Oil on canvas painting, nude figure. Signed and attr. Giorgie De Chirico (Italian, 1888-1978) on lower right corner. 34.25 x 23.25 in (87.0 x 59.1 cm), many creases and cracks visible on piece. The founder of the scuola metafisica, Giorgio de Chirico is best known for his metaphysical paintings, produced between 1909 and 1919. These melancholic renderings of low-lit town squares with long shadows and empty walkways would profoundly influence the Surrealists, including André Breton, Salvador Dalí, and René Magritte. In their thematic exploration of alienation, nostalgia, and myth, de Chirico’s works—many of which were exhibited at the Paris Salons—are also said to have influenced filmmakers such as Michelangelo Antonioni and draw parallels with contemporary works by Edward Hopper. De Chirico later rejected his earlier metaphysical style and became interested in traditional painting techniques, working in Neoclassical or neo-Baroque styles influenced by Raphael, Luca Signorelli, and Peter Paul Rubens. The Surrealists were publicly critical of this anti-modern development in de Chirico’s work and the artist eventually ended his association with the group. He cited the writings of Friedrich Nietzsche as a deep influence.

  • Condition: All authorship of items in this catalog are described according to the following terms:

    By [Artist Name]: In our opinion, the work is by the artist.

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    In the manner of [Artist Name]: In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

    After [Artist Name]: In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

    Circle of [Artist Name]: In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

    Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).

    American, 19th century: In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

    Bears signature: In our opinion, the signature on the artwork may be spurious.

    Apocryphal: Of doubtful authenticity.

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June 21, 2018 2:00 PM EDT
280 West Beaver Creek #15
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