Gustav Stickley - Harvey Ellis Inlaid Oak Panel c1904. Unsigned. Slight loss to part of pewter inlay. Excellent original finish. 17"h x 11.5"w

Academic consensus notes that while these highly intricate inlays were featured on elite production pieces—such as the Model 715 Bookcase or the Model 214 Settle—individual reference panels were executed by the independent New York City workshop of master inlay specialist George Henry Jones. These panels served as highly precise craftsman standards, salesman samples, or stylistic reference pieces.

The extraordinary provenance of this lot sheds fascinating new light on the twilight years of the Craftsman Workshops. By the mid-1910s, public tastes shifted rapidly toward Colonial Revival aesthetics. In response, Gustav Stickley aggressively adapted his production lines to incorporate early American silhouettes—culminating in his "Chromewald" furniture lines and the furnishing of his prestigious 12-story Craftsman Building and Restaurant in Manhattan. The documented discovery of this panel (alongside three sister panels) embedded directly into a late-period Colonial Revival sideboard strongly indicates that the Craftsman Workshops repurposed these historical, obsolete 1903 master inlay samples into later, commercial furniture lines as Stickley scrambled to save his enterprise from bankruptcy in 1915. This panel stands not only as an exquisite masterpiece of American decorative art but as a vital material link across the entire evolution of Gustav Stickley’s career.

Provenance

• The Workshop of George Henry Jones, New York, NY (Inlay artisan for Gustav Stickley).
• Discovered integrated into a late period/Colonial Revival sideboard, early 1990s.
• Acquired by Cathers & Dembrosky Gallery, New York, NY, 1992.
• Private Collection.



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by California Historical Design, Inc
June 27, 2026 11:00 AM PDT
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