PICKERS TIMED Ethnographic Art & Artifacts

Lot: 1 - Pre-Columbian Large 12inch West Mexican pottery figure typically attributed to the Nayarit culture., 12” x 8” x 6”

Pre-Columbian Large 12inch West Mexican pottery figure typically attributed to the Nayarit culture. This is a Pre-Columbian West Mexican pottery figure attributed to the Nayarit culture. The figure represents a seated individual, possibly male, holding an object. It dates from approximately 300 BCE to 300 CE. The piece shows signs of repair, particularly around the arms and base, and features typical Nayarit stylistic elements such as exaggerated facial features and a headdress. Visible repairs and damage throughout.

Lot: 2 - Pre-Columbian West Mexican ceramic figure, likely from Nayarit or Jalisco culture, featuring traditional hand-painted details and stylized features. Similar figures, if real, often date back to between 200 BCE and 400 AD

Pre-Columbian West Mexican ceramic figure, likely from Nayarit or Jalisco culture, featuring traditional hand-painted details and stylized features. Similar figures, if real, often date back to between 200 BCE and 400 AD A Pre-Columbian West Mexican ceramic figure, likely from the Nayarit or Jalisco culture, featuring traditional hand-painted details and stylized features. The figure is characterized by its distinct facial features and painted patterns, typical of artifacts from this region and period.

Lot: 3 - Jalisco Ameca-Etzatlán Pottery Female Effigy, Shaft-Tomb Style, visible repairs., 9” x 5 1/2” x 2 1/2”

Jalisco Ameca-Etzatlán Pottery Female Effigy, Shaft-Tomb Style, visible repairs. A Jalisco Ameca-Etzatlán pottery female effigy, characterized by its shaft-tomb style. The piece shows visible repairs and has a weathered appearance, indicative of its age. Restoration visible.

Lot: 4 - 3 Pre-Columbian West Mexican clay pottery standing figures, including Colima, 7 1/2” x 4 1/2” x 3” largest

3 Pre-Columbian West Mexican clay pottery standing figures, including Colima A set of three Pre-Columbian pottery figures from West Mexico, featuring distinct anthropomorphic forms. These figures are characteristic of the ancient cultures of the region, possibly representing deities, ancestors, or ceremonial figures.

Lot: 5 - 4 Pre-Columbian West Mexican clay pottery standing figures mounted by wire, including Colima., 6” x 4” x 3 1/2” largest

4 Pre-Columbian West Mexican clay pottery standing figures mounted by wire, including Colima. These figures appear to be made from terracotta and are mounted on stone bases. The figures exhibit traditional Pre-Columbian styles and are characteristic of the ancient cultures of the region, possibly representing deities, ancestors, or ceremonial figures.

Lot: 6 - Large Nayarit (Chinesco) 16inch Pre-Columbian polychromed pottery seated masked figure, Mexico, Mesoamerica., 15 1/2” x 12” x 11”

Large Nayarit (Chinesco) 16inch Pre-Columbian polychromed pottery seated masked figure, Mexico, Mesoamerica. This is a Pre-Columbian sculpture depicting a seated figure with a mask. The figure is adorned with painted geometric patterns in red and black on a beige base. It features a stylized representation typical of Pre-Columbian art, with emphasis on geometric and abstract forms.

Lot: 7 - Pre-Columbian Nayarit terracotta pottery standing female figure, Mexico. Mounted with wire to a stone stand. , 10” x 5” x 3 1/2”

Pre-Columbian Nayarit terracotta pottery standing female figure, Mexico. Mounted with wire to a stone stand.

Lot: 8 - Large antique Peruvian polychrome anthropomorphic earthenware clay pot vessel. Pre-Columbian, circa 100BCE. 11” x 9”

Large antique Peruvian polychrome anthropomorphic earthenware clay pot vessel. Pre-Columbian, circa 100BCE. This is an antique large clay pot resembling a Peruvian polychrome anthropomorphic earthenware vessel. It is pre-Columbian, dating to approximately 100 BCE. The vessel features anthropomorphic designs and polychrome decoration, typical of ancient Peruvian ceramics. Arm is broken but present with a clean break.

Lot: 9 - Pre-Columbian, Honduras/El Salvador, Mayan Copador Style Polychrome Bowl, has repair, Ca 400-800 AD. 2 1/2"H X 6 1/4"Diam.

Pre-Columbian, Honduras/El Salvador, Mayan Copador Style Polychrome Bowl, has repair, Ca 400-800 AD. This is a Pre-Columbian Mayan Copador Style Polychrome Bowl from Honduras or El Salvador, dating approximately from 400-800 AD. The bowl features intricate polychrome designs typical of the Copador style, with vibrant red and black motifs on a tan background. It measures 2 1/2 inches in height and 6 1/4 inches in diameter. The bowl has undergone repairs, indicating its age and historical usage.

Lot: 10 - Pre-Columbian Maya Copador polychrome pottery bowl from the Late Classic Period, approximately 550 to 900 CE., 4” x 7”

Pre-Columbian Maya Copador polychrome pottery bowl from the Late Classic Period, approximately 550 to 900 CE. A Pre-Columbian Maya Copador polychrome pottery bowl from the Late Classic Period, approximately 550 to 900 CE. The bowl features intricate polychrome designs typical of Maya artistry, with swirling patterns in red and orange hues. The bowl measures 4 inches in height and 7 inches in diameter.

Lot: 11 - 2 Pre-Columbian Aztec polychrome pottery tripod bowls, larger with three rattle legs, smaller with 3 figures. Probably from Valley of Mexico or Oaxaca, from approximately 1200 to 1500 CE? Some repairs., 3 1/2” x 8” (larg

2 Pre-Columbian Aztec polychrome pottery tripod bowls, larger with three rattle legs, smaller with 3 figures. Probably from Valley of Mexico or Oaxaca, from approximately 1200 to 1500 CE? Some repairs.3 1/2" x 8" (largest) Two Aztec-style pottery tripod dishes with three distinct legs. These pre-Columbian vessels are likely from the Valley of Mexico or Oaxaca, dating approximately from 1200 to 1500 CE. Some repairs are visible, indicating restoration efforts.

Lot: 12 - Cocle pre-Columbian Cocle Terracotta polychrome pottery plate, Panama. 12”Diameter

Cocle pre-Columbian Cocle Terracotta polychrome pottery plate, Panama. This item is a Pre-Columbian Coclé polychrome pottery plate from Central Panama, dating approximately between 800-1000 AD.It features intricate designs of magical creatures combining avian and serpent forms within its quadrants.These plates were often utilized as offering plates in shamanic rituals or burials.Such artifacts have been discovered in excavations at sites like Sitio Conte, rich with iconography and cultural meaning.

Lot: 13 - Pre-Columbian Casas Grandes Ramos Polychrome Pottery Jar from the Chihuahua region, typically dating between 1150 and 1450 CE, heavily reconstructed specimen., 9 1/2” x 11”

Pre-Columbian Casas Grandes Ramos Polychrome Pottery Jar from the Chihuahua region, typically dating between 1150 and 1450 CE, heavily reconstructed specimen. A Pre-Columbian Casas Grandes Ramos Polychrome Pottery Jar from the Chihuahua region, typically dating between 1150 and 1450 CE. The jar features intricate geometric patterns in black and red on a tan background. It is a heavily reconstructed specimen, indicating restoration efforts.

Lot: 14 - Casas Grandes Ramos Polychrome fish effigy olla vessel, Mexico 6”H x 10”W x 7”D

Casas Grandes Ramos Polychrome fish effigy olla vessel, Mexico This is a Casas Grandes Ramos Polychrome effigy vessel from Mexico, characterized by its distinctive polychrome decoration. The vessel features geometric patterns in red, black, and beige tones, typical of the Ramos style. It has a fish-like shape with a spout and tail, and includes a red cord attached to the opening. Repair visible on tail.

Lot: 15 - Repaired pre-Columbian Casas Grandes (Paquime) polychrome anthropomorphic effigy vessel from Chihuahua, Mexico, typically dated between 1200 and 1450 CE. Heavily reconstructed., 5 1/4” x 5” x 6”

Repaired pre-Columbian Casas Grandes (Paquime) polychrome anthropomorphic effigy vessel from Chihuahua, Mexico, typically dated between 1200 and 1450 CE. Heavily reconstructed. A repaired pre-Columbian Casas Grandes (Paquime) polychrome anthropomorphic effigy vessel from Chihuahua, Mexico, dating between 1200 and 1450 CE. The vessel features intricate black geometric and anthropomorphic designs on a cream-colored background, characteristic of the Casas Grandes culture.

Lot: 16 - MOCHE Ceremonial Stirrup Spout Vessel- Animal Mythology Warrior Figure PERU, 13”H x 9”W x 10”D

MOCHE Ceremonial Stirrup Spout Vessel- Animal Mythology Warrior Figure PERU This is a Moche ceremonial stirrup spout vessel depicting an animal mythology warrior figure. It features intricate detailing and is made from terracotta, typical of Moche craftsmanship from ancient Peru.The vessel is crafted in the form of an anthropomorphic creature featuring a white slip with red and brown painted details.

Lot: 17 - Pre-Columbian Mexican terracotta pottery mother and child figural ocarina flute/whistle, possibly from the Mayan or Veracruz region.

Pre-Columbian Mexican terracotta pottery mother and child figural ocarina flute/whistle, possibly from the Mayan or Veracruz region. Polychrome paint on skirt.

Lot: 18 - 2 vintage figures, Schering Pharmaceutical advertising reproduction of Moche (Mochica) pottery from Northern Peru and owl-shaped bottle form vessel, common motif in Moche ceramic art. 6” x 3” x 3”

2 vintage figures, Schering Pharmaceutical advertising reproduction of Moche (Mochica) pottery from Northern Peru and owl-shaped bottle form vessel, common motif in Moche ceramic art. Two vintage figures, reproductions of Moche (Mochica) pottery from Northern Peru, created as advertising items by Schering Pharmaceutical. One figure is a human form, and the other is an owl-shaped vessel, both common motifs in Moche ceramic art.

Lot: 19 - Pre-Columbian terracotta avian effigy tripod vessel, bird-like figure, Costa Rican redware pottery. 3 1/2”H x 4”Diameter

Pre-Columbian terracotta avian effigy tripod vessel, bird-like figure, Costa Rican redware pottery. This is a terracotta effigy vessel depicting a bird-like figure, likely originating from Costa Rican or Pre-Columbian pottery traditions. The vessel features a rounded body with stylized avian features, including a pronounced beak and circular eyes. It stands on three short legs and exhibits a reddish-brown patina typical of ancient terracotta works.

Lot: 20 - Pre-Columbian terracotta pottery fox or dog effigy vessel likely from Mexico, specifically the Colima region. 5"h x 10"w

Pre-Columbian terracotta pottery fox or dog effigy vessel likely from Mexico, specifically the Colima region. This is a terracotta effigy vessel fashioned in the likeness of an animal, likely representing a deer or a dog. It features a reddish-brown patina typical of terracotta and has a hollow body with openings, suggesting it may have been used for ceremonial or decorative purposes.

Lot: 21 - Native American Pre-Columbian redware pottery effigy bowl with tail rider frog figures on handles., 4” x 8” x 6”

Native American Pre-Columbian redware pottery effigy bowl with tail rider frog figures on handles. A Native American effigy bowl likely crafted from terracotta or redware, featuring frog motifs. The craftsmanship suggests traditional techniques, possibly used for ceremonial purposes.

Lot: 22 - Redware terracotta bowl featuring a stylized animal effigy head along the rim, Mississippian culture? 4 1/4” x 6”

Redware terracotta bowl featuring a stylized animal effigy head along the rim, Mississippian culture? A red earthenware bowl featuring a stylized animal effigy head along the rim, possibly from the Mississippian culture. The piece exhibits traditional craftsmanship with a smooth finish and natural red clay color.

Lot: 23 - Large spouted zoomorphic terracotta pottery Quapaw dog water pot teapot vessel 8” x 10 1/2” x 7”

Large spouted zoomorphic terracotta pottery Quapaw dog water pot teapot vessel The vessel features a spherical body with two spouts, one vertical and one angled, and is made from a reddish-brown ceramic material.

Lot: 24 - Redware terracotta pottery dog sculpture, "Colima or Quapaw? style Dog" effigy water pot vessel, 11 1/2”H x 14”W x 7”D

Redware terracotta pottery dog sculpture, "Colima or Quapaw? style Dog" effigy water pot vessel This is a redware effigy vessel in the shape of a dog, commonly referred to as a 'Colima Dog'. It is crafted from red clay and features a stylized representation of a dog, typical of pre-Columbian Colima culture from Western Mexico. The sculpture is characterized by its rounded body and expressive facial features.

Lot: 25 - Pre-Columbian West Mexican terracotta pottery figure from the Chinesco tradition, probably 100 BCE-250 BCE, 8” x 5” x 4”

Pre-Columbian West Mexican terracotta pottery figure from the Chinesco tradition, probably 100 BCE-250 BCE This is a Pre-Columbian West Mexican terracotta figure from the Chinesco tradition, dating approximately between 100 BCE and 250 CE. The figure is characterized by its anthropomorphic form with distinct red and beige coloration, typical of Chinesco style. The piece measures approximately 8 inches in height, 5 inches in width, and 4 inches in depth. Repairs to head.

Lot: 26 - Ixtlan del Rio Pre-Columbian Nayarit pottery figure from West Mexico, 15” x 8” x 9”

Ixtlan del Rio Pre-Columbian Nayarit pottery figure from West Mexico This is a Pre-Columbian Nayarit pottery figure from West Mexico, specifically from the Ixtlan del Rio region. The figure is characterized by its vibrant polychrome decoration and intricate detailing, typical of Nayarit artifacts. The piece depicts a seated figure adorned with a headdress and elaborate ear ornaments. The pottery shows signs of age and wear, with a visible break and repair.

Lot: 27 - Jaina style or originating from West Mexican cultures such as Nayarit or Colima Pre-Columbian terracotta earthenware seated figure, crafted as a Mayan sculpture, 8 1/2”H x 6”W x 6”D

Jaina style or originating from West Mexican cultures such as Nayarit or Colima Pre-Columbian terracotta earthenware seated figure, crafted as a Mayan sculpture A Jaina style Mexican terracotta figurine crafted to resemble a Mayan sculpture. The piece features a hand-modeled, rustic finish and depicts a seated figure with intricate detailing on the clothing and headdress. Restoration to headdress and on leg.

Lot: 28 - Pre-Columbian Mayan? terracotta pottery figure ancestor, originating from Guatemala. 4 1/2” x 2 1/2” x 2 1/2”

Pre-Columbian Mayan? terracotta pottery figure ancestor, originating from Guatemala.

Lot: 29 - Pre-Columbian Sonriente smiling pottery head from the Veracruz culture of Mexico, dating between 600 and 900 A.D. 5 1/2” x 6” x 6”

Pre-Columbian Sonriente smiling pottery head from the Veracruz culture of Mexico, dating between 600 and 900 A.D. A Pre-Columbian ceramic head from the Veracruz culture of Mexico, dating between 600 and 900 A.D. Known as a 'Sonriente', this piece features a smiling face typical of the style.

Lot: 30 - Mounted Pre-Columbian Veracruz smiling Sonriente pottery head, circa 600-800 AD., 9” x 5” x 3”

Mounted Pre-Columbian Veracruz smiling Sonriente pottery head, circa 600-800 AD. A mounted Pre-Columbian Veracruz Smiling Pottery Sonriente Head, dating from circa 600-800 AD. Features a characteristic smiling face, typical of the Veracruz culture. It is mounted on a wooden base for display.

Lot: 31 - Pre-Columbian mounted Jama-Coaque Clay Shaman Figurine, Ecuador., 4 1/2” x 3 1/2” x 3” (dimensions include mount)

Pre-Columbian mounted Jama-Coaque Clay Shaman Figurine, Ecuador. This clay figurine is a pre-Columbian artifact from the Jama-Coaque culture of coastal Ecuador.It likely depicts a shaman in the process of transformation, featuring a distinct diamond-shaped headdress.Figures from this culture are recognized for their intricate details in clothing and adornment.

Lot: 32 - A pre-Columbian pottery effigy funerary urn figure, potentially from the Mayan or Zapotec culture of Oaxaca, Mexico. 9” x 5” x 4”

A pre-Columbian pottery effigy funerary urn figure, potentially from the Mayan or Zapotec culture of Oaxaca, Mexico. A pre-Columbian pottery effigy figure, potentially from the Zapotec culture of Oaxaca, Mexico. The figure features traditional Zapotec stylistic elements, including a headdress and ear ornaments. Many of these figures were used as funerary urns or incense burners (censers) placed in tombs and temple steps during ceremonies.Iconography: The figures often represent deities, such as the Zapotec rain god Cocijo, equivalent to the Aztec Tlaloc or Maya Chaac. Loss throughout.

Lot: 33 - 3 Terra cotta figures, Zapotec pottery figure from Mexico, likely dating between 200-800 AD, funerary figure from the Koma people of Ghana. 9” x 6” x 4” (large figure)

3 Terra cotta figures, Zapotec pottery figure from Mexico, likely dating between 200-800 AD, funerary figure from the Koma people of Ghana. A set of three terracotta figures, likely representing Zapotec pottery from Mexico, dating between 200-800 AD. The figures exhibit traditional features and are possibly used for funerary purposes. Damage and loss to large figure.

Lot: 34 - Pre-Columbian ceramic incensario urn vessel, Zapotec or Maya artifact? Heavily reconstructed., 6 1/2” x 10”

Pre-Columbian ceramic incensario urn vessel, Zapotec or Maya artifact? Heavily reconstructed. A Pre-Columbian ceramic vessel possibly from the Zapotec or Maya cultures. Maya pottery incensario (urn), used for burning incense in religious rituals.It depicts a god emerging from the jaws of a fanged creature, indicating a transition from the underworld.The figure features fish barbels at the corners of its mouth and filed teeth forming a T-shape, representing "wind" and "breath" in Maya symbolism. Heavy restoration repairs.

Lot: 35 - Mayan or Aztec stylized polychrome clay pottery mask with bear on top, repaired., 11” x 9” x 3”

Mayan or Aztec stylized polychrome clay pottery mask with bear on top, repaired. A stylized clay mask with Mayan or Aztec influences, featuring intricate patterns and a bird motif on top. The mask shows signs of repair and has a rustic, aged appearance.

Lot: 36 - Pre-Columbian zoomorphic bird / avian effigy carved stone mortar. 7” x 4 1/2” x 3”

Pre-Columbian zoomorphic bird / avian effigy carved stone mortar.

Lot: 37 - Pre-Columbian zoomorphic stone metate and mano (grinding stone) for processing corn, volcanic stone, platform carved in the form of a jaguar. West Mexico? Circa 300 BCE and 1000 CE?

Pre-Columbian zoomorphic stone metate and mano (grinding stone) for processing corn, volcanic stone, platform carved in the form of a jaguar. West Mexico? Circa 300 BCE and 1000 CE? A Pre-Columbian stone metate and mano used for processing corn, crafted from volcanic stone. The platform is carved in the form of a jaguar, suggesting cultural significance and artistry. Likely originating from West Mexico, dating between circa 300 BCE and 1000 CE.

Lot: 38 - Mexican molcajete tripod mortar and pestle, hand-carved from durable volcanic basalt stone, pre-Columbian pretzel shaped figure, figural zoomorphic majador pestle, possibly from the Neolithic period, 5” x 9” (mortar)

Mexican molcajete tripod mortar and pestle, hand-carved from durable volcanic basalt stone, pre-Columbian pretzel shaped figure, figural zoomorphic majador pestle, possibly from the Neolithic period,5" x 9" (mortar) A hand-carved Mexican molcajete mortar and pestle set, crafted from durable volcanic basalt stone. The set includes a pig head pestle and a stone pretzel-shaped figure, along with a terracotta eye idol. The mortar measures 5" x 9". These items are possibly from the Neolithic period.

Lot: 39 - Pre-Columbian or Native American stone tools, pounding pestle or "mushroom stone" with grinding stones, commonly called "manos" or game stones., 10 1/2” x 3” x 3 1/2

Pre-Columbian or Native American stone tools, pounding pestle or "mushroom stone" with grinding stones, commonly called "manos" or game stones. A set of Pre-Columbian or Native American stone tools, including a pounding pestle or 'mushroom stone' and two grinding stones, commonly referred to as 'manos' or game stones. These artifacts were likely used for grinding and pounding tasks.

Lot: 40 - Pre-Columbian? volcanic pumice stone carving of a stylized human head, possibly Chavin culture of Peru, dating approximately to 900-200 BC., 9” x 5” x 5”

Pre-Columbian? volcanic pumice stone carving of a stylized human head, possibly Chavin culture of Peru, dating approximately to 900-200 BC. A pumice stone head possibly from the Chavin culture of Peru, dating approximately to 900-200 BC. The sculpture features a rudimentary carved face, typical of ancient stone effigies.

Lot: 41 - Pre-Columbian volcanic stone carving, cylinder seal? Large tapered and carved figure., 19” x 4 1/2” x 4”

Pre-Columbian volcanic stone carving, cylinder seal? Large tapered and carved figure. A large tapered and carved stone figure, possibly a Mayan altar figure or pre-Columbian stone carving. It features intricate carvings that suggest its use in ritual or ceremonial contexts.

Lot: 42 - 3 artifacts, Victorian clay pipe with head in relief, knobby pottery elbow pipe bowl, Pre-Columbian bird effigy pottery vessel, potentially from Costa Rica?

3 artifacts, Victorian clay pipe with head in relief, knobby pottery elbow pipe bowl, Pre-Columbian bird effigy pottery vessel, potentially from Costa Rica? Vessel has repairs.

Lot: 43 - Pre-Columbian zoomorphic clay pottery lizard / snake effigy tripod vessel, Panama?, repaired., 6 1/2” x 6” x 6”

Pre-Columbian zoomorphic clay pottery lizard / snake effigy tripod vessel, Panama?, repaired.

Lot: 44 - Pre-Columbian? Mayan? anthropomorphic effigial hands on face seed pot pottery vessel, unknown origin, repaired., 4” x 6” x 6”

Pre-Columbian? Mayan? anthropomorphic effigial hands on face seed pot pottery vessel, unknown origin, repaired. A hand-made pottery vessel featuring a face design. The vessel shows visible signs of repair and wear, indicating age and use. Restoration visible.

Lot: 45 - Group of three Pre-Columbian meso-American / Asian pottery vessels., 9” x 5 1/2” x 5” (double pot)

Group of three Pre-Columbian meso-American / Asian pottery vessels. A collection of three Meso-American pottery vessels, including a double pot with a stirrup handle, a brown vessel with a flared rim, and a cream-colored effigy vessel with a broken neck. The double pot features incised geometric patterns.

Lot: 46 - Navajo pottery vase, likely created by a contemporary artist. It features a distinctive "horned toad" or "horny toad" design, a popular motif in Navajo pottery. Fired with pine pitch for water resistance. , 7 1/2” x 5”

Navajo pottery vase, likely created by a contemporary artist. It features a distinctive "horned toad" or "horny toad" design, a popular motif in Navajo pottery. Fired with pine pitch for water resistance. 7 1/2" x 5" A contemporary Navajo pottery vase featuring a distinctive 'horned toad' design, a popular motif in Navajo pottery. The vase is fired with pine pitch for water resistance and measures 7 1/2 inches in height and 5 inches in diameter.

Lot: 47 - Pre-Columbian Mississippian Caddo culture long-neck water bottle jar with ribbon design in relief, likely shell-tempered clay paste., 8” x 8”

Pre-Columbian Mississippian Caddo culture long-neck water bottle jar with ribbon design in relief, likely shell-tempered clay paste. A Pre-Columbian Mississippian long-neck water bottle, likely made from shell-tempered clay paste. The bottle features a distinct long neck and a rounded body, typical of Mississippian pottery styles.

Lot: 48 - 2 Pre-Columbian pottery pieces, specifically a jar or ollas, similar to those found in Mayan or Mississippian Caddo cultures, earthenware, terra cotta, pumice, repairs., 7” x 8” (larger pot)

2 Pre-Columbian pottery pieces, specifically a jar or ollas, similar to those found in Mayan or Mississippian Caddo cultures, earthenware, terra cotta, pumice, repairs. Two Pre-Columbian pottery pieces, likely from Mayan or Mississippian cultures. The larger piece is a jar or olla made of earthenware, terra cotta, and pumice. It shows signs of repairs and wear consistent with age. The dimensions of the larger pot are approximately 7" x 8".

Lot: 49 - Belcher style engraved Caddo pottery bottle jar, Mississippian, COA included., 9 1/8” x 7 1/8”

Belcher style engraved Caddo pottery bottle jar, Mississippian, COA included. A Mississippian period Caddo engraved bottle. The bottle features intricate engravings typical of the Belcher style, with a bulbous body and narrow neck. The surface shows signs of age, with a patina that suggests historical use.

Lot: 50 - Native American carinated pottery bowl from the Early Caddoan period, Prehistoric Mississippian Caddo Pottery Bowl, 10” x 4 1/2”

Native American carinated pottery bowl from the Early Caddoan period, Prehistoric Mississippian Caddo Pottery Bowl A Native American Caddoan Culture carinated pottery bowl from the Early Caddoan period. The bowl features intricate designs typical of the Prehistoric Mississippian Caddo style.

Lot: 51 - 2 Ancestral Caddoan engraved bowls, likely dating from the 15th century, repaired., 6 1/2” x 3” each.

2 Ancestral Caddoan engraved bowls, likely dating from the 15th century, repaired. Two ancestral Caddoan engraved bowls, likely dating from the 15th century. The bowls have been repaired and feature intricate engraved designs typical of Caddoan craftsmanship.

Lot: 52 - Mississippian historic Native American hooded jar, possibly 30-100 A.D. pottery vessel., 8 1/2” x 10”

Mississippian historic Native American hooded jar, possibly 30-100 A.D. pottery vessel. crafted from pit fired / low fire terracotta. The piece measures 8 1/2 inches in height and 10 inches in width. It features a rounded body with a narrow opening, typical of ancient Peruvian pottery styles. Stress crack, and restoration present.

Lot: 53 - Large Earthen pottery vessel. Extensive repairs. 17” x 19”

Large Earthen pottery vessel. Extensive repairs. 17" x 19" An earthen pottery vessel with visible repairs. The vessel measures 17 inches in height and 19 inches in width. It features a natural earthy tone with evident cracks and repairs, indicating age and previous restoration efforts.

Lot: 54 - 3 Pre-Columbian pieces, redware pottery vessel, possibly from the Colima or Mississippian culture, ceramic or terracotta votive moccasins, 6” x 5”

3 Pre-Columbian pieces, redware pottery vessel, possibly from the Colima or Mississippian culture, ceramic or terracotta votive moccasins, A set of three Pre-Columbian redware pottery pieces, possibly from the Colima or Mississippian culture. The set includes a redware pottery vessel and two ceramic or terracotta votive moccasins. The central vessel has a rounded body with a narrow (restored) neck, while the moccasins are shaped to resemble footwear.

Lot: 55 - Mezcala stone figure, ancient Mesoamerican sculpture, carved from stone, metadiorite or andesite?, 5” x 2” x 1 3/4”

Mezcala stone figure, ancient Mesoamerican sculpture, carved from stone, metadiorite or andesite? This item appears to be a Mezcala stone figure, likely originating from the Guerrero region of Mexico.It is crafted from green-grey stone, possibly metadiorite, and features a stylized, abstract human form with deeply incised details separating the head and legs.Similar Pre-Columbian figures are often dated between 300 BCE and 300 CE, with arms sometimes delicately processed and resting on the stomach.

Lot: 56 - Pre-Columbian Costa Rican Sukia stone figure, volcanic basalt? a seated shaman or medicine man. These figures typically date between 300 to 1520 AD., 4” x 8” x 6”

Pre-Columbian Costa Rican Sukia stone figure, volcanic basalt? a seated shaman or medicine man. These figures typically date between 300 to 1520 AD. A Pre-Columbian Costa Rican 'Sukia' stone figure, likely representing a seated shaman or medicine man, crafted from volcanic basalt. These figures typically date between 300 to 1520 AD and are characterized by their distinct posture and expression.

Lot: 57 - This stone statue resembles a "Raja Tanimbar" figure, often carved from coral or stone and originating from the Maluku Islands in Indonesia. 7 1/4” x 2 1/4” x 3”

This stone statue resembles a "Raja Tanimbar" figure, often carved from coral or stone and originating from the Maluku Islands in Indonesia.

Lot: 58 - Pre-Columbian Costa Rican Sokia (shaman) stone sculpture of a seated figure with helmet and mask/goggles, or possibly Mezcala or Chontal cultures of the Guerrero region in Mexico. Such figures often date from 800 to 300

Pre-Columbian Costa Rican Sokia (shaman) stone sculpture of a seated figure with helmet and mask/goggles, or possibly Mezcala or Chontal cultures of the Guerrero region in Mexico. Such figures often date from 800 to 300 BCE.3 1/2" x 1 1/2" x 2" A Pre-Columbian stone sculpture depicting a seated figure with a helmet and mask or goggles. The piece is possibly from the Mezcala or Chontal cultures of the Guerrero region in Mexico, dating from 800 to 300 BCE.

Lot: 59 - LARGE Pre-Columbian Exotic Bird / Parrot effigy carved stone ceremonial mace head. 3 1/2”H x 8”W x 4”D

LARGE Pre-Columbian Exotic Bird / Parrot effigy carved stone ceremonial mace head. This is a stone carved effigy resembling a bird, measuring 3 1/2 inches in height, 8 inches in width, and 4 inches in depth. The piece appears to be a handcrafted artifact, possibly of cultural or historical significance.

Lot: 60 - Pre-Columbian carved stone effigy mace in the form of a stylized avian / owl head., 2" x 3".

Pre-Columbian carved stone effigy mace in the form of a stylized avian / owl head.

Lot: 61 - Pre-Columbian ceremonial carved stone bat effigy mace head, likely from the Nicoya region of Costa Rica.

Pre-Columbian ceremonial carved stone bat effigy mace head, likely from the Nicoya region of Costa Rica. It shares characteristics with zoomorphic carvings designed to fit on a shaft, often dated between 300-500 CE.It is consistent with granite or dense stone carvings used for ceremonial purposes rather than functional daily tools.

Lot: 62 - Two Native American stone tools, specifically grooved stone axe heads, 6” x 3 1/2” x 1 1/2” (largest)

Two Native American stone tools, specifically grooved stone axe heads,

Lot: 63 - Native American Plains Indian style artifact stones grooved tools., 3” x 6” x 9”

Native American Plains Indian style artifact stones grooved tools.

Lot: 64 - 10” painted pottery tray, pre Columbian artifact from Columbia, South Carolina, 900-1200BC, includes COA by Tony Putty. 10” x 3 1/2” x 3/4”

10" painted pottery tray, pre Columbian artifact from Columbia, South Carolina, 900-1200BC, includes COA by Tony Putty. A 10-inch painted pottery tray, identified as a pre-Columbian artifact from Columbia, South Carolina, dating from 900-1200 BC. The tray features a textured surface with a symmetrical pattern, indicative of its cultural significance. It includes a Certificate of Authenticity by Tony Putty.

Lot: 65 - Large carved stone hook form figure/tool, possibly a Tahitian Penu (pounder) / masher. 6”H x 6”W x 3”D

Large carved stone hook form figure/tool, possibly a Tahitian Penu (pounder) / masher. This item is a stone carved figure or tool. The object appears to be an artifact or tool, possibly used by Paleo-American cultures. Its shape suggests it could have been used as a multitool.

Lot: 66 - Neolithic stone goddess figurine?, 5” x 2” x 1 1/2”

Neolithic stone goddess figurine? A small figurine possibly representing a goddess, typical of Neolithic art. The piece measures approximately 5 inches in height, 2 inches in width, and 1.5 inches in depth. It appears to be made of stone, with a weathered surface indicating significant age.

Lot: 67 - 2 “poison pots” from Pre-Columbian Jalisco Mexican cultures, small vessels identified as ceramic oil lamps dating to the Sasanian period, around the 3rd–7th century CE. (?), 2” x 1 1/2” x 1 1/2” (largest)

2 "poison pots" from Pre-Columbian Jalisco Mexican cultures, small vessels identified as ceramic oil lamps dating to the Sasanian period, around the 3rd–7th century CE. (?)2" x 1 1/2" x 1 1/2" (largest) Two small ceramic vessels identified as 'poison pots' from the Pre-Columbian Jalisco culture, possibly used as oil lamps. These artifacts date back to the Sasanian period, around the 3rd–7th century CE. The largest measures approximately 2" x 1 1/2" x 1 1/2".

Lot: 68 - terracotta clay pottery effigy pipes In the Aztec or Mayan style

terracotta clay pottery effigy pipes In the Aztec or Mayan style, A pair of terracotta effigy pipes styled in the Aztec or Mayan tradition. Each pipe features a sculpted face with distinct facial features, indicative of pre-Columbian artistic influences.

Lot: 69 - Two Pre-Columbian terracotta figures; Veracruz "Sonriente" (smiling) effigy head, Mayan terracotta pottery rattle.

Two Pre-Columbian terracotta figures; Veracruz "Sonriente" (smiling) effigy head, Mayan terracotta pottery rattle.

Lot: 70 - Human head effigy polychrome pottery jar, jug, late Mississippian replica.

Human head effigy polychrome pottery jar, jug, late Mississippian replica. A human head effigy jar replica from the late Mississippian period, dated between Anno Domini 1300-1500. The piece is crafted in a style characteristic of the Mississippian culture, featuring a detailed human face with closed eyes and a mouth with visible teeth. The surface shows signs of wear consistent with age.

Lot: 71 - 2 Mexican folk art pottery tourist figures, likely a duck or another zoomorphic creature., 5 3/4” x 4 1/4” x 5” (largest)

2 Mexican folk art pottery tourist figures, likely a duck or another zoomorphic creature. Two vintage Mexican folk art pottery figures resembling ducks or other zoomorphic creatures. The figures are hand-painted and glazed, showcasing traditional Mexican pottery techniques.

Lot: 72 - Pre-Columbian Moche style terracotta pottery portrait vessel, Peru., 13 1/2” x 7” x 6”

Pre-Columbian Moche style terracotta pottery portrait vessel, Peru. A terracotta portrait vessel in the style of the Moche Culture in Peru. The vessel features a detailed human face. Loss to object on back.

Lot: 73 - Assorted old world wood, stone, and bone/tooth fragments, pieces, orbs, clay figure

Assorted old world wood, stone, and bone/tooth fragments, pieces, orbs, clay figure A collection of assorted old world artifacts including wood, stone, and bone/ Romanian cave bear tooth, fossil, game ball? grinding tool and orbs, and a repaired clay figure with polychrome and glass bead decoration. The items appear to be a mix of natural and possibly crafted objects, potentially including prehistoric or indigenous artifacts.

Lot: 74 - 2 carved petroglyphs historical artifacts, ceremonial items or Native American ornaments stone disc or palette, possibly representing Mississippian culture icon art., 7” x 1” (large black disc)

2 carved petroglyphs historical artifacts, ceremonial items or Native American ornaments stone disc or palette, possibly representing Mississippian culture icon art. Two carved petroglyphs, possibly representing historical artifacts or ceremonial items. The larger piece is a black stone disc featuring an engraved tribal figure, possibly indicative of Mississippian culture iconography. The smaller piece appears to be a fragment with geometric figural carvings.

Lot: 75 - Two Inuit carved fetish pendant artifacts appearing to be from fossilized teeth, a seal and a human face maskette., 2” x 1/2” (face)

Two Inuit carved fetish pendant artifacts appearing to be from fossilized teeth, a seal and a human face maskette. The carvings feature distinct shapes, possibly representing cultural or symbolic figures.

Lot: 76 - Inuit hand-carved soapstone seal sculpture 8 1/2”H x 2 1/2”W x 5”D

Inuit hand-carved soapstone seal sculpture This is a hand-carved soapstone sculpture depicting a seal, created by an Inuit artist. It features the characteristic smooth, polished surface typical of Inuit carvings, with detailed etchings representing the seal's features. Repair visible on tail.

Lot: 77 - Primitive phallic stone slate carved smiling man figure. 10"L

Primitive phallic stone slate carved smiling man figure. This is a stone carved figure depicting a smiling man. The sculpture is 10 inches long and appears to be crafted from a single piece of stone. The figure is simplistic in design, with minimal facial features and a smooth, elongated body.

Lot: 78 - Vintage hand-carved and painted wood totem pole from the Pacific Northwest, depicting an eagle or thunderbird figure, unsigned, souvenir. 10 1/4” x 5 1/2” x 2 1/2”

Vintage hand-carved and painted wood totem pole from the Pacific Northwest, depicting an eagle or thunderbird figure, unsigned, souvenir. A hand-carved and hand-painted wood totem pole from the Pacific Northwest, depicting an eagle or thunderbird figure. The piece is unsigned and likely a souvenir item.

Lot: 79 - Large handcrafted wooden Northwest Coast style Shaman wall mask featuring traditional blue, red, and natural wood colors with mother of pearl eyes., 13” x 10” x 4”

Large handcrafted wooden Northwest Coast style Shaman wall mask featuring traditional blue, red, and natural wood colors with mother of pearl eyes. A large handcrafted wooden Northwest Coast style Shaman wall mask featuring traditional blue, red, and natural wood colors, showcases intricate carving and painting typical of Northwest Coast Indigenous art, often used in ceremonial contexts.

Lot: 80 - 2 hand-carved and painted likely Northwest Coast ceremonial paddles, similar in style to those produced by Tlingit or Haida artists. 41” x 4” x 1” (largest)

2 hand-carved and painted likely Northwest Coast ceremonial paddles, similar in style to those produced by Tlingit or Haida artists. Two hand-carved and painted ceremonial paddles, likely of Northwest Coast origin, similar in style to those produced by Tlingit or Haida artists. The paddles feature traditional formline designs, indicative of the cultural artistry of the region.

Lot: 81 - Tall Northwest Coast indigenous inspired handcrafted model totem pole, carved from wood, multiple stacked figures or animals., 40” x 6” x 6”

Tall Northwest Coast indigenous inspired handcrafted model totem pole, carved from wood, multiple stacked figures or animals. A tall handcrafted model totem pole carved from wood, featuring multiple stacked figures or animals. The detailed carvings depict traditional totemic figures, likely inspired by indigenous art.

Lot: 82 - Indonesian slit drum, hand-carved wooden fertility figure painted in red and black, with a hollow torso. Some splitting., 25” x 6”

Indonesian slit drum, hand-carved wooden fertility figure painted in red and black, with a hollow torso. Some splitting. A hand-carved wooden slit drum from Indonesia, featuring a fertility figure painted in red and black. The piece has a hollow torso and shows signs of splitting. Dimensions are 25 inches in height and 6 inches in width.

Lot: 83 - Antique metalwork, likely Marangga pendants or similar valuables originating from Sumba Island, Indonesia., 11 1/2” x 9” (largest)

Antique metalwork, likely Marangga pendants or similar valuables originating from Sumba Island, Indonesia. A collection of antique metalwork, likely Marangga pendants originating from Sumba Island, Indonesia. These pieces are characterized by their unique shapes and intricate designs, typically used as valuables or ceremonial items.

Lot: 84 - Batak Pustaha, a traditional magic manuscript from North Sumatra, Indonesia, circa 1900., 4” x 3 1/2” x 2”

Batak Pustaha, a traditional magic manuscript from North Sumatra, Indonesia, circa 1900. A traditional Batak Pustaha, a magic manuscript from North Sumatra, Indonesia, circa 1900. This item is a folded book made from tree bark, traditionally used by Batak shamans for recording magical formulas and rituals.

Lot: 85 - Indonesian bronze gong or a tawak-tawak ceremonial drum., 8 1/2” x 4”

Indonesian bronze gong or a tawak-tawak ceremonial drum. This is an Indonesian bronze gong, also known as a tawak-tawak ceremonial drum. It measures approximately 8 1/2 inches in diameter and 4 inches in height. The gong is traditionally used in ceremonial contexts and is crafted from bronze, giving it a distinct, resonant sound.

Lot: 86 - traditional Indonesian Dha sword or a Dayak Mandau headhunter's sword, featuring a single-edged steel blade, bone or horn hilt and wooden scabbard, reinforced with rattan bindings., 12” x 1 1/2” x 1”

traditional Indonesian Dha sword or a Dayak Mandau headhunter's sword, featuring a single-edged steel blade, bone or horn hilt and wooden scabbard, reinforced with rattan bindings.12" x 1 1/2" x 1" A traditional Indonesian Dha sword or Dayak Mandau headhunter's sword featuring a single-edged steel blade, a bone or horn hilt, and a wooden scabbard reinforced with rattan bindings. The sword measures approximately 12 inches in length, with a width of 1.5 inches and a depth of 1 inch.

Lot: 87 - Tokoname Japanese bonsai pot? Ding pottery vessel? Chinese tripod censer? And a terracotta amphora resembling ancient Roman or Middle Eastern pottery., 8” x 4 1/2” (amphora)

Tokoname Japanese bonsai pot? Ding pottery vessel? Chinese tripod censer? And a terracotta amphora resembling ancient Roman or Middle Eastern pottery. A terracotta amphora resembling ancient Roman or Middle Eastern pottery, alongside a small tripod censer. The amphora is approximately 8 inches tall and 4.5 inches wide, featuring a classic shape with two handles. The tripod censer is smaller, with a rounded body and three short legs, possibly indicative of Chinese or Japanese design.

Lot: 88 - Repaired clay figurine resembling a Japanese Jomon-era Dogu statue., 11 1/2” x 6” x 5”

Repaired clay figurine resembling a Japanese Jomon-era Dogu statue. This is a repaired clay figurine resembling a Jomon-era Dogu statue from Japan. The figurine features characteristic Jomon-era design elements, including intricate patterns and a humanoid form.

Lot: 89 - Four Chinese? Hongshan culture? jade mask pendants and ornaments., 2 3/4” x 3/4” x 2 1/4” (larger piece)

Four Chinese? Hongshan culture? jade mask pendants and ornaments. A collection of four jade pieces, likely decorative or used as jewelry components. The pieces exhibit characteristics of both Chinese and Pre-Columbian styles, featuring carved faces and abstract designs.

Lot: 90 - Hongshan culture style carved jade or stone sculpture of a primitive human figure holding an object and seated on knees. 9” x 3 1/2” x 3”

Hongshan culture style carved jade or stone sculpture of a primitive human figure holding an object and seated on knees. Apparent Material: The sculpture appears to be made of mottled, dark green and beige stone, commonly referred to as jade or nephrite in commercial listings.Stylistic Features: It depicts a seated or kneeling figure with a notably large, elongated head and a primitive facial expression.Cultural Reference: While often marketed online as ancient Neolithic Chinese artifacts, similar pieces are sometimes also associated with pre-Columbian or other indigenous styles. This is a hand-carved jade figurine, likely representing a figure from ancient cultures. The sculpture features a kneeling figure with detailed facial features and a hole through the center, possibly for ceremonial or decorative purposes.

Lot: 91 - Stylized anthropomorphic pendant, likely Chinese Hongshan culture stone carving. It is carved from a light-colored stone, possibly soapstone., 3” x 1” x 1”

Stylized anthropomorphic pendant, likely Chinese Hongshan culture stone carving. It is carved from a light-colored stone, possibly soapstone.

Lot: 92 - Chinese Hongshan? black jade carved stone pendant; stylized human figure talisman. 3”L

Chinese Hongshan? black jade carved stone pendant; stylized human figure talisman. This is a dark, mottled stone figure resembling carved pendants from the Chinese Hongshan culture. It features a stylized human figure with distinct facial features and a compact form. The figure is approximately 3 inches in length and showcases traditional carving techniques associated with the Hongshan culture.

Lot: 93 - Chinese grey/black pottery face jug / pitcher from the Neolithic Qijia culture, dating approximately to 1350 BC 7”H x 5”Diameter

Chinese grey/black pottery face jug / pitcher from the Neolithic Qijia culture, dating approximately to 1350 BC Modelled in the form of a stylised owl, with rounded body tapering towards the foot, supporting a face with pierced circles representing the eyes and a 'piecrust' ridge between them, the back of the jug supporting a small handle.The pottery shows wear consistent with its age, including surface abrasions and a patina developed over centuries.

Lot: 94 - Chinese Qijia Culture (2300 - 1900BC) reddish clay Zoomorphic pitcher has the face of an owl. , 7 1/4” x 5” x 5”

Chinese Qijia Culture (2300 - 1900BC) reddish clay Zoomorphic pitcher has the face of an owl. 7 1/4" x 5" x 5" A reddish clay zoomorphic pitcher from the Qijia Culture, dating back to 2300 - 1900 BC. The pitcher features the face of an owl and measures approximately 7 1/4" x 5" x 5". It exhibits characteristic Neolithic craftsmanship with a textured surface and distinct facial features.

Lot: 95 - 5 Chinese erotic scrimshaw panels made of bone/horn 4 3/4”H x 2”W each

5 Chinese erotic scrimshaw panels made of bone/horn A set of five Chinese erotic scrimshaw panels, each intricately carved with scenes of intimacy. Made from bone or horn, these panels measure 4 3/4 inches in height and 2 inches in width. The carvings depict traditional Chinese settings and figures, showcasing detailed artistry.

Lot: 96 - Vintage replica of a Chinese Ming Dynasty scroll painting titled "Lotus and Mandarin Ducks" by artist Chen Hongshou. 27” x 2 1/2” (rolled)

Vintage replica of a Chinese Ming Dynasty scroll painting titled "Lotus and Mandarin Ducks" by artist Chen Hongshou. The original artwork is famously housed in the Palace Museum in Beijing and features detailed floral imagery. A traditional Chinese scroll painting featuring lotus flowers and birds. The artwork is mounted on a red silk border and depicts a serene natural scene with detailed botanical and avian elements.

Lot: 97 - Two vintage Chinese-style stone Buddha heads one with a dark granite, weathered finish, one alabaster or white marble?, 4 1/2” x 3 1/2” x 3 1/2” each

Two vintage Chinese-style stone Buddha heads one with a dark granite, weathered finish, one alabaster or white marble? Two vintage Chinese-style stone Buddha heads, one with a dark, weathered finish and the other in white stone.

Lot: 98 - Shamanic wooden mask, potentially from Nepal or the Himalayan region, featuring dark wood and a dramatic, open-mouthed expression, associated with traditional rituals., 9“ x 7“ x 3 1/2”

Shamanic wooden mask, potentially from Nepal or the Himalayan region, featuring dark wood and a dramatic, open-mouthed expression, associated with traditional rituals.9" x 7" x 3 1/2" A shamanic wooden mask, potentially from Nepal or the Himalayan region, featuring dark wood and a dramatic, open-mouthed expression. The mask is associated with traditional rituals and measures approximately 9 x 7 x 3.5 inches.

Lot: 99 - A framed textile Kalaga tapestry, traditional Burmese art form featuring heavily embroidered padded appliqué figures., 22” x 22” x 1 1/2”

A framed textile Kalaga tapestry, traditional Burmese art form featuring heavily embroidered padded appliqué figures. A framed textile Kalaga tapestry, a traditional Burmese art form featuring heavily embroidered padded appliqué figures. The tapestry depicts two figures playing instruments, surrounded by intricate patterns and embellishments. The piece is framed with a gold-colored border.

Lot: 100 - Two Roman coins, PIETAS AVGVSTOR on reverse, often associated with emperors like Tetricus I or Tetricus II from the Gallic Empire.

Two Roman coins, PIETAS AVGVSTOR on reverse, often associated with emperors like Tetricus I or Tetricus II from the Gallic Empire. Two Roman coins with the inscription PIETAS AVGVSTOR on the reverse, likely associated with emperors Tetricus I or Tetricus II from the Gallic Empire. The coins show typical wear and patina consistent with ancient artifacts.

Lot: 101 - Antique Mughal India handcrafted brass hanging oil lamp or “Diya” shaped like a bird, 4” x 6 1/2” x 3”

Antique Mughal India handcrafted brass hanging oil lamp or "Diya" shaped like a bird, An antique handcrafted brass hanging oil lamp, also known as a 'Diya', shaped like a bird. The item features intricate detailing and a chain for hanging. Dimensions are approximately 4" x 6 1/2" x 3".

Lot: 102 - 2 Antique items, Islamic Turkish Ottoman Bronze Hawking Drum (bell) and a Nakare traditional Lobi terracotta vessel from Burkina Faso, West Africa, used for storing water or millet beer., 7” x 6” (largest)

2 Antique items, Islamic Turkish Ottoman Bronze Hawking Drum (bell) and a Nakare traditional Lobi terracotta vessel from Burkina Faso, West Africa, used for storing water or millet beer.7" x 6" (largest) This collection includes two antique items: an Islamic Turkish Ottoman Bronze Hawking Drum, likely used historically in falconry, and a traditional Lobi terracotta vessel from Burkina Faso, West Africa, typically used for storing water or millet beer. The drum features a conical shape with a patina indicative of age, while the vessel displays traditional incised decorations.

Lot: 103 - Ancient Egyptian female servant carved stone figure portrayed holding an offering basket on her head” has certificate of Authentication, A2731, 1069-525 B.C. 4” x 1 1/4” x 1”

Ancient Egyptian female servant carved stone figure portrayed holding an offering basket on her head" has certificate of Authentication, A2731, 1069-525 B.C. A small carved stone figure representing a female servant holding an offering basket on her head. The sculpture is from the Third Intermediate Period of Egypt, dated 1069-525 B.C. It is characterized by a rough texture due to water erosion, typical of ancient Egyptian artifacts. Certificate of Authenticity from B.C. Galleries, Ancient Art & Archaeology, Australia, 11/27/2000.

Lot: 104 - African Tutsi woven basket, Rwanda 10"H x 9 1/4"Diam.

African Tutsi woven basket, Rwanda

Lot: 105 - African Tutsi woven lidded basket, Rwanda, 6 1/2”H with lit, 3 1/2”Diameter

African Tutsi woven lidded basket, Rwanda

Lot: 106 - African Bura terracotta pottery memorial funerary sculpture of a head from Krindjabo, Ghana?, potentially dating from the 3rd to 11th century CE., 10” x 4 1/2”

African Bura terracotta pottery memorial funerary sculpture of a head from Krindjabo, Ghana?, potentially dating from the 3rd to 11th century CE. A terracotta sculpture of a head attributed to the Bura culture, potentially originating from Krindjabo, Ghana. The piece is characterized by intricate facial features and a cylindrical form, typical of Bura funerary art. It likely dates from the 3rd to 11th century CE.

Lot: 107 - West Africa, Niger / Bukina Faso, Bura-Asinda-Sikka culture pottery head, ca. 3rd to 10th century CE., 4” x 4” x 2”

West Africa, Niger / Bukina Faso, Bura-Asinda-Sikka culture pottery head, ca. 3rd to 10th century CE. A terra cotta artifact head, possibly funerary or ceremonial.

Lot: 108 - LARGE Nupe terracotta pottery pot from Nigeria, typically used for water storage. Geometric patterned earthenware., 15” x 16”dia.

LARGE Nupe terracotta pottery pot from Nigeria, typically used for water storage. Geometric patterned earthenware. A Nupe terracotta pot from Nigeria, typically used for water storage. It features geometric patterns and is crafted from earthenware.

Lot: 109 - African wood fetish figure? Likely a Songye or Bakongo ancestor sculpture from the Congo region., 14” x 4” x 3 1/2”

African wood fetish figure? Likely a Songye or Bakongo ancestor sculpture from the Congo region. A wooden fetish figure likely from the Songye or Bakongo people of the Congo region. The sculpture features traditional carving techniques with a distinct facial expression and posture, indicative of cultural and spiritual significance.

Lot: 110 - 2 Ntadi funeral stone figures, pensive village headman, a common motif in Democratic Republic of Congo Ntadi stone grave figurine from the Congo, 6 1/2” x 2 1/2” x 2”

2 Ntadi funeral stone figures, pensive village headman, a common motif in Democratic Republic of Congo Ntadi stone grave figurine from the Congo, A pair of Ntadi funeral stone figures depicting a pensive village headman, a common motif in the Democratic Republic of Congo. These figures are typically used as grave markers and are carved from stone.

Lot: 111 - African tribal mask artifacts, specifically resembling items from the Lega or SHI cultures of the Democratic Republic of Congo(?), 15” x 4” x 2” (largest)

African tribal mask artifacts, specifically resembling items from the Lega or SHI cultures of the Democratic Republic of Congo(?) A collection of African tribal artifacts, likely from the Lega or SHI cultures of the Democratic Republic of Congo. The items include carved wooden masks and a fabric piece, showcasing traditional craftsmanship.

Lot: 112 - 4 miniature African carved wood maskette masks in the styles of indigenous peoples, possibly Bassa, Ivory Coast., 2 3/4” x 1” x 1” (largest)

4 miniature African carved wood maskette masks in the styles of indigenous peoples, possibly Bassa, Ivory Coast. A set of four small carved wooden heads, each depicting a face in the style of indigenous peoples. The carvings vary slightly in size, with the largest measuring approximately 2 3/4" x 1" x 1". The wood is dark and appears aged, with distinct facial features carved into each piece.

Lot: 113 - 3 wood figures, 2 Mossi Biga fertility doll from Burkina Faso, crafted from wood and one wrapped in leather, and an antique carved tribal wood figure, consistent with African or ethnographic art., 15” x 3 1/2” (largest)

3 wood figures, 2 Mossi Biga fertility doll from Burkina Faso, crafted from wood and one wrapped in leather, and an antique carved tribal wood figure, consistent with African or ethnographic art.15" x 3 1/2" (largest) A collection of three wood figures, including two Mossi Biga fertility dolls from Burkina Faso, crafted from wood with one wrapped in leather, and an antique carved tribal wood figure. These pieces are consistent with African or ethnographic art, showcasing traditional craftsmanship.

Lot: 114 - Wooden Songye Kifwebe Luba mask from the Democratic Republic of Congo, distinct linear striations, protruding, square-shaped mouth., 14” x 8” x 7”

Wooden Songye Kifwebe Luba mask from the Democratic Republic of Congo, distinct linear striations, protruding, square-shaped mouth. A wooden Songye Kifwebe Luba mask from the Democratic Republic of Congo, featuring distinct linear striations and a protruding, square-shaped mouth.

Lot: 115 - African tribal Songye Kifwebe ? mask from the Democratic Republic of the Congo?, 16” x 7” x 8”

African tribal Songye Kifwebe ? mask from the Democratic Republic of the Congo? This is a traditional African tribal Songye Kifwebe mask from the Democratic Republic of the Congo. It features characteristic geometric patterns and a prominent crest, typical of Songye artistry. The mask is carved from wood and painted in black and white, with a stylized animal figure on top.

Lot: 116 - Likely an African Luba shield from the Democratic Republic of the Congo.It features a stylized Kifwebe-style mask in the center. , 18” x 7 1/2” x 4”

Likely an African Luba shield from the Democratic Republic of the Congo.It features a stylized Kifwebe-style mask in the center. 18" x 7 1/2" x 4" An African Luba shield from the Democratic Republic of the Congo, featuring a stylized Kifwebe-style mask in the center. The shield measures 18" x 7 1/2" x 4" and is crafted from wood with geometric and tribal designs.

Lot: 117 - Sculpture, traditional Bamana Chi Wara headdress from Mali, carved from wood to represent a mythical antelope. Gluey repair., 19“ x 7“ x 4“

Sculpture, traditional Bamana Chi Wara headdress from Mali, carved from wood to represent a mythical antelope. Gluey repair.19" x 7" x 4" A traditional Bamana Chi Wara headdress from Mali, carved from wood to represent a mythical antelope. The piece features intricate carvings and is adorned with cowrie shells and beads. It has a gluey repair, indicating some restoration work.

Lot: 118 - African wooden interlocking tripod plant stand, hand carved. , 10” x 9”

African wooden interlocking tripod plant stand, hand carved. 10" x 9" A hand-carved African wooden interlocking tripod plant stand featuring intricate designs and a natural wood finish. The sculpture is approximately 10 inches in height and 9 inches in width. It showcases traditional African craftsmanship with interlocking figures.

Lot: 119 - 4 hand carved antique curiosities, wunkirmian or wakemia ladle, hand-carved Australian Aboriginal woomera, African grater or rasp., Woomera is 31” x 3” x 1/2”

4 hand carved antique curiosities, wunkirmian or wakemia ladle, hand-carved Australian Aboriginal woomera, African grater or rasp.Woomera is 31" x 3" x 1/2" A collection of four hand-carved antique items, including a wunkirmian or wakemia ladle, a hand-carved Australian Aboriginal woomera, and an African grater or rasp. The woomera measures 31" x 3" x 1/2".

Lot: 120 - 7 ancient and antique possibly African hand forged metal tribal weapons tools, knives, daggers, and spears., 44” x 2” x 2” (spear)

7 ancient and antique possibly African hand forged metal tribal weapons tools, knives, daggers, and spears. The items vary in size and design, showcasing a range of historical weaponry and tools.

Lot: 121 - West African Mandingo tribal dagger, featuring a blade with intricate engravings, leather wrapping, and Mandingo sword dating back to the 19th or early 20th century., 32” x 3” x 1 1/2” (sword)

West African Mandingo tribal dagger, featuring a blade with intricate engravings, leather wrapping, and Mandingo sword dating back to the 19th or early 20th century. A West African Mandingo tribal dagger featuring a blade with intricate engravings. The piece likely dates back to the 19th or early 20th century. It includes a sword with a scabbard and a smaller dagger, both with detailed craftsmanship typical of Mandingo tribal weapons.

Lot: 122 - African Tribal Art, likely a Bateba figure created by the Lobi people of Burkina Faso, Ghana, and Ivory Coast. Some damage. , 17” x 5” x 5”

African Tribal Art, likely a Bateba figure created by the Lobi people of Burkina Faso, Ghana, and Ivory Coast. Some damage. 17" x 5" x 5" A Bateba figure created by the Lobi people, originating from Burkina Faso, Ghana, and Ivory Coast. The figure is made of wood and shows signs of aging and damage, typical of traditional tribal art.

Lot: 123 - Pair African Yoruba Ibeji carved and painted twin figures adorned with beads, Nigeria. 11 1/4”H (tallest)

Pair African Yoruba Ibeji carved and painted twin figures adorned with beads, Nigeria. This is a pair of Yoruba Ibeji twin figures from Nigeria, standing at 11 1/4 inches tall. These figures are traditionally carved from wood and are adorned with beaded necklaces and bracelets. The figures are characterized by their distinct facial features and intricate hairstyles, which are typical of Yoruba artistry.

Lot: 124 - African Baule carved wood ceremonial mask, Ivory Coast 9 1/2"H x 5"W x 4 1/2"D

African Baule carved wood ceremonial mask, Ivory Coast

Lot: 125 - African Baule / Yaure tribal carved wood ceremonial zoomorphic mask, Ivory Coast 11"H x 5"W x 4 1/2"D

African Baule / Yaure tribal carved wood ceremonial zoomorphic mask, Ivory Coast

Lot: 126 - African Guro polychrome carved wood zoomorphic Zamble mask, Ivory Coast, 14"H x 4 1/4"W x 3 1/2"D

African Guro polychrome carved wood zoomorphic Zamble mask, Ivory Coast A traditional African mask featuring elongated features and two prominent horns. The mask is primarily black with red and white accents, suggesting cultural significance and traditional craftsmanship.

Lot: 127 - Four African bronze tribal currency bracelets, 1"H x 4 3/8" Diam. (largest)

Four African bronze tribal currency bracelets

Lot: 128 - African Dogon carved granary door, Mali 49 1/4”H x 29 1/2”W x 2”D

African Dogon carved granary door, Mali

Lot: 129 - 4 artifacts, Indonesian headdress, vintage Tutsi basket-weave covered gourd container, likely originating from Burundi, Turkana food storage gourd from Kenya, and an African coiled grain basket, likely from the Pokot tri

4 artifacts, Indonesian headdress, vintage Tutsi basket-weave covered gourd container, likely originating from Burundi, Turkana food storage gourd from Kenya, and an African coiled grain basket, likely from the Pokot tribe of Kenya or the Kuba culture of the Congo.22" x 21" x 20" (headdress/mask) A collection of four artifacts including an Indonesian headdress and three African items: a vintage Tutsi basket-weave covered gourd container from Burundi, a Turkana food storage gourd from Kenya, and an African coiled grain basket likely from the Pokot tribe of Kenya or the Kuba culture of the Congo.

Lot: 130 - Oceanic Arawe fighting shield from the Kandrian area of West New Britain, Papua New Guinea., 59” x 13” x 2 1/2”

Oceanic Arawe fighting shield from the Kandrian area of West New Britain, Papua New Guinea.59" x 13" x 2 1/2" This is an Oceanic Arawe fighting shield from the Kandrian area of West New Britain, Papua New Guinea. The shield is characterized by its intricate geometric patterns and vibrant colors, typical of the region's traditional art. It measures 59 inches in height, 13 inches in width, and 2.5 inches in depth.

Lot: 131 - Papua New Guinea Yamok statue carved from wood, featuring an ancestral figure from the Sepik Region called a Wan or Waken. Oceanic peoples. , 32” x 36” x 15”

Papua New Guinea Yamok statue carved from wood, featuring an ancestral figure from the Sepik Region called a Wan or Waken. Oceanic peoples. 32" x 36" x 15" A carved wooden statue from Papua New Guinea, featuring an ancestral figure known as a Wan or Waken from the Sepik Region. The piece is characterized by its intricate design and cultural significance, representing Oceanic peoples.

Lot: 132 - Mounted ceremonial wooden figure from the Mindimbit village in Papua New Guinea, featuring cowrie shell eyes and fiber ornamentation., 17” x 5” x 5”

Mounted ceremonial wooden figure from the Mindimbit village in Papua New Guinea, featuring cowrie shell eyes and fiber ornamentation.17" x 5" x 5" A mounted ceremonial wooden figure from the Mindimbit village in Papua New Guinea, featuring cowrie shell eyes and fiber ornamentation. The piece measures 17 inches in height, 5 inches in width, and 5 inches in depth. It showcases traditional craftsmanship with intricate carvings and natural materials.

Lot: 133 - 2 Itombwa, which are friction oracle or divination instruments used by the Oceanic Kuba peoples of Zaire. Divining instruments., 25” x 4” x 2 1/4” (largest)

2 Itombwa, which are friction oracle or divination instruments used by the Oceanic Kuba peoples of Zaire. Divining instruments.25" x 4" x 2 1/4" (largest) Two Itombwa, which are friction oracle or divination instruments used by the Oceanic Kuba peoples of Zaire. These objects are traditionally used in divination practices and are crafted from wood with intricate carvings. The largest measures 25" x 4" x 2 1/4".

Lot: 134 - 3 unique pieces, Yipwon (or Kamanggabi) cult hook figure from the Korewori River region of Papua New Guinea, Possibly Indian green painted wooden object, and a polychrome (African?) pottery bowl. , 36” x 4” x 2”

3 unique pieces, Yipwon (or Kamanggabi) cult hook figure from the Korewori River region of Papua New Guinea, Possibly Indian green painted wooden object, and a polychrome (African?) pottery bowl. 36" x 4" x 2" This is a Yipwon (or Kamanggabi) cult hook figure from the Korewori River region of Papua New Guinea. It is accompanied by a possibly Indian green painted wooden object and a polychrome pottery bowl, possibly African. The Yipwon figure is characterized by its elongated form and intricate carvings, typical of Oceanic art.

Lot: 135 - Knob stick hand carved ball club, didgeridoo or horn-shaped instrument (54” x 4”) and a carved wooden Oceanic / Tiki sculpture or plaque

Knob stick hand carved ball club, didgeridoo or horn-shaped instrument (54" x 4") and a carved wooden Oceanic / Tiki sculpture or plaque, A collection featuring a knob stick, a didgeridoo or horn-shaped instrument measuring 54" x 4", and a carved wooden sculpture or plaque. The didgeridoo is decorated with bands of inlay, while the knob stick is crafted from a lighter wood. The plaque features intricate carvings.

Lot: 136 - Woven decor, 7pc: Zapotec saltillo Southwest serape blankets, Mexican straw sombrero hat, woven gathering baskets 11 1/2"H x 13 1/2"W x 15 1/2"D (large basket)

Woven decor, 7pc: Zapotec saltillo Southwest serape blankets, Mexican straw sombrero hat, woven gathering baskets

Lot: 137 - Three South Carolina sweetgrass baskets, 8 1/2"H x 10 1/2"Diam. (largest lidded basket measured)

Three South Carolina sweetgrass baskets

Lot: 138 - Native / American West group, 9pc: Western floral embroidered shirt with pearl snaps, plastic cowboy brooch, Monterrey Western Ware enamel cowboy mug, Fred Roberts Chuck Wagon mug, Alaskan Inuit souvenir dolls, Navajo po

Native / American West group, 9pc: Western floral embroidered shirt with pearl snaps, plastic cowboy brooch, Monterrey Western Ware enamel cowboy mug, Fred Roberts Chuck Wagon mug, Alaskan Inuit souvenir dolls, Navajo pottery doll, Native American Southwestern rawhide hand drum

Lot: 139 - Navajo Native American group, 3pc: carved and painted ogre kachina figure by Albert Tso, blanket rug weaving, and sash belt 15 3/4"H x 12"W x 5 1/2"D (figure)

Navajo Native American group, 3pc: carved and painted ogre kachina figure by Albert Tso, blanket rug weaving, and sash belt with red, white, and green striped pattern and fringed ends. Handwoven textile features geometric designs in red, black, white, yellow, and gray.

Lot: 140 - Bill Rabbit, American/Cherokee (1946–2012), Inner Strength, acrylic on canvas, 36”H x 24 1/4”W

Bill Rabbit American/Cherokee, (1946–2012) Inner Strength acrylic on canvas signed lower right and verso. Biography from Tulsa County Pawn Bill (William) Rabbit biographical photo Born on December 3, 1946, William E. Rabbit was an American artist who experimented with various styles, painting as he felt rather than according to public expectations. Rabbit exhibited his art in numerous locations and won many awards over the period of his artistic career. In 1986, he was designated Master Artist by the Five Civilized Tribes Museum. Toward the end of his life, Rabbit began collaborating on paintings with his daughter Traci, in their mutual studio located in Pryor Creek, Oklahoma. He died on April 9, 2012. Rabbit began painting as he felt rather than in a more traditional style according to what the public wanted. He was part of a wave of artists that broke from the older generation of native artists. Over time, Rabbit's subject matter has evolved from the realistic to the ethereal.

Lot: 141 - Bill Rabbit, American/Cherokee (1946–2012), Man of the Land / Native American chief, acrylic on paper / offset lithograph, 19 1/4'H x 9 1/2"W (Sight), 28 1/4” H x 18 1/4” W (Largest)

Bill Rabbit American/Cherokee, (1946–2012) Man of the Land / Native American chief acrylic on paper / offset lithograph Painting signed lower right. Print pencil signed and numbered 224/350 lower right. Small stains top center on mat.

Lot: 142 - Calvert Wayne Nevaquaya, American/Comanche (20th/21st century), Numunu (Comanche) Way, offset lithograph, 23 1/2"H x 35 1/2"W (Sight), 25 1/4” H x 37 1/4” W (frame)

Calvert Wayne Nevaquaya American/Comanche, (20th/21st century) Numunu (Comanche) Way offset lithograph Signed lower left. Damage to plastic frame

Lot: 143 - Jerome Richard Tiger, American/Muscogee Nation/Seminole (1941-1967), Seminole Fisherman / Observing the Enemy, 2 offset lithographs, 16 1/4"H x 21 1/4"W (sight), 22 7/8” H x 27 3/8” W (frame)

Jerome Richard Tiger American/Muscogee Nation/Seminole, (1941-1967) Seminole Fisherman / Observing the Enemy 2 offset lithographs numbered 277/1500 and 1166/1500.

Lot: 144 - Jerome Richard Tiger, American/Muscogee Nation/Seminole (1941–1967), Observing the Enemy, Yesterday, Today, & Tomorrow, Offset Lithograph on paper, 23 1/2"H x 17 1/2"W (Sight) x 25” H x 19” W (Frame)

Jerome Richard Tiger American/Muscogee Nation/Seminole, (1941–1967) Observing the Enemy, Yesterday, Today, & Tomorrow Offset Lithograph on paper (largest frame) Damage on frame and plastic

Lot: 145 - John Nieto, American (1936-2018), Native American Indian drummers, 2 offset lithographs, 27"H x 21 1/2"W (Sight), 28 1/2”H x 23 1/2”W (Frame) (Largest)

John Nieto American, (1936-2018) Native American Indian drummers 2 offset lithographs

Lot: 146 - Bert Seabourn (1931-2022) "Medicine Spirit" signed screenprint, 1981 and Len Agrella (20th/21st century) "American West" signed exhibition poster, 1981 27 1/4"H x 21 1/4"W (Sight), 29” H x 23” W (Frame) (Largest)

Bert Seabourn (1931-2022) "Medicine Spirit" signed screenprint, 1981 and Len Agrella (20th/21st century) "American West" signed exhibition poster, 1981 Screenprint signed and dated lower left, numbered 5/75. Poster signed lower center. Both frames and plastic are heavily scratched.

Lot: 147 - Native American themed decorative canvas prints, 17pc: Ana Grigorjev (Yoeme people) digital photographic prints after Edward Curtis, Miguel Paredes, John Moyers 16” H x 20” W (One)

Native American themed decorative canvas prints, 17pc: Ana Grigorjev (Yoeme people) digital photographic prints after Edward Curtis, Miguel Paredes, John Moyers Ana Grigorjev's digital replicas of Curtis's original photographs were produced as part of the Edward Curtis Legends project.

Lot: 148 - Native American Northern Plains style cradleboard 32”H x 12”W

Native American Northern Plains style cradleboard

Lot: 149 - Native American beaded cane walking stick with bird head handle and Paiute beaded basket 36”Long (walking cane measured)

Native American beaded cane walking stick with bird head handle and Paiute beaded basket Walking stick from Comanche Homecoming Powwow, Oklahoma.

Lot: 150 - Armand American Horse Lakota German silver and mixed metal spider web bolo tie with 14k or 18k yellow gold accent overlay 3"H x 2 1/2"W(slide), 40"Long (bolo tie length)

Armand American Horse Lakota German silver and mixed metal spider web bolo tie with 14k or 18k yellow gold accent overlay This is not actual silver.

Lot: 151 - Armand American Horse Lakota German silver and turquoise leaf and feather bolo tie 3 3/4"H x 2 3/4"W(slide), 46"Long

Armand American Horse Lakota German silver and turquoise leaf and feather bolo tie This is not actual silver.

Lot: 152 - Armand American Horse Lakota German silver Waterbird pendant with enamel accents 4 1/4"H x 2 1/4"W

Armand American Horse Lakota German silver Waterbird pendant with enamel accents Hallmark on back. This is not actual silver.

Lot: 153 - Armand American Horse Lakota German silver inlaid maiden pendant necklace 4"H x 1 1/2"W(pendant), 23"Long (chain)

Armand American Horse Lakota German silver inlaid maiden pendant necklace Hallmark on back. This is not actual silver.

Lot: 154 - Armand American Horse Lakota German silver cross pendant with turquoise? and turquoise enamel cabochons 4 1/4"H x 2 1/2"W

Armand American Horse Lakota German silver cross pendant with turquoise? and turquoise enamel cabochons Hallmark on back. This is not actual silver.

Lot: 155 - Armand American Horse Lakota German silver canteen flask pendant with sunburst stampwork and turquoise cabochon / rhyolite? rainforest jasper? on other side 4 1/4"H x 3"W

Armand American Horse Lakota German silver canteen flask pendant with sunburst stampwork and turquoise cabochon / rhyolite? rainforest jasper? on other side Stamped with hallmark. This is not actual silver.

Lot: 156 - Armand American Horse Lakota German silver canteen flask pendant necklace with stone accents 3 1/2"H x 2 1/4"W(flask measured), 28"Long necklace

Armand American Horse Lakota German silver canteen flask pendant necklace with stone accents Stamped with hallmark. This is not actual silver.

Lot: 157 - Armand American Horse Lakota German silver "Spirit Hand" pin brooch with abalone shell 3 1/4"H x 2 1/2"W

Armand American Horse Lakota German silver "Spirit Hand" pin brooch with abalone shell Stamped with hallmark. This is not actual silver.

Lot: 158 - Armand American Horse Lakota German silver and mixed metal buffalo pendant with turquoise stone 4"H x 2 1/4"W

Armand American Horse Lakota German silver and mixed metal buffalo pendant with turquoise stone Hallmark on back of pendant. This is not actual silver.

Lot: 159 - Armand American Horse Lakota German silver cuff bracelet with black enamel 1 3/4"W x 2 3/4"Inner diam., 1 1/4"Gap

Armand American Horse Lakota German silver cuff bracelet with black enamel Inside stamped with hallmark. This is not actual silver.

Lot: 160 - Armand American Horse Lakota German silver belt buckle with turquoise stone and turquoise enamel 3 1/4"H x 4"W

Armand American Horse Lakota German silver belt buckle with turquoise stone and turquoise enamel Stamped with hallmark. This is not actual silver.

Lot: 161 - Armand American Horse Lakota German silver and turquoise enamel cuff bracelet 2 1/2"W x 2 1/2"Inner diam., 1 1/4"Gap

Armand American Horse Lakota German silver and turquoise enamel cuff bracelet Inside stamped with hallmark. This is not actual silver.

Lot: 162 - Armand American Horse Lakota German silver split-shank turquoise cuff bracelet 2 3/4"W x 2 1/2"Inner diam., 1 1/2"Gap

Armand American Horse Lakota German silver split-shank turquoise cuff bracelet Stamped with hallmark. Minor dent on silver top. This is not actual silver.

Lot: 163 - Eagle engraved vintage German? silver? gorget or pectoral necklace in the style of Hudson's Bay Company trade silver, likely dating to the early 20th century?, 7 1/2” x 6 1/2”

Eagle engraved vintage German? silver? gorget or pectoral necklace in the style of Hudson's Bay Company trade silver, likely dating to the early 20th century? A vintage gorget or pectoral necklace featuring an engraved eagle motif, possibly made from German silver. The design is reminiscent of Hudson's Bay Company trade silver, likely dating to the early 20th century. The piece measures approximately 7 1/2 inches by 6 1/2 inches and includes crescent-shaped pendants.

Lot: 164 - Native American Navajo leather ketoh bow guard featuring a central turquoise stone set in a sterling silver thunderbird plaque., 3"W

Native American Navajo leather ketoh bow guard featuring a central turquoise stone set in a sterling silver thunderbird plaque. The design includes traditional Navajo motifs and is 3 inches wide.

Lot: 165 - Old Vintage Hudson Bay Trading Post reproduction pipe tomahawk featuring an engraved brass head with a heart-shaped cutout., 18” x 8” x 1”

Old Vintage Hudson Bay Trading Post reproduction pipe tomahawk featuring an engraved brass head with a heart-shaped cutout. The handle is wooden, and the head is adorned with floral engravings and marked HB. There is a silver metal insert in the ax blade.

Lot: 166 - 3 Native North American nations items, 2 beaded necklaces and a Sioux women’s small pipe bag, leather, beads, and metal.

3 Native North American nations items, 2 beaded necklaces and a Sioux women's small pipe bag, leather, beads, and metal. This collection includes two beaded necklaces and a small Sioux women's pipe bag. The necklaces feature intricate beadwork in black and white patterns. The pipe bag is crafted from leather and adorned with colorful beadwork, featuring a central floral motif and fringe details.

Lot: 167 - Ancient shell bead necklace, possibly sourced from North America or Africa. 30” long.

Ancient shell bead necklace, possibly sourced from North America or Africa. An antique necklace made from calcified shell or bone beads, possibly sourced from North America or Africa. The necklace features irregularly shaped beads with a natural, weathered appearance.

Lot: 168 - Chief Rain-in-the-Face, a Hunkpapa Sioux warrior photograph by David F. Barry circa 1885, (postcard?) mounted on a Lentz Brothers card.

Chief Rain-in-the-Face, a Hunkpapa Sioux warrior photograph by David F. Barry circa 1885, (postcard?) mounted on a Lentz Brothers card. A historical photograph of Chief Rain-in-the-Face, a Hunkpapa Sioux warrior, taken by David F. Barry circa 1885. The image is mounted on a Lentz Brothers card, showcasing the chief in traditional attire with a feathered headdress.

Lot: 169 - Modern Native American ceremonial pipe bowl, carved from red stone known as catlinite or pipestone, turtle with Christian cross, 1 1/4”H x 1"W x 5"D

Modern Native American ceremonial pipe bowl, carved from red stone known as catlinite or pipestone, turtle with Christian cross, A Native American ceremonial pipe bowl carved from red stone known as catlinite or pipestone. The design features a turtle with a cross.

Lot: 170 - Pre-Columbian necklace artifact featuring Jamoaquoqe-style pottery spindle whorls (?) approximately 23 inches in length and composed of numerous small, earthy-toned ceramic beads, one resembles a face.., Case is 13” x 18

Pre-Columbian necklace artifact featuring Jamoaquoqe-style pottery spindle whorls (?) approximately 23 inches in length and composed of numerous small, earthy-toned ceramic beads, one resembles a face..Case is 13" x 18" x 3" A Pre-Columbian necklace artifact featuring Jamacoaque-style pottery spindle whorls, approximately 23 inches in length. It is composed of numerous small, earthy-toned ceramic beads, with one bead resembling a face. The necklace is housed in a case measuring 13" x 18" x 3".

Lot: 171 - 2 figural clay pottery Native Latin American fetish necklaces

2 figural clay pottery Native Latin American fetish necklaces, A pair of necklaces featuring figural pottery bead necklaces, likely representing cultural or tribal motifs.

Lot: 172 - Native American stone effigy pipes, depicting a bird and a bear, historically used for ceremonial smoking., 8 1/2” x 3” x 2 1/2” (bird)

Native American stone effigy pipes, depicting a bird and a bear, historically used for ceremonial smoking. A pair of Native American stone effigy pipes depicting a bird and a bear, historically used for ceremonial smoking. The bird pipe measures approximately 8 1/2" x 3" x 2 1/2". These artifacts are intricately carved and likely hold cultural significance.

Lot: 173 - Group of relics; stone pendant with ID: Raff Site Crib Mound, Spencer, IN, obsidian? carved skull, arrowhead necklace, Egyptian faience scarab amulets, carved bone pendant, Manji Dzi bead made from natural agate from Him

Group of relics; stone pendant with ID: Raff Site Crib Mound, Spencer, IN, obsidian? carved skull, arrowhead necklace, Egyptian faience scarab amulets, carved bone pendant, Manji Dzi bead made from natural agate from Himalayan regions.

Lot: 174 - Mounted bronze abstract form on pedestal, 9” x 2 1/4” x 2 1/4”

Mounted bronze abstract form on pedestal A mounted bronze abstract form on a wooden pedestal. The sculpture is characterized by its abstract shape and dark patina.

Lot: 175 - Native American Gunstock War Clubs, tomahawk peace pipe, twisted carved wooden tribal drill tool. (30” x 2”)

Native American Gunstock War Clubs, tomahawk peace pipe, twisted carved wooden tribal drill tool. (30" x 2") A collection of Native American items including gunstock war clubs and a tomahawk peace pipe. The items feature wooden construction with metal accents and decorative elements. The twisted wooden staff is notable for its craftsmanship.

Lot: 176 - Native American bow and 3 arrows, leather quiver, wood and steel tomahawk., 34” x 4” x 1” (bow)

Native American bow and 3 arrows, leather quiver, wood and steel tomahawk.34" x 4" x 1" (bow) A set comprising a Native American bow with three arrows, a leather quiver, and a wood and steel tomahawk. The bow measures approximately 34 inches in length. The tomahawk features carved designs on the handle, and the quiver is made of leather.

Lot: 177 - Group of carved wood objects from around the world.

Group of carved wood objects from around the world. A collection of carved wood objects from various cultural origins. The group includes figures and objects with diverse styles, likely representing different regions and traditions. The carvings feature both human and abstract forms, showcasing a range of artistic techniques.

Lot: 178 - Large group of world artifacts, mask, gourd, cabbage cutter, carved bone…

Large group of world artifacts, mask, gourd, cabbage cutter, carved bone… A diverse collection of world artifacts including a painted African tribal mask, a large gourd bowl, a cabbage cutter, carved bone items, and various wooden tools. The mask features intricate beadwork and vibrant colors. The gourd bowl is decorated with woven details. The collection reflects a variety of cultural influences.

Lot: 179 - Group of Sea Pearl Beans, also commonly known as Gray Nicker Beans or Caesalpinia bonduc seeds, Warri, mancala

Group of Sea Pearl Beans, also commonly known as Gray Nicker Beans or Caesalpinia bonduc seeds, Warri, mancala, A collection of Sea Pearl Beans, also known as Gray Nicker Beans or Caesalpinia bonduc seeds. These are often used in traditional games like mancala and have a smooth, polished appearance.

Lot: 180 - Pre-Columbian effigy clay and carved stone pipes featuring anthropomorphic and abstract faces., 5 x 2 1/2” x 2” (largest)

Pre-Columbian effigy clay and carved stone pipes featuring anthropomorphic and abstract faces. A pair of pre-Columbian effigy pipes, potentially from the Timoto-Cuica culture, featuring anthropomorphic and abstract faces. The pipes exhibit traditional craftsmanship with distinct facial features and are made from pottery.

Lot: 181 - Unusual hand-carved stone painted sculpture, Pre-Columbian or Native American? stylized figure, 13 1/2” x 4 1/2” x 6”

Unusual hand-carved stone painted sculpture, Pre-Columbian or Native American? stylized figure, 13 1/2" x 4 1/2" x 6" A hand-carved stone sculpture with a stylized figure, possibly Pre-Columbian or Native American. The piece features a tall, elongated head with carved facial features and a painted surface. Dimensions are 13 1/2" x 4 1/2" x 6".