Important Works of Art, Furnishings &

Lot: 1 - Provincial Mughal School, 19th-20th Century, Five Miniature Works, Largest page size: 12 x 8-3/4 in (30.5 x 22.2 cm)

Provincial Mughal School, 19th-20th Century Five Miniature Works Including: A Procession Scene with an Elephant; a Balcony Scene with a Princess Being Serenaded by Two Musicians; a Prince Mounted on a Composite Horse (Narikunjara); a Prince in a Palanquin with an Affectionate Son; and a Couple Admiring the Twilight. Each a gouache on paper, four with inscription borders; each unframed in hinged mats. Property from the Estate of George Zorin Provenance: The Rubiyat Collection, Falls Church, VA

Lot: 2 - Provincial Mughal School, 19th-20th Century, Four Miniature Works, Largest page size approximately: 10 x 12 in (25.4 x 30.5 cm)

Provincial Mughal School, 19th-20th Century Four Miniature Works Including: A Triptych of a Veranda Courtship; Musicians Serenading a Couple on a Veranda; a Courtship Scene with Two Attendants; Yashoda with Putana Nursing the Infant Krishna from the Tenth Canto of the Srimad Bhagavata Purana. Each a gouache on paper, two with inscription borders; each unframed in hinged mats. Property from the Estate of George Zorin Provenance of First and Second: The Rubiyat Collection, Falls Church, VA

Lot: 3 - Provincial Mughal School, 20th Century, Three Miniature Erotic Works, Largest page size approximately: 9 x 6-1/4 in (22.9 x 15.9 cm)

Provincial Mughal School, 20th Century Three Miniature Erotic Works Each a gouache on paper, two with inscription borders; each unframed in hinged mats. Property from the Estate of George Zorin Provenance: The Rubiyat Collection, Falls Church, VA

Lot: 4 - South Indian Bronze Figure of Standing Shiva, 19th Century

South Indian Bronze Figure of a Standing Shiva 19th Century His primary hands in dhyana mudra and holding a patra, his raised left hand holding a sankha and his right hand holding a dharmachakra, on a double lotus base. Greenish-brown patina.

Lot: 5 - Northeast Indian Blackstone Figure of Vishnu Resting on Sheshanaga, Bengali, 10th-12th Century

Northeast Indian Blackstone Figure of Vishnu Resting on Sheshanaga Bengali, 10th-12th Century The four-armed Vishnu is resting on Shesha, the King of Naga, with a seven-headed serpent hood above his head supported by one hand, a lotus stem ( campa), a conch shell ( sankha) and a prayer-wheel ( cakra) in the other three hands, one of his secondary hands supporting his head, above an arched frieze with twelve relief divinities and below a relief of small seated divinities. Property from a Maryland Gentleman Provenance: Sold in these rooms, May 8, 2015, sale 1421, lot 79

Lot: 6 - Large Japanese Bronze Figure of Seated Amida Nyorai on a Double Lotus Throne, Edo Period (1603-1868), 19th Century

Large Japanese Bronze Figure of a Seated Amida Nyorai on a Double Lotus Throne Edo Period (1603-1868), 19th Century Seated in dhyanasana and backed by a separate halo, his right hand raised in the Semui or Vitarka mudra, the left lowered in the Yogan or Varada mudra, his hair arranged in tight curls over the domed ushnisha, flanked by beautiful kohai (nimbus) the drapery of his garment elegantly rendered in ‘endlessly flowing folds', on a separate black painted wood insert and verdigris bronze lotus base. Property from the Mark S. Pratt Trust

Lot: 7 - Nagoya Japanese Cloisonné Enameled Silver Vase, Manner of the Hayashi Kodenji Workshop, Meiji Period (1868-1912), Early 20th Century

Nagoya Japanese Cloisonné Enameled Silver Vase Manner of the Hayashi Kodenji Workshop, Meiji Period (1868-1912), Early 20th Century Underside of foot stamped with worn jungin mark within a rectangular lozenge, decorated with a kabuto helmet and katana sword on turquoise ground, in a fitted box.

Lot: 8 - Japanese Bronze Figure of a Kannon, a Bronze Lotus Form Censer (Koro) and a Sino-Tibetan Figure of a Mythological Beast, 19th-20th Century

Japanese Bronze Figure of a Kannon, a Bronze Lotus Form Censer (Koro) and a Sino-Tibetan Figure of a Mythological Beast 19th-20th Century

Lot: 9 - Japanese Wakizashi Short Sword with Roiro Lacquer Saya and Gold Inlaid Furniture, The tang signed Fujiwara Sadayuki, Edo Period, 18th-19th Century

Japanese Short Sword Wakizashi with Roiro Lacquer Saya and Gold Inlaid Furniture The tang signed Fujiwara Sadayuki, Edo Period, 18th-19th Century-Configuration, sugata: hira-zukuri with shallow sori-Forging pattern, jihada: itame and mokume hada mixed with chikei-Tempering pattern, hamon: suguha hamon in nie-deki and faint bo-utsuri-Tip, boshi: togari, maru-boshi-Carvings, horimono: the omote with bonji [Sanskrit character], the ura with gomabashi, both faint from polishing-Tang, nakago: two mekugi-ana, the omote signed Nobukuni Minamoto Yoshisada-Collar, abaki: silver, single clad-Mount, koshirae: of later date, the handachi style mounts comprised of a plain red lacquer scabbard, saya, the hilt, tsuka in same-nuri, associated fittings, the hilt-band and pommel, fuchi-kashira and kojiri in shakudo on an ishime ground, the menuki in the form of dragons, the kozuka chiseled, chased and engraved with a single ox, the kogai with a dragon, each on a nanako ground with gilt highlights, the shakudo mokko-gata tsuba with peonies among foliate scrolls in gilt reliefIn plain wood scabbard, shirasayaLength from kissaki to machi, nagasa: 13-3/8 in (33.9 cm);Curvature, sori: 1/4 in (0.6 cm);Width at the machi, moto-haba: 1-1/8 in (2.9 cm)Property of a Maryland Collector

Lot: 10 - Six Japanese Inlaid Soft Metal and Iron Tsubas, Edo-Meiji Period, 17th-19th Century

Six Japanese Inlaid Soft Metal and Iron Tsubas Edo-Meiji Period, 17th-19th Century The first, decorated in iroe-e takazogan shakudo with kikimons and flowering branches; the second, carved and inlaid in gold takazogan with a seated fisherman verso with a landscape, signed Masatoki; the third, a copper plate inlaid in gold takazogan with Shoki and Oni, signed Tomotade; the fourth, a gold inlaid hirazogan, signed Bushu ju Masakata; the fifth, a hammered iron plate, unsigned; and the sixth, a cloisonné enamel plate decorated with white heron amidst a flowering tree, unsigned. Property of a Maryland Collector

Lot: 11 - 'Tibetan Painted Scrolls' Folio Two Volume Set with Buddhist Iconography Print Portfolio, Giuseppe Tucci (Italian 1894-1984) for Libreria Dello Stato, Rome, 1949, Edition 159 of 750

'Tibetan Painted Scrolls' Folio Two Volume Set with Buddhist Iconography Print Portfolio Giuseppe Tucci (Italian 1894-1984) for Libreria Dello Stato, Rome, 1949, Edition 159 of 750 Portfolio consisting of twenty-four lettered and two hundred thirty-one numbered sheets. Property of a Great Falls, Virginia Collector

Lot: 12 - Two Sino-Tibetan Copper Alloy Figures of a Seated Amitayus and of a Seated Syamatara, 18th-19th Century

Two Sino-Tibetan Copper Alloy Figures of a Seated Amitayus and of a Seated Syamatara 18th-19th Century The first, gilded and seated in dhyanasana on a double lotus base incised with a cakra and hands in dhyana mudra; and the second, ungilded and seated in lalitasana on a single lotus base with incised visvavajra and hands in varada and vitarka mudras.

Lot: 13 - Four Thai Bronze Figures of Standing and Seated Buddhas, 17th-19th Century

Four Thai Bronze Figures of Standing and Seated Buddhas 17th-19th Century Each with varicolored brown patina.

Lot: 14 - Chinese Partial Gilt and Rouge Lacquered Bronze Guardian and a Gilt Immortal, Ming-Qing Dynasty, 17th-19th Century

Chinese Partial Gilt and Rouge Lacquered Bronze Guardian and a Gilt Immortal Ming-Qing Dynasty, 17th-19th Century The first gilded depicting Xuanwu seated on a throne, traces of gilding and red lacquer; and the second depicting a gilt Bodhisattva Maitreya standing and his head backed by a lotus halo.

Lot: 15 - Three Sino-Tibetan Bronze Figures of the Standing Buddha, 19th-20th Century

Three Sino-Tibetan Bronze Figures of the Standing Buddha 19th-20th Century Each on lotus bases. Two with brown patina and one with silvered-brown patina.

Lot: 16 - Thai Bronze Figure of Seated Buddha Maravijaya, Ayutthaya Period, 15th-17th Century

Thai Bronze Figure of Seated Buddha Maravijaya Ayutthaya Period, 15th-17th Century Seated in dhyanasana on a double throne base, his hands in dhyana and bhumisparsa. Slightly encrusted verdigris brown patina.

Lot: 17 - Three Southeast Asian Bronze Figures of Bodhisattva, 19th-20th Century

Three Southeast Asian Bronze Figures of Bodhisattva 19th-20th Century Two standing and one seated in lalitasana, each on single lotus bases. Each brown patina.

Lot: 18 - Sino-Tibetan Gilt Bronze Figure of Seated Bodhisattva Avalokitesvara, 19th Century

Sino-Tibetan Gilt Bronze Figure of Seated Bodhisattva Avalokitesvara 19th Century Seated in lalitasana with his left arm resting on his raised knee and his right arm supporting his side.

Lot: 19 - Sino-Tibetan Gilt Bronze Figure of Seated Bodhisattva Avalokitesvara, 19th Century

Sino-Tibetan Gilt Bronze Figure of Seated Bodhisattva Avalokitesvara 19th Century Seated in lalitasana, his left arm supporting his side and his right arm resting on his raised bent knee; on a modern black painted wood stand.

Lot: 20 - Seven Korean Inlaid Celadon Dishes, Choson Dynasty, 16th-17th Century

Seven Korean Inlaid Celadon Dishes Choson Dynasty, 16th-17th Century A conical bowl and two Punch'ong shallow saucer dishes with white slip inlaid in a basketweave pattern; and another, with steep sides and cavetto inlaid with a central flower surrounded by ruyi band; two round and one octagonal dishes: each inlaid in white and black slip with stylized flowers, the larger additionally inlaid with cranes; each with thin olive-green glaze, some with a bluish hue. Property from a Maryland Gentleman

Lot: 21 - Eight Korean Bronze Devotional Figures of the Buddha, 17th-19th Century

Eight Korean Bronze Devotional Figures of the Buddha 17th-19th Century Five gilded and three with brownish-green patina.

Lot: 22 - Three Korean Votive Bronze Figures of the Buddha, 17th-19th Century

Three Korean Votive Bronze Figures of the Buddha 17th-19th Century Consisting of: the first, a gilt copper alloy Buddha triad on footed throne base; the second, a gilt copper alloy standing Bodhisattva holding a scepter; and the third, a partial gilt bronze stand Bodhisattva holding a lotus plant (lacking an aureola).

Lot: 23 - Group of Six Southeast Asian Bronze Devotional Figures, 19th-20th Century

Group of Six Southeast Asian Bronze Devotional Figures 19th-20th Century

Lot: 24 - Three Southeast Asian Bronze Figures of Standing Buddha, 16th-19th Century

Three Southeast Asian Bronze Figures of Standing Buddha 16th-19th Century The first, probably Chinese, the gilded figure holding a sankha in her raised right hand and a kalasa in her left hand before her, on a lotus base and open throne plinth; the second greenish-dark brown patina, probably Thai, wearing a long pleated robe and hands in vitarka mudra, on a double lotus base; and the third greenish-brown patina, probably Korean, his right hand raised and his left hand holding a kalasa before him, on a footed throne base.

Lot: 25 - Korean Bronze Bottle Vase, Goryeo Dynasty (918-1392)

Korean Bronze Bottle Vase Goryeo Dynasty (918-1392) The globular body with narrowing neck and flared rim, cast with three ribbed bands; overall encrusted verdigris patina. Property from a Maryland Gentleman

Lot: 26 - Two Chinese Inlaid Bronze Belt Hooks, Warring States Period-Han Dynasty (475 BCE-220 CE)

Two Chinese Inlaid Bronze Belt Hooks Warring States Period-Han Dynasty (475 BCE-220 CE) The first a long serpent belt hook inlaid with silver wire in a scrolling pattern ending in a beast head on a malachite encrusted brown patinated bronze ground; and the second, a short serpent belt hook inlaid in a gold geometric pattern on a reddish-brown patinated bronze ground with areas of malachite encrustations. Property from the Mark S. Pratt Trust

Lot: 27 - Five Chinese Cast Bronze Large Hand Mirrors, Tang-Ming Dynasty, 10th-15th Century

Five Chinese Cast Bronze Large Hand Mirrors Tang-Ming Dynasty, 10th-15th Century Four circular and one square, each cast with various mythological animals, landscape, erotic scenes, and other decoration, centering an open boss. Various verdigris and silvery-brown patina. Property from the Mark S. Pratt Trust

Lot: 28 - Chinese Archaic Bronze Ritual Wine Vessel (Jue), 18th-19th Century

Chinese Archaic Bronze Ritual Wine Vessel (Jue) 18th-19th Century Shang Dynasty style, the rounded U-shape body cast with a row of taotie masks and a loop handle, the rim surmounted by two finials with rosettes caps; slightly encrusted verdigris brown patina. Property from the Mark S. Pratt Trust

Lot: 29 - Six Chinese Cast Bronze Hand Mirrors, Yuan-Ming Dynasty, 13th-15th Century

Six Chinese Cast Bronze Hand Mirrors Yuan-Ming Dynasty, 13th-15th Century Each round, cast with various geometric and mythological animals centering an open boss. silvery and verdigris brown patina. Property from the Mark S. Pratt Trust

Lot: 30 - Eight Chinese Russet Celadon and White Jade Carvings, 19th-20th Century

Eight Chinese Russet Celadon and White Jade Carvings 19th-20th Century Consisting of: four figures of mythological beasts or dogs, a celadon carving of a serpent, a russet white 'twin fish' carving, a russet white carving sword hilt and a celadon carving of Guanyin.

Lot: 31 - Five Chinese Jade and Cloisonné Enamel Objets d'Art, 19th-20th Century

Five Chinese Jade and Cloisonné Enamel Objets d'Art 19th-20th Century Consisting of: a black and rouge enameled gilt American sterling box and mounted with an apple-green jadeite pierced roundel of two boys in foliage, the lip stamped with a stylized D, Sterling and the inverted date 1883; a cloisonné box mounted with a pale celadon jade 'Shou and Bat' pierced roundel; a gilt metal mounted champlevé enamel joss stick holder in the form of a palace horse with trappings; an apple-green jadeite magnifying glass with a pierced chilong buckle handle; and a pale celadon jade dish. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 32 - Twelve Chinese Henan-Type Dark Brown Glazed Bowls, Song Dynasty (960-1279) and Later

Twelve Chinese Henan-Type Dark Brown Glazed Bowls Song Dynasty (960–1279) and Later Each with a lustrous black glaze thinning on the rim and slipping short of a ring foot; some with iron-brown lustrous splash glaze. Property from the Mark S. Pratt Trust

Lot: 33 - Seven Chinese Yingqing Glazed Bowls and Shallow Dishes Song-Liao Dynasty, Circa 12th Century

Seven Chinese Yingqing Glazed Bowls and Shallow Dishes Song-Liao Dynasty, Circa 12th Century Three interior carved with leaf tendrils and one interior molded with lotus; most with pale blue glaze and some with white or pale celadon glaze. Property from the Mark S. Pratt Trust

Lot: 34 - Chinese Junyao Glazed Stoneware Archaic Bronze Form Footed Censer and a Conical Footed Bowl, Northern Song or Jin Dynasty (960-1234)

Chinese Junyao Glazed Stoneware Archaic Bronze Form Footed Censer and a Conical Footed Bowl Northern Song or Jin Dynasty (960-1234) The first, having a round shallow body with molded raised bosses below the rim and raised on short trifid feet; covered overall with a milky sky-blue glaze thinning to a beige tone at the rim and thinning to an iron-red glaze and raised on partially beige tone and unglazed bracket feet; the second, similarly glazed with beige glazed rim, and raised on an unglazed ring foot. Property from the Mark S. Pratt Trust

Lot: 35 - Ten Chinese Henan-Type Dark Brown Glazed Bowls, Song Dynasty (960-1279) and Later

Ten Chinese Henan-Type Dark Brown Glazed Bowls Song Dynasty (960-1279) and Later Each with a lustrous black glaze thinning on the rim and slipping short of a ring foot; some with iron-brown lustrous splash glaze. Property from the Mark S. Pratt Trust

Lot: 36 - Group of Twenty Chinese Yingqing Glazed Sauce and Saucer Dishes Song-Liao Dynasty, Circa 10th-12th Century

Group of Twenty Chinese Yingqing Glazed Sauce and Saucer Dishes Song-Liao Dynasty, Circa 10th-12th Century Some with crimped edge; each with pale blue to light celadon glaze slipping short of base or ring foot. Property from the Mark S. Pratt Trust

Lot: 37 - Two Chinese Celadon Bowls and a Censer, Ming Dynasty, 16th-17th Century

Two Chinese Celadon Bowls and a Censer Ming Dynasty, 16th-17th Century Property from the Mark S. Pratt Trust

Lot: 38 - Chinese Blue and White Porcelain Bowl and a Covered Jar, Ming Dynasty, 15th-16th Century

Chinese Blue and White Porcelain Bowl and a Covered Jar Ming Dynasty, 15th-16th Century Each painted in underglazed blue: the first, cavetto painted with a phoenix surrounded by lotus scrolls, the exterior painted with a phoenix and dragon in pursuit of a fiery pearl, underside with underglazed blue six-character ' Xuande' mark; and the second, baluster shape painted in underglazed blue with lotus scrolls beneath a floral scroll shoulder, unmarked. Property from the Mark S. Pratt Trust

Lot: 39 - Set of Six Chinese Blue and White 'Lotus Scroll' Saucer Dishes, each with underglazed blue six-character Kangxi Marks and Period (1662-1722)

Set of Six Chinese Blue and White 'Lotus Scroll' Saucer Dishes Kangxi Marks and Period (1662-1722) Each painted with a central lotus and tendrils surrounded by four lotus tendrils, each with underglazed blue six-character Kangxi marks. Property from the Mark S. Pratt Trust

Lot: 40 - Chinese Blue and White Covered Ginger Jar and a Trumpet Shape Jardinière, Qing Dynasty, 19th-20th Century

Chinese Blue and White Covered Ginger Jar and a Trumpet Shape Jardinière Qing Dynasty, 19th-20th Century The first, painted in underglazed blue with two travelers and a courtesan on a terrace, bottom with underglazed blue four-character Kangxi mark; and the second, painted in underglazed blue with lotus scrolls above a band of lappets, under the crimped flared rim with underglazed blue six-character pseudo Qianlong mark. Property from the Mark S. Pratt Trust

Lot: 41 - Chinese Blue and White Bowl, a Dish, a Bottle Vase and a Stem Cup, Ming Dynasty (1368-1644)

Chinese Blue and White Bowl, a Dish, a Bottle Vase and a Stem Cup Ming Dynasty (1368-1644) The bowl interior and exterior painted with lotus scrolls, underside with underglazed blue double-encircled six-character Xuande mark; the dish painted with two deer in a landscape, unmarked; the vase painted with flowering branches and fruiting vines, underside with underglazed blue double-encircled Yongle seal mark; and the stem cup painted with lotus scrolls, the underside with underglazed blue six-character Xuande mark. Property from the Mark S. Pratt Trust

Lot: 42 - Two Chinese Blue and White Ginger Jars, a Dish and a Shallow Bowl, Qing Dynasty, 18th-19th Century

Two Chinese Blue and White Ginger Jars, a Dish and a Shallow Bowl Qing Dynasty, 18th-19th Century Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 43 - Chinese Blue and White Charger and a Bowl, The Charger: Ming Dynasty (1368-1644)

Chinese Blue and White Charger and a Bowl The Charger: Ming Dynasty (1368-1644) The interior and exterior tapering sides painted in underglazed blue flowering leafy branches. Property from a Maryland Gentleman

Lot: 44 - Pair of Chinese Blue and White and Café au Lait Glazed Bowls, Each with underglazed blue four-character pseudo Kangxi mark, 19th Century

Pair of Chinese Blue and White and Café au Lait Glazed Bowls 19th Century Each interior painted in underglazed blue with lotus scrolls, the exterior in café au lait glazed; each interior with later incised character and each with underglazed blue four-character pseudo Kangxi mark.Property from the Mark S. Pratt Trust

Lot: 45 - Chinese Doucai 'Dragon and Phoenix' Small Wash Basin, 18th-19th Century

Chinese Doucai 'Dragon and Phoenix' Small Wash Basin 18th-19th Century Unmarked. Property from the Estate of Sheila Schermerhorn Scott Note: The basin is documented at Eastover Estate, Lenox, MA, by Robert W. Tebbs (1875–1945), Circa 1922. Provenance: By Descent through the Schermerhorn Family

Lot: 46 - Pair of Chinese 'Famille Verte' Ribbed Guglet Bottle Vases, Kangxi Period (1662-1722)

Pair of Chinese 'Famille Verte' Ribbed Guglet Bottle Vases Kangxi Period (1662-1722) Each with blue underglazed painted twice-encircled floral pseudomarks to underside; each decorated with overglazed green, teal, orange, yellow, and aubergine enamels with painted chrysanthemum base and blue underglazed drawn reserves: one a landscape featuring crashing waves and clouds with four horses, four fish, and four birds with fourteen characters; the other with unique bouquets of flowering plants and rocks. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 47 - Chinese 'Famille Verte' Ribbed Foliate Bowl, Kangxi Period (1662-1722)

Chinese 'Famille Verte' Ribbed Foliate Bowl Kangxi Period (1662-1722) Underside of the octagonal bowl with blue underglazed painted double-encircled Kangxi seal mark; the exterior wall painted with overglazed orange, yellow, aubergine, blue, teal and two shades of green enamel with unique vignettes of flowering plants and rocks. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 48 - Chinese Doucai Yen-Yen Vase, Kangxi Period (1662-1722)

Chinese Doucai Yen-Yen Vase Kangxi Period (1662-1722) The baluster body and elongated flared neck painted in underglazed blue and polychrome enameled with scholars and court ladies on a terrace and interior depicting various leisure pursuits; unmarked. Property from a Maryland Gentleman

Lot: 49 - Chinese 'Famille Rose' Vase, Daoguang Mark and Period (1821-1850)

Chinese 'Famille Rose' Vase Daoguang Mark and Period (1821-1850) The ovoid body enamel and gilt painted with children playing keep-away with an official in a landscape with a pine tree, the elongated narrowing neck and flared rim enamel painted with lotus scrolls and two gilt shou characters; bottom with underglazed iron-red seal mark. Property from a Maryland Gentleman Provenance: Underside with fragment of Christie's New York circular label

Lot: 50 - Chinese Porcelain Blue and Yellow Meiping Vase and a 'Famille Rose' Yuhuchunping Vase, 20th Century

Chinese Porcelain Blue and Yellow Meiping Vase and a 'Famille Rose' Yuhuchunping Vase 20th Century Each with spurious blue underglazed Qianlong mark and period to underside. Property from a Maryland Gentleman

Lot: 51 - Chinese Export 'Famille Rose' Porcelain Five-Piece Partial Dining Set, Qianlong-Jiaqing Period (1736-1820)

Chinese Export 'Famille Rose' Porcelain Five-Piece Partial Dining Set Qianlong-Jiaqing Period (1736-1820) Consisting of: a pair of sauce boats, a hot/cold water dish, a bowl and a 'Fighting Quail' dish. Property from the Estate of Sheila Schermerhorn Scott Note: The sauce boats are documented at Eastover Estate, Lenox, MA, by Paul J. Weber, Boston, Architectural Photographer. Provenance: By Descent through the Schermerhorn Family

Lot: 52 - Chinese Export 'Famille Rose' 'Exotic Birds/Flowering Urn' Decorated Dining Set of Eleven Plates and Eight Rim Soup Bowls, Qianlong Period (1736-1795)

Chinese Export 'Famille Rose' 'Exotic Birds/Flowering Urn' Decorated Dining Set of Eleven Plates and Eight Rim Soup Bowls Qianlong Period (1736-1795) Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 53 - Chinese Export 'Famille Rose' Eight-Piece Assembled Teawares, Jiaqing-Daoguang Period (1796-1850)

Chinese Export 'Famille Rose' Eight-Piece Assembled Teawares Jiaqing-Daoguang Period (1796-1850) Consisting of: a bowl, a tea caddy, four cups, a covered cup and a saucer. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 54 - Pair Chinese Export Sepia Miniature and Parcel Gilt 'Famille Verte' Pistol-Handle Covered Urns, Jiaqing Period (1760-1820), Circa 1810

Pair of Chinese Export Sepia Miniature and Parcel Gilt 'Famille Verte' Pistol-Handle Covered Urns Jiaqing Period (1760-1820), Circa 1810 Apparently unmarked. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 55 - Pair of Chinese Export 'Rose Medallion' Barrel Form Garden Seats, Mid-19th Century

Pair of Chinese Export 'Rose Medallion' Barrel Form Garden Seats Mid-19th Century Each polychrome enamel and gilt decorated with rectangular reserves of court scenes and birds in flowers and single and double cash symbol cutouts, within two bands of gilt bosses.

Lot: 56 - Chinese 'Famille Verte' 'Phoenix and Chrysanthemum' Urn and a Gilt and Iron-Red 'Warrior Games' Baluster Vase, Late 19th Century

Chinese 'Famille Verte' 'Phoenix and Chrysanthemum' Urn and a Gilt and Iron-Red 'Warrior Games' Baluster Vase Late 19th Century The first, with pierced hardwood domed cover on a hardwood stand; and the second, on a gilt metal cover and stand; each mounted as lamps. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 57 - Pair of Chinese 'Famille Jaune' 'Yen-Yen' Vases and an Underglaze Green Incised 'Dragon and Phoenix' Baluster Vase, Late 19th-20th Century

Pair of Chinese 'Famille Jaune' Yen-Yen Vases and an Underglazed Green Incised 'Dragon and Phoenix' Baluster Vase Late 19th-20th Century The pair on gilt cast metal stands and the third on hardwood stand; each mounted as lamps. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 58 - Pair of Chinese Huanghuali Rectangular-Back Sinuous 'Chilong' Carved Low Armchairs (Nanguanmaoyi), 18th-19th Century

Pair of Chinese Huanghuali Rectangular-Back Sinuous Chilong Carved Low Armchairs (Nanguanmaoyi) 18th-19th Century Property from the Mark S. Pratt Trust

Lot: 59 - Chinese Zitan Two-Drawer Table (Santichoutizhuo), 18th Century

Chinese Zitan Two-Drawer Table (Santichoutizhuo) 18th Century Property from the Mark S. Pratt Trust

Lot: 60 - Chinese Brass Mounted Huanghuali Double-Door Side Cabinet, 18th-19th Century

Chinese Brass Mounted Huanghuali Double-Door Side Cabinet 18th-19th Century Double-doors opening to view a central shelf fitted with two drawers. Property from the Mark S. Pratt Trust

Lot: 61 - Set of Four Chinese Huanghuali Low Rectangular Five-Spindle-Back 'Official's-Hat' Side Chairs, 18th-19th Century

Set of Four Chinese Huanghuali Low Rectangular Five-Spindle-Back 'Official's-Hat' Side Chairs 18th-19th Century Property from the Mark S. Pratt Trust

Lot: 62 - Chinese Huanghuali Recessed-Leg Painting Table (Jiatousun Xiaohua'an), 18th-19th Century

Chinese Huanghuali Recessed-Leg Painting Table (Jiatousun Xiaohua'an) 18th-19th Century Property from the Mark S. Pratt Trust

Lot: 63 - Three Chinese Huanghuali Rectangular-Back 'Southern Official's-Hat' Woven-Seat Armchairs (Nanguanmaoyi), 18th-19th Century

Three Chinese Huanghuali Rectangular-Back 'Southern Official's-Hat' Woven-Seat Armchairs (Nanguanmaoyi) 18th-19th Century Property from the Mark S. Pratt Trust

Lot: 64 - Assembled Set of Ten Chinese Huanghuali Straight-Back 'Southern Official's-Hat' Side Chairs (Nanguanmaoyi), 18th-19th Century

Assembled Set of Ten Chinese Huanghuali Straight-Back 'Southern Official's-Hat' Side Chairs (Nanguanmaoyi) 18th-19th Century Property from the Mark S. Pratt Trust

Lot: 65 - Qum Partial Silk Rug, Mid-20th Century, 7 ft 2 in x 4 ft 7 in (218 x 140 cm)

Qum Partial Silk Rug Mid-20th Century

Lot: 66 - Isphahan Partial Silk Rug, Post 1950, 5 ft 2 in x 3 ft 4 in (158 x 102 cm)

Isphahan Partial Silk Rug Post 1950

Lot: 67 - Shirvan Rug, Circa 1900, 5 ft 10 in x 4 ft 2 in (178 x 127 cm)

Shirvan Rug Circa 1900 Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 68 - Tabriz Rug, Post 1950, 7 ft 9 in x 5 ft 1 in (236 x 155 cm)

Tabriz Rug Post 1950 Property from the Estate of Feridoun Sarraf

Lot: 69 - Heriz Rug, Mid-20th Century, 14 ft 8 in x 5 ft 1 in (447 x 155 cm)

Heriz Rug Mid-20th Century

Lot: 70 - Kerman Rug, Mid-20th Century, Signed, 13 ft 9 in x 11 ft 1 in (419 x 338 cm)

Kerman Rug Signed, Mid-20th Century Property from the Estate of Feridoun Sarraf

Lot: 71 - Tabriz Rug, Post 1950, 13 ft 11 in x 10 ft 1 in (424 x 307 cm)

Tabriz Rug Post 1950

Lot: 72 - Tabriz Partial Silk Rug, Post 1950, 18 ft x 11 ft 10 in (549 x 361 cm)

Tabriz Partial Silk Rug Post 1950

Lot: 73 - Lavar Kerman Rug, Second Quarter 20th Century, Signed, 22 ft x 10 ft (671 x 305 cm)

Laver Kerman Rug Signed, Second Quarter 20th Century Property from the Estate of Alice Denney

Lot: 74 - American Trade Chambered Approximately .45 Caliber, Full Stock Percussion Rifle, Lock by Joseph Golcher, Mid-19th Century

American Trade Chambered Approximately .45 Caliber, Full Stock Percussion Rifle Lock by Joseph Golcher, Mid-19th Century Having: a tiger maple full stock, brass shoulder-form butt plate, patchbox, trigger guard and stock cap, engraved steel receiver, steel barrel with v-notch rear sight and leaf blade front sight and inscribed Josh Golcher.

Lot: 75 - European-American Chambered Approximately .44 Caliber Percussion Rifle, Retailed by Philip Wilson & Co, Philadelphia, 19th Century

European-American Chambered Approximately .44 Caliber Percussion Rifle Retailed by Philip Wilson & Co., Philadelphia, 19th Century Having: a finished walnut half stock, engraved steel shoulder-form butt plate, patchbox, trigger guard and receiver, lead stock cap, double-set trigger, cast steel octagonal barrel with v-notch rear sight and leaf blade front sight. Inscribed Philip Wilson & Co.

Lot: 76 - Winchester First Model 1873 Chambered .44-40 (44WCF) Lever Action Rifle, Sporting Model, Apparently Without Serial Number, Circa 1870s

Winchester First Model 1873 Chambered .44-40 (44WCF) Lever Action Rifle Sporting Model, Apparently Without Serial Number, Circa 1870s Having: a finished walnut stock and forearm, shoulder-form steel butt plate with trapdoor, factory set trigger, blued steel receiver, lever and barrel, spring loaded side loading gate, "thumbprint" sliding dust cover, features an 24-inch round barrel with strong rifling and adjustable buckhorn style rear sight with leaf blade front sight. Inscribed Winchester's-Repeating-Arms. New Haven. CT. Reference: Jim Supica and Corey Graff for Gun Digest, Appleton, Wisconsin, '2024 Standard Catalog of Firearms', 34th Edition, Caribou Media Group, 2023, Page 1526

Lot: 77 - Winchester Model 1892 'Takedown' Chambered .32 WCF Lever Action Rifle, Sporting Model, Serial number: 34231, Circa 1893

Winchester Model 1892 'Takedown' Chambered .32 WCF Lever Action Rifle Sporting Model, Serial number: 34231, Circa 1893 Having: a finished walnut stock and forearm, shoulder-form steel butt plate, two-stage spurred hammer, blued steel receiver, lever and barrel, spring loaded side loading gate, features a 24-inch octagonal barrel with strong rifling and with adjustable buckhorn style rear sight and leaf blade front sight. Inscribed Winchester Repeating Arms Co. New Haven Conn. U.S.A. Reference: Jim Supica and Corey Graff for Gun Digest, Appleton, Wisconsin, '2024 Standard Catalog of Firearms', 34th Edition, Caribou Media Group, 2023, Page 1530

Lot: 78 - American Civil War Era Staff and Field Officer's Sword with Scabbard, Louis Froelich for Confederate States Arms Factory, Kenansville, North Carolina, Circa 1865

American Civil War Era Staff and Field Officer's Sword with Scabbard Louis Froelich for Confederate States Arms Factory, Kenansville, North Carolina, Circa 1865 Apparently unmarked. Property of a Winchester, Virginia Collector

Lot: 79 - American or British School, Circa 1810-1820, Bust Portrait of a Young Man, Oil on panel, 20 x 15-3/4 in (50.8 x 40 cm)

American or British School, Circa 1810-1820 Bust Portrait of a Young Man Oil on panel Apparently unsigned Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 80 - American School, Second Quarter 19th Century, Portrait of a Gentleman, Oil on canvas, 30 x 25 in (76.2 x 63.5 cm)

American School, Second Quarter 19th Century Portrait of a Gentleman Oil on canvas Unsigned Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 81 - British School, Circa 1820-1830, Portrait with a Boy Seated Wearing a White Lace Gown and Playing with Young Terrier, Oil on canvas, 33-1/2 x 26-1/2 in (85.1 x 67.3 cm)

British School, Circa 1820-1830 Portrait with a Boy Seated Wearing a White Lace Gown and Playing with Young Terrier Oil on canvas Apparently unsigned Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 82 - Anna Mary Richards Brewster, (American 1870-1952), Portrait of Anna Matlack Richards, Oil on canvas, 20 x 16-1/4 in (50.8 x 41.3 cm)

Anna Mary Richards Brewster (American, 1870-1952) Portrait of Anna Matlack Richards Oil on canvas Signed with artist's monogram AR and dated Sept 1898 u.r.; inscribed with sitter's name and painted at Newport, R.I., on brass plate. Property from the Mark S. Pratt Trust

Lot: 83 - American School, 19th Century, Group of Ten Miniature Portraits of Men and Women, Various mediums

American School, 19th Century Group of Ten Miniature Portraits of Men and Women Various mediums Sitters including: Warum Holbrook (1782-1833), Mercy Lady Holbrook (1786-1853), John Simon Schermerhorn, Harriet Coster, and Mrs. Charles Robert Coster. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 84 - Attributed to John Carlin, (American 1813-1891), Miniature Portraits of Alfred and Mrs. John Schermerhorn, Jr., Each an oval watercolor on ivory

Attributed to John Carlin (American, 1813-1891) Miniature Portraits of Alfred and Mrs. John Schermerhorn, Jr. Both an oval watercolor on ivory Both apparently unsigned, the second miniature in a yellow gold-filled pendant frame and dark brown shagreen folding case. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 85 - American School, Last Half 19th Century, Three Miniature Portraits of the Schermerhorn Male Ancestry, Each a watercolor on ivory

American School, Last Half 19th Century Three Miniature Portraits of the Schermerhorn Male Ancestry Each a watercolor on ivory Each unsigned; two in yellow gold-filled pendant frames and green/brown shagreen/leather fitted cases. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 86 - Nine Framed Predominantly Fahnestock Ancestral Portrait Painted Miniatures, William Jacob Baer (1860-1941)/John Fitzhenry Bentz (c.1857-1950); First Quarter 20th Century

Nine Framed Predominantly Fahnestock Ancestral Portrait Painted Miniatures William Jacob Baer (1860-1941) and John Fitzhenry Bentz (c.1857-1950); First Quarter 20th Century Consisting of six signed by WJ Baer and three signed by J Bentz. Note: Miniatures are documented at Eastover Estate, Lenox, MA, by Robert W. Tebbs (1875–1945), Circa 1922. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 87 - Attributed to Ann (Anne) Hall, (American 1792-1863), Portrait of Catherine Elizabeth James, Mrs. John Barber (Barbour) James with Daughter Mary Helen, and Augustus James: Three Miniatures, Each a watercolor on ivory

Attributed to Ann (Anne) Hall (American, 1792-1863) Portrait of Catherine Elizabeth James, Mrs. John Barber (Barbour) James with Daughter Mary Helen, and Augustus James: Three Miniatures Each a watercolor on ivory Each unsigned. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 88 - Federal Brass Mounted Carved Mahogany Pivoting Fold-Top Lyre-Pedestal Card Table, Attributed to the Workshop of Duncan Phyfe, New York, Circa 1815

Federal Brass Mounted Carved Mahogany Pivoting Fold-Top Lyre-Pedestal Card Table Attributed to the Workshop of Duncan Phyfe, New York, Circa 1815 The top, turning to view two velvet-lined shallow compartments. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 89 - Federal Satinwood Diamond and Hourglass Inlaid Mahogany Fold-Top Card Table, Attributed to the Workshop of Adam Hains, Philadelphia, Circa 1820

Federal Satinwood Diamond and Hourglass Inlaid Mahogany Fold-Top Card Table Attributed to the Workshop of Adam Hains, Philadelphia, Circa 1820 Skirt interior with paper label for Smith & Watson/Fine Furniture/...New York, N.Y. Property from the Estate of Sheila Schermerhorn Scott Note: The card table is documented at Eastover Estate, Lenox, MA, by Paul J. Weber, Boston, Architectural Photographer. Provenance: By Descent through the Schermerhorn Family

Lot: 90 - Federal Walnut Huntboard, Southern, Probably Coastal Virginia, Circa 1800

Federal Walnut Huntboard Southern, Probably Coastal Virginia, Circa 1800

Lot: 91 - Chippendale Maple Chest-on-Frame, New England, Probably Connecticut or Rhode Island, Circa 1760-1780

Chippendale Maple Chest-on-Frame New England, Probably Connecticut or Rhode Island, Circa 1760-1780

Lot: 92 - Queen Anne Cherry Flat-Top Highboy, New England, Probably Massachusetts, Circa 1750-1780

Queen Anne Cherry Flat-Top Highboy New England, Probably Massachusetts, Circa 1750-1780 In two parts. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 93 - Worcester Ceramic Partial Dessert Service, 'Queen Charlotte', Dr. John Wall Period, Circa 1760-1770, 21 Pieces

Worcester Ceramic Partial Dessert Service 'Queen Charlotte (Pattern 1751)', Dr. John Wall Period, Circa 1760-1770 Consisting of: a fluted square serving dish, fifteen plates (two sizes) and five bowls. Apart from three plates and serving dish, all with blue underglaze painted crescent mark to underside. 21 pieces. Note: Decorated with swirling petal scrolls painted in Imari-Arita stylized colors of scarlet, carmine, and cobalt with parcel gilt outlines, this pattern was likely derivative of Japanese export ceramics that have been circulating more regularly in Great Britain throughout the 17th century. Oral history maintains that this older pattern was not referred to as Queen Charlotte until after a tour of the manufactory hosted for then sovereign George III, Hanover and his wife Charlotte, among the longest serving queen-consorts and a dedicated cultural steward. Property from the Estate of Sheila Schermerhorn Scott Note: The ceramic service is documented at Eastover Estate, Lenox, MA, by Robert W. Tebbs (1875–1945), Circa 1922. Provenance: By Descent through the Schermerhorn Family

Lot: 94 - English Ceramic Assembled Partial Dessert Service, Attributed to Coalport, 'Dragon in Compartments' (After Worcester Pattern Number 75), First Quarter 19th Century, 35 Pieces

English Ceramic Assembled Partial Dessert Service Attributed to Coalport, 'Dragon in Compartments' (After Worcester Pattern Number 75), First Quarter 19th Century Consisting of: 8 Lobed plates 2 Round plates 2 Oval plates 4 Cups 4 Sauce dishes 1 Square dish 2 Lobed oval dishes 2 Graduated round dishes 3 Shell-form dishes 1 Bowl 1 Footed oval bowl 1 Two-handled tray 2 Sauce tureens with lids 1 Open sugar 1 Creamer Apparently unmarked. 35 pieces. Note: Also known as Bengal Tigers or Qylin, this pattern first appeared in Europe during the last half of the 18th century, primarily from the Worcester Porcelain Manufactory during the Dr. Wall period and painted by James Giles, appropriating orderly compositions and vibrant motifs of Chinese export porcelain, which there was fierce domestic competition against. With the pattern's popularity came new reinterpretations over time, mutated by different makers including Robert Chamberlain, a former Worcester decorator and competing upstart that would eventually remerge, and Coalport, a highly-innovative pottery factory in neighboring Shropshire and steered by the Rose family for nearly a century. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 95 - French Export Type 'Armorial' Assembled Porcelain Partial Dinner Service, Edmé Samson et Cie, Early 20th Century, 36 Pieces

French Export Type 'Armorial' Assembled Porcelain Partial Dinner Service Edmé Samson et Cie, Early 20th Century Consisting of: twelve dinner plates, twelve luncheon plates and twelve dessert plates; each with multi-motif armorial crests within 'famille rose' floral sprays and double cornucopia and floral cobalt blue banded borders; each underside with underglazed iron-red pseudo seal marks. 36 pieces. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 96 - French Export Type 'Armorial' Porcelain Standish with a Pair of 'Mandarin Palette' Style Ormolu Mounted Porcelain Square Vanity Bottles, Attributed to Edmé Samson et Cie, Paris, Late 19th Century

French Export Type 'Armorial' Porcelain Standish with a Pair of 'Mandarin Palette' Style Ormolu Mounted Porcelain Square Vanity Bottles Attributed to Edmé Samson et Cie, Late 19th Century Undersides with vestigial dealer labels respectively for T. Goode & Sons, Ltd., London and Arthur S. Vernay, New York, NY. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 97 - Assembled Set of Twelve French Porcelain 'Poetry' Decorated Gold Ground Service Plates, C. Piton for Haviland & Co., Limoges, Late 19th Century

Assembled Set of Twelve French Porcelain 'Poetry' Decorated Gold Ground Service Plates C. Piton for Haviland & Co., Limoges, Late 19th Century Consisting of scenes from works by Tennyson, Longfellow and Campbell.

Lot: 98 - Paris Porcelain Parcel Gilt 'Armorial' Dinner Service, Georges Boyer, Late 19th Century, 100 Pieces

Paris Porcelain Parcel Gilt 'Armorial' Dinner Service Georges Boyer, Late 19th Century Consisting of: 4 Chargers 4 Dinner plates 66 Luncheon plates 14 Soup plates 1 Gravy/sauce boat 4 Lobed pickle dishes 1 Large serving bowl 1 Round platter 2 Covered soup tureens 2 Covered écuelles/vegetable tureens 1 Elongated fish platter with strainer Undersides of several pieces with impressed/incised, possibly Limoges modelling marks and Boyer/rue de la paix 22 in red script. 100 pieces. Property from the Estate of Sheila Schermerhorn Scott Provenance:: By Descent through the Schermerhorn Family

Lot: 99 - Paris Porcelain Gilt Molded Rim and Blue Bellflower Painted Lip Partial Dinner Service, Edouard D. Honoré (French, Active 1820-1855), Circa 1830-1840, 87 Pieces

Paris Porcelain Gilt Molded Rim and Blue Bellflower Painted Lip Partial Dinner Service Edouard D. Honoré (French, Active 1820-1855), Circa 1830-1840 Consisting of: 54 Plates 22 Bowls 3 Round dishes 2 Oval dishes 2 Covered sauce boats with attached undertray 2 Dessert/Ice pails 2 Three-tier étagères/cake-stands Painted with contemporaneous IHS script-cipher monogram and underside of most pieces with iron-red printed scroll-form factory mark E.D. Honoré/Boul d Poissonniére No.4/ à Paris/Manufacture/ à Chomproux Allier/No. Prix. 87 pieces. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 100 - Meissen Dresden Porcelain Mythological Figural Group of 'Chronos: Personification of Time', After a Model Attributed to Johann Kändler, Late 19th-Early 20th Century

Meissen Dresden Porcelain Mythological Figural Group of 'Chronos: Personification of Time' After a Model Attributed to Johann Kändler, Late 19th-Early 20th Century Underside with underglazed blue crossed-swords mark, incised D82 model, and impressed 137 serial mark.

Lot: 101 - Meissen Dresden Porcelain Mythological Figural Group of 'The Capture of the Triton', After a Model by Johann Kändler, Johann Schönheit and Carl Punct, Late 19th-Early 20th Century

Meissen Dresden Porcelain Mythological Figural Group of 'The Capture of the Triton' After a Model by Johann Kändler, Johann Schönheit and Carl Punct, Late 19th-Early 20th Century Underside with underglazed blue crossed-swords mark, incised C35, and impressed 57 serial number.

Lot: 102 - Third Republic Sèvres-Type 'Venus and Mars' Ormolu Mounted Porcelain Cushion-Form Casket, Decorated by Georges Émile Poitevin (French, Active Last Half 19th Century), Late 19th Century

Third Republic Sèvres-Type 'Venus and Mars' Ormolu Mounted Porcelain Cushion-Form Casket Decorated by Georges Émile Poitevin (French, Active Last Half 19th Century), Late 19th Century Signed Poitevin near l.l. of scene of exterior of top and l.r. of portrait of interior of top; underside within oval-framed reserve with blue glaze painted AB within two interlaced Ls above Offert par le duc de Richelieu/a la princesse de Lamballe painted in fuchsia.

Lot: 103 - Napoleon III Ormolu Mounted Jeweled 'Bleu Lapis' Sèvres-Type Porcelain Two-Handle Urn, Eugene-Louis Sieffert for Henri Picard, Third Quarter 19th Century

Napoleon III Ormolu Mounted Jeweled 'Bleu Lapis' Sèvres-Type Porcelain Two-Handle Urn Eugene-Louis Sieffert for Henri Picard, Third Quarter 19th Century The bilateral reserve-decorated urn painted with a bouquet of polychrome flowers and the allegorical scene 'Education: A Mother Teaching Her Child the Right Ways' after Jean-Baptiste Andre Gautier D'Agoty (French, 1740-1786). Figural reserve signed Sieffert near l.r. of ground; underside of a foot of base stamped H. PICARD with other stamped numerals; interior of porcelain body loosely painted with pseudomarks of two fuchsia interlocking Ls in the form of double-cross-hatches.

Lot: 104 - Two Continental Baroque Style Carved Walnut Armchairs, Italian or French, 18th-19th Century

Two Continental Baroque Style Carved Walnut Armchairs Italian or French, 18th-19th Century One with green velvet upholstered seat and back; the other with couched gilt metallic and silvered thread crest backrest and green velvet seat. Property from the Mark S. Pratt Trust

Lot: 105 - Continental Louis XV Style Floral Carved Giltwood Mirror, Probably Italian, Composed of 19th and 20th Century Elements

Continental Louis XV Style Floral Carved Giltwood Mirror Probably Italian, Composed of 19th Century Elements

Lot: 106 - Two Continental Baroque Style Carved Walnut Armchairs, Italian or French, 18th-19th Century

Two Continental Baroque Style Carved Walnut Armchairs Italian or French, 18th-19th Century One with rose floral silk damask upholstered seat and back; the other with floral cut velvet upholstered seat and back. Property from the Mark S. Pratt Trust

Lot: 107 - George III Ebonized Wood Inlaid Crossbanded Mahogany Tambour Cylinder Writing Desk, Composed of Early 19th-20th Century Elements

George III Ebonized Wood Inlaid Crossbanded Mahogany Tambour Cylinder Writing Desk Composed of Early 19th-20th Century Elements Roll-top opening to view seven valanced pigeonholes over one short and two long drawers over a removable parcel gilt green leather inset writing surface: the center panel hinged with adjustable easel back. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 108 - George III Harewood Crossbanded and Floral Marquetry Satinwood Pembroke Table, Circa 1790

George III Harewood Crossbanded and Floral Marquetry Satinwood Pembroke Table Circa 1790

Lot: 109 - Regency Mahogany Single Drop-Leaf Work Table and a Victorian Mahogany Specimen Cabinet, First and Last Quarter 19th Century

Regency Mahogany Single Drop-Leaf Work Table and a Victorian Mahogany Specimen Cabinet First and Last Quarter 19th Century Top of cabinet with brass nameplate engraved Sarah Schermerhorn/No 21 Park Place/New York. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 110 - Set of Six George IV Mahogany Upholstered Seat Side Chairs, Manner of Gillows of Lancaster and London, Circa 1825

Set of Six George IV Mahogany Upholstered Seat Side Chairs Manner of Gillows of Lancaster and London, Circa 1825

Lot: 111 - Victorian Mahogany Canterbury and a Brass Mounted Floral Brocade Upholstered Fire Screen, Third and Last Quarter 19th Century

Victorian Mahogany Canterbury and a Brass Mounted Floral Brocade Upholstered Fire Screen Third and Last Quarter 19th Century Property from the Estate of Sheila Schermerhorn Scott Note: The fire screen is documented at Eastover Estate, Lenox, MA, by Paul J. Weber, Boston, Architectural Photographer. Provenance: By Descent through the Schermerhorn Family

Lot: 112 - George III Harewood Crossbanded and Satinwood Inlaid Mahogany Serpentine Sideboard, First Quarter 19th Century

George III Harewood Crossbanded and Satinwood Inlaid Mahogany Serpentine Sideboard First Quarter 19th Century Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 113 - Pair of George III Satinwood and Ebonized Rope and Harewood Inlaid Crossbanded Mahogany Serpentine Slant-Front Cutlery Boxes, Circa 1800

Pair of George III Satinwood and Ebonized Rope and Harewood Inlaid Crossbanded Mahogany Serpentine Slant-Front Cutlery Boxes Circa 1800 Each casement opening to view an array of 45 graduated cutlery slots; fitted for knives, forks, and other serving pieces. Property of a Charlottesville, Virginia Collector

Lot: 114 - George III Style Satinwood Floral Festooning Marquetry Mahogany Bow-Front Sideboard, Late 19th-Early 20th Century

George III Style Satinwood Floral Festooning Marquetry Mahogany Bow-Front Sideboard Late 19th-Early 20th Century

Lot: 115 - Pair of Venetian Neoclassical Style Painted Giltwood Demilune Console Tables, Late 19th-Early 20th Century

Pair of Venetian Neoclassical Style Painted Giltwood Demilune Console Tables Late 19th-Early 20th Century

Lot: 116 - Italian Neoclassical Style Parquetry Figured Walnut Cylinder Bureau, Circa 1800

Italian Neoclassical Style Parquetry Figured Walnut Cylinder Bureau Circa 1800 The roll-top, opening to view a sliding pulley-counterweight-action writing surface, below three faux drawers, below a central compartment flanked by two short drawers below a shelf.

Lot: 117 - Pair of Continental Polychrome Painted and Gilt Gessoed 'Sacred-Figure' Torch-Bearer Candlestands, Probably Italian or German, 18th-19th Century

Pair of Continental Polychrome Painted and Gilt Gessoed 'Sacred-Figure' Torch-Bearer Candlestands Probably Italian or German, 18th-19th Century The 'santos' figures apparently composed of walnut cores.

Lot: 118 - Vassili Yacovlevitch Grachev, (Russian 1831-1905), 'Soldier Taking Aim', 1877, Patinated Bronze Figural Group

Vassili Yacovlevitch Grachev (Russian, 1831-1905) 'Soldier Taking Aim', 1877 Patinated Bronze Figural Group Back of base with incised artist signature, and front of base with script C.F. Woerffel, Saint Petersburg foundry mark and date. Property from the Estate of Arleen Tievsky

Lot: 119 - French Allegorical Bronze Group of 'Bacchus and Ariadne', After a Model by Claude Michel, Known as Clodion (French 1738-1814), Late 19th-Early 20th Century

French Allegorical Bronze Group of 'Bacchus and Ariadne' After a Model by Claude Michel, Known as Clodion (French, 1738-1814), Late 19th-Early 20th Century Side of base incised Clodion. Property from the Estate of Arleen Tievsky

Lot: 120 - Italian Renaissance Style Tessellated Pietra Dura Top Tri-'Dolphin' Base Table, 20th Century

Italian Renaissance Style Tessellated Pietra Dura Top Tri-'Dolphin' Base Table 20th Century

Lot: 121 - British Equestrian Bronze Mounted Jockey with Groom Figural Group, After a model by John Willis Good (British, 1845–1879), Late 19th Century

British Equestrian Bronze Mounted Jockey with Groom Figural Group After a model by John Willis Good (British, 1845-1879), Late 19th Century Top of bronze base with artist name; on variegated red marble base. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 122 - French Equestrian Bronze Figure of a Horse Tied to a Tree on Rouge Marble Base, After an 1877 model by Pierre-Jules Mêne (French, 1810-1879), Circa 1900

French Equestrian Bronze Figure of a Horse Tied to a Tree on Rouge Marble Base After an 1877 model by Pierre-Jules Mêne (French, 1810-1879), Circa 1900 Top of bronze base with artist name and date. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 123 - 'Bybel der Natuure' (Bible of Nature) Dutch/Latin Engraved Folio Two Volume Set, Herman Boerhaave (1668-1738) after Jan Swammerdam (1637-1680), Leyden, 1737-1738

'Bybel der Natuure' (Bible of Nature) Dutch/Latin Engraved Folio Two Volume Set Herman Boerhaave (1668-1738) after Jan Swammerdam (1637-1680), Leyden, 1737-1738 Note: Johannes Swammerdam, the child of an apothecary, would pursue a career in the study of medicine throughout continental Europe; however despite the best-wishes of his father, rather than collecting a regular income as a medical doctor he used his education as a means for applying the scientific method towards finding reason in the natural world. An advocate for microscopy and believer in René Descartes, he was among the earliest to propose different life-phases for insects (egg, larvae, et al.) and his study convinced him of there being far more beauty, grace and signs of divine influence in the minutiae of earth's smallest animals rather than prior reductionist theories of spontaneous generation or metamorphosis across species. Unfortunately, he would not live to see the completion of his life's work - surveying the anatomies across insect activities.

Lot: 124 - 'Account of the Russian Discoveries Between Asia and America', Second Edition, William Coxe (1747-1828) Printed by J. Nichols for T. Cadell, The Strand, London, 1780

'Account of the Russian Discoveries Between Asia and America:... The Conquest of Siberia and the History of Transactions and Commerce Between Russia and China', Second Edition William Coxe (1747-1828), Printed by J. Nichols for T. Cadell, The Strand, London, 1780 Quarto bound in partially gilt, tooled full calf leather with five raised spine bands, consisting of 22 front matter pages ([non-editioned] title, dedication, preface, errata, 'disclaimer', list, and contents), in addition to 344 pages body matter and appendices, and 15 pages end matter (index and advertisement) with gilt edge; also with five tipped-in printed maps/charts and panorama plate. Note: William Coxe was an English man of letters and a priest who traveled Europe as a personal aide and tutor to the wealthy and nobility - frequently publishing accounts of their exploits. In this instance based out of Saint Petersburg, he acted as an agent and is among the earliest to report Russian activities after Bering's expedition (1741) in English: detailing their navigation to the Aleutian Islands and experiences within the Asian fur trade. His presence is believed to have encouraged Russian expansionism into northern Siberia. Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 125 - 'The Designs of Inigo Jones, Consisting of Plans and Elevations for Public and Private Buildings', Facsimile Folio Combined Volumes One and Two with Engravings, William Kent after Inigo Jones, 1727

'The Designs of Inigo Jones, Consisting of Plans and Elevations for Public and Private Buildings', Facsimile Folio Combined Volumes One and Two with Engravings William Kent (English, 1685-1748) after Inigo Jones (English, 1573-1652), 1727 Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 126 - 'Designs for Various Ornaments,' Folio Facsimile Volume with Fifty-Five Engravings, Michelangelo Pergolesi (Italian, Active 1760-1801), 1777-1785; Rebound by B.T. Batsford, London

'Designs for Various Ornaments,' Folio Facsimile Volume with Fifty-Five Engravings Michelangelo Pergolesi (Italian, Active 1760-1801), 1777-1785; Rebound by B.T. Batsford, London Binder/seller label to l.r. of interior of front board. Property from the Estate of Sheila Schermerhorn Scott Note: The book is documented at Eastover Estate, Lenox, MA, purportedly by Robert W. Tebbs (1875–1945) for Tebbs-Hymans Photographs. Provenance: By Descent through the Schermerhorn Family

Lot: 127 - 'Designs for Vases and Foliage, Composed from the Antique' and 'The Union of Architecture, Sculpture, and Painting': Two Architectural Design Quarto Hardcover Volumes, London, Robert Adam 1821 and Sir John Soane 1827

'Designs for Vases and Foliage, Composed from the Antique' and 'The Union of Architecture, Sculpture, and Painting': Two Architectural Design Quarto Hardcover Volumes, London Robert Adam (1728-1792) with Engravings by Pastorini, 1821 and Sir John Soane (1753-1837), 1827 Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 128 - 'The Gentleman and Cabinet-Maker's Director' Facsimile Folio Volume with Engravings, Thomas Chippendale (English 1718-1779), St. Martin's Lane, 1754; Rebound by J.H. Fensham

'The Gentleman and Cabinet-Maker's Director' Facsimile Folio Volume with Engravings Thomas Chippendale (English, 1718-1779), St. Martin's Lane, 1754; Rebound by J.H. Fensham Property from the Estate of Sheila Schermerhorn Scott Provenance: By Descent through the Schermerhorn Family

Lot: 129 - 'The Carpenter's Complete Guide to the Whole System of Gothic Railing'; 'The Carpenter's and Joiner's Repository'; and 'The Cabinet-Maker and Upholsterer's Drawing Book': Three Books by Manwaring, Pain and Sheraton

'The Carpenter's Complete Guide to the Whole System of Gothic Railing'; 'The Carpenter's and Joiner's Repository'; and 'The Cabinet-Maker and Upholsterer's Drawing Book': Three Books Respectively: Robert Manwaring, 1765; William Pain, 1778; and Thomas Sheraton, 1791 Property from the Estate of Sheila Schermerhorn Scott Note: Books documented at Eastover Estate, Lenox, MA, purportedly by Robert W. Tebbs (1875–1945) for Tebbs-Hymans Photographs. Provenance: By Descent through the Schermerhorn Family

Lot: 130 - Erté (Romain De Tirtoff) (Russian/French 1892-1990), 'Femme Fatale', 1987-1988, Chalk & Vermillion and Sevenarts Cold-Painted Bronze on Granite Base

Erté (Romain De Tirtoff) (Russian/French, 1892-1990) 'Femme Fatale', 1987-1988 Chalk & Vermillion and Sevenarts Cold-Painted Bronze on Granite Base Etched signature and stamped copyright date, agent, edition number 207/375, and Joel Meisner & Company foundry mark. Property from the Estate of Maria Maléter

Lot: 131 - Pair of Post-War Modernist Style Varnished Chased Bronze and Wrought-Iron 'Star' Andirons, John Lyle (American Contemporary) after Diego Giacometti (Swiss 1902-1985)

Pair of Post-War Modernist Style Varnished Chased Bronze and Wrought-Iron 'Star' Andirons John Lyle (American Contemporary) after Diego Giacometti (Swiss 1902-1985) Apparently unmarked. Property of a Charlottesville, Virginia Collector Provenance: Lyle and Umbach Ltd., New York

Lot: 132 - Ulla Darni (Danish/American Contemporary), Art Nouveau Style Mosaic Tile Inset Patinated Bronze Table Lamp with Reverse-Painted Glass Shade

Ulla Darni (Danish/American Contemporary) Art Nouveau Style Mosaic Tile Inset Patinated Bronze Table Lamp with Reverse-Painted Glass Shade Mirrored-inscription Ulla © to églomisé-painting of shade.

Lot: 133 - Stickley Furniture Company Ebonized Wood Inlaid Cherry Dining Table and Six Chairs, 21st Century Collection; Models 91-204S and 91-2044/3, Circa 1998

Stickley Furniture Company Ebonized Wood Inlaid Cherry Dining Table and Six Chairs 21st Century Collection; Models 91-204S and 91-2044/3, Circa 1998 The table with two additional leaves. Undersides of chairs and table with Stickley medallion and branded maker, model numbers, and date.

Lot: 134 - Stickley Furniture Company Granite Top Cherry Sofa Table, 21st Century Collection; Model 91-2029, Circa 1999

Stickley Furniture Company Granite Top Cherry Sofa Table 21st Century Collection; Model 91-2029, Circa 1999 Underside with Stickley medallion and branded maker, model numbers, and date.

Lot: 135 - Pair of Hollywood Regency Simulated Bamboo Velvet Upholstered Open Armchairs, Attributed to William (Billy) Haines (American 1900-1973), Circa 1950

Pair of Hollywood Regency Simulated Bamboo Velvet Upholstered Open Armchairs Attributed to William (Billy) Haines (American, 1900-1973), Circa 1950 Property of a Charlottesville, Virginia Collector

Lot: 136 - French Transitional Art Deco Sycamore Sunburst Parquetry Round Dining Table, Jacques Adnet (French, 1900-1980), 1940s

French Transitional Art Deco Sycamore Sunburst Parquetry Round Dining Table Jacques Adnet (French, 1900-1980), 1940s With two associated oak leaves; apparently unmarked. Property of a Charlottesville, Virginia Collector Provenance: Barry Friedman, Ltd., New York

Lot: 137 - Brutalist Modeled Bronze-Powder Suspended Resin over Corrugated Steel Tall Planter, Paul Evans (American 1931 - 1987), for Directional Furniture Company, Circa 1976

Brutalist Modeled Bronze-Powder Suspended Resin over Corrugated Steel Tall Planter Paul Evans (American, 1931-1987), for Directional Furniture Company, Circa 1976 One side near l.l. incised PE 76/TP. Note: A pioneer in the applications of experimental materials for studio furnituremaking; Evans in this instance uses theoretical principals similar to powder-metallurgy, to create a highly-detailed enduring form, combined with the sculptural potential from working with highly-plastic polymers to leave 'traces of the hand' in a medium which is generally associated with being entirely devoid of them. Property from the Patricia C. Ebbecke Trust

Lot: 138 - Brutalist Modeled Bronze-Powder Suspended Resin over Wood Console Cabinet and Mirror, Paul Evans (American 1931-1987), for Directional Furniture Company, Circa 1976

Brutalist Modeled Bronze-Powder Suspended Resin over Wood Console Cabinet and Mirror Paul Evans (American 1931-1987), for Directional Furniture Company, Circa 1976 The two-door partial-granite-top cabinet opening to view an ebonized wood interior with dowel-adjustable shelf, its recessed base clad with bronze-finished nail-fastened steel sheeting; the mirror supported by French cleat (not included). Reserve of bottom of mirror incised PE 76/TP. Note: A pioneer in the applications of experimental materials for studio furnituremaking; Evans in this instance uses theoretical principals similar to powder-metallurgy, to create a highly-detailed enduring form, combined with the sculptural potential from working with highly-plastic polymers to leave 'traces of the hand' in a medium which is generally associated with being entirely devoid of them. Property from the Patricia C. Ebbecke Trust

Lot: 139 - Robert Charles Dudley (British 1826-1900), Two Terriers Ratting in a Barn, Oil on canvas, 18 x 14 in (45.7 x 35.6 cm)

Robert Charles Dudley (British, 1826-1900) Two Terriers Ratting in a Barn Oil on canvas Signed Chas Dudley l.r. Property from the Estate of Sheila Schermerhorn Scott Provenance: By descent through the Schermerhorn Family

Lot: 140 - George Wright (British 1860-1942), Before the Hunt, Oil on canvas, 16 x 24 in (40.6 x 61 cm)

George Wright (British, 1860-1942) Before the Hunt Oil on canvas Signed G. Wright l.r. Property from the Estate of Sheila Schermerhorn Scott Provenance: Arthur Ackermann & Son, Inc., New York By descent through the Schermerhorn Family

Lot: 141 - George Wright (British 1860-1942), The Chase: Two Works, Each oil on canvas, First: 10 x 15 in (25.4 x 38.1 cm); second: 9 x 13 in (22.9 x 33 cm)

George Wright (British, 1860-1942) The Chase: Two Works Each oil on canvas Each signed G. Wright l.r. Property from the Estate of Sheila Schermerhorn Scott Provenance: Arthur Ackermann & Son, Inc., New York By descent through the Schermerhorn Family

Lot: 142 - Francis Sydney Muschamp (British 1851-1929), A Proposal of Marriage, Oil on canvas, 24 x 20 in (61 x 50.8 cm)

Francis Sydney Muschamp (British, 1851-1929) A Proposal of Marriage Oil on canvas Signed Sydney Muschamp l.l. Provenance: Christie's, London, Nineteenth Century Pictures, March 20, 1998, lot 113

Lot: 143 - John Frederick Herring the Younger (British 1815-1907), The Meet, The Find, Full Cry and The Death: Four Works, Each oil on board, 6 x 8 in (15.2 x 20.3 cm)

John Frederick Herring the Younger (British, 1815-1907) The Meet, The Find, Full Cry and The Death: Four Works Each oil on board Each unsigned Property from the Estate of Sheila Schermerhorn Scott Provenance: Kennedy & Co., New York By descent through the Schermerhorn Family

Lot: 144 - After Henry Spencer Moore (British 1898-1986), Mother and Child, Bronze with dark-brown patina, Height of sculpture: 5-3/4 (14.6 cm)

After Henry Spencer Moore (British, 1898-1986) Mother and Child Bronze sculpture with dark-brown patina Inscribed Moore on base

Lot: 145 - Ablade Glover (Ghanaian b. 1934), Women Dancing, Ink and wash with white heightening on paper, Sight size: 16 x 26 in (40.6 x 66 cm)

Ablade Glover (Ghanaian, b. 1934) Women Dancing Ink and wash with white heightening on paper; apparently in good condition. Framed.* Signed Glo l.r.

Lot: 146 - Dutch School, 19th Century, Winter Estuary with Mill, Oil on panel, 22-1/2 x 27-1/2 in (57.2 x 69.9 cm)

Dutch School, 19th Century Winter Estuary with Mill Oil on panel Apparently unsigned

Lot: 147 - Jean Richard Goubie (French 1842-1899), Before the Ride, Oil on canvas, 10 x 15 in (25.4 x 38.1 cm)

Jean Richard Goubie (French, 1842-1899) Before the Ride Oil on canvas Signed R. Goubie and dated 1886 l.l. Property from the Estate of Sheila Schermerhorn Scott Provenance: By descent through the Schermerhorn Family

Lot: 147A - After Jacopo Robusti Tintoretto (Italian 1518-1594), An Allegory of Fidelity, Oil on canvas, 18th Century, 47 x 35-1/2 in (119.4 x 90.2 cm)

After Jacopo Robusti Tintoretto (Italian, 1518-1594) An Allegory of Fidelity Oil on canvas, 18th Century Apparently unsigned

Lot: 148 - Luigi Pastega (Italian 1858-1927), Washerwomen in a Courtyard, Oil on canvas, 24 x 33-1/2 in. (61 x 85.1 cm.)

Luigi Pastega (Italian, 1858-1927) Washerwomen in a Courtyard Oil on canvas Signed L. Pastega l.r.

Lot: 149 - Antoniucci Voltigerio Volti (French/Italian 1915-1989), Head of a Woman, Bronze sculpture with dark brown patina, Height overall: 10-3/4 in (27.3 cm)

Antoniucci Voltigerio Volti (French/Italian, 1915-1989) Head of a Woman Bronze sculpture with dark-brown patina Signed VOLTI and stamped with E. Godard Cire Perdue founder's mark and inscribed E-A on base of neck, on a black slate plinth base

Lot: 150 - Angiolo Lemmi (Italian, 19th-20th Century), The Temptation of Saint Anthony, Oil on canvas, 79 x 101 in (200.7 x 256.5 cm)

After Domenico Morelli (Italian, 1826-1901) The Temptation of Saint Anthony Oil on canvas Signed Angiolo Lemmi, located Firenze and dated 1905 on verso Note: This is a copy of the original work from 1878, housed in the collection of Galleria Nazionale d'Arte Moderna e Contemporanea, Rome. By repute, this work appeared as a movie prop in an early production of The Temptation of Saint Anthony.

Lot: 151 - After Artistide Maillol (French 1861-1944), Baigneuse debout drapée, Bronze with dark-brown patina, Height: 25-1/4 in (64.1 cm)

After Artistide Maillol (French, 1861-1944) Baigneuse debout drapée Bronze sculpture with dark-brown patina Signed Aristide Maillol on base, ca. 1920-1930

Lot: 152 - Marco Tirelli (Italian b. 1956), Cordoba, Oil on canvas, 54-1/2 x 74-3/4 in (138.4 x 189.9 cm)

Marco Tirelli (Italian, b. 1956) Cordoba Oil on canvas Signed Marco Tirelli, titled and dated 1984 on verso

Lot: 153 - Bernard Buffet (French 1928-1999), Ombelles Jaunes, Oil on canvas, 25-1/2 x 21-1/4 in (64.8 x 54 cm)

Bernard Buffet (French, 1928-1999) Ombelles Jaunes Oil on canvas Signed Bernard Buffet and dated 65 c.l.; together with a book by Maurice Druon, Bernard Buffet, Hachette, Paris, 1964 and a Christmas card from Findlay Galleries Property from a Chevy Chase, Maryland Trust Provenance: Galerie David & Garnier, Paris, July 1965 Findlay Galleries, Inc., Chicago, purchased December 1965, Inventory no. 9096 By descent to current owner

Lot: 154 - Karl Lagerfeld (German 1933-2019), Inès de la Fressange, Graphite and watercolor on paper, Sight size: 21 x 17-1/2 in. (53.3 x 44.5 cm.)

Karl Lagerfeld (German, 1933-2019) Portrait of Inès de la Fressange Graphite and watercolor on paper; with some handling creases and smudging. Framed.* Signed Karl and inscribed Chanel Spring 83 and located Paris in graphite l.c. and inscribed Model Inès de la Fressanges [sic] in graphite along right edge. Property from the Estate of Catherine "Kitty" D'Alessio

Lot: 155 - After Gaston Lachaise (American/French 1882-1935), Head of a Woman, Bronze sculpture with brown patina, circa 1923, Height: 10 in (25.4 cm)

After Gaston Lachaise (American/French, 1882-1935) Head of a Woman Bronze sculpture with brown patina, circa 1923 Signed G. Lachaise and inscribed Roman Bronze Works/ N.Y. on base

Lot: 156 - Haji Widayat (Indonesian 1923-2002), Portraits of Six Indonesian Artists, Oil on canvas, 25-1/2 x 25-3/4 in (64.8 x 65.4 cm)

Haji Widayat (Indonesian, 1923-2002) Portraits of Six Indonesian Artists Oil on canvas Signed Widayat and dated 70 l.r.; also inscribed with diagram on verso identifying the six portraits as: 1) Abas; 2) Hendra; 3) Popo Iskandar; 4) Soerono; 5) Soedjojeno and 6) Affandi; also signed and with second date of 1973 on verso Property from the Estate of PDW Clark

Lot: 157 - Kusama Affandi (Indonesian 1907-1990), Untitled (Faces), Oil on canvas, 39 x 46 in. (99.1 x 116.8 cm.)

Kusama Affandi (Indonesian, 1907-1990) Untitled (Faces) Oil on canvas Signed with artist's monogram and dated '65 l.l.; also inscribed Coll. Raka Sumichan on verso Property from the Estate of PDW Clark Provenance: Collection of Raka Sumichan

Lot: 158 - Spanish Colonial School, 18th-19th Century, Archangel Michael, Oil on canvas, 32 x 25 in. (81.3 x 63.5 cm.)

Spanish Colonial School, 18th-19th Century Archangel Michael Oil on canvas Unsigned

Lot: 159 - Max Weyl (American 1837-1914), View of Venice, Oil on canvas, 10 x 14 in (25.4 x 35.6 cm)

Max Weyl (American, 1837-1914) View of Venice Oil on canvas Signed Max Weyl l.r.

Lot: 160 - Lydia Field Emmet (American 1866-1952), Portrait of a Young Girl Seated on a Bench, Oil on canvas, 40 x 30 in (101.6 x 76.2 cm)

Lydia Field Emmet (American, 1866-1952) Portrait of a Young Girl Seated on a Bench Oil on canvas Signed Lydia Field Emmet u.r. Property from the Estate of Sheila Schermerhorn Scott Provenance: By descent through the Schermerhorn Family

Lot: 161 - Frederick William MacMonnies (American 1863-1937), 'Pan of Rohallion', 1894, E. Gruet Jeune Fondeur Patinated Bronze, Height overall: 30 in (76.2 cm)

Frederick William MacMonnies (American, 1863-1937) Pan of Rohallion Bronze sculpture with brown patina Signed, located and dated Frederick MacMonnies/Paris 1890 and inscribed with Copyright 1894 on verso of globe; also with E. Gruet Jeune Fondeur stamp on verso Property from the Estate of Rhoda Zucker Note: This example of statuary is a cast reduction after the fountain commissioned for the estate of Howard Adams of Seabright, New Jersey. A student of Augustus Saint-Gaudens, the Brooklyn-born artist would attract many influential New York patrons to sponsor landmark works, such as the Columbian Fountain of the 1893 Chicago's World Fair, validating his contributions towards Beaux Arts sculpture. Neither limited to America nor public monuments, MacMonnies dually operated out of Paris: studying, teaching, meeting with other artists, and working, particularly on fine art sculpture submissions for the annual salon.

Lot: 162 - Louis L. Betts (American 1873-1961), Portrait of a Young Boy with a Small Dog, Oil on canvas, 54 x 34 in (137.2 x 86.4 cm)

Louis L. Betts (American, 1873-1961) Portrait of a Young Boy with a Small Dog Oil on canvas Signed Louis Betts u.r.

Lot: 163 - Frank Myers Boggs (American 1855-1926), Sailing Boats at Honfleur, Oil on canvas, 15 x 22 in (38.1 x 55.9 cm)

Frank Myers Boggs (American, 1855-1926) Sailing Boats at Honfleur Oil on canvas Signed Boggs l.l. Provenance: Art Fund Inc., Washington, DC, acquired in Monte Carlo, Monaco, 1982 Black-Nadeau Collection, Monte Carlo, Monaco Literature: A Fresh Look at Frank Boggs, The Art Fund Gallery, Washington, DC, 1981, illustrated p. 2

Lot: 164 - James Montgomery Flagg (American 1877-1960), The Spirit of America, Oil on canvas; together with a study of the model, watercolor on paper, The first: 33 x 25 in (83 x 63 cm); The second: 20 x 14-3/4 in (50 x 37 cm)

James Montgomery Flagg (American, 1877-1960) The Spirit of America: Two Works The first, oil on canvas; the second, a study of the model's face, watercolor on paper; apparently in good condition. Framed.* Each signed James Montgomery Flagg l.r. Property of a Virginia Collector Provenance: The model in the painting was the grandmother of the current owner By descent to current owner

Lot: 165 - Eleanor Parke Custis (American 1897-1983), Madonna Del Sasso, Oil on canvas, 24 x 22-1/2 in (61 x 57.2 cm)

Eleanor Parke Custis (American, 1897-1983) Madonna Del Sasso Oil on canvas Signed Eleanor Parke Custis l.r.; also titled on verso Provenance: C.G. Sloan & Co., Washington, DC, May 24, 1992, lot 2948 Note: Born in Washington, DC, Eleanor Parke Custis trained under Edmund C. Tarbell at the Corcoran School of Art and under Henry Snell in Boothbay Harbor, Maine during the summers of 1924-25. She had her first solo exhibition at the Washington Art Club in 1925.

Lot: 166 - Frank Myers Boggs (American 1855-1926), Pêcheurs Bretonnes, Oil on canvas, 15 x 22 in (38.1 x 55.9 cm)

Frank Myers Boggs (American, 1855-1926) Pêcheurs Bretonnes Oil on canvas Signed Boggs l.l. Provenance: Dawson Gallery, Annapolis, MD, August 21, 1985

Lot: 167 - Eleanor Parke Custis (American 1897-1983), A Relic of the Revolution, Oil on canvas, 20 x 18 in (50.8 x 45.7 cm)

Eleanor Parke Custis (American, 1897-1983) A Relic of the Revolution Oil on canvas Signed Eleanor Parke Custis l.r.; titled on exhibition affixed to verso Provenance: C.G. Sloan & Co., Washington, DC, May 24, 1992, lot 2947 Note: Born in Washington, DC, Eleanor Parke Custis trained under Edmund C. Tarbell at the Corcoran School of Art and under Henry Snell in Boothbay Harbor, Maine during the summers of 1924-25. She had her first solo exhibition at the Washington Art Club in 1925. Exhibited: National Association of Women Painters and Sculptors, New York

Lot: 168 - Cyrus Edwin Dallin (American 1861-1944), Shackamaxon Chief, Bronze sculpture with brown patina, Height: 25-3/4 in (65.4 cm); Width: 6-1/4 in (15.9 cm); Depth: 6-1/2 in (16.5 cm)

Cyrus Edwin Dallin (American, 1861-1944) Shackamaxon Chief Bronze sculpture with brown patina Signed Dallin and dated 1911 and with Gorham Foundry stamp and number O A K Z on base Property from a Pennsylvania Estate

Lot: 169 - Millard Owen Sheets (American 1907-1989), California Mountain Landscape, Watercolor and graphite on paper, Sight size: 14-1/2 x 21 in. (36.8 x 53.3 cm.)

Millard Owen Sheets (American, 1907-1989) California Mountain Landscape Watercolor and graphite on paper; apparently in good condition. Framed.* Signed Millard Sheets in graphite l.r.

Lot: 170 - James Del Grosso (American b. 1941), Two Pears, Oil on canvas, 1988, 32 x 48 in (81.3 x 121.9 cm)

James Del Grosso (American, b. 1941) Two Pears Oil on canvas, 1988 Signed Del Grosso l.r. Provenance: OK Harris Gallery, New York, Inventory No. 4

Lot: 171 - Reginald Marsh (American 1898-1954), Ships at Southampton, Watercolor on paper, Sight size: 13-1/2 x 19-1/4 in (34.3 x 48.9 cm)

Reginald Marsh (American, 1898-1954) Ships at Southampton Watercolor on paper; apparently in good condition. Framed.* Signed Reginald Marsh, located Southampton and dated October 10th, 1924 l.r. Property from the Estate of Sheila Schermerhorn Scott Provenance: F.A.R. Gallery, New York By descent through the Schermerhorn Family

Lot: 172 - James Del Grosso (American b. 1941), Green Grapes and Pear, Oil on canvas, 32 x 58 in (81.3 x 147.3 cm)

James Del Grosso (American, b. 1941) Green Grapes and Pear Oil on canvas Signed Del Grosso and dated 1990 on verso Provenance: OK Harris Gallery, New York, Inventory No. 36

Lot: 173 - Birger Sandzén (American/Swedish 1871-1954), Early Fall, Saline County, Kansas, Oil on canvas, circa 1915, 16 x 24 in (40.6 x 61 cm)

Birger Sandzén (American/Swedish, 1871-1954) Early Fall, Saline County, Kansas Oil on canvas, circa 1915 Signed Birger Sandzén l.r.; inscribed Early Fall Scene from Saline Co. Kans on stretcher bar and with note affixed to verso which reads Early Fall- Birger Sandzén (1915) bought/ by Marjorie V. Marshall (Mrs. John A.)/ in 1940s or '50s (of Kansas City, Mo.) Property from the Estate of Jane Marshall Campbell

Lot: 174 - Wolf Kahn (American/German 1927-2020), Dark Green Wedge, Pastoral, Pastel on paper, 2004, Sight size: 8 x 9-1/2 in (20.3 x 24.1 cm)

Wolf Kahn (American/German, 1927-2020) Dark Green Wedge, Pastoral Pastel on paper; apparently in good condition. Framed.* Signed W. Kahn l.l., 2004 Provenance: Ameringer McEnery Yohe Gallery, New York

Lot: 175 - Sam Gilliam (American 1933-2022), Sky Joseph, Acrylic on panel, 12 x 16 in (30.5 x 40.6 cm.)

Sam Gilliam (American, 1933-2022) Sky Joseph Acrylic on panel Signed Sam Gilliam, dated '08 and titled on verso Provenance: Acquired directly from the artist

Lot: 176 - Arthur Roland (American 1935-2019), Portrait of a Young Man, Oil on Masonite, 32 x 24 in. (81.3 x 61 cm.)

Arthur Roland (American, 1935-2019) Portrait of a Young Man Oil on Masonite Signed Arthur Roland and dated '72 l.r., also dated 1972 on verso

Lot: 177 - Willem de Looper (American/Dutch 1932-2009), Untitled, Acrylic on panel, 1996, 19 x 19 in (48.3 x 48.3 cm)

Willem de Looper (American/Dutch, 1932-2009) Untitled Acrylic on panel Signed de Looper and dated 96 l.r.; signed and dated 13 August 96 on verso Provenance: Troyer Fitzpatrick Lassman Gallery, Washington, DC

Lot: 178 - Gene Davis, Douglas Davis, Ed McGowin and Michael Clark, Popsicle, Acrylic on canvas, 1969, 68-1/4 x 67-1/4 in (173.4 x 170.8 cm)

Gene Davis (American, 1920-1985) Popsicle Acrylic on canvas Created together with Douglas Davis, Ed McGowin and Michael Clark and with stamped signatures of Gene Davis, Douglas Davis and Ed McGowin and signed Michael Clark on verso. This work is a unique variant from the edition of fifty; titled and dated and inscribed For Give Away an Event, May 22, 1969/ Grand Ballroom, Mayflower Hotel, Washington, D.C. on verso Property of a Washington, DC Collector Provenance: Gene Davis Giveaway Event, Washington, DC, May 22, 1969 By descent to current owner Note: In May of 1969, five hundred members of the Washington, DC art world gathered in the Mayflower Hotel ballroom for what its organizers called the "Give Away" (later dubbed the "Gene Davis Giveaway Event"). The brainchild of sculptor Ed McGowin and the art critic/artist Douglas Davis, it was equal parts collaborative happening, art market critique and joke. Declaring the Washington Color School movement dead, with art having been reduced to its most simplistic form of color, the event was intended to be a dramatic punctuation mark signaling the end of one movement, making way for the beginning of another. Gene Davis agreed to collaborate on the project with McGowin and Davis (no relation) along with select students from the Corcoran. Gene Davis created an original work he titled Popsicle and fifty replicas of the iconic stripe painting were created. Each member of the project took on a different role, from mixing paint to taping the canvases, with Gene Davis silk-screening signatures onto the back of each canvas once complete.

Lot: 179 - Simmie Knox (American b. 1935), Portrait of a Couple, Acrylic on canvas, 34 x 32 in. (86.4 x 81.3 cm.)

Simmie Knox (American, b. 1935) Portrait of a Couple Acrylic on canvas Signed Simmie Knox and dated 92 l.r. Property of a Potomac, Maryland Collector Provenance: Purchased directly from the artist, mid-1990s. Note: After experimenting for some years with various painting formats, in the early 1980sSimmie Knox turned his focus to portraiture: "I think that a good portrait is the most difficult thing for an artist to bring off successfully. Not only must you get an accurate likeness, but you must also create a good painting. Somehow you must convey a subject's character, spirit, and personality; and everything must communicate the dynamism of the subject." Knox has been described as "the unofficial portraitist for trailblazing African Americans", having painted Thurgood Marshall, Muhammad Ali, Eric Holder and Oprah Winfrey among others. The first African-American artist to receive a presidential portrait commission, he painted the official portraits of Bill and Hillary Clinton. Unveiled in 2004, they now hang in the East Wing of the White House.

Lot: 180 - Norman Bluhm (American 1921-1999), Untitled, Acrylic on Arches paper mounted on board, Sight size: 20 x 22 in. (50.8 x 55.9 cm.)

Norman Bluhm (American, 1921-1999) Untitled Acrylic on Arches paper mounted on board; apparently in good condition. Framed.* Signed Bluhm and dated 6* l.r.

Lot: 181 - Hunt Slonem (American b. 1951), Lucy in the Sky, Oil and diamond dust on panel, 20 x 16-1/4 in. (50.8 x 41.3 cm.)

Hunt Slonem (American, b. 1951) Lucy in the Sky Oil and diamond dust on panel Signed Hunt Slonem, dated 2014 and titled on verso; also with inventory no. CHL1381 on verso Property of a Charlottesville, Virginia Collector Provenance: DTR Modern Galleries, Palm Beach, FL

Lot: 182 - Alexander Calder (American 1898-1976), Loose Yolks, Gouache and ink on paper, 1966, 29-1/2 x 42-1/4 in. (74.9 x 107.3 cm.)

Alexander Calder (American, 1898-1976) Loose Yolks Gouache and ink on paper; apparently in good condition. Framed.* Signed and dated Calder 66 l.r. Provenance: Nicholas Guppy, London, directly from the Artist David B. Findlay Galleries, New York, NY The Estate of Jane F. Sheets, Buffalo, NY Cottone Auctions, Geneseo, NY, October 3, 2020, lot 75 Note: This work is registered in the Calder Foundation Archives, New York, application number A14374.

Lot: 183 - Sally Michel Avery (American 1902-2003), Sunday Reader, Oil on canvas, 50 x 40 in (127 x 101.6 cm)

Sally Michel Avery (American, 1902-2003) Sunday Reader Oil on canvas Signed Sally Michel and dated 1970 l.r.; also signed, titled and dated on verso Property from a Washington, DC Collection Provenance: Wallace Wentworth Gallery, Washington, DC, 1988 Exhibited: Sally Michel: The Other Avery, Wallace Wentworth Gallery, Washington, DC, 1988, travelling exhibition organized by Professor Robert Hobbs, University of Iowa. Note: The subject is Philip G. Cavanaugh, husband of March Avery, the daughter of Sally Michel and Milton Avery.

Lot: 184 - Burhan Cahit Dogançay (American/Turkish 1929-2013), Untitled, Gouache on paper, Sight size: 28 x 20-3/4 in (71.1 x 52.7 cm)

Burhan Cahit Dogançay (American/Turkish, 1929-2013) Untitled Gouache on paper; with mild foxing along lower edge. Framed.* Signed B. Dogancay and dated 1978 l.r.

Lot: 185 - Vivian Springford (American 1914-2003), Untitled, Mixed media, Sheet size: 9-1/2 x 12 in (24.1 x 30.5 cm)

Vivian Springford (American, 1914-2003) Untitled Mixed media on paper: apparently in good condition. Framed.* Signed Springford l.r.; also inscribed To my dear friend Betty/ with much love, Vivian on verso Property from the Estate of Erwin Nied

Lot: 186 - William Joseph Anastasi (American b.1933), Sarabunde, Mixed media on paper, Sight size: 17 x 11-1/4 in. (43.2 x 28.6 cm.)

William Joseph Anastasi (American, 1933-2023) Sarabunde Mixed media on paper; apparently in good condition. Framed.* Signed Anastasi and dated 1960 l.r. Property from the Mark S. Pratt Trust Provenance: Esther Stuttman Gallery, New York

Lot: 187 - Leonardo Nierman (Mexican 1932-2023), Autumn Flight, Acrylic on Masonite, 23-1/2 x 15-3/4 in. (59.7 x 40 cm.)

Leonardo Nierman (Mexican, 1932-2023) Autumn Flight Acrylic on Masonite Signed Nierman l.r. Property from the Patricia C. Ebbecke Trust Provenance: i.f.a. Galleries, Washington, DC

Lot: 188 - Leonardo Nierman (Mexican 1932-2023), Untitled, Oil on Masonite, 23-3/4 x 31-3/4 in. (60.3 x 80.6 cm.)

Leonardo Nierman (Mexican, 1932-2023) Untitled Oil on Masonite Signed Nierman l.l. Property from the Patricia C. Ebbecke Trust

Lot: 189 - Irene Rice Pereira (American/Spanish 1902-1971), Untitled, Mixed media collage of paper, aluminum foil, watercolor, and ink, Sheet size: 25-3/4 x 20 in (65.4 x 50.8 cm)

Irene Rice Pereira (American/Spanish, 1902-1971) Untitled Mixed media collage of paper, aluminum foil, watercolor, and ink; apparently in good condition. Framed.* Signed I. Rice Pereira l.r.

Lot: 190 - Sam Ezell (American b. 1953), Untitled, Oil on canvas, 42 x 51 1/2 in. (106.7 x 130.8 cm.)

Sam Ezell (American, b. 1953) Untitled Oil on canvas Signed Ezell and dated 24 l.l.

Lot: 191 - Lloyd Martin (American b. 1957), Finestrae (46), Oil and mixed media on canvas, Unframed: 66 x 72 in (167.6 x 182.9 cm)

Lloyd Martin (American, b. 1957) Finestrae (46) Oil and mixed media on canvas Signed Lloyd Martin, dated '07 and titled on tacking edge Property from the Estate of Lawrence Bell Provenance: Stephen Haller Gallery, New York

Lot: 192 - Yaacov Agam (Israeli b.1928), Untitled, Spinning Agamograph (kinetic sculpture), Height with Stand: 11-1/4 in. (28.6 cm.), Widest Width: 12-3/4 in. (32.4 cm.)

Yaacov Agam (Israeli, b.1928) Untitled Spinning Agamograph (kinetic sculpture) Signed Agam and numbered 86/150 and #0040 on base

Lot: 193 - Terry Rodgers (American b. 1947), Connecticut Avenue, Washington, DC, Oil on canvas, 30 x 50-1/4 in (76.2 x 127.6 cm)

Terry Rodgers (American, b. 1947) Connecticut Avenue, Washington, DC Oil on canvas Signed Rodgers l.l. Provenance: Corporate Collection, Washington, DC

Lot: 194 - Oscar Lakeman (American b. 1949), Shoes #11, Acrylic on canvas, 60 x 48 in. (152.4 x 121.9 cm.)

Oscar Lakeman (American, b. 1949) Shoes #11 Acrylic on canvas Signed Oscar, titled and dated 06/86 on verso Provenance: OK Harris Gallery, New York, Inventory no. 159

Lot: 195 - Ansel Adams (American 1902-1984), Moth and Stump, Interglacial Forest, Gelatin silver print, 1950, Sight size: 8-1/2 x 6-3/4 in (21.6 x 17.1 cm)

Ansel Adams (American, 1902-1984) Moth and Stump, Interglacial Forest Gelatin silver print, 1950; apparently in good condition. Framed.* Signed Ansel Adams in graphite l.r.; also stamped Print No. 6 of Set No. 44/ of Portfolio Two/ By Ansel Adams, 1950

Lot: 196 - William Andrew Christenberry, Jr. (American 1936-2016), Red Building in Forest, Hale County, Alabama, Photograph/c-print, 1933, reprinted in 1985, Sight size: 17 x 21-1/2 in (43.2 x 54.6 cm)

William Andrew Christenberry, Jr. (American, 1936-2016) Red Building in Forest, Hale County, Alabama Photograph/c-print, 1933, reprinted in 1985; apparently in good condition. Framed.* Signed on verso in ink l.r.

Lot: 197 - Bruce Davidson (American b. 1933), Subway Series, Train at Night (NYC 6024), Photograph/dye transfer print, 1980, Frame: 26 x 33 in (66 x 83.8 cm.)

Bruce Davidson (American, b. 1933) Subway Series, Train at Night (NYC 6024) Photograph/dye transfer print, 1980; apparently in good condition. Framed.* Signed in graphite on verso

Lot: 198 - Bruce Davidson (American b. 1933), Subway Series (NYC 5974), Photograph/dye transfer print, 1980, Frame: 26 x 33 in (66 x 83.8 cm)

Bruce Davidson (American, b. 1933) Subway Series (NYC 5974) Photograph/dye transfer print, 1980; apparently in good condition. Framed.* Signed in graphite on verso, from an edition of 10

Lot: 199 - Romare Bearden (American 1911-1988), Quilting Time (Geldburd/Rosenberg GG#93), Lithograph in color, 1979, Sight size: 483 x 610 mm (19 x 24 in)

Romare Bearden (American, 1911-1988) Quilting Time (Geldburd/Rosenberg GG#93) Lithograph in color, 1979; apparently in good condition. Framed.* Signed Romare Bearden in graphite l.r. and numbered 166/175 in graphite l.l.

Lot: 200 - Ángel Botello (Puerto Rican 1913-1986), Desnudo (O11), Linocut in color, Sheet size: 425 x 324 mm (16-3/4 x 12-3/4 in)

Ángel Botello (Puerto Rican, 1913-1986) Desnudo (O11) Linocut in color; apparently in good condition. Framed.* Signed Botello l.r., numbered 41/50 l.l. and inscribed O11 u.l. Provenance: Gift from the artist

Lot: 201 - Marc Chagall (Belarusian/French 1887-1985), Les Toits (Roofs) (Mourlot 163), Lithograph in color on wove paper, Sight size: 572 x 438 mm (22-1/2 x 17-1/4 in)

Marc Chagall (Belarusian/French, 1887-1985) Les Toits (Roofs) (Mourlot 163) Lithograph in color on wove paper; with mild toning. Framed.* Signed Marc Chagall in graphite l.r. and numbered 65/75 in graphite l.l., published by Maeght, Paris

Lot: 202 - Gene Davis (American 1920-1985), Voodoo, Screenprint in color, 991 x 838 mm (39 x 33 in)

Gene Davis (American, 1920-1985) Voodoo Screenprint in color; apparently in good condition. Framed.* Signed Gene Davis and dated 1984 in graphite l.r., numbered 17/88 in graphite l.l., and with blindstamp l.l.

Lot: 203 - Sam Gilliam (American 1933-2022), Sun, Collage of lace, lace relief and digital printing on fir wood veneer, Overall: 1270 x 838 mm (50 x 33 in)

Sam Gilliam (American, 1933-2022) Sun Collage of lace, lace relief and digital printing on fir wood veneer; apparently in good condition. Framed.* Signed Sam Gilliam and dated '08 l.r. and numbered 1/5 in graphite l.l.; printed by Bruce Crownover, Andy Rubin, Joe Freye and Jason Ruhl, published by Tandem Press and with publisher's chop on verso Provenance: Tandem Press, University of Wisconsin, Madison, WI

Lot: 204 - Sam Gilliam (American 1933-2022), St. Albans, Lithograph in color, 1976, Sight size: 578 x 762 mm (22-3/4 x 30 in)

Sam Gilliam (American, 1933-2022) St. Albans Lithograph in color, 1976; apparently in good condition. Framed.* Signed Sam Gilliam and dated '76 in graphite l.r., titled in graphite l.c. and numbered 16/60 in graphite l.l.

Lot: 205 - Adolph Gottlieb (American 1903-1974), Beacon (Associated American Artists 65), Lithograph in color on Arches paper, 1969, 749 x 524 mm (29-1/2 x 20-5/8 in)

Adolph Gottlieb (American, 1903-1974) Beacon (Associated American Artists 65) Lithograph in color on Arches paper, 1969; apparently in good condition. Framed.* Signed Adolph Gottlieb and dated 1969 in graphite l.l., numbered 55/100 in graphite l.r., and published by Marlborough Graphics Inc., New York

Lot: 206 - Damien Hirst (British b. 1965), The Cure (Deep Sky Blue, Electric Purple, Lipstick Red), Screenprint in color on Somerset Tub, 2014, Sheet size: 711 x 508 mm (28 x 20 in)

Damien Hirst (British, b. 1965) The Cure (Deep Sky Blue, Electric Purple, Lipstick Red) Silkscreen in color on Somerset Tub, 2014; apparently in good condition. Framed.* Signed Damien Hirst l.r. and numbered 5/15 l.l., published by Paul Stolper and Other Criteria, London Property of a Charlottesville, Virginia Collector Provenance: DTR Modern Galleries, Palm Beach, FL, Inventory no.: HI-SC-0319

Lot: 207 - Howard Hodgkin (British 1932-2017), Two to Go (Heenk 66), Lithograph from three aluminum plates with hand-coloring in gouache on paper, Sheet size: 914 x 1219 mm (36 x 48 in)

Howard Hodgkin (British, 1932-2017) Two to Go (Heenk 66) Lithograph from three aluminum plates printed in classic black, transparent grey and violet black with hand-coloring in gouache on buff Velin Arches mould-made paper; apparently in good condition. Framed.* Signed and dated HH 81 l.c. and numbered 50/100 l.l., proofed and printed by Judith Solodkin at Solo Press Inc., New York, hand-colored by Cinda Sparling, New York and published by Bernard Jacobson Ltd, London, 1982

Lot: 208 - Wolf Kahn (American 1927-2020), Aura, Screenprint in color, Sheet size: 787 x 889 mm (31 x 35 in)

Wolf Kahn (American/German, 1927-2020) Aura Screenprint in color; apparently in good condition. Framed.* Signed W. Kahn and dated '04 in graphite l.r. and numbered 11/150 in graphite l.l., printed by Brand X Editions, New York for the Art Collectors Program, 2005, and published by the Smithsonian Resident Associates Art Collectors Program, Washington, DC Provenance: The Smithsonian Associates, Washington, DC, December 2004

Lot: 209 - Philipp Keel (Swiss b. 1968), Gum Ball Machine, Imbue print, 1999, Sheet size: 1118 x 1626 mm (44 x 64 in)

Philipp Keel (Swiss, b. 1968) Gum Ball Machine Imbue print, 1999; apparently in good condition. Framed.* Signed Philipp Keel and dated 1999 l.r. and numbered A.P. l.l., from an edition of 1, printed in December 1999; also stamped on verso Property of a Charlottesville, Virginia Collector Provenance: Purchased directly from the artist, December 2001

Lot: 210 - Gene Kloss (American 1903-1996), Deer Dance (Kloss 531), Etching, 1969, Plate size: 324 x 451 mm (12-3/4 x 17-3/4 in)

Gene Kloss (American, 1903-1996) Deer Dance (Kloss 531) Etching, 1969; apparently in good condition. Framed.* Signed Gene Kloss in graphite l.r. and inscribed and titled Artist's Proof and Deer Dance in graphite l.l.

Lot: 211 - Gene Kloss (American 1903-1996), Red Mountain Relic and Taos Pueblo Stream: Two Works, Each an etching and drypoint, Plate size of first: 191 x 222 mm (7-1/2 x 8-3/4 in)

Gene Kloss (American, 1903-1996) Red Mountain Relic and Taos Pueblo Stream: Two Works (Sanchez 603 and 614) Each an etching and drypoint; each apparently in good condition. Each framed.* Each signed Gene Kloss in graphite l.r.; the first, inscribed and titled Artist's Proof and Taos Pueblo Stream in graphite l.l. and the second, numbered 30/50 and titled Red Mountain Relic in graphite l.l.

Lot: 212 - Gene Kloss (American 1903-1996), Corn Dancers Coming (Sanchez 569), Etching and drypoint on wove paper, 1975, Plate size: 273 x 349 mm (10-3/4 x 13-3/4 in)

Gene Kloss (American, 1903-1996) Corn Dancers Coming (Sanchez 569) Etching and drypoint on wove paper, 1975; apparently in good condition. Framed.* Signed Gene Kloss in graphite l.r. and inscribed and titled Artist's Proof and Corn Dancers Coming in graphite l.l.

Lot: 213 - Paul Landacre (American 1893-1963), August Seventh, Wood engraving, 1936, Sight size: 318 x 216 mm (12-1/2 x 8-1/2 in)

Paul Landacre (American, 1893-1963) August Seventh Wood engraving, 1936; with mild toning. Framed.* Signed Paul Landacre in graphite l.r., titled and numbered II 13/140 in graphite l.l.

Lot: 214 - Louis Lozowick (American/Ukranian 1892-1973), Dead End (Flint 189), Lithograph, 1941, Sight size: 210 x 381 mm (8-1/4 x 15 in)

Louis Lozowick (American/Ukrainian, 1892-1973) Dead End (Flint 189) Lithograph; apparently in good condition. Framed.* Signed Louis Lozowick and dated 41 in graphite l.r. and numbered 3/20 in graphite l.l. Property from a Washington, DC Collection

Lot: 215 - Robert Mangold (American b. 1937), Three Works from Prints '1968-1998, The Catalogue Raisonne by Amy Baker Sandback, with Seven Original Woodcuts', Each a woodcut on Korean Kozo paper, 2000, Sight size: 197 x 241 mm

Robert Mangold (American, b. 1937) Three Works from Robert Mangold, Prints 1968-1998: The Catalogue Raisonné Each a woodcut on Korean Kozo paper from the catalogue raisonné by Amy Baker Sandback which includes seven original woodcuts, 2000; each apparently in good condition. Each framed.* Each signed R. Mangold in graphite l.r. and each inscribed 'C', 'D' and 'E' respectively in graphite l.l.

Lot: 216 - Robert Mangold (American b. 1937), Framed Square with Open Center A and B: Two Works, Each a soft ground etching and aquatint on Hahnemuhle copperplate bright white paper, 2013, Sheet size of each: 686 x 686 mm

Robert Mangold (American, b. 1937) Framed Square with Open Center A and B: Two Works Each a soft ground etching and aquatint on Hahnemuhle copperplate bright white paper, 2013; apparently in good condition. Framed.* Each signed R. Mangold in graphite l.r. and numbered 12/40 in graphite l.l., published and printed by Pace Editions, New York. Together with book, Robert Mangold by Shiff, Storr, et. al., Phaidon Press, London, 2000

Lot: 217 - Henri Matisse (French 1869-1954), Frontispiece for Pierres levées, Lithograph on Chine collé, 1948, Sight size: 254 x 197 mm (10 x 7-3/4 in)

Henri Matisse (French, 1869-1954) Frontispiece for Pierres levées Lithograph on Chine collé, 1948; apparently in good condition. Framed.* Signed H. Matisse in graphite l.r. and numbered 103/300 in graphite l.l., printed by Mourlot, Paris and published by Flammarion, Paris

Lot: 218 - Peter Milton (American b. 1930), Points of Departure III: Twentieth Century Limited, Etching and engraving. 1998, Plate size: 616 x 965 mm (24-1/4 x 38 in)

Peter Milton (American, b. 1930) Points of Departure III: Twentieth Century Limited Resist-ground etching and engraving on copper plate; apparently in good condition. Framed.* Signed and dated P. Milton 98 in graphite l.r., inscribed Twentieth Century Limited in graphite l.c., titled Points of Departure and numbered XVI/XX in graphite l.l.

Lot: 219 - Joan Mitchell (American 1925-1992), Sunflower III, Etching and aquatint in color on Arches wove paper, 1972, Plate size: 673 x 435 mm (26-1/2 x 17-1/8 in)

Joan Mitchell (American, 1925-1992) Sunflower III Etching and aquatint in color on Arches wove paper, 1972; apparently in good condition. Framed.* Signed Joan Mitchell in graphite l.r. and numbered 25/75 in graphite l.l., printed by Arte Adrien Maeght, Paris and published by Maeght Éditeur, Paris.

Lot: 220 - Pablo Picasso (Spanish 1881-1973), Three Works from La Suite Vollard (Bloch 150, 173 and 190), Each an etching, 1933, Plate size of first: 260 x 187 mm (10-1/4 x 7-3/8 in)

Pablo Picasso (Spanish, 1881-1973) Deux Modèles Vêtus, Le Repos du Sculpteur, III and Minotaure, une Coupe à la Main et Jeune Femme: Three Works from La Suite Vollard (Bloch 150, 173 and 190) Each an etching, from the edition of 250, 1933; each with mild toning and handling creases. Each unframed. Each signed Picasso in graphite l.r., the first, on laid paper with Vollard watermark; the second and third, on laid paper with Picasso and Galatea watermarks Provenance: Bragaglia Galerie, Rome, 1933 Arturo Tonnarelli Gracetti By descent to current owner

Lot: 221 - Pablo Picasso (Spanish 1881-1973), Complications après l'enlèvement: Pl. 139 from Series '347' (Bloch 1619), Etching and aquatint on BFK Rives, 1968, Plate size: 222 x 298 mm (8-3/4 x 11-3/4 in)

Pablo Picasso (Spanish, 1881-1973) Complications après l'enlèvement: Pl. 139 from Series '347' (Bloch 1619) Etching and aquatint on BFK Rives, 1968; apparently in good condition. Framed.* Signed Picasso in graphite, numbered 11/50, published by Galerie Louise Leiris, Paris, 1969, printed by Crommelynck, Paris. Property from a Virginia Collection

Lot: 222 - Jacob Hendrik Pierneef (South African 1886-1957), Miershoop, S.W.A. (Nilant 113), Linocut, 1928, Sight size: 222 x 165 mm (8-3/4 x 6-1/2 in)

Jacob Hendrik Pierneef (South African, 1886-1957) Miershoop, S.W.A. (Nilant 113) Linocut; with mild toning. Framed.* Signed indistinctly in graphite l.l. and dated 1928 in graphite l.l.

Lot: 223 - Rembrandt van Rijn, (Dutch 1606-1669), The Death of the Virgin (Bartsch 99; Biörklund 39-A), Etching and drypoint, 1639, later edition, Sheet size: 393 x 318 mm (15-1/2 x 12-1/2 in)

Rembrandt van Rijn (Dutch, 1606-1669) The Death of the Virgin (Bartsch 99; Biörklund 39-A) Etching and drypoint on laid paper, 1639, later edition, Biörklund's fourth state of four; trimmed to just outside the plate mark, overall with toning, scattered handling creases and small tears along the margins. Framed.* Double check cataloging

Lot: 224 - Sean Scully (Irish/American b. 1945), Green Ascending, Woodcut in color, 1991, Sheet size: 1039 x 1300 mm (40-3/4 x 51-1/4 in)

Sean Scully (Irish/American, b. 1945) Green Ascending Woodcut in color; apparently in good condition. Framed.* Signed Sean Scully and dated 91 in graphite l.r., titled in graphite l.c. and numbered 16/20 l.l.; together with signed book, Sean Scully: Wall of Light, edited by Stephen Phillip, Rizzoli International Publications, 2005

Lot: 225 - Lou Stovall (American 1937-2023), ... To Life..., Silkscreen in color, 1983, Sheet size: 660 x 660 mm (26 x 26 in)

Lou Stovall (American, 1937-2023) ... To Life... Silkscreen in color; apparently in good condition. Framed.* Signed Lou Stovall and dated April 1983 in graphite l.r. and titled in graphite l.c. and numbered Artist's Proof 5/25 in graphite l.l.

Lot: 226 - Donald Sultan (American b. 1951), Six Yellows, Screenprint in color with black flocking on wove paper, Sheet size: 648 x 337 mm (25-1/2 x 13-1/4 in)

Donald Sultan (American, b. 1951) Six Yellows Screenprint in color with black flocking on wove paper; apparently in good condition. Framed.* Signed DS, titled, and dated July 24 in graphite along left edge and numbered 25/60 in graphite l.r. Property of a Charlottesville, Virginia Collector

Lot: 227 - Rufino Tamayo (Mexican 1899-1991), Hombre en Negro (Man in Black) (Pereda 219), Mixografía in color on Arches paper, 1976, Sheet size: 762 x 572 mm (30 x 22-1/2 in)

Rufino Tamayo (Mexican, 1899-1991) Hombre en Negro (Man in Black) (Pereda 219) Mixografía in color on Arches paper, 1976; apparently in good condition. Framed.* Signed R. Tamayo l.r. and numbered 99/140 l.l., printed by Taller de Gráfica Mexicana, Mexico City and published by Transworld Art, New York, with the blind stamp l.l. Property from the Estate of Patsy Lee Hannah

Lot: 228 - Rufino Tamayo (Mexican 1899-1991), Hombre en Blanco (Man in White) (Pereda 222), Mixografía in color on Arches paper, Sheet size: 762 x 559 mm (30 x 22 in)

Rufino Tamayo (Mexican, 1899-1991) Hombre en Blanco (Man in White) (Pereda 222) Mixografía in color on Arches paper, 1976; apparently in good condition. Framed.* Signed R. Tamayo l.r. and numbered 31/140 l.l., printed at the Taller de Gràfica Mexicana, Mexico City and published by Transworld Art, New York with blind stamp l.l. Property from the Estate of Patsy Lee Hannah

Lot: 229 - Rufino Tamayo (Mexican 1899-1991), Máscara Roja (Red Mask) (Pereda 226), Mixografía in color on Arches paper, 1976, Sheet size: 775 x 572 mm (30-1/2 x 22-1/2 in)

Rufino Tamayo (Mexican, 1899-1991) Máscara Roja (Red Mask) (Pereda 226) Mixografía in color on Arches paper, 1976; apparently in good condition. Framed.* Signed R. Tamayo in graphite l.r. and numbered 38/140 in graphite l.l., printed by Taller de Grafica Mexicana, Mexico City and published by Transworld Art, New York Property from the Estate of Patsy Lee Hannah

Lot: 230 - Rufino Tamayo (Mexican 1899-1991), Figura Sobre Estuco (Figure on Stucco) (Pereda 241), Mixografía in color on Arches paper, 1976, Sheet size: 756 x 565 mm (29-3/4 x 22-1/4 in)

Rufino Tamayo (Mexican, 1899-1991) Figura Sobre Estuco (Figure on Stucco) (Pereda 241) Mixografía in color on Arches paper, 1976; apparently in good condition. Framed.* Signed R. Tamayo l.r. and numbered 51/100 l.l., printed by Taller de Gráfica Mexicana, Mexico City Property from the Estate of Patsy Lee Hannah

Lot: 231 - Andy Warhol (American 1928-1987), Ronald Reagan and Walter Mondale Election Night Invitation, Lithograph in color, 1984, Sheet size: 238 x 305 mm (9-3/8 x 12 in)

Andy Warhol (American, 1928-1987) Ronald Reagan and Walter Mondale Election Night Invitation Lithograph in color; apparently in good condition. Framed.* Signed with facsimile signature Andy Warhol and dated 84 l.r.