Summer Attic Auction

This online-only timed auction will include 18th century through mid-century modern furnishings, fine art, silver, jewelry, glass, ceramics, textiles, ephemera, oriental rugs and other decorative accessories. Over 700 lots to be sold, the first lot closes at 10 AM ET, Sunday, July 12th, 2026.

CATALOG TEXT BELOW:
1 - American Sterling Silver 'Windsor' Square Tray American Sterling Silver 'Windsor' Square Tray, Reed & Barton, Taunton, Massachusetts, 20th Century. Marked "REED & BARTON/ STERLING/ X958S/ Windsor." 33.32 troy oz. H: 14 in., W: 14 in., D: 1.375 in.

2 - American Sterling Silver Footed Dish, Tiffany & Co American Sterling Silver Footed Dish, Tiffany & Co., New York, New York, The Directorship of John C. Moore II, 1907-1947. Not monogrammed, marked "TIFFANY & CO. MAKERS," pattern/ order numbers "21132K/ 3432," STERLING SILVER," "925/ 1000" and letter "m" for John C. Moore II. 11.75 troy ozs. Diam: 8.25 in., D: 1 in.

3 - American Sterling Silver Oval Dish, Tiffany & Co American Sterling Silver Oval Dish, Tiffany & Co., New York, New York, The Directorship of John C. Moore II, 1907-1947. Engraved initials "R.H.E.," marked "TIFFANY & CO. MAKERS," pattern/ order numbers "17011/ 7161," STERLING SILVER," "925/ 1000" and letter "m" for John C. Moore II. 11.88 troy ozs. H: 8.25 in., W: 11.375 in., D: 1.25 in.

4 - Pr American Silver-Soldered Candelabra, Tiffany Pair of American Silver-Soldered Five-Light Candelabra, Tiffany & Co., New York, New York. Each engraved on top of the base with the initials "GFCH" in script, each marked "TIFFANY & CO. MAKERS, SILVER-SOLDERED E.P., 953/ 320 W." H: 17 in., W: 13.25 in., D: 13.25 in.

5 - Two American Silver Travel Cups, One Tiffany & Co. Two American Sterling Silver Travel Cups, One Tiffany & Co., New York, New York. One engraved with the initials "CR" in script, marked "MADE FOR/ TIFFANY & CO./ STERLING/ 1047, the other engraved with the initials "SR" in script, unmarked, one housed in a leather case. 3.21 troy oz. total Case: H: 2.5 in., Diam: 2.625 in.

6 - American Sterling Silver Flatware Service American Sterling Silver 'Old Lace' Part Flatware Service, Towle Silversmiths, Newburyport, Massachusetts, Designed by Harold E. Nock, 1939-2009. Comprising two seafood/ cocktail forks, two 6.625- inch soup spoons, eleven 6.75- inch salad forks, eleven 7.375- inch dinner forks, thirteen 8.875- inch knives with stainless steel blades, one master and three butter knives with stainless steel blades, nineteen 6- inch teaspoons, cheese server, 8- inch cold meat fork, 6- inch sauce ladle, 7- inch gravy ladle, four 8.5- inch serving spoons, and a sugar spoon, not monogrammed, factory marks and "Old Lace" in raised letters; housed in a Naken's mahogany silver chest. Together with a Kirk-Stieff 'Diamond Star' cocktail fork, designed by Jose Barata y Barrera and Harry Morrison Martin, 1958-1995; a pair of place soup spoons, marked "GRAY & LIBBY;" and an engraved berry spoon, marked "PAT. 70/ STERLING." (75) 70.94 troy oz. total weighable Chest: H: 5.5 in., W: 15.25 in., D: 11.75 in. (including lid handle)

7 - American Sterling Silver Flatware Service American Sterling Silver 'Fairfax' Flatware Service, William B. Durgin Co., Concord, New Hampshire, Introduced in 1910, with Similar Additions. The set comprising six salad forks, six 7.25- inch forks, master and six flat-handled butter spreaders, seven 8.75- inch knives with stainless steel blades, sixteen teaspoons, and two sugar spoons, engraved initial "B;" the additional pieces comprising a 'Mary Chilton' salad serving fork, 6.75- inch cucumber server, 8- inch cold meat fork, 5.5- inch sauce ladle, Towle Silversmiths, designed by Henry C. Quincy and E.H. Colby, 1912-1996; a 'King Philip' gravy ladle, Watson Company, designed by Joseph E. Straker, Jr. and introduced in 1904; two 'Old French' serving spoons, Gorham Mfg. Company, designed by William C. Codman and introduced in 1904; a hammered 'Plymouth' carving fork and knife and regular 'Plymouth' pie server, Webster Company; a lemon fork, unknown pattern, Webster Company; and a cheese server, unknown maker, marked "STERLING," various monograms, all marked; housed in a mahogany silver chest. (56) 46.71 troy oz. total weighable Silver chest: H: 3.875 in., W: 15.875 in., D: 11.25 in.

8 - American Silver 'Lafayette' Part Flatware Service American Sterling Silver 'Lafayette' Part Flatware Service, In production 1905-1996. Comprising nine 7.375- inch forks, nine flat handled butter spreaders, ten 8.875- inch knives with stainless steel blades, twenty teaspoons, cheese server, salad serving fork and spoon, carving fork and knife and sugar spoon, not monogrammed, each marked including fleur-de-lis and eagle marks. (54) 42.92 troy oz. weighable Carving knife: L: 10.125 in.

9 - Group American Silver 'Pointed Antique' Flatware Group of American Sterling Silver 'Pointed Antique' Pattern Flatware, Various Makers, 20th Century. Including Dominick & Haff, Gorham Mfg. Co., Lunt Silversmiths, Towle Mfg. Co. (Lafayette pattern), R. Wallace & Sons Mfg. Co. and Watson Co.. various monograms, all marked. (19) 10.87 troy oz. weighable Carving fork and knife: L: 8.875 and 10.125 in.

10 - Grp American Coin and Sterling Flatware & Other Group of American Coin and Sterling Silver Flatware and a Continental Toothpick Holder. Comprising a set of eight 'Tipt' fiddle handle teaspoons, retailed by the silversmiths & jewelers Steward, Stevens & Dewey of Cambridge, New York, 1860-1870, each engraved on the handle "Mary Barnes;" a teaspoon, probably Roswell Bartholomew (1781-1830), Hartford, Connecticut, engraved initial "R" in foliate script, marked in block letters "RB" into a square; a set of five 'Chantilly' teaspoons, Gorham Mfg. Co; designed by William C. Codman in 1895; two butter spreaders; and a Continental 900 silver toothpick holder, marked "900." (17) 10.18 troy oz. weighable Toothpick holder: H: 2.25 in., Diam: 2.375 in.

11 - Group of American Sterling Silver Flatware Group of American Sterling Silver Flatware. Comprising a set of four 'Colonial' 7.125- inch place soup spoons, Tiffany & Co., designed by Paulding Farnham and introduced in 1895; a 'Shell' cream soup spoon, Towle Silversmiths, designed by George P. Tilton and introduced in 1889; six 'Shell' 7.25- inch forks, one cream soup spoon and one tablespoon, introduced in 1890, and six 'Madame Royale' flat-handled butter spreaders and three teaspoons, introduced in 1897, William B. Durgin Co., six engraved ice cream spoons, William Faber & Sons, Philadelphia, Pennsylvania; a 'Louis XV' 7.5- inch cold meat fork, Whiting Mfg. Co., designed by Charles Osborne and introduced in 1891; and a place soup spoon, two teaspoons and a souvenir spoon, various makers. (33) 33.84 troy oz. total weight 'Shell' tablespoon: L: 8.5 in., W: 1.75 in., D: 1.125 in.

12 - Seven American & Danish Silver Serving Utensils Seven American and Danish Sterling Silver and Silver-Gilt Serving Utensils, Late 19-Early 20th Century. Comprising a 'Scroll' salad serving fork and spoon, William B. Durgin Co., the pattern introduced in 1886; a hammered silver 'Pea Pod' (n. 21) marmalade spoon, Georg Jensen Silversmithy, Copenhagen, after 1945, marked "GEORG JENSEN" into a dotted oval, "STERLING/ DENMARK" and "21;" the remaining various makers and comprising a sardine fork, lobster fork, sugar sifter and spoon, various marks. 9.94 troy oz. total weight Salad serving spoon: L: 9.125 in., W: 2.125 in.

13 - American Sterling Silver Part Flatware Service American Sterling Silver 'Craftsman' Part Flatware Service, Towle Silversmiths, Newburyport, Massachusetts, Designed by Harold E. Nock, 1932-2009. Comprising eight salad forks, eight 7.5- inch forks, eight 8.625- inch knives with stainless steel blades, ten teaspoons and a pie server, not monogrammed except for five teaspoons (each engraved with the initial "K"), each with factory mark and "CRAFTSMAN" in raised letters. (35) 30.82 troy oz. total weighable Pie server: L: 10.625 in., W: 2.25 in., D: 1.125 in.

14 - Group of American Sterling Silver Flatware Group of American Sterling Silver Flatware, Early 20th Century. Comprising two 'William Penn' tablespoons, introduced in 1907, and an 'Evangeline No. 7' cold meat fork, introduced in 1910, Alvin Corp; five 'New Standish' grapefruit spoons and twelve demitasse spoons, William B. Durgin Co., introduced in 1905; two 'Old Newbury/ Newbury' 8.125- inch tablespoons and two 8.375- inch tablespoons, introduced in 1900, and a 'Paul Revere' gravy ladle, 1906-1996, Towle Silversmiths, all but the ladle monogrammed, all marked. (25) 25.01 troy oz. total weight Ladle: L: 7 in., W: 2.375 in., D: 1.875 in.

15 - Group of American Sterling Silver Flatware Group of American Sterling Silver Flatware, Early 20th Century. Comprising six 'Commonwealth' 6.875- inch forks, eleven teaspoons, master butter knife, two tablespoons and a sugar spoon, the Watson Co., introduced in 1908; five J.S. Fairchild engraved coin silver teaspoons and one Currier & Foster fiddle handle teaspoon. (27) 26.16 troy oz. total weight Tablespoons: L: 8.5 in., W: 1.75 in., D: 0.75 in.

16 - American Silver Flatware Service & Three Others American Sterling Silver Crested 'Old English' Part Flatware Service, Retailed by Shreve, Crump & Low, After 1870; and Three Similar Pieces. The service comprising twelve 7.25- inch forks, twelve teaspoons and one serving spoon, all marked "SHREVE, CRUMP & LOW 925;" a George III silver-gilt sugar sifter with matching crest, William Eley & William Fearn, London, 1801; and two similar teaspoons, engraved initial "B," marked "STERLING." (28) 41.80 troy oz. total weight Serving spoon: L: 9 in., W: 1.625 in.

17 - Grp American, English &Continental Silver Utensils Group of American, English and Continental Sterling Silver and Silver Flatware and Serving Utensils, 19th-Early 20th Century. Including a coin silver pie server, N. Harding & Co.; a silver-gilt 'Canterbury' bon-bon spoon, the pattern introduced in 1893 and an 'Old Colonial' 6.875- inch gumbo soup spoon, designed by Lucein D. Cole and in production 1895-2009, both Towle Silversmiths; an 'Apollo' or 'Mount Vernon' silver-gilt fluted sugar sifter, J.B. & S.M. Knowles, designed by Louis R. Horton and the pattern introduced in 1892; a tea strainer engraved with a blossoming cherry tree, marked "950/ STERLING," a candle snuffer, Webster Co., factory mark and "STERLING;" and a LONDON souvenir spoon, Levi & Salaman, Birmingham, 1904; the remaining various makers and comprising three olive spoons and one fork, pickle fork, salt spoon, four ladles, Dutch silver-gilt sugar sifter, three pairs of sugar tongs, two sugar spoons, pie server, five o'clock spoon, teaspoon, silver-gilt iced tea spoon, baby spoon and four souvenir spoons, various marks. (32) 25.07 troy oz. weighable Largest ladle: L: 7.75 in., W: 3 in., D: 1.75 in.

18 - Group American Coin & Silver Flatware & Utensils Group of American Coin and Sterling Silver Flatware and Serving Utensils, Early 19th-Early 20th Century. Comprising a set of three tipt double swell fiddle handle table spoons, Newell Harding, Boston and Haverhill, Massachusetts, each engraved "Fullam" in foliate script; a pair of pointed oval handle table spoons, Smith Patterson Co.; one table spoon, marked "STERLING;" a pair of bright-cut 'Agate' table spoons, J.B. & S.M. Knowles, the pattern introduced in 1878; a set of three French coffee spoons; two teaspoons; a crested crumber, Gorham Mfg. Co.; a pair of sugar cube tongs, Newland & Jones; pair of 925 sugar tongs retailed by Shreve, Crump & Low; a small pair of pierced sugar tongs; a sugar shovel, Platt & Brother; and a napkin ring, Webster Co. (19) 25.48 troy oz. total weight Crumber: L: 13.5 in., W: 2.75 in., D: 1.875 in.

19 - Massachusetts Coin Silver Ladle, J. Kirkham Massachusetts Coin Silver Ladle with Upturned Double Swell Fiddle Handle, James Kirkham, Springfield, Circa 1840. Engraved initials "MAB" in foliate script, marked "J. KIRKHAM" into a banner and "PURE COIN" into a rectangle. 6.87 troy oz. L: 12.75 in., W: 3.75 in., D: 2.875 in.

20 - Group of Coin Silver Spoons and a Ladle Group of Southern and Mid-Atlantic Coin Silver Fiddle Handle Table Spoons and a Ladle, Early to Mid-19th Century. Each die struck with a sheaf of wheat on the handle and engraved with the initial "B" in script, three spoons and the ladle attributed to Moses Eastman (Concord, New Hampshire and Savannah, Georgia, 1794-1850), 1828-1850, each marked "EASTMAN" into a rectangle; and two spoons, Marquand & Co. (Frederick Marquand, William Black and Henry Ball), New York, New York, 1833-1839, each marked "MARQUAND & CO" into a rectangle and with an eagle into an octagon. 10.64 troy oz. total weight Eastman table spoon: L: 8.625 in., W: 1.875 in. Ladle: L: 7.875 in., W: 2.625 in.

21 - Group of American Coin Silver, Various Makers Group of American Coin Silver Fiddle Handle Spoons, Various Makers, Late 18th-Early 19th Century. Comprising three serving spoons, three tablespoons, thirteen teaspoons and one fork, various makers including P.P. Hayes, B.C. Vanvliet, W.M. Virgin, E. Whiton, F. Williams, most engraved with initials in delicate script, various marks. (20) 15.55 troy oz. total weight Serving spoon: L: 9 in., W: 1.75 in.

22 - Seal-Top Spoon, Three Tablespoons & Mote Spoon Charles I Seal-Top Silver Spoon, Thomas Waite, York, 1638; Three George III 'Old English' Tablespoons and a Mote Spoon, Late 17th-Late 18th Century. The seal top engraved with the initials "D" over "LS," town mark interior of bowl at the base of the handle, date letter and maker's mark to the lower back of the handle; one tablespoon, Richard Crossley, London, 1789; one tablespoon, George Smith III & William Fearn, London, 1793; one crested tablespoon, Richard Crossley, London, 1794, later repousse with a pineapple and berries; and a mote spoon. 7.96 troy oz. total Seal-top spoon: L: 6.75 in., W: 2 in.

23 - George III Silver Ladle, E. Tookey, London, 1770 George III Sterling Silver Ladle with Shell Bowl, Elizabeth Tookey, London, 1770. Not monogrammed, marked on the handle reverse. 3.62 troy oz. L: 11.25 in., W: 3.125 in., D: 2.25 in.

24 - George III Silver Teapot, London, 1791 George III Sterling Silver Bright-Cut Teapot, William Abdy II, London, 1791. Not monogrammed, marked under cover and base. 10.86 troy oz. total weight

25 - George II/ III Silver Brandy Warmer & Cream Jug George II Sterling Silver Brandy Warmer, Edward Pocock, London, 1732; and a George II/ III Sterling Silver Cream Jug, Edinburgh, Mid-Late 18th Century. The brandy warmer engraved "to F:S," marked beneath, maker's mark poorly struck; the cream jug later repousse, marked with town and thistle standard marks, date letter and maker's marks obscured. 6.55 troy oz. total weight Brandy warmer: H: 3.875 in. (to top of handle), W: 7.25 in., D: 2.75 in.

26 - Group of George II/ III Sterling Silver Articles Group of George II/ III Sterling Silver Articles, 18th Century. Comprising a pair of salt cellars, David Hennell I, London, 1736; a pair of salt cellars with cobalt blue glass liners, George Gray, London, 1785; and a sauceboat, London, 1777, maker's mark probably "WC;" all marked. 10.63 troy oz. total weight Sauceboat: H: 3.25 in., W: 5.375 in., D: 2.75 in.

27 - 2 George III Silver Table Articles, Hester Bateman Two George III Sterling Silver Table Articles, Hester Bateman, London. Comprising a caster, 1785, marked exterior foot; and an 'Old English' tablespoon, 1789, not monogrammed, marked on the reverse of the handle

28 - Five Queen Anne & George III Silver Wares Five Queen Anne and George III Sterling Silver Wares. Comprising a Queen Anne crested trencher salt, worn marks, engraved with the crest of a dolphin on one side and the initials "MA" on the other; a George III salt cellar, William Kersill, London, 1763; a George III salt cellar, likely Thomas Shepherd, London, 1774; a pair of George III sugar nippers, maker's mark IG, possibly James Graham, London, 1771 or 1774-1775; and a pair of George III sugar nippers, maker's mark WW, probably London, Late 18th-Early 19th century, worn marks especially date letters. 6.55 troy oz. total Trencher salt: 1.75 in., W: 3 in., D: 2.375 in.

29 - American Silver Bowl, Set of Bread & Butter Plates American Sterling Silver Bowl, R. Blackinton & Company; and a Set of Six Bread and Butter Plates, Ellmore Silver Company, 20th Century. All marked. 23.32 troy oz. total weight Bowl: H: 2.375 in., Diam: 9.25 in. Bread and Butter plates: Diam: 6.25 in.

30 - Four American Sterling Silver Table Articles Four American Sterling Silver Table Articles, First Half 20th Century. Comprising a #4677 nut bowl, Towle Silversmiths; a circular tray, La Pierre Mfg. Co., engraved initials "EBR;" a repousse napkin ring, engraved initials and date "ECR 08;" and a repousse napkin ring, engraved name "Clara." 9.67 troy oz. total weight Nut bowl: H: 1.875 in., Diam: 3.625 in. Diameter of tray: 10 in.

31 - Six American and English Silver Table Objects Six American and English Sterling Silver Table Objects, 20th Century. Comprising a scallop-rimmed bowl with beads at the interstices, Currier & Roby, New York, 1900-1943; a bowl, Richard Dimes, 1908-1955; a "Peter van Dyck/ Reproduction/ circa 1724" mug; a MET Museum 'William Jones/ Marblehead/ About 1730" pepper caster, Gorham Mfg. Co.; a reticulated swing-handle sweetmeat basket, Gorham Mfg. Co.; and a George V reticulated sweetmeat basket, Edward Souter Barnsley & Co., Birmingham, 1913, no monograms, all marked. 19.65 troy oz. total weight Currier & Roby bowl: H: 2.625 in., Diam: 5.125 in.

32 - Grp American Sterling Silver Small Table Articles Group of American Sterling Silver Small Table Articles, 20th Century. Comprising casters, salt cellars and spoons, bon-bon dishes, sweetmeat dishes and including a set of four nut dishes, Gorham Mfg. Co., factory marks, pattern "A4775;" and two table bells, the first with treen handle surmounted by the figure of an arched hissing cat, marked "Z.F./ STERLING/ 279;" the second Gorham Mfg. Co., engraved with the initial "B," factory marks, pattern "1920B." Together with a pewter scallop shell salt, marked "M.W./ DENMARK/ GB." (34) 25.06 troy oz. weighable Tallest caster: H: 5.875 in. Pierced oval basket: H: 2 in., W: 7.125 in., D: 4.375 in. Table bell with cat finial: H: 4.25 in.

33 - Six American and German Silver Table Articles Six American Sterling Silver and German 800 Silver Table Articles, Various Makers, Late 19th-Early 20th Century. Comprising a dish, sauce boat, mug, two napkin rings, and a German miniature pitcher, various monograms, all marked. 14.86 troy oz. total weight Plate: Diam: 7.125 in., D: 1 in.

34 - Grp Sterling Children's Mugs, Bowls & Napkin Rings Group of American Sterling Silver Children's Mugs, Serving Bowls and Napkin Rings, Late 19th-20th Century. Comprising a hammered silver mug for "SYBIL," gilt interior, marked "STERLING/ 1162;" a mug for "Carolyn," 1932, gilt interior, factory marks, marked "GORHAM/ STERLING/ 610" and year date for 1932; a children's mug, Towle MFG. Co., not monogrammed, marked "TOWLE STERLING 778;" a shot glass, engraved "TUCSON 1947" and "E.P.S.," marked " "STERLING/ HAND MADE;" a bowl, marked "STERLING/ by/ BOARDMAN/ 895;" and a dish, liner and six napkin rings, various makers, including a pair of napkin rings pierced with flowerheads and crosses, Lunt Silversmiths, engraved initials "TP" and "BHP." (13) 22.11 troy oz. total weight Lobed bowl: H: 2.25 in., Diam: 5 in.

35 - 7 American Silver Table & Dressing Table Articles Seven American Sterling Silver Table and Dressing Table Articles, Various Makers, Late 19th-Early 20th Century. Comprising a pair of casters, a pair of salt cellars, a condiment jar, cover and spoon, a silver-overlay dressing table jar and cover, and a silver-overlay perfume bottle. Together with a silverplate pepper grinder. (8) 7.66 troy oz. total weighable Perfume bottle: H: 3 in., Diam: 2.625 in.

36 - Seven American Sterling Silver Table Articles Seven American Sterling Silver Table Articles, Various Makers, 20th Century. Including a Tiffany & Co. vase, the Directorship of John C. Moore II, New York, New York, 1907-1947, marked "TIFFANY & CO., STERLING SILVER," letter "m" for Edward Moore, and pattern/order numbers "18376/9173," (weighted); pair of pattern #1402 candlesticks, Reed & Barton, (weighted); a pattern #9403 sugar bowl and pattern #9404 cream pitcher. Gorham Mfg. Co, axe date code mark for 1916; a side plate, Simpson, Hall, Miller & Co.; and a glass bowl with silver handles, The Merrill Shops, all marked. 39.47 troy oz. total weight 15.21 troy oz. weighable

37 - Ten American & FrenchSterling Silver Table Objects Ten American and French Sterling Silver Table Objects, 20th Century. Comprising a pair of #680 'Paul Revere' reproduction bowls, Frank M. Whiting & Co.; a #912 sugar bowl and #913 cream pitcher, Gorham Mfg. Co.; a set of four #S118 'Prelude' salt and pepper casters, International Silver Co.; and two French pepper mills, Peugeot Freres. 21.2 troy oz. weighable Bowl: H: 2.5 in., Diam: 4.5 in.

38 - Group of Dutch, English & American Silver Articles Group of Dutch, English and American Silver Table Articles, Late 19th to Mid-20th Century. Comprising a Dutch pastry server, ABI, 1900, marked "ABI" into a rectangle, and a lion passant standard mark with key export mark; a Victorian page turner, London, partially marked on handle; a pair of Gorham Mfg. Co. candlesticks (not weighted) and a picture frame; a Simons Brothers elliptical stand or liner; a pair of Bigelow, Kennard & Co. sugar tongs, an R. Blackinton & Co. sauce ladle; set of three William B. Durgin Co. 'Dolly Madison' flat-handled butter spreaders; a similar Tuttle Silversmiths 'Tipt' butter spreader, marked "DE/ I" for the presidency of Dwight Eisenhower; and a set of six Gorham & Co. engraved demitasse spoons, all marked. (18) 31.23 troy oz. weighable Pastry server: L: 9.625 in., W: 4.25 in., D: 0.5 in. Page turner: L: 16.625 in., W: 1.5 in., D: 1 in.

39 - German Silver & Glass Decanter,Storck & Sinsheimer German Silver and Etched Colorless Glass Liquor Bottle, Jakob Storck & Louis Sinsheimer, Hanau, 1874-1926. The glass etched on each side with a ruffled and foliate cartouche, enclosing trellis diaperwork on one side and a flowering vine on the other, the silver mounts embossed and pierced with formal garden scenes, on the neck with two musical putti and on each long side below with three putti sporting with a mask, figural stopper of a Bacchanalian putto holding in one hand a goblet and in the other a bunch of grapes, Hanau pseudo hallmarks beneath. H: 11.25 in., W: 5 in., D: 3.375 in.

40 - Mexican Sterling Silver Trinket Box Mexican Sterling Silver Trinket Box, Late 20th Century. Marked with maker's and standard marks "STERLING/ 2A 925" and with two eagle national coat-of-arms circular marks. 16.34 troy oz. H: 3 in., W: 6.75 in., D: 4.75 in.

41 - Danish Sterling Silver & Silver-Gilt Circular Box Danish Sterling Silver and Silver-Gilt Circular Box, Anton Michelsen, Copenhagen, 1902. Three tower mark, assayer's mark "SG" for Simon Groth, "925," maker's mark of crowned "AM" into an oval and date "1902." 7.28 troy oz. H: 2.125 in., Diam: 3.875 in., D: 4 in.

42 - FrenchSilver, Silver-Gilt,Enamel Calling Card Case French Art Deco Silver, Silver-Gilt and Enamel Calling Card Case, 1920's-1940. Black lacquer cover and base, the cover revealing the initials "AEM" inlaid in silver on a blue enamel field, siver-gilt interior, boar's head guarantee marks and maker's marks inside cover and box. 2.96 troy oz. total weight H: 3.125 in., W: 2.125 in., D: 0.375 in. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

43 - Four American Sterling Silver Frames and Boxes Four American Sterling Silver Frames and Boxes, 20th Century. Comprising a pocket picture frame and a stamp box, R. Blankinton, North Attleboro, Massachusetts, the frame engraved on the front "B.F.-McC.G./ J.B.F./ JUNE 13, 1942;" a small engine-turned pocket picture frame, the Thomae Company, Attleboro, Massachusetts, engraved with the initials ""J.B.F." on one side and "B-J/ 6-7-41" on the other; all with maker's mark and STERLING," and an oval box, engraved on the cover "Joanne Field," marked "STERLING." 5.85 troy oz. total weight Largest picture frame: H: 3 in., W: 2.25 in., D: 0.25 in. Provenance: The Marshall Field Family (Marshall Field and Company), Chicago, Illinois and Peterborough, New Hampshire.

44 - Four Silver Objets de Vertu Four Silver Objets de Vertu, Late 19th-Late 20th Century. Comprising a Russian silver beaker, Kiev, 1895, unidentified workmaster "GR" in English, assayer Stakhy Kondratyevich Orlov, maker's mark in Cyrillic, assayer's mark "C.O/ 1895" for Stakhy Kondratyevich Orlov, standard mark "84" and city mark for Kiev under the base; a French circular trinket box, 1800-1819, rooster standard mark, "STERLING/ SU," maker's mark for Harry Freeman, date letter for 1923, "925" and London import mark under the base; and two Mexican pill boxes of heart and oval forms, each mounted with a turquoise stone, the heart-shaped box marked "9h-Hd," "TAXCO MEXICO 925" enclosing the initials "PHP(?); the oval box marked "MEX/ 925/ TH-Y6." 3.65 troy oz. total weight Beaker: H: 2.25 in., Diam: 2.125 in.

45 - Grp of Dutch, British & American Silver Miniatures Fifteen Dutch, British and American Silver and Sterling Silver Miniature Articles, 19th and 20th Century. Comprising a Dutch tea caddy, marked "B77," and with lion passant above "2" standard mark for .833; a Victorian silver-gilt vinaigrette, Aston & Son, Birmingham, 1859; a Victorian silver-gilt vinaigrette, Colen Hewer Cheshire, Chester, after 1894; the remaining including four American toy table wares and a pair of butterfly ornaments, all marked; six English toy decorative and utilitarian wares, all marked; and three unmarked articles comprising a pendant seal, bunny charm and toy candlestick. (18) 7.78 troy oz. total weight (including nail buffer with buffer removed) 0.91 troy oz. total weight: 3 unmarked items Dutch tea caddy: H: 1.375 in., W: 1.625 in., D: 1.25 in.

46 - British School -Portrait Miniature,Young Gentleman British School. Portrait Miniature of a Young Gentleman, Early 19th Century. Housed in a Rococo style gilt frame. (Has not been examined out of the frame). Miniature: H: 2.375 in., W: 1.875 in. Frame: H: 12.5 in., W: 11.125 in., D: 1.25 in.

47 - French School - Pair of Miniature Genre Paintings French School. Pair of Miniature Genre Paintings. One signed "Boucher" and the other "Fanuet (?)" lower right, (2.625 x 3.5 inches, sight) Frame: H: 5.375 in., W: 6 in., D: 0.875 in.

48 - Contemp. Decoupage Glass Plate & Bowl,Scott Potter Contemporary Decoupage Glass Octagonal Plate and a Small Bowl, Scott Potter Designs, The Gilded Home, Portland, Maine. The plate depicting a peach branch, signed "Scott Potter" with copyright symbol on the reverse; the bowl depicting a blue periwinkle stem on a gold ground, apparently unsigned. Plate: H: 8.75 in., W: 8.625 in., D: 1 in. Bowl: H: 1.875 in., Diam: 4 in.

49 - Group of Mauchline, Tartan and Fernware Articles Group of Scottish Mauchline,Tartan and Fernware Articles, Late 19th Century. The mauchline ware including a "Pictorial Post Cards" holder, and thirteen desktop articles printed with different views; the tartan ware comprising a cribbage board box and pair of bezique markers; a Medlock rolled tape casket ribbon dispenser applied with a print on the cover; a powder box with puff; a snuff or trinket box; and a naphin ring; the fern ware comprising a stringholder, trinket box and letter opener; (22) Post card Holder: H: 4.125 in., W: 6.875 in., D: 2 in.

50 - Federal Inlaid Mahogany Knife Box Federal Inlaid Mahogany Knife Box, 1790-1810. Inlaid on the cover with an elliptical patera of an urn filled with leaves and a flower stem, matching flower tem paterae on the front of the cover. H: 15 in., W: 10 in., D: 11.875 in.

51 - Two Cast-Iron Lady's Hand Door Knockers Two Cast-Iron Lady's Hand Door Knockers, 19th Century. Largest: H: 7.5 in., W: 3.125 in., D: 5.625 in. (including hardware)

52 - Hampshire Pottery Vase, 1905-1915 Hampshire Pottery Vase, Keene, New Hampshire, 1904-1914. Surrounded by leaf blades and covered in matte dark blue glaze, incised "Hampshire Pottery," letters "M" into an "O" for Cadmon Robertson's wife Emoretta, and shape number "98." H: 7.125 in., Diam: 4.625 in.

53 - Three Rosenthal 'Studio-Linie' Vases &a Glass Vase Three Mid-Century Modern Rosenthal Porcelain 'Studio-Linie' Vases and a Consolidated Lamp & Glass Company Opaque Glass Vase. Comprising a Bjorn Wiinblad (Danish, 1918-2006) Peacock' cylindrical vase, and two Wolf Bauer (German, b. 1950) 'Flower' vases, printed "Rosenthal GERMANY" factory marks, the last two also printed "studio-linie;" and a Consolidated Lamp & Glass Company #4038 Regent Line Vase, Coraopolis, Ohio, the glass blank decorated by the Rainbow Art Glass Company, Huntington, West Virginia, 1942-1954, painted in red and gold with dogwood branches. Dogwood vase: H: 9.625 in., Diam: 7.25 in.

54 - Four Mid-Century Modern Porcelain Vases Four Mid-Century Modern German Porcelain and Swedish Stoneware Vases. Comprising a Heinrich & Co. 'Manufaktur Chiemsee' vase painted with magnolia branches, Selb Bavaria, printed factory marks, inscribed "handgemalt (handpainted by) Hackel R in 1957;" a Rosenthal vase, printed factory marks and "handgemalt" with initial; a Lars Thoren (Sweden, 1918-2006) for Rorstrand stoneware 'Wildflowers' vase, signed "R" over a crown, "SVERIGE" and initials "L. Th.;" and a Stig Lindberg (Sweden, 1916-1982) for Gustavsberg 'Grazia' series stoneware vase, Sweden, in matte white glaze applied with a basket of flowers in silver, signed "GUSTAVSBERG" over an anchor, "GRAZIA," "E. 219, MADE IN SWEDEN." Heinrich & Co. vase: H: 10.5 in., W: 11.25 in., W: 5.625 in.

55 - Group of Mid-Century Modern Faience and Glass Group of Danish Mid-Century Modern Faience, and Swedish and American Glass. Comprising three Royal Copenhagen 'Aluminia/ Tenera' series wares, each with a bar below the letter G in "COPENHAGEN" for 1969-1974, comprising a Kari Christensen (1938-1997, Norwegian) bottle vase, printed factory marks, initials "KC" and pattern/ shape numbers "170/2740" in purple enamel; a Marianne Johansson (Danish) dish, printed factory marks, initials "Mj," "SD" and pattern/ shape numbers "174/2883" in black enamel; and an Inge-Lise Koefoed (b. 1939, Danish) rice bowl, printed factory marks, initials "ILK," "BA" and pattern/ shape numbers "184/ 2196" in black enamel; a vase in lavender and colorless glass, possibly Josef Schott, Smalandshyttan, 1970s, unsigned; and an American vase in plum colored glass, Richard Harkness, Epsom, New Hampshire, 1970s, signed "Harkness." Bottle vase: H: 11 in., W: 6.625 in, D: 3.625 in.

56 - Two Danish Porcelain Tea and Coffee Wares Two Danish Porcelain Tea and Coffee Wares, Mid-20th Century. Comprising a Royal Copenhagen #259 Blue Fluted Plain Teapot, 1950-1984 and a Bing and Grondahl #301 Blue Fluted Musselmalet Coffeepot, 1970-1982. The first printed in green under the base and cover with the circle mark "ROYAL COPENHAGEN" (with dot under the first letter "E" in Copenhagen), and enclosing a crown over "DENMARK," three waves with bow and X in underglaze-blue, and "1/259." in underglaze-green; the second printed under the base in green with the circle mark "COPENHAGEN PORCELAIN MADE IN DENMARK," printed in green with the circle mark "COPENHAGEN PORCELAIN MADE IN DENMARK," enclosing three stylized towers over "B&G" and pattern number "301," and with painter's cipher, "B&G" printed under the cover and "7h" in underglaze-blue. Teapot: H: 6 in., W: 9.25 in., Diam: 5.625 in. Coffeepot: H: 9.75 in., W: 8.25 in., Diam:5.625 in.

57 - Two Royal Copenhagen Animals & Lladro Fox and Cub Two Danish Porcelain Animal Figures and a Spanish Porcelain Fox and Cub, Lladro, 20th Century. Comprising a #4659 jaguar cub, designed by Jeanne Grut (Danish, 1927-2009) in 1965, impressed initials "JG" between the front legs, printed crown within "ROYAL COPENHAGEN" (with a line below the first letter "E") and "DENMARK" in underglaze-green, wave mark beside the initials "WD" in underglaze-blue, number "4659" in green; a #4705 white bunny with pink ears, designed by Jeanne Grut, printed crown and "DENMARK" in underglaze-green, wave mark beside the initials "YC" in underglaze-blue and "4705" in green; and a Spanish #1065 fox and cub, designed by Fulgencio Garcia in 1969, retired in 1985, impressed "LLADRO," "MADE IN SPAIN" and "R" copyright symbol, incised artisan control marks. Jaguar cub: H: 3 in., W: 8.375 in., D: 3.75 in. Fox and cub: H: 3 in., W: 7.125 in., D: 3.75 in.

58 - Group of Danish Mid-Century Modern Ceramics Group of Danish Mid-Century Modern Table and Decorative Porcelain Wares. Comprising for Royal Copenhagen two Thorkild Olsen (Denmark, 1890-1973) green and grey crackle glaze vases, and a 'Blue Flower Curved' tea caddy and cover; and for Bing & Grondahl a painted 'Anemone' vase, a 'Seagull' cake plate, a Claire Weiss (Hungarian, 1906-1997) model #2162 figural group 'First Kiss' or 'Youthful Boldness' and a model #2247 or 467 figure of 'Girl Reading' or 'First Book,' all with printed factory marks in green and blue, handwritten pattern and shape numbers. (7) 'Anemone' vase: H: 9.625 in., Diam: 5.25 in.

59 - After F. Paul Thumann - Battle of Teutoburg Forest After Friedrich Paul Thumann (German, 1834-1908). "Battle of the Teutoburg Forest: Arminius Annihilating Three Roman Legions." Oil on Canvas, signed "Cor. V. Rr. Scheffler, 1899" lower right, (42 x 69 inches). Frame: H: 46.5 in., W: 73.75 in., D: 1.75 in.

60 - View of a Formal Garden with Pool View of a Formal Garden with Pool. Oil on canvas, (23.75 x 45 inches), signed indistinctly and dated 1910 lower left. Frame: H: 29 in., W: 50.25 in., D: 2 in.

61 - New Hampshire Queen Anne Maple Chest on Chest New Hampshire Queen Anne Maple Chest on Chest. H: 75 in., W: 42 in., D: 21.5 in.

62 - Chippendale Mahogany Ribbon-Back Side Chair Chippendale Mahogany Ribbon-Back Side Chair. H: 39 in., W: 22 in., D: 20 in.

63 - Federal Cherry Tall Case Clock Federal Cherry Tall Case Clock. With pendulum and two weights. H: 89.5 in., W: 20 in., D: 10.5 in.

64 - Early American Pine and Maple Tavern Table Early American Pine and Maple Tavern Table. H: 27 in., W: 43.5 in., D: 27.5 in.

65 - Queen Anne Tiger Maple Highboy Queen Anne Tiger Maple Highboy. H: 69.5 in., W: 40.5 in., D: 21.5 in.

66 - Queen Anne Mahogany Candlestand Queen Anne Mahogany Candlestand with Square Dish Top. H: 25.5 in., W: 19 in., D: 17 in. Top: 14 in. x 14 in.

67 - American or British School - Conversation American or British School. Conversation Beside the Stream, 19th Century. Oil on canvas, apparently unsigned, (23.875 x 34.125 inches); housed in a period heavily gilt gesso pine frame. Frame: H: 36.25 in., W: 46 in., D: 3.5 in.

68 - Hermann Geyer - View From the Cliff Hermann Geyer (German/ American, 1934-2016). View From the Cliff, Possibly Hudson River Valley. Oil on canvas, signed "H. GEYER" bottom center, (14 x 22 inches). Frame: H: 16.5 in., W: 24.5 in., D: 1.625 in.

69 - George F. Payne - Autumn Landscape George Forrest Payne (Vermont, 1878-1955). Autumn Landscape. Oil on board, signed "GEO F. PAYNE" lower left, (11 x 14 inches). Frame: H: 16.25 in., W: 19.25 in., D: 1.75 in.

70 - German Maple Violin, Joseph Steiner, Mittenwald German Maple Violin, Joseph Steiner/ Josef Hornsteiner, Mittenwald, 19th Century. Labelled on the interior "JOSEPH STEINER, MITTENWALD, 1792," with two bows, one marked "XXIII;" housed in a hard-sided case. Violin: H: 23.375 in., W: 8 in., D: 3 in. Case: H: 31 in., W: 9.25 in., D: 3.75 in.

71 - Elkhart Brass Trumpet, Buescher, Elkhart, Indiana Elkhart Brass 37B Trumpet, Buescher Band Instrument Company, Elkhart, Indiana, 1951. Serial number "48514" and numeral 37B," possibly a model 9, inscribed on the bell "ELKHART/ BUILT BY BUESCHER/ ELKHART-IND.-U.S.A;" housed in the original Elkhart hard-sided case. Case: H: 11.75 in., (over handle), W: 21.25 in., D: 5.5 in.

72 - Rosewood and Brass Piccolo Novelty Walking Stick Rosewood and Brass Piccolo Novelty Walking Stick. L: 35.125 in.

73 - George IV/ William IV Rosewood Music Stand George IV/ William IV Rosewood Music Stand, 1820-40. H: 41 in., W: 19 in., D: 18 in.

74 - George II Figured Walnut Highboy George II Figured Walnut Highboy. H: 67 in., W: 40.5 in., D: 23 in. Estimate: $300 - $500

75 - George II Mahogany Drop-Leaf Table And Five Chairs George II Mahogany Drop-Leaf Table And Five Chairs. Table: H: 29.5 in., W: 47 in., D: 17 in., 56 in. (leaves raised) Chair: H: 42.5 in., W: 19.5 in., D: 18 in.

76 - English Oak Tall Case Clock English Oak Tall Case Clock. H: 77.5 in., W: 21.5 in., D: 11 in.

77 - Mahogany Panelled Chimney Cupboard Mahogany Panelled Chimney Cupboard. H: 47 in., W: 15.5 in., D: 14.5 in.

78 - American School - Portrait of a Woman American School. Portrait of a Woman, 19th Century. Oil on canvas laid down on Masonite, (36 x 29 inches); housed in a gilt frame. Frame: H: 42.125 in., W: 34.75 in., D: 3 in.

79 - Exeter, New Hampshire Needlework Sampler, 1840 Emily Ann Dearborn Wadleigh's Exeter, New Hampshire Needlework Register Sampler, 1840. Stitched "Emily A. Dearborn's Sampler Wrought in 1840." Frame: H: 19.75 in., W: 20.5 in., D: 0.875 in. Emily Ann Dearborn was born January 5, 1822 in Hampton, Rockingham County, New Hampshire. In 1844 she married William Wadleigh (b. December 12, 1793 in Epping) in Exeter and together they had one daughter, Minnie Cora Wadleigh (1860-1922). Emily died on June 11, 1905 in Exeter.

80 - Miniature Oval Portrait of a Gentleman Miniature Oval Portrait of a Gentleman, 19th Century. Housed in half of a leather case. Case: H: 4.625 in., W: 4 in.

81 - 5 Continental Decorative Table & Framed Articles Five Continental Decorative Table and Framed Articles, 19th Century-Early 20th Century. Comprising a cast patinated-bronze figure of a bull; a patinated-metal figure of a macaw or parrot, two silhouettes of a naval officer and an elderly gentleman; and a Grand Tour eglomise panel depicting a Roman portrait. Bull: H: 1.625 in., W: 4.25 in., D: 0.875 in. Eglomise panel: H: 5 in., W: 7.5 in., D: 0.5 in.

82 - Germantown Mutual Cast-Iron Fire Mark Mutual Fire insurance Company of Germantown and its Vicinity Cast-Iron Fire Mark, Philadelphia, Pennsylvania, 1843 to Present. The company was originally chartered in 1843 as the "Germantown, Roxborough and Bristol Mutual Fire Insurance Company." In 1859 the name was changed to the Mutual Fire Insurance Company of Germantown and Its Vicinity. Neither company had a fire mark, but this fire mark was issued to commemorate the company's history for the 1926 Sesquicentennial Exposition in Philadelphia. H: 8.125 in., W: 11.5 in., D: 0.5 in.

83 - American Cast Iron Sitting Cat Doorstop American Cast Iron Sitting Cat Doorstop, Early 20th Century. H: 12.5 in., W: 7.5 in., D: 3 in.

84 - Folk Art Cast Metal Bird Gate Post Ornament Folk Art Cast Metal Bird Gate Post Ornament. Modeled as a blue bird on domed metal stand with wooden base. H: 12 in., W: 7.25 in., D: 12 in.

85 - Two American Running Horse Weathervanes American Molded Gilt-Metal Small Running Horse Weathervane and an 'Ethan Allen' Zinc and Wrought-Iron Running Horse Weathervane. Gilt tin horse: H: 10.25 in., W: 15 in., D: 1.625 in. Weathervane: H: 7.75 in., W: 26.875 in., D: 1.5 in. (opening for rod)

86 - Vintage Horse Pull Toy on Metal Base Vintage Felt-Covered Horse Pull Toy on Folk Art Paint-Decorated Base on Metal Spoke Wheels. H: 16 in., W: 14.625 in., D: 5 in.

87 - Large Group of Hand- & Machine-Made Glass Marbles Large Group of Hand- & Machine-Made Glass Marbles. Contained in three glass jars, the cylindrical apothecary jar, 1900-1920, molded "ROBERT GIBSON/ TABLETS/ MANCHESTER/ ENGLAND/ MADE BY/ E.C. RICH/ NEW YORK." Apothecary jar: H: 12.75 in., Diam: 5 in.

88 - Rare Tin Lithographed Mickey Mouse Washing Machine Rare Tin Lithographed Mickey Mouse Washing Machine with Wringer, Ohio Art Company, Circa 1934. Printed "MICKEY MOUSE WASHER" above the fence and on the tub, and "WALT DISNEY ENT./ OHIO ART CO./ BRYAN, O., U.S.A." lower side. H: &.5 in., W: 6.25 (over handle), Diam: 4.5 in.

89 - Jenny Lind Paper-Covered Wood Doll's Trunk Jenny Lind Paper-Covered and Brass-Studded Wood Doll's Trunk, Mid-19th Century. The interior with removable tray and the inside of the lid with drop-down cover opening to a compartment. H: 7.375 in., W: 10 in., D: 7.25 in.

90 - Armand Marseille Bisque Head Doll with Kid Body Armand Marseille Bisque Head Doll with Kid Leather Body, Made in Germany, 1908-1929. Affixed with a red paper label printed with the mold name "FLORODORA" and country where it was made "GERMANY," the head impressed "MADE IN GERMANY." L: 20 in., W: 7.5 in., D: 3.75 in.

91 - American Walnut Doll's Stepback Canted Cupboard American Walnut Doll's Stepback Canted Cupboard, Late 19th Century. H: 15.5 in., W: 9.75 in., D: 5 in.

92 - Pair of 19th C. Cast Iron Drink Tables Pair of 19th C. Cast Iron Drink Tables. Each with traces of paint and oxidized surface, round spoke like tops, raised on a tripod bases with stylized cabriole legs joined by stretchers terminating in paw feet. Diameter of top 15 in., H: 17 in.

93 - Pair Painted Cast Concrete Garden Figures of Deer Pair of Painted Cast Concrete Garden Figures of Deer, Massarelli's, Egg Harbor City, New Jersey, 2015. Comprising a stag and a doe, each realistically painted and standing on a grassy mound base, each impressed "MASSARELLI 1974" and "2015 DACO HW." H: 42.5 in., W: 39 in., D: 12.5 in. H: 46.5 in., W: 40 in., D: 12.5 in.

94 - Carved and Painted Wood 'Prancer' Carousel Horse Carved and Painted Wood 'Prancer' Carousel Horse, 20th Century. Travelling carnival size, fitted with glass eyes, white with blue spots and legs, red painted bridle and leather reins, brown saddle with red pad and irons, mounted on a green painted platform. Horse: H: 47.375 in., W: 41 in., D: 11.625 in. Platform: H: 1.375 in., W: 48 in., D: 13.875 in.

95 - Gustav Stickley Oak Desk, Craftsman Workshops Gustav Stickley Oak Desk, Craftsman Workshops, 1905-1912. Red decal printed "Als Ik kan" within a joiner's compass above "Stickley." H: 30.5 in., W: 42 in., D: 24.25 in.

96 - Rare Int'l Time Recording 460 Series Master Clock Rare International Time Recording 460 Series Master Wall Clock, International Business Machines Corp., serial #285,624, circa 1925. The outset molded cornice above an arched door opening to an electric motor driven Roman numeral dial with subsidiary second dial, labeled "INTERNATIONAL/ TIME RECORDING CO./ OF NEW YORK/ ENDICOTT, N.Y.", over a shaft driven program control bell unit and brass pendulum. H: 65 in., W: 23 in., D: 9.5 in.

97 - Korona View Wood, Leather&Brass Folding Box Camera Korona View Wood, Leather and Brass Folding Box Camera with Metal Tripod, Gundlach-Manhattan Optical Co., Rochester, New York, Circa 1915. Stamped number "289" on the bottom of the camera bed. H: 9.5 in., L: 21.25 in., W: 8.5 in.

98 - Edison Standard Model D Cylinder Phonograph Edison Standard Model D Cylinder Phonograph. Serial #651654, with ten panel horn, including two cylinders. H: 32 in., W: 19 in., D: 17.75 in. (horn)

99 - American Oak Hand Crank Wall-Mounted Telephone American Oak Hand Crank Wall-Mounted Telephone with Ringer Box, Late 19th-Early 20th Century. H: 20.75 in., W: 12.5 in. (including crank and receiver), D: 12.5 in.

100 - E. Leitz Wetzlar Microscope with Original Case Ernst Leitz Wetzlar Microscope, 1913-1914, Serial Number 142666, Housed in a Dovetailed Pine Carrying Case. Brass plaque under the handle stamped "E. Leitz-Wetzlar/ NEW-YORK - CHICAGO." Case: H: 15.5 in. (to top of handle), W: 7.125 in., D: 8.625 in.

101 - Rollei Magic I Camera in the Original Box, Germany Rollei Magic I Camera in Leather Case and with the Original Box, Franke & Heidecke, Germany, Circa 1961. Serial #2511323. Box: H: 6.75 in., W: 5.875 in., D: 5.25 in.

102 - Nikon D80 Camera and Bag Nikon D80 Camera and Bag. Nikon D80 10.2 megapixel digital SLR camera, Nikkor 18-135 mm f/3.5-5.6G ED-IF AF-S DX zoom lens, 2 batteries, charger and manual; including the original box. Box: 5.75 in., W: 13 in., D: 7.5 in.

103 - Swiss Inlaid Rosewood Music Box,Jacot Music Box Co Swiss Cylinder 'Jacot's Safety Check' Satinwood-Inlaid Rosewood Music Box, (Mermod Freres Manufacture, 1890-1895), Patent #33869, Retailed by the Jacot Music Box Co. The lever marked "JACOT'S/ SAFETY CHECK/ PATENTED/ APRIL 10 1883/ AND' SEPT. 22 1886." H: 5.375 in., W: 17 in., D: 8.75 in.

104 - Swiss Four Aire Cylinder Music Box with Tune Card Swiss Four Aire Cylinder Walnut Music Box with Tune Card, Late 19th Century. H: 5 in., W: 14 in., D: 6.75 in.

105 - Concert Roller Organ Concert Roller Organ, Likely Made by the Autophone Company, Ithaca, New York, 1885-1899. H: 12.5 in., W: 18.125 in., D: 18 in. (including hand crank)

106 - Chautauqua Roller Organ/ Concert Roller Organ Chautauqua Roller Organ/ Concert Roller Organ, the Autophone Company, Ithaca, New York, 1885-1902. H: 12.5 in., W: 18.125 in., D: 19.75 in. (including hand crank)

107 - Thirty-One Concert Roller Organ Cobs Thirty-One Concert Roller Organ Cobs. L: 6.375 in., Diam: 2 in.

108 - After Demetre Chiparus - "Pierrot and Columbine" After Demetre H. Chiparus (Romanian, 1886-1947). "Pierrot and Columbine" ("Fancy Dress or Bal Costume). Patinated-bronze figural group, signed on the reverse "D.H. Chiparus" on the bottom top edge of the stepped base. H: 20 i., W: 17 in., D: 7 in.

109 - Carl Kauba - Seated Indian Shaman/ Medicine Man Carl Kauba (Austrian, 1865-1922). Seated Indian Shaman/ Medicine Man. Cold-painted bronze figure, signed "Kauba" to back of blanket, mounted on a red marble base. H: 6.125 in., W: 5.875 in. (base), D: 6.25 in. (base)

110 - Two Boy Scouts of America Figural Trophies Two Boy Scouts of America Figural Presentation Trophies. The first after Robert Tait McKenzie (Canadian, 1867-1938). "Ideal Boy Scout" trophy, patinated-metal, affixed on the front of the base with a metal label inscribed "DON WYCKOFF/ EXCEPTIONAL SERVICE/ 1951;" the second a gilt-metal trophy, Western Badge & Trophy Co., Los Angeles, California, and Trophy Craft Co., Hollywood, California, inscribed "BOY SCOUTS OF AMERICA/ TROOP ELEVEN/ OUTSTANDING SCOUT/ DARYL WYCKOFF/ 1949-50" on the front and "SERVICE HONORS/ 1950-51" on the reverse. "Ideal Boy Scout:" H: 10.375 in., Diam: 4.75 in. (base) Second trophy: H: 8 in., Diam: 3.25 in. (base)

111 - Four Plaques and Medallions Two Continental Plaques, a Medallion and a Trinket Tray, 20th Century. Comprising a WWII brass Siege of Bastogne plaque, commemorating the defense of Bastogne by the U.S. 101st Airborne Division troops December 20-27, 1944; an aluminum "EXODOS" plaque cast in relief with a mother and child with similar figures engraved above them; a bronze circular medallion; and a patinated-metal trinket tray cast in relief with a pair of frogs. WWII plaque: H: 5.375 in., W: 5.5 in. "Exodos" plaque: Diam: 7.75 in., D: 0.75 in. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

112 - Wrought-Iron Model of a Table Hammer and Anvil Wrought-Iron and Steel Model of a Table Hammer and Anvil, Possibly Related to Blacksmiths Work. H: 5.25 in., L: 9 in., W: 5.5 in. (including handle)

113 - Hugh Hanlon Gibbons - Marble Sculpture #3, 1996 Hugh Hanlon Gibbons (Brockton and North Falmouth, Massachusetts and Sacramento, California, circa 1940-2017). Marble Sculpture #3, 1996. The center metal mount under the base stamped "HUGH GIBBONS/ 1996/ #3." Hugh Hanlon Gibbons was a former professor at the University of New Hampshire School of Law. He was an accomplished author, sculptor and graphic artist, exhibiting his work throughout the United States including New Hampshire, Massachusetts, New York, Florida and California.

114 - Thomas Hosmer Shepherd - Folly in the Countryside Thomas Hosmer Shepherd (English, 1793-1864). Strolling Near a Folly in the Countryside, Early 19th Century. Watercolor, signed lower left, (6.25 x 9.625 inches, sight); housed in a period incised lemon gold frame. Frame: H: 13.75 in., W: 17.125 in., D: 0.5 in.

115 - Maud Salmon - Rocky Coastal Scene, Wales Maud Salmon (Welsh, 1872 - 1964). Rocky Coastal Scene, Wales. Watercolor on paper, signed "Maud Salmon" lower right, (5 x 10 inches, sight). Frame: H: 11 in., W: 15.5 in., D: 0.5 in.

116 - Baroness Helga von Cramm - Alps Landscape, 1901 Baroness Helga von Cramm (1840 - 1919, German). Alps Landscape, 1901. Watercolor, signed and dated "Helga von Cramm/ 1901" lower left, (20.875 x 30.75 inches). Frame: H: 28.125 in., W: 38.25 in., D: 1.375 in. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

117 - Bernard Corey - Farmhouse and Barn Bernard Corey (American, 1914 - 2000). Farmhouse and Barn. Watercolor on paper, signed "Bernard Corey" lower right, (9 x 14.25 inches, sight). Frame: H: 16 in., W: 20.75 in.

118 - W. Lester Stevens - Mountain Cabins in a Wood William Lester Stevens (American, 1888 - 1969). Mountain Cabins in a Wood. Watercolor on paper, signed "W. Lester Stevens" lower left corner, (12 x 16 inches, sight). Frame: H: 15 in., W: 19 in.

119 - American Gothic Revival Brass Lamp Base American Gothic Revival Brass Lamp Base, Attributed to Cornelius & Co., Philadelphia, Pennsylvania, Circa 1843. H: 16 in. (to top of font), W: 6.875 in. (base), D: 6 in. (base)

120 - Napoleon III Bronze and Gilt-Bronze Candelabra Napoleon III Bronze and Gilt-Bronze Candelabra, Circa 1860. The vase-form standard mounted on a circular cast floral and scroll base and square plinth set on bun feet, issuing two foliate-capped S-scroll arms fitted with baluster nozzles and detachable drip-pans, each bobeche cast of grape leaves suspending prisms, the standard with matching bobeche and prisms beneath a flame finial. H: 14.375 in., W: 12.5 in., D: 4 in.

121 - American Cranberry Glass & Brass Hanging oil Lamp American Cranberry Glass and Brass Hanging Oil Lamp. With hammered ball font, smoke bell and hung with prisms. H: 45.5 in. (from suspension loop to pendant), Diam: 14 in. (shade)

122 - Assembled Set of Four Brass & Glass Sconces Assembled Set of Four Rococo Revival Brass and Engraved Colorless Glass Sconces Hung with Prisms. The shades all in the same pattern but one shorter than the rest. Sconce: H: 7.375 in., Diam: 4.25 in., D: 7.25 in. Three shades: H: 7.5 in., Diam: 5.375 in. Single shade: H: 5.5 in., Diam: 6.125 in.

123 - Louis XV Style Six-Light Chandelier &Pr of Sconces Louis XV Style Gilt-Metal Six-Light Chandelier and Pair of Two-Light Sconces. Chandelier: H: 24 in., Diam: 17.375 in. Sconces: H: 14.375 in., W: 12.625 in.

124 - Russian Coastline at Springtime Russian Coastline at Springtime. Oil on board, signed and dated "Arsia Co B 2010" lower right, (16 x 19.5 inches), reverse inscribed "BECHA." Frame: H: 21.75 in., W: 25 in.

125 - Russian Landscape with Rustic Cabins Russian Landscape with Rustic Cabins. Oil on board, signed and dated "Arsia Co B 2010" lower right, (12 x 15 inches), reverse inscribed in Cyrillic "BECEHHEE..." (Spring). Frame: H: 15.75 in., W: 19.25 in.

126 - Russian Icon - St. Nicholas the Wonderworker Russian Icon. St. Nicholas the Wonderworker and Archbishop of Myra in Lycia. Paint and gilding on wood panel. H: 14.25 in., W: 11.75 in., D: 1.25 in. Provenance: Affixed with a typed paper label inscribed "This is an excellent rendition of St. Nicholas and was acquired from a farm near Polock, Russia from a Mr. Emillja Denisova, who, with his wife, has lived on this farm for all of his 77 years. He says it was at the family altar when he was a small boy and he figured his father or grandfather acquired it in Vitebsk, Russia, where they have relatives. While it is in mint condition, it is dated in the 1840's."

127 - Russian Icon - Old Testament Trinity Russian Icon. Old Testament Trinity or The Holy Trinity. Paint and gilding on wood panel. H: 11.5 in., W: 9 in., D: 1 in.

128 - Russian Icon - The Virgin Mary and Christ Child Russian Icon. The Virgin Mary and Christ Child. Paint on wood panel. H: 12.25 in., W: 9 in., D: 1.375 in. Provenance: Affixed with a typed paper label inscribed "A very nice Icon purchased from a dealer in Pskov who, in turn, stated that he had acquired it from a farmer (name unknown) near the city. Good features and well kept so it was probably in use within the last fifty years."

129 - After the Cuzco School - Set of Four Archangels After the Cuzco School. Set of Four Archangels. Each oil on canvas. Largest: H: 32 in., W: 22 in., D: 1 in.

130 - Italian Empire Style Giltwood &Marble Center Table Italian Empire Style Gilt and Ebonized Wood, Pietra Dura Marble Top Center Table. H: 31.75 in., Diam: 45.125 in. (*Dolly not included with lot)

130A - Pair of Continental Colorless Glass Girandoles Pair of Continental Colorless Glass Two-Light Girandoles, Early 20th Century. H: 21.75 in., W: 15.25 in., D: 5.5 in.

131 - Modern Italian Marquetry and Parquetry Vitrine Modern Italian Gilt-Metal-Mounted Marquetry and Parquetry Vitrine. H: 66.5 in., W: 28 in., D: 14.5 in.

132 - Italian Fruitwood Marquetry& Parquetry Bombe Chest Italian Fruitwood Marquetry and Parquetry Bombe Chest, 20th Century. H: 36.25 in., W: 50.5 in., D: 18.375 in.

133 - Louis XV Style Marquetry&Parquetry Vitrine, Modern Louis XV Style Gilt-Metal-Mounted Fruitwood Marquetry and Parquetry Vitrine, Modern. H: 48 in., W: 27 in., D: 13.5 in.

134 - June Stratton - "Meritage" June Stratton (American, b. 1959). "Meritage." Oil on canvas, (24 x 48 inches), signed with initials "JS" within a thumbprint lower right, titled, reverse signed and dated 2006 . Frame: H: 29.5 in., W: 53 in., D: 2 in. Estimate: $600 - $900

135 - Michael Godard - Don't Drink and Draw Series Michael Godard (American, b. 1963). Don't Drink and Draw Series: "Pool Shark 1" and "Pool Shark II - Empty Pockets." Both giclee on canvas. "Pool Shark I:" Frame: H: 18 in., W: 18.625 in. "Pool Shark II:" Unframed: H: 17.625 in., W:22 in., D: 1.375 in., D: 1 in. "Pool Shark II" with Certificate of Authenticity and Limitation, numbered 148 out of 250, from an edition size of 1400 with specific editions.

136 - Modern Louis XV Style Mahogany & Satinwood Commode Modern Louis XV Style Mahogany and Satinwood Marquetry and Parquetry Commode. H: 26.5 in., W: 27.5 in., D: 15.625 in.

137 - Modern Louis XVI Style Mahogany& Satinwood Commode Modern Louis XVI Style Mahogany and Satinwood Marquetry and Parquetry Commode. H: 29.875 in., W: 20.375 in., D: 13.125 in.

138 - American Walnut Standing Bookshelf American Walnut Standing Bookshelf. H: 36.5 in., W: 29 in., D: 9 in.

139 - Modern Patinated-Metal Fireplace Screen Modern Patinated-Metal Fireplace Screen. H: 71.5 in., W: 18 in., D: 3 in.

140 - Gucci Painted Wood Veneered Store Display Cabinet Gucci Wood Veneered Store Display Cabinet in Polished Lacquered Off-White Paint, on Wheels. H: 72 in., W: 19 1/2 in., D: 19 1/2 in.

141 - Roberta Towle Aft. W. MacGregor - The New Necklace Roberta Towle (American, b. 1956), After William MacGregor Paxton (American, 1869-1941). "The New Necklace." Oil on canvas, signed "R. TOWLE" lower left, (30.625 x 25.125 inches). Frame: H: 37 in., W: 31.25 in., D: 2.125 in.

142 - Roberta Towle-Still Life, Fruit & Peacock Feathers Roberta Towle (American, b. 1956). Still Life with Fruit and Peacock Feathers. Oil on canvas, signed "R. TOWLE" lower left, (22.25 x 32.75 inches). Frame: H: 26.625 in., W: 37.5 in., D: 2.375 in.

143 - Roberta Towle-Chinese Still Life,Jar & Bittersweet Roberta Towle (American, b. 1956). Chinese Still Life with Jar & Bittersweet. Oil on canvas, signed "R. TOWLE, BT." 10.875 in. x 16.125 in.

144 - German Rococo Style Clock and Bracket German Rococo Style Painted Wood and Gilt-Metal-Mounted Bracket Clock and Shelf, 1950-1990. The movement marked "LAURIS/ N0101 JEWELS/ MADE IN WEST GERMANY/ UNCJ5USTEJ (?)/ 151-070/ 15 cm./ 148.20." Clock: H: 17.75 in., W: 12.625 in., D: 5.5 in. Bracket: H: 7.25 in., W: 13.75 in., D: 7.25 in.

145 - Louis XVI Style Marble &Gilt-Metal Clock Garniture Louis XVI Style Marble and Gilt-Metal Three-Piece Clock Garniture, Late 19th Century. Retailed by Bailey, Banks & Biddle, Philadelphia. Comprising a clock and pair of three light candelabra. Clock: H: 15.75 in., W: 8.5 in., D: 4.375 in.

146 - Two Swedish Giltwood Wall Clocks, Westerstrand Two Swedish Rococo Revival Giltwood Wall Clocks, Westerstrand Urfabrik, Mid-20th Century. Each with key. Largest: H: 26.5 in., W: 14.375 in., D: 4.75 in.

147 - Elliott, London Mahogany 8-Day Chime Bracket Clock Elliott, London Mahogany 8-Day Lever Westminster and Whittington Chime Bracket Clock, 20th Century. Affixed on the front with a brass plaque inscribed "LAMAR SOUTTER M.D./ IN GRATITUDE/ FROM HIS MEDICAL SCHOOL FAMILY/ APRIL 25, 1975." H: 14.625 in. (to top of handle), W: 10.125 in., D: 6.125 in. Lamar Soutter, MD (March 9, 1909-1996). Academic, 1931 Harvard College and 1935 Harvard Medical School graduate. Awarded the Silver Star for actions at the Battle of Bastogne in World War II. Founded the University of Massachusetts Medical School in Worcester, Massachusetts.

148 - LeRoy Neiman - "Nantucket Sailing" LeRoy Neiman (American, 1921-2012). "Nantucket Sailing," 1980. Serigraph in colors on paper, letters "P.P." in pencil lower left and hand signed "LeRoy Neiman" lower right, H: 25.625 in., W: 31.125 in.

149 - LeRoy Neiman - "Moby Dick Series" LeRoy Neiman (American, 1921-2012). Two Serigraphs from the Moby Dick Series: "Red Sky" and "Ahab at the Night Watch," 1977-1978. Each a serigraph in colors on paper, each numbered "91/300" in pencil lower left and hand signed "LeRoy Neiman" lower right, (image 19 x 30.5 inches); housed in the original blue LeRoy Neiman "Moby Dick Portfolio." Sheet: 25 x 36.625 in. Portfolio: H: 25.5 in., W: 37 in., D: 1 in.

150 - LeRoy Neiman - "Carl Lewis: Long Jump" LeRoy Neiman (American 1921 - 2012). "Carl Lewis: Long Jump, 100 Meters, 200 Meters." Mixed media with watercolor and ink on paper, signed in pencil "LeRoy Neiman" lower center, (13 x 15 inches). Frame: H: 28.75 in., W: 31 in., D: 2.25 in.

151 - Iban Pua Kumbu Textile, Borneo Iban Pua Kumbu Textile, Borneo. Woven in brick red, dark brown, green and cream and with multiple borders. H: 82.75 in., W: 36.75 in.

152 - Mid-Century Modern Danish Teak Floating-Top Desk Mid-Century Modern Danish Teak Floating-Top Desk, Attributed to Arne Hovmand Olsen (Danish, 1919-1989). Classic design, apparently unmarked. H: 20 in., W: 64.5 in., D: 21.5 in.

153 - Mid-Century Modern Teak Coffee Table Mid-Century Modern Teak Coffee Table. H: 20 in., W: 64.5 in., D: 21.5 in.

154 - Kai Kristiansen for Magnus Olesen Paperknife Sofa Kai Kristiansen for Magnus Olesen No. 121 Paperknife Teak Three-Seat Sofa, Durup, Denmak, 1960's. Marked with entwined initials "MO"/ MAGNUS OLESEN/ DURUP." H: 27 in., W: 63 in., D: 21 in.

155 - Two Mid-Century Modern Teak Chairs & Coffee Table Two Mid-Century Modern Teak Side Chairs and a Coffee Table, Denmark. Comprising an Arne Hovmand-Olsen for Morgens Kold MK310 dining chair, Denmark, affixed on the seat rail with a black and silver Danish control badge inscribed "FURNITURE MAKERS/ DANISH CONTROL/ CRAFTSMANSHIP," "MK" factory mark and "MADE IN DENMARK;" an Ejvind A. Johansson Model 84 'Eye Chair' for Ivan Gern Mobelfabrik; and a coffee table, branded "Fabian/ MADE IN DENMARK." MK310 chair: H: 30 in., W: 19.625 in., D: 20.625 in. 'Eye Chair:' H: 30.25 in., W: 19.75 in., D: 19.625 in. Coffee table: H: 15.375 in., W: 27.375 in., D: 27.375 in.

156 - Mid-Century Modern Teak Chest of Drawers Mid-Century Modern Teak Chest of Drawers. H: 31 in., W: 35.5 in., D: 16.5 in.

157 - Nanna Ditzel for Kolds Savvaerk Child's High Chair Nanna Ditzel for Kolds Savvaerk Teak Child's High Chair with Adjustable Foot Rest, Denmark, 1950s-1960s. H: 27.5 in., W: 15.5 in., D: 14.5 in.

158 - Pr Danish Mid-Century Modern Teak Magazine Stands Pair of Danish Mid-Century Modern Teak Scissor/ Folding Magazine Stands, Ernest Sohn (German/ American, 1913-2006). H: 17.75 in., W: 17.25 in., D: 12.625 in. (open)

159 - Modern Mahogany Side Chair, Venera Gattonini, 1998 Modern Mahogany Bench Made Side Chair, Venera Gattonini, 1998. Signed and dated inside the rear seat rail.in black pen. H: 41 in., W: 14.375 in., D: 20.875 in.

160 - Venetian Etched Glass Rectangular Mirror Venetian Etched Glass Rectangular Mirror. The paneled sides applied with lozenge-shaped bosses. H: 36 in., W: 60 in.

161 - Helen Krantz for Orrefors Glass Bowl, Late 1990s Helen Krantz (Swedish, b. 1953) for Orrefors Glassworks Bowl, Sweden, Late 1990s. Etched 'Orrefors H2 4952-13." H: 6 in., W: 8.75 in., D: 6.125 in.

162 - Two Orrefors Glass Vases and Two Bowls, Sweden Two Orrefors Glass Vases and Two Bowls, Sweden, Mid-Century Modern. Comprising a Sven Palmqvist (Sweden, 1906-1984) Expo Series cobalt blue glass vase, signed "ORREFORS/ EXPO PV 245-62 Sven Palmqvist" and affixed with an "Orrefors Sweden" green and white label; a Sven Palmqvist 'Selena' series canoe bowl in sommerso dark red glass, signed "Orrefors Sv 3092/3;" a Nils Landberg (Sweden, 1907-1991) 'Dusk' series vase in sommerso blue glass, signed "Orrefors NU 3953/2," and a Nils Landberg circular bowl in sommerso deep indigo blue glass, signed "Orrefors NU 3909/3." Palmqvist Expo vase: H: 8.875 in., Diam: 5.75 in.

163 - Per Lutken for Holmegaard Glass Bowl and Two Vases Per Lutken (Danish, 1916-1998) for Holmegaard Glass Bowl and Two Vases, Denmark, Mid-Century Modern. Each in smoke glass, etched "HOLMEGAARD" and with the conjoined initials "PL," comprising a 'Thule' series bowl, etched pattern number "16748;" a 'Hellas' vase, etched pattern number "15388;" and a vase, etched pattern number "17933." Bowl: H: 6.5 in., W: 9.125 in., D: 9 in.

164 - Strombergshyttan Glass Bowl & Two Vases, Sweden Strombergshyttan Glass Bowl and Two Vases, Sweden, Mid-Century Modern. Each in pale ice blue glass and etched "Strombergshyttan," comprising a free-form bowl, probably designed by Gunnar Nylund (1904-1997, Danish-Finnish-Swedish), etched pattern number "F482;" and two vases, each etched with pattern number "B916." Bowl: H: 5 in., W: 11 in., D: 8.25 in. Tallest vase: H: 9.625 in., W: 3.375 in., D: 3.375 in.

165 - Eight Continental Glass Decorative & Table Wares Eight Continental Glass Decorative and Table Wares, Mid-Century Modern and Later. Comprising a Vicke Lindstrand (Sweden, 1904-1983) for Kosta blue and colorless controlled bubble sommerso vase, signed "LH 1336;" an Ulrica Hydman-Vallien (Sweden, 1938-2018) for Kosta Boda 'Tintomara' bowl, signed "Boda" with indistinct numbers/ "Ulrica;" the remaining unsigned and comprising two sommerso dishes in blue or aubergine and colorless glass; an Italian, probably Murano, latticino and ribbon vase; a Turkish Pasabahce Krystal cobalt blue spiral pinched-bowl sweetmeat dish; a threaded glass vase; and a Kamei America Group Japanese glass vase. Vicke Lindstrand vase: H: 12.5 in., Diam: 2.875 in.

166 - Group of Mid-Century Modern Glass Bar Ware Group of Mid-Century Modern Glass Bar Ware, Sweden and Canada. Comprising a colorless glass wine cooler with metal insert, affixed with an Orrefors label; a Vicke Lindstrand (Sweden, 1904-1983) for Orrefors colorless glass wine decanter, signed "Orrefors 1683/ 111;" a pair of Kosta Boda 'Pippi' colorless cordial or shot glasses, each with suspended bubble in the base; and a set of seven Per Lutken (Danish, 1916-1998) for Holmegaard, Canada smoke grey glass cordials or shot glasses. Wine cooler: H: 8.25 in., W: 6.75 in., D: 6.75 in.

167 - After Gustav Klimt - Die Erwartung Metallic Print After Gustav Klimt (Austrian, 1862-1918) "Die Erwartung" ("The Expectation"). Metallic Print, (11 x 6.75 inches, sight). H: 20.25 in., W: 15.25 in., D: 0.75 in.

168 - After Salvador Dali - "Lincoln in Dalivision" After Salvador Dali (Spanish, 1904-1989). "Lincoln in Dalivision." Lithograph, signed in pencil lower right, (27.25 x 18 inches, sight). Frame: H: 34.75 in., W: 25.375 in., D: 1.25 in.

169 - Aft Edgar Degas- "Danseuse Assise" (Seated Dancer) After Edgar Degas (French, 1834-1917). "Danseuse Assise" (Seated Dancer), 1881-1883. Etching and aquatint, signed "Degas" in the plate upper right corner, inscribed "Degas" in pencil under the plate, (sheet 11.875 x 9.25 inches, sight). Frame: H: 15.125 in., W: 12.625 in., D: 1.625 in.

170 - Ben Shahn Exhibition Poster - Shorewood Press, Inc Ben Shahn Exhibition Poster, Shorewood Press, Inc., 1955-1960's. Lithograph, printed at the top "JANUARY 18 TO FEBRUARY 12," "Published by Shorewood Press, Inc., N.Y.C." lower left and "Printed in U.S.A." lower right, mounted to board. H: 28.5 in., W: 22.5 in. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

171 - Four Steuben Colorless Glass Teardrop Candlesticks Set of Four American Colorless Glass Teardrop Candlesticks, Steuben Glass Works, Corning, New York, 20th Century. Designed by S.B. Sellew (American, Act. 1st half 20th Century) in 1937, each etched "Steuben." H: 9 in., Diam: 4.625 in.

172 - Set of Thirteen Wine Glasses & Another, Baccarat Set of Thirteen French Wine Glasses and a Single Water Goblet, Baccarat, 20th Century. Comprising a set of thirteen 'Pavillon (Chambertin)' 6.75- inch wine glasses and one 'Montaigne (Non Optic) 7- inch tall water goblet, each acid-etched with the circular "BACCARAT FRANCE" mark enclosing a decanter and two glasses. Wine Glass: H: 7 in., Diam: 4.25 in.

173 - Nine Baccarat 'Epron' Wine Glasses & Limoges Plate Set of Nine Baccarat Colorless Cut Glass 'Epron' (Eperon) Wine Glasses; and a Limoges Porcelain Plate, Tressemaines & Vogt. 1891-1907. Each glass etched with the circular "BACCARAT FRANCE" mark with carafe, wine glass and goblet; the plate with printed marks and retailer's mark for Burley & Co., Chicago. (10) Wine glass: H: 6 in., Diam: 2.75 in. Plate: Diam: 10.25 in.

174 - Three Baccarat Colorless Glass Animals & Frog Three French Baccarat Colorless Glass Animals and a Frog, 20th Century. Comprising a seated 'Egyptian' cat, a seated bunny, a miniature pig and a frog, each acid-etched with the circular "BACCARAT FRANCE" mark enclosing a decanter and two glasses. Egyptian cat: H: 6.25 in., W: 2.875 in., D: 2 in.

175 - Steuben Colorless Glass Owl, Two Animals & Ashtray American Colorless Glass Owl, Two Animals and an Ashtray, Steuben Glass Works, Corning, New York, 20th Century. Comprising an owl paperweight designed by Donald Pollard (American, 1924-1994) in 1955; a seated pig paperweight and recumbent pig hand cooler, each designed by Lloyd Atkins (American, 1922-2002); and an ashtray designed by George Thompson (1913-1981), each etched "Steuben." Owl: H: 5.125 in., W: 3.125 in., D: 3.125 in.

176 - Two Pairs of French Toasting Stems & Japanese Pair Two Pairs of French Toasting Stems and a Japanese Pair, 20th Century. Comprising a pair of French molded and etched 'Angel' 8.125- inch champagne flutes designed by Marc Lalique in 1948, after 1978, etched "Lalique/ France;" a pair of French cut and frosted 'Des Must De Cartier' 9.25- inch champagne flutes, signed "Cartier;" and a pair of Japanese 'Wings' frosted and colorless glass 9.25- inch champagne flutes, Toyo-Sasaki Glass Co., Ltd.

177 - Group of Waterford and Pepi Herrmann Crystal Group of Waterford and Pepi Herrmann Crystal Cut Glass, 20th Century. Comprising ten 'Ashling' 7- inch water goblets, four 'Kylemore' 6- inch claret wine glasses, pair of 'Eileen' 5.5- inch candlesticks, etched "Waterford" marks; and a set of four Pepi Herrmann Crystal 3.75- inch brandy snifters, each affixed with a "PEPI HERRMANN CRYSTAL/ HANDCUT IN TILTON, N.H." (20) Water goblet: H: 7 in., Diam: 3.5 in.

178 - Pair of Italian Murano Glass Vases, Avem Pair of Italian Colorless and Gold-Flecked Murano Glass Vases, Avem, Mid-20th Century. One retaining the original red and gold "AVEM/ MADE/ IN/ ITALY/ MURANO" foil label. H: 8.25 in., Diam: 7.25 in.

179 - Set of French 'Beethoven' Gilt-Decorated Glassware Set of French Colorless and Gilt-Decorated 'Beethoven' Glassware, St. Louis, 1900-1920. Comprising four 6.6- inch water goblets, one 5.25- inch wine glass, seven champagne glasses, two cordial glasses, two finger bowls and three underplates, a 6.5- inch underplate and two parfait or sherbet glasses. (22)

180 - Group of Gilt-Decorated & Etched Colorless Glass Group of Gilt-Decorated and Etched Colorless Glass, Early 20th Century. Various patterns, comprising a set of seven white wine glasses and four wine rinsers; a set of six white wine glasses; a set of four sherry glasses; a set of six sherbet or dessert glasses; a set of four underplates; two wine decanters; a liqueur decanter and a panelled cylindrical vase. (35) Tallest decanter: H: 12 in., Diam: 4.75 in.

181 - Desiderio Tanfani - Young Girl Seated in a Chair Desiderio Tanfani (Italian, 1897-1977). Young Girl Seated in a Chair, 1943. Oil on Blanchet Paris artist board, signed and dated "'43" lower right, inscribed on the reverse and on the backing "Tanfani Desiderio (?) Junge," (8.625 x 6.25 inches). Frame: H: 15.5 in., W: 13.75 in., D: 1.875 in.

182 - William Wasdell Trickett - Portrait of "Jock" William Wasdell Trickett (British, 1865/66-1939). Portrait of "Jock," 1938. Pastel on heavy cardboard, titled, signed and dated lower right, (19 x 17 inches, sight); housed in a maple frame. Frame: H: 20.875 in., W: 18.875 in., D: 1 in.

183 - Probably Brazilian School - Two Landscape Views Probably Brazilian School. Two Landscape Views in the Manner of Reinaldo Manzke or Jose Postuschny. Both gouache and watercolor on paper. Comprising Camping by the River, signed indistinctly lower left, (8.25 x 6.375 inches) and Leading the Ox Cart, signed indistinctly lower right, (8 x 5.875 inches). Frame: H: 15.75 in., W: 13.625 in., D: 0.75 in.

184 - Elizabeth R. Withington - Three Views in St. Augus Elizabeth Rupp Withington (American, 1880-1962). Three Views of Houses in St. Augustine, Florida. Each a watercolor, each signed "Elizabeth R. Withington" at bottom, (largest 9.875 x 8 inches, sight), unframed. Largest matte: H: 17.875 in., W: 15 in.

185 - Vernon B. Smith - "Poitiers Market-Day" Vernon B. Smith (American, 1894-1969). "Poitiers Market-Day." Watercolor, signed "VERNON B. SMITH" lower left and titled below, mounted on matte board, (6.625 x 3 inches). Frame: H: 10 in., W: 6 in., D: 0.5 in.

186 - Late 19th/Early 20th C. Seed Chest in Brown Paint Late 19th/Early 20th C. Seed Chest in Brown Paint. The oblong top above nine partially graduated fitted drawers, two with tin liners, raised on a plinth base. H: 38.75 in., W: 19.75 in., D: 8.25 in.

187 - Chippendale Stained Pine Two-Drawer Blanket Chest Chippendale Stained Pine Two-Drawer Blanket Chest. H: 37 in., W: 38.5 in., D: 19.5 in.

188 - New England Queen Anne Walnut Highboy Base New England Queen Anne Walnut Highboy Base. H: 35 in., W: 42 in., D: 23 in.

189 - Chippendale Maple Side Chair with Spanish Feet Chippendale Maple Side Chair with Spanish Feet. H: 41 in., W: 19 in., D: 16 in.

190 - Chippendale Maple Tall Chest of Drawers Chippendale Maple Tall Chest of Drawers. H: 42.5 in., W: 39 in., D: 21 in.

191 - Queen Anne Mahogany Kettle Stand with Dish Top Queen Anne Mahogany Kettle Stand with Square Dish Top. H: 19 in., W: 10 in., D: 10 in.

192 - Lot of 60 Franklin Half Dollars, 1948-1963 Lot of 60 US Franklin Half Dollars, 1948-1963, 50C 90% Silver. 24.2 troy ozs. total weight.

193 - Lot of US Mint Commemorative Sets & Coins Lot of US Mint Commemorative Sets & Coins. Including 2005 US Mint "American Legacy Collection" with Chief Justice John Marshall and Marine Corps 230th Anniversary silver dollars; US Mint "The Chief Justice John Marshall Coin and Chronicles Set"; 1986 US "Liberty Prestige Set"; two 2004 Thomas Alva Edison proof silver dollars; four 2006 Benjamin Franklin proof silver dollars, including "Scientist" (2), "Founding Father" (2); Six 1986 Commemorative half dollars, 2002 George Bush "Presidents of the USA" commemorative and a Jackie Robinson bronze medallion. 8.6 troy ozs, weighable.

194 - US Collector's Type Lot including Morgan Silver $1 US Collector's Type Lot. Including five Morgan silver dollars; three "Two Silver Classics" sets of Liberty Walking half dollars and Mercury dimes; six 1959 PF65 Mercury dimes; five boxed sets of six US nickels; five slabbed sets of 11 "United States Wartime Silver Nickels" and "Wartime Emergency Issue" set of three 1943 steel cents. Approx. 6.2 troy oz.. weighable

195 - US Type Lot, including 64 Kennedy Half Unc. Roll US Type Lot, including 1964 Kennedy Half Uncirculated Roll; 1964 PR70 Kennedy half dollar; 1971 Eisenhower proof and uncirculated silver dollars; two 2005 uncirculated rolls of 20 Sacagawea dollars (Denver & Philadelphia); two 1979 Susan B. Anthony first year three-piece sets; 2004-S and 2005-S Westward Journey PF70 three-piece sets; 2007 Denver and Philadelphia "Commemorative Quarters Satin Finish" sets; three rolls uncirculated "New Jersey" state quarters; twelve-piece 2009 District of Columbia $U.S. Territories Quarter Set and other miscellaneous uncirculated.

196 - Mixed US Coin and Paper Money Lot Mixed US Coin and Paper Money Lot. Including US 1934 Series $20 Note; 18 Assorted US $1 Silver Certificates; 1953-C Red Seal $2 Note; three sheets of 20 assorted US coins, Liberty Walking through Lincoln cents. Approximately 7.4 troy ozs., weighable

197 - Lot 29 US Mint Uncirculated Coin Sets, 2007-2012 Lot 29 US Mint Uncirculated Coin Sets, 2007-2012. Including 2007 Denver (3), Philadelphia (3); 2008 Denver (4); Philadelphia (5); 2009 Denver (2), Philadelphia (2); 2010 Denver (2), Philadelphia (2); 2011 Denver (2), Philadelphia (2); 2012 Denver (1), Philadelphia (1).

198 - Large Lot of US Westward Journey Comm. Nickels. Large Lot of US Westward Journey Commemorative Nickels, 2004-2006. Including 2004-S cased set PR70 American Buffalo, Keelboat, Ocean in View & Peace Medal; 2004-S PR70 Keelboat & Peace Medal; 2004 -D & 2004-P MS67 Keelboat; 2004-D & 2004-P MS67 Peace Medal; 2004-P; 2005-D & 2005-P MS67 Buffalo; 2005-D & 2005-P MS67 Ocean in View; Boxed double rolls including 2004 Keelboat (2); 2004 Westward (2); 2005 Buffalo (5); 2005 Ocean in View (5); 2006 Return to Monticello (5); Loose Rolls including 2003 Denver (2), Philadelphia (2); 2004-D Buffalo, Keelboat, Ocean in View, Peace Medal, Return to Monticello; 2004-P Buffalo, Keelboat, Ocean in View, Peace Medal, Return to Monticello; 2005-D Buffalo, Ocean in View; 2005-P Buffalo, Ocean in View, Return to Monticello; 2006-D Return to Monticello.

199 - Large Lot of US Westward Journey Comm. Nickels Large Lot of US Westward Journey Commemorative Nickels, Bagged and Sets, 2004-2006. Including 2004-D&P bags of 100 Keelboat; 2004-D&P bags of 100 Peace Medal; 2005-D&P bags of 100 Ocean in View; 2005-D&P bags of 100 American Bison; 2006-D&P bags of 100 Return to Monticello and 2006-D&P $25 bags of Return to Monticello, together with 25 assorted series sets.

200 - Five Unopened US Mint Proof Sets, 1958-1964 Five Unopened US Mint Proof Sets, 1958-1964. Including 1958, 1959, 1961, 1962 and 1964.

201 - Large Lot of US Mint Proof Sets Large Lot of US Mint Proof Sets

202 - Group of Fractional Currency Banknotes & Stamps Group of Fractional Currency Banknotes and Ten Postage Stamps, 1862-1876. In denominations of 1, 3, 5, 10, 15, 20, 25 dollars and 50 cents, and including two Bank of Cumberland in Portland, Maine attached banknotes, each with "SPECIMEN" overprint in red indicating they were not intended for circulation (5.875 x 7 inches) (18)

203 - NH Bank Note & Amherst Sabbath School Broadside 1807 Hillsborough Bank of Amherst, New Hampshire Ten Dollar Banknote; and an "Amherst Sabbath School" Broadside, Handwritten Date April 13, 1833. Broadside: Frame: H: 10.625 in., W: 8.5 in., D: 0.75 in.

204 - Group United States Stamped & Stampless Envelopes Group of United States Stamped and Stampless Envelopes, Mid-19th Century. Including several patriotic Civil War envelopes, and an apparently unopened letter with return address "From James H. Smith of Grandview, Ill.- While in the army of the Rebellion." Letter: H: 3 in., W: 5.5 in., D: 0.25 in.

205 - Letter Written by Daniel Webster, Boston, 1825 Letter Written by Daniel Webster, Boston, November 8, 1825. Addressed to Mark W. Pierce, Esq. in Portsmouth, New Hampshire, requesting a favorable recommendation for Mr. Daniel H. Pierce, "a young gentleman now in Europe engaged in professional pursuits." Daniel Webster (1782-1852), lawyer, statesman and diplomat Mark Wentworth Pierce (1787-1846), a merchant Daniel H. Pierce (1801-1877), son of John Pierce, a physician, never practiced Sheet: H: 9.875 in., W: 16 in.

206 - Group of Ephemera Related to Massachusetts Group of Historical Ephemera Related to Massachusetts. Including a letter written by "We the Subscribers being desirous to participate in the Completing of the Monument on Bunker Hill, commemorative of the great Battle fought there on the 17th June 1775 in defense of American Liberty,,,;" an "Abstract of the number of Convicts in the Massachusetts State Prison, the manner of employing them, together with the recipts and expenses of the Institution, for the year ending September 30, 1818;" a Republican ticket for Governor, John A. Andrew of Boston and for Lieut. Governor, John Nesmith of Lowell; and fire insurance documents. Abstract: H: 18.125 in., W: 10.75 in.

207 - Governor George N. Briggs, "Proclamation...," 1844 Governor George N. Briggs, Governor of Massachusetts, "A Proclamation For a Day of Public Fasting, Humiliation, and Prayer," 1844. Printed on silk. H: 24 in., W: 19.125 in.

208 - Two Editions of Dunlap's American Daily Advertiser Two Editions of Dunlap's American Daily Advertiser. Friday, May 31st 1793 (No. 4477) and Tuesday, June 4th 1793 (No. 4480), each including listings for auction sale, illustrated displays for nautical shipping services and product notices for "Jamaica Rum", "Madeira Wines" and "Havannah Segars". 19 x 24.5 in. each

209 - Grp American Historical, Lit., Business Documents Group of American Historical, Literary, Official Business, Merchant and Political Documents and Letters, Late 18th-19th Century. Including a copy of the "Columbian Centinel," May 11, 1791; a receipt signed by William Treadwell, indicating payment received from Thomas Elwyn, Esq. July 1, 1812 for the Oracle from July 1, 1813, dated July 1813 (the "Oracle" was an important Federalist newspaper in Portsmouth, New Hampshire); a copy of the "Boston Patriot," June 30, 1813;" several indenture papers, one written "This Indenture, made and concluded upon this thirty first day of December in the year of our Lord, one thousand seven hundred & ninety eight, between Joseph Blake, William Shattuck, Henry Newman, Joseph Barrell junior & Elias Hasket Derby junior, all of Boston..." with attached letter from notary William Stevenson bearing a seal and dated 1800; a Marlboro Hotel, Boston, invoice printed with a view of the hotel, dated June 13, 1823;" and a list dated 1833 "The Following Articles of Household furniture presented my Daughter Mary H. Morton on her marriage with Mr. George Thompson," with period descriptions of furniture and decorative arts. Indenture papers: H: 18.75 in., W: 13.625 in.

210 - Group of Naval Civil War Documents Group of Naval Civil War Documents, 1862-1866. Comprising final returning of provisions 1864-1866, a pass from New Orleans to New York, and including numerous United States Navy Department orders for servicemen to be paid, such as a ledger entry for payment in June 1862 to Duncan MacLochlin for seven days work on the engine of the steamer "Lockwood," at $3.00 per day, earning $21.00;" and another for Charles Baker Pilot," dated "Aug. 1 to Sept. 3" (1862). For service as Pilot on board different vessels in the Sound of N. Carolina @ 60 per month, earning $120.00." Ledger sheet: H: 13.75 in., W: 8.5 in.

211 - Letters About Virginia Land Owned by Bostonians Bundle of Letters Relating to Land in Virginia Owned by Bostonians, 1807-1870's. Most pertaining to taxes owed, and notarized letters such as "An Act to permit Mary Newton & Thomas Wainwright to pay the taxes upon her land," inherited from her deceased father, William Saxton, conveyed to him "by Joseph Beane (or Blake) and others by deed bearing date on the 31st day of December 1798," and including a map of the land dated 1849. Map: H: 9.25 in., W: 13 in.

212 - Group of Ephemera of American Historical Interest Group of Ephemera of American Historical Interest Comprising Ledger Accounts, Orations, War Poetry, Literature and Political Documents, 19th Century. Including Tristam Burges, "The Art of Excelling; Oration: Delivered in the Benevolent Congregational Meeting-House, at Providence, Before the Society of the Federal Adelphi: on Their Anniversary, September 5, A.D. 1799;" "A Concise View of (?) Concerning of Saxton, Wainwright Up To May 1st, 1810;" "A Communication Made by the Proprietors of the South Meeting House in Dorchester, To The Inhabitants of the Town, November 25, 1806; "Geographical Memoir Upon Upper California, in Illustration of His Map of Oregon and California, By John Charles Fremont: Addressed to the Senate of the United States," 1849; "Token of a Nation's Sorrow: Addresses in the Congress of the United States, and Funeral Solemnities on the Death of John Quincy Adams, Who Died in the Capitol at Washington on Wednesday Evening, February 23, 1848;" "The One Man Power VS. Congress! Address Of Hon. Charles Sumner, at the Music Hall, Boston, October 3, 1866;" "Impeachment of the President," Wednesday, April 29, 1868," from the "Trial of Andrew Johnson, President of the United States," published in 1868. Largest: H: 11 in., W: 6.5 in.

213 - Rockingham County Ledger and a Street Map Rockingham County Leather-Bound Ledger, 1813-1848, and a Street Map. The ledger containing lists of names and payments, the street map identifying homeowners. H: 13 in., W: 8 in., D: 1.5 in.

214 - Five Account Books or Ledgers Five Account Books or Ledgers, Late 18th-Early 19th Century. Listing a name and price paid for provisions and services, such as Stephen Mason to mend cauldron kettle, Osten Wait to mend a tea kettle, Isaiah Bateman to fix 2 forks, Joseph Clark for 1 basket of apples, Smith Bateman for shoeing, Joseph Randall to repair waggon [sic]. Tallest: H: 15.625 in., W: 6.375 in., D: 0.75 in.

215 - "Tableau General des Uniformes, armements et..." "Tableau General des Uniformes, armements et equipements de L'Armee Francaise," 1826. Hand-colored lithograph, (42.5 x 31.75 inches). Frame: H: 65.375 in., W: 46.5 in., D: 1.5 in.

216 - John Melish - Map United States & Private Signals John Melish (Scottish, 1771-1822). Map of the "United States of America," 1818. Hand-colored in outline, engraved by Samuel Harrison, entered according to Act of Congress 10th July 1818, published by Murray Draper Fairman & Co., Philadelphia, (sheet 18.125 x 20.625 inches); and "Private Signals of the Merchants of New York." Lithograph, published by W.H. Morgan, printed by James S. Morgan & Co., New York, New York (sheet 18 x 23 inches).

217 - Seven French Military Watercolors and Engravings Seven French Military Watercolors and Engravings, First Half 19th Century. Comprising Nicolas Toussaint Charlet (French, 1792-1845). French Foot Chasseur of the Imperial Guard, 1833. Watercolor and gouache on paper, signed and dated lower right, (10.75 x 8.625 inches); Edouard Charles Armand-Dumaresqu (French, 1826-1895). Soldiers in an Encampment. Watercolor and ink en grisaille on paper, signed lower right, (sheet 9.625 x 15.25 iches); Frank Dadd (English, 1851-1929). "The Storming of M'wele." Watercolor and gouache, signed "F. Dadd" in pencil lower left under the matte (6 x 9 inches); Attributed to Horace Vernet (French 1789-1863). "Tombeau de Colonel Moncey," 1818. Watercolor on paper, unsigned, artist identification, title and date in pencil on the reverse, (12.875 x 10.875 inches) and Chasseur a Cheval (Soldier on Horseback). Ink on paper drawing, inscribed in pencil on the reverse "Vernet on Schwebach," (9.5 x 12.375 inches); C v Lapel. Disembarking . Hand-colored engraving, signed lower right, (3 x 4.625 inches); and "Varo della Fregata L'urania nell' Arsenale di Napoli 10 Gennajo 1834," ("Launching of the frigate 'Urania' at the Naples Arsenal, January 10, 1834"). Ink sketch on paper, (4.625 x 6.125 inches).

218 - Group of English Etchings and Engravings Group of English Hand-Colored Etchings and Engravings. Comprising James Gillray (English, 1756-1815). Four hand-colored etchings, "PLAYING in PARTS," and "ELEMENTS of SKATEING. Making the most of a passing Friend in case of Emergency,"(sheet 8.75 x 12.125 inches), and "DIDO in Despair," and "Two Pair of Portraits_presented to all the unbiassed Electors of Great Britain, by John Horne Tooke," (8.75 x 11.375 inches); and four black and white engravings. Largest engraving: H: 17 in., W: 23.25 in.

219 - Group American Historical Engravings &Other Prints Group of American Historical Engravings and Other Prints, 18th and 19th Century. Comprising portraits of notable political and religious figures and illustrations regarding natural history, including Thomas L. McKenney (1785-1859) & James Hall (1793-1868). "NAW -KAW, A Winnebago Chief" and "STUM-A-NU, A Flat Head Boy," two hand-colored lithographs from "History of the Indian Tribes of North America." Philadelphia: Lithographed, colored and published by J.T. Bowen, (10.125 x 6.5 inches); an engraving of "The Inside of a Habitation in Nootka Sound, Engraved for Bankes's New System of Geography Published by Royal Authority;" an engraving depicting a whale, flying bridge and other articles pertaining to whale hunting; and a copy of "The New York Herald," April 21, 1865. "New York Herald:" H: 23 in., W: 16.25 in.

220 - Large Group of Watercolors, Drawings & Sketches Large Group of Watercolors, Ink Drawings, Studies and Sketches, Many French and at Least One Chinese. Comprising numerous landscapes, and including E. Forest. Two drawings depicting a mother and daughter, 1833. Each graphite on paper, each signed "E. Forest 1833" lower right, (larger 6.75 x 4.5 inches); Three genre views of Indians engaged in daily activities, each signed "John 1874/ done by the Indians" (largest 8.5 x 7.75 inches); and E.G. Stagoll. Resting by the Road, unsigned, (7.875 x 10.75 inches).

221 - Gombaud Lachaise - Pair Ornithological Watercolors Gombaud Lachaise (French, 18th Century). Pair of Ornithological Watercolors, 1796. The first inscribed "1. Fauvette a test noire. masle. gombaud Lachaise. f. 1796. 2. Fauvette Feinette;" the second "1. Petite Mesange a teste bleue masle. gombaud Lachaise. f. 1796. 2. Sa Feimelle." H: 15.625 in., W: 10.875 in.

222 - Ebenezer Sibly & George Edwards - Engravings Ebenezer Sibly. Group of Hand-Colored Copperplate Engravings from "An Universal System of Natural History: Including the Natural History of Man." London, 1794-1810. Comprising eighteen plates depicting animals and one depicting a bird, nine plates depicting figures and figural groups and two plates depicting mythological creatures, all variously printed J. Chapman, J. Ihle, J. Pass (sculpt.); two bird plates from George Edwards. "A Natural History of Uncommon Birds and of Some Other Rare and Undescribed Animals." London: George Edwards, 1743-1751. (32); and Frederic Sorrieu (French, 1807-1887). Cottage in a Landscape. Watercolor on paper, signed and dated "27 mai 1871" lower left, and inscribed "Henri Garden, seen from my bedroom window." (4.5 x 7.125 inches). Each plate: H: 5.25 in., W: 8.25 in.

223 - Pair of Hepplewhite Style Tiger Maple Stands. Pair of Hepplewhite Style Tiger Maple Stands. H: H: 27 in., W: 19 in., D: 19 in.

224 - Chippendale Maple Chest of Drawers Chippendale Maple Chest of Drawers. H: 34.5 in., W: 40 in., D: 17.5 in.

225 - Federal Pine and Ebonized Wood Tall Case Clock Federal Pine, Ebonized Wood and Brass-Mounted Tall Case Clock. With pendulum and pair of weights. H: 82.5 in., W: 18.5 in., D: 9.5 in.

226 - Chippendale Cherry & Mahogany Slant Front Desk American Chippendale Cherry & Mahogany Slant Front Desk. The oblong hinged mahogany lid opening to a fitted interior of drawers above valenced pigeon holes, over a case of four graduated long drawers with scalloped apron, raised on ball and claw feet. H: 45 in., W: 40 in., D: 20 in.

227 - Federal Birch Tilt-Octagonal Top Candlestand Federal Birch Tilt-Octagonal Top Candlestand. H: 28.625 in., W: 21 in., D: 14.875 in.

228 - Pennsylvania Low Back Windsor Armchair and Another Pennsylvania Low Back Windsor Armchair and Another. Oak and pine, the well shaped arms with low spindle back, above a saddle seat raised on splayed legs joined by turned medial stretcher, together with a modern Hagerty Cohasset Colonial example. First: H: 30.5 in., W: 29.5 in., D: 22 in.

229 - Federal Paint-Decorated Tall Case Clock,R. Whiting Federal Paint-Decorated Tall Case Clock, Riley Whiting, Winchester Connecticut. The lunette finely painted and gilt with a Masonic design, with pendulum and pair of weights. H: 91.5 in., W: 21.5 in., D: 13.5 in.

230 - William and Mary Style Birch Joint Stool William and Mary Style Birch Joint Stool. H: 22 in., W: 14 in., D: 16.625 in.

231 - Large Group of Old Master & Additional Engravings Large Group of Old Master and Additional Engravings. Encompassing biblical, literary, historical and scientific subjects, including Gerard Hoet. "Genesis II.25, engraved by Joseph Mulder and III.5, engraved by A. Van Buysen, both depicting Adam and Eve (each 17.5 x 11.125 inches), two versions of Chatelain after Jean-Baptiste Huet, "Marc et Constantine," Johann Esaias Nilson, "L'Air" and "La Terre;" Attributed to Matthaeus Merian, "Privas," depicting a bird's-eye view of the French city in 1620; and Friedrich Justin Bertuch, two hand-colored copperplate engravings of erupting volcanoes from "Vermischte Gegenstande," pl. 22, figs. 1 and 2.

232 - F. Bartolozzi Aft Giovanni F. Barbieri - Adoration Francesco Bartolozzi (Italian, 1727-1815). After Giovanni Francesco Barbieri, better known as "Il Guercino" (Italian, 1591-1666). Adoration. Etching, printed "Guerino da cento inv:" lower left and "f. Bartolozzi sculp:" lower right, (plate size 12.625 x 17.75 inches). Frame: H: 20.375 in, W: 25.375 in., D: 0.875 in.

233 - Jan Luyken - "The Battle of Turnhout in 1597" Jan Luyken (Amsterdam, Netherlands, 1649-1712). "De slagh bij Turnhout in den jaere MDXCVII," ("The Battle of Turnhout in 1597"). Etching on paper of the battle on January 24, 1597, in the foreground the battle between the State cavalry and the Spanish infantry, in the background the fleeing Spanish horsemen, on the right the Maurits, below the image the legend 1-9 and a-f, numbered "Tom: I. No. 34," designed and etched by Jan Luyken, inscribed "Ian Luijken, invenit et fecit" lower right in the plate, (plate size 10.75 x 13.25 inches). Sheet: H: 14.25 in., W: 17.625 in.

234 - A.W. Moore - Bird's Eye View of Exeter, NH, 1896 A.W. Moore Lithography Company (A.W. Moore & Co.), Boston, Massachusetts. Moore's Bird's Eye View of Exeter, New Hampshire, 1896. Two-color chromolithograph, printed "A.W. MOORE CO., LITH., PUBLISHERS, BOSTON," and "EXETER/ NEW HAMPSHIRE/ 1896." H: 25.75 in., W: 32.625 in.

235 - Group Lithograph Calendars, Trade Cards& Postcards Large Group of American and German Lithograph Advertising Calendars, Trade Cards, Postcards and Holiday Cards, Late 19th-Early 20th Century. Together with three photographs. Large Valentine: 11 x 8 in.

236 - Nine Photograph Portraits,One Signed Andrew Mellon Nine Professional Portrait Photographs, Early 20th Century. Four by Bachrach Studios, Baltimore, Maryland; one by Crane Studios; three by R.H. Post, Honolulu, Hawaii; and one unknown with three matching wallet-size photographs. One of the Bachrach Studios portraits depicting Lieutenant Colonel Cortlandt Parker and inscribed "To Lieut-Colonel Cortlandt Parker/ with kind regards/ A Mellon," all housed in cardboard photo wallets. Cortlandt photograph: 16.75 in. x 11.75 in. Provenance: This group of photographs is from the Cortlandt and Nancy Knowles Parker collection from Greenvale Farm Estate and Vineyard in Portsmouth, Rhode Island. Major General Cortlandt Parker (1884-1960) was the son of Major General James Parker (1854-1934). Cortlandt served in France during World War I. As a Major General in the United States Army during World War II, he commanded the 5th Infantry Division (“Red Diamond” Division) from August 1941 to June 1943, and from 1943 to 1946 he served as Commanding General of the Southern California Sector in the Western Defense Command.

237 - American Velvet & Brass Photo Album & Small Album American Small Leather Photograph Album, Circa 1864; and a Velvet and Brass Photo Album, Mid-19th Century. The first circa 1864, in the form of a leather wallet with gilt picture block, enclosing four tintypes and five carte de visites, faint inscription on the fly leaf with date 1864, the opposite page numbered with the sitters possibly identified; the second in block-printed blue velvet, applied on the cover with a vacant brass plaque with moon and star border and issuing a brass embossed flower stem, and with a crescent-shaped bevelled mirror below, paper faux bois interior mounted with fifty-eight large photographs, two loose photographs, five tintypes and and four carte de visites. First album: H: 4.375 in., W: 3.5 in., D: 0.625 in. Second album: H: 11.25 in., W: 9 in., D: 3.25 in.

238 - Early Photograph of FIgurehead & Four Views, Italy Early Photograph of a Ship's Figurehead, and Four Photographs of Italian Architecture. Comprising a photograph of a figurehead of Neptune/ Poseidon, inscribed on the reverse "Figurehead of a model in the Louvre Museum, Paris, Probably L'Ocean," and stamped "PHOTO BY/ F.K. LORD/ 105 LORD AVE./ BAYONNE, N.J./ NEGATIVE No. 201;" The Italian architectural views of the Palazzo Pitti in Florence; the Palazzo Vecchio town hall and clock tower in Florence; the Grand Canal in Venice; and the Ca' d'Oro Palace in Venice. Largest photograph: H: 18 in., W: 14 in.

239 - Archive Rock & Roll Memorabilia, Santa Monica, Mus Large Archive of Rock & Roll Photographs, 35mm Color Kodachrome Slides, Documents, and Three File Folders of Typed Manuscript, From the Santa Monica Museum of Rock Art, Covering the 1950s-1960s. The material appears to be gathered in preparation for writing a book, including typed history of various groups, slides depicting musicians, posters and ads, a photograph of Buddy Holly, autographed photographs of the McGuire Sisters and Lu Ann Simms, and five first day of issue covers depicting Elvis Presley. Provenance: Santa Monica Museum of Rock Art, Santa Monica, California; with Artifacts, LLC, Rhode Island; to Devin Moisan Auctioneers, Inc.

240 - Modern Tavern Table Modern Tavern Table with Maple Top and Painted Stretcher Base. H: 60 in., W: 37.5 in., D: 31 in.

241 - Set Eight Gilt-Stencilled Hitchcock Dining Chairs Set of Eight Gilt-Stencilled Hitchcock Dining Chairs in Black Paint. Comprising two arm and six side chairs, each with rush seat. H: 34 in., W: 20.5 in., D: 18 in. (armchair)

242 - Country Pine Cupboard in Red Paint Country Pine Cupboard in Red Paint. H: 68 in., W: 41.5 in., D: 18 in.

243 - Chippendale Style Mahogany Corner Cupboard Chippendale Style Mahogany Corner Cupboard. H: 84.5 in., W: 30 in., D: 20.5 in.

244 - Federal Style Satinwood-Inlaid Mahogany Sofa Federal Style Satinwood-Inlaid Mahogany Sofa. H: 36 in., W: 67.5 in., D: 30 in.

245 - View of the Grand Canal in Venice View of the Grand Canal in Venice, Probably Executed by a Skilled Street Painter's Hand. Watercolor and gouache, indistinctly signed lower right, (9.375 x 13.375 inches, sight); housed in an Arts & Crafts giltwood frame. Frame: H: 18.5 in., W: 22.5 in., D: 1 in. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

246 - French School - Parisian Street Scene French School. Parisian Street Scene. Watercolor, signed indistinctly lower right, (11.5 x 18 inches, sight). Frame: H: 21 in., W: 26.5 in., D: 0.75 in.

247 - American School-Sketch of Three Civil War Soldiers American School. Sketch Depicting Three Civil War Soldiers, 19th Century. Chalk on paper, inscribed in pencil with the number "639521" front center bottom under the matte, and "Yardner" (possibly "Gardner") 50 toh" on the reverse bottom of the matte, (7.875 x 11.75 inches, sight). Matte: H: 11.75 in., W: 15.5 in.

248 - French School - "Le Vieux Homme" French School. "Le Vieux Homme." Watercolor, signed indistinctly "(James or Jain Orteg (?)," "FRANCE" and date "1915" (?) lower right, inscribed on the matte "LA VIEUX HOMME" bottom left and "BRIEY, FRANCE" bottom right, (11 x 8.375 inches, sight). Frame: H: 26.375 in., W: 21.875 in., D: 1.25 in.

249 - Roderic O'Connor Montague - View of Roman Ruins Roderic Montague O'Connor (French, Irish, American, 1907-2001). View of Roman Ruins, 1955. Watercolor and gouache on artist board, signed and dated "RODERIC MONTAGUE 1955" lower left, (16 x 22.5 inches, sight). Frame: H: 24.875 in., W: 31.375 in., D: 2 in. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

250 - American/Continental School - Wintry Street Scene American or Continental School. Wintry Street Scene, Late 19th-Early 20th Century. Watercolor en grisaille, spuriously signed "Childe Hassam," (9.5 x 12.25 inches, sight). Frame: H: 14.125 in., W: 16.75 in., D: 0.75 in.

251 - Capt Gerald B. Smith - Pr Miniature Mergansers Captain Gerald B. Smith (Marblehead, Massachusetts, 1905-1994). Pair of Carved and Painted Miniature Common Mergansers, 20th Century. Each affixed with a paper label identifying the species in pencil. Male: H: 3.25 in., L: 6.25 in., W: 2.375 in.

252 - Capt Gerald B. Smith-Carved & Painted Mallard Deco Captain Gerald B. Smith (Marblehead, Massachusetts, 1905-1994). Carved and Painted Mallard Duck Decoy, 20th Century. Branded "G B SMITH/ DECOYS/ MARBLEHEAD" and impressed numeral "460." H: 4.5 in., L: 9.875 in., W: 3.375 in.

253 - Mason Factory Black Duck Decoy Mason Factory Black Duck Decoy. Carved and paint decorated with tack eyes. H: 7 in., W: 16.25 in., D: 5 in.

254 - Two Carved and Painted Canvasback Duck Decoys Two Carved and Painted Canvasback Duck Decoys, Now Mounted as Lamps. Decoy: H: 7.375 in., W: 13.625 in., D: 6.5 in. Lamp: H: 23.25 in. (from bottom of base to top of finial)

255 - Seven Carved Wood Duck Decoys, Including Two Mason Seven Carved Wood Duck Decoys, Including Two Mason Decoys. All with glass eyes. Largest decoy: H: 6.5 in., L: 17.25 in., W: 5.375 in.

256 - Lefever Nitro Special 12Ga Side-By-Side Shotgun Lefever Nitro Special 12Ga Side-By-Side Shotgun, "Lefever Arms Branch - Itacha Gun Company, Ithaca N.Y." Serial #356749, 2 3/4 in., full and modified chokes. 28 in. barrels. H: 5 in., W: 48 in., D: 2.5 in. FFL Transfer Required

257 - Mossberg Model 138D-A Bolt-Action .410 Shotgun O. F. Mossberg & Sons, Inc., Model 138D-A Bolt-Action .410 Shotgun, No Serial number, 3 in., 24 in barrel, adjustable choke, walnut stock. H: 5.5 in., W: 44.5 in., D: 3 in. FFL Transfer Required

258 - Savage Model 219 Single Shot Break Action Rifle Savage Model 219 Single Shot Break Action 30-30 Rifle, No serial number, "Savage Arms Corporation, Chicopee Falls, Mass. US.A.", Bead front sight with V-notch rear, 26 in barrel, walnut stock. H: 5.5 in., W: 42 in., D: 2.25 in.

259 - Fort Knox "Defender 30" Model Steel Gun Safe Fort Knox "Defender 30" Model Steel Gun Safe, Third Quarter 1996. Combination is known and change key is included, as is the 4-wheel dolly the safe is pictured on. H: 60.5 in., W: 31 in., D: 24.5 in.

260 - Steel "Keep/Safe" Gun Safe, Unknown Model Steel "Keep/Safe" Gun Safe, Unknown Model. Combination is known; includes 4-wheel dolly the safe is pictured on. H: 60 in., W: 30 in., D: 24 in.

261 - Two United States M 1852 Officer's Dress Sabers Two United States Model 1852 Officer's Dress Sabers with Scabbards. The blades variously engraved with flowers, scrolls, military trophies and an American eagle, the first engraved on the blade "CAPT. W.F. MENGERT. CO. G.," and signed "ARMY & NAVY CO-OPERATIVE Co. WASHINGTON D.C." (blade length 31.625 );" the second engraved on the blade "Wm. H. Johnson, ASST. ENG./ U.S.N.;" the blade signed "BERNSTEIN BROOKLYN N.Y.," (blade length 27.75 in.). First saber: L: 37.25 in. (overall), W: 5 in. D: 2.75 in. Second saber: L: 39 in., W: 5.25 in., D: 3 in.

262 - Spanish Toledo Decorative Iron Sword Spanish Toledo Iron Decorative Sword. Blade: L: 33.375 in. Overall: L: 39.625 in.

263 - Czech Model of German WWII M38 Paratrooper Helmet Czechoslovakian Model of a German WWII M38 Luftwaffe Paratrooper Fallschirmjager Helmet. The steel shell painted in green, tan and brown camouflage, the lot number "CKL71/ 3892," stamped on the inside of the rear skirt, four early painted three-holed spanner-type bolts, retaining the original leather liner with twelve air holes, printed "Karl Heisler/ BERLIN C2/ D.R.G.M.o." and "Kopfweite: GR. 59 (head width)/ Stahlhelm-Gr. 71 (steel helmet)," original leather adjustable Y-chinstraps. H: 5.375 in., W: 10.125 in., D: 8.875 in.

264 - "Death's Head" Knuckle Fighting Knife with Sheath "Death's Head" Knuckle Fighting Knife with Leather Sheath. Marked "U.S." and numbered "1942." L: 12.25 in., W: 3.5 in., D: 1 in.

265 - Voigtlander Braunschweig Sniper Scope Voigtlander Braunschweig Sniper Scope, Voigtlander & Sohn, Braunschweig, Early 20th Century. Marked "SKOPAR B," "Voigtlander Braunschweig, No12400." L: 11.25 in.

266 - Ceylonese Piha Kaetta Knife & a Jambiya or Khanjar Ceylonese Piha Kaetta Knife or Dagger and a Jambiya or Khanjar Dagger. The Piha Kaetta with carved grip, the forte covered with cast and engraved brass panels, the blade below the forte inlaid with leaves and scrolls; the Jambiya dagger blade with medial ridge, wood and steel handle applied with rows of geometric-patterned banding, the end with glass jewel. Piha Kaetta Knife: L: 13.125 in., W: 2.125 in., D: 0.625 in. Jambiya or Khanjar Dagger: L: 11.875 in., W: 1.625 in., D: 1.25 in. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

267 - Ten Straight and Folding Pocket Knives, Telegraph Ten Straight and Folding Pocket Knives, and a Miniature Brass and Mahogany Ship Engine Room Telegraph. The knives including a Mexican bowie knife, signed H. Cruz, 1950s-1970s, with cast aluminum Indian head handle, etched on the blade with a figural scene and inscription. Mexican bowie knife: L: 13.5 in.

268 - LL. Bean Orion 4-PC Pack Fly Rod with SA #678 Reel LL. Bean Orion 4-PC Pack Fly Rod. (3.6 oz.., 9 ft. for 6 weight) with Scientific Angler #678 Reel (6 weight WF dry line). Case: L: 31.5 in.

269 - Orvis "Far & Fine" Fly Rod, Millard Fly Rod & Vest Orvis "Far & Fine" Fly Rod, Millard Fly Rod and Vest. The Orvis "Far & Fine" graphite fly rod serial #0583, 7 ft. 9 in., 2 1/8 oz., 5 weight; the vintage Millard Brothers "Milbro Planet" fiberglass fly rod F.17 - 8 ft., made in Scotland; the Orvis vest (size medium). Case: L: 50.5 in.

270 - Nine Wood Cases of Arrowheads Nine Wood Cases of Arrowheads. Each case: H: 18 in., W: 14 in., D: 1.75 in.

271 - Six Chinese Glazed Earthenware & Porcelain Vases Six Chinese Glazed Earthenware & Porcelain Vases. Comprising a pair of Guan-type archaistic vases (Hu), covered in celadon crackle glaze; a Guan style vase covered in celadon crackle glaze; a vase covered in celadon crackle glaze and of meiping form, Quianlong seal mark; a vase covered in celadon glaze and in the style of Yuan or Ming dynasty Longquan ware, surrounded by a trailing flowering vine beneath a ribbed neck and above a fluted petal border; the last covered in sang de boeuf glaze, reign mark in underglaze-blue. Longquan ware style vase: H: 7 in., Diam: 3.5 in.

272 - Six Chinese Glazed Porcelain & Earthenware Vases Six Chinese Glazed Porcelain Vases. Comprising a bottle vase covered in teadust glaze, raised Yongzheng seal mark in white; a Guan- type faceted octagonal two-handled vase (Hu) in celadon crackle glaze, Qianlong seal mark in underglaze-blue; the remaining unmarked and covered in celadon glaze comprising a bowl painted in black with a fish, a Longquan style celadon glazed mallet vase, a baluster vase and a bulbous vase. Guan- type faceted two-handled vase (Hu): H: 12.25 in., W: 6.375 in., D: 5.875 in. Bowl: H: 2.75 in., Diam: 10.375 in.

273 - Six Chinese Glazed Porcelain Vases Six Chinese Glazed Porcelain Vases. Comprising a double gourd-form vase covered in off-white glaze, Chenghua four character mark in underglaze-blue; a blue and white vase decorated with two prunus trees, Yongzheng mark in underglaze-blue; a blue and white 'Lotus Flower' vase, molded circular mark enclosing characters or designs; a meiping type vase molded with bat mask handles; an off-white glazed vase and a white-glazed bottle vase, unmarked. 'Lotus Flower' vase: H: 9.5 in., Diam: 6.25 in. Bottle vase: H: 10.625 in., Diam: 5.125 in.

274 - Seven Chinese Earthenware & Porcelain Glazed Vases Seven Chinese Earthenware and Porcelain Crackle-Glazed Vases. Some in ancient forms, four in celadon glaze and three in tan or light brown glaze. Tallest vase: H: 5.5 in., Diam: 3.25 in.

275 - Pair of Carved, Painted & Gilt Figures of Warriors Pair of Carved, Painted and Gilt Wood Figures of Chinese Cavalry Warriors. H: 46.5 in., W: 41.25 in., D: 12.5 in.

276 - Two Chinese Red and Black Lacquer Boxes on Stands Two Chinese Red and Black Lacquer Boxes on Stands. Red box on stand: H: 21.5 in., W: 26.5 in., D: 16.5 in. Black box on stand: H: 22 in., W: 26.5 in., D: 12.5 in.

277 - Chinese Hardwood Side Table Chinese Hardwood Side Table. H: 19 in., W: 17.5 in., D: 17 in.

278 - Pair of Korean Style Hardwood Bookcases/Sideboards Pair of Korean Style Hardwood Bookcases/ Sideboards. H: 15.5 in., W: 31.5 in., D: 12 in.

279 - Indian Damachiya Carved Wood Wedding/Dowry Cabinet Indian Damachiya Carved Wood Wedding/ Dowry Cabinet of Small Size. H: 13.375 in., W: 20.75 in., D: 10.875 in.

280 - Chinese Republic Period Vase in Crackle Glaze Chinese Republic Period Vase in Crackle Glaze, Now fitted as a Lamp. Vase: H: 18.75 in. (without base and fixture), Diam: 8.75 in. H: 24 in. (from base to top of fixture)

281 - Chinese Archaic-Style Bronze Vase Chinese Archaic-Style Bronze Vase. H: 12 in., W: 6.625 in.

282 - Chinese Silvered Bronze Censer Chinese Silvered Bronze Censer. Of spherical form with pierced angular handles, the sides surrounded by a lappet border, the cover cast and pierced with a border of flowerheads centering a Foo lion finial, raised on four bulbous feet, marked beneath. H: 4.625 in., W: 5.25 in., Diam: 4.25 in. (widest portion of the body)

283 - Chinese Carved Hardstone Seal Chinese Carved Hardstone Seal, Late 19th-20th Century. The four character seal in mottled red and green stone, inscribed on the front with four rows of characters and carved around the sides with a continuous landscape scene, surmounted by the figure of a Foo dog and pup playing with a brocaded ball. H: 3.25 in., W: 2 in., D: 1.25 in.

284 - Large Group of Teakwood Bases and a Frame Large Group of Teakwood Bases and a Frame. The frame inscribed on the interior backing "May G. Talbot/ from Great Uncle William/ April 1865/ Northampton." Frame: H: 17.75 in., W: 13.875 in., D: 0.875 in.

285 - China Trade Black Lacquer Sewing Box & Implements China Trade Gilt-Decorated Black Lacquer Sewing Box Containing Numerous Implements, Mid-19th Century. H: 6.5 in., W: 14.5 in. (over handles), D: 10.25 in.

286 - 5 Chinese & Japanese Blue & White Porcelain Wares Five Chinese and Japanese Blue and White Porcelain Wares, Mid-19th to Early 20th Century. Comprising a Canton circular trivet, two graduated platters, and leaf-shaped dish; and a Japanese late Edo square tray, Ken mark in underglaze-blue. Largest platter: H: 12.25 in., W: 15.5 in., D: 1.75 in.

287 - Group of Chinese Export Porcelain Canton Group of Chinese Export Porcelain Canton, 19th-20th Century. Comprising ten 9.75- inch plates, eight 8.5- inch plates, six 7.375- inch plates, eleven two-handled cups (one missing one handle), ten saucers or side plates, one small two-handled cup and saucer, snout-nosed milk jug, sugar bowl and cover, rice bowl, rice wine cup and beaker, pair of soup spoons, and a stand or liner. (55) Sugar bowl and cover: H: 5 in., W: 6 in., D: 3.5 in.

288 - Chinese Export Urne Mysterieuse Plate & 2 Teawares Chinese Export Porcelain 'Urne Mysterieuse' Plate and Two Teawares, 1795-1810. The teawares comprising a teapot stand for the American market, gilt with an American eagle holding a shield enclosing the initials "JA;" and a tea bowl painted in sepia with a Continental landscape view. Plate: Diam: 8 in.

289 - Group of Chinese Export Porcelain Group of Chinese Export Porcelain Tablewares and Pair of Foo Lions. Comprising nine 9- inch plates, eight 8.625- inch plates, three 7.5- inch plates, five 5.75- inch side plates, five bowls, three famille rose teacups and twelve saucers, small teacup and saucer, and a pair of Foo lions. (49) Foo lions: H: 6.25 in., W: 4.75 in., D: 3.5 in.

290 - Large Group of Canton Porcelain Tablewares Large Group Of Canton Porcelain Tablewares, 19th Century. Comprising twelve 8.75 plates, nine 9 inch plates and three tureens (one lacking a cover). Tureen: H: 4.75 in., L: 7.125 in., W: 4.5 in.

291 - Group Of Chinese Porcelain & a Red Lacquer Dish Group Of Chinese Porcelain and a Red Lacquer Dish. Comprising a set of five rose medallion cups and saucers; a Canton teapot and cover, snout-nosed milk pitcher and cream pitcher, two side dishes; a famille rose side dish; and a gilt-decorated red lacquer dish. (17) Teapot: H: 4.25 in., W: 6.5 in., D: 3.75 in.

292 - Group of Chinese Export Porcelain Tablewares Group of Chinese Export Porcelain Tablewares, Late 18th-Early 19th Century. Comprising a pair of armorial cups with Fitzhugh inner borders and motto "AU BON DROIT" ("With good reason"); a cup with the same armorial and motto but without the Fitzhugh border; three famille rose saucers; two similar helmet-form jugs painted in Japanese style; and four Nanking pots-de-creme or syllabubs and two Canton pots-de-creme or syllabubs. (14) Jug: H: 5.5 in., W: 6.5 in., D: 3.375 in.

293 - Chinese Export Teacup & Wedgwood 'Angels' Dish Chinese Export Porcelain Teacup and Saucer for the American Market, Circa 1800; and a Wedgwood Majolica 'Angels' Dessert Plate, 1865. Impressed letters "AUU," British registry mark. Wedgwood dessert plate: H: 1.625 in., Diam: 11.875 in. Literature: The Wedgwood dessert plate illustrated in Nicholas M. Dawes, "Majolica," p. 106.

294 - Chinese Export Porcelain Blue & White 'Peony' Bowl Chinese Export Porcelain Blue and White 'Peony' Fluted Low Bowl, Second Half 18th Century. H: 2.75 in., Diam: 12 in. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

295 - Chinese Export Canton Ginger Jar, Now a Lamp Chinese Export Porcelain Canton Ginger Jar, Now Fitted as a Lamp. Jar: H: 6 in., Diam: 6.625 in. Lamp: H: 19.5 in. (to top of finial)

296 - Chinese Canton Blue and White Porcelain Ginger Jar Chinese Canton Blue and White Porcelain Ginger Jar, Mid-19th Century. H: 7.5 in., Diam: 8.25 in.

297 - Two Japanese Hanging Scrolls Two Japanese Hanging Scrolls. The first depicting a monkey swinging from a branch, ink on paper, (21 x 21 inches), housed in a wood storage box; the second a stalking tiger, ink and color on paper, (18.5 x 47 inches), each signed in calligraphy and with seals. First: 25.5 in. x 67 in. (overall) Second: 24.25 x 79.5 in. (overall)

298 - Three Japanese Hanging Scrolls Three Japanese Hanging Scrolls. Ink and color on paper. The first likely depicting a narrative or myth, possibly Umibozu (The Sea Monk) chasing people along the shoreline, (16 x 41.5 inches); the second on paper, depicting a traditional interior, possibly a courtesan or noble figure, (16 x 20 inches); the third on paper, possibly depicting a Kabuki actor, (17 x 40.5 inches), each signed in calligraphy and with seals, and housed in a wood storage box. First scroll: 21.25 in. x 72 in. (overall) Second scroll; 20 in. x 41.5 in. (overall)

299 - Four Japanese Hanging Scrolls Four Japanese Hanging Scrolls. Ink or ink and color on paper. The first depicting flowering branches and the moon, (13 x 38 inches), housed in a wood storage box; the second depicting a rock and bamboo, (13.5 x 51 inches), housed in a wood storage box; the third a mountain landscape (19.5 x 58 inches); and the fourth depicting yellow dogwood branches, (25.5 x 50 inches), each signed in calligraphy and with seals. First: 16.75 in. x 62.5 in. (overall) Second: 17 in. x 72.5 in. (overall) Third: 23 in. x 80 in. (overall) Fourth: 28.5 in. x 75 in. (overall)

300 - Three Japanese Hanging Scrolls Three Japanese Hanging Scrolls. In ink or ink and colors on paper. The first depicting a bird perched on a flowering pear tree branch, (20 x 14.5 inches); the second a crow on a branch with verse, (12.5 x 46 inches), housed in a wood storage box; the third a bird perched on a bare branch, (17 x 42 inches), each signed in calligraphy and with seals. First: 25.5 in. x 23 in. (overall) Second: 16 in. x 72 in. (overall) Third: 22.5 in. x 24.5 in. (overall)

301 - Three Japanese Hanging Scrolls Three Japanese Hanging Scrolls. In ink or ink and colors on paper. The first depicting a tree in winter with poem by Otagaki Rengetsu (1791-1875), signed in calligraphy, (14 x 22 inches); the second flowering cherry branches, (16.5 x 55 inches); the third Mt. Fuji and a dragon, (14 x 22 inches), housed in a cardboard box, the last two signed in calligraphy and with seals. First: 24 in. x 51 in. (overall) Second: 21 in. x 76 in. (overall) Third: 13.5 in. x 37.5 in.(overall)

302 - Kano School - Japanese Pavilion and Mountain Scene Kano School, Japan. Pavilion in a Mountain Landscape with Waterfall and Pine Trees. Red seal lower right. H: 32.5 in., W: 18.875 in.

303 - Chinese Ink Painting of Two Birds on Prunus Branch Chinese Ink Painting of Two Birds on Prunus Branches. With two red character marks in the upper left, on a beige silk background, black ink and wash on paper, (13.25 x 14.5 inches). Frame: H: 19 in., W: 30 in., D: 1 in.

304 - Chippendale Birch Slant-Front Desk Chippendale Birch Slant-Front Desk. H: 42.5 in., W: 42.5 in., D: 21 in.

305 - Federal Mahogany Fold-Top Card Table Federal Mahogany Fold-Top Card Table. H: 28.5 in., W: 30 in., D: 14.75 in. (closed), 29.5 in. (open)

306 - Louis XVI Style Mahogany Dressing Table Louis XVI Style Mahogany Dressing Table of Kidney Shape. H: 33 in., W: 38 in., D: 22 in.

307 - Federal Style Pine Grandmother's Clock Federal Style Pine Grandmother's Clock, Attributed to Elmer O. Stennes, Retailed by Shreve, Crump & Low. The paint-decorated dial inscribed "Shreve, Crump & Low/ Boston," impressed numbers "6" and "55" on top of the case. H: 57 in., W: 13.5 in., D: 8.5 in.

308 - Federal Style Satinwood-Inlaid Mahogany Card Table Federal Style Satinwood-Inlaid Mahogany Card Table. H: 32 in., W: 38 in., D: 19 in. (closed)

309 - J. Morris - Ice Skating on a Winter Day J. Morris (Likely British School). Ice Skating on a Winter Day, 1867. Watercolor and gouache on paper, signed "JMorris/ 1867" on the rock lower left, (14.125 x 22 inches, sight); housed in a maple frame. Frame: H: 21.5 in., W: 29.25 in., D: 0.75 in.

310 - Homer - Pair of Cows and Incoming Storm Homer. Incoming Storm Over a Pair of Cows, 1905. Watercolor on textured paper, signed and dated "HOMER '05" lower left, and with watercolor sketches of three trees on the reverse. H: 13.625 In. x W: 10 in.

311 - Hendricks A. Hallett - Galleons Hendricks A. Hallett (American, 1847-1921). Galleons at Sea in Early Morning Light. Watercolor, signed lower right, (9.375 x 17.625 inches, sight). Frame: H: 23.875 in., W: 28 in., D: 1.625 in.

312 - Worden Wood - Sailing Yacht Worden Wood (American, 1880-1943). Sailing Yacht. Gouache on cardboard, signed "WORDEN WOOD" lower left, (16 x 20 inches). Frame: H: 18.5 in., W: 22.625 in., D: 0.75 in. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

313 - William H. - Sailboats on Choppy Waters William H. - Sailboats on Choppy WatersLate 19th-Early 20th Century. Pastel on paper, signed indistinctly "Wm. Har..." lower right, (19.5 x 29.5 inches, sight). Frame: H: 27.5 in., W: 37.5 in., D: 1 in.

314 - John Cuthbert Hare - Harbor Scene John Cuthbert Hare (American, 1908-1978). Harbor Scene. Oil on canvas board, signed "JOHN HARE" lower right, (19.875 x 24 inches). Frame: H: 26.5 in., W: 30.625 in., D: 2.5 in.

315 - J. Steven Dews- Two New York Yacht Regatta Prints J. Steven Dews (American, b. 1949). "Harbor Start and Parade, Newport, R.I., July 24, 1994." Two New York Yacht Sesquicentennial regatta prints, from a limited edition of 600, numbered "6/600" and "114/600" in pencil lower left, and each signed by the artist in pencil lower right. H: 25.5 in., W: 37 in.

316 - After Fitz Hugh Lane - The Yacht "America," 1974 After Fitz Hugh Lane - "The Yacht 'America,' First Winner of the America Cup Races, 1851." Two large folio prints in different sizes, published by Samuel L. Lowe, Jr., Antiques, Inc. from the original oil painting by Fitz Hugh Lane in their possession, 1974. H: 24 in., W: 36 in. H: 27.75 in., W: 35.625 in.

317 - After J. M. W. Turner - "Hastings" After J. M. W. Turner "Hastings." Handcolored engraving, published by E. Gambart & Co., London, 1851, (Image: 15.5 x 23.5 inches plus margins), (sheet size: 21 x 27 inches, sight). Frame: H: 30 in., W: 35.5 in.

318 - Two Hand-Colored Engravings Depicting Ships Two Hand-Colored Engravings Depicting Ships. Comprising "His Majesty's Ship the Phoenix, A Fourth Rate Carrying 40 Guns, and 450 Men, Chasing a French Privateer off the Rock of Lisbon." Published April 16, 1781, "Printed for and Sold by CARINGTON BOWLES, at No. 69 in St. Pauls Church Yard, LONDON," (sheet 14.5 x 20.125 in.); and Pierre Mortier. "Polacre a la voille." Randon delineauit et sculpsit cura Dni de Passebon Equitis," published by "Massilix cum privilegio Regis," (sheet 15.375 x 22 inches, sight). "Phoenix" matte: H:19 in., W: 24 in. "Polacre" matte: H: 21.5 in., W: 28.125 in.

319 - Augustus Butler - The "America" Schooner Augustus Butler (English, 1817-1863). The "America" Schooner, 170 Tons. Engraving, printed "AUGUSTUS BUTLER DEL.T" lower left and "ENGRAVED BY E. DUNCAN" lower right, (plate size 15.625 x 20.75 inches). Frame: H: 18.5 in., W: 23.625 in., D: 0.875 in.

320 - 14k Gold Twist Link Paperclip Chain 14k Gold Twist Link Paperclip Chain, clasp marked "14k." 12g L: 20.75 in.

321 - Italian 14k Yellow Gold Textured Brooch Italian 14k Yellow Gold Textured Brooch. In the form of a stylized flower head comprised of six circular joined crescents, marked "FOMP/762V/585," "ITALY." 8.5g Diam: 1.25 in.

322 - Portuguese 19.2k Gold & Turquoise Pendant Portuguese 19.2k Gold and Turquoise Pendant with Gold Filled Chain, marked on suspension loop. Pendant 11.2g (without chain) L: 11.875 in.

323 - Lady's 14k Baroque Pearl & Diamond Suite Lady's 14k White Gold Baroque Pearl and Diamond Three-Piece Suite. Comprising a cocktail ring and matching earrings, the ring setting with a cluster of pear and round cut diamonds with a single baroque pearl, (approximately 20mm in size), the matching earrings with approximately 16mm pearls mounted with French backs. Ring size: 7 1/2 27g total combined weight Estimate: $700 - $ 1,000

324 - Two Lady's Gold and Turquoise Rings The first rose gold with prong set round 7.5mm cabochon and rope twist band, unmarked, tests 22k+, size 7; the second 14k yellow gold with oval cabochon (approximately 10 x 12mm), prong set within a fluted bezel, marked "14k", size 4 1/2. 2.6g and 4.4g respectively.

325 - Two Gold Rings and a Gold-Filled Mourning Brooch Two Gold Rings and a Gold-Filled Mourning Brooch. Comprising a lady's 14k gold diamond and aquamarine ring, a gentlemen's 10k gold and onyx Masonic signet ring and an enamel decorated gold-filled mourning brooch. First: Size 11 1/2, 5.4g Second: Size 9, 6.8g

326 - Group of Gold Jewelry and an Accessory Group of Gold Jewelry and an Accessory. Comprising a single 14k white gold cuff link (4.2g); a single coral and gold cuff link (4.8g total weight); 9k yellow gold brooch (2.9g); and a gold dental crown (1.8g) (4) 8.9g total weighable Brooch: 1.125 in. x 1 in.

327 - Group of Yellow Gold and Gold-Filled Charms Group of Yellow Gold and Gold-Filled Charms. Comprising: A Portuguese 19.2k charm of a chair with guitar and mandolin resting in the seat (3.2g); A 14k circular month of October charm, 14k hatchet charm and an unmarked 14k ball (7.3g) A 10k maple leaf and a 10k child's ring (5.8g) Together with seven assorted non-gold charms. (13) Portuguese chair: H: 0.375 in., W: 0.625 in., D: 0.375 in.

328 - Pair of Modernist 14k Gold Earrings &10k Earring Pair of Modernist 14k Gold Earrings &10k Earring. The first, of stylized triangular form with screw backs, the second with lotus decoration and screw back. 5.8g total weight

329 - 14k Yellow Gold Band and Eight Silver Rings 14k Yellow Gold Band and Eight Sterling Silver Rings. The band engraved "R.B. 12.12. 53,," marked "Vander," "585" beneath the letter "N" into a heart pierced by an arrow, (size 7), (missing center stone); the silver comprising a turquoise and sterling silver ring with conjoined maker's mark "JP," marked "STERLING JP," (size 9); a sterling silver and tiger's eye ring, maker's mark of three Greek style letters, marked "STERLING" twice, (size 7); a silver lion's head ring mounted with a pink stone, marked "800," (size 9); a silver ring engraved with the initials "SW," marked "800," (size 7 1/2); an 835 ring mounted with a black stone, marked "835," (size 6); a ring mounted with a flower, marked "SILVER 925," (size 8 1/2); a ring mounted with two stones and pearls, marked "926," (size 8); and a Navajo silver and turquoise ring, unmarked, (size 8). Yellow gold band 4g Silver rings 56.9g

330 - Mexican Silver, Malachite and Onyx Hinged Choker Mexican Sterling Silver Hinged Choker Mounted with Malachite and Onyx, Designed by JRI, Mid-20th Century. Marked "925JRI" twice, "SZ6, "MEXICO" and "STERLING." 3.09 troy oz. total weight 6 in. x 5.25 in.

331 - Turquoise and Sterling Silver Necklace & Bracelet Turquoise and Sterling Silver Nugget Necklace & Bracelet. Both clasps marked "935," Necklace: L: 19.625 in. (excluding fasteners) Bracelet: L: 7.875 in. (excluding fasteners)

332 - Turquoise and Gold-Tone Bead Necklace Turquoise and Gold-Tone Bead Necklace. Including a red leatherette box. Necklace: L: 14.5 in. Box: H: 4.5 in., W: 4.5 in., D: 2 in.

333 - Group of Pearl Costume Jewelry Group of Pearl Costume Jewelry. Comprising a necklace and pair of earrings, a necklace and bracelet, a necklace, three bracelets and a tie tack with security chain. Box: Pearl and earring set: H: 2.75 in., W: 11 in., W: 2.75 in.

334 - 2 Indian/Pakistani Malas/Bridal Necklaces & Brooch Two Indian/ Pakistani Gilt-Metal, Rhinstone and Faux Pearl Malas/ Bridal Necklaces, and a Brooch. Faux pearl mala: L: 20.625 in., W: 6 in.

335 - Two Pairs of Chanel Costume Earclips Two Pairs of Chanel Costume Earclips. Comprising a pair of white resin and gold-tone Camelia earrings, 1990s, one signed "CHANEL," housed in a "CHANEL" black velvet pouch; and a pair of Paris Fall 1991 yellow resin pearl crystal leather chain earrings, each signed "CHANEL," housed in a "CHANEL" black box. Box: H: 3.125 in., W: 3.25 in., D: 1.5 in.

336 - Three Signed Sterling, Turquoise & Coral Bolo Ties Three Signed Sterling, Turquoise & Coral Bolo Ties. All of trapezoidal form, with braided leather cord and sterling cone tips, the first signed "RHY" (R. H. Yazzie) with stylized wings; the second set with three stones, signed "HANDMADE/L. BENALLY" (Leroy Benally) and the third set with six stones, signed "WAYNE." H: 1.7 in., W: 1.4 in., D: 0.54 in. (first) Length overall: 19 in.

337 - Three Signed Sterling Silver Bolo Ties Three Signed Sterling Silver Bolo Ties. All of trapezoidal form, one rounded, with braided leather cord and sterling cone tips, the first with bear, signed "ROSCOE SCOTT," the second with turquoise signed "R. NASTACIO" (Rick Nastacio), the third with "sunface" design, signed with pictorial mark for Willie Yazzie. H: 2 in., W: 1.6 in., D: 0.33 in. (first) Length overall: 18 in.

338 - Large Buffalo and Spur Silver Bolo Tie Buffalo and Spur Silver Bolo Tie. In the form of a western spur, centering an American Buffalo head flanked by leaves and vinery, the braided leather cord terminating in conical tips with hinged drops, unmarked. 3.9 troy oz. total weight H: 3.25 in., W: 2.5 in., D: 0.95 in. Length overall: 23 in.

339 - Four Silver and Turquoise Bolo Ties Four Silver and Turquoise Bolo Ties. Of varying shapes, each with braided leather cord terminating in a silver conical tip, unmarked. Largest: H: 1.9 W: 1.55 in., D: 0.6 in. Length overall: 19 inches

340 - Three Stone Set Bolo Ties Three Stone Set Bolo Ties. Two in rectangular sterling silver mounts with bezel-set purple and onyx stones, marked "STERLING," braided leather cords with conical silver tips, the third with agate slice, braided brown leather cord and brass tips. H: 1.5 in., W: 1.15 in., D: 0.6 in. (first) Length overall: 20 in.

341 - Group of Gold, Silver and Costume Jewelry Group of Gold, Silver and Costume Jewelry. Including a gentlemen's 14k rose gold tie clip, 14k yellow gold tie pin (broken), two 14k hat pins, 10k gold and amethyst ring, 10k Buffalo Niagara Electric Corp. service pin, Hopi pattern silver ring, WWI Canadian hat badge for the 195th Battalion (City of Regina) Expeditionary Force, two pocket knives, and cuff links including thermometer and compass. 15.8g total weight gold

342 - Group of Gentlemen's Silver and Costume Jewelry Group of Gentlemen's Silver and Costume Jewelry. Comprising a coin silver fruit knife, a Taxco mixed metals tie bar and silver cuff links, sterling silver belt buckle, assorted sets of cuff links, and a "National Congress of Parents & Teachers" pin set.

343 - Large Group of Costume Jewelry Large Group of Costume Jewelry. Comprising earrings, pins, brooches, bracelets, rosaries, necklaces and cufflinks, and including a jewelry box. Jewelry box: H: 4 in., W: 9.875 in., D: 7.5 in.

344 - Large Grp. Costume Jewelry, Gemstones, Coins,Boxes Large Group of Costume Jewelry, Gemstones, Coins and Boxes. Comprising necklaces in glass, faux pearl and hardstone, brooches mounted with glass or gemstones, portraits or flowers painted on porcelain, and two double photograph locket pendants, the two boxes Limoges and painted with flowers, unmarked. Circular box: H: 1.5 in., Diam: 2.25 in., D: 2.625 in.

345 - Grp Silver & Mixed Metals Jewelry & a Dresser Set Large Group of Sterling Silver, Silver and Mixed Metals Jewelry and a Dresser Set, 19th and 20th Century. Including a pair of sterling silver 'Tragedy' and 'Comedy' theatre mask pins, marked "BEAU/ STERLING;" a designer bird pin, signed "SchuRitt" (?); a Salerno, Italy silver and gold tone bracelet, marked "SA" into a heart, "ITALY" and "925;" three mid-century modern pins, one signed with the initials "TTO" and marked "STERLING;" and a George VI Art Deco mirror and two brushes, Collett & Anderson, London, 1939. Not weighed Bracelet: L: 7.25 in., W: 0.625 in.

346 - Group of Assorted Gold-Filled Jewelry Group of Assorted Gold-Filled Jewelry, 19th and 20th Century. Comprising necklaces, brooches/ pins, rings, earrings and cuff links, and including a flintlock pistol tie clip; Golden Caribbean Necklace with Certificate of Authenticity from the Franklin Mint and in the original box, and a matching bracelet. Cufflinks box: H: 4.75 in. (including latch), W: 7.125 in., D: 1.625 in.

347 - Three Watch Fobs,a Pendant, Cigar Cutter and Knife Three Watch Fobs, a Pendant, Cigar Cutter and Knife. Comprising a watch fob worked in beads with a tulip stem above the initials "AS" and with a goat charm; a fob with a compass charm; a fob with BPOE Elk's Club tooth pendant and enamel and gilt clock; a hardstone pendant intaglio carved with the head of a Roman warrior wearing a helmet; a silverplate cigar cutter and a small knife. (6) Longest chain: L: 13.5 in.

348 - Group of Carved Shell Cameos & Gold-Filled Jewelry Group of Carved Shell Cameos and Gold-Filled Jewelry. Comprising five cameos, two depicting buildings and three portraits; an Etruscan style brooch and a bracelet; and a jewelled bracelet. (8) Largest cameo: H: 2.25 in., W: 2.125 in., D: 0.5 in.

349 - Group of Modernist Silver, Copper & Metal Jewelry Group of Modernist Sterling Silver, Copper and Silvered Metal Jewelry. Comprising a sterling silver #375 brooch, designed by Henning Koppel for Georg Jensen, marked "375/ 925S/ DENMARK" and "GEORG JENSEN" within a dotted oval; a sterling silver and thulite stone brooch, designed by Harry Sorby for David Andersen, marked "D-A NORWAY/ STERLING 925S/ INV. H.S.;" a sterling silver brooch, marked "WARMIND/ STERLING/ DENMARK/ 85;" an Industria Argentina bracelet, marked "INDUSTRIA ARGENTINA;" a copper bracelet, brooch and pair of earrings, Francisco Rebajes, the bracelet marked "Rebajes;" and a copper bracelet, two brooches and a silver-metal brooch in the form of a guitar. 1.29 troy oz. total weight Georg Jensen brooch: 2.375 in. x 1.75 in. David Andersen brooch: 2.5 in. x 1.375 in.

350 - Large Group Costume Jewelry in Various Materials Large Group of Costume Jewelry in Various Materials. Comprising necklaces, bracelets, brooches, pins, badges, and including a Mexican eagle's head paper clip; a goldtone clamshell purse with kiss clasp, cast on one side with a gentleman bowing and doffing his top hat; a goldtone moth statement necklace, Kenneth Lane; and a goldtone 'Cupid' pin, Biuoux Cascio.

351 - Large Grp of Gentlemen's Cuff Links, Medals & Pins Large Group of Gentlemen's Cuff Links, Men's and Women's Medals and Badges, Masonic Pins, Military Ribbon Bars and a Metropolitan Museum of Art Silverplate Card Case. Card case: H: 2.25 in., W: 3.75 in., D: 0.125 in.

352 - Group of Vintage Desk and Personal Articles Group of Vintage Desk and Personal Articles. Comprising a George VI sterling silver pencil, London, Sampson Mordan & Co., 1939; Russian Soviet-era pocket watch, the dial printed "History of the Coat of Arms," "Russia" and "Molnija" (lightning) in Cyrillic; Minerva stop watch; German Opisometer; letter opener, pocket knife, Bel Air lighter, CBS and ABC campaign badges. Diameter of Russian watch: 2 in.

353 - Ten Gentlemen's Designer and Other Wristwatches Ten Gentlemen's Designer and Other Wristwatches. Including a Diesel stainless steel studded watch, DZ-1079/ 250601; a Kenneth Cole watch; a Black, Starr & Frost watch in the original case; and a Swatch watch with orange wristband.

354 - Montblanc Meisterstuck Fountain Pen & Two Others Montblanc #149 Meisterstuck Fountain Pen and Two Additional Fountain Pens. The black resin Montblanc pen inlaid with the Montblanc white rounded star on the cap, marked "MONT BLANC-MEISTERSTUCK NO. 149," gold label with letter "M" for medium nib, the 14k bi-tone nib marked "4810" above a star enclosing the letter "M" and 14C/ MONTBLANC/ 585," housed in the original box; one of the other two caps marked "WATERMAN FRANCE," the other engraved with the initials D:B:H:M" and marked "1/ 10 14K GOLD FILLED/ MADE IN USA." Montblanc pen: L: 5.75 in. Box: H: 3.25 in., W: 6.5 in., D: 1 in.

355 - Waterman 18k Yellow Gold Ballpoint Pen Waterman 18k Yellow Gold Ballpoint Pen, Waterman Pen Company, Saint-Herblain, France, Early 20th Century. Marked with a cross within a diamond, and "WATERMAN OR 18C MECAN." 14.6g total weight L: 3.5 in.

356 - English Black Lacquer Letter Box&Persian Snuff Box English Painted Black Lacquer Letter Box, Late 19th Century; and a Persian Lacquer Snuff Box. Letter Box: H: 4.125 in., W: 6.75 in., D: 4.75 in.

357 - Four Table-Top Entertainments and Souvenirs Four Table-Top Entertainments and Souvenirs, 19th and 20th Century. Comprising a Japanese Shibayama inlaid and lacquered wood whist marker, 1900-1925; a Hudson-Fulton Celebration medal commemorating the Hudson-Fulton Banquet, September 29, 1909, engraved by Emile Fuchs, housed in the original box; a 1977 Queen Elizabeth II silver jubilee medallion (Barclays Bank), housed in the original presentation case; and a miniature book, C. Williams. "Child's Natural History of Birds." New Haven: Durrie and Peck/ Philadelphia: Smith and Peck, inscribed "Presented to Mary by her Father Sept 25 1847." Whist counter: H: 2.375 in., W: 3.625 in., D: 0.375 in.

358 - Two Bronze Medals, American, 1876 and British,1884 Two Bronze Medals, American, 1876 and British,1884. The first an 1876 United States Centennial Commemorative Medal, engraved by William Barber, on the obverse 'Liberty' holding wreaths over the heads of 'Industry' and 'Art,' inscribed "THESE UNITED COLONIES ARE, AND OF RIGHT OUGHT TO BE, FREE AND INDEPENDENT STATES," and on the reverse 'Liberty' stretching her left arm toward the heavens and stars, and holding a sword in her right hand, inscribed "ACT OF CONGRESS JUNE 1874," and "IN COMMEMORATION OF THE HUNDREDTH ANNIVERSARY OF AMERICAN INDEPENDENCE;" the second medal one of 50 medals struck in bronze, engraved by Leonard Charles Wyon, on the obverse a portrait of "VICTORIA REGINA" signed "J.S. WYON," and on the reverse fish and a net, inscribed "INTERNATIONAL FISHERIES EXHIBITION 1883," "L.F. DAY INV," signed "PINCHES .F.," housed in the original gilt inscribed box. 1876 medal: Diam 2.25 in; Box: 3 x 3 in. 1883 medal: Diam: 1.77 in; Box: 2.875 x 2.875 in.

359 - Group of Decorative Table Articles & Party Favors Set of eight French painted porcelain and brass place card holders, each mounted with a portrait of a notable lady, seven identified, with seventeen paper labels; a set of twelve gilt metal basket brooch pins, eleven containing fabric flowers or fruit; a set of eleven silvered metal baskets and a single basket. (49) Place card holders: H: 1.125 in., W: 0.875 in., D: 0.625 in. Brooch pin: H: 2.375 in., W: 1.25 in. Basket: H: 3.25 in., Diam: 2.125 in.

360 - French Natural Form Gown French Natural Form Gown, Mid-1870s. Silk taffeta and silk velvet, the velvet hand applied, all hand stitching in the skirt with hand-applied pleats, the bodice machine stitched with piped edges, stitched with the dressmaker's label "ROBES & CONFECTIONS/ MERLOT LARCHEVEQUE/ 21 BOULEVART DES CAPUCINES 23."

361 - French Natural Form Transformation Gown French Natural Form Transformation Gown, Late 1860s-Early 1870s (first bustle era dress). Comprising one skirt, one day bodice and one evening bodice with waist stay, each stitched with the dressmaker's label "MME MARGUERITE/ ROBES/ 8. RUE DE MIROMENIL.8," the main fabric silk taffeta, hand beading, machine lace, both machine and hand stitching throughout. Provenance: Handwritten note inscribed "Lovely green silk old fashioned dress belonging to my grandmother Grant circa about 1857 we think. It has two tops, low neck and high neck called "low body" and "high body" in the olden days. E.G.P. often wore this dress at Fancy Dress Balls."

362 - French Natural Form Transformation Gown French Natural Form Transformation Gown, 1877-1887. Comprising one skirt, one day bodice and one evening bodice, both with waist stays, each stitched with the dressmaker's label "31. BOULEVART MALESHERBES/ LEVILION/ & 14. RUE DE ROME, PARIS," the main fabric jacquard probably with silk back, green velvet and silk satin, additional crinoline fabric, sheer silk organza, silk taffeta, silk satin, hand made silk embroidery floss flowers, machined lace, smocking/ sheering done by hand, including an envelope containing a small swatch of green fabric and eight buttons.

363 - American Party Dress, an Opera Dress and Wig American Dancing/ Party Dress, an Opera Dress and a Wig, 1930s. The party dress silk alternative fabric, bias cuts, glass beading, both hand and machine stitching; the opera dress silk and rayon velvet lined with chiffon, waist stay, metal strands in the lace and attached by hand, arms attached by hand, the remaining machine-made; the wig Arranjays Wig Co., New York, New York, affixed with a label printed "ARRANJAYS COSTUME WIGS/ WIGS FOR EVERY PURPOSE/ ...WIGS AND SPECIALTIES/ the remaining words obscured.

364 - Group of Parker Family Children's Clothing Large Group of Parker Family Children's Clothing, Late 19th and Early 20th Century. Comprising a cotton christening dress that had belonged to Cortlandt Parker's father when he was a baby; a hand-sewn cotton christening dress with machine eyelet lace, the note indicating it had belonged to Grandmother Gray, and Jim (James) was christened in it in 1924; a cotton dress that had belonged to Cortlandt and Jim, early 1900's; a dress belonging to Cortlandt; a bonnet belonging to Jim; a bonnet belonging to Cortlandt; Jim's sweater stitched with a "MADE IN ENGLAND" label; Jim's blue linen suit with shell buttons; Jim's pale blue suit with shell buttons; "Cort's best Rompers," cotton with embroidery smocking, shearing done by hand and elastic legs; two blue and yellow shirts and a pair of black cotton velvet shorts, the shirts size 3, labels for "JUVNILE TAILORING DEPT./ Harrods Ltd., LONDON. S.W.," and the shorts "Harrods LTD., LONDON," housed in a Harrod's box inscribed in pencil "Mstr. (?) C. Parker/ 50, Chester Square/ S.W.1." and Dept. "136," Asst. "Y2Y," and date "15-12-32;" and a pair of Cortlandt's wool bedroom slippers. Provenance: The index cards with family notes written on them and still pinned to some of the clothing were never removed.

365 - Three Boy's Suits, 1935 Three Boy's Suits, Circa 1935. All wool, the jacket and vest each wool Melton with cotton-lined sleeves, polished cotton jacket lining, machine-made with the exception of the sleeves and pockets, vest with striped cotton lining and polished cotton back, silk bow tie, the first suit stitched with a name tag in all three pieces for "JAMES PARKER" and a label for "Daniel Neal/ & SONS LIMITED/ LONDON .W.;" the second suit vest stitched with a "CORTLANDT PARKER" name tag, the jacket and trousers each with a name tag for "CORTLANDT PARKER" stitched over a label for "Daniel Neal/ & SONS LIMITED/ LONDON .W.;" the third stitched with a "COLLEGEGEAR" label and "ROWE OF BOND STREET/ MADE IN ENGLAND" label.

366 - Six Gentlemen's Black Tuxedos and Suits Six Gentlemen's Black Tuxedos and Trousers, Suits and Trousers, and a Coat. The coat stitched with a "HATFIELD & SONS, Importers and Tailors, 12 WEST 31ST ST., NEW YORK" label, and handwritten "Colonel James Parker/ Oct. 1901; one suit stitched with a "ROGERS PEET/ RP" label; one tuxedo coat with stitched label for "GEN. C. PARKER/ 02146," the grey and white pin-stripped jacket stamped "GEN. C. PARKER/ O2146," with labels for "Ayr*star ORIGINAL and Posner's BOSTON;" one tuxedo coat with tails, with "CORTLANDT PARKER, JR." name tag stitched over a "BROOKS BROTHERS/ NEW YORK" label; one black jacket stitched with a "Rogers Peet Company NEW YORK" label.

367 - Two Leather Hat Trunks/ Boxes and Four Hats Two Leather Hat Trunks/ Boxes and Four Hats, 1930s-1940s. The largest box embossed with the initials "CP" on the front, fitted with two beaver top or riding hats (one with a ring in to hold on), a derby and a hat. Largest box: H: 18.5 in. (including handle), W: 17.25 in., D: 12 in. Second box: H: 18.375 in., W: 14.625 in., D: 11.375 in. Provenance: These two trunks and the hats are from the Cortlandt and Nancy Knowles Parker collection from Greenvale Farm Estate and Vineyard in Portsmouth, Rhode Island. Major General Cortlandt Parker (1884-1960), whose initials are embossed on the first trunk, was the son of Major General James Parker (1854-1934). Cortlandt served in France during World War I. As a Major General in the United States Army during World War II, he commanded the 5th Infantry Division (“Red Diamond” Division) from August 1941 to June 1943, and from 1943 to 1946 he served as Commanding General of the Southern California Sector in the Western Defense Command.

368 - Pair Major General Cortlandt Parker's Riding Boots Pair of Major General Cortlandt Parker's Leather Riding Boots with Wood Forms. Each form affixed with a "MAXWELL LONDON/ DOVER STREET" oval plaque. Boot: H: 18.75 in., L: 11.375 in., W: 4 in. (soles) Provenance: This pair of boots is from the Cortlandt and Nancy Knowles Parker collection from Greenvale Farm Estate and Vineyard in Portsmouth, Rhode Island. Major General Cortlandt Parker (1884-1960) was the son of Major General James Parker (1854-1934). Cortlandt served in France during World War I. As a Major General in the United States Army during World War II, he commanded the 5th Infantry Division (“Red Diamond” Division) from August 1941 to June 1943, and from 1943 to 1946 he served as Commanding General of the Southern California Sector in the Western Defense Command.

369 - Six Pairs of Men's and Women's Shoes and Sneakers Six Pairs of Men's and Women's Leather, Satin and Canvas Shoes and Sneakers, 20th Century. Comprising four pairs of women's high heels, a pair of size 8 1/2 black shell-toe high-top Keds, stamped on the inside "MADE IN U.S.A./ 1331, 8 1/2 5070/ HI;" and a pair of black shell-toe canvas sneakers with white side patches, stamped on the inside "85 7365DIR."

370 - Group of Clothing, Textiles and Linen Group of Clothing, Textiles and Linens, Late 19th-Early 20th Century. Including bonnets, dress collars, handkerchiefs, table runners and seven Italian cardboard envelopes, Industria Ricami, Portogruaro, each containing numbered lace samples. Silk table runner: L: 120 in., W: 14 in.

371 - Group of "Court" Attire and Accessories Group of Ladies "Court" Attire and Accessories, Some Worn at Buckingham Palace, Mid-19th to Mid-20th Century. Including a sea foam green velvet train lined in metallic silver fabric, pair of satin sleeves, fur hats and ermine collars, a pink straw hat affixed with velvet and satin flowers, and an Art Deco evening purse in green plaid, stamped "W. BREVETT," most kept in vintage clothing and fabric boxes. Train: L: 74.5 in. Evening purse: H; 3 in., W: 4.5 in., D: 1.5 in.

372 - Crouch & Fitzgerald Leather Suitcase, New York Crouch & Fitzgerald Leather Suitcase with Combination Lock, New York, New York, 1930s-1940s. Embossed with the initials "S.W.P." in gold letters. H: 19 in. (including handle), W: 24.5 in., D: 8.25 in.

373 - Five Vintage and Modern Designer Personal Articles Five Vintage and Modern Designer Articles, Mid- to Late 20th Century. Comprising a S.A.R.L. PARCO faux tortoise shell Lucite makeup compact or minaudiere, 1940's-1950's, the lid fitted with a mirror and comb, the case with three compartments, marked "S.A.R.L. PARCO. PARIS. FRANCE/ MODELE DEPOSE;" a faux rosewood Lucite folding mirror; a Harrods faux red leather folding mirror, stamped "HARRODS/ KNIGHTSBRIDGE;" a Gucci black leather bifold wallet with the iconic red and green web stripe, stamped "GUCCI/ MADE IN ITALY" on the interior; and a Prada Saffiano navy blue leather men's bifold wallet, marked in chrome letters "PRADA," housed in the original box. Lucite folding mirror: H: 6.75 in., W: 5.75 in., D: 0.625 in. Harrods folding mirror: H: 7.625 in., W: 5.625 in., D: 0.625 in.

374 - Three Art Deco Mesh Evening Purses Three Art Deco Mesh Evening Purses, 1920s-1940s. One French with matching change purse, each stitched with a "MADE IN FRANCE" fabric label under the flap. French purse: H: 6.25 in. (including fringe), W: 5.625 in.

375 - Ladies Cream and White Beaded Evening Purse Belgian Ladies Cream and White Beaded Evening Purse, 1930's-1940's. Affixed on the interior with a label stitched "HAND MADE IN BELGIUM." H: 6.25 in. (without strap), W: 8.375 in.

376 - Seven New England Textiles, Folly Cove Designers Seven New England Hand Blocked Ink on Cotton Textiles, Folly Cove Designers, Cape Ann, Massachusetts, Mid-20th Century. Comprising an apron, Louise Kenyon (1906-1998), printed with cars in light brown and cream; a skirt, Margaret (Peggy) Norton (1905-2000), printed with town squares, groups of people around tables, household objects such as stoves, coffeepots, tankards, wine bottles and other vessels, and town squares, in black and emerald green; a set of three place mats printed with buildings, farm and country activities such as people picking apples, tending gardens and in rowboats, in light green and white; and a table runner and place mat printed with tall case clocks, spinning wheels, additional household implements, American eagles and a row of figures across the bottom, in blue and cream. Skirt: L: 28 in., Diam: 12.625 in. (waistband)

377 - Three Bolts of Fabric Three Bolts of Fabric. The first bolt of fabric reversible, in a pink scroll pattern on one side and mottled on the other (approximately 12 yards x 52.5 in.); the second bolt in a pink pattern of urns and flowers, partially printed words along the selvedge, (4 yards x 49 in.); and the third bolt pink satin embroidered with exotic blossoms, (1.5 yards x 48 in.).

378 - Singer Model 221 Featherweight Sewing Machine Singer Model 221 Featherweight Sewing Machine, The Singer Mfg. Co., Elizabethport, New Jersey, 1948. Serial number AH807442. Attachments including a ruffler foot, binder foot, Simanco 45750 bobbin cases, with needles, spools of thread and metal bobbins; housed in the original carrying case. H: 12 in. (including handle), W: 13 in., D: 8.5 in.

379 - Ohio Blue and Cream Woven Summer-Winter Coverlet Ohio Woven Blue and Cream Cotton and Wool Summer-Winter Coverlet, John Jacob Heilbronn, Basil, Fairfield County, Ohio, 1842. In two pieces with Distelfink and basket border, woven into two corner blocks "KATHRINE/ HOLMES/ FANCY/ COVERLET/ WOVE BY J.J./ HEILBRONN/ BASIL OHIO/ 1842." Left panel: H: 84.25 in., W: 36.375 in. (not including fringe) Right panel: H: 86 in., W: 36 in. (not including fringe) Heilbronn was born June 15, 1815 in Alsace, France. After immigrating to the United States he became a professional weaver, and married Phebe Weaver from Fairfield, Ohio on January 9, 1840. He died July 8, 1887.

380 - Six Country Primitive and Primitive Style Articles Group of Country Primitive and Primitive Style Articles. Comprising a wall box in red wash, brass jelly bucket, pewter pitcher and basin, crock in brown glaze and a quilt. Quilt: H: 90 in., W: 70 in.

381 - Set Eight Limoges Porcelain 'Morning Glory' Plates Set of Eight Limoges Porcelain 'Morning Glory' Dinner Plates, 20th Century. Each printed "LIMOGES FRANCE" in green, "ceralene" rooster mark above "A. Raynaud & Cie/ Limoges" and "Morning Glory/ Sevres pattern/ 1788 Louvre Museum" printed in blue. Diam: 10.75 in.

382 - Set of Twelve English Bone China Plates, Spode Set of Twelve English Bone China Pattern 'Y6179' Plates, Spode Copeland, 20th Century. Each painted to the center with a country garden bouquet containing a prominent flower identified on the reverse, printed "SPODE/ COPELAND CHINA/ ENGLAND" in green, the species in purple and the pattern numer "y6179" in red, impressed "A/ 48." Diam: 10.625 in.

383 - 10 Staffordshire Ironstone Transfer-Printed Plates Set of Ten Staffordshire Marlborough Old English Ironstone Transfer-Printed Plates, Simpsons (Potters) Ltd., Early to Mid- 20th Century. Each printed with a fish and aquatic plants within a molded basketweave rim, printed Marlborough/ Old English/ IRONSTONE/ BY/ SIMPSONS (POTTERS) Ltd./ ENGLAND." Diameter: 10.375 in.

384 - George II Style Walnut Dressing Table George II Style Walnut Dressing Table. H: 29 in., W: 33.5 in., D: 18 in.

385 - George III Style Mahogany Butler's Coffee Table George III Style Mahogany Butler's Tray Coffee Table. H: 18.5 in., W: 35.5 in., D: 26 in. (open)

386 - Edwardian Walnut Upholstered Club Chair Edwardian Walnut Upholstered Club Chair. H: 26.5 in., W: 26.5 in., D: 26 in.

387 - George III Mahogany Dressing Table George III Mahogany Dressing Table. H: 27 in., W: 32 in., D: 21.5 in.

388 - George III Mahogany and Oak Tall Case Clock George III Mahogany and Oak Tall Case Clock. With pendulum and three weights. H: 85 in., W: 20 in., D: 9.5 in.

389 - English Pine Hunt Board English Pine Hunt Board. H: 31 in., W: 67 in., D: 16 in.

390 - George III Style Carved Mahogany Arm Chair George III Style Carved Mahogany Arm Chair. The top center of the molded oval back carved with a flower suspending bellflower garlands across four splats joined by rosettes, the arms each carved with a leaf at the chair back, the fluted hand rests continuing to deeply curved supports, the cane seat and plain bow-front apron raised on molded square tapered legs H: 37.5 in., W: 23 in., D: 20 in.

391 - George III Mahogany Table-Top Mirror George III Mahogany Table-Top Mirror, Late 18th-Early 19th Century. H: 17.5 in., W: 13.25 in., D: 8.75 in.

392 - American Rosewood Wheel Barometer, J. Riella English/ American Rosewood Wheel Barometer, J. Riella, Mid-19th Century. The cistern signed "J. Riella/ London/ Warranted." H: 47 in., W: 13.75 in., D: 3.25 in. Optician and instrument maker J. Reilla worked in England and later moved to Ipswich, Massachusetts.

393 - Victorian Rosewood Wheel Barometer, James Brown Victorian Rosewood Wheel Barometer, James Brown, Glasgow, Scotland, 1871-1890. The silvered dial signed "JAMES BROWN" and "76 St. Vincent St. GLASGOW." H: 36.25 in., W: 10.375 in., D: 2.625 in.

394 - American Walnut Stick Barometer, Thaxter & Son American Rococo Revival Walnut Stick Barometer, (Samuel) Thaxter & Son, Boston, 1840-1843. The faceplate signed "THAXTER & SON, Boston." L: 43.875 in., W: 4.5 in., D: 2.375 in.

395 - American Mahogany Barometer, Charles Wilder, NH American Mahogany Stick Barometer, Charles Wilder, Peterborough, New Hampshire. Die-stamped "WOODRUFF'S PAT. JUNE 5, 1860" on the faceplate upper right, and "CHARLES WILDER PETERBORO. N.H." lower right. L: 37.5 in., W: 5.125 in. (including handle), D: 2 in.

396 - R. Burton Keeler - "October" R. Burton Keeler (American 1886 - 1978). "October." Oil on canvas, signed "Burton Keeler" lower right, (24 x 32 inches), the reverse of the stretcher with remnants of a label inscribed "[F]all in Westchester" and listing R. Burton Keeler with a Scarsdale, N. Y. address. The frame with printed label for "Directions in American Painting"/October 23 - December 14, 1941, Carnegie Institute, Pittsburgh, PA, titling the painting "October." Frame: H: 29.25 in., W: 37.5 in., D: 2.25 in.

397 - Mountain Landscape, 19th Century Mountain Landscape, 19th Century. Oil on canvas, unsigned, (24 x 36.375 inches). Frame: H: 25.875 in., W: 37.875 in., D: 1.25 in.

398 - Diane Voyentzie - "Red Shoulder Hawk" Diane Voyentzie (American, 20th Century). "Red Shoulder Hawk," 2001. Oil on canvas, signed lower right, signed, dated and titled in pencil on the back of the canvas and titled on the upper stretcher, (20 x 16 inches). Frame: H: 23.625 in., W: 19.75 in., D: 1.25 in.

399 - Mexican Street Scene, 1931 Mexican Street Scene, 1931. Oil on Masonite, indistinctly signed E. Lyrtaston (?) and dated 1931 lower left, (27.75 x 21.875 in.). Frame: H: 30.625 in., W: 24.5 in., D: 0.75 in.

400 - European or British Swordstick or Cane-Sword European or British Swordstick or Cane-Sword with Inlaid Mahogany and Gilt-Brass-Mounted Scabbard, 19th Century. L: 36.375 in.

401 - Four Canes, a 14k-Mounted Parasol and a Foil Four Canes in Various Woods, a 14k-Mounted Parasol and a Foil. The yellow gold band on the parasol handle marked "14k." Twig cane: L: 36.5 in., W: 5 in., D: 0.875 in. Foil: L: 42.75 in.

402 - Seven Walking Sticks in Various Woods, Bamboo Rod Seven Walking Sticks in Various Woods and a Bamboo Rod. The flyrod lacking guides. Longest cane: L: 36 in.

403 - American School - Still Life with Brook Trout American School. Still Life with Brook Trout and Jack-O-Lantern Mushrooms, 1885. Oil on canvas, signed "WATERVILLE/ 1885" lower left, (11.875 x 13.875 inches). Frame: H: 17.375 in., W: 19.375 in., D: 2.25 in.

404 - American School - Still Life with Basket of Fruit American School - Still Life with Basket of Fruit, 1877. Oil on canvas, signed with the initials and dated "T.L. 1877" lower right, inscribed on the bottom stretcher "SIGNED / T.L. 1877," unframed. H: 20.125 in., W: 16.125 in., D: 0.625 in.

405 - Ermanno Toschi - Still Life Ermanno Toschi (Italian, 1906-1998). Still Life, Summer Bouquet. Oil on panel, signed lower right, (16.375 x 14.75 inches). Frame: H: 21 n., W: 19.25 in., D: 2.25 in.

406 - Barbara Doyle - "Larger Than Life" Barbara Doyle (England, b. 1917). "Larger Than Life," 1975. Oil on board, signed "BARBARA DOYLE 1975" lower left, affixed with a paper label on the reverse, (16 x 20 inches). Unframed Accompanied by a Certificate of Authenticity from Sulis Fine Art and signed by the director, purchased September 10, 2022.

407 - Evelyn Butterfield (American, 20th Century). Poppi Evelyn Butterfield (American, 20th Century). Poppies and Anemone. Oil on Masonite, signed lower right, (36 x 24 inches). Frame: H: 37.25 in., W: 25.25 in., D: 1.75 in.

408 - Chelsea Clock Co. "Willard" Striking Banjo Clock Chelsea Clock Co. Mahogany and Eglomise "Willard" Striking Banjo Clock, 1925-1929. Serial number 189809. Case with view of "LAKE ERIE PERRY'S VICTORY SEPT. 10 1813," dial marked "CHELSEA CLOCK CO. BOSTON U.S.A." H: 31.75 in., W: 8.25 in., D: 3.125 in.

409 - American Paint-Decorated & Eglomise Banjo Clock American Grain-Painted Rosewood and Eglomise #5 Banjo Clock, Edward Howard & Co., Boston, Massachusetts, Circa 1870. The 7.625- inch dial painted in white on tin or zinc and inscribed "E. HOWARD & CO./ BOSTON." H: 29 in., W: 12 in., D: 3.75 in.

410 - Boston Crystal & Brass Regulator& Two Alarm Clocks Boston Crystal and Brass Regulator, Chelsea, Massachusetts and Two Alarm Clocks, Western Clock Mfg. Co., Peru, Illinois. The regulator marked "BOSTON CLOCK CO./ BOSTON/ PAT'D DEC 28 1880;" the alarm clocks comprising two Westclox Big Ben alarm clocks, patent dates listed on the backs 1902-1911 and 1908-1919. Crystal regulator: H: 9.875 in., 5.25 in.6.375 in., D: W:

411 - Three American Mahogany Shelf Clocks Three American Mahogany Shelf Clocks, Mid to Late 19th Century. Comprising an Ingraham & Co. clock, Bristol, Connecticut; a New Haven Clock Co. 8-day Gothic steeple clock, the door affixed with a print of General Winfield Scott entering Mexico City during the Mexican War in 1847; and a Seth Thomas thirty hour shelf clock, Plymouth/ Thomaston, Connecticut, printed on the door in gold with a Golden Retriever on a faux malachite field. Steeple clock: H: 19.875 in., W: 10 in., D: 4.25 in. in.

412 - Seth Thomas Oak Wall Clock w/ Pendulum & Key Wind Seth Thomas Oak Wall Clock with Pendulum and Key Wind, Retailed by Lambert Brothers, Importers and Manufacturers, Third Ave. Corner 58th Street, New York. Diam: 16 in., D: 5.25 in.

413 - 18th Century Dutch Tall Case Clock Movement 18th Century Dutch Tall Case Clock Movement. The dial inscribed "Claude Barlier / A. Malines". H: 12 in., W: 14 in., D: 6.5 in.

414 - Mass. Cobalt Blue Bird Decorated Stoneware Crock Massachusetts Cobalt Blue Bird-Decorated Saltglaze Stoneware Two Gallon Crock, F. B. Norton Sons/Worcester, Massachusetts. Cylindrical with rounded rim and applied lug handles, slip-trailed with a bird perched on a stylized pine bough. H: 9.5 in., W: 10.5 in., D: 9.75 in.

415 - Portsmouth, New Hampshire Saltglaze Stoneware Jug Portsmouth, New Hampshire Saltglaze Stoneware Pint Jug, Tucker & Downes, Mid-19th Century. Stamped and heightened in cobalt blue "TUCKER & DOWNES/ SPRING HILL/ PORTSMOUTH N.H." H: 6.75 in., W: 6 in., D: 5.75 in.

416 - Stoneware Blue and White Hanging Salt Holder Stoneware Blue and White Hanging Salt Holder. H: 5.625 in., W: 5.75 in., D: 6 in.

417 - American Nest of Three Spongeware Mixing Bowls American Nest of Three Blue Sponge-Decorated Stoneware Mixing Bowls. Unmarked. Largest bowl: H: 4.875 in., Diam: 10.625 in.

418 - Glazed Redware Pitcher & Lid, Attrib. PA & a Mold Glazed Redware Pitcher and Lid, Attributed to the Haig Pottery, Philadelphia; and a Turk's Head/ Cap Mold, Probably Pennsylvania, Mid-19th Century. The pitcher of ovoid form with narrow footed base and affixed with a ribbed handle, surrounded by a coggled border below the rim, the cover with coggled border, the pitcher sponged in manganese with three vertical stripes and the cover surrounded by a border of manganese stripes, covered in clear lead glaze; the mold of swirled form, sponged around the sides in manganese with an entwined looping border, covered in clear lead glaze. Pitcher: 7.75 in., W: 8.375 in., Diam: 7.25 in. Mold: H: 3.125 in., Diam: 9.25 in.

419 - New England Redware Jar and Cover New England Redware Jar and Cover. Of turned tapering form, the flat cover with ball knop, covered in brown-green glaze. H: 4.25 in., Diam: 3.75 in.

420 - Two American Brass and Glass Skater's Lanterns Two American Brass and Glass Skater's Lanterns, Late 19th Century. One with chain handle and the other with swing handle. Tallest: 9.625 in., Diam: 4 in.

421 - Four Tin, Brass & Plated Nautical & Other Lanterns Four Tin, Brass and Plated-Metal Nautical and Utilitarian Lanterns, Late 19th-Early 20th Century. Comprising a Triplex nautical signal lantern, Pat, December 20, 1910; a navigation lantern, embossed "STARBOARD;" a carriage or coach lantern; and a punched tin cylindrical lantern. Triplex lantern: H: 17.75 in. (to top of ring handle), W: 9.125 in., D: 7.75 in. Carriage lantern: H: 6.375 in. (to top of mount), W: 3 in., D: 3.375 in.

422 - Five Pairs of New England Glass Candlesticks Five Pairs of New England Pressed Colored Glass Candlesticks. Including 'Petal and Loop,' 'Hexagonal' and 'Dolphin' patterns. Tallest 'Dolphin' candlestick: H: 10.375 in., W: 3.625 in., D: 3.625 in.

423 - Group Glass Lighting, Household & Decorative Wares Group of Glass Lighting, Household and Decorative Wares, 19th Century. Comprising a pair of New England blown, pressed and engraved colorless glass whale oil/ fluid lamps and a similar candlestick with lacy socket, Possibly Boston & Sandwich Glass Co.,1830-1845; an opaque blue glass whale oil hand lamp, possibly Midwestern; a pillar-molded translucent cobalt blue glass pitcher, probably Midwestern, Possibly Pittsburgh, circa 1840-1860; a blown molded vase and ball closure with opaque white trailings pulled into loops; a spiraled glass fish weight and opaque white panelled glass vase. (9) Pair of whale oil lamps: H: 11.75 (to top of brass collar), W: 4 in., D: 4 in. Pitcher: H: 6.75 in. (to top of handle), W: 6.75 in., D: 4.5 in.

424 - Norie - A General Chart for the Purpose of ..." John William Norie and Charles Wilson. "A General Chart for the Purpose of Laying Down a Ship's Track on Her Voyage From England to the East or west Indies, or the Pacific Ocean." "By J.W. Norie Hydrographer & C./ 1833/ Additions to 1852." Affixed with a label printed "SOLD BY BENJAMIN LORING & COMPANY,/ IMPORTERS OF AND DEALERS IN/ CHARTS, NAVIGATION BOOKS, STATIONary, &C./ 120 & 122 STATE STREET,/ BOSTON." H: 75 in., W: 32 in.

425 - Emanuel Bowen - An Accurate Map of Dorset Shire Emanuel Bowen. "An Accurate Map of Dorset Shire, Divided into its Hundreds...," Circa 1760. Engraving hand colored in outline, (21.25 x 28 inches, sight). Frame: H: 29.625 in., W: 36.25 in., D: 1 in.

426 - S. Augustus Mitchell - New York and Brooklyn Samuel Augustus Mitchell (American, 1790-1868). "Southern Portion of New York City and County" from "Mitchell's General Atlas," 1878. Hand-colored engraving, (13.625 x 20.875 inches, plus margins). Frame: H: 21.75 in., W: 29.125 in., D: 0.75 in.

427 - A.J Johnson- Massachusetts, Connecticut & Rhode Is Alvin Jewett Johnson (American, 1827-1884) and Benjamin P. Ward (American, 19th Century). "Johnson's Massachusetts, Connecticut and Rhode Island" Map," 1864. Hand-colored lithograph, published by A.J. Johnson for publication as plate nos. 25 and 26 in the 1864 edition of his "New Illustrated Atlas," (17 x 23.25 inches, sight). Frame: 24.75 in., W: 30.5 in., D: 0.75 in.

428 - "Map of Boston and Adjacent Cities" "Map of Boston and Adjacent Cities," 1857. Hand-colored lithograph, no decorative border, published by J.H. Colton & Co. No. 172 William St. New York, "Entered according to Act of Congress in the year 1855 by J.H. Colton, & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York," "No. 16," (15.375 x 12.5 inches, sight). Frame: H: 22.5 in., W: 19.375 in., D: 0.75 in.

429 - Hand-Colored Map of Wards 10 & 12, City of Boston Hand-Colored Map "Part of Wards 10 & 12, City of Boston", Boston Proper and Back Bay from "The Atlases of the City of Boston" published 1898 by Washington Bromley and Walter Scott Bromley (G.W. Bromley & Co.) 22.5 in. x 32.5 in.

430 - Aft. Prang, "Boston," & Reprint Map of New England After L. Prang & Co., "Boston/ Bird's-Eye View From The North," 1877. Lithograph, J. Bachmann Delineator and Lithographer, copyright 1877 by L. Prang & Co., (14.875 x 19.625 inches, sight); and a reprint map of "Bowles's New Pocket Map of The Most Inhabited Part of New England..." (2) Frame: "Boston:" H: 24.75 in., W: 28.625 in., D: 1.625 in.

431 - Daniel Nichols - Cottage on the Hill Daniel Nichols (British, Contemporary). Cottage on the Hill, 1920-1921. Oil and gouache on board, initials "DN" lower right, 12 x 16 inches. Unframed Accompanied by a Certificate of Authenticity from Sulis Fine Art and signed by the director, purchased September 15, 2022.

432 - Autumnal Landscape Autumnal Landscape, Late 19th Century. Oil on canvas, unsigned, (6.125 x 8.125 inches). Unframed

433 - Italian School, Romero - Harbor View Romero (Italian, Contemporary). Harbor View. Oil on board, inscribed on the reverse "ROMERO/ ITALIAN" in black ink, (12.75 x 16.125 inches) Unframed

434 - In the Manner of Balthus - Portrait of a Lady In the Manner of Balthus (Balthazar Klossowski de Rola, French 1908-2001). Portrait of a Lady. Oil on heavy cardboard, signed "Balthus" lower left. H: 16.75 in., W: 13 in. (Unframed) Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

435 - American Rococo Revival Walnut Marble-Top Table American Rococo Revival Walnut Marble-Top Side Table. H: 20.5 in., W: 24.5 in., D: 16.5 in.

436 - American Renaissance Revival Folio/ Music Stand American Renaissance Revival Walnut Parcel-Gilt and Ebonized Folio/ Music Stand, Late 19th Century. H: 47.875 in., W: 23 in., D: 15.75 in.

437 - American Rococo Revival Walnut Dining Table American Rococo Revival Walnut Dining Table. H: 27 in., W: 49.5 in., D: 54 in.

438 - 19th Century Walnut Tuck Away Table 19th Century Walnut Tuck Away Table. The rectangular molded edge top with hinged leaves above a straight incised frieze, raised on conforming splayed legs with gate swing leg. H: 28.5 in., W: 30 in., D: 8.5 in. / 36 in. (leaves raised)

439 - American Wicker Stoller in White Paint American Wicker Stroller in White Paint, Late 19th Century. H: 34.5 in., W: 44 in., D: 20.75 in.

440 - American Walnut Rocking Cradle with Canopy American Walnut Rocking Cradle with Canopy, 19th Century. H: 73 in., W: 49 in., D: 24 in. Height excluding canopy: 39 in.

441 - American Porcelain Lamp Base with Slag Glass Shade American Cobalt Blue Porcelain Kerosene Lamp Base Fitted with a Yellow Slag Glass Shade, Late 19th-Early 20th Century. The thumb wheel embossed "DAYLIGHT C & K." H: 20 in., Diam: 12.25 in. (shade)

442 - American Brass Double Student Lamp, B & H American Brass Adjustable Double-Arm Student Lamp, Bradley & Hubbard Mfg. Co., Meriden, Connecticut, Late 19th Century. Fitted with a removable acorn-shaped tank, the weighted base cast with the "B & H" factory mark and number "4751;" now electrified. H: 20.5 in. (top of standard), W: 25.625 in. (including shades), D: 11.375 in. Inside diameter of shade ring: 10 in.

443 - Amer. Brass Ruby Flash Glass Hanging Hall Lantern American Brass Hanging Hall Lantern Fitted with a Ruby Flash Glass Shade. Frame: H: 22 1/2 in., W: 10.25 in. Shade: H: 7.75 in., Diam: 8 in.

444 - Ruby Cut Overlay Glass Fluid Lamp Ruby Cut to Colorless Glass Fluid Lamp, 1860-1880. Of inverted pear form, ruby cut to colorless glass with a border of thistle sprays over a row of oblongs, raised on a fluted brass standard on a stepped brass and marble base; now fitted for electricity. H: 13.5 in. (top of font) H: 24.75 in. (including harp finial)

445 - Pair of American Rococo Revival Brass Girandoles Pair of American Rococo Revival Brass, Glass and Marble Girandole Candlesticks, 1850-1870. Possibly Cornelius & Co., Philadelphia; both now fitted for electricity. H: 11.5 in. (from base to top of candlestick) H: H: 23.75 in. (including harp finial)

446 - American Brass Piano Lamp with Hinks Burner American Brass Piano Lamp with Hinks Burner, Late 19th-Early 20th Century. The thumb wheel marked "HINKS'S DUPLEX PATERNT." H: 53 in., W: 12 in., D: 12 in.

447 - Italian School - Portrait of a Young Woman Italian School. Portrait of a Young Woman. Oil on canvas, (20.375 x 18 inches). Frame: H: 30.5 in., W: 28.375 in., D: 2.125 in.

448 - School of British Fairy Paintings - Sea Nymph School of British Fairy Paintings. L. Fenby (?). Sea Nymph Recumbent in a Grotto, 1880-1910. Oil and oil impasto on artist board, signed "L. Fenby" (?) on the reverse, (11.875 x 16 inches), unframed. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

449 - After Vincent van Gogh-Farmhouse Amidst the Fields After Vincent van Gogh. Farmhouse Amidst the Fields. Oil impasto on board, apparently unsigned, (13.375 x 18.5 inches). Unframed

450 - Hendrick- "Karersee Dolomiten" (Carezza Dolomites) Hendrick. "Karersee Dolomiten" ("Carezza Dolomites"). Oil impasto on stained plywood, titled lower left and signed lower right. Backing: H: 27.5 in., W: 33.625 in., D: 0.25 in. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

451 - Ana Eugenia Stiama (?) - Floral Still Life Ana Eugenia Stiama (?). Expressionist Style Still Life Reverse Painting on Glass, 1991. Housed in a painted wood frame. Frame: H: 11.5 in., W: 9.5 in., D: 0.75 in.

452 - 2 Yei Navajo Ceremonial Sand Paintings & Artifacts Two Yei Navajo Ceremonial Sand Paintings and Artifacts. The artifacts comprising two pairs of embroidered leather moccasins,1930s-1950, likely tribe-worn; a beadwork horn pouch and crow feathers. (8) Large sand painting: H: 16.25 in., W: 8.125 in. Frame: H: 22.5 in., W: 14.5 in., D: 1.25 in. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

453 - S.R. Medina - Medicine Man Ceremonial Dance S.R. Medina. Medicine Man Ceremonial Dance. In the manner of Rafael Medina, Zia Pueblo, New Mexico, gouache and ink, signed "S.R. Medina" lower right, (19.875 x 14.75 inches, sight). Frame: H: 25.5 in., W: 19.625 in., D: 1 in.

454 - Navajo Yei Wool Weaving Navajo Yei Wool Weaving, 1930s. Handspun and woven in ivory, shades of brown and gold colored yarns on a natural grey field, depicting a row of six female teis, each with square head, elongated stick body attired in a skirt and holding two arrows, centering a cornstalk and all within a white lightning border. 24.5 in. x 41 in.

455 - Navajo Woven Wool Rug Navajo Woven Wool Rug, Late 19th-Early 20th Century. In red, black, ivory and gold color wool yarns woven in geometric patterns. 40 in. x 56 in.

456 - Navajo Woven Wool Rug Navajo Woven Wool Rug, Late 19th-Early 20th Century. In red, black, ivory and gold color wool yarns woven in geometric patterns. 33.375 in. x 59.25 in.

457 - Kananginak Pootoogook - Stretched Sealskin Kananginak Pootoogook (Inuit, 1935 - 2010). Stretched Sealskin on Snowblock. Lithograph on paper, signed in pencil lower right, titled, dated "Dorset 1994," and numbered 25/50, (29.5 x 22 inches). Frame: H: 31 in., W: 23.75 in., D: 0.5 in.

458 - New England Pine Tall Case Clock, Silas Hoadley New England Pine Tall Case Clock, Silas Hoadley, Plymouth, Connecticut, Early 19th Century. The clock face signed "HOADLEY PLYMOUTH." H: 86.5 in., W: 20.5 in., D: 10 in.

459 - Pair of Sheraton Paint-Decorated Fancy Chairs Pair of Sheraton Paint-Decorated Fancy Chairs. Each with a paint decorated crest rail above a pierced splat, over a banded rush seat, raised on turned reeded legs joined by a box stretcher. H: 33 in., W: 18.5 in., D: 21.25 in.

460 - Federal Pine Work Table, 19th Century Federal Pine Work Table, 19th Century. H: 25.25 in., W: 21 in., D: 18.25 in.

461 - American Country Pine Cupboard American Country Pine Cupboard, Late 19th Century. The top lifting above two drawers over a cupboard door. H: 35.5 in., W: 37 in., D: 16.5 in.

462 - American Pine Tool Chest American Pine Tool Chest, 19th Century. Of dovetailed and nailed construction. H: 19.5 in., W: 41.5 in., D: 21.25 in.

463 - Early American Style Pine Oval Shoe-Foot Table Early American Style Pine Oval Shoe-Foot Table. H: 18 in., W: 26 in., D: 17 in.

464 - Naval Merchantman Brass-Bound Oak Rum/Water Cask Naval Merchantman Brass-Bound Oak Rum/ Water Cask with Brass Bail Handles. Together with a stand. (2) H: 16 in., W: 25 in., D: 13 in.

465 - Portsmouth Brewing Co. Barrel/ Cask and Stand, NH Portsmouth Brewing Co. Galvanized Steel-Bound Wooden Barrel/ Cask and Stand, Portsmouth, New Hampshire, 1875- Circa 1919. The barrel stamped on one end "PORTSMOUTH/ BREWING CO./ N.H./ 38992." Keg: H: 20.375 in., Diam: 14.25 in.

466 - Philip Morris Cigarettes Advertising Cabinet Philip Morris Paint-Decorated Pine Cigarette Advertising Cabinet, Early 20th Century. The class window stencilled "Call for PHILIP MORRIS/ AMERICA'S FINEST 15 (CENT) CIGARETTE." H: 51 in., W: 23 in., D: 13 in.

467 - Jenny Lind Type Pine Wrought-Iron,BrassBound Trunk Jenny Lind Type Pine Brass-Studded Wrought-Iron-Bound Trunk. H: 17.5 in., W: 30 in., D: 17.625 in.

468 - Primitive Stained Wood Pedestal or Stool Primitive Stained Wood Pedestal or Stool. H: 15.75 in., W: 13.5 in., D: 13.75 in.

469 - Two Sets of Three Swedish Copper Measures Two Sets of Three Swedish Copper Stencil Measures/ Volume Containers, 19th Century. Two dated 1844 and three 1870, one with worn marks. Smallest: H: 4.625 in., Diam: 3.5 in. Tallest: H: 10 in., Diam: 7.5 in.

470 - Set Five French Style Copper Pans and Skillets Set of Five French Style Copper and Brass Pans and Skillets, 20th Century. Comprising a pan, two sauce pans, two skillets and one lid. (6) Largest skillet: H: 19.125 in., Diam: 10.375 in., D: 2 in.

471 - Extensive Wood and Metal Miniature Farm Complex Extensive Painted Wood and Metal Miniature Farm Complex, Probably Austrian, Early 20th Century. Comprising three barns, a hen house, two trees, and numerous wood figures and metal animals, mounted on a fenced platform. Together with a metal match safe holder in the form of a well. Farm complex: H: 7.75 in., W: 24.125 in., D: 14.625 in.

472 - Federal Maple and Figured Maple Dresser Box Federal Maple and Figured Maple Two-Drawer Dresser Box, 19th Century. H: 3.5 inches, W: 15.325 in., D: 7.875 in.

473 - Folk Art Painted Pantry Box & a Box in Dutch Style Folk Art Painted Pine and Maple Oval Pantry Box and a Pantry Box Painted with a Dutch Figure. Largest: H: 3.25 in., L: 8.625 in., W: 6.25 in. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

474 - Three Walnut, Maple and Mahogany Handheld Mirrors Three Walnut, Maple and Mahogany Handheld Mirrors, 20th Century. Largest: H: 13.75 in., W: 6.625 in., D: 0.5 in.

475 - Three Wood, Brass and Copper Kitchen Articles Three Wood, Brass and Copper Kitchen Articles. Comprising a splint basket with swing handle, a brass jelly bucket with bail handle, and a copper measure. Splint basket: H: 7.25 in. (including loop with handle down), Diam: 10.25 in.

476 - Six American Folk Art and Utilitarian Wares Six American Folk Art and Utilitarian Wares. Comprising a painted wood cricket, a Rockingham-glazed oval baker, pair of pewter dog-nosed rattail spoons and a similar spoon with embossed terminal; and a clock case door. Cricket: H: 8.25 in., W: 15 in., D: 9.25 in.

477 - Seven Brass & Iron Still Banks & Silverplate Bank Seven English and American Brass and Cast-Iron Still Banks, 1900s-1930s; and One Later Silverplate Bank. Comprising a Golliwog (Golly) bank, a copy of a John Harper & Co., Ltd. version; three standing lion banks, two retaining the original gold color; a standing elephant cast with tail attached to hind leg and carrying a howdah; a domed bank building, probably A.C. Williams; a treasure chest; and a 1970s Raimond, Japan silverplate alphabet and number block. Elephant bank: H: 4.875 in., W: 6.125 in., D: 2.375 in.

478 - Staffordshire Rooster Cruet & Carved Wood Parakeet Staffordshire Pearlware Rooster Cruet Painted in Overglaze-Enamels, Attributed to Enoch Wood, Circa 1820; and a Carved and Painted Wood Figure of a Parakeet. The parakeet affixed with an old paper label printed "CAROLINA PAROQUET." Rooster: H: 9.125 in., W: 7.125 in., D: 3.5 in. Parakeet: H: 9.25 in., W: 2.5 in., D: 5 in.

479 - Turkish Ottoman Canakkale Ewer/ Watch Hutch Turkish Ottoman Canakkale Glazed Pottery Ewer/ Watch Hutch, 19th Century. The whole covered in mottled shades of brown, green, tan and cream glaze, the baluster-form ewer applied with floral-form handles supporting the backplate pierced with blossoms, the backplate and S-scroll handle surmounted by a winged horse spout, the watch holder formed with a displayed bird, on a circular foot. H: 15 in., W: 8.25 in., D: 7 in.

480 - Group of Chinese, Continental& English Articles Comprising a Chinese export porcelain famille rose teabowl; two Royal Copenhagen porcelain apothecary jars and covers (one associated), each with wave mark in underglaze-blue; a glass apothecary jar and cover; a Mottahedeh trinket tray; a bone china 'Windsor' teacup and saucer and a 'Tuscan' teacup and saucers, all marked. (9) Royal Copenhagen cylindrical apothecary jar: H: 8.25 in., Diam: 4.625 in.

481 - Group of Blown, Blown Molded Glass & Creamware Mug Group of Blown, Blown Molded and Pattern Molded Glass and a Staffordshire Creamware Mug with Associated Cover, 19th and 20th Century. The glass comprising a colorless glass epergne with single vase, a champagne flute, wine glass, cream pitcher and blue ribbed beaker. (6) Epergne: H: 5.5 in., Diam: 6.125 in.

482 - Six Stoneware Bottles, Three Glass Flasks & Jar Six Stoneware Bottles, Three Glass Flasks and a Spice Jar, Late 19th and 20th Century. Comprising three English saltglaze stoneware ginger beer bottles; three Dr. Swett's Original Root Beer Bottles, Boston, Mass.; a stoneware "CLOVER" spice jar; an aquamarine glass scroll or violin flask; a colorless glass "ORNBERG & ANDERSSON/ GOTHEBORG" hunting flask; and a reproduction of a Clevenger Brothers 'Daisy and Button' amethyst glass flask. (10) Scroll violin flask: H: 8.625 in., W: 5.375 in., D: 2.5 in.

483 - Three American Ceramic Wares Three American Ceramic Wares, 1830-61. Comprising a parian porcelain vase, possibly made in Bennington, Vermont, molded on two sides with an eagle holding a laurel branch in its beak, applied with grape clusters on the sides; a Bennington flint enamel 'Alternate Rib' pitcher, Bennington, Vermont, 1849-1858; and a yellowware 'Queen Victoria' and 'Duchess of Kent' flask, 1838-1861. Vase: H: 7.5 in., W: 3.25 in., D: 3.125 in. Pitcher: H: 6 in. (top of handle), W: 5.875 in., Diam: 3.75 in. Flask: H: 7.5 in., W: 4.125 in., D: 2.625 in.

484 - Three Pairs of Staffordshire Figures of Spaniels Three Pairs of Staffordshire Figures of Spaniels, Mid-19th to 20th Century. Tallest pair: H: 13 in., W: 10 in., D: 4.25 in.

485 - Four American Country Utilitarian Objects Four American Country Utilitarian Objects, 19th and 20th Century. Comprising a Pennsylvania Chippendale style walnut document box, mid-19th century, in the form of a blanket chest, a pair of pewter and colorless glass whale oil chambersticks, Smith & Company, Boston, Massachusetts, 1842-1855, each with touchmark "SMITH & CO;" and a Virginia Metalcrafters Williamsburg Restoration mahogany tea caddy, 20th century, marked. Document box: H: 8.75 in., W: 13.75 in., D: 8.5 in.

486 - Birger Birger-Ericson - Two Works Birger Birger-Ericson (1904-1994, Sweden). Two Works: Floral Still Life and Street View. Each oil on artist board, each signed "Birger". Floral still life: H: 21 in., W: 16.5 in. Street view: H: 19.75 in., W: 27 in. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

487 - Birger Birger-Ericson - Three Works Birger Birger-Ericson (Sweden, 1904-1994). Three Works: Corner of the House, gouache on paper; "Puppchen," gouache on plywood; and Portrait of a Gentleman Smoking a Pipe, gouache on artist board, each signed "Birger." "Puppchen: H: 20 in., W: 16 in. Portrait: H: 23.875 in., W: 17.875 in. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

488 - Carved, Painted & Gilt Picture Frame, Early 20th C Carved, Painted and Gilt Picture Frame, Early 20th Century. Rabbet: H: 29.25 in., W: 25.25 in. Outer dim: H: 37.125 in., W: 33 in., D: 2.125 in.

489 - French Gilt Gesso and Wood Frame French Gilt Gesso and Wood Frame, 19th Century. Rabbet: H: 14.25 in., W: 22.375 in. Frame: H: 20.625 in., W: 28.75 in., D: 3.25 in.

490 - Giltwood Fluted and Cove-Molded Frame Giltwood Fluted and Cove-Molded Frame. The outer edge with overlaid lozenge border outside of a fluted cove molding with acanthus carved corners with twist edge. H: 16.5 in., W: 19.5 in., D: 2.25 in. Rabbet: H: 9 in., W: 12 in.

491 - After Frederick Remington - Two Prints After Frederic Remington (American, 1861-1909). Two Lithographs. Comprising "Fight for the Water Hole," (15.375 x 19.5 inches, sight; and "Old Ramon," (18 x 14.375 inches, sight). "Old Ramon:" Frame: H: 25.125 in., W: 21.375 in., D: 0.75 in.

492 - Charles "Snaffles"J. Payne-"Forrard On Me Lads..." Charles "Snaffles" Johnson Payne (British, 1884-1967). "Forrard On Me Lads and Hit 'Em Bloody Ard!" Color lithograph, signed "Snaffles" lower right, inscribed "Acknowledgements to Punch" under the print lower right, one printed remarque in the margin lower left, titled in the center and signed "Snaffles" in pencil in the margin lower right, (19.625 x 23.5 inches, sight). Frame: H: 21.125 in., W: 25.125 in., D: 0.75 in.

493 - Continental School Painting, and a Soldier Print Continental School, Possibly Italian. Fishermen on the Bank of a River. Oil on canvas, unframed; the print depicting a family listening to a soldier wearing a USV (United States Volunteers) insignia. Painting: H: 18.125 in., W: 24.125 in., D: 0.75 in. Print: Frame: H: 22.5 in., W: 26.25 in., D: 1.625 in.

494 - Japanese Kutani Porcelain Floor Vase Japanese Kutani Porcelain Floor Vase. Painted in iron-red, black and grey with two pairs of samurai warriors above a shaped border reserved with circular landscape, geometric-patterned and scrollwork roundels, the cover wooden and painted to match, with hardwood stand. Vase and cover: H: 35 in., Diam: 15 in.

495 - Two Similar Japanese Porcelain Chargers, Yabusame Two Similar Japanese Porcelain Chargers, Each Depicting a Yabusame Scene, Mid-20th Century. Each signed on the reverse. H: 2.25 in., Diam: 16.125 in.

496 - Japanese Charger & Pair of Temple Candlesticks Japanese Porcelain 'Lotus and Blue Phoenix' Charger, and Pair of Black Lacquer and Gilt Temple Candlesticks Fitted with Gilt-Metal Collars, Modern. Charger: Diam: 14.125 in. Candlesticks: H: 27.625 in., Diam: 8.625 in.

497 - Japanese Imari Porcelain Dish, Meiji Period Japanese Imari Porcelain Dish, Meiji Period. Of boat shape, reserved with overlapping fan, shaped rectangular, zigzag-edged and oval panels enclosing landscape and architectural views. H: 3.125 in., L: 13.375 in., W: 8.5 in.

498 - Pair Japanese Blue & White Porcelain Table Lamps Pair of Japanese Blue and White Porcelain Table Lamps. Vase: H: 12 in., Diam: 6.375 in. H: 26 in. (overall)

499 - Five Japanese Porcelain Bowls Five Japanese Porcelain Bowls, 20th Century. The first Daishoji Imari, Kutani, painted in the center in underglaze-blue with a plant surrounded by a trellis diaperwork border, the sides with alternating red lappets and mons joined by leafy vinery in enamels and all reserved on a gold ground, spurious Chinese six-character mark in underglaze-blue; and an Imari bowl and three blue and white bowls, variously painted with Buddhist emblems, foliate and geometric designs, one blue and white bowl with square mark in underglaze-blue. First bowl: H: 6.125 in., W: 6.375 in., D: 1.875 in. Provenance: Property from a North Shore, Massachusetts Collection.

500 - Six Japanese Glazed Earthenware Raku Bowls & Boxes Six Japanese Glazed Earthenware Raku Bowls, 20th Century. All signed, each housed in a wood box and two inscribed. Largest box: H: 5.25 in., W: 6.125 in., D: 6.125 in.

501 - Japanese Usubata Bronze Ikebana Vase Japanese Usubata Bronze Ikebana Vase. The stepped circular stand cast with a border of lingzhi fungus, the basin aperture raised on three dragon scroll feet, the interior of the basin cast with a border of ribbons, flowers and fans. H: 9.5 in., Diam: 12 in.

502 - Hand Forged Wrought-Iron Door Lock with Key Hand Forged Wrought-Iron Door Lock with Key. Probably from a Tibetan or Nepalese Buddhist temple. H: 11.5 in., W: 6.25 in., D: 2.625 in.

503 - Patinated-Bronze Figure of Quanyin Patinated-Bronze 'Dripping Water' Figure of Guanyin. The diety dripping pure healing water from the bottle onto the spinning stone sphere. H: 17.75 in., W: 8 in., D: 3.75 in.

504 - Pottery Figure of a Chinese Attendant Pottery Figure of a Chinese Attendant, with Hardwood Stand. Figure: H: 19 in., W: 6.5 in., D: 4.25 in. Stand: H: 1 in., W: 6.125 in., D: 4.5 in.

505 - Two Persian Erotic Miniatures and Pair of Plaques Two Persian Erotic Miniatures and a Pair of Plaques Depicting Court Scenes. Largest miniature: 4 x 3.125 in. Largest plaque: 7.125 x 4.5 in.

506 - Group Asian Ceramic,Glass &Bronze Decorative Items Group of Asian Ceramic, Glass and Bronze Decorative Articles. Comprising a gilt-bronze Buddha figure, possibly the Bodhisattva Guanyin, with hardwood stand; a Peking amber glass vase, etched four character seal mark under the base; a circular box with wood storage box; two bamboo tea scoops housed in wood storage boxes; a carved hardstone belt hook; a celadon-glazed cosmetic box; five snuff bottles; five miniature vases; a Ruyao base for a cup set in shadow green glaze; and a plate. Figure: H: 5.625 in., W: 2.375 in., D: 2.375 in.

507 - Group Japanese & Chinese Decorative Table Objects Group of Japanese and Chinese Decorative Table Objects. Comprising a red lacquer box; a set of five gilt-decorated cups, six spoons and four saucers; a miniature hexagonal enamel-decorated tin pan; and a pewter and jade teapot. (18) Lacquer box: H: 9.625 in., W: 8 in., D: 2.5 in.

508 - Three Southeast Asian Wood Carvings and a Textile Three Southeast Asian Wood Carvings and a Textile. Largest carving: H: 5 in., W: 15.25 in., D: 1.125 in.

509 - Thai Carved Stone Buddha Head, Raku Plates, Bowl Thai Carved Stone Buddha Head, a Set of Five Raku Earthenware Plates Housed in a Wood Storage Box, and a Glazed Earthenware Bowl. Thai Buddha head: H: 10 in. (including bronze pedestal), W: 5 in., D: 5 in. (pedestal base)

510 - Korean Blue and White Porcelain Moon Jar Korean Blue and White Porcelain Moon Jar, 20th Century. H: 13.5 in., Diam: 16 in.

511 - Six Contemporary East Asian Style Pottery Jars Six Contemporary East Asian Style Pottery Jars, 20th Century. Tallest jar: 9.5 in., Diam: 10.125 in.

512 - Two Korean Style Celadon-Glazed Vases & Wine Ewer Two Contemporary Korean Style Celadon-Glazed Porcelain Vases and a Wine Ewer, 20th Century. Tallest vase: H: 12.5 in., Diam: 7.25 in.

513 - Five Contemp. Porcelain Vases, Late 20th Century Five Contemporary Porcelain Chinoiserie Vases, Late 20th Century. Each painted in blue and brown, three signed with the initials "AJS." Tallest vase: H: 13.75 in., Diam: 7.25 in.

514 - Five Chinese Ceramic Wares Five Chinese Ceramic Wares. Comprising a pair of blue and white ginger jars and covers, one inscribed around the unglazed section of the neck; a pillow, red wax seal underneath; a blue and white faceted vase, signed underneath the base; and a reproduction Song Dynasty flambe-glazed vase, seal mark. Ginger jar: H: 8.5 in., Diam: 8.375 in.

515 - Chinese Export Porcelain Style Tureen, Cover,Stand Chinese Export Porcelain Style Tureen, Cover and Stand, 20th Century. Tureen: H: 8.5 in., W: 14 in., (over handles), D: 9.25 in. (cover) Stand: H: 1.625 in., W: 15 in., D: 11.75 in.

516 - Toyokuni III, Kunisada -Five Panel Woodblock Print Toyokuni III (Utagawa Kunisada) (Japanese, 1786-1864). Five Hand-Colored Woodblock Prints From "The Tale of Genji," Mid-19th Century. Three depicting Prince Genji and his beauties in a pleasure boat, and two depicting figures in a garden setting, signed, (each panel 13.75 x 9.25 inches). Frame: H: 17.75 in., W: 51.25 in., D: 1.875 in.

517 - After Maurice Utrillo -Bal de Moulin de la Galette After Maurice Utrillo (French, 1883-1955). "Bal de Moulin de la Galette." Hand-colored print, titled lower left and signed lower right, New York Graphic Society paper label affixed to the reverse, (18.75 x 12.5 inches, sight). Frame: H: 26.25 in., W: 19.75 in., D: 2 in.

518 - Utagawa Hiroshige - View of Konodai & Tone River Utagawa Hiroshige (Japan, 1797-1858). "View of Konodai and the Tone River" ("Konodai Tonegawa fukei") from the "One Hundred Famous Views of Edo" Series, 1856. Woodblock, published by Uoya Eikichi, (13.625 x 9 inches). Frame: H: 19.5 in., W: 14.875 in., D: 0.5 in.

519 - Michael Di Cerbo - Etching; and Hogetsu - Painting Michael Di Cerbo (American, 1947-2025). Etching, aquatint and drypoint on antique white-wove paper, edition of 80, inscribed in pencil "Bea/12" (?) lower left, numbered "5/ 80" center and signed and dated "Michael Di Cerbo 90" lower right, (12.625 x 8.5 inches, sight); and a Japanese painting depicting Mount Fuji, Hogetsu, Taisho to early Showa Period (1920-1935), ink and watercolor on paper, signed Hogetsu right side, (8.75 x 11.25 inches, sight). Etching: Frame: H: 18.75 in., W: 14.25 in., D: 0.5 in.

520 - Modern Print After Toshusai Sharaku Woodblock After Toshusai Sharaku (Japanese, Active 1794-95) Woodblock Print. Depicting Bando Hikosaburo III in the Role of Obiya Choemon and Iwai Hanshiro IV in the role of Shinanoya Ohan, from the play "Nihonmatsu Michinoku Sodachi". (14 x 9.5 in., sight) H: 21 in., W: 16 in., D: 1 in.

521 - Group American Pattern Glass & Additional Glass Group American Pattern Flint Glass, 1850's; and Additional Glass. The eight egg cups and cordials in 'Argus,' 'Ashburton' and 'Honeycomb' patterns; a 'Colonial Panel' wine glass; a set of four pressed pattern glass 2.375- inch drawer pulls and identical 2.125- inch pair; a Gorham Crystal 'Gentry Clear' water goblet, marked "GORHAM;" and a stopper. (17) Gorham goblet: H: 7.125 in., Diam: 3.875 in.

522 - Group of Porcelain, Glass and Silver Wares Group of English, Continental and American Porcelain, Glass and Silver Serving and Decorative Wares, 19th-Early 20th Century. Comprising a Victorian sterling silver fish serving fork and knife, Joseph Foxall & Co., Birmingham, 1853, housed in an associated Walker & Hall case; a silver and silver-gilt sauce ladle, marked on ferule and side of bowl, housed in a "CORLOBE BIJOUTIER AURAY" box; a French Empire glass cornucopia vase with ram's head holder on a green marble base; a calcite and gold aurene glass lamp shade, assembled set of four 9.125- inch oyster plates, two printed "FRANCE" in green and two printed "PILLIVUYT/ FRANCE/ PORCELAINE/ DEPUIS 1818/ 044;" and a pair of Limoges porcelain 6.25- inch candlesticks, spurious interlaced L's mark enclosing letter "D" above "S...;" (11) 9.85 troy oz. weighable Fish serving knife: L: 13.25 in. Cornucopia vase; H: 7.75 in., W: 4.875 in. (base), Diam: 4.125 in.

523 - Bronze Bell-Form Doorstop with Long Handle Bronze Bell-Form Doorstop with Long Handle. H: 26.25 in., Diam: 6.25 in. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

524 - Eight Pewter, Brass, Sheet Iron & Tin Articles Eight Pewter, Brass, Sheet Iron and Tin Household and Utilitarian Articles, 19th Century. Comprising a whale oil pewter lamp, Freeman Porter, Westbrook, Maine, 1835-1860, stamped "F. PORTER/ WESTBROOK/ No. 1;" two powder flasks, the first embossed with a hunt scene, G. & J.W. Hawksley, the second fluted; three sheet iron hogscraper candlesticks, a tin chamberstick and a brass push-up chamberstick. Whale oil lamp: H: 8 in. (to top of double tubes), Diam: 4.375 in. (base)

525 - George III Chippendale Mirror and Two Mirrors George III Chippendale Mahogany String-Inlaid Dressing Table Mirror, a Chippendale Mahogany Hanging Mirror, Late 18th-Early 19th Century, and a Pine Rectangular Mirror, 19th Century. Dressing table mirror: H: 17.75 in., W: 11.125 in., D: 6 in.

526 - Grp of Country Primitive Household & Toy Articles Group of Country Primitive Household and Toy Articles. Comprising a small stool, butter paddle, two cast-iron porringers, two wrought-iron ladles and a steel ladle, two paint-decorated tin lamps, a small bird in wire cage, two fabric stuffed toy horse pull toys and a standing horse, Kay Cloud, the two platforms each signed "ORIGINAL IN MY HAND, 2000, Kay Cloud" and the standing horse signed under the stomach " 2000 Kay Cloud." (13) H: 9.375 in., W: 10.25 in., D: 4.125 in.

527 - Group of Rustic Items and Table-Top Objects Group of Rustic Items and Table-Top Objects. Comprising a leather gun pouch with bullet belt; two leather straps with sleigh bells and eight extra bells; a taxidermy horse's hoof; piece of driftwood; pewter charger; and a Japanese box inlaid in various woods on the cover with an iris, and containing twenty-eight dominoes. (16) Gun pouch: H: 8.25 in., W: 10.5 in., D: 3 in. Japanese box: H: 6 in., W: 2.375 in., D: 1.5 in.

528 - Weeden Toy Steam Engine & Star Pathfinder Compass Early Weeden Mfg. Co. #902 Brass, Iron and Enamelled Metal Toy Steam Engine, New Bedford, Massachusetts, Late 1930s-1942; and a Serial #50338 'Star Pathfinder' Nautical Ship's Gimbal Compass in Mahogany Box, Star Compass Co., Boston and Milton, Massachusetts. Compass box: H: 5 in., W: 7.25 in., D: 7.25 in.

529 - Jules Worthington Chronograph, Bracket Clock & Tin Mid-Century Modern Jules S. Worthington Two-Color Chronograph, Copyright 1971; an English Style Wood and Enamel Bracket Clock and a Francis H. Leggett & Co. Cuban Cigar Tin. Chronograph: 7.625 in., W: 7.625 in., D: 2.25 in. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

530 - Kayserzinn Pewter Hunt Tray & a Brass Candlestick Jugendstil Kayserzinn Pewter Hunt Tray, Cologne, Germany, Early 20th Century; and a Continental Brass Push-Up Candlestick. The tray impressed "KAYSERZINN/ 4345." Tray: L: 22 in., W: 14 in., D: 1.5 in.

531 - Boston Federal Giltwood & Eglomise Mirror Boston Federal Giltwood and Gilt Eglomise Tabernacle Mirror, 19th Century. H: 29 in., W: 16.125 in., D: 2.625 in.

532 - American Classical Split-Column Tabernacle Mirror American Classical Split-Column Tabernacle Mirror with Painted Panel. H: 34 in., W: 17 in., D: 2.125 in.

533 - Near Pair of Federal Giltwood Eglomise Mirrors Near Pair of Federal Giltwood Eglomise Mirrors. Each rectangular mirror plate within a molded frame, the projecting cornice hung with spherules and over an eglomise tablet, one depicting a woman holding a cat and the other two women at the beach (in later repaint). H: 19.875 in., W: 13 in., D: 3 in. (first) H: 20.75 in., W: 13 in., D: 3 in.

534 - Set of Eight Large Chippendale Brass Backplates Set of Eight Large Chippendale Brass Drawer Pull "Batwing" Backplates, 1755-1790. H: 3.875 in., W: 5.25 in. Bore: 3.5 in.

535 - Large Grp Brass & Wood Furniture & Other Hardware Large Group of Georgian and American Brass and Wood Furniture and Other Hardware. Including finials, batwing backplates, set of seven Chinese fretwork backplates, drawer pulls, cabinet knobs, casters, and curtain fixtures such as rings, rosettes and finials. Pair eagle finials: H: 4.625 in., W: 4.25 in., D: 0.875 in. Ball spire finial: H: 7.25 in., Diam: 2.5 in. Large backplate: H: 3.375 in., W: 4.625 in.

536 - Set of Four Benchmade Newport, RI Tea Table Legs Set of Four Benchmade Mahogany Newport, Rhode Island Tea Table Legs. H: 21.5 in., W: 5.375 in., D: 3.25 in.

537 - After Maurice Utrillo - Three Hand-Colored Prints After Maurice Utrillo (French, 1883-1955). "Bal de Moulin de la Galette," (12.375 x 10.125 inches, sight), "L'eglise Saint Pierre, Montmartre," and "Le lapin agile a Montmartre." Hand-colored prints, each signed lower right, New York Graphic Society paper label affixed to the reverse. Frames: 20.125 in., W: 17.125 in., D: 0.5 in.

538 - Two Early 20th Century Abstract Paintings Two Early 20th Century Abstract Paintings, Cubist and Surrealist. The first vertically orientated, oil on canvas, unsigned; the second oil on artist board, inscribed "C.J. Koehler" in pencil on the reverse. Oil on canvas: H: 28 in., W: 13.125 in., D: 1 in. Oil on board: 15.875 in., W: 20 in. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

539 - In The Manner of Piet Mondrian Piet Mondrian (1872, Amersfoort, Netherlands - 1944, New York, New York). Composition. Oil on paper, signed "PM 30" lower left. H: 18 in., W: 17.875 in. Provenance: Roman Bronze Works Foundry Cache: Philip J. Schiavo, owner of the Roman Bronze Works, Queens, New York; directly to Patrick Roberts, founder of the American Museum of Industry and Technology, New Preston, Connecticut; directly through Mr. Roberts’ Probate Estate to the present owner. Riccardo Bertelli, a native of Genoa, Italy, established The Roman Bronze Works in 1897. It was the first American foundry to specialize in the lost-wax casting method, grew to become the country’s preeminent art foundry, and had been casting bronzes since its founding in 1897. At the end of his life and when the Roman Bronze Works was closing, Mr. Philip J. Schiavo (1917-1965) donated hundreds of models and castings from the storage and restoration rooms to the American Museum of Industry and Technology for their preservation and care. Patrick Roberts (1950-2021) was a collector and preservationist of industrial age technology artifacts, as well as specialized areas in American history and fine art. He was the founder and director of the American Museum of Industry and Technology located in New Preston, Connecticut. The museum was a non-profit organization, essentially a private holding entity for Robert’s extensive collections with assets estimated at over 9.3 million in 2016. Upon his death, his large estate not only included specialized industrial machinery and equipment, but 19th and early 20th century works of art by artists such as John Marin and Edward Hopper.

540 - L. Keper (?) - "Frail Sign," 1968 L. Keper (?). "Frail Sign," 1968. Abstract, mixed media, signed on the reverse "L. Keper / 1968/ Frail Sign" in pencil, signed "L. Keper" (?) on the bottom stretcher in pencil, (15.75 x 12.125 inches). Frame: H: 17.375 in., W: 13.5 in., D: 1.125 in.

541 - Mary Sheehan Winn - Harlequin, Jockey and Clown Mary Sheehan Winn (American, 20th-21st Century). Harlequin, Jockey and Clown. Watercolor and gouache on artist board, signed "Mary Sheehan" in pencil lower right, (25.75 x 15 in.). Frame: H: 35.25 in., W: 24.125 in., D: 2 in.

542 - Yitzhak Greenfield - Jerusalem: City on a Hill Yitzhak Greenfield (American/Israeli, b. 1932). Jerusalem: City on a Hill. Mixed media on paper, signed and dated lower left, (19 x 13.5 inches). Frame: H: 24.25 in., W: 18.5 in., D: 0.75

543 - Liao Shiou-Ping - Two Serigraphs Liao Shiou-Ping (Taiwanese, b. 1936). Two Serigraphs: L'eclat de Joie and Diem de la Fidelite, 1966. Each on paper, signed and dated in lower right margin, titled lower left margin, (17 x 20 inches), first numbered 20/30, the second 19/25. Frame: H: 22.75 in., W: 26.75 in., D: 1.25 in.

544 - R. Barr - Portrait of a Man Seated in a Chair R. Barr. Portrait of a Man Seated in an Armchair. Gouache on brown cardboard, signed lower right, (33 x 23 inches, sight). Frame: H: 40.25 in., W: 30.25 in., D: 1.375 in.

545 - Barbara Swan - "Father and Child" Barbara Swan (American 1922-2003). Expressionist "Father and Child". Lithograph on paper, (30 x 22 inches), signed "Swan" lower right, titled and numbered 28/50 lower left. Frame: H: 37.25 in., W: 28.75 in., D: 1.75 in.

546 - 7 Books & Pamphlets Pertaining to Entertainment Seven Books and Pamphlets Pertaining to Entertainment and Household Supplies. Comprising "Gems of the World's Fair and Midway Plaisance: The World's Fair in Picture and Story." Philadelphia: Historical Publishing Company, 1898; William B. Dick. "Dick's Games of Patience; Solitaire with Cards," 1883 and second series 1898; "Howe's Eclectic School for the Flute Without a Master;" "All About South Carolina," Aiken Illustrated (Boston, Massachusetts); "Glimpses of Porto [sic] Rico." Published and Copyrighted by Waldrop Photographic Company, Plaza Principal, San Juan, Port Rico, 1909; and James Payne. "Cabinet Mouldings and Rings to Match," Illustrated Catalog, Rochester, New York. "Gems of the World's Fair:" H: 11.125 in., W: 13.875 in., D: 0.5 in.

547 - Crowninshield -Log of Cleopatra's Barge & Painting Francis B. Crowninshield. "The Log of Cleopatra's Barge II 1928-1942." Boston, Privately Printed, 1948. Bound in marbled paper-covered boards with a red leather spine; and "Cleopatra's Barge of Salem entering port of Genoa 1817." Oil on artist board, (12 x 17 inches). (2) "The Log of Cleopatra's Barge II 1928 - 1942:" H: 11.25 in., W: 9.5 in., D: 1.25 in.

548 - "The Complete Works of George Eliot and Life" "The Complete Works of George Eliot and Life." New York: Croscup & Sterling Company. Limited Library Edition, limited to 26 lettered sets of which this is letter L. (24 vols.) H: 8.25 in., W: 6 in., D: 1.5 in.

549 - Group of Books Pertaining to History Group of Books Pertaining to History. Comprising Charles Gavarre. "History of Louisiana." "The French Domination," vols. I-II, "The Spanish Domination," vol. III, and "The American Domination," vol. IV. New Orleans: F.F. Hansell & Brothers, Ltd., 1903. Volume I with a frontispiece photograph of the author, volumes I, II and IV each with a fold-out city and topographical map of the state in the back flyleaves; Thomas Carlyle. "The French Revolution: A History." Albany: James B. Lyon, n.d.; and Rudolf Erich Raspe. "The Travels and Surprising Adventures of Baron Munchausen." London: William Tegg, 1867. (7) "History of Louisiana:" H: 8.375 in., W: 5.75 in., D: 1.625 in.

550 - Five Leatherbound Volumes of Poetry Five Leatherbound Volumes of Poetry. Comprising Samuel Rogers. "Italy, A Poem" and "Poems." London: T. Cadell, Strand, 1830 and 1834, respectively; and Thomas Hutchinson, M.A., ED. "The Poems of Percy Bysshe Shellley." Including Materials Never Before Printed in Any Edition of the Poems; "Poems of Tennyson." Including the Princess, In Memorium, Maud, Idylls of the King, Enoch Arden, Etc.; and H. Buxton Forman, C.B.. "The Poetical Works of John Keats." London, Edinburgh, Glasgow, et. al.: Humphrey Milford, 1919, 1921 and 1925, respectively. "Italy, A Poem:" H 7.875 in., W 5.5 in., D: 1.375 in.

551 - Three Fiction and Historical Fiction Books Three Fiction and Historical Fiction Books. Comprising Thomas Moore. "The Epicurean, A Tale." London: John Macrone, 1839; Dmitri Merejkowski. "The Romance of Leonardo Da Vinci." New York and London: G.P. Putnam’s Sons/ The Knickerbocker Press, 1912; and Charles Dickens. "The Chimes." New York and London: G.P. Putnam’s Sons, 1911. "The Romance of Leonardo Da Vinci:" H: 7.5 in., W: 5.5 in., D: 1.5 in.

552 - "Travels of Lady Hester Stanhope..." "Travels of Lady Hester Stanhope: Forming the Completion of Her Memoirs. Narrated by Her Physician." London: Henry Colburn, 1846. H: 8 in., W: 5.375 in., D: 1.25 in.

553 - Samuel A. Drake -History of Middlesex County, Mass Samuel Adams Drake. "History of Middlesex County, Massachusetts." Boston: Estes and Lauriat, Publishers, 1880. Vol. II only. H: 11.75 in., W: 9.25 in., D: 2.25 in.

554 - Gilbert Stuart and George Peter - "The Presidents" Gilbert Stuart and George Peter. "The Presidents: The White House Gallery of Official Portraits of the Presidents." New York and Washington: Gravure Company of America, 1901. McKinley Memorial Edition, this copy number 180, elephant folio, 23 steel engraved portraits (President Abraham Lincoln missing). H: 20.375 in., W: 16.25 in. D: 2 in.

555 - John Bunyan - "The Pilgrim's Progress" John Bunyan. "The Pilgrim's Progress." New York: The Century Co., 1898. With an introduction by Re. H.R. Haweis, illustrated by George Woolliscroft Rhead, Frederick Rhead and Louis Rhead. Folio edition. H: 13 in., W: 9.75 in., D: 1.125 in.

556 - Fourteen Reference Books,Furniture,Decorative Arts Fourteen Reference Books Pertaining to New England Furniture and Decorative Arts. Including David L. Barquist, "American Tables and Looking Glasses; Christopher P. Monkhouse, Thoms Michie and John M. Carpenter, "American Furniture in Pendleton House; The Currier Gallery of Art, "The Dunlaps & Their Furniture;" and Vernon C. Stoneman, "John and Thomas Seymour: Cabinetmakers in Boston, 1794-1816," with Supplement. Largest book: H: 12.375 in., W: 9.5 in., D: 0.75 in.

557 - After Andy Warhol - Brooklyn Bridge Poster After Andy Warhol (American, 1928-1987). "The Brooklyn Bridge," 1983. Exhibition poster printed "The Brooklyn Bridge 1883-1983," published by Impress Graphics, Port Chester, NY 11187. H: 26.25 in., W: 16.25 in.

558 - 3 Posters:M. Rothco, H. Frankenthaler & E. Stareck Three Posters: Mark Rothco, Helen Frankenthaler and Edgar Stareck. The first, printed "1409 ROTHCO (Russian 1903-1970): Orange and Yellow, 1956 - The Albright-Knox Gallery, Buffalo, N.Y. Published by Shorewood Reproductions, Inc. New York, N.Y.;" the second printed "1410 Helen FRANKENTHALER (American 1928-): Blue Atmosphere, 1963 - Collection of the Artist. Published by Shorewood Reproductions, Inc. New York, N.Y.;" the third printed "Manhattan/ by Edgar Stareck," printed "1964 DONALD ART CO., INC. N.Y. NO. 4390." Rothco and Frankenthaler posters: 28.5 in., W: 22.5 in. Stareck poster: H: 42 in., W: 17 in.

559 - Five Exhibition Posters, Two Signed Five Exhibition Posters, Two Signed. Comprising Bayat Keerl, Milliken Gallery, January 26-February 14, 1980, signed "For Chris" lower left and "Bayat" lower right; Yun James Yohe, Phyllis Weil & Co., November 19-December 19, 1980, signed "Yun James Yohe" lower left and "For Chris" lower right; Two posters for "Impresario, Ambroise Vollard," The Museum of Modern Art, 1977; and "Per Kirkeby-exterar" 1980, Nordjyllands Kunstmuseum-Aalborg-Danmark. Largest frame: H: 37.5 in., W: 28.125 in., D: 1.375 in.

560 - 2007 New England Patriots Team Signed Football 2007 New England Patriots Team Signed Football. Including the autograph pen used to sign the ball, a Certificate of Authenticity from Who's Who Productions, the original invoice from when the ball was purchased February 10, 2008, the original plastic bag for the balldome; housed in the original acrylic case inscribed "ARIZONA 02.03.08." Case: H: 8.75 in., W: 12.375 in., D: 9.875 in.

561 - New York Giants Football, Signed by Steve Smith New York Giants Football, Signed by Steve Smith. Including a New York Giants Certificate of Authenticity, dated 9/25/09, signed by a Giants representative and numbered 9423. L: 11.5 in.

562 - Six Autographed Baseballs, Three Leagues, 1940s Six Autographed Baseballs from Three Leagues, 1940s, Each with Five Signatures Listed: 1943-1947 William Harridge, Pres Reach American League Ball: Signed "To Paul Cohen/ Feby 1944/ Harry Danning" with two indecipherable words below 1943-1947 William Harridge, Pres Reach Official American League Ball: Ellis Clary, Ray Hayworth, Earl Jones, Dee Sanders, Weldon West 1943-1947 William Harridge, Pres Reach Official American League Ball: Chubby Dean, Bob Feller, Steve Gromek, Al Milnar, Max 'Lefty' Weisman 1943 Spalding Ford Frick Official National League Ball: Charlie Gilbert, Blix Donnelly, Dee Moore, Hugh Mulcahy, Lou Possell 1943 Spalding Ford Frick Official National League Ball: Cliff Chambers, D.L. Dallessandro, Ed Hanyzewski, Bob McCall, Milt Stock 1944-1954 Wilson W150CC Official Pacific Coast League Ball: Hugh Fuby, Ray Harrell, Eddie Stutz, Bernie Walter, Del Young

563 - Official AL League Baseball, Signed Carlton Fisk Official American League Baseball, Signed by Carlton Fisk, with Professional Sports Authority/ DNA Certificate of Authenticity, number M 55557; housed in the original box. Box: H: 2.875 in., W: 2.875 in., D: 2.875 in.

564 - Large Collection of Baseball Cards, 1980s-1990s Large Collection of Baseball Cards, 1980s-1990s. Comprising an album, sets of cards grouped by year and five unopened packs. Album: H: 11.5 in., W: 10.625 in., D: 2.625 in.

565 - Mickey Mantle Signed Baseball Card and Others Mickey Mantle Signed Baseball Card and Others. Mickey Mantle 1986 baseball card signed "To Bianca/ Mickey Mantle;" three GTI Telecard Collectors Series featuring Carl Yastrzemski, Luis Aparicio and Bob Feller; four unused tickets to the strike canceled August 19, 1994 for the Red Sox vs. Detroit Tigers, along with a letter from the Red Sox regarding credit for the tickets. Mickey Mantle card: H: 3.625 in., W: 3.5 in.

566 - Three Comic Books, All Published by Marvel Comics Three Comic Books, All Published by Marvel Comics, New York, New York. Comprising "Marvel Super Heroes," #1 King Size Special, September 1966; "Fantastic Four," #50, May 1966; and "Captain America," #118, October 1969. H: 10.25 in., W: 6.875 in.

567 - Arthur Bowen Davies - Three Works Arthur Bowen Davies (American/ Italian, 1862-1928). Three Lithographs/ Lithotints of Nudes. Including "Stream of Silver," 1919-1920, and a larger example depicting two female nudes numbered "24/ 25" and dated "2/5/28," each signed "Arthur B. Davies" lower right, Bolton Brown imprint, each on tissue 10.375 in. x 10.5 in. and 20.25 in. x 14.125 in.; the third titled "Rhythms," signed "Arthur B. Davies" lower right, inscribed "ed. 25" and dated "'21," on card, (15 in. x 11 in.); unframed.

568 - Three Works on Paper, First Half 20th Century Three Works on Paper, First Half 20th Century. Comprising Bernard Reder (Austria-Hungary, 1897-New York, New York, 1963). Two Nudes, graphite on paper, inscribed "A. Margarete le 24 Janvier 56" and signed "Reder 48" in pencil; Chauncey Foster Ryder (Danbury, Connecticut, 1868-Wilton, New Hampshire, 1949). Drypoint etching, signed "Chauncey F. Ryder in pencil under the plate; and Emile Leroi (French, 1887-1944). "Or Rec Enauge Rue des Osters (?)," signed "Emile Leroy" in pencil. Reder drawing: 3.5 in. x 5.75 in. Frame: Chauncey etching: H: 11.75 in., W: 14.75 in., D: 0.75 in.

569 - Oswald Roux Etching and a German Woodblock Print Oswald Roux (Austrian, 1880-1961). Cart Horse and Driver Leading Another Horse, 1902. Etching, signed "Oswald Roux" and dated "1902" in pencil lower right; and a German Woodblock Print. Both signed by the artist in pencil, the etching dated 1902. Etching (plate): 6.125 in. x 13.75 in. Etching sheet size: 11.875 in. x 17.75 in.

570 - Alpine Paint-Decorated Fruitwood Side Chair Alpine Paint-Decorated Fruitwood Side Chair. H: 42 in., W: 17.5 in., D: 18 in.

571 - Charles II Style Oak Low Dresser Base Charles II Style Oak Low Dresser Base. H: 32 in., W: 57.5 in., D: 18 in.

572 - American Mahogany Armchair, Michigan Chair Co. American Mahogany Armchair, Michigan Chair Co., Grand Rapids, Michigan, 1905-1911. Affixed with traces of the outer circular paper label that would be printed "MICHIGAN CHAIR COMPANY GRAND RAPIDS MICH," and visible in the center "Chairs and Tables' with handwritten product number "7632 1/4-266" in pencil. H: 35.25 in., W: 24.25 in., D: 20.125 in.

573 - Louis XVI Style Carved &Painted Beechwood Fauteuil Louis XVI Style Carved and Painted Beechwood Fauteuil. H: 35.75 in., W: 24 in., D: 23.75 in.

574 - Louis XVI Style Fruitwood Child's Table Louis XVI Style Fruitwood Child's Table. H: 15.5 in., W: 24 in., D: 16.5 in.

575 - American Walnut Occasional Table & a Small Stand American Walnut Octagonal Occasional Table and a Small Stand. Table: H: 23 in., W: 22 in., D: 22 in.

576 - Group of Museum and Other Reproductions Group of Museum and Other Composite, Clay, Stone, Wood and Bronze Reproductions. Comprising a rhinoceros soap dish, seated bunny, a Merlion souvenir from Singapore, an Egyptian sacred Ibis, Mexican 'Circle of Friends' candleholder, figure of Imhotep (Museum of Fine Arts, Boston), Thai Buddha head, bust after the antique, bronzed resin hand tablet/ phone holder, five figures of deities or gods, a box with Greek owl on the lid, Chinese dragon seal, a spear fragment and a Bar Kohba coin. (18) Hand tablet/ phone holder: H: 9.625 in., W: 4.625 in., D: 4.625 in.

577 - Group of Ceramics, Silverplate & Specimen Objects Group of Ceramics, Silverplate and Specimen Objects. Comprising a Reinhold Merkelbach Monk beer stein, impressed "RM," "MADE IN GERMANY" and shape number "4107;" a reproduction phrenology head, inscribed "PHRENOLOGY BY L.N. FOWLER;" an SS "UNITED STATES" silverplate coaster, 6.625- inch plate and square dish; a Staffordshire "BOSTON MAILS" plate, a Staffordshire souvenir plate depicting the "Queen Elizabeth;" a Buffalo Pottery and a Richard Ginori hotel ware plate; a Van Cort Instruments 'Dragonfly' kaleidoscope, 1987; a blue topaz-colored glass paperweight; six quartz crystal and geode specimens; and a chip-carved wood figure of a Komodo dragon. (18) Phrenology head: H: 9.5 in., W: 4.875 in., D: 5.25 in. Komodo Dragon: H: 4.5 in., L: 14.25 in., W: 8 in.

578 - Grp American,Continental&Japanese Decorative Items Group of American, Continental and Japanese Decorative Items, 20th Century. Comprising a #3502 gilt-brass two-light sconce with bevelled mirror plate, Bradley & Hubbard Mfg. Co., Meriden, Connecticut; a Dutch brass tobacco box containing a WWII Honorable Discharge lapel pin, a cased "MONTRES PIAGET WATCHES" knife, an "ALAMO" copper penny and a spike tool; pair of brass candlesticks; an "IRON ART" beetle boot jack, and three Kutani porcelain figures of sleeping cats. Sconce: H: 23.5 in., W: 8 in., D: 3.75 in.

579 - American Parian Figure &Chalkware Figure of Poodle American Parian Figure Allegorical of 'Autumn,' Possibly Bennington Pottery, Vermont, 1840-1860; and a Folk Art Painted Chalkware Solid Body Figure of a Poodle. Parian figure: H: 10.75 in., W: 3.875 in., D: 3.625 in. Literature: The Parian figure illustrated in Richard Carter Barret, "Bennington Pottery and Porcelain," pl. 337, p. 260.

580 - Benjamin F. LaFramboise - "The Old Homestead" Benjamin F. LaFramboise (American, 1885-1962). "The Old Homestead," 1945. Oil impasto on academy board, signed "LAFRAMBOISE" lower right, (18.875 x 23.875 inches). Frame: H: 22 in., W: 27 in., D: 1.375 in.

581 - Benjamin F. LaFramboise - Two Paintings Benjamin F. LaFramboise (Exeter, NH, 20th Century). "The Old Homestead," June 1947. Oil on artist board, inscribed in pencil on the reverse "The Old Homestead/ Rye Harbor/ N.H.," and affixed with a paper label, (6 x 8.125 inches); and English and Irish Setters Pointing. Oil on artist board, signed "B. F. LAFRAMBOISE," lower right, (9.125 x 12.375 inches). Frame: H: 10.25 in., W: 12.125 in., D: 0.875 in.

582 - Group of Ethnographic Objects Group of Ethnographic Objects. Comprising a Polynesian canoe paddle; a Maori abalone, bone and wood fishing hook; a Mongolian bow and arrow; a carved Indian Kris pommel; a figural bronze mounted African walking staff; a carved walking stick; and a stone implement. Bow: H: 10 in., W: 65 in., D: 2 in.

583 - Papua New Guinea Sepik River Gope (Spirit) Board Papua New Guinea Sepik River Gope (Spirit) Board. Carved in low relief from canoe wood (possibly taken from an enemy) with a face in white, red and black pigments. H: 41 in., W: 10 in., D: 0.625 in.

584 - Papua New Guinea Sepik River Spirit/ Dream Pig Papua New Guinea Sepik River Spirit/ Dream Pig. H: 15.5 in., W: 26 in., D: 7.625 in.

585 - Papua New Guinea Sepik River Mask & Crocodile Head Papua New Guinea Painted and Woven Rattan Sepik River Mask with Cowrie Shell Eyes and Headband; and a Crocodile Head. Mask: H: 8.75 in. (not including straw loop hanger), W: 6.625 in., D: 3 in. Crocodile head: H: 14 in., W: 6.75 in., D: 3 in.

586 - Papua New Guinea Pottery Ritual Head, Kwoma People Papua New Guinea Pottery Ritual Head for Yam Ceremony (Wasau), Kwoma People in the Waskuk Area of the Upper Sepik River. Together with a glass bowl to support the vessel. (2) H: 14.5 in., Diam: 8.625 in. Bowl: 5.5 in., Diam: 7.75 in.

587 - Three Bronze Age Arrowheads Three Bronze Age Arrowheads. Shortest: L: 3.125 in. Longest: 6.125 in.

588 - Early Bronze Buckle Depicting a Dragon Early Bronze Buckle Depicting a Dragon, Possibly Chinese. Diam: 2.5 in.

589 - Sheraton Style Mahogany Writing Table/ Desk Sheraton Style Mahogany Writing Table/ Desk. H: 33.5 in., W: 60 in., D: 30 in.

590 - Set of Three Continental Baroque Dining Chairs Set of Three 18th Century Continental Baroque Dining Chairs, probably Norwegian. The crest rail with dramatic shell carving above a vasiform splat, the armchair with outward-swept arms and handholds, above a later needlepoint upholstered seat and conforming shell carved apron, raised on carved cabriole legs, joined by a H-form stretcher terminating in angular pad feet. H: 43.5 inches, W: 26 inches, D: 21 inches.

591 - Empire Mahogany Spinet Desk Empire Mahogany Spinet Desk. H: 37.5 in., W: 39.5 in., D: 20.25 in.

592 - George III Oak Trunk of Lieut Colonel Edward Byam Lieutenant Colonel Edward Byam's George III Oak Trunk. Of dovetailed construction, the oblong top inset with a brass plate bearing the name "Lieut. Colonel Edward Byam," and opening to a green baize-lined divided interior. H: 13.5 in., W: 38 in., D: 19.5 in. Note: Lieutenant Edward Byam, R.N. served under Admiral Sir George Rodney in the Battle of the Saintes, West Indies, April 12th, 1782. He died shortly thereafter.

593 - Pair of Louis XVI Style Carved Walnut Side Chairs Pair of Louis XVI Style Carved Walnut and Upholstered Side Chairs. Each with custom zippered slip cover. H: 35.625 in., W: 22.25 in., D: 20.5 in.

594 - Michael Magill- Three Photographs of New York City Michael Magill (American, b. 1956). Three Photographs of New York City, 1990 and 1993. Comprising "The Empire State Building," 1990; "Greenwich Village" and "Soho, "1993. Largest frame: H: 15.5 in., W: 13 in., D: 1.25 in.

595 - Two Photographic Prints-Peter Vanderwarker&Another Peter Vanderwarker (American, b. 1947). "Rome," 2000; and "Build #2," Signed, 2003. The first depicting the ruins of the Roman Forum, titled and dated "Rome 2000" lower left and signed "Peter Vanderwarker" lower right," 12.125 x 14.875 inches, sight); the second depicting the John Hancock Building, Boston, Massachusetts, titled dated and indistinctly signed on the reverse (13.875 x 9.875 inches, sight). "Rome 2000:" Frame: H: 20.125 in., W: 22.625 in., D: 1 in.

596 - Set Nine French Prints of Architectural Drawings Set of Nine French Prints of Architectural Drawings. Comprising "CHAPELLE SIXTINE," "Detail d'une partie de la decoration peinte sur la voute de la Salle Ducale," "DETAIL DE LA PORTE DE BRONZE," "DETAIL DEVELOPPE DE LA DECORATION PEINTE DE LA VOUTE DE LA GALERIE DES STATUES," "PROJET DE MICHEL ANGE BUONAROTTI" (14.375 x 23 inches, sight), "VUE DE L'ESCALIER PRINCIPAL PRISE DE LA SALLA A CROIX CRECQUE," "TOMBEAU DE BRONZE DE SIXTE IV DANS LA CHAPELLE DU SAINT-SACREMENT," "VUE DE LA COUR OCTOGONE DU BELVEDERE" and "VUE DE LA GALERIE DES VASES ET DES CANDELABRES." Frame: 20.625 in., W: 28.625 in., D: 0.5 in.

597 - Thomas Kincade - Classics Coll.: "The Autumn Gate" Thomas Kincade (American, 1958-2012). The Classics Collection: "The Autumn Gate," Lightpost Publishing, 1997. Edition number "1-1997," printed on canvas mounted to artist board, edition number, year of issue and Classics Collection seal lower left, artist signature lower right, (12 x 16 inches), affixed on the reverse with a Certificate of Authenticity. Frame: H: 17.75 in., W: 21.75 in., D: 1.25 in.

598 - Thomas Kincade - "Christmas Memories" Thomas Kincade (American, 1958-2012). "Christmas Memories," Lightpost Publishing, 1994. Print number "1088 /3450 S/N Canvas," printed on canvas, artist signature lower right, (16 x 20 inches), affixed on the reverse with a Certificate of Limitation and Authenticity. Frame: H: 25 in., W: 29 in., D: 1.75 in.

599 - Marla Greenfield - Dog at Wharf Marla Greenfield (American, Contemporary). Waiting on the Wharf. Watercolor, signed "Marla" lower right, (13.625 x 19.75 inches, sight). Frame: H: 20.5 in., W: 26.625 in., D: 1.75 in.

600 - Marla Greenfield - Bay Window Marla Greenfield (American, Contemporary). Bay Window. Watercolor, signed "Marla" lower right, (23.5 x 15.5 inches, sight). Frame: H: 31.375 in., W: 23.375 in., D: 0.75 in.

601 - Room-size Persian Sarouk Rug Room-size Persian Sarouk Rug 7' 3" x 16' 8"

602 - Northwest Persian Runner Northwest Persian Runner 2' 3" x 9' 5"

603 - Persian Karaja Runner Persian Karaja Runner. 2' x 5' 8"

604 - Persian Hamadan Long Rug Persian Hamadan Long Rug. The blue field with interlaced vinework centering a red diamond floral medallion. 4' 10" x 10'

605 - Tekke Ensi Rug Tekke Ensi Rug. 4' 5" x 5' 4"

606 - Persian Malayer Rug Persian Malayer Rug. 3' 3" x 5' 8"

607 - Tribal Runner Tribal Runner. The red field interspersed with animals. 2' 5" x 7' 2"

608 - Persian Scatter Rug Persian Scatter Rug 3' 11" x 6' 2"

609 - Afghan Beluch and a Turkish Scatter Rug Afghan Beluch and a Turkish Scatter Rug. The first in deep purples and camel; the second with repeating boteh design on an ivory field within a red border. First: 2' 5" x 4' 2" Second: 2' 3" x 4' 4"

610 - Afghan Prayer Rug Afghan Prayer Rug. 2' 9" x 4' 11"

611 - Three Persian Scatter Rugs Three Persian Scatter Rugs. 3' 6" x 4' 9" 4' 1" x 5' 8' 3' 3" x 6'

612 - Southwest Wool Weaving of a Lion Southwest Wool Weaving of a Lion, 20th Century. Woven in ivory, grey and shades of brown yarns with a depiction of a lion looking over his shoulder, within step-fret borders and fringed ends. 29.5 in. x 67 in. (excluding fringe)

613 - Three Navajo Wool Weavings Three Navajo Wool Weavings. Red, white, black and grey storm pattern (27.625 in. x 35.25 in.); red, black, grey and white weaving with fringed ends (19.125 in. x 21.75 in. (fringed end); brown, white and grey weaving (12 in. x 17.875 in.)

614 - Three Continental Weavings Three Continental Weavings. Comprising a Polish or Indian rug in orange, yellow, shades of blue and green (41 in. x 14.25 in. including fringe), a Turkish mat in blue, green, red and white (22.75 in. x 12.75 in.), and a Peruvian alpaca wool rug in brown, black and cream (37 in. x 17.5 in.)

615 - Two Mexican Zapotec Wool Weavings Two Mexican Zapotec Wool Weavings. Comprising a rug woven in alternating rows of birds in flight and birds perched on branches, and a similar weaving woven with birds perched in a tree. Birds in flight and on branches: 26" x 54" Birds on tree: 29" x 60"

616 - Arts & Crafts Style Woven Textile Arts & Crafts Style Woven Textile, 20th Century. In shades of red, green, brown, tan and cream. 68 in. x 48.625 in.

617 - After Basilius Besler - "Paeonia" Botanical Print After Basilius Besler (German, 1561-1629). "Hortus Eystettensis: Paeonia Polyanthos Flore Rubro," Botanical Colored Lithograph. (35.875 x 27 inches, sight). Frame: H: 49.375 in., W: 39.5 in., D: 1.5 in.

618 - Pierre-Joseph Redoute - Pair Botanical Engravings Pierre-Joseph Redoute (Belgian, 1759-1840). Pair of Botanical Hand-Colored Stipple Engravings from "Les Liliacees," 1805. Comprising "Iris Lutescens"/ "Iris Jaunatre" ("Yellow Iris")," pl. 263, printed "P. Bessa pinxt" lower left and "de Gouy sculp.," (19.875 x 13.25 inches, sight); and "Iris Arenaria"/ "Iris des Sables ("Sand Iris")," pl. 296, "P.J. Redoute pinx" lower left and "Chapuy sculp." lower right, (19.625 x 12.875 inches, sight). "Iris lutescens:" Frame: H: 32.125 in., W: 25 in., D: 1 in. "Iris Arenaria:" Frame: H: 31.125 in., W: 24 in., D: 0.875 in.

619 - "Views in Cumberland, Westmoreland & Lancashire" The Reverend Joseph Wilkinson. "Select Views in Cumberland, Westmoreland, and Lancashire." London: R. Ackermann, 1810. Eleven hand-colored etched plates. L: 19.25 in., W: 13 in.

620 - Auguste Edouart-Four Silhouettes & Fashion Print Auguste Edouart (French, 1789-1861). Four Mounted and Framed Prints and a French Fashion Print. The silhouettes from "A Treatise on Silhouette Likenesses." London: Longman and Co., 1835, comprising from left to right No. 13, No. 2/ Page 3, No. 12 and No. 7, (7.75 x 5.25 inches, sight); and a French "La Mode Illustree" print. (2) Silhouettes: Frame: H: 12.125 in., W: 28 in., D: 0.625 in.

621 - Six Indonesian Wayang Golek Marionettes/ Puppets Four Indonesian Wood, Leather, Papier Mache and Fabric Wayang Golek (Three-Dimensional Rod Puppets) and Two Wayang Kulit (Shadow Puppets). Tallest wayang golek puppet: H: 24.5 in., Diam: 6 in. (bottle support) Tallest wayang kulit puppet: H: 33 in., W: 12.375 in.

622 - Three Indonesian Wayang Golek Rod Puppets Three Indonesian Wood, Papier Mache and Fabric Wayang Golek Rod Puppets. Tallest (Ganesh): H: 31.25 in., W: 10 in., D: 4 in.

623 - African Carved Dogon Granary Door & Birthing Stool African Carved Hardwood Dogon Granary Door and a Carved Wood Birthing Stool. Dogon door: H: 33.375 in., W: 19.5 in., D: 3.125 in. Birthing stool: H: 14.25 in., W: 20.375 in., D: 11 in.

624 - Three Carved and Painted Wood Masks & a Bowl Three African Carved and Paint-Decorated Wood Zoomorphic Masks and a Sasak Indonesian Pottery Bowl. The masks comprising a Baule Guro Zamble (antelope-crocodile), bird and zebra; the bowl with woven rattan rim. Bird mask: H: 26 in., W: 12 in., D: 7.75 in.

625 - Large Balinese Painting Large Balinese Painting. Oil on plywood, depicting a procession of figures and buildings in a jungle, signed "INjOMAN SEREBIS/ LIBuD Bal..." bottom center, (35.25 x 59 inches). Frame: H: 36.5 in., W: 60.375 in., D: 2.125 in.

626 - Three Chinese or Filipino Woven Straw Hats Three Chinese or Filipino Woven Straw Hats. Largest: H: 4.75 in., Diam: 30.5 in. Provenance: These hats are from the Cortlandt and Nancy Knowles Parker collection from Greenvale Farm Estate and Vineyard in Portsmouth, Rhode Island. Major General James Parker (1854-1934) served in the 4th United States Cavalry participating in the Indian Wars of the Southwest. In May of 1886, during the Apache Wars campaign, First Lieutenant Parker led troops into Mexico and assisted in the capture of Geronimo and his band. He served in the Spanish-American War, the Philippine-American War where he earned the Medal of Honor during 1899, as well as World War I. It is likely these hats were brought back from the Philippines by General James Parker.

627 - Pair Japanese Straw and Wood Zori (Sandals), 1903 Pair of Japanese Rice Straw and Lacquered Wood Zori (Sandals), 1903. Inscribed and dated "Tokyo Japan May 1903" in pencil on each sole. H: 2.25 in., W: 8.75 in., D: 3.75 in.

628 - Five Ethnographic Decorative Articles Five Ethnographic Decorative Articles. Comprising a Mexican pottery figure of a caballo and a Tonala folk art pottery charger; an Egyptian water vessel; and two iron candlesticks. Caballo: H: 20.5 in., W: 16.25 in., D: 5 in.

629 - Eight Continental Decorative Table Objects Eight Continental Decorative Table Objects. Comprising a painted white marble Hannuka menorah, possibly Moravian; three red figure kylikes or drinking bowls and a lekythos after the antique, one kylix signed "ATHENIAN 450 B.C. HAND PAINTED BY Maoralis (?); a pair of Persian faience vases, marked; and a Greek painted canteen, marked. Menorah: H: 11 in., W: 7.625 in., D: 3.5 in.

630 - Group of Ethnographic Wood Decorative Articles Group of Ethnographic Wood Decorative Articles, Some African. Comprising a carved figure of a hippopotamus, signed "PR;" a figure of a zebra, affixed with a paper label inscribed "KWILSO GOOT;" a creature in the manner of an aardvark; a carved horn figure of a giraffe; a carved and painted wood bird torso; a carved wood Makonde Tree of Life figural group; a wood hair comb carved with a giraffe on each side; two carved circular boxes; two turned and carved wood boxes; and a Tuareg dyed leather pouch. (12) Tree of Life figural group: 12.5 in., W: 5 in., D: 5.75 in. Hair comb: L: 17.625 in., W: 3.375 in.

631 - Nine Ethnographic Walking Sticks and a Fly Whisk Nine Ethnographic Carved Various Woods, Gilt-Metal and Jewelled Walking Sticks/ Canes and a Fly Whisk. Longest walking stick: L: 40.625 in., W: 3.25 in., D: 1 in.

632 - Six Egyptian Style Museum and Other Reproductions Six Egyptian Style Museum and Other Composite and Stone Reproductions. Comprising a figure of a kneeling Pharaoh, Facsimilies Ltd., Nashua, New Hampshire; a head of the Pharaoh Ramesses; the polymer head of Ankh-Khonsu; a carved alabaster head of Nefertiti; a figure of the cat goddess Bastet; and an obelisk. Head of Ankh-Khonsu: H: 11.25 in., W: 7 in., D: 4 in.

633 - Grp Stone, Terracotta& Composite Heads & Fragments Group of Stone, Terracotta and Composite Reproduction Heads and Fragments, After Greco-Roman and Egyptian Antiquities. Comprising a head, impressed "RELIEF MICHELANGELO" on the reverse, mounted on a marble pedestal; an Etruscan style funerary portrait votive head; an Aztec Mayan Glyph Wall plaque relief; a Cyclops mask; and four fragments. Height of first: H: 12 in., W: 12.5 in., D: 6.5 in.

634 - Four Terracotta Vessels After the Antique Four Terracotta Vessels After the Antique. Comprising a pitcher, two juglets and a Dead Sea Scrolls Qumran jar and lid. Pitcher: H: 7 in., W: 5.375 in., D: 4.5 in.

635 - Charles E. Buckley-Three Paintings & Five Drawings Charles Edward Buckley (American, 1919-2011). Three Paintings and Five Drawings. The paintings oil on canvas, the drawings ink and graphite on paper, all unframed. Largest painting: H: 34 in., W: 22 in., D: 0.75 in.

636 - A. Ogilvy - "Narcissus;" and JM - Still Life American School. A. Ogilvy. "Narcissus." Oil on heavy cardboard, signed lower right, (21.375 x 23.75 inches); and JM. Peonies, 1967. Oil on canvas, signed and dated "'67" lower right. "Narcissus:" Frame: H: 22.125 in., W: 24.5 in., D: 1.5 in. Peonies: Frame: H: 24.875 in., W: 20.875 in., D: 0.75 in.

637 - American School - Three Modern Watercolors & Print American School. Three Modern Watercolors and One Print. Comprising A.T. Weaver, Pink and Purple Hydrangeas, watercolor, signed lower right; E. Wiler, Lighthouse Overlook, watercolor, signed lower right; Jane Halsted, Summer Home, watercolor, signed and dated '76 lower right, (10 x 13.25 inches, sight); and Susan Wallace Barnes, "Summertime," print, titled lower left and signed lower right in pencil. Frame: Summer Home: H: 18.5 in., W: 22.75 in., D: 1.5 in.

638 - Margaret D. Nelson - "Tidal Pool Treasures" Margaret D. Nelson (American, 20th Century). "Tidal Pool Treasures." Watercolor, signed "MNelson" lower right, (17.625 x 13.125 inches, sight), numbered #128 on the reverse, possibly from a previous exhibition. Frame: H: 30.125 in., W: 25.125 in., D: 1.375 in.

639 - Arabia Porcelain Children's Tea Service, Finland Arabia Porcelain Children's Tea Service, Mid-20th Century. Comprising a teapot, sugar bowl and cover, cream pitcher, eight teacups and eight saucers, and four dessert plates, printed crown over "ARABIA/ MADE IN/ FINLAND." (23) Teapot: H: 6.5 in., W: 6 in., Diam: 3 in.

640 - Eight English and Continental Ceramic Wares Eight English and Continental Ceramic Wares, Mid-19th to Early 20th Century. Comprising an 'Indian Tree' oval vegetable dish, Minton & Co., impressed "MINTON," date cypher, painted pattern number "5185/ C:::" in iron-red; a rose transfer-printed 'St. Paul's School' (New Hampshire) punch bowl, 1956, factory marks and signed by Reverend Matthew Warren "faithfully from Matthew Warren;" a set of four gilt-heightened Ionic columns in cream glaze, Waechtersbacher Keramik, two each with factory marks in underglaze-blue; an oval tray, Charles Field Haviland, printed "CH.FIELD HAVILAND LIMOGES" and "GDA/ FRANCE;" and a French faience fluted circular tray, marked with a wreath enclosing a ship over "Rouen" in green, painted pattern number "2463," retailed by Briggs & Co., Boston. Punch bowl: H: 5.5 in., Diam: 12.375 in. Circular tray: Diam: 13.5 in.

641 - Staffordshire Flow Blue 'Venice' Service & Others Staffordshire Flow Blue 'Venice' Part Dinner Service, Upper Hanley Pottery, 1900; and Additional Flow Blue and Transfer-Printed Patterns. The service comprising eight butter pats, ten 7.5- inch soup plates, twelve 8.875- inch plates, eleven 7- inch salad or dessert plates, one 14- inch platter, one 15.75- inch platter, butter dish, strainer and cover, eleven teacups and twelve saucers, printed factory marks and title, registration number "354458;" together with a pair of flow blue 'Ferndale' open vegetable dishes, Henry Alcock & Co., Ltd., 1900-1910; a 'Touraine' tureen, Henry Alcock & Co., Ltd, a liner, Stanley Pottery Co., 1909-1937, and a bowl and fruit dish lacking maker's mark; a flow blue soup plate, side plate and milk pitcher, various makers; and a transfer-printed 'Valley Forge 1777-78' commemorative plate for Gus Egolf, Norristown, Pennsylvania, various marks. (77) Largest platter: H: 11.625 in., W: 15.75 in., D: 1.5 in.

642 - Two American Art Pottery Wares Two American Pottery Wares Comprising a Rookwood Chamberstick, 1928 and a Van Briggle Vase, Circa 1998. The chamberstick in pink and green glazes, impressed "RP" flame mark above "XXVIII" and shape number "1067;" the vase in matte shaded turquoise blue, impressed with the double A cypher above the finisher's name "JOY" (known to have finished pieces in 1998), within "VAN BRIGGLE Colo. Spgs, CO." Chamberstick: H: 5.625 in., W: 5 in., D: 1.625 in. Vase: H: 8 in., Diam: 2.625 in.

643 - Four Glass Vases and Three Pottery Tiles Four American and Bohemian Glass Vases and Three Pottery Tiles, Late 19th-Early 20th Century. Comprising two similar pink cased glass vases, two green ground enamel- and gilt-decorated vases, the tallest inscribed with the numeral "5" in white enamel; and three pottery molded tiles. Tallest green ground vase: H: 10.5 in., Diam: 4.875 in.

644 - Faience Make-Do Tureen Cover Inkwell & Doorstop French or Italian Faience and Brass Make-Do Tureen Cover Inkwell; and a Brass Figural Doorstop of a Hessian Soldier, Virginia Metalcrafters for Colonial Williamsburg. The doorstop cast with the Williamsburg "CW4" and "VM" factory marks. Inkwell: H: 6.5 in., L: 13 in., W: 10.5 in.

645 - Mid-Century Modern Cocktail Set & Baccarat Group Mid-Century Modern Blue Glass and Silverplate Cocktail Set; and a Baccarat Colorless Glass 'Loving Doves' Figural Group. The set comprising the shaker and four glasses; the group etched "Baccarat" and etched with the circular "BACCARAT FRANCE" mark with carafe, wine glass and goblet. Height of shaker: H: 11 in., Diam: 3.625 in.

646 - Group of Modern Colorless Glass Table Wares & Tray Group of Modern Colorless Glass Table Wares; and a Royal Copenhagen Porcelain Tray, Mid-20th Century. Comprising a pair of Sven Palmqvist for Orrefors candle holders in the original box, and a set of four bowls, each etched "Orref1494al," all Sweden; A.C.Heisey & Co. 'Sunburst' relish tray, Newark, Ohio, molded diamond "H" mark; a nearly identical relish tray, unmarked; a pair of Steuben toothpick holders, Corning, New York, each etched "S;" and a pair of toothpick holders, unmarked; the Royal Copenhagen tray dated 1962, Denmark, in crackle glaze, printed factory mark in green, three wave mark in underglaze-blue, "460/3391/dcx" painted in black. Heisey relish tray: Diam: 10.625 in., 1 in.

647 - Group of Early Pressed Glass, 19th Century Group of Early Pressed Glass, New England and Other Areas, 19th Century. Comprising a New England 7.875- inch Lacy pressed dish, probably Boston and Sandwich Glass Works, 1835-1850; a 5.75- inch Lacy pressed dish, probably New England, 1835-1850; and a pair of Lacy pressed oval bowls; a pillar-molded syrup or molasses jug with tin lid, probably Pittsburgh area, 1850-1870; a 'Frosted Ribbon' pitcher and two compotes, Bakewell, Pears & Co., Pittsburgh, one raised on a dolphin stem; a 'Shell and Tassel' compote, George Duncan & Sons, Washington, Pennsylvania, 1874-1891; and two pressed motto dishes; and five books pertaining to the Boston & Sandwich Glass Co. and Lacy pressed glass. (16) 'Shell and Tassel' compote: H: 8 in., W: 8.75 in., D: 8.75 in.

648 - Two Modern Document Boxes, 20th Century Two Modern Document Boxes, Probably Maitland Smith, 1970s-1980s. The rectangular box covered in tessellated stone and with a mahogany interior, the cover with partly tessellated and rough- hewn stone handle; the dome-top box covered in rows of offset bone inlay, the wood interior painted in white. Rectangular box: H: 5.75 in., W: 14.25 in., D: 10.25 in. Dome-top box: H: 7.75 in., W: 12.25 in., D: 8 in.

649 - Contemporary Carved Wood Figure of a Panther Contemporary Carved Wood Figure of a Stalking Panther. H: 9.75 in., L: 35.625 in., W: 6.5 in.

650 - Visual Comfort & Co. Octagonal Table Lamp Visual Comfort & Co. Octagonal Table Lamp, 20th Century. In the form of a tea canister and decorated In the style of wood marquetry, depicting a Norman chateau beside a bridge over a moat on the front and farm buildings on the reverse, with black shade. H: 24.25 in. (To top of harp), W: 10 in., D: 7.375 in. H: 26.75 in. (Overall)

651 - Brass Rayo Lamp, Bradley & Hubbard Mfg. Co. Brass Kerosene Rayo Lamp, Bradley & Hubbard Mfg. Co., Meriden, Connecticut, Early 20th Century. The filler cap stamped "Rayo," the thumb wheel stamped "RAYO/ ABCO" for Archer & Pancoast Co., fitted with a chimney and milk glass hobnail shade; electrified. H: 20.75 in. (to top of chimney), Diam: 11.25 in. (shade)

652 - Alfred Olschewski - #5 Alfred Olschewski (Prussian/ American, 1921-2001). "#5." Ink and crayon on paper, signed "OLSCHEWSKI" lower left, (21.5 x 22.75 inches, sight). Frame: H: 23 in., W: 24.25 in., D: 0.5 in. Alfred Olschewski lived in Germany and Sao Paulo, Brazil before settling in Massachusetts in 1961. He died in Acton, Massachusetts, and this lot is stamped on the reverse with the framer's information JOHN J. POWERS/ CUSTOM FRAMING/ 517 MAIN STREET/ ACTON, MASS 01720."

653 - Chaim Gross - "Homage to Jacques Lipchitz" Chaim Gross (Austrian/ American, 1904-1991). "Homage to Jacques Lipchitz," 1965. Color lithograph, numbered "141/ 225" lower left, titled center, signed and dated by the artist lower right, inscribed "To Rose and Willie Cohen with my complimentary (?)." Unframed, Sheet: H: 30.125 in., W: 22.125 in.

654 - Thomas Cornell - "Saint Just," A.P. 1964 Thomas Browne Cornell (American, 1937-2012). "Saint Just," A.P. 1964. Print from the "Revolutionary Heads" series, depicting Louis Antoine de Saint-Just, a prominent figure in the French Revolution, (9.125 x 5.875 inches, sight). Frame: H: 15 in., W: 12.625 in., D: 0.75 in.

655 - Herbert C. Cassill & Jean K. Cassill- Two Etchings Herbert Carroll Cassill and Jean Kubota Cassill. Two Etchings. Comprising Herbert Carroll Cassill (American, 1928-2008). "Walk," 1950s. Etching, titled lower left, numbered "24/ 25" center and signed lower right in pencil, (36.5 x 15.375 inches, sight); and Jean Kubota Cassill (American, b. 1926). "Landscape," 1954. Etching and aquatint, titled lower left, numbered "28/ 35" center and signed lower right in pencil, (plate mark 23.75 x 12.5 inches; 24.5 x 13.5 inches, sight). "Walk:" Frame: H: 42.5 in., W: 21.125 in., D: 0.625 in. "Landscape:" Frame: H: 33.625 in., W: 21.125 in., D: 0.875 in.

656 - Lovis Corinth - "Warriors Lesson" & Three Etchings Lovis Corinth (German, 1858-1925). "Kriegerlehre" ("Warriors Lesson"). Drypoint etching. Signed Lovis Corinth in pencil lower right, (11.75 x 9.625 inches, sight); Jacques Callot (French, c. 1592-1635). Four etchings from "Les Images de Tous les Saints" ("Images of All the Saints"); Francisco de Goya (Spanish, 1746-1828). "Madre infelizt!" ("Unhappy Mother"), plate 50 from "Los Desastres de la Guerra" ("The Disasters of War"). Etching and aquatint, (sheet size 9.875 x 13.625 inches); David Law (British, 1831-1901). Boy Fishing on a River. Etching on wove paper, signed in the print "D. LAW" lower left, signed in pencil "David Law" lower right and "No 25" lower left, printed "PUBLISHED BY MESSRS DOWDESWELL, , 133, NEW BOND ST. & 36 CHANCERY LANE, W.C.," (plate size 10 x 14 inches). "Warriors Lesson:" Frame: H: 19.25 in., W: 16.375 in., D: 0.75 in.

657 - Thirteen Orrefors Colorless &Blue Glass Tablewares Thirteen Orrefors Colorless and Pale Blue Glass Bowls, Vases, Candle Holders and Ashtrays, Sweden, Mid-Century Modern. Various designers including 'Lily,' Olle Alberius, 'Thousand Windows,' Simon Gate (Sweden, 1883-1945); 'Isabella,' Lars Hellsten, 'Anemone' and 'Northern Lights,' Jan Johansson, 'Stella Polaris,' Vicke Lindstrand, 'Waterfall,' Edvin Ohrstrom, and 'Legend Leaves' or 'Fleur Petal,' Sven Palmqvist, all etched "Orrefors" with various pattern and shape numbers, four each with original label. Largest 'Stella Polaris' ashtray: H: 2.625 in., Diam: 7.75 in.

658 - Six Mid-Century Modern Colorless Glass Vases Six Mid-Century Modern Colorless Glass Vases, Belgium and Sweden. Comprising a Charles Graffart (1893-1967, Belgium) for Val Saint Lambert, Belgium, colorless and emerald green overlay vase, signed "Val St. Lambert;" a Gunnar Cyren (1931-2013, Sweden) for Orrefors 'Sofiero' vase, signed "Orrefors b, 3834-221;" a Simon Gate (1883-1945, Sweden) for Orrefors 'Thousand Windows' vase, signed "Orrefors," initials "SG," "395/ 211;" a Lars Hellsten (b. 1933, Sweden) for Orrefors 'Ariel' vase, 1978, signed "Orrefors, Ariel, T312-78, Lars Hellsten" and with original label; an Orrefors vase, signed "Orrefors c-gt, 4534221" and with original label; and a block-patterned vase, signed "Kosta 76304." Charles Graffart vase: H: 10 in., Diam: 7.25 in.

659 - Modern Colorless Glass Vase and a Trefoil Bowl Modern Colorless Glass Vase and a Trefoil Bowl, 20th Century. Comprising a Frank LLoyd Wright hexagonal vase for Tiffany & Co., etched "TIFFANY & CO./ FRANK LLOYD WRIGHT/ FDN 1988;" and a Steuben #8123 Trefoil bowl, designed by Donald Pollard, etched "Steuben." Vase: H: 9.75 in., W: 4.25 in. Bowl: 3.5 in., W: 5.875 in., D: 5.5 in.

660 - Five Swedish & American Glass Decorative Articles Five Swedish and American Glass Decorative Table Articles, Mid-Century Modern. Comprising a Vicke Lindstrand (Sweden, 1904-1983) for Kosta 'Iceberg series' intaglio fish paperweight, 1969, signed "KOSTA V.L-LG;" a Kosta heart-shaped trinket dish, signed "Kosta R 4481/ 80;" an Orrefors colorless four leaf clover paperweight, signed "Orrefors HL 4114;" a figure of a Swedish Dala horse, designed by Christer Sjogren (Sweden, 1926-2008), Lindshammer Glassworks, Sweden, signed "Sjogren Lindshammer Sweden;" and a studio glass paperweight, Robert Eickholt (American, b. 1947), signed "Eickholt." Dala horse: H: 6 in., W: 6.25 in., D: 1.75 in.

661 - Four American & Continental Glass Figures & a Vase Four American and Continental Glass Figures and a Vase, 20th Century. Comprising a pair of American duck ashtrays, Duncan & Miller Glass Company, Washington, Pennsylvania; a French bear bowl or ashtray, Vannes Le Chatel; a figure of a pig, possibly Swedish; and a Swedish cylindrical vase cut with ellipses, Kosta Boda, etched "Kosta/ SS 5802." Bear bowl: H: 5 in., W: 3.75 in., D: 3.75 in. Vase: H: 6.125 in., Diam: 2.25 in.

662 - Pair Colorless Glass Candelabra, Pair Candlesticks Pair of American Art Deco Colorless Glass #2527 'Nocturne' Two-Light Candelabra, Fostoria Glass Company, Moundsville, West Virginia, Designed by George Sakier, 1935-1944; and a Pair of German Colorless Glass Candlesticks, Peill & Putzler, 1903-1997. The candlesticks each acid-etched with the Greek letter Phi. Candelabra: H: 8.375 in., W: 7 in., D: 5.125 in. Candlesticks: H: 12.25 in., Diam: 4.875 in.

663 - Ten Val St. Lambert Wine Stems & Additional Glass Set of ten Belgian 'Acadamie du Vin' Colorless Glass Red Wine Stems, Val St. Lambert; and Additional Glass. The set of ten each etched Val St. Lambert; and a set of seven French 'Scandia' 5.5- inch wine goblets, Luminarc, each molded "FRANCE;" set of six finger bowls and pair of wine rinsers, unmarked. (25) Val St. Lambert wine stems: H: 7.25 in., Diam: 4 in.

664 - Edwardian Mahogany Side Chair and Tuckaway Table Edwardian Carved Mahogany Upholstered Side Chair and a Tuckaway Table. Side chair: H: 37.5 in., W: 17.5 in., D: 17 in. Table: H: 29.5 in., W: 22 in., D: 10 in.

665 - Classical Mahogany Drop-Leaf Work Table American Classical Mahogany Drop-Leaf Work Table, 1830-1840. H: 29 in., W: 17.5 in. (closed), 33.5 in. (open), D: 17 in.

666 - Pair of Federal Style Carved Mahogany Chairs Pair of Federal Style Carved Mahogany Shield-Back Side Chairs, Early 20th Century. H: 38.5 in., W: 22.5 in., D: 19.5 in.

667 - American Late Sheraton Pine Dressing Table American Late Sheraton Pine Dressing Table, 19th Century. H: 33 in., W: 32 in., D: 15.5 in.

668 - Charles Beckendorf and Keith Ferris - Three Prints Charles Beckendorf and Keith Ferris. Three Prints. Comprising Charles Beckendorf (Texas, 1930-1996). "Hill Country Rancher," limited edition print numbered 222/ 500, title lower left and artist signed lower right in pencil; and "Pronghorn" limited edition print numbered 189/ 500, artist printed signature in the print, numbered lower left and artist's signature in pencil lower right; and Keith Ferris (Hawaii, b. 1929), "Lockheed F-80C Shooting Star," signature in the print. Largest frame: H: 21.24 in., W: 27.25 in., D: 0.75 in.

669 - Reproduction Audubon Print- Common/ Virginian Deer Reproduction Audubon Print. "Common or Virginian Deer." (11.125 x 14.625 inches, sight). Frame: H: 18.25 in., W: 21.75 in., D: 1 in.

670 - James Stroud - "Industry Standard 2" James Stroud (American, b. 1958). "Industry Standard 2," 2002. Drypoint and aquatint, edition number "5/ 35" in pencil lower left, titled "IS-2" center, signed and dated lower right, publisher/ printer's chop mark, Center Street Studio, (scallop shell) lower left, (30 x 22.75 inches). Frame: H: 33.5 in., W: 26.625 in., D: 1.125 in.

671 - After Andrew Wyeth - "End of Olson's," 1993 After Andrew Wyeth (American, 1917-2009). "End of Olson's," 1993. Collographic print, printed "1993 Aaron Ashley Inc., Yonkers, N.Y." lower left, "No. 2023/ End of Olson's/ by/ Andrew Wyeth" center, and "Collection of Rosalie H. Levine" lower right, (29 x 27.625 inches, sight). Frame: H: 31.375 in., W: 30.125 in., D: 0.625 in.

672 - Group of Tabletop Decorations and Amusements Group of Tabletop Decorations and Amusements, 20th Century. Comprising a French porcelain egg box, inscribed beneath "Tiffany & C/ Private Stock/ Hand painted/ Made in France;" a porcelain acorn box painted with two squirrels; two Herend porcelain miniature figures of cats, Hungary, in turquoise and pink, factory mark; a cardboard box printed underneath "DESIGNED BY CATRIONA STEWART/ EXPRESSLY FOR THE METROPOLITAN OPERA/ MADE IN ENGLAND 1991;" a Hampden Watch Co. pocket watch and holder; a Chinese gilt-decorated black lacquer beaker; and a sculpture of two silvered metal spheres with kinetic magnetic handle. (9) Sphere sculpture: H: 4 in., W: 6.75 in., D: 2.875 in.

673 - Six Limoges Porcelain Trinket Boxes Six Limoges Porcelain Trinket Boxes. Comprising a pierced gilt-brass and porcelain box in the form of a chest containing two perfume bottles, a box in the form of a chest inscribed "PARIS" on the lid, a box in the form of a trunk, an oval box, a box in the shape of a carrot and one a green wellie, various marks. First chest: H: 1.875 in., W: 2 in., D: 1.375 in. Carrot: L: 3.5 in.

674 - Seven Halcyon Days Enamel Boxes & Another Seven English Halcyon Days Enamel Trinket Boxes, West Midlands and a Japanese Porcelain Takahashi San Francisco Bunny Trinket Box, 20th Century. Each printed with the factory mark. Largest Haycyon Days box: H: 1.25 in., Diam: 2.5 in. Takahashi bunny box: H: 2.5 in., Diam: 2.125 in.

675 - Seven Limoges Porcelain Peint Main Boxes & Another Seven Limoges Porcelain 'Peint Main' Animal and Bird Boxes and a Bernardaud Limoges 'Henson' Muppets Miss Piggy Trinket Box, 20th Century. Each printed with the factory mark. Miss Piggy box: H: 3 in., W: 3.625 in., D: 1.75 in.

676 - Eleven Christmas Halcyon Days Boxes & Two Others Eleven English Christmas Halcyon Days Enamel Trinket Boxes, West Midlands; a Staffordshire "Old Bilston Battersea Tradition" Box; and a Cartier Box, 20th Century. Each printed with the factory mark. (13) Largest: H: 1.25 in., Diam: 1.875 in.

677 - Seven Marshall Field's Glass Christmas Ornaments Seven Marshall Field's Glass Christmas Ornaments. Comprising two green clocks for the years 1999 and 2006, four for the year 2005, and a Christopher Radko for Marshall Field's Frango Box water globe; together with a Sylvia Dahl silver-tone scarf clip. Largest box: H: 6.25 in., W: 5.25 in., D: 5.375 in. Provenance: The Marshall Field Family (Marshall Field and Company), Chicago, Illinois and Peterborough, New Hampshire.

678 - Group of Old World & Dept. 56 Christmas Ornaments Group of Old World and Dept. 56 Glass Christmas Ornaments, 1980s-1990s, Two Metal Bells and a Wax Angel. (53) Poinsettia ornament: H: 4.5 in. (including star suspension hanger); Diam: 3.5 in.

679 - Group of Old World & Dept. 56 Christmas Ornaments Group of Old World and Dept. 56 Glass Christmas Ornaments, 1980s-1990s. (59) Santa: H: 5.125 in., W: 2.375 in., D: 1.625 in.

680 - Group MCM and Modern Glass Christmas Ornaments Group of Glass Christmas Ornaments, Mid-Century Modern, 1950-1970, and Old World and Dept 56, 1980s and Later. (50) Cornucopia: H: 7 in. (Including suspension loop), Diam: 2.75 in.

681 - Grp Kugals & Fruit Christmas Ornaments, Two Trees Group of Kugals and Fruit Christmas Ornaments, and Two Ceramic Electric Christmas Trees. (40) Largest Christmas tree: H: 18 in., Diam: 11.125 in.

682 - Grp American Weighted Sterling Silver Candlesticks Group of American Weighted Sterling Silver Candlesticks and Candelabra, Mid-20th Century. Comprising a pair with molded circular bases, Alvin Mfg. Co., Providence, Rhode Island, each marked "ALVIN/ STERLING/ CEMENT FILLED / REINFORCED/ WITH ROD OF/ OTHERMETAL/ S-159;" a pair surrounded by guilloche borders, Rogers, each marked "ROGERS" within anchors, "STERLING/ WEIGHTED REINFORCED/ 201/ 15;" a pair surrounded by gadrooned borders, Empire Silver Co., Brooklyn, New York, each marked "Empire/ STERLING/ WEIGHTED/ 45;" and a pair of three-light candelabra, Mueck-Carey Co., New York, New York, each marked "-M-/ STERLING/ REINFORCED/ WITH CEMENT/ 358." (8) Height of candelabra: H: 5.625 in., W: 8.375 in., Diam: 3.5 in.

683 - Two Pr of Am Sterling Silver Weighted Candlesticks Two Pairs of American Sterling Silver Weighted Candlesticks, 20th Century. The first pair, Towle Silversmiths, Newburyport, Massachusetts; the second pair, Fred M. Hirsch Co., Jersey City, New Jersey, 1919-1945, not monogrammed, all marked. First pair: H: 7 in., Diam: 3.5 in. Second pair: H: 10 in., Diam: 3.25 in.

684 - Set of Three & Two Pair Candlesticks & Hand Mirror Set of Three and Two Pair of Sterling Silver Weighted Candlesticks, and a Hand Mirror, Early 20th Century. The set of three candlesticks Hamilton, the two pairs Towle Silversmiths and Thomas Long Co.; the mirror R. Wallace & Sons Mfg. Co., not monogrammed. Thomas Long Co. Candlesticks: H: 3.5 in., Diam: 3.75 in. Mirror: H: 13.625 in., W: 4.125 in.

685 - Four American Silver Weighted Compotes & Shakers Four American Silver Weighted Compotes, Various Makers; a set of Reed & Barton Salt and Pepper Shakers; and a Glass and Silver Salt Shaker. Tallest compote: H: 7 in., Diam: 7 in.

686 - Pr American Silver Weighted Candlesticks & a Vase Pair of American Sterling Silver Weighted Candlesticks, D.S. Spaulding Co., Mansfield, Massachusetts, 1896-1917; and a Sterling Silver Weighted Vase, Early 20th Century. Not monorammed, all marked. Vase: H: 9.375 in., Diam: 3.375 in.

687 - 3 American & English Silver & Silverplate Utensils Three American and English Sterling Silver and Silverplate Household Utensils, Late 19th-Early 20th Century. Comprising an American sterling silver hand mirror, La Pierre Mfg. Co., New York, New York and Newark, New Jersey, 1888-1915, marked "STERLING 5400" and script letter "L;" a sterling silver magnifying glass, unmarked; and a pair of English silverplate grape shears, William Hutton & Sons, Sheffield, 19th century, marked "WH & S BP" under the blade. Hand mirror: L: 10.25 in., W: 5.375 in., D: 0.375 in.

688 - Set Fourteen .800 Silver Figural Placecard Holders Set of Fourteen Indonesian .800 Silver Figural Placecard Holders, 20th Century. Each in the form of a Javanese or Balinese Wayang Kulit (shadow puppet) from Indonesian Wayang puppet theatre, each character identified on the base, each marked "800." 2.79 troy oz. total H: 2 in., Diam: 0.875 in. (base)

689 - Eleven English &American Silver & Silverplate Tags Eleven English and American Sterling Silver, Silverplate and Enamel Bottle Tags, Various Makers, Comprising a George III "CHILLI" tag and a "KYAN" tag, John Holloway, London, 1796; a "SOY" tag, Thomas Phipps and Edward Robinson, no other marks; a George III "PORT" tag, Peter, Ann and William Bateman, London, 1800; a "RYE" tag, no maker's mark, London, 1911; an Elizabeth II "PORT" tag, Hampton Utilities, Birmingham, 1977, five silverplate and enamel tags comprising "BRANDY," "CLARET," "COGNAC," "GIN" and "Rhone." 1.55 troy oz. weighable Rhone tag: H: 2.125 in., W: 2.875 in.

690 - Set Six Amer Silver Teaspoons;Six George III Forks Set of Six American Fiddle Handle Teaspoons, Barzillia Benjamin (1774-1844), Milford/ Bridgeport, Connecticut, 1800-1819; and Six George III Sterling Silver 'Hanoverian' Forks, London, 1739-1879. Each spoon stamped with a shell on the front and engraved with the initials "SR," each marked "BB" into a rectangle, "BRIDGEPORT" and with pseudo English town and assay marks; the six forks comprising one fork, 1739, maker's initials "SS" in Gothic letters; one crested fork, George Smith III and William Fearn, 1792, with motto "LUCEO NON URO" (I shine, not burn); a pair of crested forks, George Smith IV, 1798; a pair of crested forks, 1800, possibly Richard Crossley, (maker's marks worn), all marked. 15.31 troy oz. total

691 - Grp American & English Silver Spoons &Marrow Scoop Ten American and English Coin and Sterling Silver Tablespoons and Teaspoons, and a Marrow Scoop, Various Makers. 10.11 troy oz. total Longest tablespoon: L: 8.875 in. W: 1.75 in.

692 - Set 8 American Silver Forks & 6 Utensils/ Flatware Set of Eight American Sterling Silver Salad Forks, LaPierre Mfg. Co., Newark, New Jersey, 1897-1929; and Six American Serving Utensils and Flatware, Various Makers. The forks each engraved with the initial "K," script initial "L" and retailer's mark "THOMAS LONG CO. STERLING;" the six utensils and flatware including a 'Bridal Rose' teaspoon, Alvin Mfg. Co., Sag Harbor, New York, the pattern introduced in 1903. 11.67 total Salad fork: L: 6 in., W: 1 in.

693 - Grp German, English & Amer. Silver-Handled Cutlery Group of German, English and American Silver-Handled Cutlery, Late 19th -20th Century. Comprising a set of eleven German knives, not monogrammed, each ferrule marked with a crown, crescent moon and "800," the blade marked (Zwilling) "J.A. HENCKELS/ SOLINGEN;" the remaining a carving fork and knife, carving fork, carving knife, cake knife engraved "D.B. & R.S./ 8-18-73," two dinner knives, cheese server, two pie servers; and a knife with mother-of-pearl handle. (22) Set of dinner knives: L: 8.25 in. Longest carving knife: L: 13.125 in.

694 - French SilverCarving Set,English Silverplate Ladle French Silver-Handled Carving Fork and Knife with Steel Tines and Blade; and an English Silverplate Crested Ladle. The carving fork and knife each with guarantee mark and the knife blade marked "PARIS." (3) Ladle: L: 13.25 in., W: 4.25 in., D: 2.375 in.

695 - Two Sets American Mother-of-Pearl Handled Knives Two Sets of American Mother-of-Pearl Handled Knives, Late 19th-Early 20th Century. Comprising a set of twelve butter spreaders, each blade marked "NORTHAMPTON CUTLERY CO. 12;" and a set of eleven dinner knives, each blade marked "AMERICAN CUTLERY COMPANY." (23) Dinner knife: L: 8.625 in.

696 - Silver Fruit/Dessert Set & Six Dinner Knives Set of Six George V Sterling Silver Pistol-Handled Fruit/ Dessert Forks and Knives, John Sanderson, Sheffield, 1911-1912; and a Set of Six Elizabeth II Sterling Silver Pistol-Handled Dinner Knives, L.F. & Sons, Ltd., London, 1964. All marked, four forks from the fruit/ dessert set 1911, two forks and the knives 1912, housed in a leather case. (18) Case: H: 8.625 in., W: 12.375 in., D: 1 in. Dinner knife: L: 8.625 in.

697 - Group of Sterling Silver Flatware and Silverplate Group of Sterling Silver and Silverplate Flatware and Serving Articles. Comprising a set of three Victorian apostle sugar spoons, William Devenport, Birmingham, 1897; two Dutch demitasse spoons with fruit finials, Royal Van Kempen & Begeer; two American coin silver tablespoons, Samuel D. Rockwell, New York, New York, each engraved with the initials "HS" in script, marked ROCKWELL" into a rectangle; a baby's mug engraved "Joanne," Richard Dimes; a Tiffany & Co. baby spoon, marked TIFFANY & CO., STERLING, m;" two baby spoons, one R. Blackinton & Co. and retailed by Cartier and the other International; a food pusher, engraved with the initials "JM," marked "Cartier;" a baby rattle; set of five iced tea sippers, Wallace; set of three Iced tea sippers, Raimond; two pairs of silver-handled salad serving sets and a silver-handled cake server; a silverplate fluid lamp in the form of a teapot, all marked. (27) 13.9 troy oz. weighable Baby cup: H: 2.25 in., W: 3 in., D: 2.125 in. Longest salad serving fork: L: 11 in., W: 1 in.

698 - Japanese Stainless Steel 'Empire' Flatware Service Japanese Stainless Steel 'Empire' Flatware Service, Gense, 1991-1997. Mid-Century Modern style and comprising twelve soup spoons, twenty-four salad forks, twelve dinner forks, twelve knives, twenty-four teaspoons, and a salad serving fork and spoon, marked "GENSE (R) 18/8 JAPAN;" in an ebonized wood box. (86) Box: H: 12.125 in., W: 12 in., D: 2.5 in.

699 - Fifteen English and American Silverplate Trays Fifteen English and American Silverplate Trays, Late 19th-20th Century. Including a serving dish with well-and-tree center flanked by covered compartments, the cast gadrooned rim edge interrupted by shells; and a two-handled tray on three feet, the cast scrolled leaf rim interrupted by shells. Serving dish: H: 3.625 in., W: 27.5 in. (Over handles), D: 15.875 in.

700 - Group English & American Silverplate Serving Wares Group of English and American Silverplate Serving Wares, 20th Century. Comprising covered serving bowls, bowls, presentation urns, coffeepots, hot milk jugs, cups and mugs. Largest Bowl: H: 7.5 in., Diam: 10 inches (Over handles)

701 - Group British, Continental & American Silverplate Group of British, Continental and American Silverplate Serving and Table Wares, 20th Century. Including a boxed "Navigare Necesse Est Authentic Model SALT & PEPPER STEAMER" with center mustard pot; a cased set of four lobster picks, Cooper Brothers, Sheffield, each engraved with a lobster; a pair of boxed English salt and pepper shakers with cobalt blue glass liners, retailed by Nordstrom; a Maple & Co., London ice pail (missing handle); a pair of Dansk Designs Japan reindeer paperweights and a polar bear paperweight; a chrome figural lion mount; a glass inkwell with sterling silver lid; and additional serving and desk articles. Salt and Pepper Steamer box: H: 3.375 in., W: 8.5 in., D: 5.375 in.

702 - Group of English and American Silverplate Flatware Group of English and American Silverplate Flatware, 20th Century. Comprising seven 'Old English' 7.75- inch cream soup spoons, one fork and one master butter knife, Arthur Price & Co., Sheffield and Birmingham, not monogrammed, each marked "ARTHUR PRICE & CO." and "ESPN" into a diamond; a set of ten 8.75- inch 'Old English' table/ serving spoons, and a set of three 'Hanoverian' dinner forks, William Hutton & Sons, Sheffield and London, eight spoons each engraved with the initials "GJT" in conjoined script and one spoon with the crest of a lion rampant, gardant, holding between paws a halberd, the eight initialled spoons each marked with crossed arrows, "(WH) & (S) B/P" and "MP/B" into a shield, two spoons and the forks marked "(WH) & (S) B/P" and "MP/A" into a shield; a 'Hanoverian' fork and two 8.75- inch 'Old English table/ serving spoons, Elkington & Co., each marked and with a crowned "E & Co." into a shield; a 'Hanoverian' 9.375- inch salad serving fork and spoon, marked "SILVER PLATED/ SHEFFIELD ENGLAND;" a George VI set of six sterling silver-handled cheese knives, C.H. Beatson, Sheffield, 1945 and a set of six silverplate pastry/ dessert forks and a server, Viners, Sheffield, each marked "E.P.N.S. A1 SHEFFIELD/ ENGLAND," both sets each housed in the original case; the remaining comprising two spoons in a case, twenty-six assorted American and English silverplate flatware, five sets of Sheffield celluloid-handled knives, carving knife and honing steele. Box containing George VI set of six sterling silver-handled cheese knives: H: 6.25 in., W: 8 in., D: 1 in.

703 - Grp Sheffield Plate, Silverplate & Sterling Silver Group of Sheffield Plate, Silverplate and Sterling Silver, Early 19th to Mid-20th Century. Comprising a Sheffield plate coffeepot, unmarked, a candlestick, marked with two star flowerheads on the exterior side of the base, a pair of telescopic candlesticks, each marked "EKHARDT'S PATENT" on the exterior side of the base, a crested warming dish with motto "SPARE NOUGHT," side dish, dressing table bottle, and a group of flatware and serving utensils, various makers, including enamelled souvenir spoons. Telescopic candlesticks: H: 6.875 in. (closed) and 10.25 in. (extended)

704 - Group of American & English Silverplate Tablewares Group of American and English Silverplate Tablewares, Late 19th-20th Century. Including a two-handled tray, Lawrence B. Smith Co., Boston, Massachusetts; a circular tray, Friedman Silver Co., Brooklyn, New York; a dish cross, Israel Freeman & Sons, Ltd.; a dressing spoon, S G England (Silver Guild); the remaining various makers and comprising three trays (two crested) and a service plate; pair of oval entree dishes and covers, five-light candelabrum, salad serving fork and spoon, three flat-handled butter spreaders, and a sauce ladle. (17) Tray: L: 29.75 in., W: 20.375 in, D: 1.5 in. Dressing spoon: L: 13 in.

705 - Group of English Silverplate Table Articles Four English Silverplate Table Articles, Mid-20th Century. In the manner of Sheffield Plate and comprising an oval tray, Israel Freeman & Son, hand and hammer mark, "I.F.S. LTD./ MADE IN ENGLAND;" a pair of candlesticks, unmarked; and a sugar bowl, number "1934." Tray: H: 1.5 in., W: 15.375 in., W: 10.25 in. Candlesticks: H: 9.875 in., Diam: 4.875 in.

706 - Group of Sterling Silver and Silverplate Articles Group of Sterling Silver and Silverplate Articles. The silver comprising two shot glasses, one bottle tag, a circular picture frame, and a Doulton Lambeth stoneware jug with silver rim, Hukin & Heath (John Thomas Heath & John Hartshorne Middleton), London, 1887; the silverplate comprising a tea caddy and cover, set of four George III style toddy plates, "JUST A THIMBLEFUL" shot glass, cocktail stirrer in the form of a golf club, two bottle tags, four napkin rings, small container, two candle snuffers, and a set of six French brass fruit forks and six knives with green celluloid handles, Higgs, each marked "HIGGS FRANCE." (33) 2.25 troy oz. total weighable Jug: H: 5.375 in., W: 5.25 in., D: 4 in.

707 - Leonard H. Mersky - Two Cape Cod Views Leonard H. Mersky (Massachusetts/ Mississippi, 1917-1994). Two etchings, each titled lower left, with edition number in the center and artist lower right in pencil, comprising "STREET IN EDGARTOWN, 49/ 200, LEONARD H. MERSKY" and "JENNEY GRIST MILL, PLYMOUTH, 148/200, LEONARD H. MERSKY," (3.625 x 5.625 inches, sight). Frame: H: 9 in., W: 11 in., D: 0.75 in.

708 - William H.M. Trood Print & an H. Daumier Print William Henry Hamilton Trood (British, 1848-1899). "Les Chiots S'Amusent" ("Puppies at Play"), 1898. Print, signed "W.H. Trood 1898" in the print, impressed oval "PRINT SELLERS ASSOCIATION enclosing "QAH" mark, and signed "W.H. Trood" by the artist in pencil lower left, (16.375 x 12 inches, sight); and Honore Daumier (French, 1808-1879). "Preludes obliges de tout concert d'amateur" ("Mandatory Preludes of Any Amateur Concert"). Print, n. 380 from the series "Croquis Musicaux," ("Musical Sketches"). Published by Charles Pannier & Cie, Paris. Frame: Trood print: H: 26.25 in., W: 21.25 in., D: 1 in.

709 - Two Etchings: G. Essig & V. Trowbridge; & Print Two Etchings: George Emerick Essig and Vaughan Trowbridge; and a Currier & Ives Print. The first, George Emerick Essig (American, 1838-1928). "Sunset, Maurice River, N.J." Etching, signed "GEO. E. ESSIG" lower right, (7.75 x 11.5 inches, sight); the second, Vaughan Trowbridge (American, 1869-1945). "Arles." Etching, signed and titled in pencil "V. Towbridge, Arles, 1912" lower right and "6/ 30 B-" lower left, (8.625 x 12.5 inches, sight); the third a print, Currier & Ives (American, 1834-1907). "Burning of the Steamship 'Golden Gate,' July 27, 1862. Hand-colored lithograph, (10.5 x 15 inches, sight). "Arles:" Frame: H: 15 in., W: 18.5 in., D: 0.5 in.

710 - Two Prints After Rembrandt and One After Picasso Two Prints After Rembrandt van Rijn and One Print After Pablo Picasso. The pair comprising "The Windmill," signed in pencil under the plate "De Molen, handdruck, ebs Rembrandt 1641," (plate 6.5 x 8 inches) and "The Omval," signed in pencil under the plate "De Omval, handdruck, ebs Rembrandt 1645," (plate 6.125 x 8.375 inches); and a portrait after Picasso, possibly depicting Dora Maar, dated "9.1 55" upper right and signed "Picasso" lower right, (8.375 x 5.375 inches, sight). Largest Rembrandt frame: H: 11 in., W: 13 in., D: 0.625 in. Picasso: Frame: H: 13.375 in., W: 10.375 in., D: 0.5 in.

711 - One Watercolor & Eleven Prints, Historic Sites One Watercolor and Eleven Prints Depicting New England Historic Sites, Various Artists. Comprising Davis Gray (American, 1929-1995). "Town Hall," watercolor on paper, inscribed "TOWN HALL/ WILMINGTON, DELAWARE CIRCA 1798" lower left and signed "DAVIS GRAY" lower right, (7.5 x 9.5 inches, sight); the prints comprising Clark M. Goff (American, 1917-1998), "Swan Boat, Boston Public Garden," "The Old North Church 1723, Boston, Massachusetts," and "South Tower, Nantucket;" James Francis Murray (American, 1899-1990), "Faneuil Hall, Boston, Mass.;" and George Richardson (American, c. 1737-1813). "The Quincy Homestead 1680," "Birthplace of John Adams 1681" and "Adams National Historic Site 1731 (Home of President John Adams and President John Quincy Adams," "Birthplace of Abigail Adams 1744," and "First Parish Church 1828;" and a view of the Back Bay, unknown artist, apparently unsigned. (11) Largest frame: H: 13.375 in., W: 17.375 in., D: 0.75 in.

712 - Three Photographs and Two Prints, 20th Century Three Photographs and Two Prints, 20th Century. Comprising "McDonald Lake, Glacier National Park," Ansel Adams; a photograph depicting a couple beside a stream, signed Katharine Dickay Schmidt; a photograph of jets flying in formation above a ship; a print, "Old Homestead," Carol Sebold, titled, signed and numbered 226/ 325 in pencil; and a print, "Court of Two Sisters," Paul De La Fille, titled and numbered 174/300 in pencil. Ansel Adams frame: H: 18.625 in., W: 22.75 in., D: 2 in.

713 - Georges Braque - "Nature Morte Avec Table" Georges Braque (French, 1882-1963). "Nature Morte Avec Table." Three-piece ceramic smoking set comprising a cigarette box and two ashtrays, signed "RAYLEEN" under the box and one of the ashtrays. Box: H: 1.875 in., W: 3.625 in., D: 3.625 in.

714 - Pair Moroccan Inlaid Jewelry Boxes & a Single Box Pair of Moroccan Inlaid Jewelry Boxes and a Similar Single Box. Pair: H: 5.375 in., W: 7.5 in., D: 1.875 in.

715 - View in Holland-Copper Engraving Plate &Impression View in Holland. Copper Engraving Plate with an Impression. Plate: 4.75 in., W: 6.75 in. Impression: H: 4.375 in., W: 6.25 in.

716 - Carved Black Soapstone Figure of a Gentleman Carved Black Soapstone Figure of a Gentleman in a Top Hat, Probably a Bookend. H: 6.5 in., W: 3 in., D: 1.875 in.

717 - "Grupo America Mexico" Pinback Breast Star "Grupo America/ Mexico" Pinback Breast Star. The center enamel medallion depicting North and South America, inscribed "GRUPO AMERICA/ MEXICO" and "LIBERTAD IGUALDAD UNION." H: 3 in., W: 3 in.

718 - Group American Giltwood, Rosewood & Brass Frames Six American Giltwood, Rosewood and Brass Picture Frames and Two Stands, 19th-Early 20th Century. One frame affixed with a "KABATZNICK'S ART SHOP 484 BOYLSTON ST. BOSTON, MASS." retailer's label. Largest frame: 8.375 in. x 5.875 in.

719 - Five British, American and Continental Vases Five British, American and Continental Vases. Including a porcelain vase, Hazel Johnston (British, 1933-2011), impressed conjoined "HJ mark into an oval under the base; an earthenware vase striped in blue and green glaze, signed "EG 19" and "31," a crystalline glazed flower frog, Fulper Pottery; a stoneware vase in black glaze; and a Greek, South Italian terracotta bottle. Hazel Johnston vase: H: 4.875 in., Diam 3 in. Greek vase: H: 4.875 in., Diam: 2.875 in.

720 - Set of Five Porcelain Soup Bowls &Set Eight Plates Set of Five French Porcelain Soup Plates, and a Set of Eight Czechoslovakian Plates, Puls, 1920s-1940s. Each soup plate painted with a spray of flowers, unmarked; each plate printed and colored with fruit, each printed with the crowned "Puls" CZECHOSLOVAKIA " factory mark in green. (13) Soup plate: Diam: 9.5 in., D: 1.75 in. Plates: Diam: 8 in., D: 0.875 in.

721 - Clevenger Brothers Stoddard Pattern Pitcher Clevenger Brothers Stoddard Pattern Pitcher, Mid-20th Century. In amber glass, applied handle and rough pontil mark. H: 7.5 in., W: 6 in., Diam: 4.5 in.

722 - Three Boxed Ship Models,Two Titanic& One Lusitania Three Boxed Ship Models,Two of the R.M.S. "Titanic" and One of the R.M.S. "Lusitania," 20th Century. The first "Titanic" kit a MiniCraft Deluxe Edition model, 1/350 scale, the second a Centenary Anniversary Limited Edition model, 1/400 scale, numbered 3672 of 5000; the "Lusitania" kit a Gunze Sangyo (Mr. Hobby) model, 1/350 scale. Largest box: H: 11 in., W: 30.75 in., D: 3.625 in.

723 - W. Dendy Sadler- "The Plaintiff and the Defendant" After Walter Dendy Sadler (1854, Dorking, England - 1923, Hemingford Grey, England). "The Plaintiff and the Defendant." Etching, signed in the plate "W. Dendy Sadler," etched by W.H. Boucher, (Sheet size 23.5 x 29.5 inches, sight). Frame: H: 25.75 in., W: 31.75 in., D: 0.75 in.

724 - After Walter Dendy Sadler - "As the Years Roll On" After Walter Dendy Sadler (English, 1853-1923). "As the Years Roll By." Etching, possibly an artist proof, signed in the etching lower left, signed in pencil "W. Dendy Sadler" lower left and "W. Boucher" (William Henry Boucher, English, 1837-1906) lower right, centering one remarque, published by Leon Henri Lefevre & Son, 1902, (21.25 x 25.625 inches, sight). Frame: H: 26.5 in., W: 30.75 in., D: 0.875 in.

725 - Andrew Stevocich - "The Recital" & Another Print Andrew Stevovich (American, b. 1948). "The Recital," 1989. Etching and aquatint on paper, numbered "34/ 100," titled in the center, signed and dated by the artist lower right all in pencil, (plate size 12.5 x 12.5 inches); the fantasy print affixed with a brass plaque on the reverse inscribed "With Thanks/ The Campaign for Simmons/ 1996-2004." "The Recital:" Frame: H: 21 in., W: 20 in., D: 1.125 in.

726 - G. Leigh After Erastus S. Field- Portrait of a Boy G. Leigh After Erastus Salisbury Field. Portrait of a Boy Standing on a Stencilled Floor Cloth. Oil on board, signed "G. LEIGH" lower right, (14.375 x 11.25 inches); housed in a period gilt frame. Frame: H: 19.375 in., W: 16.25 in., D: 2.25 in.

727 - E. Jean Burke - "Dogwoods & Greenfield Co. Church" E. Jean Burke - "Dogwoods & Greenfield Congregational Church," 1972. Charcoal and chalk drawing, signed and dated "E. Jean Burke/ 1972" lower right, titled bottom of matte, (22.125 x 15.5 inches, sight). Frame: H: 31.75 in., W: 25.75 in., D: 1.375 in.

728 - After Claude Monet - "Meadow at Bezons," 1874 After Claude Monet (French, 1840-1926). "Meadow at Bezons," 1874. Oil on artists board, inscribed in French on the reverse including artist's name "Jan Leau d. Busch?" in pencil. H: 7.625 in., W: 9.5 in.

729 - Group of American Furniture Reference Books Group of American Furniture Reference Books. Including "American Antiques from Israel Sack Collection." Vols. I and II, Washington, DC; Highland House Publishers, Inc., 1981-1992, with slipcase. "American Antiques from Israel Sack Collection:" H: 12.5 in., W: 9.625 in., D: 2 in.

730 - Group of Ceramics and Glass Reference Books Group of Ceramics and Glass Reference Books.

731 - Group of Fine Art and Sculpture Books Group of Fine Art and Sculpture Books.

732 - Group of Collectibles Reference Books Group of Collectibles Reference Books.

733 - Group of American Silver and Coins Reference Books Group of American Silver and Coins Reference Books.

734 - Grp Books Pertaining to Marine Art, Textiles &Rugs Group of Books Pertaining to Marine Art, Textiles and Rugs. Including Carl L. Crossman. "The China Trade: Export Paintings, Furniture, Silver & Other Objects." Princeton: The Pyne Press, 1972. "The China Trade:" H: 11.25 in., W: 9.25 in., D: 1.25 in.

735 - Group Northeast Auctions by R. Bourgeault Catalogs Group of Northeast Auctions by Ronald Bourgeault Catalogs.

736 - Chinese Gilt Cast-Iron Figure of a Dragon Turtle Chinese Gilt Cast-Iron Figure of a Dragon Turtle. H: 12.25 in., W: 22.75 in., D: 11.5 in.

737 - Two Chinese Painted Wood & Iron Decorative Objects Two Chinese Painted Wood and Iron Decorative Objects. Comprising a carved and painted opium pillow of a Karako or boy playing with a ball; and a painted cast-iron figure of a Foo Dog or Guardian Lion on a brocade ball. Pillow: H: 10.125 in., W: 15.25 in., D: 5.125 in. Foo Dog: H: 18.5 in., W: 14.625 in., D: 10.5 in.