Lot 30

c. 1810, Copper-Plate Engraved Sheet Music Cover Page "The Battle Prague - Favorite Sonate for the Piano Forte G. Washington President of the United States"

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c. 1810, Copper-Plate Engraved Sheet Music Cover Page "The Battle Prague - Favorite Sonate for the Piano Forte G. Washington President of the United States"

Estimate: $800 - $1,000

Starting Bid: $400

(0 Bids)

by Early American History Auctions
July 25, 2026 12:00 PM EDT
Live Auction
1520 Commerce St
#312
Winchester, VA, US 22601-4468

400
c. 1810, Engraved Souvenir Print of the Sheet Music Cover Page titled, "The Battle Prague - Favorite Sonate for the Piano Forte - G. Washington President of the United States," features a Portrait of George Washington based on a drawing by Joseph Wright, measuring 7.5" x 5.25" (by sight) Boston, Framed, Fine.
c.1805, Copper-Plate Engraving / Souvenir Print of the popular Sheet Music Title Page from Franz Kotzwara composer, after Joseph Wright (portrait source), Framed in a simple black frame, about 10.5 x 8.5 inches. Printed & Sold by Graupner,. | Undated, The Battle Prage, - Favorite Sonate for the Piano Forte, with accompaniments, Boston, Printed & Sold by Graupner, No. 6 Franklin St. Price 1 Doll. Eight pages of engraved music, with the title page engraved with embellishments with Portrait of Washington in center, in oval, a medallion bust in uniform, head to left. Joseph Wright (1756-1793) was one of the most important George Washington portraitists of the founding era. He was the first American-born student at the Royal Academy of Art, London, the first artist to sculpt a bust of George Washington, and the first to assume the position of Engraver of the U.S. Mint.
Thomas Jefferson held Wright's Washington likenesses in exceptional esteem, writing in 1795 that he had "no hesitation in pronouncing Wright's drawing to be a better likeness of the General than Peale's." Wright made a small drypoint etching of Washington in New York in 1790, showing Washington in profile, which "was widely copied in prints, medallions, relief cuts, and medals both here and abroad." The Graupner title page, Washington in uniform, bust in profile to left, in an oval derives directly from this influential Wright image. The print and accompanying music sheets are considered to be quite rare. In an exhibition of "Washingtoniana" held at the Grand Lodge of Pennsylvania F. & A.M. Masonic Temple, Philadelphia, November 5th to December 5th, 1902, the piece was described as, "Of the greatest rarity. Mr. Baker had only seen one copy and that without the music." See: Baker No. 82, Hart No. 153A
The underlying composition is one of the most celebrated piano works in the entire Anglo-American musical canon of the late 18th and early 19th centuries. Frantiek Kocvara (Franz Kotzwara, c. 1750-1791) was a Bohemian composer, violist, and virtuoso double bassist.
His Battle of Prague (1788) musically recreates the chaos of the 1757 Seven Years' War battle through depictions of marches, cannon fire, and infantry clashes.
The descriptive piece commemorates the Prussian victory over the Austrians at Prague in 1757. It is the only work of Kotzwara's to survive, and portions of it were quite popular on both sides of the Atlantic in the late 18th and early 19th century.
During much of the nineteenth century The Battle of Prague was one of the most often played and popular of all concert pieces. Audiences were much more likely to hear it than a sonata by Mozart, Beethoven, or Schubert.
It features in the literature of Jane Austen and Mark Twain. Indeed, Twain referenced it in Adventures of Huckleberry Finn, A Tramp Abroad, and Life on the Mississippi, and William Makepeace Thackeray mentioned it in Vanity Fair, testament to its pervasive cultural presence in parlor culture.
The composition is sectional, with programmatic headings such as "Word of Command," "The Bugle Horn Call for the Cavalry," and others that brought the drama of military battle into the domestic parlor.
The piece was widely reprinted in America, with Philadelphia editions by G. Willig (c. 1795-1800) and G.E. Blake (c. 1803-1806) documented in the Library of Congress, and New York editions by W. Dubois (Broadway) and C. Bradlee (Boston, Washington Street), among others.
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