Fine Art, Antiques, & Comics

Pre-Bidding begins 6/22, LIVE ONLINE Auction begins at 6 pm EST on Thursday, 7/23/26 starting with Lot One. Auction Pick up is 7/30, 10 am -1 pm at our location 8535 Main St. Campbell, NY 14821.

CATALOG TEXT BELOW:
1 - Miniature Stenciled Stoneware Jug, Hawthorn Potter This miniature stoneware jug is a product of the Hawthorn Pottery Company, which operated in Hawthorn, Clarion County, Pennsylvania. The vessel is finished in a light gray Bristol-style glaze featuring characteristic dark kiln-fired peppering throughout. The form includes a rounded shoulder, a single hand-applied loop handle, and a short cylindrical neck containing an aged cork. The front of the jug displays a two-line cobalt blue stencil that reads H. P. CO. over HAWTHORN, PA. The base shows faint, illegible impressed or incised marks.

Height: 5 inches (including cork)
Diameter: 3.75 inches. Good Condition. The glaze shows typical minor pitting and pops from the firing process. There are small chips and expected shelf wear around the foot rim. The body displays light overall surface staining.

2 - Two Vintage New York Glass Seltzer Siphon Bottles This lot consists of two vintage glass seltzer siphon bottles originating from New York State beverage distributors. The first bottle is constructed from transparent pressed glass with a slight yellow tint, identified as being from Fawn Beverages of Elmira, New York. It features a green Applied Color Label (ACL) depicting a fawn profile within a circular border, surrounded by the company name and location. The base is marked Contents 26 Fl. Oz. The metal collar is embossed with the text Fawn Beverages. The second bottle is a cobalt blue glass bottle from Jensen Beverages of Bethpage, Long Island, New York. It features an etched diagonal logo for Jensen Beverages and is marked Bethpage L.I. and Cont. 26 Oz. Reg. The metal collar is embossed with the name Jensen Bros. Both items include their original internal glass siphon tubes and metal dispensing heads.
Height: 11.5 inches each. Both bottles are in used vintage condition. The Fawn Beverages bottle exhibits light surface wear and some internal cloudiness; the green ACL is mostly preserved with minor losses. The metal components show moderate oxidation and pitting. The Jensen Beverages bottle has significant external scuffing and scratching, particularly around the center of the body. Its metal siphon head shows heavy oxidation and pitting.

3 - Vintage Embossed Metal Elmira Nameplate Sign A vintage rectangular nameplate constructed from embossed metal, likely steel. The plate features the text ELMIRA in raised, block-style capital letters within an embossed border. It contains two mounting holes, one at each distal end. The front of the sign shows remnants of white paint on the raised letters, while the back displays significant remnants of green paint. The size and style of this plate suggest it was used as an identification tag for industrial equipment, a vintage appliance, or a vehicle.

Length: 9 1/4 inches
Height: 2 inches. Poor to fair vintage condition. The sign exhibits extensive surface rust, oxidation, and pitting on both the front and back. Significant paint loss is present, and there is visible wear consistent with long-term exposure or industrial use. The embossed lettering remains legible.

4 - One-Gallon Scranton Distributing Company Two-Tone This is a one-gallon stoneware shoulder jug featuring a two-tone glaze. The neck and shoulder are finished in a dark brown Albany-type slip glaze, which contrasts with the cream-colored Bristol-glazed body. The front of the jug is decorated with a black stenciled merchant mark featuring a crown graphic. Inside the crown is the numeral 1, and the base of the crown contains the letters GAL, indicating the capacity. Below the crown, four lines of stenciled text read SCRANTON DISTRIBUTING COMPANY 504 LACKAWANNA AVE. The jug originated from Scranton, Pennsylvania. The base is unglazed and shows concentric wire-cut marks from the manufacturing process. The surface exhibits typical stoneware characteristics, including small iron pips and firing specks. Measurements are taken from the provided ruler.
Height: 11 3/4 inches
Base Diameter: 7 inches. The jug has a significant glaze chip on the dark brown shoulder and a smaller chip on the edge of the rim. A vertical hairline crack is visible on the lower body of the jug. There are areas of light orange-brown surface staining and general surface grime consistent with age.

5 - A Trio of Vintage Boyce Moto-Meter Radiator Caps a This collection features three vintage automotive radiator components manufactured by the Boyce Moto-Meter Company of Long Island City, New York, dating approximately to the 1910s through the 1920s. The first item is a Boyce Moto-Meter Midget Model temperature gauge mounted on a decorative dog bone style radiator cap with curved arms and bulbous terminals. The gauge dial identifies the manufacturer and model, while the reverse provides a temperature scale with readings for Danger, Steam, Summer, and Average. The second item consists of a Boyce Moto-Meter temperature gauge mounted on a straight-arm radiator cap featuring ball-end terminals and a hexagonal nut base for installation. The third item is a radiator cap base with a threaded interior and a circular top insert inscribed with Remove to Install Boyce Moto-Meter. These accessories were designed to allow early motorists to monitor engine cooling system temperatures from the driver seat. The lot is in fair to poor condition, exhibiting signs of heavy use and age. All metal surfaces show significant oxidation, pitting, and accumulated dirt. The dog bone radiator cap has a large dent on one of the bulbous arm terminals. The straight-arm gauge has a shattered glass face with missing fragments. The Midget Model gauge remains structurally intact with visible thermometer fluid. These items are sold as-is for parts or restoration.

5b - A Collection of Silver Age DC and Multi-Publisher This lot features a collection of approximately 16 vintage comic books primarily published by DC Comics, alongside titles from Dell, Gilberton, and Charlton, dating between 1957 and 1962. Key DC titles include Showcase numbers 35 and 36, which represent the second and third appearances of Ray Palmer as The Atom. Other notable issues include The Atom number 2 (Which is the Cover and Back Cover Only), The Flash number 125 featuring The Conquerors of Time, Detective Comics number 294 featuring Batman and Robin, and Batman Annual number 2. The group also contains World's Finest Comics numbers 122 and 125, The Brave and the Bold number 40 featuring Cave Carson with cover art by Joe Kubert, and Classics Illustrated number 138 based on Jules Verne. Additional titles include Challengers of the Unknown number 22, Rip Hunter Time Master number 4, Blackhawk number 154, Tales of the Unexpected number 61, Sugarfoot number 907 with a photo cover, and a Charlton science fiction issue featuring The Vanishing Point. This collection was recovered from behind a wall in the Finger Lakes region. All items are in rough, ungraded condition with significant signs of age and structural damage. Most issues are missing their original covers. The Atom number 2 is incomplete, consisting only of the front and back cover. Several issues exhibit uniform two-hole binder punch marks along the spine edge, including Challengers of the Unknown number 22, Rip Hunter number 4, Blackhawk number 154, and Sugarfoot number 907. Observable damage includes fully or partially detached covers, significant tearing, surface scuffing, spine stress, edge chipping, and heavy tanning to the newsprint. Classics Illustrated number 138 contains a previous owner's name and address written in ink on the back cover.

6 - Collection of Vintage Automotive Accessories inclu This collection of vintage automotive accessories features an E.A. Laboratories Newtone De Luxe electric coiled bugle horn, a Do-Ray No. 1106 marker light, an auxiliary stop signal light, and a set of circular mesh vent covers. The E.A. Laboratories horn is constructed of chrome-plated metal and features a rectangular identification tag marked E.A. NEWTONE DE LUXE, 6 VOLTS, PAT. NO. 1317473, E.A. LABORATORIES INC BROOKLYN N.Y. U.S.A. The Do-Ray No. 1106 marker light consists of a cast metal housing with three faceted glass lenses in red and amber, embossed with DORAY No 1106. The auxiliary stop signal light features a metal housing embossed with MERLITE and contains a red glass lens with the word STOP in yellow. The collection also includes a set of circular mesh vent covers with metal rims and wire mesh inserts, stamped AC MADE IN USA on the reverse flange. Several items retain their original cloth-covered wiring. Items are offered in as-found vintage condition with age-appropriate wear. The chrome finish on the horn exhibits widespread surface pitting, light oxidation, and several small dents in the coiled tubing. The stop light housing shows heavy surface rust and significant oxidation, though the lenses remain intact. The Do-Ray marker light shows minor surface wear and paint loss; its faceted glass lenses are intact. The circular vent covers show light pitting and surface oxidation on the rims, with one mesh unit exhibiting fraying at the wire edges. Wiring on all electrical components is heavily frayed or deteriorated. All items are untested for functionality.

6b - A Collection of Six Vintage Silver Age DC Comic Bo This lot consists of six vintage Silver Age comic books published by DC Comics (National Periodical Publications) during the year 1961. The collection includes various titles featuring iconic characters and stories from the era. The titles and specific issues included are: Batman #142 (September 1961) featuring Ruler of the Bewitched Valley with cover art by Sheldon Moldoff and Charles Paris; Batman #143 (October 1961) featuring Ace the Bat-Hound in Bat-Hound and the Creature with cover art by Sheldon Moldoff and Charles Paris; World’s Finest Comics #120 (September 1961) featuring Superman, Batman, and Robin in Challenge of the Faceless Creatures with cover art by Curt Swan and Stan Kaye; Mystery in Space #70 (September 1961) featuring Adam Strange in Vengeance of the Dust Devil with cover art by Murphy Anderson; My Greatest Adventure #62 (December 1961) featuring the story We Were Marooned with a Man-Beast; and Sea Devils #2 (June 1961) featuring The Vengeful Undersea Ghost with cover art by Russ Heath. These issues are standard staple-bound newsprint publications of the period. These comic books are in low-grade condition, characterized as reader copies. A primary defect affecting the entire lot is the presence of three hole punches along the spine edge of every book, indicating they were previously stored in a three-ring binder. Specific condition issues include detached covers on Batman #142, World’s Finest Comics #120, Mystery in Space #70, and My Greatest Adventure #62. Physical damage to the covers is significant: Batman #142 has a horizontal tear across the center; Sea Devils #2 is missing a large triangular section from the right edge; Mystery in Space #70 shows heavy chipping and paper loss at the corners; and World’s Finest Comics #120 has significant paper loss along the bottom edge. All issues exhibit heavy spine wear, fraying, splits, edge chipping, creasing, and surface soiling. Some issues contain ink or marker scribbles on the back cover advertisements. Sold as-is.

7 - A Pair of Vintage K-D Lamp Co. 517 Harley Davidson A pair of vintage Harley Davidson Knucklehead and Panhead front fender light housings, manufactured by the K-D Lamp Co. as model number 517. These streamlined teardrop-style components consist of one structural housing frame and one decorative shell cover, both made of die-cast metal with a chrome finish. The interior of the frame is stamped with PAT # D124618, K-D 517, and S.E.M.A. APRVD. The design is based on US Patent D124618, which was issued in 1941. While highly sought after for vintage motorcycle restoration, these parts were also used as universal marker and clearance lights for commercial trucks and buses during the 1940s and 1950s.
Length: 9 inches. Items are in used, unrestored condition. Both pieces exhibit heavy surface pitting, oxidation, and significant loss of the original chrome plating. There are various surface scratches and scuffs consistent with long-term use and storage. A visible hairline crack is present at the front mounting hole of one component. Both items are sold as restoration cores.

7b - A Collection of Six Silver Age DC Comics Including This collection of six Silver Age comic books was published by National Comics Publications, Inc., under the DC Comics brand, between 1961 and 1962. The group features titles from DC's mystery and science fiction anthology lines. The issues included are House of Mystery number 113 (August 1961) featuring Prisoners of Beast Asteroid; House of Mystery number 114 (September 1961) featuring The Movies from Nowhere; and House of Mystery number 118 (January 1962) featuring Secret of the Super-Gorillas. Also present is House of Secrets number 48 (September 1961) featuring a Mark Merlin mystery, Beware the Guardian Beast. The collection highlights Showcase presents Metal Men number 39 (August 1962), marking the third appearance of the Metal Men characters. Rounding out the lot is Strange Adventures number 131 (August 1961) featuring Star Hawkins in Emperor of the Earth. These issues are standard format anthology books and include cover artwork attributed to Bob Brown, Bill Ely, Murphy Anderson, Ross Andru, and Mike Esposito. The comic books in this lot are in raw, ungraded condition, generally ranging from low to mid-grade. Common defects include spine stress, rolling, edge chipping, corner creases, and general age-related wear. House of Mystery number 113 has a name, Ronald Lewis, written in blue ink on the front cover. Several books in the collection exhibit three-ring punch holes on the interior pages, notably issue number 114, which shows holes near the spine. Paper yellowing and minor staining consistent with age are present across all titles.

8 - Two Vintage Packard Swan and Pontiac Chieftain Hoo This lot features two original mid-century American automotive hood mascots. The first is a Packard Swan mascot, often referred to as the Cormorant, mounted on a full-length streamlined hood trim base. This specific design was utilized by the Packard Motor Car Company for models produced between the late 1940s and early 1950s. The second mascot is a Pontiac Chieftain ornament, featuring a stylized Indian head profile in a jet airplane or torpedo-style body. This Art Deco-influenced design was used on Pontiac models circa 1950. Both ornaments are manufactured from chrome-plated die-cast pot metal. The Packard ornament depicts a swan with an arched neck and swept-back wings atop a long, tapering chrome mounting strip. The Pontiac mascot includes a profile head with tiered headdress details, three raised chevrons on the side, and a circular recessed element. Both pieces retain their original threaded mounting studs on the underside for attachment to a vehicle's hood.

Packard Mascot: 28 inches in length
Pontiac Mascot: 9 inches in length. Both items are in fair vintage condition. There is significant and widespread surface pitting and pimpling across the chrome plating of both ornaments, which is a typical aging characteristic of die-cast metal. The undersides of both pieces show oxidation, and the mounting hardware and threaded studs exhibit heavy rust. The metal castings appear structurally sound with no visible cracks or previous repairs.

8b - A Collection of Six Silver Age Adventure and Scien This collection includes six Silver Age comic books published by DC Comics and Charlton Comics between 1961 and 1963. The lot consists of two issues of Rip Hunter... Time Master, featuring issue number 5 (December 1961, 10 cent price) with the story The Secret of the Saxon Traitor! and issue number 11 (December 1962, 12 cent price) with the story The Secret of Mount Olympus!. The DC Comics titles further include Challengers of the Unknown number 29 (January 1963, 12 cent price) featuring War Between the Challenger Teams! and The Brave and the Bold number 41 (May 1962, 12 cent price) featuring Cave Carson Adventures Inside Earth in Raiders from the Secret World!. The Charlton Comics titles consist of Konga number 4 (December 1961, 10 cent price), a movie tie-in based on the American International Picture, and Reptisaurus the Terrible number 3 (January 1962, 10 cent price). The cover of Reptisaurus includes artists markings for Bill Gentile and Joe Vascia between the monster heads. Various period advertisements are present on the back covers, including Daisy BB guns, Schwinn Hollywood bicycles, and 204 Revolutionary War Soldiers. All items are staple-bound with color newsprint interiors. All items are in raw, unslabbed condition and display wear consistent with age and handling. Rip Hunter number 11 shows moderate spine stress, color-breaking creases, and corner blunting. Rip Hunter number 5 displays spine wear, small tears along the right edge, and general shelf wear. Konga number 4 exhibits spine wear, corner creasing, and light surface soiling. Challengers of the Unknown number 29 shows spine stress lines, corner wear, and edge wear. The Brave and the Bold number 41 shows heavy wear including spine splitting and damage, significant creasing, and corner loss. Reptisaurus the Terrible number 3 displays spine wear, edge chipping at the top, and typical yellowing of the cover paper.

9 - Lehigh Valley Railroad LVRR Antique Metal Locomoti This antique railroad oiler, also referred to as a tallow pot, was used by the Lehigh Valley Railroad (LVRR) for lubricating steam engine components. The piece is constructed from heavy-gauge sheet metal with a cylindrical body and a tapered top section. It features a wide filling aperture and a short, angled pouring spout. The assembly consists of soldered and crimped seams with a heavy-duty strap handle riveted to the body. The letters L V R R are stamped on the side of the canister. The item retains a dark, heavy coating of industrial residue on the interior and base.
Height: 6 inches
Base Diameter: 7.25 inches. The item is in as-found, well-used condition. It displays a heavy dark patina with surface oxidation, rust, and pitting across all surfaces. There are various scuffs and minor indentations consistent with industrial age and use. The interior and base have a significant buildup of aged oil and soot residue.

9b - Two Silver Age Comic Books Including Aquaman #7 an This lot features two original Silver Age comic books from the early 1960s, representing both DC Comics and Marvel Comics (Atlas).

The first comic is Aquaman #7, published by National Periodical Publications (DC Comics) with a cover date of February 1963. The cover, attributed to Nick Cardy, features Aquaman and Aqualad battling a spiked sea monster in the story titled The Sea Beasts from Atlantis! The indicia confirms the issue as Vol. 1, No. 7, Jan.-Feb. 1963. The price is listed as 12 cents. The back cover features a full-page color advertisement for Daisy Spittin Image B.B. guns.

The second comic is Amazing Adventures #6, published by Atlas Magazines, Inc. (Marvel Comics) in November 1961. This is the final issue before the title was renamed Amazing Adult Fantasy. The cover art is attributed to Jack Kirby and Steve Ditko, featuring the monster Sserpo. The issue includes the story The Fourth Man! written by Stan Lee with art by Steve Ditko. The price is listed as 10 cents. The back cover features a Famous Artists Schools advertisement. Aquaman #7 is in mid-grade condition with visible surface wear, moderate creasing at the corners and edges, and minor stress lines along the spine. The interior pages show age-related tanning but remain intact. Amazing Adventures #6 is in low-grade condition, exhibiting heavy creasing, significant spine wear with splitting, and general soiling. Notably, there are two circular punch holes near the spine edge from previous binder storage. The interior pages show tanning and edge wear.

10 - A Trio of Vintage American Railroad and Industrial This lot features three vintage portable lighting devices of American manufacture. The first is an Oxweld No. 2155 carbide railroad lamp constructed of silver-toned metal with a parabolic reflector and a bracket handle featuring a wooden grip. The top is fitted with a brass plate embossed Patent No 1609903, Oxweld, Railroad Lamp, No 2155. The handle bracket is stamped with the serial number 53025. The second item is a Federal Safety First electric lantern, Catalog No. 804, manufactured by the Federal Sign System (Electric) of Chicago. It consists of a brass-toned cylindrical battery housing with a hinged lid, a black rubber-coated wire handle, and a wire cage base protecting the bottom-mounted light source. The lid is embossed with manufacturer information and a patent date of February 24, 1914. An original paper instructional label is present inside the lid. The third item is an Eveready Art Deco pocket flashlight made of brass-toned metal with vertical ribbing. It is embossed Eveready and Made in USA. It features a circular glass lens and a hinged wire handle that doubles as a stand. The interior contains a phenolic insulation plate. All items show signs of age and industrial use. The Oxweld carbide lamp exhibits surface oxidation, pitting, and accumulated grime. The Federal lantern shows significant surface wear, oxidation, and finish loss throughout the body, with light rust on the wire base. The Eveready flashlight has moderate surface wear and oxidation consistent with its age. All glass lenses are intact with minor surface scratches. All items are sold in as-is condition for collectible purposes; mechanical and electrical functions have not been tested and are not guaranteed.

10b - Marvel Comics Fantastic Four #1 Interior Leaf Page This is a single original newsprint leaf containing pages 1 and 2 from Fantastic Four #1, published by Marvel Comics in November 1961. This issue is a significant key in comic history, representing the first appearance and origin of the Fantastic Four. Page 1 is the interior splash page featuring the title The Fantastic Four! and circular character portraits of Johnny Storm, Susan Storm, Ben Grimm, and Dr. Reed Richards. The main panel depicts Reed Richards firing a signal flare gun to assemble the team. The printed credit Stan Lee and Jack Kirby is present in the upper-left corner of the first page, which also bears the production code V-372. The reverse side (page 2) illustrates the first story sequence featuring Susan Storm as The Invisible Girl utilizing her powers while responding to the flare signal. Page numbers 1 and 2 are printed in the respective bottom corners of the leaf. The item consists of a single detached interior page in poor condition. It exhibits heavy toning and browning typical of vintage newsprint. There are two punch holes at the top edge and a significant area of missing paper due to a large chip at the bottom center. The edges are ragged with multiple tears and creases. The leaf is completely detached from its original binding and shows significant handling wear.

11 - Vintage Cast Aluminum Aces Car Club Plaque A vintage cast aluminum car club plaque for the Aces. This shield-shaped plaque features an arched top with two integrated mounting holes at the upper corners. The face is decorated with a blue and gold polychrome finish. The word ACES appears in raised, gold-tone serif lettering against a curved blue background. Positioned below the text are the four playing card suitsâ€â€heart, diamond, spade, and clubâ€â€rendered as raised blue icons on a textured, pebbled gold-tone field. The reverse side remains in its raw cast metal state, showing prominent horizontal tool marks and light blue paint transfer from the production process. The back is incised with the manufacturer mark SPEED CONS above the location MPLS MINN, identifying the maker as Speed-Cons of Minneapolis, Minnesota.

Width: 9.25 inches
Height: 5.125 inches. The plaque is in good vintage condition. There is visible paint wear, including a notable white scuff or chip on the letter A and along the right edge. Light surface scratching is present throughout the blue painted sections. The reverse side exhibits surface oxidation and manufacturing marks consistent with age and cast metal production. Mounting holes are intact.

11b - Fantastic Four Issue Number 1 November 1961 Marvel This lot consists of the original front and back cover wrap for The Fantastic Four issue number 1, published by Marvel Comics with a cover date of November 1961. Per user-provided facts, this lot includes the front and back covers only; the interior story pages are absent. The indicia on the bottom of the inside front cover identifies the publisher as Canam Publishers Sales Corp. and confirms the Vol. 1 No. 1, November 1961 status. The cover art features the first appearance and origin of the Fantastic Four, including Mr. Fantastic, the Invisible Girl, the Human Torch, and the Thing, as well as the first appearance of the Mole Man. The cover pencils are by Jack Kirby with inks attributed to Dick Ayers. The front cover features the 10 cent price point, the Comics Code Authority seal, and a small box in the upper left containing the characters M C. The back cover features a full-page advertisement for the Famous Artists Schools. The inside front cover features an advertisement for the Jowett Institute of Physical Training, and the inside back cover features an advertisement for National Radio Institute. This item is in incomplete, lower-grade condition, consisting of the front and back cover wrap only. The spine shows heavy wear and a significant split/separation starting from the bottom edge. The front cover displays general edge wear, chipping, and creasing, with a small handwritten date notation of 8 / 14 in the upper right corner. The back cover shows significant tanning, edge chipping, and scattered staining. The interior sides of the covers show heavy tanning and are brittle at the edges with visible chipping and small tears. Foxing and staining are present throughout.

12 - New York Chicago and St. Louis Railway Nickel Plat This antique brass railroad key is attributed to the New York, Chicago and St. Louis Railway, commonly referred to as the Nickel Plate Road. The circular bow is stamped with the characters N Y C & S T L R Y and an additional character S, signifying its function as a switch key. The key is constructed from cast brass and features a hollow cylindrical barrel with a single-sided bit containing two rectangular notches. The reverse side of the bow is plain and does not bear any manufacturer marks, patent dates, or serial numbers. The key exhibits a dark, aged patina with surface wear, minor nicks, and abrasions consistent with historic use in a railroad environment. The stamped lettering remains clear and legible. There is moderate wear on the bit and barrel edges from regular use within lock mechanisms. No cracks, repairs, or structural distortions are present.

12b - Marvel Comics Fantastic Four Number 3 March 1962 S Fantastic Four issue number 3, published by Marvel Comics with a cover date of March 1962. This Silver Age comic book features the story The Menace of the Miracle Man, written by Stan Lee with pencils by Jack Kirby and inks by Sol Brodsky. This issue is a major key for the title, marking the first appearance of the Fantastic Four's iconic blue costumes, the debut of the Fantasti-Car, and the first appearance of the team's skyscraper hide-out, the Baxter Building. The cover art by Kirby and Brodsky illustrates the team in their new uniforms using the Fantasti-Car. This appears to be a complete book in decent shape, containing all interior pages and advertisements. The indicia credits Canam Publishers Sales Corp as the publisher. The front cover includes the 12 cent price point, the MC logo, and the Comics Code Authority seal. The back cover contains a color advertisement for Mason Shoe Mfg. Co. Raw and ungraded condition. The cover shows edge wear, corner blunting, and a diagonal crease in the lower right corner. The spine has multiple stress lines, color-breaking horizontal creases, and minor chipping at the spine ends. Original staples are present with some visible oxidation. Interior pages are tanned to a cream or off-white tone and remain supple with no detached pages or major tears observed. Tanning and light surface soiling are present on the exterior covers.

13 - An Assortment of Antique Brass Railroad and Indust This collection consists of multiple antique brass keys, including five barrel keys characterized by hollow shafts and one skeleton key featuring a solid shaft with a decorative turned bit. One barrel key is stamped on the circular bow with S.R.M. MFG. CO. PHILA., identifying it as a product of the S.R.M. Manufacturing Company of Philadelphia, a known maker of transit and railroad hardware. A second key features a distinctive angular bow stamped with a diamond-shaped mark containing the letters HD over K&J, along with the number 420 and the letter A. A third key bears the stamped number 95 on the face of its bow. The keys are manufactured from cast and stamped brass. This type of hardware was historically utilized for railroad cabin doors, transit lockers, and industrial cabinetry during the late 19th and early 20th centuries. The keys are in good antique condition, showing signs of historical use and age. They possess a natural, unpolished patina ranging from deep bronze to light golden brass tones. Visible wear includes surface oxidation, scattered dark spots, and minor pitting consistent with authentic vintage hardware. All bits and shafts appear complete and structurally sound. Working condition with corresponding locks is untested.

13b - Fantastic Four #4 (May 1962) First Silver Age Appe This is an original Silver Age Marvel comic book, The Fantastic Four issue 4, published in May 1962. The indicia identifies the publisher as Canam Publishers Sales Corp. This major key issue features the first Silver Age appearance of the Sub-Mariner, Namor. The story was written by Stan Lee with pencils by Jack Kirby and inking by Joe Sinnott. The cover art depicts the Fantastic Four encountering Namor on a beach. The interior splash page for the story titled The Coming of the Sub-Mariner! includes credits for Lee and Kirby. This item is an unslabbed, raw copy. The front cover appears to be in decent shape and the book appears to be complete. This copy shows significant wear consistent with a lower low mid grade comic book. The front cover exhibits spine stress lines, surface creasing, and rounded corners. The back cover has been heavily defaced with red ink or paint markings across the entire surface, with additional chipping and paper loss along the bottom edge. The spine shows heavy wear but remains attached. Interior pages exhibit noticeable tanning and age-toning, particularly at the margins.

14 - Lake Shore and Michigan Southern Railway Brass Swi A cast brass railroad switch key from the Lake Shore and Michigan Southern Railway (L.S. & M.S. R.R.). The key features a circular bow with a central perforation and a barrel showing a visible assembly seam. The bitted end is designed for use in a lever-tumbler lock, and the tip of the barrel is hollow to accommodate a lock pin. One side of the bow is stamped with the characters L.S. & M.S. R.R. denoting the railroad company. The opposite side is stamped with the manufacturer mark W. BOHANNAN BROOKLYN N.Y. and a single letter S for switch. This hardware was produced by the Wilson Bohannan company of Brooklyn, New York, a prominent manufacturer of railroad locks and keys during the late 19th and early 20th centuries. The key is in good vintage condition with a well-developed, dark gold-toned patina and minor surface oxidation. It shows signs of wear consistent with historical functional use, including surface abrasions and slight softening of the stamped inscriptions.

14b - Marvel Comics Fantastic Four Issue Number 11 Febru This is a single copy of Marvel Comics Fantastic Four issue number 11, published in February 1963 by Canam Publishers Sales Corp. The comic features a cover illustrated by Jack Kirby with inks by Dick Ayers. This issue is identified as a significant key issue in the Silver Age of comics, containing the first appearance of the Impossible Man. The plot includes a retelling of the origin of the Fantastic Four and presents facts about the team's past and present. The interior splash page credits Stan Lee for the script, Jack Kirby for the art, Dick Ayers for inking, and Art Simek for lettering. A notable interior feature is a pin-up page of Prince Namor, the Sub-Mariner. The back cover is a full-page advertisement for rare coin rewards from Best Values Co. of Newark, New Jersey. The front cover displays the original 12 cent price point and the Marvel Comics MC logo, alongside the Comics Code Authority seal. This is a raw, un-graded comic book in fair to good condition, showing significant wear consistent with its age. The spine exhibits heavy wear with numerous stress lines, color breaks, and small tears. The front cover has rounded and worn corners, with a small area of paper loss at the top left corner near the logo. A prominent diagonal crease is visible at the bottom right corner of the front cover. The edges show chipping and minor tears along the perimeter. Interior pages and the back cover show significant tanning and foxing. Light staining is present on the back cover. The staples appear original, but the spine shows fragility. The cover remains attached.

15 - Two New York Central System NYCS Brass Railroad Sw This lot features two vintage brass railroad switch keys attributed to the New York Central System (NYCS). Both examples are hollow barrel-style keys with rectangular notched bits. One key is stamped with the letters N.Y.C.S. on one side of the bow and the characters T and H on the reverse. The second key is stamped N.Y.C.H. on the bow, with the reverse side bearing the manufacturer name ADLAKE and the numeric sequences 5165 and S294. The markings identify these as hardware produced by the Adams and Westlake company, a primary supplier for the railroad industry. Both keys show signs of age and service wear. The key marked N.Y.C.S. has a darkened, aged brass patina with minor surface abrasions. The key marked N.Y.C.H. displays significant green verdigris oxidation and surface pitting. There are no visible structural cracks or repairs to the shafts or bits of either item.

15b - Marvel Comics The Amazing Spider-Man #3 July 1963 This is a copy of The Amazing Spider-Man #3, published by Marvel Comics under the Non-Pareil Publishing Corp. imprint with a cover date of July 1963. This significant Silver Age comic book features the origin and first appearance of Doctor Octopus (Otto Octavius), who becomes one of Spider-Man's most enduring antagonists. It is the second issue of the character's solo title. The creative team includes a story by Stan Lee and art and cover illustrations by Steve Ditko, with lettering by John Duffy. The front cover features the Comics Code Authority seal and a 12-cent price point. Interior contents include the lead story titled Spider-Man Versus Doctor Octopus as well as period advertisements for vocational training in electrical appliance repair and auto mechanics. The interior splash page contains full credits and publishing indicia confirming the 1963 copyright. This comic is in raw, ungraded condition and exhibits wear and age-related damage.

16 - Western New York and Pennsylvania Railroad Cast Br This is an authentic railroad switch key manufactured for the Western New York and Pennsylvania Railroad (WNY&PRR). The key is constructed from cast brass and features a characteristic circular bow with a thick barrel ending in a standard switch-style bit. One side of the bow is stamped with the railroad initials WNY&PRR. The reverse side is stamped with the manufacturer mark W. BOHANNAN BROOKLYN, N.Y. Wilson Bohannan was a prominent supplier of locks and keys to the American railroad industry. The Western New York and Pennsylvania Railroad operated under this specific title from 1887 until 1900, when it was leased to the Pennsylvania Railroad, providing a specific historical window for the production and use of this item. The key is in good antique condition with a natural, aged patina. The brass shows deep golden tones with areas of darker surface oxidation and minor pitting consistent with authentic railway service. There is visible wear on the barrel and bit from repeated use in a lock mechanism. All stamped markings remain legible. There are no signs of structural damage, cracks, or repairs.

16b - Marvel Comics Fantastic Four #5 July 1962 First Ap This comic book is The Fantastic Four issue number 5, published by Marvel Comics under the Canam Publishers Sales Corp. as stated in the indicia. Dated July 1962, this issue is a primary Silver Age key featuring the first appearance and origin of Doctor Doom. The cover features art by Jack Kirby and Joe Sinnott. The interior story, titled Prisoners of Doctor Doom, is credited to Stan Lee and Jack Kirby. The front cover includes the 12-cent price, the Marvel Comics Group MC logo, and the Comics Code Authority seal. The back cover contains a Famous Artists Talent Test advertisement. This is a raw, uncertified copy. The spine exhibits moderate wear with color-breaking stress lines and a slight roll. Staples are original with minor tarnishing. The front cover shows light edge wear and small creases near the right margin. Corners are slightly blunted and rounded. The back cover displays moderate tanning and foxing, particularly at the edges. Interior pages are cream to off-white and appear complete and attached.

17 - Antique Ruechle & Boldt Brass Railroad Key for OC An antique cast brass barrel key manufactured by Ruechle & Boldt of Newark, New Jersey. The key features a circular bow and a hollow-tip barrel, terminating in a single-bitted flag with a stepped profile. One side of the bow is stamped with the maker's mark RUECHLE & BOLDT above the location NEWARK N.J. The opposite side is stamped in a circular arrangement around the bow with OC & ARR S & CO, identifying it as a piece of equipment for a transportation firm, likely a railroad and steamship company. The key is made of solid cast brass and retains an unpolished surface with deep natural oxidation in the recessed stamped characters. This type of barrel key was commonly used for railroad car locks or specialized industrial cabinets during the late 19th to early 20th century. The key is in good antique condition with a dark, aged brass patina. There are minor surface abrasions and small indentations consistent with age and historical field use. The stamped lettering remains clear and legible. The structure of the key is solid with no cracks or significant deformations.

18 - A Trio of Antique Cast Brass Erie and Lehigh Valle A trio of antique cast brass railroad switch keys from the Erie Railroad and Lehigh Valley Railroad. One Erie Railroad key is stamped ERIE on the obverse and bears the maker mark for the E.T. Fraim Lock Co. consisting of the word FRAIM inside a keystone, accompanied by the stamps 732 and S. A second Erie Railroad key is stamped ERIE and bears a number 2 on the reverse bow. The third key is stamped L.V.R.R. for the Lehigh Valley Railroad on the obverse and ADLAKE for the Adams and Westlake Company on the reverse, along with the stamp CL 198. Each key is constructed from cast brass and features a circular bow, cylindrical shank, and hollow barrel. The bits are uniquely notched for specific lock configurations used in railroad operations. The items show an aged brass patina with surface wear, minor pitting, and scratches consistent with historical field use. The markings remain legible.

18b - Antique Hammondsport New York Special Police Shiel This antique obsolete police badge originates from Hammondsport, New York. The badge is shield-shaped and constructed from a silver-toned metal, likely nickel silver or silver-plated brass. The face of the badge features a die-struck design with a beaded inner border. The text on the face includes SPECIAL in block serif capitals at the top, followed by POLICE in a larger, stylized decorative font. The lower portion of the badge is curved with the text HAMMONDSPORT and the state abbreviation N. Y. at the bottom. Decorative geometric dividers are struck between the primary lines of text. The reverse is plain without a maker mark and is fitted with an original horizontal T-bar pin and a C-style clasp.
Width: 2 inches (51 mm). Good antique condition. The silver-toned surface exhibits overall fine scratching and areas of tarnish and oxidation consistent with age. There is moderate wear to the high points of the die-struck lettering. The pin and clasp mechanism remains intact and functional.

19 - Antique Steam Engine Fire Truck Lighting Torch A brass and steel steam engine fire truck lighting torch featuring a perforated chimney top and a separate threaded cap, measuring approximately 6 inches in total length. Fair

20 - Two Items: Simplex Salesman Sample Miniature Jack This lot consists of two items: a vintage Simplex salesman sample miniature jack and a promotional fabric beverage koozie. The miniature jack is constructed of red-painted metal and serves as a promotional model for Templeton Kenly & Co. of Chicago. One side of the jack is embossed with SIMPLEX and TEMPLETON KENLY & CO. CHICAGO. The reverse side is embossed with the text WORLD'S LARGEST MFGR. OF LEVER SCREW & HYDRAULIC JACKS. The piece features a black textured top cap, an integrated handle, and an internal gear mechanism visible through a side aperture. The accompanying cream-colored fabric koozie features black printed text that reads GET HAMMERED WITH PALMER'S AUCTION CO. alongside a graphic of an auction gavel and a crushed beverage can.
Miniature jack height: 3 inches. Both items exhibit minor surface wear. The miniature jack shows small areas of paint loss, surface oxidation, and light pitting to the metal, particularly on the base and embossed areas. The fabric koozie shows light soiling and wear consistent with standard use.

21 - Antique Hunt Leather Bicycle Saddle This antique bicycle saddle was manufactured by Hunt, as indicated by the cursive brand name embossed on both lateral sides of the leather body. The saddle is constructed of dark brown leather with heavy-gauge tonal perimeter stitching and features a multi-layered construction on the underside. The design includes a distinctive central longitudinal cutout at the rear and three circular ventilation holes along the center line, features characteristic of early ergonomic or hygienic saddles from the late 19th century. The front of the saddle is fitted with a metal-reinforced nose bracket. This item consists of the leather top and nose bracket only; the original structural wire frame and mounting rails are absent.

Length: 11.5 inches
Width: 8.5 inches. The saddle shows significant signs of age and extensive wear. The leather exhibits heavy surface cracking, scuffing, and localized finish loss across the top and sides. Fraying is present on some sections of the stitching. The metal nose bracket shows oxidation and surface pitting. The saddle is incomplete, missing the essential structural frame and mounting components required for use.

22 - Antique Persons-Majestic Manufacturing Company Spl This antique bicycle saddle was produced in the United States by the Persons-Majestic Manufacturing Company of Worcester, Massachusetts, during the late 19th to early 20th century. The saddle features a split-top design constructed from a heavy leather cover stretched over a steel undercarriage. The rear of the seat is reinforced with a curved wooden support block. The internal frame includes a tension-spring system and an integrated seat-post clamp. The side of the leather cover is embossed with the manufacturer mark PERSONS.
Length: 11 inches
Width: 8.75 inches. The saddle is in fair condition with significant signs of age. The leather top is heavily desiccated and exhibits extensive surface crazing, cracking, and localized areas of loss. All metal components show heavy surface oxidation and rust. The wooden reinforcement block is intact but shows age-related wear and surface deterioration.

23 - Antique Enterprise Manufacturing Co. The Champion Antique lever-action plug tobacco cutter manufactured by the Enterprise Manufacturing Company of Philadelphia, Pennsylvania. This model is identified by raised cast lettering as The Champion Knife Improved. The device consists of a heavy cast iron base and an arched frame that houses a rectangular steel cutting blade secured by two screws. A long, curved cast iron lever handle provides the mechanical advantage for slicing through pressed tobacco plugs. The piece features extensive cast markings including the manufacturer name and location on the frame and base. The underside of the base includes a patent date of January 20, 1885. Mold numbers 3020 and 3017 are visible on the casting. The cutter is currently mounted to a thick, weathered wooden block which provides a stable platform.

Base length: 18.5 inches
Frame height: 7.5 inches. The item is in original, unrestored condition. It exhibits a dark, aged patina with significant surface oxidation and rust present on the steel blade and various cast iron surfaces. There is accumulated dust and grime consistent with age and storage. The lever mechanism appears to be structurally complete and functional. The wooden mounting block shows heavy weathering, surface wear, and natural cracking.

24 - Antique T.C. Johnson Co. Cast Iron Lever-Action To This is an antique lever-action plug tobacco cutter manufactured by the T.C. Johnson Co. of Quincy, Illinois. The tool is constructed from cast iron and features a decorative Victorian-style housing with raised scrollwork and a heart motif at the top. It is designed to be mounted to a counter or workbench via a pre-drilled hole in the flared end of its teardrop-shaped base. The mechanism consists of a long, curved lever handle that operates a vertical steel blade within a guide slot. The top of the lever handle is embossed with the text PATENTED DEC 7-1875. The underside of the base is marked with raised lettering that reads MFD BY T C JOHNSON CO QUINCY ILL.

Height: 7 inches
Width: 6.5 inches
Base Length: 9.5 inches. The item is in fair to good antique condition. There is significant and widespread surface oxidation and rust across all cast iron components. Much of the original black japanned or painted finish has worn away, though some traces remain on the base. The lever mechanism is functional, allowing the blade to move through its intended travel. No cracks, breaks, or structural repairs are visible in the casting.

25 - Antique German Erhard and Sons Style Table Cigar C This antique German mechanical table cigar cutter is designed in the style of Erhard and Sons, dating to the early 20th century. The apparatus consists of a silver-toned metal assembly mounted on a heavy, turned base with a black-painted finish. The upper portion features a spring-actuated plunger topped with a decorative mushroom finial. Below the plunger, a faceted neck is incised with Roman numerals I, II, and III, which correspond to three circular cutting apertures located on the octagonal body to accommodate various cigar gauges. The base is a weighted, stepped form designed for tabletop stability. The underside is fitted with a metal plate and a sliding pin-in-slot mechanism for maintenance.
Upper metal assembly length: 4 inches
Base diameter: 4.5 inches
Estimated total height: 8.5 to 9 inches. The item is in good antique condition with wear consistent with age and use. The upper metal component is currently detached from the base, and the original mounting screws are not present. There are visible chips and surface oxidation on the black-painted finish of the base. The silver-toned plating exhibits minor tarnishing and surface wear. The internal cutting mechanism is untested.

26 - A Collection of Antique Knights of Pythias Fratern This collection features a variety of fraternal and labor union regalia from the late 19th to early 20th century, primarily associated with the Knights of Pythias and the Brotherhood of Railroad Trainmen. The grouping includes triangular medals consisting of silver-toned frames with gold-toned inserts. These pieces display the initials F, C, and B, representing the order's motto of Friendship, Charity, and Benevolence. The central inserts are embossed with the text Knights Pythias and a shield with crossed swords. Reverse markings on these items identify the maker S.S. Davis and carry an 1874 copyright date. The grouping also contains a crest-shaped medal featuring a knight helmet crest above a shield and battle-axe, engraved with the name H. Smith K. of P. on the upper ribbon. Multiple silver-toned linked watch chains are present, decorated with fobs showcasing Knights of Pythias iconography including helmets and the FCB shield. One chain is fitted with a specialized hook for a vest buttonhole, while another chain holds an unengraved shield tag. Also included is a circular enamel Brotherhood of Railroad Trainmen lapel pin featuring a lantern and brake wheel motif, preserved on its original retail card marked Gold Plate. The items are constructed from base metals with gold and silver plating. The items are in varied antique condition. The plated medals show minor surface wear, light scratches, and some loss of plating consistent with age. The silver-toned watch chains and fobs exhibit more pronounced surface oxidation and visible green verdigris on several links. The Brotherhood of Railroad Trainmen pin remains in excellent condition on its original paper card. All pin backings and chain clasps appear to be present and functional.

27 - A Pair of French 19th Century Fencing Foils by Cou This lot consists of two antique French fencing practice foils produced by the Coulaux and Cie factory in Klingenthal, France. One foil features a circular steel bell guard with a grip wrapped in twisted brass and steel wire over a textured base, terminating in a conical steel pommel. The second foil is equipped with a steel figure-eight style lunette guard and a dark wire-wrapped grip finished with a rounded steel pommel. Both foils have slender, square-section steel blades with flared, blunted tips for safety during training. The ricasso of each blade is stamped with Klingenthal on one side and Coulaux and Cie on the reverse. Additional markings include a crown over a letter, a stylized flower symbol, and size numerals 4 and 5 stamped near the guards.
Overall length: 41 - 41.5 inches. Both items are in as-found condition with significant signs of age and use. There is heavy surface oxidation, rust, and pitting across the blades, guards, and pommels. The wire wrap on the foil with the figure-eight guard is loose and partially unraveled in several sections. The blades remain relatively straight.

28 - A Pair of Antique Fencing Foils This pair of antique fencing foils is typical of practice weapons used in the late 19th to early 20th century. Both foils feature long, tapering steel blades with a square cross-section, terminating in blunted tips for safety during training. The first foil is equipped with a circular metal dish guard featuring a silver-tone finish and an internal green felt cushion. Its handle consists of a cord-wrapped grip over a wooden core, finishing with a smooth, weighted metal pommel. The second foil features a circular metal dish guard with heavy surface oxidation and an exposed wooden grip that is missing its original wrapping. This second piece terminates in a faceted brass-toned metal pommel. One blade shows a partially visible incised mark near the hilt starting with the letter S, which is obscured by oxidation.
Total length: 41.5 inches
Blade length: 35 inches. The items are in antique condition with heavy surface rust and oxidation present on both blades. One foil is missing its original grip wrapping, leaving the wooden core exposed. The green felt padding on the matching foil shows significant wear and age-related thinning. General pitting, scuffing, and a thick patina are present across all metal components.

29 - US Model 1872 Cavalry Officer's Sword and Scabbard Based on design characteristics and manufacturer markings, this is a United States Model 1872 Cavalry Officer's sword and its original scabbard. The hilt is constructed of brass with a three-branch guard. The primary outboard branch is decorated with a cast, spread-winged eagle motif set above a semi-circular field of thirteen stars. The pommel is a stepped oval cap embellished with foliate scrollwork. The grip is wrapped in leather with recessed grooves, though the original wire binding is no longer present. The curved, single-edged steel blade features a single wide fuller extending approximately two-thirds of its length. The ricasso is etched with the mark of the retailer or maker: LOMBARD & CO NEW YORK N.Y. The accompanying metal scabbard features ornate brass furniture, including a decorative throat, two suspension ring bands with rings, and a drag. These brass fittings are decorated with cast foliate and floral patterns. The sword and scabbard are in used, antique condition. The brass hilt and scabbard fittings retain a dark, aged mustard-colored patina with some surface grime. The leather wrap on the grip is intact but shows significant wear and is missing the original wire binding. The steel blade is heavily oxidized and pitted throughout its length, obscuring any potential original etched decorations. The scabbard body is structurally sound but displays a dark patina with significant surface oxidation and rust. One of the suspension rings is slightly distorted.

29b - An Archive of Civil War Military Draft Documents a This group of mid-19th-century American paper ephemera focuses on the Civil War draft in New York and pioneer life in the Minnesota Territory. The military component features three official documents related to Philander G. Williams of Steuben County, New York: a Notice of Enrollment dated July 5, 1864; a Certificate of Exemption for a Drafted Person on Account of Disability (Form 32) dated June 15, 1864, signed by Provost Marshal James H. Miller; and a printed instructional slip detailing draft options and the three hundred dollar commutation fee. The personal archive contains multiple handwritten letters and envelopes addressed to Robert Thompson or Robert S. Thompson in Addison, New York, spanning approximately 1855 to 1864. Notable among these are several letters from Austin, Mower County, Minnesota Territory, providing accounts of pioneer farming, crop yields, and settlement. Postal history includes 3-cent Washington red stamps and various circular date stamps including Austin M.T. and Addison N.Y. One yellow envelope features the printed letterhead of the U.S. Christian Commission. Also included is a worn Catholic religious booklet titled A General Catechism of the Christian Doctrine, published at 49 Mott Street, New York. Documents and letters show expected toning, foxing, and wear along fold lines. Some letters have small holes or tears at cross-folds. Envelopes exhibit rough openings, edge tears, and water staining. The religious booklet is in poor condition with heavily frayed covers, a damaged spine, and significant foxing throughout.

30 - Imperial Japanese Army Kyu-gunto Company Grade Off This is an Imperial Japanese Army (IJA) Kyu-gunto officer's sword, a pattern utilized from the Meiji era through the early Showa period. The hilt features a brass D-style guard with pierced open-work decoration depicting cherry blossoms (sakura) and foliage. The grip is composed of black ray skin (same-gawa) bound with twisted brass wire. A brass backstrap is present, ornamented with a cherry blossom crest indicative of a company-grade officer. The steel blade is slightly curved with a single fuller (bo-hi) running along the upper third and terminates in a traditional chu-kissaki tip. The sword is paired with its original metal scabbard which includes a single suspension ring (ashi) and a terminal drag. Stamped Arabic numerals 12 are located on the underside of the quillon. The blade exhibits significant surface oxidation, scratching, and generalized wear throughout its length. The brass hilt components show a dark, aged patina with some areas of verdigris. The ray skin grip and wire binding remain intact but show evidence of use and age. The metal scabbard shows extensive surface rust and substantial loss of the original nickel plating.

30b - Civil War Sixth-Plate Tin Type of a Union Army Off This is a Civil War-era sixth-plate tin type, or ferrotype, depicting a Union Army officer in a seated three-quarter length portrait. The subject is dressed in a dark wool coat featuring a single row of brass buttons. Identifying officer characteristics include rectangular shoulder straps on each shoulder and a waist sash. The photograph shows evidence of period hand-tinting, specifically gold-toned pigment on the buttons and shoulder straps, as well as a reddish-purple tint to the sash. The image is mounted in a decorative gilt-brass mat and protector frame with embossed floral rosettes in the corners and foliate patterns throughout. The reverse of the iron plate is visible and shows typical period characteristics.
3.75 inches by 2.5 inches. The tintype is in good condition with clear imagery and good contrast. Minor surface wear is present, including light scratches and small spots of oxidation, with one notable dark spot located above the subjects head. The iron plate on the reverse shows age-appropriate oxidation and darkening. The brass frame has some minor bending at the edges from the original crimping process.

31 - Grand Army of the Republic Numbered Membership Med This is a Grand Army of the Republic (GAR) membership medal pendant, struck in bronze or a similar copper alloy. The GAR was the preeminent fraternal organization for Union veterans of the American Civil War, active from 1866 to 1956. The obverse central medallion features a central figure of Columbia or Liberty protecting a kneeling soldier and sailor, with a child standing to the side. This scene is encircled by a border inscribed Grand Army of the Republic 1861-Veteran-1866. The five points of the star-shaped pendant contain various military insignias representing the branches of service: crossed cannons for artillery, crossed sabers for cavalry, an anchor for the navy, and a bugle for infantry. The fifth point features a trefoil, the badge of the Army of the Potomac Second Corps. The reverse central medallion displays a United States shield surrounded by a circular array of Union Army Corps badges. The points of the star on the reverse are decorated with sprigs of laurel and oak. The bottom edge of the medal is impressed with the serial number M25897. This item consists of the pendant portion only. The medal is in fair to good condition, exhibiting an aged patina consistent with its late 19th-century origin. Small spots of green verdigris oxidation are visible on the central medallions of both the obverse and reverse. The item is missing its original silk ribbon and the eagle-over-crossed-cannons top bar pin assembly. A contemporary metal wire has been looped through the suspension ring to serve as a makeshift pin. There is typical surface wear and softening of the struck details from historical handling.

31b - Civil War Era Sixth-Plate Tintype Portrait of Two This mid-19th-century American photograph is a sixth-plate tintype (ferrotype) depicting a double portrait of two men, likely soldiers from the American Civil War era (c. 1861-1865). The subject in the foreground is seated and wears a dark, multi-button coat with evidence of original gold-colored hand-tinting on the buttons. He is dressed in light-colored trousers, characteristic of the sky-blue kersey wool issued to Union troops. The subject in the background holds a wide-brimmed slouch hat and wears a dark military-style coat with a small, light-colored insignia in the shape of a spread-wing eagle on the left breast. A small rectangular mark is visible next to the eagle, though no characters are legible. There are no visible maker marks or photographer imprints on the front or reverse of the metal plate.
Dimensions: 2.5 inches x 3.5 inches. The photograph is in fair to good condition. The image exhibits good contrast and clarity of the subjects. Notable condition issues include a prominent semi-circular scratch in the emulsion on the left side, scattered surface scratches, minor pitting, and small spots of emulsion loss visible as light-colored flecks. The reverse of the plate shows surface oxidation and wear consistent with an uncased tintype of this age.

32 - Italian Gilt Brass Standing Altar Crucifix with Fi This is a standing altar crucifix of cast brass construction with a gold-toned finish, likely produced in Italy during the late 19th or early 20th century. The item features a cast corpus of Christ mounted on a cross with ornate openwork terminals and a scrolling INRI titulus above the figure. The cross is supported by a tall, tapered stem featuring multiple turned knops. The structure rests on a weighted tripod base with three scrolling feet in the Rococo style. Each face of the base contains a relief portrait medallion: one depicting the Virgin Mary, one depicting the Sacred Heart of Jesus, and a third bearded figure, likely Saint Joseph. The piece is composed of multiple cast sections secured with screws visible on the reverse side.
Width of crossbar: approximately 4 inches
Total height: approximately 16.5 inches. The item is in good antique condition. The metal surfaces show an aged patina with some darkening and visible green verdigris oxidation in the recessed details and joints. There is general surface wear and minor scratches consistent with the age and liturgical use of the piece.

33 - A Pair of Bronze Relief Stations of the Cross Plaq A pair of cast bronze or copper alloy relief sculptures depicting the First and Eleventh Stations of the Cross. The reliefs are set within a traditional Gothic quatrefoil frame surrounded by a raised circular border. The first relief represents the scene where Jesus is condemned to death, with the cast inscription I STATION at the top and JESUS - IS - CONDEMNED - TO - DEATH along the bottom edge. The second relief depicts Jesus being nailed to the cross, inscribed with XI STATION at the top and JESUS - IS - NAILED - TO - THE - CROSS at the bottom. Both plaques feature figures rendered in medium relief with a dark brown patina. One plaque is mounted to a shaped, yellow-toned wooden backing. The second plaque is unmounted, revealing a flat-cast reverse with remnants of previous mounting materials and adhesive. Small circular apertures at the corners of the cast frames are intended for mounting screws, several of which remain in place.
Plaque with mount: 12 x 12 x 1 inches
Unmounted plaque: 9.5 x 9.5 x 0.5 inches. The plaques exhibit wear consistent with age and use. There is visible green verdigris oxidation within the recessed details of the unmounted plaque. The brown patina shows rubbing and thinning on the highest points of the relief. The wooden mount for the XI Station plaque has a significant vertical split running through the center. Surface grime, dust, and minor scratches are present on both pieces. Some original mounting screws are missing.

34 - A Pair of Gothic Revival Brass Seven-Light Adjusta A pair of cast brass seven-light altar candelabra in the Gothic Revival style. Each piece is constructed as a standing cross with trefoil (three-lobed) terminals at the ends of the arms and a central radiating sunburst motif at the intersection. The candelabra feature seven candle cups: one at the top, two on the horizontal crossbeam, one at the center intersection, and three arranged along the lower vertical/diagonal section. The horizontal arms are adjustable, allowing the crossbeam to be positioned at different angles. The cast metal of the cross features a textured, hammered-effect surface. The central stem is decorated with a barley twist or spiral design and stands on a tiered, circular domed base. The undersides of the bases are weighted with iron plates. No manufacturer marks or signatures are present.
Height: 11.5 inches
Width: 9 inches. Both candelabra show signs of significant age and use, including widespread surface tarnish and loss of the original gold-colored finish. Scattered spots of green verdigris oxidation are visible, particularly concentrated within the interiors of the candle cups. The iron weight plates on the undersides are heavily rusted. Several candle cups and frame components exhibit slight misalignments from their original intended positions.

35 - US Navy Officer Full Dress Bicorne Hat by Hilborn- A mid-20th century United States Navy officer's full-dress bicorne hat, manufactured by Hilborn-Hamburger Inc. of New York. The body is constructed from black beaver felt or silk plush with long, pointed fans. The edges of the peaks are trimmed with wide gold bullion wire lace featuring a foliate pattern. The right side of the hat features a pleated black silk cockade, overlaid with two bars of gold bullion lace. Small black silk ribbon bows are located at the front and back peaks. The interior is finished with a cream-colored pleated satin lining and includes a leather sweatband. The interior crown is stamped in gold with the text Featherweight-Formfit, Registered, Hilborn-Hamburger Inc., Mfrs., New York.
Overall Length: 16.5 inches
Height: 5 inches
Interior Opening: 7.5 to 8 inches. Fair to poor condition. There is substantial loss to the nap of the black felt surface, resulting in large visible patches of the base fabric. The gold bullion lace is heavily tarnished. The interior leather sweatband is brittle, cracked, and completely detached from the hat body. The satin lining exhibits age-related staining and fraying.

36 - Antique Tramp Art Pyramid Footed Jewelry Box, c. 1 This antique Tramp Art jewelry or trinket box, dating to circa 1890, is constructed from multiple layers of notch-carved wood. The exterior features a complex, textured geometric surface characteristic of the style. The box is designed with a central pyramidal lid flanked by two smaller raised sections, all supported by a tiered, square pedestal base. The interior is unfinished, revealing the wooden construction, small nails, and metal hinges. A small metal latch is present on the front interior edge. A white paper label on the underside of the base bears the handwritten word HONEYMOON.
10 inches width x 6.5 inches height. Fair condition. There is a significant horizontal loss of the carved decoration on the front face. Minor separations are visible in the wood layers. The piece shows significant accumulated dust throughout the crevices.

37 - American Commemorative Class or Fraternal Service An early 20th-century American commemorative textile banner, constructed from red and white fabric bunting with a white canvas header and two brass grommets for vertical hanging. The design consists of three vertical panels: two red outer panels and a central white panel. The central panel features five appliqued five-pointed stars; the uppermost star is made of a dark gray or black fabric, while the four stars below are made of tan or khaki-colored fabric arranged in two rows of two. Below the central panel, the red field features large, white appliqued numerals forming the year 1913. The construction style, star configuration, and block font are characteristic of collegiate or fraternal class flags and early precursors to the American military service flag tradition.

Length: 35.5 inches
Width: 23.5 inches. Fair to poor condition. The central white panel exhibits significant moth damage and environmental rot, resulting in large holes and loss of fabric, particularly affecting the lower four stars. The red panels show scattered smaller holes and general age-related wear. Localized staining and overall discoloration are present throughout. The canvas header and brass grommets remain structurally sound.

38 - Antique American Tinned Sheet Iron Eight-Tube Cand An antique American primitive candle mold constructed of seamed and soldered tinned sheet iron. The piece features eight tapered cylindrical tubes arranged in two rows of four, mounted between a shallow rectangular top pouring tray and a supporting base plate. The top tray is designed for the even distribution of melted wax or tallow into the tubes. Each tube tapers to a small aperture at the bottom to accommodate a wick. A vertical strap-style handle is soldered to one side of the frame. No maker marks or inscriptions are visible on the object.
Height: 10.5 inches
Base: 5.25 x 3 inches. The item is in well-used antique condition with a heavy, dark patina consistent with age. There is significant oxidation, surface rust, and pitting throughout the metal. The edges of both the top pouring tray and the bottom base plate are bent and irregular. Minor denting is present on several of the tubes.

39 - Antique American Dated 1905 Hand-Stitched Crazy Qu An antique American crazy quilt featuring irregular patchwork within square blocks. The quilt is constructed from a variety of textile fragments including printed cotton calicoes, stripes, checks, figured silks, and likely wool or velvet. Individual patches are joined with decorative embroidery, including feather and herringbone stitching in light-colored thread. The piece is tied with red yarn throughout. One cream-colored patch features the embroidered date 1905, and a blue-striped patch is embroidered with the name Gladys. The quilt is backed with a dark navy blue cotton fabric printed with a large-scale floral and ribbon pattern in shades of orange and green.
Length: 76.5 inches
Width: 65 inches. The quilt shows significant signs of age and use. Prominent brown staining and foxing are present across many light-colored patches and on the floral backing. Several silk patches exhibit characteristic shattering with splitting and fabric loss. Wear and fraying are visible along the edges and binding. Some decorative embroidery has come loose or is missing.

40 - Vintage American Cotton Scrap Quilt in Ocean Waves A vintage American pieced scrap quilt featuring a variation of the Ocean Waves pattern. The piece is constructed from a diverse assortment of cotton print and solid fabrics, including calicoes, ginghams, stripes, and checks. The color palette primarily consists of chocolate brown, navy blue, red, pink, and ochre. The composition is organized into twelve large blocks, each featuring a central off-white diamond-on-point print surrounded by a dense arrangement of small triangles that create the characteristic wave pattern. A single-row sawtooth or wild goose chase border of multi-colored triangles frames the central design. The reverse side is finished with a single cotton fabric featuring a repeating small pink tulip and green stem motif on a white ground. Small black ink marks in the form of a pound symbol are visible on several of the central off-white diamond sections.

Length: 85 inches
Width: 67 inches. The quilt is in good vintage condition showing signs of age and domestic use. There is light scattered staining and foxing throughout, which is most prominent on the off-white center diamonds and the reverse backing fabric. General light surface wear is present on the fabric and along the edges. The binding is intact.

41 - Late 19th Century Victorian Crazy Quilt Signed A. An American Victorian crazy quilt constructed from an asymmetrical patchwork of various high-end textiles, including figured silks, satins, velvets, and brocades in various colors, stripes, and plaids. The irregular fabric pieces are joined with multicolored decorative embroidery in various styles, including feather, herringbone, and cross-stitching. The perimeter is finished with a border of pieced triangles and a red satin ribbon binding. Small embroidered floral and leaf motifs are scattered throughout the patches. The reverse is composed of four panels of light blue floral-printed cotton fabric. In the bottom left corner, the quilt is signed A Sampfer in white thread and dated 1898 in pink thread. The upper left corner features a presentation inscription embroidered in silver, pink, and yellow reading To Hile Love Mama.
80 inches x 62.5 inches. Fair antique condition. There is significant shredding and fabric loss to several of the silk patches, particularly the black and dark-colored pieces, which is characteristic of weighted silk from the period. The velvet patches and embroidery stitches remain largely intact. The red ribbon binding shows edge wear, minor fraying, and small areas of loss. The cotton backing shows minor discoloration and light staining consistent with age and use.

42 - Vintage Mid-Century Hand-Pieced Rail Fence Pattern This vintage hand-pieced tied quilt is constructed in a traditional rail fence pattern. The design features rectangular blocks, each made of three horizontal or vertical fabric strips arranged in an alternating grid layout. The piece is composed of a diverse array of cotton and cotton-blend scrap fabrics, including floral calicoes, ginghams, stripes, and solid colors characteristic of mid-20th-century dressmaking remnants. One red and white checked fabric strip features the printed manufacturer's mark TUBFAST. The quilt layers are secured with multi-colored yarn ties or tufts positioned at the corners and centers of the blocks. The backing consists of a continuous printed fabric with a repetitive blue and cream geometric floral medallion design. The edges are finished with a simple rolled binding formed by the backing material.

Length: Approximately 84 inches
Width: Approximately 67 inches. Overall good vintage condition with wear consistent with age and use. Visual inspection reveals minor scattered light staining and small areas of localized discoloration. There is general fading to some of the brighter fabric components. The construction remains structurally sound, with the hand-piecing and yarn ties largely intact, showing only light fraying.

43 - Antique American Hand-Stitched Puffy Square Biscui This antique American textile is a hand-stitched puffy square quilt, frequently referred to as a biscuit quilt. The item is constructed from a grid of hundreds of individual fabric squares, each gathered and hand-pleated to produce a three-dimensional, dimensional effect. The patchwork incorporates a wide variety of scrap materials, including velvet, silk, corduroy, and various printed and plain cottons. Visible patterns across the squares include floral, striped, and polka-dot designs. The color palette is eclectic, featuring tones of deep red, navy blue, gold, burgundy, and tan. The reverse side reveals the individual square backings, which are primarily light-colored cottons and linens, joined together with visible hand-stitching. The edges are unfinished.

Width: 55.5 inches
Length: 45.5 inches. The quilt is in good antique condition with wear consistent with age. There is fraying and material deterioration to several of the silk and velvet squares. Moderate age-related discoloration and light staining are present on the reverse backing fabrics. The perimeter edges show loose threads and minor fraying.

44 - A Vintage Camp Fire Girls Ceremonial Gown with Lea This vintage youth organization ceremonial garment is identified by its interior label as an official gown of the Camp Fire Girls. Known as a WoHeLo gown, the piece is constructed from a heavy tan cotton canvas or twill. It is designed as a machine-sewn tunic featuring short sleeves and a lace-up neckline with metal eyelets and a leather thong. Long suede leather fringe is applied to the sleeve cuffs and the bottom hem. The garment includes an integrated leather stole draped over the shoulders, adorned with four hand-painted leather honor patches in various geometric and symbolic designs. A long, multi-strand leather cord necklace with colorful wooden and composition beads is present. Additional wooden beads are attached to the leather fringe along the bottom hem. The interior back neck contains a woven cloth label featuring the Camp Fire Girls logo with a central flame symbol and the letters W O H E L O inside a triangle, with the word GIRLS below.
Length: 47 inches
Chest (Pit-to-pit): 16.5 inches
Shoulder Width: 15 inches
Sleeve Length: 10 inches including fringe. The item is in fair to good condition. Significant dark staining and discoloration are present around the collar, shoulders, and upper back, consistent with perspiration and long-term storage. The tan canvas body shows general surface soiling and moderate wrinkling throughout. A small tear is visible in the fabric near one of the side slits. The leather fringe and stole are intact but exhibit some stiffening and surface wear. Hand-painted patches show minor fading and pigment loss.

45 - Victorian Opalescent Light Blue Swirl Glass Globe This hand-blown Victorian-style glass globe lamp shade features an opalescent swirl pattern. The body of the shade is composed of a translucent light blue glass with integrated opaque white spiral bands, a style often referred to as clambroth or moonstone opalescence. The globe terminates at the top with a small glass nipple and features a wide, circular ground fitter rim at the base for fixture mounting. The piece is characteristic of late 19th or early 20th-century American glass production by manufacturers such as Phoenix Glass or the Consolidated Lamp and Glass Company.
Height: 7 inches
Diameter: 8 inches
Fitter Size: 3.25 inches. Very good antique condition. The ground fitter rim shows minor roughness and small flea bites typical of age and use in a metal fixture. Minor surface scuffs and small dark inclusions are present within the glass. No cracks, major chips, or repairs were observed.

46 - A Pair of Hand Blown Antique Spiral Optic Green Gl A matching pair of hand blown antique glass shades, likely intended for use as covers for gas or early electric lighting. Each piece is crafted from translucent yellowish-green glass, often associated with period chartreuse or olive tones. The shades feature a distinct spiral optic ribbing pattern, achieved by blowing the glass into a mold and twisting the gather. A prominent rough pontil scar is located at the crown of each shade, indicating where the piece was detached from the blowpipe. The bases are open and flared with ground edges. The glass displays characteristic imperfections of early manual production, including faint striations and small air bubbles trapped within the walls.

Height: 4.75 inches
Maximum Width: 4.5 inches
Base Diameter: 3.5 inches. Both shades exhibit moderate surface wear and scratching consistent with age and previous use. There are visible small chips and fleabites along the bottom rims of both pieces. One shade shows localized brown residue or discoloration on the interior surface near the base. No structural cracks or repairs were observed.

47 - A Trio of Bohemian Mary Gregory Style Cranberry Gl This set is comprised of a hand-blown cranberry or gold-ruby glass liqueur decanter with two matching cordial glasses. The pieces feature hand-painted white enamel decoration in the Mary Gregory style, depicting children in a landscape. The decanter shows a young girl in Victorian dress walking through a stylized scene of trees and hills, while the glasses depict a boy and a girl in similar settings. The decoration is applied in a thick enamel that provides a raised, three-dimensional texture. Heavy gold gilding is present on the neck of the decanter and the rims of all pieces. The decanter includes a clear glass stopper with gold band accents and a ground plug. The bases are ground and polished. An etched mark on the base of the decanter reads MADE IN CZECHOSLOVAKIA in an arc, accompanied by the number 105 handwritten twice in yellow paint.

Decanter height: 9 inches
Glass height: 2 inches. The set is in very good vintage condition. No chips, cracks, or visible repairs are present on any of the pieces. The white enamel painted figures are well-preserved and exhibit no significant loss. There is light surface wear to the gold gilding on the rims and the decanter neck, which is consistent with age and handling. The stopper is intact and fits correctly.

48 - Antique Hawkes Etched Glass Oil and Vinegar Cruet A single antique glass cruet featuring a ground-glass stopper, crafted from Hawkes glass. The vessel is designed for tabletop use, intended to hold both oil and vinegar. The bottle has a cylindrical body that flares slightly toward a weighted, circular base, with a wide, ground-glass neck and a flared, scalloped rim. The body is decorated with fine acid-etched or wheel-engraved ornamentation. Near the shoulder, the word Oil is rendered in a Gothic-style script. Near the base, the word Vinegar appears in matching script. Between the two words is a central floral motif featuring a five-petaled flower surrounded by fern-like fronds. Two horizontal cut lines encircle the body, framing the central decoration. The original stopper is present, featuring a flattened circular top with a frosted, etched daisy motif and a precision-ground plug. On the underside of the base, there is a faint, circular acid-etched mark consisting of three overlapping circles arranged in a trefoil pattern containing a fleur-de-lis, a stemmed glass or goblet, and a decanter.

Height: 8 inches
Base Diameter: 2.5 inches. The cruet is in good antique condition. No chips, cracks, or repairs are visible on the rim, base, or stopper. There is internal cloudiness and mineral residue visible near the base, consistent with historical use for oil and vinegar. Minor shelf wear is present on the underside of the base.

49 - Victorian Bristol Glass Hand-Painted Bird and Land A Victorian-era art glass vase, historically attributed to Bristol glass production. The vessel is crafted from hand-blown opaque white glass with a frosted satin finish. The form features a bulbous body, a flared neck, and a wide, hand-crimped ruffled rim in a vibrant pink-to-white cased glass with a gilded edge. The front of the vase is decorated with a detailed hand-painted enamel scene contained within a stylized quatrefoil cartouche. The scene depicts a mountainous landscape with a body of water, trees, and three birds in flight with a fourth bird perched on a branch. This central reserve is surrounded by raised enamel floral sprays, including lily of the valley and white blossoms with blue-tinted leaves. The reverse side features a simple hand-painted sprig of grass. The vase sits on a circular pedestal base with a ground and polished pontil mark on the underside.
Height: 10.5 inches
Body Width: 5.5 inches
Rim Diameter: 4.5 inches. The vase is in good antique condition. There is minor wear to the gold gilding along the ruffled rim, consistent with age and handling. Faint surface marks and minor soiling are present on the white frosted body. No chips, cracks, or visible repairs are noted.

50 - Two Chinese Blue and White Porcelain Items Includi This lot consists of two Chinese blue and white porcelain pieces dating to the 20th century. The first item is a circular bowl with a flared rim and short straight foot, decorated using the linglong or rice grain technique where translucent perforations are filled with clear glaze. The interior features a central chrysanthemum floral medallion within a double ring, and the inner and outer rims are adorned with geometric and stylized S-scroll borders. The base of the bowl bears a blue underglaze Wanyu (Jade Play) mark alongside a red stamped CHINA mark, indicating its production for the export market. A small paper label with the handwritten name HONEYMAN is adhered to the interior. The second item is a small, compressed globular lidded container. The exterior is decorated with an underglaze blue phoenix and peony motif, showing two phoenixes (fenghuang) flying among scrolling floral vines. The base of the box is unmarked.
Bowl: 4.5 inches diameter, 2 inches height
Lidded box: 2.5 inches diameter, 2 inches height. The bowl is in overall good condition with minor firing imperfections typical of the manufacturing process. The lidded box shows significant damage to the lid, which has multiple cracks that have been previously repaired with visible yellowed adhesive residue, and at least one small chip is present along the lid rim.

51 - Art Nouveau Bronze Allegorical Figure L'Etoile du This Art Nouveau sculpture depicts a partially draped female figure, an allegory for the Shepherd's Star (L'Etoile du Berger). The figure is cast in bronze and presented in a dynamic walking gait with her right arm raised holding a small cluster of fruit or flowers, while her left arm rests by her side. The work features the fluid, organic drapery and graceful form characteristic of the late 19th and early 20th century French school. The bronze figure stands on an integrated circular base, which is secured to a separate conical dark marble plinth via a threaded rod and hexagonal nut. Indistinct and heavily worn incised marks are present on the top of the integrated bronze base. A circular aperture is located at the crown of the head, indicating the piece may have originally served as a component for a lamp or a clock topper.
12.5 x 4.5 x 4.5 inches. The bronze shows significant wear to the dark patina on high points. There is a visible horizontal line on the right forearm that may indicate a casting flaw or an old repair. A circular hole is present at the top of the figure's head. The marble plinth exhibits minor chipping around the upper rim and general surface wear.

52 - Hungarian Matyó Embroidered Circular Table Topp A large circular textile table topper featuring traditional Hungarian Matyó style embroidery. The piece is constructed on a black fabric base with dense, multi-colored embroidery in glossy thread, depicting stylized floral motifs including roses, tulips, and smaller blossoms interspersed with green foliage. The perimeter is finished with a wide, hand-knotted macramé fringe in alternating sections of vibrant red, pink, blue, yellow, green, and brown. The item is accompanied by its original red cardboard gift box featuring gold-toned lettering for Sibley's Rochester. Also included is a business card for Frank Eberhardt, owner of Ebi’s Champagne Manufacturing in Williamson, New York, which features a handwritten note on the reverse reading Thank you for your kindness f.E.

Textile diameter: 26.5 inches
Overall diameter including fringe: 34 inches. Excellent vintage condition. The embroidery is vibrant and intact with no pulled threads or fading. The base fabric and macramé fringe appear clean and well-preserved with no visible stains, tears, or odors. The accompanying box shows light shelf wear consistent with age.

53 - Hand Woven Tarahumara Indian Basket This hand-woven basket is an example of Tarahumara (Raramuri) Indian craft from the Sierra Madre region of Mexico. The piece is constructed using a complex diagonal plaiting or twill weave technique, which is characteristic of indigenous basketry from this region. It features a globose form with a square-plaited base that transitions into a rounded body and terminates in a constricted rim. The material consists of split plant fibers, likely palm or sotol, woven in multiple layers to provide structural density and a textured surface. The interior of the basket contains a small piece of blue adhesive tape with the handwritten inventory number 17.

Height: 2.75 inches
Diameter: 4.25 inches. The basket is in fair to good antique condition. There is visible wear consistent with age and ethnographic use, including several broken and fraying weavers located on the lower body and near the base. The surface displays a natural aged patina with localized dust accumulation within the weave. The structural integrity of the vessel remains sound.

54 - Native American Twined Basket with Loop Handles This is a small, hand-woven cylindrical basket featuring two integrated semicircular loop handles. The object is produced using a twining technique with natural plant fibers. The side walls are characterized by vertical columns of chevron-patterned twined stitches. The base starts from a central point and radiates outward in a spiral pattern. The top rim is finished with a wrapped fiber bundle, a technique also used to reinforce the two handles located near the rim. The material exhibits a natural aged patina with golden-brown tones.
Height: 3.5 inches
Diameter: 5 inches (excluding handles). Fair to good antique condition. Notable fraying and fiber loss are visible along the top rim and the handle wrappings. The main structure of the basket is sound. Minor dust accumulation is present in the recesses of the weave.

55 - Sally Patchin Hand Painted Woven Bamboo Basket This Sally Patchin Hand Painted Basket is a square-to-round woven vessel constructed from split bamboo cane. The basket features four slightly tapered sides reinforced with broader bamboo slats at the corners and across the underside of the base. Each side is decorated with hand-painted motifs attributed to Sally Patchin, depicting a stylized central pagoda or tower flanked by green foliage, rendered in a palette of red, green, and yellow pigments. The thick, multi-strand rim is finished with black paint. The interior reveals the natural aged tone of the woven material.

Top Diameter: 9 inches
Height: 8 inches. The basket is in fair condition. There is significant and widespread paint loss and chipping across all hand-painted motifs on the body. The black paint on the rim shows heavy wear and loss of finish, revealing the underlying material in several areas. The bamboo weaving and structural slats remain intact with no visible breaks or major structural damage, showing natural surface wear consistent with age.

56 - Sally Patchin Hand Painted Woven Basket This Sally Patchin hand painted basket is constructed from woven wood splints with a flared, square profile. The body of the vessel is finished with a dark black pigment. The exterior sides are decorated with hand-painted floral motifs in a folk art style, featuring red five-petal flowers with yellow centers and green leaves. The top rim is reinforced with a thick, wrapped binding that shows wear to the dark finish, exposing the natural wood underneath. The bottom of the basket features a wide, open-weave grid pattern.

Width: 13 inches
Height: 4 inches. The item exhibits moderate surface wear consistent with age and use. There is significant rubbing and loss to the black finish on the exterior ribs and along the top rim. The hand-painted floral decoration shows minor areas of flaking and pigment loss. The woven structure appears structurally sound with no major breaks or missing splints.

57 - Miniature Coiled Plant Fiber Trinket Basket Bowl This small basket bowl is hand-crafted using a coiled construction technique. Wide, flat strips of natural split plant fiber are wrapped around a central foundation coil, creating a continuous spiral from the base to the rim. The material displays a warm brown color with natural tonal variations. The construction features a wide-stitch pattern where the wrapping fibers completely cover the internal foundation. The piece is utilitarian in design with a rounded base and slightly tapered rim.

Diameter: 4.5 inches
Height: 1.75 inches. The basket is in good vintage condition with a firm and stable structure. There is minor fraying and dryness at the termination points of the fiber strips, which is typical for aged organic materials. No major breaks or missing sections of the weaving are visible.

58 - Sally Patchin Hand Painted Large Basket This Sally Patchin hand painted large basket is constructed from woven split cane or similar plant fibers in a checkerboard weave with a thick, bound rim. The interior well features a hand-painted scene depicting multiple birds among green foliage and trailing blue floral clusters. The blue pigment is applied with a thick, impasto-like texture. Visible hand-painted inscriptions are located in the upper portion of the scene, with the character m on the left and Alberta on the right. The reverse of the piece shows a naturally darkened patina with a metal wire attached for hanging.
Diameter: 26 inches. The basket is in fair condition with age-appropriate wear to the woven fibers, including minor fraying at the rim. The painted surface shows areas of pigment loss and flaking, particularly in the raised blue sections. The reverse displays a natural patina consistent with age.

59 - Antique American Primitive Two-Division Wooden Cut An antique American primitive two-division wooden cutlery tray, also known as a cutlery box. The piece is constructed from wood featuring sloped sides and a central vertical divider. A turned wooden handle is integrated into the central divider, supported by two vertical uprights. The construction utilizes hand-cut box-jointed corners, also known as finger joints, with a flat base secured by period nails. The exterior and interior exhibit a dark, aged patina, with remnants of a reddish-brown stain or paint visible on the underside and lower exterior. Small incised characters are present on one of the vertical handle supports, though they remain illegible. The tray is in a condition consistent with age and utilitarian use. It shows significant surface wear, including scratches, staining, and scuffing throughout. There is visible separation at the box-jointed corners, with minor wood loss and rounding at the joint edges. The base exhibits some separation from the side panels.

60 - Victorian School Still Life of Pansies, Late 19th This oil on board painting presents a floral still life featuring an arrangement of pansies in shades of purple, yellow, and white. The composition includes flowers gathered in a shallow glass bowl and others scattered across a dark, reflective tabletop. The background is rendered in soft, muted tones of green and brown with delicate, wispy foliage. The work is executed in a late 19th-century Victorian style using blended brushwork to define the velvety texture of the petals. The painting is housed in a substantial gilded gesso and wood frame characterized by a wide cream-colored cove and ornate scrolled acanthus leaf moldings along the outer edge. No artist signature or date is visible on the front of the board.
Width: 25.5 inches (overall frame). The painting displays visible age-related craquelure across the entire surface. There are several small, scattered paint losses, primarily concentrated in the upper left quadrant of the board. A layer of accumulated surface dirt and grime is present. The ornate frame exhibits widespread cracking, surface wear, and several minor losses to the gilded gesso moldings, particularly at the corners and along the raised decorative elements.

61 - Hennette Moore (American, 20th Century), New Orlea A hand-colored opalotype by artist Hennette Moore depicting a characteristic street scene in the French Quarter of New Orleans. The composition features a row of historic buildings with prominent wrought iron balconies and shutters in shades of turquoise and blue. Pink floral vines are visible in the upper right corner. The work is signed in the lower-left corner with the inscription © HENNETTE MOORE / NEW ORLEANS. The piece is housed in an ornate molded frame with a cream-colored finish and gilded accents. The artwork is an opalotype, a technique involving a photographic image on opaque white glass that is subsequently hand-colored.
Frame: 14.75 x 16.75 inches
Sight: 11.5 x 13.5 inches. The opalotype appears to be in good condition with colors remaining bright and no visible cracks to the glass plate. The frame shows age-related cracking and minor losses to the molded composition ornaments. The brown paper backing on the reverse side is torn and shows wear.

62 - A Seven-Piece Set of Italian Hand-Painted Earthenw A seven-piece set of Italian hand-painted earthenware plates consisting of one large circular charger and six smaller side plates. The pieces are decorated in the maiolica style with a white tin-glaze and hand-painted figures in turquoise, black, and manganese brown. Each plate depicts a unique stylized figure in medieval dress, such as a harpist, an archer, or a crowned attendant. The borders are decorated with a turquoise diamond-hatch ground and four white floral cartouches with black centers. All pieces feature a scalloped rim. The reverse of the large charger is marked with a stylized cross emblem, ITALY, and 4151/1/A. The smaller plates are marked ITALY and 4151/1/B.

Charger diameter: 14.5 inches
Side plate diameter: 8.5 inches. The glaze shows fine, overall age-related crazing. Several small chips are present along the scalloped rims of multiple plates, revealing the underlying buff-colored earthenware body. No significant cracks or repairs are visible.

63 - A Set of Antique Graduated Brass Petal Crotal Slei antique graduated brass petal crotal sleigh bells mounted on a weathered leather strap. The bells are cast from a copper alloy and feature a spherical form with a traditional longitudinal slit and a decorative lobed or petal pattern. They are secured to the dark brown leather strap via metal shanks. Several bells exhibit incised markings on the surface, including the letters N and o, and numerals such as 1 or 2, which indicate the graduated sizes of the bells. The strap terminates in a simple metal buckle with a dark, oxidized patina.
Length: 45 inches. The leather strap shows significant age-related wear, including dryness, stiffness, and heavy cracking throughout. The brass bells and the metal buckle exhibit a dark, aged patina with surface oxidation and accumulated grime consistent with age and use.

64 - Meriden Britannia Company Silver-Plated Owl Figura A silver-plated figural owl ashtray smoking set by Meriden Britannia Company featuring a hinged-lid owl with glass eyes, a hammered cup, and a small bowl on a rustic branch base, measuring approximately 3.5 inches in height. Good

65 - 1897 Homan Silver Plate Co. Antique Catholic Sick- An antique Catholic sick-call outfit, or last rites set, manufactured by the Homan Silver Plate Company of Cincinnati, Ohio. The set is contained within a tiered wooden cabinet featuring brass cross appliques on the exterior doors. The primary liturgical component is a quadruple silver-plated combination crucifix and two-light candelabrum. This collection includes a silver-plated paten, a small liturgical spoon with a gilded interior, a holy water sprinkler with a silver-plated handle, a rosary with pearl-like beads, and an assortment of white linens with embroidered ecclesiastical motifs. Two glass bottles are present: one embossed with instructions for holy water and one featuring a paper label for blessed water from the Shrine of the North American Martyrs. A printed instructional manual titled The Official and Rubrical Sacramental Service is also included. The paten is marked on the underside with a circular stamp for Homan Silver Plate Co. Quadruple Plate, an anchor symbol, and text reading Sick-Call Outfit, Pat'd April '97, and Special Metal.
Measurements: Case approximately 11.5 inches in height and 15.25 inches in width when open. The set shows moderate to heavy age-related wear. The wooden case has visible scratches, finish degradation, and areas of wood loss. The silver-plated items, specifically the combination crucifix and the paten, exhibit significant oxidation, pitting, and plating loss. The included beeswax candles are partially used and show surface deformation. The glass bottles are intact but contain interior residue and dust. The paper manual and other ephemera are yellowed with creases and minor tears. The linens show some staining and edge fraying consistent with age and use.

66 - National Casket Company Silver Plated Catholic Sic A portable Catholic sick call (Viaticum) set manufactured by the National Casket Company. The set is housed in its original black textured travel case with metal corner reinforcements and a leather handle. The interior is lined with a purple velvet-clad presentation board. The set includes a silver-plated crucifix featuring a corpus and an INRI scroll, a silver-plated oval tray with two integrated circular candle holders and a slot to hold the crucifix upright, and a pair of ruby red faceted glass votive candle holders. The underside of the metal tray is stamped PATENTED DECEMBER 18-1923 and E S 513. The base of each ruby glass holder is embossed THE NATIONAL CASKET COMPANY USA. The metal components are constructed of silver-plated base metal, showing the darker metal substrate where plating has worn away.

Case Dimensions: 12 x 11.5 inches. The set is in fair antique condition showing significant signs of age and use. The silver-plated tray and crucifix exhibit extensive plating loss, surface oxidation, and tarnish. The exterior of the case shows heavy wear, including abrasions and oxidation to the metal hardware and corner guards. The purple velvet interior shows fading and minor wear. The ruby glass votive holders appear to be in good condition without visible cracks or chips.

67 - A Collection of Southeast Asian Ethnographic Dagge This collection features several ethnographic blades primarily from the Philippines and Indonesia. Included is a straight-bladed steel dagger with a turned wood hilt and a ribbed spherical pommel. The blade features an incised cursive inscription reading W.W. Marshall and is housed in a wooden scabbard with two plain white metal bands. A Philippine Moro Gunong is present, featuring a recurved steel blade with a notched spine. Its dark hilt is decorated with circular bone or shell inlays and a stylized bird-head pommel. It includes a leather-covered wooden scabbard. Also included is an Indonesian Keris with a wavy hand-forged steel blade and an intricately carved wood hilt depicting a mythical figure. The metal hilt ring is set with red and dark stones, and the wooden scabbard features deep floral relief carvings. A second Philippine Moro weapon, a wavy-bladed Kris, features engraved decorative motifs near the base of the blade. The curved grip has inlaid bands and decorative metal fittings, housed in a wooden scabbard with three chased white metal bands featuring punched geometric patterns.

Moro Kris overall length: 15.5 inches
Indonesian Keris overall length: 13.5 inches
Moro Gunong overall length: 11.5 inches
Inscribed dagger overall length: 11.5 inches. The pieces show signs of age and significant use. All blades exhibit heavy surface oxidation and rust pitting. The turned wood pommel on the inscribed dagger has a prominent vertical crack. The leather covering on the Gunong scabbard is in poor condition with significant tears and losses. The metal bands on the Kris hilt show lifting and structural damage. All wooden scabbards exhibit general wear, scuffing, and minor scratches.

68 - A Trio of Vintage Automotive Grille and Radiator E This lot features three mid-20th-century automotive accessories intended for radiator or grille mounting. The first item is a member badge for the Police and Sheriffs Association of North America. It is constructed from enameled metal and features a shield-shaped design with a central six-pointed star. The background is finished in deep blue enamel, surrounding a circular band inscribed with the organization name. A central banner reads MEMBER. The star and center exhibit a textured gold-tone finish under the enamel. It is attached to a heavy steel mounting bracket stamped with the number 107 on the reverse. The second item is a winged radiator emblem for the REO Motor Car Company. This stamped metal badge consists of a circular center flanked by two detailed wings. The center has a translucent red enameled background with a radiant sunburst pattern, featuring the white initials REO. The third item is a patriotic U.S.A. FIRST grille banner. It is a curved metal banner with notched ends, featuring blue lettering on a cream ground with red and blue borders.

Police and Sheriffs Badge: 4 inches x 4 inches (shield only), 6 inches total length
REO Emblem: 2.5 inches wide
USA First Banner: 4.5 inches wide. The items exhibit varying degrees of wear consistent with age and exterior vehicle use. The Police and Sheriffs badge shows significant enamel chipping and loss in the blue areas, and the mounting bracket has heavy surface oxidation and rust. The REO emblem has a dark aged patina with surface tarnish; the red enamel remains largely intact but displays fine crazing and minor surface wear, with heavy rust present on the reverse. The U.S.A. FIRST banner shows substantial paint loss, edge chipping, and surface rust throughout.

69 - Mid-19th Century American Salt-Glazed Stoneware St This is an American salt-glazed stoneware storage jar dating from the mid-19th century. The vessel is of cylindrical form, featuring a slightly rounded, everted rim and a recessed shoulder. It is decorated with two hand-painted, stylized floral or leaf motifs in cobalt blue slip applied to the shoulder. Each motif consists of a central stem with four radiating, elongated petals. The exterior displays the characteristic orange peel texture of a salt-glazed finish. The interior is finished with a dark brown Albany-type slip glaze. No impressed maker marks, capacity numbers, or stamps are visible on the exterior, interior rim, or base. The potting and decoration style are characteristic of stoneware produced in the Northeast or Mid-Atlantic regions of the United States.

Height: 10 1/4 inches
Rim Diameter: 6 1/4 inches. The jar exhibits condition issues consistent with age and domestic use. There are several small chips and flaking along the top and inner edges of the rim. The exterior body shows multiple rust-colored stains and yellowish-brown kiln-related fry marks. Scattered firing pits and surface irregularities are present. The base shows light surface wear and minor nicks along the bottom edge. No structural cracks or significant repairs were observed in the provided images.

70 - Pennzoil Oval Advertising Sign with Liberty Bell L This is a vintage Pennzoil oval advertising sign featuring the brand's classic cracked Liberty Bell trademark. The sign is constructed of lithographed thin-gauge metal with a vibrant yellow background. The layout includes the words Supreme Quality at the top in a black serif font, followed by the large black block letters PENNZOIL in the center, and the phrase Safe Lubrication at the bottom in a black serif font. The red and black Liberty Bell logo is positioned behind the central brand name and includes the registration mark REG. U.S. PAT. OFF. directly underneath. The manufacturer mark A-M 11-75 is printed at the bottom center, indicating manufacture in November 1975.

Width: 17 1/4 inches
Height: 9 3/4 inches. The sign is in very good vintage condition. Visible wear is consistent with age and includes minor paint nicks and light oxidation along the edges. The yellow field exhibits faint surface scratches and light scattered abrasions, with some minor scuffing also present on the black PENNZOIL lettering. The metal remains straight without significant denting, and the original gloss finish is well-preserved.

71 - An Assortment of Vintage and Antique Edged Weapons An assortment of edged weapons of various historical and geographic origins. Included is a British military issue service kukri featuring a heavy forward-curving blade marked with a British broad arrow, the initials WSC, and a date possibly reading 1945. The hilt is constructed of carved hardwood with a raised central ring, two steel rivets, and a flat metal butt plate. A German novelty dagger is present, featuring a cast yellow-metal hilt depicting a nude female figure and an S-curved crossguard; the blade is stamped J. KORN, FORGED SOLINGEN STEEL, and MADE IN GERMANY. Also included is an ornate cast-hilt dagger with a triangular-section blade etched with floral scrollwork and an intricately patterned metal hilt. Another knife features a hilt terminating in a stylized animal head with white-metal pin inlays, attributed to the Philippines as a punal-style knife. The group is completed by several smaller kukris with dark wood hilts and circular white-metal inlays.

Total lengths ranging from approximately 7.5 inches to 17 inches. The collection shows varying degrees of age-related wear. The large military kukri exhibits minor surface oxidation. The German novelty dagger and cast-hilt dagger show significant rust and surface pitting on the blades, along with finish loss on the hilts. The punal-style knife and smaller kukris exhibit heavy oxidation and surface rust across the blades. One small kukri hilt has a visible vertical crack. All items are without scabbards.

72 - Evan R. Jones Pittston, PA Cobalt-Decorated Salt-G This 19th-century salt-glazed stoneware cake crock was produced by the pottery of Evan R. Jones in Pittston, Pennsylvania. The vessel features a squat cylindrical form with an everted, rounded rim and two applied lug handles. The shoulder is accented with a single incised horizontal line. The front is decorated with a hand-painted, stylized floral motif in cobalt blue slip. The interior is finished with a dark brown slip glaze. The upper portion of the crock is impressed with a two-line maker mark reading EVAN R JONES over PITTSTON. PA.
Height: 7 1/2 inches
Diameter: 8 1/2 inches. The crock is in fair condition, characterized by a prominent vertical hairline crack originating at the rim and extending approximately halfway down the side of the body. There is generalized surface staining, minor pitting, and scattered iron spots (firing blebs) across the exterior and interior. The base displays light shelf wear and scattered staining consistent with age and domestic use.

73 - Adlake Reliable Railroad Lantern Delaware and Huds This Adams and Westlake (Adlake) Reliable model railroad lantern was produced for the Delaware and Hudson Company. The top cap is stamped with The Adams and Westlake Company Chicago New York. The brim is embossed with D & H Co and includes patent dates of May 28 95, May 5 1908, and Jan 26 1909. The lantern features a tall-globe design with a protective wire cage and a top bail handle for carrying. The clear glass globe is embossed with cursive script reading D & H Co over the year 1914. It also bears a circular mark with a C inside, identifying the glass manufacturer as Corning. The internal fount and burner assembly is removable and embossed with Long Time Burning Oil Only. The frame is constructed of metal, likely tin-plated steel, and maintains its original structural configuration.

Height to top of cap: 10 inches
Height with bail handle extended: 15 inches
Base diameter: 7 inches. The lantern exhibits a dark, aged patina with significant surface oxidation and pitting across the metal frame, bail, and base consistent with industrial railroad use. The glass globe remains intact without cracks or chips, though it shows some internal soot and surface grime. The removable burner assembly is present and shows signs of previous use including carbon deposits.

74 - A Collection of North African and Middle Eastern D An assortment of traditional curved daggers featuring examples of North African and Middle Eastern craftsmanship. The collection includes a Moroccan Koummiya style dagger with a silver-toned metal hilt and scabbard, decorated with hand-engraved scrolling foliate patterns and a characteristic flared peacock-tail pommel. A smaller curved dagger, identified as a Shibriya, features bone or ivory grip scales secured to a brass frame, paired with a brass repoussé scabbard depicting a central figure in traditional costume and panels containing Arabic script; the curved steel blade is stamped with crescent moon and star symbols. Also included is a Sudanese Telek or arm dagger with a broad, curved steel blade featuring stippled decoration and a carved dark wood hilt inlaid with brass and white-metal sunburst patterns. The final item is a large curved dagger in the Tuareg or Berber style, featuring a dark wood hilt with a peaked brass pommel cap and a scabbard clad in alternating yellow and white metal sections with repeating geometric diamond and zig-zag repoussé patterns.

Item 4 total length: approximately 16 inches
Item 2 total length: approximately 10 inches. The collection is in aged, fair to poor condition. All steel blades exhibit significant surface oxidation, heavy rust, and pitting. The Moroccan Koummiya shows an aged patina and moderate wear to the engraved details. The bone or ivory hilt scales on the Shibriya show minor cracks and yellowing; the scabbard has small dents and a dark patina. The Sudanese Telek scabbard is severely deteriorated, with the original leather covering largely missing and the remaining material brittle and peeling. The larger Tuareg style dagger shows surface cracking to the wooden hilt and several dents to the metal scabbard cladding.

75 - A Collection of 23 Vintage North American Railroad A collection of 23 vintage North American railroad and streetcar uniform buttons, primarily constructed of brass or gold-toned metal with embossed relief designs. The buttons are mounted onto a period paper card which includes identifying handwritten notes in both ink and pencil. The assortment represents a variety of major Class I railroads, regional lines, and urban transit systems from the early to mid-20th century. Featured companies include Union Pacific, Chicago, Milwaukee, St. Paul and Pacific (CMStP&P), Denver and Rio Grande Western, Chicago and North Western, Long Island Rail Road, Southwest Missouri Railroad Company, Chicago Great Western (labeled as Chicago Grand Western), Third Avenue Railroad, Market Street Railway Company (depicting a streetcar), New York, New Haven and Hartford, Atlantic Coast Line, Missouri Pacific Lines, Kettle Valley Railway, Central of Georgia, Pennsylvania Railroad (keystone logo), Great Northern Railway, Illinois Central, Southern Railway, New York Central, Burlington Route, and Atchison, Topeka and Santa Fe. One button displays a detailed relief of a steam locomotive without accompanying text. The buttons feature a mix of stylized monograms, full text logos, and symbolic iconography.

Mounting card height: Approximately 11.5 inches
Button diameters: Approximately 0.5 to 0.75 inches. The buttons are in good to very good collectible condition with typical light age-related tarnish and surface oxidation; embossed details remain sharp and legible. The original mounting card is in poor condition, exhibiting significant fragility, heavy foxing, staining, and multiple tears, particularly along the top edge and where buttons are affixed.

76 - A Collection of US Military and Commercial Edged W This group features several 20th-century edged weapons including military-issue and commercial examples. The first item is a WWII-era folding survival machete stamped CAMILLUS on the blade, featuring black plastic scales and a metal crossguard. The second item is a US Pilot's Survival Knife with a hexagonal pommel stamped CAMILLUS / N.Y. / 5-1967, indicating Vietnam War-era production. It features a stacked leather handle and a saw-back blade, accompanied by a brown leather sheath with a front storage pouch. The third item is a commercial fixed-blade knife with custom-shaped wood handle scales, etched STAINLESS STEEL / CHINA on the blade near the handle. The fourth item is a US military style bayonet with checkered black plastic grips, likely an M6 or M7 pattern, housed in a green fiberglass scabbard stamped U.S. M8A1 / V.P. CO. on the metal throat. The lot also includes an olive drab canvas web belt with three rows of metal eyelets and a T-slot buckle.

Folding machete length: approximately 15.5 inches
Pilot's survival knife length: approximately 9.5 inches
Bayonet length: approximately 11.5 inches. The collection shows varying degrees of heavy field use and age. The folding machete blade has significant sharpening marks, scratches, and surface oxidation. The pilot's knife exhibits loss of the original finish on the blade and darkened leather on the handle; the leather sheath is heavily worn with surface cracking. The bayonet blade shows notable surface rust and pitting. The commercial knife is in good used condition with minor surface scratches. The canvas web belt is faded and worn with green verdigris present on the metal eyelets.

77 - Adams and Westlake Adlake No. 200 Kero Lehigh Vall An antique railroad kerosene lantern manufactured by The Adams and Westlake Co., designated as the Adlake No. 200 Kero model. This lantern was utilized by the Lehigh Valley Railroad, as indicated by the L. V. R. R. embossing present on both the metal top cap and the clear glass globe. The top cap is marked with the manufacturer name, New York - Chicago - Phila branch locations, and a series of patent dates ranging from 1908 to 1912. The clear glass globe features embossed text reading ADLAKE - KERO and a trademark C within a circle. The internal fuel font is stamped USE KEROSENE OIL ONLY and is fitted with a burner marked NO. 250. The lantern is constructed with a metal frame, a protective wire-guard cage, and a tall bail handle.

Height: 9.5 inches
Height with handle raised: 15 inches
Base diameter: 6 inches. The lantern exhibits a heavy, darkened patina and significant surface oxidation and rust, particularly concentrated on the top cap, handle, and wire-guard components. The metal shows wear consistent with age and field use in a railroad environment. The glass globe appears to be in good condition without visible cracks or major chips, showing only minor surface abrasions. The internal burner and wick are present but have not been tested for operation.

77b - Italian Model 1891/38 Carcano Folding Bayonet and An Italian Model 1891/38 (M38) folding bayonet and its accompanying scabbard, designed for use with the Carcano M38 short rifle. The bayonet features a folding steel blade with a single fuller and a spear point. The hilt is constructed with a steel crossguard incorporating a muzzle ring, a spring-loaded release button for the folding mechanism, and two-piece wood grip scales secured by two screws. The steel pommel bears a stamped mark consisting of a vertical line on the left and a curved line on the right within a rectangular outline, resembling a stylized letter D. The scabbard is of all-steel construction and includes an integral belt clip on the reverse side secured by a single screw.

Total length (unfolded): 11.5 inches
Blade length: 7 inches
Scabbard length: 7.5 inches. The item is in fair to good surplus condition with an untouched, heavy patina across all metal surfaces. The blade is covered in a layer of darkened, dried protective grease and exhibits areas of surface oxidation. The wood grip scales show significant service wear, including darkening, scratches, and small indentations. The steel scabbard displays a mottled dark patina with surface oxidation and light pitting. The folding and locking mechanism remains functional.

78 - Vintage Woodfield's Fresh Oysters 1-Gallon Lithogr This is a vintage 1-gallon lithographed tin for Woodfield's Fresh Oysters, produced for the Woodfield Fish & Oyster Co. based in Galesville, Maryland. The tin features a yellow background with red and green lithography. The central graphic depicts a two-masted schooner sailing near a lighthouse with seagulls overhead. The front panel includes the text Woodfield's Fresh Oysters, See Top For Size Designation, Packed By Woodfield Fish & Oyster Co, Planters and Shippers, and Galesville, MD. One side panel is printed vertically with the instruction Keep Well Iced in red lettering. The rear panel displays Net Cont. 1 U.S. Liq. Gal. and a large MD. 81 designation. Two circular organization logos are present on the back: the Oyster Institute of North America Member with a 1935 copyright date and the National Fisheries Institute Inc. The base seam is marked Ind. Can. The top lid is stamped with the words Oysters and Standards.
Height: Approximately 7.5 inches
Diameter: Approximately 6.5 inches. The tin is in used, vintage condition. Significant oxidation and rust are present on the top lid, bottom base, and along the upper and lower rims. The lithographed surface shows scattered scuffing, scratches, and spots of pitting and corrosion throughout. The interior contains heavy dark, dried organic residue and extensive oxidation. The structural integrity is maintained despite minor surface denting consistent with age and use.

78b - WWII Original Milizia Volontaria per la Sicurezza This is a mid-20th-century Italian military sidearm identified as a Milizia Volontaria per la Sicurezza Nazionale MVSN Blackshirts dagger. This model features a distinct stylized eagle-head pommel and was a standard dress and combat sidearm for the Italian fascist paramilitary organization during the WWII era. The hilt is constructed of a cast non-ferrous metal alloy, featuring a single downturned crossguard quillon. The grip is composed of two plain wooden scales secured to the tang by two flush rivets. The steel blade is a slender spear-point style with a single edge and a short false edge near the tip. The matching steel scabbard features a ball-tipped finial and two brass-colored bands, each fitted with a suspension ring for dress wear. The scabbard throat is secured to the body by two small flat-head screws. No legible maker marks, manufacturer symbols, or unit stamps are visible on the blade ricasso or hilt components.

Total length: 11.5 inches
Blade length: 6.5 inches. The dagger and scabbard are in poor to fair condition. The steel blade shows significant surface darkening, heavy oxidation, and localized pitting throughout, with numerous longitudinal scratches from past cleaning attempts. The zinc-alloy hilt exhibits extensive oxidation and zinc pest, characterized by a grey, bubbling, and pitted surface texture. The wooden grip scales are intact and well-seated but show age-related drying and wear. The scabbard is in poor condition with heavy surface rust and pitting; much of the original black finish has been lost. The brass bands and rings show a dark, aged patina.

79 - A Comprehensive Collection of 19th and Early 20th A large collection of assorted stamped brass uniform buttons, mounted on a heavily toned paper display board with handwritten descriptive labels. The collection is categorized into several sections, including municipal service, military, transportation, and international buttons. The first section contains fire department rank buttons featuring designs for Lieutenant (single trumpet), Captain (parallel trumpets), Battalion Chief (crossed axes), Deputy Chief (crossed axes and three stars), and Chief (crossed axes and five stars). The American Civil War section is divided into Union and Confederate categories. Union buttons include Cavalry (eagle with C shield), Ordnance (crossed cannons), and a General Service eagle. Confederate buttons include a crossed cannon variant labeled Battle Flag, a Confederate-style eagle, and a block letter CSA button. The transportation section comprises three rows representing North American railroad and streetcar lines, including New York Central (NYC), Boston and Maine RR, Union Pacific, Santa Fe, Pennsylvania Railroad (PRR monogram in a keystone), Southern, Burlington Route, New York New Haven and Hartford, Long Island (LI), Omaha City Transit Co., Market St. Railway Co., Third Avenue Ry., and Brooklyn Line. Several buttons in this section feature pictorial designs of steam locomotives and streetcars. The international section includes a Canadian maple leaf button and a Mexican national emblem button featuring an eagle perched on a cactus with a snake. A small cluster of approximately four additional buttons is pinned to the center of the board, including one with a script V design.

The board measures approximately 12 inches by 9 inches. The mounting card is in poor to fair condition, showing significant overall toning, staining, creasing, and edge wear. Several original mounting holes are empty, indicating missing buttons. The buttons themselves exhibit a wide range of preservation; some retain bright gilding or silvering, while others show heavy dark oxidation, surface wear, and verdigris consistent with age and use. Backmarks cannot be inspected as the buttons are affixed to the board.

79b - Swiss Model 1914 Pioneer Sawback Bayonet by Waffen This Swiss Model 1914 Pioneer sawback bayonet was manufactured by Waffenfabrik Neuhausen (SIG) for use with the Schmidt-Rubin Model 1911 Carbine and the Model 1931 (K31) Short Rifle. The weapon features a long single-edged steel blade with a deep fuller and a double-row sawback consisting of 39 teeth along the spine. The hilt is constructed with a steel crossguard featuring a muzzle ring, a bird's-head pommel with a functional push-button release, and two contoured wood grip scales secured by two rivets. The ricasso is stamped with the maker's mark WAFFENFABRIK NEUHAUSEN in an arch. The crossguard is stamped with the serial number 796194. A Swiss military inspection mark consisting of a cross within a circle is present on the pommel. It is accompanied by its original steel scabbard with a black-painted finish and a leather tab at the throat.

Total Length: Approximately 24 inches
Blade Length: Approximately 19 inches. The bayonet is in overall good, service-used condition. The blade retains much of its original bright finish with scattered areas of light surface oxidation and minor spotting, particularly within the fuller. The saw teeth remain well-defined and sharp. The steel crossguard and pommel exhibit a dark, aged patina with surface oxidation and light pitting. The wood grip scales are intact and solid, showing typical field wear including various small indentations and scratches. The locking mechanism is present and functional. The steel scabbard shows significant age-related wear, including finish loss, surface oxidation, and light pitting throughout the body. The leather attachment at the throat is present but shows drying and cracking consistent with age.

80 - A Collection of Five Military Bayonets Including J This collection includes five early 20th-century military bayonets of varying origins and designs. The set includes a Japanese Type 30 Arisaka bayonet featuring a straight blade with a deep fuller, wood grips, and a characteristic hooked quillon. Two German World War I era emergency issue Ersatz bayonets are present: one features a ribbed all-metal steel hilt with a hooked quillon, and the other features a ribbed hilt made of cast brass with a mounting slot for a bayonet lug but no muzzle ring. Also included is a French folding carbine bayonet, resembling the Model 1890/92 pattern, with a slender cruciform-section blade and a folding socket mechanism. The final piece is a knife bayonet with wood grips secured by two rivets, featuring a single fuller and a muzzle ring. This example bears the stamped serial number 7567 on the pommel and appears consistent with an Italian Model 1891 pattern.

Lengths range from approximately 13 inches to 20 inches. The collection is in poor to fair condition. All ferrous metal components show heavy oxidation, surface rust, and deep pitting. The brass hilt on one specimen shows a dark aged patina with some verdigris. Wood grips are weathered and dried, showing cracks and material loss. Mechanical locking and folding parts appear to be seized or stiff due to corrosion. All items are missing their respective scabbards.

81 - Japanese Yosegi Zaiku Parquetry Tabletop Tansu Cab A Japanese Yosegi Zaiku parquetry tabletop cabinet. The wooden chest features six drawers of varying dimensions, each fronted with intricate geometric wood-inlay patterns. The top and side surfaces are decorated with larger parquetry panels in contrasting wood tones. The piece is fitted with brass corner protectors and small brass knob pulls. The interior of the drawers shows natural wood grain. No maker's marks are visible on the exterior or interior.
Width: 14.5 inches
Height: 12 inches. The item shows signs of age and use including surface wear, scratches, and water staining on the top and back panels. There are minor losses to the veneer along the edges and sides. One brass pull is missing from the upper left drawer.

82 - Horst Robert Bonsack Cubist Abstract Landscape Pai A cubist-style abstract landscape painting on board by Horst Robert Bonsack, signed and dated 1955, measuring approximately 30.5 by 18.5 inches. Good

83 - Alfonsas Dargis and A. Wieber Abstract Mixed Media An abstract mixed-media collaboration on wood panel by Alfonsas Dargis and A. Wieber featuring carved schematic figures and faces in earth tones with incised letters GOG at the bottom, measuring approximately 24.5 by 15 inches. Good

83b - WWII Theater-Made Aluminum Knuckle-Guard Combat Kn This is a WWII theater-made combat knife featuring a custom cast aluminum knuckle-guard hilt. The handle incorporates four finger loops and terminates in a spherical pommel. The steel blade is single-edged with a clip-point tip and a longitudinal fuller. The blade surface exhibits a weathered reddish-brown finish, characteristic of a copper wash or plating, with visible oxidation throughout. The knife is housed in a standard-issue United States Navy Mark 2 scabbard made of grey composition material with a metal throat and a khaki canvas belt hanger. The throat of the scabbard is stamped with the designation U.S.N. MK 2.

Overall Length: 12.5 inches
Blade Length: 7 inches. Fair, used condition. The blade shows significant oxidation, pitting, and loss of finish. The aluminum handle displays surface scratches and minor casting pits. The scabbard tip is repaired with black electrical tape. The khaki canvas belt hanger is heavily frayed and shows substantial wear and material loss.

84 - Paul Hoffmann (1962), Mid-Century Abstract Mixed M This mid-century abstract composition is a mixed media work on stretched canvas, featuring heavy impasto and sgraffito techniques. The monochromatic palette of gray, black, and cream highlights a complex arrangement of organic, swirling forms and repetitive textured patterns, achieved through the use of tools to create relief on the surface. A signature and date are present along the lower right edge, transcribed as Paul Hoffmann '62. The painting is unframed, with its dark-painted canvas edges visible. The verso displays the raw canvas and wooden stretcher bar with a wire hanging mechanism. No gallery labels or stamps are present. The artwork exhibits fine craquelure throughout the thicker impasto layers, consistent with its age. There is minor surface soiling and light wear visible along the edges of the canvas.

85 - Mid-Century Modernist Double-Sided Abstract Painti This mid-century modernist abstract painting is executed in oil or mixed media on a heavily textured burlap or coarse canvas support mounted to a rigid board. The primary composition on the recto features a complex, non-representational arrangement of intersecting geometric and organic forms in a monochromatic palette of sepia, umber, grey, and cream. The artist utilized expressive brushwork, scumbled layers, and sgraffito lines scratched into the paint to reveal the underlying texture. The reverse side of the panel contains a secondary, unrelated abstract composition in a fluid style with a palette of pale blue, pink, and green. No signature or inscription is visible on either side of the work.
22 x 30 inches. The work displays condition issues consistent with age including surface dirt and dust accumulation. There is minor paint loss and fraying of the textile support at the extreme edges. Staining and surface scuffs are present on the reverse side.

86 - Initialed JM Mid-Century Modernist Post-Cubist Fig This mid-century modern abstract figurative work is executed in oil or mixed media on canvas, which appears to be laid down on a plywood panel. The composition features two highly stylized figures, one seated and one standing, rendered in a post-cubist style using bold, dark outlines to define geometric forms. The color palette consists of deep browns, muted ochre, and cream tones, punctuated by a focal point of turquoise on the seated figure. The paint application is thick and expressive, displaying significant surface texture and areas of sgraffito where the artist has scraped through layers of paint. The work is initialed JM in the lower right corner. It is presented in a vintage, multi-tiered wooden frame with gilded inner liners and a dark-stained outer molding. The verso consists of a plain plywood panel with a wire for hanging.

30 x 24 inches (framed). The paint surface exhibits widespread and stable craquelure, particularly noticeable in the more heavily impastoed dark passages. The frame shows minor surface scuffs, dust accumulation, and small losses to the gilded liners consistent with age.

87 - Mid-Century Abstract Painting Attributed to Horst An unsigned mid-century abstract cubist oil painting on canvas, attributed to Horst Robert Bonsack, measuring approximately 20.5 by 24.5 inches and featuring geometric forms in brown, tan, yellow, and blue with a Wolf Gallery stamp on the reverse. Fair

88 - Horst Robert Bonsack Abstract Painting on Canvas 1 A heavily textured abstract painting on canvas in earth tones and black by Horst Robert Bonsack, dated 1963 and measuring approximately 24 by 32 inches. Good

89 - Kathy Calderwood Signed Stylized Nude Figure Oil o A stylized oil on canvas painting by listed artist and Playboy Magazine illustrator Kathy Calderwood, depicting a nude female figure with an inset bird's face against a golden background, measuring approximately 25 by 25.5 inches. Fair

90 - Jay Te Winburn, Portrait Miniature of a Bride in a An early 20th-century oval portrait miniature depicting a formal portrait of a young bride. The subject is shown in a white gown and veil, holding a large bouquet of lilies and lilies of the valley. The miniature is signed lower right: Jay Te Winburn. The artwork is mounted in a gold-toned metal frame with a bezel of seed pearls and a decorative suspension loop at the top. It is housed in a folding leather triptych presentation case with a gold-colored velvet-lined interior. The exterior of the case is tan leather featuring gilded ornamental borders and a fold-out easel stand on the reverse. The subject's hairstyle and dress style indicate a date of approximately 1925 to 1935.
6.25 x 4.75 inches (case closed). The portrait surface shows minor foxing and age-related spots. The gold-toned metal frame has light oxidation. The leather case exhibits visible scuffing and edge wear, with minor losses to the gilded decoration. The interior velvet lining shows pressure marks from the frame.

91 - Antique Adlake Reliable Railroad Signal Lantern wi This antique railroad signal lantern is an Adlake Reliable model manufactured by The Adams and Westlake Company. The item features a stamped steel frame with a protective wire cage and an integrated flat metal mounting bracket. The top cap is centrally embossed with THE ADAMS and WESTLAKE CO., ADLAKE, RELIABLE, NEW YORK CHICAGO PHILA. The rim of the cap contains several stamped patent dates: PATENTED MAY 31 1904, PATS JAN 26 1909 - NOV 23 1909, PAT NOV 28 1911 - 2 PATS JULY 2 1912, and PATENTS JULY 2 1912 APR 1 1913. The interior features a ruby red glass globe with embossed letters S, A, and F, along with the Corning Glass Works trademark. The base includes an original removable font and burner assembly.
Height: 10 inches. The metal frame exhibits a heavy, dark patina with areas of surface oxidation and light rust. The structural integrity of the frame and bracket is intact. The red glass globe is damaged with multiple large, intersecting cracks across the surface.

92 - Victorian Era Neo-Renaissance Style Cast Brass Cru A set comprising a crumb scoop and matching brush, both constructed from cast brass with a golden-toned finish. The crumb tray features symmetrical high-relief decoration including scrolling foliage and floral patterns, centered by a winged mask. It is topped with a pierced openwork crest and a decorative upright handle. The corresponding brush features a curved back with matching foliate patterns and an elongated handle ending in a hanging ring. The brush is fitted with two-toned natural fiber bristles in red and beige. No maker marks are visible on either piece.
Brush length: approximately 11.5 inches
Tray width: approximately 8 inches. The set exhibits an aged patina with significant green oxidation in the recessed areas of the casting and on the handles. The reverse of the tray shows surface pitting and dark oxidation spots. The bristles show wear consistent with age and use.

93 - Antique E. Ingraham Co. Victorian Black Architectu An antique architectural mantel clock manufactured by the E. Ingraham Company of Bristol, Connecticut. The case is constructed of black-finished wood, featuring an enameled or celluloid surface. It is designed in a Victorian style with faux-marbled red and white decorative molding along the top and base. The facade is accented with four inset rectangular pillars depicting transfer-printed cherubs or putti against a pink-blushed background. The black case is further embellished with gilt-incised scrollwork. Ornate cast metal handles are mounted to the sides, and the entire structure rests on four decorative metal scroll-form feet. The circular gilt metal dial features an elaborate open-work filigree center, black Arabic numerals, and scrolled hands, protected by a brass bezel with glass cover. The base of the dial is marked Manufactured by the E. Ingraham Co., Bristol, Conn. U.S.A. The mechanical eight-day spring-driven movement is visible through a rear access door and includes two large mainsprings and a bell strike mechanism. The back of the wooden case displays various handwritten pencil markings including 250316 S and 18/0/8. A pendulum is present.
Height: 10.75 inches, Width: 15.5 inches. The case displays age-consistent wear, including scuffing and minor finish loss on the top surface and edges. The rear access door is present but the latch is missing. The clock includes a pendulum. The movement appears complete but is currently untested for functionality.

94 - James Hanley Brewing Co Hanleys Peerless Ale Porce Manufactured by The Baltimore Enamel and Novelty Co., this antique porcelain enamel serving tray advertises Hanleys Peerless Ale for The James Hanley Brewing Co. of Providence, Rhode Island. The central field contains a blue monochromatic illustration of a Victorian gentleman holding a stemmed glass of ale, captioned above as The Connoisseur. The image is framed by a dark blue border with white block lettering that reads HANLEYS PEERLESS ALE along the top and THE JAMES HANLEY BREWING CO. PROV., R. I. along the bottom. The reverse of the tray features a central oval maker mark that reads The Baltimore Enamel and Novelty Co., TRAYS IN ALL COLORS., Baltimore, Md. and 190 W. Bway, N.Y. Material: Porcelain. The item is in as-found vintage condition with notable signs of age and use. The central graphic on the front shows significant fading, surface pitting, and small losses to the enamel. Scattered rust spots are visible on the figure and near the rim. The reverse side exhibits extensive fine crazing throughout the surface, along with localized rust spots and minor edge wear. The maker mark remains largely legible.

95 - Mettlach 1/2 Liter Beer Stein Mold 2640 Drinker wi Mettlach (Villeroy and Boch) stoneware beer stein, mold number 2640, decorated in the Drinker with Saying pattern. This item features chromolithograph (Print Under Glaze/PUG) decoration. The central scene illustrates a tavern interior with a serving maid pouring from a pitcher into a glass held by a seated man dressed in seventeenth-century style attire. The imagery is flanked by detailed hop vines and stalks of barley. Two banners contain the German text: Credenzt von schoner hand sind jedem wundertropfen im ganzen deutschen land and Gerstensaft und Hopfen. The upper rim is incised with the capacity mark 1/2 L. The underside features the Mettlach castle icon, a V and B circle mark, Ges. Gesch., mold number 2640, and the date code 01 for the year 1901. Additional visible base marks include the Roman numeral II, the number 40, and the letter B. The stein is fitted with a domed pewter lid containing a circular ceramic inlay that portrays a young woman holding a foaming beer mug. The pewter thumb lift is cast with decorative classical motifs. The item is in excellent antique condition. The stoneware body is free of chips, cracks, or visible repairs. The chromolithograph transfer decoration remains vibrant and intact. The pewter lid and hinge are functional and secure, displaying a natural dark patina consistent with age. The ceramic lid inlay is undamaged. The interior is clean with only minor mineral staining at the bottom. Minimal shelf wear is present on the unglazed foot rim.

95b - A Collection of Six Vintage Breweriana Advertising This collection includes six vintage advertising salt and pepper shakers representing Midwestern regional breweries, several of which were established during the pre-prohibition era. The lot features a pair of figural gnomes molded in cream-colored plastic. Each figure is depicted holding a raised glass and a bottle, standing on a circular base embossed with the text Peerless Amber BEER LA CROSSE BREWERIES, INC. LA CROSSE, WISCONSIN. The assortment also contains two pairs of barrel-form shakers crafted from turned wood. One pair features silver-toned painted hoops and is incised with the text CHICAGO'S BEST GARDEN CITY BEER. The second pair of barrels is finished in a dark stain with black-painted hoops and bears the incised text Waldorf Lager. All pieces in this group retain their original cork stoppers at the base.

Gnome figures: 5 inches in height
Garden City barrels: 3 inches in height
Waldorf Lager barrels: 2.75 inches in height. Good vintage condition. All pieces show light wear consistent with age, including minor surface scuffs on the plastic figures and thinning or wear to the silver and black paint on the wooden barrel hoops. No chips, cracks, or structural repairs are observed. All original cork stoppers are present.

96 - Mettlach Villeroy and Boch Tyrolean Marksman Beer This lidded stoneware beer stein was manufactured by Villeroy and Boch at the Mettlach factory and features the Tyrolean Marksman design by the artist Heinrich Schlitt. The cream-colored ceramic body is decorated with transfer-printed and hand-colored scenes under a clear glaze. The central figure depicts a hunter in traditional Alpine dress, wearing a green Tyrolean hat with a Gamsbart and smoking a long huntsman pipe while carrying a rifle. The main illustration is signed H. Schlitt. Side vignettes show a mountain landscape with a chalet and men participating in target shooting practice. The upper rim near the handle is incised 1/2 L. The hinged pewter lid is embossed with a central target, crossed rifles, a hunter horn, and oak leaf swags, with the German inscription UB AUG UND HAND FURS VATERLAND. The lid is finished with a thumb lift in the form of a perched eagle. The underside of the base features an incised model number 1526 and Roman numeral II, alongside a stamped Mettlach abbey logo and the word GESCHUTZT.
Capacity: 0.5 liter. The ceramic body exhibits fine, overall crazing consistent with age. There is minor surface staining and residue on the unglazed foot ring. The pewter lid shows a natural aged patina but is otherwise in good condition with a functional hinge. No chips, cracks, or repairs are visible.

97 - 1896 Mettlach Villeroy and Boch 1/2 Liter Lidded B This Mettlach beer stein, manufactured by Villeroy and Boch, is crafted from cream-colored stoneware in a cylindrical form. The body features a wrap-around chromolithograph transfer scene with hand-painted color accents titled Characters from Student Songs. The decoration depicts various legendary and literary figures associated with drinking culture. A cream-colored band near the base contains the names of the depicted figures in brown block lettering: v. KAUFFUNGEN, HILDEBRAND, FURST THOREN, HADUBRAND, PERKEO, v. RODENSTEIN, and FALSTAFF. The stein is equipped with a hinged pewter lid featuring a ball-and-finial thumb lift. The exterior of the lid is engraved in cursive script: D. H. C. / 1896. / Third Prize. / Horse. The base of the stein bears the incised Mettlach castle tower factory mark above the numbers 715 and the word GESCHĂśTZT. The model number 1909 is incised at the bottom edge. Date code 94 indicates the stoneware body was manufactured in 1894, while the number 14 is also present. The interior of the vessel features a smooth white glaze.

Dimensions: 7.25 inches height (estimated). The stein is in excellent condition. There are no chips, cracks, or visible repairs to the ceramic body. The interior is clean. The pewter lid and hinge are structurally sound and fully functional, showing a naturally aged patina and minor surface wear consistent with age and use as a presentation prize.

98 - 1896 Mettlach Villeroy and Boch Beer Stein No. 212 Mettlach (Villeroy and Boch) 1/2 liter capacity lidded beer stein featuring a multi-color print-under-glaze illustration. The central scene depicts whimsical gnomes or dwarfs in a garden setting accompanied by birds and vegetables, specifically radishes and carrots. The front panel displays the traditional German toast Prosit! in stylized black script. The ceramic body is finished in a cream glaze, accented by textured, wheat-motif decorative bands framing the central illustration and bands of green and tan glaze at the foot. The handle features a scalloped, textured design finished in green and tan glazes. The domed pewter lid is tiered with embossed decorative patterns and is surmounted by a figural thumb lift in the shape of a gnome's head. The underside of the base contains several markings including the incised Mettlach abbey tower symbol, the VB circular logo, METTLACH, the model number 2129, the production year code 96 indicating 1896, and the number 10. A blue stamp on the base reads 196 over GES. GESCH. indicating a legally protected design. The capacity mark 1/2L is incised near the upper rim of the body. This item is in very good antique condition. The ceramic body shows no visible chips, cracks, or structural repairs. The interior white glaze is clean with minor crazing consistent with age. The pewter lid and figural thumb lift exhibit a natural aged patina and remain securely attached with a functional hinge. The transfer-printed graphics remain vibrant and clear.

99 - Villeroy and Boch Mettlach PUG Ceramic Beer Stein A cylindrical ceramic beer stein produced by Villeroy and Boch at the Mettlach factory. The body features a print-under-glaze (PUG) tavern scene depicting a seated man being attended to by a woman in traditional dress, with a wall clock and framed landscape in the background. The scene is accompanied by a four-line German verse in Fraktur script which translates to: The money is gone, the pocket is empty / Hostess, have patience / Until I return here once more / I remain in your debt. The vessel has a half-liter capacity indicated by a 1/2 L mark near the handle. It is fitted with a hinged pewter lid with a decorative finial and thumb lift. The base features the Villeroy and Boch VB cartouche mark over form number 1526, a partial circular stamp containing the word GESCHĂśTZT, and an impressed number 929. Additional small impressed marks and a dark underglaze painter's mark are present. The item shows fine, consistent crazing throughout the glazed ceramic body. The pewter lid and hinge are intact and functional, showing a natural aged patina and minor surface oxidation. No major chips, cracks, or professional repairs are visible.

100 - Lidded Beer Stein with Hand Painted Monk Tavern Sc This lidded beer stein features a hand painted wrap-around tavern scene. The exterior is decorated with a colorful illustrative scene depicting monks in brown habits socializing in a cellar or tavern. Figures are shown drinking from steins and pouring from a blue-and-white pitcher, with large wooden barrels and a server in green and red clothing also visible. The artistic style is characteristic of German tavern illustrations from the late 19th to early 20th century. A signature for the artist, MAR, is located near the bottom edge of the decorative scene. The base of the stein bears a vertical ink stamp reading Made in Germany, accompanied by the numerical mark 3344 and the letter L. The piece is constructed with a glazed ceramic body and a hinged pewter lid with a decorative thumb lift.

Body height: 5.25 inches
Total height: 6.5 inches. The item is in good vintage condition with wear consistent with age. The ceramic body exhibits significant fine glaze crazing throughout. There is a cluster of more pronounced crazing or a network of tight hairlines located near the bottom of the tavern scene. The interior shows some minor light brown staining at the bottom. The pewter lid and hinge assembly are fully functional and secure, displaying an aged dark grey patina.

101 - Antique Mettlach Etched Beer Stein #2057 Peasant D This German beer stein was manufactured by the Villeroy and Boch Mettlach factory and is identified as mold number 2057. It features the etched decoration technique for which the factory is highly regarded. The central frieze depicts a lively scene of peasants in traditional folk dress dancing and drinking against a reddish-brown ground. The scene is framed by decorative geometric bands in green and cream at the top and base of the cylinder. The vessel is equipped with a pewter lid featuring a shell-style thumb lift and an integrated ceramic inlay that displays a central beer mug motif surrounded by hops and barley. The handle is a simple glazed loop. The base bears several incised markings including the Mettlach castle trademark, the word GESCHUTZT, the mold number 2057, the Roman numeral III, the date code 00 representing the year 1900, and the number 19.

Overall height: 9 inches
Body height: 7 inches. The item is in very good antique condition. The ceramic body and lid inlay show no visible chips, cracks, crazing, or signs of restoration. The pewter lid is securely attached with a functional hinge and exhibits a natural aged patina. The interior is clean and well-preserved.

102 - An Assortment of Four German and English Steins an This lot features four ceramic vessels including three lidded beer steins and one handle-mounted mug. The largest item is a relief-decorated stoneware stein with multicolored figures in traditional alpine and hunting attire set against a cobalt blue ground. The body is decorated with relief scenes and includes the German text Auf der Alm. It features a rustic handle modeled after tree bark and a domed pewter lid with an ornamental shell-style thumb lift. The base is impressed with the characters WESTERN and a stylized symbol. The second item is a mustard-yellow glazed ceramic mug with silver-tone metallic luster trim on the upper and lower rims. It displays transfer-print imagery of a soldier on horseback titled Officer of the 16th Lancers, 1833 and a military standard with a plumed helmet on the reverse. The base is stamped with a circular mark reading MADE IN ENGLAND. The third piece is a small souvenir lidded stein with multicolored relief decoration depicting an alpine chalet and figures. The central medallion text reads Auf der Alm / ist es schön. It is fitted with a simple metal lid and the base is incised GERMANY. The fourth item is a gray stoneware stein produced for the North German Lloyd shipping line. It features blue printed graphics including the company logo with an anchor and key, the text NORTH GERMAN LLOYD CRUISES OF DISTINCTION, and identifies the vessel as the T.S. BREMEN. It has a domed pewter lid with a shell-motif thumb lift. The base features several markings including the blue-printed numbers 330, a blue stamp reading MADE IN GERMANY, an incised character A, and a small impressed circular mark containing the letter R. The lot is in overall good condition. The large German relief stein shows light oxidation to the pewter lid and minor shelf wear to the base. The English equestrian mug exhibits significant fine-line crazing throughout the yellow glaze, along with wear and thinning to the silver luster rims and some fading to the transfer graphics. The small souvenir stein displays light tarnish to the metal lid. The North German Lloyd shipping line stein shows surface oxidation and tarnish on the pewter lid and typical light shelf wear to the unglazed foot ring.

103 - A Pair of French Porcelain Apothecary Jars Attribu A pair of matching cylindrical porcelain drug jars with stepped bases and shoulders, accompanied by domed lids featuring spherical gilded finials. The jars are decorated with hand-painted polychrome floral sprays, including roses and assorted wildflowers in shades of pink, orange, purple, and blue. Gilded scrolling vine borders accent the lids and the upper and lower sections of the bodies. The center of each jar displays a hand-painted label within a black rectangular frame, titled COCAINE (rendered with a diaeresis as COCAĂŹNE) and OPIUM respectively. The base of each jar features an underglaze blue mark consisting of the cursive initials P. A above a lozenge containing the number 4, attributed to the Limoges decorator Paul Abadie.

Height: 4.5 inches. There is a chip located on the unglazed foot rim of one jar which is not visible when the item is upright. Both jars exhibit a fine vertical line on the body that appears to be a manufacturing blemish rather than a crack, as it does not penetrate through the porcelain. There is light surface wear throughout, including minor loss to the gilding on the finials and borders, along with scattered minor staining consistent with age and use.

104 - Mixed Media Relief Painting by A. Wieber Rochester A large-scale mixed-media relief painting on canvas featuring a heavily textured abstract grid pattern in earth tones by A. Wieber of Rochester, New York, measuring approximately 24.5 inches high by 32.5 inches wide. Good

105 - Horst Robert Bonsack Attributed Mid-Century Geomet A mid-century modern geometric abstract painting on wood panel attributed to Horst Robert Bonsack (1903-1987) in blue, gray, ochre, and rose tones, measuring approximately 28 by 17 3/4 inches. Fair

106 - Abstract Mixed Media Painting by A. Wieber Rochest An abstract mixed media painting on board by Rochester, New York artist A. Wieber featuring a geometric composition with heavy impasto texture, measuring approximately 17.5 by 24 inches. Good

107 - Antique American Hand-Quilted Shoo Fly Variation S This antique American pieced and hand-quilted cotton quilt is constructed in a 4x4 grid featuring sixteen Shoo Fly or Churn Dash variation blocks. The background of each block is made from a red calico fabric with a small black geometric scroll motif. The interior pieced triangles are composed of a wide variety of scrap fabrics, including cream-toned florals, brown calicos, geometric prints, stripes, and indigo blue shirtings. The blocks are joined by navy blue sashing featuring a white floral and dot discharge print. A notable maker's detail includes a make-do completion in the lower right corner and border where a tan floral printed fabric was substituted for the blue sashing. The quilt is finished with a narrow brown and white checkered binding that coordinates with the full brown and white checkered gingham backing. The construction is hand-pieced and hand-quilted with thin internal batting.

Length: 84 inches
Width: 79 inches. Fair to good antique condition. The quilt shows significant signs of age and heavy use. Several of the pieced triangles within the blocks exhibit heavy wear and shredding, with some fabric pieces missing entirely, revealing the internal batting. The navy sashing shows general fading and light thinning. The checkered backing has several prominent stains, including a large dark circular ink or dye stain and multiple large diffused brownish moisture stains. There is light overall surface soiling and general wear to the binding.

108 - Antique American Hand-Tied Patchwork Scrap Quilt This is an antique American utility quilt featuring a staggered horizontal rectangular patchwork pattern, commonly known as a brick design. The piece is constructed from various cotton scrap fabrics, including red and white ginghams, blue and white checks, ticking stripes, and various printed calicos in shades of blue, red, tan, and purple. It features a hand-tied construction with white yarn ties securing the layers. The quilt includes wide borders on two opposite sides made from a navy blue and white checkered fabric. The reverse is a light blue and white gridded cotton fabric.
Width: 81 inches
Length: 72 inches. Poor to fair condition. Significant structural wear is present throughout, including one severely shredded patch exposing the internal batting. There is extensive fraying and loss of fabric along all edges. The border fabric is detached in several areas. General fading, minor staining, and loose or missing ties are observed.

109 - Mid-20th Century American Pieced Cotton Quilt in C This is a mid-20th century American pieced cotton quilt featuring the Churn Dash pattern, also known as Hole in the Barn Door or Monkey Wrench. The nine-patch construction includes solid pink cotton blocks interspersed with off-white cotton squares featuring various small-scale prints such as circles, squares, and dashed lines. A grey and brown herringbone printed fabric is also incorporated into the pieced design. The central field is framed by a wide, solid pink cotton border. The bedcover is finished with dense, all-over machine quilting in a serpentine or ocean wave pattern. The reverse side consists of a plain off-white cotton fabric that showcases the decorative quilting stitches.
Length: Approximately 84 inches
Width: Approximately 61 inches. Fair to good vintage condition. There is notable brownish staining and foxing distributed across both the top surface and the reverse side. The pink fabrics show moderate fading throughout, particularly on the border. Minor fraying and general surface wear are present along the edges and at the corners.

110 - Vintage American Hand-Pieced Patchwork Utility Qui This vintage American utility quilt features a classic square patchwork design, hand-pieced from various cotton fabrics common in mid-century households. The scrap construction includes a multi-color palette of blues, reds, greens, and neutrals. The individual patches exhibit various patterns such as blue and white gingham, red and white ticking stripes, green check, and small-scale calico prints. The quilt is finished with functional, straight-line hand-quilting throughout. The reverse side consists of a cream-colored cotton fabric decorated with a small, repeating circular print.

Length: 37 inches
Width: 38 inches. Fair to good vintage condition. The piece shows significant signs of age and domestic use, including fraying and small holes on several individual fabric patches on the front. The reverse side exhibits general toning and a localized brown stain. The edges show moderate wear consistent with age.

111 - Alfonsas Dargis Framed Mixed Media Abstract Faces This framed mixed media artwork on paper by Alfonsas Dargis depicts two stacked abstract faces in tones of grey and reddish-orange, signed A Daquin and measuring approximately 28 by 26 inches including the frame. Good

112 - Modernist Abstract Expressionist Style Relief Prin This monochromatic relief print, likely a woodcut or linocut, depicts a stylized and abstract composition of humanoid heads and figures. The central imagery features multiple faces with simplified, primitive features, some with radiating branch-like lines extending from the tops of their heads. The work is rendered in black ink against a textured background. A vertical band featuring scrolling, tribal-inspired patterns borders the right side of the composition. No signature, date, or edition number is visible on the print. The item is housed in a silver-toned metal frame behind glass with a wide cream mat.
Overall frame dimensions: 25.5 x 15.5 inches. The print appears in generally good condition but has not been examined out of the frame. The cream-colored mat exhibits significant overall toning and a prominent area of water staining along the bottom edge. The metal frame shows minor surface wear and light scratches consistent with age.

113 - 1955 Alfonsas Dargis Abstract Modernist Work on Pa A framed black and white abstract composition on paper signed and dated 1955, measuring approximately 21.5 by 15.5 inches within a 27 by 21 inch frame. Good

114 - Alfonsas Dargis, Abstract Composition, 1952, Etchi This mid-century modern abstract intaglio print is by the Lithuanian-American artist Alfonsas Dargis (1909–1996). Dated 1952, the work is a combination of etching and aquatint, featuring a centralized arrangement of geometric and organic shapes punctuated by symbolic motifs such as stars and ladder-like patterns. The print shows strong impression quality with deep black tones and a textured, grainy character in the tonal areas. A clear rectangular plate mark is visible around the image. The piece is pencil-signed Alf Dargis 1952 in the lower right margin and numbered 8/45 in the lower left margin, indicating it is from a limited edition of forty-five. The work is housed in a light cream mat and a silver-toned metal frame.

Framed size: 28 x 22 inches
Plate size: 18.5 x 14 inches. The print exhibits light, even toning and evidence of mat burn around the edges. There are no significant signs of foxing, tears, or paper damage visible. The frame and mat show minor age-related wear and slight discoloration.

115 - Collection of Four Mid-Century Abstract Artworks b A collection of four mid-century abstract artworks including a framed 1965 mixed media piece signed A. Wieber of Rochester, NY, and three unframed works on board and paper measuring between 11 by 11.5 inches and 14.5 by 18 inches. Fair

116 - Trio of Abstract Mixed Media Paintings by A. Wiebe A trio of abstract mixed-media paintings by A. Wieber of Rochester, New York, featuring expressive figures in red, black, and yellow tones, with heights ranging from approximately 14.5 to 17 inches. Damaged

117 - Art Glass Sinclair Steuben Amber Ring Holder This is a transparent amber glass decanter ring holder, from the Estate of Amo Houghtons Secretaty. Presumabley this is Steuben or Sinclair glass

Diameter: 2.5 inches
Total height: 2.25 inches. The item is in good vintage condition. There are minor surface scratches and light shelf wear on the top of the disc. The ground glass sections show expected abrasions and wear consistent with age and regular use. No chips, cracks, or structural damage are observed.

118 - Lalique Frosted and Clear Crystal Hawk Bird of Pre A crystal figurine produced by Lalique France, featuring a perched hawk or bird of prey. The piece is constructed with a frosted crystal bird exhibiting molded feather detailing, mounted on a thick, circular pedestal base of polished clear crystal. The underside of the base bears an etched cursive signature reading Lalique France.

Height: 3.5 inches
Base Diameter: 2 inches. The item is in excellent condition. There are no chips, cracks, or repairs visible. The frosted surface is even and the clear crystal remains bright. Light surface wear is present on the underside of the base from shelf contact.

119 - Attributed to Steuben Gold Aurene Iridescent Glass An iridescent art glass darner, attributed to Steuben Glass Works. The object is hand-blown with a bulbous, spherical head tapering into a long, hollow handle. It is finished with a gold metallic luster that displays strong pink, violet, and green iridescence. No signatures or factory marks are visible on the surface.
Length: 7 inches. The piece is broken at the terminal end of the handle, showing a jagged, open break where the hollow glass has snapped. The surface shows minor scuffing and light wear consistent with age and use.

120 - Steuben Acid Etched Black Glass Table Lamp with Ch This table lamp features a Steuben acid etched black glass vase of baluster form. The deep glossy black glass body is decorated with an intricate acid-etched design depicting two long-tailed birds perched among flowering branches and blossoms in the Chinoiserie style. The vessel is mounted on a circular carved dark wood base featuring a traditional meander or Greek key motif. The lamp is fitted with a stamped brass cap displaying scrolling foliate patterns and a standard brass-toned socket marked Leviton, Made in U.S.A., 250W. 250V. The assembly includes a metal harp and a small finial.
Overall height: approximately 27 inches
Vessel height: approximately 13 inches. The lamp is in good vintage condition. The black glass surface exhibits minor surface scratches and faint shelf wear consistent with age. The brass hardware shows a naturally developed patina with areas of tarnish and oxidation. The carved wood base has minor scuffs to the finish. The electrical wiring appears original and the item is sold as untested; professional rewiring is recommended for safety.

121 - Manhattan Brass Co. 1876 Double Student Kerosene L A Victorian-era brass double student kerosene table lamp manufactured by the Manhattan Brass Company of New York. The lamp features a height-adjustable central frame and a cylindrical fuel reservoir with a prominent iridescent, oil-slick patina. The twin arms support original burners, each incised around the collar with MANHATTAN BRASS CO N.Y.  PAT'D MAY 23 76. The burners are fitted with matching cased glass shades decorated with a green Greek key pattern over a frosted, textured background. Each burner is topped with a clear glass chimney. This specific base design is notable as Tiffany and Co. used the same base for several of their lamp designs. The lamp remains in its original kerosene configuration and has not been electrified, retaining its original wick mechanisms.

Height: 26 inches
Width: 20 inches
Base Diameter: 7.5 inches. The lamp exhibits significant condition issues to the glass components. One cased glass shade has a large horizontal crack and a missing chip near the lower rim. The second shade shows multiple hairline cracks and stress fractures throughout. One of the clear glass chimneys is chipped at the top rim. The brass frame and reservoir show an age-appropriate patina with minor surface oxidation and wear. The iridescent finish on the central reservoir remains largely intact. All adjustment knobs and burner mechanisms are present; however, the lamp is sold as-found and functionality for kerosene use has not been tested.

122 - Slag Glass Pine Landscape Table Lamp with Illumina An early 20th-century table lamp featuring multi-colored slag glass panels with pine landscape filigree overlays and a classical motif illuminated pedestal base, standing approximately 23 inches tall. Good

122b - Art Nouveau Style Large Reverse Painted Glass Ligh A large Art Nouveau style domed glass light shade featuring a reverse painted orange-to-yellow gradient and an acid-etched floral band, measuring approximately 18 inches in diameter with a 4-inch top opening. Good.

123 - Bradley and Hubbard Arts and Crafts Style Reverse An Arts and Crafts style table lamp featuring a reverse-painted glass shade on a Bradley and Hubbard cast metal base. The domed glass shade is finished with a matte, acid-etched exterior and is hand-painted on the interior with a continuous landscape depicting evergreen trees and rolling hills against a vibrant sunset sky. The color palette transitions from deep oranges and yellows at the crown to golden amber tones at the lower edge. The patinated cast metal base, manufactured by Bradley and Hubbard, features a fluted central column accented by an acanthus leaf collar, resting on a tiered circular foot with beaded decorative borders. The lamp is equipped with two light sockets operated by dual pull-chain switches with bell-shaped finials. The underside of the base is incised with the numerals 3383. The glass shade has a significant curved break near the top aperture that has been repaired. The repair is visible when the lamp is illuminated. The painted surface remains largely intact with no major losses. The cast metal base shows surface wear, oxidation, and thinning of the patinated finish consistent with age. The lamp is functional but features vintage wiring that should be inspected or replaced by a qualified electrician prior to use.

124 - A Pair of Roycroft Arts and Crafts Hammered Copper This matched pair of L-shaped desk bookends was produced by the Roycroft Copper Shop in East Aurora, New York. Each piece is constructed from hand-hammered copper featuring a rich, aged patina. The vertical face of each bookend is decorated with a centrally placed, repoussé stylized floral motif resembling a trefoil or four-leaf clover on a slender stem. The top and side edges are decoratively scalloped from the hammering process, and the base of each piece features a tight cylindrical roll at the front edge. The horizontal base of each bookend bears the stamped Roycroft hallmark, consisting of a double-barred patriarchal cross positioned above an orb containing a stylized letter R.

Height: 3.75 inches
Width: 2.75 inches. The bookends are in good antique condition with an authentic aged patina. Surface wear is consistent with age and use, including minor scuffs, light scratches, and small areas of oxidation. One bookend shows a small patch of white residue on the upper surface of the horizontal base plate. The hammered edges and decorative motifs remain well-defined.

125 - Roycroft Arts and Crafts Hammered Brass Book Mark An Arts and Crafts style bookmark produced by the Roycroft community in East Aurora, New York. The piece is crafted from a single sheet of hand-hammered brass or bronze, featuring a tapered blade with a rounded tip. The upper portion is folded back to create a functional tension clip. Decorative hand-tooling on the front consists of vertical rows of elongated indentations and five small square punch marks. The reverse of the clip is stamped with the Roycroft mark, featuring a cross and orb enclosing the letter R, above the word ROYCROFT. The main body of the reverse shows three circular indentations and a faint hand-incised mark reading f3.
Length: 4.5 inches. The bookmark is in good condition with surface wear consistent with age and use. Visible characteristics include a natural aged patina, scattered light oxidation, and minor surface abrasions. There is a small circular paper inventory sticker marked A2 / B2 and residual adhesive on the reverse side.

126 - Arts and Crafts Style Hammered Copper Souvenir Ash This is a triangular-form souvenir ashtray constructed from hammered copper. The piece reflects the Arts and Crafts style with its hand-hammered texture and three integrated cigarette rests at the corners. A central shield-shaped copper plaque is secured to the well with two rivets. This plaque features a die-stamped relief depicting Arch Rock on Mackinac Island, Michigan, with a sailboat visible through the natural limestone arch. The plaque includes the raised-letter inscriptions ARCH ROCK at the top and MACKINAC ISLAND, MICH. along the bottom edge. While the craftsmanship is similar to items produced during the Roycroft era, there are no maker marks visible on the item.

Width: approximately 4.5 inches. The ashtray is in good vintage condition. It retains an aged, darkened patina throughout. There are small areas of green verdigris present on the underside. No significant structural damage, dents, or repairs are noted.

127 - A Pair of Roycroft American Arts and Crafts Copper This pair of copper ashtrays was produced by the Roycroft community in East Aurora, New York, during the American Arts and Crafts movement. Each piece features a shallow circular bowl with a hand-hammered surface. The larger ashtray is designed with three curved cigarette or cigar rests soldered to the rim, while the smaller ashtray features two rests. Both pieces are marked on the underside with the Roycroft shop mark, which includes the distinctive orb and cross logo above the incised name CROFT.

Large Ashtray: 8 inches bowl diameter; 9.25 inches total width.
Small Ashtray: 4.5 inches bowl diameter; 5.75 inches total width. Both pieces remain in good antique condition with a warm, aged copper patina. Visible signs of age and use include surface scratches, minor dings, and localized oxidation with green verdigris, particularly around the soldered joints. The larger ashtray shows some visible solder residue at the base of one rest.

128 - Cairns & Brother Antique Leather Fire Helmet This antique leather fire helmet is a product of Cairns & Brother of New York. The helmet is constructed from black painted leather in a traditional high-crown design featuring a reinforced eight-comb shell. It is equipped with a front-mounted leather identification shield with the words FIRE DEPT in relief. A decorative metal shield holder is mounted at the crown, bearing a Maltese cross with the initials FD. The brim of the helmet displays embossed scrollwork decoration along the edges. The interior contains a circular manufacturer's label that reads CAIRNS & BROTHER MFRS OF FIREMEN'S EQUIPMENT & SUPPLIES NEW YORK surrounding a central Maltese cross emblem. The interior is fitted with a tan fabric liner.
Total length: 14 inches. The helmet exhibits significant signs of age and service wear consistent with use. There is widespread cracking, peeling, and loss to the black finish on the leather shell and brim. The front leather shield shows substantial wear and material loss at the top edge. The interior fabric liner is heavily worn, frayed, and partially detached from the shell. Surface dust is present throughout, and the decorative metal components show oxidation and wear.

129 - Antique United States Standard Blasting Machine Dy A United States Standard blasting machine, frequently referred to as a dynamite blaster or plunger-style detonator. The unit is housed in a rectangular wooden case constructed with visible finger-jointed corners. The exterior retains portions of an original gray paint finish over natural wood. The top of the machine is equipped with two brass wing-nut electrical terminals for wire connection and a thick leather carrying strap fastened with metal rivets. A T-shaped wooden handle is mounted to a square metal plunger rod used to generate the electrical charge. A rectangular embossed brass identification plate is mounted to the top surface.

Transcription:
UNITED STATES STANDARD
BLASTING MACHINE
WILL FIRE 1 TO 20 HOLES
TO FIRE
DRAW THE HANDLE UP UNTIL IT STOPS
THEN PUSH DOWN QUICKLY WITH FULL FORCE. The machine is in as-found historical condition. The wooden case exhibits heavy surface wear, staining, and significant paint loss across all panels. Metal components show a dark, aged patina with areas of surface oxidation. The leather handle is dry and shows signs of cracking but remains securely attached. The mechanical plunger handle is functional; however, the internal electrical mechanism is untested and the item is sold as a non-working historical artifact.

130 - A Pair of Esemco Art Deco Sterling Silver Filigree This two-piece jewelry suite includes an Art Deco style filigree bracelet and a matching pendant, both featuring large, oval faceted blue gemstones set in sterling silver. The bracelet is comprised of repeating openwork filigree links with a slide-style expansion clasp. The matching pendant features an elongated filigree frame and a decorative openwork bail. The bracelet is stamped with the maker mark ESEMCO and the purity mark STERLING. The ESEMCO trademark was used by the Shiman Manufacturing Company of Newark, New Jersey. The pendant bail bears partial, illegible marks. The blue gemstones are faceted and secured within the metal frames. Both items exhibit notable surface oxidation and tarnish.

Pendant length: 1.75 inches. Good vintage condition. There is significant surface tarnish and oxidation present on the metal surfaces of both the bracelet and pendant, particularly on the reverse. The gemstones show light surface wear and minor abrasions consistent with use. The bracelet clasp is functional.

131 - Georg Jensen Denmark Sterling Silver Two Dolphin B A vintage Georg Jensen sterling silver brooch featuring a figural design of two dolphins swimming in tandem. This piece is identified as model number 317, a design attributed to Arno Malinowski. The reverse is stamped with the Georg Jensen dotted oval maker mark, STERLING, DENMARK, and the numerical design code 317. The brooch is fitted with a standard pin stem and a rolling safety catch. It includes its original cream-colored cardboard presentation box featuring store locations in Copenhagen.
Dimensions: Approximately 1.75 inches in length. The brooch is in good vintage condition with visible oxidation and natural patina. There are no significant scratches or dents present. The pin mechanism is fully functional. The original box lid shows significant wear in the form of heavy red markings over the printed areas.

132 - 10K Gold Victorian Daguerreotype Portrait Brooch This Victorian era brooch is crafted from 10K gold and features a central oval daguerreotype portrait. The photographic image depicts an elderly gentleman with gray hair dressed in formal mid-19th-century attire, including a high-collared white shirt, a dark cravat, and a dark jacket. The portrait is protected by a domed glass cover. The image is housed within an ornate openwork 10K gold frame designed in the Rococo Revival style, accented with scrolling foliate motifs and shell-like details at the compass points. The reverse of the brooch features the hand-engraved flourished script initials L.A.C.A. The piece is equipped with a long horizontal pin and a traditional Victorian C-clasp mechanism. A small circular loop is attached to the bottom edge for a safety chain.
Height: 2 inches
Width: 1.75 inches. The brooch is in good antique condition. The daguerreotype image exhibits characteristic stardust spotting and minor foxing consistent with age. The 10K gold frame shows a warm patina with light surface scratches and minor wear on the reverse consistent with handling. The pin and clasp are functional.

133 - 14K White Gold Marquise Violet Gemstone and Diamon A 14 karat white gold ring featuring a marquise-cut violet gemstone surrounded by clear accent diamonds, marked ROMAN 14K, size 5.25, approximately 1 inch long. Good

134 - American Waltham Watch Co. 10K Solid Gold Multi-Co This antique hunting case pocket watch features a movement by the American Waltham Watch Co., specifically the Model 1891, Grade 610. The case is constructed from 10 karat solid gold, as verified by X-ray testing. It is a highly decorative multi-color gold case produced by the Roy Watch Case Co., featuring yellow, rose, and green gold floral and foliate motifs set against a fine engine-turned background. One side displays a central six-pointed star, while the other features a blank shield-shaped cartouche for engraving. The interior of the case back is marked ROY within an arched banner and bears the serial number 40879. The watch is fitted with a fancy white enamel dial decorated with blue Arabic hour markers, blue dot minute markers, and elaborate gold-colored scrollwork with red and blue accents. It includes a subsidiary seconds dial at the 6 o'clock position and blued steel hands. The nickel movement is signed American Waltham Watch Co. and Safety Barrel with serial number 5723616, featuring intricate star-pattern damaskeening across the plates. The watch is accompanied by its original velvet and satin-lined presentation box, gold-stamped for jeweler Judson & Wing, Binghamton, N.Y.
Case size: 38 mm. The watch is in excellent aesthetic condition. The 10 karat gold case retains sharp engraved details with very minimal wear. The enamel dial is exceptionally clean and appears free of hairlines or chips. The movement is clean and shows no signs of corrosion; mechanical working order is untested. The original presentation box shows exterior wear and fraying to the fabric consistent with its age.

135 - A Collection of Antique and Vintage Sewing Novelti A collection of antique and vintage sewing-related novelties and tools constructed from sterling silver, carved bone or celluloid, turned wood, mother-of-pearl, woven fibers, and early plastics. The assortment includes several decorative pincushions, notably a birdhouse form, a miniature woven basket, and a sterling silver shoe with a velvet cushion insert. The silver shoe bears a registration number RP556959 and hallmarks for Birmingham, England, including the maker mark M.L, an anchor, a lion passant, and the date letter n, corresponding to approximately 1912. The group features several advertising cases for needles and thimbles with text including Switch to Calvert It Tastes Better, F. & G. Bonds Insurance Md., and With compliments Shire Telegraph and Star. Additional items include a cowrie shell purse with a metal frame, a mother-of-pearl lidded case with a chain, an egg-shaped wooden case with circular carvings, and various thimbles in metal and woven materials. Tools include several bone or celluloid stilettos and hooks, one of which is marked STYLE C SIZE 2.
Overall width as displayed: 16.5 inches. Items show age-appropriate wear throughout. Metal components exhibit a natural patina and localized tarnish. Minor surface abrasions are present on wood, bone, and plastic elements. Some textile cushions show light fraying and fading consistent with age and use. The advertising cases retain legible text with minor paint loss and surface scratches.

137 - French School, 19th Century, 'Portrait of the Mado This late 19th-century French devotional object is a triptych-style miniature portrait. The central oval plaque depicts the Virgin Mary in profile, draped in a traditional blue veil. The portrait is likely executed in oil or enamel on a porcelain or metal substrate. It is housed in an intricately hand-carved wooden frame featuring openwork scrolling acanthus leaves and stylized floral elements, surmounted by a fleur-de-lis finial. Two hinged doors with carved floral motifs fold to enclose the central portrait. The reverse side is finished in plain wood and fitted with a hinged easel-back stand for tabletop display. No artist signature or maker marks are visible on the artwork or the frame.

4.75 x 3.25 x 1.25 inches (closed). The item is in fair to good condition. There are visible cracks in the delicate wooden openwork, particularly at the lower scrollwork and near the door hinges. Some small areas of the carving appear to have been previously stabilized or repaired. There is general surface wear and minor finish loss consistent with age. The metal hinges are functional but show signs of oxidation. The central portrait remains well-preserved with no visible chips or significant color loss.

138 - LeCoultre Atmos Gilt Brass Mantel Clock This Atmos mantel clock was produced by LeCoultre and features a 15-jewel Swiss mechanical movement designed to be self-winding through atmospheric pressure and temperature changes. The movement is housed in a rectangular gilt brass frame with five inset glass panels and a tiered base. The dial features a white chapter ring with gold-toned Arabic numerals at the primary hours and wedge-shaped indices for the remainder. The center of the dial is open to show the internal brass gears. The movement plate is engraved LeCoultre and Co Atmos, Fifteen 15 Jewels, and Switzerland Unadjusted. The top of the movement assembly is stamped with the serial number 208013. The dial is marked LeCoultre and Swiss.
Dimensions: 9.25 inches (H) x 8.25 inches (W) x 6.25 inches (D). This clock Runs. The gilt brass surfaces exhibit significant age-related wear, including pitting, tarnishing, and oxidation across the frame and base. The top glass panel has visible residue, possibly from a former adhesive label. The minute hand is noticeably bent near the tip. Minor dust is present on the interior surfaces.

139 - Alfonsas Dargis Framed Mixed-Media Abstract Faces A framed mixed-media work by Alfonsas Dargis depicting two stacked abstract faces on a greenish-gold ground, signed and dated 1970, measuring approximately 27.25 by 22.25 inches including the frame. Good

140 - Jo. Steiner, Modernist Etching with Drypoint, Fema This mid-century intaglio print, an etching with drypoint, features a stylized modernist depiction of a nude female figure holding a bird. The figure is rendered with overlapping profiles and simplified anatomical forms. The image is defined by a clear rectangular plate mark. Below the plate mark at the lower right, the work is signed in pencil Jo. Steiner and dated 58. A small, faint blue pencil mark resembling the character V is present in the lower left margin. The print is on an off-white paper sheet and displays a notable use of plate tone in the background. The impression quality remains strong. The item is unframed.

Sheet size: 15.5 x 10.25 inches. The sheet shows overall toning and light foxing throughout. Visible edge wear is present, including creasing and a folded corner at the bottom right.

141 - Hoffmann (20th Century), Botanical Composition, 19 This mid-century expressionist painting is executed in watercolor with opaque gouache highlights on toned paper. The semi-abstract botanical composition features a central large flower head, secondary blooms, and fluid, vine-like stems rendered with bold, gestural brushstrokes. The color palette includes charcoal gray, slate blue, ochre yellow, and terracotta tones. The work is signed Hoffmann and dated 1953 in the lower right corner. It is housed in a white mat and a simple gilt-finished wooden frame.
Frame: 21.5 x 19.5 inches
Sight: 16.5 x 14.5 inches. The toned paper support shows general age-related discoloration. The gilt wooden frame exhibits minor scuffing and small losses to the finish. The mat shows no significant wear.

142 - Mid-Century Modernist Abstract Biomorphic Drawing This abstract biomorphic drawing is executed in pastel and charcoal on dark-toned black wove paper. The composition features a series of interlocking, rounded organic forms rendered in shades of mint green and white, defined by thick, dark charcoal outlines that emphasize volume and shadow. The style is characteristic of mid-century modernist abstraction, focusing on organic forms and high-contrast tonal values. No signature, date, or inscription is visible on the front of the work. The drawing is housed in a simple light-colored wood frame with a greenish-blue inner bevel. Measurements are based on the included ruler.
Framed dimensions: 15.5 x 12 inches. The drawing appears to be in good overall condition. The frame shows minor surface wear and light scuffing. The work is glazed and the paper shows no visible signs of foxing, staining, or structural damage from the front.

143 - Alfonsas Dargis Signed Abstract Geometric Painting This abstract geometric composition by Alfonsas Dargis is rendered in a palette of blue, reddish-orange, and yellow, signed and dated 1961 at the lower right and measuring approximately 18 inches in height. Good

144 - Antique Waltham and Fleetwood Metal Body Co. Autom Waltham Watch Company mechanical clock integrated into a Fleetwood Metal Body Company luxury passenger compartment vanity and smoker set. Originally designed for installation in the rear compartment of high-end, chauffeur-driven vehicles such as Cadillac or Duesenberg, this unit features a wooden frame wrapped in a textured leather or faux-leather material. The front panel is decorated with diamond-pattern marquetry at the borders and a circular floral inlay surrounding the clock face. The top of the case houses three metal-lined compartments: a central section containing a leather-wrapped matchbox holder and two flanking compartments for cigarettes or cigars. The clock features a white dial with black Arabic numerals, a railroad minute track, and two hands. The dial is printed WALTHAM and FLEETWOOD METAL BODY CO. / FLEETWOOD, PA., NEW YORK, N.Y. The unit is manually wound via a crown located at the bottom edge. The reverse side consists of a dark-stained wooden panel with two metal mounting brackets and an incised mark reading 1 5 K.

Width: 7 inches
Height: 4.5 inches. The exterior wrap shows significant age-related deterioration, including deep crazing, cracking, and areas of surface loss. The interior leather-wrapped matchbox holder is frayed with substantial material loss at the top edge. The clock dial remains in relatively well-preserved condition with minor surface spotting. The mechanical movement has not been tested for functionality or timekeeping accuracy.

145 - Salvador Farfan Pair of Mid-Century Modern Mexican A pair of Mexican mid-century modern sterling silver and wood salad servers by the silversmith Salvador Farfan of Mexico City. This set consists of a serving spoon and a four-tine serving fork, both featuring hand-wrought sterling silver bowls and tines. Each piece is constructed with an elongated, curved handle crafted from a dark wood, possibly rosewood or mahogany. The connection between the silver and wood is reinforced with a silver ferrule decorated with three applied silver bead accents. The underside of the silver bowl on each piece is stamped with a circular hallmark reading HECHO EN MEXICO around the maker name FARFAN. Below this mark is a bell-shaped eagle assay mark containing the numeral 13, which indicates the piece was produced in Mexico between approximately 1948 and 1980.
Length: 11.5 inches. This pair is in good vintage condition. The silver components exhibit surface scratches, minor pitting, and tarnish consistent with age and functional use. The wooden handles show minor surface wear and small abrasions but remain structurally sound. There are no monograms or signs of previous repair.

150 - Eastern Orthodox Religious Textile Hanging with Wo A machine-woven religious textile hanging or bookmark featuring Eastern Orthodox Christian iconography. The tapestry displays two repeating images of the Virgin Mary holding the Christ Child in the Eleusa (Tenderness) style, set against a background of gold-tone metallic threads. A central ornate red and blue floral medallion separates the two icons. The icons include the Greek abbreviations MP and �Y, representing Meter Theou or Mother of God. The textile is finished with cast white-metal ornate headers. The top header is fitted with a swivel hanging ring, while the bottom header features three suspended metal crucifix pendants. The reverse side shows the woven structure of the threads. This item contains no Jewish iconography or themes and is entirely Christian in origin and design.

Length: 13 inches
Width: 2.25 inches. The item is in good condition. The metal fittings show an intentional antiqued patina. The textile displays minor wear and stray threads on the reverse side consistent with the manufacturing process. Small amounts of adhesive residue are visible on the reverse where the metal headers meet the fabric.

151 - 6FT 1843 Framed Navajo Loom-Woven Bead Watch Guard A remarkably long Navajo loom-woven bead watch guard, presented in a custom dark-painted wooden frame. The piece is constructed from thousands of small glass seed beads in colors of white, blue, and dark red. The central portion of the guard features an intricate woven moralizing inscription in block lettering which reads: STEAL NOT THE GUARD FOR FEAR OF SHAME FOR HERE YOU WILL FIND THE OWNERS NAME HENRY M. ALPINE APRIL 1843. The inscription is bordered by geometric patterns including crosses and stylized diamond motifs. The ends of the beadwork terminate in braided textile cords. The item is mounted on a cream-colored board within a narrow wooden frame. A modern descriptive label is affixed to the mounting board identifying the piece as an 1843 American bead watch chain popular during the 1830s and 1840s and noting a New Hampshire association.

Dimensions: approximately 72 inches in length (framed). The beadwork appears to be in excellent condition with no visible losses or major thread breaks to the woven body. There is minor fraying and wear consistent with age to the textile cords at the ends. The wooden frame exhibits surface scuffs, chips to the paint, and age-related wear. The mounting board shows slight even toning.

152 - 1848 Dated Sampler Style American Jacquard Woven C This is a mid-19th-century American Jacquard woven coverlet, executed in a traditional two-color palette of indigo blue wool and natural cream cotton. The textile is constructed of two panels joined by a central vertical seam, characteristic of the narrow looms used by professional weavers in regions such as Indiana during this period. The central field is decorated with a complex, repeating pattern of large floral-filled medallions featuring eight-pointed star centers, surrounded by intricate scrolling foliate and floral motifs. The borders feature a series of rectangular frames containing ornate scrolled designs, enclosed by decorative geometric and Greek key style guard borders. The corner blocks feature woven inscriptions in a sampler-like format, identifying the original owner or recipient as AMANDA BRIDGM (Bridgman) with a manufacture date of 1848 preceded by the letters AD. The inscriptions appear in both standard and mirror-image orientations due to the technical nature of the weaving process.

Width: 61 inches
Length: 83 inches. The coverlet shows wear consistent with its age and historical use. There is significant fraying and raw edges along the top and bottom margins where the original fringe or binding has been lost. The central vertical seam remains intact and secure. Occasional small areas of thinning and minor surface wear to the wool weft are present. No major staining or large holes are visible.

153 - Antique Northwest Persian or Caucasian Tribal Rug This is an antique hand-knotted tribal rug fragment, likely originating from the Northwest Persia or Caucasus region, possibly of Sauj Bulagh or Shahsavan origin. The piece likely served as a bag face, such as a khorjin or mafrash face, given its proportions and secondary border patterns. The design consists of a central navy blue field populated with stylized geometric motifs in madder red, ivory, and light blue. The field is enclosed by a prominent yellow-ground border featuring a floral vine scroll. One side contains a different border motif with geometric star-like medallions. The textile is constructed with a wool pile on a wool foundation. Four brass-tone metal hanging clips are attached to the right edge for display.
Length: Approximately 24 inches
Width: Approximately 29 inches. Fair to poor antique condition consistent with age and significant use. There is extensive pile wear across the field, with many areas worn down to the foundation. All edges show significant fraying, loss of fibers, and unevenness. Visible old repairs are present, including overcast stitching in a contrasting pinkish-red thread along the bottom edge. The textile shows general color fading and an aged patina.

154 - Antique Persian Tribal Wool Bagface or Cushion Cov This hand-knotted wool pile textile is a tribal bagface, with web intelligence identifying visually similar pieces as originating from the Shiraz region of Persia. The piece features a central diamond-shaped medallion containing stylized rosette motifs on a terracotta field. This central field is enclosed by a primary ivory and indigo border with a repeating hooked-scroll pattern, further framed by a secondary zigzag border. The construction consists of a wool pile on a wool foundation. Characteristic long, shaggy fringes of natural dark brown wool are present on two ends. Such pieces were traditionally crafted by nomadic tribes to serve as the decorative face of a transport bag or were utilized as small mats and cushion covers.
Dimensions: 22 inches x 22 inches. The item shows significant signs of age and tribal use. There is visible wear and fraying along the edges and corners, with a notable area of structural loss and unraveling at one corner. The long wool fringe is uneven and exhibits some loss. General pile wear is present throughout, consistent with an antique or vintage tribal textile.

155 - Antique Persian Tribal Hand-Knotted Wool Rug This hand-knotted tribal area rug features a wool pile on a wool foundation, characteristic of traditional Southwest Persian weaving. The decorative program consists of a dark navy blue field anchored at either end by large, prominent latch-hooked hexagonal medallions rendered in shades of rose, sage green, and cream. The central axis between these medallions contains several smaller geometric motifs and cruciform stars. The primary border displays a repeating multicolored interlocking "S" or running dog pattern on an ivory ground, framed by guard borders with small heart-shaped and floral motifs. The color palette includes navy blue, terracotta, dusty rose, sage green, ochre, and ivory. No signatures, dates, or maker's marks were found during inspection.
72.5 inches x 41.5 inches. The rug is in fair to good antique condition showing significant age-related wear. It exhibits overall low pile with several areas where the wool foundation is visible, particularly within the central field. The side edges show wear and fraying. The ends are heavily worn with the fringe almost entirely missing, leaving exposed warp threads. No large repairs are visible.

156 - Large Persian Style Medallion Decorative Rug with A large decorative floor rug featuring a traditional Persian-inspired design. The center of the rug is dominated by a large stepped medallion with a diamond-shaped core. The interior field of the medallion and the surrounding ground are decorated with a dense, repeating boteh pattern. The corner spandrels are filled with geometric floral motifs. The rug is finished with a distinctive main border containing repeating stylized camel figures interspersed with geometric symbols. The color palette consists of various earth tones including ochre, tan, and dark brown. The construction features a low, velvety pile, possibly of a synthetic fiber or fine wool, with a heavy canvas-like woven backing characteristic of machine-loomed or hand-tufted decorative textiles. The reverse side features illegible markings that include characters resembling 9 5 or 2 5, along with other blurry stamps or hand-written notations.

Length: 97 inches
Width: 57 inches. The rug shows visible signs of use and storage. There are several areas of staining, including a prominent dark liquid-like stain on one section of the inner border. Creasing is present throughout the body of the rug from being folded. There is light general wear and surface soiling to both the pile and the reverse backing.

157 - Vintage Afghan Tekke Bukhara Hand-Knotted Wool Rug This vintage hand-knotted wool rug features a traditional Tekke Bukhara pattern, commonly associated with Afghan or Pakistani tribal weaving centers. The terracotta-red field displays five vertical rows of octagonal Tekke guls accented in dark brown, black, and cream. Small geometric chemche motifs appear between the primary medallions. The design is framed by multiple narrow geometric borders. The piece is constructed with a hand-knotted wool pile on a wool foundation.
60 in. x 84 in. The rug is in fair to good condition with visible wear to the wool pile and general color fading consistent with age. The fringe at both ends is heavily worn, frayed, and uneven.

158 - Arts and Crafts Wrought Iron Bridge Floor Lamp wit This bridge-style floor lamp is constructed of hand-forged wrought iron featuring a tripod base with scrolled feet and a central stem with decorative twisted segments. The adjustable curving arm is secured by a forged loop. The fixture is fitted with a period brass socket stamped with the manufacturer mark H.M.H. CO. and various patent dates. The lamp is paired with a blown iridescent blue glass shade of a flared tulip form, designed with vertical ribbing and a ruffled, scalloped rim. The glass displays deep peacock-blue iridescent tones when unlit and warm golden-orange hues when illuminated. The lamp has been rewired with a modern black plastic-coated cord.
Glass shade length: 5.25 inches. The lamp is in good antique condition. The wrought iron retains a dark, aged patina with minor surface wear and light oxidation consistent with its age. The iridescent glass shade is intact; the fitter rim exhibits typical minor roughness and small flea bites from use and contact with the metal shade holder. The lamp was functional at the time of cataloging, but all vintage electrical items should be inspected by a professional before use.

159 - Standard Electric Portable Lamp Co. Art Deco Chrom This Art Deco aviation-themed smoker's stand floor lamp was manufactured by the Standard Electric Portable Lamp Co. of Chicago, Illinois. The piece is constructed from chrome-plated metal and nickel-plated accents, featuring variegated slag glass components in marbled shades of orange, yellow, and cream. The lamp is surmounted by a polished metal scale model of a twin-engine propeller aircraft resembling a Douglas DC-3. Below the aircraft are two orb-shaped variegated glass diffusers with tiered metal bands. The central section features a circular gallery tray with an embossed scroll and foliate pattern, holding smoking accessories including a lidded cigarette humidor, an ashtray, and a decorative microphone-shaped ornament. The pedestal consists of a central metal pole leading to a large, fluted, translucent glass column base that is internally illuminated. The assembly rests on a weighted, decorative cast metal circular base. A partially preserved paper label on the underside of the aircraft wing reads in part ELECTRIC STANDARD, PORTABLE LAMP, and CO. CHICAGO. The microphone ornament on the tray is cast with the word AMICO in raised letters. The lamp has been retrofitted with a modern multi-color LED lighting system and includes an RF wireless remote control.
Height: 35.5 inches. The lamp is in good vintage condition with wear consistent with age and use. There is visible pitting, surface oxidation, and minor loss to the chrome and nickel plating throughout the metal surfaces. One propeller blade on the aircraft model shows a slight bend. The paper maker label is fragmented and partially illegible. The electrical system has been altered from its original factory state with the addition of a modern power cord and LED components.

160 - Art Deco Cast Metal and Uranium Slag Glass Bridge An Art Deco bridge floor lamp, commonly referred to as a junior lamp, featuring a cast metal frame with a dark bronze-toned patina and uranium slag glass components. The central shaft is punctuated by six faceted and fluted spacers crafted from marbled yellow uranium slag glass. The bridge arm is adorned with characteristic Art Deco geometric motifs, including fan shapes and stepped linear patterns. The lamp is supported by a square cast metal base with scrolled foliate feet and a matching inset square panel of uranium glass. The vertical metal pole is decorated with a repeating embossed geometric design. The lamp socket is equipped with a pull-chain and a threaded shade fitter ring. The shade fitter is stamped with the characters UNO and PAT DEC 24-12. The item shows signs of age and wear consistent with its period. There is visible surface oxidation, patina, and minor rust on the cast metal components and central shaft. The uranium slag glass elements appear to be in good condition, though minor surface wear or fleabite chips may be present. The lamp is currently missing its original glass shade. The electrical cord is vintage and should be inspected or replaced by a qualified professional for safety before use.

161 - Art Deco Cast Metal and Uranium Glass Bridge Floor An Art Deco cast metal bridge floor lamp of American manufacture, dating to circa 1920s–1930s. The lamp features a highly stylized, openwork bridge arm decorated with geometric diamond motifs and sunburst fan designs. The central shaft is square-sectioned with a repeating waffle textured pattern. The stem is accented with two pale green uranium glass spacers, consisting of a rectangular block at the base and a circular ring at the midpoint. It stands on a heavy, decorative cast metal base featuring an intricate, openwork Art Deco design with radiating lines and stylized floral elements. The lamp is equipped with a single downward-facing socket and a pull-chain switch featuring a white spherical finial. The underside of the base features incised markings, including the number 4, a circular stamp containing a character that appears to be a 6, and the numbers 8 and 1, which likely serve as production or mold numbers. The lamp shows wear consistent with age and use. There is general oxidation, surface pitting, and loss to the decorative metal finish throughout. The circular uranium glass spacer at the midpoint of the shaft has significant visible cracking and crazing. The base shows accumulation of dust and minor corrosion in the recessed areas of the casting. The lamp includes a two-prong cord but has not been tested for functionality; given the age and appearance of the wiring, professional inspection and rewiring are recommended for safety.

162 - A Pair of Baluchi Hand-Knotted Wool Saddlebag Face A pair of hand-knotted tribal saddlebag faces, identified as Baluchi (Belouch) khojin, likely originating from the Khorassan region of Northeast Persia or the Afghanistan border area. Each piece features a deep indigo-blue field decorated with a complex array of geometric tribal motifs, including stylized Tree of Life forms, stepped pyramids, and various small geometric medallions. The field is enclosed by multiple borders, with the primary border displaying a repeating interlocking running dog geometric pattern in cream and madder red. One end of each piece features a distinct decorative horizontal panel containing three large diamond-shaped medallions, which originally would have been part of the bridge or back of a double saddlebag. The pieces are constructed with hand-spun wool pile on a wool foundation.

Width: 26 inches
Length: 28 to 29 inches. The items exhibit moderate overall wear consistent with age and tribal use. There is visible fraying and minor loss to the outer edges and the wool fringe. The colors are well-preserved with characteristic abrash natural color variations in the dye lots.

163 - Turkmen Ersari Style Hand-Knotted Wool Tribal Area A hand-knotted wool area rug in the Ersari Turkmen tribal style, potentially of Afghan origin. The rug features a deep madder red field decorated with two vertical rows of four large octagonal medallions, known as elephant foot guls, rendered in dark brown and black. This central field is enclosed by multiple geometric borders, including a wide primary border with a repeating diamond lattice pattern and various secondary guard borders featuring sawtooth and crenelated motifs. The construction consists of a hand-spun wool pile on a wool foundation. No maker marks or labels are visible.
Length: 105 inches
Width: 81 inches. The rug is in used condition with visible signs of age and significant wear throughout. The wool pile shows overall thinning and areas of heavy wear, particularly in the central field. There is a noticeable accumulation of surface debris, including lint and hair, indicating that a thorough professional cleaning is required. The fringes at both ends are heavily worn, unevenly frayed, and partially missing. The selvages exhibit minor fraying and some loss of edge binding in small areas. Creases from previous storage are present.

164 - Antique Hand-Knotted Caucasian or West Persian Tri This antique hand-knotted tribal textile is a bag face, likely a khorjin or mafrash panel, originating from the Caucasus or West Persian region. The central field features an all-over geometric lattice pattern composed of interlocking diamond compartments, each containing a stylized eight-pointed star rosette. The color palette is composed of deep indigo blue, madder red, and ivory, with accents of light blue and dark brown. The piece is framed by multiple borders, including a primary border of linked octagonal medallions and secondary running dog and barber pole guard stripes. The top edge retains a dark brown kilim flatweave finish decorated with a row of small, multi-colored embroidered florets. A braided hanging loop is attached to the upper right corner.
21.5 inches x 21 inches. The piece is in fair antique condition with significant low pile and areas of foundation exposure throughout the field. The fringes are heavily frayed with loss to the ends and selvedges. No major repairs are immediately evident.

165 - Antique Persian Hand-Knotted Wool Rug Fragment A small antique hand-knotted wool rug fragment, likely originating from the West Persia region or of Kurdish weaving tradition. The piece features a square format with a navy blue central field decorated with dense floral and foliate sprays. This interior field is enclosed by multiple decorative borders, including a wide main border in a terracotta or salmon tone with repeating floral blossoms, flanked by ivory-ground guard borders featuring scrolling vine motifs. The color palette includes navy, terracotta, ivory, mustard yellow, and light blue. The fragment is constructed with a wool pile on a cotton foundation.
Dimensions: 25 inches by 26 inches. The item is in distressed, as-is condition. There is significant wear to the wool pile throughout the surface. All edges are frayed and tattered, with a substantial area of material loss and unraveling at one corner. The fringes are uneven and damaged.

166 - American Folk Art Hooked Wool Rug with Floral and This traditional North American folk art hand-hooked rug is constructed using wool strips hooked through a woven backing. The design features a checkerboard grid of twenty-four alternating squares. Twelve squares contain stylized floral pansy motifs in shades of blue, yellow, and rust-orange with green leaves set against a dark chocolate brown background. These alternate with twelve geometric squares featuring a concentric log cabin pattern in variegated tones of tan, light brown, and cream. The central field is enclosed by a narrow, single-row blue hooked inner border and finished with a wider variegated brown hooked outer border. The style and construction are characteristic of early to mid-20th century American or Canadian Maritime textile arts.

Width: 32.5 inches
Length: 43.5 inches. The rug is in good vintage condition with minor, age-appropriate fraying and wear visible along the edges. The colors show gentle mellowing consistent with age and use. No significant stains, holes, or visible repairs are noted on the primary surface.

167 - Antique Turkish Anatolian Hand-Knotted Wool Tribal A small hand-knotted tribal rug, likely of Anatolian (Turkish) origin, potentially used as a yastik (pillow cover) or small prayer mat. The design features a central, large, stepped geometric medallion on a vibrant red field. This medallion contains internal geometric patterns and is flanked by latch-hook motifs and smaller tribal symbols. The central field is enclosed by several narrow geometric borders, including a recurring S-motif in the outer guard borders. The color palette is dominated by a deep red, accented with golden-yellow, dark brown, ivory, and touches of lavender. The rug is constructed with a wool pile on a wool foundation, indicated by the brown and cream warp and weft threads visible on the reverse. No maker's marks or inscriptions are present.

35 inches in length by 18.5 inches in width. Fair condition. The piece shows significant wear consistent with an antique tribal rug. There is substantial loss to the fringe at both ends, leaving foundation threads exposed. The side selvedges show fraying and loss of original wrapping. The pile is uneven with general thinning and wear visible throughout the field.

168 - Vintage Turkish Anatolian Hand-Knotted Wool Yastik This hand-knotted tribal village rug, traditionally identified as a Turkish yastik, features a central stepped hexagonal medallion in madder red and ochre containing a complex cruciform geometric motif. The medallion is positioned within a sage-colored rectangular field that includes four stylized floral spandrels in the corners. The composition is framed by a geometric main border and two distinct horizontal end panels, or elem, featuring repeating botanical and tree of life motifs in shades of red, yellow, and black. The textile is constructed with a hand-spun wool pile on a wool foundation. The design elements and color palette are characteristic of village rugs from the Anatolian region, with some similarities to Dazkiri weaving traditions.
Width: 18.5 inches
Length: 31 inches. The rug is in good vintage condition with moderate pile wear consistent with age and use. There is minor fraying and partial loss to the original fringes at both ends. The natural dyes remain saturated and vibrant.

169 - Early Four-Gallon American Salt-Glazed Stoneware C An early American salt-glazed stoneware storage crock, 19th Century. The vessel features a cylindrical form with a slightly tapered base and two applied lug handles. The exterior is finished with a characteristic salt glaze exhibiting an orange-peel texture and various firing-related discolorations. The interior is coated with a dark brown Albany-type slip. On the shoulder, the jar features an incised numeral 4 accompanied by a smaller vertical and horizontal stroke, indicating its four-gallon capacity; these markings are highlighted with a light cobalt blue wash. Below the capacity mark is a brushed cobalt blue decoration of a stylized, abstract motif. This stoneware piece is characteristic of 19th-century production in the Northeastern or Mid-Atlantic United States. As specified, this early crock contains a hole in the bottom and some chipping.

Height: 14 inches. This early crock is in fair condition with visible structural alterations and wear. A circular drainage hole has been drilled through the center of the base. There is a visible vertical hairline crack extending from the base edge upwards into the lower body. Significant chipping and flaking are present around the rim, including one area of loss measuring approximately 1 inch wide. The surface shows general wear, scattered pitting, kiln kisses, and notable white mineral deposit staining throughout the interior.

170 - Tiffany & Co. Sterling Silver Clover Form Trinket A mid-20th-century sterling silver trinket dish by Tiffany & Co. designed in a stylized five-lobed clover or floral form. The piece features a shallow, hammered-texture well with radial veins and an integrated ring handle at the rim. The underside is stamped with the hallmarks TIFFANY & CO MAKERS STERLING 23303 L. The L directorship mark dates the production of this piece to the period between 1955 and 1965 under the directorship of William T. Lusk. The lot includes a Tiffany & Co. blue felt drawstring storage pouch.

Width: 4.75 inches
Weight: 4.2 oz. The silver dish exhibits moderate surface wear including visible fine scratches and tarnish throughout. The accompanying felt pouch shows light staining and a small pink ink mark on the exterior.

171 - A Pair of Norwegian Sterling Silver Vermeil and Cu A pair of individual miniature salt and pepper shakers featuring cut crystal bodies and sterling silver vermeil caps with guilloche enamel. The clear crystal bodies are deeply cut with a sharp diamond pattern. The screw-on caps are constructed of gold-washed sterling silver. The top of each cap is decorated with white guilloche enamel in a radiating sunburst pattern, finished with a small black enamel dot at the center. The edge of each metal cap is incised with the marks STERLING NORWAY.

Height: 1.5 inches. The shakers are in excellent vintage condition. The guilloche enamel is intact with no visible chips or cracks. The silver-gilt finish shows minor, age-appropriate oxidation and tarnishing, primarily near the threads. The cut crystal bodies are clear without cloudiness, and the facet edges remain sharp.

172 - Ricordo di Venezia Cast Bronze Sculpture of a Gond This cast bronze sculpture depicts a traditional Venetian gondola, commonly produced as an Italian travel souvenir. The piece is made of a copper alloy with a dark, aged patina and features a detachable gondolier figure holding a separate brass oar. The hull is decorated with various relief patterns including scrollwork, floral motifs, and a checkered deck. On a raised band near the prow, the sculpture bears the embossed Italian inscription RICORDO DI VENEZIA. The interior includes a textured seat area and a small decorative chain detail attached to a post. The underside of the hull is smooth and finished.
4.5 x 2.25 x 11 inches. The sculpture displays general surface wear and minor oxidation consistent with age. Verdigris is present in the interior recesses. There is a slight bluntness or minor loss to the tip of the prow decorative iron. The gondolier and oar are detached and separate from the hull as designed.

173 - 19th Century Single-Draw Mahogany and Brass Marine This antique single-draw marine or terrestrial telescope is constructed with a primary barrel of polished mahogany and a single brass draw tube. The instrument features knurled brass collars at the joints for improved grip and a functional sliding brass dust cover over the eyepiece. This telescope works by manually extending the internal brass tube to adjust the focal distance. No maker marks, engravings, or signatures were found on the brass components or the wooden barrel. The style and construction materials are consistent with late 19th-century maritime or officer instruments.

Eyepiece assembly length: approximately 3.5 to 4 inches
Overall closed length: approximately 20 to 24 inches. The telescope is in functional antique condition with signs of age and use. The draw tube moves freely, and the sliding eyepiece cover remains operational. The brass components exhibit a heavy aged patina with scattered surface oxidation and minor pitting. The mahogany barrel shows surface scratches, small dings, and localized wear to the finish. Both the objective and eyepiece lenses are present, though they exhibit internal dust and light haze consistent with age.

174 - Monarch Handheld Stereoscope with a Collection of A Monarch brand handheld stereoscope, Holmes-style, accompanied by a collection of stereoview cards. The instrument is constructed from mahogany-stained wood with a turned wood handle and a sliding crossbar equipped with metal wire clips for card placement and focal adjustment. The viewer features an embossed silver-toned metal hood decorated with scrollwork and floral patterns, finished with a padded protective trim. Two glass lenses are mounted within a dark frame inside the hood. The top of the metal hood bears an embossed circular seal containing a bird figure and the word MONARCH. The lot includes a collection of stereoview cards from various publishers, including the Keystone View Company and B.W. Kilburn. One card features a 1901 copyright date. Subjects on the cards include international landscapes, domestic interiors, and portraits. A black textured cardboard storage box is included with the collection. The stereoscope is in good vintage condition showing signs of age-appropriate wear. The wooden frame and handle are intact, and the sliding mechanism is functional. The metal hood displays light surface oxidation and wear to the padded trim. Lenses are clear with some minor dust. The stereoview cards show typical edge wear, toning, and light foxing consistent with their age. The cardboard storage box exhibits significant wear and structural damage.

175 - Vintage Hand-Crocheted Medallion Cotton Coverlet A vintage hand-crocheted medallion coverlet or large tablecloth constructed from fine cotton crochet thread. The piece is composed of numerous individual circular medallions joined together to form a continuous openwork grid. Each medallion features a central starburst or floral motif with a series of concentric patterns. The textile is finished with a naturally scalloped perimeter edge created by the circular shape of the outer medallions. This item is likely of American origin from the mid-20th century.

70 inches x 60 inches. The coverlet is in fair to good condition. It exhibits significant and uneven age-related discoloration, including a prominent darkened band of tan or caramel-colored staining running through the central section. Mottled staining and foxing are visible throughout the textile, typical of long-term storage. While the overall structural integrity appears sound, there are some minor loose threads and small breaks in the delicate lace-work. The item has not been laundered or treated for stains.

176 - Antique American Red and White Oak Leaf Variant Ap An antique hand-stitched applique quilt featuring twelve blocks of white stylized foliate motifs, frequently identified as an Oak Leaf or Maple Leaf variant, set against a vibrant red cotton ground. The blocks are separated by white cotton sashing and finished with a narrow white border. The piece is extensively hand-quilted with parallel diagonal lines and decorative stitch outlines that follow the contours of the applique shapes. The reverse is finished with a solid red cotton backing. One corner features a hand-embroidered inscription in red thread.

Transcription of Inscription: march 13 / 1908

Width: 60 inches
Length: 74 inches. The quilt is in fair to good antique condition. There is significant and widespread yellow and brown age-related staining, which is most prominent on the white sashing, applique motifs, and border sections. The red backing fabric shows areas of fading, surface wear, and light soiling consistent with age. Minor fraying and wear are visible along the edges. No major holes or tears were observed.

177 - Vintage Hand-Pieced and Hand-Quilted Grandmother's This vintage textile is a long quilt runner featuring the traditional Grandmother's Flower Garden pattern, a mosaic design composed of hexagonal patches. The piece is constructed from various cotton fabrics, including solid colors and printed floral or geometric patterns characteristic of the 1930s to 1950s. Each stylized flower motif consists of a central white hexagon surrounded by a ring of six solid-colored petals in blue, green, pink, or yellow, which is then bordered by a second ring of printed fabric. These motifs are set into a white cotton ground. The runner is entirely hand-pieced and hand-quilted, with the quilting stitches following the hexagonal contours of the pattern. The edges are scalloped, following the shape of the outer hexagons. The backing is a solid white cotton fabric. No maker marks or labels are present.

80 inches (L) x 32 inches (W). The item is in fair to good vintage condition. There are prominent orange and rust-colored stains visible on several sections of both the front and back, likely from fugitive dye or oxidation. A significant tear is present in one of the lower-left printed floral hexagons. The edges show fraying and wear consistent with age and use. There is general surface soiling, light blue spotting in some areas, and overall yellowing to the white ground.

178 - Vintage Hand-Pieced and Hand-Tied Pink and White C This is a mid-century vintage utility quilt, hand-pieced and hand-tied. The primary side features a checkerboard pattern composed of alternating large solid white blocks and four-patch blocks pieced from smaller pink and white squares. The pink fabric is a cotton with a fine pinstripe or chambray-style weave. The reverse side features a different pieced checkerboard pattern in alternating shades of white and off-white/cream. The quilt is hand-tied at the centers of the large blocks with white thread and is finished with a simple pink fabric binding along the edges. No maker labels or marks are present.

Length: 67.5 inches
Width: 62.5 inches. Fair to good vintage condition. The quilt shows several prominent brown moisture stains and areas of foxing scattered across both the white and pink fabric sections. There is general age-related yellowing and discoloration to the white blocks. Light fraying and wear are visible along the bound edges and at the corners. The hand-ties are largely intact and the structural integrity is good despite cosmetic staining.

179 - 1920s 1930s Jaeger Machine Co Tin Tacker Advertisi An antique rusted 1920s 1930s tin tacker advertising sign for the Jaeger Machine Company measuring approximately 8.25 by 4 inches. Damaged

180 - Vintage Goulds Pumps 1920s-30s National Sign Mfg. A vintage heavily distressed blue metal sign for Goulds Pumps and Water Systems produced by National Sign Mfg. measuring approximately 15.5 inches wide. Damaged

181 - Gorham Sterling Silver Curtiss USA Scout Aviation A sterling silver commemorative souvenir spoon manufactured by the Gorham Manufacturing Company of Providence, Rhode Island. The handle obverse features a decorative finial with an engraved early 20th-century biplane, identified by the accompanying text CURTISS, U.S.A., and SCOUT. The engraving depicts a single-engine scout aircraft with an open cockpit and fixed two-wheeled landing gear. The reverse of the stem is stamped with the word STERLING followed by Gorham manufacturer hallmarks consisting of a lion passant, an anchor, and a gothic letter G. An additional small diamond-shaped mark is present below the primary hallmarks. The reverse of the handle is incised with the date 1920.

Length: 4.375 inches. The spoon is in good antique condition, exhibiting a heavy and consistent natural patina across all surfaces. The engraved details on the handle and the manufacturer stamps on the reverse remain crisp and legible. There are no observed bends, breaks, or evidence of previous repair.

182 - Circa 1920s-1930s Franklin Aircraft Engine Franklin aircraft engine , disassembled basket case engine likely dating to the 1920s or 1930s. The collection includes a main crankcase assembly featuring a visible internal camshaft, lifters, and timing gears. Also included are multiple individual air-cooled cylinder jugs with prominent cooling fins, cast intake and exhaust manifolds, and various cover plates and hardware components. The crankcase is embossed with the name FRANKLIN and the number 10196. A small riveted metal tag on the crankcase is stamped with the code L-00210. One stamped cover plate features the Franklin brand name in cursive script with the digit 3 below. These parts represent the horizontally-opposed air-cooled engine architecture produced by the Franklin Automobile Company and later Aircooled Motors Corporation. Engine Appears to be complete Used, unrestored barn find condition. All components show a heavy accumulation of dust, old grease, and surface oxidation consistent with long-term storage. The engine is fully disassembled and is offered as-is for parts or complete restoration.

183 - WW1 Curtiss Jenny Aircraft American Propeller and This antique World War I era two-blade aircraft propeller was produced by the American Propeller and Manufacturing Company of Baltimore, Maryland. The propeller is constructed from multiple laminations of wood, likely mahogany or oak, and features copper or brass leading-edge sheathing secured with a series of rivets. Each blade retains a printed manufacturer decal featuring the word PARAGON within an oval over a winged motif. The central hub is fitted with a metal mounting plate and eight bolts, several of which are interconnected with original safety wiring. The hub bears several incised markings; on one side, characters read DES 61-C and AMER. PROP. CO., while the opposing side is marked ORDER NO 7082, 608977, and DIA 7 6 R 4.88. The 61-C design is historically documented for use on World War I training aircraft, specifically the Curtiss JN-4 Jenny.
Length: 90 inches. The propeller is in original, unrestored condition. There is extensive crackalure and crazing to the aged varnish over the wood surfaces. The metal sheathing and hub hardware show oxidation, surface wear, and a heavy overall patina consistent with age. Minor surface scuffs and abrasions are present on the wood.

184 - 1920s R&H Beer Tin Tacker Sign Rubsam and Horrmann Vintage lithographed tin advertising sign, or tin tacker, for R&H Beer from the Rubsam and Horrmann Brewing Company. The brewery was a landmark institution located in the Stapleton neighborhood of Staten Island, New York City. The sign features a yellow field with the slogan "Old Friends Are Best" printed in script across the top. The central branding "R&H BEER" is displayed in large red block letters with black outlines. The middle line identifies the varieties as "PILSNER" and "WĂśRZBURGER," separated by a bullet point. The bottom line identifies the company as "RUBSAM & HORRMANN BREWING CO. STAPLETON NEW YORK CITY." The reverse is finished in light green paint. This item represents a piece of early 20th-century New York brewing history.

Height: 11 inches
Width: 21.5 inches. Weathered, as-found condition. The sign shows significant surface oxidation and rust throughout the front and the green-painted reverse. There are numerous scratches, scuffs, and small dents consistent with age and outdoor exposure. A notable puncture is present through the letter B in the word BEER. There is a jagged tear with metal loss on the bottom edge near the right corner. The perimeter edges and corner mounting holes show wear and corrosion.

185 - Victorian Era Crazy Quilt Top with Embroidered Sig This is an antique Victorian-era crazy quilt top dating to the late 19th or early 20th century. The piece is composed of 30 individual blocks arranged in a 5 by 6 grid. It features a diverse assemblage of luxury and utilitarian fabrics including silk, satin, velvet, wool, and cotton. The construction employs various traditional geometric patterns such as Log Cabin, Tumbling Blocks, LeMoyne Star variants, checkerboards, triangles, and Orange Peel designs, interspersed with spontaneous crazy patch blocks. Decorative hand-stitched embroidery joins the patches, utilizing styles such as feather, herringbone, and cross-stitching. Several blocks contain hand-embroidered signatures, including LeRoy, Mrs. W. Garrison, Mrs. Hooker, Mrs. Matthews, Lois Withey, and Mrs. Kinne. One silk panel retains a printed label for the Lace House in San Francisco. The reverse side displays recycled foundation fabrics, including a printed sack fragment for Refined Salt Put up Expressly for Dairy and Table. This textile remains an unfinished top without batting or a single backing fabric.

79 inches x 64 inches. General wear consistent with an antique textile. Significant shattering and splitting are visible on multiple silk and satin panels, characteristic of the metallic salt treatments used in Victorian silk manufacturing. The outer edges are unfinished and exhibit fraying and loose threads. The foundation fabrics on the reverse show general aging, yellowing, and light staining. Most decorative embroidery remains intact.

186 - Early 20th Century Standard Churn Co. 4-Gallon Woo This antique dash butter churn is manufactured by the Standard Churn Company of Wapakoneta, Ohio. The object features a tapered barrel body constructed of wooden staves held together by three metal hoops. The front of the barrel is stenciled in black ink with the text: NO. 0 - 4 GALLS, STANDARD, CHURN CO., WAPAKONETA. O. This marking indicates a 4-gallon capacity and identifies the manufacturer and origin. The churn includes its original wooden dasher rod and a wooden lid that rests within the upper rim of the barrel. The piece utilizes traditional stave construction common in early 20th-century American dairy equipment.

Dasher rod length: 35 inches
Barrel height: Approximately 19 inches. The churn is in good vintage condition showing signs of age and historical use. The wooden staves and dasher exhibit surface staining, weathering, and minor drying cracks throughout. The metal hoops display a dark patina and surface oxidation. Minor chipping and losses are visible along the top rim and bottom edges of the wooden staves. The stenciled markings remain mostly legible despite some fading and surface wear.

187 - Vintage Clark's O.N.T. Boilfast Lithographed Metal An antique lithographed metal countertop display cabinet produced for Clark's O.N.T. Boilfast brand sewing thread. The cabinet is constructed of sheet metal with a slanted-front profile and features three tiers of inclined internal shelves divided into individual spool compartments. The exterior is decorated with a dark blue ground and yellow and black advertising lithography. The side panel features the circular Clark's Trade O.N.T. Mark Boilfast logo. The lower front base is prominently labeled Clark's O.N.T. Boilfast. The front edge of each interior shelf contains printed color names and identification numbers including 4 Blue, 5 Copenhagen, 10 Monaco Blue, 107 Blue Jewel, 13 Navy, 121 Dk. Turquoise, 103-A Rustana Red, 102-A Dk. Orchid, 25 Steel, 108 Coral, 31 Pink, 32 Rose Pink, 32-B Dk. Rose, 156 Dk. Old Rose, 62 Nile Green, 63 Lt. Green, 64 Hunter, 65 Forest Green, 15-A Pongee, 16 Ecru, 17 Buff, 18 Beige, 157-A Yellow, 74 Golden Rod, 49 Brown, 50 Dk. Brown, 55 Colonial Brown, and 56-B Cloister Brown. The cabinet contains an assortment of vintage wooden thread spools in various colors and stages of use.
Width: 14.75 inches
Depth: 8 inches
Height: 7 inches. The cabinet is in fair, heavily used condition. There is significant and widespread paint loss, surface oxidation, scratches, and pitting throughout the metal surfaces, most notably on the side panel and the front base. The lithographed advertising text and shelf labels remain largely legible despite the surface wear and oxidation.

188 - Antique German Musical Alarm Carriage Clock Attrib This antique German carriage clock features an integrated mechanical movement with a complication that plays music when the alarm is triggered. The rectangular case is constructed from nickel or silver-plated brass, showing significant wear to the plating that reveals the yellow brass base metal beneath. The design includes a tiered, stepped base, a folding handle, and beveled glass panels on the top and sides. The rear of the clock is fitted with a hinged brass door featuring horizontal slats, a design intended to provide resonance for the internal music box mechanism. The circular white porcelain dial is set with black Roman numeral hour markers and an outer minute track. The dial features two sub-dials: a seconds register at the 12 o'clock position and an alarm-setting dial at the 6 o'clock position. The dial is framed by a finely engraved, gilded mask with an ornate foliate and scrollwork pattern, and the hands are crafted from blued steel. The wooden underside of the base retains a worn paper label identifying a jeweler in Dundee, Scotland, and the movement's regulator is marked F and S for speed adjustment. A winding key is present.

Base width: 5 inches
Height with handle upright: 7 inches. The case shows heavy honest wear consistent with age, with much of the original plating worn away and visible oxidation to the metal surfaces. The glass panels appear intact and free of significant chips or cracks. The mechanical movement and musical mechanism appear complete; however, the functional condition and timekeeping accuracy have not been tested.

189 - Victorian Shadow Box Display of Christ and the Twe This Victorian shadow box display contains a group of bisque porcelain or parian ware figurines depicting Christ and the twelve apostles. The figures are modeled after the neoclassical sculptures of Bertel Thorvaldsen and are positioned within individual arched niches. The background consists of a molded terracotta-colored composition backboard featuring scrolling grapevine and foliate motifs. Each figurine stands on a plinth base incised with a Latinized name, including PETRUS., PAULUS., JOHANNES., THOMAS., PHILIPPUS., JACOBUS D.E., THADDEUS., BARTHOLOMEUS., MATTHEUS., JACOBUS D.M., and SIMON ZELOTES. The assembly is housed in a deep, multi-tiered frame with a dark wood outer case and a gilded inner molding featuring a beaded border. The reverse of the frame includes handwritten notations and dates of 1880 and 1881, alongside remnants of a German-language paper label with the text Fabrikant and gasse No 23.

Measurements: 26 inches x 24 inches x 5 inches. The display is in an aged condition consistent with the late 19th century. Visible wear is present on the frame's finish, with scattered losses to the gilding and gesso molding. There is general surface soiling across the interior components. A small decorative cross from one of the figures is detached and remains loose within the glazed case.

190 - Zim-Gar Vintage Solid Body Electric Guitar, Japan, This is a solid-body electric guitar manufactured in Japan during the 1960s, attributed to the Zim-Gar brand. Zim-Gar was a brand name used by the New York importer Gar-Zim Musical Instruments for guitars manufactured by Japanese factories such as Teisco and Zen-On. The instrument features a double-cutaway solid wood body and a bolt-on neck finished in dark red. The neck includes a rosewood fingerboard with plastic dot inlays and ends in a distinctive scroll-top headstock. The face of the headstock retains a partial waterslide decal featuring a stylized red letter Z and a graphic of a penguin mascot wearing a hat and scarf. Electronics include a single chrome-covered single-coil pickup in the neck position mounted to a black plastic pickguard. The pickguard features two holes for control potentiometers and an output jack. Hardware consists of a metal trapeze-style tailpiece with a hinged cover and three remaining open-gear tuning machines with white plastic buttons. The instrument is in poor to fair, unrestored condition. A significant structural crack is present in the wood of the upper cutaway, extending from the edge toward the neck pocket. The red finish shows extensive wear throughout, including deep scratches, chips, and finish loss on the edges and headstock. The headstock decal is damaged and partially missing. Missing components include three tuning machines, both control knobs, and three strings. Metal hardware exhibits pitting and oxidation. Electronics are untested. The guitar requires substantial repair and restoration to be returned to playable condition.

191 - Vintage Teisco Short Scale Electric Bass Guitar wi This vintage short-scale electric bass guitar is identified as a Teisco manufacture, likely dating to the 1960s, and is offered fresh out of an attic in untested condition. The instrument features an offset wood body with a classic three-tone sunburst finish. It is constructed with a bolt-on maple neck and a rosewood fingerboard. The bass is equipped with two single-coil pickups featuring chrome covers with horizontal slits, commonly referred to as gold foil style pickups. The electronics configuration includes a white rectangular rocker switch for pickup selection and master volume and tone controls with fluted knobs mounted on a separate chrome control plate. A white plastic pickguard protects the body and includes a factory-installed wooden thumb rest. The bridge and tailpiece are fitted with a chrome cover. The headstock retains fragmentary gold-toned script characters identifying the maker as Teisco, and the chrome neck plate features a small stamped stylized crown emblem. The instrument is accompanied by a period-correct hardshell case with a black exterior and a turquoise plush interior. The instrument is in heavily used, relic condition consistent with age and long-term storage. The body exhibits significant finish wear throughout, including numerous scratches, scuffs, and a large area of missing finish on the back. The headstock shows significant chipping along the edges and the logo decal is partially worn away. All chrome hardware shows signs of oxidation and pitting. The white pickguard displays heavy surface wear and discoloration. One control knob appears to be a non-matching replacement. The electronics are currently untested and the functional status of the pickups and switches is unknown. The hardshell case shows significant exterior wear, including scuffing, peeling of the outer covering, and one damaged or missing latch.

192 - Kay K580 Galaxie Hollow Body Electric Guitar A vintage Kay K580 Galaxie single-cutaway hollow body electric guitar, recently recovered fresh out of an attic. This American-made instrument features a laminated maple top, back, and sides with a sunburst finish and white binding. The guitar is designed with traditional f-holes and a bolt-on neck. The bound rosewood fingerboard is decorated with seven pearloid triangular shark fin position markers. Electronics include a single neck-position pickup with a white plastic cover, commonly referred to as a pancake pickup, controlled by one volume knob and one tone knob. The output jack is mounted on the side of the lower bout. The white pickguard features a printed logo with a stylized K within a square frame. Hardware consists of an adjustable wooden bridge, a metal trapeze tailpiece, and open-gear tuning machines with cream-colored plastic buttons. The headstock is fitted with a truss rod cover displaying the Kay name vertically above a stylized arrowhead symbol. The instrument is in as-found, vintage condition and requires professional restoration. It is missing strings, with only three partial remnants attached. There is a significant wood chip missing from the upper treble-side corner of the headstock. One plastic tuning button is partially broken, and all metal hardware shows heavy oxidation and corrosion. The body and neck exhibit significant finish checking, scratches, and dings consistent with age and long-term storage. A patch of adhesive or tape residue is present on the lower bout near the output jack. Electronics are untested and the guitar is sold as-is.

193 - Gibson SG Standard Electric Guitar, 1980 A Gibson SG Standard solid-body electric guitar manufactured in 1980 at the Nashville, Tennessee factory. This instrument features a solid mahogany body and a set mahogany neck with a transparent Heritage Cherry nitrocellulose lacquer finish. The rosewood fingerboard is appointed with pearloid block inlays and white binding. The headstock displays an inlaid mother-of-pearl Gibson logo and crown motif, with a black plastic truss rod cover labeled SG. Stamped on the reverse of the headstock is the serial number 81770539 above the text MADE IN USA. The hardware includes two humbucking pickups with chrome-plated covers, a large black multi-ply batwing pickguard, a three-way toggle switch, and four black top hat control knobs with silver inserts. It is equipped with a chrome-plated Tune-o-matic bridge, stopbar tailpiece, and Gibson-branded closed-back tuners with tulip buttons. Beautiful shape 1980 Made in the USA Works and plays with original hard case and period correct straps. The lot includes a black hardshell case with a blue plush-lined interior and two vintage woven fabric guitar straps with geometric patterns. The guitar is in working condition and described by the owner as playable. Physical condition is very good with visible signs of use consistent with age. Notable wear includes surface swirling, minor dings, and buckle rash on the back of the body. The chrome hardware shows light oxidation and a developed patina. There are no visible repairs or modifications to the headstock or structural components.

194 - Full-Size Anton Schroetter Master Violin with Bow Anton Schroetter full-size violin, identified by an interior label as a master-made instrument from Mittenwald, Bavaria, Germany. The top plate is constructed of carved spruce with a medium-to-wide grain. The back is a two-piece flamed maple with a prominent horizontal tiger-stripe figure, matched by the ribs and scroll. The instrument features ebony fittings, including the fingerboard and tailpiece, the latter fitted with a single fine tuner for the E string. A black textured chin rest is attached to the lower bout. The fingerboard is currently modified with adhesive red dots and three strips of tape as student fingering guides. Inclusions consist of a wood bow and a hardshell carrying case with a green fabric lining and an exterior nameplate reading WYSOCKI.

Overall Length: 23.5 inches
Body Length: 14 inches. The instrument shows signs of age and regular use. There is significant varnish wear, particularly on the top plate near the lower bouts and bridge area, as well as various scuffs and minor indentations across the body. The strings are in poor condition and appear unraveled or broken. The fingerboard contains adhesive markings and residue. The wood bow has significantly loose and broken horsehair. The hardshell case exhibits heavy exterior wear and aging to the hardware. The instrument requires professional setup and restringing.

195 - 1961 E. R. Pfretzschner 4/4 Violin with Case and B A full-size 4/4 violin manufactured by E. R. Pfretzschner in Mittenwald, West Germany, and imported to the United States by Scherl and Roth. The instrument features a spruce top and a two-piece flamed maple back with matching ribs. It is equipped with an ebony fingerboard and a tailpiece fitted with four fine tuners. The neck features four applied red adhesive position markers. Several labels are visible through the f-holes including a maker label for E. R. Pfretzschner dated 1961, a model label stating it is a hand made copy of Stradivarius, and a Scherl and Roth importer label identifying it as Model 62-1020 with serial number A 211. The importer label states the instrument was constructed and shop adjusted to MENC specifications. Masking tape residue is present on the neck. The instrument is housed in a vintage hard-shell case featuring a brown crocodile-skin textured exterior and a plush interior. One bow is included.

Body length: 14 inches. The violin appears to be in good structural condition with no visible cracks. The finish shows light surface wear and minor scratches consistent with age and student use. Masking tape residue is present on the neck. The bow is in poor condition with shredded horsehair and requires professional rehairing. The case exhibits significant external scuffing and wear. The instrument will require a professional setup for optimal playability.

196 - Antique Full-Size Violin Bearing Nicolaus Amatius This is a full-size 4/4 violin produced as a trade instrument in the late 19th or early 20th century, following the model of Nicola Amati. The interior back plate bears a paper label with the printed text Nicolaus Amatius Faciebat Cremonensis and a circular insignia containing a cross flanked by the letters A and S. The instrument features a fine-grained spruce top and a two-piece back of figured maple with a medium-width horizontal flame. The ribs and neck are constructed from matching figured maple. The fingerboard, tailpiece, tuning pegs, and chin rest are made of ebony. A faint, illegible circular brand is located on the back of the pegbox below the scroll, and obscured characters including the numbers 835 or 839 are visible on the interior. The violin is housed in a vintage wooden coffin-style case with black exterior paint, a brass handle, and metal latches. The interior is lined with a green fabric baize.
Body length: 14 inches
Overall length: 23.5 inches. The instrument is in poor condition and requires professional restoration. The spruce top exhibits several visible cracks, including a prominent vertical crack on the lower right bout. The reddish-brown varnish shows significant wear, chipping, and a heavy aged patina throughout. The bridge is missing, the tailpiece is detached, and the strings are incomplete and aged. The wooden case shows heavy exterior scuffing and paint loss, while the interior fabric lining is heavily deteriorated with significant tearing and material loss.

197 - W. J. Schuster Violin Bow (Signed) This musical instrument bow features a round, reddish-brown wood stick and an ebony frog. The frog is detailed with a circular mother-of-pearl eye and a matching pearl slide, fitted with white metal mounts and a three-part adjuster button. A leather thumb grip and wire winding are present above the frog. The side of the stick is stamped with the maker name W. J. SCHUSTER. The underside of the stick is stamped GERMANY. The tip of the bow is finished with a white protective plate.
Length: 29.25 in. The bow shows significant signs of use and age. The horsehair is loose and frayed, necessitating a re-hair. There is visible surface wear, oxidation to the metal mounts, and accumulated residue on the wood stick and frog.

198 - German Full-Size Octagonal Violin Bow Stamped Weid A full-size 4/4 violin bow featuring an octagonal stick of reddish-brown wood. The stick is stamped WEIDLICH above the frog, a mark associated with German bow makers active in the late 19th and early 20th centuries. The bow is equipped with an ebony frog featuring a mother-of-pearl eye on each side and a mother-of-pearl slide. The fittings, including the ferrule and the three-part octagonal button, appear to be nickel silver. The grip area features a wire winding with a decorative blue and white thread section. The tip is finished with a bone or ivory plate.
Total length: 29.25 inches. Fair antique condition. The bow requires professional restoration before use. The horsehair is mostly detached and requires a full rehair. The wire winding is loose at the end near the frog. The wood stick shows minor surface wear, small nicks, and finish loss consistent with age and use. No visible cracks or major structural repairs are noted on the stick or the frog. The screw mechanism is present and functional.

199 - French Pernambuco Violin Bow Stamped G. Coucheny S This French violin bow is the work of archetier Georges Coucheny (1884-1965) of Mirecourt. The round section stick is crafted from Pernambuco wood with a figured grain and is stamped G.COUCHENY on the handle above the frog. The handle also bears the secondary stamps GES. GESCH. and CONSERVATORY. The bow features an ebony frog with a mother-of-pearl slide and a Parisian eye inlay. The metal fittings, including the ferrule and heel plate, are nickel silver or silver-plated with a natural patina. It is finished with a three-part octagonal adjuster button composed of metal bands and dark ebony rings.

Total Length: 29 inches (73.7 cm). The bow is offered in as found condition and requires professional restoration to be playable. It is currently unhaired with only a few stray strands remaining. The head is missing its tip plate and the head mortise is open. The stick is missing the lapping and thumb leather. Minor surface wear and oxidation are present on the wood and metal components.

200 - Signed Violin Bow Stamped Tourte An octagonal-stick violin bow of workshop origin, likely dating from the late 19th to early 20th century. The handle section of the stick above the frog features a clearly legible stamp marked TOURTE, which was a common model designation for workshop bows produced in the style of the French archetier Francois Xavier Tourte. The stick is constructed from a reddish-brown wood and features an octagonal profile. The ebony frog is fitted with nickel-silver mounts and includes a mother-of-pearl slide on the underside. The adjuster is a three-part button composed of ebony and nickel-silver rings. The head of the bow is finished with a white tip plate, and the winding consists of nickel wire with a leather thumb grip.

Length: 29.75 inches. The bow is currently unhaired and requires professional restoration to be in playing condition. The frog is missing the mother-of-pearl eye on one side, while the opposite eye remains intact. The mother-of-pearl slide on the underside of the frog shows a prominent crack. The stick exhibits general surface wear, accumulated grime, and a visible patina consistent with age. Metal fittings show significant tarnish. The leather thumb grip is heavily worn and shows signs of deterioration. The tip plate remains intact with minor surface wear.

201 - A Collection of Vintage Pyrex and Fire-King Primar This collection of mid-century American ovenware features pieces from Pyrex and Fire-King. Included are four Pyrex Primary Colors mixing bowls consisting of a yellow bowl, a green bowl, a red bowl, and a small blue bowl. The collection also includes a Pyrex Snowflake Garland pattern oval casserole dish with a white lid. The decoration features white snowflake-style garlands on a blue base with a matching blue pattern on the white lid. The Fire-King component consists of a set of three nesting milk glass mixing bowls decorated with the Tulip pattern, displaying stylized red and yellow tulips in blue pots. The Pyrex pieces feature various embossed backstamps. The yellow bowl is marked with 4 QT TRADE MARK PYREX MADE IN U.S.A. OVEN WARE. The green bowl is marked 403 2 1/2 QT TRADE MARK PYREX MADE IN U.S.A. OVEN WARE. The red and small blue bowls feature the block T.M. REG. PYREX U.S. PAT. OFF. mark. The casserole dish is marked 043 1 1/2 QT PYREX MADE IN U.S.A. OVENWARE. The Fire-King bowls are marked with the script OVEN Fire-King WARE logo on the base.
Yellow Bowl Capacity: 4 quarts
Green Bowl Capacity: 2.5 quarts
Casserole Capacity: 1.5 quarts. Condition is generally fair to poor. The Pyrex mixing bowls exhibit significant dishwasher damage, resulting in a loss of original gloss and a matte surface texture with visible scratches and metal transfer marks. The Snowflake Garland casserole shows light surface wear. One Fire-King bowl has a large crack extending across the base. The painted tulip patterns on the Fire-King bowls show varying degrees of fading and loss.

202 - Large Vintage French Style Jacquard Wall Tapestry A large, horizontal machine-woven jacquard wall tapestry depicting a pastoral fĂŞte champĂŞtre scene in the 18th-century French Rococo style. The pictorial composition features various figures in period dress within a lush woodland setting, including a young man on a swing, women and children playing with animals, and individuals gathering flowers. The scene is framed by a decorative border with a repeating acanthus leaf and scroll pattern in shades of brown, gold, and cream. The front is a woven textile likely composed of a cotton or synthetic blend, and the reverse is lined with a plain, cream-colored fabric. Six woven hanging tabs are integrated along the top edge for use with a display rod. No labels, weaver marks, or signatures are visible. This item is characteristic of late 20th-century decorative reproductions.
Width: 75 inches
Height: 33 inches. Good overall condition. The front face remains vibrant with no visible fraying or significant fading. The reverse lining shows scattered light brown spotting and minor general discoloration consistent with age. All hanging tabs are intact and functional. No tears or major structural damage noted.

203 - A Pair of Victorian Style Cast Iron Crane Decorati This pair of tall, slender decorative stands is constructed of cast iron. Each stand features an elaborate openwork stem centered with a stylized crane or heron figure integrated into foliate scrollwork. The top of the stem terminates in a dramatic curved hook with a floral bud-form finial. The stem is mounted to a four-footed pedestal base where each leg is decorated with a feathered wing design. The central portion of the base features a circular plate with a scalloped and serrated edge. The construction is a multi-piece assembly with the central stem bolted to the base. No maker's marks or inscriptions are present on the objects.
Height: 25 inches. The stands are finished in a matte black paint that shows a darkened patina and scattered areas of light surface oxidation and rust, particularly in the recessed areas of the casting. One stand exhibits a slight tilt at the base, potentially requiring adjustment of the central bolt. No breaks, cracks, or repairs are noted.

204 - Late 19th Century Herring's Patent Champion Safe P This is an antique wooden back panel for a Herring's Patent Champion safe, dating to the late 19th century. The square panel is constructed from solid wood with a dark-stained finish and features ornate stenciled graphics. The upper section displays the brand NEW PATENT CHAMPION in arched block lettering with black drop shadows. The lower corners include the inscription PAT'D DEC. 12th 1871. Centered in the lower half are two gold-painted award medallions representing accolades from the 1878 Paris Exposition. The left medallion features a profile of Marianne and the text REPUBLIQUE FRANÇAISE, while the right medallion depicts a winged figure with the text EXPOSITION UNIVERSELLE INTERNATIONALE DE 1878 PARIS. The panel is framed by a gold-painted border with red pinstriping and includes stylized sunburst motifs in each corner. A circular cutout is located in the center with small notches, designed to accommodate the safe's rear mechanical components. The piece features six mounting holes around the perimeter and reverse mounting blocks on the unfinished back.

18.5 inches x 18.5 inches. The item is in good antique condition, displaying wear consistent with age and industrial use. Visible signs of age include surface scratching, minor loss to the painted decorations, and small chips along the outer edges and the central cutout. The wood finish has an aged patina.

205 - A 19th-Century Brass and Clad Monocular Theater Gl A 19th-century monocular theater glass featuring a single-draw brass tube construction. The instrument is fitted with a knurled eyepiece and an objective barrel clad in a cream-colored natural material, , showing distinct concentric growth rings in the grain. The device is housed in its original custom-fit hard-shell case, which is leather-clad on the exterior and lined with deep red velvet on the interior. The case includes a small metal side clasp. No maker's marks, signatures, or inscriptions are visible on any part of the instrument or case.
Case length: approximately 3 inches
Monocular length (collapsed): approximately 2.5 to 2.75 inches. The barrel cladding has a prominent longitudinal crack running the full length of the section. The brass surfaces show a natural darkened patina and surface scratches consistent with age. The optics exhibit internal haze and dust, though the lenses appear intact. The draw mechanism remains functional. The leather on the case exterior is in poor condition with heavy wear and significant surface loss. The interior velvet lining remains well-preserved.

206 - Alva Museum Replicas Alvastone Young Horseman Reli This Alvastone relief sculpture is a mid-20th-century museum reproduction titled Young Horseman, manufactured by Alva Museum Replicas Inc. The work is a cast reproduction of a 4th-century B.C. Greek marble original currently in the collection of the Metropolitan Museum of Art. The plaque depicts a nude ephebe, or young man in military training, on horseback in a style characteristic of classical Attic sculpture. The piece is constructed from Alvastone, a composite of resin and plaster designed to mimic the texture and weight of stone. The casting includes intentional surface textures and simulated cracks to replicate the appearance of an ancient stone fragment. The reverse of the plaque retains a descriptive paper label detailing the history of the original work and identifying the piece as an Alvastone reproduction. A partially damaged gold foil label is also present on the reverse, identifying it as an authentic copyrighted reproduction for the Metropolitan Museum of Art. A metal hanging bracket is embedded into the back of the casting.

Height: 12.5 inches
Width: 19 inches. The relief shows surface wear and scattered brown staining consistent with age and previous display. The staining is visible on both the raised relief surface and the recessed areas, as well as on the reverse. The gold foil label on the back is torn with significant portions missing. The paper descriptive label is yellowed and has old adhesive tape residue around its perimeter. No major chips or structural repairs are evident.

207 - Antique 18th Century Persian Zand Dynasty Hand Blo This antique hand-blown glass flask features a flattened globular shape, commonly referred to as a saddle flask or chestnut bottle. The vessel is constructed of thick, deep olive-to-emerald green glass. While appearing dark or black in reflected light, the glass reveals a vibrant translucent green color and numerous internal seed bubbles and striations when backlit. The tapering neck is finished with a hand-applied double-string rim or ring situated just below a slightly flared, irregular lip. The base features a deep conical kick-up and a prominent, rough snapped-off pontil mark, which is characteristic of 18th-century free-blown manufacturing techniques. This form and construction are highly consistent with Persian glasswares produced during the Zand Dynasty.

Height: 8.5 inches
Width: approximately 7 inches. The flask is in good antique condition, showing no significant chips, cracks, or professional repairs. The exterior surface exhibits a high degree of authentic wear consistent with age, including a dense network of fine scratches, scuffs, and general surface dulling. The interior shows minor evidence of residue or light cloudiness. Inherent manufacturing irregularities, including air bubbles and glass striations, are present throughout the body.

208 - Ancient Islamic Gilded Glass Bottle This is an antique hand-blown glass vessel, identified as an ancient Islamic bottle or unguentarium, likely dating from the 8th to 10th century AD. The piece is crafted from translucent glass featuring a bulbous, pear-shaped body and a long, tapering neck punctuated by two applied horizontal rings or tiers. The vessel terminates in a wide, flared, and flattened rim. The body is decorated with traces of hand-applied gilding, including a wide central band on the shoulder depicting a repeating interlocking scroll or chain-link pattern. Additional gilded accents are present on the neck rings and the rim edge. The glass surface displays a matte, weathered appearance with areas of calcification and iridescence characteristic of ancient glass. The base features a polished pontil mark.

Height: approximately 9 inches
Body diameter: approximately 4.5 inches. The item is in fair antique condition, consistent with its significant age. There is widespread wear and loss to the original gilding across the body, neck, and rim. The glass surface exhibits heavy weathering, mineral deposits, and surface scuffs consistent with burial. No structural cracks, repairs, or major chips are visible in the provided images.

209 - German Etched Glass Mining Souvenir Canteen Flask This clear glass canteen-style flask, often referred to as a pumpkin seed shape, is a German souvenir item associated with the mining industry. The front of the bottle features wheel-etched decoration depicting the traditional Schlägel und Eisen (crossed hammer and pick) mining symbol framed within a laurel wreath. The etched inscription GLÜCK AUF, the traditional German miners' greeting, appears above and below the tools. The reverse side is decorated with an etched floral spray featuring a thistle and the name Hermann written in cursive script near the shoulder. The flask is mold-blown with a machine-threaded neck and a rough, circular mark on the lower edge that suggests a ground-off pontil or a manufacturing remnant. It is fitted with a red plastic screw cap from the German brandy brand Asbach Uralt, which features a gold-colored crowned lion crest and brand name. A length of coarse, natural fiber rope is tied around the neck.

Height: 6 inches
Width: 5 inches. The flask shows scattered surface scratches and minor abrasions consistent with age and handling. The rough circular mark on the lower edge is consistent with a snapped and ground pontil scar or a minor impact chip. The fiber rope shows some fraying. The plastic cap is intact and functional.

210 - Ottoman Silver-Mounted Japanese Porcelain Coffee C This set comprises an Ottoman silver zarf (cup holder) with a matching saucer and a Japanese porcelain coffee cup (fincan) from the Meiji period (1868-1912). The porcelain cup is hand-painted in a Satsuma-inspired style with alternating panels of stylized floral circular motifs in red, yellow, and brown, heavily highlighted with gold. The background is a light blue ground decorated with intricate white moriage (raised enamel) stippling. The base of the porcelain cup bears the hand-written black overglaze mark Dai Nippon followed by a workshop mark, possibly for the Matsumura workshop. The silver-colored metal mount and saucer are characteristic of Ottoman export influence, featuring the struck Tughra mark of Sultan Abdulhamid II (reigned 1876-1909) and a smaller Sah assay mark on the base of the saucer. The saucer is decorated in high-relief repoussé with scrolling foliage, floral sprigs, and a central architectural vignette featuring a domed structure. The cup holder features a cast handle in the form of a dragon and a removable ring-shaped foot.

Saucer Diameter: 4.5 inches
Cup Diameter: 2.25 inches
Cup Height: 1 inch. The porcelain cup is in excellent condition with no visible chips, cracks, or restoration. There is very minor wear to the gilding at the rim. The silver mount and saucer show a significant natural patina and tarnish consistent with age. The metalwork exhibits expected surface wear to the high points of the repoussé decoration and the dragon handle. The cup mount is slightly misshapen at the base but remains functional.

211 - A Pair of Art Deco Style Cast Metal Dolphin or Sea A pair of heavy cast metal bookends in a stylized Art Deco nautical motif. Each piece features a mythical sea creature, characterized by a prominent snout, fanned fins, and detailed scales, depicted as if emerging from a base of scrolling, tiered waves. The items are constructed from a cast white metal (spelter) with a warm, antiqued brass-tone finish applied to the surface. The recessed areas of the casting retain a darker patina, enhancing the high-relief details of the scales and waves. The back surfaces are flat and unadorned. No maker's marks or signatures are visible on any surface.

Each piece measures approximately 6 1/4 inches in length. The bookends exhibit moderate signs of age and use. There is significant thinning and rubbing of the brass-tone finish on the high points and along the base edges, revealing the silvery-gray base metal beneath. One bookend is missing a portion of its brown fibrous felt backing, exposing an irregular metallic repair or weighting patch made of a lead-colored metal.

212 - Tiffany & Co. Sterling Silver Coffee or Chocolate A Victorian era sterling silver lidded pot manufactured by Tiffany & Co. The vessel features a tapered cylindrical body with a hinged, domed lid surmounted by a ball finial and finished with a beaded rim. The center of the body is engraved with an interlaced script monogram. The base is decorated with a wide, high-relief repousse band depicting floral and foliate motifs. The pot is equipped with a slender, curved spout and a scrolled handle accented with two light-colored heat insulators. The underside is stamped with the maker mark Tiffany & Co, pattern number 5362, order number 4167, and material designation Sterling Silver 925-1000. It also includes the capital letter T director mark, attributing the manufacture to the tenure of Charles L. Tiffany between 1891 and 1902.
Weight: 17.6 oz
Height: Approximately 10.5 inches. The item displays a heavy patina of tarnish and oxidation over the entire silver surface. There is light surface wear and minor scuffing commensurate with age and handling. The handle insulators appear intact. No major dents, cracks, or professional repairs were observed.

213 - Hopi-Tewa Polychrome Pottery Seed Jar in the Style This hand-coiled earthenware jar is of a squat, globular form with a narrow, constricted neck, typical of a traditional seed jar. Originating from the Hopi-Tewa tradition of the Southwest United States, specifically the First Mesa region of Arizona, the vessel is decorated in the Sikyatki Revival style. The exterior features a hand-polished yellowish-tan slip adorned with mineral-based polychrome pigments in black and red-orange. The decorative program consists of a primary band of stylized avian elements, including the eagle tail and wing-like geometric motifs characteristic of the Hopi-Tewa revival period. The interior surface is unglazed and displays the irregular texture and soot-darkening characteristic of traditional outdoor firing. The base is rounded and shows no identifiable maker marks or signatures.
Height: Approximately 4 inches
Diameter: Approximately 6 inches. The vessel is in fair to good condition, exhibiting significant signs of age and historic use-wear. There is extensive surface abrasion and pigment loss, particularly around the lower body and the base. Areas of white mineral efflorescence or salt buildup are visible on the exterior surface. No major cracks, chips, or restorations are apparent.

214 - Charles Binns and Frederick Walrath Era Alfred Sta An early 20th-century Arts and Crafts lidded jar from the New York State School of Clay-Working and Ceramics at Alfred University, dating to the influential era of Charles Binns and Frederick Walrath. Presumably a teaching demonstration piece by Charles Binns. This small, square-form vessel features rounded corners and a robust, hand-built profile. The piece is constructed from a reddish-brown stoneware body and finished in a thick, matte, mottled glaze that varies from celadon green to turquoise with a fine, intentional crackle pattern. The underside of the base retains an original rectangular paper label with a stylized logo, printed text reading State School of Ceramics of Alfred N.Y., and a handwritten NO 325. A small, red-bordered tag numbered 32 is present on the interior of the lid.

Height: 3 1/4 inches
Width: 2 1/2 inches. The item is in Good condition. There is a significant horizontal stress or firing crack visible on the exterior near the base, which continues through to the interior. Small glaze flakes and minor chips are present around the edges of the lid and the neck of the vessel. The top surface of the lid shows minor wear and residue.

215 - Vintage Baluch Hand-Knotted Wool Tribal Prayer Rug This hand-knotted tribal prayer rug is consistent with Baluch weaving traditions of Central Asia. The rug features a traditional mihrab or prayer niche design defined by a rectangular stepped arch at one end. The central ivory-ground field is decorated with multiple horizontal bands containing repeating geometric and stylized floral motifs. The color palette is dominated by madder red, navy blue, and ivory, with secondary accents in ochre and forest green. The field is enclosed by a complex series of borders, including a wide main border on a dark navy to charcoal ground featuring multi-colored geometric star and floral medallions. Secondary guard borders include S hook or running dog motifs and sawtooth patterns in alternating colors. The rug is constructed with a wool pile on a hand-knotted wool or cotton foundation.

Measures: 5 feet x 34 inches. The rug is in good overall condition with wear to the pile consistent with age and use. The fringes at both ends exhibit unevenness and fraying. There is minor loss to the overcast selvage edges in some sections. No major repairs, stains, or holes are visible in the provided photographs.

216 - Antique Turkish Anatolian Yastik Rug This is an antique Turkish Anatolian yastik rug, hand-knotted with a wool pile on a wool foundation. The design features a muted grey-blue field decorated with three primary stepped medallions, resembling Memling guls, rendered in madder red and ochre yellow. These medallions are flanked by smaller geometric and hooked motifs. The composition is enclosed by multiple borders, including a prominent running dog or hooked S-motif border and outer end borders with repeating hexagonal designs. This piece displays characteristic abrash, which is a natural variation in dye lots, most visible in the transitions of the grey-blue field.

Measures: 2 feet 7 inches x 1 foot 10 inches. The rug shows signs of age and use, including general wear to the pile and thinning in several areas. The fringe ends are uneven and show some fraying. Notable abrash is present throughout the field. The selvedges are largely intact with minor wear.