Fall Fine & Decorative Arts Day 4

Lot: 3001 - NEAR EAST OR NORTH AFRICAN QURAN FOLIOS, LOT OF TWO

NEAR EAST OR NORTH AFRICAN QURAN FOLIOS, LOT OF TWO, Arabic script on vellum, each folio with five lines of bold script including additional blue and magenta ink marks. 11th to 14th century. 6 3/4" x 5 3/4" 

Lot: 3002 - OTTOMAN ILLUMINATED CALLIGRAPHER'S DIPLOMA / IJAZEH

OTTOMAN ILLUMINATED CALLIGRAPHER'S DIPLOMA / IJAZEH, Arabic manuscript on paper, featuring an upper line in large black thuluth, below with three lines in naskh and three cartouches providing the details of the ijazeh, decorated by floral and other devices with gilt decoration, dated 1264 or 1294 for 1847 or 1877. Housed under glass in a 20th century frame with framer's label to back for Haley & Steele of Boston, MA. 19th century. 7 3/8" x 5 1/8" sight, 8 1/4" x 6" OA.

Lot: 3003 - CONTINENTAL ILLUMINATED MANUSCRIPT RELIGIOUS SCENE ANTIPHONARY / GRADUAL CUTTING

CONTINENTAL ILLUMINATED MANUSCRIPT RELIGIOUS SCENE ANTIPHONARY / GRADUAL CUTTING, double-sided, Latin on vellum, one side having a historiated initial "O" depicting an ascension scene depicting three figures rising to heaven including one wearing a pink robe, possibly Jesus, and one holding tablets, with an additional three figures watching from below, reverse having approximately six lines with text. 15th/16th century. 6 1/2" x 5 3/4".

Lot: 3004 - CONTINENTAL ILLUMINATED MANUSCRIPT NATIVITY SCENE ANTIPHONARY / GRADUAL PAGE

CONTINENTAL ILLUMINATED MANUSCRIPT NATIVITY SCENE ANTIPHONARY / GRADUAL PAGE, double-sided single leaf, Latin on vellum, one side featuring historiated initial "D" depicting Mary and Joseph kneeling beside Jesus in a manger, an angel above, and two animals observing, having a full border featuring winged-cherubs, two moths/butterflies to top corners, berries including strawberries to bottom, and floral vines and reverse having eight lines with historiated initial "V" featuring a three-bloom flower to interior. Mounted to mat with framing corners, removable. Probably late 15th/early 16th century. 18 1/4" x 13 3/8" leaf, 20" x 16" OA.

Lot: 3005 - CONTINENTAL ILLUMINATED MANUSCRIPT FLORIATED INITIALS ANTIPHONARY / GRADUAL CUTTINGS, LOT OF THREE

CONTINENTAL ILLUMINATED MANUSCRIPT FLORIATED INITIALS ANTIPHONARY / GRADUAL CUTTINGS, LOT OF THREE, probably double-sided, Latin on vellum, each appearing to be from the same book, featuring a bright polychrome floral design within the letter with gilt surround and additional floral design on side, comprising "C", "P", and "S". Each 15th/16th century. 8 1/4" x 5 5/8" to 11 3/4" x 7 3/8", 12 1/2" x 10 1/2" to 20" x 16" OA (with mats)

Lot: 3006 - CONTINENTAL ILLUMINATED MANUSCRIPT MYTHICAL CREATURES ANTIPHONARY / GRADUAL CUTTING

CONTINENTAL ILLUMINATED MANUSCRIPT MYTHICAL CREATURES ANTIPHONARY / GRADUAL CUTTING, single-sided, Latin on laid paper, featuring an inhabited initial "U" depicting four fabled beasts including dragon-like examples. Probably 13th/14th century. 7 1/4" x 6 7/8". 

Lot: 3007 - CONTINENTAL ILLUMINATED MANUSCRIPT FLORIATED INITIALS ANTIPHONARY / GRADUAL PAGE

CONTINENTAL ILLUMINATED MANUSCRIPT FLORIATED INITIALS ANTIPHONARY / GRADUAL PAGE, double-sided single leaf, Latin on vellum, each side featuring stylized floral-decorated letters including "G", "I", and "Q" to one side and reverse having "Q" and "S". 15th/16th century. 15" x 12", 20" x 16 1/2" OA. 

Lot: 3008 - CONTINENTAL ILLUMINATED MANUSCRIPT FLORIATED INITIALS PAGES, LOT OF TWO

CONTINENTAL ILLUMINATED MANUSCRIPT FLORIATED INITIALS PAGES, LOT OF TWO, double-sided single leaf, Latin on vellum, comprising one psalms example with decorative "D" and one antiphonary or gradual example with illuminated "A". 15th/16th century. 14" x 11 5/8" and 23 3/4" x 16", 18 1/8" x 12 3/4" and 27 1/8" x 21" OA.

Lot: 3009 - CONTINENTAL ILLUMINATED MANUSCRIPT PAGES, LOT OF THREE

CONTINENTAL ILLUMINATED MANUSCRIPT PAGES, LOT OF THREE, each double-sided single leaf, Latin on vellum, featuring decorative letters and emphasized words of red and blue with predominant black ink text, including one example identified as the Second Epistle of St. Peter and part of the first and one example described as part of a mass written to honor a saint, possibly Frithestan, a Bishop of Winchester who died in England in 932. Together with a facsimile of a page from the Gutenberg bible having Psalms 22, 23, and 24. Four pieces total. Possibly French. 15th/16th century, possibly earlier; facsimile later. 13 1/4" x 10 1/8" to 12" x 16 3/4", 20 1/4" x 16" OA.

Lot: 3010 - CONTINENTAL ILLUMINATED MANUSCRIPT PAGES AND FRAGMENTS, LOT OF SIX

CONTINENTAL ILLUMINATED MANUSCRIPT PAGES AND FRAGMENTS, LOT OF SIX, each double-sided, Latin on vellum, including two described as being a portion of a page from a breviary and one labeled as being the opening words of the entrance hymn during the first Sunday of Advent from the Roman Missal. 15th/16th century or earlier. 5 5/8" x 4 1/4" to 10 1/2" x 15 3/4", 15 1/4" x 20" OA.

Lot: 3011 - CONTINENTAL ILLUMINATED MANUSCRIPT ANTIPHONARY / GRADUAL PAGE, LOT OF TWO

CONTINENTAL ILLUMINATED MANUSCRIPT ANTIPHONARY / GRADUAL PAGE, LOT OF TWO, double-sided single leaf, Latin on vellum, each with red stave lines and black ink. Together with an illuminated antiphonary or gradual 7 7/8" x 5 1/2" triangular fragment. Three pieces total. 15th/16th century. 7 7/8" x 5 1/8" and 12 7/8" x 10 3/4", 12 3/4" x 10 1/2" and 20" x 16" OA. 

Lot: 3012 - 16TH CENTURY MEDIEVAL LATIN MANUSCRIPT

16TH CENTURY MEDIEVAL LATIN MANUSCRIPT, ink on vellum, possible notarial sign at bottom. Possibly Italian. Dated December 24, 1500. 17 3/4" x 12 1/2", 22" x 16 3/4" OA.

Lot: 3013 - ASSORTED EARLY PRINTED PAGES, LOT OF SIX

ASSORTED EARLY PRINTED PAGES, LOT OF SIX, including a double-sided vellum sheet printed with the opening words of the Cannon of the Mass from the Roman Missal with hand-colored woodcuts, and two title pages on laid paper. Mostly 17th/18th century. 11 1/2" x 8" vellum, 19" x 12 1/2" OA.

Lot: 3014 - CONTINENTAL "MEISTER MAISAN" PORTRAIT ILLUSTRATION FRAGMENT

CONTINENTAL "MEISTER MAISAN" PORTRAIT ILLUSTRATION FRAGMENT, watercolor en grisaille on vellum, depicting three men wearing turbans and long flowing clothing, probably from the Ottoman Empire, including one holding a small cask with spigot and one with a candelabra, having "...Praeses, Grofs Cousins..." above figures and "...Ceremonien Meister Maisan..." below. 17th century or earlier. 11 5/8" x 11 1/8".

Lot: 3015 - ANTONIO SALAS (ECUADORIAN, 1795-1860), ATTRIBUTED, LA DIVINA PASTORA / THE DIVINE SHEPHERDESS

ANTONIO SALAS (ECUADORIAN, 1795-1860), ATTRIBUTED, LA DIVINA PASTORA / THE DIVINE SHEPHERDESS, oil on canvas, a very well executed full-length depiction of The Divine Shepherdess in a field with a lamb at her side, the base of the painting has text reading "CONSUELO DE AFLIGIDOS RUEGA POR MI." Housed in its likely original carved wooden frame with applied cornice. First half 19th century. 29 1/2" x 22" sight, 41 1/2" x 27 1/4" OA.

Lot: 3016 - SOUTH AMERICAN CUSCO / CUZCO SCHOOL PAINTING OF AN ARCHANGEL

SOUTH AMERICAN CUSCO / CUZCO SCHOOL PAINTING OF AN ARCHANGEL, oil on canvas, featuring a depiction of a finely dressed unidentified archangel in the Cusco school style normally associated with Peru. Unframed. No signature located. 19th century. 24" x 16" OA.

Lot: 3017 - SOUTH AMERICAN / MEXICAN OUR LADY OF REFUGE RETABLO

SOUTH AMERICAN / MEXICAN OUR LADY OF REFUGE RETABLO, oil on sheet-iron or tin, featuring the typical depiction of the Virgin Mary and the Christ child above a cloud-like base. A small tag remnant verso reads "S[MIT]HSONIA[N]." Housed in an older carved wooden frame. 19th century. 13" x 9" sight, 21 3/4" x 17 1/2" OA.

Lot: 3018 - CONTINENTAL SCHOOL (18TH CENTURY) OLD MASTER-STYLE PORTRAIT OF CHRIST

CONTINENTAL SCHOOL (18TH CENTURY) OLD MASTER-STYLE PORTRAIT OF CHRIST, oil on canvas or burlap, featuring an icon-like depiction of Jesus Christ in a red robe with gilt decoration, he is surrounded by a painted border at the edge of the canvas. No signature located. Unframed. 18th century, possibly earlier. 21 1/4" x 17 1/2" OA.

Lot: 3019 - RUSSIAN ORTHODOX FIERY ASCENSION OF THE PROPHET ELIJAH ICON PAINTING

RUSSIAN ORTHODOX FIERY ASCENSION OF THE PROPHET ELIJAH ICON PAINTING, polychrome-painted surface with red and/or brown background on wood board, three scenes featuring the Prophet Elijah and his disciple Elisha, which includes a vignette at top showing Elijah's ascension to heaven riding a chariot pulled by horses of fire; hand-painted black Cyrillic writing throughout and additional Cyrillic carving to rear. Probably Russian. 19th century. 10 1/4" x 12 3/4" OA.

Lot: 3020 - RUSSIAN ORTHODOX ICON

RUSSIAN ORTHODOX ICON, punched and repousse-decorated riza framing the painted canvas laid to wooden surface depicting Jesus Christ after the crucifixion with a chest wound from the holy lance, with punched halo applied to riza. Riza in silver of unknown fineness / metal content, and has markings at the top edge which appear to be "IK." Probably Russian. 19th century. 12 1/2" x 9" OA.

Lot: 3021 - GERMAN HAND-PAINTED PORCELAIN FRAMED PLAQUE PAIR

GERMAN HAND-PAINTED PORCELAIN FRAMED PLAQUE PAIR, each of ovoid form and featuring a charming cherub image after the Sistine Madonna by Raphael, no signature located. Each housed in elaborately carved giltwood frame featuring leaves and berries at corners. Each having impressed "K / 1" to back and one retaining "W. SCHAUS. / 749 Broadway, NY." label to back. Second half 19th century. 7 1/8" x 5 3/8" sight, 17 3/8" x 15 5/8" OA. 

Lot: 3022 - GERMAN PORCELAIN PORTRAIT PLAQUE

GERMAN PORCELAIN PORTRAIT PLAQUE, featuring charming hand-painted image of a young boy with long blond hair and holding a colorful ball, signed "Knoeller Dresden" to lower left corner. Fitted in a brass easel-style frame. Impressed "197" to back. Late 19th/early 20th century. Plaque 6" x 4 1/8"; 8 1/2" x 6" OA.

Lot: 3023 - GERMAN KPM PORCELAIN PORTRAIT PLAQUE

GERMAN KPM PORCELAIN PORTRAIT PLAQUE, polychrome hand-painted bust-length depiction of a young lady with a bouquet of flowers on her left side, no signature located. Impressed "KPM" below scepter on back. Housed within a molded gilt-metal frame stamped "MADE IN FRANCE" with other stamped letters. Konigliche Porzellan Manufaktur (KPM), Berlin, Germany. Second half 19th century. 5 1/2" x 4" sight, 7 3/8" x 5" OA.

Lot: 3024 - GERMAN HUTSCHENREUTHER PORCELAIN PLAQUE

GERMAN HUTSCHENREUTHER PORCELAIN PLAQUE, rectangular form, depicting a young woman with blue eyes and curly brown hair, she is entitled verso "Mignon", and the plaque bears a partial impressed mark to Hutschenreuther as well as a mold number "111". The plaque is housed in its original gilt gesso frame which is surrounded by an original black shadowbox frame. Late 19th/early 20th century. 4" x 2 1/2" plaque, 11 1/4" x 10 1/4" OA.

Lot: 3025 - CONTINENTAL PORCELAIN PORTRAIT PLAQUE

CONTINENTAL PORCELAIN PORTRAIT PLAQUE, ovoid form, featuring a bright polychrome hand-painted image after Raphael's Madonna della Seggiola, featuring a mother embracing a child, no signature located. Housed in giltwood frame with brown velvet mat. Second half 19th century. 7" x 5" sight, 14 1/8" x 12" OA.

Lot: 3026 - BELGIAN SCHOOL (16TH CENTURY) OLD MASTER PORTRAIT OF A GENTLEMAN

BELGIAN SCHOOL (16TH CENTURY) OLD MASTER PORTRAIT OF A GENTLEMAN, oil on oak panel, possibly by the anonymous artist known as Master of the 1540s, a profile view with the sitter's face turned to the viewer, inscribed upper right "AETATIS SVAE: 34 / ANNO 1546 / Salomon de la Huie (?)", retaining an early ink-inscribed note attached verso, so signature located. Housed in an early ripple-molded frame in ebonized surface. Dated 1546. 24 3/4" x 18 3/4" sight, 34 1/2" x 28 1/2" A. Literature: See Christies, Sale 1886, 10/4/2007, lot 9 for a similar example. Other portraits attributed to this hand are in the collections of the Art Institute of Chicago (1953.471) and the Carnegie Institute (66.9.2).

Lot: 3027 - PAIR OF JOHN (JOHANN) BAPTIST CLOSTERMAN (GERMAN, 1660-1711), ATTRIBUTED, PORTRAITS OF A GENTLEMAN AND LADY

PAIR OF JOHN (JOHANN) BAPTIST CLOSTERMAN (GERMAN, 1660-1711), ATTRIBUTED, PORTRAITS OF A GENTLEMAN AND LADY, oil on canvas, each a waist length depiction of an attractive young sitter with very finely executed features and dressed in very fine clothing. Each is housed in a period, likely original oval gilt frame with likely original surface. Fourth quarter 17th/early 18th century. 28 3/4" x 24 1/2" sight, 37 1/2" x 33 3/4" OA. Catalogue Note: Several works attributed to John Baptist Closterman have surfaced with extremely similar frames, and stretchers in nearly identical sizes to the present examples. See Lyon & Turnbull, 8/31/2022, lot 18; and 10/14/2020, lot 86.

Lot: 3028 - SCHOOL OF JOHN SINGLETON COPLEY (AMERICAN / BRITISH, 1737-1815) PORTRAIT OF MAJOR GENERAL ANDREW COWELL (BRITISH, 1762-1821)

SCHOOL OF JOHN SINGLETON COPLEY (AMERICAN / BRITISH, 1737-1815) PORTRAIT OF MAJOR GENERAL ANDREW COWELL (BRITISH, 1762-1821), oil on canvas, an extremely finely executed waist length depiction of Major General Andrew Cowell dressed in his red military coat with epaulettes and a sash across his body. A plaque at the base of the frame reads "MAJOR GENERAL ANDREW COWELL / COMMISSIONED LIEUT. COLONEL - COMMANDING / GOLDSTREAM REGIMENT OF GUARDS / 19 NOVEMBER 1800 / b. 1737 | JOHN SINGLETON COPLEY | d. 1815." A label verso advises of its resurfacing in 1969. Housed in a period, likely original, gilt frame. Very possibly executed by Copley himself or a very talented student or follower. Early 19th century. 28 1/2" x 23 1/2" sight, 37" x 32 1/4" OA.

Lot: 3029 - W. MIXBRUGGER PORTRAIT OF DANIEL LIBER BARON DE MECSERY (AUSTRIAN, 1759-1823)

W. MIXBRUGGER PORTRAIT OF DANIEL LIBER BARON DE MECSERY (AUSTRIAN, 1759-1823), oil on canvas, depicting Daniel Mecsery dressed in full military regalia with an ornate gold-thread-laden jacket and his hat beside him resting atop a letter or document of some sort. Verso is a Latin inscription naming the sitter and highlighting some of his military services during the French Revolutionary and Napoleonic Wars, the date and artist's name "W. Mixbrugger / 1815 pinxit." appear in the bottom corner. Housed in a period, possibly original gilt gesso frame. Circa 1815. 35 1/2" x 28 1/4" sight, 44 1/2" x 37 1/4" OA. Catalogue Note: A nearly identical example of this painting was sold by Auktionshaus im Kinsky (12/6/2022, lot 115) with the attribution, and partial signature, of Johann Baptist Lampi the Younger. Both works are fairly contemporary with one another, but it is possible that the present example is taken from the Lampi example.

Lot: 3030 - PAIR OF BRITISH SCHOOL (18TH CENTURY) PORTRAITS OF ALICE AND DORATHY KNIGHT

PAIR OF BRITISH SCHOOL (18TH CENTURY) PORTRAITS OF ALICE AND DORATHY KNIGHT, oil on canvas, each depicting an attractive young woman both wearing fashionable period dresses, their names "Alice Knight" and "Dorathy Knight" are painted beside their respective faces. Each is housed in a period, likely original oval giltwood frame. First half 18th century. 29" x 24 1/2" sight, 33 1/2" x 28 1/2" 

Lot: 3031 - BRITISH SCHOOL (17TH CENTURY) PORTRAIT OF A GENTLEMAN IN ARMOR

BRITISH SCHOOL (17TH CENTURY) PORTRAIT OF A GENTLEMAN IN ARMOR, oil on canvas, three-quarter length with subject in profile, his face turned toward the viewer, a sword on his left hip, his right hand resting on a helmet, red curtain in the background drawn to reveal a landscape, no signature or inscription located. Housed in a modern frame. 17th century. 43 1/2" x 36 1/2" sight, 49" x 42" OA.

Lot: 3032 - CONTINENTAL SCHOOL (18TH CENTURY) OLD MASTER-STYLE PORTRAIT OF A NOBLEWOMAN

CONTINENTAL SCHOOL (18TH CENTURY) OLD MASTER-STYLE PORTRAIT OF A NOBLEWOMAN, oil on canvas, a bust-length depiction of a woman dressed in a lace collar and very well adorned in jewels. Possibly Mary, Queen of Scots or another British noblewoman. Housed in a later gilt frame. 18th century, possibly earlier. 24 1/2" x 20 1/4" sight, 25 1/2" x 21 1/4" OA.

Lot: 3033 - SIR GODFREY KNELLER (GERMAN-BRITISH, 1646-1723), ATTRIBUTED / SCHOOL OF, PORTRAIT OF A GENTLEMAN

SIR GODFREY KNELLER (GERMAN-BRITISH, 1646-1723), ATTRIBUTED / SCHOOL OF, PORTRAIT OF A GENTLEMAN, oil on canvas, half-length depiction in oval reserve of a bewigged figure in brown coat with white cravat, no signature located, retains an old printed exhibition label to reverse, which reads "KNELLER / PORTRAIT OF HENRY LONMAN, Esq. with brown coat and white cravat / - painted in an oval 29in x 24in / Exhibited at Huddersfield". Housed in an early molded giltwood frame. First quarter 18th century. 29 3/4" x 24 3/4" sight, 35" x 30" OA.

Lot: 3034 - CONTINENTAL SCHOOL (17TH CENTURY) PORTRAIT OF A MAN

CONTINENTAL SCHOOL (17TH CENTURY) PORTRAIT OF A MAN, oil on canvas, depicting a European man dressed in finely adorned clothing and with his name "Stephan Graf v. Millesimo. 1625" painted in the upper corner. Housed in a modern frame. Possibly German or Austrian. Probably circa 1625. 28" x 25 1/2" sight, 36 1/2" x 33 3/4" OA.

Lot: 3035 - FRENCH SCHOOL (18TH CENTURY) PORTRAIT OF A MILITARY GENTLEMAN

FRENCH SCHOOL (18TH CENTURY) PORTRAIT OF A MILITARY GENTLEMAN, oil on canvas, depicting a military man with regal outfit standing in front of a desk which appears to have a compass on its surface. Verso inscribed "Peint par Elizabeth Duchateau 4 Juin 1756." Housed in a modern frame. Circa 1756. 31 1/4" x 25" sight, 40 1/4" x 34" OA.

Lot: 3036 - FRENCH SCHOOL (18TH / 19TH CENTURY) PORTRAIT OF A YOUNG INFANTRY CAPTAIN

FRENCH SCHOOL (18TH / 19TH CENTURY) PORTRAIT OF A YOUNG INFANTRY CAPTAIN, oil on canvas, a finely-executed waist-length depiction of a gallant young man dressed in his military coat and hat; behind him, set into the landscape, are several military-style tents, and on the other side, a castle/fortress which appears to have cannons firing from it with large plumes of smoke. Housed in a very high quality modern gilt molded frame. Late 18th/early 19th century. 31" x 24 1/2" sight, 35 1/4" x 28 3/4" OA.

Lot: 3037 - DUTCH SCHOOL (19TH CENTURY) PORTRAIT OF AN 8TH REGIMENT HUSSAR

DUTCH SCHOOL (19TH CENTURY) PORTRAIT OF AN 8TH REGIMENT HUSSAR, oil on canvas, a waist-length depiction of a man with brown hair and a mustache dressed in his military regalia. Housed in a period, probably original gilt frame with a restored surface. Circa 1820. 24 3/4" x 18 1/2" sight, 30 1/2" x 24 1/2" OA. Catalogue Note: A note from the Leger Museum to Richard Hoover helps in the identification of this soldier. It reads, "The interesting portrait represent [sic] a Dutch hussar of the 8th regiment. He wears the attilla model 1815-1830, recognized by the light blue coloured jacket with yellow braiding and red sash. Over his shoulders he wears a dark blue coat fur-lined. Unfortunately, his rank, recognizable by the mark of the cuff of his sleeve, is not visible. The hussars of the 8th regiment, founded in March 1814 by Prince Fernand de Croy and renamed in April 1815 to Regiment Hussars Nr 8, were recruited from the southern part of the Dutch kingdom (Belgium). In November 1830 the regiment was removed because of the separation of Belgium. It is hard to judge a painting from an image, but my impression says that it is contemporary, so painted between 1815 and 1830."

Lot: 3038 - PAIR OF BRITISH SCHOOL (18TH CENTURY) PORTRAITS

PAIR OF BRITISH SCHOOL (18TH CENTURY) PORTRAITS, oil on canvas, each a waist-length depiction, he with coral coat and wig, she with low-cut brown dress, no signature(s) located, printed label applied verso, which reads, in part, "Breyer & Associates, New York, NY / Property of Charles J. Breyer / On loan to Bergdorf Goodman". Each housed in a period oak frame with gilt liner. Second half 18th century. 26 1/4" x 21 1/4" sight, 33 1/2" x 28 1/4" OA.

Lot: 3039 - AFTER SIR ANTHONY VAN DYCK (FLEMISH, 1599-1641) PORTRAIT OF KING CHARLES I (ENGLISH, 1600-1649)

AFTER SIR ANTHONY VAN DYCK (FLEMISH, 1599-1641) PORTRAIT OF KING CHARLES I (ENGLISH, 1600-1649), oil on panel, depicting Charles I turned slightly to the side dressed in military armor. Housed in a modern molded wooden frame. 19th century, possibly earlier. 11 3/4" x 9 3/4" sight, 14" x 12" OA.

Lot: 3040 - CONTINENTAL SCHOOL (18TH / 19TH CENTURY) PORTRAIT OF A NOBLE OR HOLY MAN

CONTINENTAL SCHOOL (18TH / 19TH CENTURY) PORTRAIT OF A NOBLE OR HOLY MAN, oil on canvas, a three-quarter length depiction of a man sitting in a French bergere dressed in elaborate red clothing with a red, gold, and white scarf, behind his desk is an open window looking out onto a provincial landscape. Unframed. Late 18th/first half 19th century. 50 1/2" x 40 1/4" OA.

Lot: 3041 - CONTINENTAL SCHOOL (18TH CENTURY) PORTRAIT OF A WOMAN

CONTINENTAL SCHOOL (18TH CENTURY) PORTRAIT OF A WOMAN, oil on canvas, a bust length depiction of a woman dressed in a white dress with puffed shoulders and a head scarf. Housed in a 20th century gilt frame. 18th century, possibly earlier. 27 3/4" x 22 1/2" sight, 31 3/4" x 26 3/4" OA.

Lot: 3042 - CONTINENTAL SCHOOL (18TH / 19TH CENTURY) PORTRAIT OF A WOMAN

CONTINENTAL SCHOOL (18TH / 19TH CENTURY) PORTRAIT OF A WOMAN, oil on canvas, a waist-length depiction of a woman wearing a red dress trimmed in fur holding a miniature painting of a man, likely of her late husband; her bracelet has a monogram of "CM". Unframed. Second half 18th/early 19th century. 31 1/2" x 25 1/2" OA.

Lot: 3043 - EUROPEAN SCHOOL (19TH CENTURY) PORTRAIT OF SHEFFIELD GRACE (BRITISH, 1788-1850)

EUROPEAN SCHOOL (19TH CENTURY) PORTRAIT OF SHEFFIELD GRACE (BRITISH, 1788-1850), oil on canvas, after an engraving by Robert Graves (British, 1798-1873), seated figure wearing double-breasted green coat, holding a book in his left hand, with bookcase in the background and drawn curtain revealing a country church in the distance, no signature located, reverse bearing old typed label inscribed "Portrait of Sheffield Grace, F. S. A. This copy painted by Baron Sigismundo Meyer de Schaunsee, Roma, Italy." Housed in a period molded giltwood frame. Circa 1825. 34 1/4" x 26 1/4" sight, 42 1/4" x 34 1/4" OA. Catalogue Note: Sheffield Grace (1788-1850), Knight of Hanover, was a prominent landowner, Magistrate, and Deputy Lieutenant of Sussex on the southeast coast of England. The current portrait is likely after an engraved portrait by Robert Graves (1798-1873), which was included as a plate in Sheffield Grace's 1823 publication "Memoirs of the Family of Grace".

Lot: 3044 - AFTER VLADIMIR BOROVIKOVSKY (RUSSIAN, 1757-1825) PORTRAIT OF PAUL I, EMPEROR OF RUSSIA (RUSSIAN, 1754-1801)

AFTER VLADIMIR BOROVIKOVSKY (RUSSIAN, 1757-1825) PORTRAIT OF PAUL I, EMPEROR OF RUSSIA (RUSSIAN, 1754-1801), oil on canvas, a bust-length depiction of Paul I, son of Catherine the Great and Peter III, dressed in his regal military outfit decorated with a variety of medals. No signature located. Housed in a very high quality modern frame in the style of the period. 19th century. 27 3/4" x 21" sight, 38" x 31 1/2" OA.

Lot: 3045 - AFTER SIR BENJAMIN WEST (AMERICAN / ENGLISH, 1738-1820) SELF PORTRAIT

AFTER SIR BENJAMIN WEST (AMERICAN / ENGLISH, 1738-1820) SELF PORTRAIT, oil on board, depicting a man with white hair, a black jacket, and white ruffled shirt sitting in a high-back red chair next to a desk and window which looks out onto a large building, possibly a palace. Verso is a copy of the engraving from which this likeness was taken. Housed in a period gilt gesso frame with a later-added easel back, the frame also retains a plaque on the front reading "Portrait of the Artist / by / SIR BENJAMIN WEST P.R.A." 19th century. 8 1/2" x 11 1/2" sight, 13 3/4" x 16 3/4" OA. Catalogue Note: Sir Benjamin West (1738-1820) was born in Pennsylvania, and had success as an artist from an early age. In 1763 he traveled to England, initially just passing through, and ended up never leaving. Later he would become President of the Royal Academy and Historical Painter to the king.

Lot: 3046 - AMERICAN OR BRITISH SCHOOL (19TH CENTURY) PORTRAIT OF A GENTLEMAN

AMERICAN OR BRITISH SCHOOL (19TH CENTURY) PORTRAIT OF A GENTLEMAN, oil on canvas, featuring a waist-length depiction of a man in a very regal jacket with elaborate buttons standing in front of a table with a fine silver coffee pot, compote, and what appear to be shoe buckles, behind him in the window is a Classical building with a Greek-style pediment supported by large columns. No signature located. Housed in a period molded wooden frame. First half 19th century. 29 1/2" x 23 1/2" sight, 34 1/4" x 28 1/2" OA.

Lot: 3047 - SOUTH AMERICAN SCHOOL (19TH CENTURY) PORTRAIT OF A MILITARY OFFICER

SOUTH AMERICAN SCHOOL (19TH CENTURY) PORTRAIT OF A MILITARY OFFICER, oil on canvas, depicting a very stern man with a beard dressed in highly ornamental clothing with a medal reading "HONOR AL MERITO", he wears white gloves and holds his hat. Lower left signed "G. Reyes." Housed in an older molded wooden frame and retains an earlier cornice possibly salvaged from the original frame. Second half 19th century. 36" x 32 1/2" sight, 45 1/4" x 41 3/4" OA.

Lot: 3048 - AMERICAN OR ENGLISH SCHOOL (19TH CENTURY) PORTRAIT OF A YOUNG LADY

AMERICAN OR ENGLISH SCHOOL (19TH CENTURY) PORTRAIT OF A YOUNG LADY, oil on canvas, depicting an attractive lady wearing an off-the shoulder neckline dress in front of a landscape. An old jelly label attached to frame reads "Harriet Flemming." Housed in a period, probably original, gilt gesso frame. No signature located. First half 19th century. 29 1/2" x 24 1/2" sight, 38 1/2" x 33 1/2" OA.

Lot: 3049 - CONTINENTAL SCHOOL (19TH CENTURY) PORTRAIT OF A MILITARY MAN

CONTINENTAL SCHOOL (19TH CENTURY) PORTRAIT OF A MILITARY MAN, oil on canvas, depicting a rather rotund man with brown hair and a short mustache dressed in armor with red accessories, his helmet with plume rests beside him. Housed in a 20th century frame. 19th century. 38 1/2" x 30 1/2" OA.

Lot: 3050 - AFTER GARRIT VAN HONTHORST (DUTCH, 1590-1656) PORTRAIT OF FREDERICK HENRY, PRINCE OF ORANGE (DUTCH, 1584-1647)

AFTER GARRIT VAN HONTHORST (DUTCH, 1590-1656) PORTRAIT OF FREDERICK HENRY, PRINCE OF ORANGE (DUTCH, 1584-1647), oil on canvas, a bust length depiction of Fredrick Hendrik, Prince of Orange in his ornate lace collar and dark coat. Housed in a modern frame. A 19th century copy after the original 17th century portrait by Van Honthorst. 28 1/2" x 23 1/4" sight, 34 1/2" x 29 1/4" OA.

Lot: 3051 - GERMAN SCHOOL (19TH CENTURY) PORTRAIT OF A MILITARY MAN

GERMAN SCHOOL (19TH CENTURY) PORTRAIT OF A MILITARY MAN, oil on canvas, a bust-length depiction of an older gentleman with a mustache wearing a Military Merit Cross on his jacket. Housed in a period, likely original gold frame. Second half 19th century. 16 3/4" x 12 1/2" sight, 20" x 16" OA.

Lot: 3052 - CONTINENTAL SCHOOL (19TH CENTURY) OLD MASTER-STYLE PORTRAIT OF A WOMAN

CONTINENTAL SCHOOL (19TH CENTURY) OLD MASTER-STYLE PORTRAIT OF A WOMAN, oil on canvas, a bust length depiction of a woman dressed in Renaissance-era clothing heavily bedecked in jewels and multiple strings of pearls. Housed in a modern frame. Likely a 19th century copy of a period example. 13 1/2" x 10 1/4" sight, 18 1/4" x 15" OA.

Lot: 3053 - BRITISH OR AMERICAN SCHOOL (19TH CENTURY) PORTRAIT OF A LADY

BRITISH OR AMERICAN SCHOOL (19TH CENTURY) PORTRAIT OF A LADY, oil on canvas, depicting a lady wearing a dark collared jacket with a white ruffled blouse beneath it. No signature located. Housed in a mid 20th century wooden frame. Late 19th/early 20th century. 29 1/2" x 24 1/2" sight, 34 3/4" x 29 3/4" OA.

Lot: 3054 - AFTER JEAN-MARC NATTIER (FRENCH, 1685-1766) PORTRAIT OF MADAME VICTOIRE DE FRANCE

AFTER JEAN-MARC NATTIER (FRENCH, 1685-1766) PORTRAIT OF MADAME VICTOIRE DE FRANCE, oil on canvas, depicting an attractive woman wearing a very detailed dress with a sash, she stands in a Classical-style background with a garden urn at her side. Housed in a contemporary frame. Second half 19th century. 31 1/4" x 25 1/4" sight, 37 1/2" x 31" OA.

Lot: 3055 - CONTINENTAL SCHOOL (19TH CENTURY) PORTRAIT OF A LADY

CONTINENTAL SCHOOL (19TH CENTURY) PORTRAIT OF A LADY, oil on canvas, featuring a middle aged woman wearing a bonnet and dress with a lace collar, around her neck she wears a miniature portrait of a lady, possibly a late loved one. Housed in an old carved pine frame which may have had gilt decoration at one time. Late 19th century. 21" x 17 1/4" sight, 27 1/2" x 23 3/4" OA.

Lot: 3056 - BRITISH SCHOOL (19TH CENTURY) PORTRAIT OF A MILITARY GENTLEMAN

BRITISH SCHOOL (19TH CENTURY) PORTRAIT OF A MILITARY GENTLEMAN, oil on canvas, a depiction of a handsome young man with blue eyes, brown hair, and long side burns, he wears a dark jacket with ruffled collar, and a sash with a military metal of some form. Housed in a period carved and molded giltwood frame. 19th century. 8 1/4" x 7" sight, 14 3/4" x 13 1/2" OA.

Lot: 3057 - CONTINENTAL SCHOOL (19TH CENTURY) PORTRAIT OF A MILITARY FAMILY

CONTINENTAL SCHOOL (19TH CENTURY) PORTRAIT OF A MILITARY FAMILY, oil on canvas, depicting a family with five young boys set into a very European park-like landscape with a towering castle in the background. The father wears a brightly colored military outfit; the mother, in a finely appointed dress, wears a suite of gold jewelry and holds a large bowl of fruit. No signature located. Housed in a modern wooden frame. Mid 19th century. 13 1/4" x 16 1/2" sight, 15" x 18 1/2" OA.

Lot: 3058 - REVERSE-PAINTED PORTRAIT OF GEORGE II

REVERSE-PAINTED PORTRAIT OF GEORGE II, oil on glass, featuring a depiction of George II posing very regally in armor. Housed in likely original gilt molded frame. 19th century. 20 3/4" x 16 1/4" sight, 24 1/2" x 20" OA.

Lot: 3059 - AUSTRIAN SCHOOL (19TH CENTURY) PORTRAIT OF FELDZEUGMEISTER KARL RITTER VON SCHONHALS

AUSTRIAN SCHOOL (19TH CENTURY) PORTRAIT OF FELDZEUGMEISTER KARL RITTER VON SCHONHALS, oil on canvas, depicting a man decorated with medals in his military regalia. The plaque on the front of the frame reads "GENERAL - FELDZEUGMEISTER / CARL [sic] RITTER VON SCHONHALS / 1788-1857." Housed in a period, possibly original giltwood frame. Likely a late 19th/early 20th century copy of a portrait painted during the life of the sitter. 35" x 24 1/2" sight, 40 3/4" x 30 1/2" OA.

Lot: 3060 - AMERICAN OR EUROPEAN SCHOOL (19TH CENTURY) PORTRAIT OF A WOMAN

AMERICAN OR EUROPEAN SCHOOL (19TH CENTURY) PORTRAIT OF A WOMAN, oil on board, figure at a seashore gazing pensively at the sea while holding a basket, no signature located. Housed in a period, possibly original, gilt frame. Circa 1880. 11 1/2" x 9 1/2" sight, 18 1/2" x 16 1/2" OA.

Lot: 3061 - CONTINENTAL OR AMERICAN PORTRAIT OF A GIRL

CONTINENTAL OR AMERICAN PORTRAIT OF A GIRL, oil on board, featuring a blonde haired girl wearing a light colored dress. Retains its likely original oval gilt frame with a later surface. Mid 19th century. 16" x 13" sight, 22 1/2" x 19" OA.

Lot: 3062 - AMERICAN SCHOOL (20TH CENTURY) PORTRAIT OF A GENTLEMAN

AMERICAN SCHOOL (20TH CENTURY) PORTRAIT OF A GENTLEMAN, charcoal on paper, elderly subject in profile, identified as "WILLIAM ALFRED TURNER (1835-1916)" on frame plaque, additional inscriptions verso. Housed in likely original paint-decorated frame. Circa 1916. 25" x 19" sight, 32" x 26 1/2" OA.

Lot: 3063 - PETER OTTZEN (DANISH, NEW YORK) PORTRAIT OF AN ELDERLY MAN

PETER OTTZEN (DANISH, NEW YORK) PORTRAIT OF AN ELDERLY MAN, oil on board, a bearded figure with pensive gaze, signed lower right. Housed in a painted wooden frame, possibly original. Circa 1920. 15 1/2" x 19 1/2" sight, 29" x 25" OA.

Lot: 3064 - MEXICAN SCHOOL (20TH CENTURY) PORTRAIT OF A WOMAN

MEXICAN SCHOOL (20TH CENTURY) PORTRAIT OF A WOMAN, charcoal on paper, after Diego Rivera (Mexican, 1886-1957), a full-length depiction of figure in red dress and black shawl, signed and dated "D. Rivera. 21" lower right, marked "ST" lower left. Housed under glass in an old frame. 19" x 12 1/4" object, 27 3/4" x 21 3/4" OA.

Lot: 3065 - PAIR OF BRITISH SCHOOL MINIATURE PORTRAITS OF KING JAMES III AND BONNIE PRINCE CHARLIE

PAIR OF BRITISH SCHOOL MINIATURE PORTRAITS OF KING JAMES III AND BONNIE PRINCE CHARLIE, oil on board, each depicting a gentleman, one with a wig and in regal dress, the other in less formal dress with a red sash and his natural hair showing. Both housed in cut-out wooden frames overlaid with velvet and mounted with gilt metal decoration, the portraits housed behind glass in a central oval frame. 19th century, possibly earlier. Each 7 1/2" x 7 1/2" OA. Catalogue Note: Mr. Richard Hoover wrote of these portraits in a newspaper article posing various possibilities of their origins and story as well as some background regarding the reign of both men. A copy of this article is included with the lot. Literature: The Northern Virginia Daily - "Richard Hoover: These Miniatures 'Got Soul!'", March 1, 2015.

Lot: 3066 - CONTINENTAL SCHOOL (18TH / 19TH CENTURY) MINIATURE MONTGOLFIER HOT AIR BALLOON SILHOUETTE / PAINTING

CONTINENTAL SCHOOL (18TH / 19TH CENTURY) MINIATURE MONTGOLFIER HOT AIR BALLOON SILHOUETTE / PAINTING, oil on bone, the side profile silhouette of a man (possibly one of the Montgolfier brothers) centered in the balloon section of a Montgolfier hot air balloon the entire object painted in full traveling through a cloudy sky. A signature lower right is nearly indistinguishable but appears to end in "iro 1784." Verso are several labels, one reading "Profilo di / Mongolfier [sic] / 18 [?] Secolo / dat. 1784" others list similar things, and one early 20th century label is from a Milan antiques store. Housed under glass in a period gold filled frame. Possibly 18th century. 3 5/8" x 2 7/8" OA. 

Lot: 3067 - CONTINENTAL SCHOOL (19TH CENTURY) MINIATURE PORTRAIT OF MILITARY GENERAL COUNT CLOUVEN

CONTINENTAL SCHOOL (19TH CENTURY) MINIATURE PORTRAIT OF MILITARY GENERAL COUNT CLOUVEN, oil on bone, depicting a man with short white hair dressed in full military regalia in front of a gray-toned background. A note verso suggests a circa date of 1822 and names the sitter. Housed under glass in a period, likely original, wooden frame. 19th century. 4" x 3 1/4" OA.

Lot: 3068 - PAIR OF "THE SORROWS OF YOUNG WERTHER" MINIATURE PORTRAITS

PAIR OF "THE SORROWS OF YOUNG WERTHER" MINIATURE PORTRAITS, watercolor, one depicting a mourning woman dressed in her black shawl in front of a monument with "W[E]RTER [sic]" on the front, and a man sitting at his desk with a gun in one hand and a ribbon in the other looking over his shoulder, a paper on his desk reads "CHARLOTTE". Each is housed under reverse painted eglomise convex glass set into a wooden frame mounted with brass decoration. Late 18th/first half 19th century. 4 3/8" x 3 5/8" OA. Catalogue Note: These miniature portraits depict the characters of Charlotte and Werther from The Sorrows of Young Werther by Johann Wolfgang von Goethe (German, 1749-1832). The story goes, in summary, that a young man, named Werther, falls deeply in love with Charlotte, but Charlotte is already engaged to marry a man called Albert, eleven years her senior. After much conflict, Werther professes that the only way to end the love triangle they are caught in the middle of is if one of them were to die. Werther requests to borrow Albert's two pistols, for a mission unbeknownst to Albert, and he takes his own life.  Mr. Richard Hoover commented on these portraits and his luck finding them at auction in an article published in The Northern Virginia Daily. A copy of this article is retained with the lot. Literature: Tina Comer, The Northern Virginia Daily - "Richard Hoover: Antique miniatures tell a tale", April 10, 2016.

Lot: 3069 - CONTINENTAL SCHOOL (19TH CENTURY) MINIATURE PORTRAIT POSSIBLY OF A FRENCH ROYAL GUARD

CONTINENTAL SCHOOL (19TH CENTURY) MINIATURE PORTRAIT POSSIBLY OF A FRENCH ROYAL GUARD, watercolor on porcelain, depicting a figure of a man with white hair dressed in a light colored military uniform with a red collar and sash. Verso is an old inscription, nearly illegible, possibly reading "Albert v. Bemsdorf / Reyl. Garde du corps / Vako von Henrille [?]". Housed under glass in a likely original period frame with brass surrounding the portrait and an easel verso. Early 19th century. 2 1/4" x 1 3/4" sight, 4 1/2" x 4 1/4" OA.

Lot: 3070 - CONTINENTAL SCHOOL (19TH CENTURY) MINIATURE PORTRAIT POSSIBLY OF NICCOLO MACHIAVELLI

CONTINENTAL SCHOOL (19TH CENTURY) MINIATURE PORTRAIT POSSIBLY OF NICCOLO MACHIAVELLI, watercolor, depicting a man with patrician features turned to the side with short brown hair dressed in a Classical-type robe. Housed under glass decorated with eglomise in its likely original wooden frame with early alligatored surface. First half 19th century, possibly earlier. 2 1/2" round sight, 6 1/2" square OA. Catalogue Note: Mr. Richard Hoover featured this miniature in an article published in The Northern Virginia Daily, and theorizes that its sitter is German historian and writer Joachim Winckelmann (1717-1768). A copy of this article is included with the lot. Literature: Tina Comer, The Northern Virginia Daily - "Richard Hoover: The fate of antiques in New World Orders", March 1, 2015.

Lot: 3071 - CONTINENTAL SCHOOL (19TH CENTURY) MINIATURE PORTRAITS, LOT OF TWO

CONTINENTAL SCHOOL (19TH CENTURY) MINIATURE PORTRAITS, LOT OF TWO, comprising a side profile of a man in the Classical taste, and a side profile of a lady with a shawl over her striped dress. The man is housed under convex glass in his likely original cast-bronze frame, the lady in her pressed brass frame. 19th century. Largest 3 5/8" round.

Lot: 3072 - CONTINENTAL SCHOOL (19TH CENTURY) MINIATURE MILITARY PORTRAITS / SILHOUETTES, LOT OF TWO

CONTINENTAL SCHOOL (19TH CENTURY) MINIATURE MILITARY PORTRAITS / SILHOUETTES, LOT OF TWO, watercolor on paper and reverse-painted oil on glass, each featuring a side profile of a man in military regalia, the watercolor example with polychrome decoration to the details of his outfit, and the oil on glass example with light polychrome shading to his outfit. Each is housed in molded wooden frames with eglomise borders surrounding the portraits. 19th century. Largest 6" x 5 1/4" OA.

Lot: 3073 - LIKELY BRITISH SCHOOL (19TH CENTURY) WAX PORTRAIT OF A CHILD

LIKELY BRITISH SCHOOL (19TH CENTURY) WAX PORTRAIT OF A CHILD, depicting a small girl wearing a dress and sitting in a chair, her arms and hands project out from her body and she holds a sprig of flowers in one. Housed in a period, likely original, gilt frame with convex glass and applied metal filigree to corners. 19th/early 20th century. 3 3/4" D sight, 7" SQ OA.

Lot: 3074 - CONTINENTAL SCHOOL (19TH CENTURY) MINIATURE PORTRAIT OF A WOMAN IN MILITARY REGALIA

CONTINENTAL SCHOOL (19TH CENTURY) MINIATURE PORTRAIT OF A WOMAN IN MILITARY REGALIA, watercolor, featuring the side profile of a woman wearing a tall military hat and a fur lined jacket which is belted at the waist. Signed lower right "Reynouth." Housed in a period, likely original, gilt brass frame with an easel back. Fourth quarter 19th century. 3 1/2" x 2 3/4" sight, 7 1/4" x 5" OA.

Lot: 3075 - CONTINENTAL SCHOOL (19TH CENTURY) MINIATURE PORTRAITS, LOT OF THREE

CONTINENTAL SCHOOL (19TH CENTURY) MINIATURE PORTRAITS, LOT OF THREE, watercolor, featuring a depiction of a person in a Turkish costume; a military man in a blue coat with a large medal; and a depiction of Lord Guilford Dudley, husband of Lady Jane Grey. Each housed in likely original frames. 19th and 20th century. Largest 6 1/2" x 5 3/4" OA.

Lot: 3076 - CONTINENTAL SCHOOL (19TH/20TH CENTURY) MINIATURE PORTRAITS, LOT OF FOUR

CONTINENTAL SCHOOL (19TH/20TH CENTURY) MINIATURE PORTRAITS, LOT OF FOUR, comprising a portrait of Charles I after Van Dyck; a portrait of a lady wearing a red hat on a porcelain plaque, possibly by Hutschenreuther or a similar German manufacturer; a portrait of Beatrice Cenci after Guido Reni; and a portrait of a woman, possibly Marie Antionette. Each are housed in their likely original metal, and gilt gesso frames. Several retain artist signatures. Late 19th/first half 20th century. Van Dyck example 4" x 2 3/4" OA.

Lot: 3077 - CONTINENTAL SCHOOL (19TH/20TH CENTURY) MINIATURE PORTRAITS, LOT OF FIVE

CONTINENTAL SCHOOL (19TH/20TH CENTURY) MINIATURE PORTRAITS, LOT OF FIVE, including a copy of The Blue Boy by Thomas Gainsborough; a portrait of a woman, possibly Josephine, wife of Napoleon in an attractive faux tortoise shell frame; a portrait of a woman in a hat with feathers, possibly Mary, Queen of Scots; and two other portraits of women. All are housed in their likely original frames. Several retain artist signatures. Late 19th/first half 20th century. Josephine example 5" x 4 1/4" OA.

Lot: 3078 - FRENCH REVERSE-PAINTED GLASS OF NAPOLEON AND CHAMPIONET, LOT OF TWO

FRENCH REVERSE-PAINTED PORTRAITS OF NAPOLEON AND CHAMPIONET, LOT OF TWO, oil on glass, the larger depicting a young Napoleon Bonaparte, the smaller depicting Jean Etienne Championet. Each is housed in its likely original molded wooden frame. 19th century. Largest 13 1/4"x 10" OA.

Lot: 3079 - BRITISH SCHOOL (19TH CENTURY) WAX PORTRAIT OF JOHN JERVIS, EARL OF ST VINCENT

BRITISH SCHOOL (19TH CENTURY) WAX PORTRAIT OF JOHN JERVIS, EARL OF ST VINCENT, featuring a side profile of a man dressed in a military jacket with a blue sash across his body, below him "ST. VINCENT" is painted on the background. Housed in likely original molded wooden frame. 19th century. 4" x 3" sight, 7 3/4" x 6 3/4" OA.

Lot: 3080 - BRITISH SCHOOL (19TH CENTURY) PORTRAIT OF A GENTLEMAN

BRITISH SCHOOL (19TH CENTURY) PORTRAIT OF A GENTLEMAN, depicting an older gentleman dressed in a dark jacket. He is mounted to velvet and housed in a modern gilt frame. 19th/early 20th century. 6 3/4" x 4 3/4" sight, 8 3/4" x 6 3/4" OA.

Lot: 3081 - CONTINENTAL SCHOOL (19TH/20TH CENTURY) MINIATURE PORTRAITS, LOT OF THREE

CONTINENTAL SCHOOL (19TH/20TH CENTURY) MINIATURE PORTRAITS, LOT OF THREE, including a portrait of a young Napoleon II; and two French-style women, possibly Marie Antionette, painted by the same hand. Together with an Asian example depicting figures in long draping outfits in some form of camp. Four pieces total. All are housed in their likely original frames. Several retain artist signatures. Late 19th/first half 20th century. Largest 5 3/4" SQ OA.

Lot: 3082 - CONTINENTAL SCHOOL (19TH/20TH CENTURY) MINIATURE PORTRAITS, LOT OF THREE

CONTINENTAL SCHOOL (19TH/20TH CENTURY) MINIATURE PORTRAITS, LOT OF THREE, including a pair of portraits depicting a young couple dressed in red housed in their likely original wooden frames; and a portrait of Mrs. Mary Robinson after Romney housed in a faux tortoise shell frame. Several retain artist signatures. First half 20th century. Romney example 6 1/4" x 5" OA.

Lot: 3083 - DECORATED TOLEWARE TRAYS, LOT OF TWO

DECORATED TOLEWARE TRAYS, LOT OF TWO, comprising a finely-executed example with a castle scene; and contemporary Ian Logan, London example printed with lettuce in a baster by Mimi Roberts. 20th century. 17 1/2" x 21 3/4" OA.

Lot: 3084 - CONTINENTAL SCHOOL (19TH / 20TH CENTURY) MINIATURE PORTRAITS, LOT OF FOUR

CONTINENTAL SCHOOL (19TH / 20TH CENTURY) MINIATURE PORTRAITS, LOT OF FOUR, watercolor on paper, and hand-colored engravings, comprising a watercolor portrait of a young military man dressed in a red jacket, and three hand-colored engravings of military men. Each is housed in a wooden frame. 19th/20th century. Largest 6 1/2" x 6" OA.

Lot: 3085 - CHRIS VAN ALLSBURG (AMERICAN, B.1949) ORIGINAL ILLUSTRATION

CHRIS VAN ALLSBURG (AMERICAN, B.1949) ORIGINAL ILLUSTRATION, pencil / graphite on paper, an eerie and evocative scene of a child's hat and key on the ground before a stout iron gate and brick wall, titled "Abduction" on card verso, signed and dated in pencil lower right. Housed in a modern frame. Dated 1976. 21" x 16 1/2" image, 36 3/4" x 26 1/4" OA. Catalogue Note: Born in East Lansing, Michigan, Chris Van Allsburg (b.1949), studied at the University of Michigan and the Rhode Island School of Design. After initially starting his career as a sculptor, Van Allsburg soon shifted to illustration work, specifically children's illustrations. He soon found success and was awarded the Caldecott Medal for Jumanji (1981) and The Polar Express (1985), both of which were eventually made into highly successful movies. The present drawing is an early example of his work, which is full of narrative detail and imbued with a dark palette.

Lot: 3086 - KATHRYN E. CHERRY (AMERICAN, 1871-1931) ATTRIBUTED NEW ENGLAND HARBOR IMPRESSIONISTIC PAINTING

KATHRYN E. CHERRY (AMERICAN, 1871-1931) ATTRIBUTED NEW ENGLAND HARBOR IMPRESSIONISTIC PAINTING, impasto-styled oil on canvas, depicting a pair of green fishing boats docked next to a small section of railroad track; no markings or signatures located. Unframed. First quarter 20th century. 12 3/4" x 10 5/8" OA. Catalogue Note: Kathryn Evelyn Bard Cherry (born 1871 in Quincy, Illinois) was a noted Impressionist painter, educator, and ceramic artist, who exhibited her work frequently and with great success throughout her lifetime. She is most closely associated with the city of St. Louis, Missouri, but she also maintained a summer studio in Gloucester, Massachusetts, a location which provided her with great inspiration. Idyllic scenes of that city's harbor appear quite frequently in her work.

Lot: 3087 - KATHRYN E. CHERRY (AMERICAN, 1871-1931) ATTRIBUTED NEW ENGLAND HARBOR IMPRESSIONISTIC PAINTING

KATHRYN E. CHERRY (AMERICAN, 1871-1931) ATTRIBUTED NEW ENGLAND HARBOR IMPRESSIONISTIC PAINTING, impasto-styled oil on canvas (laid on board), depicting a few fishing boats near an old dock, with houses and buildings in the background; no markings or signatures located. Housed under glass in a period (but not original) molded giltwood frame. First quarter 20th century. 9 3/4" x 11 1/2" sight, 11 5/8" x 13 1/2" OA. Catalogue Note: Kathryn Evelyn Bard Cherry (born 1871 in Quincy, Illinois) was a noted Impressionist painter, educator, and ceramic artist, who exhibited her work frequently and with great success throughout her lifetime. She is most closely associated with the city of St. Louis, Missouri, but she also maintained a summer studio in Gloucester, Massachusetts, a location which provided her with great inspiration. Idyllic scenes of that city's harbor appear quite frequently in her work.

Lot: 3088 - KATHRYN E. CHERRY (AMERICAN, 1871-1931) ATTRIBUTED IMPRESSIONISTIC LANDSCAPE PAINTING WITH RAILROAD SCENE

KATHRYN E. CHERRY (AMERICAN, 1871-1931) ATTRIBUTED IMPRESSIONISTIC LANDSCAPE PAINTING WITH RAILROAD SCENE, oil on canvas (laid on board) with areas of impasto, depicting a bridge/overpass above a railroad track with a small railroad switch building at left, the whole scene crisscrossed by power lines, and with a couple buildings visible in the background atop the cliffs; no signature located but having an old pencil inscription to rear reading "Jessie B. Miller" (possibly a previous owner). Unframed. First quarter 20th century. 12" x 10" OA. Catalogue Note: Kathryn Evelyn Bard Cherry (born 1871 in Quincy, Illinois) was a noted Impressionist painter, educator, and ceramic artist, who exhibited her work frequently and with great success throughout her lifetime. She is most closely associated with the city of St. Louis, Missouri, but she also maintained a summer studio in Gloucester, Massachusetts. She painted numerous views of New England landscapes and towns, especially harbors. The present painting appears to be a study for a known Cherry work titled "Quarry, Rockport, MA".

Lot: 3089 - KATHRYN E. CHERRY (AMERICAN, 1871-1931) ATTRIBUTED IMPRESSIONISTIC LANDSCAPE PAINTINGS, LOT OF THREE

KATHRYN E. CHERRY (AMERICAN, 1871-1931) ATTRIBUTED IMPRESSIONISTIC LANDSCAPE PAINTINGS, LOT OF THREE, oil on canvas (laid on board) with areas of impasto, various depictions of a meandering road/path through a hilly landscape leading to a small town, with mountains in the background; each pencil-signed to rear "Kathryn Cherry" and the smaller two with additional inscription reading "Morris Pa". The larger is housed loosely in a later frame, the other two are unframed. First quarter 20th century. 13 1/8" x 11 1/8" largest OA. Catalogue Note: Kathryn Evelyn Bard Cherry (born 1871 in Quincy, Illinois) was a noted Impressionist painter, educator, and ceramic artist, who exhibited her work frequently and with great success throughout her lifetime. She is most closely associated with the city of St. Louis, Missouri, but she spent time in New England and throughout the Midwest, painting landscapes. still lifes, and a distinctive group of maritime / harbor scenes.

Lot: 3090 - JAMES FAIRMAN (BRITISH/AMERICAN, 1826-1904) NAUTICAL SCENE

JAMES FAIRMAN (BRITISH/AMERICAN, 1826-1904) NAUTICAL SCENE, oil on canvas, of impressive size, a dramatic depiction of a barque and a paddlewheeler in rough seas with the Cliffs of Dover and billowing clouds in the background, signed lower right. Housed in a modern frame. Circa 1855. 31 1/2" x 44 1/2" sight, 39" x 52" OA. Catalogue Note: Born in Glasgow, Scotland, James Fairman (1826-1904) immigrated at the age of six with his widowed mother to the U.S. He is known to have studied at the National Academy of Design in 1842 and to have exhibited in 1844 at the American Institute. Almost nothing is known of Fairman's life for the next twenty years until he resurfaces as a Union Colonel in the American Civil War, during which he was wounded. At the conclusion of the war, he set up a studio in New York City until 1871 when he left for Europe to study and paint. After a nine-year stint on the Continent, Fairman returned to New York where he established another studio. He also became a noted critic and lecturer in his later years and taught briefly at Olivet College in Michigan before returning once again to New York. Emblematic of an artist known for his luminist compositions, the present example clearly demonstrates the artist's interest in the atmospheric interplay of light and landscape.

Lot: 3091 - JAMES FAIRMAN (BRITISH/AMERICAN, 1826-1904) PASTORAL LANDSCAPE

JAMES FAIRMAN (BRITISH/AMERICAN, 1826-1904) PASTORAL LANDSCAPE, oil on canvas, of impressive size, a fine depiction of cattle at a river's edge with a figure reclining on a rock nearby, a stone arch bridge and mountainous terrain in the background, signed lower left. Housed in a modern frame. Third quarter 19th century. 31 1/2" x 44 1/2" sight, 39" x 52" OA. Catalogue Note: Born in Glasgow, Scotland, James Fairman (1826-1904) immigrated at the age of six with his widowed mother to the U.S. He is known to have studied at the National Academy of Design in 1842 and to have exhibited in 1844 at the American Institute. Almost nothing is known of Fairman's life for the next twenty years until he resurfaces as a Union Colonel in the American Civil War, during which he was wounded. At the conclusion of the war, he set up a studio in New York City until 1871 when he left for Europe to study and paint. After a nine-year stint on the Continent, Fairman returned to New York where he established another studio. He also became a noted critic and lecturer in his later years and taught briefly at Olivet College in Michigan before returning once again to New York. Emblematic of an artist known for his luminist compositions, the present example clearly demonstrates the artist's interest in the atmospheric interplay of light and landscape.

Lot: 3092 - JAMES FAIRMAN (BRITISH/AMERICAN, 1826-1904) PASTORAL LANDSCAPE

JAMES FAIRMAN (BRITISH/AMERICAN, 1826-1904) PASTORAL LANDSCAPE, oil on canvas, of impressive size, a fine depiction of cattle being driven along a river, a stone arch bridge in the background, signed lower left. Unframed. Third quarter 19th century. 32" x 45". Catalogue Note: Born in Glasgow, Scotland, James Fairman (1826-1904) immigrated at the age of six with his widowed mother to the U.S. He is known to have studied at the National Academy of Design in 1842 and to have exhibited in 1844 at the American Institute. Almost nothing is known of Fairman's life for the next twenty years until he resurfaces as a Union Colonel in the American Civil War, during which he was wounded. At the conclusion of the war, he set up a studio in New York City until 1871 when he left for Europe to study and paint. After a nine-year stint on the Continent, Fairman returned to New York where he established another studio. He also became a noted critic and lecturer in his later years and taught briefly at Olivet College in Michigan before returning once again to New York. Emblematic of an artist known for his luminist compositions, the present example clearly demonstrates the artist's interest in the atmospheric interplay of light and landscape.

Lot: 3093 - CONTINENTAL SCHOOL (17TH CENTURY) OLD MASTER BANQUET SCENE

CONTINENTAL SCHOOL (17TH CENTURY) OLD MASTER BANQUET SCENE, oil on panel, of impressive size, reportedly an elaborate depiction of the Feast of Belshazzar, described in the Old Testament, featuring hundreds of figures in a massive banquet hall set up for a luxurious feast, no signature located. Unframed. 17th century. 43" x 58 1/2".

Lot: 3094 - AFTER JAMES SEYMOUR (BRITISH, 1702-1752) EQUESTRIAN PAINTING OF A HORSE

AFTER JAMES SEYMOUR (BRITISH, 1702-1752) EQUESTRIAN PAINTING OF A HORSE, oil on canvas, depicting a horse and rider trotting through a Classical-style British landscape. Possibly a depiction of Flying Childers. Housed in a modern frame. 19th century. 24 1/4" x 29 1/4" sight, 30" x 34 3/4" OA.

Lot: 3095 - GEORGE MORLAND (BRITISH, 1762-1804), ATTRIBUTED, PASTORAL LANDSCAPE WITH SHEEP AND SHEPHERD

GEORGE MORLAND (BRITISH, 1762-1804), ATTRIBUTED, PASTORAL LANDSCAPE WITH SHEEP AND SHEPHERD, oil on canvas, featuring a seated figure whittling a branch with his dog and several sheep nearby in a wooded setting, no signature located. Housed in an old molded giltwood frame bearing artist's plaque. Late 18th/first quarter 19th century. 19 1/2" x 25" sight, 25 1/2" x 31" OA.

Lot: 3096 - BRITISH OR CONTINENTAL SCHOOL (18TH CENTURY) BARNYARD SCENE WITH SHEEP

BRITISH OR CONTINENTAL SCHOOL (18TH CENTURY) BARNYARD SCENE WITH SHEEP, oil on canvas, the animals on the floor of a timber-framed structure with vegetables and various domestic accessories, a country road and buildings in the distance, no signature located. Housed in a period gilt frame with molded-composition ornament. Second half 18th century. 24" x 34" sight, 35 1/2" x 44 3/4" OA.

Lot: 3097 - FRANS WILHELM ODELMARK (SWEDISH, 1849-1937) MONASTERY GENRE PAINTING

FRANS WILHELM ODELMARK (SWEDISH, 1849-1937) MONASTERY GENRE PAINTING, oil on canvas, depicting two monks in front of an arched opening into a chamber of casks, another monk looking down from the top of stairs, signed "F.W. Odelmark" lower left. Housed in likely original gilt and gesso frame. First quarter 20th century. 23 1/2" x 17 1/2" sight, 37" x 25" OA.

Lot: 3098 - BRITISH SCHOOL (19TH CENTURY) ARTIST AT WORK GENRE PAINTING

BRITISH SCHOOL (19TH CENTURY) ARTIST AT WORK GENRE PAINTING, oil on canvas, depicting an artist seated at his easel, brush and palette in hand, a young lady leaning on the back of his chair, flanked by statuary, an urn, and paintings on the wall, no signature located. Housed in a reproduction gilt-wood frame bearing a label for The Rowley Gallery Ltd, London. Mid 19th century. 13" x 17 3/4" sight, 18 1/2" x 23" OA.

Lot: 3099 - AFTER RAFFAELLO (RAPHAEL) SANZIO (ITALIAN, 1483-1520) PAINTING OF MADONNA DELLA SEGGIOLA

AFTER RAFFAELLO (RAPHAEL) SANZIO (ITALIAN, 1483-1520) PAINTING OF MADONNA DELLA SEGGIOLA, oil on canvas, depicting Mary holding the Christ child while the young John the Baptist watches in the background. Retains likely original stretcher. Unframed. 18th century, possibly earlier. 37 1/4" D.

Lot: 3100 - CONTINENTAL SCHOOL (19TH CENTURY) NAUTICAL SCENE

CONTINENTAL SCHOOL (19TH CENTURY) NAUTICAL SCENE, oil on canvas, of impressive size, a dramatic depiction of a sailing vessel in rough seas, no signature located. Housed in a period gilt frame with molded-composition ornament. Fourth quarter 19th century. 29" x 42 1/2" sight, 35 1/2" x 49" OA.

Lot: 3101 - PAIR OF ITALIAN SCHOOL (19TH CENTURY) GENRE SCENES WITH CHILDREN

PAIR OF ITALIAN SCHOOL (19TH CENTURY) GENRE SCENES WITH CHILDREN, oil on canvas, each a Classical-style depiction of semi-nude children in landscape settings, one blowing bubbles, the other examining books, each signed and dated "E. J. Pazzi / 1841" lower left. Dated 1841. 20 1/2" x 38" OA.

Lot: 3102 - THOMAS GEORGE COOPER (BRITISH, 1836-1901), ATTRIBUTED / SCHOOL OF, PASTORAL LANDSCAPE

THOMAS GEORGE COOPER (BRITISH, 1836-1901), ATTRIBUTED / SCHOOL OF, PASTORAL LANDSCAPE, oil on canvas, featuring a cow and sheep by a river with a country village in the distance, signed indistinctly lower left. Housed in a period gilt frame with molded-composition ornament, retaining artist's plaque. Third quarter 19th century. 17 1/2" x 23 1/2" sight, 27" x 33" OA.

Lot: 3103 - BRITISH SCHOOL (18TH CENTURY) SATIRICAL GENRE SCENE

BRITISH SCHOOL (18TH CENTURY) SATIRICAL GENRE SCENE, oil on canvas, depicting a near accident involving an overloaded coach and a speeding carriage along a busy country road, with surprised onlookers nearby, no signature located. Housed in a modern frame. Second half 18th century. 34 1/2" x 48 1/2" sight, 38 3/4" x 52 3/4" OA.

Lot: 3104 - HILDA ELIZABETH KIDMAN (BRITISH, 1891-1890) STILL-LIFE PAINTING

HILDA ELIZABETH KIDMAN (BRITISH, 1891-1890) STILL-LIFE PAINTING, oil on canvas, depicting a floral arrangement in a ceramic footed bowl, signed "HKidman" lower right. Housed in an earlier gold-painted molded frame. First quarter 20th century. 23 1/2" x 21 1/2" sight, 33" x 31 1/2" OA.

Lot: 3105 - CONTINENTAL SCHOOL (19TH CENTURY) STILL-LIFE

CONTINENTAL SCHOOL (19TH CENTURY) STILL-LIFE, oil on board, featuring flowers, including tulips, in a ceramic vase with mountain lake in the background, no signature located. Housed in a period walnut frame. Mid 19th century. 20 3/4" x 17 3/4" sight, 25 1/2" x 22 1/2" OA. 

Lot: 3106 - AMERICAN OR BRITISH SCHOOL (19TH CENTURY) STILL-LIFE

AMERICAN OR BRITISH SCHOOL (19TH CENTURY) STILL-LIFE, pastel on paper, featuring fruit, a bird's nest, and a snail on a rocky ledge, signed indistinctly "Elizabeth ???" lower right. Housed under glass in a period gilt frame. Mid 19th century. 17 1/2" x 20 1/2" sight, 24" x 28" OA.

Lot: 3107 - CONTINENTAL SCHOOL (19TH CENTURY) LANDSCAPE PAINTING

CONTINENTAL SCHOOL (19TH CENTURY) LANDSCAPE PAINTING, oil on canvas, depicting a rocky river traversing through a wooded landscape with a bridge over it, a building in the background, and figures in the front, one of which is dipping her mug into the river, the others seem to look at her. Housed in likely original gilt gesso frame with its likely original surface. Second half 19th century. 35 1/2" x 17 1/2" sight, 44" x 25 3/4" OA.

Lot: 3108 - AMERICAN OR EUROPEAN SCHOOL (19TH CENTURY) PASTORAL LANDSCAPE WITH PLOUGHMEN AND HORSES

AMERICAN OR EUROPEAN SCHOOL (19TH CENTURY) PASTORAL LANDSCAPE WITH PLOUGHMEN AND HORSES, signed "Hugo Smith" lower right. Housed in a period gilt frame. Fourth quarter 19th century. 34" x 24" OA.

Lot: 3109 - EUROPEAN SCHOOL (19TH CENTURY) FLORAL STILL LIFE PAINTING

EUROPEAN SCHOOL (19TH CENTURY) FLORAL STILL LIFE PAINTING, oil on canvas, featuring a still life composition of various spring flowers resting on a table. Housed in a contemporary molded frame. No signature located, but a label verso has indistinguishable script. 19th century. 11 1/2" x 13 1/4" sight, 14 3/4" x 16 1/2" OA.

Lot: 3110 - EUROPEAN SCHOOL (19TH CENTURY) PAINTING OF BIRDS

EUROPEAN SCHOOL (19TH CENTURY) PAINTING OF BIRDS, oil on sheet iron or sheet metal, featuring stylized floral motifs with birds on a red ground surrounded by a black border. Housed in a contemporary molded frame. Possibly Northern European or Scandinavian. 19th century. 13" x 17 1/2" sight, 17 1/2" x 22 1/4" OA.

Lot: 3111 - AMERICAN OR BRITISH SCHOOL (19TH CENTURY) PASTORAL LANDSCAPE

AMERICAN OR BRITISH SCHOOL (19TH CENTURY) PASTORAL LANDSCAPE, oil on canvas, featuring cattle wading in a river with a country village in the distance, no signature located. Housed in a period molded giltwood frame. Third quarter 19th century. 19" x 23" sight, 25" x 28 1/2" OA.

Lot: 3112 - BRITISH OR CONTINENTAL SCHOOL (19TH CENTURY) LANDSCAPE

BRITISH OR CONTINENTAL SCHOOL (19TH CENTURY) LANDSCAPE, oil on panel, featuring figures on a country lane running beside a small river, no signature located. Housed in a later frame. Mid 19th century. 9 1/4" x 11 1/4" sight, 15 1/2" x 19" OA.

Lot: 3113 - BRITISH OR CONTINENTAL SCHOOL (19TH CENTURY) LANDSCAPE

BRITISH OR CONTINENTAL SCHOOL (19TH CENTURY) LANDSCAPE, oil on canvas, featuring figures on a country lane running beside a small river, no signature located. Housed in a later frame. Mid 19th century. 7 1/2" x 15 1/2" sight, 12" x 20" OA.

Lot: 3114 - THOMAS STANTON BOWMAN (BRITISH-AUSTRALIAN, 1845-1909) PORTRAIT OF A COW IN LANDSCAPE

THOMAS STANTON BOWMAN (BRITISH-AUSTRALIAN, 1845-1909) PORTRAIT OF A COW IN LANDSCAPE, oil on canvas, depicting a shorthorn breed at the edge of a stream with ducks nearby, signed and dated "T. S. Bowman / 1883" lower left, canvas bearing London artist supply merchant stencil verso. Housed in a period frame. Dated 1883. 23" x 19" OA.

Lot: 3115 - BRITISH SCHOOL (19TH CENTURY) BARN SCENE WITH SHEEP AND FARMERS

BRITISH SCHOOL (19TH CENTURY) BARN SCENE WITH SHEEP AND FARMERS, oil on board, depicting two figures at a barn doorway with sheep inside, no signature located. Housed in a 19th-century gilt frame with molded-composition ornament. Third quarter 19th century. 11 1/2" x 13 1/2" sight, 19" x 20 1/2" OA. 

Lot: 3116 - BRITISH OR CONTINENTAL SCHOOL (19TH CENTURY) STILL-LIFE WITH FRUIT

BRITISH OR CONTINENTAL SCHOOL (19TH CENTURY) STILL-LIFE WITH FRUIT, oil on canvas, featuring grapes, cherries, and an apple against a dark background with Classical-style ruins in the distance visible through an open window, no signature located. Unframed. Mid 19th century. 17" x 15".

Lot: 3117 - BRITISH OR CONTINENTAL SCHOOL (19TH CENTURY) PASTORAL SCENE

BRITISH OR CONTINENTAL SCHOOL (19TH CENTURY) PASTORAL SCENE, oil on board, featuring reclining figure and cattle by a stream with cottages and mountains in the distance, no signature located. Housed in a 19th-century gilt frame. Mid 19th century. 17" x 23 1/2" sight, 21" x 27 1/4" OA.

Lot: 3118 - CONTINENTAL SCHOOL (19TH CENTURY) LANDSCAPE PAINTING

CONTINENTAL SCHOOL (19TH CENTURY) LANDSCAPE PAINTING, oil on canvas, depicting a rushing river with two figures standing atop a bridge spanning its width, in the background beyond them stands a castle, reduced to ruins with vines scaling its walls and cresting its turrets. Housed in a modern frame. 19th century. 23 3/4" x 28 3/4" sight, 28 1/2" x 34" OA.

Lot: 3119 - AMERICAN OR EUROPEAN SCHOOL (19TH CENTURY) LANDSCAPE PAINTING

AMERICAN OR EUROPEAN SCHOOL (19TH CENTURY) LANDSCAPE PAINTING, oil on canvas, a mountainous scene, featuring a fantastical, Classical-style edifice perched upon a verdant bluff, no signature located. Housed in a period, possibly original, gilt frame with molded-composition ornament. Fourth quarter 19th century. 19 1/2" X 23 1/2" sight, 26" x 29" OA.

Lot: 3120 - AMERICAN SCHOOL (19TH CENTURY) STILL-LIFE WITH BIBLE

AMERICAN SCHOOL (19TH CENTURY) STILL-LIFE WITH BIBLE, oil on canvas, probably after Emma Homan Thayer (1842-1908), the open page inscribed in part "the Court at KENSINGTON / 1696", flanked by a pair of spectacles, a needlework pocketbook, and a saucer-base candlestick, signed and dated "E. Howman Thayer / 1890" lower right. Housed in likely original gilt frame with molded-composition ornament, bearing artist's plaque with title "THE ANCIENT BIBLE". Dated 1890. 15 1/2" x 23 1/2" sight, 28" x 35 3/4" OA. Catalogue Note: Emma Homan Thayer (1842-1908) was born in New York City to George Wand and Emma Homan. Her father was a businessman who operated omnibuses, large horse-drawn carriages that were some of the earliest forms of urban public transportation in the country. Business must have been good, as George commissioned a full-length portrait of his two-year-old daughter in 1844 from itinerant artist, John Bradley, who was traveling near the family's home on Long Island. Currently in the collection of the Metropolitan Museum of Art (acc. no. 66.242.23), Bradley's likeness of young Emma Homan is an iconic example of 19th-century American folk portraiture. In 1857, the family moved to Omaha, Nebraska, and in 1860, an 18-year-old Emma married George A. Graves, who dies four years later. Widowed with two infant children, Emma went back to school at Rutgers Female College, as well as the National Academy of Design, and began to establish herself as a professional artist. In 1877, she married George A. Thayer, who was involved in the hotel business along the Denver and the Rio Grande railroad lines. After a short stay in Chicago, the couple moved to Colorado, and the artist began to shift her artistic focus to botanical painting, which culminated in an 1885 book on Colorado wildflowers.

Lot: 3121 - EUROPEAN OR AMERICAN SCHOOL (19TH CENTURY) ANIMALIER FARM SCENE PAINTING

EUROPEAN OR AMERICAN SCHOOL (19TH CENTURY) ANIMALIER FARM SCENE PAINTING, oil on panel, a slightly Impressionistic depiction of a lively barnyard with chickens, pigs, cows, horses, and a farmer standing beside the hay cart. Signed indistinctly possibly reading "J E Harris" lower left. Housed in a period, likely original, gilt gesso frame. Late 19th century. 5 1/2" x 10 3/4" sight, 11" x 16 1/4" OA.

Lot: 3122 - AMERICAN / BRITISH SCHOOL (19th / 20TH CENTURY) COW PAINTINGS, LOT OF TWO

AMERICAN / BRITISH SCHOOL (19th / 20TH CENTURY) COW PAINTINGS, LOT OF TWO, each watercolor on paper, one depicting cows grazing in front of a white barn, signed "Henning -96-" lower right, the other with two cows in a stream, a shepherd with his sheep in the background, signed "J. H. Moser 1910" lower right. Each matted and housed under glass, one in a period giltwood frame, the other in a modern gilded frame. Late 19th/first quarter 20th century. 2 5/8" x 3 1/2" sight, 9 7/8" x 11" OA; and 6 1/2" x 9 3/4" sight, 10 3/4" x 14" OA.

Lot: 3123 - HERMANN OTTO (GERMAN, 20TH CENTURY) LANDSCAPE PAINTING

HERMANN OTTO (GERMAN, 20TH CENTURY) LANDSCAPE PAINTING, oil on canvas, a summer depiction of a river meandering through woods and flowering meadows, signed "Hermann Otto" lower right. Housed in its original gilt-wood frame. First half 20th century. 27" x 37 1/2" sight, 33" x 43" OA.

Lot: 3124 - CONTINENTAL SCHOOL (19TH CENTURY) EQUESTRIAN / MILITARY PAINTING

CONTINENTAL SCHOOL (19TH CENTURY) EQUESTRIAN / MILITARY PAINTING, oil on panel, depicting a pair of riders on horseback engaged in some type of altercation, the one dressed in some type of military or police garb, the other dressed much more commonly. No signature located. An old auction label for an auction company in Torquay, England is attached verso. Housed in a period gilt gesso frame. 19th century. 8 1/2" x 6 1/2" sight, 13" x 11" OA.

Lot: 3125 - CONTINENTAL SCHOOL (19TH CENTURY) LANDSCAPE PAINTING

CONTINENTAL SCHOOL (19TH CENTURY) LANDSCAPE PAINTING, oil on canvas, depicting a mountainous scene with a lake in the foreground, various figures surround the water's edge, and boats sail in the distance. The entire composition is within an oval field outside of which is a somewhat indecipherable signature reading possibly "Gillmett Cabot." Likely housed in a frame which had an inner panel with oval cutout section, the work is now housed in a modern molded wooden frame. 19th century. 9 1/2" x 13 3/4" sight, 11 1/2" x 15 3/4" OA.

Lot: 3126 - AFTER PAUL DELAROCHE (FRENCH, 1797-1856) CROMWELL WITH THE COFFIN OF CHARLES I

AFTER PAUL DELAROCHE (FRENCH, 1797-1856) CROMWELL WITH THE COFFIN OF CHARLES I, oil on board, depicting the scene originally painted by Paul Delaroche of Cromwell visiting the body of Charles I. No signature located. Housed in a modern frame. Late 19th century. 6 3/8" x 8 1/2" sight, 8 3/4" x 11" OA.

Lot: 3127 - AMERICAN OR BRITISH SCHOOL (19TH CENTURY) NAUTICAL SCENE

AMERICAN OR BRITISH SCHOOL (19TH CENTURY) NAUTICAL SCENE, oil on canvas, featuring sailing vessels and a rocky coast, no signature located. Housed in a period molded giltwood frame. Fourth quarter 19th century. 16" x 27" sight, 23" x 34" OA.

Lot: 3128 - FRANCIS STAYMAN MEDAIRY (AMERICAN, 1856-1930) PASTORAL LANDSCAPE

FRANCIS STAYMAN MEDAIRY (AMERICAN, 1856-1930) PASTORAL LANDSCAPE, watercolor on paper, featuring cattle in a stream, signed lower left. Housed under glass with 19th-century frame and modern mat. Fourth quarter 19th/first quarter 20th century. 7" x 10" sight, 14 1/2" x 17 1/2" OA.

Lot: 3129 - AMERICAN OR BRITISH SCHOOL (19TH CENTURY) PASTORAL LANDSCAPE

AMERICAN OR BRITISH SCHOOL (19TH CENTURY) PASTORAL LANDSCAPE, oil on canvas, featuring cattle watering in a stream bordered by a split-rail fence, no signature located. Housed in an old gilt frame. Fourth quarter 19th century. 13 1/2" x 19 1/2" sight, 17 3/4" x 23 3/4" OA.

Lot: 3130 - CHARLES LESLIE (ENGLISH, 1835-1890) LANDSCAPE PAINTING

CHARLES LESLIE (ENGLISH, 1835-1890) LANDSCAPE PAINTING, oil on canvas, depicting a wide river in the countryside with figures on the far bank. Signed lower left "Chas. Leslie 1882." A darkened and slightly deteriorated note verso appears to title the painting "After [illegible] on th[e] Clugy / N[o] Wales / By Chas. Leslie - Lond[on]." Housed in a 20th century carved wooden frame. Dated 1882. 9 3/4" x 17 1/4" sight, 15" x 22 1/2" OA.

Lot: 3131 - BRITISH OR CONTINENTAL SCHOOL (19TH CENTURY) NAUTICAL SCENE

BRITISH OR CONTINENTAL SCHOOL (19TH CENTURY) NAUTICAL SCENE, pastel / charcoal on paper, featuring a fishing vessel in heavy surf, no signature located. Housed under glass in a period gilt frame with molded-composition ornament. Fourth quarter 19th century. 11" x 15 1/4" sight, 16 1/2" x 20 1/2" OA.

Lot: 3132 - AMERICAN OR EUROPEAN SCHOOL (19TH CENTURY) PASTORAL LANDSCAPE

AMERICAN OR EUROPEAN SCHOOL (19TH CENTURY) PASTORAL LANDSCAPE, oil on canvas, featuring sheep and cattle by the river's edge, no signature located. Unframed. Second half 19th century. 18" x 24".

Lot: 3133 - BRITISH SCHOOL (19TH CENTURY) MARSH LANDSCAPE

BRITISH SCHOOL (19TH CENTURY) MARSH LANDSCAPE, oil on canvas, featuring shorebirds, reeds, and cattails, no signature located. Housed in a modern frame. Second half 19th century. 26 1/2" x 10 1/2" sight, 32 1/2" x 16 1/2" OA.

Lot: 3134 - WILLIAM LIVINGSTON ANDERSON (BRITISH, 1856-1893) LANDSCAPE PAINTING

WILLIAM LIVINGSTON ANDERSON (BRITISH, 1856-1893) LANDSCAPE PAINTING, watercolor, depicting a pond or a wide river set in the midst of a bucolic landscape with trees and wildflowers surrounding the water, two ducks fly just above the water's surface. Signed lower right "W. Livingston Anderson - / Thomas. Eng." Housed under glass in a modern molded frame. Second half 19th century. 13 1/2" x 22" sight, 22" x 30" OA.

Lot: 3135 - AMERICAN OR BRITISH SCHOOL (19TH/20TH CENTURY) EQUESTRIAN PAINTING

AMERICAN OR BRITISH SCHOOL (19TH/20TH CENTURY) EQUESTRIAN PAINTING, oil on board, depicting a horse with cart and rider in a race, housed in a period walnut frame with gilt liner. Together with a print of a dog entitled "Billy" housed under glass in a similar frame. Two pieces total. Late 19th/early 20th century. 7 1/2" x 9 1/2" sight, 11 3/4" x 13 3/4" OA.

Lot: 3136 - JOHN C. FRISCH (DUTCH, 19TH / 20TH CENTURY) LANDSCAPE PAINTING

JOHN C. FRISCH (DUTCH, 19TH / 20TH CENTURY) LANDSCAPE PAINTING, oil on canvas, depicting an inland waterway with figures in a sailboat approaching a windmill and cottage, signed "J.C. Frisch" lower left. Housed in likely original frame. First quarter 20th century. 9 3/4" x 13 1/2" sight, 11 1/2" x 15 1/2" OA.

Lot: 3137 - G. SCOTTI (ITALIAN, 19TH / 20TH CENTURY) ORIENTALIST PAINTING

G. SCOTTI (ITALIAN, 19TH / 20TH CENTURY) ORIENTALIST PAINTING, oil on canvas, depicting two figures strolling a North African open-air market in a narrow alleyway flanked by buildings, signed "G. Scotti" lower right. Housed in its likely original frame. First quarter 20th century. 13 1/2" x 9 3/4" sight, 16 3/4" x 11 3/4" OA.

Lot: 3138 - WILLIAM HARDIE HAY (SCOTTISH, 1859-1933), ATTRIBUTED, LANDSCAPE PAINTING

WILLIAM HARDIE HAY (SCOTTISH, 1859-1933), ATTRIBUTED, LANDSCAPE PAINTING, oil on canvas, depicting a woodland path running alongside a body of water with two figures walking. No signature located. Housed in a period, likely original, frame with a refreshed surface. Late 19th/early 20th century. 11 1/4" x 17 1/4" sight, 14 1/2" x 20 1/2" OA.

Lot: 3139 - AMERICAN OR CONTINENTAL SCHOOL (19TH CENTURY) LANDSCAPE PAINTING

AMERICAN OR CONTINENTAL SCHOOL (19TH CENTURY) LANDSCAPE PAINTING, oil on canvas, depicting two figures fishing at the edge of a body of water with a mountainous landscape in the background. Housed in a period molded wooden frame with gilt inner edge. Second half 19th century. 13 1/2" x 23 1/2" sight, 19" x 29 1/4" OA.

Lot: 3140 - WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) "CANYON DE CHELLY" LANDSCAPE PAINTING

WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) "CANYON DE CHELLY" LANDSCAPE PAINTING, oil on canvas, depicting several figures standing with their sheep in front of a lake with a large mountain beyond. Entitled Canyon De Chelly verso under backing board. Housed in a modern, likely original, frame. Fourth quarter 20th/first quarter 21st century. 19 1/2" x 33 1/2" sight, 29 1/4" x 43 1/4" OA. Catalogue Note: Since beginning his art career in 1973, William Scott Jennings is an artist who has lived and worked in several states across the Southwest and Western United States. He is most famous for his finely-executed scenes of well-known mountain ranges and vistas.

Lot: 3141 - WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) "TAOS SUMMER" LANDSCAPE PAINTING

WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) "TAOS SUMMER" LANDSCAPE PAINTING, oil on canvas, depicting a Pueblo-style building set into a mountainous New Mexico landscape. Entitled Taos Summer. Housed in a modern, likely original, frame. Dated 1982. 23 1/2" x 29 1/2" sight, 35 1/2" x 41 1/4" OA. Catalogue Note: Since beginning his art career in 1973, William Scott Jennings is an artist who has lived and worked in several states across the Southwest and Western United States. He is most famous for his finely-executed scenes of well-known mountain ranges and vistas.

Lot: 3142 - WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) LANDSCAPE PAINTINGS, LOT OF TWO

WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) LANDSCAPE PAINTINGS, LOT OF TWO, oil on various forms of artist's board, each depicting a natural scene in the Southwestern United States. Each is housed in a modern frame. First quarter 21st century. Sunset scene 10 1/4" x 18 1/2" sight, 15 1/4" x 23 3/4" OA. Catalogue Note: Since beginning his art career in 1973, William Scott Jennings is an artist who has lived and worked in several states across the Southwest and Western United States. He is most famous for his finely-executed scenes of well-known mountain ranges and vistas.

Lot: 3143 - WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) LANDSCAPE PAINTINGS, LOT OF FOUR

WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) LANDSCAPE PAINTINGS, LOT OF FOUR, oil on various forms of artist's board, each depicting a natural scene in the Southwestern United States including Monument Valley and Yosemite Valley. Unframed. First quarter 21st century. Largest 12" x 10" OA. Catalogue Note: Since beginning his art career in 1973, William Scott Jennings is an artist who has lived and worked in several states across the Southwest and Western United States. He is most famous for his finely-executed scenes of well-known mountain ranges and vistas.

Lot: 3144 - WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) LANDSCAPE PAINTINGS, LOT OF THREE

WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) LANDSCAPE PAINTINGS, LOT OF THREE, oil on various forms of artist's board, each depicting a natural scene in the Southwestern United States including one work entitled Sunset of Tucson. Each is housed in a modern frame. First quarter 21st century; one dated 2001. Largest 11 1/4" x 8 1/2" sight, 16" x 13" OA. Catalogue Note: Since beginning his art career in 1973, William Scott Jennings is an artist who has lived and worked in several states across the Southwest and Western United States. He is most famous for his finely-executed scenes of well-known mountain ranges and vistas.

Lot: 3145 - WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) LANDSCAPE PAINTINGS, LOT OF TWO

WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) LANDSCAPE PAINTINGS, LOT OF TWO, oil on various forms of artist's board, each depicting a natural scene in the Southwestern United States. Each is housed in a modern frame. First quarter 21st century. Largest 13" x 10" sight, 18 3/4" x 15 3/4" OA. Catalogue Note: Since beginning his art career in 1973, William Scott Jennings is an artist who has lived and worked in several states across the Southwest and Western United States. He is most famous for his finely-executed scenes of well-known mountain ranges and vistas.

Lot: 3146 - WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) LANDSCAPE PAINTINGS, LOT OF TWO

WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) LANDSCAPE PAINTINGS, LOT OF TWO, oil on various forms of artist's board, each depicting a natural scene in the Southwestern United States. Each is housed in a modern frame. First quarter 21st century. Largest 8 3/4" x 11 1/2" sight, 12" x 15" OA. Catalogue Note: Since beginning his art career in 1973, William Scott Jennings is an artist who has lived and worked in several states across the Southwest and Western United States. He is most famous for his finely-executed scenes of well-known mountain ranges and vistas.

Lot: 3147 - WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) LANDSCAPE PAINTINGS, LOT OF TWO

WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) LANDSCAPE PAINTINGS, LOT OF TWO, oil on various forms of artist's board, each depicting a natural scene in the Southwestern United States. Each is housed in a modern frame. First quarter 21st century. Oceanic scene 10 1/2" x 13 1/2" sight, 15" x 18" OA. Catalogue Note: Since beginning his art career in 1973, William Scott Jennings is an artist who has lived and worked in several states across the Southwest and Western United States. He is most famous for his finely-executed scenes of well-known mountain ranges and vistas.

Lot: 3148 - WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) LANDSCAPE PAINTINGS, LOT OF TWO

WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) LANDSCAPE PAINTINGS, LOT OF TWO, oil on various forms of artist's board, each depicting a natural scene in the Southwestern United States including one work entitled Canyon de Chelley. Both are housed in modern matching frames. First quarter 21st century. Largest 10 1/2" x 13 1/2" sight, 14 1/2" x 17 1/2" OA. Catalogue Note: Since beginning his art career in 1973, William Scott Jennings is an artist who has lived and worked in several states across the Southwest and Western United States. He is most famous for his finely-executed scenes of well-known mountain ranges and vistas.

Lot: 3149 - WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) LANDSCAPE PAINTINGS, LOT OF TWO

WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) LANDSCAPE PAINTINGS, LOT OF TWO, oil on various forms of artist's board, each depicting a natural scene in the Southwestern United States. Both are housed in modern matching frames. First quarter 21st century. Each 10 1/2" x 13 1/2" sight, 14" x 17" OA. Catalogue Note: Since beginning his art career in 1973, William Scott Jennings is an artist who has lived and worked in several states across the Southwest and Western United States. He is most famous for his finely-executed scenes of well-known mountain ranges and vistas.

Lot: 3150 - WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) LANDSCAPE PAINTINGS, LOT OF TWO

WILLIAM SCOTT JENNINGS (AMERICAN, B. 1952) LANDSCAPE PAINTINGS, LOT OF TWO, oil on various forms of artist's board, each depicting a natural scene in the Southwestern United States. Both are housed in modern matching frames. First quarter 21st century. Each 7 1/2" x 9 1/2" sight, 13 3/4" x 15 3/4" OA. Catalogue Note: Since beginning his art career in 1973, William Scott Jennings is an artist who has lived and worked in several states across the Southwest and Western United States. He is most famous for his finely-executed scenes of well-known mountain ranges and vistas.

Lot: 3151 - CHARLES H. PABST (AMERICAN, B. 1950) "IN THE OPEN" LANDSCAPE PAINTING

CHARLES H. PABST (AMERICAN, B. 1950) "IN THE OPEN" LANDSCAPE PAINTING, oil on canvas, depicting three Native American figures on horseback riding through a meadow with very tall mountains in the background. Framed in a likely original rustic wooden frame which bears a plaque reading "IN THE OPEN / Charles H. Pabst." Fourth quarter 20th century/early 21st century. 29 1/2" x 39 1/4" sight, 40 1/4" x 50" OA.

Lot: 3152 - CHARLES FRITZ (AMERICAN, B. 1955) "WHERE THE HIGH DESERT BREAKS" LANDSCAPE PAINTING

CHARLES FRITZ (AMERICAN, B. 1955) "WHERE THE HIGH DESERT BREAKS" LANDSCAPE PAINTING, oil on artist's board, featuring a desert landscape from a high vantage point overlooking shapely mountains. Signed lower left "C. Fritz." Housed in its likely original gilt frame with plaque centered at the base. Dated 1995. 9 1/4" x 14 1/4" sight, 14 1/4" x 19 1/2" OA.

Lot: 3153 - CHARLES FRITZ (AMERICAN, B. 1955) "IN THE TWIN LAKE CIRQUE" LANDSCAPE PAINTING

CHARLES FRITZ (AMERICAN, B. 1955) "IN THE TWIN LAKE CIRQUE" LANDSCAPE PAINTING, oil on artist's board, featuring a mountain lake in the foreground and high mountains topped with snow in the background. Signed lower left "C. Fritz." Housed in its likely original gilt frame with plaque centered at the base. Late 20th/early 21st century. 11 1/2" x 17 1/2" sight, 16 1/2" x 22 1/2" OA.

Lot: 3154 - DAVID STIRLING (AMERICAN, 1887-1971) LANDSCAPE PAINTING

DAVID STIRLING (AMERICAN, 1887-1971) LANDSCAPE PAINTING, oil on board, a luminous depiction of a sun setting behind the mountain with scattered trees in the foreground. Signed "STIRLING" lower right. Housed in its likely original molded wood frame. Mid 20th century. 19 1/4" x 14 3/4" sight, 24" x 19 1/2" OA.

Lot: 3155 - DAVID STIRLING (AMERICAN, 1887-1971) LANDSCAPE PAINTING

DAVID STIRLING (AMERICAN, 1887-1971) LANDSCAPE PAINTING, oil on board, a luminous depiction of a foggy mountainous landscape. Signed "Stirling" lower right. Housed in its likely original gilt molded wood frame. Mid 20th century. 17 1/2" x 23 1/2" sight, 24 1/2" x 30 1/2" OA.

Lot: 3156 - TOM NICHOLAS (AMERICAN, B.1934) FOREST LANDSCAPE

TOM NICHOLAS (AMERICAN, B.1934) FOREST LANDSCAPE, watercolor on paper, depicting a small waterfall, signed lower right, old label applied verso inscribed "Woodland Cascade / Received first prize / North Shore Arts / Association / Gloucester, Mass. / 1962". Housed in a modern frame. Dated 1962. 25 1/2" x 20 1/2" sight, 35 1/2" x 30" OA.

Lot: 3157 - DAVID S. TANNER (RICHMOND, VIRGINIA, ACTIVE 21ST CENTURY) PLEIN AIR LANDSCAPE PAINTING

DAVID S. TANNER (RICHMOND, VIRGINIA, ACTIVE 21ST CENTURY) PLEIN AIR LANDSCAPE PAINTING, oil / acrylic on canvas, a beautiful view of a field with blue sky and cumulus clouds, signed and dated lower right. Housed in likely original frame. Dated 2007. 19 1/2" x 23 1/2" sight, 30" x 34" OA.

Lot: 3158 - WILLIAM HAROLD "BILL" BARBER (AMERICAN, B. 1940) WESTERN LANDSCAPE WITH COWBOY AND HORSES

WILLIAM HAROLD "BILL" BARBER (AMERICAN, B. 1940) WESTERN LANDSCAPE WITH COWBOY AND HORSES, oil on board, a rainy scene with rider pulling a pack horse at twilight, signed lower left, titled "Desert Treasure". Housed in likely original frame. Circa 1980. 11 3/4" x 15 3/4" sight, 22 1/2" x 26 1/2" OA.

Lot: 3159 - GERALD LEAKE (ENGLISH-AMERICAN, 1885-1975) WHARF SCENE WITH BOATS AND FIGURES

GERALD LEAKE (ENGLISH-AMERICAN, 1885-1975) WHARF SCENE WITH BOATS AND FIGURES, watercolor on paper, possibly a Jamaican view, signed lower right. Housed in a modern frame. Mid 20th century. 10 1/4" x 14 3/4" sight, 18 3/4" x 22 3/4" OA.

Lot: 3160 - C. W. KNAPP (AMERICAN, 20TH CENTURY) LANDSCAPE PAINTING

C. W. KNAPP (AMERICAN, 20TH CENTURY) LANDSCAPE PAINTING, oil on artist's board, featuring a western landscape with a stream running through desert in the foreground and high mountains in the background. Signed "C. W. Knapp" lower right. Housed in a likely original frame. Late 20th/early 21st century. 15" x 25" sight, 21" x 31" OA.

Lot: 3161 - DON BROWN (AMERICAN) LANDSCAPE PAINTING FEATURING BLUEBONNETS

DON BROWN (AMERICAN) LANDSCAPE PAINTING FEATURING BLUEBONNETS, oil on canvas, depicting a farmhouse set into a field of bluebonnets with a large oak tree in the foreground. Housed in its likely original modern frame. Late 20th/first quarter 21st century. 17 1/2" x 23 1/2" sight, 23 1/2" x 29 1/2" OA.

Lot: 3162 - AMERICAN SCHOOL (20TH CENTURY) SIAMESE CAT PAINTING ON VELVET

AMERICAN SCHOOL (20TH CENTURY) SIAMESE CAT PAINTING ON VELVET, oil on velvet, the blue-eyed cat is surrounded by stylized lilac blossoms all set onto a dark velvet ground. Housed under glass in its likely original octagonal frame. Mid 20th century. 11 1/2" SQ.

Lot: 3163 - WAYNE FULCHER (NORTH CAROLINA / VIRGINIA, 1939-2016) CAT PORTRAITS, PAIR

WAYNE FULCHER (NORTH CAROLINA / VIRGINIA, 1939-2016) CAT PORTRAITS, PAIR, gouache on paper, depicting two facing seated Siamese cats with blue eyes on a black background, signed "Wayne Fulcher" lower right and left. Housed under glass in original black-painted frames. Fourth quarter 20th century. 17 1/2" x 11 1/2" sight, 25 1/4" x 19 1/4" OA.

Lot: 3164 - AMERICAN SCHOOL (20TH CENTURY) IMPRESSIONISTIC STILL-LIFE PAINTING

AMERICAN SCHOOL (20TH CENTURY) IMPRESSIONISTIC STILL-LIFE PAINTING, oil on canvas, a thickly painted depiction of sunflowers and other flowers in a glass vase, illegible signature and "35" top right corner. Housed in an earlier ornate gilt and gesso frame having a grey wash over the gilding. Painting circa 1935, frame mid 19th century. 19 3/4" x 14" sight, 29" x 24 1/2" OA.

Lot: 3165 - AMERICAN SCHOOL (20TH CENTURY) HARBOR SCENE

AMERICAN SCHOOL (20TH CENTURY) HARBOR SCENE, oil on canvas, after George Bellows (American, 1882-1925), a twilight scene executed in the Tonalist style of ships in a harbor, signed "Geo. Bellows" lower left. Early 20th century. Unframed. 14" x 18".

Lot: 3166 - FRENCH SCHOOL (20TH CENTURY) SURREALIST PAINTING

FRENCH SCHOOL (20TH CENTURY) SURREALIST PAINTING, pastel on paper laid on canvas, an apocalyptic scene featuring a severed head and a pirate figure amidst swirling faces, birds, and other objects, no signature located, French art supply merchant stenciled mark to canvas verso. Housed under glass in an old frame. 20th century. 52" x 44".

Lot: 3167 - AMERICAN SCHOOL (20TH CENTURY) ILLUSTRATION SCENE

AMERICAN SCHOOL (20TH CENTURY) ILLUSTRATION SCENE, oil on canvas, en grisaille, featuring two men in a field ploughing with horse-drawn teams, a dog nearby, no signature located, period editorial pencil inscriptions verso. Unframed. First half 20th century. 32" x 40".

Lot: 3168 - PAIR OF CONTINENTAL LANDSCAPE PAINTINGS

PAIR OF CONTINENTAL LANDSCAPE PAINTINGS, oil on unstretched canvas, each depicting a bucolic stylized landscape set into an unconventional shape. One appears to read "Clair" written in pencil script near the center of the composition. Possibly for use in a trumeau mirror or similar object, possibly for use as tapestry patterns. Second half 19th century/early 20th century. 30" x 26" OA.

Lot: 3169 - PAIR OF R. C. SNELL LANDSCAPE PAINTINGS

PAIR OF R. C. SNELL LANDSCAPE PAINTINGS, oil on canvas, comprising two similar landscape scenes each featuring a body of water surrounded by trees and farmland. Housed in modern gilt frames. American or British. Late 19th/early 20th century. 14 1/2" x 19 1/2" sight, 19 1/2" x 24 1/2" OA.

Lot: 3170 - MELVIN ORVILLE MILLER, JR (MARYLAND, 1937-2007) BALTIMORE BACKSTREET PAINTING

MELVIN ORVILLE MILLER, JR (MARYLAND, 1937-2007) BALTIMORE BACKSTREET PAINTING, oil on canvas, depicting the rear of African-American homes with laundry on the lines and several figures. Signed "Melvin Miller 1964" lower right. Housed in its original distressed frame. Dated 1964. 13 1/2" x 10 1/2" sight, 19 3/4" x 17" OA.

Lot: 3171 - ALBERT INSLEY (AMERICAN, 1842-1937) ATTRIBUTED LANDSCAPE / STUDY PAINTINGS, LOT OF THREE

ALBERT INSLEY (AMERICAN, 1842-1937) ATTRIBUTED LANDSCAPE / STUDY PAINTINGS, LOT OF THREE, oil on paper or canvas, three unrelated depictions each prominently featuring trees, comprising a stark twilight view of three small scraggly trees and dense low foliage (seemingly a marsh, probably New Jersey's Meadowlands); an Impressionistic view of a field's edge in its autumnal garb; and a sunny view of lush green treetops looking skyward. The marsh landscape signed "A B I" in red to lower right; the treetop view pencil-signed and dated at rear "A. B. I. July, 1861" and illegibly titled(?) possibly "Bergen"; the fall-foliage painting with no markings or signatures located. Each housed in modern molded giltwood frames. Mid to late 19th century. Treetop view: 8 1/2" x 7 1/4" sight, 12" x 10 3/4" frame OA. Catalogue Note: Originally from Orange, NJ, Albert Babb Insley was a prolific and long-lived artist, beloved in his time, and well-known for his landscapes and scenic views of the New York and New Jersey area. His "snapshots of nature" can be easily understood in the context of that location; he is considered to be a part of the "last generation" of Hudson River Valley School painters. He exhibited often in New York City and across the East Coast, and received numerous awards.

Lot: 3172 - MARCO KLEE FALLANI (AMERICAN, B. 1965) STILL-LIFE PAINTING

MARCO KLEE FALLANI (AMERICAN, B. 1965) STILL-LIFE PAINTING, oil on canvas, titled "Red Ball" to verso, signed lower right and to verso, also dated 2009 to verso. Unframed. 2009. 23 3/4" x 23 1/2". Catalogue Note: Marco Klee Fallani was born to Italian and American parents in New York City. He was educated in the United States and Italy, including at the Accademia di Belle Arti in Florence. In 1990, he was awarded a scholarship to study for a Master of Fine Arts at California College of Arts, which he completed in 1993. Fallani has also worked as a set designer, including for Luca Ronconi's production of Lo Specchio. He collaborated in making the bronze monument to Joe Louis for the city of Detroit, and he prepared the molds and plaster casts of the Guglielmo pulpit for the Museo dell' Opera del Duomo of Pisa. Fallani currently resides in Florence, Italy. He has taught art since 1987 in various schools in Florence and the United States, including as Department chair at Syracuse University in Florence, where he continues to teach. His paintings and sculptures reside in private and institutional collections and have been exhibited in Italy, the U.S., the Netherlands, Canada, the U.K., and Russia.

Lot: 3173 - JAN VAN CHELMINSKI (POLISH, 1851-1925) ILLUSTRATED MILITARY FOLIO VOLUME

JAN VAN CHELMINSKI (POLISH, 1851-1925) ILLUSTRATED MILITARY FOLIO VOLUME, Commandant A. Malibran, L' Armee du Duxhe de Varsovie, Paris: J. LeRoy et cie, 1913, limited edition #103/1000, complete with 48 full-page color plates having original tissue guards. Original leather and marbled-paper binding. 15 1/2" x 12". 

Lot: 3174 - SHAKESPEARE WOOD (ITALIAN, 1827-1886) CARVED MARBLE BUST OF A LADY

SHAKESPEARE WOOD (ITALIAN, 1827-1886) CARVED MARBLE BUST OF A LADY, a depiction of a lady with strong features, her hair is pulled back and braided in a bun with a single braid across the front, she wears a draped shawl-type dress with her shoulders exposed, the entire bust sits atop an integral plinth. Signed verso "SHAKSPERE WOOD / ROMAE / 1856." Dated 1856. 29" HOA, 18" WOA, 11" DOA.

Lot: 3175 - VICTOR SILVESTRE (FRENCH, 1884-1976) "JEUNE FEMME AU CABRI" SILVERED BRONZE SCULPTURE

VICTOR SILVESTRE (FRENCH, 1884-1976) "JEUNE FEMME AU CABRI" SILVERED BRONZE SCULPTURE, whimsical depiction of girl and goat from the Art Deco period, signed "Silvestre" in script to base, marked for Susse Freres Foundry, Paris, and "Syndicats des Fabrts. des Bronzes". Retains original silvered surface and black marble base. Circa 1925. 6 1/2" HOA, 16 3/4" LOA, 4 1/4" DOA.

Lot: 3176 - CONTINENTAL BRONZE BUST OF A MAN

CONTINENTAL BRONZE BUST OF A MAN, of hollow form, the distinguished older man with a long beard wears a coat with a partial collar showing. Signed and dated verso "Rippel / fecit 1888." Retains original patinated surface. Dated 1888. 20" HOA, 18" WOA, 11" DOA.

Lot: 3177 - ALPHONSE HENRI NELSON (FRENCH, 1854-1919) ART NOUVEAU BRONZE BUST OF A WOMAN

ALPHONSE HENRI NELSON (FRENCH, 1854-1919) ART NOUVEAU BRONZE BUST OF A WOMAN, depicting a woman wearing a low cut dress with her head turned to her side. Signed on plinth "A Nelson" with Goldscheider foundry mark verso. First quarter 20th century. 20 1/4" HOA, 15" WOA.

Lot: 3178 - CONTINENTAL PATINATED BRONZE BUST OF FREDERICK THE GREAT

CONTINENTAL PATINATED BRONZE BUST OF FREDERICK THE GREAT, cast-bronze with polychrome patinated finish, depicting Frederick the Great, King of Prussia dressed in his full military regalia. Below the bust an integral bronze pedestal mounts to a round marble base with a shaped edge. The base of the bronze pedestal is signed "Fratin", possibly for Christophe Fratin (French, 1801-1864). Late 19th/early 20th century. 15" HOA, 9" D.

Lot: 3179 - HENRI GODET (FRENCH, 1863-1937) BRONZE STATUE OF A FARM LADY

HENRI GODET (FRENCH, 1863-1937) BRONZE STATUE OF A FARM LADY, the tall slender figure stands barefoot on a natural-style base with her rake and freshly-cut wheat at her feet, she wears traditional provincial French clothing. Signed at the front of the base "Glaneuse / par H. Godet / Salon des Beaux-Arts." Late 19th/early 20th century. 23" HOA, 8 1/2" WOA.

Lot: 3180 - AFTER LUIGI PAMPALONI (ITALIAN, 1791-1847) "PRAYING BOY" ALABASTER / MARBLE STATUE

AFTER LUIGI PAMPALONI (ITALIAN, 1791-1847) "PRAYING BOY" ALABASTER / MARBLE STATUE, the child kneeling on a cushion, resting on a green marble base scratched "A. A. Ncoss / Leghorn 1840" to the rear edge. Mid 19th century. 8 1/2" H, 4" SQ base.

Lot: 3181 - CONTINENTAL CARVED AND PAINTED SANTOS FIGURE

CONTINENTAL CARVED AND PAINTED SANTOS FIGURE, depicting Saint Anthony of Padua in fancy robes, with inset glass eyes, holding the infant Jesus, applied to a semi-circular base; the whole carving retaining an old (but not original) polychrome-painted surface with gilt highlights throughout. Probably 19th century. 13 3/4" H.

Lot: 3182 - BRONZE BUST OF MARIE ANTOINETTE

BRONZE BUST OF MARIE ANTOINETTE, of hollow form, featuring Marie Antoinette with a bow in her hair and wearing a dress with a gathered collar at the top. Marked "C. Coldier" verso. Fourth quarter 20th century. 17" HOA.

Lot: 3183 - CONTINENTAL BUST OF GERMAN EMPEROR KAISER WILHELM II

CONTINENTAL BUST OF GERMAN EMPEROR KAISER WILHELM II, of cast-spelter with a possibly original patinated surface, the bust depicting Kaiser Wilhelm in his full military regalia with a helmet and eagle is mounted to a marble plinth with the "W" seal on it. First quarter 20th century. 10 1/4" HOA, 5" WOA, 3 5/8" DOA.

Lot: 3184 - PAIR OF NEOCLASSICAL GILT-BRASS AND MARBLE GARNITURES / COVERED URNS

PAIR OF NEOCLASSICAL GILT-BRASS AND MARBLE GARNITURES / COVERED URNS, gilt brass and rose marble components, each with round tripod bases supporting a trio of hoofed saber-form legs with goats/ram's head masks at top with draped floral garlands between; this structure supports an egg-form hollow marble vessel mounted with a brass insert with reticulated/punched border embellishment, retaining flat hemispherical marble covers having attached brass finials. Continental, probably French. 19th century. 13 3/4" HOA.

Lot: 3185 - PAIR OF EUROPEAN CUT OVERLAY MANTLE LUSTERS WITH HURRICANE SHADES

PAIR OF EUROPEAN CUT OVERLAY MANTLE LUSTERS WITH HURRICANE SHADES, cranberry to colorless, constructed of several sections comprising a square stepped marble base with four applied metal feet and a gilt-brass wreath-embossed plaque to one side, bolted to a solid colorless glass punty-cut stem supporting a cut bobeche hung with cranberry prisms, and thread-mounted metal candle cups fitted with matching cranberry shades cut with punties, stars, and swags. Probably French. Second half 19th century. 24 1/2" HOA.

Lot: 3186 - UNIQUE 1915 MANILA, PHILIPPINES CARNIVAL ORIGINAL ILLUSTRATION

UNIQUE 1915 MANILA, PHILIPPINES CARNIVAL ORIGINAL ILLUSTRATION, watercolor on paper, depicting the Red Devil overseeing carnival revelers, a jester figure in one corner holding a bottle of champagne, signed "Fuster / 1914" lower right. Housed in a modern frame. 1915. 21 3/4" x 23 3/4" sight, 31" x 33" OA. Catalogue Note: The present watercolor was created to promote the Manila Carnival held January 30th through February 7th, 1915. The Carnival was held annually from 1908 to 1939 and was considered the "Greatest Annual Event in the Orient" during the period. We could locate no other examples of this particular 1915 poster, but it is clearly related to Lot 3187 in the present sale, a 1909 Manila Carnival poster featuring a distinctive Red Devil by the artist Fuster, formerly in the renowned magic poster collection of Mr. Alan J. Kanter. The only other known example of this 1909 example was sold at Jeffrey S. Evans & Associates on 10/21/2023, lot 2174. Research on this artist is ongoing.

Lot: 3187 - VERY RARE 1909 MANILA, PHILIPPINES CARNIVAL POSTER

VERY RARE 1909 MANILA, PHILIPPINES CARNIVAL POSTER, lithograph on paper, full-sheet, depicting the Red Devil sprinkling "joy dust" on carnival revelers, signed "Fuster / 1908" in the plate. Printed by R. Montes, Manila, PI. 1909. 46 1/4" x 29" object. Catalogue Note: The present poster was created for the inaugural Manila Carnival in 1909, and the image was subsequently used as the cover for the 1910 Manila Carnival program cover. The only other known example of this 1909 full-size poster was sold at Jeffrey S. Evans & Associates on 10/21/2023, Lot 2174. See Lot 3186 in the current sale for a 1915 Manila Carnival original illustration by the same hand.

Lot: 3188 - JOHN NATHANIEL FENTON (AMERICAN, 1912-1977) SURREALIST PAINTING

JOHN NATHANIEL FENTON (AMERICAN, 1912-1977) SURREALIST PAINTING, oil on canvas, a large and impressive depiction of four angular musicians dressed in whimsical attire in a fantastical winter landscape with dancing nuns and horse and rider in the background, signed lower left, retains old label applied verso giving title as "THE MUSICIANS". Housed in likely original molded chestnut frame. Mid 20th century. 51 1/2" x 41 1/2" sight, 61 1/2" x 51 1/2" OA. Catalogue Note: Born in Mountaindale, New York, John Nathaniel "Jack" Fenton (1912-1977) remained a New York resident throughout his life. He studied at the Art Students League with Kenneth Hayes Miller and Allen Lewis and exhibited widely in his lifetime. A painter, printmaker, and educator, Fenton explored the potential for abstraction within the human figure, often in a surreal setting. The present lot is an important example of his work.

Lot: 3189 - SALVADOR DALI (SPANISH, 1904-1989) LIMITED EDITION SURREALIST-STYLE WALL MIRROR

SALVADOR DALI (SPANISH, 1904-1989) LIMITED EDITION SURREALIST-STYLE WALL MIRROR, featuring melting clocks flanked by carved Classical dolphin-like creatures, original gilt surface with red ground, edition number to one side 140/600, retains artist-signed certificate of authenticity. Circa 1975. 35 1/2" x 30 1/2" OA.

Lot: 3190 - THOMAS THORNE (AMERICAN, 1909-1976) "WAR (MARS)" ABSTRACT / MODERNIST PAINTING

THOMAS THORNE (AMERICAN, 1909-1976) "WAR (MARS)" ABSTRACT / MODERNIST PAINTING, impasto-styled oil and plaster on canvas with paper (possibly newspaper clippings) pasted beneath the surface, depicting a grotesque figure standing posed with head turned to the right, in sickly tones of blue and green. Signed "THORNE" to lower right of painting and titled "WAR (MARS)" to reverse of canvas; housed in the original frame inscribed verso with possibly an alternate title "ORGANIZATION MAN" and a $200 price, also inscribed "THOMAS THORNE / WILLIAMSBURG, VA." Mid 20th century. 24 3/4" x 39" canvas, 26 3/4" x 41" OA. Catalogue Note: Thomas Elston Thorne (1909-1976) was a Maine- and later Virginia-based painter and master draughtsman, who taught at William & Mary from 1940 through 1975. As an educator and artist, he experimented with different styles and techniques that he shared with his many students over the years, including celebrated abstract artist Lynne Drexler and accomplished photographer Willie Anne Wright.

Lot: 3191 - THOMAS THORNE (AMERICAN, 1909-1976) UNTITLED ABSTRACT / MODERNIST PAINTING

THOMAS THORNE (AMERICAN, 1909-1976) UNTITLED ABSTRACT / MODERNIST PAINTING, impasto-styled acrylic on canvas, a freeform miasma of dark color with pink flesh-toned border painted around the edge, housed in the original painted-over frame. Signed and dated "THORNE 69" to lower right of painting; frame's verso retaining a gallery/submission label for the 1969 "Virginia Artists Exhibition" held at VMFA. Circa 1969. 46 1/2" x 28 3/4" OA. Catalogue Note: Thomas Elston Thorne (1909-1976) was a Maine- and later Virginia-based painter and master draughtsman, who taught at William & Mary from 1940 through 1975. As an educator and artist, he experimented with different styles and techniques that he shared with his many students over the years, including celebrated abstract artist Lynne Drexler and accomplished photographer Willie Anne Wright.

Lot: 3192 - THOMAS THORNE (AMERICAN, 1909-1976) "EXPLORATION" ABSTRACT / MODERNIST PAINTING

THOMAS THORNE (AMERICAN, 1909-1976) "EXPLORATION" ABSTRACT / MODERNIST PAINTING, oil on canvas with sandy textured elements to the surface, thickly painted in tones of red and black with yellow streaks, signed "THORNE" to lower right of painting. Housed in the original painted-over frame signed and dated verso "Thomas Thorne 1965" and also inscribed with the apparent title "Exploration", and a $100 price. Circa 1965. 44 1/2" x 23 3/4" OA. Catalogue Note: Thomas Elston Thorne (1909-1976) was a Maine- and later Virginia-based painter and master draughtsman, who taught at William & Mary from 1940 through 1975. As an educator and artist, he experimented with different styles and techniques that he shared with his many students over the years, including celebrated abstract artist Lynne Drexler and accomplished photographer Willie Anne Wright.

Lot: 3193 - THOMAS THORNE (AMERICAN, 1909-1976) UNTITLED ABSTRACT / MODERNIST PAINTING

THOMAS THORNE (AMERICAN, 1909-1976) UNTITLED ABSTRACT / MODERNIST PAINTING, oil on canvas, painted in warm tones of blue, pink, yellow, and coral, housed in its original frame. Signed and dated "T. THORNE '67" to lower right of painting; frame's verso retaining a fragment of a gallery/submission label for the 1967 "Virginia Artists Exhibition" held at VMFA. Circa 1967. 41" x 51" OA. Catalogue Note: Thomas Elston Thorne (1909-1976) was a Maine- and later Virginia-based painter and master draughtsman, who taught at William & Mary from 1940 through 1975. As an educator and artist, he experimented with different styles and techniques that he shared with his many students over the years, including celebrated abstract artist Lynne Drexler and accomplished photographer Willie Anne Wright.

Lot: 3194 - ELTON BENNETT (PACIFIC NORTHWEST, 1910-1974) "FAITH, HOPE, CHARITY" SERIGRAPH / SILKSCREEN PRINT

ELTON BENNETT (PACIFIC NORTHWEST, 1910-1974) "FAITH, HOPE, CHARITY" SERIGRAPH / SILKSCREEN PRINT, a depiction of three nuns fishing, pencil signed to lower left and titled to lower right. Matted and housed under glass in its likely original frame. Mid 20th century. 24" x 17" sight, 32 5/8" x 25 3/4" frame OA.

Lot: 3195 - ELTON BENNETT (PACIFIC NORTHWEST, 1910-1974) "FAITH, HOPE, CHARITY" SERIGRAPH / SILKSCREEN PRINT

ELTON BENNETT (PACIFIC NORTHWEST, 1910-1974) "FAITH, HOPE, CHARITY" SERIGRAPH / SILKSCREEN PRINT, a depiction of three nuns fishing, pencil signed to lower right. Housed under glass in a modern frame. Mid 20th century. 23 1/2" x 17 1/2" sight, 28" x 22" frame OA.

Lot: 3196 - ELTON BENNETT (PACIFIC NORTHWEST, 1910-1974) SERIGRAPH / SILKSCREEN PRINTS, SET OF FOUR

ELTON BENNETT (PACIFIC NORTHWEST, 1910-1974) SERIGRAPH / SILKSCREEN PRINTS, SET OF FOUR, muted polychrome prints on folded notecards, one untitled and the other three titles comprising "The Wandering Sea", "The Whisper of the Wind", and "Ebb Tide on the River"; the latter two are plate signed "BENNETT". Each housed under glass in modern frames. Mid 20th century. 6 1/4" x 4 3/4" notecard size, 8 3/4" x 6 5/8" frames OA.

Lot: 3197 - DANNY HELLER (LOS ANGELES, CALIFORNIA, ACTIVE 21ST CENTURY) HYPER-REALIST RETRO-STYLE STREET SCENE

DANNY HELLER (LOS ANGELES, CALIFORNIA, ACTIVE 21ST CENTURY) HYPER-REALIST RETRO-STYLE STREET SCENE, oil / acrylic on canvas, featuring a 1960s Lincoln Continental on a street at night, signed and dated lower right and signed verso. Housed in a simple wooden frame. Dated 2014. 19 1/2" x 25 1/2" OA.

Lot: 3198 - JOHN DURE MORGAN (LYNCHBURG, VA) "EXITING HEAVENS GATE NIMROD 1990" MULTI-MEDIA ART

JOHN DURE MORGAN (LYNCHBURG, VA) "EXITING HEAVENS GATE NIMROD 1990" MULTI-MEDIA ART, collage, color pencil, graphite oil pastel, and enamel on paper, composition featuring a man in a suit with flames coming from his head, two ravens looking at him, one perched on a ladder, the background with a landscape in panels, and Jesus Christ within that landscape. Entitled "Exiting Heavens Gate Nimrod 1990" lower left, and signed, "John D. Morgan" lower right. 33" x 91" OA.  Catalogue Note: John Dure Morgan is a Virginia-based artist who holds an MFA in painting and drawing from Virginia Commonwealth University, and a BFA in studio art from The University of West Virginia. The Virginia Museum of Fine Arts, in Richmond, VA held a one-man show featuring his work.

Lot: 3199 - AFTER PABLO PICASSO (SPANISH, 1881-1973) "POUR ROBIE" ETCHING

AFTER PABLO PICASSO (SPANISH, 1881-1973) "POUR ROBIE" ETCHING, depicting a man's face in Picasso's famous simplistic form with a signature and title in reverse at bottom. Original label from The Collector's Guild, New York, NY, is retained verso. Housed under glass in the original metal frame. Mid 20th century. 10" x 8" sight, 14 1/4" x 11 1/4" OA.

Lot: 3200 - BENITO QUINQUELA MARTIN (ARGENTINE, 1890-1977) INDUSTRIAL SCENE

BENITO QUINQUELA MARTIN (ARGENTINE, 1890-1977) INDUSTRIAL SCENE, etching, depicting men at a construction site with harbor and city in the background, pencil signed lower right. Housed under glass in a modern frame. Together with a Carl Pappe ( 1900-1998) block print, signed and titled in lower margin, housed under glass in a modern frame, Two pieces total. Mid 20th century. Larger example (Martin etching) 25 1/2" x 19 1/2" plate, 30" x 23 3/4" OA.

Lot: 3201 - BEATIEN YAZZ (NAVAJO, 1928-2012) ORIGINAL NATIVE AMERICAN DRAWING

BEATIEN YAZZ (NAVAJO, 1928-2012) ORIGINAL NATIVE AMERICAN DRAWING, ink and casein on colored paper, depicting a windy mesa with trees and gophers, signed "Beatien Yazz" lower right. Housed and matted under glass with "February 1943" label to verso, and ownership label for James Swann, Chicago, IL. Circa 1943. 8 1/4" x 10 1/4" sight, 15 3/4" x 16 3/4" OA.

Lot: 3202 - PAULOOSIE KARPIK (CANADIAN INUIT, 1911-1988) SOAPSTONE CARVING OF A HUNTER

PAULOOSIE KARPIK (CANADIAN INUIT, 1911-1988) SOAPSTONE CARVING OF A HUNTER, an animated depiction of a hunter dressed in a thick jacket holding a seal. An applied note to the underside names the artist and lists "Pangirtung" which is an Inuit hamlet in Canada. Together with a small unsigned, likely Inuit, bird of the same style. Two pieces total. Third quarter 20th century. 6" HOA, 10" WOA, 6" DOA.

Lot: 3203 - MACIEL MEXICAN MODERNIST STERLING SILVER SALAD SERVING FORK AND SPOON SET

MACIEL MEXICAN MODERNIST STERLING SILVER SALAD SERVING FORK AND SPOON SET, each having a plain wide handle with a slightly up-turned tip. Each marked "MACIEL / MADE IN / MEXICO / STERLING / 0.925" and a "14" Eagle mark. Total weight: 11.795 ozt. Maciel Silver Factory, Mexico City, Mexico. Mid/third quarter 20th century. 10 5/8" and 11" LOA.

Lot: 3204 - ART NOUVEAU PATINATED METALWARE, LOT OF FOUR

ART NOUVEAU PATINATED METALWARE, LOT OF FOUR, comprising an iron standup clock with Western Clock Mfg. Co. windup movement, an iron standup picture frame, and a pair of white metal tripart candlesticks. Each with original patination. Circa 1920. 9" to 11" HOA.

Lot: 3205 - ART DECO-STYLE PATINATED-METAL DANCER AND LAMP, LOT OF TWO

ART DECO-STYLE PATINATED-METAL DANCER AND LAMP, LOT OF TWO, the dancer raised on an alabaster base, the lamp fitted with a colorless glass hobnail shade, and raised on a black marble base. 20th century. 17 1/4" HOA, 4 7/8" SQ base. 

Lot: 3206 - PAIRPOINT HAMMERED-COPPER ENAMEL WARE BOWLS, LOT OF THREE

PAIRPOINT HAMMERED-COPPER ENAMEL WARE BOWLS, LOT OF THREE, thick solid copper with a hammered pebbly-textured oxidized surface having a shimmering semi-translucent enamel coating to interior, comprising two matching shallow berry bowls/sauce dishes (one with green, one with orange enamel) and an orange-enameled low compote on a sloping funnel-form foot; each stamped "PAIRPOINT" to undersides, the smaller bowls each stamped with pattern number "G6615" and the compote having number "G1462". Together with a similar hammered-copper hemispherical bowl having nine lobes around the body, stamped "PAIRPOINT" and "G5500" to underside, but without enameling to interior. Four pieces total. The Pairpoint Corporation. Circa 1925. 6" D smallest, 8 1/4" D largest. Literature: Parallels Frost - The Essence of Pairpoint, p. 190.

Lot: 3207 - PAIRPOINT HAMMERED-COPPER ENAMEL WARE BOWLS, LOT OF THREE

PAIRPOINT HAMMERED-COPPER ENAMEL WARE BOWLS, LOT OF THREE, thick solid copper with a hammered pebbly-textured oxidized surface having shimmering semi-translucent pink enamel coatings to interior, comprising a shallow berry bowl/sauce dish, a deep bowl on a conical-form foot, and a stepped-form plate or shallow bowl; each stamped "PAIRPOINT" to undersides, the smallest stamped with pattern number "G6615", the deep bowl having number "G5597", and the plate having number "G5599". The Pairpoint Corporation. Circa 1925. 4 3/4" HOA, 10" D largest. Literature: Parallels Frost - The Essence of Pairpoint, p. 190.

Lot: 3208 - KURT OSTERVIG FOR K.P. MOBLER MID-CENTURY MODERN TEAKWOOD TWO-PIECE CREDENZA / SIDEBOARD

KURT OSTERVIG FOR K.P. MOBLER MID-CENTURY MODERN TEAKWOOD TWO-PIECE CREDENZA / SIDEBOARD, the lower sideboard component's case divided into thirds with the proper left section containing four graduated drawers while the other two sections have sliding doors concealing open interiors with adjustable shelves; the upper "china cabinet" section with two halves each having sliding glass doors and adjustable shelving of their own, raised via two solid upstands to sit freely atop the lower section. Each piece retaining an old (probably original) surface with bold, warm color. Underside of lower piece's frame stamped with "MADE IN DENMARK / K.P. mobler / DESIGNED BY KURT OSTERVIG". Mid 20th century. 82 3/4" L x 22" W x 31 3/4" H (lower section only); 65 1/4" HOA (fully assembled). Catalogue Note: This impressive credenza is one of the numerous possible combinations of pieces offered by this firm in the modular spirit of Danish mid-century design philosophy. A Mobler sales catalog of the era boasts that the top china cabinets "are available in 3 sizes, which makes it possible to use a top cabinet on most of our sideboards. The top cabinet can be placed directly on top of the sideboards or raised 12" above the sideboards by a couple of teak upstands." This combination appears to be a No. 115 Topcabinet (with the corresponding set of supports) paired with a No. 119 sideboard.

Lot: 3209 - KAI KRISTIANSEN (DANISH, B. 1929) MID-CENTURY MODERN TEAKWOOD DINING / ARM CHAIRS, SET OF EIGHT

KAI KRISTIANSEN (DANISH, B. 1929) MID-CENTURY MODERN TEAKWOOD DINING / ARM CHAIRS, SET OF EIGHT, Model no. 42, the angular rear legs joined with half arms which support the inclined curved back in cantilever fashion; likely original black leather upholstery to the slip seats and backs. Second half 20th century. 29" H.

Lot: 3210 - POUL HUNDEVAD (DANISH, 1911-2017), ATTRIBUTED, MID-CENTURY MODERN TWO-SECTION TEAK BOOKCASE / WALL UNIT

POUL HUNDEVAD (DANISH, 1911-2017), ATTRIBUTED, MID-CENTURY MODERN TWO-SECTION TEAK BOOKCASE / WALL UNIT, each section of two-piece construction, with adjustable shelves and cabinet at base, one section with hinged drop-front desk concealing fitted interior. Circa 1960. 77 1/2" HOA, 109" WOA, 17" DOA.

Lot: 3211 - POUL HUNDEVAD (DANISH, 1911-2017), ATTRIBUTED, MID-CENTURY MODERN TEAK SECRETARY BOOKCASE

POUL HUNDEVAD (DANISH, 1911-2017), ATTRIBUTED, MID-CENTURY MODERN TEAK SECRETARY BOOKCASE, two-piece construction, the narrow form with two fixed shelves over a hinged fall-board concealing a fitted interior, over a cabinet base. Together with a smaller teak bookshelf, also attributed to the same designer / maker. Two pieces total. Circa 1960. 77" HOA, 27 1/2" WOA, 17" DOA.

Lot: 3212 - DEGANELLO AND CORRETTI FOR ARCHIZOOM ASSOCIATI MID-CENTURY MODERN ARMCHAIRS, SET OF SEVEN

DEGANELLO AND CORRETTI FOR ARCHIZOOM ASSOCIATI MID-CENTURY MODERN ARMCHAIRS, SET OF SEVEN, tubular metal frames of cantilever form with chromed surface, black leather upholstery to seat/back and arms, stamped by the manufacturer "MARCATRE" underneath. Second half 20th century. 34 1/4" H.

Lot: 3213 - HANS WEGNER FOR ANDREAS TUCK MID-CENTURY MODERN TEAKWOOD DINING TABLE

HANS WEGNER FOR ANDREAS TUCK MID-CENTURY MODERN TEAKWOOD DRAW LEAF DINING TABLE, model AT-312, the wide rectangular bookmatched top resting over two bookmatched leaves which slide out to extend the table, which is raised on turned tapered legs; the whole retaining its original surface with bold, warm color. Underside of frame stamped with "FABRIKAT ANDR. TUCK / ARKITEKT. HANS J. WEGNER / DENMARK" and "MADE IN / DENMARK". Mid 20th century. 63" L (closed) x 39 1/4" W x 28 1/4" H; 110 1/4" LOA (fully extended).

Lot: 3214 - CHARLES WEBB (CAMBRIDGE, MASSACHUSETTS) MID-CENTURY MODERN DINING TABLE

CHARLES WEBB (CAMBRIDGE, MASSACHUSETTS) MID-CENTURY MODERN DINING TABLE, walnut and oak with oak secondary, the large oval top having three removable leaves, supported by an extending frame raised on turned tapered legs, the whole retaining its original surface with warm color. Underside of frame retaining Webb's silver sticker reading "CHARLES WEBB / designer - woodworker" with a pair of woodworking tools logo. Third or fourth quarter 20th century. 82" L (closed) x 41" W x 29 1/4" H; 124" LOA (fully extended).

Lot: 3215 - BILL STEPHENS FOR KNOLL INTERNATIONAL MID-CENTURY MODERN BENTWOOD CHAIRS, SET OF EIGHT

BILL STEPHENS FOR KNOLL INTERNATIONAL MID-CENTURY MODERN BENTWOOD CHAIRS, SET OF EIGHT, comprising four side chairs and four arm chairs, each with purplish-brown or yellow/orange upholstery, most retaining "Knoll International" stickers in some form and many with the manufacturer's upholstery tags. Third quarter 20th century. 31 1/2" H.

Lot: 3216 - SKOVBY DANISH MID-CENTURY MODERN ROSEWOOD DISPLAY CABINET

SKOVBY DANISH MID-CENTURY MODERN ROSEWOOD DISPLAY CABINET, with three hinged cabinet doors and removable shelves, retains label to reverse. Circa 1960. 60 1/2" H, 63" W, 18" D.

Lot: 3217 - MID-CENTURY MODERN TULIP DINING TABLE

MID-CENTURY MODERN TULIP DINING TABLE, featuring a round veneered wooden top over a white-painted iron base. Unmarked. Mid 20th century. 28" HOA, 48" D.

Lot: 3218 - MARIANI FOR PACE LEATHER AND CHROME FILING CABINETS, SET OF THREE

MARIANI FOR PACE LEATHER AND CHROME FILING CABINETS, SET OF THREE, comprising two smaller three-drawer cabinets, and a larger two door cabinet covered in leather with embossed details, chrome knobs, and chrome decorative elements. Retains several keys. Italian. Circa 1975. Two door cabinet 30" HOA, 42 1/2" WOA, 18 1/4" DOA; three drawer cabinets 30 1/2" HOA, 22" WOA, 18" DOA. 

Lot: 3219 - HIGGINS MID-CENTURY MODERN FUSED ART GLASS TRAYS, LOT OF THREE

HIGGINS MID-CENTURY MODERN FUSED ART GLASS TRAYS, LOT OF THREE, smoky-gray or purple glass rectangular-form dishes or trays with applied or "fused" elements, having colorful enameled designs layered into the surface with some additional gilding and silvered highlights, comprising a small example with pocket watch motif, a larger example with blue and green fish and fishing tackle, and another with blue and green bands emanating from the center, each signed "higgins" to outer edge. Michael Higgins (1908-1999) & Frances Higgins (1912-2004) for Higgins Studio. 20th century. 7" W smallest, 14" WOA.

Lot: 3220 - PAIR OF MEDALLION LIMITED GILTWOOD END TABLES / DRUM CABINETS

PAIR OF MEDALLION LIMITED GILTWOOD END TABLES / DRUM CABINETS, each in barrel-type form with a single curved door to the front of each. Each is branded to the underside "Medallion Limited", and both retain a removable clear glass tops. 20th century. 24 1/4" H, 20" D.

Lot: 3221 - HAITIAN CUT SHEET-METAL WALL ART SCULPTURES, LOT OF TWO

HAITIAN CUT SHEET-METAL WALL ART SCULPTURES, LOT OF TWO, comprising an example depicting three birds in tree branches eating a snake signed "Gabriel Bien-Aime"; and an example depicting a sun with several faces and figures signed "E. Brierre" for Edgar Brierre. Second half 20th century. Largest 35" D.

Lot: 3222 - FINE PAIR OF ANGLO-INDIAN CHINOISERIE-STYLE LACQUERED AND GILT-DECORATED CHESTS ON STAND

FINE PAIR OF ANGLO-INDIAN CHINOISERIE-STYLE LACQUERED AND GILT-DECORATED CHESTS ON STAND, each hinged rectangular form with open interior raised on an intricate stand of scrolled profile featuring carved shell and foliate motifs in the design. Possibly Bareilly area, Uttar Pradesh, India. Mid 19th century. 43" HOA, 38 1/2" WOA, 25" DOA. Literature: See Sotheby's, New York, 10/6/2011, lot 229 for a similar example.

Lot: 3223 - FINE ENGLISH GEORGIAN INLAID MAHOGANY VALUABLES CABINET

FINE ENGLISH GEORGIAN INLAID MAHOGANY VALUABLES CABINET, slender rectangular form with hinged door, featuring inlaid oak leaf and acorn elliptical reserve flanked by corner fans, concealing fitted interior with 18 small drawers, each retaining likely original brass pull, flanked by solid ends retaining likely original brass bail handles, all raised on an applied cut-out bracket-foot base. Pine and oak secondary woods. Retaining a fine early surface with rich color. Late 18th/early 19th century. 20" H, 12" W, 8 1/2" D.

Lot: 3224 - ENGLISH GEORGIAN INLAID MAHOGANY CHEST ON CHEST

ENGLISH GEORGIAN INLAID MAHOGANY CHEST ON CHEST, two-piece construction, with applied molded cornice, three short drawers over six full drawers flanked by solid ends, raised on a cut-out bracket-foot base. Oak and pine secondary woods. Retaining an old surface with warm color. Fourth quarter 18th/early 19th century. 71 1/2" HOA, 39" WOA, 21 1/2" DOA.

Lot: 3225 - GEORGE III INLAID MAHOGANY CHEST ON CHEST

ENGLISH GEORGIAN INLAID MAHOGANY CHEST ON CHEST, two pieces, featuring applied cornice and waist molding, fluted corners, solid ends, inlaid rising sum motif to lower drawer, and applied bracket-foot base, retaining possibly original engraved brasses and an old surface with warm color. Oak secondary wood. Circa 1780. 65" HOA, 43 1/2" WOA. 22 1/2" DOA.

Lot: 3226 - ENGLISH MAHOGANY LIBRARY CREDENZA

ENGLISH MAHOGANY LIBRARY CREDENZA, the single board top with inset cut-out in the center section over two hinged arch-top cabinet doors with interior brass grilles and an open center section with adjustable shelves, the whole raised on a molded platform base. Retains an old surface with attractive warm color. Pine secondary wood. Mid 19th century. 34" HOA, 54" WOA, 13 3/4" DOA.

Lot: 3227 - ENGLISH OR AMERICAN FEDERAL-STYLE MAHOGANY SIDEBOARD

ENGLISH OR AMERICAN FEDERAL-STYLE MAHOGANY SIDEBOARD, of bow-front form, the overhanging top rests above a central short drawer with two faux drawers to either side, one side is a single hinged cabinet door, the other is a single deep drawer, the whole is raised on square tapered legs which have a small geometric inlaid reserve where they meet the body of the case. Oak secondary wood. Retains likely-original finished surface with scattered minor wear. Late 19th/early 20th century. 35" HOA, 61" WOA, 28 3/4" DOA.

Lot: 3228 - ENGLISH WILLIAM AND MARY-STYLE MAHOGANY HIGH CHEST ON FRAME

ENGLISH WILLIAM AND MARY-STYLE MAHOGANY HIGH CHEST ON FRAME, two-piece construction, the upper case featuring an applied molded edge over a two-over-three drawer configuration; the lower case with three drawers with a shaped skirt supported by six turned legs. Retains older replacement brasses and a refinished surface with warm color. Pine secondary wood. 19th century likely with earlier elements. 62" HOA, 40" WOA, 21" DOA.

Lot: 3229 - ENGLISH GEORGIAN CARVED MAHOGANY TILT-TOP TEA TABLE

ENGLISH GEORGIAN CARVED MAHOGANY TILT-TOP TEA TABLE, one-board top with molded "pie crust" edge supported by a turned pedestal with acanthus-carved urn raised on a tripod base with cabriole legs bearing acanthus-carved knees and padded slipper feet. Retaining an early surface with rich color. Third quarter 18th century. 28 1/2" H (top fixed), 29" D (top).

Lot: 3230 - BRITISH REGIONAL QUEEN ANNE OAK DRESSING TABLE

BRITISH REGIONAL QUEEN ANNE OAK DRESSING TABLE, the rectangular overhanging top with a molded edge on all sides, over three drawers and a boldly shaped skirt with applied edge beading, the whole supported by four exaggerated cabriole legs. Retains likely original surface and tooled brasses. Pine secondary wood. Second half 18th century. 28" HOA, 31" WOA, 19 1/2" DOA.

Lot: 3231 - PAIR OF ENGLISH REGENCY MAHOGANY UPHOLSTERED WINDOW SEATS

PAIR OF ENGLISH REGENCY MAHOGANY UPHOLSTERED WINDOW SEATS, each with scrolled arms on either end flanking a central upholstered seat, the whole raised on four splayed reeded legs, each have brass or bronze inlay throughout with the legs having cast-brass decoration added within the reeding. Each retains 20th century red damask upholstery and a refinished surface with warm color. First half 19th century. 23 1/2" HOA, 29 1/2" WOA, 16 1/4" DOA.

Lot: 3232 - ENGLISH GEORGIAN MAHOGANY COMMODE

ENGLISH GEORGIAN MAHOGANY COMMODE, the nearly square top with a molded edge over a single hinged door with a shaped fielded panel which opens to reveal an open interior, the whole supported by very finely turned golf legs. First quarter 19th century. 30 1/2" HOA, 12 3/4" WOA, 12 1/2" DOA.

Lot: 3233 - ENGLISH ADAMS SATINWOOD WRITING TABLE

ENGLISH ADAMS SATINWOOD WRITING TABLE, the rectangular top inset with tooled leather one end with a drawer, the other end and side with faux drawers, the back side with a drop-down fire screen covered with a possibly original woven textile, the whole supported by square tapered legs. Finely executed dark, possibly ebony, inlaid decoration throughout. The interior of the drawer fitted with an inkwell and a small pen rest compartment. Second half 19th century. 27 1/2" HOA, 16" x 13" top.

Lot: 3234 - REGENCY-STYLE MAHOGANY SET OF TEN DINING CHAIRS

REGENCY-STYLE MAHOGANY SET OF TEN DINING CHAIRS, comprising two arm and eight side examples, each with an arched crest rail above four spindles featuring opposing husks at the tops, bowfront slip seats with matching damask upholstery, and raised on molded and tapered front legs and downswept rear legs, joined by offset H-form and rear stretchers. Late 19th/first quarter 20th century. 37" HOA, 18" H seats. 

Lot: 3235 - BRITISH REGIONAL OAK WORK TABLE / DOUGH BOX

BRITISH REGIONAL OAK WORK TABLE / DOUGH BOX, the rectangular top with a molded edge opens to reveal an open interior, the whole raised on turned legs which issue from the stile and are connected by a simple H-form stretcher. Retains an early finished surface with warm color. First half 18th century. 26 1/4" HOA, 34 3/4" x 21" top.

Lot: 3236 - ENGLISH OR AMERICAN CHIPPENDALE-STYLE MAHOGANY WING-BACK EASY CHAIR

ENGLISH OR AMERICAN CHIPPENDALE-STYLE MAHOGANY WING-BACK EASY CHAIR, featuring a straight crest rail and deeply scrolled wings over rolled arms, the whole raised on mahogany cabriole legs terminating in pad feet. Retains a 20th century upholstery with charming crocheted edging/piping by Mrs. Goodman. Late 18th/early 19th century. 45" HOA, 35" WOA, 28" DOA.

Lot: 3237 - ENGLISH GEORGIAN DIMINUTIVE MAHOGANY CORNER CUPBOARD

ENGLISH GEORGIAN DIMINUTIVE MAHOGANY CORNER CUPBOARD, two-piece construction, the applied molded cornice over two layers of complex barber-pole inlay, the upper case featuring two fielded double-panel doors which open to reveal two fixed shelves and a white painted interior; the lower case with two fielded single-panel doors which open to reveal a single fixed shelf, the whole raised on a molded plinth base. Retains an old surface with warm color and attractive glossy sheen. First half 19th century. 83" HOA, 41 1/2" WOA, 22" corner.

Lot: 3238 - ENGLISH GEORGIAN MAHOGANY GAMES TABLE

ENGLISH GEORGIAN MAHOGANY GAMES TABLE, the rounded edge rectangular hinged top over a plain apron with a drawer at one end, the whole raised on four turned legs with hooded knees terminating in pad feet, one of which hinges out to support the top when fully open. Oak secondary wood. Retains a possibly original brass pull to the drawer and an older refinished surface with warm color. Early 19th century. 27" HOA, 28" SQ top, open.

Lot: 3239 - ENGLISH GEORGIAN MAHOGANY HANGING CORNER CUPBOARD

ENGLISH GEORGIAN MAHOGANY HANGING CORNER CUPBOARD, featuring applied cornice, canted returns, fielded-panel door, and three fixed shelves of shaped profile, retaining an old surface with warm color. Pine secondary wood. Fourth quarter 18th century. 42" HOA, 29 1/2" WOA. 

Lot: 3240 - AMERICAN OR BRITISH CLASSICAL MAHOGANY HANGING SHELVES

AMERICAN OR BRITISH CLASSICAL MAHOGANY HANGING SHELVES, featuring applied cove-molded cornice, full columns, and single drawers at base. Mahogany and pine secondary wood. Retains an old surface with rich color. Circa 1825. 33" HOA, 29 1/2" WOA, 9 1/2" DOA. 

Lot: 3241 - ENGLISH MAHOGANY CANTERBURY

ENGLISH MAHOGANY CANTERBURY, featuring a central raised pierced handle, flattened ball-form finials, fine baluster turnings, single drawer with likely original brass pulls, and casters. Pine secondary wood. Old surface with warm color. 20" HOA, 19 1/4" WOA, 13 3/4" DOA.

Lot: 3242 - ENGLISH GEORGIAN MAHOGANY POLE FIRE SCREEN

ENGLISH GEORGIAN MAHOGANY POLE FIRE SCREEN, featuring a nearly square frame with a well-executed embroidered floral panel, completed in chenille and silk thread on linen canvas, adjustable on a turned shaft raised on a tripod base which terminates in pad feet, original iron spider brace to underside. Retains an early surface with warm color. Fourth quarter 18th century/early 19th century. 56 1/4" HOA, 23" WOA.

Lot: 3243 - ENGLISH GEORGIAN WALNUT FALL LEAF DINING / BREAKFAST TABLE

BRITISH GEORGIAN WALNUT FALL LEAF DINING / BREAKFAST TABLE, the rectangular top with rounded ends supports two hinged half round leaves on either side over a plain skirt, the whole supported by tapering shaped legs terminating in carved paneled feet. Retains an old, refinished surface with warm color. Spruce and oak secondary woods. Second half 18th/early 19th century. 28" HOA, 45 1/2" x 42 1/2" top, open.

Lot: 3244 - ENGLISH GEORGIAN MAHOGANY OVAL WAITER / TRAY ON STAND

ENGLISH GEORGIAN MAHOGANY OVAL WAITER / TRAY ON STAND, the single crotch grain mahogany board top surrounded by a scalloped gallery edge, with two brass carrying handles mounted to either end resting on a later custom stand with a plain skirt and square tapered legs. Tray retains added blocking to the bottom which allows it to fit into the top of the stand; the two are not connected together. Retains an old, refinished surface with warm color. Tray, early 19th century; stand late 19th/20th century. 18 1/2" HOA, 27 1/2" x 21" top. 

Lot: 3245 - ENGLISH JACOBEAN CARVED OAK BLANKET CHEST

ENGLISH JACOBEAN CARVED OAK BLANKET CHEST, the two-board top with a molded edge opens to reveal an open interior, the front with three panels each having chip carving, the sides each having two panels without carving, the whole raised on block feet which issue from the stiles. Retains an old, refinished surface with attractive color. 18th century, possibly earlier. 23 3/4" HOA, 47" WOA, 20 1/2" DOA.

Lot: 3246 - BRITISH REGIONAL WALNUT PEMBROKE / BREAKFAST TABLE

BRITISH REGIONAL WALNUT PEMBROKE / BREAKFAST TABLE, the rectangular top fitted with two hinged fall leaves over a plain apron with a drawer at one end, the whole raised on square legs with a deeply chamfered interior edge which are all connected by a flat X-form stretcher. Retains a stellar original surface and period, probably original brasses. Oak secondary wood. Second half 18th century. 27" HOA, 35" x 29" top.

Lot: 3247 - CHIPPENDALE-STYLE MAHOGANY TILT-TOP TEA TABLE

CHIPPENDALE-STYLE MAHOGANY TILT-TOP TEA TABLE, circular scalloped top with battens affixed to the underside above baluster-turned standard, raised on tripod base of cabriole legs terminating in ball-and-claw feet. Retains likely original finished surface. Mid 20th century. 27" HOA, 24" D top.

Lot: 3248 - ENGLISH / AMERICAN QUEEN ANNE MAHOGANY FALL-LEAF TABLE

ENGLISH / AMERICAN QUEEN ANNE MAHOGANY FALL-LEAF TABLE, the rectangular rounded-edge top fitted with two demi-lune fall leaves, all raised on four cabriole legs with hooded knees ending in pad feet. Retains an old surface with warm color. Second half 18th/early 19th century. 28" HOA, 38 1/2" x 43" top, open.

Lot: 3249 - ENGLISH GEORGIAN INLAID DRESSING / SHAVING MIRROR

ENGLISH GEORGIAN INLAID DRESSING / SHAVING MIRROR, the shield-form mirror framed with veneered wood is supported by two scrolled side supports resting on a two-drawer base with line inlay and mahogany-veneered drawer fronts, raised on fine stepped block feet. One drawer retains a note dated 1773 and another old note mentions replacement glass. Retains an old likely-refinished surface with warm color. British. First quarter 19th century, possibly earlier. 21 3/4" HOA, 14 5/8" WOA, 7" DOA.

Lot: 3250 - ENGLISH OR AMERICAN QUEEN ANNE MAHOGANY TILT-TOP CANDLESTAND

ENGLISH OR AMERICAN QUEEN ANNE MAHOGANY TILT-TOP CANDLESTAND, the one-board oval top, with a central inlaid reserve of figured maple, over a baluster-form turned pedestal raised on a tripodal base with cabriole legs terminating in pad feet. Retains an older refinished surface. Mid 19th century. 29" HOA, 19 1/2" x 13 1/4" OA top. 

Lot: 3251 - ENGLISH JACOBEAN OAK JOINT STOOL

ENGLISH JACOBEAN OAK JOINT STOOL, the rectangular molded top over a splayed skirt supported by splayed baluster-turned legs which are connected by a turned box stretcher. Retains an old, possibly original finish. Probably 17th century. 19 3/4" HOA, 17 1/2" x 14" OA top.

Lot: 3252 - ENGLISH GEORGIAN MAHOGANY STOOL

ENGLISH GEORGIAN MAHOGANY STOOL, the oval top with a central S-form cutout over a plain skirt, the whole supported by square tapered splay legs which are connected by a simple box stretcher. Retains an old surface with attractive warm color. First half 19th century. 17 3/4" HOA, 12" x 14 1/2" OA top.

Lot: 3253 - VICTORIAN PAINT-DECORATED SEWING STAND

VICTORIAN PAINT-DECORATED SEWING STAND, typical diminutive form with hinged lid and lined interior with mirror, raised on turned legs, retaining likely original painted decoration against an ebonized ground, landscape vignette with ruins to top of lid. Third quarter 19th century. 27 1/2" H, 19 1/2" W, 13 1/2" D.

Lot: 3254 - ENGLISH OR AMERICAN PAINTED KLISMOS SIDE CHAIR

ENGLISH OR AMERICAN PAINTED KLISMOS SIDE CHAIR, the curved top rail over a pierced medial rail and a caned seat, the whole supported by four sabre legs. Retains likely original painted surface as well as applied brass decorations throughout. Circa 1830. 34" HOA, 16 1/2" x 18" seat.

Lot: 3255 - ENGLISH GEORGIAN UPHOLSTERED MAHOGANY SIDE CHAIR

ENGLISH GEORGIAN UPHOLSTERED MAHOGANY SIDE CHAIR, the rectangular upholstered back over a rectangular seat, the whole is raised on four square legs with a beaded corner and connected by an H-form stretcher with a separate rear stretcher. 19th century. 39" HOA, 17" x 22 1/2" seat.

Lot: 3256 - CONTINENTAL MAHOGANY OPEN ARMCHAIR

CONTINENTAL MAHOGANY OPEN ARMCHAIR, the rectangular back over shaped and carved arms, a trapezoidal seat, the whole supported by barley-twist legs connected by a turned H-form stretcher. Retains a 20th century damask-style upholstery. Early 19th century. 46 1/2" HOA, 19" x 25" seat.

Lot: 3257 - ENGLISH GEORGIAN-STYLE UPHOLSTERED MAHOGANY WINDOW SEAT

ENGLISH GEORGIAN-STYLE UPHOLSTERED MAHOGANY WINDOW SEAT, the rolled upholstered arms joining with a rectangular upholstered seat, the whole supported by four finely carved cabriole-style legs terminating in robust ball-and-claw feet. Retains a refinished surface with warm color, and fairly modern upholstery. 20th century. 29" HOA, 40" WOA, 18" DOA.

Lot: 3258 - ENGLISH / CONTINENTAL CHAIRS, LOT OF THREE

ENGLISH / CONTINENTAL CHAIRS, LOT OF THREE, comprising an example with an upholstered back, sides, and arms raised on square legs; a Queen Anne style chair with an upholstered seat raised on cabriole legs; and a country Chippendale style chair with an upholstered seat raised on square tapered legs. Late 18th/19th century. Large upholstered example 36" HOA, 25" x 20" seat.

Lot: 3259 - CONTINENTAL PAINT-DECORATED PINE OVERSIZED DOME-TOP DOWER CHEST

CONTINENTAL PAINT-DECORATED PINE OVERSIZED DOME-TOP DOWER CHEST, the highly-domed hinged lid over a dovetailed case of extraordinary size, bound with wrought-iron straps, corners, and dual hasps all having ornately punched and incised decoration and later gilding, the sides each having a large wrought-iron carrying handle; the chest and lid both having later (19th century) painted decoration including red surface and foliate wreaths and vines enclosing the initials "A M D" and date "1840". Chest probably 17th/18th century, paint circa 1840. 61" x 30" x 36 3/4" OA. Catalogue Note: A note (recorded July 18, 1936) attached to the inside of the lid describes this mammoth-sized object as a "Danish Pine Marital Hope Chest". It further explains that the chest resided with the Kaae family of Denmark since (supposedly) at least 1632, and came to the United States in 1927 with "Grandmother K", along with its "mate chest", which was subsequently gifted to Mrs. Henry Ford. The whereabouts of its mate are unknown.

Lot: 3260 - DUTCH BAROQUE CARVED BURLWOOD SIDE CHAIR

DUTCH BAROQUE CARVED BURLWOOD SIDE CHAIR, the elaborately carved crest rail above a solid vasiform splat over a shaped seat, having a floral Berlin work needlepoint cover in wool with center probably added later and completed in wool and silk, the whole supported by highly-carved cabriole legs connected by a shaped and carved H-form stretcher. Retains an old, possibly original finished surface. Second half 18th century. 45 1/2" HOA, 21" x 16" seat.

Lot: 3261 - CONTINENTAL, POSSIBLY SPANISH, INLAID OAK ARMARIO / FLATWALL CUPBOARD

CONTINENTAL, POSSIBLY SPANISH, INLAID OAK ARMARIO / FLATWALL CUPBOARD, dovetail and wooden pen case constriction, the rectangular top with a molded edge over two raised panel doors decorated with a potted plant/foliate design and a four-pointed star, which both bear some remnants of the original polychrome stained or painted surfaces, the top door opens to reveal a fixed half shelf with a molded edge and a fixed full shelf, the bottom door opens to reveal a single fixed shelf, the whole is flanked by molded pilasters on the side panels, and supported on a shoe-foot base. Original wrought-iron rat-tail hinges. Retains an older refinished surface. 17th or early 18th century. 68" HOA, 43 1/2" WOA, 16 1/2" DOA.

Lot: 3262 - SPANISH COLONIAL TOOLED LEATHER COVERED WOODEN TRUNK

SPANISH COLONIAL TOOLED LEATHER COVERED WOODEN TRUNK, the wooden trunk covered with an elaborately-tooled leather covering ornamented with tacking, features a slightly domed top which opens to reveal a paper-covered open interior. Retains its likely original wrought-iron hasp, hinges, and handles to either end. 18th century or earlier. 14" HOA, 37" WOA, 20" DOA.

Lot: 3263 - ITALIAN ROCOCO GILDED-FRAME WALL MIRROR

ITALIAN ROCOCO GILDED-FRAME WALL MIRROR, the urn and flower crest above a square scroll-edge frame featuring floral ornaments, fitted with an early, possibly original reverse-etched mirror plate. Retains its original gilded surface and backing board. Fourth quarter 18th century. 28 1/2" x 22 1/2" OA.

Lot: 3264 - CONTINENTAL GILTWOOD SARCOPHAGUS FORM HANGING VITRINE / DISPLAY CABINET

CONTINENTAL GILTWOOD SARCOPHAGUS FORM HANGING VITRINE / DISPLAY CABINET, the carved and shaped giltwood top with pineapple-form finial over a five-sided case with a single glass paneled cabinet door with an interior which has two removable glass shelves in front of a mirrored back, the base with a carved egg and dart molding over a cove molding. Second half 19th century. 39 1/2" HOA, 13" WOA, 8" DOA.

Lot: 3265 - CONTINENTAL JASPERWARE MOUNTED FRUITWOOD GAMES TABLE

CONTINENTAL JASPERWARE MOUNTED FRUITWOOD GAMES TABLE, the rectangular veneered, bronze edged, hinged top which rotates to open over a plain apron with applied bronze detailing framing round Jasperware plaques each displaying a figure or scene, one end conceals a drawer with the same decoration as the sides on the drawer fronts, the whole raised on four square tapered legs which issue from the stile and terminate in an applied bronze foot. Retains its likely original felt gaming surface and its likely original finished surface with attractive warm color. Late 19th/first quarter 20th century. 29 1/2" HOA, 23 1/2" x 29 1/2" top, open.

Lot: 3266 - CONTINENTAL CARVED OAK SIDE CHAIR

CONTINENTAL CARVED OAK SIDE CHAIR, featuring a curved back and top rail with an urn carving set within an octagonal reserve over a pierced splat with a similar urn/torchiere form supported by hoof feet, the rounded back upholstered seat frame is supported by square tapered splayed rear legs and very exaggerated hoof legs with carved rosettes in the front. Retains its likely-original surface and early under upholstery with horsehair stuffing. Probably French or Italian. Late 18th/first quarter 19th century. 33 3/4" HOA, 16" x 18" seat.

Lot: 3267 - CONTINENTAL CARVED MARBLE PEDESTAL

CONTINENTAL CARVED MARBLE PEDESTAL, of three-piece form, the round top over a columnar form spiral carved standard terminating in a robust octagonal base. Late 19th/first half 20th century. 42 3/4" HOA, 11 1/4" D top, 12 3/4" D base.

Lot: 3268 - FRENCH LOUIS XIV STYLE OAK CONFITURIER CABINET

FRENCH LOUIS XIV STYLE OAK CONFITURIER CABINET, the rectangular top with a molded edge over a single full drawer and a hinged cabinet door with a molded raised panel having shell carving, the whole raised on square legs which issue from the stiles. Retains its likely original hardware and a refinished surface with warm color. First half 19th century. 42 1/4" HOA, 27 3/4" WOA, 22 1/4" DOA.

Lot: 3269 - CONTINENTAL CARVED AND PAINT-DECORATED WOODEN HANGING CORNER SHELF

CONTINENTAL CARVED AND PAINT-DECORATED WOODEN HANGING CORNER SHELF, the two shaped backboards over a rounded shelf with a shaped apron over a shaped perpendicular bracket support, the whole decorated with painted floral motifs and parcel gilt/silvered edges. Second half 19th/early 20th century. 41" HOA, 27 1/2" WOA, 18 1/2" corner.

Lot: 3270 - CONTINENTAL CARVED OAK WRITING DESK

CONTINENTAL CARVED OAK WRITING DESK, the rectangular top with a molded edge over two short drawers each carved with opposing griffins, the whole raised on elaborately shaped legs connected by a stretcher. European softwood secondary. 19th century. 32" HOA, 46 3/4" WOA, 25 1/2" DOA.

Lot: 3271 - CONTINENTAL CARVED WOODEN TRUNK

CONTINENTAL CARVED WOODEN TRUNK, the slightly domed top lid opens to reveal an open interior with a lidded till, the whole elaborately carved with geometric designs. Retains its likely original wrought-iron hasp and hinges. 19th century, possibly earlier. 19 1/2" HOA, 36" WOA, 17 1/2" DOA.

Lot: 3272 - EUROPEAN TAPESTRY-UPHOLSTERED WALNUT SIDE CHAIRS, SET OF FOUR

EUROPEAN TAPESTRY-UPHOLSTERED WALNUT SIDE CHAIRS, SET OF FOUR, each with a rectangular upholstered back and seat in a tapestry-like fabric edged with fringe, the whole supported by carved and turned legs connected by a shaped stretcher. Each retains its likely original finish. Second half 19th century. 39 1/2" HOA, 19 1/2" x 16" seat.

Lot: 3273 - PAIR OF STEDMAN HOUSE CHARLOTTESVILLE, VIRGINIA FRENCH-STYLE UPHOLSTERED STOOLS

PAIR OF STEDMAN HOUSE CHARLOTTESVILLE, VIRGINIA FRENCH-STYLE UPHOLSTERED STOOLS, each in the Louis XVI taste featuring paint decorated straight square tapered legs with carved decoration, the top with original pink tufted upholstery. Mid 20th century. 15 1/2" HOA, 22 1/4" WOA, 17 3/4" DOA.

Lot: 3274 - ENGLISH OR AMERICAN FEDERAL-STYLE MAHOGANY GAMES TABLE

ENGLISH OR AMERICAN FEDERAL-STYLE MAHOGANY GAMES TABLE, the shaped, hinged top over a plain skirt, the whole supported by four turned and reeded legs. The top swivels to open. Retains its likely original surface with warm color. First half 20th century. 30 1/2" HOA, 29 3/4" WOA, 14 3/4" DOA.

Lot: 3275 - AMERICAN OR ENGLISH CHIPPENDALE MAHOGANY SIDE CHAIRS, SET OF SIX

AMERICAN OR ENGLISH CHIPPENDALE MAHOGANY SIDE CHAIRS, SET OF SIX, each featuring a shaped crest rail over pierced vasiform splat, trapezoidal slip seats, the whole raised on square tapered legs connected by a through-tenon H-form stretcher. Seat frames and most glue blocking are replacements. Each retains an old refinished surface with warm color. Late 18th/first half 19th century. 37 1/2" HOA, 13" x 18" seat.

Lot: 3276 - MID-ATLANTIC CLASSICAL MAHOGANY GAMES TABLE

MID-ATLANTIC CLASSICAL MAHOGANY GAMES TABLE, the rectangular hinged top with rounded corners over a molded apron, the whole supported by an intricately carved standard supported by four carved legs terminating in paw feet. Retains an older refinished surface with warm color. Probably New York, Philadelphia, or another northeastern port city. Second quarter 19th century. 28 1/2" HOA, 36" x 17 3/4" top, closed.

Lot: 3277 - PAIR OF ENGLISH OR AMERICAN FEDERAL CARVED MAHOGANY SIDE CHAIRS

PAIR OF ENGLISH OR AMERICAN FEDERAL CARVED MAHOGANY SIDE CHAIRS, each having shield-form backs with a carved pierced splat featuring sheafs of wheat and other geometric forms, over a shaped seat and supported by square tapered molded legs connected b y an H-form stretcher. Each retains its likely original finished surface with 20th century upholstered seat which is covered with what appears to be a period toile. Each impressed with "CS" on the inner side of the rear leg where it connects with the seat frame. Beech and oak secondary woods. Fourth quarter 18th century/early 19th century. 37 1/2" HOA, 21" x 19" seat. Catalogue Note: These chairs were sold to the Colonial Williamsburg Foundation as English, however R. W. Symonds commented "American. Circa 1790-1800 - Hepplewhite type. Graceful chair. Shaping of the back and heaviness of back suggests American origin rather than English in spite of the beech seat rails. The stretchers are also too heavy for an English chair." Regardless of this, the origin of these chairs remains a mystery without a similar example with provenance.

Lot: 3278 - AMERICAN CHIPPENDALE-STYLE CARVED WALNUT DRESSING TABLE

AMERICAN CHIPPENDALE-STYLE CARVED WALNUT DRESSING TABLE, oversized form, probably bench-made with some period components, with shell-carved knees, and ball-and-claw feet. Yellow pine secondary wood. Old surface. Probably late 19th/first quarter 20th century. 28 1/2" H, 24 1/2" x 44" top.

Lot: 3279 - AMERICAN FEDERAL INLAID MAHOGANY SIDEBOARD

AMERICAN FEDERAL INLAID MAHOGANY SIDEBOARD, six-leg form with serpentine profile, square-tapered legs, and complex line inlay framing reserves of contrasting veneers throughout. Poplar secondary wood. Old surface with warm color. Circa 1800. 39 1/2" H, 72 1/2" W, 27 1/2" D.

Lot: 3280 - AMERICAN CLASSICAL-STYLE MAHOGANY DESK

AMERICAN CLASSICAL-STYLE MAHOGANY DESK, diminutive form featuring drop front concealing fitted interior, full columns with acanthus leaf carving, and stylized paw feet. Mahogany secondary wood. Retaining an old surface with warm color. Late 19th/first quarter 20th century. 51 1/4" H, 36 1/4" W, 20" D.

Lot: 3281 - AMERICAN CLASSICAL MAHOGANY DIMINUTIVE DESK

AMERICAN CLASSICAL MAHOGANY DIMINUTIVE DESK, drop-front form with fitted interior over low chest with three drawers flanked by solid ends, raised on turned feet. Pine and poplar / basswood secondary woods. Retaining an old surface with warm color. Possibly New England. Circa 1830. 53" HOA, 36 3/4" WOA, 17" DOA. 

Lot: 3282 - AMERICAN ARTS AND CRAFTS / MISSION QUARTER-SAWN OAK STAND TABLE

AMERICAN ARTS AND CRAFTS / MISSION QUARTER-SAWN OAK STAND TABLE, the square top over a shaped and pierced apron accented at the corners with applied brass decoration, the medial shelf supported by brackets of a similar design to that of the apron, the whole raised on square legs which terminate in rounded bell-form feet. Retains an old, possibly original surface. Circa 1920. 30 1/2" HOA, 22" SQ top.

Lot: 3283 - AMERICAN OR BRITISH CLASSICAL CARVED MAHOGANY SEWING BASKET

AMERICAN OR BRITISH CLASSICAL CARVED MAHOGANY SEWING BASKET, as-found, the rare form featuring platform base with paw feet and applied stamped-brass rosettes to corners, retaining likely original surface. Together with a Classical-style carved mahogany piano stool. Two pieces total. Sewing basket circa 1820. Piano stool late 19th/early 20th century. Piano stool 20" H, 14 1/2" D seat.

Lot: 3284 - AMERICAN VICTORIAN MARBLE-TOP TABLE

AMERICAN VICTORIAN MARBLE-TOP TABLE, in the Eastlake style, the rectangular white marble top rests over a shaped skirt, the whole supported by stylized cut-out and carved legs. Together with a side chair of the same era with elaborate polychrome stained treatment highlighted with gilt accents, and an intricately carved reserve mounted to the center of the splat. Two pieces total. Both retain their likely original surfaces. Fourth quarter 19th century. Chair 35 1/2" HOA.

Lot: 3285 - MID-ATLANTIC CLASSICAL MAHOGANY MIXING TABLE

MID-ATLANTIC CLASSICAL MAHOGANY MIXING TABLE, the hinged rectangular lid concealing shallow well over a single hinged cabinet door concealing single shelf, raised on carved paw feet. Poplar and pine secondary woods. Retaining an old surface with rich color. Circa 1825. 36 1/2" HOA, 26 1/2" WOA, 20" DOA.

Lot: 3286 - MID-ATLANTIC CLASSICAL MAHOGANY MARBLE-TOP CONSOLE TABLE

MID-ATLANTIC CLASSICAL MAHOGANY MARBLE-TOP CONSOLE TABLE, old rectangular marble top over an ogee-molded frame raised on pierced lyre-form supports joined by a shaped flat stretcher with center finial, retaining an old surface. Pine secondary wood. Circa 1830. 36" H, 30" x 18" top.

Lot: 3287 - MID-ATLANTIC LATE FEDERAL MAHOGANY CHEST OF DRAWERS

MID-ATLANTIC LATE FEDERAL MAHOGANY CHEST OF DRAWERS, featuring four drawers, paneled ends, turned legs, and glove boxes to top. Pine secondary wood. Retaining an old surface. Circa 1825. 48" HOA, 40 1/2" WOA, 17" DOA.

Lot: 3288 - MID-ATLANTIC LATE FEDERAL MAHOGANY WASHSTAND

MID-ATLANTIC LATE FEDERAL MAHOGANY WASHSTAND, with shaped gallery and ends, raised on turned legs, drawer at base, retaining old surface with warm color. Poplar and white pine secondary woods. Circa 1820. 38 1/2" HOA, 18" WOA, 15" DOA.

Lot: 3289 - BOSTON, MASSACHUSETTS-ATTRIBUTED MAHOGANY KLISMOS CHAIRS, SET OF SIX

BOSTON, MASSACHUSETTS-ATTRIBUTED MAHOGANY KLISMOS CHAIRS, SET OF SIX, in the Classical style, each having a curved scrolled crest rail over a single curved slat, raised on four well-drawn sabre legs. Each retains a period-correct upholstery treatment and a restored shellac finish. Circa 1820. 31 3/4" HOA, 16" x 17" seat.

Lot: 3290 - BAKER FOR COLONIAL WILLIAMSBURG MAHOGANY WYTHE BREAKFAST TABLE

BAKER FOR COLONIAL WILLIAMSBURG MAHOGANY WYTHE BREAKFAST TABLE, pattern #8861, the rectangular top set with two hinged leaves above a single drawer, raised on square legs terminating in guttae feet joined by a shaped and pierced X-form stretcher. Retains its original surface and label/paperwork. 27" H, 18 1/2" x 30" closed, 34 1/2" x 30" open. 

Lot: 3291 - ELDRED WHEELER QUEEN ANNE-STYLE CHEST ON FRAME

ELDRED WHEELER QUEEN ANNE-STYLE CHEST ON FRAME, two-piece construction, the upper case with an applied molded cornice over a full drawer made to appear as three drawers, the center panel of which is carved with a shell pattern over four graduated full drawers; the lower case with a shaped apron raised on cabriole legs which terminate in pad feet. Retains its original finish and maker's label in top drawer. Second half 20th century. 62 1/2" HOA, 37" WOA, 19 1/2" DOA.

Lot: 3292 - ELDRED WHEELER CHIPPENDALE-STYLE TIGER MAPLE DOUBLE DRESSER

ELDRED WHEELER CHIPPENDALE-STYLE TIGER MAPLE DOUBLE DRESSER, the rectangular top over three short drawers, the center of which features shell carving, and three pairs of short drawers, the whole supported on an applied bracket foot base. Retains original surface and maker's label to center top drawer. Second half 20th century. 35 1/2" HOA, 60 1/2" WOA, 20 1/4" DOA.

Lot: 3293 - KITTINGER FOR COLONIAL WILLIAMSBURG QUEEN ANNE-STYLE TEA TABLE

KITTINGER FOR COLONIAL WILLIAMSBURG QUEEN ANNE-STYLE TEA TABLE, the rectangular molded-edge top above a pull-out candle slide to each end and a boldly shaped skirt, raised on cabriole legs terminating in pad feet, labeled to the underside. Second half 20th century. 26 1/2" H, 29 1/4" x 17 3/4".

Lot: 3294 - MARTIN'S CHAIR, NEW HOLLAND, PA REPRODUCTION WINDSOR BOW-BACK SETTEE

MARTIN'S CHAIR, NEW HOLLAND, PA REPRODUCTION WINDSOR BOW-BACK SETTEE, featuring a thirty-spindle back, and shaped seat, raised on turned and splayed legs joined by a turned stretcher. Retains its original painted surface. Late 20th/early 21st century. 42 1/4" HOA, 52" WOA, 17" DOA.

Lot: 3295 - BENNER'S WOODWORKING, LEBANON, OHIO, REPRODUCTION CHERRY HANGING SPICE CUPBOARD

BENNER'S WOODWORKING, LEBANON, OHIO, REPRODUCTION CHERRY HANGING SPICE CUPBOARD, the arched shaped top over a single fielded panel cabinet door which opens to reveal a single fixed shelf. Marked verso "BENNER'S / LEBANON / OHIO." Retains its original finished surface. Late 20th/early 21st century. 24 1/2" HOA, 16" WOA, 6 1/2" DOA.

Lot: 3296 - BENNER'S WOODWORKING, LEBANON, OHIO, REPRODUCTION PAINTED HANGING SHELVES, LOT OF TWO

BENNER'S WOODWORKING, LEBANON, OHIO, REPRODUCTION PAINTED HANGING SHELVES, LOT OF TWO, the mustard over red painted example with a rectangular top with molded edge over two shelves and five hanging knobs below; the other example in whale's tail form with four shelves. Mustard example marked verso "BENNER'S." Both retain their original painted surfaces. One Benners, the others by an unidentified maker of the same era. Late 20th/early 21st century. Mustard example 33 1/2" HOA, 37" WOA, 5 3/4" DOA.

Lot: 3297 - DAVID T. SMITH & CO. CABINETMAKERS & GRAINERS, MORROW, OHIO REPRODUCTION MAPLE TABLE / DESK

DAVID T. SMITH & CO. CABINETMAKERS & GRAINERS, MORROW, OHIO REPRODUCTION MAPLE TABLE / DESK, the rectangular overhanging top in figured maple over a plain painted apron with a short drawer on one side, the whole raised on painted square tapered legs connected by a simple H-stretcher. Late 20th/early 21st century. 27" HOA, 48" x 32" top.

Lot: 3298 - REPRODUCTION SHAKER PAINTED MEDIA CABINET

REPRODUCTION SHAKER PAINTED MEDIA CABINET, the rectangular top with applied molding over two raised panel doors which open to reveal three adjustable shelves which all have a small cutout in the back for the ease of running electrical wires, the whole flanked by solid ends and raised on an applied bracket foot base. Retains its original green- and red-painted surface. Late 20th/early 21st century. 60 1/4" HOA, 47 1/2" WOA, 25" DOA.

Lot: 3299 - AMERICAN CENTENNIAL MAHOGANY PIE-CRUST TOP CANDLE / KETTLE STAND

AMERICAN CENTENNIAL MAHOGANY PIE-CRUST TOP CANDLE / KETTLE STAND, the molded and shaped top raised on an elongated urn-form pedestal and tripod base terminating in snake feet. Second half 19th century. 24 1/2" H, 15" DOA.

Lot: 3300 - REPRODUCTION SHAKER-STYLE MAHOGANY STOOL

REPRODUCTION SHAKER-STYLE MAHOGANY STOOL, the round top supported by four splayed legs with chamfered edges connected by a X-form stretcher. The cross point of the stretcher is marked with an embossed crown. Retains its likely original dark stained surface. Second half 20th century. 13 3/4" HOA, 15 1/2" D. 

Lot: 3301 - MARTIN'S CHAIR, NEW HOLLAND, PA REPRODUCTION WINDSOR COMB-BACK YOUTH'S / HIGH-CHAIR

MARTIN'S CHAIR, NEW HOLLAND, PA REPRODUCTION WINDSOR COMB-BACK YOUTH'S / HIGH-CHAIR, featuring shaped crest rail above a seven-spindle back, and shaped seat, raised on turned and splayed legs joined by a turned H-form stretcher. Retains original painted surface. Late 20th/early 21st century. 37 1/2" HOA, 15 1/4" x 11" seat.

Lot: 3302 - MARTIN'S CHAIR, NEW HOLLAND, PA REPRODUCTION WINDSOR COMB-BACK ARMCHAIR

MARTIN'S CHAIR, NEW HOLLAND, PA REPRODUCTION WINDSOR COMB-BACK ARMCHAIR, featuring shaped and carved crest rail above a seven-spindle back, and shaped seat, raised on turned and splayed legs joined by a turned H-form stretcher. Retains original painted surface. Late 20th/early 21st century. 45" HOA, 20" x 16" seat.

Lot: 3303 - MARTIN'S CHAIR, NEW HOLLAND, PA REPRODUCTION WINDSOR BOW-BACK SIDE CHAIRS, LOT OF TWO

MARTIN'S CHAIR, NEW HOLLAND, PA REPRODUCTION WINDSOR BOW-BACK SIDE CHAIRS, LOT OF TWO, each featuring a nine-spindle back, and shaped seat, raised on turned and splayed legs joined by a turned H-form stretcher. Both retain original painted, and finished surfaces. One retains impressed maker's stamp to the underside. Late 20th/early 21st century. 38" HOA, 17" x 17" seat.

Lot: 3304 - SHAKER VIEW, OXFORD, MAINE SHAKER MAPLE ROCKER / ROCKING CHAIR

SHAKER VIEW, OXFORD, MAINE SHAKER MAPLE ROCKER / ROCKING CHAIR, the posts with a turned finial over a single rail above the tape back and seat, shaped arms with mushroom caps, turned front posts, and simple box form stretchers. Retains original surface and seat. Late 20th/early 21st century. 39" HOA, 21" x 18" seat.

Lot: 3305 - DAVID T. SMITH & CO. CABINETMAKERS & GRAINERS, MORROW, OHIO REPRODUCTION PAINTED HANGING CANDLE BOXES, LOT OF TWO

DAVID T. SMITH & CO. CABINETMAKERS & GRAINERS, MORROW, OHIO REPRODUCTION PAINTED HANGING CANDLE BOXES, LOT OF TWO, both of similar form with a shaped back with an inverted heart cutout for hanging, shaped ends front panel comprise the open compartment. Each retain their original painted surfaces and maker's stamp verso. Late 20th/early 21st century. 9" HOA, 11" WOA, 4 1/2" DOA.

Lot: 3306 - DAVID T. SMITH & CO. CABINETMAKERS & GRAINERS, MORROW, OHIO REPRODUCTION PAINTED HANGING SHELF

DAVID T. SMITH & CO. CABINETMAKERS & GRAINERS, MORROW, OHIO REPRODUCTION PAINTED HANGING SHELF, the shaped back with a central flared pineapple decoration over five shelves each with a plate groove, maker's stamp retained verso. Together with a similar example with an open back and five shelves. Two pieces total. Each retain their original painted surfaces. Late 20th/early 21st century. Largest 30" HOA, 15" WOA, 3" DOA.

Lot: 3307 - DAVID T. SMITH & CO. CABINETMAKERS & GRAINERS, MORROW, OHIO REPRODUCTION MAPLE COFFEE TABLE

DAVID T. SMITH & CO. CABINETMAKERS & GRAINERS, MORROW, OHIO REPRODUCTION PAINTED HANGING SHELF, the rectangular overhanging top over a plain painted apron, the whole raised on painted square tapered legs. Late 20th/early 21st century. 18" HOA, 48" x 24" top.

Lot: 3308 - JOHN WILSON (MICHIGAN, 1939-2023) REPRODUCTION SHAKER BOX

JOHN WILSON (MICHIGAN, 1939-2023) REPRODUCTION SHAKER BOX, bird's eye maple, in traditional bentwood form with lapped finger construction held with copper nails. Retains a business card for John Wilson and his signature to the bottom. Dated 1990. 8" HOA, 20 3/4" x 14 1/2" OA top.

Lot: 3309 - BENNER'S WOODWORKING, LEBANON, OHIO, REPRODUCTION TIGER MAPLE LOOKING GLASS / MIRROR

BENNER'S WOODWORKING, LEBANON, OHIO, REPRODUCTION TIGER MAPLE LOOKING GLASS / MIRROR, of rectangular form, the intricately molded frame surrounds a mirror plate. Retains original surface and a label verso reading "Ye Old Looking Glass" and "Benner's" written by hand. Together with a reproduction pewter hanging candle sconce which is signed verso "2000 / ASL / Pewter." Two pieces total. Late 20th/early 21st century. Mirror 14" x 12" OA.

Lot: 3310 - BRITISH OR CONTINENTAL BURL WALL MIRROR

BRITISH OR CONTINENTAL BURL WALL MIRROR, of diminutive size, in the Queen Anne style, featuring finely shaped and veneered frame and likely original beveled glass. Oak secondary wood. Mid 18th century. 15 1/2" x 23 1/4" OA.

Lot: 3311 - BLACK FOREST STYLE CARVED TRIPLE PICTURE FRAME

BLACK FOREST STYLE CARVED TRIPLE PICTURE FRAME, solid one-piece carved wood with the main surface in the form of a long scroll unfurling banner-style which has three inset oval frames and a Greek key upper border, with intricate surrounding carvings of roses and foliage and a charming bird to top center. Continental, probably German or Swiss. Late 19th/early 20th century. 25" LOA.

Lot: 3312 - PAIR OF FEDERAL-STYLE GILTWOOD EAGLE MIRRORS

PAIR OF FEDERAL-STYLE GILTWOOD EAGLE MIRRORS, each featuring a spread-wing eagle looking to one side flanked by two cornucopias which extend around the sides and round out the bottom of the mirror. Both retain their likely original gilt surfaces and mirror plates. Fourth quarter 19th/early 20th century. 24" HOA, 25 1/4" WOA. Catalogue Note: According to the consigner and a retained appraisal these mirrors were deaccessioned from the White House during the Theodore Roosevelt administration.

Lot: 3313 - BRITISH GEORGE III / AMERICAN CHIPPENDALE MAHOGANY LOOKING GLASS / WALL MIRROR

BRITISH GEORGE III / AMERICAN CHIPPENDALE MAHOGANY LOOKING GLASS / WALL MIRROR, cut-out scroll-work crest with an applied gilded Phoenix, above a molded rectangular frame with gilded inner border and lower cut-out drop with pierced quatrefoil, original mirror plate, later backboard. Pine substrate. Fourth quarter 18th century. 39 1/2" HOA, 22" WOA.

Lot: 3314 - BRITISH GEORGE III MAHOGANY LOOKING GLASS / WALL MIRROR

BRITISH GEORGE III / CHIPPENDALE MAHOGANY LOOKING GLASS / WALL MIRROR, in the Chippendale style, the cut-out scroll-work crest with an applied gilded shell, above a molded rectangular frame with gilded and shaped liner, and lower cut-out drop, outstanding original mirror plate and backboard. Pine substrate. Fourth quarter 18th century. 44 1/2" HOA, 24 1/2" WOA.

Lot: 3315 - BRITISH GEORGE II MAHOGANY LOOKING GLASS / WALL MIRROR

BRITISH GEORGE II MAHOGANY LOOKING GLASS / WALL MIRROR, in the Queen Anne style, the cut-out scroll-work crest with a gilded pierced shell, above a molded rectangular frame with gilded and shaped liner, original mirror plate and backboard. Pine substrate. Retains an excellent old surface. Second half 18th century. 37 1/2" HOA, 18 1/2" WOA.

Lot: 3316 - ENGLISH OR AMERICAN FEDERAL GILTWOOD LOOKING GLASS / WALL MIRROR

ENGLISH OR AMERICAN FEDERAL GILTWOOD LOOKING GLASS / WALL MIRROR, featuring an overhanging cornice above a reverse-painted verre eglomise panel featuring foliate designs over the likely original old mirror plate, the whole is flanked by reeded pilasters. Retains a later gilt surface. First half 19th century. 27 3/4" HOA, 16" WOA.

Lot: 3317 - CONTINENTAL PINE-FRAME COURTING MIRROR

CONTINENTAL PINE-FRAME COURTING MIRROR, the molded-edge form with reverse-painted panel to crest and border framing the original mirror plate, frame with floral decoration. Retaining its original red- and black-painted surfaces. 18th century. 18 3/4" x 13" OA.

Lot: 3318 - BRITISH GEORGE III / AMERICAN CHIPPENDALE MAHOGANY LOOKING GLASS / WALL MIRROR

BRITISH GEORGE III / AMERICAN CHIPPENDALE MAHOGANY LOOKING GLASS / WALL MIRROR, cut-out scroll-work crest with an applied gilded Phoenix, above a molded rectangular frame with gilded inner border flanked by applied gilded vines, and a lower cut-out drop, original mirror plate, later backboard. Pine substrate. Fourth quarter 18th/early 19th century. 42" HOA, 21 1/2" WOA.

Lot: 3319 - QUEEN ANNE REVERSE-PAINTED COURTING MIRROR

QUEEN ANNE REVERSE-PAINTED COURTING MIRROR, rectangular form with arched crest, gilt pine frame with stepped corners, reverse-painted glass tablet at the top and insets to frame border. Lacks mirror plate. First half 18th century. 16 1/2" x 11 3/4" when assembled correctly.

Lot: 3320 - JAMES PATERSON (BANFF, SCOTLAND, 1757-1829) INLAID MAHOGANY TALL-CASE CLOCK

JAMES PATERSON (BANFF, SCOTLAND, 1757-1829) INLAID MAHOGANY TALL-CASE CLOCK, eight-day brass works, with brass dial signed "Jas. Paterson / Banff", hood with broken arch pediment above a hinged tombstone door flanked by corner columns mounted with brass capitals, side lights, hinged waist door with molded edge flanked by fluted quarter columns, the whole raised on French feet. Retains an older refinished surface with warm color, two weights, a key, and a pendulum. Fourth quarter 18th/early 19th century. 82 1/2" HOA, 18" WOA, 9" DOA.

Lot: 3321 - ENGLISH GEORGIAN INLAID MAHOGANY TALL-CASE CLOCK

ENGLISH GEORGIAN INLAID MAHOGANY TALL-CASE CLOCK, brass eight-day movement and painted sheet-iron dial signed "[indistinguishable] Stirling" depicting a scene of "The King's Welcome to Scotland" at the top; the rectangular hood with hinged tombstone door above a rectangular waist door flanked by chamfered corners, the whole supported on a plinth base with applied molding. The whole decorated with various veneered designs. Retains an early, possibly original surface with warm color, two weights, a key, and a pendulum. Early 19th century. 83 1/2" HOA, 23 1/2" WOA, 10" DOA.

Lot: 3322 - ARTS AND CRAFTS WROUGHT-IRON FERN STANDS, LOT OF TWO

ARTS AND CRAFTS WROUGHT-IRON FERN STANDS, LOT OF TWO, each scrollwork and twisted-rod tripodal stand with applied floral ornaments, one supporting a copper bowl and the other a painted-metal bowl. First quarter 20th century. 41" and 48" HOA, 15" and 17 1/2" WOA base. 

Lot: 3323 - VINTAGE CAST-CONCRETE FOX GARDEN STATUE

VINTAGE CAST-CONCRETE FOX GARDEN STATUE, seated facing left with ears alert and a pleasant facial expression, tail curled towards the body with the tip slightly raised. Probably American. Mid 20th century. 14 1/4" HOA.

Lot: 3324 - VINTAGE PAINT-DECORATED CAST-CONCRETE SQUIRREL GARDEN STATUE

PAINT-DECORATED CAST-CONCRETE SQUIRREL GARDEN STATUE, seated on an ivy-textured base, the chubby rodent facing forwards with head turned slightly to the right with tail curled upwards, holding an acorn in its hands, retaining an old painted surface with brown fur, gray tail and ears, and green ground. Probably American. Mid 20th century. 11 1/4" HOA.

Lot: 3325 - VINTAGE CARVED STONE PUFFIN GARDEN STATUE

VINTAGE CARVED STONE PUFFIN GARDEN STATUE, white stone with black/gray veining (probably marble), the squat egg-shaped body with tucked wings and a puffed breast, with head held slightly back, defined by a simplistic rendering of the bird's famous large beak and concave facial structure. Possibly with an inscription under the base, now unreadable. Probably American. 20th century. 11 1/2" HOA.

Lot: 3326 - VINTAGE CAST CONCRETE / STONE GARDEN STATUES, LOT OF TWO

VINTAGE CAST CONCRETE / STONE GARDEN STATUES, LOT OF TWO, comprising a large natural stone with relief carving of a butterfly which is signed on a flat end "Gianforte", and a small concrete hedgehog. Probably American. 20th century. 8" L hedgehog, 14" LOA.

Lot: 3327 - ANTIQUE CAUCASIAN SOUMAK / ROOM SIZE ORIENTAL RUG / CARPET

ANTIQUE CAUCASIAN SOUMAK / ROOM SIZE ORIENTAL RUG / CARPET, the red-ground field with a single row of three large diamonds or lozenge-form medallions each containing a dense foliate arrangement around octagonal totems over deep blue ground, interspersed with pairs of similar octagonal totems with saffron ground, and blue obelisk-shaped devices, surrounded by multicolored rosettes; all within a double-ruled series of borders including rosettes, zigzags, and the outermost border having the wave-form "running water" design. Probably Kuba. Late 19th/early 20th century. 8' x 9' 10".

Lot: 3328 - ANTIQUE CAUCASIAN "EAGLE KAZAK" ORIENTAL SCATTER RUG

ANTIQUE CAUCASIAN "EAGLE KAZAK" ORIENTAL SCATTER RUG, the red-ground field with a single row of three large so-called "eagle" sunburst-form medallions each containing a dense arrangement of floral and geometric devices with sprigs shooting out in all directions, and a few small birds placed whimsically throughout; the main border having interlinked eight-pointed stars alternating with double and triple-dot motifs, flanked by thin red and yellow striped borders and an opposing pair of blue and black zigzags. Probably Chelaberd. Late 19th/early 20th century. 4' 4" x 8' 5".

Lot: 3329 - ANTIQUE PERSIAN ROOM SIZE ORIENTAL RUG / CARPET

ANTIQUE PERSIAN ROOM SIZE ORIENTAL RUG / CARPET, the red-ground field with a single row of medallions each containing a dense foliate arrangement surrounded by multicolored rosettes and botehs; all within a double-ruled series of borders including rosettes and other foliate and vine motifs. Probably Kirman. Late 19th/early 20th century. Dimensions and photos forthcoming.

Lot: 3330 - ANTIQUE / SEMI-ANTIQUE CAUCASIAN ORIENTAL RUNNER

ANTIQUE / SEMI-ANTIQUE CAUCASIAN ORIENTAL RUNNER, the central field with an arrangement of brightly-colored hourglass-form designs over a yellow ground divided by a thin geometric band running the length; within a double-ruled black and white border having geometric floral designs, with an additional band of bright blue and red flowers. Late 19th/first half 20th century. 3' 8" x 10' 9".

Lot: 3331 - CONTEMPORARY KARASTAN PERSIAN-STYLE ORIENTAL PALACE-SIZED CARPET / RUG

CONTEMPORARY KARASTAN PERSIAN-STYLE ORIENTAL PALACE-SIZED CARPET / RUG, of monumental size and highly intricate detail, primarily woven in shades of red and blue and yellow, the field featuring the "Heriz" / No. 726 pattern as indicated by the original Karastan rear tag/label. Late 20th/early 21st century. 8' 7" x 20' 8". 

Lot: 3332 - ANTIQUE CAUCASIAN ORIENTAL SCATTER RUG

ANTIQUE CAUCASIAN ORIENTAL SCATTER RUG, the central field with two rows of six blue medallions over a red ground with floral embellishments; within a double-ruled plain blue border having a yellow-ground band with more floral embellishments. Late 19th/early 20th century. 3' 10" x 6' 10".

Lot: 3333 - ANTIQUE CAUCASIAN ORIENTAL SCATTER RUG

ANTIQUE CAUCASIAN ORIENTAL SCATTER RUG, the central field with a row of six conjoined blue diamond medallions with a geometric "S" motif band over red ground, and an additional band with floral or snowflake-form embellishments over a yellow ground; the outermost band within a double-ruled border having bright yellow and red striping. Probably Kazak. Late 19th/early 20th century. 3' 10" x 7' 9".

Lot: 3334 - ANTIQUE CAUCASIAN ORIENTAL SCATTER RUG

ANTIQUE CAUCASIAN ORIENTAL SCATTER RUG, the central blue-ground field with three rows of five larger geometric flowers with serrated edges, each also having four smaller jagged geometrical devices joined to them as if by wiry vines (possibly representing smaller buds or leaves); and an additional band with naturalistic motifs interrupted by occasional rosettes, on a lavender ground, within a double-ruled border having a yellow zigzag over red ground. Possibly Talish or Gendje. Late 19th/early 20th century. 3' 5" x 6' 8".

Lot: 3335 - ANTIQUE PERSIAN / CAUCASIAN ORIENTAL SCATTER RUG

ANTIQUE PERSIAN / CAUCASIAN ORIENTAL SCATTER RUG, the sparse earthy-brown central field with a single row of three large diamonds each having a dense floral arrangement over deep blue ground, interspersed with small red rosettes, while the curvilinear cutout corners have their own sets of abstract polychrome flowers and a patchwork of freeform shapes arranged over a pale blue ground; all within a triple-ruled series of floral borders. Late 19th/early 20th century. 4' 7" x 8'.

Lot: 3336 - ANTIQUE CAUCASIAN ORIENTAL PRAYER / SCATTER RUG

ANTIQUE CAUCASIAN ORIENTAL PRAYER / SCATTER RUG, the central field with repeated red and purple ram's horn designs over a yellow ground, an unusual variation of the "tree of life" with "legs" connected via a geometric band running the length and seeming to form a centipede/millipede or many-legged insect; within a triple-ruled red border having geometric designs and intricate detail echoing the ram's horn. Possibly Baluch. Mid 20th century. 3' 4" x 4' 7".

Lot: 3337 - SEMI-ANTIQUE CAUCASIAN ORIENTAL SCATTER RUG

SEMI-ANTIQUE CAUCASIAN ORIENTAL SCATTER RUG, the central diamond-shaped field undyed and filled entirely with dense rows of human figures in red, dark green, and pale blue, with dogs scattered around the outer edge, surrounded by a thick unpatterned red border, while the cutout corners have their own intricate arrangement of botehs, flowers, and interlinked hooks atop a deep blue ground; all within a triple-ruled series of borders featuring botehs and rosettes divided by zigzags, and another style of border which may depict humanoid figures laid end to end. Mid 20th century. 4' 10" x 5' 1".

Lot: 3338 - SEMI-ANTIQUE PERSIAN ORIENTAL RUNNER

SEMI-ANTIQUE PERSIAN ORIENTAL RUNNER, the central field and main border with a dense layout of florals (possibly roses) over a black ground, bookended by two identical borders with a different set of florals and small sprigs over an undyed ground. Retaining an old Cleveland, Ohio retailer's label at rear which reads "DAVIDIAN, V / ORIENTAL RUGS". Probably Kurdish. Mid 20th century. 3' 6" x 16' 10".

Lot: 3339 - SEMI-ANTIQUE PERSIAN / CAUCASIAN ORIENTAL RUG SADDLEBAGS, LOT OF TWO

SEMI-ANTIQUE PERSIAN / CAUCASIAN ORIENTAL RUG SADDLEBAGS, LOT OF TWO, each with deep bags on either side over their likely original foundations, comprising one extra-wide example sewn together from one piece of fabric, with a hooked polygon medallion to both covers, in tones of primarily yellow and green and white; and a smaller example with a primarily red-and-white densely tessellated geometric decoration, having thick rows of blue loops along the seat. The smaller example retaining an old retailers' sticker reading "Oriental Woollen Carpet / Rug" and "Hand-Knotted in Pakistan". Mid 20th century. Smaller: 24" x 39" OA; larger: 21" x 60" OA.

Lot: 3340 - SEMI-ANTIQUE PERSIAN ORIENTAL SCATTER RUG

SEMI-ANTIQUE PERSIAN ORIENTAL SCATTER RUG, the angular earthy-brown central field with a large red and dark blue central diamond with each end having a large spear head pointed pendant, while the angled cutout corners have their own sets of abstract polychrome flowers and a patchwork of freeform shapes arranged over a deep blue ground; all within a series of floral and striped borders. Mid 20th century. 3' 5" x 5' 11".

Lot: 3341 - SEMI-ANTIQUE TURKISH / CAUCASIAN ORIENTAL RUNNER

SEMI-ANTIQUE TURKISH / CAUCASIAN ORIENTAL RUNNER, the whole design composed of alternating bands of seven interlinked diamonds with Greek key-type detailing and stars, along with sparse triple-ruled borders featuring a single row of stars flanked by blank bands, all in subdued tones featuring various colors throughout. Mid 20th century. 2' 6" x 11' 3".

Lot: 3342 - SEMI-ANTIQUE TURKISH / CAUCASIAN ORIENTAL SCATTER RUG

SEMI-ANTIQUE TURKISH / CAUCASIAN ORIENTAL SCATTER RUG, the central field featuring six rows of yellow/orange diamonds interspersed with five rows of similar diamonds in a pale green color, surrounded by a series of geometric borders with motifs including rosettes, zigzags, and inverted "S" bands. Retaining a label for "Galerie Faruk" with contact information and origin indicated as "Hand Woven in Turkey". Mid 20th century. 5' x 6'.

Lot: 3343 - FRENCH CHARLES X AUBUSSON ROOM-SIZE CARPET

FRENCH CHARLES X AUBUSSON ROOM-SIZE CARPET, the central oval floral medallion surrounded by a border of circular and rectangular floral reserves. 19th century. Approximately 15' 6" x 14' 9".

Lot: 3344 - CONTEMPORARY PERSIAN / CAUCASIAN ORIENTAL RUNNER

CONTEMPORARY PERSIAN / CAUCASIAN ORIENTAL RUNNER, the central red-ground field with a single row of six conjoined diamonds flanked either side by a dense and whimsical arrangement of various flowers, while the cutout corners have their own sets of flowers, flowering urns, and other symbols arranged at random over a blue ground; all within a double-ruled white zigzag border. Second half 20th century. 3' 10" x 9' 5".

Lot: 3345 - CONTEMPORARY PERSIAN / CAUCASIAN ORIENTAL RUNNER

CONTEMPORARY PERSIAN / CAUCASIAN ORIENTAL RUNNER, all-over red and deep blue coloration, the central field with a single row of ten square medallions with stepped pyramid embellishments between, with a dense geometric background; all within a series of geometric borders including one design composed of deer/antelope, and the cutout corners with diagonal zigzags. Second half 20th century. 2' 7" x 14' 10".

Lot: 3346 - SEMI-ANTIQUE CAUCASIAN ORIENTAL SCATTER RUGS, LOT OF TWO

SEMI-ANTIQUE CAUCASIAN ORIENTAL SCATTER RUGS, LOT OF TWO, comprising one area-sized example having three rows of seven angled-edge polygons interspersed with snowflakes over a bright red ground, and a prayer rug featuring dense rows of snowflakes flanked by a geometrical floral device over undyed ground, with alternating bright and deep red geometric borders. Mid 20th century. Each 2' 11" x 4' 8".

Lot: 3347 - ANTIQUE CAUCASIAN SCATTER RUG

ANTIQUE CAUCASIAN SCATTER RUG, blue, brown, and tan colors, rectangular center field with repeated geometric pattern. Late 19th/first quarter 20th century. 5' 5" x 3' 5".

Lot: 3348 - CONTEMPORARY PERSIAN / CAUCASIAN ORIENTAL SCATTER RUG

CONTEMPORARY PERSIAN / CAUCASIAN ORIENTAL SCATTER RUG, the central field undyed and featuring a prominent peacock standing proudly with one leg raised, with additional small birds and a pair of batwing-form medallions; having a single and double compartmented pair of red-ground main borders each containing roosters and a tulip, within additional helix borders. Late 20th/early 21st century. 4' x 6' 3".

Lot: 3349 - CONTEMPORARY CAUCASIAN / PERSIAN ORIENTAL SCATTER RUG

CONTEMPORARY CAUCASIAN / PERSIAN ORIENTAL SCATTER RUG, the central field featuring a vertical "flowering urn" motif with tulips/flowers and feathers/wings along the center flanked by numerous chevrons over a dark blue ground, with a series of geometric borders, in bright colors. Late 20th/early 21st century. 2' 8" x 5'.

Lot: 3350 - SEMI-ANTIQUE PERSIAN / CAUCASIAN ORIENTAL RUG BAGS, LOT OF TWO

SEMI-ANTIQUE PERSIAN / CAUCASIAN ORIENTAL RUG BAGS, LOT OF TWO, comprising a larger example made from two pieces of fabric stitched together, geometrically decorated in tones of primarily brown with red and blue elements, which may function as a saddle throw and which has loops or handles sewn on along either side; and a smaller example sewn from a single piece of fabric, with a narrow strip of primarily red-and-white geometric decoration, with loops only along its front. Mid 20th century. Smaller: 29" x 43" OA; larger: 32" x 46" OA.

Lot: 3351 - CONTEMPORARY AFGHAN / CAUCASIAN ORIENTAL SCATTER RUG

CONTEMPORARY AFGHAN / CAUCASIAN ORIENTAL SCATTER RUG, the central field featuring a map of modern-day Afghanistan with provinces and neighboring countries identified in English lettering, with traditional motifs and borders, in bright colors, with fringe along the long edges. Late 20th/early 21st century. 2' x 3'.

Lot: 3352 - CONTINENTAL RENAISSANCE-STYLE, POSSIBLY GRAND TOUR, ARMOR BREASTPLATE

CONTINENTAL RENAISSANCE-STYLE, POSSIBLY GRAND TOUR, ARMOR BREASTPLATE, constructed of molded steel, the front decorated with embossed geometric and foliate decoration, the upper section having a scrolled decoration which terminates in rosettes featuring side profiles of two figures. Likely a decorative piece made for the tourist industry, possibly during the Grand Tour era. Fourth quarter 19th century. 19 1/2" HOA, 15 3/4" WOA.

Lot: 3353 - CHINESE CARVED ROSEWOOD MOTHER-OF-PEARL INLAID TABLE SCREEN

CHINESE CARVED ROSEWOOD MOTHER-OF-PEARL INLAID TABLE SCREEN, two-piece form, the rectangular top section with two panels, the largest panel featuring a gnarled plant with birds, butterflies, and a bat surrounding it, the rest of the object with similar mother-of-pearl inlaid decoration. Late 19th/early 20th century. 31 1/2" HOA, 19 1/2" WOA, 5 3/4" DOA.

Lot: 3354 - 20TH CENTURY CARVED TEAKWOOD FOLDING SCREEN

20TH CENTURY CARVED TEAKWOOD FOLDING SCREEN, consisting of four tall rectangular panels hinged together at their ends, the arch-form top panels are removable by sliding up/down and other panels may have been customizable in a similar fashion; the whole with intricate pierced carvings featuring overall grapevine and foliate motif within the numerous recessed rectangular reserves/windows. Second half 20th century. Each panel 19 7/8" W end to end, 74" HOA.

Lot: 3355 - CHINESE QING DYNASTY PAINT-DECORATED WOODEN TRUNK

CHINESE QING DYNASTY PAINT-DECORATED WOODEN TRUNK, likely camphorwood with dovetailed corners, decorated with traditional Chinese motifs, the central reserve featuring figures set into a mountainous landscape. Second half 19th/early 20th century. 16 1/2" HOA, 47 1/2" WOA, 19 1/4" DOA.

Lot: 3356 - CHINESE PIERCE-CARVED ROSEWOOD LOW STAND TABLE

CHINESE PIERCE-CARVED ROSEWOOD LOW STAND TABLE, the square top inset with marble supported by four carved legs and brackets. Retains an old surface with warm color. Late 19th/first half 20th century. 11 3/4" HOA, 20 3/4" SQ top.

Lot: 3357 - CHINESE EXPORT ROSEWOOD DIMINUTIVE DISPLAY CASE

CHINESE EXPORT ROSEWOOD DIMINUTIVE DISPLAY CASE, the finely dovetailed case having a lift-up sliding front fitted with a single pane of glass, the case top having its original brass bail handles, raised on its original bracket base, interior with a later hanging hook in the top. Retains its original dark surface. First half 19th century. 10 3/4" H, 6 3/4" x 5 3/4" OA base. 

Lot: 3358 - CHINESE CARVED ROSEWOOD MOTHER-OF-PEARL INLAID DISPLAY STAND

CHINESE CARVED ROSEWOOD MOTHER-OF-PEARL INLAID DISPLAY STAND, featuring three raised platforms at the top, the front featuring two dragons flanking a yin-yang symbol surrounded by flower-type petals, the rear of the stand is elaborately carved in similar sinuous designs. Late 19th/early 20th century. 6 1/4" HOA, 14 1/2" WOA, 5 3/4" DOA.

Lot: 3359 - CHINESE CARVED ROSEWOOD MARBLE-TOP STAND TABLE

CHINESE CARVED ROSEWOOD MARBLE-TOP STAND TABLE, featuring a rectangular top with inset marble, a middle shelf with applied carving skirt, the whole supported by square legs. First half 20th century. 31 5/8" HOA, 16 1/2" WOA, 12" DOA.

Lot: 3360 - JAPANESE MEIJI PERIOD ENAMELED BRONZE KODANSU / JEWELRY CABINET

JAPANESE MEIJI PERIOD ENAMELED BRONZE KODANSU / JEWELRY CABINET, cast sheet bronze with applied enamel decoration, the two hinged cabinet doors open to reveal a single fixed shelf, below are two short drawers, the whole is raised on cut out bracket feet flanking a shaped apron. The decoration on the doors features fanciful birds perched in tree peonies, the top and sides with various other birds perched in prunus and other blooming tree branches, the rest of the cabinet decorated in stylized floral and scrolled motifs with coordinating colors. Retained is a small likely original lock of the same period which fits through small hasp pieces on the doors and the central divider. Late 19th/early 20th century. 11" HOA, 7 1/4" WOA, 3 3/4" DOA.

Lot: 3361 - JAPANESE HANAKAGO / WOVEN IKEBANA FLOWER BASKET

JAPANESE HANAKAGO / WOVEN IKEBANA FLOWER BASKET, intricately woven bamboo with dark smoked surface, tall slightly-tapered cylindrical form having four long staves external to the hexagonal plaiting which forms a squared base with four short protruding legs; the flaring rim with attached double handle consisting of a thick knotted root (probably wisteria) and contrasted with a thin bent bamboo branch. Late 19th/20th century, probably Meiji period. 23 3/4" HOA, 6" D upper rim.

Lot: 3362 - JAPANESE MIXED-METAL BRONZE VASES

JAPANESE MIXED-METAL BRONZE VASES, each having applied and engraved decoration, the larger featuring two flying birds with what appear to be maple seeds flying through the air; the smaller featuring flying herons over foliate devices and what appear to be cacti. Largest marked "MADE IN JAPAN" on base, both with Japanese characters on the side, likely a signature. Late 19th/20th century, possibly Meiji period. Largest 10 3/4" HOA, smallest 6" HOA.

Lot: 3363 - JAPANESE HANAKAGO / WOVEN IKEBANA FLOWER BASKET

JAPANESE HANAKAGO / WOVEN IKEBANA FLOWER BASKET, intricately woven bamboo with dark smoked surface, urn-form body with a tall sloping foot, vertical ribs having X-form plaiting underneath, the shoulder having an arched handle with ribbon-form attachments and reinforcements. Late 19th/20th century, probably Meiji period. 19" HOA, 4 3/4" D inner rim.

Lot: 3364 - PAIR OF CHINESE CLOISONNE STORK / CRANE VASES ON STANDS

PAIR OF CHINESE CLOISONNE STORK / CRANE VASES ON STANDS, footed urn-form bodies with cylindrical necks and bulbous mouths, each with two opposing central floral-bordered reserves featuring depictions of a pair of red-crowned cranes frolicking with mountains in the background, the remaining surface thoroughly covered in intricate scrolling floral decorations on a pale blue ground; each vase with a small ebonized wood base. 20th century. 13 5/8" HOA (including stands).

Lot: 3365 - CHINESE / JAPANESE CARVED BONE ARTICLES, LOT OF THREE

CHINESE / JAPANESE CARVED BONE ARTICLES, LOT OF THREE, comprising a large snuff bottle carved in deep relief featuring numerous figures all over the body and an attached carved wooden base; and two netsuke-like figures, one depicting a sleeping woman lying on her side with what appears to be a small fawn or calf next to her; and a figure of a child with a head of curly hair. 19th/20th century. Snuff bottle 6 1/4" HOA.

Lot: 3366 - ASSORTED JAPANESE KASHIGATA / WOODEN CAKE / HIGASHI MOLDS, LOT OF 11

ASSORTED JAPANESE KASHIGATA / WOODEN CAKE / HIGASHI MOLDS, LOT OF 11, likely constructed of mountain cherry or ginkgo, each in two-part form depicting various traditional Japanese cake forms such as lotus leaves, lotus roots, and a heron. Most are marked with Japanese characters identifying the object. First half 20th century, possibly older. Heron example 1 3/4" HOA, 9 1/2" WOA, 4 1/4" DOA. Catalogue Note: Higashi are small traditional Japanese tea cakes often used in tea ceremonies or other ceremonial events. The molds themselves are referred to as Kashigata and are primarily carved from mountain cherry or ginkgo which is cut a year in advance and allowed to season/cure to avoid cracking.

Lot: 3367 - JAPANESE HANAKAGO / WOVEN IKEBANA FLOWER BASKETS, LOT OF TWO

JAPANESE HANAKAGO / WOVEN IKEBANA FLOWER BASKETS, LOT OF TWO, intricately woven bamboo with dark smoked surface, comprising a narrow cylindrical example with X-form staves and lashings with a notch-cut and bent arched branch handle, and a squat/compressed vasiform example with stacked curved staves and lashings, ring base, no handle. First half 20th century. 13 1/2" HOA.

Lot: 3368 - JAPANESE HANAKAGO / WOVEN IKEBANA NESTING FLOWER BASKETS, SET OF THREE

JAPANESE HANAKAGO / WOVEN IKEBANA NESTING FLOWER BASKETS, SET OF THREE, intricately woven bamboo with dark smoked and brown-lacquered surfaces (the largest having lightened a bit), each of tall square form with long bent staves (two at each corner) over the plaited surface, flaring rim with attached arch handle and nailed supports. First half 20th century. 15 1/2" smallest, 25 1/4" HOA.

Lot: 3369 - ASSORTED CHINESE CLOISONNE ARTICLES, LOT OF FIVE

ASSORTED CHINESE CLOISONNE ARTICLES, LOT OF FIVE, comprising an urn-form floral vase, a figural horse, a small bird with wire feet and crest, a round box with its lid featuring a depiction of two rabbits next to a radish, and a large round shallow bowl depicting a variety of flowering plants and fruits in vases. Together with an unidentified bangle made from patinated white metal of hammered construction. Six pieces total. 20th century. 9" HOA, 15 1/4" D bowl (widest point).

Lot: 3370 - CHINESE BRONZE SMALL ZUN-FORM VASE

CHINESE BRONZE SMALL ZUN-FORM VASE, cast bronze with heavily patinated surface, compressed round body with intricate bamboo-form vertical handles, raised on a thick foot with molded edge; the very tall neck and flaring rim having high-relief decorations over a geometrically textured background, with one scene depicting an old man trying to control a raging bull or ox, while on the other side he sits and fans himself with a large leaf. No markings located. Probably 19th century. 6 1/2" H.

Lot: 3371 - ASSORTED CHINESE / JAPANESE CARVED BONE / CORAL ARTICLES, LOT OF 14

ASSORTED CHINESE / JAPANESE CARVED BONE / CORAL ARTICLES, LOT OF 14, including a pair of Chinese guardian lions; several netsuke figures; and two carved coral figures of men. Several pieces bear signatures of their makers. Together with six associated wooden stands. Twenty pieces total. 20th century, possibly earlier. Lion pair 5 1/4" HOA.

Lot: 3372 - ASSORTED CHINESE / JAPANESE SNUFF BOTTLES, LOT OF FIVE

ASSORTED CHINESE / JAPANESE SNUFF BOTTLES, LOT OF FIVE, comprising five carved stone examples, and one carved bone example with relief-carved figures on one side and bamboo on the other. Together with two associated wooden stands. Seven pieces total. 19th/20th century. Bone example 3" HOA.

Lot: 3373 - ASSORTED ASIAN AND OTHER ARTICLES, LARGE UNCOUNTED LOT.

ASSORTED ASIAN AND OTHER ARTICLES, LARGE UNCOUNTED LOT, including a large number of various seals, most appear to be bronze; several different locks; a gong with embossed decoration; and a small object labeled as "SIAM MARRIAGE TOK / USED TO BUY A WIFE." 19th/20th century, possibly earlier. Gong 9" D.

Lot: 3374 - JAPANESE MINIATURE WEDDING PROCESSION SET

JAPANESE MINIATURE WEDDING PROCESSION SET, constructed of a clay-like material, many with integral wire stands which project behind them, many carry lanterns, drums, horns, or other ceremonial objects, and eight of them carry a palanquin with figures inside. Circa 1930. Tallest with lantern, 4 1/4" HOA.

Lot: 3375 - CHINESE / JAPANESE CARVED JADE AND STONE ARTICLES, LOT OF FIVE PIECES

CHINESE / JAPANESE CARVED JADE AND STONE ARTICLES, LOT OF FIVE PIECES, each tested in the nephrite or jadeite range but possibly another stone, comprising a snuff bottle with dragon around top and a cap, another snuff bottle cap without base, a carved bust of a man wearing a hat, and two carved animal figures of a fish and a bird. Fish hand-etched "CHINA" to base, otherwise unmarked. 20th century. Snuff bottle 2 5/8" HOA.

Lot: 3376 - JAPANESE HANAKAGO / WOVEN IKEBANA FLOWER BASKETS, LOT OF THREE

JAPANESE HANAKAGO / WOVEN IKEBANA FLOWER BASKETS, LOT OF THREE, intricately woven bamboo in various forms comprising a cylindrical example with squared rim, a miniature urn-form example with a solid turned wood disk-form base/foot, and a handle-less example with a wavy shaped rim and ring base which raises the body diagonally. Mid to late 20th century. 6 3/4" H smallest, 19 1/4" HOA.

Lot: 3377 - JAPANESE HANAKAGO / WOVEN IKEBANA FLOWER BASKETS, LOT OF TWO

JAPANESE HANAKAGO / WOVEN IKEBANA FLOWER BASKETS, LOT OF TWO, intricately woven bamboo with dark smoked and lacquered surfaces, comprising a squat globular example with very tall squared handle, retaining its cylindrical lacquered-wood insert; and a larger vasiform example with narrow neck and thick flaring squared rim, with a very wide oversized handle attached low on the body. Mid to late 20th century. 17 1/2" H smaller, 20 1/2" HOA.

Lot: 3378 - JAPANESE HANAKAGO / WOVEN IKEBANA FLOWER BASKET SCULPTURE

JAPANESE HANAKAGO / WOVEN IKEBANA FLOWER BASKET SCULPTURE, intricately woven bamboo with dark smoked and thick black-lacquered surfaces, the gourd-form or bird's nest styled basket sections bound to a knotted root or branch frame structure with nailed attachments, retaining its painted tin insert. Mid to late 20th century. 14 1/2" LOA, 14 1/4" HOA.

Lot: 3379 - ASSORTED ASIAN WOVEN BASKET-TYPE TABLE ARTICLES, LOT OF FOUR

ASSORTED ASIAN WOVEN BASKET-TYPE TABLE ARTICLES, LOT OF FOUR, intricately woven bamboo/wicker and wood in various forms comprising a hanging wall pocket/vase, a large storage bottle/demijohn consisting of a natural gourd wrapped in woven casing, a squat hanakago/ikebana vase with flaring rim and ring handles, and a red-painted small covered basket with arched handle. Japanese, Chinese, and probably others. Mid to late 20th century. 6 3/4" H covered basket, 17" HOA.

Lot: 3380 - CHINESE / ASIAN BUDDHA AND BUDAI FIGURES, LOT OF SIX

CHINESE / ASIAN BUDDHA AND BUDAI FIGURES, LOT OF SIX, including two carved stone figures; one metal figure with a gilt finish; and a pair of metal figures sitting in some form of a throne. 19th/20th century. Tallest 7 1/4" HOA.

Lot: 3381 - ASSORTED ASIAN CARVED BONE FIGURES, LOT OF THREE

ASSORTED ASIAN CARVED BONE FIGURES, LOT OF THREE, comprising a tall figure of a man with a mustache, a woman with a bun atop her head, and a grouping of three men, each retain their original wooden attached stands. Together with a carved wooden figure of a man. Four pieces total. 20th century. Tallest 12 3/4" HOA.

Lot: 3382 - ASIAN BUDDHA FIGURES, LOT OF TWO

ASIAN BUDDHA FIGURES, LOT OF TWO, comprising an example of carved wood with remains of a gilt surface, and one in metal, likely bronze, with a patinated surface. 19th or 20th century, possibly earlier. Wooden example 15 1/4" HOA, 8 1/4" WOA.

Lot: 3383 - ASIAN SCHOLAR STONE ON WOOD BASE

ASIAN SCHOLAR STONE ON WOOD BASE, the large oblong stone of quartz or granite composition rests upright in its fitted wooden base with coved edge and carved feet. Likely Asian. 20th century. 12 3/4" HOA, 5 3/4" WOA, 5" DOA.

Lot: 3384 - ASSORTED JAPANESE / CHINESE ARTICLES, LOT OF EIGHT,

ASSORTED JAPANESE / CHINESE ARTICLES, LOT OF EIGHT, including two miniature watercolors of municipal buildings / houses of prayer. 19th/20th century. Various sizes.

Lot: 3385 - SOUTHEAST ASIAN GUARDIAN LION / DOG FIGURAL SILVER-PLATED BETEL BOX

SOUTHEAST ASIAN GUARDIAN LION / DOG FIGURAL SILVER-PLATED BETEL BOX, in the form of a reclining guardian lion/dog with open mouth, having repousse, chased, decoration including curly hair. Unmarked. Probably Thailand or Cambodia. 20th century. 3 1/2" HOA, 5 1/4" LOA.

Lot: 3386 - CHINESE BRONZE GUANYIN ON GUARDIAN LION / FOO DOG STATUE

CHINESE BRONZE GUANYIN ON GUARDIAN LION / FOO DOG STATUE, depicting Guanyin on the back of her guardian lion which features elaborately scrolled mane and fur in relief, and a tall flame-like tail. Likely 19th century. 15 1/2" HOA, 12 1/2" WOA, 8 1/2" DOA.

Lot: 3387 - CHINESE EXPORT BOTANICAL WATERCOLORS, QING DYNASTY, LOT OF 12

CHINESE EXPORT BOTANICAL WATERCOLORS, QING DYNASTY, LOT OF 12, on pith paper, each a highly detailed depiction of a single type of fruit bordered by a ribbon edging. Each is housed in a 20th century painted faux-bamboo frame. 19th century. Each 7" x 11" sight, 8 3/4" x 12 3/4" OA.

Lot: 3388 - CHINESE BRONZE FOOTED CENSOR

CHINESE BRONZE FOOTED CENSOR, low barrel-type form with faux rivets around the top and bottom edges of the censor, supported by three playful human-form feet, with another two on the top rim. The underside with an interior applied marking with Chinese characters. Likely 19th century. 7 3/4" HOA, 11 1/2" WOA.

Lot: 3389 - AFTER JIAO BINGZHEN (CHINESE, ACTIVE 1689-1726) HUNT SCENE PAINTING ON SILK SCROLL

AFTER JIAO BINGZHEN (CHINESE, ACTIVE 1689-1726) HUNT SCENE PAINTING ON SILK SCROLL, ink and watercolor on silk, a depiction of a hunting party in a mountainous landscape streaming down the hillside and across a bridge in pursuit of their targets, with an additional scene featuring a group on horseback watching a man aim his musket at two birds in a tree; upper left corner featuring a verse/inscription which seems to mention Tian Shan Mountain, with artist's signature in red. Housed under glass in a modern frame. 18th/19th century or possibly earlier. 19 3/4" x 50" sight, 26" x 62 1/4" frame OA.

Lot: 3390 - HIROSHI YOSHIDA (JAPANESE, 1876-1950) "NEW MOON" WOODBLOCK PRINT

HIROSHI YOSHIDA (JAPANESE, 1876-1950) "NEW MOON" WOODBLOCK PRINT, a tranquil depiction of sailboats with the new moon in the background, artist's signature and seal lower left corner, pencil signed "New Moon" and "Hiroshi Yoshida" along the lower margin. Framed and matted under glass in a modern frame. Circa 1941. 10 1/4" x 15 1/4" sight, 16 1/2" x 21 1/2" OA.

Lot: 3391 - CHINESE GILT-BRONZE FIGURE OF A WARRIOR

CHINESE GILT-BRONZE FIGURE OF A WARRIOR, probably depicting Guan Yu, dynamic composition with warrior on a rearing horse, holding an unattached guandao blade in his right hand and left hand lifted above the horse's head. Base impressed with "8". 20th century, possibly earlier. 5 3/4" HOA.

Lot: 3392 - CHINESE CARVED AND PAINTED WOODEN RELIGIOUS TEMPLE FIGURE / STATUE

CHINESE CARVED AND PAINTED WOODEN RELIGIOUS TEMPLE FIGURE / STATUE, from the solid, with polychrome paint and gesso over the carved surface having gilt highlights throughout; depicting a goddess-like female figure (possibly Guanyin) robed in red, black and green, standing atop a red base, gesturing with her right hand and holding a lotus flower bud in her left hand. 19th/20th century. 24 3/4" H.

Lot: 3393 - TOYOHARA CHIKANOBU (JAPANESE, 1838-1912) MEIJI EMPEROR WOODBLOCK PRINT TRIPTYCH

TOYOHARA CHIKANOBU (JAPANESE, 1838-1912) MEIJI EMPEROR WOODBLOCK PRINT TRIPTYCH, a panoramic depiction of the Emperor, Empress, and consorts visiting a fanciful garden with a scenic bay/shoreline and mountains in the background, titled "Meiji Emperor and Empress in Peony Garden". Leftmost with artist's signature within a rectangular cartouche, rightmost with likely a publisher seal and censor seal marks. Conservation mounted under glass in a modern frame. Late 19th/early 20th century. Each print 9" x 13 3/4" sight, 35 1/2" x 18 7/8" frame OA.

Lot: 3394 - CHINESE WATERCOLOR PAINTINGS ON SILK SCROLLS, LOT OF TWO

CHINESE WATERCOLOR PAINTINGS ON SILK SCROLLS, LOT OF TWO, ink and watercolor on silk, comprising an apparent ancestor portrait of an old man in flowing blue robe with the unusual detail of a child holding a walking stick off to the right in the background; and a floral painting depicting peonies, with unidentified verse/inscription to upper right. Housed under glass in modern frames. 18th/19th century or possibly earlier. 28" x 55" floral sight, 35 1/2" x 62 1/2" frame OA.

Lot: 3395 - IMAO KEINEN (JAPANESE, 1845-1924) BIRD ON FLOWER WOODBLOCK PRINT

IMAO KEINEN (JAPANESE, 1845-1924) BIRD ON FLOWER WOODBLOCK PRINT, a pleasant depiction of a bird surrounded by foliage clinging to a flower's stalk, titled "Chestnut Bunting and Narcissus Daffodil". Left margin with publication information suggesting it may be from a copy of the four-volume "kacho-e" (Bird on Flower illustration) set "Keinen Kacho Gafu". Conservation mounted under glass in a modern frame. Late 19th/early 20th century. 9 1/2" x 13 1/2" sight, 14 1/2" x 18 1/2" frame OA.

Lot: 3396 - UTAGAWA HIROSHIGE III (JAPANESE, 1843-1894) MILITARY PARADE WOODBLOCK PRINT DIPTYCH

UTAGAWA HIROSHIGE III (JAPANESE, 1843-1894) MILITARY PARADE WOODBLOCK PRINT DIPTYCH, two parts of what was originally a triptych, featuring a depiction of a Meiji-era ceremonial military parade with soldiers on horseback and columns of foot soldiers with rifles having bayonets, with a small marching band, and modernized cityscape in front of mountains in the background, titled "True Image of the Parade Ceremony for Army Units at the Hibiya Parade Ground". Rightmost with artist's signature within a rectangular cartouche and likely a publisher seal and censor seal marks. Conservation mounted under glass in a modern frame. Late 19th century. Each print 9 1/4" x 14" sight, 26 1/2" x 20 1/2" frame OA.

Lot: 3397 - UTAGAWA KUNISADA I (TOYOKUNI III) (JAPANESE, 1786-1864) WOODBLOCK PRINTS, LOT OF TWO

UTAGAWA KUNISADA I (TOYOKUNI III) (JAPANESE, 1786-1864) WOODBLOCK PRINTS, LOT OF TWO, each featuring actors/scenes from the kabuki play "Tsuta Momiji Utsunoya Toge" (alternatively "Bun'ya Goroshi"); one example containing two parts of what was originally a triptych depicting the former samurai Itamiya Jube and his wife awakening frightened in their bedroom titled "The Ghost of Bun'ya Haunting His Murderer" (the panel with the ghost is unfortunately absent), and a single print (from a diptych) titled "Onoe Kikugoro IV as Bun'ya's Older Sister" each with artist's signature within the Toshidama cartouche and likely a publisher seal and censor seal marks. Conservation mounted under glass in modern frames. Mid 19th century. Each print 9 1/2" x 14" sight, 24 3/4" x 18 1/4" diptych frame OA.

Lot: 3398 - SHIRO KASAMATSU (JAPANESE, 1898-1991) "HOUSE AT ONTAKE" WOODBLOCK PRINT

SHIRO KASAMATSU (JAPANESE, 1898-1991) "HOUSE AT ONTAKE" WOODBLOCK PRINT, a pleasant depiction of a rural home with a bright red maple tree in front, artist's signature in red at lower right, and the left margin with publication information. Conservation mounted under glass in a modern frame. 20th century. 10 1/4" x 15" sight, 15 1/2" x 20 1/4" frame OA.

Lot: 3399 - UTAGAWA KUNISADA (TOYOKUNI III) (JAPANESE, 1786-1864) "MAGIC LANTERN SLIDES" WOODBLOCK PRINT

UTAGAWA KUNISADA (TOYOKUNI III) (JAPANESE, 1786-1864) "MAGIC LANTERN SLIDES" WOODBLOCK PRINT, No. 6 from the series "Magic Lantern Slides of That Romantic Purple Figure (Sono sugata yukari no utsushi-e)", featuring an ornately decorated interior scene with figures, including a woman who was painting before being interrupted. Each with artist's signature, a publisher's seal for Izumiya Ichibei (Kansendo), and censor seals. Housed under glass in a modern frame. Mid 19th century, or possibly later. 13 5/8" x 9 3/8" sight, 20 3/4" x 16 3/4" OA.

Lot: 3400 - ASIAN / CHINESE BRONZE ARTICLES, LOT OF FIVE

ASIAN / CHINESE BRONZE ARTICLES, LOT OF FIVE, comprising a figure of a toad mounted to a later wooden base, accompanying paperwork advises that initially the collector identified this as Vietnamese, and later Chinese; a small figure of a guardian lion, possibly a so-called scroll weight; and three variations of silk irons, one with a jade-like stone handle. 19th and 20th century. Toad 2 1/4" HOA, 2 3/4" SQ base.

Lot: 3401 - UTAGAWA KUNISADA II (JAPANESE, 1823-1880) WOODBLOCK PRINT AND CHINESE / JAPANESE TEXTILE FRAGMENT, LOT OF TWO

UTAGAWA KUNISADA II (JAPANESE, 1823-1880) WOODBLOCK PRINT AND CHINESE / JAPANESE TEXTILE FRAGMENT, LOT OF TWO, comprising a woodblock by Kunisada II titled "A Plank Bridge on a Late Summer Evening", published by Kobayashi Tetsujiro, likely part of a triptych, depicting two women walking on a bridge during the evening with the moon above them; and an embroidered textile fragment with silk and gilt-thread, featuring a guardian lion/dog. Woodblock housed under glass in a modern frame. Woodblock 1864, or possibly later; textile 19th/20th century. Woodblock 8 3/4" x 13 1/2" sight, 18 3/8" x 22 5/8" OA.

Lot: 3402 - CHINESE EXPORT BOTANICAL WATERCOLORS, QING DYNASTY, LOT OF TWO

CHINESE EXPORT BOTANICAL WATERCOLORS, QING DYNASTY, LOT OF TWO, on pith paper, each a highly detailed depiction of a peony or rose with a finely-painted butterfly bordered by a ribbon edging. Each is unframed. 19th century. 9 1/4" x 13 1/4" OA.

Lot: 3403 - CHINESE / JAPANESE AND RELATED PRINTS AND MINIATURES, LOT OF EIGHT

CHINESE / JAPANESE AND RELATED PRINTS AND MINIATURES, LOT OF EIGHT, comprising a hand-colored engraving of "Fort Victoria, Kow Loon" published by Fisher, Son & Co. of London and Paris, two lithographs published by Day & Son Ltd. of London titled "Otinta Sama" and "A Baker's Shop", two miniature paintings of Asian figures, and three reprints of woodblocks after Utagawa Hiroshige I (Japanese, 1797-1858) featuring "Sudden Shower at Shono", "Girl by Twilight", and "Autumn Moon at Ishiyama". Each housed under glass in a 20th century/modern frame. 19th/20th century. "Fort Victoria, Kow Loon" 9 7/8" x 7 3/4" sight, 11 1/4" x 9" OA.

Lot: 3404 - ASSORTED JAPANESE WOODBLOCK PRINTS, LOT OF TWO

ASSORTED JAPANESE WOODBLOCK PRINTS, LOT OF TWO, one being a reprint of an Eishi (Japanese, 1756-1829) illustration depicting "The Courtesan Morokoshi of the Echizen Establishment Seated at a Writing Table" juxtaposed with a lily, and one unidentified print depicting a samurai (probably an actor). Conservation mounted under glass in modern frames. Unidentified print probably 19th century, Eishi reprint 20th century. Each print 9 1/2" x 14" sights, 14" x 19" frames OA.

Lot: 3405 - PERUVIAN CARVED ALABASTER HUAMANGA FIGURES, LOT OF 11

PERUVIAN CARVED ALABASTER HUAMANGA FIGURES, LOT OF 11, each with a polychrome painted surface, including several religious figures and various animals. Probably 19th century, possibly earlier. Largest Madonna figure 5" HOA.

Lot: 3406 - AFRICAN CARVED AND PAINTED WOODEN TRIBAL MASKS, LOT OF THREE

AFRICAN CARVED AND PAINTED WOODEN TRIBAL MASKS, LOT OF THREE, carved wood with white kaolin and pigmented surfaces, each having exaggerated facial features and variously-shaped antelope-style horns including two examples with bulging oval-shaped eyes with thin slits, and one presumably wall-hanging example without eye holes. Probably Central Africa, possibly Kwele artists and others in Gabon or Democratic Republic of the Congo. 20th century. 16 1/4" HOA.

Lot: 3407 - AFRICAN CARVED AND PAINTED WOODEN KIFWEBE-STYLE TRIBAL MASKS, LOT OF THREE

AFRICAN CARVED AND PAINTED WOODEN KIFWEBE-STYLE TRIBAL MASKS, LOT OF THREE, carved wood with white kaolin and red/black pigmented surfaces having intricate all-over geometric striated carvings, each having exaggerated facial features especially the bulbous foreheads and protruding block mouths; including two examples with oval-shaped eyes with thin slits, and one smaller example with wider rectangular eye holes. Probably Central Africa, possibly a Songye or Luba artist in Gabon or Democratic Republic of the Congo. 20th century. 10 3/8" HOA.

Lot: 3408 - AFRICAN CARVED AND PAINTED LARGE-SIZED WOODEN KIFWEBE-STYLE TRIBAL MASK

AFRICAN CARVED AND PAINTED LARGE-SIZED WOODEN KIFWEBE-STYLE TRIBAL MASK, carved wood with white kaolin pigment, having intricate geometric striated carvings and exaggerated facial features especially the bulbous forehead and protruding block mouth, with oval-shaped eyes having thin curved slits. Probably Central Africa, possibly a Songye or Luba artist in Gabon or Democratic Republic of the Congo. 20th century. 18 1/4" H, 10" W.

Lot: 3409 - AFRICAN CARVED AND PAINTED NGIL-STYLE WOODEN TRIBAL MASK

AFRICAN CARVED AND PAINTED NGIL-STYLE WOODEN TRIBAL MASK, carved wood with white kaolin pigment to surface, having an elongated form and exaggerated facial features particularly the bulbous forehead and long nose; the long curved lower half of the face with geometric carvings and holes punched all around the edge (lacking raffia) and a short grip below the tiny carved mouth. Probably Central Africa, possibly a Fang artist in Gabon. 20th century. 19 1/2" H, 7 1/2" W.

Lot: 3410 - AFRICAN CARVED AND PAINTED WOODEN TRIBAL MASK

AFRICAN CARVED AND PAINTED WOODEN TRIBAL MASK, carved wood with white kaolin plus red, blue, and brown pigment to surface, having various geometric carvings and exaggerated facial features to the heart-shaped face (possibly depicting an infant); also having a medium-length grip or lower extension with diamond carvings. Probably Central Africa, possibly Democratic Republic of the Congo or Gabon. 20th century. 15" H, 7 3/4" W.

Lot: 3411 - AFRICAN CARVED AND PAINTED WOODEN ELUBA OR EMANGUGU-STYLE TRIBAL MASK

AFRICAN CARVED AND PAINTED WOODEN ELUBA OR EMANGUGU-STYLE TRIBAL MASK, carved wood with white kaolin pigment detailing, having connected bands of geometric carvings and exaggerated facial features especially the wide recessed circles around the eyes, and a small protruding round mouth; the nose has a circular bent metal wire nose ring / septum piercing, and the mask has holes punched all around the edge (lacking raffia). Probably Central Africa, possibly a Bembe artist in Democratic Republic of the Congo or Gabon. 20th century. 18" H, 8" W.

Lot: 3412 - AFRICAN CARVED AND PAINTED WOODEN ANTELOPE-FORM CAP / HELMET TRIBAL MASK

AFRICAN CARVED AND PAINTED WOODEN ANTELOPE-FORM CAP / HELMET TRIBAL MASK, carved wood with black and white pigment detailing with red highlights, having triangular/diamond geometric carvings and exaggerated facial features especially the round bulging eyes and protruding triangular mouth/snout, also having long thin ears and angular horns; the mask has holes punched all around the edge (lacking raffia). Probably West Africa, possibly a Bobo, Bwa, or Nuna artist in Burkina Faso. 20th century. 20" H, 8" WOA.

Lot: 3413 - AFRICAN CARVED AND PAINTED WOODEN OKUKWE-STYLE TRIBAL MASKS, LOT OF THREE

AFRICAN CARVED AND PAINTED WOODEN OKUKWE-STYLE TRIBAL MASKS, LOT OF THREE, carved wood with white kaolin and red/black pigmented surfaces having distinctive raised triangular regions around the forehead and/or mouth, serene facial features, and naturalistic braided cornrow-styled hair. Probably Central Africa, possibly a Galoa artist in Gabon. 20th century. 12 3/4" HOA.

Lot: 3414 - AFRICAN COPTIC CHRISTIAN HEALING / PRAYER SCROLL WITH AMULET NECKLACE

AFRICAN COPTIC CHRISTIAN HEALING / PRAYER SCROLL WITH AMULET NECKLACE, ink and pigment on long vellum parchment scroll, which features a drawing of an angel to top followed by calligraphy in black and red ink, housed in an oblong amulet made of brass-toned metal with applied chain fringe, suspended from a triple necklace chain connected to six large links set with turquoise-colored glass/stones. Probably Ethiopian. 20th century, or possibly earlier. Necklace 32" L.

Lot: 3415 - AFRICAN CARVED AND PAINTED WOODEN GIWOYO OR KIWOYO-STYLE TRIBAL CAP MASK

AFRICAN CARVED AND PAINTED WOODEN GIWOYO OR KIWOYO-STYLE TRIBAL CAP MASK, carved wood with white kaolin plus red and blue pigment to surface, having various geometric carvings and relatively naturalistic female facial features and small protruding square ears; the long curved lower extension with chevron carvings and holes punched all around the edge (lacking raffia). Probably Central Africa, possibly a Pende artist in Democratic Republic of the Congo or Gabon. 20th century. 15" H, 5 1/2" W.

Lot: 3416 - AFRICAN CARVED AND PAINTED WOODEN TRIBAL MASKS, LOT OF TWO

AFRICAN CARVED AND PAINTED WOODEN TRIBAL MASKS, LOT OF TWO, comprising one relatively flat example with divided or alternating regions of orange and white pigment decoration, and another with mostly dry/natural surface except for kaolin pigment highlights around the eyes, defined by its very round bulbous forehead. Probably Central Africa, possibly Fang or Duma / Aduma artists in Democratic Republic of the Congo or Gabon. 20th century. 13 1/4" HOA.

Lot: 3417 - AFRICAN CARVED WOODEN ARTICLES, LOT OF THREE

AFRICAN CARVED WOODEN ARTICLES, LOT OF THREE, comprising a head rest having extensive geometric carved decorations around the conical base, with hollow underside and a crescent-shaped platform; and two carved miniature so-called "passport" masks. Passport masks possibly a Dan or other artist in West Africa, headrest probably an Oromo artist in Ethiopia. 20th century. 7" HOA.

Lot: 3418 - SOUTH AMERICAN SPANISH COLONIAL BRASS HORSE STIRRUPS, LOT OF NINE

SOUTH AMERICAN SPANISH COLONIAL BRASS HORSE STIRRUPS, LOT OF NINE, comprising four pairs and a single, each in similar shoe-type form with a buckle-like loop for hanging from the saddle. 19th century, some possibly earlier or later. Largest pair 6 1/2" HOA, 11 1/2" LOA, 5" WOA.

Lot: 3419 - AFRICAN AND POSSIBLY OTHER METAL BRACELETS, LOT OF FOUR

AFRICAN AND POSSIBLY OTHER METAL BRACELETS, LOT OF FOUR, comprising a large silver-toned bracelet with repousse and chase decoration and lower edge having attached bells, a silver-toned bracelet with double twist design, a thinner bronze bracelet with two-piece construction; and a large brass/bronze bracelet with engraved decoration. Unmarked. 20th century, or possibly earlier. Large silver-toned bracelet 4 3/4" x 4 1/2" x 1 3/4" OA.

Lot: 3420 - SOUTH AMERICAN, AND POSSIBLY OTHER, TEXTILE ARTICLES AND DOLL, LOT OF EIGHT

SOUTH AMERICAN, AND POSSIBLY OTHER, TEXTILE ARTICLES AND DOLL, LOT OF EIGHT, including a South American doll, possibly Peruvian Chancay funerary doll, having wooden twig body wrapped in a fibrous rope with a woven cloth head and clothing, a woven cloth purse with three figural tassels, and various woven textile fragments featuring some with figural designs. 19th/20th century, or possibly earlier. Doll 13 1/2" HOA.

Lot: 3421 - SOUTH AMERICAN, AND POSSIBLY OTHER, MOUNTED / FRAMED TEXTILE ARTICLES, LOT OF FOUR

SOUTH AMERICAN, AND POSSIBLY OTHER, MOUNTED / FRAMED TEXTILE ARTICLES, LOT OF FOUR, comprising a fragment of a woven rug/blanket featuring bird motifs and fringe, a woven textile fragment with figural design and tassels, a thin textile article/fragment being either embroidered or woven with four figures, and a woven bag. Two pieces housed under glass in modern frames, other two mounted to fabric with stretchers, largest also comes with frame. 19th/20th century or earlier. Rug fragment 38" x 14 1/2" object, frame 47 1/4" x 23 1/4" OA.

Lot: 3422 - ASSORTED AFRICAN RELIGIOUS ARTICLES, LOT OF FIVE

ASSORTED AFRICAN RELIGIOUS ARTICLES, LOT OF FIVE, comprising three metal crosses, and one wooden one in similar form; and a small carved stone shrine showing different religious scenes. Together with an African Mbole currency metal anklet. Six pieces total. 19th/20th century, possibly earlier. Largest cross 11 3/4" HOA.

Lot: 3423 - ASSORTED SOUTH AMERICAN AND BUDDHIST ARTICLES, UNCOUNTED LOT

ASSORTED SOUTH AMERICAN AND BUDDHIST ARTICLES, UNCOUNTED LOT, including a selection of flat cast-metal buddha figures with a note mentioning they are from the Ayutthaya period; selection of beads; and a selection of pre-Columbian style figures. 19th/20th century, possibly earlier. Largest metal object 4 3/4" HOA.

Lot: 3424 - PAIR OF SOUTH AMERICAN, POSSIBLY PERUVIAN, WOODEN HORSE STIRRUPS

PAIR OF SOUTH AMERICAN, POSSIBLY PERUVIAN, WOODEN HORSE STIRRUPS, constructed in pyramidal form of some form of tightly grained figured wood, possibly olive wood, ornamented with leather and metal caps from which the objects hang on leather straps. Each retain their likely original dry surface. Together with a near pair of cast-bronze stirrups. Four pieces total. 19th century. 9 3/4" HOA, 8 3/4" WOA, 6 1/2" DOA.

Lot: 3425 - SUDANI DINKA WAR CLUB

SUDANI DINKA WAR CLUB, constructed of a very dense hardwood, possibly something similar rosewood or ironwood, of oblong form with a knob handle at one end which is covered in hide with a small tassel decoration at its base, "1821" is written on the hide handle. An old collection sticker is retained to shaft. 19th century. 28" LOA.

Lot: 3426 - PAIR OF NEOCLASSICAL PATINATED BRONZE AND MARBLE GARNITURES / TAZZAS

PAIR OF NEOCLASSICAL PATINATED BRONZE AND MARBLE GARNITURES / TAZZAS, each having a two-part Siena marble pedestal or monument-form base of bolted construction which supports a patinated cast-bronze urn with wide-flaring shallow bowl and ornate scrolled handles. Continental, probably French. 19th century. 7 3/4" HOA, 3 1/2" SQ base.

Lot: 3427 - PAIR OF VERY FINE FRENCH DORE BRONZE CANDELABRA

PAIR OF VERY FINE FRENCH DORE BRONZE CANDELABRA, each depicting a Classical-style figure, a man with an animal hide draped over his shoulder, and a woman with a flowing dress, on round plinth-style bases, the whole decorated with acanthus leaves and other foliate devices, each features three scrolled arms surrounding the center, each cup retains its matching bobeche. The pair retains their likely original, possibly refreshed fire-gilt surface. Each marked "DH" on the underside of each foot. First half 19th century. Each 21 3/4" HOA, 7 1/4" WOA.

Lot: 3428 - FRENCH LOUIS XV-STYLE GILT-METAL ELECTRIC CANDLE LAMP

FRENCH LOUIS XV-STYLE GILT-METAL ELECTRIC CANDLE LAMP, featuring two arms centering a central post supporting a sliding screen with silk insert, raised on a circular acanthus-leaf base. First half 20th century. 22 1/2" HOA, 8 1/2" W.

Lot: 3429 - PERSIAN GOLD DAMASCENED STEEL PEN CASE / QALAMDAN

PERSIAN GOLD DAMASCENED STEEL PEN CASE / QALAMDAN, elongated form with sliding design, exterior with ornate gilt designs featuring arabesques, various animals and birds, portraits, and hunters or soldiers on horses, interior with an inkwell and a compartment for pens as well as other articles, together with a pair of possibly later steel scissors and a possibly original damascene steel scoop tool. 19th century, or possibly earlier. 8 1/4" x 1 1/4" x 1 1/2" OA. 

Lot: 3430 - ASSORTED FRENCH NEOCLASSICAL / LOUIS XVI STYLE LIGHTING ARTICLES, LOT OF THREE

ASSORTED FRENCH NEOCLASSICAL / LOUIS XVI STYLE LIGHTING ARTICLES, LOT OF THREE, comprising a pair of ornate round-base brass or possibly gilt-bronze candlesticks, and a columnar electric lamp having stamped gilt-metal structural and decorative elements encasing a red overdyed Bakelite or resin body, with the adjustable twin lightbulb sockets being marked "LAMP CLUSTER / BETHPAGE, NY". Candlesticks 19th century, lamp mid 20th century. 9 7/8" H candlesticks, 23 1/2" HOA.

Lot: 3431 - GERMAN BRITANNIA-MOUNTED GLASS VESSELS, LOT OF TWO

GERMAN BRITANNIA-MOUNTED GLASS VESSELS, LOT OF TWO, comprising a wine ewer having ornate covering including Bacchus and Ariadne, gargoyle mask, grapevines, and a mermaid handle; and a bottle featuring overlapping petals and female masks, probably lacking its original stopper. Fourth quarter 19th/first quarter 20th century. 8 1/2" and 14 1/2" HOA.

Lot: 3432 - FRENCH FIGURAL BRONZE CENTERPIECE

FRENCH FIGURAL BRONZE CENTERPIECE, multi-part tripodal form featuring three putti, each seated in a floral arbor surrounding a central candle socket, stamped "9658" to multiple parts. Late 19th/first quarter 20th century. 6 1/2" HOA, 9" WOA.

Lot: 3433 - PAIR OF FRENCH VICTORIAN BRASS CANDLESTICK LUSTERS

PAIR OF FRENCH VICTORIAN BRASS CANDLESTICK LUSTERS, gilt brass and colorless glass components, each with claw-footed tripod bases supporting a trio of feathered serpentine birds which hold up a bountiful/overflowing Classical urn, above which is a group of curved wire arms hung with two-piece prisms, topped by a cut glass candle cup/socket. Fourth quarter 19th/first quarter 20th century. 11 1/8" HOA.

Lot: 3434 - PAIR OF FRENCH BRASS GIRANDOLES / CANDELABRA MANTLE LAMPS

PAIR OF FRENCH BRASS GIRANDOLES / CANDELABRA MANTLE LAMPS, gilt brass and colorless glass components, each with footed monument bases with multiple tiers having mirrored surfaces and an arrangement of cylindrical glass lusters; the central stem supporting dual scrolling arms with electrified faux-candle sockets, above which is a central vertical arm with its own set of prisms, topped by an obelisk-form cut glass spire. Early 20th century, with perhaps later electrical enhancements. 22 1/4" HOA.

Lot: 3435 - CONTINENTAL GILT-BRASS AND GLASS VASE

CONTINENTAL GILT-BRASS AND GLASS VASE, the openwork frame featuring wheat heads, grapes, and leaves, raised on a tripartite acanthus leaf foot, fitted with a likely original cased ruby glass insert having an applied colorless glass drop. Fourth quarter 19th century. 11 3/4" H, 4 1/4" D rim. 

Lot: 3436 - ITALIAN GILT METAL WALL SCONCES, LOT OF TWO

ITALIAN GILT METAL WALL SCONCES, LOT OF TWO, comprising two metal candle sconces with five and eight candle sconces each, respectively, the whole decorated with gilt acanthus-style leaf decorations and carved wooden candle sockets. Mid 20th century. Largest 36" HOA, 25 1/2" WOA.

Lot: 3437 - 18TH CENTURY GREEK TIN-PLATED COPPER CHARGER OR BOWL

18TH CENTURY GREEK TIN-PLATED COPPER CHARGER OR BOWL, the round shallow pan-form bowl hammered into shape and retaining most of its tin wash, having an inscription around the rim (probably a name) and unidentified stamped marking under base. Dated 1736. 13 1/4" D. Catalogue Note: A previous owner left a note with the bowl indicating that the rim's inscription is for "Konstantinos Hatzcepou" and suggesting it may have belonged to a Greek Orthodox church at some point.

Lot: 3438 - MIDDLE EASTERN / ASIAN BRASS ARTICLES, LOT OF FIVE

MIDDLE EASTERN / ASIAN BRASS ARTICLES, LOT OF FIVE, each of similar form with a bulbous base with open interior well and conical cover. Possibly a Gujarati Kalash. 19th century. Largest 11 1/2" HOA.

Lot: 3439 - EUROPEAN AND ASIAN / MIDDLE EASTERN BRASS / COPPER ARTICLES, LOT OF 11

EUROPEAN AND ASIAN / MIDDLE EASTERN BRASS / COPPER ARTICLES, LOT OF 11, including two pairs of British brass shoe match safes / mantel decorations; two British half pint and gill measures; and various cooking implements. 19th/20th century. Largest shoe 7 3/4" HOA.

Lot: 3440 - ASSORTED ASIAN / MIDDLE EASTERN METAL DOMESTIC ARTICLES, LOT OF TEN

ASSORTED ASIAN / MIDDLE EASTERN METAL DOMESTIC ARTICLES, LOT OF TEN, including a cast-iron teapot and cast-iron storage container with likely associated (possibly bronze) covers; two lidded food containers; and three bulbous-form handled vessels, one with a later wooden stand. 19th and 20th century. Largest cast-iron piece 8" HOA, 9" WOA.

Lot: 3441 - GEORGIAN-STYLE BRASS AND WIRE FIREPLACE FENDER

GEORGIAN-STYLE BRASS AND WIRE FIREPLACE FENDER, serpentine form with paw feet. 20th century. 15" HOA, 44" WOA.

Lot: 3442 - GEORGIAN-STYLE BRASS AND WIRE FIREPLACE FENDER

GEORGIAN-STYLE BRASS AND WIRE FIREPLACE FENDER, arched form with scrolled designs to body. Fourth quarter 19th/ first quarter 20th century. 11" HOA, 34 1/2" WOA.

Lot: 3443 - VICTORIAN SILVERED-TIN CURTAIN TIEBACKS, LOT OF SIX

VICTORIAN SILVERED-TIN CURTAIN TIEBACKS, LOT OF SIX, each with curved arm and wall-mounting square peg, the punched tin fronts depicting roses and leaves. Late 19th/early 20th century. 7 1/2" HOA.

Lot: 3444 - MIDDLE EASTERN, OR POSSIBLY OTHER, SILVER-PLATED BOWLS, SET OF 12

MIDDLE EASTERN, OR POSSIBLY OTHER, SILVER-PLATED BOWLS, SET OF 12, each round form with all-over chased, repousse, and engraved decoration featuring scrolling vines. Unmarked. 20th century, or possibly earlier. One 2 1/8" HOA, 4 1/4" D rim.

Lot: 3445 - ENGLISH GEORGIAN MELON-FORM FRUITWOOD TEA CADDY

ENGLISH GEORGIAN MELON-FORM FRUITWOOD TEA CADDY, a two-tone example with defined ribs, retaining original escutcheon and lock, likely later acorn-form finial, and traces of foil lining to interior. Retaining an old mellow surface. Late 18th/early 19th century. 5 1/4" HOA, 4 7/8" DOA.

Lot: 3446 - WILLIAM IV SARCOPHAGUS-FORM COROMANDEL / ROSEWOOD TEA CADDY

WILLIAM IV SARCOPHAGUS-FORM COROMANDEL / ROSEWOOD TEA CADDY, a highly figured hinged-lid example, the interior retaining its pair of matching caddy boxes with original linings and central cut-decorated glass waste bowl, the concave-sided box with original wooden bail handles, raised on compressed feet. Retains an outstanding old surface. Circa 1830. 8" H, 14" x 8".

Lot: 3447 - SCOTTISH VICTORIAN CARVED OAK LAZY SUSAN

SCOTTISH VICTORIAN CARVED OAK LAZY SUSAN, the scalloped C-scroll and plume revolving top above an open-work oak leaf apron raised on eight paw feet. Retains an excellent older surface. Second half 19th century. 4 1/2" H, 23 1/4" D.

Lot: 3448 - BRITISH REGIONAL OAK WALL SPOON RACK

BRITISH REGIONAL OAK WALL SPOON RACK, the cut-out broken-arch crest featuring tulips, above cut-out sides supporting two supports for six spoons each, and a bottom having a slide-top candle box above a single drawer, each face with walnut banding. Pine secondary wood. Fourth quarter 18th/early 19th century. 30" HOA, 13 1/2" W, 4 3/4" D. 

Lot: 3449 - CONTINENTAL BLACK MARBLE OBILISKS, PAIR

CONTINENTAL BLACK MARBLE OBILISKS, PAIR, each featuring four ball-form feet and raised on a square plinth. First half 20th century. 20" H, 5 7/8" SQ base. 

Lot: 3450 - ENGLISH REGENCY BURL WALNUT SARCOPHAGUS JEWEL / SEWING BOX

ENGLISH REGENCY BURL WALNUT SARCOPHAGUS JEWEL / SEWING BOX, rectangular form with hinged ogee-molded lid concealing an interior with its original lift-out six-compartment tray, above concave sides raised on bracket feet. Circa 1830. 5 1/2" H, 8 1/2" x 6". 

Lot: 3451 - FINE ENGLISH GEORGIAN INLAID MAHOGANY TEA CADDY

FINE ENGLISH GEORGIAN INLAID MAHOGANY TEA CADDY, of oblong octagonal form with a hinged top cover, each side and the top feature an elliptical reserve with fan inlays, the corners feature reeded columnar-style inlay. The interior retains its likely original lining and lid. The object retains its likely original brass pull at the top. original hinges, and original intact lock as well as it's likely original finely finished surface. Late 18th/early 19th century. 4 3/4" HOA, 4 1/2" WOA, 3 1/2" DOA.

Lot: 3452 - ITALIAN GRAND TOUR CLASSICAL INTAGLIOS, ASSEMBLED LOT OF 17

ITALIAN GRAND TOUR CLASSICAL INTAGLIOS, ASSEMBLED LOT OF 17, cast plaster with black borders having inscribed numbers 18, 282, 318-327, 329, 330, and 332-334, including La Terra after Bertel Thorvalssen (Danish, 1770-1844). Housed in an original wooden case, lacking text key. Mid 19th century. 13" x 8 1/4" OA.

Lot: 3453 - ENGLISH VICTORIAN THREE-BOTTLE DECANTER SET

ENGLISH VICTORIAN THREE-BOTTLE DECANTER SET, comprising a trio of cut overlay double-spout glass decanters in red, blue, and green, each with punty cuts and engraved grapevine decoration around body, with flute-cut necks, and matching cut oblong teared stoppers; each bottle fitted with a silver-plated metal holder/carrier with scrolled handle and shaped base which fits into a well on the larger central stand, which has three shell-decorated feet and grapevine edge with the central spire/carrying handle having embossed fish, shells, and acanthus leaf decoration. No makers marks located except possibly an unidentified applied medallion under the stand which depicts a figure holding a bow and arrow, within a scrolling border. Fourth quarter 19th century. 13 3/4" H bottles (including stoppers), 19 1/4" HOA.

Lot: 3454 - GEORGIAN INLAID AND PAINT-DECORATED SEWING BOX

GEORGIAN INLAID AND PAINT-DECORATED SEWING BOX, rectangular form with domed lid, bone-inlaid escutcheon, and bentwood bail handle, the lid bearing oval vignette, in the manner of Angelica Kauffman (British, 1741-1807) of the allegorical figure "Hope" standing on a seaside cliff holding an anchor with a ship in the distance, surrounded by a floral garland, interior retaining original red wash. Together with a similar example having applied engraved vignette to lid and brass paw feet. Two pieces total. First quarter 19th century. Paint-decorated example 5 1/2" H (lid), 9 1/2" W, 9 1/4" D.

Lot: 3455 - FRENCH BRONZE-DORE FRAME CARD STAND / TRAY

FRENCH BRONZE-DORE FRAME CARD STAND / TRAY, the sides featuring a peacock perched on the hand of a seated angel flanked by cornucopias, each end with a spread-wing eagle above a laurel wreath open handle flanked by ribbons, raised on four ball-form feet, each covered with an American eagle clutching arrows, retains its original cobalt glass insert. Frame with an engraved presentation to bottom edges, including 1899. Fourth quarter 19th century. 2 1/8" H, 6" x 3" OA.

Lot: 3456 - FRENCH PORTIEUX MILITARY FIGURAL GLASS PAIR OF CANDLESTICKS

FRENCH PORTIEUX MILITARY FIGURAL GLASS PAIR OF CANDLESTICKS, colorless and frosted, each featuring four ordnance insignia surrounding the socket, a standing soldier with flag stem, raised on a fort-shaped base having crossed cannons and ordnance around the top. Each embossed "PORTIEUX" to the underside of the base. Late 19th/first quarter 20th century. 9 3/4" H, 5" D base. 

Lot: 3457 - EUROPEAN AND SOUTH ASIAN BOXES, LOT OF TWO

EUROPEAN AND SOUTH ASIAN BOXES, LOT OF TWO, comprising a brightly polychrome painted turned wood Indian so-called turban box with a mother-of-pearl medallion on the top; and a European painted pine box with various inset watercolor paintings on paper likely depicting religious scenes of some description, the raised panel on the lid is surrounded by inset mirror panels. 19th century, box with watercolor panels possibly earlier. Turban box 4 3/4" HOA, 6 1/2" D.

Lot: 3458 - VICTORIAN WAX SEALS, LOT OF FIVE

VICTORIAN WAX SEALS, LOT OF FIVE, comprising three carved mother-of-pearl handled examples, hand-painted porcelain handled example, and a polished agate example. Together with a circular shell box with a painted miniature inset on the cover, Six pieces total. Second half 19th/first quarter 20th century. 3" LOA, 2 1/2" D. 

Lot: 3459 - EDWARDIAN / VICTORIAN INLAID ROSEWOOD BASE DISPLAY DOME

EDWARDIAN / VICTORIAN INLAID ROSEWOOD BASE DISPLAY DOME, the circular base having lightwood foliate and scroll inlays to the front, and raised on its original ebonized foot, supporting a tall glass dome. Fourth quarter 19th/early 20th century. 24" HOA, base 2 1/2" H, 9 1/2" DOA, 8 1/4" D interior. 

Lot: 3460 - ENGLISH JACOBEAN CARVED OAK BIBLE / DOCUMENT BOX

ENGLISH JACOBEAN CARVED OAK BIBLE / DOCUMENT BOX, nailed construction, interior open, chip carved body with the initials "R B" to front. Retains original wrought-iron hinges and lock, a later finished surface with warm color. 18th century or earlier. 9 1/2" HOA, 25 1/4" WOA, 17" DOA.

Lot: 3461 - ANTIQUE FIGURED WOOD SMALL BOXES, LOT OF TWO

ANTIQUE FIGURED WOOD SMALL BOXES, LOT OF TWO, comprising an American flame-grain mahogany veneer dresser box with bone escutcheon and mirror to lid interior, and an Austrian/German walnut valuables box with inset burlwood panels bordered with string inlays, the top inlaid "Theresia", bone escutcheon, raised on small ball-form feet, lacking interior tray. Mid/second half 19th century. Largest: 6 1/4" H, 11 3/4" x 7 3/4".

Lot: 3462 - ENGLISH GEORGIAN INLAID SATINWOOD / FRUITWOOD TEA CADDY

ENGLISH GEORGIAN INLAID SATINWOOD / FRUITWOOD TEA CADDY, rectangular form with line-inlaid edges, with matching inlaid eight-petal floral designs in oval cartouches atop the hinged lid and below the rounded escutcheon, retaining brass lock and a functioning key; the interior with two divided compartments having old but later wallpaper lining. First quarter 19th century. 9 1/4" x 5 1/8" x 4 3/4" OA.

Lot: 3463 - AMERICAN BENCH-MADE BOXES, LOT OF SEVEN

AMERICAN BENCH-MADE BOXES, LOT OF SEVEN, of various tropical and domestic woods, many are signed by or have paperwork from their makers. Makers include Harry McManus, Jerry Farnsworth, Mark Rehmar and others. Fourth quarter 20th century. Largest 3" HOA, 13" WOA, 10 1/4" DOA.

Lot: 3464 - AMERICAN BENCH-MADE BOXES, LOT OF FOUR

AMERICAN BENCH-MADE BOXES, LOT OF FOUR, of various exotic and domestic woods, many are signed by or have paperwork from their makers. Makers include Ted Stahly, David and Kim Okrant and others. Fourth quarter 20th century. Largest 4 3/4" HOA, 13" WOA, 10 1/2" DOA.

Lot: 3465 - AMERICAN BENCH-MADE BOXES, LOT OF SIX

AMERICAN BENCH-MADE BOXES, LOT OF SIX, of various exotic and domestic woods, many are signed by or have paperwork from their makers. Makers include Ted Stahly, Seaton Wood Design and others. Fourth quarter 20th century. Largest 5 1/4" HOA, 13" WOA, 10 1/4" DOA.

Lot: 3466 - AMERICAN BENCH-MADE BOXES, LOT OF SEVEN

AMERICAN BENCH-MADE BOXES, LOT OF SEVEN, of various exotic and domestic woods, many are signed by or have paperwork from their makers. Makers include David and Kim Okrant, Jerry Farnsworth, and others. Fourth quarter 20th century. Pencil holder example 3 3/4" HOA, 8" LOA, 1 3/4" DOA.

Lot: 3467 - ENGLISH GEORGIAN TEA CADDIES, LOT OF TWO

ENGLISH GEORGIAN TEA CADDIES, LOT OF TWO, rosewood and mahogany veneered, both of rectangular form with brass escutcheons and brass pulls on lids, the larger example with a divided interior, the smaller with a small open till along the backside, likely lacking dividers. Each retain an older, likely refinished, surface. Early 19th century. Largest 5 1/4" HOA, 11 1/4" WOA, 5 1/2" DOA.

Lot: 3468 - ENGLISH GEORGIAN MAHOGANY TEA CADDY

ENGLISH GEORGIAN MAHOGANY TEA CADDY, rectangular form with figured graining to front and sides, the interior with a central associated cut glass canister flanked by two lidded compartments which retain their original zinc lining. Retains likely original brass pull to top of lid and escutcheon to the front of the box. First quarter 19th century. 6 1/4" HOA, 13" WOA, 6 3 /4" DOA.

Lot: 3469 - CONTINENTAL CAVE A LIQUEUR / TANTALUS

CONTINENTAL CAVE A LIQUEUR / TANTALUS, the case featuring a wooden case with mother-of-pearl inlaid decoration on the top and front as well as burlwood inlaid panels; the interior with a removable tray fitted with four colorless glass decanters with gilt decoration, and ten small cordial glasses. Case retains its old, likely original finished surface. Probably French. Second half 19th century. 

Lot: 3470 - ENGLISH OR AMERICAN FEDERAL MAHOGANY SHAVING STAND

ENGLISH OR AMERICAN FEDERAL MAHOGANY SHAVING STAND, featuring a rectangular line inlaid mirror frame supported by two reeded side supports above a single drawer outlined with line inlay, the whole raised on ball feet. White pine secondary. Retains likely original brasses and an older refinished surface with warm color. First half 19th century. 16 1/4" HOA, 14 1/4" WOA, 7" DOA.

Lot: 3471 - VICTORIAN DECORATED BLACK LACQUER ARTICLES, LOT OF FOUR

VICTORIAN DECORATED BLACK LACQUER ARTICLES, LOT OF FOUR, comprising two shield-form screens/fans, and two book covers with inlaid mother-of-pearl. Together with a miniature portrait of a woman entitled "Duchesse de Gazla" on verso. Five pieces total. Second half 19th/early 20th century. 8" x 10 1/4" OA.

Lot: 3472 - VIRGINIA HORSE RACING LIMITED EDITION CASED VOLUMES, LOT OF TWO

VIRGINIA HORSE RACING LIMITED EDITION CASED VOLUMES, LOT OF TWO, (1) Myzk, The History & Origins of the Virginia Gold Cup, Since 1922, Warrenton: Piedmont Press, 1987, #41/500, signed by the author; and (2) Woolfe, Secretariat, Privately Printed, 1991, #291/2500, signed by the author and by Penny Chenery on p. 85. Each is bound in custom leather and with its original matching slipcase. 10 1/2" x 13" OA.

Lot: 3473 - ENGLISH GEORGIAN MAHOGANY BOXES, LOT OF TWO

ENGLISH GEORGIAN MAHOGANY BOXES, LOT OF TWO, comprising a document box with inlaid brass at the corners and a central inlaid brass decoration; the burled mahogany box or tea caddy features a mother of pearl escutcheon and an open interior. First half 19th century. Largest 5 1/4" HOA, 16" WOA, 10 1/2" DOA.

Lot: 3474 - ENGLISH MAHOGANY TABLE CANDLE SCREEN / SHIELD

ENGLISH MAHOGANY TABLE CANDLE SCREEN / SHIELD, featuring a shield-form panel with a woven textile framed inside, the whole supported by a turned pole which terminates into a turned base. Retains an old, possibly original surface. Fourth quarter 19th century. 21" HOA, 8 1/4" WOA.

Lot: 3475 - ENGLISH OR CONTINENTAL GEORGIAN MAHOGANY KNIFE BOX

ENGLISH OR CONTINENTAL GEORGIAN MAHOGANY KNIFE BOX, the serpentine front with a slanted lid, mounted with a brass ring pull to lid, bail pulls to sides, and a shaped hasp/escutcheon to the front. Retains an old finished surface with warm color. Mid 19th century. 13" HOA, 9" WOA, 8 1/2" DOA.

Lot: 3476 - ENGLISH OAK BISCUIT BARRELS, LOT OF TWO

ENGLISH OAK BISCUIT BARRELS, LOT OF TWO, both with silver-plated detailing, lids, and bail handles, comprising a larger example with a fixed interior ceramic lining, and a smaller example with a removable ceramic lining. Both front plaques retain monograms. Late 19th/early 20th century. Largest 5 1/2" HOA, 6" D.

Lot: 3477 - ASSORTED BRITISH WOODEN ARTICLES, LOT OF FOUR

ASSORTED BRITISH WOODEN ARTICLES, LOT OF FOUR, comprising a small oak box with a hinged lid, carved runner-like feet, and a half of a pinwheel on the bottom; a small softwood slide-top box; a mahogany or satinwood desk top letter box; and an oak chip-carved tray with handles. Together with a brass candlestick and wick-trimming scissors. Six pieces total. 19th/early 20th century. Tray 22 1/4" x 14 1/4" OA.

Lot: 3478 - ASSORTED SMALL ACCOUTREMENTS, LOT OF 16

ASSORTED SMALL ACCOUTREMENTS, LOT OF 16, primarily boxes and cases, made out of shell, mother-of-pearl, enamel, etc. Fourth quarter 19th/20th century. 2 3/8" x 3 5/8" OA.

Lot: 3479 - FRENCH GITEAU PALAIS ROYAL PAINTING WITH CLOCK

FRENCH GITEAU PALAIS ROYAL PAINTING WITH CLOCK, oil on canvas, a provincial depiction of a waterside hamlet with animals and figures in the foreground in front of a thatched-roof house and churches with tall spires, one of which with a clock face, the background featuring sailboats and windmills across the water. The canvas is held in a gilt gesso frame which is hinged at the top and opens to reveal a box interior which houses the clockworks and gong-type chime. The works are signed "Giteau" and a paper label applied to the interior also bears that name. Retains likely original pendulum and key. Mid 19th century. 21" HOA, 24" WOA, 5 3/4" DOA.

Lot: 3480 - FRENCH DORE BRONZE AND SEVRES-STYLE PORCELAIN MANTLE CLOCK

FRENCH DORE BRONZE AND SEVRES-STYLE PORCELAIN MANTLE CLOCK, the ornate urn-top case set with hand-painted porcelain dial and panels featuring putti, portraits, and floral bands, the brass movement marked for Leroy & Fils, Paris on the backplate. Pendulum and key present. Late 19th/early 20th century. 12 1/2" HOA, 8 1/2" WOA. 

Lot: 3481 - FRENCH DORE AND PATINATED BRONZE AND MARBLE MANTLE CLOCK

FRENCH DORE AND PATINATED BRONZE AND MARBLE MANTLE CLOCK, the case topped with two putti, one holding a bird and nest, the lower panels having white marble insets, case is stamped "H. RICARD" to the rear for Henri Picard (French, 1831-1864), the brass movement and enamel dial are marked for Raingo Freres, Paris. Lacking pendulum and key. Circa 1860. 11" HOA, 14 1/2" WOA.

Lot: 3482 - ITALIAN BRONZE AND MARBLE THREE-PIECE GARNITURE SET

ITALIAN BRONZE AND MARBLE THREE-PIECE GARNITURE SET, bronze and black marble, the clock featuring two putti holding the body of the lyre-form clock, both seven-light candelabra with urn-like marble form stems mounted with bronze detailing. The face marked "Imperial / Made Italy." Retains likely original key. Second half 20th century. Clock 24" HOA, 14" WOA, 8" DOA.

Lot: 3483 - ENGLISH GEORGIAN MAHOGANY WHEEL / BANJO BAROMETER

ENGLISH GEORGIAN MAHOGANY WHEEL / BANJO BAROMETER, featuring a broken arch pediment with a central brass finial above a thermometer and a barometer dial. Marked for Francis Amadio, London. Late 18th/early 19th century. 39" HOA, 10 1/2" WOA. Note: This lot contains mercury and CANNOT be shipped and is available for pickup only. 

Lot: 3484 - ENGLISH OAK WHEEL / BANJO BAROMETER

ENGLISH OAK WHEEL / BANJO BAROMETER, featuring a white dial and thermometer, the case carved with vaguely gothic/Celtic-style interwoven designs at the top and bottom. Face of barometer marked "MADE IN ENGLAND." Retains an old surface with attractive sheen and warm color. Late 19th/first half 20th century. 35 1/2" LOA, 10" WOA. Note: This lot contains mercury and CANNOT be shipped and is available for pickup only. 

Lot: 3485 - TIFFANY STUDIOS "PINE NEEDLE" BRONZE AND SLAG GLASS PAPER RACK

TIFFANY STUDIOS "PINE NEEDLE" BRONZE AND SLAG GLASS PAPER RACK, form #1007 large size with three cavities and mottled green inserts, stamped "TIFFANY STUDIOS / NEW YORK" to the underside of the base. Retains its original patina. Tiffany Studios. First quarter 20th century. 8 1/2" H, 12 1/2" x 3 5/8". Literature: Holland - Tiffany Desk Sets, p. 55, fig, 2-22.

Lot: 3486 - LEADED GLASS FLORAL ART GLASS CIRCULAR WINDOW TWO-SIDED PANE

LEADED GLASS FLORAL ART GLASS CIRCULAR TWO-SIDED WINDOW PANE, one side featuring a tree with many green leaves and a deep blue sky with brown trunk below, reverse having large blue panes. Maker unverified. First quarter 20th century. 19 1/4" D. 

Lot: 3487 - CONTINENTAL PATINATED-METAL DOUBLE CAT INKWELL

CONTINENTAL PATINATED-METAL DOUBLE CAT INKWELL, featuring two patinated bronze or spelter cat heads whose mouths open to reveal an interior well, one retains its possibly original glass insert, they are mounted to a stone base, which appears to be onyx and has a well in the front to hold the pen. Fourth quarter 19th/first quarter 20th century. 4" HOA, 12 1/2" WOA, 8 3/4" DOA.

Lot: 3488 - GERMAN WIND-UP SINGING BIRD CAGE MUSICAL AUTOMATON

GERMAN WIND-UP SINGING BIRD CAGE MUSICAL AUTOMATON, featuring a brass cage with remnants of its original gilt surface housing a small mechanical bird decorated with real feathers and surrounded by vine-like foliage and a small spun cotton mushroom. The base is impressed with maker's mark "K G / Made in Germany." First half 20th century. 11 1/4" HOA, 6 1/2" D.

Lot: 3489 - ENGRAVED / SILVERED BIRDS AND BUTTERFLIES ART GLASS WINDOW PANES, LOT OF THREE

ENGRAVED / SILVERED BIRDS AND BUTTERFLIES ART GLASS WINDOWPANES, LOT OF THREE, colorless, each being square form and having intricate engraving with one depicting two birds perched among grapevines, another having a bird perched among cattails with a large floral spire to the right side, remaining example with the bird at the base of a growing vine with a butterfly above and growing floral spires to the flanks. Possibly Thomas Webb & Sons. First quarter 20th century. 8 7/8" SQ.

Lot: 3490 - ENGLISH ENAMEL BOXES, LOT OF FIVE

ENGLISH ENAMEL BOXES, LOT OF FIVE, comprising four limited edition examples with original boxes including an ovoid example depicting "Pioneers of Flight / by Hot Air Balloon", one featuring the "THEATRE / ROYAL / BATH", and two Halcyon Days Millennium circular examples including one with images of Architecture and other titled "Dawn of New Age" depicting a clock, and a Crummles & Co. Colonial Williamsburg Governor's Palace example. Late 20th century. 1 3/8" HOA. 

Lot: 3491 - ART DECO CASED WRITING SET

ART DECO CASED WRITING SET, amber Bakelite or plastic with moss inclusions, comprising five pieces including a wax seal, unmarked. In its original fitted case. Circa 1930. 8 3/4" x 4" case. 

Lot: 3492 - ASSORTED CARVED STONE ARTICLES, LOT OF 17

ASSORTED CARVED STONE ARTICLES, LOT OF 17, stones which appear to be possibly lapis lazuli, malachite, and others, including many depictions of animals, and six pyramid and obelisk forms. 20th century. Tallest obelisk 7" HOA.

Lot: 3493 - ASSORTED LACQUERED ARTICLES, LOT OF FIVE

ASSORTED LACQUERED ARTICLES, LOT OF FIVE, comprising a mother of pearl inlaid lap desk; a small box with mother of pearl inlay; two Chinese lacquered boxes in red, and black; and a part of a pole fire screen. 19th/20th century. Largest 14 1/2" x 16 1/2" OA.

Lot: 3494 - MOTHER-OF-PEARL / NAUTILUS SHELL CAVIAR DISH WITH BAKELITE BASE

MOTHER-OF-PEARL / NAUTILUS SHELL CAVIAR DISH WITH BAKELITE BASE, cut nautilus shell mounted to a silver framework of unknown fineness, the whole mounted to a Bakelite base with four feet. No marks found. American or Continental. First half 20th century. 4 3/4" HOA, 8" WOA, 3 1/4" WOA.

Lot: 3495 - ENGLISH LACQUERED PAPIER MACHE HAND FANS, LOT OF THREE

ENGLISH LACQUERED PAPIER MACHE HAND FANS, LOT OF THREE, comprising a pair of lacquered papier mache hand fans inlaid with mother of pearl and framed in matching shadowbox frames, and a single unframed example of similar form. All in the Chinoiserie taste. Together with a pamphlet on penwork, Japanned, and other similar decorative objects contemporary with these fans. Four pieces total. Mid 19th century. Pair 16 3/4" x 12 3/4" OA.

Lot: 3496 - ITALIAN / MURANO PILLAR-MOLDED HURRICANE LAMPS, PAIR

ITALIAN / MURANO PILLAR-MOLDED HURRICANE LAMPS, PAIR, fiery opalescent, each standard with multiple fused sections topped by a candle socket, and fitted with a matching baluster-form shade, probably fitted originally with four prisms, each base with a rough pontil mark. Fourth quarter 19th/first quarter 20th century. 18" HOA, 11" H shade, 5 7/8" D foot.

Lot: 3497 - HANDEL LAMP ORIGINAL DESIGN DRAWINGS, LOT OF TWO

HANDEL LAMP ORIGINAL DESIGN DRAWINGS, LOT OF TWO, watercolor and ink on paper, each depicting a different Teroma shade table lamp complete with model number, size, and finish, Handel trademark upper right, one signed "RHENEY / 1912" to verso. Each housed and matted under glass in a modern oak frame. Circa 1912. 9" x 6 1/8" sight, 17 3/4" x 14 1/2" OA. Literature: See Hibel - The Handel Lamps Book, pp. 96, 147, 170, 182, 183, 187, 198, and 211 for other examples of these drawings.

Lot: 3498 - FRENCH / CZECHOSLOVAKIAN FRUIT BASKET PAIR OF LUMINARIES

FRENCH / CZECHOSLOVAKIAN FRUIT BASKET PAIR OF LUMINARIES, the ornate Rococo-style patinated spelter baskets marked "Fabrication Francaise / Paris / Made in France" to the underside of each base, and topped by their original color-glass fruit domes marked "Made in Czechoslovakia" to each frame. Excellent original patina to both. Circa 1920. 5 1/2" HOA, 12" WOA.

Lot: 3499 - PAIRPOINT ART GLASS ELECTRIC TABLE / ASTRAL LAMP

PAIRPOINT ART GLASS ELECTRIC TABLE / ASTRAL LAMP, the square marble base having a single-stepped round silver-plated lower fitting with relief-molded acanthus leaves, supporting a facet-cut colorless glass hollow stem with another metal connector at midsection joining it to a blown cobalt blue glass pyriform font with engraved Grapes decoration; a faux oil lamp-styled collar supports the shade ring and crystal prisms, with a single light bulb socket at center; the base's underside signed "PAIRPOINT" with factory numbers possibly reading "E3005". Retains matching frosted and cut/engraved Grapes-themed solar / Oregon style shade. The Pairpoint Corporation. 1920-1940. 15 1/4" H (to top of socket), 22 1/2" HOA. Literature: Parallels Wilson and Spillman - Mt. Washington & Pairpoint Glass, Vol. Two, p. 236, fig. 19-59 and St. Aubin - Pairpoint Lamps: A Collectors Guide, p. 32, fig. 82.

Lot: 3500 - SIGNED "HANDEL" LEADED GLASS BOUDOIR LAMP SHADE

SIGNED "HANDEL" LEADED GLASS BOUDOIR LAMP SHADE, tapered square form with larger amber panes to the top of green lower panes, metal overall fishscale pattern over a diamond band, signed "HANDEL" to the top edge. The Handel Co. Circa 1910. 4 3/4" H, 2" D fitter.

Lot: 3501 - JEWISH FREE SONS OF ISRAEL LODGE ELECTRIC LAMP

JEWISH FREE SONS OF ISRAEL LODGE ELECTRIC LAMP, brass and slag-glass shade raised on a patinated white-metal base bearing a plaque for the Henry Clay Lodge No. 19, I.O.F.S. of I, 1866-1916, New York City. Shade and base together by association. Circa 1916. 15 1/2" HOA, 6 1/8" SQ shade, 4 1/2" SQ base. 

Lot: 3502 - VINTAGE BRASS THREE-LIGHT ELECTRIC CHANDELIER

VINTAGE BRASS THREE-LIGHT ELECTRIC CHANDELIER, with polychrome-painted floral decorations, fitted with three matching frosted colorless pressed glass shades. Circa 1940. Roughly 24" H hanging, 14" DOA. 

Lot: 3503 - MODERN CUT CRYSTAL GLASS DOUBLE-ARM WALL SCONCES, LOT OF THREE

MODERN CUT CRYSTAL GLASS DOUBLE-ARM WALL SCONCES, LOT OF THREE, colorless, each featuring a central well with flame cuts holding a metal adjoining plate which holds two swirling arms and terminates into a modern socket with candle sleeves, each socket having a lower cut star and fans bobeche with hanging prisms. 20th century. 11 1/2" WOA.

Lot: 3504 - HANDEL SPELTER ELECTRIC LAMP BASE

HANDEL SPELTER ELECTRIC LAMP BASE, having an elongated ovals and beads motif, with a later finish placed on the lower body and foot of the base, lacking a shade holder/ring, signed to the underside "HANDEL". Handel Lamp Co. First quarter 20th century. 22 3/4" HOA.

Lot: 3505 - ART DECO PRESSED BRASS FLOOR LAMP

ART DECO PRESSED BRASS FLOOR LAMP, featuring a candle-like form supporting a single socket and harp, over a reeded central pole adorned with foliate devices, the whole resting on a cast base with similar foliate designs. Retains an old, probably original, patinated surface. First half 20th century. 56" HOA, 12 1/4" D. 

Lot: 3506 - CONTINENTAL CARVED WOODEN AND WROUGHT-IRON SCONCES, LOT OF TWO

CONTINENTAL CARVED WOODEN AND WROUGHT-IRON SCONCES, LOT OF TWO, comprising a paint-decorated softwood single-light example in oval form with carved acanthus leaves projecting from the top and bottom; and a two-light example with wrought iron candle arms and candle cups mounted to an octagonal walnut panel with applied edge molding. Second half 19th century. Two light example 15" HOA, 7 1/2" WOA.

Lot: 3507 - ASSORTED EUROPEAN OR AMERICAN PAINT-DECORATED TOLE ARTICLES, LOT OF THREE

ASSORTED EUROPEAN OR AMERICAN PAINT-DECORATED TOLE ARTICLES, LOT OF THREE, each of sheet-iron, comprising an oblong octagonal tray with a rolled rim and handles at each end; a smaller oval tray; and a small shaped edge box. Each retain their likely original paint decorated surfaces featuring foliate devices. Second half 19th/early 20th century. Largest tray 16 3/4" x 23 1/4" OA.

Lot: 3508 - AMERICAN / CONTINENTAL FOLK ART CARVED TREEN MORTAR AND PESTLE

AMERICAN / CONTINENTAL FOLK ART CARVED TREEN MORTAR AND PESTLE, carved from a solid stump or tree trunk, having ten panels around the body each with geometric squigglework decoration, tapering inwards towards the midsection which has a very thick band/ring with interlocking incised ring carvings and four six-petal rosettes within the central reserves; retaining an early/possibly original wrought-iron pestle. Probably 19th century. 10 1/8" HOA (including pestle).

Lot: 3509 - ENGLISH FREE-BLOWN, PRESSED, AND ENGRAVED GLASS RUMMERS, SET OF FIVE

ENGLISH FREE-BLOWN, PRESSED, AND ENGRAVED GLASS RUMMERS, SET OF FIVE, colorless lead glass, having ogee bowls with engraved drapery decoration below the rim which centers a shield-form cartouche with monogrammed "N" and rope border, flanked by hanging tassels in the form of Scottish thistle buds; with additional cut flutes around the base of the bowl, raised on square pressed lemon squeezer bases with cut and factory polished edges. First quarter 19th century. 5" HOA, 2 3/8" SQ bases.

Lot: 3510 - ENGLISH FREE-BLOWN GLASS FINGER BOWLS, SET OF TEN

ENGLISH FREE-BLOWN GLASS FINGER BOWLS, SET OF TEN, cobalt blue lead glass, hemispherical or globular forms each with plain rim and polished pontil mark. First half 19th century. 3 1/2" H, 4 1/2" to 4 3/4" D rims.

Lot: 3511 - ENGLISH PATTERN-MOLDED AND ENGRAVED GLASS RUMMERS, SET OF SIX

ENGLISH PATTERN-MOLDED AND ENGRAVED GLASS RUMMERS, SET OF SIX, colorless lead glass, having conical-form bowls with 12 vertical ribs molded around the lower half of the bowl and engraved decoration below the rim consisting of diamond-point ovals with narrow oval bars between; raised on square bases with cut and factory polished edges, polished pontil marks. First quarter 19th century. 4 3/4" HOA, 2 1/2" SQ bases.