Title: Keep Moving
Author: Alfred C. B. Fletcher
Publisher: Laidlaw Brothers
City: Chicago
Year: 1932
Printing Information: Signed Edition
Binding Style: Hardcover
Pagination: xviii/281 pages
Width: 6.5" Height: 9.25"
Book Details: "In "From Job to Job around the World" I gave an account of a tramp trip I made in my early twenties. The present volume is a brief record of some of my later travels made at a time when economy was less of a necessity and when a reasonable amount of comfort was obtainable. Happily, however, I have thus far evaded, with few exceptions, the misfortune of travelling in common luxury; and my various peregrinations, although often on the more or less beaten paths, have been devoid to a pleasing degree of the uniform features of the average conventional tourist." (Author's foreword)

Chapters on such topics as "A German Christmas in France," "The Land of the Mikado," "Mingling with the Chinese," "Uncontaminated Sumatra" and "Economy in Europe."
Condition / Notes: This is a scarce author-signed first edition. The inscription on a blank preliminary page reads "In remembrance of long / friendship to Mary and Leroy / Goble / from Gregory Orloff."

"Gregory Orloff (1890-1981) was born in Kiev and began his early art training with painter Vyacheslav Korenev at the Kiev Academy of Art. He continued his studies in the United States, first at the National Academy of Design in New York with Charles Curran and Ivan Olinsky, and subsequently with Karl Buehr at the School of the Art Institute of Chicago, where he absorbed his teachers’ preferences for figurative subjects, leisure themes, and the coloristic and decorative effects of Impressionism. Recalling his academic training, Orloff later stated that he had “to unlearn and undo what I had acquired.

Orloff made his mark in Chicago in the mid-1920s, exhibiting portraits and scenes of daily life with the Chicago Society of Artists, of which he was a member; the progressive Chicago No-Jury Society of Artists; and at the venerable annuals of the Art Institute of Chicago (1925–35); and other venues. Orloff’s early reputation rested largely upon his work in portraiture, which critics praised for showing a keen perception of subjects. He soon found the genre stultifying, however, and set his sights on more complex compositions in a variety of media.” (http://www.chicagomodern.org/artists/gregory_orloff/)

This antique volume is bound in quarter black cloth. The spine and front cover have gold labels with black lettering. The front and rear cover have black paper-covered boards with multi-color decorative patterns. The book shows light shelfwear. The binding is firm. The volume has gold endpapers, with textured flyleaves. The pages are clean and without markings. This work is handsomely illustrated with plates and decorations by Gregory Orloff. A photo portrait of the author with a captioned tissue guard appears opposite the foreword.

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by National Book Auctions
May 31, 2015 12:00 PM EDT
2085 Dryden Rd. (Route 13)
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