1867-1945), Brot! (Bread!), from the portfolio 'Hunger', 1924, lithograph on paper, signed Kollwitz in pencil at lower right, KL196 in pencil on the verso. Image 14 x 11.25 inches, sheet 19.3 x 13.5 inches.

Lot: 83 - Walt Kuhn early lithograph signed Large Head

Kuhn, Walt (American, 1877-1949), Large Head, 1924, lithograph on paper, signed and annotated /23 in pencil to lower left corner, sight 23 x 17.5 inches, matted and framed 32 x 26 inches. Printed by Marius de Zayas, Paris. Another impression of this print is in the permanent collection of the Museum of Modern Art (MoMA).

Lot: 84 - Moshe Kupferman Mixed Media Untitled 1995

Kupferman, Moshe (Polish/Israeli, 1926-2003), Untitled, 1995, mixed media on paper, signed and dated at lower left, personalized message at lower right 'For Kitie Hafold with all my heart' and signed again. Paper 15.5 x 23.5 inches. Behind plexiglass, floated, and in a 20.5 x 28.5 inch oak frame.

Lot: 85 - John Lavalle Pair of 1933 Boxing Scenes Oil on Board

Lavalle, John (American, 1896-1971), Pair of Boxing Scenes, 1933, oil on board, both signed and dated at lower corners, 25 x 29.75 inches, uniformly framed 29.5 x 34 inches. Lavalle was a Boston based painter who got his art degree at Harvard and later studied at the Boston Museum of Fine Arts with Philip Hale and with Jean Auburtin in Paris at the Academie Julian. He was primarily known for portraits and illustration art. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 86 - John Harrison Levee Gouache on Paper Geometric Abstraction 1984

Levee, John Harrison (American, 1924-20174), Geometric Abstraction, 1984, gouache on paper, signed and dated center right, in a Kulicke style metal frame 30 x 20 inches.

Lot: 87 - Jimmy Lueders Still Life With Flowers 1985 Oil on Canvas

Lueders, Jimmy C. (American/Philadelphia, 1927-1995), Untitled Still Life with Vase and Flowers, 1985, oil on canvas, signed and dated bottom left, signed again on the back of the frame, 62 x 60 inches, stretched but not framed. Provenance: Private Corporate Collection, Philadelphia, PA; Freeman's Auction, February, 2024.

Lot: 88 - Tim Maguire original lithograph Baie 2003

Maguire, Tim (Australian, born 1958), Baie, 2003, lithograph printed in colors, 29.5 x 23.5 inches, pencil signed and numbered 41/88. Provenance: acquired from the artist, unframed.

Lot: 89 - Pochoir print of The Dance after Henri Matisse

Matisse, after Henri, The Dance / La Danse, c.1940-1950s, richly inked color pochoir print on heavy cream paper, signed in the plate lower right, image 18.25 x 23.5 inches, full sheet 21 x 29.5 inches, currently in a window mat. A much larger and more vivid version than the lithograph made for Verve in 1938.

Lot: 90 - Jan Matulka Maine Lithograph c.1925

Matulka, Jan (Czech/American, 1890-1972), Maine, or Landscape from Maine, Sunrise, c. 1925, lithograph on cream wove paper, unsigned, a proof from a very small edition, 11 x 14.5 inches, full sheet 12.5 x 17.5 inches, matted and framed 19 x 22.5 inches. A rare print that doesn't often turn up for sale. FLINT 25. This print was selected as one of two Matulka prints for the Modern Section of the first ever Fifty Prints of the Year exhibition held in New York in 1926.

Lot: 91 - Peter Max Peace on Earth Original Mixed Media Statue of Liberty Painting

Max, Peter (German/American, born 1937), Peace on Earth [Statue of Liberty], c.2002, acrylic over lithograph, signed lower right, 23 x 17 inches, matted and framed 40 x 34 inches. Provenance: Park West Gallery, with label on the back of the frame.

Lot: 92 - Todd Stoddard McKie Oil Brief Marriage to Georgia O'Keeffe

McKie, Todd Stoddard (1944-2022), My Brief Marriage to Georgia O'Keeffe, 1986, oil on canvas, signed, titled and dated in pencil on the verso. 48 x 40 inches, and in a 49.5 x 41.75 inch black finish wooden frame. Todd McKie was a painter, sculptor, and printmaker. He was a founding member of the art group Smart Duckys who, in 1971, hung a show called 'Flush with the Walls' in the men's room of the Museum of Fine Arts in Boston. This was reflective of the wit and humor that was in all Todd's work. He was married to Judy Kensley Mckie, one of the premier figures in the American Studio Furniture movement. Provenance: Clark Gallery, Lincoln, MA.

Lot: 93 - Joseph Meierhans Mid Century Abstraction Work on Paper

Meierhans, Joseph (American/New Hope, Bucks County, PA, 1890-1981), Untitled Abstraction, mid 20th century, watercolor on paper, signed twice in blue ink to the bottom edge, 9.25 x 12.25 inches, framed 16 x 19 inches. Provenance: Rago Auctions, September, 2021.

Lot: 94 - Fausto Melotti Polychrome Glazed Ceramic Tile for Melotti Ceramica

Melotti, Fausto (Italy, 1901-1986), Nero E Ora, undated, c.1970s, polychrome glazed ceramic tile, titled and signed Ceramica Melotti on the verso, tile Made in Italy, 13 x 13 inches, unframed.

Lot: 95 - Joan Miro Signed Lithograph from Liberte des Libertes portfolio

Miro, Joan (Catalan/Spanish, 1893-1983), Untitled Abstract from the Liberte des Libertes portfolio, 1971, color lithograph, signed and numbered 29/125, sheet size 18.5 x 13.5 inches, floated in a black wood frame 23 x 18 inches. Printed by Maeght, Paris and published by Le Soleil Noir, Paris.

Lot: 96 - Bror J. O. Nordfeldt Watercolor Fort Bragg Seaweed 1953

Nordfeldt, Bror J. O. (Swedish/American, 1878-1955), Seaweed Fort Bragg California, 1953, watercolor on paper, signed, titled and dated along the bottom edge, 8.75 x 11.25 inches, matted and framed 17 x 19.5 inches. Provenance: Owings-Dewey Fine Art, Santa Fe, New Mexico; Freeman's Auctions, July, 2023.

Lot: 97 - Nathan Oliveira Tamarind Site 1 Signed Lithograph 1982

Oliveira, Nathan (American, 1928-2010), Tamarind Site 1, 1982, color lithograph on BFK Rives, signed, dated and numbered XI/XV in pencil to the lower edge, an artist's proof aside from the regular edition of 70, printed to the edges, full sheet 16 x 24.75 inches, floated in a wood frame 25 x 33 inches. Printed and published by Tamarind Institute, with their chop to the lower left corner.

Lot: 98 - Barry Philips Odin Series Flying Machine Sculpture

Phillips, Barry (American, 1939-2020), Flying Machine from the Odin Series, late 20th century, welded metal, bronze, wood, glass, and fabric sculpture. Apparently unsigned. Approximately 41 x 14.5 x 15 inches. Barry Phillips was the chair of the art department at Odessa College and the founder of BRAG Publications, a non-profit exhibition space for contemporary art. In the 1980s, he began working on his signature flying machines from the Odin's Odysseys series. The machines, which are commanded by a mythological god, are intended as a satirical protest against the pyramidical structure of cultural institutions. Provenance: Acquired from the artist's collection.

Lot: 99 - Qian Yang Oil on Canvas Portrait No. 15

Qian, Yang (Chinese, b. 1959), Portrait no. 15, 2004, oil on canvas, Apparently unsigned. Canvas approximately 39.25 x 31.5 inches. Yang was born in the Sichuan region of China. He received a master's degree of Fine Arts (MFA) from University of Florida, USA in 1988. Under many years of education of social realism, Yang is very familiar with dealing reality and images, as well as relationship between content and form. During his experience of 1980s to 1990s in the United States, Yang Qian made his first contact with theory of abstract painting and how to use different art media, leading him to vast improvement of painting. In his new work "Hotel Bathroom Series," females are the main focus. Furthermore, different from most Chinese painters using photography as a tool, Yang stresses on not of effect in front of camera, but the reapplication of photographic image. He transfers photography's traits onto painting, and reinterprets people's daily life with his own point of view. Provenance: Michael Berger Gallery, Pittsburgh, PA, 2005, exhibition New Paintings by Yang Qian.

Lot: 100 - Robert Rauschenberg Opal Gospel 10 Panel Book Multiple

Rauschenberg, Robert (American, 1925-2008), Opal Gospel, 1971, ten screenprints on movable acrylic sheets, in Lucite base with stainless steel cover, each panel signed, dated and numbered 27/230 to the lower edge, also etched signature and limitation on the back of the cover. Each panel 18 x 20 inches. Total dimensions are 21.5 x 22.5 x 6.75 inches. Produced by Styria Studio, New York, and published by Racolin Press. One of Rauschenberg's best known multiples. A three-dimensional book consisting of Native American stories, songs, poems and found imagery that encourages the viewer to engage with the work and rearrange the panels to alter the appearance and meaning.

Lot: 101 - William Goodridge Roberts Watercolor Still Life 1932

Roberts, William Goodridge (Canadian/Quebec, 1904-1974), Sill Life, 1932, watercolor on paper, signed at lower right. 20 x 24.5 inches, behind glass, and in a 30.25 x 35.25 inch framed, linen lined. A note on the back reads 'Painted by Goodridge Roberts in my parents' farm house near Green's Creek in 1932 (c.), Goodridge was staying with us, and on a rainy day painted the still life in the spare room. Later, I found it under the bed where he has discarded it. When I showed it to him later, he said he rather liked it, but didn't offer to take it. James H. Barbour, 26th, Feb. 1980'. Provenance: Masters Gallery, Calgary, Alberta, Canada.

Lot: 102 - George Rodrigue Signed Blue Dog Screenprint Sweet Like You

Rodrigue, George (American, 1944-2013), Sweet Like You, 2000, serigraph printed in colors, image 19.75 x 15.5 inches, sheet: 21.75 x 17.5 inches, signed and numbered 30/150 in silver ink, unframed. George Rodrigue Prints: A Catalogue Raisonne 1970-2007, pg. 179.

Lot: 103 - Veronica Ryan 3 pieces of Sewn and Pricked Mailed Art

Ryan, Veronica (Montserrat/British, contemporary), 3 pieces of Mailer Art, 1998-2007, painted, pin pricked and stitched bubble mailers, each one is signed, two are titled, largest size is 12 x 9 inches. Ryan won the Turner Prize, the most prestigious prize for visual arts in the United Kingdom, in 2022 and was also included in the Whitney Biennial that same year. She has additionally exhibited at the Tate Gallery, London, The Brooklyn Museum, the Tate Modern, the Sculpture Triennale in Hungary and the Mattress Factory Museum, Pittsburgh, PA. Provenance: from the personal collection of art historian Ann Sutherland Harris, Pittsburgh, PA. In 1976 Harris, along with feminist art historian Linda Nochlin, co-curated the Women Artists: 1550-1950 exhibition at the Los Angeles County Museum of Art and co-authored the accompanying catalog. The show also travelled to Austin, Brooklyn and Pittsburgh, and helped to open up the field of women's studies in the discipline. Harris was a founding member and first president of the Women's Caucus for Art. She wrote nine books and exhibition catalogues (including works on Artemisia Gentileschi and Alice Neel), more than a hundred articles and reviews, and was part of the faculty at the University of Pittsburgh from 1984-2012.

Lot: 104 - Veronica Ryan Pins II 1995 Gouache Painting

Ryan, Veronica (Montserrat/British, contemporary), Pins II, 1995, gouache on paper or thin board, signed, titled and dated on the bottom edge, in a metal frame 8.5 x 11.5 inches. TOGETHER WITH A 2004 handwritten card from Ryan to Ann Sutherland Harris with an original construction on the front. Ryan won the Turner Prize, the most prestigious prize for visual arts in the United Kingdom, in 2022 and was also included in the Whitney Biennial that same year. She has additionally exhibited at the Tate Gallery, London, The Brooklyn Museum, the Tate Modern, the Sculpture Triennale in Hungary and the Mattress Factory Museum, Pittsburgh, PA.

Lot: 105 - Veronica Ryan Mixed Media from The Weather Inside

Ryan, Veronica (Montserrat/British, contemporary), Untitled Work from The Weather Inside Series, c.2011, mixed media with plaster and vent cover, unsigned, 7.75 x 13.75 inches, unframed. Ryan won the Turner Prize, the most prestigious prize for visual arts in the United Kingdom, in 2022 and was also included in the Whitney Biennial that same year. She has additionally exhibited at the Tate Gallery, London, The Brooklyn Museum, the Tate Modern, the Sculpture Triennale in Hungary and the Mattress Factory Museum, Pittsburgh, PA. Provenance: from the personal collection of art historian Ann Sutherland Harris, Pittsburgh, PA. In 1976 Harris, along with feminist art historian Linda Nochlin, co-curated the Women Artists: 1550-1950 exhibition at the Los Angeles County Museum of Art and co-authored the accompanying catalog. The show also travelled to Austin, Brooklyn and Pittsburgh, and helped to open up the field of women's studies in the discipline. Harris was a founding member and first president of the Women's Caucus for Art. She wrote nine books and exhibition catalogues (including works on Artemisia Gentileschi and Alice Neel), more than a hundred articles and reviews, and was part of the faculty at the University of Pittsburgh from 1984-2012.

Lot: 106 - Fritz Scholder orig litho Monster Love, Dream C

Scholder, Fritz (Native American, 1937-2005), Monster Love - Dream C, 1982, color lithograph on cream paper, signed and numbered 68/150 in pencil to the lower edge, image size 11.5 x 9.75 inches, full sheet 19.25 x 15 inches, unframed. Printed by Ediciones Poligrafa, Barcelona, Spain.

Lot: 107 - Toko Shinoda Signed Abstract Silkscreen Deep Winter

Shinoda, Toko (Japanese, 1913-2021), Deep Winter, 1982, screenprint on paper, editioned 14/30 and signed in pencil along lower edge. Sight 19 x 31 inches, behind glass and in a 25 x 36 inch silver metal frame.

Lot: 108 - Toko Shinoda Signed Abstract Silkscreen Scarlett Blessing

Shinoda, Toko (Japanese, 1913-2021), Scarlett Blessing, 1982, editioned 20/25, titled, dated, and signed in pencil along lower edge. Sight 19 x 31 , behind glass and in a 29 x 40 inch frame.

Lot: 109 - Morris Shulman 1950 Work on Paper Rocks and Sea

Shulman, Morris (American, 1912-1978), Rocks and Sea #2, 1950, gouache on paper, signed lower right, additional information on the verso likely added by the artist's estate, 19 x 26 inches, matted and framed 23.5 x 30.5 inches.

Lot: 110 - Pino Signoretto Murano Glass Sculpture Nude Woman

Signoretto, Pino (Italian, 1944-2017), Nude woman stretching, 20th century, Murano glass sculpture, incised 9/250, incised signature. 11 x 143.75 inches. Signoretto was a renowned master Murano glass sculptor. He studied under Alfredo Barbini, among other masters.

Lot: 111 - Richard Smith 1982 Untitled Mixed Media Monoprint On Paper

Smith, Richard (Charles Richard) CBE, (British, 1931-2016), Untitled Abstract, 1982, monoprint , mixed media with watercolor, 47 x 32 inches, signed and dated lower center.

Lot: 112 - Joseph Solman New York Street Scene Monotype 1982

Solman, Joseph (Belarus/American, 1909-2008), New York City Street Scene, 1982, color monotype, oil on paper, signed and dated lower right, 16.5 x 11.5 inches, floated in a frame 26 x 21.5 inches. Provenance: Mercury Gallery, Boston; ArtCetera Auction to benefit the AIDS Action Committee, 1998.

Lot: 113 - Joseph Solman Adolescene Oil on Board c.1940

Solman, Joseph (Belarus/American, 1909-2008), Adolescence, 1930s/1940s, oil on board, initialed at lower left. Titled with artist name on back. Interestingly, the piece is painted on the textured back of the artist board. It appears the front was prepared, but never used. 24 x 12, in a 28.75 x 16.75 inch frame.

Lot: 114 - Mark Tobey Abstraction Work on Paper

Tobey, Mark (American, 1890-1976), Untitled Abstract, undated, gouache and watercolor on heavy paper board, signed lower right, 7.5 x 11.25 inches, matted and framed 11.5 x 15.25 inches.

Lot: 115 - Richard Tuttle According to the Dawn Mixed Media Ptg

Tuttle, Richard (American, contemporary), According to the Dawn, III (C), 1992, mixed media on paper, mounted to linen covered board, apparently unsigned, comes with handwritten and signed letter of certification by Tuttle that's mounted to a photo of the piece, 25 x 30 inches, unframed. Provenance: Laura Carpenter Fine Art, Santa Fe, NM; The Diana Jannetta Collection. Jannetta was an esteemed collector of decorative and fine arts, known for her discerning eye and dedication to preserving artistic excellence. A lifelong advocate for the arts, she assembled a distinguished collection featuring paintings, sculptures, and craft.

Lot: 116 - Abraham Walkowitz 1931 Work on Paper Abstraction

Walkowitz, Abraham (Russian/American, 1878-1965), Untitled Abstraction, watercolor and pencil on paper, signed and dated lower right, 16 x 18.5 inches, matted and framed 21 x 23.5 inches.

Lot: 117 - Robert Whitman 1973 Signed Serigraph Red Sphere in Cityscape

Whitman, Robert (American, 1935-2024), Untitled (Red Sphere in Cityscape), 1973, serigraph printed in colors, 26 x 37.75 inches, pencil signed and numbered 84/150, unframed.

Lot: 118 - Sue Williams 1992 orig litho Castanets signed

Williams, Sue (American, born 1954), Castanets (or Castanets), 1992, lithograph, on wove paper, with full margins, Image 13.5 x 10 inches, (34.6 x 25.4 cm) Sheet, 16 x 12 inches, (40.6 x 30.5 cm), pencil signed, and numbered 18/30 in pencil, published by the Institute of Contemporary Art, London, unframed.

Lot: 119 - S. Clay Wilson Pair of Original Illustrations 1977 and 2000

Wilson, S. Clay (American, 1941-2021), Pair of original drawings: Gunfighter Anod in the Sun, 1977, original illustration with ink and watercolor, titled, dated and inscribed to Trigger (aka Diane Cecily) in the upper right, sheet size 7 x 7 inches, unframed. AND The 3 Graces Respond, 2010, original illustration with ink and pink marker, titled, signed, dated and inscribed to Trout (aka the writer Chuck Kinder) along the edges, sheet size 7 x 7.25 inches, unframed. Provenance: The estate of Chuck Kinder and Diane Cecily, Pittsburgh, PA. Steve Clay Wilson was an important artist in the underground comix scene and one of the founding members of the Zap collective. Wilson's friendship with Chuck and Diane started in California in the early 1970s, and his favorite nicknames for the couple were Trout and Trigger. ALSO WITH an offset print signed and inscribed to Chuck and Diane as Trout and Trigger.

Lot: 120 - S. Clay Wilson Original Illustration Party with Raymond Carver 1976

Wilson, S. Clay (American, 1941-2021), 1st Ides of March Party, 1976, original illustration with ink and white-out enhancements, dated and inscribed Hank's Graphics in the lower left, image size 6 x 8.75 inches, sheet size 7.5 x 10.5 inches, matted and framed 13 x 16 inches. Provenance: The estate of Chuck Kinder and Diane Cecily, Pittsburgh, PA. This lot comes with a note from Diane Cecily that lists the date, titled and names of the party attendees, from left to right: Jon Jackson, Ruth Jackson, Raymond Carver (as shirtless smoker), Diane Cecily, S. Clay Wilson ('Bring coke, jokes, dope, hooch, ice...'), Marianne Carver, Unknown (asking for autograph), Max Crawford, Chuck Kinder (passed out on the floor). Steve Clay Wilson was an important artist in the underground comix scene and one of the founding members of the Zap collective. Wilson's friendship with Chuck and Diane started in California in the early 1970s.

Lot: 121 - S. Clay Wilson Original Illustration Ringo Guns Down the Punk 1972

Wilson, S. Clay (American, 1941-2021), Ringo Guns Down the Up-Start Punk, 1972, original illustration with ink and white-out enhancements, signed, dated and inscribed to Big Chuck (aka the writer Chuck Kinder) in the lower left, image size 5 x 7.25 inches, sheet size 7 x 9.5 inches, unframed. Provenance: The estate of Chuck Kinder and Diane Cecily, Pittsburgh, PA. Steve Clay Wilson was an important artist in the underground comix scene and one of the founding members of the Zap collective. Wilson's friendship with Chuck and Diane started in California in the early 1970s. An early Wilson drawing, that made for one of Kinder's stories in Place Magazine.

Lot: 122 - Robert Earle Wood Watercolor Cathedral Steps Taxco Mexico

Wood, Robert Earle, AWS (American, 1926-1999), Cathedral Steps - Taxco, Mexico, c.1960s, watercolor on paper, signed lower right, additionally signed and titled on a label attached to the back of the frame, 13 x 19.5 inches, framed 20 x 27 inches.

Lot: 123 - 2 Toshi Yoshida Woodblocks Signed, Half Moon Bridge and Matsumoto

Yoshida, Toshi (Japanese, 1911-1995), 2 prints: Half Moon Bridge and Matsumoto, color woodblocks, c.1940s, both signed in pencil by Yoshida, titles are printed, image size 6.5 x 9.5 inches, uniformly matted and framed 12.5 x 15.5 inches.

Lot: 124 - Jack Youngerman original serigraph Swirl Gray 1983

Youngerman, Jack (American 1926-2020), Swirl Gray, 1983, silkscreen, pochoir and Intaglio, 37 x 36 inches, pencil signed, dated, and numbered 8/75, unframed

Lot: 125 - Milford Zornes Palenque Mexican Village Work on Paper 1981

Zornes, Milford (American, 1908-2008), Palenque, Mexican Village, 1981, watercolor on paper, signed and dated lower left, additionally signed and titled on the verso, 21.5 x 29.5 inches, framed 30.5 x 38.5 inches. Provenance: Estate of the artist Joanna Mersereau, Redlands, CA; John Moran auction, August, 2018.

Lot: 126 - Peter J. Calaboyias Bronze Brutalist Sculpture

Calaboyias, Peter J. (American/Pittsburgh, 1940-2022), Brutalist Sculpture, 1970s, bronze on pedestal, apparently unsigned. On a black lacquered metal base. 18 x 19 x 5 inches. Resting on a 16.5 x 21.25 x 8.5 inch white finish plinth. Provenance: Given to the current owner by the artist.

Lot: 127 - Peter J. Calaboyias Oil on Canvas Icarus 1972

Calaboyias, Peter J. (American/Pittsburgh, 1940-2022), Icarus, 1972, oil on canvas, signed, dated, and titled on the verso. Canvas 67.5 x 42 inches, in a 69.75 x 43.75 inch frame. Provenance: Butler Institute of American Art in Youngstown, OH, label at back; Given to the current owner by the artist.

Lot: 128 - Virgil Cantini Relief Painting Sun Abstraction 1965

Cantini, Virgil David (American/Pittsburgh, 1919-2009), Sun Abstraction, 1965, oil on relief pressed paper, signed and dated lower left, 18.5 x 13 inches, matted and framed 24 x 18.25 inches. Artist's label on the back.

Lot: 129 - Jerry Caplan Extruded Pipe Painted Terra Cotta Sculpture

Caplan, Jerry (American/Pittsburgh, 1923-2004), Extruded Pipe Sculpture, painted terra cotta clay, apparently unsigned, 66.5 inches tall, on a white base. The painting was possibly done by Jerry's studio partner, fellow Pittsburgh artist Donna Hollen–Bolmgren.

Lot: 130 - Jerry Caplan Extruded Pipe Painted Terra Cotta Sculpture

Caplan, Jerry (American/Pittsburgh, 1923-2004), Extruded Pipe Sculpture, painted terra cotta clay, apparently unsigned, 73 inches tall, on a white base. The painting was possibly done by Jerry's studio partner, fellow Pittsburgh artist Donna Hollen–Bolmgren.

Lot: 131 - Cynthia Cooley Watercolor Painting Pouring Steel

Cooley, Cynthia (American/Pittsburgh, contemporary), Pouring Steel, 1998, watercolor on paper, signed and dated lower left, titled on a label affixed to the back of the frame, 16 x 12.25 inches, floated in a metal frame 24 x 20 inches. Provenance: Pittsburgh Center for the Arts. One of Cooley's trademark steelmaking scenes.

Lot: 132 - Ray DeFazio Alley in Winter 1987 Oil on Canvas

DeFazio, Raymond (Ray) (American/Western PA, born 1936), Alley in Winter, 1987, oil on canvas, signed and dated lower left, titled on the stretcher bar, 22 x 16 inches, in a wood frame 27 x 21 inches.

Lot: 133 - Ed Eberle A Mountain Porcelain and Terra Sigillata Bowl

Eberle, Edward (Ed) (American/Pittsburgh, 1944-2023), A Mountain, undated, 1980s, porcelain and terra sigillata bowl, signed and titled on underside, 5 inches tall, 15.75 inch diameter. Provenance: purchased at an American Craft Council exhibition in Baltimore in the 1980s.

Lot: 134 - Samuel Filner Rare Social Realist Watercolor 1933

Filner, Samuel Baer (Polish/American/Pittsburgh, c.1907-1974), Social Realist Scene, likely set in the Hill District or another Pittsburgh neighborhood, 1933, watercolor and pencil on paper, signed and dated lower right, 11.5 x 14.25 inches, matted and framed 16 x 19 inches. According to the Rauh Jewish Archives of Western Pennsylvania, Filner studied under Samuel Rosenberg at the Irene Kaufmann Settlement House’s Neighborhood Art School, at the Carnegie Institute of Technology’s College of Fine Arts, as well as stints in New York and Paris. After graduating with honors from Carnegie Tech in 1928, Filner opened a portrait studio on Centre Avenue and was an active member of the Associated Artists of Pittsburgh throughout the 1930s. Filner gained a reputation in his day for documenting the pool halls and gambling joints of the Hill District, but his most lasting work today is a series of etchings depicting scenes from the Irene Kaufmann Settlement House. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 135 - Pair of Aaronel deRoy Gruber Infared Photographs

Gruber, Aaronel deRoy (American/Pittsburgh, 1918-2011), Pair of Infared Photographs: Mansion (The Hillman House, 5th Avenue, Pittsburgh), 1996, and Down the Lonely Road, undated, infrared custom toned silver gelatin prints, framed 26 x 33 and 19.5 x 31 inches. Lonely Road is titled on the backing board; it's possible that one or both are signed under the mat or on the versos. Provenance: Concept Gallery Auctions, The Estate of Aaronel deRoy Gruber, May 16, 2015; private collection, Western PA.

Lot: 136 - Aaronel deRoy Gruber Abstraction Oil on Canvas 1960s

Gruber, Aaronel deRoy (American/Pittsburgh, 1918-2011), Untitled Abstract, 1960s, oil on canvas, signed and dated at lower left. Canvas 50 x 36 inches. In a 51 x 37 inch frame. A rare example of Gruber's 1960s abstractions.

Lot: 137 - Clyde Hare Monongahela at Dawn Signed Pittsburgh Photograph

Hare, Clyde (American/Western PA, 1927-2009), Monongahela at Dawn, gelatin silver photograph printed by Hare, signed to the lower right margin, additionally signed twice, titled and annotated on the verso, sheet size 16 x 19.75 inches, unframed.

Lot: 138 - Charles Teenie Harris Signed Photo Children in Classroom

Harris, Charles (Teenie) (African-American/Pittsburgh, 1908-1998), Children reading in classroom with old fashioned desks and man and woman in background, taken October 22, 1948, printed later, silver gelatin photograph, signed in black ink by the photographer, 11 x 14 inches. This image is cataloged in the Carnegie Museum of Art's Charles Harris archive Accession No. 2001.35.6460.

Lot: 139 - Charles Teenie Harris Photo Church Banquet c.1950s

Harris, Charles (Teenie) (African-American/Pittsburgh, 1908-1998), Church Banquet, taken and printed in the 1950s, silver gelatin photograph, photographer's studio blindstamp to the lower left corner and ink stamp on the verso, 8 x 9.75 inches, unframed. A rare image - we were unable to find the same one in the Carnegie Museum of Art's Harris archive.

Lot: 140 - Charles Teenie Harris Signed Photo JFK in Monessen 1962

Harris, Charles (Teenie) (African-American/Pittsburgh, 1908-1998), President John F. Kennedy speaking at a podium to a crowd with Rosenson’s furniture store in background, Monessen, Pennsylvania, taken October 13, 1962, printed later, silver gelatin photograph, signed in black ink by the photographer, 11 x 14 inches, unframed. This image is cataloged in the Carnegie Museum of Art's Charles Harris archive Accession No. 2001.35.6791.

Lot: 141 - Charles Teenie Harris Signed Photo Forbes Field Crawfords Game 1945

Harris, Charles (Teenie) (African-American/Pittsburgh, 1908-1998), Negro League Baseball game between Brooklyn Brown Dodgers and Pittsburgh Crawfords, viewed from section 12 of Forbes Field stands, with Buy War Bonds sign on outfield fence, taken May, 1945, printed later, silver gelatin photograph, signed in black ink by the photographer, 11 x 14 inches, unframed. This image is cataloged in the Carnegie Museum of Art's Charles Harris archive Accession No. 2001.35.5842.

Lot: 142 - Charles Teenie Harris Pair of Photos Related to Hill District in Pittsburgh

Harris, Charles (Teenie) (African-American/Pittsburgh, 1908-1998), 2 Photographs: Man driving car decorated with streamers and sign on top reading Crawford Grill #2 Specialists in Fine Foods and Liquors Visit Our New Mirror Bar, in parade with crowd and another decorated car in background, taken 1945-1950, printed later, silver gelatin photograph, 8 x 10 inches, unframed. This image is cataloged in the Carnegie Museum of Art's Charles Harris archive Accession No. 2001.35.12731; WITH Jewel Brenner wearing strapless lace dress and shaved head singing with five piece band, possibly including Billy Stewart on piano, J. C. Gordon on tenor saxophone, guitar, and electric bass, taken 1950-1970, printed later, silver gelatin photograph, 11.75 x 9 inches, on backing board, unframed. This image is cataloged in the Carnegie Museum of Art's Charles Harris archive Accession No. 2001.35.10511. Historical and significant Hill District images.

Lot: 143 - Charles Teenie Harris Photo Pittsburgh Courier Home Fair 1953

Harris, Charles (Teenie) (African-American/Pittsburgh, 1908-1998), Philip Morris, A & P Food Stores, Best Foods, Inc, and Pet Milk Co. booths in Ammon Center for 1953 Pittsburgh Courier Home Service Fair, taken and printed in June, 1953, silver gelatin photograph, Harris Studio ink stamp on the verso, 8 x 9.75 inches, unframed. This image is cataloged in the Carnegie Museum of Art's Charles Harris archive Accession No. 2001.35.9591.

Lot: 144 - Adrienne Heinrich Prophet Messenger Totem Sculpture

Heinrich, Adrienne (American/Pittsburgh, 1937-2025), Prophet Messenger - Totem Sculpture, undated, apparently unsigned, wood with cast silicone, 56 inches tall. With painted wood base. Provenance: estate of the artist.

Lot: 145 - Adrienne Heinrich Refuge and Strength Light Box Construction

Heinrich, Adrienne (American/Pittsburgh, 1937-2025), Refuge and Strength - Light Box Construction, undated, mixed media with wood and glass, signed on the back of the upper element, additionally signed and titled on the bottom of the pedestal. Upper element is 14.5 x 16.5 x 8.5 inches on its own; the total height including the pedestal is 54 inches. Provenance: estate of the artist.

Lot: 146 - Henry Koerner Circus II Mixed Media Work on Paper 1949

Koerner, Henry (Austrian/American/Pittsburgh, 1915-1991), Circus II, 1949, casein, pastel and ink on tan paper, mounted to a board, signed and dated lower right, 11 x 14 inches. Provenance: Midtown Galleries, with original label to the back of the board.

Lot: 147 - Henry Koerner Martha's Vineyard Seascape 1961 Oil on Canvas

Koerner, Henry (Austrian/American/Pittsburgh, 1915-1991), Gay's Head, Martha's Vineyard, 1961, oil on canvas, stretched over a board, signed lower right, 22 x 28 inches, in a painted wood frame 31.5 x 37.5 inches. Exhibited: Circle Gallery, Cleveland, OH, with label on back of frame. Provenance: Acquired from the artist and thence by descent.

Lot: 148 - Leonard Lieb Mid Century Reflected Cityscape Oil on Canvas

Lieb, Leonard (Polish/American/Pittsburgh, 1912-1977), Untitled [Reflected Cityscape], undated, c.1950s, oil on canvas, apparently unsigned, 36 x 27 inches, in the artist's original wood strip frame. Provenance: estate of the artist. Lieb was a student of Samuel Rosenberg and a member of the Associated Artists of Pittsburgh for decades. He showed his work in nearly all of their exhibitions in the 1940s and 1950s and was the recipient of many of their awards during that time.

Lot: 149 - Leonard Lieb Mid Century Oil on Board The Silver Circle

Lieb, Leonard (Polish/American/Pittsburgh, 1912-1977), The Silver Circle, c.1960s, oil on Masonite board, apparently unsigned, two labels on the verso, 45 x 36 inches, in the artist's wood strip frame. Lieb was a student of Samuel Rosenberg and a member of the Associated Artists of Pittsburgh for decades. He showed his work in nearly all of their exhibitions in the 1940s and 1950s and was the recipient of many of their awards during that time.

Lot: 150 - Ceil Lieberman Large Abstraction Oil on Canvas

Lieberman, Cecelia (Ceil) Robbins (American/Western PA, 1914-1988), Untitled Abstraction, c.1970s, oil on canvas, signed lower left, 36 x 74 inches, in a wood frame 44 x 82 inches. Lieberman was a well known art teacher at the Ellis School in Pittsburgh.

Lot: 151 - Joann Maier 1986 Color Monoprint Flowers

Maier, Joann (American/Pittsburgh, 1936-2025), Flowers, 1986, color monoprint on BFK Rives paper, signed, titled and marked artist's proof to the bottom margin, image size 11.75 x 15.75 inches, in a white frame 23.5 x 30 inches. Provenance: the estate of the artist. Born in the Bloomfield neighborhood of Pittsburgh, Joann Maier received her undergraduate degree at the Carnegie Institute of Technology (now CMU) and a master's from the Cranbrook Academy of Art. Her early Abstract Expressionist influences were Joan Mitchell and Grace Hartigan. In the late 1950s she turned her attention to printmaking, and landed in Stanley Hayter's famous Atelier 17 in the following decade. She started as a professor in the School of Art at Carnegie Mellon in 1963 and stayed for over 4 decades. In 1969 she became the first woman to receive tenure in the school's history and one of the first women anywhere in western Pennsylvania to earn faculty tenure in a studio program. She constantly challenged herself by tinkering with new technologies to enhance her creative process, including early experimentations with laser etching and inkjet printing.

Lot: 152 - Joann Maier Untitled Abstraction on Board

Maier, Joann (American/Pittsburgh, 1936-2025), Untitled Abstraction, c.1989, acrylic on board, unsigned, 40 x 30 inches, estate label on the verso. Provenance: the estate of the artist. Born in the Bloomfield neighborhood of Pittsburgh, Joann Maier received her undergraduate degree at the Carnegie Institute of Technology (now CMU) and a master's from the Cranbrook Academy of Art. Her early Abstract Expressionist influences were Joan Mitchell and Grace Hartigan. In the late 1950s she turned her attention to printmaking, and landed in Stanley Hayter's famous Atelier 17 in the following decade. She started as a professor in the School of Art at Carnegie Mellon in 1963 and stayed for over 4 decades. In 1969 she became the first woman to receive tenure in the school's history and one of the first women anywhere in western Pennsylvania to earn faculty tenure in a studio program. She constantly challenged herself by tinkering with new technologies to enhance her creative process, including early experimentations with laser etching and inkjet printing.

Lot: 153 - Mark Mentzer Winter Morning Oil On Canvas 2006

Mentzer, Mark (American/Pittsburgh, contemporary), Winter Morning, 2006, oil on canvas, signed lower right, 55.5 x 72 inches. Provenance: Concept Art Gallery, Pittsburgh. Mentzer retired in 2025 after 49 years of teaching in the art and design schools at Carnegie Mellon University.

Lot: 154 - Thad Mosley Carved Cherry Wood Sculpture

Mosley, Thaddeus (Thad) (American/Western PA, 1926-2026), Untitled Sculpture with serpentine pattern top, circa 2000, carved cherry wood, 18.25 x 14 x 10 inches, signed with the artist's incised conjoined initials TM lower edge. Provenance: acquired from the artist; the estate of Adrienne Heinrich, Pittsburgh, PA. Adrienne was a fellow Pittsburgh artist and long time friend of Thad's.

Lot: 155 - Kathleen Mulcahy Glass Wall Sculptures 3 Saucers

Mulcahy, Kathleen (American/Pittsburgh, b. 1950), 3 Saucers, 2000s, blown glass wall sculptures in green. Etched signature on one. Ranging in size from

Lot: 156 - Charles Pitcher 1970s Oil on Board Cabin the Woods

Pitcher, Charles (Charlie) (American/Western PA, 1927-2009), Cabin in the Woods, undated, c.1970s, oil on board, signed lower left, 8 x 12 inches, in the artist's handmade carved and deeply set wood frame 9 x 12.75 inches. Provenance: acquired directly from the artist.

Lot: 157 - Charles Pitcher Downtown Pittsburgh Evening 1981 Oil on Canvas

Pitcher, Charles (Charlie) (American/Western PA, 1927-2009), Downtown Pittsburgh Evening, 1981, oil on canvas, signed and dated lower left, 36 x 26 inches, framed 41 x 31 inches. Provenance: acquired directly from the artist.

Lot: 158 - Charles Pitcher Laurel Webs 1985 Watercolor

Pitcher, Charles (Charlie) (American/Western PA, 1927-2009), Laurel Webs, 1985, watercolor on paper, signed and dated lower right, 30 x 22 inches, matted and framed 36 x 29 inches. Provenance: acquired directly from the artist.

Lot: 159 - Bob Qualters Mixed Media Painting Awakening 2026

Qualters, Robert (Bob) (American/Western PA, born 1934), Awakening, 2026, mixed media with acrylic and collage, signed and dated at lower left, titled on the stretcher bar, 33 x 43 inches, in a painted wood frame 34 x 44 inches. The scene shows the Swinburne Bridge, which connects Pittsburgh's Greenfield and South Oakland neighborhoods.

Lot: 160 - Harry Scheuch Cubist Musical Still Life 1951 Oil on Board

Scheuch, Harry William (American/Pittsburgh, 1906-1978), Cubist Still Life with Sheet Music, Bach Folder, Violin, Metronome and Vase, 1951, oil on Masonite board, signed and dated lower left, 27.5 x 36.5 inches, in a wood frame 36 x 45 inches. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 161 - Gertude Temeles-Half Red and Green Abstraction Oil on Canvas

Temeles Half, Gertrude (American/Pittsburgh, 1920-2013), Untitled Red and Green Abstract, undated, oil on canvas, signed at lower right. 30 x 40 inches.

Lot: 162 - Russell Twiggs paper stencil print Man in Phantasy

Twiggs, Russell Gould (American 1898-1991), Man in Phantasy, mid 1950's , paper stencil print, 23.5 x 15.25 inches, pencil signed, numbered 11/43 from an edition of 43, and titled along the lower margin, unframed. Provenance: gift of the artist to fellow artist and Carnegie Mellon University professor Joann Maier.

Lot: 163 - Russell Twiggs paper stencil print Serenade

Twiggs, Russell Gould (American 1898-1991), Serenade, mid 1950's , paper stencil and Tusche and glue resist stencils, 11.5 x 15.5 inches, pencil signed, numbered 20/35, and titled along the lower margin, unframed. Provenance: gift of the artist to fellow artist and Carnegie Mellon University professor Joann Maier.

Lot: 164 - Robert Young Watercolor Pittsburgh Steel Mills

Young, Robert R. (American/Pittsburgh, 20th century), Pittsburgh Steel Mills, undated, watercolor on paper, signed lower left, 20.5 x 28.5 inches, matted and framed 30.5 x 38.5 inches. Provenance: Deaccessioned from a regional corporate collection.

Lot: 165 - Kamal Youssef Mixed Media on Canvas 1966

Youssef, Kamal (Egyptian/American/Pittsburgh, 1926-2019), Untitled Abstraction, 1966, mixed media with oil and metallic leaf on canvas, signed and dated lower left, 36 x 30 inches, in the artist's wood strip frame. Kamal Youssef's work reflects a crucial historic intersection between Middle Eastern and Western cultures. As a teenager, he studied at King Farouk School in Abbasiya, Cairo, where he was first exposed to rigorous art training under the tutelage of master instructors such as Ratib Siddik and Hussein Yousef Amin, prominent artists known for their early engagement with the Egyptian surrealism and other avant-garde modernist movement in Egypt. In 1939, Youssef joined the influential Egyptian Art and Liberty group which was founded by a number of journalists, poets and artists. In 1946, he co-founded the Contemporary Art Group whose members played a crucial role in shaping the development of the modern art movement in Egypt. Kamal later travelled to Paris in 1954, where he met his wife Maria. She played a central role in some of his works later on. After the 1953 revolution Kamal decided to remain in France until he moved to the USA, where he worked as an engineer for over 20 years before retiring in Indiana County, Pennsylvania. His work has been shown in numerous solo and group exhibitions, including Southern Alleghenies Museum of Art, Loretto, USA (2014); Bakersfield Museum of Art, USA (2008); Westmoreland Museum of Art, Greensburg, USA (1993); Pittsburgh Center for the Arts, USA (1962); Mediterranean Biennale, Alexandria, Egypt (1955); Museum of Modern Art, Cairo (1952); Sao Paulo Biennale (1952) and Venice Biennale (1950). Kamal also participated in the 1939 exhibition organized by the Art and Liberty Group, and in several of the Contemporary Art Group collective exhibitions between 1946 and 1954.

Lot: 166 - Early Pittsburgh Oil Chromolithograph 1865 after Gengembre

Gengembre, after Philip Hubert (French/American, 1830-1911), Western Pennsylvania Oil Drilling Operation, 1865, chromolithograph on paper, printed by Hatch and Co, New York, after a painting by H. P. Gengembre, Civil Engineer, Pittsburgh, PA, image size 21 x 27.25 inches, framed 31 x 38 inches. Image signed in the plate B. Sherman at the lower right. With a tipped-in albumen photo at the right edge showing a male figure in a hat reading the newspaper. The steam engine was manufactured by W. M. Faber and Co. of Pittsburgh. Gengembre's family moved to Manchester (now part of the city of Pittsburgh) in the 1850s. He eventually changed his last name from the unpronounceable Gengembre to his mother's maiden name of Hubert and went on to co-found the famous New York City Gilded Age architectural firm Hubert and Pirsson in the 1870s. A very rare print - we can't find any other examples of this image. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 167 - Louis Orr Cathedral of Learning Signed Etching

Orr, Louis (American, 1879-1961), Cathedral of Learning, University of Pittsburgh, 1937, etching on paper, signed in pencil to lower margin, plate size 17.5 x 14 inches, matted and in a black frame 25 x 20 inches. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 168 - William Gropper Signed Lithograph Joe Magarac AAA

Gropper, William (American, 1897-1977), Joe Magarac, 1948, original lithograph on paper, signed in pencil to lower right margin, 13.25 x 18.75 inches, matted and framed 21 x 17 inches. Published by Associated American Artists (AAA) with 2 original labels present. Magarac was the Paul Bunyan of steel, a pseudo-historic folk hero and popular symbol of the historical steel industry in Pittsburgh and its surrounding towns like Braddock and McKeesport. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 169 - Otto Kuhler Rare Etching Westinghouse Bridge Pittsburgh

Kuhler, Otto (German/American, 1894-1976), The Westinghouse Bridge, c.1932-1934, etching on paper, signed lower right, impression size 6.75 x 9 inches, sheet 11 x 13.5 inches, matted and framed 15.5 x 16 inches. From a small edition of unknown size, this print is as dynamic and rare as Ernest Wilson Boyer's image of the same bridge done from the opposite angle. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 170 - Joseph Pennell Rare 1909 Etching of Homestead

Pennell, Joseph (American, 1857-1926), Homestead, 1909, etching on paper, signed in pencil lower right, impression size 7.75 x 10 inches, matted and framed 14.5 x 16 inches. A striking print that rarely comes up for sale. The Carnegie Museum of Art has another copy of this print, which was donated by Andrew Carnegie himself, in their permanent collection. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 171 - Harry Sternberg Blast Furnace 1937 Signed Etching AAA

Sternberg, Harry (American, 1904-2002), Blast Furnace #1, 1937, etching and aquatint on paper, signed in pencil lower right, image size 11.75 x 8.25 inches, matted and framed 19.5 x 16 inches. Published by Associated American Artists (AAA). A WPA era industrial image, likely inspired by the mills in northeast Pennsylvania. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 172 - Large Civil War Era Lithograph Home Again after Trevor McClurg

McClurg, after Trevor (American/Pittsburgh, 1816-1893), Home Again, 1866, lithograph on paper, image 22 x 29.5 inches, matted and framed 34 x 39.5 inches. A rare, large-scale lithograph made after a painting by Pittsburgh-based artist Trevor McClurg. Lithograph drawn by Fabronius, printed by Endicott and Co., New York, and published by W. J. Holland, Springfield, MA. A powerful scene, showing a Union soldier returning to his family after the Civil War. The details in the print - map behind the door, patterned rug, portrait of George Washington above the mantle, the books, table setting, etc. - are exquisite. Provenance: The Old Print Shop, New York. the personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 173 - Pioneers Defence First Fine Art Print West of the Alleghenies c.1858

McClurg, after Trevor (American/Pittsburgh, 1816-1893), The Pioneers Defence [Defense], c.1858, lithograph on paper, image 20.25 x 27 inches, matted and framed 34 x 39.5 inches. A rare, large-scale lithograph made after an 1852 painting by Pittsburgh-based artist Trevor McClurg. Lithograph drawn by August Wegner and published by J. J. Gillespie and Co. in Pittsburgh, PA. The first fine art print published west of the Allegheny Mountains. From the catalog entry in Art in Nineteenth-Century Pittsburgh, an exhibition put on in 1977 by the University of Pittsburgh: In The Pioneer's Defence McClurg exploits another basically European mode, neo-classicism... McClurg has taken this heroic ideal and turned it to American purposes; ancient heroes are replaced by frontiersmen who attempt to protect and preserve the basic social unit of the frontier, the family. The father, pillar of the family unit, simultaneously stares steadily out the open window toward the enemy, steps on a flaming arrow, grabs the musket, and comforts his frightened daughter. The women and young sons, equally heroic, aid in the fight. Provenance: The Old Print Shop, New York; the personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters. Scarce on the market and institutionally. We can not locate this print in any institutional holdings, including the Library of Congress.

Lot: 174 - Watercolor Still Life With Pittsburgh Letter and Stork

Early 20th century Western Pennsylvania Artist, Trompe L'oeil Still Life with Stork, Letter, Inkwell and Pen, early to mid 20th century, watercolor on paper, unsigned, 17 x 20 inches, in a wood frame 26 x 28.5 inches. The letter is addressed To the Secretary of Pittsburgh School of History(?). No markings on the verso; old Gillespie Gallery label on the frame. Provenance: Collection of Eugene Brunozzi Jr., Pittsburgh; Concept Gallery auction, November 2011; the personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 175 - James Bonar Sketch From My Window 1920 Pittsburgh Scene

Bonar, James (Scottish/American/Pittsburgh, 1864-1942), Sketch From My Window No. 1, 1920, oil on canvas, signed and dated lower left, additionally inscribed to C. L. Wooldridge, titled on exhibition label affixed to the back of the frame, 15 x 18 inches, in a period gilt wood frame 22 x 24.5 inches. Exhibited: Associated Artists of Pittsburgh, Twelfth Annual Exhibition, 1921, with partial label. An excellent Bonar industrial Pittsburgh scene with mills, rivers, boats and bridges. C. L. Wooldridge was an engineer who served as Superintendent of Buildings by the Pittsburgh Board of Public Education in the early 20th century - a position that Bonar would hold himself starting in 1919. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 176 - Alfred East 1909 Watercolor Construction of Forbes Field Pittsburgh

East, Alfred (British, 1849-1913), Construction of Forbes Field, Pittsburgh, PA, 1909, watercolor on paper, signed and inscribed by the artist in pencil in the lower left (To my friend A. Hamerschlag from Alf East), 9.5 x 13.25 inches, matted and framed 17 x 21 inches. Provenance: Arthur A. Hamerschlag, a mechanical engineer who served as the first President of Carnegie Mellon University (then the Carnegie Institute of Technology) in Pittsburgh. Attached to the back of the frame is an old handwritten note from Arthur's wife, Elizabeth Ann Hamerschlag, that reads: Perhaps the Art Dept. of the Carnegie Institute of Pittsburgh might like this picture, It is a water color study by Sir Alfred East of Forbes Baseball Field in the process of construction, And a gift to my husband Arthur A. Hamerschlag. According to a letter from John W. Beatty, director of the Carnegie Institute of Art, to Andrew Carnegie, Alfred East was in Pittsburgh from April 5th to early May in 1909 to serve as an international juror for the Carnegie International. Construction on Forbes Field started on March 1, 1909 and ended on June 30th, placing East in Oakland right around the midway point of the stadium's construction. A rare Pittsburgh image, with outstanding provenance.

Lot: 177 - J. W. Flender Old Canal Locks, Beaver Oil on Canvas

Flender, John W. (American/Western PA, 1869-1942), Old Canal Locks, Beaver Pennsylvania, oil on canvas, 13.75 x 20 inches, signed lower right, framed measuring 17.5 x 23.25 inches.

Lot: 178 - Aaron Gorson Riverboats on the Monongahela Oil on Canvas

Gorson, Aaron Harry (Lithuanian/American, 1872-1933), Riverboats on the Monongahela Near Clairton, Western Pennsylvania, undated, c.1920, oil on canvas, laid down to a backing board, signed lower right, 12 x 16 inches, in a gilt wood frame 17.5 x 21.5 inches. Provenance: Bonwell Galleries, Pittsburgh, PA; Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 179 - Aaron Gorson Oil on Canvas River and Steel Mill Nocturne

Gorson, Aaron Harry (Lithuanian/American, 1872-1933), Steel Mill Nocturne with Bridge and Riverboats, undated, oil on canvas, signed and dated lower left, 21.5 x 14.5 inches, in a carved wood frame 28.5 x 21.5 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 180 - Johanna Woodwell Hailman Pittsburgh Industrial Oil on Canvas 1906

Hailman, Johanna Knowles Woodwell (American/Pittsburgh, 1871-1958), Pittsburgh Industrial Scene, 1906, oil on canvas, signed Johanna K W Hailman and dated lower right, illegible pencil scrawl on the verso, 20 x 25 inches, in a modern frame 25 x 30 inches. One of the earliest depictions of Pittsburgh's steel mills by a female artist. Hailman showed in nearly all of the Carnegie International Exhibitions, and many of her pieces that were in that show from 1908-1910 have titles related to the mills. Johanna was the daughter of Scalp Level artist Joseph Woodwell. She married industrialist James Hailman in 1905. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 181 - George T. Hetzel Scalp Level Creek Oil on Board

Hetzel, George T. (American/Western PA, 1846-1912), Scalp Level Landscape with Creek and Bridge, undated, oil on canvasboard, initialed lower left, 10 x 15 inches, in a gilt wood frame 13 x 18 inches. George T. Hetzel was the nephew of George Hetzel, one of the founders of the Scalp Level School of painters who worked in Western Pennsylvania. Provenance: deaccessioned from a regional institution.

Lot: 182 - Lila Hetzel Oil on Canvas Treelined Landscape Near the Pond 1900

Hetzel, Lila Barr (American/Pittsburgh, 1873-1967, Treelined Landscape Near the Pond, 1900, oil on canvas, initialed and dated at lower right. Canvas 10 x 18 inches, in a 16 x 24 inch gilt frame. Lila was the daughter of George Hetzel, the founder of the Scalp Level School.

Lot: 183 - Lila Hetzel 1920 Summer Landscape with Creek Oil on Board

Hetzel, Lila Barr (American/Pittsburgh, 1873-1967), Summer Landscape with Creek, 1920, oil on board, signed and dated lower left, 9 x 12 inches, in a gilt wood frame 12.5 x 15.5 inches. Lila was the daughter of George Hetzel, the founder of the Scalp Level School. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 184 - George Hetzel 1878 oil painting Clearing in The Forest

Hetzel, George (American/Western Pa.1826-1899), Clearing in the Forest, 1878, oil on canvas, 14 x 20 inches, signed and dated lower left corner, framed in a deeply scrolling high relief gilded period Victorian exhibition frame measuring 23 x 29 inches.

Lot: 185 - George Hetzel oil painting Scalp Level Fly Fishing

Hetzel, George (American/Western Pa.1826-1899), Scalp Level Fly Fishing, 1885, oil on canvas, 14 x 23 inches, signed and dated lower left corner, framed in a scrolling low relief gilded Victorian frame measuring 18.5 x 28 inches, Provenance: Gillespie Gallery, Pittsburgh, Pa.

Lot: 186 - A. F. King Autumn Morning in Western Pennsylvania 1916 Oil on Canvas

King, Albert Francis (A.F.) (American/Pittsburgh, 1854-1945), Autumn Morning on French Creek, Franklin, PA, 1916, oil on canvas, signed lower right, titled and dated on a handwritten note affixed to the back of the frame, 18 x 25 inches, in a gilt wood frame 24.5 x 31 inches. Provenance: Anderson Family, Franklin, Pennsylvania. Franklin is in Northwest PA at the confluence of French Creek and the Allegheny River, near Oil City; collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 187 - A. F. King Still Life with Peaches Oil on Canvas

King, Albert Francis (A.F.) (American/Pittsburgh, 1854-1945), Still Life with Peaches, undated (c.1915), oil on canvas, signed lower right, 12 x 18 inches, in a gilt wood frame 17 x 22.5 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 188 - Jasper Lawman Pair of 1878 Pastel Paintings of Country Houses

Lawman, Jasper Holman (American/Ohio/Pittsburgh, 1825-1906), 2 paintings: Country Houses - Spring and Winter, 1878, pastel and watercolor on paper, both signed and dated in the lower corner, 28.5 x 10 inches, uniformly matted and framed 36 x 16.5 inches. Lawman was a contemporary of George Hetzel and the other Scalp Level School artists. His paintings are held by the Carnegie Museum of Art, Pittsburgh and the Westmoreland Museum of American Art, Greensburg, PA, among other institutions. However, they rarely turn up on the market.

Lot: 189 - Martin Leisser Moonlit River Nocturne Oil on Board

Leisser, Martin B. (American/Western PA, 1848-1940), Moonlit River Nocturne, undated, oil on board, signed lower right, 14 x 18 inches, in a wood frame 18 x 22 inches. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 190 - Martin Leisser Rare 1890 Interior Scene The Lace Makers

Leisser, Martin B. (American/Western PA, 1848-1940), The Lace Makers, 1890, oil on canvas, relined, signed and dated lower left, 17 x 26 inches, in a gold painted wood frame 20.75 x 29.5 inches. One of Leisser's few known interior paintings, and possibly a scene from the Western Pennsylvania School for the Deaf or Blind. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 191 - Rare Charles Linford Watercolor Autumn Birch Trees

Linford, Charles (American/Western PA, 1846-1897), Autumn Birch Trees, undated, late 19th century, watercolor on paper, laid down to board, signed lower left, 15.25 x 10.25 inches, framed 17 x 12 inches. A rare watercolor by Linford; we could not find another one at auction in the last 20 years. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 192 - Charles Linford Western PA Trout Stream Oil on Canvas

Linford, Charles (American/Western PA, 1846-1897), Western Pennsylvania Trout Stream, undated, oil on canvas, signed lower right, 18 x 26 inches, in a gilt wood frame 26.5 x 34.5 inches. Provenance: deaccessioned from a regional institution.

Lot: 193 - William G. Mayer Pittsburgh Nocturne Bridge Scene Oil on Canvas c.1910s

Mayer, William G. (American/Pittsburgh, 20th Century), The Close of Day - Pittsburgh Nocturne, c.1910s, oil on canvas, signed Wm. G. Mayer at lower left, 41 x 47 inches, in a wood frame 54.5 x 61 inches. Exhibited in one of the earliest Associated Artists of Pittsburgh shows, with the partially legible label affixed to the back of the frame. Provenance: Collection of Eugene Brunozzi Jr., Pittsburgh; Concept Gallery auction, November 2011.

Lot: 194 - Eugene A. Poole Autumn Landscape with Stream 1912 Oil on Canvas

Poole, Eugene Alonzo (E.A.) (American, 1840-1912), Autumnal Landscape with Farmhouse, Stream and Bridge, 1912, oil on canvas, signed and dated lower left, 14 x 20 inches, in wood frame 21 x 27.5 inches. Old Gillespie Gallery, Pittsburgh, PA, label on the stretcher bar. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 195 - Eugene A. Poole Summer Mountain Landscape 1898 Oil on Canvas

Poole, Eugene Alonzo (E.A.) (American, 1840-1912), Summer Mountains Landscape with Stream, 1898, oil on canvas, signed and dated lower left, 24 x 36 inches, in wood frame 29.5 x 42 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 196 - Christopher High Shearer 1905 Oil Wooded Landscape

Shearer, Christopher High (German/American/Pittsburgh, 1846-1926), Wooded Landscape, 1905, oil on canvas, relined, signed and dated lower right, 22 x 36 inches, in a carved gilt wood frame 28 x 42 inches. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 197 - Isaac Taylor 1872 Pennsylvania Oil Field Scene Painting

Taylor (or Tayler), Isaac (American, 19th century), Oil Drilling Scene with Derricks, Workers and Man on Horse (presumably the owner of the oil field), 1872, oil on canvas, signed and dated lower right, 27.5 x 36 inches, in an old wood frame 34 x 43 inches. Most likely a scene from the Pennsylvania Oil Rush in northeast PA around Oil City and Titusville. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 198 - A. Bryan Wall Still Life with Fish Oil on Canvas

Wall, Alfred Bryan (American/Pittsburgh, 1861-1935), Still Life with Three Fish [Freshly Caught Fish], undated, oil on canvas, relined, signed lower right, 25 x 15 inches, framed 31.5 x 21.5 inches. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 199 - A. Bryan Wall Oil on Canvas Old Village Shephard

Wall, Alfred Bryan (American/Pittsburgh, 1861-1935), Old Village Shephard, undated, oil on canvas, signed at lower right. Title and size on stretcher. A fine example of AB Wall's work. Canvas 24 x 37 inches. Provenance: Harry Eichleay Art Company, Pittsburgh, PA, with original labels to verso.

Lot: 200 - W. C. Wall Western PA Landscape with Stream, Household and Fishermen

Wall, William Coventry (British/American/Pittsburgh, 1810-1886), Western Pennsylvania Landscape with Stream, Household and Fishermen, c.1860s, oil on canvas, laid down on board, signed lower left, 21.25 x 35.25 inches, in a recent frame 30.5 x 44.5 inches. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters. According to his obituary, Gary grew up admiring this painting in his mother's home, and his fascination with it led to a lifetime of art appreciation.

Lot: 201 - Christian Walter Late Afternoon Oil on Board

Walter, Christian J. (American/Pittsburgh, 1872-1938), Late Afternoon, undated, c.1920, oil on artist's board, signed lower left, 16 x 19.75 inches, unframed. Old title label in an unknown hand affixed to the verso. A western Pennsylvania scene, probably done in the hills around Ligonier. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 202 - Joseph R. Woodwell rare Landscape ink drawing 1887

Woodwell, Joseph Ryan (American/Pittsburgh, 1842-1911), Landscape With Two Figures in the Center, Possibly Hunters, 1887, ink on paper, signed and dated lower left, image 6.25 x 9.25 inches, sheet size 7 x 9.75 inches, floated in a black frame 13.5 x 16 inches. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 203 - Walter Baum Winter Street in Sellersville Oil on Board

Baum, Walter Emerson (American/Sellersville PA, 1884-1956), Winter Street in Sellersville, undated, oil on masonite board, signed lower right, 18.25 x 26 inches, in a wood frame 22 x 29.75 inches. Provenance: Private collection, Western Pennsylvania.

Lot: 204 - Oliver Clare Still Life with Fruit Oil on Canvas

Clare, Oliver (British, 1853-1927), Still Life with Fruit, undated, signed in red lower right corner, 6 x 9 inches, in a gilded wood frame 9.5 x 12.5 inches. Provenance: Concept Gallery auction, June 2009; the personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 205 - William Anderson Coffin oil Twilight Landscape with Sailboats

Coffin, William Anderson (American/Western PA/Paris/New York, 1855-1925), Twilight Landscape with Sailboat, oil on canvas, 14 x 20 inches, signed lower right, with an Arts and Crafts style gilded frame measuring 21 x 27 inches.

Lot: 206 - Arthur Bowen Davies Dancing Spirits Work on Paper

Davies, Arthur Bowen (American, 1862-1928), Dancing Spirits, undated, likely early 20th century, watercolor and pastel on paper, signed lower right, 20 x 27 inches, in a wood frame 28.5 x 34.5 inches. Provenance: Estate of an important collector, Palm Springs, CA; Kaminski auction, March, 2019.

Lot: 207 - Christian Jorgensen California Adobe Archway Watercolor

Jorgensen, Christian (Norwegian/American, 1860-1935), Adobe Archway, California Mission, 1903, watercolor on paper, signed and dated lower left, 14.5 x 9.5 inches, framed 16.25 x 11.25 inches. Provenance: Bonhams, San Francisco, November 19, 2002, lot 8127; Heritage Auctions, September 22, 2018, lot 63663.

Lot: 208 - Katherine Langdon rare Oil on Canvas Landscape

Langdon, Katherine Irene (aka Katherine Langdon Corson) (American, 1869-1925), Country Landscape, undated, c.1890, oil on canvas, signed K I Langdon lower left, 16 x 24 inches, in a gilt wood frame 28 x 36 inches. Born Katherine Irene Langdon in England, she moved to New York and Philadelphia and became a student of Emil Carlsen, H. Bolton Jones and F.C. Jones. She married the writer Walter H. Corson in 1892. Her paintings are quite rare, with only a couple appearing at auction in the last 30 years. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 209 - August Laux oil Two Kittens Playing on a Tabletop

Laux, August (German/American, 1847-1921), Two Kittens Playing on a Tabletop, oil on canvas, 10 x 14 inches, signed lower right, framed measuring 18 x 23 inches, Provenance: Wunderly Gallery, Pittsburgh, Pa.

Lot: 210 - August F. Lundberg Buckeye Lake Columbus Ohio Oil on Canvas

Lundberg, August Frederick (Danish/American, 1878-1928), Buckeye Lake, c.1910s, oil on canvas, signed lower right, 20 x 24 inches, in a gold painted carved wood frame 30 x 33.5 inches. Provenance: Spanierman Gallery, NYC, with label on backing board. Lundberg moved to Columbus, Ohio in 1904.

Lot: 211 - Ambrose McNeal 1878 Oil on Canvas Kettle Creek in Altoona

McNeal, Ambrose (American/Chicago, 19th century), Kettle Run Pass, 2 1/2 Miles from Altoona, Blair County, PA, 1878, oil on canvas, signed and dated lower right, also titled, signed and dated on the verso, 11 x 9 inches, in a wood frame 15 x 13 inches. No information about the artist is available online. Kettle Creek, located east of Altoona, is part of the Little Juniata River watershed. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 212 - William Merritt Post Autumnal Landscape Oil on Canvas

Post, William Merritt (American, 1856-1935), Autumnal Landscape, undated, signed lower right, 24 x 36 inches, in a gilt wood frame 34 x 45 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 213 - Pio Ricci Oil on Canvas The Lovers

Ricci, Pio (Italian, 1850-1919), The Lovers, oil on canvas, signed at the lower left. Canvas 29.5 x 21.25, in a 33.5 x 25.5 inch gilt composite frame.

Lot: 214 - Seymour M. Stone New York City Jazz Age Society Portrait 1923 Oil on Canvas

Stone, Seymour Millais (Russian/American, 1877-1957), Full Length Society Portrait of a New York City Lady, 1923, oil on canvas, signed and dated lower left, 62 x 51 inches, in a period frame 67 x 58 inches. A vibrant Jazz Age portrait showing the elegant subject wearing a red dress and pearls in front of a tapestry. Pencil mark on the back of the frame says Lowy or Lowry, possibly referring to the framer. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 215 - Sydney Watts White 1907 portrait of The Sisters

White, Sydney Watts (English, active turn of the century), The Sisters, 1907, oil on canvas, 42 x 30 inches, signed and dated lower left, framed measuring 50 x 38 inches.

Lot: 216 - Edward Borein classic Western etching Going to Town #1

Borein, Edward (American, 1872-1945), Going to Town No. 1 (Galvin 22), etching on laid paper, 7 x 8.5 inches (plate), signed in pencil lower right, framed measuring 12.5 x 13.5 inches.

Lot: 217 - Edward Borein etching Splitting the Riders

Borein, Edward (American, 1872-1945), Splitting the Riders (Galvin 35), etching, 5.75 x 7.75 inches (plate), signed in the plate lower right, framed measuring 11.5 x 13 inches.

Lot: 218 - Edward Borein 1922 etching The Overland Mail (2nd State)

Borein, Edward (American, 1872-1945), The Overland Mail (2nd State), 1922 (Galvin 140), etching and drypoint on cream wove paper, 4.5 x 10 inches (plate), pencil signed lower right and signed and dated in the plate lower right, 10 x 15.25 inches.

Lot: 219 - Richard D. Thomas Rounding a Stray Cattle Oil Painting 1983

Thomas, Richard D. (American/Montana/California, contemporary), Rounding a Stray, 1983, oil on board, signed and dated lower right, 18 x 24 inches, in a gray wood frame 27 x 33 inches. Two cowboys roping a stray steer.

Lot: 220 - Richard D. Thomas The Pursuit Cowboy Oil Painting 1980

Thomas, Richard D. (American/Montana/California, contemporary), The Pursuit, 1980, oil on board, signed and dated lower right, 20 x 30 inches, in a gray wood frame 28 x 38 inches. Cowboy with a rifle and his horse on the trail.

Lot: 221 - 18th century Oil Painting Portrait of a Lady

18th century British Portraiture School, c.1750, oil on canvas, relined, apparently unsigned, 49 x 40 inches, in a gold painted wood frame 52 x 43 inches. Old handwritten label attributing the painting to Allan Ramsay (British/Scottish, 1713-1784) as a Portrait of Lady Jane Douglas taped to the verso. Also with 2 dried up wax seals and a handwritten name on the back of the frame that appears to say J. Singleton and Tomshill.

Lot: 222 - Portrait of Irish Lady Mira Robertson Grierson c.1860

19th century Portraiture School or possibly a Self-Portrait, Portrait of the Irish Lady Mira Robertson Grierson, c.1860, oil on canvas, relined, apparently unsigned, 19 x 15.5 inches, in an old wood frame 23.5 x 20 inches. Partial label on the verso states that Robertson was known as Mira Duke and married a Grierson. The date 1857 is on the label and it appears to say that it was a self (portrait) done at a city ending in -za. Mira Robertson was born in Ireland in 1840 or 1841 and married Philip Grierson, son of James Grierson and Sophia Mary Anne Grierson, in February 1862 at Livorno, Italy. She died in March 1865 and is buried at Mount Jerome Cemetery in Dublin, Ireland. Provenance: Old Kaufmann's department store inventory label on the back of the frame.

Lot: 223 - Handpainted Mezzotint Benjamin Franklin's Reception Court of France

After Baron Jolly, engraved by W. O. Geller, Franklin's Reception at the Court of France 1778, mezzotint, originally done in 1853, this one was likely printed in the late 19th or early 20th century, with later handpainted coloring including exquisite details in the clothing, jewelry and hair decorations, sheet size 27.5 x 39.5 inches, linen backed, in an old Gillespie Gallery frame 32 x 44 inches. The image famously shows the historical and important meeting between Benjamin Franklin and Louis XVI, Marie Antoinette and their court at Versailles in 1778 to secure the Treaty of Alliance with France.

Lot: 224 - Etienne-Prosper Bellecoeur late 1800s Oil French Field Officer Smoking

Bellecoeur, Etienne-Prosper Berne (French 1838-1910), French Field Officer Smoking, oil on board, 15 x 11 inches, signed lower right, framed in a gilded Louis 16th style frame measuring 19 x 15 inches. Etienne-Prosper Berne Bellecoeur, a painter, was born in Boulogne-sur-Wed France, July 29th, 1838, and died there Nov. 29, 1910. He was a pupil of Picot and F. Barrias at the Ecole des Beaux-Arts in Paris and studied portraits and landscapes, genre and military subjects. He is Chevalier de la Legion d'Honneur and exhibited at the Salon of French Artists between 1900 and 1905.

Lot: 225 - Etienne-Prosper Bellecoeur oil French Marine Coastal Meal

Bellecoeur, Etienne-Prosper Berne (French 1838-1910), French Marine Enjoying Meal along the Coast, oil on board, 15 x 11 inches, signed lower left, framed in a gilded Louis 16th style frame measuring 19 x 15 inches. Etienne-Prosper Berne Bellecoeur, a painter, was born in Boulogne-sur-Wed France, July 29th, 1838, and died there Nov. 29, 1910. He was a pupil of Picot and F. Barrias at the Ecole des Beaux-Arts in Paris and studied portraits and landscapes, genre and military subjects. He is Chevalier de la Legion d'Honneur and exhibited at the Salon of French Artists between 1900 and 1905.

Lot: 226 - Bernard Heidland oil painting Water Mill in the Mountains

Heidland, Bernard (Austrian, c. 1840-1880), Water Mill in the Mountains, oil on canvas, 24 x 34 inches, signed lower left corner, in a period frame measuring 36 x 46.5 inches.

Lot: 227 - Joshua Kirby Pastel Portrait of Elizabeth Dodsworth-Tunstall

Kirby, Joshua (British, 1716-1774), Portrait of Elizabeth Dodsworth-Tunstall, 1760s, pastel on paper, apparently unsigned. Portrait of an 18th century Lady dressed in blue with pink roses in her hand. Paper 49 x 40 inches, in a 59 x 49 inch 19th century gilt cove style frame.

Lot: 228 - Charles Robert Leslie oil painting The Merry Wives

Leslie, Charles Robert (English/American/Pennsylvania 1794-1859), Scene from The Merry Wives of Windsor, oil on canvas, 18 x 14 inches, signed lower right, framed measuring 24 x 21 inches.

Lot: 229 - Charles McOwen 19th century Still Life with Fruit in Ornate Frame

McOwen, Charles (British, 1843-1892), Still Life with Fruit, undated, oil on canvas, relined, signed lower right, 25 x 34 inches, in a lovely gilt wood frame 37 x 45 inches. Provenance: The personal collection of Gary S. Grimes, Pittsburgh. Gary was an expert on Western Pennsylvania art, and especially the Scalp Level painters.

Lot: 230 - David Motley Landscape with Castle at Twilight

Motley, David (British, late 19th/early 20th century), Landscape with Castle at Twilight, undated, c.1900, oil on canvas, since relined, signed lower left, 29 x 40 inches, in an antique gilt frame 35 x 46 inches. A sweeping sunset panorama.

Lot: 231 - Emile Munier 1889 oil Young Woman by the Well

Munier, Emile (French, 1840-1895), Young Woman by the Well, 1889, oil on canvas, since relined, signed and dated lower center, 40.5 x 27.25 inches (102.3 by 69 cm.), framed 47.25 x 33.75 inches (120.5 by 85.5 cm). Provenance: Gillespie Gallery, Pittsburgh, Pa.; A regional collector.

Lot: 232 - Alfred Russell Painting Hunting Scene With Dogs

Russell, Alfred (American/ St. Louis, 1868-1927), Hunter with Two Dogs, early 20th century, oil on canvas, signed lower left, 14 x 17 inches, in a wood frame 19.5 x 22.5 inches. Pencil signature and fragment of newspaper obituary on the reverse. Alfred Russell was a self-taught artist who worked as Art Editor for the St. Louis Globe-Democrat newspaper. Much of his work appeared on calendars and other advertising for the Western Ammunition Company (aka Western Cartridge Company). He was a member of the St. Louis Art Guild and the St. Louis Art League.

Lot: 233 - Dutch Lowlands Tavern Scene Attributed David Ryckaert III

Ryckaert (Ryjckaert) III, attributed to David (Flemish/Belgian, 1612-1661), Lowlands Genre Tavern Scene with Fish Eaters, Drinkers and Cardplayers, oil on canvas, laid down on a cradled wood panel, 24.25 x 20.25 inches, apparently unsigned, framed 31.75 x 28 inches. Exhibited: Winnipeg Art Gallery, January 1969, with old label on the back of the frame. Provenance: Joseph Olah & Sons, Regina, Sask., Canada, 1972; private collection, Pittsburgh, PA.

Lot: 234 - 19th century Petro Barzanti Italian Marble Sculpture Fisherwoman

Barzanti, Pietro (Italian, 1842-1881), Fisherwoman, late 19th century, marble sculpture. Finely carved depiction of a fisherwoman with a freshly caught fish, net at side. Incised signature at back along with 'Florence'.

Lot: 235 - Henri Michel Antoine Chapu La Pensee Bronze Sculpture

Chapu, Henri Michel Antoine (French, 1833 - 1891) La Pensee, patinated bronze bas relief mounted to variegated rouge marble, depicting a seating woman. Cast H. Chapu on right side, and bearing a Thiebaut Freres Fondeurs Paris foundry mark on the left side of the base. Includes a metal wall mounting bracket. 28.75 x 18 x 6.5 inches.

Lot: 236 - Adolfo Cipriani Alabaster Bust of a Woman on Pedestal

Cipriani, Adolfo (Italian, 1880-1930) Bust of a Woman, alabaster sculpture, signature at back, resting on a matching pedestal. Bust 19 x 14 x 7 inches, pedestal 39.75 x 9.75 inches.

Lot: 237 - Fermiere du Marche de Nogent le Roi Bronze Sculpture

Debut, Attributed to Marchel (French, Fermiere du Marche de Nogent le Roi, patinated bronze sculpture. Depicting a farm girl walking at the market. Titled at base. Cast signature at base. 25.5 x 10 x 9.5 inches.

Lot: 238 - After Evgeny Lanceray Zaporozhian Cossack Sculpture

Lanceray, Evgeny Alexandrovich (Russian, 1848-1886) Zaporozhian Cossack after Battle, early 20th century after cast, patinated bronze, signed on naturalistic base in Cyrillic. 29 x 22.5 x 13.5 inches.

Lot: 239 - Charles-Octave Levy Bronze Le Mineur

Levy, Charles-Octave (France/Paris, 1820-1899), Le Mineur, 19th century, bronze sculpture with brown patina, signature at back, Syndicat des Fabrts de Bronzes 1818, Unis France (Union of Bronze Manufacturers founded 1818, United France) mark at back. Numbered 2073, 22 10. Depicting a minor with pickaxe and miner's lamp, standing on an integral naturalistic base. Approximately 32.25 x 10 x 10 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 240 - Bonnie MacLeary Bronze Ouch! circa 1930

MacLeary, Bonnie (Kramer) (American/Texas, 1890-1971), Ouch, circa 1930, cast bronze, 6 inches tall, signature on base with Gorham Foundry mark inscribed OFCW #29 on base. Born in San Antonio, Texas, Bonnie MacLeary was the first Texas sculptor to have work in the collection of the Metropolitan Museum of Art. MacLeary studied at the Chase School, the Art Students League, the Academie Julian in Paris, and with James Earle Fraser, William-Adolphe Bouguereau and F. Luis Mora. MacLeary opened a studio in New York City in 1921. The Gorham Company in New York marketed a group of small MacLeary bronzes, including Ouch!

Lot: 241 - Luis Domenech Vicente Bronze Messager de Paix

Vincente, Luis Domenech (Spanish, 1873-1920), Messager de Paix (Messenger of Peace), 19th century, bronze sculpture with brown patina, signed at back, Vrai Bronze B.D. Paris foundry mark. Titled on plaque at front. Approximately 37.5 x 18 x 17.5 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 242 - S.W. Ward Willis Patinated Bronze Sculpture Crusader

Willis, Samuel William Ward (British, 1870-1948), Crusader, first cast 1927, patinated bronze statue, stamped on base S.W. Ward Willis 1927. Resting on an attached wooden base. 22 x 13.5 x 11 inches. Samuel William Ward Willis was a British sculptor known for his evocative equine subjects, commemorative works, and his association with the New Sculpture movement. Born in Paddington, London, he was the son of Samuel J. Willis, a draper from Southampton. He studied at the West London School of Art before continuing his training at the Royal Academy Schools.

Lot: 243 - 9 Coin Silver Fiddle Back Spoons and Serving Pieces

Group of 9 coin silver fiddleback spoons and serving pieces. Includes: E. Baile sauce ladle, C.N.S. 1800 sauce ladle, Mott's N. York 1880 sauce ladle, sugar shovel 1853, Maynard and Taylor 1850 sugar shovel, 4 W and H H.A. Harrison spoons. All but one are monogrammed. Ranging in size from 5.75 inches to 8.5 inches. Approximately 12.17 ozt.

Lot: 244 - 2 Sterling Silver English and Irish Skewers, 1 Stuffing Spoon

Lot of 3 sterling silver pieces. Includes: 1 Irish skewer, 1764, monogrammed, hallmarked on reverse, R.S.; English skewer, 1807, hallmarked on one side; English Geroge III stuffing/serving spoon, 1814, hallmarks on back, RR. Ranging in size from 9 inches to 12 inches. 7.85 ozt combined.

Lot: 245 - Emile Fuchs for Cartier H.J. Heinz Sterling Silver Spoon

Emile Fuchs for Cartier, H.J. Heinz commemorative spoon, American, early 20th century 6.75 inches. Approximately 2.23 ozt. Figural top depicting a mother and child. Engraved on the back Hilda Lane Gordy, dated March 17, 1926. A very scarce antique Cartier Sterling silver spoon with "Mother and Child" finial designed and signed by sculptor, Emil Fuchs. Inside the bowl is a portrait of Henry James Heinz (1844 - 1919) founder of the famous H.J. Heinz Company and creator of Heinz tomato ketchup. H.J. Heinz "originated the happy custom of giving to the parents in his employ a silver spoon, whenever the stork visits their household." - George F. Redmont (editor) Financial Giants of America. Following the death of H.J. Heinz in 1919, this practice was continued by his son Howard Covode Heinz (1877 - 1941). Emil Fuchs (1866 - 1929) renowned sculptor, medalist and painter, designed the spoon for H.J. Heinz. The spoon was manufactured and sold exclusively by Cartier. In 1921, this spoon is illustrated in a catalog titled "The Works of Emil Fuchs: Illustrating Some of his Representative Paintings, Sculpture, Medals, and Studies". In this catalog the spoon is specifically identified as a "Birthday Spoon." On the finial of the spoon is a miniature cast sculpture of a mother, seated on a stool and holding her child in her lap. This miniature sculpture is identified in the Cartier catalog as "Mother and Child" and is based on Fuchs' bas-relief sculpture on the same subject.

Lot: 246 - J.B. McFadden Pittsburgh Coin Silver Repousse Ewer

J.B. McFadden coin silver repousse ewer, American, Pittsburgh, 1891-1911. Engraved Anna Margaret Jackson, from her father. Stamped J.B. McFadden, Pittsburg at underside. 15 x 10 inches. Approximately 34.71 ozt.

Lot: 247 - 5 Pieces of American and English Sterling Silver

5 pieces of sterling silver. Includes: Simons Bro. and Co. engraved Christening mug commemorating the San Francisco Earthquake April 18, 1906, and Laird Cornish Simons; 2 J.R. Reed and Co. monogrammed baby food pushers, 1890; English S I L D George I sugar tongs, 1727; English George III berry spoon. Ranging in size from 4.75 inches to 8.75 inches. 7.86 ozt.

Lot: 248 - 5 pieces of American Sterling Silver Tableware, including Quaker and Fisher

5 pieces of American Sterling Silver: Quaker/Gorham Tray, model 7700, diameter 10 inches, weighs approximately 12.08 ozt; Quaker/Gorham Bowl, model 9700, diameter 10.5 inches, weighs approximately 14.61 ozt. WITH Fisher Cream and Sugar, Rose Bouquet Pattern, sterling with weighted bases; Mueck-Car Compote, Royal Rose pattern, sterling with weighted base.

Lot: 249 - Huge Lot of American Sterling Silver Flatware, over 130 ozt

Huge Lot of American Sterling Silver Flatware. A mix of patterns and makers, including Gorham, Lunt and Watson, and possibly some others. Every piece marked sterling. Includes: 12 dinner forks (7.25 inches long); 13 salad forks; 12 cocktail forks; 12 iced tea spoons; 19 lunch spoons; 14 teaspoons; 4 large serving spoons (8.25 inches long); 18 butter knives. Total weight of the 135 pieces is approximately 132.19 ozt. Also includes 12 dinner knives, 2 corn holders and a cheese cutter that all have sterling handles but stainless blades - these are NOT included in the total piece count or weight. Lot includes velvet lined box.

Lot: 250 - Gebr Somme Nache German 800 Continental Silver Ladle

Gebr Somme Nache German Continental 800 silver long ladle. Parcel gilt interior. Coat of arms near top of handle. Appropriately marked at back of handle. 14 x 3.5 inches. Approximately 8.59 ozt.

Lot: 251 - Group of 22 Sterling Silver Serving Pieces

Group of 22 sterling silver serving pieces. 12 corn on the cob forks, 1 small ladle, 1 serving fork, 4 serving spoons, 1 small pierced bon bon server, Pair of parcel gilt salad serving pieces (spoon and pierced fork), 1 wishbone form olive server. Approximately 20.58 ozt combined.

Lot: 252 - Reed and Barton Sterling Tray/Salver, 2 Sterling Silver Petaline Bowls

Reed and Barton sterling silver monogrammed tray/salver, American, 20th century. Along with 2 Sterling Silver Petaline Monogrammed Bowls. Scalloped petal-form shapes, one round, one oval. Appropriately marked at undersides. Ranging in size from 6.25 to 10.5 inches. Approximately 33.045 ozt combined. Provenance: Collection of a Western Pennsylvania Institution.

Lot: 253 - PSCO Sterling Silver Footed Bowl

PSCO sterling silver footed bowl. 4.75 x 10 inches. Approximately 19.75 ozt. Provenance: Collection of a Western Pennsylvania Institution.

Lot: 254 - Gorham Silver Lily Pad Dish and International Sterling Bowl

Gorham repose lily pad motif sterling dish together with an International sterling scallop motif bowl. 2.5 x 10 inches and 1.25 x 7.5 x 5.5 inches. Total weight approximately 15.39 ozt.

Lot: 255 - 10 Piece Sterling Silver Holloware, Compotes, Baby Cup, Etc.

10 pieces of sterling silver. Includes: small ladle, Webster 1939 stork motif birth record baby cup, 3 1970s small University Club squash awards, Towle porringer, International dish, Towle weighted base compote. Ranging in size from 2.75 x 3.5 x 7 inches. Total weight is approximately 12.46 ozt, NOT including the weighted base compote.

Lot: 256 - 3 Piece Sterling Silver Holloware Group

3 pieces of American sterling silver holloware. Includes: Whiting footed waste bin, Whiting footed creamer, Watson sterling footed dish. 2.75 x 5 to 3 x 5.75 x 4.5 inches. Total weight approximately 11.57 ozt.

Lot: 257 - 10 Pieces Sterling Silver Holloware, Cordials, Compote

10 pieces of sterling silver. Includes: 8 Gorham petit cordial glasses, weighted base compote, International serving dish. Ranging in size from 2 x 1.5 inches to 1.5 x 10.5 x 7.25 inches. Total weight approximately 12.49 ozt., NOT including the weighted base compote.

Lot: 258 - Antique 14K Gold Match Safe

Antique 14K Gold Match Safe, Flower and Scrolling decoration, 2.25 x 1.25 x 0.25 inches, stamped 14K on the rim, weighs approximately 18.0 grams.

Lot: 259 - 14K Gold Mourning Ring Mary Poplewell 1778

14K Mourning Ring with funeral urn plaque decoration under glass, band has name and date, weighs approximately 2.9 grams, ring size 9.5 or 10. Plaque approximately 0.45 inches tall. Illegible stamp on inside of the band.

Lot: 260 - Antique 14K Gold French Art Nouveau Pansy Brooch

Antique 14K French Art Nouveau Pansy Brooch, enameled metal with seed pearl borders and center pearl, with 14K and another unidentified mark on the reverse, approximately 0.75 inches tall, weighs approximately 4.7 grams.

Lot: 261 - Daum Pate De Verre Lion and Cat, Baccarat Crystal Cat

Group of 3. Includes a Daum France amber pate de verre lion, a Daum France teal pate de verre seated cat, and a Baccarat France clear crystal standing cat. Ranging in size from 4.25 x 5 inches to 6 x 13 inches.

Lot: 262 - Signed Meiji Period Mixed Metal Crane Motif Vase

Meiji period silver and shibuichi mixed metal crane motif vase. Hand chased with molten silver overlay at the neck, along with laid silver cranes, gilt accents. Signed at side above a gilt chopmark. 11 x 4.5 inches.

Lot: 263 - Fritz Albert for Teco Pottery Green Vase Model 184

Fritz Albert for Teco, Matte Green Glazed Vase, Model 184, glazed earthenware, c.1904, 9 inches tall, with four low-profile buttressed handles, stamped twice to underside. A beautiful Arts and Crafts inspired design.

Lot: 264 - Taylor Cook Painted Cast Iron Koala Bear Doorstop

Taylor Cook, Koala Bear Doorstop, 1930, painted cast iron, stamped on the back, 6 x 8 x 2 inches.

Lot: 265 - Group of 6 MacKenzie-Childs Handpainted Glass Pieces

Group of 7 MacKenzie-Childs handpainted glass pieces, American, 1990s. Includes: Large compote, coupes, martini glass, candle holder, and plate. Polka dot, checkered, and floral motifs throughout. All appropriately marked at undersides. Ranging in size from 3.5 x 3.5 inches to 6 x 6 inches.

Lot: 266 - Group of 5 MacKenzie-Childs Ceramic Pieces

Group of 5 MacKenzie-Childs ceramic pieces, American, 1990s. Includes: faux hardstone salt and pepper shakers, 2 redware bowls with floral motif, vide poche. All appropriately marked at undersides. Ranging in size from 4.75 x 2 x 2 inches to 2.5 x 6 inches.

Lot: 267 - Louis Vuitton Monogram Antique Steamer Trunk

Louis Vuitton, Antique Ladies Steamer Trunk, c.1900-1910, monogrammed canvas, wood slats, leather reinforced corners, brass handles, buckles and rivets, red label on the inside with 1 Rue Scribe Paris and 149 New Bond St. London addresses, stamped serial number 129609, almost all of the brass parts are stamped Louis Vuitton, the lock stamped BTE S.G.D.G. PATENT, LOUIS VUITTON, 1. RUE SCRIBE PAIRS, 149. NEW BOND STREET LONDON, MADE IN FRANCE, linen lined interior, with 2 original trays, straps and divider, two leather labels from the exterior are present but detached, 4 roller wheels does not include key. ARB and red circle painted on each side. Trunk measures 23 x 32 x 20 inches. An early LV production, with the red label showing only the Paris and London addresses. As a small bonus, this trunk comes with a few items from its original owner, including two 1919 issues of Vogue magazine plus a handwoven basket that includes linens and ladies decorative items.

Lot: 268 - Louis Comfort Tiffany Floriform Pulled Feather Vase

Louis Comfort Tiffany floriform pulled feather vase. Unpolished pontil at underside with round paper label. 15.25 x 4.25 inches.

Lot: 269 - Louis Comfort Tiffany Gold Favrile Ribbed Vase Marked 1834

Louis Comfort Tiffany gold favrile ribbed vase. Marked at underside. Polished pontil. 8.25 x 3.25 inches.

Lot: 270 - Louis Comfort Tiffany Gold Favrile Vase

Louis Comfort Tiffany gold favrile vase. Initialed at underside. Polished pontil. 4.75 x 2.25 inches.

Lot: 271 - 19th C. Raingo Freres Gilt Dore Bronze Cartel Clock

Louis XVI style Raingo Freres gilt dore bronze cartel clock, French, 19th century. 25 x 12 inches.

Lot: 272 - French Egyptian Revival Mantel Clock Retailed by Tiffany & Co.

Egyptian Revival mantel clock retailed by Tiffany and Company, French, late 19th century. Rose marble base, enamel face, flanked by two outturned sphinx. The movement is stamped CH Hour, Made in France, 1897, 7 -2, with a JUST circular logo. 14.75 x 23 x 6 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 273 - Egyptian Revival Marble Garniture Clock Set

Egyptian Revival marble garniture clock set, French, 19th century/early 20th century. Central clock is surmounted by an Assyrian Lamassu. Obelisks feature stylized hieroglyphic decoration. Movement apparently unmarked. Clock 18.5 x 16 x 7 inches, Obelisks 20.5 x 7 x 4.75 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 274 - Louis XVI Ormolu Mantel Clock

Finely cast gilt bronze Neoclassical style mantel clock, Japy Freres movement, French, late 19th century. Retailed by J.E. Caldwell, Philadelphia, PA. Handpainted porcelain insets with floral and foliate motif. The movement is stamped 417, 52, with Japy Freres logo in circle. Case stamped 21331. 23.5 x 16 x 7.5 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 275 - Gavelle L'Aine Louis XVI Ormolu and Marble French Mantle Clock

Pierre Gavelle (French, 1753-1802), known as Gavelle L'Aine, Louis XVI ormolu and marble portico mantel clock, French, late 18th century. With key. 18.25 x 14 x 5.75 inches. The clockmaker Pierre Gavelle (who signed Gavelle l’aine), was the son of Jean-Jacques Gavelle and the brother of Maurice-Jacques Gavelle, also clockmakers in Paris. All three were active in Paris during the second half of the 18th century. After becoming a master, on September 4, 1771, he worked in his father’s workshop until 1787, then opened a workshop in rue Saint-Denis, moving to the rue des Juifs in 1801 (see Tardy, Dictionnaire des horologers francais, Paris, 1971, p. 251). A deputy of the guild in 1785, he became rather well-known and several of his clocks were mentioned during the early decades of the 19th century, as belonging to Parisian collectors of the day, including the printer Jacques Delatynna and Alexandre-Pierre-Louis Deherain, Counsellor to the Paris Appellate Court. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 276 - Champleve Portico Clock Japy Freres

Champleve portico clock, Japy Freres movement, French, 1898 -1914. Retailed by the Bowler & Burdick Company, Cleveland, OH. 8-day time and strike movement, dial with Arabic numerals. Case with beveled glass, champleve on moldings and columns, resting on a bracket base. Japy Freres stamp on movement, numbered 8869 5, A.1. 14.25 x 9 x 7.25 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 277 - Poseidon Motif Neoclassical Finely Cast Mantel Clock

Poseidon motif Neoclassical ormolu and marble mantel clock, 19th century. Likely French. Variegated marble base, Poseidon above a lyre. movement marked SR, . 20.25 x 7.5 x 4.75 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 278 - 18th Century Tall Case Clock by John Dickman of Leith Edinburgh

18th Century Tall Case Clock, with signed dial John Dickman, Leith (Edinburgh, Scotland), mahogany case with some inlay, broken arch pediment with brass rondels at returns, bracket feet with brass dial with moon phase mechanism, flanked by full reeded columns with brass capitals and bases, rectangular side windows, 3 finials, 88 inches tall.

Lot: 279 - Tall Federal Style Cherry Case Clock, Dial by John Whitehead Woodbury NJ 1820s

Tall Federal style cherry case clock, painted iron dial by John Whitehead (1791-1875), Woodbury, New Jersey, c.1820. Overall measurements 91 x 19 x 10 inches. Old inscription on the inside appears to read Carl ---iffer 1820. Replaced works. Includes 2 lead weights, pendulum and winding key. An early Whitehead dial, made in the year before he moved to Haddonfield, NJ.

Lot: 280 - French Mantel Clock Vincenti et Cie Movement

Finely cast mantel clock, French, 19th century. Vincenti et Cie movement. Gilt bronze elements. Features a figure of Titus Tatius, king of the Sabines. Column supporting weaponry, flanked by helmets. Vincenti et Cie mark on movement, Made in France, numbered 147193 1. 16 x 9 x 4 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 281 - Finely Cast Louis XVI Hefsen French Mantel Clock

Finely cast Louis XVI Hefsen mantel clock, French, 18th century. 31 day clock. Surmounted by a sunburst macaron surrounded by wreaths. White marble body. Marked Hefsen Horloger De Monseier on the clockface. Movement engraved Hefsen. 17.75 x 13 x 5.25 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 282 - Gustav Becker Porcelain and Ormolu Portico Clock

Gustav Becker handpainted porcelain portico clock, German, 1895-1900. Porcelain possibly Royal Vienna. Depicting putti and courting scenes on black ground, with gilt accents and raised enamel elements. 11.5 x 4.75 x 4.75 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 283 - Samuel Marti et Cie Napoleonic Figural Mantel Clock

Samuel Marti et Cie Napoleonic figural ormolu mantel clock, French, 19th century. Surmounted by a bust of Napoleon, 'N' within wreaths at sides, reticulated festoon and cornucopia motif decoration at front. Medaille d'Argent (silver medal) awarded 1889. stamp in Samuel Marti and Cie stamp. 14.5 x 5.75 x 4.5 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 284 - LeCoultre Atmos Swiss Mantel Clock

LeCoultre perpetual motion brass and glass mantel clock, Swiss, 1950s. Round dial with matte gold face. Marked LeCoultre Switzerland, Atmos, Fifteen 15, VXN Jewels. Serial Number 26147. 8.75 x 7 x 5.25 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 285 - Louis XV Style French Ormolu Clock

Louis XV style ormolu mantel clock, Vincenti et Cie movement, French, 1855-1870. Raised on a scrolling base, with floral and foliate details throughout. Movement with Vincenti and Cie Medaille d'Argent (silver medal) awarded 1855 stamp, numbered 294 5 2, L.C. 17.75 x 10.5 x 7 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 286 - Highly Carved German Victorian Bracket Clock

Highly carved Victorian bracket clock, German, late 19th century. Likely produced for the English market. Carvings depict Green Men, macarons, lions, floral and foliate details. Reticulated chased overlay on the face. 8-day 3-train movement. Marks the quarter hours. 21.25 x 13.25 x 10.25 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 287 - 20 Foot Long Antique Persian Hallway Carpet

Antique Persian Hallway Carpet, wool, 68 x 240 inches (5.6 x 20.0 feet). Provenance: Deaccessioned from a Pittsburgh, PA institution.

Lot: 288 - Semi Antique Lilihan Persian Carpet

Semi Antique Lilihan Persian Carpet, wool, 54 x 81 inches.

Lot: 289 - Semi Antique Turkish Caucasian Carpet

Semi Antique Turkish Caucasian Carpet, wool, 47 x 33 inches.

Lot: 290 - Semi Antique Balouch Turkoman Carpet

Semi Antique Balouch Turkoman Carpet, wool, 67 x 40.5 inches.

Lot: 291 - Antique Chinese Peking Rug with Dragon Motif

Antique Chinese Peking Rug with Dragon Motif, c.1910s or 1920s, 136 x 102 inches.

Lot: 292 - Semi Antique Armenian Caucasian Carpet

Semi Antique Armenian Caucasian Carpet, wool, 82 x 46 inches.

Lot: 293 - Semi Antique Nahavand Lori Persian Carpet

Semi Antique Nahavand Lori Persian Carpet, wool, 82 x 52 inches.

Lot: 294 - Room Size Semi Antique Kashan Persian Carpet

Room Size Semi Antique Kashan Persian Carpet, wool, 146 x 102 inches.

Lot: 295 - Vintage Persian Heriz Carpet, 10 feet long

Vintage Persian Heriz Carpet, wool, 120 x 62 inches.

Lot: 296 - Vintage Persian Carpet with Geometric Design

Vintage Persian Carpet with Geometric Design, wool, 102 x 55 inches.

Lot: 297 - Oeil de Boeuf Pauillac Mis en Demeure Mirror

Oeil de Boeuf Pauillac Mis en Demeure Mirror, French, Contemporary. Circular steel frame surrounding inset convex mirror over scrolling elements and base. Approximately 42 x 32 inches.

Lot: 298 - Chinese Chippendale Style Mirror

A mirror surmounted with a Chinese themed reserve and gilded frieze and crown, 44 x 51 x 2.5 inches. Provenance: Estate of Charles G. Pauli, Pittsburgh, PA.

Lot: 299 - Antique Italian Carved Gilt Wood Mirror with Eagle

Antique Mirror, gilt painted carved wood frame, marked Made in Italy on the back and also with a Made in Italy label, eagle at top, glass size 29 x 19 inches, total size 56 x 28 inches.

Lot: 300 - Contemporary Stickley Mission Oak Sofa Table

Stickley, Mission Sofa Table, stained oak wood, manufactured in 2005, date stamp and labels to one of the drawers, hammered metal handles, 28.5 x 54 x 16 inches, model number 89-857.

Lot: 301 - Contemporary Stickley Eastwood Craftsman Lounge Chair and Ottoman

Stickley, Eastwood Craftsman Lounge Chair with Ottoman, manufactured in 2000-2010, oak, stamps and labels on the undersides, chair 37 x 36 x 32.75 inches, footstool 16.5 x 25 x 17.5 inches, upholstered in dark black (British Ebony) leather. Model numbers 89-2638 and 89-1725.

Lot: 302 - Contemporary Stickley Oak Gus Tea Table

Stickley, Gus Tea Table, oak, manufactured in 2010, model 89-1005, stamps and labels on the underside, 24 inches tall, table top diameter is also 24 inches.

Lot: 303 - Inlaid Louis XV Style Secretary Desk and Antique Chair

Inlaid Louis XV Style Secretary Desk/Bonheur du Jour, together with an Antique Chair. Desk early to mid 20th century, unmarked by possibly by Leonardo Furniture, New York, NY, 45 x 33 x 19.5 inches, painted plaque in center, reading light inside of the main drawer, lovely inlaid wood design plus applied bronze on the legs and feet; WITH Antique chair, unmarked, recently reupholstered, 34.5 x 19.5 x 19.5 inches.

Lot: 304 - Sideboard in the manner of Andre-Charles Boulle

Sideboard in the manner of Andre-Charles Boulle. Faux ormolu mounts and faux tortoise shell throughout. 43 x 60 x 19 inches.

Lot: 305 - Pair of Early 20th century Louis XIV Style Fauteuil Armchairs

Pair of Louis XIV style Fauteuil armchairs, early 20th century. High rectangular backs, curved arms supported by carved scrolling supports, resting on legs with x-form stretchers and center ornaments. Carved floral motif in some areas. Gold tone finish over wood. In green velvet upholstery. 44.5 x 28.75 x 26.5 inches. Provenance: Deaccessioned from a Pittsburgh, PA institution.

Lot: 306 - Pair of Early 20th century Henry II Style Fauteuil Armchairs

Pair of Henry II style Fauteuil walnut armchairs, early 20th century. Possibly Cottier and Company. High rectangular backs, slightly canted, curved arms on baluster supports, baluster legs and stretcher. In modern rose Italian damask upholstery, floral and foliate design. 48 x 26.5 x 25 inches. Provenance: Deaccessioned from a Pittsburgh, PA institution.

Lot: 307 - Pair of Early 20th century Walnut Fauteuil Armchairs

Pair of walnut Fauteuil armchairs, early 20th century. High square backs, acanthus motif elements, floral motif tacks, flat arms, in modern green velvet upholstery with gold trim, baluster arm and leg (front) supports, floor stretchers ending in cloven feet. One chair 55.75 x 26 x 22 inches, the second is 1.5 inches taller. Provenance: Deaccessioned from a Pittsburgh, PA institution.

Lot: 308 - Fine Directoire Style Gilt Bronze Gueridon

Finely cast Directoire style gilt bronze gueridon table, 20th century. Circular inset marble at top surface. Rams head elements, urn-form element at the center of stretcher, terminating in hoof feet with foliate details. 29.25 inches height, 25.5 inch diameter.

Lot: 309 - 19th Century Sheraton 6 leg drop leaf table

Sheraton cherry wood drop leaf table with six tapering legs and deep leaves, opens to 61 x 44 inches.

Lot: 310 - Mahogany Hepplewhite Games Table C.L. Pricket Collection

Mahogany Hepplewhite finely inlaid flip top gate leg games table, 1790-1810, American. With ovolo corners. Flip top opens to rest on one gate leg. Fine band inlay along table top edge and string inlay along throughout apron and on tapered legs. 29.25 x 36 x 17.5 inches, 35 x 36 inches when opened. Provenance: C.L. Pricket Collection, Yardly, PA; Collection of a Western Pennsylvania Institution.

Lot: 311 - Cherry Federal Inlaid Chest of Drawers

Federal cherry inlaid chest of drawers. Six drawers total, with two short upper drawers above graduated long drawers. Light wood string inlay on each drawer face, along with inlaid lozenge key hole escutcheons on each drawer. Nicely shaped apron. Resting on French feet. Provenance: Collection of a Western Pennsylvania Institution.

Lot: 312 - Jefferson Table Lamp with Reverse Painted Shade

Jefferson Lamp Co. (attributed) table lamp with reverse painted shade, American, early 20th century. Textured glass shade depicting a serene mountainous seascape at sunset. Cast scrolling, floral, and foliate motif base and shade frame in a bronze finish. Two light sockets. 22.5 x 16 inches.

Lot: 313 - Tiffany Style Lily Floor Lamp

Tiffany Style lily floor lamp, 20th century. Of good quality, with grape leaf molded circular base issuing twelve twisted stems, each terminating in an iridescent gold art glass floriform shade. Apparently unmarked. 62 x 16 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 314 - Tiffany Style Lily Table Lamp

Tiffany Style lily table lamp, 20th century. Of good quality, with lily pad molded circular base issuing twelve twisted stems, each terminating in a white and green art glass floriform shade. Apparently unmarked. 22 x 13 inches. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 315 - Dog and Owl Motif Monumental Candelabra

Monumental dog, owl, and pussy willow motif 7-arm gilt candelabra. Faceted glass spheres dangle from pussy willow-form sconces. Dog form center stem element, resting on a triform owl and claw foot pedestal base. Dogs and owls with glass eyes. Finely cast. 49 x 18 inches. Provenance: Collection of a prominent Pittsburgh family.

Lot: 316 - Monumental Arts and Crafts Style Worked Metal Floor Lamp

Monumental Arts and Crafts style floor lamp. Surmounted by what could have been part of an oil lamp, with garnet color cabochon mounts. Floral motif with intricate metalworking throughout. Apparently unsigned. Approximately 67 x 26 inches. Provenance: Collection of a prominent Pittsburgh family.

Lot: 317 - 19th Century Large Scottish Earthenware Bread Box

Large earthenware bread box/crock, Scottish, 19th century. Green and brown variegated glaze, motif in relief at sides and lid. Apparently unmarked. 17.5 x 15.5 x 11 inches.

Lot: 318 - German Erhard and Sons Casket Jewelry Box

Erhard and Sons German finely cast gilt metal jewelry box. Beautifully decorated with Nike mascarons on lid, putti at each corner, fruiting and scrolling details throughout. Raised on 4 scrolled feet. Lined in blue velvet including lift-out tray. Appropriately stamped at underside. 5.75 x 8 x 7 inches.

Lot: 319 - Pair of Medallion Candlesticks After Antoine-Louis Barye

Pair of neoclassical patinated candlesticks after Antoine-Louis Barye (French, 1796-1875) mid to late 19th century. Medallion elements after the Greek Arethusa decadrachm coin. Openwork bases with flowering vine motifs. Stems with fluted elements. Stamped 'France' at undersides. Molded 'Barye' on the bases of each. A very similar example can be found in the permanent collection of the National Gallery of Art. 10 x 4.5 inches.

Lot: 320 - Pair of Rock Crystal Candlesticks

Pair of good rock crystal candlesticks. Faceted stems, resting on hexagonal bases with ball feet. 9.75 x 4.25 inches.

Lot: 321 - Set of 71 Pieces of Wedgwood Florentine Turquoise China

Set of 71 pieces of Wedgwood Florentine Turquoise fine bone china, English, first produced in 1931. Includes: 11 teacups, 12 saucers, 12 side plates, 12 dessert plates, 12 bowls, and 12 dinner plates. Each appropriately marked at undersides. Neoclassical motif borders. Ranging in size from 4 inches to 10.75 inches.

Lot: 322 - Fine 19th Century Micromosaic Birds of Pliny

Grand Tour micro mosaic set in black slate plaque, Italian, mid/late 19th century. Finely executed depiction of the Capitoline Doves/Doves of Pliny, polychrome tesserae set in shaped black slate. Unsigned. Label on the verso. 75 x 5.5 x 4 inches .Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 323 - Wagner Porcelain Portrait Plate Depicting Napoleon I

Napoleon I hand painted porcelain portrait plate with gilt and enameled borders. Signed Wagner, Napoleon 1, crown and initial stamp at back. Plate sight 9 inches, in 14 inch gilt foliate frame, housed in a 20.5 x 20.5 inch framed shadowbox with rich velvet lining. Provenance: Collection of a Pittsburgh Gentleman, Pittsburgh, PA.

Lot: 324 - Gibson and Davis Federal Piano-Forte 1825-1835

Gibson and Davis Federal Piano-Forte (Fortepiano), New York from London, circa 1825-1835. Beautifully figured mahogany case with string inlay. Pierced floriform elements at right and left. Resting on reeded legs terminating in brass castors. Gibson and Davis label. Later castors and mounts. 35 x 67.5 x 25 inches. Provenance: Collection of a Western Pennsylvania Institution.

Lot: 325 - Central Asian Embroidered Wedding Dress

Embroidered velvet wedding dress, Bukhara, Uzbekistan. Rich red velvet body and skirt with black velvet sleeves. Both the bodice and skirt are heavily embroidered in metallic gold. The sleeves end with highly embroidered cotton in metallic silver. Length is 44.5 inches. 41 inches wide at edge of skirt.

Lot: 326 - 20th Century Aubusson Style Verdure Tapestry

Handmade Aubusson style verdure petit point tapestry, Belgian, 1974. Depicting birds in a wooded area with a castle in the background. Stitched initials. Signed and dated on the back edge. Reads 'For my dear children Nick and Henriette'. 63 x 51 inches.