4. (Frazetta) The Lion Queen. (1960) Accomplished in mixed media on 7 x 11 in. artists’ board. One of Frank’s truly great masterpieces incorporating all the themes he would become famous for: a sexy woman, cat, vegetation, and ancient cityscape. I have added an essay on the mysterious history of this piece: stolen, found, purchased, held by the FBI, then released into my custody after a 5 year wait. It is a miracle of art. A small drop of coffee on the city and some light handling stains along the side. Here’s the background story on The Lion Queen: Many years ago a collector named Jack Gilbert wandered into Illustration House Gallery in NYC to see what was coming up for sale in the next auction. He called me and said there was a Frazetta piece in the next auction. He said it was a crappy sketch of an old lady and a panther. I thought Jack was having a little fun with me. I asked him again to describe it. Well, it wasn’t an old lady. It was the famous picture of the queen and the lion that was famously pictured on the cover of the Frazetta #1 fanzine in 1969. It was published in black and white at the time and never subsequently published in color until much later. For many years I had asked Frank about the whereabouts of that original. After scores of visits to the house and much looking at art hidden away in drawers, closets, under beds, and in books, this original was nowhere to be seen. I asked him about it constantly. I also asked Frank’s wife, Ellie, what she knew. At this point Ellie was in charge of all Frazetta business, including art sales. Frank said he didn’t sell it. He said that he’d never sell anything of that quality. He said I was nuts to even ask such a question. Frank said it was “around” and that Ellie probably hid it in some book. It would turn up. He wasn’t too concerned about it. As for me, I just wanted to see the damn thing! Well, the piece finally emerges in the hands of Roger Reed from Illustration House who is putting it up for auction. I called Roger immediately to ask him about the background story. He said that he had bought it for a substantial price in 1995 from a friend of Frank’s who was also a good friend of Walt Reed, Roger’s father. They had done a lot of business over the years. It was sold to Roger right after Frank had his first major stroke. Word was out that Frank was near death and completely incoherent. People assumed that this was the end for Frank. I guess the seller assumed this as well. Roger had planned to keep it as “his Frazetta”, but now he needed to raise money. I wanted to buy it. Roger said that it had to go in auction. I told him that there might be a potential problem because Frank and Ellie would consider it stolen property. I told Roger what Frank had said about the piece. I told Roger that if I had it, I could get clear title to it from Frank himself. Ellie soon became aware that the piece was up for auction. Ellie had spies everywhere; people would call her up with information in hopes of getting on her good side. Ellie enjoyed the power. She cobbled together a letter and sent it to the FBI claiming, inaccurately, that the piece was stolen and that she had filed a stolen art claim years before. Of course, she had not filed anything. She was trying to put pressure on Roger to get it back. The FBI stolen art squad in NYC contacted Roger and told him not to sell the piece. Research was done. Cathy Begley of the FBI art squad contacted me for more background information. Frank was then told about the facts and who bought it and when it was sold. When he found out that one of his old friends had taken it, he hit the roof. He was pissed-off beyond belief. He called his ex-friend up and reamed him out. Frank told me that he wished that he had taped the call. The FBI told Frank that he needed to get a lawyer and pursue the matter. Frank told Ellie to do just that. “Spend any amount of money, do what it takes, I want my art back!” Frank was furious. He loved the piece. The fact that a friend had taken it just added to his supreme aggravation. This friend, by the way, kept the piece very private while he owned it. It was never shown to anyone. He owned other Frazetta pieces, which he displayed proudly. This one was kept from view. Draw your own conclusions. Well, a couple of years passed and nothing was done. Frank settled down and Ellie would not spend the money for a lawyer. One day I called Ellie and asked her blessing for me to acquire the piece from Roger. I told her that I would make her a nice 8 x 10 transparency and she could make a lot of money selling it as a poster or limited lithograph. I said this would be better than having it vanish into some Asian or European collection, never to be seen again. This all seemed reasonable to me. Well, not to Ellie…she exploded and starting swearing at me from every angle. “You have devils in your head. How dare you want to own stolen art. It’s mine! It’s STOLEN! No one should own stolen art. Read the Bible. You can’t have it. I’ll never talk to you again. It’s evil.” She went on and on. I calmly listened until she slammed down the phone. Nice try, Dave. A couple of more years passed…Cathy Begley from the FBI squad contacted Roger to see if Ellie had pursued the piece. Roger told her that nothing was done. Ms. Begley then called Ellie to let her know that she was giving Roger permission to sell the piece to me. Cathy called me last and told me the time period was over and the Frazettas had forfeited their claim rights by inaction. Roger and I worked out a deal. I paid a king’s ransom for the piece, but it was a collector’s triumph. It was profoundly satisfying to finally get my hands on this original. I called Ellie to confirm the discussions I had with the FBI and Roger. I told her I had purchased the piece. She simply said, “Let’s talk about something else.” She NEVER brought up this topic again. I did give her a nice transparency of the original for her use. I’ve written about the significance of this original before. There’s no need to repeat myself. It is a truly majestic piece and contains all the great Frazetta themes. A masterpiece in every sense of the word held captive for so many years…now released.
$40,000 - $60,000

Accepted Forms of Payment:

American Express, COD (cash on delivery), Discover, MasterCard, Money Order / Cashiers Check, Personal Check, Visa, Wire Transfer

Shipping

After payment has been made in full, Profiles in History may, as a service to buyers, arrange to have property packed, insured and shipped at your request and expense. For shipping information, please contact Profiles in History at (310) 859- 7701. In circumstances in which Profiles in History arranges and bills for such services via invoice or credit card, we will also include an administration charge. Packages shipped internationally will have full value declared on shipping form.

Please remember that the buyer is responsible for all shipping charges from Profiles in History's offices in Calabasas, CA to the buyer's door. Many of the items in this auction are of unusual size and/or weight, they will require special handling and will incur an additional shipping premium as charged by the carrier. Please see Terms & Conditions of Sale.

by Profiles in History
December 11, 2015 11:00 AM PST
26662 Agoura Rd
Calabasas, CA, US 91302

Profiles in History

You agree to pay a buyer's premium of 28% and any applicable taxes and shipping.

View full terms and conditions

Bid Increments
From: To: Increments:
$0 $499 $25
$500 $999 $50
$1,000 $1,999 $100
$2,000 $4,999 $250
$5,000 $9,999 $500
$10,000 $19,999 $1,000
$20,000 $49,999 $2,500
$50,000 $99,999 $5,000
$100,000 $249,999 $10,000
$250,000 + $25,000