Fine Art, Modern Design, Silver, Antiques, Prints

Lot: 1 - 18K Vintage Green Diamond Ring

18K vintage green diamond ring. The yellow gold mounting features an undulating face set with an irradiated green diamond at the face, flanked on each side by diamond baguettes as well as round cut diamonds at the shoulder. The raised mounting is finished with intricate organic filigree. Measures 5.7mm in width. Size 5 3/4. Marked " 18K 62". Approx. .54 cttw of diamonds. Green diamond is approx. .22 carats. Approx. 2.7 grams.

Lot: 2 - Louis Vuitton XL Cuff Bracelet

Louis Vuitton XL bracelet. Thin cuff from the monogram collection. Palladium finished brass, with monogram motif integrated into the design. Interior measures 6 3/4", 8.7mm monogram face, 4.1mm at bangle sides, 8mm ball tips. Marked inside "M64839 Louis Vuitton Paris Made in Italy DI 1212", also marked around the surface of the ball tips "Louis Vuitton".

Lot: 3 - Two Antique Pocket Watches

Two antique pocket watches Waltham & Hamilton. The Waltham watch has a white porcelain face with black numbers, red numbers at each 5 minute mark and a second hand timer. With blue anodized hands, missing crystal. Face measures 1 1/2" diam. Marked "1550936". The outside front case is engraved with a feathery engraving and monogrammed "HCE". The back case is decorated with a feathery engraving framing a house on the shore with sailboat and mountains in the distance. Inside case is marked "C.W.C Co. Trade mark (star next to a crescent moon" "1550935". Inside watch works are marked "Warranted 25 years 1550935 Crescent Watch Works H.W.W.Co. Waltham, Mass. 15 Jewels 13634342". Measures 2 7/8" diam., stem 11/16" l., 11/16" w. 74.2 grams. Winds and hands move. The Hamilton pocket watch has an attached chain with pressure hook closure and attached engraved pocket knife. The pocket knife measures 1 1/2" in length, 1/1" wide tapering to 5/16" wide. Houses double blades, marked "stainless steel hayward". Attached gold tone chain measures 14 1/4", marked "Hayward". The watch face is white porcelain with black hours and minutes marked, red numbers mark the5 minute marks. also has a second hand timer. the case is gold plated with wear to the surface. Clock body measures 2" dimeter, 3/8" stem with 3/4" ring. Winds/moves. Approx. 87 grams.

Lot: 4 - 14K Bangle Bracelet with Semi-Precious Stones

14K yellow gold bangle bracelet set with semi-precious stones. The face of hinged bangle is prong set with an array of colorful, faceted, semi precious stones. The round cut stones are approx. 1.98 cttw. The bangle measures 6 3/4" interior, 3/16" at the face tapering to 1/8" at the back. Finished with a hinged figure 8 safety clasp. Marked "14K".pprox. 13 grams.

Lot: 5 - 14K Custom Tanzanite Ring

14K yellow gold custom designed tanzanite ring. The band is a fluid design of organic curves and waves, a single 1.5 carat pear cut tanzanite is set at the center of the largest curve as if floating. The faceted stone has several small chips to the surface of the stone, and wear to the facets. The ring measures 11.9 mm in width. Size 6 1/2. A worn mark "14K". Approx. 7.5 grams.

Lot: 6 - Silver Sapphire John Hardy Icon Bracelet

Silver and sapphire John Hardy Icon bracelet. Featuring a classic braided chain finished with a hidden double toggle clasp closure. The face of the closure is decorated with multiple sizes of round faceted blue sapphires. The back of the closure is engraved with "H", "925" and "Hardy". Measures 7 5/8" in length, 5/8" wide. Approx. 66.4 grams. Note: some slight surface wear to the clasp where it slides into the cover.

Lot: 7 - Vintage 14K Daniel S. Rine Bangle Bracelet

Vintage Daniel S. Rine 14K yellow gold bangle bracelet. The surface of the vintage hinged bangle is decorated with a delicate cross hatched design and organic jewel cut engraving. The edges of the bangle are adorned with attached French rope chain. Closes with a polished button pressure pin and hinged figure 8 safety. Measures 6 3/4" interior, 10/16" wide. Marked "14K Rine". Approx. 25.7 grams. Note: several dents to the outside and inner surfaces.

Lot: 8 - Deborah Armstrong Silver Turquoise Bracelet

Deborah Armstrong silver turquoise bracelet. The custom piece features a large duo tone teardrop shaped turquoise stone, set in a deep bezel. The hinged bezel opens at the pointed end of the stone to reveal the custom fit bar closure. Measures 1 3/4" in length, 1 3/8" wide. The bracelet body is fashioned of multiple layers of wire-woven turquoise stones and beads with smokey quartz beads mixed in. The band measures 6 1/2" in length. Complete length including bezel set face is 7 1/2", 1 3/4" wide. Marked inside the bezel opening "DAC", "925". Approx. 101.3 grams.

Lot: 9 - Vintage 14K Gold Charm Bracelet

Vintage 14K yellow gold charm bracelet. The bracelet is a curb chain with alternating round and oval links, finished with a hidden box clasp and figure 8 safety pin closure. Both ends marked "14K". The chain is decorated with 16 gold charms, not all marked. Figural charms include: an antique sewing machine with treadle wheel that spins, and spool top with attached ring marked "14K Germany". Measures 5/8" x 13/16" x 5/16". A braying "Burro" deeply engraved furry body, large ears, curling tail and animated expression. Measures 1 1/8" x 3/4" x 3/8". Unmarked. A baby elephant figure in caricature style with intricately engraved skin, shiny ears, tail, feet and almond eye. 3/4" x 5/8" x 1/4". Jump ring is engraved "14K Germany". Tennis Racquet and "pearl" ball. The face and back of the charm are intricately engraved, and set with a single 3.6mm cultured pearl "ball". Measures 1 3/16" x 3/8" x 3/16". Jump ring is engraved "14K Germany". Owl on a branch. The charm is crafted as a 2 piece mold with charming detail. Measures7/8" x 7/16" x 5/16". Jump ring marked "14K Germany". A Guitar with detailed engraving and attached strings (may be missing 1). Measures 1 1/4" x 7/16" x 2/16". Marked "Italy KT14". A Frog. The charm is a 2 piece mold with bulging eyes, engraved cross hatched detail on the top and molded detail throughout. Measures1" x 3/4" x 5/16". Unmarked. A Cocker Spaniel full figure molded charm with several small breakthrough holes in the figure. Measures 7/8" x 5/8" x 1/4". Marked "AE 14K". A Penguin with black oval body encased in gold head, flippers back and feet. Measures 3/4" x 3/8" x 3/8". Jump ring marked "14K Germany". A Bag of Money, 2 piece mold with detailed design and "$" on each side. Measures 9/16" x 3/8" diam. Marked "14K". A Bunny figure. The caricature charm is crafted as a 2 piece mold with charming detail. Measures 7/8" x 5/8" x 1/2". Unmarked. A Snow Skier with hinged hips and hands and feet that slid in ski poles for movement. Measures 7/8" x 3/8" x 1/2". Marked "14K". An antique style Lantern with a candle inside. Measures 1/2" x 5/16". Marked "14K". Also includes 3 flat cutout charms. 2 children profile pieces, a Boy, engraved "Chris 4-23-71", and a Girl, engraved "Ann 9-26-68". Measure 1" x 3/4". Each marked "14K GOLD ELCO". And a Chinese cutout symbol "SHOU" meaning "Longevity". Measures 3/4" x 5/8". Marked "K14".

Lot: 10 - Vintage 14K Daniel S. Rine Bangle Bracelet

Daniel S. Rine, vintage 14K yellow gold bangle bracelet. The brightly polished bracelet is covered in abstract floral engraving. Finished with a pressure pin opening. Note: original gold extender bar appears to have broken off. Measures 6 3/16"interior, 5/8" wide. Marked "14K". Approx. 25.8 grams. Note: several dents to the surface of the piece.

Lot: 11 - David Yurman 14K Silver Amethyst Cable Ring

David Yurman 14K yellow gold and sterling cable ring. The yellow gold center mount is set with a rectangular cabochon violet hued tourmaline. The ring measures 14.5mm in width. Size 5 3/4 (fitted with 2 sizing blocks). Marked "D. Yurman 925 585". Approx. 11.4 grams. Note: some discoloration to the gold surface, very slight surface marks to the stone. Approx. 11.4 grams.

Lot: 12 - 14K Gold M.C. Mossalone Retro Link Bracelet

14K gold M. C. Mossalone Retro link bracelet of faceted diamond shaped links in yellow and rose gold. The diamond shaped links are pinned together in alternating tones of yellow and rose gold, with 2 yellow gold figures attached to 3 rose gold figures, in a 5 time repeat. The bracelet closes with two hidden clasps to connect 2 yellow gold links. Single links measure 7/8" in length, 3/4" wide. Finished with a rose gold safety chain and spring ring clasp, marked "585". Engraved on the back across 3 links "Clarence", "Harriet", "7 - 23 - '45". Measures 7 1/2" in length, 1 3/8" wide, 1/4" deep. Marked "M.C. Mossalone 14K". Approx. 57.9 grams. Note: several pin point dents and light surface scratches. M.C. Mossalone was a custom jeweler who supplied jewelry for Barney's and many other NY area jewelers in the 1940s and 1950s.

Lot: 13 - 14K Gold M.C. Mossalone Retro Link Pendant Necklace and Earrings

14K gold M. C. Mossalone Retro pendant necklace and earrings. Necklace: yellow and rose gold diamond shaped links are attached in a descending, alternating pattern by color. The pendant measures 2" wide, 2 1/8" in length, 1/4" deep. Links measure 7/8" in length, 1/4" wide. Rose gold snake chain is attached at the top sides of the pendant. Chain measures 13" in length, 1/8" wide. Marked "14KT". Approx 30.2 grams. Earrings: crafted of 3 faceted diamond shaped links, in alternating gold tones. Single link measures 7/8" in length, 1/4" wide. Finished with a post and European hinged clip closure. Marked "M.M. 750". Measures 1 1/2" in length, 3/4" wide. Approx. 13.6 grams. M.C. Mossalone was a custom jeweler who supplied jewelry for Barney's and many other NY area jewelers in the 1940s and 1950s.

Lot: 14 - Sidra Italy 18K Woven Gold Rose Necklace

Sidra Italy 18K yellow gold woven pendant necklace with figural flower face created with layers of crocheted gold wire held in place at the center with an 8mm gold bead. The necklace is fashioned of 10 woven gold wire chains, each captured at the ends in 8mm gold beads with ring tops, an attached custom figural "S" hinged clasp and 4 sizing rings. The necklace measures 14 1/2" - 16 1/2" in length. A group of 15 - 3" long decorative woven wire tassels tipped in gold faceted, silver or stone set flowers dangle from the flower. Flower measures 1 1/2" diam., 1" deep, 2 1/2" dangle. Marked "Sidra 157PD 750 Italy". Approx. 38.7 grams.

Lot: 15 - 14K Sapphire Diamond Bracelet

14K yellow gold sapphire and diamond bracelet. Crafted of six raised basket mounts each prong set with an oval, faceted blue sapphire. The sapphires are linked with white and yellow gold bars, each prong set with 1.5mm prong set, round faceted diamonds. The hinged stones are finished with figural link gold chain. The piece is set with approx. 1.38 cttw of blue sapphires, 0.168 cttw of round faceted diamonds. The bracelet measures 7 1/2" in length, 3/16" wide. Finished with a hidden box clasp and figure 8 safety clasp. Marked "14KP Spark". Approx. 7.2 grams.

Lot: 16 - David Yurman Silver Albion Cable Ring

David Yurman silver Albion cable ring, fashioned with split cable shoulders and softened square center mount. The slightly raised center mount is framed in prong set diamonds and set with a multi-faceted prasiolite stone. The ring measures 16.3mm in width. Size 5 1/2 (note: the original ring size has been altered by customer added fitting bars). Marked "D.Y. 925". Approx. 9.6 grams.

Lot: 17 - John Hardy Silver 22K Palu Bulan Pendant

John Hardy silver and 22K yellow gold Palu Bulan long circle pendant. The pendant is crafted in a waterfall of hammered silver and gold bubbles and decorated rings. Some rings form halos around hammered circles, others become circular chains, while some become gears filled with gold circle fittings. Silver link chains move through the rings and circles carrying rings and circles. The piece is fitted with a hammered silver bale. Measures 4 3/8" in length, 1 1/4" wide. Marked "H 925 22K".

Lot: 18 - 14K Greek Key Hoop Earrings

14K yellow gold Greek key hoop earrings. The earrings are fashioned of a repeating Greek key cutwork pattern in a hoop form. Finished with a post back. Measures 1 1/8" in length, 1/4" wide, 1 1/8" diam. Marked "585". Approx. 5.4 grams.

Lot: 19 - 18K Greek Key Hinged Bangle Bracelet

18K yellow gold Greek key hinged bangle bracelet. The face of the bangle is decorated with a continuous Greek key cutwork pattern. The bracelet tapers in size to the back, measuring 7/16" at the front to 3/16" at the back. The interior measures 6 7/8". Marked "750". Finished with a hidden box clasp and figure 8 safety. Approx. 22.1 grams.

Lot: 20 - 14K Greek Key Hinged Dangle Earrings

14K yellow gold Greek key hinged dangle earrings. The top post is decorated with a single cutwork Greek key hinged to two more figures which are all set on their side and stretched in appearance. Finished with a post back. Measures 1 5/16" l., 5/16" w. Marked "A97 585". Approx. 4.6 grams.

Lot: 21 - 14K Figural Link Bracelet

14K yellow gold figural link bracelet. Fashioned with a repeating pattern of brush finished diamond figures and polished "X" figures. Measures 7 1/4" in length, 1/4" wide. Finished with a hidden clasp closure and a pair of figure 8 safety clips. Marked "14Kt Italy 545 VI". Approx. 7.8 grams.

Lot: 22 - 14K Blue Tourmaline Ring

14K yellow gold blue tourmaline ring. The face of the ring features a 4.5 carat, baguette cut aquamarine. The heavy gold band tapers from the front in both width and depth. Measures 18.6mm in width at the face and tapering to 7mm at the back of the band. The depth of the band at the face is 7mm, tapering to 1.6mm at the back of the band. Size 9. Unmarked.

Lot: 23 - 5 Piece lot of Assorted American Sterling Silver

Lot of 5 of assorted American sterling silver pieces. Includes a monogrammed Wallace 4 pint water pitcher, plate with gadrooning and pierced banding at edge, a Benjamin Trees Lexington Kentucky mint julep cup, child's cup, and teaspoon. Various makers. Pitcher 9 inches tall, plate 10.75 inch diameter. Total weight approximately 36.4 ozt. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 24 - Grogan Sterling Silver 3 3/8 pint Pitcher

Grogan Sterling Silver 3 3/8 pint Pitcher, American, Pittsburgh, PA, early 20th century. Hand chased floral and foliate motif. Appropriately marked at underside. 10 x 9.75 x 5 inches. Approximately 24.7 ozt.

Lot: 25 - 3 Pieces of Danish Sterling Silver, Jensen and Cohr

3 Danish sterling silver pieces. Includes: Cohr creamer and sugar bowl set, Denmark, early to mid 20th century, appropriately marked at undersides, 3 x 3.5 inches, 2.5 x 5 inches; Georg Jensen serving spoon, Danish, early 20th century, appropriately marked at underside, 7.5 inches. Approximately 11.85 ozt combined.

Lot: 26 - English Sterling Silver Gadrooned Edge Tray 1844

Gadrooned edge sterling silver tray, English, London, 1844. Hand chased winged crown with knights arm below a second crown at upped edge. Hunt & Roskell, Silversmiths and jewelers to Queen Victoria, successors to Mortimer & Hunt on the retirement of John Mortimer. Hunt & Roskell Late Storr Mortimer & Hunt 1935 stamped at underside, along with appropriate standard mark, city mark, date letter, duty mark, and maker's mark. 1 x 16.25 x 12.25 inches.

Lot: 27 - 5 piece William B. Durgin Sterling Silver Repousse Tea Service

5 piece William B. Durgin tea set, Concord, NH & Providence, RI, 1880-1905. Sold through New Orleans retailer Maurice Scooler. Highly detailed floral and foliate repoussé tea service including a covered sugar bowl, waste bowl, creamer, coffee pot and tea pot. Marked M. Scooler, Sterling, 20, with Durgin maker's mark, elaborate hand chased monogram at undersides of each. Ranging in size from 6.5 x 8.5 x 5 inches to 3.75 x 5 x 4 inches. Approximately 58.45 ozt combined weight.

Lot: 28 - William B. Durgin Sterling Silver Coffee Set, Whiting Inkwell

5 pieces of sterling silver. Includes: William B. Durgin scrolling and foliate motif repoussé coffee service, American, Concord, NH & Providence, RI, 1880-1905, coffee pot with bone spacers, lidded two-handled sugar bowl, creamer, all with appropriate marks; William B. Durgin creamer, American, Concord, NH & Providence, RI, 1880-1905, sold through New Orleans retailer Maurice Scooler, with appropriate marks; Whiting manufacturing floral and foliate motif repoussé inkwell with glass insert, American, New York, NY, 1866-1905, monogrammed at underside, with appropriate marks. Ranging in size from 2.25 x 2.25 inches to 7.75x 6.5 inches. Approximately 33 ozt combined.

Lot: 29 - 5 Sterling Trumpet Vases Inc. Revere, Matthews, Watson

5 American sterling silver weighted base trumpet vases. Includes: Watson Company trumpet vase retailed by Bailey, Banks, and Biddle, Attleboro, MA, 1905-1929, with appropriate marks; Watson Company monogrammed trumpet vase with ruffled rim, Attleboro, MA, 1905-1929, with appropriate marks; Matthews Company monogrammed floral and filigree motif trumpet vase, Newark, NJ, 1905-1929, with appropriate marks; Revere Silversmiths trumpet vase with floral motif bands at rim and base, Brooklyn, NY, 1914-1960, with appropriate marks; Small trumpet vase with indistinct maker's mark at underside. Ranging in size from 4.25 inches to 10 inches. Not weighed.

Lot: 30 - Tiffany Sterling Silver Serving Tray 1921

Tiffany & Co. serving tray with foliate motif rim, John C. Moore, American, 1921. Marked 'Tiffany & Co. Makers, Sterling Silver, 19961, M' at underside. 16.25 x 11.75 inches. Approximately 39.35 ozt.

Lot: 31 - Columbian Half Dollar Sterling Silver Loving Cup 1893

Spaulding & Company sterling silver three-handled commemorative Columbian Exposition (Chicago World's Fair), loving cup, American, 1893. Beautifully crafted custom made loving cup. The base medallion, which depicts a relief of Christopher Columbus on the interior, and a ship scene at its underside, is plated copper. Each of the three handles ends with a United States of America Columbian Half Dollar. The Columbian half dollar was the first commemorative coin made in the United States. A roundel with a depiction in relief of Columbus, George Washington, and an American eagle appears on one side. Another roundel with a depiction in relief of the Columbian Exposition Chicago appears on another. Lastly, 'Gertrude M. Hubbard, from Gardiner G. Hubbard, Dec. 25th 1893' executed in a highly detailed font appears on another side. Weighs approximately 76 ozt, which includes the silver plated copper medallion at base. Provenance: The Estate of Joan Blair Sullivan, the oldest surviving great-grandchild of Mabel and Alexander Graham Bell. First owned by Gardiner Greene Hubbard, and thence by decent through the family. This cup was custom made for Gardiner Greene Hubbard as a Christmas gift for his wife Gertrude Mercer McCurdy Hubbard to commemorate their trip to the World's Columbian Exposition, also known as The Chicago World's Fair in 1893. Hubbard was an American lawyer, financier, founder and first president of the National Geographic Society, founder and first president of the Bell Telephone Company, and one of the founders of the journal Science. He was father-in-law to inventor Alexander Graham Bell.

Lot: 32 - 160 Pc. Sterling Silver Flatware, Tiffany Faneuil Set 1910

160 pieces of sterling silver flatware, Including: 156 piece Tiffany & Co. Faneuil pattern monogrammed flatware service, American, early to mid 20th century, 1910 - 1955. 11 dinner forks, 12 medium size dinner/luncheon forks, 12 salad forks, 3 large serving spoons, 11 oval soup spoons, 20 teaspoons, 12 round soup spoons, 12 iced tea spoons, 12 10.25 inch stainless steel blunt blade sterling hollow handled knives with bolsters, 12 9.5 inch sterling hollow handled stainless steel blunt blade knives with bolsters, 1 large serving fork, 1 sterling handled stainless steel blade pie server, 2 sugar spoons, 12 demitasse spoons, 1 large jelly spoon, 1 ladle, 12 sterling hollow handled stainless steel blade personal butter spreaders, and 2 pierced serving forks. All marked Tiffany & Co. Sterling M. Together with a Web Silver Co. carving set Ranging in size from 4.25 to 13.5 inches. Approximately combined 190.08 ozt, not including stainless steel blade knives and the Web carving set. Includes Naken's Silverware Chest in mahogany with anti-tarnish felt interior, locking function, including key, monogrammed plaque at top surface, 8 x 16.5 x 14.25 inches.

Lot: 33 - Lot of 2 Tiffany Sterling Silver Serving Dishes

2 Tiffany & Co. early 20th century sterling silver serving dishes. Includes: Monogrammed rectangular serving dish, American, 1907, 2.25 x 8.75 x 6.75 inches; oval floral swag serving dish, American, 1910. Approximately 26.18 ozt combined.

Lot: 34 - Lot of 4 American Pierced Edge Trays and Compote

4 American sterling silver pieces, early to mid 20th century. Includes: Fisher monogrammed plate with pierced band and gadrooned edge, appropriately marked at underside; Newport monogrammed plate with pierced band and gadrooned edge, appropriately marked at underside; Watson Company monogrammed compote with pierced band, Attleboro, MA, 1905-1929, appropriately marked at underside; small weighted base compote with gadrooned edge, unknown maker's mark at underside. Ranging in size from 3 x 3.75 inches to 3.75 x 11 inches. Approximately 25.66 ozt combined, not including the weighted compote.

Lot: 35 - 5 American Sterling Silver Pieces Inc. George W. Shiebler

5 American sterling silver pieces. Includes: J.E. Caldwell & Co. Simeon Souman 1720 Reproduction #509 two handled footed bowl, 20th century, appropriately marked at underside; George W. Shiebler & Co. repoussé bowl, Brooklyn, NY, #1382, foliate motif, retailed by Galt & Bro, 1900, marked appropriately at underside; International Sterling' Persian' pattern bowl, shell florette motif, Meriden, CT, early to mid 20th century, appropriate marks at underside; Mauser Manufacturing monogrammed small plate, New York, NY, 1887-1903, retailed by Galt & Bro, #1058, with appropriate marks at underside; monogrammed pen tray, American, repoussé scrolling and floral motif, marked sterling 315 with cross mark at underside, Ranging in size from .75 x 8 x 3 inches to 2.25 x 10.25 inches. Approximately 30.04 ozt. combined weight.

Lot: 36 - 6 Piece Poole Sterling Silver Coffee & Tea Service

6 piece Poole Silver Co. monogrammed coffee and tea service, #1027, 'Georgian' pattern, American, Taunton, MA, mid 20th century. Includes: handled teapot on tilting warmer stand with burner well; coffee pot with bone spacers, teapot with bone spacers, waste bowl, creamer, two handled lidded sugar bowl. Lids with urn form finials, gadrooned banding, scrolling and foliate motif, hand chased monograms at sides. All appropriately marked at undersides. Incised initials and dated Jan. 2, 1954 at undersides. Ranging in size from 4 x 4 x 4 to 11 x 9 x 7 inches. Approximately 133.38 ozt combined.

Lot: 37 - Set of 12 International Sterling Silver Patrick Henry Cups

Set of 12 International Sterling 'Patrick Henry' pattern monogrammed mint julep cups, American, Meriden, CT, mid 20th century. Of simple design, with beaded banding at upper and lower edges. Appropriately marked at undersides. Each cup but one with incised dates starting May 25, 1957 and ending May 25, 1967. 4 x 3.25 inches. Approximately 56.06 ozt. combined.

Lot: 38 - 2 Mid 20th Century Gorham Sterling Silver Serving Bowls

2 Gorham sterling silver serving bowls, American, Providence, RI, both c. 1953. Includes: oval serving dish of clean design, appropriate marks at underside, 1.5 x 10.75 x 7.5 inches; monogrammed round serving bowl of clean design, appropriate marks at underside, 1.75 x 10 inches. Approximately 25.59 ozt combined.

Lot: 39 - 2 Scalloped Edge Sterling Silver Pieces, English & American

2 20th century sterling silver pieces. Includes: Viners Ltd, Edward Viner, English, Sheffield, 1964, scalloped edge oval gravy boat tray, appropriate marks on both the top surface and underside, .5 x 8.25 x 6 inches; scalloped edge footed bowl attributed to Tuttle Silversmiths, American, Boston, MA, Dublin 1720 reproduction, 20th century manufacture, #2670, appropriate marks at underside, 4 x 8 inches. Approximately 22.76 ozt combined.

Lot: 40 - 6 Pieces American Sterling Silver Including W.B. Kerr & Co.

6 pieces of American sterling silver. Includes: Worden-Munnis Co., Boston, MA, ; William B. Kerr & Co hammered and monogrammed bowl and plate set, Newark, NJ, 1855-1906, appropriate marks at undersides; Steiff monogrammed small bowl, Baltimore, MD, appropriate marks at underside; Watson small plate, Attleboro, MA, 1905-1929, appropriate marks at underside; J.E. Caldwell & Co. small bowl, Philadelphia, PA appropriate marks at underside; Baldwin & Miller 'Bamboo' pattern ashtray, Newark, NJ, mid 20th century, appropriate marks at underside. Ranging in size from 1 x 5 inches to 1.5 x 6 inches. Approximately 25.10 ozt combined.

Lot: 41 - 5 American & Mexican Sterling Silver Cups, Brandy Warmer

5 American & Mexican 20th century sterling silver pieces. Includes: Bailey, Banks, and Biddle wooden handled reproduction #687, brandy warmer, Philadelphia, PA, 20th century, appropriate marks at underside; Ensko monogrammed cup, New York, NY, 1960, appropriate marks at underside; Peter L. Krider & Co. monogrammed and highly detailed hand chased cup, Philadelphia, PA, 1870-1903, appropriate marks at underside; pair of Juvento Lopez Reyes modernist cups, Mexico, Mexico City, mid 20th century. Ranging in size from 3.25 x 2.75 inches to 4.25 x 8 x 3.75 inches. Approximately 22.83 ozt combined.

Lot: 42 - Shreve & Co Arts & Crafts XIV Century Sterling Silver Cup

Shreve & Company Arts & Crafts 'Fourteenth Century' pattern sterling silver cup, American, San Francisco, CA, 1900s. Medieval design elements, appropriate marks at underside. 3.25 x 4.5 x 3.25 inches. Approximately 7.74 ozt combined.

Lot: 43 - 3 Sterling Silver Bowls Paul Revere David Carlson

3 sterling silver footed bowls, American, 20th century. Includes: David Carlson footed bowl of clean design, marked 'Sterling, David Carlson' at underside, 3.75 x 10.75 inches; International Sterling Paul Revere Reproduction footed bowl, 'D258', appropriate marks at undersides, 3 x 5 inches; small sterling footed bowl, American, appropriate marks at underside, 2.5 x 4.5 inches; Approximately 31.20 ozt combined.

Lot: 44 - Lot of 20 Various Sterling Silver Pieces, Webster, Etc.

Lot of 20 various American sterling silver pieces. Includes: Set of 6 Webster Company sterling silver and cut glass goblets, American, North Attleboro, MA.; 2 small Hamilton sterling cups; Reed & Barton top hat tooth pick holder; 3 weighted base candleholders; children's sterling money barrel; 4 glass and sterling Frank M. Whiting salt and pepper shakers; 2 retailed by Galt & Brothers pierced sterling footed baskets; 1 American sterling circular personal salt cellar. All with appropriate marks at undersides. Ranging in size from Approximately 19 ozt of weighable silver, does not include weighted base pieces and glass salt/pepper shakers.

Lot: 45 - Lot of 2 Sterling Silver Commemorative Plates

2 sterling silver commemorative plates, American, 20th century. Includes: International Sterling gold wash scalloped edge dish, commemorative etching, appropriate marks at undersides, 12 x 8.75 inches; Boardman sterling round plate, commemorative etching, with appropriate marks, 8 inches. Approximately 22.25 ozt. Combined.

Lot: 46 - Lot of 2 sterling pieces Manchester Shaker and Whiting Pot

2 sterling silver pieces. Includes: Manchester Silver Co. monogrammed commemorative cocktail shaker, American, Providence, RI, dated Jan. 2 1954, incised signatures throughout the body of the piece, scrolled handle, appropriate marks at underside, 11 x 9 x 5 inches; Whiting 3/4 pint coffee pot with bone spacers, appropriate marks at underside, 6.75 x 5.5 x 4 inches. Approximately 38.70 ozt combined.

Lot: 47 - Lot of 33 Sterling Silver and Plate Souvenir Spoons

Lot of 33 sterling silver and plate souvenir and commemorative spoons. Includes 20th century Mexican sterling silver demitasse spoons, an enamel and gold wash St. Johns British spoon, a sterling Cuban soldier spoon, a sterling and enamel ribbed salt spoon, several highly detailed Asian spoons with animal, insect, and frog motifs, among others. ranging in size from 5.5 to 3.25 inches. Approximately 11 ozt combined.

Lot: 48 - Lot of 38 Various American and English Sterling Flatware

Lot of 38 various pieces of American and English sterling silver flatware. Includes Elmcroft salt spoons, Tiffany spoons, Viner's Ltd. Spoon, Webster table/crumb sweep. etc. Ranging in size from 2.25 inches to 6.75 inches. 18.21 ozt combined.

Lot: 49 - 5 Irish and English Georgian Silver Spoons 1823, 1797

Lot of 5 Irish and English Georgian silver spoons. Includes: 2 Clement Cheese George IV sterling silver fiddle spoons, English, London, 1823. Cheese was active from 1823 to 1830, and specialized in flatware. Appropriately marked. 11.75 inches; 2 Michael Keating Georgian sterling silver spoons, Irish, Dublin, 1797. Appropriately marked. 12.5 inches; spoon attributed to Thomas Wallis II, English, London, 1790. 12.5 inches. Approximately 16.88 ozt combined.

Lot: 50 - 10 American Coin and Sterling Silver Spoons and Forks

Lot of 10 American coin and sterling silver spoons and forks. Includes: 7 Charles W. Kennard & Co. sterling silver forks, American, Boston, MA, 1830-1875, monogrammed, 7.5 inches; Goddard coin silver fiddle spoon, American, 1830, likely one of the Worcester, MA family of silversmiths, shell at the bowl back, handle with a bushel of wheat with scythe at the tip, monogrammed, 6 inches; Ebenezer Moulton coin silver fiddle spoon, American, Boston & Newburyport, MA, monogrammed, 9 inches; John McFarlane coin silver fiddle spoon, American, Salem MA, 1790-1813, monogrammed, 9 inches. All appropriately marked. Approximately 16.31 ozt combined.

Lot: 51 - Georgian Sterling Silver Gadrooned Edge Basket

Georgian sterling silver gadrooned edge handled bread basket, Attributed to William Southy, English, London, 1809. 10 inches height with handle up. 4.25 x 12.75 x 9.75 inches. Approximately 40.39 ozt.

Lot: 52 - 103 Piece Flatware lot Including Cohr Danish Sterling Silver Monica

Lot of 103 pieces of flatware. Including: Set of 91 pieces of Cohr sterling silver flatware, Monica pattern, Danish, 20th century, Monica pattern first released in 1935. 13 salad forks, 13 soup spoons, 13 dinner forks, 13 fruit spoons, 13 teaspoons, 13 individual butter spreaders, 13 hollow dinner knives with stainless steel blades. Ranging in size from 6 inches to 8.75 inches, approximately 102.44 ozt, NOT including the stainless steel blade dinner knives. Set of 12 silver plate weighted handle steak knives with stainless steel blades, 8.5 inches. Includes 10 Spritzer & Fuhrmann anti tarnish sterling silver place setting storage bags.

Lot: 53 - Reed and Barton Francis I Sterling Silver Dish

Reed & Barton sterling silver repousse bowl, 'Francis I' pattern, American, mid 20th century. Fruit and foliate motif. Appropriately marked at underside. 2.5 x 11.25 inches. Approximately 20.31 ozt.

Lot: 54 - Hardy and Hayes Pierced Sterling Silver Basket

Hardy & Hayes sterling silver basket, American, 20th century. Pierced body, scrolling and foliate design, pierced handle. 11.5 x 12.5 x 8.25 inches. Approximately 25.32 ozt.

Lot: 55 - G. W. Russell Sterling Silver Repousse Dish

G. W. Russell sterling silver repousse dish, American, 20th century. Lily decoration, lightly hammered edges. Appropriately marked at underside. 1.75 x 13.75 x 8.5 inches. Approximately 19.14 ozt.

Lot: 56 - Lot of 13 Various Pieces of American Sterling Flatware

Lot of 13 various pieces of American sterling flatware. Includes sterling silver iced tea spoons, pierced long handled Whiting spoon, tongs, scalloped serving spoon, a Revere reproduction letter opener, etc. Ranging in size from 9.5 to 5.75 inches. Approximately 9.13 ozt combined.

Lot: 57 - Lot of 4 English and American Sterling Silver Spoons

Lot of 4 English and American sterling silver spoons. Ranging in size from 7 to 8.75 inches. Approximately 6.86 ozt combined.

Lot: 58 - 56 Pc. Lot of Sterling, Coin, and Plate Silver

Lot of 56 various American and Mexican sterling, coin, and plate pieces, late 19th to mid 20th century. Includes personal salt cellars, shakers, salt spoons, nutcracker, shoehorn, shoe button hooks, scissors, file, table salt and pepper shakers, etc. Many with highly detailed hand chasing. Ranging in size from 2.5 inches to 8.75 inches. Approximately 30 ozt of sterling -- weight of glass, plate, and weighted base pieces not included. Provenance: Estate of Paul G. Benedum, Jr, Pittsburgh, PA.

Lot: 59 - 45 Pc. Lot of Sterling Silver Souvenir, Serving and Table Spoons

Lot of 45 various American sterling, coin, and plate souvenir, serving, and table spoons. Souvenir spoons in sterling, coin, gold wash, hand chased, and some with enamel details. Sterling silver serving pieces include bon bon servers, jelly server, sugar spoons, olive spoon and fork, highly detailed elements, many with pierced details. Ranging in size from 3.5 to 6 inches. Approximately 25.35 ozt. of sterling - not including plate pieces. Provenance: Estate of Paul G. Benedum, Jr, Pittsburgh, PA.

Lot: 60 - 37 Piece KPM Berlin Porcelain Dinnerware Service

37 piece Konigliche Porzellan-Manufaktur (German, founded 1763), late 19th century porcelain KPM dinnerware service. White ground with polychrome floral sprays, gilt scrolling and ivy border rims. Tureen lid surmounted by a crouched child holding a cornucopia overflowing with flowers. Including: 18 plates, 10 inches; 16 bowls, 9.25 inches; 1 gravy boat with attached under dish, 3.5 x 10 x 7 inches; 1 lidded tureen, 13 x 16 x 10 inches; 1 large tureen underplate tray, 20 x 11.5 inches; and 1 oblong tray, 21 x 9.5 inches. Appropriately marked at undersides.

Lot: 61 - Amphora ceramic Floral Bowl with gilded rim and 4 bracket legs

Art Nouveau Amphora ceramic Floral Bowl with painted floral center and reticulated under gilded rim with 4 bracket legs, with Austria and Amphora stamps on underside, 2.25 x 9 x 11 inches.

Lot: 62 - Michael Kane 1997 set of 6 Nesting Baskets

Kane, Michael (Contemporary Nantucket Basket maker), 6 Nesting Baskets, 1997, Nesting Set of Six Round Nantucket Baskets, 14.5 inches tall and baskets range from 13.5 inches in diameter to 3.75 inches in diameter, Six round Nantucket basket nests, each with 1997 penny inserted in base and incised on underside of each basket with artist signature, date, and title, Provenance: Commissioned from the Artist.

Lot: 63 - Cesare Toffolo intricate Venetian Seahorse Goblet

Toffolo, Cesare (Italian, b. 1961), Venetian Seahorse Goblet, blown and gathered glass goblet, 10.25 inches tall, incised with signature on underside, acquired from the artist in Venice.

Lot: 64 - Toland Peter Sand Cold Worked Glass Sculpture

Sand, Toland Peter (American/California, b. 1949), Untitled contemporary cold worked glass sculpture, 1992, six geometric panels, each with internal wire grid within cast green glass. Signed at base T. Sand 8-1992. Measures 21 x 15 inches.

Lot: 65 - Pair Michael Harris for Mdina Art Glass including Fish Vase

Harris, Michael, for Mdina: Fish Vase, undated, art glass, studio name etched on underside, 7.75 x 5 inches; WITH Yellow Vessel, undated, art glass, studio name etched on underside, 4.5 x 5.5 inches.

Lot: 66 - Lundberg Studios Star Magnum Art Glass Vase 2001

Lundberg Studios, Star art glass vase, 2001, maker's info etched to underside, height 11.25 inches, apparently an experimental iridescent one off design by "R".

Lot: 67 - Group of 4 Contemporary Signed Art Glass Vases

Group of 4 Contemporary Signed Art Glass Vases , makers include Alan Goldfarb (short yellow), Alex Kalish (purple feather design), Boyer (dated 1980) and Rochester Folk Art Guild (tall blue), each one etched on underside, heights from 5.25 to 9 inches.

Lot: 68 - Group of 3 Contemporary Iridescent Art Glass Vases

Group of 3 Contemporary Iridescent Art Glass Vases, Lundberg Studios (green design, studio name and date 2001 etched to underside), Herb Thomas (yellow handled vase, HAT etched on underside) and Kralik style (purple with feathered design, unmarked). Heights 7.75, 12.75 and 13 inches, respectively.

Lot: 69 - R. Lalique Opalescent Glass Houppes Powder Box

Rene Lalique Opalescent Glass Houppes Powder Box, circa 1921, incised R. LALIQUE, France on underside rim, 5.5 inches in diameter, Dandelion design with delicate flower heads gone to seed against opalescent powder blue shading.

Lot: 70 - Kathleen Mulcahy art glass Reclining Droplet Vase

Mulcahy, Kathleen (American/Pittsburgh, contemporary), Reclining Droplet Vase, blown glass, 26.5 x 7.5 inches. Provenance: Martin Prekop, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 71 - Kathleen Mulcahy Umber and Gold Glass Spinner

Mulcahy, Kathleen (American/Pittsburgh, contemporary), Umber and Gold Glass Spinner, 9 x 9 x 12 inches. Provenance: Martin Prekop, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 72 - Robert Minkin Wedgwood Black Basalt Coffee Set

Minkin, Robert, for Wedgwood, 3 piece Coffee Set: Coffee Pot, Sugar Bowl and Creamer, dated 1968, 1969 and 1969, all with date and maker's marks stamped to underside, pot 10.25 inches tall (including lid), mid century modern black matte finish.

Lot: 73 - Wedgwood Black Basalt 3 Piece Tea Set

Wedgwood, 3 piece Tea Set: Teapot, Sugar Bowl and Creamer, dated 1956, 1954 and 1954, all with date and maker's marks stamped to underside, pot 4.5 inches tall (including lid), mid century modern black matte finish.

Lot: 74 - Gio Ponti Reed and Barton Diamond Stainless Flatware

Gio Ponti Reed & Barton Diamond flatware, stainless steel, comprising 8 teaspoons, 6 salad forks, 5 soup spoons, 8 dinner forks, 8 dinner knives, knives are 9 inches long, marked Reed and Barton 18/8 stainless.

Lot: 75 - Paul Sirofchuck 2013 Stingray Side Cahir

Sirofchuck, Paul (Contemporary Furniture Maker), Stingray Side Chair, 2013, cherry, walnut, ebony and purple heart wood. chair with incised monogram and date on seat underside, 30.5 x 20 x 16 inches, seat height 18.75 inches, Provenance: The Estate of Pauline F. Mullins, Pittsburgh, PA.

Lot: 76 - Set of 5 Ludwig Mies van der Rohe for Knoll MR10 Chairs

Set of 5 Ludwig Mies van der Rohe for Knoll MR10 chairs, German/American, c. 1960. Deep brown leather laced closure saddle seats and backs over tubular stainless steel frames. Knoll labels at undersides. 31.25 x 19.5 x 27 inches.

Lot: 77 - Set of 6 Attr. Melchiorre Bega Cane Back Dining Chairs

Set of 6 attributed to Melchiorre Bega or Erno Fabry cane back dining chairs, mid 20th century. Woven cane backs, walnuts frames, upholstered seats. No apparent labels or manufacturer marks. 39 x 19 x 22 inches.

Lot: 78 - Set of 6 Finn Juhl for France & Son Dining Chairs

Set of 6 Finn Juhl for France & Son dining chairs, Danish, 1960s. Floating seats and backs upholstered in textured browns and cream fabric, sculptural teak frames. Rounded France & Sons inset medallions on undersides. 32 x 21.5 x 22.5 inches.

Lot: 79 - Nakashima Style Walnut Low Table or Wall Hung Unit

Studio craft low coffee table or wall hung unit in the style of George Nakashima, likely American, late 20th century. Lower canted storage shelf space below two side by side drawers, one with installed lock. Dovetailing at top surface left and right edges. Apparently unsigned and unmarked. Approximately 12.75 x 48 x 19.75 inches.

Lot: 80 - 4 Eames for Herman Miller DKR Chairs w/ Bikini Covers

Set of 4 Charles and Ray Eames DKR-2 wire chairs with bikini covers, American, first release in 1951. Black lacquer wire frames, Eiffel tower base, original vinyl bikini seat and back covers in chartreuse. Herman Miller fabric labels at undersides. 34.5 x 19 x 20 inches.

Lot: 81 - Jens Risom for Knoll Associates 666 WSP Side Chair

Jens Risom for Knoll Associates model 666 WSP side chair, American, early 1940s. Maple frame with red fabric banding at seat. Approximately 31.25 x 17.75 x 17 inches.

Lot: 82 - Pair of Gordon and Jane Martz Tile Top Side Tables

Near pair of Gordon and Jane Martz for Marshall Studios tile top side tables, American, first designed in the 1960s. Walnut frames with square brown tiled table tops. Apparently unlabeled and unmarked. Approximately 16 x 19 x 18.5 inches.

Lot: 83 - Arne Jacobsen for Fritz Hansen Rosewood Cocktail Table

Arne Jacobsen for Fritz Hansen cocktail table, Danish, 1960s. Circular rosewood veneer table top over an aluminum pedestal base. Fritz Hansen stamp, 'Made in Denmark' at underside. Approximately 18.5 x 34.5 inches.

Lot: 84 - 10 Ristomatti Ratia Palaset Modular Storage Cubes

Set of 10 Ristomatti Ratia Palaset storage cubes, manufactured by Treston, Finland, 1970s. Fabricated from polystyrene, metal, and wood. These cubes can be arranged in several different configurations. One Treston sticker remaining. Each cube 13.5 x 13.5 x 13.5 inches.

Lot: 85 - Florence Knoll for Knoll Model 31 Lounge Chair

Florence Knoll for Knoll model 31 lounge chair, American, 1958-62. First designed in 1954. Original olive vinyl upholstery on cushioned seat and back, resting on black lacquered steel frame. Apparently unmarked. Approximately 29 x 24.5 x 26 inches.

Lot: 86 - Finn Anderson for Selig Barrell Back Lounge Chair

Finn Anderson for Selig barrel back lounge chair, Danish, 1960s. Walnut frame supporting a newly upholstered seat and back, yellow and cream plaid, floating buttons at back, legs ending in orbit castors. Beautiful joinery feature at back. Apparently unlabeled and unmarked. Approximately 27 x 30 x 27.5 inches.

Lot: 87 - Striking Mid Century Modern Asymmetrical Top Desk

Asymmetrical top desk, borrowing design elements from Paul McCobb and Stow Davis pieces, likely American, 1950s. Of very strong design, with asymmetrical walnut top continuing down to form the right side panel. Four white lacquered drawers at right side with canted left corners. Tapered leg at left. Top drawer with a locking mechanism. No apparent maker's marks or signatures. Butt joint drawer construction. Quilted plastic drawer keepers glued to insides of each drawer. 29 x 55.75 x 56 inches.

Lot: 88 - Attr. Jens Risom Model T-362 Glass Top Cocktail Table

Rare Freeshape coffee table, attributed to Jens Risom, model T-362, American, 1949. Cruciform stretcher and angled legs supporting an amoeba form glass table top. No apparent maker's marks or signatures. The base has been refinished, and the glass top has likely been replaced. 16 x 46 x 30 inches. Glass table top .5 inches thick.

Lot: 89 - Mid Century Modern Splayed Leg Upholstered Bench

Mid century modern upholstered bench, likely American, 1950s. White lacquered frame and splayed legs. Beige upholstered seat with formed elements at left and right. No apparent maker's mark or signatures. The bench has been refinished and reupholstered throughout the years. 17 x 54 x 18.25 inches.

Lot: 90 - MCM Splayed Leg Coffee Table/Bench with Upturned Edges

Mid century modern white lacquered coffee table/bench, likely American, 1950s. Splayed legs supporting a rectangular table top with upturned edges at left and right ends. No apparent maker's marks or signatures. The piece has been refinished. 15.75 x 36 x 15 inches.

Lot: 91 - Jens Risom for Risom Designs Arm Chair 1950s

Jens Risom Model 108 Arm Chair, Risom Designs, American, c. 1950s. White lacquered walnut frame, powder blue upholstered seat and back. No apparent maker's marks or signatures. 32.5 x 25 x 23 inches.

Lot: 92 - Pair of Jaymar Tongue Chairs in Red Leather

Pair of Jaymar Tongue chairs, Quebec, Canada, 2004. First designed and produced in the 1980s. Sculptural cantilevered postmodern armchairs, both in red leather, borrowing design elements from Pierre Paulin and Louis Durot. Appropriate tags at undersides of each. Approximately 30 x 35 x 29.5 inches.

Lot: 93 - Set of 3 Marcel Breuer for Thonet Model B-35 Arm Chairs

Set of 3 Marcel Breuer for Thonet distributed by ICF, model B-35 lounge chairs, Germany, 1970s. Originally designed in 1929. Continuous rattan seat and back over tubular chrome plated steel frame, maple arm rests. Includes 2 unattached square leather thin cushions. IFC sticker labels at undersides. 32 x 22 x 30 inches. Provenance: The estate of Dr. Marshall S. and Lois G. Levy, Pittsburgh. Sourced for the couple by architect and designer Herb Seigle.

Lot: 94 - Harry Bertoia Wide Diamond Chair with Yellow Cover

Harry Bertoia for Knoll wide Diamond Chair, mid century modern. Steel grid wire form frame. Rich yellow chair cover. Apparently unmarked. Approximately 28 x 44 x 34 inches.

Lot: 95 - Francis J. Nowalk Side Table, Manner of John Mascheroni

Francis J. Nowalk custom designed tube-form brushed steel and glass rectangular modernist side table, in the manner of John Mascheroni, American, mid to late 20th century. Uunsigned and unlabeled. 20 x 32 x 20 inches. Provenance: Francis J. Nowalk Studio. While earning his way through Duquesne University in 1948, Francis J. Nowalk opened a small lighting business to capitalize on an early interest in lighting design. Since that time, he has been recognized as one of the highest skilled metal craft experts in Western Pennsylvania. His work in design and restoration can be found in public and private buildings across the region including Heinz Hall, the Duquesne Club, Frick Museum, the Arcade Shops, St. Paul’s Cathedral, Rolling Rock Country Club, Allegheny Country Club, the Andy Warhol Museum, and countless residences.

Lot: 96 - Francis J. Nowalk Tri-Form Base Brushed Steel and Glass Table

Francis J. Nowalk custom brushed steel and glass top modernist dining table, American, late 20th century. Tri-form rounded tubular brushed steel table base supports a round glass table top. Unlabeled and unsigned. Base 27 x 27 x 28 inches, table top .5 x 47.5 inches. Provenance: Francis J. Nowalk Studio. While earning his way through Duquesne University in 1948, Francis J. Nowalk opened a small lighting business to capitalize on an early interest in lighting design. Since that time, he has been recognized as one of the highest skilled metal craft experts in Western Pennsylvania. His work in design and restoration can be found in public and private buildings across the region including Heinz Hall, the Duquesne Club, Frick Museum, the Arcade Shops, St. Paul’s Cathedral, Rolling Rock Country Club, Allegheny Country Club, the Andy Warhol Museum, and countless residences.

Lot: 97 - Manner of Milo Baughman Burlwood Cocktail Table

Bookmatched burl wood pedestal or cocktail table in the manner of Milo Baughman, mid to late 20th century. Square in shape, resting on an inset ebonized base. No apparent maker's marks or labels. 8370 stamped at underside. 24.25 x 34 x 34 inches.

Lot: 98 - Custom Designed Danish Style Walnut Sideboard

Custom designed Danish style walnut sideboard, likely American, late 20th/early 21st century. Top surface with inset white melamine surrounded by chrome inlay banding. Three center drawers flanked by double doors which open to reveal one shelf at each side. Supported by eight squared legs with cross form stretchers. Apparently unlabeled and unsigned. 35 x 84 x 17 inches. Provenance: Francis J. Nowalk Collection.

Lot: 99 - West Michigan Furniture Co. Modernist Desk White Lacquer

West Michigan Furniture Co. white lacquer modernist desk, American, late 20th/early 21st century. 5 drawers, each with chrome pulls and chrome banding accents. Chrome supports at base. West Michigan Furniture Co. plaque on interior of the upper left drawer. 29 x 54 x 24 inches. Provenance: Francis J. Nowalk Collection.

Lot: 100 - Pr. Preview Furniture Cantilevered Lounge Armchairs

Pair of Preview Furniture cantilevered modernist lounge armchairs, American, High Point, NC, late 20th century. In the manner of Frank Mariani for Pace Collection 'Lugano' chairs. Beautifully upholstered in slate grey and black Art Deco style graphic feather motif fabric. Horizontal channel tufted seats, backs, and arms. Supported by gold tone steel supports. Preview Furniture labels at undersides. 35.25 x 24.5 x 34 inches. Provenance: Francis J. Nowalk Collection.

Lot: 101 - Set of Five La Palma Italian LEM Piston Stools

La Palma Italian LEM Piston Stools, each with La Palma/Made in Italy stamp, each swiveling and telescoping form with footrest on pedestal base, 33.5 x 14 x 16 inches. Provenance: Martin Prekop, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 102 - 3 Postmodern Occasional Tables, designed by Frank Gehry

3 Heller The Frank Gehry Collection Left Twist Cube Gray Modern Tables, Plastic, 2 measuring H: 17 inches: W: 19 inches: D: 16.75 inches, one measuring 16.5 x 48 x 19.5 inches. Provenance: Martin Prekop, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 103 - Pair Barcelona Chairs and Ottomans van der Rohe for Knoll

Ludwig Mies van der Rohe (German-American, 1886-1969), Pair of Barcelona Chairs and Ottomans, manufactured by Knoll Inc., originally designed 1929, these examples c.2005, stainless steel and black volo leather, paper label to underside of one chair and one ottoman, chairs 30 x 30 x 30.5 inches, ottomans 15 x 24 x 24 inches. Provenance: Martin Prekop, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 104 - Pair of Verner Panton Fun polished chrome disc chandeliers

Pair of Verner Panton Fun polished chrome disc chandeliers, 28 inches drop, with Verner Panton stamped signature on the top stem. Provenance: Martin Prekop, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 105 - Mies van der Rohe for Knoll Barcelona Couch

Rohe, Mies van der, for Knoll International, Barcelona Couch or Day Bed, manufactured early 2000s, tag on the underside KnollStudio E05M 1970, maker's mark stamped on one leg, hardwood frame with black tufted leather upholstery, frame measures 12 x 37.75 x 76.75 inches, the cushion is 3.5 inches thick, polished steel legs, supporting straps, head pillow with velcro strap. Provenance: Martin Prekop, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 106 - Le Corbusier LC4 style Cowhide Chaise Lounge Chair

Le Corbusier LC4 style Cowhide Chaise Lounge Chair, c.1990s, unmarked, black haired hide upholstery, pillow with leather straps, steel base and rubber feet, 27.5 x 63 x 18 inches. A modern production of this famous chair, first made in 1928. Provenance: Martin Prekop, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 107 - Pair Bombo Barstools designed by Stefano Giovannoni

Bombo Barstool, pair, designed by Stefano Giovannoni for Magis. Swivel and adjustable in height with gas piston, it has the seat in ABS in opaque colors with chromed steel frame, or ABS in glossy colors but also in the bright polished aluminum with steel frame. 33.5 inches tall.

Lot: 108 - Set of 6 chrome and leather USAK chairs by Mobilia

USAK, Set of 6 leather and Chrome MCM high design chairs, 40 x 23 x 20 inches, seat height 18 inches, one or two with label on frame underside.

Lot: 109 - Charles Pfister for Baker Primavera Oval Coffee Table

Charles Pfister (1939-1990) for Baker Primavera bleached Mahogany two tier Oval Coffee Table with bold inlaid Compass Rose inlaid top, 16 tall x 40 x 28 inches, with paper and metal Baker furniture labels on underside, great blended design of modern shape with updated traditional inlay.

Lot: 110 - Marble topped side table with Greek Key Design

Green Variegated Marble top with bent tubular brass frame with Greek Key design on sides, 19 x 15.5 x 28.5 inches.

Lot: 111 - Mies van der Rohe for Knoll Studios Brno Arm Chair

Mies van der Rohe for Knoll Studios Chrome original Green Twill upholstered Tubular Brno Arm Chair, with various paper labels including Knoll International, 31 x 20 x 20 inches, height of seat 17.5 inches.

Lot: 112 - Pair Eames Moulded plywood chairs for Herman Miller

Mid-Century Modern Eames LCM Molded Plywood Lounge Chair. Iconic chair with metal frame and moulded plywood sear and backrest, with Herman Miller labels under seats, 26.25 x 21.75 x 24 inches.

Lot: 113 - Pair Marcel Breuer for Thonet B35 Lounge Chair by ICF

Pair Early Edition B35 Black Leather and Chrome Lounge Cantilevered Chair by Marcel Breuer for Thonet, 1970s/1980s, distributed by ICF with labels on crossmember, 33 x 25.75 x 32 inches.

Lot: 114 - 7 Eames for Herman Miller Aluminum Group Chairs

7 Eames for Herman Miller Aluminum Group chairs, with black upholstered seats and chromed frames, 34 x 23 x 22 inches.

Lot: 115 - Mies Van Der Rohe leather chrome MR Lounge Chair

Mies Van Der Rohe leather chrome MR Lounge Chair, 34.5 x 22 x 32 inches, with manufacturers label removed, otherwise unmarked, probably produced by Knoll.

Lot: 116 - Mid Century Modern Thonet Bentwood Plywood Birch Dining Chair

Mid Century Modern Thonet Bentwood Plywood Birch Dining Chair painted silver, 31 x 19x 21 inches, seat height 18 inches.

Lot: 117 - Martin Prekop Coat Rack with Interior Light

Prekop, Martin (American, born 1940), Coatrack with Interior Light, laminated plywood, rubber, and paint, 67.75 x 21 inches, signed on coat rack leg, Provenance: the artist, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 118 - Martin Prekop Post Modern Wood Veneer Wall Cabinet with painted interior

Prekop, Martin (American, born 1940), Untitled (Wall Cabinet with patchwork faux veneer and painted interior with 4 white interior shelves), 1992, paint on wood, 42.5 x 15.5 x 5 inches, signed on the reverse, Exhibited: Jan Cicero Gallery, Chicago, Il. 1992. Provenance: the artist, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 119 - Martin Prekop Post Modern White Wood Veneer Butterfly Wing Wall Cabinet

Prekop, Martin (American, born 1940), Untitled (Wall Cabinet with white highlighted veneer and 3 interior shelves, 1992, paint on wood, 31 x 29 x 7.5 inches, signed on the reverse, Exhibited: Jan Cicero Gallery, Chicago, Il. 1992, "New Work." Provenance: the artist, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 120 - Modernist Table Lamp By Walter Von Nessen

Modernist Brass Art Deco lamp designed By Walter Von Nessen in the 1930's. Polished and bronzed brass weighted base. Cast inscription on underside, 'Spear CL 2'. 17.5 x 14 inches.

Lot: 121 - Venini Style Murano Tronchi Glass Chandelier

Venini style tiered tronchi Murano glass modernist chandelier, 1970s/1980s. Hollow transparent textured stelliform tronchi glass tubes hang from a circular white enameled metal frame. 18 light sockets total. Apparently unmarked. 16.5 x 45.5 inches. Provenance: Francis J. Nowalk Collection.

Lot: 122 - Stilnovo Style Italian Modernist 4 Arm Chandelier

Stilnovo Style Italian Modernist 4 Arm Asymmetrical Chandelier, 17 x 44 inches, brass body with 4 pivoting shades lacquered in black and yellow, newer wiring, unmarked.

Lot: 123 - Fendi Modernist LED Chandelier

Fendi Casa, Modernist Chandelier, LED lights, dark pewter chromed finish, 27 inches tall, approximately 33.5 inches wide, hardwired, maker's mark to bottom of central rod.

Lot: 124 - Archimoon Tech table lamp by Philippe Stark for Flos, 1990s

Archimoon Tech table lamp by Flos designed by Philippe Stark with Yellow Plastic Shade, manufactured in Italy,28 1/4 inches (table only)no longer in production. Variable size lamp height with the possibility of directing it. Provenance: Martin Prekop, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 125 - Tizio Floor Lamp Richard Sapper for Archimede designed 1972

Sapper, Richard (German, 1932-2015), Tizio Floor Lamp for Archimede, Black enameled aluminum and technopolymer with anodized tubular stand for use as a floor lamp, Height: 74 inches, diameter 29.75 inches. Provenance: Martin Prekop, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 126 - Tizio Desk Lamp Richard Sapper for Archimede

Sapper, Richard (German, 1932-2015), Tizio Desk Lamp for Archimede, Black enameled aluminum and technopolymer, 70 x 75 x 11 cm (extended), 83 x 14 x 10.5 cm (folded). Provenance: Martin Prekop, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 127 - Tizio Floor Lamp Richard Sapper for Archimede designed 1972

Sapper, Richard (German, 1932-2015), Tizio Floor Lamp for Archimede, Black enameled aluminum and technopolymer with anodized tubular stand for use as a floor lamp, Height: 74 inches, diameter 29.75 inches. Provenance: Martin Prekop, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 128 - Pierre Alechinsky 1962 CoBrA lithograph Comme des Chiens

Alechinsky, Pierre (Belgian, born 1927), Comme des Chiens (van de Loo, 104), 1962, lithograph printed in colors, 15 x 21.25 inches, 19.75 x 26 inches (sheet size), pencil signed, titled, numbered 6/60, and dated 62, framed measuring 22 x 28.5 inches.

Lot: 129 - Pierre Alechinsky 1975 lithograph Gnomes et Gnoses III

Alechinsky, Pierre (Belgian, born 1927), Gnomes et Gnoses III, 1974-1975, lithograph printed in colors, 28 x 20 inches, pencil signed, titled, and numbered XIX/XXV lower margin, framed measuring 31 x 23 inches

Lot: 130 - John Austin tempera painting Nantucket Brant Point

Austin, John (American/Nantucket, 1918-2000), Nantucket Brant Point #26, tempera on board, 9.5 x 16.75 inches, signed along right edge, with the artist's hand made and painted frame measuring 16.5 x 22.5 inches, Provenance: The Main Street Gallery, Nantucket, Mass.

Lot: 131 - John Austin tempera painting West End of Hummock Pond

Austin, John (American/Nantucket, 1918-2000), West End of Hummock Pond, tempera on board, 8.25 x 16.25 inches, with the artist's hand made and painted frame measuring 15.5 x 23.5 inches, Provenance: The Main Street Gallery, Nantucket, Mass.

Lot: 132 - Eugene Baboulene 1969 oil Orage sur le Port D’Honfleur

Baboulene, Eugene (French, 1905-1994), Orage sur le Port D’Honfleur [Storm in Honfleur Harbor], 1969, oil on canvas, 21.75 x 18 inches, signed lower right, E. Baboulene, titled, dated and signed on canvas reverse. Incised number 724 on stretcher reverse. In a Louis XVI style French frame measuring 30 x 27 inches. Provenance: Galerie Romanet, Paris (label and stamped on reverse).

Lot: 133 - John Baldwin cubist bronze sculpture Peirithous

Baldwin, John (Jack) (American/Athens, Ohio, 1922-1987), Peirithous (Seated Cubist Figure), cast bronze, 8 x 7 x 6 inches, cast impression signature letter B with 2-6 (edition 2/6) and copyright symbol, on a black laminate base. Provenance: from the personal collection of Pearl Fox, owner of the Pearl Fox Gallery, Philadelphia, PA. Fox represented Baldwin for many years. In the early years Baldwin exhibited lithographs, paintings and sculptures. Later exhibits were entirely sculpture. He had at least thirty-six one person exhibits, two exhibits with his wife, painter Ruth Baldwin, and forty-five competitive group exhibits. His book, Contemporary Sculpture Techniques, was published in 1967 by Reinhold. While continuing to create art, Baldwin taught sculpture from 1956 until his death in 1987 at Ohio University, Athens, Ohio.

Lot: 134 - Bennett Bean ceramic sculpture Double No. 750

Bean, Bennett (American, b. 1941),Double No. 750, unique sculpture, one-of-a-kind pit-fired, painted and gilded vessel, 11.5 x 18 x 11 inches, with the artist's bean monogram near the base of one of the vase forms. Provenance: Dane Gallery, Nantucket.

Lot: 135 - Gedalia Ben Zvi Cast Bronze Sculpture Rest in the Garden

Ben Zvi, Gedalia (Czech/Israeli, contemporary), Rest in the Garden, undated, cast bronze sculpture, signed and numbered 4/6, and additionally signed and title on the underside, 5 x 5.25 x 3 inches, mounted to a wood base.

Lot: 136 - Todd Bonita painting Above and Beyond

Bonita, Todd (Contemporary American Painter and Instructor), Above and Beyond, oil on board, 6 x 12 inches, signed lower left, framed measuring 12 x 18 inches, Provenance: acquired from the artist; Provenance: The Estate of Pauline F. Mullins, Pittsburgh, PA.

Lot: 137 - Todd Bonita painting Standing Still

Bonita, Todd (Contemporary American Painter and Instructor), Standing Still, oil on board, 8 x 10 inches, signed lower left and signed and titled on reverse, framed measuring 14.5 x 16.6 inches, Provenance: acquired from the artist; Provenance: The Estate of Pauline F. Mullins.

Lot: 138 - Attr. Rex Brandt Watercolor Newhall Ranch Road

Brandt, attributed to Rex (American/California, 1914-2000), Newhall Ranch Road, mid 20th century, watercolor on Arches Torchon paper, titled verso. Apparently unsigned. Image approximately 22 x 28 inches, linen matted and in a gilt frame 32 x 39 inches.

Lot: 139 - Rex Brandt Watercolor Chocolate Mountains 1963

Brandt, Rex (American/California, 1914-2000), Chocolate Mountains, 1963, watercolor on paper, California School of Watercolor. Landscape depicting the California desert east of the Salton Sea. Signed, titled, and dated in pencil at lower center. Adamson-Duvannes Galleries labels verso including artist information and provenance. Sheet 13 x 19 inches, nicely matted and in a wooden frame 21.5 x 27.25 inches. Rex Brandt was a watercolorist and one of the central figures who developed the California Style/California School of Watercolor. He attended the Chouinard Art Institute, Riverdale Junior College, and the University of California at Berkeley where he studied under Hans Hofmann. He was an educator and prolific artist, working up until his death. His works are included in numerous private and public collections worldwide. Provenance: Adamson-Duvannes Galleries; The Philip H. Greene Collection.

Lot: 140 - Jerry Brane Typical 20th Century Painting Casein on Canvas

Brane, Jerry (American, b.1946), A Typical 20th Century Painting, 1986, casein on canvas stretched over wood panel, signed and dated on reverse, 81.5 x 33 x 2.75 inches.

Lot: 141 - Carved Marble Sculpture attributed to David Breeden

Breeden, attributed to David (American, 1938-2006), Untitled, circa 1980, carved marble sculpture with marble base, 16 x 24 x 8 inches.

Lot: 142 - Nick Bubash Envy Seven Deadly Sins Etching 2001

Bubash, Nick (American/Pittsburgh, 1949-2021), Envy - from The Seven Deadly Sins portfolio, 2001, color etching, signed, dated, titled and marked A.P. (artist proof) in pencil at the bottom, impression 9.75 x 7.75 inches, matted and framed 19.75 x 17 inches. Provenance: from the estate of the pioneering tattoo artist, fine artist and sculptor Nick Bubash, Pittsburgh, PA.

Lot: 143 - Nick Bubash Gluttony Seven Deadly Sins Etching 2001

Bubash, Nick (American/Pittsburgh, 1949-2021), Gluttony - from The Seven Deadly Sins portfolio, 2001, color etching, initialed, dated, titled and marked A.P. (artist proof) in pencil at the bottom, impression 9.75 x 7.75 inches, matted and framed 19.75 x 17 inches. Provenance: from the estate of the pioneering tattoo artist, fine artist and sculptor Nick Bubash, Pittsburgh, PA.

Lot: 144 - Nick Bubash Untitled Surrealist Painting

Bubash, Nick (American/Pittsburgh, 1949-2021), Untitled Surrealist Painting, c.2000, mixed media on paper, with acrylic and colored pencil, signed in pencil to lower right corner, sheet 21.5 x 29 inches, matted and in a black metal frame 27 x 34.5 inches. Provenance: from the estate of the pioneering tattoo artist, fine artist and sculptor Nick Bubash, Pittsburgh, PA.

Lot: 145 - Lucille Cantini Flowers 1960s Enamel on Metal

Cantini, Lucille Kleber (American/Pittsburgh, 1921-2008), Flowers, 1960s, enamel on metal, signed and dated (appears to be 1964, but it's covered by the frame) at the bottom, 12.75 x 4.75 inches, framed 15.5 x 8 inches. The artist was the wife of famed sculptor, enameller and painter Virgil Cantini. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 146 - Virgil Cantini 1976 Untitled Abstraction Enamel on Metal

Cantini, Virgil David (American/Pittsburgh, 1919-2009), Untitled Abstraction, 1976, enamel on metal, signed and dated lower left. Approximately 23.5 x 29.5 inches, in black frame 27 x 33.25 inches.

Lot: 147 - Virgil Cantini 1970 Untitled Abstraction Enamel on Metal

Cantini, Virgil David (American/Pittsburgh, 1919-2009), Untitled Abstraction, 1970, enamel on metal, 18 x 20 inches, signed and dated lower right, framed in Cantini's strip floater frame measuring 20.5 x 22.5 inches. Provenance: acquired from the artist.

Lot: 148 - MCM welded brass and ruby glass wall relief

Mid Century Modern School, possibly Virgil Cantini or Henry Bursztynowicz, Welded Brass Wall Relief with Ruby Glass insets, circa 1975, brass and glass, 44 x 20.5 x 3 inches.

Lot: 149 - Chagall After the Winter Lithograph From DLM 1972

Chagall, Marc (Russian/French, 1887-1958), After the Winter, original color lithograph on paper, 1972, double page lithograph originally included in Derriere Le Miroir (DLM) 198, published by Maeght, Paris. Sheet 15 x 22 inches, matted and in a silver metal frame 20.25 x 26.25 inches.

Lot: 150 - Marc Chagall 1966 orig litho Moses Sees the Suffering of his People

Chagall, Marc (Russian/French, 1887-1958), Moses Sees the Suffering of his People, From the Exodus Series, (Mourlot #446), 1966, lithograph printed in colors on Arches, H 51cm X W 37cm , from the edition of 250 unsigned , the frontispiece of the portfolio was signed, In 1966, Leon Amiel published The Story of the Exodus, a portfolio containing twenty-four large color lithographs. The edition consisted of 285 signed portfolios, 250 on Velin d'Arches numbered from 1 to 250 of which this is one, 20 on Japanese paper containing a signed impression of the frontispiece, and fifteen copies reserved for the artist and the others involved in the project. Framed in a gilded art nouveaux style frame measuring 38 x 32 inches.

Lot: 151 - Marc Chagall 1952 etching The Horse and the Donkey from Fables of Fontaine

Chagall, Marc (Russian/French, 1887-1958), The Horse and the Donkey, from Fontaine's Fables suite (Sorlier 163), 1952, etching, 11.5 x 9.5 inches, signed in the plate, framed measuring 21 x 18.5 inches. Published by Teriade, Paris and printed by Maurice Potin, Paris.

Lot: 152 - E. V. Chernokozenko View of Lavra in Kyiv 1994 Oil on Canvas

Chernokozenko, Evgen Volodymyrovych (Ukrainian, contemporary), View of Kyiv [Kiev] Pechersk Lavra, 1994, oil on heavy linen canvas, signed and titled (in Ukrainian) and dated on the verso, 16 x 19.5 inches, unframed. Kyiv Pechersk Lavra, also known as the Kyiv Monastery of the Caves, is an Eastern Orthodox Christian monastery in the capital city of Ukraine.

Lot: 153 - CHROMA Beaded Sculpture Dissected Man Red 2023

CHROMA aka Rick Wolfryd (American/living in Mexico, born 1953), Dissected Man (Red), 2023, color beaded KAWS toy sculpture in the Huichol style, signed, titled, dated and marked TP 0043 on the base, 13.25 x 6.25 x 3 inches, from a variable edition of 100 pieces, each with unique color and design. Made in collaboration with Huichol artisans in Mexico City. Includes certificate of authenticity.

Lot: 154 - CHROMA Beaded Sculpture In the Beginning 2023

CHROMA aka Rick Wolfryd (American/living in Mexico, born 1953), In the Beginning, 2023, color beaded resin sculpture in the Huichol style, signed, titled, dated and marked TP 0005 on the base, 16 x 17 x 9 inches, from a variable edition of 100 pieces, each with unique color and design. Made in collaboration with Huichol artisans in Mexico City. Includes certificate of authenticity.

Lot: 155 - CHROMA Beaded Sculpture Return on Your Money 2023

CHROMA aka Rick Wolfryd (American/living in Mexico, born 1953), Return on your Money (Mini), 2023, color beaded vinyl sculpture in the Huichol style, signed, titled, dated and marked AP (artist's proof) on the base, 15.5 x 14 x 6 inches, from a variable edition of 100 pieces, each with unique color and design. Made in collaboration with Huichol artisans in Mexico City. Includes certificate of authenticity.

Lot: 156 - Corneille 1990 orig serigraph Femme Nue Sous la Lune

Corneille, Guillaume (Dutch, 1922-2010), Femme Nue Sous la Lune, 1990, serigraph printed in colors, 37.8 x 37.8 inches, pencil signed and numbered XIX/XXV, Published by GKM editions, framed measuring 43.5 x 43.5 inches. Corneille was one of the founders of the CoBrA group. The works of Paul Klee and Joan Miró had a strong influence on Corneille and, like them, he was inspired by African culture, which he got to know well during several trips to Africa. Initially, his art was non-figurative, but he gradually turned to painting fantastical landscapes in warm tones, frequently characterized by symbiotic representations of female figures and birds. The woman represents beauty and voluptuousness, while the bird symbolizes freedom and strength. Since his debut in Groningen more than half a century ago, Corneille has participated in hundreds of exhibitions in various galleries and is represented in museums around the world.

Lot: 157 - Enzo Cucchi 1986 etching aquatint L'Elefante di Giotto

Cucchi, Enzo (Italian, born 1950), L'Elefante di Giotto (Giotto's Elephant), 1986, spit-bite aquatint, scraping, and drypoint in colors, Plate: 54.25 x 101 inches (137.6 x 256.4 cm), sheet size 58 x 104.25 inches (147.6 x 265 cm), pencil signed lower right and numbered 31/45, printed at Edizioni 2RC, published by Peter Blum Editions, New York. In a flat black painted wood frame measuring 62.25 x 108 inches.

Lot: 158 - Salvador Dali 1975 etching King David from Historical Heritage Suite

Dali, Salvador (Spanish 1904-1989), King David from our Historical Heritage Suite inspired by the Old Testament, 1975, (Field 75-4, Michler & Lopsinger 761), etching and color pochoir , 22 x 15.5 inches, pencil signed and numbered 386/400, Published by Leon Amiel Paris, framed measuring 34 x 27.5 inches, Provenance: The Estate of Daniel R. Lovette.

Lot: 159 - Salvador Dali Fox and Crow 1974 Signed Etching from Fontaine

Dali, Salvador (Spanish, 1904-1989), Fox and Crow, from the Fontaine's Bestiary portfolio [Le Bestiaire de La Fontaine Dalinise], 1974, color etching on Richard de Bas wove paper with watermarks, signed and numbered LV/LXII in pencil to lower margin, impression 22.75 x 15.75 inches, full sheet 31 x 22.75 inches, unframed.

Lot: 160 - Salvador Dali Monkey and Leopard 1974 Signed Etching from Fontaine

Dali, Salvador (Spanish, 1904-1989), Monkey and Leopard, from the Fontaine's Bestiary portfolio [Le Bestiaire de La Fontaine Dalinise], 1974, color etching on Richard de Bas wove paper with watermarks, signed and numbered LV/LXII in pencil to lower margin, impression 22.75 x 15.75 inches, full sheet 31 x 22.75 inches, unframed.

Lot: 161 - Salvador Dali Oak and Reed 1974 Signed Etching from Fontaine

Dali, Salvador (Spanish, 1904-1989), Oak and Reed, from the Fontaine's Bestiary portfolio [Le Bestiaire de La Fontaine Dalinise], 1974, color etching on Richard de Bas wove paper with watermarks, signed and numbered XXIX/LXII in pencil to lower margin, impression 22.75 x 15.75 inches, full sheet 31 x 22.75 inches, unframed.

Lot: 162 - Pair of Salvador Dali Etchings of Don Quixote

Dali, Salvador (Spanish, 1904-1989), Pair of Prints: Don Quixote I and Don Quixote II, 1970s, etchings on wove paper, I in brown ink, II in black, impression sizes 6.75 x 4.75 inches, uniformly matted with gilt stamped silk and in brown wood frames 18 x 14 inches.

Lot: 163 - Salvador Dali etching Gladiolus Surrealist Flowers 1972

Dali, Salvador(Spanish, 1904-1989), Gladiolus cum aurium corymbo expectantium, from the Surrealist Flowers suite, 1972, pencil signed lower right and numbered 213/ 350,printed by Drager and Rigal, published by Editions Graphiques Internationales, plate 21.5 x 16.5 inches, sheet 29.5 x 22 inches. Field, 72-7: G. Framed measuring 39 x 31.5 inches. Provenance: Park West Gallery, Detroit, MI.

Lot: 164 - Salvador Dali Teatro Museo Figueras Signed Poster 1974

Dali, after Salvador (Spanish, 1904-1989), Teatro Museo Figueras, 1974, color lithographic printed poster, signed in pencil by Dali, sight 27 x 17.25 inches, matted and framed 37 x 27.5 inches. TOGETHER WITH 2 more posters, after Salvador Dali and after Fairfield Porter: Dali, 1969, French National Railroads AND Porter, 1983, travelling show starting at MFA Boston; both offset posters, both dry mounted to a backing board; 38 x 24 and 33 x 24 inches, respectively, unframed.

Lot: 165 - Claude Dambreville Bustling Marketplace Oil on Canvas

Dambreville, Claude (Haitian, 1934-2021), Bustling Marketplace, undated, oil on canvas, signed lower right, 20 x 16 inches, in a painted wood frame 21 x 17 inches, old stickers on the verso with address (10, Rue St Gerard), telephone number (24209) and price.

Lot: 166 - Claude Dambreville Two Women Oil on Canvas

Dambreville, Claude (Haitian, 1934-2021), Two Women, undated, oil on canvas, signed lower right, 16 x 12 inches, in a carved wood frame 21 x 17 inches.

Lot: 167 - Shanti Dave oil and plaster abstraction Garv Gatha

Dave, Shanti (Indian, born 1931), Garv Gatha, oil and plaster on canvas, 23.5 x 31.5 inches, signed near top right edge canvas front, Inscribed “Happy Birthday" and titled on top stretcher bar reverse. Provenance: Purchased by Miles Laboratories, (producer of Alka Seltzer), circa 1960 or before, Dr. Miles wanted to have artwork in the collection that reflected all of the countries that Miles operated in.

Lot: 168 - Louis Dazza oil painting Standing Topless Nude, circa 1950

Dazza, Louis (20th Century French School), Topless Nude Girl, oil on canvas, 22 x 18 inches, Signed lower left, framed in a French Impressionist style frame measuring 28.5 x 24.5 inches, Provenance: J. J. Gillespie Gallery, Pittsburgh, PA.

Lot: 169 - Richard Diebenkorn 1950s ink drawing Oboe Player

Diebenkorn, Richard (American, 1922-1993), Oboe Player, dated 1955 but likely made in 1952, ink drawing on wove paper, 12 x 9.2 inches, signed with initials and dated lower right. Provenance: Gift of the Artist to Gertrude and Henry Quastler, Urbana, Illinois, 1955 (see last photo for mailing envelope from RD to the Quastlers, dated August 15, 1955 (photo for REFERENCE ONLY - the envelope is not included with the lot)); The Estate of Gertrude Quastler; Johanna Zimmerman, Pittsburgh, PA (Henry Quastler's sister); The Estate of Johanna Zimmerman, Pittsburgh, PA.; and thence by descent to the current owners. Gertrude and Henry Quastler became good friends with Richard Diebenkorn at The University of Illinois, Urbana, in 1952. The Quastlers and Diebenkorns shared an interest in jazz and symphonic music and would make art together while Charles Shattuck, the director of the University of Illinois Theatre, read aloud from plays or poetry (see catalog entries 5140-5145 in Volume 4 of the RD catlogue raisonne). Born in Vienna in 1909, Gertrude Quastler contracted tuberculosis and was treated by doctor Henry Quastler, who married her in 1933. The couple moved to Albania shortly after where Henry was employed to train radiologists. When King Zog was overthrown, the Quastlers moved to America where Henry soon became established as an important scientist. In America, Gertrude studied art, first at Columbia University and then at the University of Illinois. Henry also painted as an amateur. Gertude initially worked in painting, but later concentrated on printmaking, especially woodcuts, for which she became best known. She exhibited in New York and was represented by Weyhe Gallery. Her 1951 print Counterpoint was acquired by the Museum of Modern Art in New York. The couple moved to New York, where she continued to work in paint and drawing, but her print-making activity dropped off and she began making sculptures in 1959. She died at home in 1963. A few hours later, her husband took an overdose of pills, laid down beside her and held her hand until he died. Richard Diebenkorn later said of the Quastlers that “neither my wife nor I can think of a couple we encountered more indivisible.” Concept Gallery wishes to express our appreciation to the Richard Diebenkorn Foundation for assisting us in the research of this drawing.

Lot: 170 - Richard Diebenkorn 1950s ink drawing Piano Player

Diebenkorn, Richard (American, 1922-1993), Piano Player, dated 1955 but likely made in 1952, ink drawing on wove paper, 12 x 9.2 inches, signed with initials and dated lower right. Provenance: Gift of the Artist to Gertrude and Henry Quastler, Urbana, Illinois, 1955 (see last photo for mailing envelope from RD to the Quastlers, dated August 15, 1955 (photo for REFERENCE ONLY - the envelope is not included with the lot)); The Estate of Gertrude Quastler; Johanna Zimmerman, Pittsburgh, PA (Henry Quastler's sister); The Estate of Johanna Zimmerman, Pittsburgh, PA.; and thence by descent to the current owners. Gertrude and Henry Quastler became good friends with Richard Diebenkorn at The University of Illinois, Urbana, in 1952. The Quastlers and Diebenkorns shared an interest in jazz and symphonic music and would make art together while Charles Shattuck, the director of the University of Illinois Theatre, read aloud from plays or poetry (see catalog entries 5140-5145 in Volume 4 of the RD catlogue raisonne). Born in Vienna in 1909, Gertrude Quastler contracted tuberculosis and was treated by doctor Henry Quastler, who married her in 1933. The couple moved to Albania shortly after where Henry was employed to train radiologists. When King Zog was overthrown, the Quastlers moved to America where Henry soon became established as an important scientist. In America, Gertrude studied art, first at Columbia University and then at the University of Illinois. Henry also painted as an amateur. Gertude initially worked in painting, but later concentrated on printmaking, especially woodcuts, for which she became best known. She exhibited in New York and was represented by Weyhe Gallery. Her 1951 print Counterpoint was acquired by the Museum of Modern Art in New York. The couple moved to New York, where she continued to work in paint and drawing, but her print-making activity dropped off and she began making sculptures in 1959. She died at home in 1963. A few hours later, her husband took an overdose of pills, laid down beside her and held her hand until he died. Richard Diebenkorn later said of the Quastlers that “neither my wife nor I can think of a couple we encountered more indivisible.” Concept Gallery wishes to express our appreciation to the Richard Diebenkorn Foundation for assisting us in the research of this drawing.

Lot: 171 - Frank Dininno 1940 painting Descent from the Cross

Dininno, Frank (American/Western PA, 1919-1983), Descent From the Cross, 1940, tempera on paperboard, 19 x 14 inches, signed and dated multiple times, Provenance: The Estate of Frank Dininno.

Lot: 172 - Frank Dininno 1940 tempera Standing Nude

Dininno, Frank (American/Western PA, 1919-1983), Standing Nude, 1940, tempera on paperboard, 25 x 15 inches, signed and dated lower right and signed titled and dated on reverse, Provenance: The Estate of Frank Dininno.

Lot: 173 - Jean Dubuffet 1973 serigraph Celebrator IV from Fugitive Presences Portfolio

Dubuffet, Jean (French, 1901-1985), Celebrator IV (from Presences Fugaces, (Fugitive Presences portfolio)), 1973, serigraph printed in colors, 19.5 x 13.25 inches, pencil signed, dated, and numbered 60/100, in a welded corner metal frame measuring 30 x 23.5 inches.

Lot: 174 - Ed Eberle porcelain and terra sigillata bowl Guitar Player

Eberle, Edward (American, 1944-2023), Guitar Player, porcelain and terra sigillata bowl, 9 x 9 x 3 inches, signed and titled on underside rim

Lot: 175 - Ann Frantic Untitled painted collage on wood

Frantic, Ann Roberts Morley (Southern Visionary Artist, 1936-2009), Untitled Figures and Sky Elements, circa 1990, oil on wood panels applied in collage, 37 x 20.25 inches, Provenance: Virginia Freeman Gallery, Destin Florida,

Lot: 176 - Ann Frantic painted ceramic and wood relief

Frantic, Ann Roberts Morley (Southern Visionary Artist, 1936-2009), Sun Worshipper Relief, painted ceramic and wood relief, 16 x 27.5 x 3 inches, signed lower right, Provenance: Virginia Freeman Gallery, Destin Florida,

Lot: 177 - Ann Frantic painting Dancing Alligator

Frantic, Ann Roberts Morley (Southern Visionary Artist, 1936-2009), Dancing Alligator, oil on wood panel, 58.75 x 24 inches, signed lower right, Provenance: Virginia Freeman Gallery, Destin Florida

Lot: 178 - Ann Frantic glazed wall charger Dancing with a Minotaur

Frantic, Ann Roberts Morley (Southern Visionary Artist, 1936-2009), Dancing with a Minotaur irregular Plate, hand painted, incised and glazed ceramic, 12 x 12.5 x 2.5 inches irregular shaped, signed on underside, Provenance: Virginia Freeman Gallery, Destin Florida.

Lot: 179 - Ann Frantic oil Concert in Tropical Paradise

Frantic, Ann Roberts Morley (Southern Visionary Artist, 1936-2009), Concert in Tropical Paradise, oil on board, 24.5 x 24 inches, signed lower right on edge of piano, Provenance: Virginia Freeman Gallery, Destin Florida.

Lot: 180 - Pedro Friedeberg Matias en Cuernavaca Signed Screenprint

Friedeberg, Pedro (Italian/Mexican, b.1936), Matias en Cuernavaca (aka Taro News), undated, screenprint on wove paper, signed and numbered 39/100 in pencil to lower margin, image 20.25 inches square, in the artist's striped frame 26.5 inches square. Friedeberg is a Mexican Surrealist, best known as the inventor of the much-copied hand chair in 1962.

Lot: 181 - Pedro Friedeberg Nariz de Cleopatra Signed Screenprint

Friedeberg, Pedro (Italian/Mexican, b.1936), Nariz de Cleopatra [Cleopatra's Nose], undated, screenprint on wove paper, signed and numbered XVIII/L (18/50) in pencil to lower margin, also with artist's stamp, image 18.75 inches square, in the artist's striped frame 26.5 inches square. Friedeberg is a Mexican Surrealist, best known as the inventor of the much-copied hand chair in 1962.

Lot: 182 - Ambadas 1969 oil on canvas Abstract 11

Ambadas Khobragade (Indian, 1922-2012), Abstract - 11, 1969, oil on canvas, 52 x 27 inches, signed and dated lower left, Ambadas 1969, painting no. 5 inscribed on reverse. Provenance: Gallery Chemould, Bombay, India, with label on the stretcher.

Lot: 183 - Frank Gallo cast paper multiple Sleeping Girl

Gallo, Frank (American, 1933-2019), Sleeping Girl, cast paper multiple, 20 x 23 inches , Edition: 26/50 , pencil signed lower right. Provenance: The Estate of Elaine Friedlander Berkman Smith. In a Plexi-box frame 29 x 32 x 3 inches.

Lot: 184 - Sam Gilliam Ichi 1994 variable edition handmade paper work

Gilliam, Sam (African-American, 1933-2022), Ichi, 1994, monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper, 34 x 25.5 inches, pencil signed and inscribed #4 from the proofs aside from the edition of 40, framed measuring 38 x 30 inches.

Lot: 185 - Francois Gilot signed original lithograph Les Marguerites

Gilot, Francoise (French, 1921-2023), Les Marguerites, lithograph printed in colors, 19.25 x 24.75 inches (48.9 x 62.9 cm.), pencil signed and numbered 43/50,framed in a metal section frame measuring 22 x 28 inches. Provenance: I. F. Leavitt, Sarasota Fl.

Lot: 186 - Enrico Glicenstein Beatrice as Diana Wood bas-relief 1925

Glicenstein, Enrico (Henryk) (Polish/American, 1870-1942), Beatrice as Diana, 1925-1926, cherry wood bas-relief, unsigned, 15.5 x 11.75 x 2.75 inches. A moving image of the artist's daughter as the hunter Diana, made before he moved to America. Catalogue Raisonne number 98. A copy of the catalogue raisonne is included with purchase. Exhibited: Anderson Galleries, New York, 1928 (see NY Times review). Provenance: The Estate of Hugo Dreyfuss, the son-in-law of the artist (married to Beatrice Glicenstein). Born in Switzerland in 1910, Dreyfuss started a textile business with his brother before moving to America in 1940. In the 1950s, he partnered with furniture designer Vladimir Kagan and designed and hand printed many fabrics for furniture and interior decorating. Hugo, Beatrice and her brother Emanuel Glicenstein (who was also an artist) were the keepers and cataloguers of Glicenstein's body of work. Hugo worked on and pursued the biography/catalogue raisonne project that would become the book Life and Work of Enrico Glicenstein, by Charlotte Sholod. The book was finally published in 2014, seven years after Hugo's death. Glicenstein's work is in the permanent collection of the Metropolitan Museum of Art, Hirshhorn Museum, Musee d'Art Moderne, Israel Museum, Galleria Nazionale d'Arte Moderna, Brooklyn Museum, Jewish Museum and the United States Holocaust Memorial Museum, among others.

Lot: 187 - Enrico Glicenstein Bust of a Girl 1902 Bronze Sculpture

Glicenstein, Enrico (Henryk) (Polish/American, 1870-1942), Bust of a Girl (aka Santa, Saint or Pensierosa), 1902, bronze sculpture, unsigned, 17 x 17 x 9 inches. Catalogue Raisonne number 21. A copy of the catalogue raisonne is included with purchase. Exhibited numerous times in Europe from 1903-1926 (Munich, Krakow, Venice, Warsaw, etc) and also Anderson Galleries, New York, 1928 and Art Institute of Chicago, 1930. Provenance: The Estate of Hugo Dreyfuss, the son-in-law of the artist (married to Beatrice Glicenstein). Born in Switzerland in 1910, Dreyfuss started a textile business with his brother before moving to America in 1940. In the 1950s, he partnered with furniture designer Vladimir Kagan and designed and hand printed many fabrics for furniture and interior decorating. Hugo, Beatrice and her brother Emanuel Glicenstein (who was also an artist) were the keepers and cataloguers of Glicenstein's body of work. Hugo worked on and pursued the biography/catalogue raisonne project that would become the book Life and Work of Enrico Glicenstein, by Charlotte Sholod. The book was finally published in 2014, seven years after Hugo's death. Glicenstein's work is in the permanent collection of the Metropolitan Museum of Art, Hirshhorn Museum, Musee d'Art Moderne, Israel Museum, Galleria Nazionale d'Arte Moderna, Brooklyn Museum, Jewish Museum and the United States Holocaust Memorial Museum, among others.

Lot: 188 - Enrico Glicenstein Cat Man Cast Bronze Sculpture 1961

Glicenstein, Enrico (Henryk) (Polish/American, 1870-1942), Cat Man (aka Cat, or Lion), 1961, cast bronze sculpture, made posthumously by Roman Bronze Works, New York, artist's name to back of the head, stamped No. 1 at lower edge, 20 x 6 x 4.5 inches. Catalogue Raisonne number 201. A copy of the catalogue raisonne and a signed/numbered etching of a lion by Glicenstein are included with purchase. Provenance: The Estate of Hugo Dreyfuss, the son-in-law of the artist (married to Beatrice Glicenstein). Born in Switzerland in 1910, Dreyfuss started a textile business with his brother before moving to America in 1940. In the 1950s, he partnered with furniture designer Vladimir Kagan and designed and hand printed many fabrics for furniture and interior decorating. Hugo, Beatrice and her brother Emanuel Glicenstein (who was also an artist) were the keepers and cataloguers of Glicenstein's body of work. Hugo worked on and pursued the biography/catalogue raisonne project that would become the book Life and Work of Enrico Glicenstein, by Charlotte Sholod. The book was finally published in 2014, seven years after Hugo's death. Glicenstein's work is in the permanent collection of the Metropolitan Museum of Art, Hirshhorn Museum, Musee d'Art Moderne, Israel Museum, Galleria Nazionale d'Arte Moderna, Brooklyn Museum, Jewish Museum and the United States Holocaust Memorial Museum, among others.

Lot: 189 - Enrico Glicenstein Water Carrier Wood Relief Sculpture 1924

Glicenstein, Enrico (Henryk) (Polish/American, 1870-1942), Water Carrier (Acquaiola), 1924, fruitwood relief sculpture, unsigned, 42 x 9.5 x 2.5 inches. Catalogue Raisonne number 83. A copy of the catalogue raisonne is included with purchase. Exhibited Venice Biennale, 1926 (with label remnant affixed to back side); Palazzo Venezia, Roma, 1925 and Anderson Galleries, New York, 1928. Provenance: The Estate of Hugo Dreyfuss, the son-in-law of the artist (married to Beatrice Glicenstein). Born in Switzerland in 1910, Dreyfuss started a textile business with his brother before moving to America in 1940. In the 1950s, he partnered with furniture designer Vladimir Kagan and designed and hand printed many fabrics for furniture and interior decorating. Hugo, Beatrice and her brother Emanuel Glicenstein (who was also an artist) were the keepers and cataloguers of Glicenstein's body of work. Hugo worked on and pursued the biography/catalogue raisonne project that would become the book Life and Work of Enrico Glicenstein, by Charlotte Sholod. The book was finally published in 2014, seven years after Hugo's death. Glicenstein's work is in the permanent collection of the Metropolitan Museum of Art, Hirshhorn Museum, Musee d'Art Moderne, Israel Museum, Galleria Nazionale d'Arte Moderna, Brooklyn Museum, Jewish Museum and the United States Holocaust Memorial Museum, among others.

Lot: 190 - Anne T. Golomb 1960s abstraction Summertime

Golomb, Anne Temeles (20th Century American/Western Pa.), Summertime, 1960's, oil on canvas, 36 x 47 inches, signed and titled on stretcher bar reverse, The Estate of Pauline Mullins, Pittsburgh, PA.

Lot: 191 - Robert Goodnough 1992 orig serigraph Autumn Leaves Always

Goodnough, Robert (American, 1917-2010), Autumn Leaves Always, 1992, serigraph printed in colors, image Size: 23 x 31.5 inches, Sheet Size: 27.5 x 39.5 inches (69.85 x 100.33 cm), pencil signed and inscribed A.P. , unframed.

Lot: 192 - Marion Greenwood 1948 orig litho Hong Kong Girl AAA

Greenwood, Marion (American, 1909-1970), Hong Kong Girl, 1948, lithograph, 12.75 x 9 inches, pencil signed lower right, Published by Associated American Artists, New York, NY, 1948, edition 250. Catalog reference: AAA Cat. 1948-06; Kansas State University Beech Museum No. 974., framed measuring 20 x 16 inches,

Lot: 193 - Marion Greenwood Mississippi Girl Signed Litho AAA

Greenwood, Marion (American, 1909-1970), Mississippi Girl, c.1950s-1960s, lithograph on paper, 12.75 x 9 inches, signed in pencil, framed measuring 21 x 17 inches, published by the Associated American Artists. Marion Greenwood is best remembered for her portraits of woman of various ethnicities, as well as her murals in Mexico City. She was one of Diego Rivera's favorite artists.

Lot: 194 - Marion Greenwood New Years Eve signed orig Litho AAA

Greenwood, Marion (American, 1909-1970), New Years' Eve, lithograph on paper, 12 x 9 inches, pencil signed and titled along lower margin, framed measuring 21 x 17 inches, published by the Associated American Artists. Marion Greenwood is best remembered for her portraits of woman of various ethnicities, as well as her murals in Mexico City. She was one of Diego Rivera's favorite artists.

Lot: 195 - George Grosz Ecce Homo 1923 first edition Version C

Grosz, George (German, 1893-1959), Ecce Homo, 1923, first edition, Der Malik Verlag, Berlin, softcover, 14.25 x 10.75 inches, original wraps, repaired spine, Ausgabe C, complete with 16 color plates (after the original watercolors) on heavy wove paper and 84 black and white lithographic illustrations on thinner wove paper, former owner's pencil signature dated 1926 on fly leaf, and gift inscription in ink from the same owner but dated 1946, New York, on title page (names appear to be Dr. Gid L- and Kossell). Grosz's most famous work, a caricature of post World War I German decadence.

Lot: 196 - Aaronel deRoy Gruber 1963 Ab Ex painting Spring Thaw

Gruber, Aaronel deRoy (American/Pittsburgh, 1918-2011), Spring Thaw, 1963, acrylic on canvas, 66 x 51 inches, signed and dated lower right, An important and rare example of Gruber's 1960's abstraction from the collection of a lifelong friend's estate.

Lot: 197 - 2 Aaronel deRoy Gruber framed pastels Untitled Abstractions

Gruber, Aaronel deRoy (American/Pittsburgh, 1918-2011), Two Untitled Abstractions, pastels on paper, 7 x 9 inches, 7.5 x 10.75 inches, both signed lower right, framed 15 x 19.5 inches and slightly smaller.

Lot: 198 - Todd Hido House Hunting Deluxe Edition with Signed Photo

Hido, Todd (American, b. 1968), House Hunting, deluxe edition with signed c-print photograph Print #2745, also signed by Hido on the first page of the book, number 12 of 30 copies of the special edition, 2001, published by Nazraeli Press, hardcover book 17 x 13.5 inches, in dust jacket and clamshell slipcase; the photo 14 x 11 inches, printed and signed by the artist, in a brushed metal frame 22 x 18.5 inches. Todd Hido's spectacular first book of large format color views of suburban San Francisco in the dead of night - looking beautiful, and very creepy all at the same time. Cited on page 172 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III" and page 154 of "From Fair to Fine 3". Provenance: The Estate of Aaronel Gruber; a regional Western PA Collection.

Lot: 199 - Rare Warja Honegger-Lavater Signed Etching 1955

Honegger-Lavater, Warja (Swiss, 1913-2007), Dritte, 1955, etching and aquatint on heavy wove paper, signed, dated, titled and numbered 3/3 in pencil to lower margin, impression 12 x 11 inches, framed 12.5 x 11.5 inches. Printed at Atelier Bichsel and Sohn, Zurich, with their ink stamp to the verso. A rare print by Lavater, who is best known for her inventive wordless fairy tale books that she started publishing in the 1960s. She was married to the Swiss artist and graphic designer Gottfried Honegger.

Lot: 200 - Alex Katz 1986 signed color aquatint Joan

Katz, Alex (American, born 1927), Joan (W.44), 1986, aquatint in color on Somerset paper, 31.4 x 39.4 inches, pencil signed and numbered 26/65 lower left, published by Crown Point Press, in a painted wood frame 33 x 41 inches.

Lot: 201 - George Keyt Portrait of a Woman Study 1983 Watercolor

Keyt, George (Sri Lanka, 1901-1993), Bust Study - Portrait of a Woman, 1983, gouache and watercolor on paper, signed and dated lower right, sheet size 8.25 x 11.75 inches, unframed, two numbers and an old price on the verso. Provenance: Gifted by the artist to the former owners, Drs. Siri and Kumudini 'Kumi' DeSilva of Sri Lanka and Western Pennsylvania.

Lot: 202 - George Keyt Portrait of a Woman Study 1983 Watercolor

Keyt, George (Sri Lanka, 1901-1993), Bust Study - Portrait of a Woman, 1983, gouache and watercolor on paper, signed and dated upper right, sheet size 11.75 x 8.25 inches, unframed, two numbers and an old price on the verso. Provenance: Gifted by the artist to the former owners, Drs. Siri and Kumudini 'Kumi' DeSilva of Sri Lanka and Western Pennsylvania.

Lot: 203 - Michel Kluge oil Montlognon Oise River

Kluge, Michel (Russian/Australian, 1940-2003), Montlognon, (Oise), oil on canvas,21.5 x 28 inches, signed lower left, framed in a gilded flat panel frame measuring 28 x 35 inches.

Lot: 204 - Yury Kokoyanin 1989 oil on masonite In The Studio

Kokoyanin, Yury (Yuri) (Russian, born 1949), In The Studio, 1989, oil on masonite panel, 28 x 22 inches, signed and dated lower right and signed, dated, titled on board reverse, framed in a gilded wood frame measuring 32 x 25.75 inches, Russian Images Gallery, Sewickley Pa.

Lot: 205 - Lebadang Circus Signed Original Lithograph

Lebadang (Vietnamese/French, 1921-2015), Circus, undated, color lithograph on wove paper, signed and numbered 34/275 at the bottom, 30 x 21.25 inches, unframed.

Lot: 206 - Lebadang Tranquility 1993 Signed Mixed Media Print

Lebadang (Vietnamese/French, 1921-2015), Tranquility, 1993, mixed media print with rice paper collage and color lithograph, signed and numbered 135/250 lower right, 25.75 x 39.75 inches, framed 39 x 53 inches, printed by Arts Litho, Paris.

Lot: 207 - Robert Lepper 1961 aluminum and plexiglass sculpture

Lepper, Robert (American, West Virginian/Pennsylvanian 1906-1991), Untitled, 1961, aluminum, plexiglass, steel fasteners, and type slugs, 28 x 10 x 10 inches, signed with type slugs under lower box edge, Provenance: acquired from the artist by a teaching college at Carnegie Mellon, Robert L. Lepper (1906-1991) was born in Aspinwall, PA near Pittsburgh and graduated from Carnegie Institute of Technology in 1927 (now Carnegie Mellon University).After spending thirteen months in Europe studying art, Lepper worked for the "Sun-Telegraph" as a "hack artist." He joined the faculty at Carnegie Tech in 1930, where he would remain until his retirement in 1975. He married Helen Jewett in 1933. They had one daughter, Susan .Mr. Lepper was instrumental in establishing the first degree-granting School of Industrial Design at Carnegie Tech in 1934. It was the first of its kind in the country. Many people credit him with developing the academic discipline of Industrial Design. To ease the employment problems caused by the Great Depression, the Works Progress Administration established the Federal Arts Project(1935-1943) to employ the nation's artists. During this time The Treasury Department also established two art programs in the 1930s; the Treasury Relief Art Project and the Section of Fine Arts. Mr. Lepper did two murals in post offices in Grayling, Michigan and Caldwell, Ohio for the Section of Fine Arts(1934-1943). He also painted a mural for the new Mineral Industries Building for West Virginia University during 1940-1942 which depicted the prevalent industries in West Virginia. This mural is one of the most important mural projects done in the tri-state area and arguably the most important mural in the Tri State Area. Lepper also pioneered the use of plastic acrylic resin and plastics in his sculpture. As an educator, he believed in letting students be independent thinkers and use their own creativity. He developed a curriculum within the School of Industrial Design that emphasized this independence in students. One class he taught was Individual and Social Analysis which was a two semester course begun in 1965. The first semester was the Oakland Project. The second semester was called the Retrospective As an Artist. During his tenure at Carnegie Mellon he was one of the most significant influences on Andy Warhol. The project Warhol generated for Lepper's class is one of Warhol's most important early works. Robert Lepper was very much influenced by the impact of the machine on society which is seen in his art work.

Lot: 208 - Max Liebermann 1911 etching Rider and Rider

Liebermann, Max (German, 1847-1935), Rider and Rider, 1911, etching on laid paper, 2.75 x 3.75 inches (image), 6.5 x 9 inches (sheet),pencil signed and numbered 29/50, framed sandwiched between sheets of glass, measuring 10 x 12.5 inches.

Lot: 209 - Don Lord watercolor and gouache Country landscape

Lord, Don W. (American, born in Erie, 1929-1990), Country Landscape, circa 1965, watercolor and gouache, 8 x 10 inches, framed measuring 14 x 16 inches. Provenance: from the personal collection of Pearl Fox, owner of the Pearl Fox Gallery, Philadelphia, PA. Fox represented Lord for many years. A magic realist landscape from the 1960's

Lot: 210 - Don Lord 1969 tempera Self Portrait

Lord, Don W. (American, born in Erie, 1929-1990), Self Portrait, 1969, polymer and tempera on board 16 x 11.5 inches, signed and dated lower right and signed and dated on board reverse, framed measuring 20 x 16 inches. Provenance: from the personal collection of Pearl Fox, owner of the Pearl Fox Gallery, Philadelphia, PA. Fox represented Lord for many years.

Lot: 211 - 6 Warren MacKenzie stoneware Tea Bowls

MacKenzie, Warren (American, 1924-2018), Set of 6 glazed stoneware Tea Bowls, approx. 3.5 inches tall, each with impressed M stamp on underside.

Lot: 212 - Sylvia Martins Untitled Oil on Canvas 1987

Martins, Sylvia (Brazilian, b.1954), Untitled, 1987, oil on canvas, signed, dated and inscribed To Paul on the verso, 10 x 8 inches, framed 13 x 11 inches.

Lot: 213 - Andre Masson L'Odyssee Portfolio complete with 12 Etchings Signed

Masson, Andre (French, 1896-1987), L'Odyssee [The Odyssey], 1978, portfolio of 12 color etchings, number 103 of 120, each print signed and numbered by Masson in pencil to the lower margin, complete with original text by Jacques Lassaigne, folder and slipcase, sheet size 26 x 20 inches. A surrealist take on Homer's masterpiece.

Lot: 214 - Henri Matisse linocut Teeny 1959 edition

Matisse, Henri (French, 1869-1954), Teeny (Duthuit #723), originally 1938, this edition printed in 1959, linocut in black ink, image size 11.75x 8.8 inches, unframed. This work is from the edition of approximately 1500 published in XXe Siecle, signed and dated in the plate H.M. 38. Provenance: from the estate of Leon and Jane Arkus. Leon was the Director of the Carnegie Museum of Art, Pittsburgh, from 1969 to 1980. Alexina Teeny Duchamp (1906-1995) was the second wife of artist and chess player, Marcel Duchamp. She was born Alexina Sattler in Cincinnati, Ohio in 1906. In 1929 Teeny married Pierre Matisse, the eldest son of Henri Matisse. They had three children: Jacqueline, Paul, and Peter. In 1949 Pierre and Teeny separated due to Pierre's infidelity with Patricia Matta. She received in the subsequent divorce settlement including many important paintings. She worked for a time as an agent/broker for artists such as Constantin Brancusi and Joan Miró. In the autumn of 1951 she was invited by Dorothea Tanning to go on a weekend trip. It was on that trip that she once again met Duchamp, and romance developed shortly thereafter. They were both avid chess players. Teeny and Duchamp married in New York City on January 16, 1954. They were together until his death in 1968. Henri Matisse was very fond of his daughter in law and this portrait depicts her.

Lot: 215 - Henri Matisse linocut Teeny 1959 edition

Matisse, Henri (French, 1869-1954), Teeny (Duthuit #723), originally 1938, this edition printed in 1959, linocut in black ink, image size 11.75x 8.8 inches, unframed. This work is from the edition of approximately 1500 published in XXe Siecle, signed and dated in the plate H.M. 38. Provenance: from the estate of Leon and Jane Arkus. Leon was the Director of the Carnegie Museum of Art, Pittsburgh, from 1969 to 1980. Alexina Teeny Duchamp (1906-1995) was the second wife of artist and chess player, Marcel Duchamp. She was born Alexina Sattler in Cincinnati, Ohio in 1906. In 1929 Teeny married Pierre Matisse, the eldest son of Henri Matisse. They had three children: Jacqueline, Paul, and Peter. In 1949 Pierre and Teeny separated due to Pierre's infidelity with Patricia Matta. She received in the subsequent divorce settlement including many important paintings. She worked for a time as an agent/broker for artists such as Constantin Brancusi and Joan Miró. In the autumn of 1951 she was invited by Dorothea Tanning to go on a weekend trip. It was on that trip that she once again met Duchamp, and romance developed shortly thereafter. They were both avid chess players. Teeny and Duchamp married in New York City on January 16, 1954. They were together until his death in 1968. Henri Matisse was very fond of his daughter in law and this portrait depicts her.

Lot: 216 - Peter Max Blushing Beauty on Blends Mixed Media 2006

Max, Peter (German/American, born 1937), Blushing Beauty on Blends, from the Iconic Suite, 2006, mixed media with handpainted acrylic over color lithography, signed in acrylic lower right, a unique variation, 10 x 8 inches, framed 24 x 22 inches. Provenance: Park West Gallery, with COA, registration number 160663.2210.

Lot: 217 - Peter Max Liberty and Justice for All II Mixed Media Ptg 2005

Max, Peter (German/American, born 1937), Liberty and Justice for All II, 2005, mixed media with handpainted acrylic over color lithography, signed lower right in acrylic, a unique variation, 24 x 18 inches, framed 40 x 34 inches. Provenance: Park West Gallery, with COA, registration number 155865.0729.

Lot: 218 - Peter Max United We Stand II 2005 Mixed Media Acrylic

Max, Peter (German/American, born 1937), United We Stand II, 2005, mixed media with handpainted acrylic over color lithography, signed upper right in acrylic, a unique variation, 24 x 18 inches, framed 38 x 32 inches. Provenance: Park West Gallery, with COA, registration number 155866.0685.

Lot: 219 - 5 framed Martha (Prekop) McIntosh Fashion Drawings

McIntosh, Martha (Prekop), Fashion Drawings, circa 1964, Five Fashion Drawings , circa 1964, watercolor, charcoal, gouache and mixed media, 15 x 11 inches, each signed McIntosh , framed measuring 17 x 13 inches, Martha (Prekop) McIntosh was a student at Fashion Institute of Technology in the 1960s. Provenance: Martin Prekop, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 220 - Jack R. Meyers Southern Scene Acrylic on Canvasboard

Meyers, Jack R. (African-American, 1930-1994), Southern Scene, undated, late 20th century, acrylic on canvasboard, signed lower right, 5 x 7 inches, framed 13 x 15 inches.

Lot: 221 - Watfa Midani painting of Figures Lounging

Midani, Watfa (Egyptian/American/Pittsburgh, 1927-2022), Figures Lounging on an Amorphous Form, acrylic on paper, 25.5 x 25.5 inches, signed lower left, framed in a black wood frame measuring 27 x 27 inches.

Lot: 222 - Pair of Beatles Johnny Miller Blacklight Sample Posters 1967

Miller, after Johnny, 2 copies of The Beatles, 1967, screenprint on poster stock using blacklight inks, printed 1967 Miller Sirkia lower right corner, sheet 7.5 x 8 inches, unframed. John, Paul, George and Ringo! The small size means that these were likely used as a salesman's sample or prospectus for the larger poster.

Lot: 223 - John L. Moore Abstract Work on Paper

Moore, John L. (African-American/Cleveland/NYC, b.1939), Untitled Abstract, undated, oil and mixed media on paper, signed lower right, sheet 10.25 x 12 inches, floated in a frame 21 x 24.5 inches. Moore was born in Cleveland, Ohio and now resides in Brooklyn, New York. The Cleveland Museum became important to his development as he began taking art lessons there as a junior-high age student. In 1975 Moore to a teaching position at the Cleveland Museum of Art and at the time was one of the few African Americans employed by a major American museum. In 1983 Moore had his first one-person exhibition at the Alternative Museum in New York City with prompted his move there with his family in 1985. The concept of abstraction started when he was first airborne serving in the army. Prior to the military he had never been in an airplane. As a paratrooper ; from the sky ; he became fascinated by the patterns of the landscape. Its abstraction that rapidly became a reality as one floated closer to the earth. Since that time his paintings on canvas, and paper have become improvisational, mostly geometric shapes of clusters of ovals, triangles, and squares involving a process of painting, scraping, re painting, and blending colors of a restricted palette of shades of black, gray, white, red, and blue. The work of John L. Moore can be found in the permanent collections of museums around the globe including ; The Brooklyn Museum, the Whitney Museum of American Art, The Canton Museum of Art, The Columbus Museum of Art, The High Museum of Art, Atlanta, GA , The Studio Museum in Harlem, New York, NY , The Schomburg Center for Research in Black Culture, The Queens Museum of Art.

Lot: 224 - Jen Morris photograph Untitled Ski Jump Finland

Morris, Jen (Contemporary American Photographer), Untitled (Ski Jumps Finland), color photograph, 27 x 34.5 inches, framed 31 x 38.75 inches. Provenance: Martin Prekop, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 225 - Thad Mosley wood sculpture Portrait of The Alien

Mosley, Thaddeus (Thad) (American/Western PA, b. 1926),Portrait of The Alien, carved wood sculpture with wood and sawdust overglaze, 20.5 x 15 x 11.5 inches, incised with TM incised monogram. Provenance: acquired directly from the artist.

Lot: 226 - James Myford Cast Aluminum Sculpture 1973

Myford, James (Jim) (American/Western PA, 1940-2014), Untitled Abstract Sculpture, 1973, cast aluminum, attached to original wood base, signature and date stamped to lower edge, 50 inches tall (not including base).

Lot: 227 - Leroy Neiman Signed Serigraph Trotters 1973

Neiman, Leroy (American, 1921-2012), Trotters - Harness Racing, 1973, serigraph on paper, signed and numbered 185/300 in pencil at the lower margin, image 29 x 44inches, framed 39.5 x 51 inches.

Lot: 228 - Tomislav Nikolic oil Winter Landscape

Nikolic, Tomislav (Macedonian, born 1937), Winter Landscape, oil on canvas, 30 x 40 inches, signed lower right, framed measuring 37 x 47 inches, Provenance: Merrill Chase Gallery, Chicago Il.

Lot: 229 - Hedy O'Beil Festivity 2015 Acrylic on Paper

O'Beil, Hedy (aka Henrietta Gersten-Liebowitz) (American/New York City, 1928-2022), Festivity, 2015, acrylic on paper, signed lower right, and dated and titled on the back of the frame by the artist's estate, 14.5 x 19.5 inches, matted and framed 22 x 32 inches. O'Beil was a well known NYC based second generation Abstract Expressionist painter. She was a two time recipient of the Jackson Pollock - Lee Krasner International Foundation grant for her paintings, in 2009 and again in 2014, and had a piece in the 1986 show Costumes, Masks and Disguises at MoMA PS1. Hedy had over 80 solo and group art exhibits during her career, including exhibits at the Westbeth Gallery, NYC, Philadelphia Art Museum, Guild Hall, L.I., Susquehanna Art Museum, Harrisburg, and the Carnegie Music Hall in Pittsburgh. She studied at several highly regarded art schools, including the Brooklyn Museum Art School, with Reuben Tam, the Westbury Art School in NY, with Harry Sternberg, the Skowhegan School of Art, in Maine, the Art Students League in NY, with Ernest Fiene and Harry Sternberg, and the Traphagen School of Art in NYC, and received her Master’s degree from Goddard College in Montpelier, Vermont.

Lot: 230 - Hedy O'Beil Little Goddess Acrylic on Canvas 2005

O'Beil, Hedy (aka Henrietta Gersten-Liebowitz) (American/New York City, 1928-2022), Little Goddess, 2005, acrylic on canvas, signed lower right, with title and date information on an index card attached to the back of the frame, 30.5 x 58.5 inches, in the artist's wood strip frame. O'Beil was a well known NYC based second generation Abstract Expressionist painter. She was a two time recipient of the Jackson Pollock - Lee Krasner International Foundation grant for her paintings, in 2009 and again in 2014, and had a piece in the 1986 show Costumes, Masks and Disguises at MoMA PS1. Hedy had over 80 solo and group art exhibits during her career, including exhibits at the Westbeth Gallery, NYC, Philadelphia Art Museum, Guild Hall, L.I., Susquehanna Art Museum, Harrisburg, and the Carnegie Music Hall in Pittsburgh. She studied at several highly regarded art schools, including the Brooklyn Museum Art School, with Reuben Tam, the Westbury Art School in NY, with Harry Sternberg, the Skowhegan School of Art, in Maine, the Art Students League in NY, with Ernest Fiene and Harry Sternberg, and the Traphagen School of Art in NYC, and received her Master’s degree from Goddard College in Montpelier, Vermont.

Lot: 231 - Larissa Osby Nevada Gulch Large Oil on Canvas

Osby, Larissa (Russian/American/Western PA, 1928-2017), Nevada Gulch, undated, c.1960s or 1970s, oil on canvas, signed lower right, titled on the stretcher bar, 43.25 x 66 inches, in a wood floater frame 44.5 x 67.5 inches.

Lot: 232 - Kevin O'Toole 1982 sculpture LW5-81/82

O'Toole, Kevin (Contemporary American/Western PA),LW5-81/82, 1982, maple & enamel, 12 x 20 x 18 , signed and dated with die stamp lettering on underside, Provenance: acquired from the artist.

Lot: 233 - Philip Pearlstein Nude on Eames Stool Signed Litho 1977

Pearlstein, Philip (American, 1924-2022), Nude on Eames Stool, with Mirror, 1977, lithograph in colors on Arches, signed and numbered in pencil 43/125, sheet size 20 x 27.75 inches, floated in a brushed metal frame 26.5 x 34 inches, printed by Landfall Press with their blindstamp lower left and published by The Philadelphia Museum of Art.

Lot: 234 - Louise Pershing Urban Scene Oil on Masonite

Pershing, Louise (American/Western PA, 1904-1986), Urban Scene, undated, c.1960s or 1970s, oil on Masonite, unsigned, 48 x 36 inches. Provenance: acquired from the artist's estate via Pat McArdle. Louise Pershing was born in 1904 and studied at the Pennsylvania Academy of the Arts in Philadelphia. She later attended the Carnegie Institute of Technology in Pittsburgh, where she studied under Alexander Kostellow and G. Romanoglie. Pershing also studied with the abstract expressionist Hans Hofmann. She was a member of the National Association of Women Artists, the Pittsburgh Watercolor Society, and the Associated Artists of Pittsburgh.

Lot: 235 - Pair of early Gabor Peterdi Etchings 1952

Peterdi, Gabor (Hungarian/American, 1915-2001), Pair of Prints: The Purple Clam and Wings of the Ocean, etchings on laid-paper, 1952, both titled and numbered 71/200 in pencil at the lower margin, sheets 22 x 15.5 inches, unframed, from the portfolio published by Ted Gotthelf and printed by Rio Grande Graphics. 2 surrealistic images from this well known printmaker. Apparently, only 50 of each image were actually printed, and they were numbered randomly. These prints are both in the permanent collection of the Museum of Modern Art (MoMA), and National Gallery of Art, Washington, DC, among other institutions.

Lot: 236 - Esther Phillips Downtown New York Watercolor Ptg

Phillips, Esther (Russian/American/Western PA, 1902-1983), Downtown Scene, New York City, undated, mid 20th century, watercolor on paper, signed twice lower right, 14.5 x 21.25 inches, matted and in a dark wood frame 23 x 29.5 inches.

Lot: 237 - M. E. Phillips Chicago Institute of Design Student Ptg 1946-1956

Phillips, M. E. (American/Chicago, 20th century), Untitled Mid Century Modern Abstract, 1946-1956, mixed media on artist's board, signed on the mat in pencil, stamped Institute of Chicago on verso, with 632 N. Dearborn St address, image 8 x 5.5 inches, unframed, includes original mat but no longer attached. The Institute of Design at the Illinois Institute of Technology (also known as New Bauhaus - American School of Design, The School of Design in Chicago and The Institute of Design) was at the 632 N. Dearborn address from 1946-1956. The school was founded in 1937 by Laszlo Moholy-Nagy. Serge Ivan Chermayeff was the director from 1946-1951. Provenance: collection of Robert Hagenhofer, a graphic designer who attended the Chicago Institute of Design in the late 1940s following a stint as a soldier in World War II.

Lot: 238 - Pablo Picasso Femme nue Couchee Original Lithograph 1963

Picasso, Pablo (Spanish, 1881-1973), Femme nue couchee, 1963, color lithograph on paper, signed in pencil lower right, image size 1.75 x 6.25 inches, framed 16 x 18.5 inches. An original print by Picasso, published by Editions Cercle d'Art for Les Dames de Mougins; the signature has not been authenticated or reviewed. Bloch Books 120.

Lot: 239 - John Piper 1977 color screenprint Buckden in a Storm

Piper, John (British, 1903-1992), Buckden in a Storm, 1977 (Levinson 281), serigraph printed in colors, 22.75 x 33.25 inches, pencil signed and numbered 72/100, sheet size 27 x 37 inches, with blind stamp of Christies Contemporary lower right, Provenance: Christie's Contemporary, framed measuring 28.5 x 38.5 inches.

Lot: 240 - Martin Prekop Tape Measure Painting circa 2010

Prekop, Martin (American, born 1940), Tape Measure Painting, circa 2010, mixed media and found printed objects, 59 x 9.5 x 1.25 inches, signed on the reverse. Provenance: Private collection of the artist, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 241 - Martin Prekop 2024 Martin's Mondrian #1 Painting

Prekop, Martin (American, born 1940), Martin's Mondrian #1, 2024,laminate composite over wood, paint, 26.25 x 26.25 inches, (to be installed as a diamond shape), signed on the reverse. Provenance: Private collection of the artist, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 242 - Martin Prekop 2022 painting Martin's Mondrian #2

Prekop, Martin (American, born 1940), Martin's Mondrian #2,painted wood and laminated composite, 33.25 x 31.5 inches, signed and dated on panel reverse. Provenance: Private collection of the artist, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 243 - Martin Prekop unique Suprematist Wall Relief

Prekop, Martin (American, born 1940), Suprematist Wall Relief , circa 2000, painted wood and laminate building material, 20 x 59.25 x 2.25 inches, signed on panel reverse. Provenance: Private collection of the artist, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 244 - Martin Prekop photograph House 1993-2007 Series with Verner Panton Chandelier

Prekop, Martin (American, born 1940), House Series, 2010,gelatin silver print, 19 x 15.25 inches, signed and dated on the frame reverse, frame measuring 21 x 17.5 inches, Showing the Verner Panton Chandelier in the Mirror House. Provenance: Private collection of the artist, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 245 - Martin Prekop photograph House 1993-2007 Series

Prekop, Martin (American, born 1940), House 1993-2007, gelatin silver print, 15.5 x 23inches, signed on frame reverse, framed in a black wood frame measuring 28 x34 inches. Provenance: Private collection of the artist, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 246 - Omar Rayo shaped canvas Tender Trap 1960s

Rayo, Omar (Columbian, 1928-2010), Tender Trap, NY, circa 1965, oil on shaped canvas, 26 x 26 x 2.5 inches, signed, titled, and inscribed NY on canvas reverse.

Lot: 247 - Seymour Remenick oil Self Portrait Painter in Profile

Remenick, Seymour (American/Philadelphia, 1923-1999), Self Portrait as a Painter in Profile, oil on board, 9 x 7 inches, signed lower left, framed 13 x 10.75 inches. Provenance: from the personal collection of Pearl Fox, owner of the Pearl Fox Gallery, Philadelphia, PA. Fox represented Remenick for many years. An atmospheric self portrait with the artist at work.

Lot: 248 - Seymour Remenick oil The Reading Lesson

Remenick, Seymour (American/Philadelphia, 1923-1999), The Reading Lesson, oil on board, 7 x 9inches (oval), signed lower right, framed measuring9 x 11 inches. Provenance: from the personal collection of Pearl Fox, owner of the Pearl Fox Gallery, Philadelphia, PA. Fox represented Remenick for many years.

Lot: 249 - Paul Resika 1965 oil The Meadows Warwich

Resika, Paul (American, born 1928), The Meadows Warwich, 1965, oil on canvas, 18 x 24 inches, signed and dated lower left. Exhibited: From the Collection of Olga Hirshhorn, Naples Museum of Art, Naples Fl. Framed with a gold wood frame measuring 22 x 28 inches.

Lot: 250 - Faith Ringgold Tar Beach 1993 Woodcut Signed

Ringgold, Faith (African-American, 1930-2024), Tar Beach, 1993, color woodcut on paper, signed, dated and numbered 11/60 in pencil to lower margin, image 12 x 10.85 inches, matted and framed 21 x 19.5 inches. Provenance: ACA Galleries, NYC, label attached to back of the frame. Printed and published by the Mulberry Press, Cambridge, MA. A rare print: internet searches reveal only 2 in permanent collections (MoMA and Rollins College) and none in auction records.

Lot: 251 - James Rosenquist Spokes 1977 Signed Color Etching

Rosenquist, James (American, 1933-2017), Spokes, 1977, etching in colors with aquatint, pochoir and paint applied with a tire on Pescia Italia paper, signed, titled, dated and numbered 63/78 in pencil, image 17.75 x 35.75 inches, full sheet 22.75 x 39.75 inches, floated in a white frame 27.5 x 44.5 inches. GLENN 119. Printed by Flatsone Studios and published by Multiples, Inc., New York. Provenance: Bonhams, Prints and Multiples, August 16, 2022.

Lot: 252 - Jim Salem oil on canvas October Woodland

Salem, James (Jim), (American/Florida, born 1948), October Woodland, oil on canvas,11 x 14 inches, signed lower right, framed in a flat panel gilded wood frame measuring 17.5 x 20.5 inches, Provenance: The Estate of Pauline F. Mullins, Pittsburgh, PA.

Lot: 253 - Charles Sebree original illustrations for The Lost Zoo

Sebree, Charles (African-American/Chicago, 1914-1985), 4 mock up illustrations for The Lost Zoo by Countee Cullen, c.1939-1940, ink and gouache, unsigned, inscription in unknown hand to one edge, sheet size 14 x 17 inches, unframed; unfinished ink sketch of a tailed animal on the verso. The book The Lost Zoo was published by Harper in 1940. Sebree was a part of the Chicago art scene in the 1930s before moving to New York. He worked for the Illinois Federal Art Project as part of the WPA and studied at the Art Institute of Chicago. Provenance: collection of Robert Hagenhofer, a graphic designer who attended the Chicago Institute of Design in the late 1940s following a stint as a soldier in World War II.

Lot: 254 - Charles Sebree watercolor Study for a Portrait 1930s

Sebree, Charles (African-American/Chicago, 1914-1985), Study for a Portrait, c. late 1930s, watercolor and stamps on wove paper, inscribed lower left in an unknown hand, sheet size 16 x 13.75 inches, unframed. Sebree was a part of the Chicago art scene in the 1930s before moving to New York. He worked for the Illinois Federal Art Project as part of the WPA and studied at the Art Institute of Chicago. Provenance: collection of Robert Hagenhofer, a graphic designer who attended the Chicago Institute of Design in the late 1940s following a stint as a soldier in World War II.

Lot: 255 - Charles Sebree watercolor Study for a Portrait 1930s

Sebree, Charles (African-American/Chicago, 1914-1985), Study for a Portrait, c. late 1930s, watercolor on paper, mounted to a backing board, inscribed on the verso in an unknown hand, 14 x 11.5 inches, unframed. Sebree was a part of the Chicago art scene in the 1930s before moving to New York. He worked for the Illinois Federal Art Project as part of the WPA and studied at the Art Institute of Chicago. Provenance: collection of Robert Hagenhofer, a graphic designer who attended the Chicago Institute of Design in the late 1940s following a stint as a soldier in World War II.

Lot: 256 - Charles Sebree mixed media Study for a Portrait c.1940

Sebree, Charles (African-American/Chicago, 1914-1985), Study for a Portrait, c.1940, gouache, watercolor and stamps on wove paper, inscribed on the verso in an unknown hand, sheet size 12 x 9.5 inches, unframed. Sebree was a part of the Chicago art scene in the 1930s before moving to New York. He worked for the Illinois Federal Art Project as part of the WPA and studied at the Art Institute of Chicago. Provenance: collection of Robert Hagenhofer, a graphic designer who attended the Chicago Institute of Design in the late 1940s following a stint as a soldier in World War II.

Lot: 257 - Arnold Sharrad oil ptg Red Hook 2010

Sharrad, Arnold (Odessa, Ukraine/Brooklyn, 1946-2015), Red Hook, 2010, oil on board, 6.5 x 8 inches, signed and titled on the verso.

Lot: 258 - Arnold Sharrad oil ptg Red Hook 2011

Sharrad, Arnold (Odessa, Ukraine/Brooklyn, 1946-2015), Red Hook, 2010, oil on board, 6.5 x 8 inches, signed and titled on the verso.

Lot: 259 - Joseph Shepler Woman at the Window 1981 Ptg

Shepler, Joseph (American/Pittsburgh, 1937-2018), Woman at the Window, 1981, acrylic on canvas, signed, dated and titled on the verso, 40 x 54 inches, in a wood strip floater frame. Provenance: The Estate of Herbert Seigle; private collection, Western PA.

Lot: 260 - Raphael Soyer AAA orig lithograph The Model

Soyer, Raphael (Russian/American 1899-1987), The Model,1940, (Cole #57)lithograph, published by Associated American Artists, framed measuring 20 x 16 inches

Lot: 261 - Harry Sternberg Oil on Board Desert Road

Sternberg, Harry (American, 1904-2001), Desert Road, undated, oil on board, signed lower right 6 x 12 inches, framed 13 x 19 inches, printed title (31. Desert Road) on a small piece of paper attached back of the frame.

Lot: 262 - Donald Sultan Orange Flowers 1996 Serigraph Signed

Sultan, Donald (American, born 1951), Orange Flower, 1996, serigraph printed in colors, titled, dated, initialed and numbered 80/100 in pencil along the margins, 11.5 x 8 inches, floated in a frame 26 x 20.75 inches. Published for The Paris Review.

Lot: 263 - Carol Summers 1985 color woodcut The Lexington Fire

Summers, Carol (American, 1925-2016), The Lexington Fire, 1985, color woodcut on cream Japan paper, 93.3 x 94.2 cm (37 x 37.25 inches), pencil signed, titled, and numbered 96/100 , framed 41 x 41.5 inches. Provenance: Concept Art Gallery, Pittsburgh, PA.

Lot: 264 - Carol Summers The Rolling Sea Color Woodcut Signed 1989

Summers, Carol (American, 1925-2016), The Rolling Sea, 1989, large format color woodcut, signed, titled and numbered 6/100 in pencil, sheet 37 inches square, floated in a blonde wood frame 42 inches square. Provenance: Concept Art Gallery, Pittsburgh, PA.

Lot: 265 - Edward Szmyd Winter Wood Oil on Canvas

Szmyd, Edward (American, 1933-2004), Winter Woods, undated, c. 1980s, oil on canvas, signed lower right, 30 x 40 inches, framed 34 x 44 inches. Szmyd was born in Trafford, Pennsylvania. During his high school years, he used his free time to study the work of various artists at the Carnegie Museum and later graduated from the Art Institute in Pittsburgh. He moved to Florida in 1950.

Lot: 266 - Romeo Villalva Tabuena 1969 painting Danzantes

Tabuena, Romeo Villalva (Filipino/Mexican, 1921-2015), Danzantes, 1969, acrylic and mixed media on board,31.5 x 39.5 inches, signed and dated upper left, framed measuring 33 x 40.75 inches, with the artist's printed paper label on board reverse, San Miguel de Allende.

Lot: 267 - Mark Tobey Psaltery First Form 1974 Etching Signed

Tobey, Mark (American, 1890-1976), Psaltery First Form, 1974, etching on paper, signed and numbered 40/150 in pencil to lower margin, impression 13.75 x 10.75 inches, matted and framed 29.5 x 23.25 inches.

Lot: 268 - Mark Tobey Psaltery Second Form 1974 Etching Signed

Tobey, Mark (American, 1890-1976), Psaltery Second Form, 1974, etching on paper, signed and numbered 6/150 in pencil to lower margin, impression 13.75 x 10.75 inches, matted and framed 27 x 21 inches.

Lot: 269 - Pair of Theo Tobiasse Signed Original Lithographs

Tobiasse, Theo (Israeli/French, 1927-2012), Pair of Prints: Enfants Venus du Palais de la Memoire and La-Bas vers Canaan, color lithographs on heavy wove paper, signed and numbered, 54/200 and 146/200, respectively, at the lower margin, sheet size 29.75 x 22.5 inches, unframed.

Lot: 270 - Pair of Theo Tobiasse Signed Original Lithographs

Tobiasse, Theo (Israeli/French, 1927-2012), Pair of Prints: Le Cabaret and La Dame qui Jongle, color lithographs on heavy wove paper, signed and numbered, 132/310 and 3/310, respectively, at the lower margin, sheet size 23.5 x 35.5 inches, unframed.

Lot: 271 - Arthur Tress circa 1995 Crystal Ball Portrait Photograph, East Village NYC

Tress, Arthur (American, born 1940), Crystal Ball Portrait Photograph, circa 1995, gelatin silver print, 7 x 7 inches, signed in ink lower right margin, Provenance: acquired from the artist, framed measuring 15.75 x 15 inches, Tress did a series of crystal ball images in color.

Lot: 272 - Arthur Tress 1985 cibachrome print Dejeuner Van Gogh

Tress, Arthur (American, born 1940), Dejeuner Van Gogh, 1985, Arles (Van Gogh's Lunch),cibachrome print, 15 x 15 inches, signed, numbered, titled, dated, and inscribed Arles on reverse. Provenance: acquired from the artist, framed measuring 23 x 23 inches.

Lot: 273 - Gerry Tuten 2020 oil on canvas April

Tuten, Gerry (American b. 1941), April, 2020, oil on canvas, 9 x 9 inches, signed, dated, and titled on canvas reverse, acquired from the artist, framed in a maple floater frame measuring 10 x 10 inches, Provenance: The Estate of Pauline F. Mullins, Pittsburgh, PA.

Lot: 274 - Russell Twiggs 1956 collage and mixed media Creation

Twiggs, Russell Gould (American/Western PA, 1898-1991), Creation, 1956, collage, shellac, and mixed media on masonite panel, 48 x 30 inches, signed and dated lower left, framed measuring 50 x 32 inches. Exhibited: Russell Twiggs: Retrospective Exhibition, Westmoreland County Museum of Art, January-March, 1964. Provenance: I. F. Leavitt.

Lot: 275 - Marc Vaux 1969 acrylic painting Item Series

Vaux, Marc (British, born 1932), Item Series, 1969, acrylic on canvas, 84 x 84 inches, signed, dated, and titled on canvas overlap. Provenance: Westinghouse Art Collection, Pittsburgh, PA.

Lot: 276 - Andy Warhol 4 Original Blotted Line Drawings for 1950s Ad Campaign

Warhol, Andy (American, 1928-1987), 4 Original Blotted Line Drawings for an Ad Campaign, showing a male and female with numbers in their heads, 1952 or 1953, ink on heavy wove paper, one with Andy Warhol written on the verso in pencil by an unknown hand, otherwise unsigned, pencil annotations (closed eyes, No) in an unknown hand, sheet sizes all right around 4-4.5 x 4-4.5 inches, unframed. Provenance: from the estate of Robert (Bob) Hagenhofer (1923-2007), a graphic designer and environmental activist who worked with Warhol in the Will Burton design studio from 1952-1953. Born in Chicago, he served in WW II and then graduated from the Chicago Institute of Design. He then moved to Staten Island in 1952 where he continued his graphic design work and later became active as an environmentalist in response to Robert Moses' attempt to build a highway through the Staten Island Greenbelt. According to the Warhol Museum website: Warhol first experimented with blotted line while still a college student at Carnegie Institute of Technology (now Carnegie Mellon University). He continued to craft this technique in his commercial work in New York City throughout the 1950s. Blotted line enabled Warhol to create a variety of illustrations along a similar theme. This type of production allowed him to bring multiple ideas to clients to increase the odds that one of his drawings would be chosen for the final advertisement. Warhol began by copying a line drawing in pencil on a piece of non-absorbent paper, such as tracing paper. Next, he hinged this piece of paper to a second sheet of more absorbent paper by taping their edges together on one side. With a fountain pen, Warhol inked over a small section of the drawn lines. He then transferred the ink onto the second sheet by folding along the hinge and lightly pressing or blotting the two papers together. The process resulted in the dotted, broken, and delicate lines that are characteristic of Warhol’s illustrations.

Lot: 277 - Andy Warhol 6 Blotted Line Figures for 1950s Ad Campaign

Warhol, Andy (American, 1928-1987), 6 Original Blotted Line Drawings for an Ad Campaign, on 3 sheets, showing male and female figures standing by measuring lines with check marks, 1952 or 1953, ink on heavy wove paper, unsigned, sheet sizes 5.5 x 8.25 inches to 10 x 8.25 inches, unframed. Provenance: from the estate of Robert (Bob) Hagenhofer (1923-2007), a graphic designer and environmental activist who worked with Warhol in the Will Burton design studio from 1952-1953. Born in Chicago, he served in WW II and then graduated from the Chicago Institute of Design. He then moved to Staten Island in 1952 where he continued his graphic design work and later became active as an environmentalist in response to Robert Moses' attempt to build a highway through the Staten Island Greenbelt. According to the Warhol Museum website: Warhol first experimented with blotted line while still a college student at Carnegie Institute of Technology (now Carnegie Mellon University). He continued to craft this technique in his commercial work in New York City throughout the 1950s. Blotted line enabled Warhol to create a variety of illustrations along a similar theme. This type of production allowed him to bring multiple ideas to clients to increase the odds that one of his drawings would be chosen for the final advertisement. Warhol began by copying a line drawing in pencil on a piece of non-absorbent paper, such as tracing paper. Next, he hinged this piece of paper to a second sheet of more absorbent paper by taping their edges together on one side. With a fountain pen, Warhol inked over a small section of the drawn lines. He then transferred the ink onto the second sheet by folding along the hinge and lightly pressing or blotting the two papers together. The process resulted in the dotted, broken, and delicate lines that are characteristic of Warhol’s illustrations.

Lot: 278 - Andy Warhol Blotted Line Drawing Pointing Finger for 1950s Ad Campaign

Warhol, Andy (American, 1928-1987), Original Blotted Line Drawing of a Pointing Finger for an Ad Campaign, 1952 or 1953, ink on heavy wove paper, unsigned, sheet sizes 5 x 6.75 inches. TOGETHER WITH a group of 2 printed mock ups after blotted line drawings, on glossy paper, 8.5 x 11.5 inches and 6 x 11.5 inches. All unframed. Provenance: from the estate of Robert (Bob) Hagenhofer (1923-2007), a graphic designer and environmental activist who worked with Warhol in the Will Burton design studio from 1952-1953. Born in Chicago, he served in WW II and then graduated from the Chicago Institute of Design. He then moved to Staten Island in 1952 where he continued his graphic design work and later became active as an environmentalist in response to Robert Moses' attempt to build a highway through the Staten Island Greenbelt. According to the Warhol Museum website: Warhol first experimented with blotted line while still a college student at Carnegie Institute of Technology (now Carnegie Mellon University). He continued to craft this technique in his commercial work in New York City throughout the 1950s. Blotted line enabled Warhol to create a variety of illustrations along a similar theme. This type of production allowed him to bring multiple ideas to clients to increase the odds that one of his drawings would be chosen for the final advertisement. Warhol began by copying a line drawing in pencil on a piece of non-absorbent paper, such as tracing paper. Next, he hinged this piece of paper to a second sheet of more absorbent paper by taping their edges together on one side. With a fountain pen, Warhol inked over a small section of the drawn lines. He then transferred the ink onto the second sheet by folding along the hinge and lightly pressing or blotting the two papers together. The process resulted in the dotted, broken, and delicate lines that are characteristic of Warhol’s illustrations.

Lot: 279 - Todd White oil painting A Little Fling 2010

White, Todd (American, born 1969), A Little Fling, 2010, oil on canvas, 8 x 15 inches, signed with the artist's signature in a block, Provenance: Galerie D'Art de Francais, New Orleans, framed in a custom wood frame measuring 18.5 x 27.5 inches. From Marcus Ashley Gallery, Lake Tahoe: Todd White’s paintings are easily among the world’s most collectable. As an incredibly accomplished living artist, Todd White’s work is in great demand both in the U.S. and around the world. You could loosely classify his style as figurative impressionism, an interesting callback to his roots as a character artist in Hollywood animation. However, there’s very little to pigeonhole about Todd White. Every piece he paints is a meticulously thought-out creation, intended to convey a specific story. Indeed, he doesn’t pick up the brush until the idea for the piece is fully fleshed out in his mind.

Lot: 280 - Todd White hand colored Giclee Feather in Her Cap

White, Todd (American, born 1969), Feather in Her Cap, circa 2010, Limited Edition Canvas Giclee on canvas, 16 x 32 inches, signed with the artist's signature in a block and with remarque drawing and numbered HC 4/10 , Provenance: Galerie D'Art de Francais, New Orleans, framed in a custom wood frame measuring 28 x 44 inches.

Lot: 281 - Nancy Whorf oil on board Garden Gossip

Whorf, Nancy (American/ Massachusetts, Florida 1930 - 2009), Garden Gossip, oil on board, 24 x 36 inches, framed measuring 31 x 43 inches, Provenance: The Estate of Daniel R. Lovette

Lot: 282 - Nancy Whorf 2001 oil Lovett's Court

Whorf, Nancy (American/ Massachusetts, Florida 1930 - 2009), Lovett's Court, 2001, oil on masonite panel, 12 x 16 inches, signed lower right, framed measuring 16 x 20 inches, Provenance: The Estate of Daniel R. Lovette

Lot: 283 - Thomas L. Willis Jr. Angel versus Devil 1965 Oil on Canvas

Willis Jr., Thomas L. (American/Ohio, 20th century), Angel versus Devil, 1965, oil on canvas, signed lower right and dated and signed again on the verso, 50 x 40 inches, stretched but not framed. Willis studied at the Akron Art Institute in the early 1960s.

Lot: 284 - Thomas L. Willis Jr. Good versus Evil Surreal Oil Ptg

Willis Jr., Thomas L. (American/Ohio, 20th century), Good versus Evil, undated, c.1960s, oil on canvas, signed lower right, 50 x 40 inches, stretched but not framed. Willis studied at the Akron Art Institute in the early 1960s.

Lot: 285 - Douglas Wilson Landscape with Frogs Mixed Media Painting

Wilson, Douglas (American/Western PA, Carnegie Mellon Professor, 20th century), Landscape with Frogs, circa 1965, oil and mixed media paper collage on canvas, 50 x 40 inches, signed on the canvas reverse, with a strip frame.

Lot: 286 - Attributed to Andrey Yalanskyi 1984 oil Reclining Nude

Yalanskyi, Attributed to Andrey, (Russian, born 1959), Reclining Nude, 1984, oil on canvas, 20 x 24 inches, signed and dated lower right, framed measuring 25 x 29 inches.

Lot: 287 - Zets Brothers Mixed Media Collage Andy Warhol Circus

Zets, Jeff and Mark (American/Pittsburgh), Andy Warhol Circus, mixed media collage, signed lower left, 29 x 39 inches, in a brushed metal frame 30.25 x 40.25 inches. The Zets Brothers are known for the outsider/folk collages. Mark won the Carnegie Museum of Art Purchase Award (Associated Artists 79th Annual exhibition). Together they did a Sellout Exhibition (Second Childhood), a total of 16 gallery exhibits, many Outsider Art Fairs for self taught artists. Locally, they participated in The Three Rivers Arts Festival over many years, with a total of 60 accepted entries.

Lot: 288 - Zets Brothers Mixed Media Collage Wizard of Oz

Zets, Jeff and Mark (American/Pittsburgh), Joy and Happiness (The Wizard of Oz), mixed media collage, signed to left edge, 21 x 31 inches, in the artists' original hand painted frame 26.5 x 36.5 inches. The Zets Brothers are known for the outsider/folk collages. Mark won the Carnegie Museum of Art Purchase Award (Associated Artists 79th Annual exhibition). Together they did a Sellout Exhibition (Second Childhood), a total of 16 gallery exhibits, many Outsider Art Fairs for self taught artists. Locally, they participated in The Three Rivers Arts Festival over many years, with a total of 60 accepted entries.

Lot: 289 - Zets Brothers Mixed Media Collage Marilyn Monroe after Warhol

Zets, Jeff and Mark (American/Pittsburgh), Marilyn Monroe, after Andy Warhol (Campbell's Soup, Brillo Box, Velvet Underground Banana, etc), mixed media collage, signed on the verso, 29.5 x 23.5 inches, in a brushed metal frame 30.25 x 24 inches. The Zets Brothers are known for the outsider/folk collages. Mark won the Carnegie Museum of Art Purchase Award (Associated Artists 79th Annual exhibition). Together they did a Sellout Exhibition (Second Childhood), a total of 16 gallery exhibits, many Outsider Art Fairs for self taught artists. Locally, they participated in The Three Rivers Arts Festival over many years, with a total of 60 accepted entries.

Lot: 290 - Oleg Zhivetin oil and mixed media Dance of Creation

Zhivetin, Oleg (Russian/American, born 1964), Dance of Creation, oil and mixed media on canvas, 58 x 68 inches, signed lower center, framed measuring 74 x 82 inches.

Lot: 291 - Oleg Zhivetin oil and mixed media Conversation

Zhivetin, Oleg (Russian/American, born 1964), Conversation, oil and mixed media on canvas, 48 x 60 inches, signed lower right,.

Lot: 292 - Andrey Avinoff ink portrait of Benjamin Franklin

Avinoff, Andrey (Russian/American/Western PA, 1884-1948), Benjamin Franklin Portrait Head, 1940s, pen and ink on card, Dimensions: 8.5 x 7.5 inches (oval) , signed with the initial A. Provenance: The Estate of Andrey Avinoff; by direct descent to the present owner, the artist's grand niece. Framed measuring 15 x 12 inches.

Lot: 293 - Cynthia Cooley 1988 Birmingham Bridge Study ink and watercolor

Cooley, Cynthia (American/Pittsburgh, Contemporary), From The Birmingham Bridge (study), 1988, ink and watercolor, 10 x 17.5 inches, signed and dated lower left, framed measuring 19 x 26 inches, Provenance: Bird In the Hand Gallery, Sewickley, Pa. ; The Estate of Pauline F. Mullins, Pittsburgh, PA.

Lot: 294 - Douglas Cooper charcoal drawing View of Mills from Hill District

Cooper, Douglas (Contemporary American ), View of Mills from Hill District,1998, vine charcoal on paper on board, 24 x 36.6 inches, signed and dated lower right. Provenance: Gift of the artist.

Lot: 295 - Ron Donoughe 2003 oil Compass Inn

Donoughe, Ron (Contemporary Western PA, born 1958), Compass Inn, 2003, oil on board, 9 x 12 inches, signed and dated lower left, and signed, dated, and titled on board reverse, framed measuring 14.75x 17.5 inches. Provenance: The Estate of Pauline F. Mullins, Pittsburgh, PA.

Lot: 296 - Ron Donoughe 2011 painting Birmingham Bridge

Donoughe, Ron (Contemporary Western PA, born 1958),Birmingham Bridge, 2011, oil on board, 11 x 14 inches, signed and dated lower right, framed in a black wood frame measuring 14 x 17 inches

Lot: 297 - Fowler and Moyer Antique Map of Butler County 1896

Fowler, T.M. (Thaddeus Mortimer), Butler, Butler County, Pennsylvania, 1896, original antique map, light blue tinted, map section 17.25 x 29.5 inches, list of notable landmarks, houses, schools and churches at bottom, full sheet 21 x 32 inches, matted26.75 x 37.5 inches, published by Fowler and Moyer. A very rare map of this section of Western Pennsylvania, just north of Pittsburgh.

Lot: 298 - Aaron Gorson oil Nocturne on The Monongahela River

Gorson, Aaron Harry (Lithuanian/American/Western PA, 1872-1933), Nocturne on the Monongahela River, undated, oil on canvas, relined, signed lower right, 16.25 x 22 inches, in a period silver toned painted wood frame 20 x 26 inches. Provenance: Property of a California Collection; Doyle New York, 11/13/2012, lot 344; a Western PA Collector. An unusually bright nocturnal view along The Mon.

Lot: 299 - Teenie Harris signed photograph Pittsburgh Crawfords at Forbes Field

Harris, Charles (Teenie) (African-American/Pittsburgh, 1908-1998), Pittsburgh Crawfords baseball team posed in dugout at Forbes Field, taken June 1945, black and white photograph, 11 x 13.5 inches, signed in black ink by Teenie Harris and numbered 14/20 from a presumed edition of 20, (unlikely ever completed). Provenance: Southbank Gallery, Pittsburgh with their paper label on the reverse. Framed measuring 21 x 24 inches. This image is recorded as registration number 2001.35.5864 in the Carnegie Museum of Art's archive of Harris' photography.

Lot: 300 - Lila Hetzel Forest Nymphs 1961 Oil on Board

Hetzel, Lila Barr (American/Western PA, 1873-1967), Forest Nymphs, 1961, oil on artist's board, signed and dated lower left, 12 x 9 inches, unframed. Provenance: gift from the artist to a close family friend. Lila Hetzel was born in Edgewood, Pittsburgh, and was the daughter of George Hetzel who founded the Scalp Level School.

Lot: 301 - Lila Hetzel Sketchbook 1894 filled with Pencil and Ink Drawings

Hetzel, Lila Barr (American/Western PA, 1873-1967), Sketchbook, first page dated October 23, 1893, but all dated drawings are from 1894-1896, signed on the first page by Hetzel, and a few individual drawings are signed or initialed as well, most have pencil annotations identifying the subject, 8.5 x 11 inches, total of 23 pages with drawings - 4 in ink, the rest in pencil, subjects include portraits of her mother, a self-portrait, landscapes, one titled Bank of Ohio River near Belleview. Provenance: gift from the artist to a close family friend. Lila Hetzel was born in Edgewood, Pittsburgh, and was the daughter of George Hetzel who founded the Scalp Level School.

Lot: 302 - Wooden Easel belonging to George Hetzel

Wooden Easel belonging to Western PA Scalp Level painter George Hetzel, 72 x 27 inches, not marked, lacking a crossbar. Provenance: gifted by Lila Hetzel, George's daughter, to a close family friend.

Lot: 303 - Lois Kaufman oil on paperboard Light Wash Tree

Kaufman, Lois (American/Pittsburgh, 1926-2002), Light Wash Tree, oil on paperboard, 20 x 16 inches, signed LSK lower right, Provenance: acquired from the artist framed 22.5 x 18.5 inches.

Lot: 304 - A. F. King Fern Hollow Creek 1913 Oil on Board

King, Albert Francis (A. F.) (American/Western PA, 1854-1945), Nine Mile Run, Fern Hollow, Pittsburgh, 1913, oil on board, signed lower right, title and date in pencil on the verso, 8.5 x 11.5 inches, framed 10.5 x 13.5 inches.

Lot: 305 - A. F. King oil painting Stream in Spring

King, Albert Francis (A. F.) (American/Western PA, 1854-1945), Stream in Spring, circa 1910, oil on canvas, 30 x 40 inches, signed lower right, Provenance: Gillespie Gallery, Pittsburgh, PA. ; The Estate of Pauline F. Mullins, Pittsburgh, PA. An unusually large King Landscape with King at the height of his powers. In a period flat panel gilded wood frame measuring 35 x 46 inches.

Lot: 306 - Horseshoe Curve Altoona Unsigned Oil on Canvas c.1900

Early 20th century American school, Horseshoe Curve, Altoona, PA, undated, c.1900, oil on canvas, apparently unsigned, 19.75 x 30 inches, framed 22.5 x 32.5 inches. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium. Old title label (possibly from Eichleay) and a Wunderly Brothers Galleries sticker on the stretcher bar. A well rendered turn of the century painting showing two trains on the famous three-track railroad curve in Altoona, Pennsylvania, a couple hours East of Pittsburgh.

Lot: 307 - Martin Leisser Spruce Creek 1909 Oil on Board

Leisser, Martin B. (American/Western PA, 1846-1940), Spruce Creek with Sheep, Sept. 7, 1909, oil on board, signed, titled and dated lower right, also titled and dated on the verso, 12.5 x 20.5 inches, in a wood frame 15 x 23 inches. Spruce Creek is in Huntingdon County, Pennsylvania, and is known for its world class fly-fishing.

Lot: 308 - Martin Leisser oil Trees and Beach, Monterey, 1915

Leisser, Martin B. (American/Western PA, 1846-1940), Trees and Beach, Monterey, April 20, 1915, oil on paper board, 9 x 13 inches, signed lower margin MB Leisser, framed measuring 12 x 15.75 inches

Lot: 309 - Herb Olds charcoal and pastel drawing Bather

Olds, Herbert (Herb) (American/Pittsburgh, 20th century), Bather, charcoal and pastel, 58.5 x 35 inches, signed lower right, framed measuring 63.5 x 39.75 inches. Provenance: Martin Prekop, former Dean of Carnegie Mellon College of Fine Arts. Prekop is an accomplished artist whose works can be found in the permanent collections of the Carnegie Museum of Art, the Art Institute of Chicago, and the Seattle Art Museum, among others. As a professor, Martin was highly regarded for his technical skill and breadth of knowledge in photography and painting and his incisive critique mixed with wit and humor. Never afraid to tackle problems himself, Martin established the Zebra Lounge and built and painted all its original furniture.

Lot: 310 - Charlie Pitcher Puritas Watercolor 2003

Pitcher, Charles (Charlie) (American/Western PA, 1927-2009), Puritas, 2003, watercolor on paper, signed and dated lower right, 32 x 40 inches, in a brushed metal frame. Provenance: acquired directly from the artist.

Lot: 311 - Charles Pitcher oil painting Laurel Wilderness

Pitcher, Charles (Charlie) (American/Western PA, 1927-2009),Laurel Wilderness, 1981, oil on canvas, 24 x 36 inches, signed and dated lower left, Provenance: Gallery G, Pittsburgh, PA., framed in the artist's rustic style frame measuring 27 x 39 inches.

Lot: 312 - Eugene A. Poole 1906 Summer Landscape Oil on Board

Poole, Eugene Alonzo (American/Western PA, 1841-1912), On the Potomac Near Point Look Out, 1906, oil on canvasboard, signed and dated lower right, titled on the verso, 8 x14 inches, in a period gilt wood frame 10.5 x 16.5 inches. Point Lookout State Park is located at the southernmost tip of the peninsula formed by the confluence of Chesapeake Bay and the Potomac River in St. Mary's County, Maryland.

Lot: 313 - Bob Qualters hand colored lithograph Afternoon

Qualters, Robert (Bob) (American/Western PA, born 1934), Afternoon (from The Hours), hand colored lithograph, 16 x 20 inches, pencil signed, titled and numbered 12/25, framed measuring 28 x 32 inches, The Estate of Pauline F. Mullins, Pittsburgh, PA.

Lot: 314 - Bob Qualters Lithograph on Paper Jenkins Arcade

Qualters, Robert (Bob) (American/Western PA, born 1934), Jenkins Arcade, 1984, color lithograph on paper, 60/100, signed, titled, and signed in pencil at lower margin. 20.25 x 27.5 inches, matted and in oak frame 27.75 x 35.75 inches.

Lot: 315 - Samuel Rosenberg 1952 abstraction Light Still and Moving

Rosenberg, Samuel (American/Western PA, 1896-1972), Light Still and Moving, 1952, oil on canvas, 30 x 36 inches, signed lower left, in a painted wood frame 36 x 42.5 inches. Exhibited in The Associated Artists of Pittsburgh, 1953 Annual Exhibition at The Carnegie, No. 120 illustrated in the catalogue, won H. J. Grinsfelder Prize for Distinguished Oil Painting ; with another Carnegie Museum of Art Exhibition Tag on reverse, (unknown exhibition). Provenance: acquired from the artist, likely from the AAP Exhibition; Mr. and Mrs. Joseph Porsglove, Jr.; Eugene Brunozzi, Pittsburgh, PA.; Concept Art Gallery Auction, September 24, 2011, lot 263; acquired by the current consignor.

Lot: 316 - Harry Schwalb Museum Piece Ink and Gouache on Rice Paper

Schwalb, Harry M. (American/Pittsburgh, 1924-2019), Museum Piece, undated, likely 1980s, ink and gouache on Natusme rice paper, signed lower left, information sheet taped to the back of the frame, sheet framed to the edges 20.75 x 20.75 inches.

Lot: 317 - Joseph Stastny Western Gateway Pittsburgh Etching Signed

Stastny, Joseph (American, 1896-1960), Western Gateway: Gulf Building and Koppers Building from The PRR Portico, Downtown Pittsburgh, 1933, etching and aquatint, signed and inscribed Working Proof 1/1 in pencil to lower margin, artist's pencil grid outline still visible, image 11.75 x 7.75 inches, matted and in a silver leaf frame an archival mats and OP3 Plexi 20 x 15.5 inches. Provenance: The Estate of Joseph Stastny Jr., Concept Art Gallery.

Lot: 318 - Rachel McClelland Sutton oil Daydreaming Boy

Sutton, Rachel McClelland (American/Western PA, 1887-1982), Daydreaming Boy, oil on canvas, 24 x 20 inches, signed lower left, framed in an adapted Victorian wood frame measuring 29 x 25 inches.

Lot: 319 - Rachel McClelland Sutton oil Interior of McClelland Home

Sutton, Rachel McClelland (American/Western PA, 1887-1982), Interior of McClelland Home, oil on canvas, 24 x 20 inches, signed lower right, framed measuring 28 x 23.5 inches, Provenance: The Estate of Pauline Mullins, Pittsburgh, PA.

Lot: 320 - Todd Webb Rare Photograph Castle Shannon Incline

Webb, Todd (American, 1905-2000), Castle Shannon Incline, originally taken 1947 or 1948, this is a silver gelatin photograph that was printed from the original negative in 1994, unsigned, image 10 x 12.75 inches, matted and framed 13.25 x 16.25 inches. This image was taken while Webb was working for Standard Oil. His original negatives are part of the Standard Oil archive housed at the University of Louisville, and the photo has the University's blindstamp in the lower left margin.

Lot: 321 - Milton Weiss Ritual 1972 Abstract Oil on Canvas

Weiss, Milton G. (American/Pittsburgh, 1912-1991), Ritual, 1972, oil on canvas, signed upper right, and additionally signed, titled and dated on the verso and stretcher bar, 42 x 30 inches, in the artist's original wood strip frame. Weiss, who studied under Samuel Rosenberg, was also a founding member of the Pittsburgh based abstract painter collective Group A.

Lot: 322 - Joseph Woodwell Floral Still Life Oil on Canvas 1866

Woodwell, Joseph Ryan (American/Western PA, 1843-1911), Floral Still Life, 1866, oil on canvas, signed and dated lower left, 18 x 14 inches, in a gilt wood frame 22.5 x 18.5 inches. Provenance: Joseph Horne Lindsay, Pittsburgh, then by family descent. Painted when he was only 22 or 23 years old, this is one of the earliest of Woodwell's pieces to show up at auction.

Lot: 323 - Yozo Hamaguchi 1962 mezzotint One Cherry

Hamaguchi, Yozo (Japanese, 1909-2000), One Cherry, 1962, mezzotint, 13.5 x 11.5 inches, pencil signed and inscribed h.c., framed measuring 16 x 14.25 inches

Lot: 324 - Hiroshige Woodblock Gathering Shellfish Views of Edo

Hiroshige, Utagawa (Japan, 1797-1858), Gathering Shellfish at Low Tide at Susaki (Susaki shiohigari), first produced during the Edo Period, color woodblock on rice paper. From the series Famous Places in Edo (Koto meisho). Signed Hiroshige ga, sensor's seal, and publisher's mark. Likely a posthumous print. Print 10.25 x 14.75 inches. Provenance: A Western PA private collection.

Lot: 325 - Keiko Minami Fish and Leaves etching

Minami, Keiko (Japanese, 1911-2004), Fish and Leaves, etching printed in colors, 13.5 x 11 inches, pencil signed and numbered 8/50, framed measuring 22 x 19.5 inches, Provenance: The Estate of Pauline F. Mullins, Pittsburgh, PA.

Lot: 326 - Keiko Minami Hibou Owl Signed colored engraving

Minami, Keiko (Japanese, 1911-2004), Hibou / Owl, engraving printed in colors, 11.75 x 11 inches, pencil signed and numbered 6/50, framed measuring 19.75 x 17 inches. Provenance: The Estate of Pauline F. Mullins, Pittsburgh, PA.

Lot: 327 - Tadashi Nakayama 1963 color woodcut Afternoon Horse Riding

Nakayama, Tadashi (Japanese, 1927-2014), Afternoon Horse Riding [Kabasai Nogogo], 1963, color woodcut on paper depicting a prancing horse with iridescent accents, pencil signed, dated lower left and numbered 44/80 to lower right, 23 x 14.5 inches, framed measuring 32 x 23.5 inches.

Lot: 328 - Hajime Namiki Tree Scene 115 Signed Color Woodblock

Namiki, Hajime (Japanese, born 1947), Tree Scene 115 (Snowy Grove), 2004,woodblock print in colors on wove paper, signed, titled, dated and numbered 53/200 in the lower margin, plus the artist's red chop, image 13.75 x 20.25 inches, full sheet 17 x 23.5 inches, unframed.

Lot: 329 - Hajime Namiki Tree Scene 63 Signed Color Woodblock

Namiki, Hajime (Japanese, born 1947), Tree Scene 63 (Green Pine), 1996,woodblock print in colors on wove paper, signed, titled, dated and numbered 103/200 in the lower margin, plus the artist's red chop, image 10.25 x 10.25 inches, full sheet 13.25 x 13.25 inches, unframed.

Lot: 330 - Toko Shinoda signed orig lithograph Tribute

Shinoda, Toko (Japanese, 1913-2021), Tribute, lithograph printed in colors, 20 x 32 inches, pencil signed, titled, and inscribed Ed 20, Provenance: James Gallery, Pittsburgh, PA. ; framed measuring 32 x 42 inches.

Lot: 331 - Hiroshi Yoshida Hakuba San Japanese Alps Signed Woodblock

Yoshida, Hiroshi (Japanese, 1876-1950), Hakuba San - from Twelve Scenes from the Japanese Alps series, c.1926, color woodblock on handmade paper, stamped signature in English to lower right margin, pencil titled in English to lower left margin, brush signature and red chop at lower left, image size 9.75 x 14.5 inches, full sheet 10.75 x 15.75 inches, unframed. ABE 28, BLAIR 233.

Lot: 332 - Hiroshi Yoshida Kiso River Signed Woodblock Jizuri Seal

Yoshida, Hiroshi (Japanese, 1876-1950), Kiso River, 1927, color woodblock on handmade paper, pencil signed and titled in English to lower margin, brush signature and red chop at lower left, self printed jizuri seal in left margin, image size 9.75 x 14.75 inches, full sheet 11 x 16 inches, unframed. ABE 85, BLAIR 284.

Lot: 333 - Toshi Yoshida From Katsuragi Yama Signed Color Woodblock

Yoshida, Toshi (Japanese, 1911-1995), From Katsuragi Yama, 1983, color woodblock on handmade paper, signed and titled in English to lower margin, also signed and titled in Japanese, image size 8.25 x 12.25 inches, full sheet 9.75 x 13.75 inches, unframed. Toshi Yoshida was the son of the famous woodblock artist Hiroshi Yoshida.

Lot: 334 - Toshi Yoshida Morinji in Spring Signed Color Woodblock

Yoshida, Toshi (Japanese, 1911-1995), Morinji in Spring, 1951, color woodblock on handmade paper, signed and titled in English to lower margin, artist's chop in the image lower right, image size 9.75 x 14.75 inches, full sheet 10.75 x 15.75 inches, unframed. Toshi Yoshida was the son of the famous woodblock artist Hiroshi Yoshida.

Lot: 335 - Japanese Satsuma Porcelain Meiji Koro

Japanese Satsuma porcelain Koro, Meiji Period. Lid surmounted by a Komainu bearing teeth, on a tripod base, intricate gilt moriage details, polychrome depictions of figures engaging in social activities. Supported by three feet. Marked at underside. 10 x 6.5 x 5.5 inches.

Lot: 336 - Antique Buddha with Partial Polychrome Finish

Antique Asian or Chinese School, Buddha holding a Book, 24 inches, wood with partial polychrome finish. Provenance: acquired in Taiwan.

Lot: 337 - Elaborately Embroidered Chinese Child's Robe with Batwing design

Embroidered Chinese Child's Robe with repeating Batwing design framed in a shadow box, acquired in Taiwan by the consignor, 26 x 21 inches , Plexi box measures 30.75 x 22.5 x 2 inches.

Lot: 338 - Framed Japanese Scroll of Women Engaged in Various Tasks

Late 19th or 20th Century Japanese Scroll Painting School, Women Engaged in Various Domestic Work and Tasks, watercolor, gouache, and ink on raw silk, three sections each 13 x 62inches, 18 x 70 framed each panel , framed to be displayed with each panel mounted horizontally one over another, framed in Japan in the 1960's.

Lot: 339 - Vintage Ngala Execution Knife on stand

Central African Peoples Ngala Banza Execution Knife on stand, copper, wood and wound rope, 31 inches tall including custom built stand, dating from first half of the 20th Century

Lot: 340 - Topoke Iron Currency Democratic Republic of Congo

Late 19th or Early 20th Century African Turumbu Iron Spear Tribal Currency Liganda on custom fitted stand, 57 inches tall, Provenance: acquired by a well informed collector of African Tribal Artifacts in New York prior to 1985

Lot: 341 - Ngelima Copper Currency Democratic Republic of Congo/Zaire

Ngelima copper currency Democratic Republic of Congo or Zaire, copper corkscrew currency on a fitted steel stand, 37 inches tall, Provenance: acquired by a well informed collector of African Tribal Objects in NYC prior to 1980

Lot: 342 - Mfumte and Idoma Iron Currency Objects with Fitted Stands

Mfumte iron currency (Cameroon),Nigerian hoe money but researchers now say Mfumte currency, not a tool as previously thought 27.25 inches tall, Idoma iron currency (Nigeria) 27.75 inches tall.

Lot: 343 - Peruvian Sican Culture Effigy Vessel

Sican Culture, Peru, Human Effigy Vessel, figure holding deer like antlered animal, old seller's note dates it to circa 900-1200 AD but we can not confirm, height 12 inches.

Lot: 344 - Mexican Retablo on tin Crucifixion

19th Century or first half of 20th Century Mexican School, Retablo, La Cruz de las Animas, Cross with Crucifixion Scene and Burning Saints, oil on metal, (tin), 13.75 x 9.5 inches, framed measuring 17 x 13 inches , Provenance: Galleria Atotonilca, San Miquel de Allende, Mexico.

Lot: 345 - Mexican Retablo Painting on tin Saint Librata

19th Century or first half of 20th Century Mexican Retablo, Saint Librata/Wilgefurtis, Crucifixion Scene with Robed Saint and a Garlanded Cross, oil on metal, (tin), 14 x 10 inches, framed measuring 16 x 12.25 inches , Provenance: Galleria Atotonilca, San Miquel de Allende, Mexico.

Lot: 346 - Mexican Retablo San Francisco da Paula

19th Century or first half of 20th Century Mexican School, Retablo, San Francisco da Paula, Half Length Portrait of the Haloed Saint dispensing Caridad (Charity) , oil on tin, 14 x 10 inches, framed measuring 18.25 x 14.25 inches, Provenance: Galleria Atotonilca, San Miquel de Allende, Mexico.

Lot: 347 - Mexican Retablo Painting on tin, St. Camillus De Lellis

19th Century or first half of 20th Century Mexican Retablo, St. Camillus De Lellis, Saint Visiting The Sick Man with The Devil's Workers lurking around , oil on metal, (tin), 14 x 10 inches, framed measuring 17.5 x 13.5 inches, Provenance: Galleria Atotonilca, San Miquel de Allende, Mexico.

Lot: 348 - Mexican Retablo La Sagrada Familia

19th Century or first half of 20th Century Mexican School, La Sagrada Familia, The Holy Family , oil on metal, (tin), 13.5x 9.8 inches, framed 17 x 13 inches, Provenance: Galleria Atotonilca, San Miquel de Allende, Mexico.

Lot: 349 - 17th century Dutch School Still Life with Birds and Fruit

17th century Dutch School, Still Life with Birds and Fruit, oil on canvas, since laid down on board, dated 1615 along with an illegible cypher by an unknown hand lower left, 16 x 19 inches, framed 19.5 x 22.5 inches. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 350 - 19th Century American Hudson River School oil Landscape

19th Century American / Hudson River School, Stream in The Forest, oil on canvas, 18 x 24 inches, previously attributed to George Hetzel (Western PA, 1826-1899). Provenance: McCann Family of Pittsburgh, circa 1882; The Estate of Daniel R. Lovette.

Lot: 351 - American Folk Portrait in the style of Zedekiah Belknap

19th century American Folk School, done in the style of Zedekiah Belknap, Portrait of a Lady Reading the Bible, undated, oil on wood panel, unsigned, 27 x 22.5 inches, in a gold painted wood frame 31 x 26.5 inches. The figure, wearing a lovely lace collar and sitting in a decorated wood chair, is reading from the Book of John in the New Testament. Provenance: A Western PA private collection.

Lot: 352 - George Arnold-Grabone Mountain Scene Oil on Canvas

Arnold-Grabone, George (German, 1896-1982), Mountain Scene, mid 20th century, oil on canvas with heavy impasto, signed lower left, illegible gallery label affixed to the verso, 20 x 24 inches, in a wood frame 25.25 x 29.25 inches.

Lot: 353 - Theresa Bernstein oil Waterfront with Artist and Boats

Bernstein, Theresa Ferber (American, 1891/95-2002) , Waterfront with Artist and Boats, (probably Gloucester, Massachusetts), oil on canvasboard, 20 x 24 inches, signed Bernstein lower left, Provenance: The Estate of Daniel R. Lovett, framed measuring 23 x 27 inches.

Lot: 354 - Hans Bertle Oil on Canvas Glade in the Forest

Bertle, Hans (German/Austrian, 1880-1943), Glade in the Forest, 1910, oil on canvas, signed and dated lower left, 19.5 x 26.5 inches, in a painted wood frame 24 x 31.5 inches.

Lot: 355 - Rene Billotte Twilight at La Garenne-Bezons Oil on Canvas

Billotte, Rene (French, 1846-1914), Twilight at La Garenne-Bezons, undated, circa 1890s, oil on canvas, signed lower left corner, 18.5 x 25.25 inches, framed 21 x 27.5 inches. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium. Remnant of an old title label on the stretcher bar.

Lot: 356 - J. Lloyd Bond 1875 Walking Along the River Path

Bond, J. Lloyd (British 19th c.), Walking Along The River Path, 1875, oil on canvas, 20 x 36 inches, signed and dated lower center, framed in a Victorian style frame measuring 26 x 42 inches

Lot: 357 - Isidore Bonheur Charging Bull Sculpture

Bonheur, after Isidore, Charging Bull, undated, spelter sculpture (i.e., not bronze), signed on the base, 12 x 20 x 7 inches, mounted to a newer black stand. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 358 - Cognac Jacquet Poster circa 1920 by Camille Bouchet

Bouchet, Camille (French, 1799-1890), Cognac Jacquet, produced circa 1920s by Vercasson (Paris), 60.5 x 46 inches, A colorful French language work advertising for a brand of French cognac brandy. Depicting a large peacock bird, seated on a mantel top with bottle of liquor displayed. Artist signed in the plate to lower right. framed measuring 63 x 49 inches.

Lot: 359 - Charles H. H. Burleigh oil on board Nude in Upholstered Lounge Chair

Burleigh, Charles H. H. (British, 1875-1956), Nude on Upholstered Lounge Chair, oil on board, 16 x 13 inches, signed lower right corner, framed measuring 19.25 x 15.25 inches.

Lot: 360 - Antique Old Master Engraving attributed to Carracci

Carracci, attributed to Agostino (Italian, 1557-1602), Mythological Scene, possibly Venur, Amor and Mars, early 17th century, engraving on paper with thread margins, 5 x 3.75 inches, floated in a frame 21 x 18 inches, according to an old seller's note on the back of the frame there is an indecipherable ink inscription and a collector's stamp on the verso, but we have not taken it out of the frame the inspect or verify.

Lot: 361 - Cows and Goat with Landscape attrib to Victor-Emile Cartier

Cartier, attributed to Victor-Emile (French, 1811-1866), Cows and Goat Grazing with Landscape, mid 19th century, oil on canvas, relined, signed lower left, 23.5 x 32 inches, in a gilt plaster and wood frame 30 x 38 inches. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 362 - After Pieter Cramer 3 Sheets from De Uitlandsche Kapellen

Cramer, after Pieter (1721-1776), 3 plates from De Uitlandsche Kapellen in a single frame, hand-colored engravings, 11.5 x 8.5 inches, each frame 18 x 37 inches.

Lot: 363 - W.J. Crampton Landscape with Stream, Cattle and Figures

Crampton, William James Smith (British, 1855-1935) , Landscape with Stream, Figures, Dog, Cattle, and Birds in Flight, c. early 20th century, oil on board, signed lower right, 10 x 18 inches, in a modern frame 12.5 x 20.5 inches.

Lot: 364 - John Philip Falter Oil on Board Helen Sarah Jackson Portrait

Falter, John Philip (American, 1910-1982), Portrait of Helen Sarah Jackson, late 1920s to early 1930s, oil on canvas affixed to cardboard. Together with a copy of a photo of the artist with the original owner of the piece, as well as a letter from the artist to the original owner. An early example of the painter and illustrator's work, a portrait of his high school classmate, completed during his early college years. Canvas 12.25 x 10 inches, in black plastic frame 12.5 x 12.25 inches. Provenance: The piece was given to the consignor's father, who was a close friend of Falter.

Lot: 365 - Dan Sayre Groesbeck vintage poster Shall we be more tender

Groesbeck, Dan Sayre (American 1878-1950),Shall we be more tender with our dollars than with the Lives of our sons / 2nd Liberty Loan. Chicago: Illinois Litho Co., 1917. Striking WWI war bond poster featuring Uncle Sam in front of American troops. 29.5 x 19.5 inches, in a black wood frame 31 x 21.75 inches.

Lot: 366 - Esther M. Groome watercolor Sailboats Gloucester

Groome, Esther M. (American, 1857-1929), Sailboats Gloucester Harbour, watercolor and gouache, 9.5 x 6.75 inches, signed twice along the lower edge, framed measuring 24.5 x 21.5 inches, Provenance: The Estate of Daniel A. Lovett.

Lot: 367 - Charles Gruppe The River Bank Oil on Board

Gruppe, Charles P. (American, 1860-1940), The River Bank, c. early 20th century, oil on board, signed lower left, titled on the verso, 7.75 x 11 inches, in a period gilt wood frame 11 x 14.75 inches.

Lot: 368 - Impressionistic Landscape attrib to Armand Guillaumin

Guillaumin, attributed to Jean-Baptiste Armand (French, 1841-1927), Impressionistic Landscape with Figure at the Pond, early 20th century, oil with impasto on canvas, unsigned, perhaps a study for a larger painting, Guillaumin is written on the stretcher bar in an unknown hand, 13 x 18 inches, in a period gilt wood frame 17 x 22 inches. Provenance: private collection, Western PA.

Lot: 369 - Willem Van Hasselt AWS watercolor Obidos Portugal

Hasselt, AWS, Willem Van (Dutch, 1882-1963), Obidos Portugal, undated, watercolor, 14 x 21.25 inches, signed and titled lower left, framed measuring 22 x 30 inches.

Lot: 370 - Patrick von Kalckreuth oil Ocean Seascape

Kalckreuth, Patrick von (Germany 1892/98-1970), Ocean Seascape, oil on canvas, 24 x 36 inches, signed lower right, framed in a scrolling and gilded wood frame measuring 31 x 43 inches.

Lot: 371 - Benjamin D. Kopman color pastel Seated Man

Kopman, Benjamin D. (Russian/American, 1887-1965),Seated Man, color pastel and crayon, 17 x 14 inches, signed lower left, Provenance: G. David Thompson, Pittsburgh, PA., framed measuring 33 x 28 inches.

Lot: 372 - Benjamin D. Kopman oil Soldiers on Outskirts of Town

Kopman, Benjamin D. (Russian/American, 1887-1965),Soldiers on Outskirts of Town, 1938, oil and mixed media on canvas wrapped around a board, 22 x 30 inches, signed Kopman 38 upper left and signed and dated on the reverse of the board, in a flat panel gilded frame measuring 36 x 45 inches. Provenance: G. David Thompson, Pittsburgh, PA.

Lot: 373 - After Elisabeth Vigee Le Brun Self-Portrait at Easel in Exquisite Frame

Le Brun, after Elisabeth Vigee (French, 1755-1842), Self Portrait at the Easel, late 19th or early 20th century, after the original of 1790, oil on canvas, laid down on a backing board, unsigned, board 41.5 x 34.75, in an ornate and exquisite gold painted carved wood frame 53.5 x 46.5 inches. Provenance: Private collection, Pittsburgh, PA; Wunderly Galleries, Pittsburgh, PA. A lovely copy of this double portrait, showing the artist at work painting a portrait of her Queen, Marie Antoinette. The original painting hangs in the Uffizi, Florence, Italy.

Lot: 374 - Etching of Baudelaire by Edouard Manet c.1865

Manet, after Edouard, Portrait of the poet Charles Baudelaire, etching on paper, c.1865, signed in the plate, Peint et Grave part Manet, Imp. A. Salmon at lower edge, 3.5 x 3 inches, matted and framed 25.5 x 18 inches.

Lot: 375 - 2 McKenney & Hall Native American lithographs

McKenney & Hall, Pair of prints: Wa-Na-Ta, Grand Chief of the Sioux and Okee-Makee-Quid a Chippeway Chief, circa 1840, hand colored lithographs, 16 x 9 inches, (folio size),Native American lithograph is from Thomas L. McKenney & James Hall’s History of the Indian Tribes of North America. These lithographs were published in Philadelphia by Daniel Rice and James Clark between 1842 and 1844. Frames 22.5 x 17.5 inches. Provenance: The Estate of Pauline F. Mullins.

Lot: 376 - Pair of Pierre Jules Mene Bronze Whippet Sculptures

Mene, after Pierre Jules (French, 1810-1879), Pair of cast bronze sculptures: Whippet Catches a Snake and Whippet and the Birds Nest, undated, 5.25 x 9.5 x 4 inches and smaller, both mounted to newer marble stands. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 377 - Pierre Jules Mene Bronze Sculpture Dogs on the Hunt

Mene, after Pierre Jules (French, 1810-1879), Three Dogs at the Hunt, undated, cast bronze sculpture, signed on the base, 7.25 x 14 x 6 inches, since mounted to a newer marble stand. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 378 - Pierre Jules Mene Bronze Sculpture Dogs and Pheasant

Mene, after Pierre Jules (French, 1810-1879), Two Dogs Hunting a Pheasant, undated, cast bronze sculpture, signed on the base, 8 x 16 x 8 inches. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 379 - William Meyerowitz oil Fishing Port probably Gloucester

Meyerowitz, William (American, 1887-1981), Fishing Port, (probably Gloucester, Massachusetts), oil on canvasboard, 20 x 24 inches, signed lower right, Provenance: The Estate of Daniel R. Lovette , framed measuring 23.5 x 27.5 inches.

Lot: 380 - G. Moffat 1899 Oil on Canvas Sailboat Race

Moffat, G. (British/Scottish/Irish, 19th/20th century), Sailboat Races plus Two Steamships, 1899, oil on canvas, signed and dated lower right, 13 x 21.5 inches, framed 17.5 x 26 inches. The Ulster Museum in Belfast, Ireland, has a 1913 painting of the Titanic by G. Moffat in their permanent collection. Otherwise, very little information about the artist is available. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 381 - Jules Moigniez Sandpiper Regarding a Worm Bronze

Moigniez, after Jules (French, 1835-1894), Sandpiper Regarding a Worm, undated, cast bronze sculpture, signed on base, 8.5 x 7 x 3.5 inches, mounted to a newer marble stand. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 382 - Mary Morrow Murtland Still Life with Bible and Flowers 1875

Murtland (Scully), Mary Morrow (American/Pittsburgh, 1853-1932), Still Life with Bible and Flowers, 1875, oil on canvasboard, signed and dated lower right, 20 x 26.5 inches, framed 23.5 x 30.5 inches. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 383 - Piranesi Etching of Acqua Felice from Views of Rome

Piranesi, Giovanni Battista (Italian, 1720-1778), Veduta del Castello dell'Acqua Felice [View of the Fountainhead of the Acqua Felice], mid to late 18th century, etching on laid paper, no watermark visible in the margins, impression 15.75 x 26.75 inches, full sheet 21 x 31 inches, unframed. A single plate from Vedute di Roma [Views of Rome], Piranesi's famous work, first printed in the late 1740s, showing Roman buildings, ruins and monuments, primarily marketed to European visitors on the Grand Tour. Provenance: from the collection of a retired librarian of art and architecture.

Lot: 384 - Piranesi Etching of Capitoline Hill from Views of Rome

Piranesi, Giovanni Battista (Italian, 1720-1778), Veduta del Romano Campidoglio con Scalinata che va alla Chiesa d'Araceli [Capitoline Hill with the Steps to S. Maria in Aracoeli], mid to late 18th century, etching on laid paper, no watermark visible in the margins, impression 15.75 x 21.25 inches, full sheet 20.5 x 27.25 inches, unframed. A single plate from Vedute di Roma [Views of Rome], Piranesi's famous work, first printed in the late 1740s, showing Roman buildings, ruins and monuments, primarily marketed to European visitors on the Grand Tour. Provenance: from the collection of a retired librarian of art and architecture.

Lot: 385 - Piranesi Etching Arch of Constantine from View of Rome

Piranesi, Giovanni Battista (Italian, 1720-1778), Veduta dell'Arco di Constantino [View of the Arch of Constantine], mid to late 18th century, etching on laid paper, no watermark visible in the margins, impression 19 x 28 inches, full sheet 21.25 x 31.25 inches, unframed. A single plate from Vedute di Roma [Views of Rome], Piranesi's famous work, first printed in the late 1740s, showing Roman buildings, ruins and monuments, primarily marketed to European visitors on the Grand Tour. Provenance: from the collection of a retired librarian of art and architecture.

Lot: 386 - Princess Alexandra Victoria landscape watercolor Schleswig-Holstein

Princess Alexandra Victoria of Schleswig-Holstein-Sonderburg-Glucksburg (German, 1887-1957), Landscape from Porch of Schleswig-Holstein-Sonderburg-Augustenburg, 1948, watercolor, 23 x 27.5 inches, signed, titled, and dated lower right, framed in a gilded wood frame and French Mat measuring 30 x 36 inches, Provenance: The Estate of Daniel R. Lovette. Princess Caroline Mathilde of Schleswig-Holstein-Sonderburg-Augustenburg (Viktoria Friederike Auguste Marie Caroline Mathilde; 25 January 1860 - 20 February 1932) was the second-eldest daughter of Frederick VIII, Duke of Schleswig-Holstein and his wife Princess Adelheid of Hohenlohe-Langenburg.

Lot: 387 - Edouard Alexandre Sain Charcoal Nude Study 1847

Sain, Edouard Alexandre (French, 1830-1910), Male Nude Study, 1847, charcoal drawing on handmade paper, signed, dated Aout [August] 14, 1847, and inscribed Ecole Royale lower right, sheet size 24 x 18.5 inches, unframed. A very early student work by this famous 19th century French painter, predating any of his drawings sold at auction by over a decade. Sain entered the Ecole nationale superieure des Beaux-Arts (now known as the Beaux-Arts de Paris and first known as the Academie royale de peinture et de sculpture) in 1847, the same year of this drawing. Appears to be inscribed Norman in a later hand on the left margin.

Lot: 388 - Frederick Spang Full Length Portrait of a Boy 1885

Spang, Frederick (American, 1834-1891), Full Length Portrait of a Boy with his Toys, 1885, oil on canvas, signed and dated lower left, 36 x 26 inches, framed 39.5 x 29 inches. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 389 - John Stobart Nantucket in 1835 with Remarqued Pencil Drawing

Stobart, John (British, 1929-2023), Nantucket: The Celebrated Whaling Port in 1835, 1974 print after the original painting from 1972, offset lithograph in colors, this is one of 100 remarqued copies that includes a drawing in pencil of a large ship in the lower left margin that has been initialed and numbered 82/100, additionally signed and numbered 82/750 in the lower right corner, image 20.25 x 33.75 inches, matted and framed 33.5 x 44.75 inches.

Lot: 390 - Dwight William Tryon Tonalist Landscape 1887 Oil on Panel

Tryon, Dwight William (American, 1849-1925), Tonalist Landscape at Night, possibly titled Late October, 1887, oil on wood panel, signed and dated lower left, the words "Late Octo" discernable on the verso by an unknown hand, panel 13.5 x 10.5 inches, in a gold painted frame 20.25 x 16.75 inches. Provenance: A Western PA private collection; two heavily discolored labels on the back of the frame. One of Tryon's famous tonalist landscapes, influenced by the Barbizon School. He showed in the Carnegie Internationals in Pittsburgh in 1896 and 1898-1900, winning one of the main prizes in both 1898 and 1899.

Lot: 391 - Fritz White bronze Man of Two Spirits

White, Fritz (American, 1930-2010), Man of Two Spirits, undated, cast bronze on wood base, 12.4 inches tall, with marks on head reverse FW, copyright, and "0". This was the only cast this cataloguer was able to find of this apparently very rare or unique bronze developed by White early in his career, before truly producing in earnest. Alluded to in the title, Man of Two Spirits represents a queer member of The Blackfeet Tribe.

Lot: 392 - Charles L. Wrenn Wrangling a Bull Ace High Sculpture

Wrenn, after Charles L., Wrangling a Bull, metal sculpture made as an advertisement for Ace High Magazine, a mid century Western pulp, signed on the base, and Cowboy Stories / Ranchland Stories / Ace High Magazine / Ranch Romances along the lower edge, 7 x 13.5 x 7 inches. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 393 - Portrait of a Gentleman late 18th or early 19th oil ptg

Late 18th or early 19th century Portraiture School, Portrait of a Gentleman, unsigned, subject not identified, oil on canvas, since relined, 24 x 18 inches, framed 32 x 26 inches. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 394 - Italian School oil Along The Grand Canal 1888

Late 19th Century Italian School, Along The Grand Canal, 1888, oil on canvas, 16.5 x 30.25 inches, signature obscured but date is still partially legible, framed in a period gilded wood frame with fluted edges measuring 21 x 34.5 inches

Lot: 395 - Antique Self Taught Naive oil on Canvas Bathing Venus

Late 19th/Early 20th Century American School, Bathing Venus, indistinctly signed in the lower left, oil on canvas, relined, 30 by 20 inches.

Lot: 396 - 20th Century Turkish Kilim Rug

20th century Turkish Kilim rug. In cranberry, reds, browns, oranges, and blues.58.5 x 35.5 inches.

Lot: 397 - 20th century Native American Runner

20th century Native American runner. White ground, black border, grey, black, brown, and orange geometric designs. 83.25 x 43 inches.

Lot: 398 - 20th Century Turkish Kilim Rug

20th century Turkish Kilim rug. Center in deep red, borders in neutrals with geometric designs. Ends in blue, green, brown, and cream stripes. 62 x 41.25 inches.

Lot: 399 - 20th Century Persian Carpet in Blues, Greens, and Cream

20th century Persian carpet. In black, blues, greens, and creams. Floral motifs with center medallion. 58.5 x 40.5 inches.

Lot: 400 - 20th Century Chinese Peking Pictorial Carpet

20th century wool Chinese Peking pictorial carpet. In blues and whites, tree, deer, and fruit basket motifs. 51 x 26.5 inches.

Lot: 401 - Gendje Boteh Carpet Runner

Geometric Gendje boteh carpet runner. Blue ground with geometric boteh motif at center. 139 x 36 inches.

Lot: 402 - 20th Century Persian Carpet Runner

20th century Tabriz runner. Red ground with octagonal designs in blues, yellow, reds, greens, and orange. Cranberry and cream border. 130 x 48.5 inches.

Lot: 403 - Persian Sultanabad Room Sized Carpet

20th century Persian Sultanabad room sized carpet. All over design, deep blue ground with intricate designs in several colors. Red ground border lined in cream ground. 138 x 107.5 inches.

Lot: 404 - French Aubusson style carpet French designer Henri Samuel

Hand sewn needlepoint wool French Aubusson style carpet in the style of French designer Henri Samuel. Measuring 9 feet and 6.5 inches x 7 feet and 9.5 inches. Needlepoint, all wool, all handmade.

Lot: 405 - French Aubusson style handsewn wool carpet French designer Henri Samuel

hand sewn needlepoint wool French Aubusson style carpet in the style of French designer Henri Samuel. Measuring 9 feet and 6.5 inches x 7 feet and 9.5 inches. Needlepoint, all wool, all handmade.

Lot: 406 - French Aubusson Style center floral Rose medallion

French Aubusson Style center floral Rose medallion with extensive garlands of roses red and pink measuring 158 x 109 inches, with attached label Exclusively antiqued in The United Kingdom, USA Bale 14.

Lot: 407 - Vintage Indian Bijar Hand Knotted Wool Carpet

Vintage Indian Bijar Hand Knotted Carpet, all wool, mid 20th century, a few old tags attached, edges with leather strips on underside, 64 x 36.5 inches.

Lot: 408 - Vintage Persian Hamedan Hand Knotted Wool Carpet

Vintage Persian Hamedan (Hamadan) Hand Knotted Carpet, all wool, mid 20th century, 66 x 42 inches.

Lot: 409 - 20th Century Heriz Room Size Carpet

Heriz room size carpet, 20th century. Black, browns, greys, and pinks on a deep red ground. 153 x 110.5 inches.

Lot: 409A - Room Sized Turkish Kilim Likely Late 19th Century

Room sized Turkish Kilim, likely late 19th century. Blue to green, yellow, off-white accents on red-orange ground. Apparently unlabeled. 142 x 113 inches.

Lot: 409B - Vintage Persian Carpet 20th Century

Vintage Persian rug, 20th century. Geometric and floral designs in blues, black, pinks, and browns on red ground. Apparently unlabeled. 78 x 49 inches.

Lot: 409D - Hand Knotted Persian Wool Palace Sized Carpet Iranian

100 percent virgin lamb wool Persian palace sized carpet, 20th century, Iran. Floral and foliate motifs in blues, pinks, and golds on cream ground. Label at underside. 163 x 120 inches.

Lot: 410 - 18th Century Tall Case Clock James Wilson Moon Phase Dial

Tall Case Clock (Grandfather Clock), late 18th century, after 1780. James Wilson (Birmingham, England) hand painted enamel dial. Moon phase dial plate stamped Wilson-Birm verso. False plate stamped Wilson. Brass movement is apparently unmarked. Swan neck pediment with urn form finials. Bonnet with four turned columns. Case maker not known. Several family names and dates incised on the pendulum. 93 x 20 x 11.5 inches. Provenance: The Estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 411 - Jacob Moyer Skippackville Tall Case Clock c.1830s Eastern PA

Eastern Pennsylvania Tall Case Clock (Grandfather Clock), made by Jacob Moyer (1813-1882) of Skippackville, PA, a small town in Montgomery County now known simply as Skippack, c.1830s or 1840s, maker's name on face, painted moon, ship and house on upper spinning mechanism, two globes at top, fruit and cornucopia at each corner, main dial plus smaller ones for day of the week and date. Newer body, bonnet and movement. Includes 3 older lead weights, circular pendant and winding key. Cabinet key also present.91 inches tall. 20.5 inches at widest point. 10.5 inches deep. Very little info is available about Moyer. He is listed in the article Early Pennsylvania Clocks and their Makers by Fred C. Sweinhart, published in the Montgomery County Historical Society Bulletin in 1941. Apparently, he was a Pennsylvania German Baptist who had a brief career as a clock maker, before marrying his second wife, a Mennonite woman named Christina Price, and returning to farming to support their twelve children. The 1899 book A Brief History of Bishop Henry Funck and Other Funk Pioneers lists his profession as "Clock-maker, afterwards farmer."

Lot: 412 - Jimmy Carter Man in Car Doodle and Autograph 1999

Carter, Jimmy, Man in a Car Driving off a Cliff, 1999, ink on paper, signed and dated lower right, full sheet 11 x 8.5 inches. Provenance: purchased from the Celebrity Doodles Fundraiser Auction of the Sewickley Library, April, 1999; includes a newspaper article previewing the auction that mentions this drawing and speculates that it might be "a metaphor for America's feelings of malaise." Jimmy Carter was President of the United States of America from 1977-1981.

Lot: 413 - John F. Kennedy Senate Note with Prophetic Content c.1955

John Fitzgerald Kennedy, Pencil Note and Small Doodle on United States Senate stationery, undated but likely 1955, sheet 10.5 x 8 inches, not signed, 3 line note, the number 9477 and a small doodle all in JFK's hand, including the eerily prophetic request for a copy of The Day Lincoln Was Shot by the author and journalist Jim Bishop. The book was released in January of 1955. He also writes Call Dan Flood, the congressman from Pennsylvania. Provenance: from the collection of the late Ohio U. S. Representative Michael J. Kirwan (1886-1970), who was a longtime friend of President Kennedy; gifted from Kirwan to his neighbor and protege, the presidential historian John Burke Jovich. The piece has been examined by JFK's personal secretary, Evelyn Lincoln, whose expertise on his handwriting is unsurpassed. Needless to say, the historical significance of this item can not be overstated as it connects two of America's presidents that were killed by an assassin's bullet.

Lot: 414 - Bowles's New Map of The Independent States 1796

Bowles's New One-Sheet Map of the Independent States of Virginia, Maryland, Delaware, Pensylvania (sic), New Jersey, New York, Connecticut & Rhode Island. &c. Comprehending also the Habitation & Hunting Countries of the Confederate Indians, 1796, hand colored copper engraving, originally drawn by Lewis Evans, this is the updated post-Revolutionary War edition showing a young America, published by Bowles and Carver, London, image size 19 x 25 inches, matted and framed 29 x 34.5 inches. Notable for its references to petroleum along the Ohio River, and, for local interest, the annotation "Ft. du Quesne destroyed 1758 now calld Pitsburg" at the confluence of the Three Rivers. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 415 - 75 Antique Arrowheads in Framed Shadowbox Display

75 Antique Arrowheads in Framed Shadowbox Display, unknown origin, 17 x 23 inches. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 416 - British Victorian Sailor's Woolwork Woolie Panel

Victorian British Sailor's Woolwork Panel or Woolie, 19th century, 15.5 x 22.5 inches, framed 18 x 25 inches, depicting a three-mast vessel and a smaller sailboat. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 417 - William Macquoid 5 Gallon Stoneware Crock NYC

5 Gallon Stoneware Crock by William Macquoid of New York City, 1860s or 1870s, folksy grapevine design in blue, maker's name stamped at top: W. A. Macquoid and Co., New York, Little West 12t ST., 5. Height is 16 inches, diameter of base 10.25 inches. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 418 - Antique American Large Glazed Stoneware Jug

Antique American Large Glazed Stoneware Handled Jug, mid 19th century, no maker's marks, beautiful multi-color glaze, height 15.5 inches, base diameter 10.75 inches. Provenance: The estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 419 - 2 Bronze Casket Boxes, Erhard and Sohne, Gothic Revival

Lot of 2 bronze casket reliquary boxes. Includes: Early 20th Century Erhard & Sohne Bronze Casket Box, Germany, marked at underside, 3 x 7.75 x 6 inches; 19th Century Gothic Revival Bronze Casket Reliquary Box, 3 x 11.5 x 3.5 inches. Provenance: The Estate of Donald T. Mervine, Western Pennsylvania, sold to benefit the Pittsburgh Zoo and Aquarium.

Lot: 420 - Continental Carved Wood Mourning Madonna Figure

Continental carved wood figure of the mourning Madonna, likely 17-19th century. Apparently unsigned and unmarked. 27 x 10 x 8 inches.

Lot: 421 - 6 Sterling, Mother of Pearl, Tortoise Calling Card Cases

Lot of 6 antique and vintage calling card cases. Includes: Victorian tortoise shell case with button release and paper lining, 3.5 inches; Victorian mother of pearl diamond pattern and tortoise shell framed case with button release and velvet lining, 3.5 inches; Victorian diamond pattern mother of pearl case with button release and velvet lining, 3.75 inches; American early 20th century sterling silver case with scrolling hand chased motif at front, 1.75 inches; T.W. & Co case with chain, hand chased 'Maggie' within a shield at front, 3.5 inches; 1930s Art Deco sterling silver English case with gilt wash interior, monogrammed at interior, 3.25 inches.

Lot: 422 - 6 19th Century Snuff Boxes

Lot of 6 19th century and later snuff and match boxes. Includes: early 19th century snuff box with button release, rectangular, paper lines, raised on 4 bone ball feet, 1 x 2.75 x 1.25 inches; carved rectangular snuff box with fine inlay at lid, 0.5 x 2.75 x 1.5 inches; wooden snug box with ovate inlay, 0.5 x 3.25 x 2 inches; black lacquer snuff box with inlay, 0.75 x 2.25 x 1.25 inches; black lacquer snuff box with inlay, 0.75 x 2.75 x 1.5 inches; metal matchbox with scrolling motif at lid, 0.5 x 3 x 1.75 inches.

Lot: 423 - American Needlepoint Sampler Wrought in 1817

American Needlepoint Sampler, wrought by 13 year old Serafina Waters in the year 1817, includes alphabet, numbers and floral decorations, 9.75 x 10.5 inches, framed 10.5 x 11.25 inches. Provenance: Mrs Henry A. Phillips (niece of Serafina) then by descent through the Philips and Grosvenor families.

Lot: 424 - 2 pc Porcelain Urns, Gilman Collamore and Capodimonte

2 porcelain urns. Gilman Collamore & Co. porcelain small urn, American, New York, late 19th century. Cream ground with cobalt accents and gilt moriage in a floral and foliate motif, 5 x 4.5 inches. Capodimonte porcelain footed potpourri urn, Italian. Pierced elements, surmounted by a corn on lid, Knights in battle in relief at sides. Raised on three feet, 12 x 5 inches.

Lot: 425 - Brass Fire Screen Depicting a Knight on Horseback

Brass fire screen depicting a knight on horseback with peasants against a townscape in relief. Apparently unmarked. 29 x 24 x 6 inches.

Lot: 426 - Hires Root Beer pressed tin advertising sign

20th century Hires Root beer Painted & Embossed Tin Metal Sign. Rectangular single sided sign reads "Hires R-J Root Beer With Real Root Juices (Reg. U.S. Pat. Off.) In Bottles-Ice Cold". 30 x 47.25 inches,

Lot: 427 - Pair of Carl Kauba Art Nouveau Bronze Vases

Pair of bronze figural vases by Carl Kauba, depicting nude figures (reminiscent of Botticelli's Birth of Venus), inscribed with artist's name and stamped Geschutzt 4156 on both, also with T stamps to undersides, height 9.25 inches. Provenance: purchased in 1900 from American Speciality Co., New York, 1900, with original receipt.

Lot: 428 - Imari Porcelain Vase Lamp Mounted with Brass Elements

Mid to late 20th century Imari porcelain vase lamp. Neck flanked with brass satyrs, fluted element near base, four brass mascarons surrounded by foliate motifs, four brass sphynx at each corner, raised on a carved plinth. Fitted with two light sockets. Surmounted by a carved stone finial. Apparently unlabeled and unmarked. 32.5 x 11 x 8.5 inches.

Lot: 429 - William and Mary Oyster Burl Walnut Chest of Drawers

Finely figured burl oyster veneer English chest of drawers. Two short drawers above three graduated long drawers with engraved brass pulls and lock escutcheons and lock mechanisms, fine interlaced string inlay in roundels and cross banded inlay on the top surface and side panels of the case, all resting on bracket feet. Likely late 17th century with later added elements. 36 x 37.75 x 22.75 inches. Provenance: From the estate of Barbara Frazer Lowe, Sewickley, PA.

Lot: 430 - Late 20th Century Maitland Smith Writing Desk

Maitland-Smith writing desk in flame mahogany, late 20th century. Brass gallery, several drawers, tooled leather writing surface, satinwood banded inlay throughout. Maitland Smith logo plaque at inner drawer. Measures 39.5 x 44 x 28 inches.

Lot: 431 - 4 painted Arts and Crafts Chairs with new upholstery

4 painted Arts and Crafts Chairs with paw feet and carved leaf back splat finials, newly upholstered, 44.75 x 18.25 x 19 inches.

Lot: 432 - Manner of Daniel Mack Saw Back Folk Art Chair

Folk Art chair, late 20th to early 21st century, borrowing design elements from furniture designer Daniel Mack. Top rail fashioned from a hand planer, saw blade splat, natural plank seat surrounded by copper stripping, front legs fashioned from two hand braces and bits, stretchers formed from hammered wrought iron and copper piping. Horseshoes affixed to the stretchers at either side. Stiles and legs fashioned from natural wood logs. Apparently unmarked. 49.75 x 22 x 20 inches.