Lot 468

JAMES ROSENQUIST (American, 1933-2017). Gold Trash Can, 1977, Etching with aquatint and applied gold leaf on pape, 29½ × 20¾ in. (74.9 × 52.7 cm)

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JAMES ROSENQUIST (American, 1933-2017). Gold Trash Can, 1977, Etching with aquatint and applied gold leaf on pape, 29½ × 20¾ in. (74.9 × 52.7 cm)

Estimate: $1,600 - $2,500

Starting Bid: $800

(0 Bids)

by Sloans & Kenyon
August 6, 2026 11:00 AM EDT
Live Auction
5550 Friendship Boulevard
T60
Chevy Chase, MD, US 20815

JAMES ROSENQUIST
American, 1933-2017

Etching with aquatint and applied gold leaf on pape
Trial proof 4/5; signed and dated lower right "Rosenquist 1977," pencil inscribed "trial proof 4/5 / Gold Trash Can" lower left. Trial proof; the composition presents an ordinary metal trash can rendered in deeply atmospheric aquatint washes of velvety grey and black, with a single accent of applied gold leaf glinting at the rim. Hand-signed and dated by the artist. Framed. Not examined out of frame.

  • Provenance: ARTIST PROFILE: James Rosenquist (American, 1933–2017). Born November 29, 1933, in Grand Forks, North Dakota, James Rosenquist was one of the seminal figures of the Pop art movement, who took as his inspiration the subject and style of modern commercial culture. His parents were amateur pilots of Swedish descent who moved from town to town for work, finally settling in Minneapolis, Minnesota, where his mother — herself a painter — encouraged his artistic interests. At age 14 he won a scholarship to study at the Minneapolis School of Art, continued his studies at the University of Minnesota from 1952 to 1954, and in 1955 received a scholarship to the Art Students League, bringing him to New York City. His artistic education led to a brief but significant career as a billboard painter, where he spent his days perched on scaffolding high above Times Square. In 1960, after witnessing two coworkers fall to their deaths from a scaffold, he ended his commercial career and moved to a studio in Lower Manhattan, where he forged connections with artists including Ellsworth Kelly, Robert Indiana, Jasper Johns, Robert Rauschenberg, and Jack Youngerman. His most celebrated work, *F-111* (1965), an 86-foot-long multi-panel painting juxtaposing consumer imagery with a U.S. Air Force jet, stands as both a critique of the Vietnam War and of American consumerism. In addition to painting, Rosenquist contributed to the renewal of printmaking in the United States when in 1965 he and a number of other young artists explored the process of lithography at Universal Limited Art Editions in West Islip, New York. His works are held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., and the Tate Gallery in London. He died on March 31, 2017, in New York.
  • Dimensions: 29½ × 20¾ in. (74.9 × 52.7 cm)
  • Medium: Etching with aquatint and applied gold leaf on pape

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Bid Increments
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$0 $199 $10
$200 $499 $25
$500 $999 $50
$1,000 $2,999 $100
$3,000 $4,999 $250
$5,000 $9,999 $500
$10,000 + $1,000