Lot 9098

AFTER WINSLOW HOMER (Massachusetts/Maine/England, 1836-1910), "Mending the Tears", 1888., Etching on imitation Japan paper, 17.5" x 23". Framed 26.25" x 31.75".

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AFTER WINSLOW HOMER (Massachusetts/Maine/England, 1836-1910), "Mending the Tears", 1888., Etching on imitation Japan paper, 17.5" x 23". Framed 26.25" x 31.75".

Estimate: $12,000 - $18,000

Starting Bid: $6,000

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by Eldred's
July 24, 2026 9:30 AM EDT
Live Auction
1483 Route 6A
PO Box 796
East Dennis, MA, US 02641

AFTER WINSLOW HOMER
Massachusetts/Maine/England, 1836-1910
"Mending the Tears", 1888.

Signed in pencil lower left. Anchor remarqué lower left. A beautiful impression with all of the subtle details printing clearly. Goodrich 97.

  • Provenance: Notes:
    Born in Boston to a long line of New Englanders and growing up in rural Massachusetts, Winslow Homer remains one of the most significant figures in the history of American art. Homer began a lithography apprenticeship at age 19 and at age 23 he moved to New York, where he took classes at the National Academy of Design. During the Civil War, "Harper's Weekly" assigned him as their artist-correspondent on the front. He created some of his first oil paintings during this time, and, receiving high accolades, he gradually transitioned from an illustrator to a fine artist.

    Homer began painting country scenes with a particular focus on the role of women in rural life. His honest yet poetic depiction of farm living was singular in America at the time. His paintings and watercolors were lauded by both critics and the public, particularly during the latter part of his career, when he turned his focus to marine scenes. He delved into this subject (which would come to define him) after spending two years living near a fishing port in England. He exhibited many of the watercolors that he created in England on his return to the United States, and his popularity grew immensely. From 1883 onward, Homer resided in scenic Prout's Neck, Maine, where he led a reclusive way of life and continued to depict the sea and our relationship with it.

    Despite being best known for his paintings and watercolors, Homer was deeply indebted to his beginnings as a draftsman, which profoundly informed his works. Homer's printmaking had its roots in the strictly commercial, initially as a lithographic draftsman and then as a freelance wood engraving illustration artist. He began creating "fine prints" in the form of copper plate etchings in the 1880s, when the medium was gaining popularity in America due to James A.M. Whistler and the 1860s "Etching Revival" in France. Unlike Whistler, Homer's technique was line-based (an influence from his illustration background) and he did not rely on inking and selective wiping to achieve tonal quality. Homer etched eight plates between 1884 and 1889 and all were based on his popular marine paintings. He abandoned etching around 1889, partly due to its lack of profitability.

    A watercolor and gouache painting of this subject, "Mending the Nets", 1882, is in the collection of the National Gallery of Art, Washington, D.C.
  • Dimensions: Etching on imitation Japan paper, 17.5" x 23". Framed 26.25" x 31.75".
  • Condition: The absence of a condition report does not imply an object is free of defects. All items may have normal signs of age and wear commensurate with their age; these issues will likely not be mentioned in the condition report. Please contact Eldred's before the auction with any condition questions. Questions about condition will not be answered after purchase. Condition reports are provided as a courtesy, and we are not responsible for any errors or omissions. Important note on frames: Frames are not guaranteed to be in the same condition as they are in the item photograph. Due to handling and shipping, many frames, especially antique ones, are prone to losses. If you have questions about the condition of a frame, please contact us prior to the auction. 

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