Lot 139

Francisco Toledo (1940-2019, Mexican), "Venado Pariendo," 1969

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Francisco Toledo (1940-2019, Mexican), "Venado Pariendo," 1969

Estimate: $700 - $900

Starting Bid: $350

(0 Bids)

by John Moran Auctioneers
July 14, 2026 10:00 AM PDT
Live Auction
145 East Walnut Avenue
Monrovia, CA, US 91016

Francisco Toledo
(1940-2019, Mexican)
"Venado Pariendo," 1969
Lithograph in dark brown ink on wove paper
Edition: 26/50
Signed, dated, and numbered in pencil in the lower margin: Toledo 1969; Atelier Clot, Bramsen & Brunholt, prtr.

  • Dimensions: Image: 14" H x 18" W; Sheet: 17.125" H x 22.25" W
  • Medium: Lithograph in dark brown ink on wove paper
  • Notes:
    Born in Juchitán, Oaxaca, in 1940, Francisco Toledo spent his childhood between Juchitán and Minatitlán, Veracruz. As a young man, Francisco Toledo followed his father into the jungles of Oaxaca on wild animal hunts. Later, he moved to Mexico, where he took up the trade of lithography from the engraving workshops at the local School of Arts and Crafts. In 1959, after developing his craft, Toledo exhibited his works at Antonio Souza's gallery in Mexico and the Fort Worth Art Center in Texas. These early years informed the artist he would become. "Toledo's is the art of shamanism," Christopher Goodwin of The Guardian wrote in 2000, "in which people are transformed into beasts and animals and may take on human characteristics." President Andrés Manuel López Obrador of Mexico announced the death on Twitter, calling Mr. Toledo "a true defender of nature, customs, and traditions of our people." While he preferred anonymity, his service to cultural preservation and the celebration of traditional imagery gained him national acclaim. His first one-man show at 19 years set the stage for his travels to Paris, where he was supported by poet Octavio Paz and the painter Rufino Tamayo. Toledo's fascination with the metaphors of indigenous animals as symbols of Mexican history and mythology abounds in his art.
  • Condition: Overall generally good appearance. Full margins and deckled edges. Vertical rolling marks and handling creases in places. A hard, rice-sized spot of white pigment or putty stuck to the sheet at the very outer edge of the image, directly above the signature, with a similar substance in three places on the verso's right edge, not affecting the recto. Pale staining verso, not affecting the recto. The sheet is loose, not matted.

    Unframed


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