Capital Collections

Lot: 200 - American Pieced Partially Painted and Embroidered Silk, Velvet and Fabric Crazy Quilt, Possibly Attributed to Louisa Joiner, New York, Last Quarter 19th Century Overall: 55-1/2 x 56-1/2 in (141 x 143.5 cm)

American Pieced Partially Painted and Embroidered Silk, Velvet and Fabric Crazy Quilt Possibly Attributed to Louisa Joiner, New York, Last Quarter 19th Century Signed in gilt and silvered metallic embroidery Louisa on light-blue patch and signed Alice B. Riley on brown patch, within a lavender felt border. Property from the Estate of Alice Denney Note: For a similar example, see The Cleveland Museum of Art, Accession number 2000.63

Lot: 201 - Chippendale Mahogany Chest-on-Chest, Mid-Atlantic States, Probably Maryland, Circa 1770-1790 Height: 79-1/2 in (201.9 cm); Width: 42-3/4 in (108.6 cm); Depth: 22-3/4 in (57.8 cm)

Chippendale Mahogany Chest-on-Chest Mid-Atlantic States, Probably Maryland, Circa 1770-1790

Lot: 202 - Federal Satinwood and Ebonized Wood Inlaid Mahogany Modified D-Shape Fold-Top Card Table Massachusetts, Circa 1805, Height: 29-1/2 in (75 cm); Width: 35-1/2 in (90.2 cm); Depth: 17-1/2 in (44.5 cm)

Federal Satinwood and Ebonized Wood Inlaid Mahogany Modified D-Shape Fold-Top Card Table Massachusetts, Circa 1805 Provenance:Bonhams/Skinner, Marlborough, MA, The Eric van Rooy Estate, April 15-25, 2024, lot 36Nathan Liverant & Son, Colchester, CT, 2010

Lot: 203 - Chippendale Mahogany Slant-Front Desk, New England, Probably Massachusetts, Circa 1770-1800, Height: 43 in (109.2 cm); Width: 45-1/4 in (114.9 cm); Depth: 23-1/2 in (59.7 cm)

Chippendale Mahogany Slant-Front Desk New England, Probably Massachusetts, Circa 1770-1800 The lid opening to view a central prospect door enclosing a secret valanced drawer over a niche and a drawer, flanked by two document drawers and an arrangement of eight valanced pigeonholes.

Lot: 204 - Federal Satinwood Inlaid Mahogany Serpentine Sideboard, Probably Maryland, Circa 1790-1800, Height: 39-3/4 in (101 cm); Width: 67-3/4 in (172.1 cm); Depth: 28-3/4 in (73 cm)

Federal Satinwood Inlaid Mahogany Serpentine Sideboard Probably Maryland, Circa 1790-1800 Property from a Maryland Estate

Lot: 205 - Federal Satinwood Inlaid Mahogany Demilune Fold-Top Card Table, Probably Baltimore, Circa 1800-1805, Height: 30 in (76.2 cm); Width: 36-1/2 in (92.7 cm); Depth: 18 in (45.7 cm)

Federal Satinwood Inlaid Mahogany Demilune Fold-Top Card Table Probably Baltimore, Circa 1800-1805 Property from a Maryland Estate

Lot: 206 - Steinway & Sons Mahogany Grand Piano, Model L, Serial No. 535411, Circa 1996, Length: 70 in (177.8 cm)

Steinway & Sons Mahogany Grand Piano Model L, Serial No. 535411, Circa 1996 Gilt cast-iron plate signed in black marker Henry Z. Steinway. Together with a complementary bench. Property from a Maryland Estate

Lot: 207 - George Nakashima (American 1905-1990) Black Walnut Trestle Dining Table with Two Leaves, Circa 1965

George Nakashima (American 1905-1990) Black Walnut Trestle Dining Table, Circa 1965 Having a book-matched top and three rosewood butterflies; inscribed with original client name Zinner to underside of top and to base stretchers; together with two leaves and electronic scan of original purchase invoice.

Lot: 208 - Hans Olsen (Danish 1919-1992) Round Extension Dining Table and Four Hideaway Black Leather Seat Three-Legged Chairs, Manufactured by Frem Røjle, Model 630, Circa 1962

Hans Olsen (Danish 1919-1992) Round Extension Dining Table and Four Hideaway Black Leather Seat Three-Legged Chairs Manufactured by Frem Røjle, Model 630, Circa 1962 The top with concealed pop-up leaf; underside of table and each chair branded FREN RØJLE/MADE IN DENMARK.

Lot: 209 - Alessandro Pianon (Italian 1931-1984) for Vetreria Vistosi, Murano 'Pulcino' Blown Glass Bird Sculpture, Circa 1960s

Alessandro Pianon (Italian 1931-1984) for Vetreria Vistosi, Murano 'Pulcino' Blown Glass Bird Sculpture, Circa 1960s Having a colorless glass with orange crumb melting body and Murano eyes, the bird mounted on copper legs. Unmarked.

Lot: 210 - Eero Saarinen (1910-1961) for Knoll International 'Womb' Chair and Ottoman, Late 20th Century, Model 70, Design Introduced 1948

Eero Saarinen (1910-1961) for Knoll International 'Womb' Chair and Ottoman, Late 20th Century Model 70, Design Introduced 1948 Underside of chair and ottoman with Knoll, Inc. upholstery fabric tags.

Lot: 211 - Ramon Parmenter (American b. 1954), Undaunted, 1986, Edition 29 of 74, Bronze sculpture with brown patina on a black granite square base

Ramon Parmenter (American b. 1954) Undaunted, 1986, Edition 29 of 74 Bronze sculpture with brown patina on a black granite square base Signed and dated @Ramon Parmenter/'86 and edition 29/74, on back of right arm; on a Louis XVI style ormolu mounted mottled black/gray marble pedestal.

Lot: 212 - Steven Montgomery (American b. 1954), Partial Lustre Ceramic Untitled Abstract Sculpture, 1991

Steven Montgomery (American b. 1954) Partial Lustre Ceramic Untitled Abstract Sculpture, 1991 Underside with incised artist signature and date.

Lot: 213 - Alberto Bazzani (Active Mid-20th Century) for Studio Tetrarch, 'Tovaglia' Coffee Table, Circa 1969

Alberto Bazzani (Active Mid-20th Century) for Studio Tetrarch 'Tovaglia' Coffee Table, Circa 1969 Unmarked

Lot: 214 - Pair of Carlsbad Gilt Meander Decorated Glass Six-Light Candelabra, Attributed to Moser & Söhne, First Quarter 20th Century

Pair of Carlsbad Gilt Meander Decorated Glass Six-Light Candelabra Attributed to Moser & Söhne, First Quarter 20th Century Property from a Washington, DC Estate

Lot: 215 - Max Kuehne (German/American 1880-1968) Chinoiserie Carved Silvered and Painted Console Cabinet, Mid-20th Century, Height: 34 in (86.4 cm); Width: 66-7/8 in (169.9 cm); Depth: 20 in (50.8 cm)

Max Kuehne (German/American 1880-1968) Chinoiserie Carved Silvered and Painted Console Cabinet, Mid-20th Century Property from a Maryland Estate

Lot: 216 - Meissen Dresden Porcelain Mythological Painted Four-Piece Coffee Set, Camillo Count Marcolini Period (1774-1814)

Meissen Dresden Porcelain Mythological Painted Four-Piece Coffee Set Camillo Count Marcolini Period (1774-1814) Consisting of a coffeepot, bowl, tea caddy and a two-handled bowl. Both sides of lids painted with BT on atmospheric ground and both sides of bodies with polychrome vignettes of mythological figural groups; undersides with blue underglaze painted crossed swords with star mark and varying instances of painted, impressed, and gilt model and decorator notations. Property from a Washington, DC Estate

Lot: 217 - Meissen Dresden Porcelain Mythological Figural Group of 'The Three Fates', After a Model by J.J. Kändler, Late 19th Century

Meissen Dresden Porcelain Mythological Figural Group of 'The Three Fates' After a Model by J.J. Kändler, Late 19th Century Of slip-applied and post-fired fastened construction; interior wall of underside of both components with blue underglaze painted crossed swords marks, incised N33 model marks, impressed 137 serial marks, with painted 33 decorator's mark, and also with an incised square.

Lot: 218 - South German Baroque Style Satinwood Crossbanded Walnut Commode, Probably Biedermeier, Late 18th-Early 19th Century, Height: 34 in (86.4 cm); Width: 49-1/4 in (125.1 cm); Depth: 24 in (61 cm)

South German Baroque Style Satinwood Crossbanded Walnut Commode Probably Biedermeier, Late 18th-Early 19th Century

Lot: 219 - Continental Neoclassical Brass Mounted Partially Ebonized Walnut Commode, Probably Northern Italian, First Quarter 19th Century

Continental Neoclassical Style Brass Mounted Partially Ebonized Walnut Commode Probably Northern Italian, First Quarter 19th Century

Lot: 220 - Continental Satinwood and Walnut 'Rope' Inlaid Walnut Commode, Probably Biedermeier, Late 18th-Early 19th Century, Height: 34-1/4 in (87 cm); Width: 49 in (124.5 cm); Depth: 23-3/4 in (60.3 cm)

Continental Satinwood and Walnut 'Rope' Inlaid Walnut Commode Probably Biedermeier, Late 18th-Early 19th Century

Lot: 221 - Herend Porcelain Partial Dinner Service, Siang Jaune (Yellow Dynasty) Pattern, Introduced Mid-19th Century, 20th Century, 44 pieces

Herend Porcelain Partial Dinner Service Siang Jaune (Yellow Dynasty) Pattern, Introduced Mid-19th Century, 20th Century Consisting of: 10 Dinner plates 3 Rim soup bowls 10 Two-handled bouillon bowls 10 Bouillon saucers 1 Center bowl 2 Graduated round platters 2 Trefoil dishes 2 Graduated round dishes 1 Covered ecuelle with separate undertray 1 Covered tureen with separate undertray Each with blue printed factory mark and blue painted pattern number; some impressed Herend and numbered. 44 pieces.

Lot: 222 - Herend Porcelain Partial Seafood Service, Siang Jaune (Yellow Dynasty) Pattern, Introduced Mid-19th Century, 20th Century, 9 pieces

Herend Porcelain Partial Seafood Service Siang Jaune (Yellow Dynasty) Pattern, Introduced Mid-19th Century, 20th Century Consisting of: 4 Shell-form dishes (2 painted by Böhm Gyuláné) 1 Covered tureen with separate undertray 1 Shell-form center bowl (painted by Kaposvári Rózsa) 1 Bifid shell-form dish 1 'Dragon Dish' (after the Claudius Innocentius Du Paquier period, Royal Vienna example in the Metropolitan Museum, on view in Gallery 521, Acc. 50.211.5) Each with blue printed factory mark and blue painted pattern number; some impressed Herend and numbered. 9 pieces.

Lot: 223 - Herend Porcelain Partial Dessert Service, Siang Jaune (Yellow Dynasty) Pattern, Introduced Mid-19th Century, 20th Century, 28 pieces

Herend Porcelain Partial Dessert Service Siang Jaune (Yellow Dynasty) Pattern, Introduced Mid-19th Century, 20th Century Consisting of: 10 Covered two-handled caudle cups 6 Dessert plates 1 Five-part sweetmeat set with separate ramekin and undertray 2 Covered two-handled sugar urns 2 Bonbonnieres 1 Cake platter 1 Covered tureen with separate undertray 1 Footed urn/cachepot 1 Foo dog table garniture Each with blue printed factory mark and blue painted pattern number; some impressed Herend and numbered. 28 pieces.

Lot: 224 - Herend Porcelain Partial Beverage Service, Siang Jaune (Yellow Dynasty) Pattern, Introduced Mid-19th Century, 20th Century, 34 pieces

Herend Porcelain Partial Beverage Service Siang Jaune (Yellow Dynasty) Pattern, Introduced Mid-19th Century, 20th Century Consisting of: 1 Mocha pot 1 Pair of mocha mugs 1 Teapot 1 Pair of tea mugs 4 Cabinet saucers 1 Hot water pot 1 Coffeepot 1 Individual teapot with separate saucer 2 Graduated creamers 2 Graduated covered sugars 1 Milk jug 2 Small deep leaf dishes 1 Shallow leaf serving dish 1 Monteith/cachepot 1 Bottle cooler/cachepot 8 Bread plates 1 Elongated platter 1 Two-handled tray Each with blue printed factory mark and blue painted pattern number; some impressed Herend and numbered. 34 pieces.

Lot: 225 - Two Pairs of Herend Porcelain Table Lamps, Siang Jaune (Yellow Dynasty) Pattern, Introduced Mid-19th Century, Last Half 20th Century

Two Pairs of Herend Porcelain Table Lamps Siang Jaune (Yellow Dynasty) Pattern, Introduced Mid-19th Century, Last Half 20th Century Impressed maker, model, and serial numbers with blue printed factory stamp to undersides of urns and porcelain stands, below fastened wood stands and weights.

Lot: 226 - Louis Philippe I 'Chinois Reticulé' Grand Vase, Hyacinthe Jean Régnier (French 1803-1870) for Sèvres Porcelain Manufactory, 1846, with fitted leather travel case

Louis Philippe I 'Chinois Reticulé' Grand Vase Hyacinthe Jean Régnier (French 1803-1870) for Sèvres Porcelain Manufactory, 1846 Interior of lip of double-walled openwork body vase with circular Sèvres, Louis-Philippe cypher, dated gilt seal. Together with a DONNE PAR LE ROI AU PRINCE DE LA FELIERE (given by the king to the prince ... gilt dedicated fitted leather travel case by AUX 4 FILS AYMON/GOUVERNEUR/GAINIER/59 QUAI de l'Horloge/PARIS. Property from a Washington, DC Estate

Lot: 227 - Charles X Style Ormolu Mounted Flamed Acajou Veneered and Mottled Gray Marble Top Small Commode, Late 19th Century, Height: 33-1/4 in (84.5 cm); Width: 27-1/2 in (69.9 cm); Depth: 15-1/4 in (38.7 cm)

Charles X Style Ormolu Mounted Flamed Acajou Veneered and Mottled Gray Marble Top Small Commode Late 19th Century

Lot: 228 - Charles X Style Ormolu 'Militaria' Mantel Clock, Works Attributed to Gustav Becker, Silesia, Germany, Circa 1850-1870, Height: 21 in (53.3 cm)

Charles X Style Ormolu 'Militaria' Mantel Clock Works Attributed to Gustav Becker, Silesia, Germany, Circa 1850-1870

Lot: 229 - Louis XV-XVI Style Ormolu Mounted Parquetry Kingwood and Chinese Coromandel Double-Door Marble Top Side Cabinet, Maison Forest, Paris, Circa 1900

Louis XV-XVI Style Ormolu Mounted Parquetry Kingwood and Chinese Coromandel Double-Door Marble Top Side Cabinet Maison Forest, Paris, Circa 1900 Having a mottled green marble top above two coromandel doors opening to view three shelves; top of right door with inset brass plaque for Maison Forest, Paris and impressed on back FOREST.

Lot: 230 - Kano School, Edo Period 18th-19th Century, Scene from The Tale of Genji: a Six-Panel Screen, 47-1/2 x 112 in (120.7 x 284.5 cm)

Kano School, Edo Period 18th-19th Century Scene from The Tale of Genji: a Six-Panel Screen Unsigned, ink and color on gold leaf paper, mounted on floral brocade silk.

Lot: 231 - Chinese Gray Limestone Head of Buddha, Qing Dynasty, 18th-19th Century, Height overall: 30 in (76.2 cm)

Chinese Gray Limestone Head of Buddha Qing Dynasty, 18th-19th Century On later limestone square base.

Lot: 232 - George III Mahogany Fold-Top Tea Table, Circa 1760-1780, Height: 29 in (73.7 cm); Width: 34 in (86.4 cm); Depth: 16-1/2 in (41.9 cm)

George III Mahogany Fold-Top Tea Table Circa 1760-1780 Property from a Maryland Estate

Lot: 233 - Pair of George III Style Mahogany Cutlery Urns and Cabinets, After Designs by Robert Adam (British 1728-1792), Late 19th-Early 20th Century

Pair of George III Style Mahogany Cutlery Urns and Cabinets After Designs by Robert Adam (British 1728-1792), Late 19th-Early 20th Century Property from the Phyllis L. Meyen Revocable Trust

Lot: 234 - Pair of Anglo-Indian George III Style Bone Floral Vine Marquetry Hardwood Serpentine Small Sideboards, Circa 1900, Height of taller: 38-3/4 in (98.4 cm); Width: 53-5/8 in (136.2 cm); Depth: 23-1/2 in (59.7 cm)

Pair of Anglo-Indian George III Style Bone Floral Vine Marquetry Hardwood Serpentine Small Sideboards Circa 1900

Lot: 235 - Indian Larestan Manchester Wool Rug, Circa 1950, 12 ft 9 in x 8 ft 11 in (389 x 272 cm)

Indian Larestan Manchester Wool Rug Circa 1950

Lot: 236 - Tabriz 'Garden' Pictorial Rug, Post 1950s, 13 ft 1 in x 9 ft 10 in (399 x 300 cm)

Tabriz 'Garden' Pictorial Rug Post 1950s

Lot: 237 - Qum Silk Rug, Post 1950s, 6 ft 5 in x 4 ft 4 in (196 x 132 cm)

Qum Silk Rug Post 1950s

Lot: 238 - Keshan Rug, Post 1950s, 14 ft x 9 ft 11 in (427 x 302 cm)

Keshan Rug Post 1950s Property from a Maryland Estate

Lot: 239 - Tabriz Partial Silk and Wool Rug, Circa 1950, 13 ft 5 in x 9 ft 9 in (409 x 297 cm)

Tabriz Partial Silk and Wool Rug Circa 1950 Property from a Maryland Estate

Lot: 240 - Meshed Rug, Post 1950, 12 ft 2 in x 9 ft 6 in (371 x 290 cm)

Meshed Rug Post 1950

Lot: 241 - Sarouk Rug, 1950s, 17 ft 5 in x 12 ft 9 in (531 x 389 cm)

Sarouk Rug 1950s

Lot: 242 - German Historicism Parcel Gilt and Silvered Mixed Metal Münzbecher 'Guild Cup', Attributed to Anton Seder (1850-1916) for Theodor Heiden II (1853-1928), Munich, Circa 1885, Gross weight: 37.3 ozt

German Historicism Parcel Gilt and Silvered Mixed Metal Münzbecher 'Guild Cup' Attributed to Anton Seder (1850-1916) for Theodor Heiden II (1853-1928), Munich, Circa 1885 Underside with stamped dominant metal purity (800-silver) and double-struck maker's mark and national control mark. Münzhumpen-type cup with cover, with fastened floral appliques and prominently gilt interior, having soldered bezel-set coins. Consisting of: Lid top gallery row with six worn, obscured silver/silvered copper coins and medals Lid bottom gallery row with: 1794 Brazilian (Portuguese) Gold 6400 Réis 1769 Brandenburg Gold Ducat 1717 Silver Nuremberg Martin Luther 1/2-Thaler 18th Century Restrike 1700 Gold Nuremberg Ducat 1791 Silver Brunswick 1/12-Thaler Circa 1807 Gold Baden Ducat Top gallery row with: 1701 Silver Zellerfeld Baptismal Thaler 1641 Silver Augsburg Thaler 1756 Silver Bavaria Thaler 1675 Silver Mansfeld 2/3-Thaler 1785 Silver Brandenburg Thaler 1725 Silver Austria Thaler Middle gallery row with: 1692 Silver Bavaria 30-Kreuzer 1672 Silver Mansfeld 1/3-Thaler 1762 Silver Brunswick 1/3-Thale 1657 Silver Saxony Thaler 1737 Silver Brunswick 12-Mariengroschen 1617 Silver Saxon Martin Luther Medal Bottom gallery row with: 1613 Silver Saxe-Middle-Weimar Thaler Undated 18th Century Silver Leopold I Austrian 1/4-Thaler 1682 Silver Salzburg 1/4-Thaler 1622 Silver Nuremberg 15 Kreuzer 18th Century Restrike Silver Dinkelsbühl 1748 Peace of Westphalia Medal 1700 Hungarian Leopold I 1/4-Thaler Property from The Hessmer Collection Provenance: Presented to Dr. Hermann Ritter von Pemsel, JD (1814-1916), Royal Bavarian Privy Counselor By Descent to Current Owner

Lot: 243 - Set of Four German Sterling Silver Figures after the Innsbruck 'Schwarzmander', Ludwig Neresheimer & Co., Hanau, Early 20th Century, Total gross weight: 76.1 ozt

Set of Four German Silver Figures after the Innsbruck 'Schwarzmander' Ludwig Neresheimer & Co., Hanau, Early 20th Century Reverse of base stamped with metal purity, national control mark, and maker's mark. Property from the Estate of a Southeast Asian Ambassador-at-Large, CBE

Lot: 244 - Christofle Silverplate Flat Table Service, Paris, Marley Pattern, Mid-20th Century, Introduced 1890, 156 Pieces

Christofle Silverplate Flat Table Service Marley Pattern, Introduced 1890, Mid-20th Century Consisting of: 12 Place knives 12 Luncheon knives 12 Flat fish knives 12 Two-piece butter knives 12 Place forks 12 Luncheon forks 12 Salad/fish forks 12 Place spoons 12 Soup spoons 12 Dessert spoons 12 Mocha spoons 12 Demitasse spoons 1 Soup ladle 1 Spouted sauce ladle 1 Cream ladle 1 Serving spoon 1 Fish serving fork 1 Meat serving fork 1 Pastry server 1 Cheese knife 1 Two-piece flat salad set 1 Two-piece carving set Total number of pieces: 156

Lot: 245 - Christofle Partial Gilt Silverplate Flat Table Service, Known as 'Trianon' Pattern, First Quarter 20th Century, 122 Pieces

Christofle Partial Gilt Silverplate Flat Table Service Known as Trianon Pattern, First Quarter 20th Century Consisting of: 12 Place knives 12 Luncheon knives 12 Two-piece fish knives 12 Place forks 12 Luncheon forks 12 Two-piece fish forks 12 Escargot forks 12 Place spoons 12 Oval soup/dessert spoons 12 Demitasse spoons 1 Soup ladle 1 Pair of sugar tongs Total number of pieces: 122 Note: Pattern reference number CTF30

Lot: 246 - Elizabeth II Silver 'Hanoverian Rattail' Flat Table Service, James Robinson Inc., London, Circa 1985, 65 Pieces, Total weight of weighable silver: 93.8 ozt

Elizabeth II Silver 'Hanoverian Rattail' Flat Table Service James Robinson Inc., London, Circa 1985 Consisting of: 12 Pistol-grip place knives 12 Three-prong place forks 12 Three-prong salad/dessert forks 1 Tablespoon 1 Slotted tablespoon 12 Oval soup/dessert spoons 12 Teaspoons 1 Cold meat fork 1 Bacon fork 1 Pastry server Total number of pieces: 65 Property from a Chevy Chase, Maryland Collection

Lot: 247 - Antebellum Coin Silver 'Grapevine' Spirit Kettle and Personal Teapot, James Conning (Active Circa 1842-1872), Mobile, AL, Total gross weight: 65.4 ozt

Antebellum Coin Silver 'Grapevine' Spirit Kettle and Personal Teapot James Conning (Active Circa 1842-1872), Mobile, AL Undersides with stamped maker/touch marks.

Lot: 248 - Dominick & Haff Sterling Silver Five-Piece Coffee and Tea Service, New York, Probably King Pattern, Introduced 1880, Dated 1898, Total gross weight: 125.3 ozt

Dominick & Haff Sterling Silver Five-Piece Coffee and Tea Service New York, Probably King Pattern, Introduced 1880, Dated 1898 Undersides with stamped standard, model, and combined maker and date marks. Property from the Estate of Alice Denney

Lot: 249 - Reed and Barton Sterling Silver Flat Table Service, Taunton, MA, Florentine Lace Pattern, Introduced 1951, 109 Pieces, Total weight of weighable silver: 117.7 ozt

Reed & Barton Sterling Silver Flat Table Service Taunton, MA, Florentine Lace Pattern, Introduced 1951 Consisting of: 12 Luncheon knives 12 One-piece butter spreaders 12 Luncheon forks 12 Salad forks 2 Tablespoons 1 Slotted tablespoon 8 Dessert spoons 25 Teaspoons 12 Demitasse spoons 1 Jelly server 1 Master butter knife 1 Pickle fork 1 Lemon fork 1 Cold meat fork 1 Nut spoon 1 Caddy spoon 1 Sugar spoon 1 Pie/cake server 1 Cucumber server 1 Two-piece youth set 1 Letter opener Total number of pieces: 109

Lot: 250 - U.S. Saint Gaudens 1908-No Motto $20 Gold Coin

U.S. Saint Gaudens 1908-No Motto $20 Gold Coin NGC MS 64 Property from a Washington, DC Estate

Lot: 251 - U.S. 2017-W $50 Gold Coin

U.S. 2017-W $50 Gold Coin NGC graded Emergency Auction PF 70 Ultra Cameo. Property from a Washington, DC Estate

Lot: 252 - U.S. 2020-W Buffalo $50 Ultra Cameo Gold Coin

U.S. 2020-W Buffalo $50 Ultra Cameo Gold Coin NGC graded First Day of Issue PF 70 Ultra Cameo. Accompanied by a fitted case. Property from a Washington, DC Estate

Lot: 253 - U.S. 2021 Buffalo $50 Gold Coin

U.S. 2021 Buffalo $50 Gold Coin NGC graded First Day of Issue MS 70. Property from a Washington, DC Estate

Lot: 254 - U.S. 2021 ‘Family of Eagles’ $50 Gold Coin

U.S. 2021 ‘Family of Eagles' $50 Gold Coin NGC graded First Day of Issue MS 70 Property from a Washington, DC Estate

Lot: 255 - U.S. 2020-W Burnished Palladium Eagle High Relief $25 Coin

U.S. 2020-W Burnished Palladium Eagle High Relief $25 Coin NGC graded First Day Issue MS 70. Accompanied by a fitted case. Property from a Washington, DC Estate

Lot: 256 - Ten U.S. 1926 Indian Head $10 Gold Coins

Ten U.S. 1926 Indian Head $10 Gold Coins Each NGC graded MS 63. Property from a Washington, DC Estate

Lot: 257 - Royal Canadian Mint 2020 Proud Bald Eagle Extraordinary High Relief $250 Gold and $25 Silver Coin Set, Dimensions of case: 1-1/2 x 7-1/2 x 5-1/4 in (3.8 x 19.1 x 13.3 cm)

Royal Canadian Mint 2020 Proud Bald Eagle Extraordinary High Relief $250 Gold and $25 Silver Coin Set Each NGC graded First Day Issue PF 70 Ultra Cameo. Accompanied by the original fitted case. Property from a Washington, DC Estate

Lot: 258 - Royal Canadian Mint 2020 Maple Leaf Incuse Rhodium Plated $200 Gold Coin and $20 Silver Coin, Dimensions of case: 1-1/2 x 7-1/2 x 5-1/4 in (3.8 x 19.1 x 13.3 cm)

Royal Canadian Mint 2020 Maple Leaf Incuse Rhodium Plated $200 Gold Coin and $20 Silver Coin Each NGC graded First Day of Issue PF 70. Accompanied by the original fitted case and papers. Property from a Washington, DC Estate

Lot: 259 - Royal Canadian Mint 2021 $200 Peace Dollar Ultra High Relief Gold and $1 Silver Coin Set, Dimensions of case: 1-1/2 x 7-1/2 x 5-1/4 in (3.8 x 19.1 x 13.3 cm)

Royal Canadian Mint 2021 $200 Peace Dollar Ultra High Relief Gold and $1 Silver Coin Set Each NGC graded Reverse PF 70. Accompanied by the original fitted case and papers. Property from a Washington, DC Estate

Lot: 260 - Bank of Mongolia 2020 Majestic Eagle 25,000-Togrog Gold and 500-Togrog Silver Coin Set

Bank of Mongolia 2020 Majestic Eagle 25,000-Togrog Gold and 500-Togrog Silver Coin Set The silver coin NGC graded First Day Issue PF 70 Ultra Cameo. The gold coin accompanied by a fitted case and papers. Property from a Washington, DC Estate

Lot: 261 - Vacheron & Constantin 18-Karat Yellow-Gold 18-Jewel Manual-Wind Wristwatch, Diameter: 34 mm

Vacheron & Constantin 18-Karat Yellow-Gold 18-Jewel Manual-Wind Wristwatch Circa 1960s Reference number 6515 Case number 386492 Movement number 565664 Calibre K1002

Lot: 262 - 18-Karat Yellow-Gold and Black Rhodium-Plated Stainless Steel Necklace, Gross weight: 71.9 dwt., Length: 16-1/4 in (41.3 cm)

18-Karat Yellow-Gold and Black Rhodium-Plated Stainless Steel Necklace In the manner of Bulgari

Lot: 263 - 18-Karat White-Gold, Diamond and Blue Sapphire Ring, Shank size: 6

18-Karat White-Gold, Diamond and Blue Sapphire Ring Centered with one round old mine-cut diamond weighing approximately 2.90 carats, surrounded by a row of fourteen marquise-cut blue sapphires weighing approximately 1.10 carats.

Lot: 264 - Pair of 18-Karat White-Gold, Diamond and Blue Sapphire Clip-Back Earrings, Total weight of diamonds: 3 carats; Total weight of sapphires: 2 carats; Total gross weight: 8.2 dwt.; Length: 1-1/8 in (2.8 cm)

Pair of 18-Karat White-Gold, Diamond and Blue Sapphire Clip-Back Earrings Each floral spray design set with one off-round cushion old mine-cut diamond weighing approximately 1 carat each, surrounded by eight old mine-cut diamonds weighing approximately .50 carats and thirteen marquise-cut blue sapphires weighing approximately 1 carat.

Lot: 265 - Art Deco Platinum and Diamond Cocktail Bracelet, Gross weight: 20.3 dwt.; Length: 7 in (17.7 cm)

Art Deco Platinum and Diamond Cocktail Bracelet Circa 1935 The strap-and-buckle design set with a pavé of approximately two hundred sixty-six round, baguette and marquise-cut diamonds weighing approximately 11 carats.

Lot: 266 - Art Deco 18-Karat White-Gold and Diamond Ring, Shank size: 6

Art Deco 18-Karat White-Gold and Diamond Ring Circa 1930 Centered with one round old mine-cut diamond weighing approximately .95 carats, surrounded by sixteen round full-cut diamonds shank has been split.

Lot: 267 - Pair of Platinum and Diamond Pendant Pierced Earrings, Total weight of diamonds: 4.20 carats; Total gross weight: 3.7 dwt.; Length: 1-3/8 in (3.5 cm)

Pair of Platinum and Diamond Pendant Pierced Earrings Each set with thirteen fancy-cut diamonds weighing approximately 2.10 carats.

Lot: 268 - 18-Karat Yellow-Gold and Diamond Rivière Necklace, Gross weight: 26.9 dwt.; Length: 16 in (40.6 cm)

18-Karat Yellow-Gold and Diamond Rivière Necklace Having one hundred and nine round brilliant-cut diamonds weighing approximately 16.20 carats.

Lot: 269 - Patek Philippe Ellipse 18-Karat Yellow-Gold 18-Jewel Manual-Wind Wristwatch, Gross weight: 37.6 dwt.; Length: 6-1/4 in (14.6 cm)

Patek Philippe Ellipse 18-Karat Yellow-Gold 18-Jewel Manual-Wind Wristwatch Reference number 4226 Case number 2798037 Movement number 1404988 Having an oval matte blue enamel dial with raised gold-tone line hour chapters; attached by the original bracelet-band and buckle.

Lot: 270 - Platinum and Diamond Ring, Gross weight: 8.7 dwt.; Shank size: 7

Platinum and Diamond Ring Centered with one cut-cornered rectangular-cut diamond weighing 4.67 carats, surrounded by a pavé of approximately one hundred twenty-nine round brilliant-cut diamonds weighing approximately 1.95 carats. Accompanied by a GIA Natural Diamond Grading Report dated May 3, 2024 and numbered 2235274175 stating the color grade is U to V range, clarity is VS1, polish and symmetry are good and no fluorescence.

Lot: 271 - 18-Karat Tri-Colored-Gold Wide Flexible Bracelet, Weight: 67.6 dwt.; Length: 7-1/2 in (19 cm)

18-Karat Tri-Colored-Gold Wide Flexible Bracelet

Lot: 272 - Pair of 18-Karat White-Gold and Diamond 'In and Out' Hoop Pierced Earrings, Total weight of diamonds approximately: 5.60 carats; Total gross weight: 8.7 dwt.; Length: 1-3/4 in (4.4 cm)

Pair of 18-Karat White-Gold and Diamond 'In and Out' Hoop Pierced Earrings Each set with twenty-eight round brilliant-cut diamonds weighing approximately 2.80 carats.

Lot: 273 - Tested 18-Karat White-Gold and Diamond Ring, Shank size: 5-1/4

Tested 18-Karat White-Gold and Diamond Ring Centered with one off-round old mine-cut diamond weighing approximately 2.50 carats.

Lot: 274 - 18-Karat Yellow-Gold, South Sea Pearl and Diamond Ring, Gross weight: 7.6 dwt.; Shank size: 6-1/2

18-Karat Yellow-Gold, South Sea Pearl and Diamond Ring Centered with one South Sea pearl measuring approximately 12.5 mm, surrounded by seventy-six round brilliant-cut diamonds weighing approximately 1.90 carats.

Lot: 275 - Pair of 18-Karat White-Gold and Diamond Pierced Earrings, Total weight of diamonds approximately: 3.60 carats; Total gross weight: 5.2 dwt.; Length: 3/4 in (1.9 cm)

Pair of 18-Karat White-Gold and Diamond Pierced Earrings Each floral design set with eleven rose-cut and forty-nine round brilliant-cut diamonds weighing approximately 1.80 carats.

Lot: 276 - H. Stern 18-Karat White-Gold, Green Tourmaline and Diamond Bracelet, Gross weight: 25.9 dwt.; Length: 7 in (17.7 cm)

H. Stern 18-Karat White-Gold, Green Tourmaline and Diamond Bracelet Having six oval faceted green tourmalines weighing approximately 33 carats, alternating with ninety round full-cut diamonds weighing approximately 1.25 carats. Impressed with maker's mark.

Lot: 277 - Tiffany & Co. Platinum and Diamond Ring, Shank size: 6-1/2

Tiffany & Co. Platinum and Diamond Ring Centered with a round brilliant-cut diamond weighing .51 carats, surrounded by twenty-six round brilliant-cut diamonds weighing approximately .26 carats. Accompanied by a Tiffany & Co. diamond certificate numbered 31373026/O03250057 stating the center diamond color grade is G, clarity grade is VS1 and no fluorescence.

Lot: 278 - 18-Karat Yellow-Gold and White-Gold Necklace, Weight: 31.5 dwt.; Length: 17-3/8 in (44.1 cm)

18-Karat Yellow-Gold and White-Gold Necklace

Lot: 279 - Platinum and Diamond Bracelet, Gross weight: 22.9 dwt.; Length: 7 in (17.7 cm)

Platinum and Diamond Bracelet Set with forty-five emerald-cut diamonds weighing approximately 13.75 carats.

Lot: 280 - Tiffany & Co. Pair of 18-Karat Yellow-Gold, Emerald and Diamond French Clip-Back Earrings, Total weight of emeralds: 1.50 carats;Total weight of diamonds: 3.50 carats;Total gross weight: 13.4 dwt.;Length: 3/4 in (1.9 cm)

Tiffany & Co. Pair of 18-Karat Yellow-Gold, Emerald and Diamond French Clip-Back Earrings Each having eight marquise-cut emeralds weighing approximately .75 carats, surrounded by approximately ninety-two round brilliant-cut diamonds weighing approximately 1.75 carats. Signed.

Lot: 281 - 18-Karat Yellow-Gold and Rose-Gold Bracelet, Weight: 29.7 dwt.; Length: 7-1/2 in (19 cm)

18-Karat Yellow-Gold and Rose-Gold Bracelet

Lot: 282 - 14-Karat White-Gold and Diamond Necklace, Gross weight: 11.2 dwt.; Length: 16 in (40.6 cm)

14-Karat White-Gold and Diamond Necklace Set with one hundred forty-two round brilliant-cut diamonds weighing approximately 7.10 carats.

Lot: 283 - Cartier 18-Karat White-Gold and Diamond ‘Himalia’ Bracelet, Gross weight: 19.4 dwt.; Length: 6-3/4 in (13.3 cm)

Cartier 18-Karat White-Gold and Diamond ‘Himalia' Bracelet Having fifty round brilliant-cut diamonds weighing approximately 1.90 carats. Signed and numbered 97903A.

Lot: 284 - 18-Karat Yellow-Gold Bracelet, Weight: 37.6 dwt.; Length: 7-1/2 in (19 cm)

18-Karat Yellow-Gold Bracelet

Lot: 285 - Platinum and Diamond Eternity Ring, Gross weight: 6.3 dwt.; Shank size: 6

Platinum and Diamond Eternity Ring Set with eighteen emerald-cut diamonds, weighting approximately 9.35 carats.

Lot: 286 - Art Deco Platinum and Twin Diamond Ring, Total weight of diamonds: 2.65 carats; Shank size: 3-3/4

Art Deco Platinum and Twin Diamond Ring Circa 1930 Having a partial filigree setting centered with two round old mine-cut diamonds weighing approximately 1.45 and 1.20 carats respectively, surrounded by sixteen full-cut diamonds.

Lot: 287 - 18-Karat Yellow-Gold, White-Gold and Diamond Necklace, Gross weight: 102.6 dwt.; Length: 15-1/2 in (36.8 cm)

18-Karat Yellow-Gold, White-Gold and Diamond Necklace Set with one hundred twenty round brilliant-cut diamonds weighing approximately 5 carats.

Lot: 288 - Art Deco Platinum and Diamond Ring, Shank size: 6-1/4

Art Deco Platinum and Diamond Ring Circa 1930 The filigree design set with one round old European-cut diamond weighing approximately 1.85 carats, flanked by six French-cut blue sapphires.

Lot: 289 - 14-Karat White-Gold and Diamond Bracelet, Gross weight: 8.3 dwt.; Length: 7 in (17.7 cm)

14-Karat White-Gold and Diamond Bracelet Having thirty-six alternating fancy-shaped diamonds weighing approximately 7.05 carats.

Lot: 290 - 18-Karat Yellow-Gold and Rutile Quartz Bracelet, Gross weight: 27.9 dwt.; Length: 7-1/4 in (18.4 cm)

18-Karat Yellow-Gold and Rutile Quartz Bracelet

Lot: 291 - Platinum and Diamond Eternity Ring, Gross weight: 3.8 dwt.; Shank size: 8

Platinum and Diamond Eternity Ring Set with approximately thirty-two tapered baguette-cut diamonds weighing approximately 4.50 carats.

Lot: 292 - Italian 18-Karat Yellow-Gold Multi-Strand Necklace, Weight: 149.3 dwt.; Length: 35-1/2 in (90.1 cm)

Italian 18-Karat Yellow-Gold Multi-Strand Necklace

Lot: 293 - Platinum and Diamond Eternity Ring, Gross weight: 5.5 dwt.; Shank size: 6-1/4

Platinum and Diamond Eternity Ring Having fifteen bezel-set emerald-cut diamonds weighing approximately 5 carats.

Lot: 294 - Platinum, Emerald and Diamond Ring, Shank size: 6

Platinum, Emerald and Diamond Ring Centered with one emerald-cut emerald weighing approximately 6.70 carats, surrounded by a row of round brilliant-cut melee diamonds.

Lot: 295 - Platinum and Diamond Crossover Ring, Total weight of diamonds: 4 carats; Shank size: 6

Platinum and Diamond Crossover Ring Centered with two round transitional-cut diamonds weighing approximately 2.20 and 1.80 carats respectively, flanked by eight round brilliant-cut diamonds. Property from a Virginia Estate

Lot: 296 - Pieter Anthonisz Van Groenewegen (Dutch 1600-1658), The Roman Forum and Palatine Hill, Oil on panel. Unframed., 20-1/4 x 26-1/2 in (51.4 x 67.3 cm)

Pieter Anthonisz Van Groenewegen (Dutch, 1600-1658) The Roman Forum and Palatine Hill Oil on panel. Unframed. Signed indistinctly and dated 1629 l.c. Property from a European Collection Provenance: Abell Auction, Los Angeles, September 21, 2014, lot 14 Christie's, Monaco, December 9-10, 2000, lot 341 Christie's, London, April 2, 1976, lot 1 Literature: Luigi Salerno, Pittori di Paesaggio del Seicento a Roma, Rome, 1977, I, pp. 280-81, Illus. Exhibited: Chaucer Fine Art, London, November 24-December 13, 1983

Lot: 297 - Studio of Francesco Trevisani (Italian 1656-1746), Penitent Mary Magdalene, Oil on canvas laid down on aluminum, 38-3/4 x 29 in (98.4 x 73.7 cm)

Studio of Francesco Trevisani (Italian, 1656-1746) Penitent Mary Magdalene Oil on canvas laid down on aluminum Apparently unsigned Provenance: Shannon's Fine Art Auctioneers, Milford, CT, American & European Fine Art, October 23, 2014, lot 256 Property from a European Collection

Lot: 298 - Flemish-Franco School, 17th Century, David Beheading Goliath, Oil on copper. Unframed., 16 x 12-1/2 in (40.6 x 31.8 cm)

Flemish-Franco School,, 17th Century David Beheading Goliath Oil on copper. Unframed. Stamped FC on verso Property from a European Collection Provenance: Sotheby's, New York, Old Master & 19th Century Art, January 30, 2015, lot 453

Lot: 299 - Attributed to Ventura Salimbeni (Italian 1568-1613), Pietà with Two Angels, Oil on canvas, 21 x 17 in (53.3 x 43.2 cm)

Attributed to Ventura Salimbeni (Italian, 1568-1613) Pietà with Two Angels Oil on canvas Unsigned, Circa 1604 Property from a European Collection Provenance: Clars Auction Gallery, Oakland, CA, September 17, 2017, lot 7197

Lot: 300 - Attributed to Martinus Mytens I (Dutch 1648-1736), Portrait of a Lady as Diana, Oil on panel, 14-1/2 x 12-1/2 in (36.8 x 31.8 cm)

Attributed to Martinus Mytens I (Dutch, 1648-1736) Portrait of a Lady as Diana Oil on panel Signed indistinctly l.r. Property from a European Collection Provenance: Chiswick Auctions, London, British and European Fine Art, October 3, 2017, lot 283 Exhibited: According to previous cataloging and a paper label on verso, this work was likely exhibited at the Rijksmuseum, Amsterdam, in the late 19th century.

Lot: 301 - Attributed to Giuseppe Antonio Petrini (Italian 1677-1759), The Holy Family, Oil on canvas, 25-1/2 x 21 in (64.8 x 53.3 cm)

Attributed to Giuseppe Antonio Petrini (Italian, 1677-1759) The Holy Family Oil on canvas Apparently unsigned Property from a European Collection Provenance: Neumeister, München, Fine Art & Antiques, September 27, 2017, lot 195

Lot: 302 - Circle of Frans Pourbus the Younger (French-Flemish 1569-1622), Portraits of Antonia Padovano and Ottavio de Polcastro of the de Polcastro Family, Padua: Two Works, Each oil on canvas, Each: 28-3/4 x 22-1/4 in

Circle of Frans Pourbus the Younger (French-Flemish, 1569-1622) Portraits of Antonia Padovano and Ottavio de Polcastro of the de Polcastro Family, Padua: Two Works Each oil on canvas Each unsigned; the first, inscribed Antonia Paduani, Uxor Hieronymi/ Pol.: Docis. 1404 and the second, inscribed Octavius de Polcastris, 1581 along upper edges Property from a European Collection Provenance: New Orleans Auction Galleries, New Orleans, July Estates Sale, July 22, 2017, lot 152 Herbie Oakes Collection, Houston, TX Literature: Ruggiero Marcanto, La Famiglia Polcastro, Camposampiero: Lions Club, 1999, pp. 102-103

Lot: 303 - Circle of Quentin Massys The Elder (Dutch 1466-1530), Pietà, Oil on cradled panel. Unframed., 26 x 19-3/4 in (66 x 50.2 cm)

Circle of Quentin Massys The Elder (Dutch, 1466-1530) Pietà Oil on cradled panel. Unframed. Apparently unsigned Property from a European Collection

Lot: 304 - Circle of Thomas de Keyser (Dutch 1596-1667), Portrait of a Lady with Ruff and Bonnet, Oil on panel, 8-1/4 x 7-1/2 in (21 x 19.1 cm)

Circle of Thomas de Keyser (Dutch, 1596-1667) Portrait of a Lady with Ruff and Bonnet Oil on panel Unsigned; inscribed de Keÿser on verso Property from a European Collection Provenance: Collection of Grace Nichols Whitney Hoff and by descent New Orleans Auction Galleries, New Orleans, July Estates Sale, Day I, July 22, 2017, lot 153

Lot: 305 - Abraham Van Stry The Elder (Dutch 1753-1826), Portrait of a Man with Pipe, Oil on panel, 9-1/2 x 7-1/2 in (24.1 x 19.1 cm)

Abraham Van Stry The Elder (Dutch, 1753-1826) Portrait of a Man with Pipe Oil on panel Signed A. Van Stry Pt. u.r.; also inscribed N: 14 on verso Property from a European Collection

Lot: 306 - Isaac Van Ostade (Dutch 1621-1649), Peasant Family Preparing Meat in a Barn, Oil on panel, 17 x 22 in (43.2 x 55.9 cm)

Isaac Van Ostade (Dutch, 1621-1649) Peasant Family Preparing Meat in a Barn Oil on panel Signed I Van Ostade and dated 1638 l.r.; also numbered H2 on paper label and stenciled SN306 on verso Property from a European Collection Provenance: Berndt Grönblom, Helsinki, from an English Collection Hampel Fine Art Auctions, July 4, 2008, lot 180 Christie's, London, December 17, 1999, lot 154 Private Collection, Europe Note: According to previous cataloging, this is believed to be the artist's earliest known work. It was been authenticated by Dr. Bernhard Schnackenburg, Kassel, on June 23, 2011.

Lot: 307 - Circle of Nicolaes Maes (Dutch 1634-1693), Portrait of a Young Girl as Diana, Oil on canvas, 19 x 15 in (48.3 x 38.1 cm)

Circle of Nicolaes Maes (Dutch, 1634-1693) Portrait of a Young Girl as Diana Oil on canvas Apparently unsigned- attributed to Nicholas Maes Property from a European Collection

Lot: 308 - Flemish School, 17th Century, Vanitas with Sibylla and Cupid, Oil on canvas, 42 x 63 in (106.7 x 160 cm)

Flemish School, 17th Century Vanitas with Sibylla and Cupid Oil on canvas Unsigned Property from a European Collection

Lot: 309 - Cornelis Pietersz Bega (Dutch c. 1631-1664), Tavern Interior, Oil on canvas, 30 x 26-1/2 in (76.2 x 67.3 cm)

Cornelis Pietersz Bega (Dutch, c. 1631-1664) Tavern Interior Oil on canvas Signed C. Bega and dated 1653 on edge of cabinet c.l. Property from a European Collection Provenance: Bert Piso, New Orleans Hampel Fine Art Auctions, Munich, September 21, 2007, lot 427 Private Collection, Europe

Lot: 310 - Floris Gerritsz Van Schooten (Dutch c. 1585-1655), Still Life with Grapes, Plums and other Fruit on Table, Oil on panel, 20-3/8 x 32-1/2 in (51.8 x 81.6 cm)

Floris Gerritsz Van Schooten (Dutch, c. 1585-1655) Still Life with Grapes, Plums and other Fruit on Table Oil on panel Signed with initials FVS on grape leaf l.c.r. Property from a European Collection Provenance: Doyle Auctions, New York, English & Continental Furniture / Old Masters, Oct 25, 2017, lot 22

Lot: 311 - Attributed to Pierre-Paul Prud'hon (French 1758-1823), Child with Dove and Basket of Flowers, Oil on paper laid on board, 12-1/4 x 8-1/2 in (31.1 x 21.6 cm)

Attributed to Pierre-Paul Prud'hon (French, 1758-1823) Child with Dove and Basket of Flowers Oil on paper laid on board Signed Prud'hon and dated 1797 l.l. Property from a European Collection

Lot: 312 - Jean François Janinet (French 1752-1814), After Jean-Baptiste André Gautier D'Agoty (French 1740-1786), Marie Antoinette D'Austriche, Hand-colored etching and engraving with gilt highlights, 1777,

Jean François Janinet (French 1752-1814), After Jean-Baptiste André Gautier D'Agoty (French 1740-1786) Marie Antoinette D'Austriche Hand-colored etching and engraving with gilt highlights, 1777; apparently in good condition. Framed in a fleur-de-lis bordered gilt frame.* Provenance: Goupil & Companie, Paris Note: This image of Marie Antoinette is after the highly successful portrait of the Queen by Gautier-d'Agoty, likely painted to mark the occasion of her marriage to King Louis XVI. Gautier-D'agoty's younger brother, Louis, reproduced the painting in a poorly received mezzotint which likely caused him to involve Janinet in a second reproduction. Regarded as a highly skilled printer, Janinet used four separate color plates eliminating the need for hand-coloring and creating the illusion of a pastel drawing. Impressions of this print are rare, possibly because the illegal use of gold in the frame prompted the authorities to stop production.

Lot: 313 - Sir Godfrey Kneller (British 1646-1723), Portrait of Thomas Burnet, Oil on canvas, 36-1/2 x 31 in (92.7 x 78.7 cm)

Sir Godfrey Kneller (British, 1646-1723) Portrait of Thomas Burnet Oil on canvas Inscribed Tho.s Burnet/ OB: 1714; AET: 51 u.r. Literature: A portrait of Thomas Burnet by the artist is referenced in J. Douglas Stewart, Sir Godfrey Kneller and The English Baroque Portrait, Clarendon Press, London, 1983, no. 124.

Lot: 314 - Thomas Sidney Cooper (British 1803-1902), Cows at Rest, Oil on canvas, 14 x 20 in (35.6 x 50.8 cm)

Thomas Sidney Cooper (British, 1803-1902) Cows at Rest Oil on canvas Signed T. Sidney Cooper ARA and dated 1863 NA l.l.

Lot: 315 - F. Klapper (German or Austrian, Late 19th-Early 20th Century), Still Life with Game Trophies, Oil on burlap, 33-1/2 x 46-1/2 in (85.1 x 118.1 cm)

F. Klapper (German or Austrian,, Late 19th-Early 20th Century) Still Life with Game Trophies Oil on burlap Signed F. Klapper and dated 1905 u.r.

Lot: 316 - Edmund Adler (Austrian 1876-1965), Meal Time, Oil on canvas, 21 x 27 in (53.3 x 68.6 cm)

Edmund Adler (Austrian, 1876-1965) Meal Time Oil on canvas Signed Edmund Adler l.r.

Lot: 317 - August Dankworth (German 1813-1854), Seeking Refuge in the Mountains, Oil on canvas mounted on Masonite, 45 x 55 in (114.3 x 139.7 cm)

August Dankworth (German, 1813-1854) Seeking Refuge in the Mountains Oil on canvas mounted on Masonite Signed A Dankworth, located Braunschweig and dated 1839 l.r. Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 318 - Henriette Ronner (Dutch 1821-1909), Cat with Mischievous Kittens, Oil on canvas, 18 x 15 in (45.7 x 38.1 cm)

Henriette Ronner (Dutch, 1821-1909) Cat with Mischievous Kittens Oil on canvas Signed Henriette Ronner in red l.l.

Lot: 319 - Anna Sofia Palm de Rosa (Swedish 1859-1924), Stockholm River Scene, Watercolor and gouache on paper board, Sight size: 3-3/4 x 10-1/4 in (9.5 x 26 cm)

Anna Sofia Palm de Rosa (Swedish, 1859-1924) Stockholm River Scene Watercolor and gouache on paper board; with mild toning. Framed.* Signed Anna Palm and located Stockholm l.l. Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 320 - Gwen John (British 1876-1939), The Victorian Sisters, Gouache and ink on paper, Sight size: 8-3/4 x 5-1/4 in (22.2 x 13.3 cm)

Gwen John (British, 1876-1939) The Victorian Sisters Gouache and ink on paper; apparently in good condition. Framed.* Signed Gwen John l.r. Property from the Collection of Sally Engelhard Pingree Provenance: Collection of Edwin John Davis & Langdale Company, Inc., New York Exhibited: Gwen John: Works from the Collection of Edwin John, Davis & Langdale Company, Inc., New York, October 1 - November 13, 1999, cat. no. 62a

Lot: 321 - Marcel Gromaire (French 1892-1971), Sailboats at Dock, Watercolor and ink on paper, 12-1/2 x 16-1/2 in (31.8 x 41.9 cm)

Marcel Gromaire (French, 1892-1971) Sailboats at Dock Watercolor and ink on paper; apparently in good condition. Framed.* Signed Gromaire and dated 1946 l.r.

Lot: 322 - Béla Kádár (Hungarian 1877-1955), Seated Musicians, Gouache on paper, Sight size: 11-5/8 x 18 in (29.4 x 45.7 cm)

Béla Kádár (Hungarian, 1877-1955) Seated Musicians Gouache on paper; apparently in good condition. Framed.* Signed Kádár Béla l.r. Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 323 - Oskar Rabin (Russian 1928-2018), House From My Window, Oil on canvas, 28-3/4 x 36 in (73 x 91.4 cm)

Oskar Rabin (Russian, 1928-2018) House From My Window Oil on canvas Signed O. Rabin l.r.; also inscribed House From My Window in Cyrillic, dated 1981 and n 812 on verso Property from a Chevy Chase, Maryland Collection Provenance: Miro & Spizman Fine Arts, London

Lot: 324 - Sergei Yur'evich Sudeikin (Russian 1882-1946), Set Design for Russian Ballet, Gouache on paper, Circa 1937, Sight size: 14 x 21-1/2 in (35.6 x 54.6 cm)

Sergei Yur'evich Sudeikin (Russian, 1882-1946) Set Design for Russian Ballet Gouache on paper, Circa 1937; with water staining along top edge. Framed.* Signed Soudekine in graphite l.r. Property from the Estate of George Zorin Note: We would like to thank Dr. John E. Bowlt from the University of Southern California for authenticating this work.

Lot: 325 - Nikol Schattenstein (American/Lithuanian 1877-1954), Portrait Study of Lotte Lehmann, Pastel on canvas, 40 x 29 in (101.6 x 73.7 cm)

Nikol Schattenstein (American/Lithuanian, 1877-1954) Portrait Study of Lotte Lehmann Pastel on canvas Signed Nikol Schattenstein, located NY and dated 52 l.r. Note: This work serves as the cover artwork for the two-disc album The Lotte Lehmann: Opera & Song Recordings, 1916-1933, a copy of which accompanies this lot.

Lot: 326 - Alejandro Santiago (Mexican 1964-2013), Reclining Nude: A Triptych, Oil on panel in three parts, Each panel measures: 47 x 39 in (119 x 99.1 cm); Overall: 47-1/2 x 118-1/2 in (120.7 x 301 cm)

Alejandro Santiago (Mexican, 1964-2013) Reclining Nude: A Triptych Oil on panel in three parts Signed Alejandro and dated 96 l.r. Provenance: Bond Latin Gallery, San Francisco Galería Quetzalli, Oaxaca City, Mexico Note: Born in Teococuilco de Marcos Perrez in the state of Oaxaca, Mexico, Alejandro Santiago was a painter, printmaker and sculptor. At a young age the artist exhibited with Mexican greats such as Rufino Tamayo and Francisco Toledo. In his mid 20's, Bond Latin Gallery began to represent Santiago, showcasing his work for the first time in the United States. According to Bond Gallery: "Along side Quetzalli Gallery in Oaxaca City, Bond Latin Gallery helped fund and promote the artist's most important body of work, the 2501 Migrantes project, where the artist spent a decade creating 2,501 life size ceramic sculptures to repopulate his home village, which had practically been deserted (while the artist was living and working in the United States and Europe) as a result of globalization."

Lot: 327 - Francisco Zuniga (Mexico 1912-1998), Mujer Desnuda Sentada, Bronze sculpture with brown patina, 1966

Francisco Zúñiga (Mexican, 1912-1998) Mujer Desnuda Sentada Bronze sculpture with brown patina, 1966 Signed Zuniga, editioned IV/V and dated along outer side of right thigh. Property of a Great Falls, Virginia Collector

Lot: 328 - Rodolfo Morales (Mexican 1925-2001), Untitled, Oil on canvas, 59 x 47 in (149.9 x 119.4 cm)

Rodolfo Morales (Mexican, 1925-2001) Untitled Oil on canvas Signed Rodolfo Morales l.r.; 1993 Provenance: Bond Latin Gallery, San Francisco, June 3, 1995

Lot: 329 - Leonardo Nierman (Mexican 1932-2023), Volcanic Fury, Oil on Masonite, 24 x 32 in (61 x 81.3 cm)

Leonardo Nierman (Mexican, 1932-2023) Volcanic Fury Oil on Masonite Signed Nierman and dated 66 l.l.; also signed, titled and dated on verso and on paper label affixed to verso Property from a Chevy Chase, Maryland Collection

Lot: 330 - Luigi Carboni (Italian b. 1957), Ricordami Altro, Oil and acrylic on canvas with plastic and metal elements

Luigi Carboni (Italian, b. 1957) Ricordamdomi Altro Oil and acrylic on canvas with plastic and metal elements. Unframed. Signed Luigi Carboni, titled and dated 1989 on verso Provenance: Jack Shainman Gallery, New York, December 1991

Lot: 331 - Luigi Carboni (Italian b. 1957), Senza Titolo, Oil and acrylic on canvas, Unframed: 60-1/4 x 138 in (153 x 350.5 cm)

Luigi Carboni (Italian, b. 1957) Senza Titolo Oil and acrylic on canvas Signed Luigi Carboni, titled and dated 1989 on verso. Unframed. Provenance: Jack Shainman Gallery, New York, December 1991

Lot: 332 - Chéri Samba (Congolese b. 1956) and Chéri Cherin (Congolese b. 1955), Sans Titre, Oil on canvas. Unframed., 33 x 48 in (83.8 x 121.9 cm)

Chéri Samba (Congolese b. 1956) and Chéri Cherin (Congolese b. 1955) Sans Titre Oil on canvas. Unframed. Signed Cheri Samba and Cheri Cherin and dated Jan. 1997 l.l.

Lot: 333 - Roger Botembe (Congolese 1959-2019), Le Rétour Imminent du Soleil, Oil on linen, 1998

Roger Botembe (Congolese, 1959-2019) Le Rétour Imminent du Soleil Oil on linen, 1998 Signed Botembe l.r. Provenance: Les Ateliers Botembe, Commune de la Gombe, Congo

Lot: 334 - Edmund Darch Lewis (American 1835-1910), Ships at Sea, Gouache on artist board, 7 x 15 in (17.8 x 38.1 cm)

Edmund Darch Lewis (American, 1835-1910) Ships at Sea Gouache on artist board; apparently in good condition. Unframed. Signed Edmund D. Lewis in graphite l.r. and dated 1887 Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 335 - George S. Forster (American 1817-1896), Still Life of Red Currants and Bird's Nest of Robin's Eggs, Oil on canvas, 8 x 10 in (20.3 x 25.4 cm)

George S. Forster (American, 1817-1896) Still Life of Red Currants and Bird's Nest of Robin's Eggs Oil on canvas Signed Forster and dated 1867 l.r.

Lot: 336 - Nicholas Biddle Kittell (American 1822-1894), Daydreaming, Oil on panel, 12 x 10 in (30.5 x 25.4 cm)

Nicholas Biddle Kittell (American, 1822-1894) Daydreaming Oil on panel Signed N.B. Kittell and dated 1884 l.l.

Lot: 337 - Charles Vickery (American 1913-1998), Sunrise, Oil on canvasboard, 23-7/8 x 21-7/8 in (60.6 x 55.6 cm)

Charles Vickery (American, 1913-1998) Sunrise Oil on canvasboard Signed Vickery l.r.

Lot: 338 - Charles Hoffmann (American 1820/21-1882), Barnyard Scene with Chickens and a Peacock, Oil on panel, 5 x 10-1/4 in (12.7 x 26 cm)

Charles Hoffmann (American, 1820/21-1882) Barnyard Scene with Chickens and a Peacock Oil on panel Signed Ch. Hofmann and dated indistinctly l.l.; also with former owner's name and date of 1900 on verso

Lot: 339 - Louis K. Stone (American 1902-1984), Untitled, Gouache on paper, Sight size: 8-1/2 x 6-3/4 in (21.6 x 17.1 cm)

Louis K. Stone (American, 1902-1984) Untitled Gouache on paper; apparently in good condition. Framed.* Signed Louis Stone and dated Nov. 1950 l.r. Property from the Louis K. Stone Art Trust

Lot: 340 - Louis K. Stone (American 1902-1984), Untitled, Oil on canvas, 28 x 20 in (71.1 x 50.8 cm)

Louis K. Stone (American, 1902-1984) Untitled Oil on canvas Signed Stone l.r. Property from the Louis K. Stone Art Trust

Lot: 341 - After Aristide Maillol (French 1861-1944), Baigneuse debout drapée, Bronze sculpture with dark-brown patina, Height: 25-1/4 in (64.1 cm)

After Aristide Maillol (French, 1861-1944) Baigneuse debout drapée Bronze sculpture with dark-brown patina Signed Aristide Maillol on base, ca. 1920-1930

Lot: 342 - Adrian George Feint (Australian 1894-1971), The Green Pineapple, Oil on canvas, 1929, 18 x 18 in (45.7 x 45.7 cm)

Adrian George Feint (Australian, 1894-1971) The Green Pineapple Oil on canvas, 1929 Signed Adrian Feint and dated '29 l.l.

Lot: 343 - Guy Pène du Bois, (American 1884-1958), Couple in a Cafe, Watercolor, ink and graphite on paper, ca. 1905-06, Sight size: 10-3/4 x 7-1/2 in (27.3 x 19.1 cm)

Guy Pène du Bois (American, 1884-1958) Couple in a Cafe Watercolor, ink and graphite on paper, ca. 1905-06; apparently in good condition. Framed.* Signed Guy Pène du Bois l.l. Property from the Estate and Trust of Helena E. Gunnarsson Provenance: Graham Gallery, New York Literature: Betsy Fahlman, Guy Pène du Bois, Painter of Modern Life, James Graham & Sons, New York, 2004, p. 15, fig. 13.

Lot: 344 - Guy Pène du Bois (American 1884-1958), The Coachman, Charcoal, ink and watercolor with white heightening on paper, Sight size: 15 x 12-1/2 in (38.1 x 31.8 cm)

Guy Pène du Bois (American, 1884-1958) The Coachman Charcoal, ink and watercolor with white heightening on paper; apparently in good condition. Framed.* Signed Guy Pène du Bois and dated 22 l.r. Property from the Estate and Trust of Helena E. Gunnarsson Provenance: Hirschl & Adler Galleries, New York

Lot: 345 - Guy Pène du Bois (American 1884-1958), The Art Opening, Ink and wash with white heightening on paper, Sight size: 14-1/2 x 13 in (36.8 x 33 cm)

Guy Pène du Bois (American, 1884-1958) The Art Opening Ink and wash with white heightening on paper; apparently in good condition. Framed.* Signed Guy Pène du Bois l.l. Property from the Estate and Trust of Helena E. Gunnarsson Provenance: Graham Gallery, New York

Lot: 346 - Guy Pène du Bois (American 1884-1958), Paris Café, Watercolor and ink on paper,

Guy Pène du Bois (American, 1884-1958) Paris Café Watercolor and ink on paper; apparently in good condition. Framed.* Signed Guy Pene du Bois, located Paris and dated 26 l.l. Property from the Estate and Trust of Helena E. Gunnarsson Provenance: Hirschl & Adler Galleries, New York Exhibited: Guy Pene du Bois: Painter of Modern Life, Part II, The Mature Years, James Graham & Sons, New York, May 11-June 30, 2006

Lot: 347 - Guy Pène du Bois (American 1884-1958), Cirque d'Hiver, Paris, Watercolor and graphite on paper, 16-1/4 x 13-1/4 in (41.3 x 33.7 cm)

Guy Pène du Bois (American, 1884-1958) Cirque d'Hiver, Paris Watercolor and graphite on paper; apparently in good condition. Framed.* Signed Guy Pène du Bois, located Paris and dated 1926 l.l. and titled Cirque d'Hiver on verso Property from the Estate and Trust of Helena E. Gunnarsson Provenance: James Graham & Sons, New York Literature: Betsy Fahlman, Guy Pène du Bois, Painter of Modern Life, James Graham & Sons, New York, 2004, p. 37, fig. 1. Exhibited: Guy Pene du Bois: Painter of Modern Life, Part II, The Mature Years, James Graham & Sons, New York, May 11- June 30, 2006

Lot: 348 - Guy Pène du Bois (American 1884-1958), After the Circus, Pen, ink and watercolor on paper, Sight size: 13 x 17-3/4 in (33 x 45.1 cm)

Guy Pène du Bois (American, 1884-1958) After the Circus Pen, ink and watercolor on paper; apparently in good condition. Framed.* Signed Guy Pène du Bois and dated 1928 l.l. Property from the Estate and Trust of Helena E. Gunnarsson Provenance: Marie Sterner Gallery, New York Lawrence Rill Schumann Art Foundation, Boston Berry-Hill Galleries, Inc., New York Hull Gallery Inc., Washington, DC Exhibited: James Graham & Sons, New York, Guy Pène du Bois: Painter of Modern Life, Part II- The Mature Years, May 11 - June 30, 2006

Lot: 349 - Guy Pène du Bois (American 1884-1958), The House by the Shore, Oil on Masonite, 15-1/4 x 21-5/8 in (38.7 x 54.2 cm)

Guy Pène du Bois (American, 1884-1958) The House by the Shore Oil on Masonite Signed Guy Pène du Bois l.r. Property from the Estate and Trust of Helena E. Gunnarsson Provenance: Hirschl & Adler Galleries, New York, Invent. No. APG: 12372D

Lot: 350 - Guy Pène du Bois (American 1884-1958), Landscape, Stonington, Pastel on paper, 13 x 21 in (33 x 53.3 cm)

Guy Pène du Bois (American, 1884-1958) Landscape, Stonington Pastel on paper; apparently in good condition. Framed.* Signed Guy Pène du Bois, located Stonington and dated 1941 l.l. Property from the Estate and Trust of Helena E. Gunnarsson Provenance: Gerald Peters Gallery, New York Graham Gallery, New York

Lot: 351 - Guy Pène Du Bois (American 1884-1958), John Jay Study, Oil on canvas, 1938, 14 x 30 in (35.6 x 76.2 cm)

Guy Pène Du Bois (American, 1884-1958) John Jay Study Oil on canvas, 1938 Apparently unsigned and inscribed Rye, N.Y. P.O. G. Pene du Bois 3 Washington Sq./ New York City on stretcher and inscribed John Jay (sketch)/ Cat. No. 91 on paper label affixed to verso Property from the Estate and Trust of Helena E. Gunnarsson Provenance: Estate of Yvonne Pène du Bois McKenney James Graham & Sons, New York Doyle Auctions, New York, Modern and Contemporary Art, European and American Art, May 24, 2005, lot 161 Literature: Betsy Fahlman, Guy Pène du Bois, Painter of Modern Life, James Graham & Sons, New York, 2004, p. 50-51, fig. 58. Exhibited: Guy Pène du Bois: Painter of Modern Life: Part II, The Mature Years, James Graham & Sons, New York, May 11-June 30, 2006 Note: This work is a study for the federally commissioned mural for the Post Office in Rye, New York.

Lot: 352 - Guy Pène du Bois (American 1884-1958), Mary Goes a’ Swimmin, First Norfolk Episode, Ink and colored pencil on paper, Sight size: 11 x 8-1/4 in (27.9 x 21 cm)

Guy Pène du Bois (American, 1884-1958) Mary Goes a' Swimmin, First Norfolk Episode Ink and colored pencil on paper; apparently in good condition. Framed.* Apparently unsigned, titled along l.c. Property from the Estate and Trust of Helena E. Gunnarsson Provenance: James Graham & Sons, New York Exhibited: Guy Pene du Bois, Returning to America, May 7-June 13, 1998, no. 22

Lot: 353 - Guy Pène du Bois (American 1884-1958), The Garden Fence, Oil on Masonite, 15 x 21-3/4 in (38.1 x 55.2 cm)

Guy Pène du Bois (American, 1884-1958) The Garden Fence Oil on Masonite Signed Guy Pène du Bois l.r. Property from the Estate and Trust of Helena E. Gunnarsson Provenance: Hirschl & Adler Galleries Inc., New York Gerald Peters Gallery, New York, Invent. No. C-13365-2

Lot: 354 - Guy Pène du Bois (American 1884-1958), At the Bench, Oil on Masonite, 1947, 25-1/2 x 19 in (64.8 x 48.3 cm)

Guy Pène du Bois (American, 1884-1958) At the Bench Oil on Masonite, 1947 Signed Guy Pène du Bois l.l. Property from the Estate and Trust of Helena E. Gunnarsson Provenance: James Graham & Sons, New York Hirschl & Adler Galleries, Inc., New York, Invent. No.: APG: 7554D Bernard Danenberg Galleries, Inc., New York Berry-Hill Galleries, Inc., New York J.N. Bartfield Galleries, New York Literature: Betsy Fahlman, Guy Pène du Bois, Painter of Modern Life, James Graham & Sons, New York, 2004, p. 58, fig. 62. Exhibited: Chairman's Choice: A Miscellany of American Paintings, The Forbes Magazine Galleries, New York, February-November 1988, no. 29, illustrated. This exhibition also traveled to The New Jersey State Museum, Trenton, New Jersey.

Lot: 355 - Guy Pène du Bois (American 1884-1958), At the Seashore, Ink on paper, Sight size: 6 x 9-3/4 in (15.2 x 24.8 cm)

Guy Pène du Bois (American, 1884-1958) At the Seashore Ink on paper; apparently in good condition. Framed.* Signed Guy Pène du Bois and dated 1928 l.c. Property from the Estate and Trust of Helena E. Gunnarsson Provenance: Kraushaar Galleries, New York

Lot: 356 - Guy Pène du Bois (American 1884-1958), Study for Saratoga in the Racing Season, Oil on canvas and applied wood, 1936, 22 x 15 in (55.9 x 38.1 cm)

Guy Pène du Bois (American, 1884-1958) Study for Saratoga in the Racing Season Oil on canvas and applied wood, 1936 Inscribed G. Pène du Bois and titled Saratoga Springs on stretcher l.r. Property from the Estate and Trust of Helena E. Gunnarsson Provenance: Estate of Yvonne Pène du Bois McKenney James Graham & Sons, New York Note: This is a study for a federal mural commissioned and funded by Treasury Department of Art Project (TRAP) for the Saratoga Springs Post Office, Saratoga Springs, NY. Literature: Betsy Fahlman, Guy Pène du Bois, Painter of Modern Life, James Graham & Sons, New York, 2004, p. 53, fig. 51.

Lot: 357 - Guy Pène du Bois (American 1884-1958), Horse in Field, Oil on canvas, 1934, 16 x 20 in (40.6 x 50.8 cm)

Guy Pène du Bois (American, 1884-1958) Horse in Field Oil on canvas, 1934 Apparently unsigned; titled on gallery label on verso, also titled House on Hill/ Cat. No. 185 on paper label affixed to stretcher Property from the Estate and Trust of Helena E. Gunnarsson Provenance: James Graham & Sons, New York

Lot: 358 - Guy Pène du Bois (American 1884-1958), Another Expulsion, Oil on canvas, 1950, 40 x 30 in (101.6 x 76.2 cm)

Guy Pène du Bois (American, 1884-1958) Another Expulsion Oil on canvas, 1950 Signed Guy Pène du Bois l.r. Property from the Estate and Trust of Helena E. Gunnarsson Provenance: Estate of Yvonne Pène du Bois McKenney James Graham & Sons, New York Literature: Betsy Fahlman, Guy Pène du Bois, Painter of Modern Life, James Graham & Sons, New York, 2004, p. 157, illus. Jack Flam, "Guy Pène du Bois", American Heritage Magazine, February 1989, Vol. 40, Issue 1 Exhibited: National Academy of Design, New York Note: This work, painted towards the end of the artist's life, is a clear defense of realism in the face of modernism. A clown-like Picasso-esque figure is shown expelling Massaccio's Adam and Eve from the art world.

Lot: 359 - George Luks (American 1867-1933), Doing Her Bit, Watercolor and graphite on paper, Image size: 5 x 3-1/4 in (12.7 x 8.3 cm)

George Luks (American, 1867-1933) Doing Her Bit Watercolor and graphite on paper; apparently in good condition. Framed.* Signed George Luks u.c. Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 360 - Henry Hering (American 1874-1949), Diana, Bronze sculpture with brown patina, Height of bronze: 9-1/2 in (24.1 cm); Overall height: 12-3/4 in (32.4 cm)

Henry Hering (American, 1874-1949) Diana Bronze sculpture with brown patina Signed Henry Hering and dated 1918 on back of neck; with incised artist cypher and also stamped Roman Bronze Works Inc. NY on base. Attributably after the lost 1912 bust.

Lot: 361 - Bernice Francene Cross (American 1912-1996), Plaque, Oil on canvas, 14 x 14 in (35.6 x 35.6 cm)

Bernice Francene Cross (American, 1912-1996) Plaque Oil on canvas Apparently unsigned; titled and dated 1950 on stretcher bar Provenance: Bertha Schaefer Gallery, New York Exhibited: Bernice Cross, Reuben Kramer, Benjamin Lawless, Corcoran Gallery of Art, Washington, DC, May 7 - September 11, 1960. Accompanied by original exhibition invitation.

Lot: 362 - Kenneth Victor Young (American 1933-2017), Untitled, Acrylic on paper, Sheet size: 22 x 30 in (55.9 x 76.2 cm)

Kenneth Victor Young (American, 1933-2017) Untitled Acrylic on paper; apparently in good condition. Framed.* Unsigned Provenance: Gallery K, Washington, DC Marc Moyens Estate

Lot: 363 - Herman Maril (American 1908-1986), Lone Figure, Acrylic on paper, Image size: 16-5/8 x 21-3/4 in (42.2 x 55.2 cm)

Herman Maril (American, 1908-1986) Lone Figure Acrylic on paper; apparently in good condition. Framed.* Signed Herman Maril l.l. Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 364 - Herman Maril (American 1908-1986), Sledding, Oil on canvas, 26 x 16 in (66 x 40.6 cm)

Herman Maril (American, 1908-1986) Sledding Oil on canvas Signed Herman Maril and dated 78 l.c.; also signed, titled and dated on tacking edge Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 365 - James Kivetoruk Moses (Iñupiat 1900-1982), Yesterday-Today: Two Works, Ink and wash on paper board, Sight size of first: 19-1/2 x 14-1/2 in (49.5 x 36.8 cm)

James Kivetoruk Moses (Iñupiat, 1900-1982) Yesterday-Today: Two Works Ink and wash on paper board; with mild toning. Framed.* Signed Kivetoruk Moses and located Nome, Alaska u.l. and l.r.; together with a poster Yesterday/Today/For Tomorrow/ Back AFN/ Settlement Now, created from the original work, printed by K & R Printing

Lot: 366 - Richard Maury (American 1935-2020), Portrait of a Woman, Oil on canvas mounted on board, 25-1/4 x 21 in (64.1 x 53.3 cm)

Richard Maury (American, 1935-2020) Portrait of a Woman Oil on canvas mounted on board Signed R. Maury and dated 79 c.r. Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 367 - Richard Maury (American 1935-2020), Still Life with Easel and Mirror, Oil on canvas mounted on board, 18 x 20 in (45.7 x 50.8 cm)

Richard Maury (American, 1935-2020) Still Life with Easel and Mirror Oil on canvas mounted on board Signed and dated Maury VII 85 in reverse u.l. Property from the Estate and Trust of Helena E. Gunnarsson Provenance: Gerold Wunderlich & Co., Inc., New York

Lot: 368 - Richard Maury (American 1935-2020), Olive Trunk, Oil on canvas mounted on board, 25-3/4 x 21-1/2 in (65.4 x 54.6 cm)

Richard Maury (American, 1935-2020) Olive Trunk Oil on canvas mounted on board Signed Richard Maury and dated IX88 l.r. Property from the Estate and Trust of Helena E. Gunnarsson Provenance: Gerold Wunderlich & Co., New York Exhibited: American Realism Abroad, Colby College Museum of Art, Waterville, Maine, December 3, 1989-January 31, 1990

Lot: 369 - Priscilla Roberts (American 1916-2001), Button Boots, Oil on Masonite, 10 x 11 in (25.4 x 27.9 cm)

Priscilla Roberts (American, 1916-2001) Button Boots Oil on Masonite Signed P. Roberts l.r.; also signed and titled on frame Property from a Pennsylvania Collection

Lot: 370 - Priscilla Roberts (American 1916-2001), Glove Stretcher, Oil on Masonite, 9 x 10-1/2 in (22.9 x 26.7 cm)

Priscilla Roberts (American, 1916-2001) Glove Stretcher Oil on Masonite Signed P. Roberts on verso Property from a Pennsylvania Collection

Lot: 371 - Priscilla Roberts (American 1916-2001), Rocking Horse, Oil on panel, 24 x 18 in (61 x 45.7 cm)

Priscilla Roberts (American, 1916-2001) Rocking Horse Oil on panel Apparently unsigned Property from a Pennsylvania Collection

Lot: 372 - Richard Maury (American 1935-2020), Portrait of a Seated Woman, Oil on canvas mounted on board, 29 x 25-1/8 in (73.7 x 64 cm)

Richard Maury (American, 1935-2020) Portrait of a Seated Woman Oil on canvas mounted on board Signed Mr. Rich Maury, PINXIT VI 83 and located Washington, DC l.r. Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 373 - Richard Maury (American 1935-2020), Dover Cliffs, Oil on canvas mounted on board, 22 x 25-1/2 in (55.9 x 64.8 cm)

Richard Maury (American, 1935-2020) Dover Cliffs Oil on canvas mounted on board Signed R. Maury and dated 83 l.l. in painting within painting Property from the Estate and Trust of Helena E. Gunnarsson Provenance: Gerold Wunderlich & Co., Inc., New York Adams Davidson Galleries, Washington, DC Exhibited: From Soup to Nuts: A Selection of Important 19th and 20th Century American Still Life Paintings, Adams Davidson Galleries, Washington, DC, September 22-October 29, 1988

Lot: 374 - Richard Maury (American 1935-2020), Lori, Oil on canvas mounted on board, 25-1/2 x 29-1/2 in (64.8 x 74.9 cm)

Richard Maury (American, 1935-2020) Lori Oil on canvas mounted on board Signed R. Maury and dated 83 c.r.; titled on paper label affixed to verso Property from the Estate and Trust of Helena E. Gunnarsson Provenance: Gerold Wunderlich & Co., Inc., New York

Lot: 375 - Adele Marion Gowin Lemm (American 1904-1977), Poppies, Oil on canvas, 20 x 24 in (50.8 x 61 cm)

Adele Marion Gowin Lemm (American, 1904-1977) Poppies Oil on canvas Signed Adele Lemm and dated 61 l.c.; also signed, dated and titled on stretcher bar

Lot: 376 - Aaron Fink (American b. 1955), Untitled, Oil on canvas, 67-1/8 x 73-1/8 in (170.5 x 185.7 cm)

Aaron Fink (American, b. 1955) Untitled (The Pipe) Oil on canvas Signed Aaron Fink and dated 1986 verso Provenance: Jack Shainman Gallery, New York, December 1991

Lot: 377 - Aaron Fink (American b. 1955), The Cigarette, Oil on canvas, 72 x 72 in (182.9 x 182.9 cm)

Aaron Fink (American, b. 1955) Cigarette Oil on canvas Signed Aaron Fink and dated 1984 on verso Provenance: Jack Shainman Gallery, New York, December 1991

Lot: 378 - Félix Hilaire Buhot (French 1847-1898), Westminster Bridge (Bourcard/Goodfriend 156), Etching, drypoint, roulette, aquatint and spit-bite etching, 1884, Plate size: 280 x 380 mm (11-1/8 x 15-3/8 in)

Félix Hilaire Buhot (French, 1847-1898) Westminster Bridge (Bourcard/Goodfriend 156) Etching, drypoint, roulette, aquatint and spit-bite etching, 1884; apparently in good condition. Framed.* Signed Félix Buhot in graphite l.r. and inscribed 1er Etat/ ep. C- ap. la gratte des lignes du Cadre- 1er Etat Imprime a 4 épreuve. According to Scot Campbell, the cataloguer of Buhot's prints, this impression is a previously unknown new second state (see verso) Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 379 - Félix Hilaire Buhot (French 1847-1898), Le Port Aux Mouettes (Bourcard/Goodfriend 162), Etching and drypoint, Plate size: 244 x 356 mm (9-5/8 x 14 in)

Félix Hilaire Buhot (French, 1847-1898) Le Port Aux Mouettes (Bourcard/Goodfriend 162) Etching and drypoint; apparently in good condition. Framed.* Apparently unsigned; with pencil marks in margin, fourth state of four Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 380 - Félix Hilaire Buhot (French 1847-1898), La Fête Nationale Au Boulevard Clichy (Bourcard/Goodfriend 127), Etching, drypoint and aquatint in color, Plate size: 318 x 235 mm (12-1/2 x 9-1/4 in)

Félix Hilaire Buhot (French, 1847-1898) La Fête Nationale Au Boulevard Clichy (Bourcard/Goodfriend 127) Etching, drypoint and aquatint in color; apparently in good condition. Framed.* Signed Félix Buhot and inscribed un des dexu épreuves d'essai en noir et or in graphite l.c. Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 381 - Félix Hilaire Buhot (French 1847-1898), La Traversée: Two Works (Bourcard/Goodfriend 143), The first, an etching and drypoint; the second, a graphite figural study for the etching, Sheet size of first: 197 x 305 mm

Félix Hilaire Buhot (French, 1847-1898) La Traversée: Two Works (Bourcard/Goodfriend 143) The first, an etching and drypoint; and the second, a graphite figural study for the etching; each apparently in good condition. Each framed.* The first, unsigned, inscribed 1e Etat in graphite l.l.; the second, with artist's stamp in red l.r. Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 382 - Joseph Cornell (American 1903-1972), Derby Hat, Photogravure in color, 1972, Plate size: 337 x 260 mm (13-1/4 x 10-1/4 in)

Joseph Cornell (American, 1903-1972) Derby Hat Photogravure in color, 1972; apparently in good condition. Framed.* Signed Joseph Cornell with estate stamp signature and blindstamp l.r. and inscribed A.P. in graphite l.l.

Lot: 383 - Richard Estes, (American b. 1932), Movies: From Urban Landscapes No. 3, Screenprint in color, 1981, Sight size: 356 x 508 mm (14 x 20 in)

Richard Estes (American, b. 1932) Movies: From Urban Landscapes No. 3 Screenprint in color, 1981; apparently in good condition. Framed.* Signed Richard Estes l.r.; Domberger Screenprint embossed stamp lower left, printed by Michael Domberger, Filderstadt, Germany, published by Parasol Press, Ltd., Portland, Oregon Property from the Estate of George Zorin

Lot: 384 - Philipp Keel (Swiss b. 1968), Gum Ball Machine, Imbue print, 1999, Sheet size: 1118 x 1626 mm (44 x 64 in)

Philipp Keel (Swiss, b. 1968) Gum Ball Machine Imbue print, 1999; apparently in good condition. Framed.* Signed Philipp Keel and dated 1999 l.r. and numbered A.P. l.l., from an edition of 1, printed in December 1999; also stamped on verso Property of a Charlottesville, Virginia Collector Provenance: Purchased directly from the artist, December 2001

Lot: 385 - Walt Kuhn (American 1877-1949), Edith, Lithograph, Circa 1929, Image size: 413 x 292 mm (16-1/4 x 11-1/2 in)

Walt Kuhn (American, 1877-1949) Edith Lithograph, Circa 1929; apparently in good condition. Framed.* Signed Walt Kuhn in graphite l.r. and numbered 16-50 in graphite l.l.

Lot: 386 - Paul Landacre (American 1893-1963), Baldy: Group of Three Works, Each a woodcut, Sight size of first: 102 x 121 mm (4 x 4-3/4 in)

Paul Landacre (American, 1893-1963) Baldy: Group of Three Works Each a woodcut; each apparently in good condition. Framed.* The first, signed Paul Landacre in graphite l.r., framed together with an illustration from How Santa Claus Came to Simpson's Bar, signed with red monogram signature; the third, This Body I Wear Is Much Too Fragile for the Life I Lead, page with illustration by the artist from How Santa Came to Simpson's Bar, signed by publisher Ward Ritchie, inscribed on verso Zamorano keepsake, from an edition of 150

Lot: 387 - Charles-Édouard Jeanneret, Known as Le Corbusier (French/Swiss 1887-1965), Unité (Plate 11), Etching and aquatint in color, Sight size: 559 x 438 mm (22 x 17-1/4 in)

Charles-Édouard Jeanneret, Known as Le Corbusier (French/Swiss, 1887-1965) Unité (Plate 11) Etching and aquatint in color; apparently in good condition. Framed.* Signed Le Corbusier in graphite l.r. and numbered 31/130 in graphite l.l.; also inscribed 11/ L-C/ and dated 11-8-53 in plate l.l.

Lot: 388 - Joan Miró (Spanish 1893-1983), Le Vendanguer (M. 397), Lithograph in color on Arches paper, Sheet size: 895 x 610 mm (35-1/4 x 24 in)

Joan Miró (Spanish, 1893-1983) Le Vendanguer (M. 397) Lithograph in color on Arches paper, 1964; with mild toning. Framed.* Signed Miró in graphite l.r. and numbered 17/75 in graphite l.l.; published by Maeght Éditeur, Paris

Lot: 389 - LeRoy Neiman (American 1921-2012), 24 Hours at LeMans, Serigraph in color, Sight size: 813 x 1041 mm (32 x 41 in)

LeRoy Neiman (American, 1921-2012) 24 Hours at LeMans Serigraph in color; apparently in good condition. Framed.* Signed LeRoy Neiman in graphite l.r. and numbered H.C. 25/125 in graphite l.l.

Lot: 390 - A Pablo Picasso by Paul Eluard (French 1895-1952) Published 1944, No. 10, with Signed Works by Artist,

A Pablo Picasso by Paul Eluard (French 1895-1952) A tribute to Picasso in poetry and prose, full of his paintings, with two signed etchings by Picasso. Text in French. Published Éditions des Trois Collines, Genéve-Paris, 1944. Inscribed No. 10 and signed Paul Eluard in blue ink. Hardcover in cloth-bound case. Property from a Washington, DC Estate

Lot: 391 - Pablo Picasso (Spanish 1881-1973), Combat de Centaures III (Bloch 903), Lithograph, 1959, Sheet size: 540 x 756 mm (21-1/4 x 29-3/4 in)

Pablo Picasso (Spanish, 1881-1973) Combat de Centaures III (Bloch 903) Lithograph, 1959; with mild toning. Framed.* Signed Picasso in graphite l.r. and numbered 21/50 in graphite l.l.

Lot: 392 - After Rembrandt Van Rijn (Dutch 1606-1669), Jakob Thomasz Haringh (The Young Haring) (BB 55-E), Etching, 1655, later edition, Sheet size: 127 x 114 mm (5 x 4-1/2 in)

After Rembrandt Van Rijn (Dutch, 1606-1669) Jakob Thomasz Haringh (The Young Haring) (BB 55-E) Etching, 1655, later edition; trimmed to plate. Framed.* Signed in plate Provenance: Associated American Artists, New York

Lot: 393 - Herb Ritts (American 1952-2003), Kevin, Torso: Monte Carlo, Toned gelatin silver print, 1992, Sight size: 11 x 14 in (27.9 x 35.6 cm)

Herb Ritts (American, 1952-2003) Kevin, Torso: Monte Carlo Toned gelatin silver print, 1992; apparently in good condition. Framed.* Apparently unsigned; edition number 10/25 Provenance: Robert Koch Gallery, San Franciso, October 16, 1993

Lot: 394 - Pierre-Auguste Renoir (French 1841-1919), Louis Valtat (Stella 38), Lithograph, c. 1904, Sheet size: 327 x 248 mm (12-7/8 x 9-3/4 in)

Pierre-Auguste Renoir (French, 1841-1919) Louis Valtat (Stella 38) Lithograph, c. 1904; with scattered foxing. Framed.* Signed Renoir in stone l.r.; one state, from an edition of 1000. Stone effaced.

Lot: 395 - Kiyoshi Saito (Japanese 1907-1997), Untitled (Cat), Woodblock in color, Image size: 375 x 241 mm (14-3/4 x 9-1/2 in)

Kiyoshi Saito (Japanese, 1907-1997) Untitled (Cat) Woodblock in color; apparently in good condition. Framed.* Signed Kiyoshi Saito l.r.

Lot: 396 - Kiyoshi Saito (Japanese 1907-1997), Steady Gaze (Two Cats with Yellow Butterfly), Woodblock in color, 1970, self-carved and self-printed, Image size: 375 x 254 mm (14-3/4 x 10 in)

Kiyoshi Saito (Japanese, 1907-1997) Steady Gaze (Two Cats with Yellow Butterfly) Woodblock in color, 1970, self-carved and self-printed; apparently in good condition. Framed.* Signed Kiyoshi Saito l.l.

Lot: 397 - Tina Silverman (American, 20th Century), Led Zepplin/The Who Concert Poster, Merriweather Post Pavillion, May 25, 1969, Silkscreen in color mounted on board, Sheet size: 711 x 559 cm (28 x 22 in)

Tina Silverman (American,, 20th Century) Led Zepplin/The Who Concert Poster, Merriweather Post Pavillion, May 25, 1969 Silkscreen in color mounted on board; with fading, some water staining and surface scuffing. Unframed. Note: This rare silkscreen was printed for a concert famous for being the only time The Who and Led Zepplin shared a stage on US soil. This poster was from an edition of less than 50 with very few surviving examples.

Lot: 398 - Henri de Toulouse-Lautrec (French 1864-1901), Procès Arton, Déposition de Ribot and Déposition de Soudais: Three Works (Adhémar 192-194), Each a lithograph, 1896, Image size of each approximately: 419 x 629 mm

Henri de Toulouse-Lautrec (French, 1864-1901) Procès Arton, Déposition de Ribot and Déposition de Soudais: Three Works (Adhémar 192-194) Each a lithograph, 1896; each with mild toning. Each framed.* Each signed in plate with artist's monogram and with the artist's Lugt stamp in red, no. 1338, l.l. Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 399 - James Abbott McNeill Whistler (American 1834-1903), The Butcher’s Dog (Spink 166), Lithograph, 1896, 260 x 203 mm (10-1/4 x 8 in)

James Abbott McNeill Whistler (American, 1834-1903) The Butcher's Dog (Spink 166) Lithograph, 1896; apparently in good condition. Framed.* Signed with printed butterfly on awning Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 400 - James Abbott McNeill Whistler (American 1834-1903), The Garden (Spink 40), Lithograph, 1891, Sight size: 222 x 203 mm (8-3/4 x 8 in)

James Abbott McNeill Whistler (American, 1834-1903) The Garden (Spink 40) Lithograph, 1891; with scattered foxing. Framed.* Signed in plate with printed butterfly on tablecloth l.c.; one state Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 401 - James Abbott McNeill Whistler (American 1834-1903), Kensington Gardens (Spink 140; Way 109), Lithograph, 1896, Sight size: 203 x 165 mm (8 x 6-1/2 in)

James Abbott McNeill Whistler (American, 1834-1903) Kensington Gardens (Spink 140; Way 109) Lithograph, 1896; apparently in good condition. Framed.* Signed in plate with printed butterfly l.l. Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 402 - James Abbott McNeill Whistler (American 1834-1903), Early Morning (Spink 9; Way 7), Lithotint with scraping, 1878, Sight size: 171 x 260 mm (6-3/4 x 10-1/4 in)

James Abbott McNeill Whistler (American, 1834-1903) Early Morning (Spink 9; Way 7) Lithotint with scraping, 1878; apparently in good condition. Framed.* Signed in plate with printed butterfly l.l.; third state of four Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 403 - James Abbott McNeill Whistler (American 1834-1903), The Priest’s House, Lithograph, Sight size: 279 x 171 mm (11 x 6-3/4 in)

James Abbott McNeill Whistler (American, 1834-1903) The Priest's House Lithograph; apparently in good condition. Framed.* Signed in plate with printed butterfly l.r. Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 404 - James Abbott McNeill Whistler (American 1834-1903), Little London (Spink 158; Way 121), Lithograph, 1896, Sight size: 54 x 165 mm (10 x 6-1/2 in)

James Abbott McNeill Whistler (American, 1834-1903) Little London (Spink 158; Way 121) Lithograph, 1896; apparently in good condition. Framed.* Signed in plate with printed butterfly l.r., one state Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 405 - James Abbott McNeill Whistler (American 1834-1903), La Fruitière de la Rue de Grenelle (Spink 106; Way 70), Lithograph, 1894, Sight size: 279 x 178 mm (11 x 7 in)

James Abbott McNeill Whistler (American, 1834-1903) La Fruitière de la Rue de Grenelle (Spink 106; Way 70) Lithograph, 1894; apparently in good condition. Framed.* Signed in plate with printed butterfly signature on awning, one state Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 406 - James Abbott McNeill Whistler (American 1834-1903), Savoy Pigeons (Spink 154; Way 118), Lithograph, 1896, Sight size: 254 x 165 mm (10 x 6-1/2 in)

James Abbott McNeill Whistler (American, 1834-1903) Savoy Pigeons (Spink 154; Way 118) Lithograph, 1896; apparently in good condition. Framed.* Signed in plate with printed butterfly l.r., one state Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 407 - James Abbott McNeill Whistler (American 1834-1903), Waterloo Bridge (Spink 1896; Way 123), Lithograph, 1896, Sight size: 229 x 152 mm (9 x 6 in)

James Abbott McNeill Whistler (American, 1834-1903) Waterloo Bridge (Spink 1896; Way 123) Lithograph, 1896; apparently in good condition. Framed.* Signed in plate with printed butterfly l.r., one state Property from the Estate and Trust of Helena E. Gunnarsson

Lot: 408 - James Abbott McNeill Whistler (American 1834-1903), The Little Putney, No. 1, Drypoint etching, Plate size: 133 x 210 mm (5-1/4 x 8-1/4 in)

James Abbott McNeill Whistler (American, 1834-1903) The Little Putney, No. 1 Drypoint etching; apparently in good condition. Framed.* Signed in plate with printed butterfly l.r. Property from the Estate and Trust of Helena E. Gunnarsson Provenance: Thomas Agnew & Sons Ltd., London, Invent. No. 44132

Lot: 409 - James Abbott McNeill Whistler (American 1834-1903), Maunder’s Fish Shop (Spink 37; Way 28), Lithograph on laid paper, Sight size: 216 x 178 mm (8-1/2 x 7 in)

James Abbott McNeill Whistler (American, 1834-1903) Maunder's Fish Shop (Spink 37; Way 28) Lithograph on laid paper; with scattered mild toning. Framed.* Signed in plate with printed butterfly on facade, second state of two Property from the Estate and Trust of Helena E. Gunnarsson Provenance: Thomas Agnew & sons, Ltd, London, No. 44131