Vincent Van Gogh (1853-1890)(Attributed*): The Wounded Veteran, signed Vincent. Lithographer's crayon on heavily textured wove paper.

Marked verso with a collector's circular stamp:

Possibly a study for the finished drawing of the same name, which is in the collection of the Harvard Art Museums. A photo of the Harvard drawing is shown in this catalog listing for reference, but it is not included with the lot.

The drawing has been removed from its frame for inspection and shipping. It is hinged along the top edge to a passe partout. Unframed.

NOTE: From The Metropolitan Museum of Art, Leonard A. Lauder Research Center for Modern Art, website: After Daniel-Henry Kahnweiler returned to Paris from his Swiss exile during World War I, he opened the Galerie Simon, which was named after his partner and financial backer Andre Cahen, known as Andre Simon. The business existed from September 1920 until 1940, when it was closed due to World War II.

Daniel-Henry Kahnweiler ran the Galerie Kahnweiler until World War I. After the war, his stock was seized by the French state and liquidated at a series of four sequestration sales held at the H�tel Drouot between 1921 and 1923. Kahnweiler was prohibited by French law from purchasing any works of his former collection in the four sales, so he formed what is known as the Kahnweiler syndicate, with the German dealer Alfred Flechtheim, Swiss collector Hermann Rupf, his brother Gustav Kahnweiler, Louise Leiris, and Hans Forchheimer. The syndicate bid under the pseudonym Grassati and the works it purchased were for Kahnweiler's new gallery. Among their purchases was Braque's Still Life with Clarinet (Bottle and Clarinet), which they acquired at the second sale for 380 francs.

In contrast to his modest prewar gallery, Kahnweiler�s Galerie Simon, located at 29 bis, rue d'Astorg, was comprised of four light-filled large exhibition halls. The location had been secured with the help of the artist Amedee Ozenfant, with whom Kahnweiler had become acquainted in Switzerland during the war, and Charles-Edouard Jeanneret, the painter and architect who would change his name to Le Corbusier that year, who rented a neighboring space from the same landlord.

This drawing is accompanied by a certificate of authenticity/attribution by painting conservator/art historian Bruce Wood, MFA.

  • Provenance: Private collection; Gallery Simon, Paris
  • Dimensions: 8x11 inches
  • Notes: *This lot is listed as attributed because it has a partial or missing provenance. Attributions and identifications are based in part on our careful study and are not guaranteed. Unless stated otherwise in the catalog description, no further provenance or additional information is currently available for this lot. Please refer to our Terms and Conditions prior to bidding. Color fidelity of photos presented is not guaranteed. Lack of a condition statement does not imply that a lot is perfect. Please examine photos, read descriptions, and contact the Gallery with any questions prior to bidding.

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