Monk practicing calligraphy; Chinese ink and watercolour on paper; framed; signed Huang Yongyu and inscribed with one artist seal; 54 x 78 cm. Huang Yongyu is a contemporary Chinese artist known for both his prints and paintings. Huang’s ink works are often scenes of wildlife, foliage, or human figures. Born in 1924 in Fenghuang, China, he never attended a regular school, but instead studied literature and art on his own. The artist was mainly dedicated to woodblock printing until the 1960s, he began producing ink-wash paintings. During the Cultural Revolution in the mid-1960s, Huang, like other artists was persecuted by the Mao Zedong’s regime. His well-known Owl paintings—which portray owls with one eye shut was a meant as a symbol of government officials turning a blind eye to injustices—landed him in a labor camp for three and half years. More recently, the artist has broadened his practice to include sculpture. Huang currently lives and works in Beijing, China. Today, his works are held in the collections of the Metropolitan Museum of Art in New York and the Asian Art Museum in San Francisco.

  • Condition: All authorship of items in this catalog are described according to the following terms:

    By [Artist Name]: In our opinion, the work is by the artist.

    Attributed to [Artist Name]: In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

    In the manner of [Artist Name]: In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

    After [Artist Name]: In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

    Circle of [Artist Name]: In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

    Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).

    American, 19th century: In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

    Bears signature: In our opinion, the signature on the artwork may be spurious.

    Apocryphal: Of doubtful authenticity.

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