American & European Works on Paper 19th &

Lot: 500 - LOUIS MICHEL EILSHEMIUS, NEW YORK, CALIFORNIA 1864-1921, FEMALE NUDE, Drawing, Sight: 9 1/4 x 7.2 in. (23.5 x 18.4 cm.), Frame: 18 1/2 x 15 3/4 in. (47 x 40 cm.)

LOUIS MICHEL EILSHEMIUS NEW YORK, CALIFORNIA, 1864-1921 FEMALE NUDE Drawing Lower right signed and dated: Eilshemius / 15

Lot: 501 - MARGARET MAY DASHIELL, VIRGINIA, LOUISIANA 1869-1958, SEASON'S GREETINGS; THE FLOWER MARKET; BUYING A CHRISTMAS WREATH and DANCING FOR JOY, Lithographic print, Sight: 3 3/4 x 4 1/2 in. (9.5 x 11.4 cm.), Frame: 7 1/2 x 8

MARGARET MAY DASHIELL VIRGINIA, LOUISIANA, 1869-1958 SEASON'S GREETINGS; THE FLOWER MARKET; BUYING A CHRISTMAS WREATH and DANCING FOR JOY Lithographic print Season's Greetings: lower right signed in the plate : M Dashiell; sight: 3 3/4 x 4 1/2 in. (9.5 x 11.4 cm.), Frame: 7 1/2 x 8 3/4 in. (19.1 x 22.2 cm.) The Flower Market: Lithographic print; sight: 4 3/4 x 3 1/2 in. (12.1 x 8.9 cm.), Frame: 9 x 7 3/4 in. (22.9 x 19.7 cm.) Buying a Christmas Wreath: Lithographic print; Sight: 5 1/2 x 4 3/4 in. (14 x 12.1 cm.), Frame: 10 3/4 x 10 in. (27.3 x 25.4 cm.) Dancing for Joy: Pen and ink with traces of pencil on paper; sight: 7 3/4 x 5 1/4 in. (19.7 x 13.3 cm.), Frame: 13 x 11 in. (33 x 27.9 cm.) (4)

Lot: 502 - MARGARET MAY DASHIELL, VIRGINIA, LOUISIANA 1869-1958, STOPPING FOR A VISIT, THE DEPARTURE, A DREAM OF PAN, and BEDTIME, Pen and ink and pencil on paper, 6 1/8 x 6 7/8 in. (15.6 x 17.5 cm.), Frame: 11 1/8 x 11 in. (28.3 x

MARGARET MAY DASHIELL VIRGINIA, LOUISIANA, 1869-1958 STOPPING FOR A VISIT, THE DEPARTURE, A DREAM OF PAN, and BEDTIME Pen and ink and pencil on paper Stopping for a visit: 6 1/8 x 6 7/8 in. (15.6 x 17.5 cm.), Frame: 11 1/8 x 11 in. (28.3 x 27.9 cm.) The departure: Sight: 7 3/4 x 5 3/4 in. (19.7 x 14.6 cm.), Frame: 13 x 10 3/4 in. (33 x 27.3 cm.) A dream of pan: Sight: 7 1/4 x 6 in. (18.4 x 15.2 cm.), Frame: 12 3/8 x 11 in. (31.4 x 27.9 cm.) Bedtime: 8 1/8 x 5 3/4 in. (20.6 x 14.6 cm.), Frame: 13 1/8 x 11 in. (33.3 x 27.9 cm.) (4)

Lot: 503 - CARLE MICHEL BOOG, NEW YORK / FRANCE 1877-1968, SHINNECOCK LIGHTHOUSE, Pencil drawing, Sight: 5 1/4 x 11 1/2 in. (13.3 x 29.2 cm.), Frame: 13 1/4 x 19 1/8 in. (33.7 x 48.6 cm.)

CARLE MICHEL BOOG NEW YORK / FRANCE, 1877-1968 SHINNECOCK LIGHTHOUSE Pencil drawing Lower right inscribed: Shinnecock Light House July 31 / 04./ for "Janet of the Dunes"

Lot: 504 - MAURICE STERNE, NEW YORK, CALIFORNIA, MASSACHUSETTS 1878-1957, MAN RIDING DONKEY, 1910, Charcoal on paper, 9 1/2 x 14 in. (24.1 x 35.6 cm.), Frame: 19 x 13 1/8 in. (48.3 x 33.3 cm.)

MAURICE STERNE NEW YORK, CALIFORNIA, MASSACHUSETTS, 1878-1957 MAN RIDING DONKEY, 1910 Charcoal on paper Lower left signed: M Sterne. Catalogue note: Maurice Sterne was an ardent world traveler, producing a diverse and experimental lifetime of work in which he explored various styles and techniques. Sterne mixed his traditional art training with geometric and stylistic elements, and painted subject matter from destinations like Egypt and India. The artist began his painting career with figural works that delved into cultural rituals witnessed during his travels to India and Indonesia.

Lot: 505 - FRANKLIN TOWNSEND MORGAN, FLORIDA, PENNSYLVANIA 1883 - 1965, PINE WOODS, Etching

FRANKLIN TOWNSEND MORGAN FLORIDA, PENNSYLVANIA, 1883 - 1965 PINE WOODS Etching Lower right titled in graphite: Pine wood; Lower right signed: F. Townsend Morgan imp.

Lot: 506 - WALLACE NUTTING, AMERICAN 1861-1941, A NOVA SCOTIA IDYLL, Hand colored photography, Sight: 10 1/4 x 13 3/8 in. (26 x 34 cm.), Frame: 17 3/4 x 21 3/4 in. (45.1 x 55.2 cm.)

WALLACE NUTTING AMERICAN, 1861-1941 A NOVA SCOTIA IDYLL Hand colored photography

Lot: 507 - FRANCIS MOYLAN FITTS, VIRGINIA, WASHINGTON D.C. 1892-1958, A PAIR OF ACADEMIC STUDIES, Charcoal on paper, 23 x 17 1/4 in. (58.4 x 43.8 cm.), Frame: 32 3/4 x 26 1/4 in. (83.2 x 66.7 cm.) and Sight: 13 1/2 x 16 1/2 in. (34

FRANCIS MOYLAN FITTS VIRGINIA, WASHINGTON D.C., 1892-1958 A PAIR OF ACADEMIC STUDIES Charcoal on paper Catalogue note: Francis Moylan Fitts was born to a prominent family in Blacksburg, Virginia, on August 20th, 1892. In 1911-1912 he studied art in Paris. Later he studied medicine, graduating from medical school in 1916. He joined the U.S. Medical Corps in 1917 and served in it during the First World War. Eventually he retired from medicine and went to live in the historic Georgetown neighborhood of Washington, D.C. This drawing came from a portfolio of his work and was probably done while he was living in France in 1911-1912. He died in Walter Reed Hospital on March 17, 1958. (2)

Lot: 508 - MOSES SOYER, NEW YORK 1899-1974, IDA IN A EUROPEAN PARK, Red conté crayon and charcoal on paper, Sheet: 8 x 11 in. (20.3 x 27.9 cm.), Frame: 17 x 19 in. (43.2 x 48.3 cm.)

MOSES SOYER NEW YORK, 1899-1974 IDA IN A EUROPEAN PARK Red conté crayon and charcoal on paper Lower left signed and inscribed: msoyer; lower center inscribed: one of two Sculptures in Park Catalogue note: Likely executed on one of the frequent European trips taken by the artist and his wife, Ida, in the 1950s and 1960s.

Lot: 509 - MOSES SOYER, NEW YORK 1899-1974, REPOSE (DANCERS & CHAIRS), Lithograph, Sight: 15 1/2 x 18 in. (39.4 x 45.7 cm.), Frame: 25 3/4 x 27 3/4 in. (65.4 x 70.5 cm.)

MOSES SOYER NEW YORK, 1899-1974 REPOSE (DANCERS & CHAIRS) Lithograph Lower left numbered 11 Ed; 50-70; lower right signed in graphite: msoyer;

Lot: 510 - MOSES SOYER, NEW YORK 1899-1974, RECLINING NUDE, Lithograph, Plate: 16 x 18 in. (40.6 x 45.7 cm.), Frame: 25 3/4 x 27 3/4 in. (65.4 x 70.5 cm.)

MOSES SOYER NEW YORK, 1899-1974 RECLINING NUDE Lithograph Lower left numbered: 1- 80; lower right signed: msoyer

Lot: 511 - MOSES SOYER, NEW YORK 1899-1974, DAVID PLAYING CHESS WITH A FRIEND, Pen and black ink, black ink wash, pen and brown ink, and red conté crayon on paper, Sight: 5 3/4 x 9 1/4 in. (14.6 x 23.5 cm.), Frame: 15 3/4 x 19 in.

MOSES SOYER NEW YORK, 1899-1974 DAVID PLAYING CHESS WITH A FRIEND Pen and black ink, black ink wash, pen and brown ink, and red conté crayon on paper Lower right signed with Estate stamp: msoyer Catalogue note: David is the artist's son.

Lot: 512 - MOSES SOYER, NEW YORK 1899-1974, A STUDY OF TWO MALE NUDES, Pastel, charcoal, and white chalk drawing on gray wove paper, Sight: 24 x 16 3/4 in. (61 x 42.5 cm.), Frame: 33 1/2 x 25 5/8 in. (85.1 x 65.1 cm.)

MOSES SOYER NEW YORK, 1899-1974 A STUDY OF TWO MALE NUDES Pastel, charcoal, and white chalk drawing on gray wove paper Lower center signed: msoyer

Lot: 513 - MOSES SOYER, NEW YORK 1899-1974, INTIMACY, Pastel and black crayon on paper, Sight: 11 x 14 7/8 in. (27.9 x 37.8 cm.), Frame: 19 1/2 x 23 1/2 in. (49.5 x 59.7 cm.)

MOSES SOYER NEW YORK, 1899-1974 INTIMACY Pastel and black crayon on paper Lower center signed in black crayon: msoyer

Lot: 514 - MOSES SOYER, NEW YORK 1899-1974, STUDY OF A WOMAN'S HEAD, Pastel, pen and blue ink, and red and black conté crayon on paper, 10 3/4 x 7 5/8 in. (27.3 x 19.4 cm.), Frame: 20 1/2 x 17 in. (52.1 x 43.2 cm.)

MOSES SOYER NEW YORK, 1899-1974 STUDY OF A WOMAN'S HEAD Pastel, pen and blue ink, and red and black conté crayon on paper Lower left signed in brown crayon: msoyer

Lot: 515 - MOSES SOYER, NEW YORK 1899-1974, TWO STUDIES OF A WOMAN'S HEAD, Pen and red ink with red ink wash; watercolor, black ink wash, and conté crayon on paper, Sheet: 9 1/2 x 5 1/2 in. (24.1 x 14 cm.), Frame: 18 1/4 x 14 in. (

MOSES SOYER NEW YORK, 1899-1974 TWO STUDIES OF A WOMAN'S HEAD Pen and red ink with red ink wash; watercolor, black ink wash, and conté crayon on paper Lower left signed with Estate stamp: msoyer

Lot: 516 - MOSES SOYER, NEW YORK 1899-1974, FEMALE NUDE WITH CROSSED ARMS, Pen and black ink; black, red, and blue ink wash on paper, Sight: 9 1/2 x 6 3/4 in. (24.1 x 17.1 cm.), Frame: 16 1/2 x 13 7/8 in. (41.9 x 35.2 cm.)

MOSES SOYER NEW YORK, 1899-1974 FEMALE NUDE WITH CROSSED ARMS Pen and black ink; black, red, and blue ink wash on paper Lower right signed with Estate stamp: msoyer

Lot: 517 - MOSES SOYER, NEW YORK 1899-1974, SEATED DRAPED FEMALE NUDE, Pen and blue ink, red and black conté crayon, and black ink wash on paper, Sight: 10 3/8 x 7 3/4 in. (26.4 x 19.7 cm.), Frame: 20 3/4 x 17 1/4 in. (52.7 x 43.8

MOSES SOYER NEW YORK, 1899-1974 SEATED DRAPED FEMALE NUDE Pen and blue ink, red and black conté crayon, and black ink wash on paper Lower left signed in brown crayon: msoyer

Lot: 518 - MOSES SOYER, NEW YORK 1899-1974, SEATED FEMALE NUDE, Red and black conte crayon

MOSES SOYER NEW YORK, 1899-1974 SEATED FEMALE NUDE Red and black conte crayon Both lower center and right signed: msoyer

Lot: 519 - MOSES SOYER, NEW YORK 1899-1974, STUDY OF A MALE DANCER (MERCE CUNNINGHAM?), Pen and red ink with red ink wash on paper, Sight: 11 1/2 x 8 1/8 in. (29.2 x 20.6 cm.), Frame: 21 x 17 1/4 in. (53.3 x 43.8 cm.)

MOSES SOYER NEW YORK, 1899-1974 STUDY OF A MALE DANCER (MERCE CUNNINGHAM?) Pen and red ink with red ink wash on paper Lower left Initialed: MS

Lot: 520 - MOSES SOYER, NEW YORK 1899-1974, RECTO: TWO STANDING AND RECLINING FEMALE FIGURES / VERSO: THREE FIGURES, Red chalk and graphite on rives paper, Sight: 17 5/8 x 22 5/8 in. (44.8 x 57.5 cm.), Frame: 27 1/4 x 37 3/4 in. (6

MOSES SOYER NEW YORK, 1899-1974 RECTO: TWO STANDING AND RECLINING FEMALE FIGURES / VERSO: THREE FIGURES Red chalk and graphite on rives paper Recto: Two standing and reclining female figures: lower center signed in graphite: msoyer; Verso: Three figures, upper center embossed: CANSON & MONTGOLFIER FRANCE, lower left embossed: RIVES, lower right estate stamp.

Lot: 521 - MOSES SOYER, NEW YORK 1899-1974, CAFÉ PORTRAIT, Charcoal on paper, 11 5/8 x 9 1/4 in. (29.5 x 23.5 cm.), Frame: 21 3/4 x 19 in. (55.2 x 48.3 cm.)

MOSES SOYER NEW YORK, 1899-1974 CAFÉ PORTRAIT Charcoal on paper Lower right signed in charcoal: msoyer

Lot: 522 - MOSES SOYER, NEW YORK 1899-1974, SEATED FEMALE NUDE, Charcoal and red chalk on paper, Sheet: 18 x 11 1/2 in. (45.7 x 29.2 cm.), Frame: 27 1/4 x 20 1/4 in. (69.2 x 51.4 cm.)

MOSES SOYER NEW YORK, 1899-1974 SEATED FEMALE NUDE Charcoal and red chalk on paper Lower left signed with Estate stamp

Lot: 523 - MOSES SOYER, NEW YORK 1899-1974, SEATED, DRAPED FEMALE NUDE, Black conté crayon on paper, Sight: 13 1/4 x 10 1/4 in. (33.7 x 26 cm.), Frame: 23 1/4 x 20 in. (59.1 x 50.8 cm.)

MOSES SOYER NEW YORK, 1899-1974 SEATED, DRAPED FEMALE NUDE Black conté crayon on paper Lower center signed in red crayon: msoyer

Lot: 524 - MOSES SOYER, NEW YORK 1899-1974, A COUPLE, Conté crayon, Sheet: 20 x 14 1/2 in. (50.8 x 36.8 cm.), Frame: 29 1/4 x 23 1/4 in. (74.3 x 59.1 cm.)

MOSES SOYER NEW YORK, 1899-1974 A COUPLE Conté crayon Lower right signed in red crayon: m. Soyer

Lot: 525 - MOSES SOYER, NEW YORK 1899-1974, PEOPLE ON THE CROSSING I, Graphite on paper, Sight: 7 x 9 1/2 in. (17.8 x 24.1 cm.), Frame: 16 1/8 x 18 1/2 in. (41 x 47 cm.)

MOSES SOYER NEW YORK, 1899-1974 PEOPLE ON THE CROSSING I Graphite on paper Lower left signed with Estate stamp Catalogue note: Drawn on a transatlantic crossing in the 1950s or early 1960s.

Lot: 526 - MOSES SOYER, NEW YORK 1899-1975, RECLINING FEMALE NUDE WITH ARM ABOVE HEAD, Pencil on wove rives paper, Sight: 18 x 12 1/2 in. (45.7 x 31.8 cm.), Frame: 24 7/8 x 19 in. (63.2 x 48.3 cm.)

MOSES SOYER NEW YORK, 1899-1975 RECLINING FEMALE NUDE WITH ARM ABOVE HEAD Pencil on wove rives paper Lower center signed in graphite: msoyer

Lot: 527 - MOSES SOYER, NEW YORK 1899-1974, TRANSATLANTIC CROSSING, Graphite on paper, 12 x 9 3/8 in. (30.5 x 23.8 cm.), Frame: 21 3/4 x 18 7/8 in. (55.2 x 47.9 cm.)

MOSES SOYER NEW YORK, 1899-1974 TRANSATLANTIC CROSSING Graphite on paper Lower left Estate stamp Catalogue note: Drawn on a transatlantic crossing in the 1950s or early 1960s.

Lot: 528 - MOSES SOYER, NEW YORK 1899-1974, SEATED FEMALE NUDE WITH STOCKINGS, Charcoal on paper, Sight: 16 3/4 x 21 3/4 in. (42.5 x 55.2 cm.), Frame: 26 1/2 x 30 3/4 in. (67.3 x 78.1 cm.)

MOSES SOYER NEW YORK, 1899-1974 SEATED FEMALE NUDE WITH STOCKINGS Charcoal on paper Lower right signed in charcoal: msoyer

Lot: 529 - MOSES SOYER, NEW YORK 1899-1974, INTIMACY, Red and black conté crayon on paper, Sheet: 10 x 13 in. (25.4 x 33 cm.), Frame: 18 3/4 x 21 1/4 in. (47.6 x 54 cm.)

MOSES SOYER NEW YORK, 1899-1974 INTIMACY Red and black conté crayon on paper Lower center signed: msoyer

Lot: 530 - MOSES SOYER, NEW YORK 1899-1974, FRIENDS II, Charcoal on paper, Sheet: 9 1/2 x 12 3/4 in. (24.1 x 32.4 cm.), Frame: 18 3/4 x 21 1/2 in. (47.6 x 54.6 cm.)

MOSES SOYER NEW YORK, 1899-1974 FRIENDS II Charcoal on paper Lower right signed: msoyer

Lot: 531 - MOSES SOYER, NEW YORK 1899-1974, SEATED FEMALE NUDE WITH STOCKINGS, Charcoal on paper, Sheet: 18 x 22 in. (45.7 x 55.9 cm.), Frame: 26 1/2 x 30 3/4 in. (67.3 x 78.1 cm.)

MOSES SOYER NEW YORK, 1899-1974 SEATED FEMALE NUDE WITH STOCKINGS Charcoal on paper Lower right signed in charcoal: msoyer

Lot: 532 - MOSES SOYER, NEW YORK 1899-1974, RECLINING PREGNANT NUDE, Conte crayon on paper, Sight: 11 1/8 x 17 1/2 in. (28.3 x 44.5 cm.), Frame: 20 7/8 x 26 1/2 in. (53 x 67.3 cm.)

MOSES SOYER NEW YORK, 1899-1974 RECLINING PREGNANT NUDE Conte crayon on paper Lower center signed: msoyer

Lot: 533 - MOSES SOYER, NEW YORK 1899-1974, FRIENDS I, Charcoal on paper, Sheet: 9 1/2 x 12 3/4 in. (24.1 x 32.4 cm.), Frame: 18 3/4 x 21 1/2 in. (47.6 x 54.6 cm.)

MOSES SOYER NEW YORK, 1899-1974 FRIENDS I Charcoal on paper Lower right signed: msoyer

Lot: 534 - MOSES SOYER, NEW YORK 1899-1974, DOUBLE-SIDED FIGURE STUDIES, Graphite on one side; red chalk and graphite on the other side, 16 5/8 x 20 1/2 in. (42.2 x 52.1 cm.), Frame: 26 1/2 x 29 3/4 in. (67.3 x 75.6 cm.)

MOSES SOYER NEW YORK, 1899-1974 DOUBLE-SIDED FIGURE STUDIES Graphite on one side; red chalk and graphite on the other side Recto: Graphite study of two seated female nudes; lower right signed: msoyer Verso: Red chalk and graphite study of a reclining female nude

Lot: 535 - MOSES SOYER, NEW YORK 1899-1974, TWO NUDE COUPLES, Charcoal on paper, Sight: 19 x 14 in. (48.3 x 35.6 cm.), Frame: 28 1/4 x 22 3/4 in. (71.8 x 57.8 cm.)

MOSES SOYER NEW YORK, 1899-1974 TWO NUDE COUPLES Charcoal on paper Lower right signed: msoyer

Lot: 536 - RAPHAEL SOYER, NEW YORK 1899-1897, THE EQUESTRIAN STATUE OF EMPEROR MARCUS AURELIUS ON THE PIAZZA DEL CAMPIDOGLIO, ROME, Watercolor on paper, Sight: 10 1/4 x 7 1/2 in. (26 x 19.1 cm.), Frame: 17 1/4 x 16 1/2 in. (43.8 x

RAPHAEL SOYER NEW YORK, 1899-1897 THE EQUESTRIAN STATUE OF EMPEROR MARCUS AURELIUS ON THE PIAZZA DEL CAMPIDOGLIO, ROME Watercolor on paper Lower right signed and Inscribed: Raphael / Soyer / campi'd'olio [sic]

Lot: 537 - CARRIE LUCINDA CARTER, NEW YORK, FLORIDA 1867-1950, FLORIDA LANDSCAPE, Oil on canvas, 14 x 10 in. (35.6 x 25.4 cm.), Frame: 20 3/4 x 16 3/4 in. (52.7 x 42.5 cm.)

CARRIE LUCINDA CARTER NEW YORK, FLORIDA, 1867-1950 FLORIDA LANDSCAPE Oil on canvas Lower left signed: C.L. CARTER Catalogue note: Carrie Lucinda Carter was an American painter best known for her watercolor and oil landscapes depicting early Florida scenery. She was born in Freeport, Long Island, married Charles Wells and moved to Mattituck, Long Island. Wells befriended Caroline M. Bell, often participating in exhibitions with other Peconic Bay Impressionists at the Bell studio on Love Lane in Mattituck. Carrie Carter Wells traveled and painted extensively throughout Florida during the late 19th and early 20th centuries, capturing iconic locations such as St. Augustine and the state's coastal dunes. Collections: Harn Museum of Art, University of Florida, Gainesville.

Lot: 538 - ATTRIBUTED TO GEORGE INNESS, AMERICAN 1825-1894, LANDSCAPE WITH COWS GRAZING, Oil on board, Sight: 9 1/2 x 11 1/2 in. (24.1 x 29.2 cm.), Frame: 15 7/8 x 17 7/8 in. (40.3 x 45.4 cm.)

ATTRIBUTED TO GEORGE INNESS AMERICAN, 1825-1894 LANDSCAPE WITH COWS GRAZING Oil on board

Lot: 539 - SIMKA SIMKHOVITCH, AMERICAN/RUSSIAN 1893-1949, HORSEBACK RIDERS IN CENTRAL PARK, Pencil drawing, squared for transfer, Sight: 9 1/2 x 7 3/4 in. (24.1 x 19.7 cm.), Frame: 15 1/4 x 13 5/8 in. (38.7 x 34.6 cm.)

SIMKA SIMKHOVITCH AMERICAN/RUSSIAN, 1893-1949 HORSEBACK RIDERS IN CENTRAL PARK Pencil drawing, squared for transfer

Lot: 540 - SIMKA SIMKHOVITCH, AMERICAN/RUSSIAN 1893-1949, INTERIOR WITH STANDING WOMAN and CHILD, Charcoal and graphite on paper, Sight: 8 x 5 1/2 in. (20.3 x 14 cm.), Frame: 14 3/4 x 12 3/8 in. (37.5 x 31.4 cm.)

SIMKA SIMKHOVITCH AMERICAN/RUSSIAN, 1893-1949 INTERIOR WITH STANDING WOMAN and CHILD Charcoal and graphite on paper

Lot: 541 - SIMKA SIMKHOVITCH, AMERICAN/RUSSIAN 1893-1949, KNEELING WOMAN WITH A CHILD ON THE BEACH, Charcoal on paper, Sight: 6 1/8 x 4 1/8 in. (15.6 x 10.5 cm.), Frame: 13 x 11 in. (33 x 27.9 cm.)

SIMKA SIMKHOVITCH AMERICAN/RUSSIAN, 1893-1949 KNEELING WOMAN WITH A CHILD ON THE BEACH Charcoal on paper

Lot: 542 - SIMKA SIMKHOVITCH, AMERICAN/RUSSIAN 1893-1949, MOTHER and CHILD, Watercolor and gouache on paper, Sight: 4 3/4 x 5 1/2 in. (12.1 x 14 cm.), Frame: 11 3/4 x 12 3/4 in. (29.8 x 32.4 cm.)

SIMKA SIMKHOVITCH AMERICAN/RUSSIAN, 1893-1949 MOTHER and CHILD Watercolor and gouache on paper

Lot: 543 - SIMKA SIMKHOVITCH, AMERICAN/RUSSIAN 1893-1949, TWO CHILDREN, A HORSE, A HOUSE, Oil and pencil, Sight: 5 1/2 x 5 1/2 in. (14 x 14 cm.), Frame: 12 x 11 1/2 in. (30.5 x 29.2 cm.)

SIMKA SIMKHOVITCH AMERICAN/RUSSIAN, 1893-1949 TWO CHILDREN, A HORSE, A HOUSE Oil and pencil

Lot: 544 - LUIGI LUCIONI, AMERICAN/ITALIAN 1900-1998, TREES, Aquatint and etching, Plate: 10 3/4 x 9 1/2 in. (27.3 x 24.1 cm.), Frame: 21 x 19 1/2 in. (53.3 x 49.5 cm.)

LUIGI LUCIONI AMERICAN/ITALIAN, 1900-1998 TREES Aquatint and etching Lower left signed in the plate: Lucioni; lower right signed in graphite: Luigi Lucioni.

Lot: 545 - DORIS SPIEGEL, NEW YORK 1901- 1996, BEACH SCENE along with a print CHEZ LE COIFFEUR, Charcoal drawing, Sight: 9 x 13 3/8 in. (22.9 x 34 cm.), Frame: 14 3/4 x 19 1/4 in. (37.5 x 48.9 cm.)

DORIS SPIEGEL NEW YORK, 1901- 1996 BEACH SCENE along with a print CHEZ LE COIFFEUR Charcoal drawing Lower right signed: D. Spiegel; Chez le Coiffeur; etching: Lower left signed in the plate: D. Spiegel[From a probable edition of 100]; Beach Scene

Lot: 546 - JOHN LANG, LOUISIANA; WOODSTOCK, NY EARLY 20TH CENTURY, NEW ORLEANS STREET SCENE, Pen and wash drawing, Sheet: 8 1/2 x 14 in. (21.6 x 35.6 cm.), Frame: 17 1/2 x 22 1/2 in. (44.5 x 57.2 cm.)

JOHN LANG LOUISIANA; WOODSTOCK, NY, EARLY 20TH CENTURY NEW ORLEANS STREET SCENE Pen and wash drawing Lower right signed and inscribed: John Lang/ n.o. Catalog note: Lang was an artist associated with the artists' colony in Woodstock, New York. In 1939 and 1940, while working in New Orleans on several W.P.A. projects, he created a series of atmospheric pen and wash drawings that capture the city's steamy, sub-tropical climate. He also participated in a W.P.A. exhibition in New York City featuring artists from the South.

Lot: 547 - DONALD CAMPBELL HARDMAN, AMERICAN 20TH CENTURY, LAST LIGHT, 1948, Etching, Plate: 6 x 8 3/4 in. (15.2 x 22.2 cm.), Frame: 13 1/2 x 20 1/4 in. (34.3 x 51.4 cm.)

DONALD CAMPBELL HARDMAN AMERICAN, 20TH CENTURY LAST LIGHT, 1948 Etching Lower left titled; lower right signed: Hardman

Lot: 548 - FRANK EDWARDS, AMERICAN 20TH CENTURY, A COTTAGE, Watercolor on, Sight: 7 x 10 5/8 in. (17.8 x 27 cm.), Frame: 15 x 18 1/2 in. (38.1 x 47 cm.)

FRANK EDWARDS AMERICAN, 20TH CENTURY A COTTAGE Watercolor on Lower right signed: Frank Edwards

Lot: 549 - G. H., 20TH CENTURY, STREET SCENE WITH BUS STOP, Watercolor, Sheet: 11 x 15 in. (27.9 x 38.1 cm.), Sight: 10 1/2 x 14 1/2 in. (26.7 x 36.8 cm.), Frame: 20 x 23 1/2 in. (50.8 x 59.7 cm.)

G. H. 20TH CENTURY STREET SCENE WITH BUS STOP Watercolor Recto: street scene with bus stop: lower right dated and initialed: May 11th 1970; G.H. ; verso: garden gate and trees: lower right dated: May 7th 1970

Lot: 550 - DOROTHY DEMBOSKI, AMERICAN 20TH CENTURY, GREEN HOUSE WITH WHITE DOOR, 1986, Watercolor on paper, 6 3/8 x 9 3/4 in. (16.2 x 24.8 cm.), Frame: 15 1/8 x 18 1/8 in. (38.4 x 46 cm.)

DOROTHY DEMBOSKI AMERICAN, 20TH CENTURY GREEN HOUSE WITH WHITE DOOR, 1986 Watercolor on paper Lower right signed and dated: Demboski, 86

Lot: 551 - CORDRAY PARKER, ALABAMA 1934 - 2007, FIGURE STUDY and RECLINING MALE FIGURE, Charcoal on paper, Sheet: 17 3/4 x 11 1/2 in. (45.1 x 29.2 cm.), Frame: 25 3/4 x 19 1/4 in. (65.4 x 48.9 cm.)

CORDRAY PARKER ALABAMA, 1934 - 2007 FIGURE STUDY and RECLINING MALE FIGURE Charcoal on paper Lower right signed and dated: Cordray 87; Reclining Male figure: Charcoal: Sheet: 12 x 19 1/4 in. (30.5 x 48.9 cm.), Frame: 19 1/4 x 26 1/4 in. (48.9 x 66.7 cm.); Lower right signed: Cordray Parker (2) Catalog note: Cordray Parker was an American sculptor and architect who lived and worked in Birmingham, Alabama. He earned a degree in architecture from Auburn University and studied abroad in Florence and Vienna before teaching drawing at the Birmingham Museum of Art. His wife, Loni Parker, was a noted watercolorist and teacher at Indian Springs School in Birmingham. Parker is known for his many public bronze works, including the plaque of S. Richardson Hill, Jr. and the bust of Tinsley Harrison at the University of Alabama, a ceremonial mace for the university, "In Memory of the Six Million" at Temple Emanu-El, "Nike (Winged Victory)" at the Birmingham Botanical Gardens, the Chancel Cross at All Saints Episcopal Church, and "Discovery" at the Birmingham Children's Hospital.

Lot: 552 - RENÉ HARO, AMERICAN 1945-2010, ZUCCHINI, Pencil and colored pencil, Sight: 6 1/4 x 6 in. (15.9 x 15.2 cm.), Frame: 12.1 x 11 5/8 in. (30.9 x 29.5 cm.)

RENÉ HARO AMERICAN, 1945-2010 ZUCCHINI Pencil and colored pencil Lower right signed: R.Haro

Lot: 553 - RENÉ HARO, AMERICAN, NEW ORLEANS 1945-2010, ALLIGATOR, WATERMELON, SERPENT, Acrylic and pencil on paper, Sight: 9 3/4 x 12 1/4 in. (24.8 x 31.1 cm.), Frame: 15 1/2 x 17 5/8 in. (39.4 x 44.8 cm.)

RENÉ HARO AMERICAN, NEW ORLEANS, 1945-2010 ALLIGATOR, WATERMELON, SERPENT Acrylic and pencil on paper verso label: 34 Rene Haro / American b. 1945 / Alligator, watermelon, Serpent / Acrylic and pencil

Lot: 554 - MICHAEL B. PLATT, WASHINGTON D.C. 1948-2009, TWO SISTERS, 2003, Archival pigment print on Hahnemühle William Turner 310 pound paper., Plate: 31 1/2 x 14 in. (80 x 35.6 cm.), Frame: 37 1/4 x 17 in. (94.6 x 43.2 cm.)

MICHAEL B. PLATT WASHINGTON D.C., 1948-2009 TWO SISTERS, 2003 Archival pigment print on Hahnemühle William Turner 310 pound paper. Lower left numbered 22/100; lower center titled; lower right signed: MICHAEL B. PLATT

Lot: 555 - NANCY SOYER, NEW YORK b. 1960, SLEEPING FIGURE, Graphite, Sight: 13 x 16 1/4 in. (33 x 41.3 cm.), Frame: 22 3/4 x 25 1/2 in. (57.8 x 64.8 cm.)

NANCY SOYER NEW YORK, b. 1960 SLEEPING FIGURE Graphite Lower left signed: Nancy Soyer Catalogue note: Nancy Soyer, granddaughter of Moses Soyer, is an artist who lives and works in Brooklyn. She studied with Marshall Glasier and Julian Levy at the Art Students' League in New York City, and has also worked under Marianne Reynolds and Lydia Riojas. Soyer's work has been exhibited at the Phoenix Gallery in Soho, the Feral Art Gallery in Brooklyn, and at the Art Students' League. Her paintings and drawings are found in many private collections

Lot: 556 - ALTHEA CHASE, AMERICAN EARLY 20TH CENTURY, PORTRAIT OF A YOUNG BOY IN PROFILE, Black and white chalk on brown wove paper, Sheet 9 x 6 in. (22.9 x 15.2 cm.), Frame: 14 x 10 3/4 in. (35.6 x 27.3 cm.)

ALTHEA CHASE AMERICAN, EARLY 20TH CENTURY PORTRAIT OF A YOUNG BOY IN PROFILE Black and white chalk on brown wove paper Lower right signed and dated : Al Chase' 24

Lot: 557 - TUCKER BOBST, MASSACHUSETTS, NEW YORK 1923-2008, UNTITLED - 2004, Graphite and colored pencil on paper, Sight: 19 1/2 x 29 in. (49.5 x 73.7 cm.), Frame: 25 3/4 x 35 1/4 in. (65.4 x 89.5 cm.)

TUCKER BOBST MASSACHUSETTS, NEW YORK, 1923-2008 UNTITLED - 2004 Graphite and colored pencil on paper Lower right signed and dated: Bobst, 04

Lot: 558 - ATTRIBUTED TO PETER ARNO, AMERICAN 1904-1968, OF COURSE YOU REMEMBER IT, BRYAN. IT’S THE ONE THE MAN UPSTAIRS HATES SO MUCH., Black crayon on tracing paper, 10 3/4 x 8 in. (27.3 x 20.3 cm.), Frame: 16 x 13 3/4 in. (40.6

ATTRIBUTED TO PETER ARNO AMERICAN, 1904-1968 OF COURSE YOU REMEMBER IT, BRYAN. IT'S THE ONE THE MAN UPSTAIRS HATES SO MUCH. Black crayon on tracing paper Unsigned

Lot: 559 - LEONA GRIFFIN, AMERICAN 20TH CENTURY, WILD ROSES, 1989, Acrylic on canvas

LEONA GRIFFIN AMERICAN, 20TH CENTURY WILD ROSES, 1989 Acrylic on canvas Lower right signed: LEONA GRIFFIN; verso inscribed: By Leona Griffin / March 1989 / "Wild Roses"

Lot: 560 - AMERICAN SCHOOL 20TH/21ST CENTURY, HEADS (DIPTYCH), Oil pastel on canvas, 14 3/8 x 11 1/2 in. (36.5 x 29.2 cm.), Frame: 14 3/8 x 23 1/8 in. (36.5 x 58.7 cm.)

AMERICAN SCHOOL, 20TH/21ST CENTURY HEADS (DIPTYCH) Oil pastel on canvas (2)

Lot: 561 - CARLE MICHEL BOOG, SWISS/AMERICAN 1877-1968, STUDIES OF PEOPLE WEARING HATS & CAPS, Black crayon on paper, Sight: 11 1/8 x 10 in. (28.3 x 25.4 cm.), Frame: 15 1/2 x 15 1/4 in. (39.4 x 38.7 cm.)

CARLE MICHEL BOOG SWISS/AMERICAN, 1877-1968 STUDIES OF PEOPLE WEARING HATS & CAPS Black crayon on paper Lower right initialed in graphite: C.M.B. Catalog note: Born in Lucerne, Switzerland, Boog came to America as a child. He studied at the Art Students League in New York and later at the École des Beaux-Arts in Paris under Louis Bonnat, exhibiting at the Paris Salon in 1904. Based for much of his life on Parkville Avenue in Brooklyn, he was a member of the Salmagundi Club and exhibited widely, including at the National Academy of Design, Pennsylvania Academy of the Fine Arts, Corcoran Gallery of Art, Rochester Memorial Art Gallery, American Watercolor Society, Allied American Artists, and the Brooklyn Museum. His work is held in the permanent collections of the Museum of the City of New York, the University of Nebraska Museum, and the Historical Museum of Bennington, Vermont. In addition to painting, Boog illustrated books such as Leatherstocking Tales by James Fenimore Cooper and How It Came About Stories by Frank B. Linderman.

Lot: 562 - PABLO PICASSO, SPANISH 1881-1973, SCULPTEUR DEVANT SA SCULPTURE from CHEFS D'OEUVRES INCONNU, Etching on Rives paper, Sheet: 9 3/4 x 12 3/4 in. (24.8 x 32.4 cm.); Plate: 7 1/2 x 10 3/4 in. (19.1 x 27.3 cm.), Frame: 15 1/

PABLO PICASSO SPANISH, 1881-1973 SCULPTEUR DEVANT SA SCULPTURE from CHEFS D'OEUVRES INCONNU Etching on Rives paper

Lot: 563 - LOUIS LEGRAND, FRENCH 1863-1951, ENTRÉE DE SCÈNE (STAGE ENTRANCE), Etching, aquatint and drypoint, Plate: 16 3/4 x 11 1/4 in. (42.5 x 28.6 cm.), Frame: 29 1/2 x 23 5/8 in. (74.9 x 60 cm.)

LOUIS LEGRAND FRENCH, 1863-1951 ENTRÉE DE SCÈNE (STAGE ENTRANCE) Etching, aquatint and drypoint Lower right signed, numbered and stamped: Louis Legrand 27/30 Catalog note: Legrand studied at the School of Fine Arts in Dijon before moving to Paris in 1884 to train with Félicien Rops, whose influence is evident in Legrand's lively yet ironic depictions of the demi-monde. He exhibited at the Salon of the National Society of Fine Arts and won a silver medal at the Universal Exhibition of 1900. According to Bénézit, the Moulin Rouge could almost be considered his studio, as he spent countless hours observing dancers, actresses, and singers in Parisian dance halls, bars, and theatres — subjects that appear throughout his more than 300 original prints, executed with remarkable skill, delicacy, and humor. A major exhibition of his graphic work was held at the Félicien Rops Museum in Namur, Belgium, in 2006, accompanied by a catalogue raisonné compiled by Victor Arwas.

Lot: 564 - LOUIS LEGRAND, FRENCH 1863-1951, INCOGNITO (ARWAS 360), Etching, aquatint and drypoint, Plate: 16 1/2 x 11 in. (41.9 x 27.9 cm.), Frame: 29 x 21 3/4 in. (73.7 x 55.2 cm.)

LOUIS LEGRAND FRENCH, 1863-1951 INCOGNITO (ARWAS 360) Etching, aquatint and drypoint Lower left signed in plate; lower right signed and numbered beneath the plate: 27/30 Same artist as receipt no. 156, 157 5th state of 8; from rare edition of 30 proofs on Japan paper 27/30

Lot: 565 - LOUIS LEGRAND, FRENCH 1863-1951, PETITE MARCHEUSE (THE FLIRT), Etching, aquatint and drypoint, Sheet: 16 3/4 x 11 1/4 in. (42.5 x 28.6 cm.), Frame: 28 3/4 x 22 1/4 in. (73 x 56.5 cm.)

LOUIS LEGRAND FRENCH, 1863-1951 PETITE MARCHEUSE (THE FLIRT) Etching, aquatint and drypoint Lower right signed in graphite in plate: Louis Legrand; lower right numbered, blind stamp and initialed: 27/30 Literature: (ARWAS 361) 5th state of 8; from rare edition of 30 proofs on Japan paper 27/30 Catalog note: Legrand studied at the School of Fine Arts in Dijon before moving to Paris in 1884 to train with Félicien Rops, whose influence is evident in Legrand's lively yet ironic depictions of the demi-monde. He exhibited at the Salon of the National Society of Fine Arts and won a silver medal at the Universal Exhibition of 1900. According to Bénézit, the Moulin Rouge could almost be considered his studio, as he spent countless hours observing dancers, actresses, and singers in Parisian dance halls, bars, and theatres — subjects that appear throughout his more than 300 original prints, executed with remarkable skill, delicacy, and humor. A major exhibition of his graphic work was held at the Félicien Rops Museum in Namur, Belgium, in 2006, accompanied by a catalogue raisonné compiled by Victor Arwas.

Lot: 566 - MAURICE DELCOURT, FRENCH 1877-1916, LE CAPITAINE BURLE, Charcoal drawing on wove paper, Sight: 10 x 7 1/2 in. (25.4 x 19.1 cm.), Frame: 19 1/4 x 16 1/4 in. (48.9 x 41.3 cm.)

MAURICE DELCOURT FRENCH, 1877-1916 LE CAPITAINE BURLE Charcoal drawing on wove paper Lower right signed: M. Delcourt / (Le capitaine Burle) Catalog note: Delcourt was known for his genre scenes and still lifes, and also worked as a journalist, illustrator, and printmaker. He illustrated numerous books, including En suivant la Seine by G. Coquiot, Ballades by P. Fort, and Les Camelots de la Pensée by J. de Tinan. According to the inscription, this drawing was likely created as an illustration for an edition of Émile Zola's Le Capitaine Burle. Delcourt is perhaps best remembered for his printmaking; in 1903 he collaborated with Raoul Dufy on printmaking techniques, drawing inspiration from Japanese ukiyo-e woodcuts. He served as a second-lieutenant in the French Army during World War I, was awarded the Croix de Guerre for bravery, and was killed in action at Chatancourt in the Marne on December 29, 1916. His work is held in several private and public collections, including the Spencer Museum of Art in Kansas City.

Lot: 567 - CHARLES (CHAS) LABORDE, FRENCH 1886-1941, WOMAN AT A WINDOW; 7 HEURES, PLACE DE L’OPERA; LA BOXE À LA FOURMI; LES GRANDS MAGASINS and LES GRANDS BOULEVARDS, Etching

CHARLES (CHAS) LABORDE FRENCH, 1886-1941 WOMAN AT A WINDOW; 7 HEURES, PLACE DE L'OPERA; LA BOXE À LA FOURMI; LES GRANDS MAGASINS and LES GRANDS BOULEVARDS Etching WOMAN AT A WINDOW; etching; Sheet size: 9 1/8 X 7 1/16 in. (23.2 x 17.8 cm.); Frame size: 14 1/8 X 12 7/8 in. (35.9 x 32.7 cm.) 7 HEURES, PLACE DE L'OPERA; etching: Plate: 8 1/2 x 10 1/2 in. (21.6 x 26.7 cm.), Frame: 19 1/2 x 20 3/4 in. (49.5 x 52.7 cm.); lower left numbered: 21/25; lower center titled: 7 heures place de l'opera; lower right signed and dated: Chas Laborde 1926 LA BOXE À LA FOURMI; etching: Sheet size: 12¾ X 16? in.; Frame size: 19½ X 20¾ in.; lower left numbered: 21/25; lower center titled; La Boxe a la Fourmi; lower right signed and dated in graphite: Chas Laborde 1926; LES GRANDS MAGASINS; etching: Sight: 10 x 9 3/4 in. (25.4 x 24.8 cm.), Frame: 20 3/4 x 19 1/4 in. (52.7 x 48.9 cm.); lower left numbered: 21/25; lower center titled: Les grands magasins; lower right signed and dated in graphite: Chas La Borde 1926 LES GRANDS BOULEVARDS; etching: Sight: 10 x 9 3/4 in. (25.4 x 24.8 cm.), Frame: 20 3/4 x 19 1/4 in. (52.7 x 48.9 cm.); Lower left numbered 21/25; lower center titled: LES GRANDS BOULEVARDS; lower right signed and dated: Chas Laborde 1926 (5) Catalogue note: Widely admired as a satirical illustrator and painter, Laborde produced portraits, nudes, still-lifes, and street scenes reminiscent of Matisse, Kisling, and Pascin. He illustrated numerous novels and a celebrated series on the streets and faces of major cities, including Rues et Visages de Paris, Londres, Berlin, Moscou, and New York. His work was shown at the Salon de Tuileries and Galerie Charpentier in Paris, with major retrospectives held in Paris following his death and at the Museum Galliéra in 1976. (5)

Lot: 568 - PAUL-PIERRE LEMAGNY, FRENCH 1905-1997, L’ARCHER DE STYMPHALE (HERCULES AND THE STYMPHALIAN BIRDS), India ink and India ink wash drawing on heavy wove paper with irregular edges., Sight: 17 1/2 x 13 3/4 in. (44.5 x 34.9 c

PAUL-PIERRE LEMAGNY FRENCH, 1905-1997 L'ARCHER DE STYMPHALE (HERCULES AND THE STYMPHALIAN BIRDS) India ink and India ink wash drawing on heavy wove paper with irregular edges. lower right margin signed in graphite: "Lemagny"? Inscriptions in pencil in the left margin identify this drawing as having been done by Lemagny as an illustration for a poem by the great Cuban-born poet José-Maria de Heredia (1842-1905). Catalogue note: Paul-Pierre Lemagny trained at the École des Beaux-Arts in Paris, where he earned numerous prizes and later returned as a professor known for balancing strong technical teaching with encouragement of independent style. Renowned as an engraver, he exhibited widely at the Salon des Indépendants and the Salon des Tuileries, and was commissioned to design fifty-two postage stamps for the French government, personally engraving the George Sand stamp issued in 1957. This drawing, made to illustrate a poem by Heredia, depicts Hercules' sixth labor: driving away the Stymphalian birds with bronze noisemakers given by Athena. The dynamic image likely reflects Lemagny's familiarity with Bourdelle's celebrated Hercules the Archer bronze, which still stands in front of the Musée d'Orsay in Paris.

Lot: 569 - FÉLIX SATURNIN BRISSOT DE WARVILLE, FRENCH 1818-1892, A GROUP OF STUDIES OF SHEEP AND A SHEPHERD, STUDIES OF SHEEP AND SHEPHERDS; A FLOCK OF SHEEP AT A GATE, STUDIES OF SHEEP ; A WOMAN FEEDING CHICKENS ; A FARM CART ; A

FÉLIX SATURNIN BRISSOT DE WARVILLE FRENCH, 1818-1892 A GROUP OF STUDIES OF SHEEP AND A SHEPHERD, STUDIES OF SHEEP AND SHEPHERDS; A FLOCK OF SHEEP AT A GATE, STUDIES OF SHEEP ; A WOMAN FEEDING CHICKENS ; A FARM CART ; A DOG; STUDIES OF SHEEP AND SHEPHERDS and STUDIES OF SHEEP AND CHICKENS Charcoal on white laid paper (5) Catalogue note: Brissot de Warville was known for his paintings and drawings of rustic scenes featuring sheep and cattle, capturing the charm of pastoral French life. He served as Director of the Musée du Château de Compiègne and was a prolific artist whose works are represented in many museum collections, including the Victoria and Albert Museum in London and museums in Chartres, Amiens, Mulhouse, Reims, Rouen, Saint-Étienne, Sens, Strasbourg, and Troyes. The most extensive collection of his work remains in the museum at Compiègne.

Lot: 570 - CHARLES LABORDE, FRENCH 1886-1941, EFFECTS OF THE DEPRESSION, NEW YORK, Watercolor, pen and ink, and pencil on paper, 7 7/8 x 14 3/8 in. (20 x 36.5 cm.), Frame: 15 5/8 x 22 1/2 in. (39.7 x 57.2 cm.)

CHARLES LABORDE FRENCH, 1886-1941 EFFECTS OF THE DEPRESSION, NEW YORK Watercolor, pen and ink, and pencil on paper Lower right signed: Ch. Laborde / New York

Lot: 571 - ANDRÉ MAIRE, FRENCH 1898-1984, CAMPO DELLE GATTE, VENICE, Sepia ink and wash on paper, Sight: 14 x 11 in. (35.6 x 27.9 cm.), Frame: 22 x 19 in. (55.9 x 48.3 cm.)

ANDRÉ MAIRE FRENCH, 1898-1984 CAMPO DELLE GATTE, VENICE Sepia ink and wash on paper Lower right signed and inscribed: andre maire/ Venezia Same artist as receipt no.161 Catalogue note: André Maire was a French painter and printmaker known for his exotic landscapes and detailed architectural views, often inspired by his extensive travels. A student of Émile Bernard, Maire was deeply influenced by Post-Impressionism and Orientalist traditions. He first gained recognition for his works depicting Indochina, where he spent over a decade capturing temples, local life, and tropical scenery with remarkable precision and lyrical color. His drawings and watercolors of Angkor Wat remain some of his most admired works. Maire exhibited widely in Paris and abroad, and his works continue to be appreciated for their blend of technical skill, decorative line, and a keen sense of place.

Lot: 572 - ANDRÉ MAIRE, FRENCH 1898-1984, GONDOLAS IN VENICE, Ink wash and charcoal on paper, Sight: 11 3/4 x 9 1/4 in. (29.8 x 23.5 cm.), Frame: 22 1/2 x 18 1/2 in. (57.2 x 47 cm.)

ANDRÉ MAIRE FRENCH, 1898-1984 GONDOLAS IN VENICE Ink wash and charcoal on paper Lower left signed: André Maire

Lot: 573 - FRENCH SCHOOL , 19TH CENTURY, STUDY OF THE HEAD OF A HORSE, Sanguine on laid paper, Sight: 17 x 11 1/4 in. (43.2 x 28.6 cm.), Frame: 29 x 23 in. (73.7 x 58.4 cm.)

FRENCH SCHOOL 19TH CENTURY STUDY OF THE HEAD OF A HORSE Sanguine on laid paper

Lot: 574 - FRENCH SCHOOL , 19TH CENTURY, ACADEMIC STUDY - HERCULES AND HIS CLUB, Sanguine on laid paper, Sheet: 22 x 16 1/2 in. (55.9 x 41.9 cm.), Frame: 31 x 26 1/4 in. (78.7 x 66.7 cm.)

FRENCH SCHOOL 19TH CENTURY ACADEMIC STUDY - HERCULES AND HIS CLUB Sanguine on laid paper

Lot: 575 - LOUISE HERVIEU, FRENCH 1878-1954, DEVANT LE MIROIR (BEFORE THE LOOKING-GLASS), Charcoal on paper, Sight: 12 5/8 x 9 5/8 in. (32.1 x 24.4 cm.), Frame: 19 1/2 x 16 1/2 in. (49.5 x 41.9 cm.)

LOUISE HERVIEU FRENCH, 1878-1954 DEVANT LE MIROIR (BEFORE THE LOOKING-GLASS) Charcoal on paper Lower left signed: L. Hervieu Catalogue note: Artist and writer born in Alençon. Exhibited only once (1910) before a hereditary illness led her to abandon oils for charcoal and chalk. Her novel Sangs won the Prix Femina in 1936. Known for her mastery of light and shadow, she developed a distinctive technique of scratching away chalk or charcoal with a razor blade, often depicting figures in detailed interiors and still lifes. Illustrated works by Baudelaire and Verlaine as well as her own writings. The Musée National d'Art Moderne holds a significant series of her drawings (1929–1941).

Lot: 576 - RENÉ GEORGES HERMANN-PAUL, FRENCH 1864-1940, EXPOSITION D’ETRENNES (THE DISPLAY OF NEW YEARS GIFTS), Watercolor, pen and ink on paper, Sight: 11 x 8 in. (27.9 x 20.3 cm.), Frame: 20 1/4 x 17 in. (51.4 x 43.2 cm.)

RENÉ GEORGES HERMANN-PAUL FRENCH, 1864-1940 EXPOSITION D'ETRENNES (THE DISPLAY OF NEW YEARS GIFTS) Watercolor, pen and ink on paper Lower right monogrammed Catalogue note: Hermann-Paul studied at the École des Arts Décoratifs and at the Académie Julian in Paris, where he was the student of Henri Lerolle and Gustave Colin. He soon made a name for himself as a painter of genre scenes, an illustrator, and draftsman. He was known for his satirical drawings which poked mild fun at the bourgeoisie. His illustrations appeared in the leading Parisian journals of the day, including: La Vie Parisienne, Le Figaro, and a number of others. Two works by Hermann-Paul were recently acquired by the National Gallery of Art in Washington, D.C. and included in the exhibition: Six Centuries of Prints and Drawings (no. 1995.76.27; no. 2006.155.46).

Lot: 577 - RENÉ GEORGES HERMANN-PAUL, FRENCH 1864-1940, THE PHOTOGRAPHER, Watercolor, pen and ink, charcoal on paper, Sight: 10 3/4 x 8 1/4 in. (27.3 x 21 cm.), Frame: 20 1/4 x 17 in. (51.4 x 43.2 cm.)

RENÉ GEORGES HERMANN-PAUL FRENCH, 1864-1940 THE PHOTOGRAPHER Watercolor, pen and ink, charcoal on paper Lower right monogrammed; verso sales stamped Catalogue note: Hermann-Paul studied at the École des Arts Décoratifs and at the Académie Julian in Paris, where he was the student of Henri Lerolle and Gustave Colin. He soon made a name for himself as a painter of genre scenes, an illustrator, and draftsman. He was known for his satirical drawings which poked mild fun at the bourgeoisie. His illustrations appeared in the leading Parisian journals of the day, including: La Vie Parisienne, Le Figaro, and a number of others. Two works by Hermann-Paul were recently acquired by the National Gallery of Art in Washington, D.C. and included in the exhibition: Six Centuries of Prints and Drawings (no. 1995.76.27; no. 2006.155.46).

Lot: 578 - SANDY HOOK (GEORGES TABOUREAU), FRENCH 1879-1960, YOU ASK ME THAT?, India ink, traces of blue crayon on laid paper, Sheet: 17 x 11 in. (43.2 x 27.9 cm.), Frame: 25 x 16 1/4 in. (63.5 x 41.3 cm.)

SANDY HOOK (GEORGES TABOUREAU) FRENCH, 1879-1960 YOU ASK ME THAT? India ink, traces of blue crayon on laid paper Lower right signed: Sandy Hook; inscribed below image: Tu me demandes ça! Tu sais bien qu'une femme désintéressée c'est toujours au moins 5 louis. Catalogue note: Georges Taboureau, who painted under the pseudonym "Sandy-Hook," is best known as a marine artist, producing posters and illustrations for various shipping lines and exhibiting frequently at the Musée de la Marine in Paris until 1953. Named the official painter of the French Admiralty in 1917, he contributed illustrations to the Journal de la Marine Marchande and was honored with a retrospective at Le Salon du Livre Maritime in Concarneau in 1998. This drawing is likely an early work intended for publication, with a caption that humorously hints at the price of a woman's virtue—"a louis" being a French gold coin worth 20 francs—leaving its full meaning to the viewer's imagination.

Lot: 579 - PIERRE GEORGES JEANNIOT, FRENCH 1848-1934, LE FACTEUR - THE POSTMAN, Charcoal on paper, Sight: 10 1/4 x 8 in. (26 x 20.3 cm.), Frame: 19 1/4 x 16 3/4 in. (48.9 x 42.5 cm.)

PIERRE GEORGES JEANNIOT FRENCH, 1848-1934 LE FACTEUR - THE POSTMAN Charcoal on paper Lower right signed: Jeannot Catalogue note: Pierre-Georges Jeanniot was a French painter, watercolorist, and illustrator who began exhibiting at the Salon de Paris in 1872. Initially focused on military scenes, he later became known for landscapes, portraits, and genre scenes, as well as illustrations for works by de Maupassant, Daudet, and Zola. Based in Paris, Jeanniot earned numerous honors, including the title of Chevalier of the Legion of Honor. His work is held in major public collections such as the Musée d'Art Moderne de la Ville de Paris, the Carnavalet Museum, and museums in Nancy, Alais, Buenos Aires, and Oslo.

Lot: 580 - ALFRED GRÉVIN, FRENCH 1827-1892, MUSIC HALL ACTOR & ACTRESS and THE PROPOSAL, Watercolor, pen and ink, and pencil on paper; sheet on old mount, Sight: 6 x 3 in. (15.2 x 7.6 cm.), Frame: 11 7/8 x 8 3/4 in. (30.2 x 22.2 cm

ALFRED GRÉVIN FRENCH, 1827-1892 MUSIC HALL ACTOR & ACTRESS and THE PROPOSAL Watercolor, pen and ink, and pencil on paper; sheet on old mount Upper left atelier sale stamped; "THE PROPOSAL;" Watercolor, pencil, pen and ink on paper: Sight: 5 1/8 x 2 1/2 in. (13 x 6.4 cm.), Frame: 11 x 8 1/2 in. (27.9 x 21.6 cm.); Lower right atelier sale stamped Catalog note: Originally worked for the railway in Lyon but moved to Paris in 1859 to pursue illustration. Quickly became a leading caricaturist for Journal Amusant and Le Petit Journal pour rire, and designed theater costumes. Co-wrote the play Le Bonhomme Misère (Odéon Theater, 1877). In 1882, co-founded the Musée Grévin, Paris's famous wax museum, and served as its first director. His watercolors and drawings remain highly regarded; a dedicated exhibition was held at Galerie Jouffroy in 1999. (2)

Lot: 581 - LUDOVIC-RODO PISSARRO, FRENCH 1878 - 1952, SEATED FEMALE NUDE, PUTTING ON HER SLIPPER, Pen and India ink, pencil, Sight: 7 1/2 x 10 in. (19.1 x 25.4 cm.), Frame: 18 x 20 in. (45.7 x 50.8 cm.)

LUDOVIC-RODO PISSARRO FRENCH, 1878 - 1952 SEATED FEMALE NUDE, PUTTING ON HER SLIPPER Pen and India ink, pencil Lower right signed: Ludovic rodo

Lot: 582 - ALFRED GRÉVIN, FRENCH 1827-1892, TWO PLATES FROM COULISSES, A SERIES OF HUMOROUS SCENES OF LIFE IN THE THEATER, Gillotype (a relief print made with a zinc plate), Sight: 10 1/2 x 8 3/4 in. (26.7 x 22.2 cm.), Frame: 20 3/

ALFRED GRÉVIN FRENCH, 1827-1892 TWO PLATES FROM COULISSES, A SERIES OF HUMOROUS SCENES OF LIFE IN THE THEATER Gillotype (a relief print made with a zinc plate) Lower right signed: A. Grevin Catalog note: Originally worked for the railway in Lyon but moved to Paris in 1859 to pursue illustration. Quickly became a leading caricaturist for Journal Amusant and Le Petit Journal pour rire, and designed theater costumes. Co-wrote the play Le Bonhomme Misère (Odéon Theater, 1877). In 1882, co-founded the Musée Grévin, Paris's famous wax museum, and served as its first director. His watercolors and drawings remain highly regarded; a dedicated exhibition was held at Galerie Jouffroy in 1999. (2)

Lot: 583 - FRENCH 19TH CENTURY, DESIGN FOR AN ORNAMENTAL FRIEZE OF A FEMALE FIGURE WITH A CORNUCOPIA, Watercolor, pen and ink on laid paper with watermark, Sheet: 14 x 6 in. (35.6 x 15.2 cm.), Frame: 25 1/4 x 16 1/2 in. (64.1 x 41.

FRENCH, 19TH CENTURY DESIGN FOR AN ORNAMENTAL FRIEZE OF A FEMALE FIGURE WITH A CORNUCOPIA Watercolor, pen and ink on laid paper with watermark Catalogue note: This work was probably intended for a study for a wall or ceiling decoration.

Lot: 584 - THÉOPHILE-ALEXANDRE STEINLEN, FRENCH, SWISS 1859-1923, STUDY OF A SOLDIER; HEAD OF A YOUNG WOMAN IN PROFILE and STUDY OF A WOMAN WEARING AN APRON, Charcoal drawing on lined paper, Sight: 4 1/2 x 3 1/4 in. (11.4 x 8.3 cm.

THÉOPHILE-ALEXANDRE STEINLEN FRENCH, SWISS, 1859-1923 STUDY OF A SOLDIER; HEAD OF A YOUNG WOMAN IN PROFILE and STUDY OF A WOMAN WEARING AN APRON Charcoal drawing on lined paper Lower right signed: Steinlen HEAD OF A YOUNG WOMAN IN PROFILE; verso estate stamp; Pen and brown ink on paper: Sight: 3 1/2 x 2 1/4 in. (8.9 x 5.7 cm.), Frame: 8 1/4 x 6 1/2 in. (21 x 16.5 cm.) STUDY OF A WOMAN WEARING AN APRON; Lower left signed in black chalk: Steinlen; Pen and brown ink on paper: Sight: 10 1/4 x 5 in. (26 x 12.7 cm.), Frame: 20 1/2 x 14 3/4 in. (52.1 x 37.5 cm.) (3)

Lot: 585 - EDMOND EUGÈNE VALTON, FRENCH 1836-1910, THE ASSOCIATION POLYTECHNIQUE, PARIS, A DRAWING CLASS and DRAWING CLASS AT THE ASSOCIATION POLYTECHNIQUE, PARIS, Pencil on paper, Sheet: 4 1/2 x 6 1/2 in. (11.4 x 16.5 cm.), Frame:

EDMOND EUGÈNE VALTON FRENCH, 1836-1910 THE ASSOCIATION POLYTECHNIQUE, PARIS, A DRAWING CLASS and DRAWING CLASS AT THE ASSOCIATION POLYTECHNIQUE, PARIS Pencil on paper The association polytechnique, paris, a drawing class: Inscribed in pencil on verso: "Valton"?: Sheet: 4 1/2 x 6 1/2 in. (11.4 x 16.5 cm.), Frame: 13 1/2 x 15 in. (34.3 x 38.1 cm.) Drawing class at the association polytechnique, paris: Verso Inscribed in graphite: Valton One of a series of pencil drawings by Valton of classes at the Association Polytechnique: Sight: 4 1/4 x 6 3/4 in. (10.8 x 17.1 cm.), Frame: 13 3/4 x 15 1/8 in. (34.9 x 38.4 cm.) (2)

Lot: 586 - EMILE LOUIS THIVIER, FRENCH 1858-1922, STUDIES OF SHEEP and A FLOCK OF SHEEP AT A GATE, Pen and brown ink, Sight: 8 1/2 x 12 5/8 in. (21.6 x 32.1 cm.), Frame: 17 x 21 in. (43.2 x 53.3 cm.)

EMILE LOUIS THIVIER FRENCH, 1858-1922 STUDIES OF SHEEP and A FLOCK OF SHEEP AT A GATE Pen and brown ink Lower left : studio estate stamp; A FLOCK OF SHEEP AT A GATE; Lower right: Studio estate stamp; Pencil on paper: Sight: 7 3/8 x 11 1/2 in. (18.7 x 29.2 cm.), Frame: 17 3/4 x 21 1/2 in. (45.1 x 54.6 cm.) (2)

Lot: 587 - JOSEPH-VICTOR ROUX-CHAMPION, FRENCH 1871-1953, SHEEP SHEARING, Watercolor, gouache, and charcoal on paper, Sight: 9 x 12 in. (22.9 x 30.5 cm.), Frame: 18 1/2 x 21 in. (47 x 53.3 cm.)

JOSEPH-VICTOR ROUX-CHAMPION FRENCH, 1871-1953 SHEEP SHEARING Watercolor, gouache, and charcoal on paper Lower left monogrammed

Lot: 588 - ALEXANDRE LUNOIS, FRENCH 1863-1916, RACCOMODEUSES DE TAPIS ANCIENS (CONSTANTINOPLE EN ARRIÈRE PLAN), C. 1912, Lithograph, Sight: 16 x 20 in. (40.6 x 50.8 cm.), Frame: 25 1/8 x 28 3/4 in. (63.8 x 73 cm.)

ALEXANDRE LUNOIS FRENCH, 1863-1916 RACCOMODEUSES DE TAPIS ANCIENS (CONSTANTINOPLE EN ARRIÈRE PLAN), C. 1912 Lithograph Lower right inscribed and dated: bon à tirer 1901/ A. Desmoulins Catalogue note: Printer's Proof; edition of 40 impressions pulled between 1900 and 1906. Published probably by Desmoulin. Catalog note: Alexandre Lunois was a French painter, lithographer, and illustrator best known for his vibrant scenes of everyday life and his contributions to the revival of color lithography in the late 19th and early 20th centuries. He studied at the École des Beaux-Arts in Paris and was a student of Gustave Moreau. Influenced by the Impressionists and the Nabis, Lunois often depicted urban street scenes, cabarets, and popular entertainments with a lively, modern touch. He exhibited at the Salon des Indépendants and was commissioned to illustrate numerous books and periodicals of the time. His lithographs remain admired for their rich color and spirited style, capturing the atmosphere of Parisian life.

Lot: 589 - JULIEN OUTIN, FRENCH 1923-2005, INTERIOR WITH FIGURES AND A WINDOW, Watercolor, pen and ink on paper, 6 1/8 x 10 1/4 in. (15.6 x 26 cm.), Frame: 11 1/4 x 15 1/4 in. (28.6 x 38.7 cm.)

JULIEN OUTIN FRENCH, 1923-2005 INTERIOR WITH FIGURES AND A WINDOW Watercolor, pen and ink on paper

Lot: 590 - JEAN BUHOT, FRENCH 1885-1952, MOTHER AND CHILD IN AN INTERIOR, Original lithograph on thick beige wove paper, Sight: 6 3/4 x 10 1/8 in. (17.1 x 25.7 cm.), Frame: 15 1/8 x 18 3/8 in. (38.4 x 46.7 cm.)

JEAN BUHOT FRENCH, 1885-1952 MOTHER AND CHILD IN AN INTERIOR Original lithograph on thick beige wove paper Lower right signed in the plate: Jean Buhot Catalogue note: Jean Buhot, studied under his father, the artist Félix Buhot, and became known for his paintings of landscapes and interiors, as well as a lithographer and illustrator. He exhibited in Paris at the Salons des Artistes Indépendants from 1911, the Salon d'Automne from 1920, and the Salon des Tuileries from 1925. As a child prodigy, he was painted at age six by Norbert Goeneutte—a portrait now held in the Musée Poulain in Vernon, France. Deeply interested in Asian art and culture, Buhot illustrated a volume of Japanese Noh plays and the works of the Tibetan Buddhist bodhisattva-poet Milarepa, later writing extensively on Chinese and Japanese art and earning recognition as a leading French authority on Asian art (Source: Fletcher/Copenhaver Fine Art).

Lot: 591 - JULIEN OUTIN, FRENCH 1923-2005, SIX HEAD STUDIES, 1980, Watercolor and charcoal on paper, Sight: 11 x 8 in. (27.9 x 20.3 cm.), Frame: 17 1/2 x 14 1/2 in. (44.5 x 36.8 cm.)

JULIEN OUTIN FRENCH, 1923-2005 SIX HEAD STUDIES, 1980 Watercolor and charcoal on paper Lower right signed and dated: J. Outin / 1980 Catalogue note: Julien Outin, a painter and printmaker, was born in the village of Landernau in Finistère, Brittany, and moved to Paris as a young man, where he lived and worked for the rest of his life. After World War II, he was part of a circle of young artists in Paris, including Americans like Ellsworth Kelly and Avel DeKnight, studying under the G.I. Bill. His work was featured in the 1992 Bibliothèque Nationale exhibition De Bonnard à Baselitz and remains in its permanent collection. In 1970, the French publisher Fayard released Ouvrages de Dames, a humorous collection of his collages and pen & ink drawings. Outin was a close friend of the artist Boris Taslitzky and the American composer Eugene Kurtz, with whom he shared much of his life in Paris.

Lot: 592 - CHARLES PICART LE DOUX, FRENCH 1881-1959, A COUPLE FROM ARLES, Watercolor, Plate: 11 1/4 x 9 in. (28.6 x 22.9 cm.), Frame: 23 x 20 in. (58.4 x 50.8 cm.)

CHARLES PICART LE DOUX FRENCH, 1881-1959 A COUPLE FROM ARLES Watercolor Lower left monogrammed in plate; lower center: "Ch. Picart Le Doux" Catalogue note: Picart-Le-Doux was born in Paris and studied at the Académie Julian and the École des Beaux-Arts, where Gérôme was among his teachers. Encouraged by Renoir, he moved away from academic painting toward Impressionist landscapes, which he exhibited at the Salon des Indépendants from 1904 and other major Paris salons. He received the Grand Medal at the 1937 Exposition Internationale and was made an Officer of the Legion of Honor in 1950. Known for figure paintings—especially female nudes—and postwar landscapes of Paris, Touraine, and Provence, he also completed murals for the ocean liner Normandie and illustrated works by Verlaine, Baudelaire, and Colette. His works are in the Musée du Petit Palais and Musée National d'Art Moderne, as well as museums in Le Havre, Nice, Bagnols, and Moscow.

Lot: 593 - LUCIEN STARCK, FRENCH 20TH CENTURY, SEATED WOMAN WITH A LARGE HAT, Watercolor and charcoal drawing on wove paper, Sight: 6 3/8 x 4 3/4 in. (16.2 x 12.1 cm.), Frame: 12 5/8 x 11 in. (32.1 x 27.9 cm.)

LUCIEN STARCK FRENCH, 20TH CENTURY SEATED WOMAN WITH A LARGE HAT Watercolor and charcoal drawing on wove paper Lower right monogrammed Catalog note: Lucien Starck was an artist who worked in France in the early years of the 20th century. He was a gifted illustrator and captured the spirit of the Belle Époque in these intimate watercolor and charcoal drawings.

Lot: 594 - FRENCH SCHOOL , 19TH/20TH CENTURY, THREE STUDIES OF A YOUNG WOMAN, Watercolor, pen and ink, 8 3/4 x 6 1/2 in. (22.2 x 16.5 cm.), Frame: 16 3/4 x 14 1/4 in. (42.5 x 36.2 cm.)

FRENCH SCHOOL 19TH/20TH CENTURY THREE STUDIES OF A YOUNG WOMAN Watercolor, pen and ink

Lot: 595 - FRENCH SCHOOL , 20TH CENTURY, ILLUSTRATION FOR A FRENCH FASHION MAGAZINE, 1930S, Watercolor, pen and ink, 7 3/4 x 7 1/8 in. (19.7 x 18.1 cm.), Frame: 17 1/8 x 16 in. (43.5 x 40.6 cm.)

FRENCH SCHOOL 20TH CENTURY ILLUSTRATION FOR A FRENCH FASHION MAGAZINE, 1930S Watercolor, pen and ink Catalogue note: This illustration was probably used for reproduction in a catalogue of La Samaritaine, a known department store in Paris.

Lot: 596 - FRENCH 19TH CENTURY, LE GÉNÉRAL VIEIL-PAILLASSON BACKSTAGE AT THE OPERA, Watercolor, pen and ink, Sheet: 7 x 10 in. (17.8 x 25.4 cm.), Frame: 12 1/2 x 15 1/2 in. (31.8 x 39.4 cm.)

FRENCH, 19TH CENTURY LE GÉNÉRAL VIEIL-PAILLASSON BACKSTAGE AT THE OPERA Watercolor, pen and ink Lower right signed: Soulass [?]

Lot: 597 - FRENCH 19TH CENTURY, PLAYING HORSEY, WALKING THE DOLL and FISHING IN A TUB from LES JEUX d'ENFANTS (CHILDREN'S GAMES), Watercolor on paper, Sight: 5 1/2 x 8 in. (14 x 20.3 cm.), Frame: 11 1/8 x 13 5/8 in. (28.3 x 34.6 cm

FRENCH, 19TH CENTURY PLAYING HORSEY, WALKING THE DOLL and FISHING IN A TUB from LES JEUX d'ENFANTS (CHILDREN'S GAMES) Watercolor on paper Playing Horsey: Sight: 5 1/2 x 8 in. (14 x 20.3 cm.), Frame: 11 1/8 x 13 5/8 in. (28.3 x 34.6 cm.) Walking the Doll: Sight: 5 1/2 x 7 in. (14 x 17.8 cm.), Frame: 11 1/4 x 12 1/2 in. (28.6 x 31.8 cm.) Fishing in a Tub: Sheet: 6 x 9 in. (15.2 x 22.9 cm.), Frame: 11 x 14 1/2 in. (27.9 x 36.8 cm.) (3)

Lot: 598 - A. DESPLANCHES, FRENCH EARLY 20TH CENTURY, A VIEW OF NÔTRE DAME, Watercolor, Sight: 9 3/4 x 12 1/2 in. (24.8 x 31.8 cm.), Frame: 15 3/4 x 18 1/2 in. (40 x 47 cm.)

A. DESPLANCHES FRENCH, EARLY 20TH CENTURY A VIEW OF NÔTRE DAME Watercolor Lower right signed: A. Desplanches Catalogue note: Desplanches was an accomplished watercolorist who worked in a style influenced by Impressionism in Paris in the early years of the 20th century. He is known for a series of watercolors of familiar Paris scenes.

Lot: 599 - FRENCH SCHOOL , 19TH CENTURY, FISHING VILLAGE SCENE, Watercolor, Sight: 9 1/2 x 13 1/2 in. (24.1 x 34.3 cm.), Frame: 17 1/2 x 21 1/2 in. (44.5 x 54.6 cm.)

FRENCH SCHOOL 19TH CENTURY FISHING VILLAGE SCENE Watercolor Lower right indistinctly signed

Lot: 600 - MARCEL GROMAIRE, FRENCH 1892-1973, VERS UN MONDE VOLAGE (TOWARD AN UNCERTAIN WORLD) PLATES I, 3 and 7 , 1926, Etching, Sight: 6 1/2 x 5 1/2 in. (16.5 x 14 cm.), Frame: 13 x 11 3/4 in. (33 x 29.8 cm.)

MARCEL GROMAIRE FRENCH, 1892-1973 VERS UN MONDE VOLAGE (TOWARD AN UNCERTAIN WORLD) PLATES I, 3 and 7 , 1926 Etching Published in Paris in 1926, Editions P. Marcel Sheur (3) Catalogue note: Marcel Gromaire was a French post-Cubist painter, watercolorist, and printmaker associated with the Social Realist movement of the early 20th century. Born in northern France, he served in the French Army during World War I and was wounded at the Battle of the Somme. After the war, he moved to Paris intending to study law but soon turned to art, studying at the Académie Ranson, Académie Colarossi, and Académie de la Palette, while developing his own style through independent study of modern art. Gromaire exhibited widely at the Salon d'Automne and Salon des Indépendants and held numerous solo shows, including retrospectives at the Kunstmuseum Basel (1933), Maison de la Peinture (1957), and Musée de l'Art Moderne in Paris (1963, 1980). He was also known for decorating the façade of the Sèvres Pavilion at the 1937 Exposition Universelle. Gromaire spent time in the United States, won the Carnegie Prize (1952) and Guggenheim Prize (1956), and was later made a Commander of the Légion d'honneur and awarded the Grand Prix National des Arts. His work is held in collections such as the Museum of Modern Art and Carnavalet Museum in Paris, and the Legion of Honor Museum in San Francisco.

Lot: 601 - CHARLES EMILE JACQUE, FRENCH 1813-1894, PECHE AU VIF, Etching, Sight: 4 3/4 x 7 1/2 in. (12.1 x 19.1 cm.), Frame: 16 1/8 x 18 3/4 in. (41 x 47.6 cm.)

CHARLES EMILE JACQUE FRENCH, 1813-1894 PECHE AU VIF Etching Lower left signed: CH. JACQUE; lower center titled and numbered: PECHE AU VIF / No. 82; lower right inscribed: Sarazin IMP Catalog note: The important Barbizon School artist, Charles-Émile Jacque, first became famous for his etchings, with which he made his exhibition debut at the Paris Salon of 1845. He continued to exhibit etchings alone at the Paris Salon until 1848, when for the first time he also exhibited a painting. His etchings won many medals at these exhibitions and in the important Exposition Universelle of 1899, his etchings were awarded the Grand Prize. He became known as a great painter, but according to Bénézit, it is for his etchings that he should be known as one of the great masters of French art. It is possible to distinguish two separate phases of his career as an etcher. During the first, which lasted until 1860, his etchings are marked by grace and charm, but after that date, perhaps under the influence of Millet, his manner became stronger, more vigorous, and more realistic. His later etchings, such as this one, are considered his most interesting and successful ones. Catalog note: Charles-Émile Jacque, an important Barbizon School artist, first gained fame for his etchings, making his debut at the Paris Salon of 1845. He exhibited etchings exclusively until 1848, when he began showing paintings as well. His etchings won many medals, including the Grand Prize at the Exposition Universelle in 1889, and Bénézit notes that it is for his etchings that he should be remembered as one of the great masters of French art. His career as an etcher is marked by two phases: works before 1860 are known for their grace and charm, while his later prints, influenced perhaps by Millet, are stronger, more vigorous, and realistic. His later etchings, such as this example, are considered among his most successful.

Lot: 602 - PIERRE THÉVENIN, FRENCH 1905-1950, LA JOIE DE VIVRE, Gouache and oil on paper, Sight: 9 1/4 x 15 in. (23.5 x 38.1 cm.), Frame: 18 3/4 x 25 in. (47.6 x 63.5 cm.)

PIERRE THÉVENIN FRENCH, 1905-1950 LA JOIE DE VIVRE Gouache and oil on paper Lower right signed: Thévenin

Lot: 603 - ALFRED HUBERT, 19TH CENTURY, MAISON DE LA REINE BÉRENGÈRE, Hand colored etching, Sight: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm.), Frame: 12 1/8 x 10 1/4 in. (30.8 x 26 cm.)

ALFRED HUBERT 19TH CENTURY MAISON DE LA REINE BÉRENGÈRE Hand colored etching Lower right signed: Hubert

Lot: 604 - E.M. L..., ENGLISH SCHOOL 20TH CENTURY, BLUEBELLS, Pastel, Sight: 6 1/4 x 6 1/8 in. (15.9 x 15.6 cm.), Frame: 15 x 16 7/8 in. (38.1 x 42.9 cm.)

E.M. L... ENGLISH SCHOOL, 20TH CENTURY BLUEBELLS Pastel Lower left signed:E.M.L....; verso labeled: E. & F. Evans, London

Lot: 605 - CHARLES O'NEIL, BRITISH 1883 -1924, FEEDING THE DUCKS, Watercolor on paper, Sheet: 13 1/2 x 9 3/4 in. (34.3 x 24.8 cm.), Frame: 22 3/4 x 18 1/4 in. (57.8 x 46.4 cm.)

CHARLES O'NEIL BRITISH, 1883 -1924 FEEDING THE DUCKS Watercolor on paper Lower left signed: C. O'Neil Catalog note: Charles O'Neil was an accomplished English watercolorist and painter in oils who lived in and around Liverpool late in the 19th and early in the 20th century. He exhibited frequently at the Walker Art Gallery in Liverpool and also at the Royal Academy in London.

Lot: 606 - HENRY SCOTT TUKE, BRITISH 1858-1929, STUDY OF A GENTLEMAN WITH A CANE and STUDY OF A WOMAN WEARING A PLUMED HAT, Charcoal

HENRY SCOTT TUKE BRITISH, 1858-1929 STUDY OF A GENTLEMAN WITH A CANE and STUDY OF A WOMAN WEARING A PLUMED HAT Charcoal STUDY OF A GENTLEMAN WITH A CANE; STUDY OF A WOMAN WEARING A PLUMED HAT: Sight: 6 1/2 x 4 in. (16.5 x 10.2 cm.), Frame: 12 3/4 x 10 1/4 in. (32.4 x 26 cm.) (2)

Lot: 607 - ATTRIBUTED TO AUGUSTUS JOHN, BRITISH 1878-1961, FIGURE STUDIES, Graphite on paper

ATTRIBUTED TO AUGUSTUS JOHN BRITISH, 1878-1961 FIGURE STUDIES Graphite on paper

Lot: 608 - DEREK FOWLER, BRITISH 1919-1990, SEATED, WEARING A GREAT COAT; SOLDIER WITH A CAP; SOLDIERS IN THE CLUB; STUDIES OF SOLDIERS' HEADS; SOLDIERS SEATED, WRITING and ASLEEP WITH HIS HANDS BETWEEN HIS LEGS, Graphite on paper,

DEREK FOWLER BRITISH, 1919-1990 SEATED, WEARING A GREAT COAT; SOLDIER WITH A CAP; SOLDIERS IN THE CLUB; STUDIES OF SOLDIERS' HEADS; SOLDIERS SEATED, WRITING and ASLEEP WITH HIS HANDS BETWEEN HIS LEGS Graphite on paper SEATED WEARING A GREAT COAT; SOLDIER WITH A CAP: Sight: 7 1/8 x 4 1/4 in. (18.1 x 10.8 cm.), Frame: 12 x 9 1/8 in. (30.5 x 23.2 cm.) SOLDIERS IN THE CLUB: Sight: 4 1/2 x 6 7/8 in. (11.4 x 17.5 cm.), Frame: 9 1/2 x 12 in. (24.1 x 30.5 cm.) STUDIES OF SOLDIERS' HEADS: Sight: 7 1/4 x 4.3 in. (18.4 x 11 cm.), Frame: 12 1/4 x 9 1/4 in. (31.1 x 23.5 cm.); SOLDIERS SEATED, WRITING: Sight: 7 1/4 x 4 1/2 in. (18.4 x 11.4 cm.), Frame: 12 x 9 1/4 in. (30.5 x 23.5 cm.) ASLEEP WITH HIS HANDS BETWEEN HIS LEGS; graphite: Sight: 4 1/8 x 8 in. (10.5 x 20.3 cm.), Frame: 9 x 13 5/8 in. (22.9 x 34.6 cm.) (6) Catalogue note: Fowler was recognized for his wartime drawings and his accomplished career as a portrait painter. Studied at Westminster School of Art and the Royal College of Art (graduated 1949). Served as a captain in camouflage and intelligence in India and Burma during WWII, producing drawings of army life — twenty-seven now held by the Imperial War Museum. Exhibited at the Royal Academy (from 1951) and other major British societies. Notable sitters include Prime Minister Clement Attlee. Head of Art at the City of London School for over twenty years. A memorial exhibition was held at the Mall Galleries in 1990.

Lot: 609 - DEREK FOWLER, BRITISH 1919-1990, PONDERING; ASLEEP WITH A BOOK; A SOLDIER SEATED, WRITING; THE HAIRCUT and SOLDIER SEATED AT A DESK, WRITING, Graphite on paper, Sight: 7 x 4 1/2 in. (17.8 x 11.4 cm.), Frame: 12 x 9 1/4 i

DEREK FOWLER BRITISH, 1919-1990 PONDERING; ASLEEP WITH A BOOK; A SOLDIER SEATED, WRITING; THE HAIRCUT and SOLDIER SEATED AT A DESK, WRITING Graphite on paper PONDERING; ASLEEP WITH A BOOK: Sight: 6 1/8 x 8 3/4 in. (15.6 x 22.2 cm.), Frame: 11 1/4 x 13 5/8 in. (28.6 x 34.6 cm.); A SOLDIER SEATED, WRITING: Sight: 8 x 4 3/4 in. (20.3 x 12.1 cm.), Frame: 13 x 9 3/4 in. (33 x 24.8 cm.); THE HAIRCUT: Sight: 8 1/4 x 6 in. (21 x 15.2 cm.), Frame: 13 1/4 x 11 1/4 in. (33.7 x 28.6 cm.); SOLDIER SEATED AT A DESK, WRITING; Pencil drawing: Sight: 7 1/4 x 4 1/2 in. (18.4 x 11.4 cm.), Frame: 12 1/4 x 9 1/4 in. (31.1 x 23.5 cm.) (5) Catalogue note: Fowler was recognized for his wartime drawings and his accomplished career as a portrait painter. Studied at Westminster School of Art and the Royal College of Art (graduated 1949). Served as a captain in camouflage and intelligence in India and Burma during WWII, producing drawings of army life — twenty-seven now held by the Imperial War Museum. Exhibited at the Royal Academy (from 1951) and other major British societies. Notable sitters include Prime Minister Clement Attlee. Head of Art at the City of London School for over twenty years. A memorial exhibition was held at the Mall Galleries in 1990.

Lot: 610 - DEREK FOWLER, BRITISH 1919-1990, PORTRAIT OF A SOLDIER; TWO SOLDIERS, SEATED; A SOLDIER SMOKING A CIGARETTE; TAKING A NAP and STUDY FOR A SEATED MALE NUDE, Graphite on paper

DEREK FOWLER BRITISH, 1919-1990 PORTRAIT OF A SOLDIER; TWO SOLDIERS, SEATED; A SOLDIER SMOKING A CIGARETTE; TAKING A NAP and STUDY FOR A SEATED MALE NUDE Graphite on paper PORTRAIT OF A SOLDIER; TWO SOLDIERS, SEATED: Sight: 4 1/2 x 7 1/4 in. (11.4 x 18.4 cm.), Frame: 9 x 12 1/4 in. (23.7 x 31.1 cm.); A SOLDIER SMOKING A CIGARETTE: Sight: 7 1/8 x 4 1/8 in. (18.1 x 10.5 cm.), Frame: 12 1/8 x 9 1/8 in. (30.8 x 23.2 cm.); TAKING A NAP: Sight: 4 1/2 x 7 3/4 in. (11.4 x 19.7 cm.), Frame: 9 1/2 x 12 3/4 in. (24.1 x 32.4 cm.); STUDY FOR A SEATED MALE NUDE: 15 1/4 x 10 in. (38.7 x 25.4 cm.), Frame: 24 1/2 x 19 1/2 in. (62.2 x 49.5 cm.) (5) Catalogue note: Fowler was recognized for his wartime drawings and his accomplished career as a portrait painter. Studied at Westminster School of Art and the Royal College of Art (graduated 1949). Served as a captain in camouflage and intelligence in India and Burma during WWII, producing drawings of army life—twenty-seven now held by the Imperial War Museum. Exhibited at the Royal Academy (from 1951) and other major British societies. Notable sitters include Prime Minister Clement Attlee. Head of Art at the City of London School for over twenty years. A memorial exhibition was held at the Mall Galleries in 1990. (5)

Lot: 611 - DEREK FOWLER, BRITISH 1919-1990, SEATED SOLDIER, REAR VIEW; A SOLDIER WEARING A CAP & COAT, REAR VIEW; SEATED, WRITING and PROPPED UP ASLEEP, Graphite on paper, Sight: 7 x 4 1/4 in. (17.8 x 10.8 cm.), Frame: 12 x 9 1/4 i

DEREK FOWLER BRITISH, 1919-1990 SEATED SOLDIER, REAR VIEW; A SOLDIER WEARING A CAP & COAT, REAR VIEW; SEATED, WRITING and PROPPED UP ASLEEP Graphite on paper SEATED SOLDIER, REAR VIEW; A SOLDIER WEARING A CAP AND COAT, REAR VIEW: Sight: 7 x 4 1/4 in. (17.8 x 10.8 cm.), Frame: 12 x 9 1/8 in. (30.5 x 23.2 cm.); SEATED, WRITING: Sight: 7 1/8 x 4 5/8 in. (18.1 x 11.7 cm.), Frame: 12 1/8 x 9 1/4 in. (30.8 x 23.5 cm.); PROPPED UP, ASLEEP: Sight: 4 1/2 x 7 1/4 in. (11.4 x 18.4 cm.), Frame: 9 1/2 x 12 in. (24.1 x 30.5 cm.) (4) Catalogue note: Fowler was recognized for his wartime drawings and his accomplished career as a portrait painter. Studied at Westminster School of Art and the Royal College of Art (graduated 1949). Served as a captain in camouflage and intelligence in India and Burma during WWII, producing drawings of army life — twenty-seven now held by the Imperial War Museum. Exhibited at the Royal Academy (from 1951) and other major British societies. Notable sitters include Prime Minister Clement Attlee. Head of Art at the City of London School for over twenty years. A memorial exhibition was held at the Mall Galleries in 1990.

Lot: 612 - DEREK FOWLER, BRITISH 1919-1990, A GROUP OF SOLDIERS, SITTING OUTSIDE THE BARRACKS;A SOLDIER IN BED;STUDIES OF TWO SOLDIERS; MAN WEARING A CAP, REAR VIEW and SOLDIERS LOUNGING AROUND, Graphite on paper

DEREK FOWLER BRITISH, 1919-1990 A GROUP OF SOLDIERS, SITTING OUTSIDE THE BARRACKS;A SOLDIER IN BED;STUDIES OF TWO SOLDIERS; MAN WEARING A CAP, REAR VIEW and SOLDIERS LOUNGING AROUND Graphite on paper A SOLDIER IN BED: Sight: 4 3/8 x 7 1/4 in. (11.1 x 18.4 cm.), Frame: 9 1/4 x 12 in. (23.5 x 30.5 cm.); STUDIES OF TWO SOLDIERS: Sight: 7 1/4 x 4 1/4 in. (18.4 x 10.8 cm.), Frame: 12 x 9 in. (30.5 x 22.9 cm.) MAN WEARING A CAP, REAR VIEW: Sight: 7 x 4 1/4 in. (17.8 x 10.8 cm.), Frame: 12 x 9 1/8 in. (30.5 x 23.2 cm.) SOLDEIRS LOUNGING AROUND: Sight: 4 1/2 x 7 1/8 in. (11.4 x 18.1 cm.), Frame: 9 x 12 in. (22.9 x 30.5 cm.) (5) Catalogue note: Fowler was recognized for his wartime drawings and his accomplished career as a portrait painter. Studied at Westminster School of Art and the Royal College of Art (graduated 1949). Served as a captain in camouflage and intelligence in India and Burma during WWII, producing drawings of army life — twenty-seven now held by the Imperial War Museum. Exhibited at the Royal Academy (from 1951) and other major British societies. Notable sitters include Prime Minister Clement Attlee. Head of Art at the City of London School for over twenty years. A memorial exhibition was held at the Mall Galleries in 1990.

Lot: 613 - DEREK FOWLER, BRITISH 1919-1990, STUDIES OF NURSES WEARING CAPS; A SEATED WOMAN, KNITTING; NURSES AT A BRIEFING; A STANDING SOLDIER WEARING A CAP, REAR VIEW and IN BED, WRITING A LETTER, Graphite on paper, Sight: 7 1/4 x

DEREK FOWLER BRITISH, 1919-1990 STUDIES OF NURSES WEARING CAPS; A SEATED WOMAN, KNITTING; NURSES AT A BRIEFING; A STANDING SOLDIER WEARING A CAP, REAR VIEW and IN BED, WRITING A LETTER Graphite on paper A seated woman, knitting: Sight: 4 1/2 x 7 in. (11.4 x 17.8 cm.), Frame: 9 1/4 x 12 in. (23.5 x 30.5 cm.); Nurses at a briefing:Sight: 7 x 4 in. (17.8 x 10.2 cm.), Frame: 12 x 9 1/4 in. (30.5 x 23.5 cm.); A standing soldier wearing a cap, rear view: Sight: 7 1/2 x 4 1/4 in. (19.1 x 10.8 cm.), Frame: 2 1/2 x 9 1/4 in. (6.4 x 23.5 cm.); In bed, writing a letter: Sight: 4 1/4 x 7 1/2 in. (10.8 x 19.1 cm.), Frame: 9 1/4 x 12 3/4 in. (23.5 x 32.4 cm.) Catalog note: Fowler recognized for his wartime drawings and accomplished career as a portrait painter. Studied at Westminster School of Art and the Royal College of Art (graduated 1949). Served as a captain in camouflage and intelligence in India and Burma during WWII, producing drawings of army life — twenty-seven now held by the Imperial War Museum. Exhibited at the Royal Academy (from 1951) and other major British societies. Notable sitters include Prime Minister Clement Attlee. Head of Art at the City of London School for over twenty years. A memorial exhibition was held at the Mall Galleries in 1990. (5)

Lot: 614 - DEREK FOWLER, BRITISH 1919-1990, A WOMAN KNITTING; A WAAF READING; A STUDY OF TWO WOMEN'S HEADS; ASLEEP IN A CHAIR and STUDY OF A WAAF, Graphite on paper, Sight: 7 x 4 1/4 in. (17.8 x 10.8 cm.), Frame: 12 x 9 1/4 in. (30

DEREK FOWLER BRITISH, 1919-1990 A WOMAN KNITTING; A WAAF READING; A STUDY OF TWO WOMEN'S HEADS; ASLEEP IN A CHAIR and STUDY OF A WAAF Graphite on paper A Woman Knitting: sight: 7 x 4 1/4 in. (17.8 x 10.8 cm.), Frame: 12 x 9 1/4 in. (30.5 x 23.5 cm.) A WAAF reading: sight: 7 x 4 1/8 in. (17.8 x 10.5 cm.), Frame: 12 1/8 x 9 1/8 in. (30.8 x 23.2 cm.) A study of two women's heads: sight: 7 x 4 1/4 in. (17.8 x 10.8 cm.), Frame: 12 1/4 x 9 1/4 in. (31.1 x 23.5 cm.) Asleep in a chair: sight: 7 1/4 x 4 1/2 in. (18.4 x 11.4 cm.), Frame: 12 x 9 1/4 in. (30.5 x 23.5 cm.) Study of a WAAF: sight: 7 x 4 1/4 in. (17.8 x 10.8 cm.), Frame: 12 x 9 1/4 in. (30.5 x 23.5 cm.) (5) Catalogue note: Fowler recognized for his wartime drawings and accomplished career as a portrait painter. Studied at Westminster School of Art and the Royal College of Art (graduated 1949). Served as a captain in camouflage and intelligence in India and Burma during WWII, producing drawings of army life — twenty-seven now held by the Imperial War Museum. Exhibited at the Royal Academy (from 1951) and other major British societies. Notable sitters include Prime Minister Clement Attlee. Head of Art at the City of London School for over twenty years. A memorial exhibition was held at the Mall Galleries in 1990.

Lot: 615 - GRETA DELLEANY [?], BRITISH 1884-1968, LANDSCAPE WITH LIVESTOCK, Pastel and charcoal on tan paper, Sight: 6 7/8 x 10 1/4 in. (17.5 x 26 cm.), Frame: 16 1/8 x 19 in. (41 x 48.3 cm.)

GRETA DELLEANY [?] BRITISH, 1884-1968 LANDSCAPE WITH LIVESTOCK Pastel and charcoal on tan paper Lower left indistinctly inscribed: W...? Catalogue note: Born in London, Delleany studied first at the Westminster School of Art and then at the Royal Academy under Walter Sickert, the noted British Impressionist whose influence, alongside that of Whistler and Degas, can be seen in her delicate pastel pastoral landscapes. Between 1913 and 1940, she exhibited in sixteen Royal Academy exhibitions and showed frequently with the Royal Society of Painters and Etchers—of which she became an associate in 1919—as well as at the Walker Art Gallery in Liverpool. She also spent time working in New York City and San Francisco and was a member of California Printmakers. Delleany taught for many years at the Cheltenham College of Art and eventually served as its principal.

Lot: 616 - GRETA DELLEANY, BRITISH 1884-1968, FARM SCENE, Pastel and charcoal on tan wove paper, Sight: 9 x 11 3/4 in. (22.9 x 29.8 cm.), Frame: 18 3/4 x 20 1/2 in. (47.6 x 52.1 cm.)

GRETA DELLEANY BRITISH, 1884-1968 FARM SCENE Pastel and charcoal on tan wove paper Lower left indistinctly inscribed: Mr. Bardell West End.? Catalogue note: Born in London, Delleany studied first at the Westminster School of Art and then at the Royal Academy under Walter Sickert, the noted British Impressionist whose influence, alongside that of Whistler and Degas, can be seen in her delicate pastel pastoral landscapes. Between 1913 and 1940, she exhibited in sixteen Royal Academy exhibitions and showed frequently with the Royal Society of Painters and Etchers—of which she became an associate in 1919—as well as at the Walker Art Gallery in Liverpool. She also spent time working in New York City and San Francisco and was a member of California Printmakers. Delleany taught for many years at the Cheltenham College of Art and eventually served as its principal.

Lot: 617 - STANLEY GRIMM, BRITISH 1891-1966, HARBOR SCENE - 1935, Watercolor, pen and ink on paper, Sight: 9 1/4 x 13 in. (23.5 x 33 cm.), Frame: 18 1/2 x 21 3/4 in. (47 x 55.2 cm.)

STANLEY GRIMM BRITISH, 1891-1966 HARBOR SCENE - 1935 Watercolor, pen and ink on paper Lower right signed and dated: Grimm/35; verso signed in graphite: Stanley Grimm?

Lot: 618 - DOROTHY HEPWORTH, BRITISH 1898-1978, A WOMAN KNITTING, Graphite on paper

DOROTHY HEPWORTH BRITISH, 1898-1978 A WOMAN KNITTING Graphite on paper Catalogue note: This drawing is by Dorothy Hepworth, the companion of Patricia Preece (Lady Spencer), who was the second wife of the British artist Stanley Spencer. Hepworth and Preece met while studying under Roger Fry at the Slade School in 1917, later worked together in Paris with André Lhôte, and lived much of their lives together at Moor Thatch in Cookham. Hepworth, an accomplished portraitist and miniaturist, often exhibited her work under Preece's name, and their paintings were shown at the Reid and Lefevre Gallery in 1936 and the Leger Galleries in 1938, with introductions by Duncan Grant and Clive Bell.

Lot: 619 - BRITISH 20TH CENTURY, HEAD OF A WATCHFUL BOY, Pen, ink and ink wash, Sight: 5 3/4 x 3.4 in. (14.6 x 8.6 cm.), Frame: 13 3/4 x 12 1/4 in. (34.9 x 31.1 cm.)

BRITISH, 20TH CENTURY HEAD OF A WATCHFUL BOY Pen, ink and ink wash

Lot: 620 - ATTRIBUTED TO HUGH NEWELL, IRISH 1830-1915, AN INTERIOR SCENE, Oil on panel, 6 x 10 in. (15.2 x 25.4 cm.), Frame: 15 1/2 x 19 1/4 in. (39.4 x 48.9 cm.)

ATTRIBUTED TO HUGH NEWELL IRISH, 1830-1915 AN INTERIOR SCENE Oil on panel Verso inscribed in graphite: An interior/Hugh Newell

Lot: 621 - JOHANNES SADELER, FLEMISH SCHOOL 1550-1600, A PAIR OF HERMIT SCENES AFTER MARTIN DEVOS, Engraving, Plate: 6 3/8 x 7 1/2 in. (16.2 x 19.1 cm.), Frame: 16 3/8 x 17 1/4 in. (41.6 x 43.8 cm.)

JOHANNES SADELER FLEMISH SCHOOL, 1550-1600 A PAIR OF HERMIT SCENES AFTER MARTIN DEVOS Engraving Eight Engravings of Hermits after drawings by Martin DeVos (1532-1603) (2)

Lot: 622 - HANS BELLMER, GERMAN 1902-1975, UNTITLED, Engraving, Plate: 10 1/4 x 8 1/2 in. (26 x 21.6 cm.), Frame: 22 x 19 in. (55.9 x 48.3 cm.)

HANS BELLMER GERMAN, 1902-1975 UNTITLED Engraving Lower left artist's proof; lower right signed in graphite: Bellmer

Lot: 623 - ALFRED SEYFARTH, GERMAN 1877 - 1970, HARVESTING HAY, Pen and Ink

ALFRED SEYFARTH GERMAN, 1877 - 1970 HARVESTING HAY Pen and Ink Lower right signed: Alfred Seyfarth

Lot: 624 - AUSTRIAN SCHOOL , 19TH/20TH CENTURY, PORTRAIT OF A YOUNG MAN, Charcoal drawing heightened with white chalk, Sight: 15 x 12 1/4 in. (38.1 x 31.1 cm.), Frame: 21 7/8 x 19 in. (55.6 x 48.3 cm.)

AUSTRIAN SCHOOL 19TH/20TH CENTURY PORTRAIT OF A YOUNG MAN Charcoal drawing heightened with white chalk Unsigned

Lot: 625 - JIRI NOSKOVÁ, CZECH EARLY 20TH CENTURY, BEACH STUDIES - 1930, Graphite on paper, Sight: 6 1/2 x 8 1/2 in. (16.5 x 21.6 cm.), Frame: 11 1/2 x 13 1/2 in. (29.2 x 34.3 cm.)

JIRI NOSKOVÁ CZECH, EARLY 20TH CENTURY BEACH STUDIES - 1930 Graphite on paper Lower left dated: 20/6/30; lower right signed and dated: Jiri Nosková 20/6/30 (21 June 1930)

Lot: 626 - MICHEL SIMONIDY, ROMANIAN 1870-1933, A MAN IN A CAFÉ and CAFÉ SCENE, Pen and ink on paper

MICHEL SIMONIDY ROMANIAN, 1870-1933 A MAN IN A CAFÉ and CAFÉ SCENE Pen and ink on paper A MAN IN A CAFÉ: [Drawn on the verso of a card from the Durand-Ruel Gallery in Paris announcing an exhibition of the works of Georges Gobó]; Sight: 5 1/8 x 3 3/4 in. (13 x 9.5 cm.), Frame: 14 1/4 x 12 in. (30.5 x 31.3 cm.) CAFÉ SCENE: Estate stamp on verso; 4 1/2 x 5 1/2 in. (11.4 x 14 cm.), Frame: 13 3/4 x 12 1/4 in. (34.9 x 31.1 cm.) (2)

Lot: 627 - SEATED NUDE, Graphite on paper, Sight: 22 3/4 x 17 5/8 in. (57.8 x 44.8 cm.), Frame: 32 1/4 x 26 3/8 in. (81.9 x 67 cm.)

SEATED NUDE Graphite on paper

Lot: 628 - 20TH CENTURY, FEMALE NUDE and KNEELING FEMALE NUDE, Red ink wash and black chalk, Sight: 15 3/4 x 21 1/4 in. (40 x 54 cm.), Frame: 25 x 30 in. (63.5 x 76.2 cm.)

20TH CENTURY FEMALE NUDE and KNEELING FEMALE NUDE Red ink wash and black chalk FEMALE NUDE LYING ON HER BACK: Lower center indistinctly signed; KNEELING FEMALE NUDE: Lower center right indistinctly signed: Red ink wash and black chalk: Sight: 22 x 16 in. (55.9 x 40.6 cm.), Frame: 31 1/8 x 25 1/8 in. (79.1 x 63.8 cm.) (2)

Lot: 629 - 20TH CENTURY, Ink on paper, Sight: 10 x 7 1/2 in. (25.4 x 19.1 cm.), Frame: 18 1/4 x 15 1/4 in. (46.4 x 38.7 cm.)

20TH CENTURY Ink on paper Lower left signed and dated: Bo B... 1950; lower right inscribed: T..Ki 16/12/1953

Lot: 630 - EUROPEAN SCHOOL , 19TH/20TH CENTURY, BEACH SCENE, Graphite and crayon on paper

EUROPEAN SCHOOL 19TH/20TH CENTURY BEACH SCENE Graphite and crayon on paper

Lot: 631 - CIRCLE OF GIUSEPPE BEZZUOLI, ITALIAN 1784-1855, STUDY OF A KNEELING FIGURE, DRAPERY STUDY, Charcoal, pencil, heightened with white chalk, 11 5/8 x 8 7/8 in. (29.5 x 22.5 cm.), Frame: 19 1/8 x 16 in. (48.6 x 40.6 cm.)

CIRCLE OF GIUSEPPE BEZZUOLI ITALIAN, 1784-1855 STUDY OF A KNEELING FIGURE, DRAPERY STUDY Charcoal, pencil, heightened with white chalk

Lot: 632 - RICHARD BARABANDY, ITALIAN 1848 - AFTER 1902, ORGAN GRINDER, REAR VIEW; STUDIES OF A MAN'S LEG, Pen and ink with traces of pencil on wove paper squared in pencil

RICHARD BARABANDY ITALIAN, 1848 - AFTER 1902 ORGAN GRINDER, REAR VIEW; STUDIES OF A MAN'S LEG Pen and ink with traces of pencil on wove paper squared in pencil Catalogue note: Born Riccardo Barabandi in Milan, he studied under Bartolomeo Giuliano at the Milan Academy of Fine Arts and later became a professor there. Active in Milan's literary and artistic circles, he moved to Paris by 1889, working as an illustrator for prominent newspapers. Settling on Boulevard de Clichy in Montmartre—a vibrant hub of cafés, theaters, and nightlife—he captured everyday Parisian street life in his drawings and watercolors, known collectively as Paris dans la rue. His works vividly portray the diverse characters of the quartier, from workers and flower sellers to bourgeois patrons and nuns, all rendered with immediacy and charm.

Lot: 633 - STEFANO DELLA BELLA, ITALIAN 1610–1664, TWO EAGLES FROM EAGLES, Etching, Sheet: 4 1/2 x 6 in. (11.4 x 15.2 cm.), Frame: 12 7/8 x 13 3/8 in. (32.7 x 34 cm.)

STEFANO DELLA BELLA ITALIAN, 1610–1664 TWO EAGLES FROM EAGLES Etching Lower right signed: SDBella. f. Catalogue note: From the series of six etchings: "The Eagles." Each plate has two eagles, Plates are not numbered, and do not have the name of the publisher.

Lot: 634 - STEFANO DELLA BELLA, ITALIAN 1610–1664, A SHEPHERD WITH TWO HORSES AND A PEASANT WOMAN ON HORSEBACK A CHILD IN HER ARMS from "SIX LARGE VIEWS, FOUR OF ROME AND TWO OF THE ROMAN COUNTRYSIDE", Etching

STEFANO DELLA BELLA ITALIAN, 1610–1664 A SHEPHERD WITH TWO HORSES AND A PEASANT WOMAN ON HORSEBACK A CHILD IN HER ARMS from "SIX LARGE VIEWS, FOUR OF ROME AND TWO OF THE ROMAN COUNTRYSIDE" Etching Lower right signed: SDBella. f.

Lot: 635 - STEFANO DELLA BELLA, ITALIAN 1610-1664, ST. JOHN DRAWING WATER FROM SPRING, Etching, Sight: 4 1/4 x 3 1/4 in. (10.8 x 8.3 cm.), Frame: 14 3/4 x 12 5/8 in. (37.5 x 32.1 cm.)

STEFANO DELLA BELLA ITALIAN, 1610-1664 ST. JOHN DRAWING WATER FROM SPRING Etching St. John Drawing Water from Spring

Lot: 636 - LUIGI SABATELLI, ITALIAN 1772-1850, THE REVELATION TO JOHN, Engraving, Sight: 24.3 x 17 3/4 in. (61.8 x 45.1 cm.), Board: 32 3/8 x 25 1/4 in. (82.2 x 64.1 cm.)

LUIGI SABATELLI ITALIAN, 1772-1850 THE REVELATION TO JOHN Engraving

Lot: 637 - GIOVANNI AMBROGIO BRAMBILLA, ITALIAN active 1575-1599, A PAPAL GATHERING IN THE SISTINE CHAPEL, MICHELANGELO'S LAST JUDGEMENT ON THE BACK WALL, 1582, Engraving, Sight: 22 1/2 x 16 1/8 in. (57.2 x 41 cm.), Board: 31 3/4 x

GIOVANNI AMBROGIO BRAMBILLA ITALIAN, active 1575-1599 A PAPAL GATHERING IN THE SISTINE CHAPEL, MICHELANGELO'S LAST JUDGEMENT ON THE BACK WALL, 1582 Engraving Published by Antonio Lafreri (French 1512-1577) Catalogue note: An example of this work can be found in the collection of The Metropolitan Museum of Art inv. no. 41.72(3.76).

Lot: 638 - 18TH CENTURY, ROMAN GENERAL POSSIBLY JULIUS CAESAR, Etching and engraving, Sheet: 7 5/8 x 4 1/4 in. (19.4 x 10.8 cm.), Frame: 17 1/2 x 13 1/2 in. (44.5 x 34.3 cm.)

18TH CENTURY ROMAN GENERAL POSSIBLY JULIUS CAESAR Etching and engraving

Lot: 639 - ITALIAN OR AUSTRIAN SCHOOL 18TH CENTURY, SILHOUETTE OF A YOUNG GIRL, Cut out black paper on white; white chalk, 17 3/4 x 14 1/8 in. (45.1 x 35.9 cm.), Board: 30 x 24 in. (76.2 x 61 cm.)

ITALIAN OR AUSTRIAN SCHOOL, 18TH CENTURY SILHOUETTE OF A YOUNG GIRL Cut out black paper on white; white chalk Verso label: Italian or Austrian School / Silhouette of a Young Girl / Cut out black paper on white; white chalk / late 18th century

Lot: 640 - 20TH CENTURY, CHIC ON BOARD and DRESSED FOR A CRUISE, Watercolor, gouache, and pencil, Sight: 9 1/2 x 5 in. (24.1 x 12.7 cm.), Frame: 17 3/4 x 12 1/2 in. (45.1 x 31.8 cm.)

20TH CENTURY CHIC ON BOARD and DRESSED FOR A CRUISE Watercolor, gouache, and pencil From the mid-1920s (2)

Lot: 641 - 20TH CENTURY, THE TENNIS PLAYER, Pastel and charcoal, Sight: 24 x 17 3/4 in. (61 x 45.1 cm.), Frame: 31 7/8 x 25 3/4 in. (81 x 65.4 cm.)

20TH CENTURY THE TENNIS PLAYER Pastel and charcoal Lower left indistinctly inscribed: Gram Sketch

Lot: 642 - FLORENCE SHOUL, SOUTH AFRICAN/ENGLAND 1909-1995, FISH, Lithograph

FLORENCE SHOUL SOUTH AFRICAN/ENGLAND, 1909-1995 FISH Lithograph Lower left numbered: 6/12; lower right signed: Florence Shoul Catalogue note: Florence Should is a South African artist who resides in England. She studied with Hans Hoffman and Rolf Scarlett in New York. Should has exhibited in New York, Rome, Florence, Tel Aviv, and London (Royal Academy of Art - Summer Exhibition).