砚台 Antique Chinese ink stone with famous poem - Feng Qiao Ye Bo 枫桥夜泊, by the author - Zhang Ji 张继, from the Tang dynasty. Size: 13 cm x 7.5 cm x 2 cm; Weight: 470 g; 1 lb. 0.5 oz. Mohs hardness: 5.5; Name of the poem is Feng Qiao Ye Bo 枫桥夜泊, the author - Zhang Ji 张继 from the Tang dynasty, name of person called Yu Yue 俞樾. This ink stone is from China, and would have been used to grind hardened 'inksticks' of pigment into paint through a process of rubbing and mixing with water. The ink stone is of rectangular form, and features a rectangular inkwell + bell shaped well, which is where the inkstick would be ground and watered. There are multiple inscriptions, a verse from the poem, engraved on the lid. Provenance: Private collection in St Petersburg, Florida, USA. Similar ink stone sold 1stdibs: https://www.1stdibs.com/furniture/asian-art-furniture/scholars-objects/antique-ming-dynasty-chinese-inkstone/id-f_9654251/#skuId=f_9654251S1 Antique Ming Dynasty Chinese Inkstone -$11,751.58 References: An inkstone is traditional Chinese stationery. It is a stone mortar for the grinding and containment of ink. In addition to stone, inkstones are also manufactured from clay, bronze, iron, and porcelain. The device evolved from a rubbing tool used for rubbing dyes dating around 6000 to 7000 years ago.[1] Early history The inkstone is Chinese in origin and is used in calligraphy and painting. Extant inkstones date from early antiquity in China. The device evolved from a rubbing tool used for rubbing dyes dating around 6000 to 7000 years ago.[1] The earliest excavated inkstone is dated from the 3rd century BC, and was discovered in a tomb located in modern Yunmeng, Hubei. Usage of the inkstone was popularized during the Han Dynasty.[2] Tang, Song, and Yuan Dynasties: Stimulated by the social economy and culture, the demand for ink stones increased during the Tang Dynasty (618–905) and reached its height in the Song Dynasty (960–1279). Song Dynasty ink stones can be of great size and often display a delicacy of carving. Song Dynasty ink stones can also exhibit a roughness in their finishing. Dragon designs of the period often reveal an almost humorous rendition; the dragons often seem to smile. From the subsequent Yuan Dynasty, in contrast, dragons display a ferocious appearance. Qing Dynasty: The transition to civil rule under Kangxi Emperor in 1681 saw an increase in imperial inkstone production. Inkstones were often given as gifts, likely in part to help connect existing Chinese literati culture to the new Manchu imperial culture.[3][4] The Qianlong Emperor had his own imperial collection of inkstones catalogued into a twenty-four chapter compendium entitled Xiqing yanpu (Hsi-ch'ing yen-p'u). Many of these inkstones are housed in the National Palace Museum collection in Taipei. Qing dynasty emperors often had their inkstones made of Songhua stones, but this choice was not popular outside of the imperial workshop. Inkstone design outside the palace developed largely in parallel with imperial inkstone design, although they occasionally intersected.[3][4] Gu Erniang was the most famous inkstone-maker among Chinese scholars in the early Qing dynasty. Records indicate her inkstones were elegant and relatively simple, as was the preferred style at the time. However, by the late Qing dynasty, the inkstone market had turned to favoring highly intricate and novel designs.[5][6]