COLLECTIONS AND ESTATES AUCTION

Lot: 1 - BRUNO COTE (Canada, 1940-2010)

St. Fidele Winter scene sgn. and dated l.r. bruno Cote 88 also titled on reverse st fidele 1988; o/masonite; 20 by 24 in.; linen mat, framed 28 by 32 in. Canadian Gallery D’Art Vincent....Otttawa label on reverse

Lot: 2 - MAX AGOSTINI (Corsican/French, 1914-1997)

Northern Seine River view in Fall sgn. l.l. Max Agostini o/c; 19.75 by 25.5 in.; framed 27 by 32.5 in.

Lot: 3 - EMILE ALBERT GRUPPE (American/New England, 1896-1978)

birches along the road sgn. l.r. Emile A. Gruppe; also sgn. and titled on stretcher o/c; 30 by 25 in.; framed 34.5 by 29.5 in.

Lot: 4 - CALEB ARNOLD SLADE (Massachusetts, 1882-1961)

sailboats in the harbor sgn. l.r. C.A. Slade o/c; 29 by 39 in.; framed 35 by 45

Lot: 5 - ROGER E.LIOT GILSON (Massachusetts, 20th c.)

Lighthouse, Pumpkin Island, Maine sgn. l.r. Roger E Gilson o/c; 20 by 28 in; framed 26 by 34 in.

Lot: 6 - THOMAS R. CURTIN (Vermont, 1899-1977)

winter scene with stream and barn in distance sgn l.r., Thos R Curtin o/b; 10 by 14 in.; framed 12.5 by 16.5 in.

Lot: 7 - JOHN FREDERICK PETO (American, 1854-1907)

still life with pipe o/b (artist board with old Philadelphia label) inscribed in ink on reverse: “Painted by my father John F. Peto- Helen Peto Smiley” 6 by 9 in.; framed 11.5 by 14.5 in. Prov: Important American Paintings..., Parke-Bernet Auction, October 27/28 Doyle’s Auction 09PT01/53267/3, NYC; Owen Gallery label, 19 E. 75th St., NYC

Lot: 8 - MOSES SOYER (American/New York, 1899-1974)

two ballerinas sgn. l.r. M. Soyer pastel/ink wash/artist board; 18 by 12 in.; original painted frame 21.75 by 15.75 in. Moses Soyer was the brother of artist Raphael Soyer.

Lot: 9 - MOSES SOYER (American/New York, 1899-1974)

reclining woman sgn. u.l. M Soyer; written in ink on frame Moses Soyer “Judy” o/c; 12 by 16 in.; framed 18 by 21.75 in.

Lot: 10 - PAL FRIED (Hungary/American, 1893-1976)

model Nanette, Paris street cafe o/c; 24 by 30 in.; original 50’s frame 31 by 37 in.

Lot: 11 - JEAN JULES HENRI GEOFFROY (French, 1853-1924)

le lecon de musique sgn. and dated l.r. Geo 1901 o/c; 21.5 by 25.5 in.; ornate gilt frame 31 by 35 in. From the collection of a Brookline, MA couple.

Lot: 12 - JEAN JULES HENRI GEOFFROY (French, 1863-1924)

fillette pres de l’atre sgn. l.r. Geo o/p; 13 by 9.5 in.; ornate gilt frame 20 by 16.5 in. Kurt Shon Gallery Label: Vienna (established 1923) and New Orleans (est. 1953) From the collection of a Brookline, MA couple.

Lot: 13 - MARGUERITE GAMY-MONTAUT (French, 1878-1936)

Juvisy-Paris/de Lambert sur biplan Wright-Aeriel/Magneto Lavalette Eismann sgn. l.l. within the print Gamy / copyright - 09 Mabileau...Paris colored lithograph; 33.25 by 14.75 in.; matted, framed under glass 41 by 22.75 in. Marguerite was a turn of the century aviation and racing printmaker married to printmaker Ernest Montaut. She invented various artist techniques incl. deliberate distortion to denote speed, a technique used to this day. Gamy-Montaut prints document historical events in the early history of motorized transportation, including Power Boat Racing, Motorcycle and Motor Car Racing, Motor Car Touring, Zeppelins and Airplanes.

Lot: 14 - ANGELICA MARIA KAUFFMANN (Switzerland/England/Italy, 1741-1807)

three Muses sgn. l.m. ...Kauffmann o/metal; 12 in. diam.; 19th c. frame 15”sq., framers label on reverse....Wholesale Frame Maker and Print seller, Cheapest House for Shippers, Basinghall St., London From the home of a Cambridge, Massachusetts woman.

Lot: 15 - G. CETI (Italian, 19th c.)

A Questionable Document sgn. u.r. G. Ceti o/p; 17.5 by 13.5 in., framed under glass 23.5 by 19.5 in. Plaque on frame with title and artist.

Lot: 15A - GIUSEPPIE GALLI (Italy, 1866-1953)

interior courting scene sgn. l.r. Galli o/c; 24 by 18 in; original gilt frame 34 by 28 in. From a Massachusetts North Shore home.

Lot: 16 - JEAN FRANCOIS MILLET (French, 1814 - 1875) ETCHING

La Grande Bergere, 1862 sgn. in image l.l. J.F Millet etching in brown ink on paper; image size 12 by 9 in.; matted and framed under glass, 20.5 by 17in. Provenance: Bucknell Family, Philadelphia. Remained in the family to this time.

Lot: 17 - WILHELM HEINRICH DETLEV KOERNER (American, 1878 - 1938)

WHEN GENTLE FOLKS MEET, 1920 sgn, l.r, W.H.D.Koerner 1920; frame plaque; title and sgn in pencil on stretcher; 30 by 30 in.; framed 35.5 by 35.5 in. From the home of a Baltimore woman, purchased Schoonover Studios, Wilmington,Delaware. Koerner (”Big Bill”) was an illustrator best known for depicting the Wild West. His painting A Charge to Keep, was used as the cover for the same-titled biography of President George W. Bush. The actual painting hung in the Oval Office during the Bush administration.

Lot: 18 - HERBERT HERGET (Missouri, 1885-1950)

several Sioux on horseback sgn. l.r. H. Herget o/c (relined); 30 by 40 in.; framed 36 by 46 in.

Lot: 19 - EDWARD A. PAGE (American, 1850-1928)

counting the catch, Swampscott, Massachusetts sgn. l.r. E.A. Page o/c; 14 by 22 in.; framed 18.5 by 26.5 in.

Lot: 20 - CHILDE HASSAM (American/Boston, 1859-1935)

Tidal Dam and Bridge, Cos Cob, 1902 sgn.and dated l.l, Childe Hassam 1902; verso with multiple gallery and exhibition labels pastel on tan paper under glass; 17.5 by 21.75 in.; framed, 28 by 32 Provenance: Bernard Dannenberg Galleries, New York; Private collection, New Jersey, c. 1970 to present owner. This work will be included in the forthcoming catalog raisonne of Hassam’s work being prepared by Kathleen Burnside and Stuart Feld; reference number, 1902.025 Exhibitions: American Academy of Arts and Letters, NY, Exhibition of the Works of Childe Hassam, April 21 - October 21, 1927, #71 as The Tidal Dam and Bridges (pastel); University of Arizona Museum of Art, March 26 - April 30, 1972; Guild Hall Museum, East Hampton, New York, Childe Hassam: 1859-19365, March 21 - May 10, 1981, #42; Florence Griswold Museum, Old Lyme. Ct., Childe Hassam in Connecticut, December 11, 1987 - January 10, 1988. Exhibition traveled to the Greenwich Civiv Center, December 3-6, 1987; Montclair Art Museum, New Jersey, A Love Affair, 50 Years of Collecting American Art, September 18 - October 30, 1988, #52; Adelson Galleries, New York, American Works on Paper, 1880 - 1930, October 20 - December 19, 2009, #43, illustrated in color.

Lot: 21 - EDWARD GAY (American, 1837-1928)

man fishing at forest stream sgn. l.l. Edward Gay 24 by 29 in.; gilt frame 36.5 by 41.5 in.

Lot: 22 - HARRY ROSELAND (American, 1867-1950)

the fortune teller sgn. and dated u.l. Harry Roseland / 04 o/c; 10 by 14 in.; framed 15.5 by 19.5 in.

Lot: 23 - DARELL KOONS (American, 1924-2016)

mule team sgn. and dated l.l. Darell Koons ‘64 tempera/b; 13.75 by 29 in.; framed 18.5 by 33.5 in.

Lot: 24 - LAWRENCE MAZZANOVICH (North Carolina/Connecticut, 1871-1959)

landscape with meadow and house in distance sgn. l.r. Mazzanovich o/c; 26.5 by 29.5 in.; framed 33 by 36 in.

Lot: 25 - HAROLD EUGENE EDGERTON (American, 1903-1990) PHOTOGRAPH

milk drop coronet, 1959 sgn. and dated l.r. Harold Edgerton 1959; also sgn. verso in ink Harold Edgerton / MIT 4-405 / Cambridge Mass. chromogenic print; 17.5 by 15.25 in. (sight); matted framed under glass 23.25 by 20.25 in. Provenance: estate of Kenneth Clark, Boston by descent to his husband, the current owner. Harold Edgerton, also known as Papa Flash, was a scientist and professor of electrical engineering at Massachusetts Institute of Technology (M.I.T.) in Cambridge, MA. Edgerton became interested in photography in 1931. He is credited with transforming the stroboscope from an obscure laboratory instrument into a device employing it to generate extremely brief bursts of light for his photographic studies. These stop-action pictures made it possible to observe movements that were too fast for the human eye to see. In his milk drop images, Edgerton learned that the shape of the coronet was determined by three factors: the size of the drop, the height from which it fell, and the thickness of the film of milk on the surface from a previous drop. These studies are among Edgerton's most iconic images. The present photograph was printed by Edgerton at M.I.T. in 1959.

Lot: 26 - BERENICE ABBOTT (American, 1898 -1991) PHOTOGRAPH

Blossom Restaurant, 103 Bowery between Grand and Hester Streets, October 24, 1935 signed in pencil l.r. Berenice Abbot original gelatin silver print; image 10.5 by 13.5 in.; framed 20 by 16 in. Stamped on reverse of mounting board: PHOTOGRAPH/ BERENICE ABBOTT / ABBOTT, MAINE 04406 Abbott moved to Paris in 1921 to study with sculptor Emile Bourdelle. She also worked with surrealist photographer Man Ray from 1923 to 1925 before opening her own studio in Paris. She photographed the leading artists in France and had her first exhibition at the Au Sacre du Printemps Gallery in 1926. She returned to the United States in 1929 embarking on a project to photograph New York. In 1935 she obtained funding from the WPA (Works Progress Administration) and its Federal Art Project.

Lot: 27 - BERENICE ABBOTT (American, 1898 -1991) PHOTOGRAPH

Willow and Poplar Streets, Brooklyn, 1936 signed in pencil l.r. Berenice Abbot original gelatin silver print; image 10.25 by 13.25; framed 20 by 16 in. Stamped on reverse of mounting board PHOTOGRAPH/ BERENICE ABBOTT / ABBOTT, MAINE 04406 See bio with previous lot.

Lot: 28 - MANUEL ALVAREZ BRAVO (Mexico, 1902-2002) PHOTOGRAPH

Obstacles, 1929 (carousel horses) gelatin silver print; 9.75 by 13 in. sight; 16.5 by 19.75 in. framed Bravo is known as “the father of Mexican photography”. He was a close friend, and photographed, Diego Rivera and Frida Kahlo. His works are in the collections of MOMA and Getty Museum. Along with two paperback books.

Lot: 29 - DIANE ARBUS (American, 1923-1971) / SELKIRK PHOTOGRAPH

Untitled (19) gelatin silver print; sheet 20 by 16 in.; image 14 by 14.75 in.; framed (now removed) 24 by 20 in. stamped on reverse of photo: “A Diane Arbus photograph 4/75 title Untitled (19) 1970-71 / print by Neil Selkirk/ (signature in ink) Diane Aubus” also “Not to be reproduced in any way without written permission from Diane Arbus.” Selkirk (London, b. 1947) while working as an assistant to Richard Avedon in 1968 met Arbus and was profoundly affected by her work. In 1971 Selkkirk took Arbus’s master class - a class she reluctantly gave in order to pay for a Pentax camera. Shortly after, Arbus committed suicide in July of 1971. Her estate requested Selkirk research and print her work for the 1972 posthumous retrospective at the Museum of Modern Art. He has since become the only person ever authorized to make posthumous prints of the photographs of Diane Arbus. Arbus spent a long time trying to gain permission to shoot in institutions for the severely handicapped before finally gaining access in 1969. The best-known pictures feature a group of patients from a New Jersey institution dressed in their Halloween masks. The project was titled “Untitled” by her daughter after her death.

Lot: 30 - BRASSAI (France/Hungary,1899-1904) PHOTOGRAPH

Fille de JoieQuartier D’Italie, 1932 sgn. and stamped on reverse gelatin silver print; 12.5 by 8.5 in.; matted, metal frame under glass 20.25 by 16.5 in.

Lot: 31 - (5) LOCOMOTIVE / TRAIN PHOTOGRAPHS, FRAMED

unsigned, 9.5 by 7.5 in.; matted, metal frames, under glass 16.5 by 14.5 in.

Lot: 32 - ARMIN LANDECK (American, 1905-1984) ETCHING

Paris Metro sgn l.r. Landeck etching; image 14.5 by 19.5 in.; matted, framed under glass 23 by 27 in.

Lot: 33 - JOSEPH DOWNING (Kentucky/Illinois/France, 1925-2007)

abstract sgn. l.r. Downing watercolor on paper; 18 by 11.5 in.; framed 26.5 by 20 in.

Lot: 34 - JIKISHI-AN KYOTO (Japanese, 1907-1997) WOODBLOCK

house in dark forest sgn. in pencil Jikishi-an Kyoto/1967 / 42/100; also red seal and artist signature within image woodblock print; image 20.75 by 14.75 in.; framed, under glass 32 by 24 in.

Lot: 35 - SAITO KIYOSHI (Japanese, 1907-1997) WOODBLOCK

Shoji in pencil Shoji (P) / 3/100 / 1964; red seal and artist signature within image woodblock print; image 16 by 22.5 in.; framed, matted under glass 27 by 33.5 in.

Lot: 36 - RAYMOND PARKER (American, 1922-1990) SCREEN PRINT

abstract sgn. in pencil l.l. R. Parker 23/50 screen print; 35 by 458.5 in.; framed 40 by 51 in. 36 Abstract expressionist awarded the Guggenheim Fellowship for Creative Arts, US and Canada.

Lot: 37 - JAMES MARTIN WOLFE (California, b. 1944)

Cool Heather, 2013 sgn. Wolfe 13; powder coated steel; 20"h; 37"w Wolfe’s work is included in the collections of the Whitney Museum, NY; the Boston Museum of Fine Arts; and the Houston Museum of Fine Arts

Lot: 38 - FRANK LLOYD WRIGHT (American, 1867-1959) UNITY TEMPLE

TAFEL LXIV FRONT VOM UNITY TEMPEL Wasmuth portfolio, original portfolio colored engraving with impressed Frank Lloyd Wright stamp and marked GEDRUCKT UND VERLEGT VON ERNST WASMUTH A.G., BERLIN; 23 by 14 in. (sight); matted and framed under plexiglass, 31 by 20.75 in.; and In 1910-11 the German architectural publisher Ernst Wasmuth issued a pair of elegant portfolios covering the work of Frank Lloyd Wright to date. Among the most important architectural manifestoes of the twentieth century, the "Wasmuth folios" had enormous influence on the architects of the day, and have become world famous. Many copies of the portfolio were destroyed or suffered water damage in the fire at Wright's Wisconsin home in 1914.

Lot: 38A - (on 2) FRANK LLOYD WRIGHT (American, 1867 - 1959) UNITY TEMPLE

TAFEL LXIII AUFRISS UND QUERSCHNITT VOM UNITY TEMPEL OAK PARK ILL line elevation on onion skin vellum paper with impressed Frank Lloyd Wright stamp and marked GEDRUCKT UND VERLEGT VON ERNST WASMUTH A.G. BERLIN; 23 by 13.75 in. sight; silk matted and framed under plexiglass, 31 by 21 in. along with TAFEL LXIII UNITY TEMPEL UND UNITY HAUS OAK PARK ILL Wasmuth portfolio, original portfolio engraving with impressed Frank Lloyd Wright stamp and marked GEDRUCKT UND VERLEGT VON ERNST WASMUTH A.G., BERLIN; paper inventory label verso: IC Industries, Chicago, WRIGHT, FRANK LLOYD 243 / Wasmuth Portfolio, 1910 / (one of set of 100 lithographs); 13.75 by 24 in. sight; matted and framed under plexiglass, 21 by 31 in.

Lot: 39 - Yin Yong Chun (Chinese/New York, b. 1958)

Thousand Kilometer Horse sgn. and dated l.r. Yin Yong Chun 2007 o/c; 36 by 48 in.; framed 22.5 by 54.5 in. From the estate of a Swampscott, Massachusetts gentleman.

Lot: 40 - ADOLPHE PIOT (France/New York, 1850-1910)

portrait of woman holding a book unsigned; 22 by 18.5 in; original frame 30 by 26 in. From a North Shore, Massachusetts home.

Lot: 41 - PALMER HAYDEN (American, 1890-1973)

Bedtime Prayer sgn. l.l. Palmer Hayden; titled on reverse o/c; 14 by 12 in.; framed 19 by 17 in. Hayden is associated with the Harlem Renaissance movement. Born in Virginia, he was initially self taught. Around 1920 Hayden went to New York City and studied with Victor Perard at Cooper Union, and then later in Boothbay Harbor, Maine at the Commonwealth Art Colony. From 1927-1932 he studied and painted in Paris, focusing more on genre scenes, less on seascapes. Returning to New York City, his focus was African-American subject matter. He died in New York City.

Lot: 42 - (pair) D. FARRE (French, 20th c.)

house with twisted tree; the other, boat moored at dock both sgn. D. Farre watercolor; 25 by 19 in. (sight); matted, framed under glass 34 by 27.5 in.

Lot: 43 - after ANDREA SOLARIO (ITALY, 1465-1520)

Madonna nursing the Christ child o/craddled p; 23.5 by 19 in.; framed 26.25 by 21.75 in The original hangs in the Louvre.

Lot: 44 - SPANISH COLONIAL, 18/19th c.

Dormition of the Virgin unsigned, o/c (wax reline) 29 by 40.5 in.; framed 37 by 48 in.

Lot: 45 - RUSSIAN or GREEK, 18th c. or earlier

portrait of a bearded man 14 by 11.5 in; in.; in case with glass cover 20 by 14.5 in.

Lot: 46 - (on 3) ADRIAEN JANSZ VAN OSTADE (Dutch, 1610-1685) ETCHINGS

"The Smoker and the Drinker" sgn. within image Ostade; etching; 3 by 2.5 in.; framed and matted; along with “A Peasant Leaning on his Doorway” sgn. l.l. below in margin A Ostabe in ; 4.5 by 4 in.; both framed 16.5 by 15.5 in. and; Coastal view with boats 3 by 6.75 in. framed 9.75 by 13.5 in.

Lot: 48 - GORDON HAAS (American, b. 1962)

harness horse race sgn. l.r. Gordon Haas o/c; 25 by 36 in; framed 26 by 37 in.

Lot: 49 - American, 20th c.

steeplechase horse race sgn. l.l. S....(illegible) o/b; 15 by 19 in.; framed 20.5 by 25 in.

Lot: 50 - CHARLES EPHRAIM BURCHFIELD (American/Ohio, 1893-1967)

New England country church with weeping willow initialed and dated l.l. CEB 1957 watercolor; 20 by 15 in.; matted, framed, under glass Provenance: the collection of John Straus, Park Ave., NYC., who was one of the experts on Burchfield.

Lot: 51 - CHINA TRADE, 19th c.

SHIP INDIA BATH CAPT. PATTEN 1875 o/c laid down on board; 24.5 by 36 in.; framed 30.5 by 32 in.

Lot: 52 - G. DELL ( British, 1836-1888)

clipper ship off the Cliffs of Dover sgn. and dated l.r. G. Dell 1861 24 by 36 in.; framed 28.28 by 40.25 in.

Lot: 53 - REGINALD EUGENE NICKERSON (Massachusetts, 1915-1999)

clipper ship Anna Elizabeth sgn. l.r. R. E. Nickerson o/c; 22 by 30 in.; framed 24.5 by 32.75 in.

Lot: 54 - (pair) JEROME HOWES (American, b. 1955)

two masted schooners full sail, one named Sappho sgn. l.r. Jerome Howes o/masonite; 17.5 by 23.5 in. (sight); framed 20.25 by 26.25 in.

Lot: 55 - JEROME HOWES (Massachusetts, b. 1955)

paddle wheel steam ship Nahant o/masonite; 17 by 23 in. (sight); framed 22 by 28 in.

Lot: 56 - AMERICAN, 20th c.

two masted schooner at sea sgn. l.r. D.Tayler o/c; 12 by 24 in.; framed 18.5 by 30.5 in.

Lot: 57 - 18TH C. ITALIAN COLORED PILASTER ENGRAVING, VOLPATO

Ludovicus Teseo Taurinensis delin. / Cum Privilegio SSmi. Dni. Nri. Clementis XIV / Jonnes Volpato sculp Romae 1774 Joannes Gionanni Volpato (1733-1803) Depicting decoration of the pillars of Raphael’s Vatican Loggia 40.5 by 18.5 in. (sight); framed under glass 47 by 25 in. From a series of 83 plates.

Lot: 58 - FRENCH VERSAILLES COLORED ENGRAVING

Tableaux e la Voute de laf Galerie du8 Pet Apartement duthe Roy a Versailles, peint par P. Mignard Apollon distribue des recompanses aux Sciences et aux Arts..... 29.5 by 22 in.; framed 35.75 by 28.5 in.

Lot: 59 - FRENCH ENGRAVING, THEBES/KARNAK

A. Vol. III, plate 46 THEBES KARNAK VUE ET DETAILS DES SPHINX DE L’AVENUE DES PROPYLEES DU PALAIS Charbrol det...2,45...Ballard So 23.5 by 18 in. sight; matted and framed under plexiglass, 34 by 28 in. from the 'Imperial Edition' of the Description of Egypt or Series, observations and research made in Egypt during the French expedition. Published by order of His Majesty the Emperor Napoleon the Great, conducted between 1802 and 1830.

Lot: 60 - ELIZABETH SAWYER NORTON (American/Chicago, 1887-1985)

portrait of a cat wearing a pink ribbon sgn. l.l. Elizabeth Norton watercolor/board; 9 by 13 in.; framed under glass 13 by 17 in.

Lot: 61 - EUGENE MARIOTON (French, 1854-1933) BRONZE

La Danse de Nymphes sgn. Eug. Marioton; marked Tiffany & Co., and foundry mark of E. Colin and Cie, Paris cast bronze 32”h; mounted on round marble plinth 8”h, 12”diam. From a Rhode Island estate.

Lot: 62 - after CYRUS EDWIN DALLIN (American/Massachusetts, 1861-1944) BRONZE

Chief Washakie sgn. on base C.E. Dallin cast bronze, 41.5 in. h; 36 in. w; base 25 in. by 9 in. Prov: Deaccessioned from the Cyrus Dallin Art Museum, Arlington, Massachusetts. Sculptor Cyrus Dallin, born in Utah, lived in Arlington, Massachusetts for over forty years. He was an Indigenous rights advocate who is well known for his sculptures honoring Indigenous peoples, Euro-American figures, and historical events and figures, incl. the Paul Revere Monument. Dallin’s iconic bronze Appeal to the Great Spirit, installed in 1912, stands outside at the Huntington St. entrance to the Boston Museum of Fine Arts. Two bronze outdoor works are in Arlington Center. One in the Robbins Memorial Garden between the Town Hall and the Robbins Library is a bronze of a Native American, Menotomy Hunter, installed in 1911. The base of the flagstaff at the Town Hall, commissioned by the Robbins family in 1913, consists of four sculptures: Squaw Sachem of Mistick, a prominent woman leader of a Massachusetts tribe, who deeded land in 1639 to colonists which now covers most of the Greater Boston area; a Pilgrim mother teaching her child to read; a Minuteman on guard; and a Puritan reading his bible. These works may be seen across the street from The Dallin Art Museum located on Mass. Ave in Arlington Center. It is well worth the visit.

Lot: 63 - R. SCHMID (American, 20th c.) BRONZE

bust of Native American with three-feather head piece sgn. R Schmid cast bronze, brown patina; 24”h

Lot: 64 - VILHEM ZACH (Czechoslovakia/Canada, b. 1946) BRONZE

Buffalo Drop, two Native American climbing rocks sgn. V.Zach 30/36; foundry mark cast bronze; 36”h; mounted on swiveling wood base 6”h, 15”

Lot: 65 - LARGE PAIR OF BRONZE LION BOOK ENDS

marked H B in a diamond; Henry Bonnard Bronze Co., New York, founded 1872, 10.5”h;, the lion #1199, the lioness #1198; bases differ slightly approx. 7”w; 8”d Remington selected the Henry Bonnard Bronze works to cast his early pieces from 1895 to 1900.

Lot: 66 - PIERRE NICHOLAS TOURGOENEFF (French/Russian, 1853-1912) BRONZE

recumbent German Shepherd sgn. P.Tourgoeneff, also a foundry mark cast bronze; 8”h; base 15.5” by 5”

Lot: 67 - JAN SLIWKA (Polish, b. 1946) BRONZE

abstract torso sgn. Sliwka J 3/7; 24.5”h

Lot: 68 - ADOLF WOLFF (Brussels/New York City, 1833-1944) BRONZE

a parody on Thomas Moore’s The Thinker sgn. Adolph Wolff, 11”h; on wood plinth 5” by 7/24/20237/24/2023 7” Wolff was a political radical, known to be a Socialist and an anarchist.

Lot: 69 - PAUL GAUGUIN (French/Polynesia, 1848-1903) CARVED WOOD SPOON

the handle carved with a recumbent fox and other various carving, 10”; bowl 3”w bowl; in custom wood presentation box with fitted interior From the collection of a Baltimore, MD woman; purchased Christie’s New York 2016, sale 12071, lot 1284 At the time of purchase, this spoon was to be included in the Paul Gauguin catalogue critique being prepared under the sponsorship of the Wildenstein Institute. Gauguin’s life as a stockbroker in Paris ended when the stock market crashed in 1882. Grateful now to pursue his passion for art, he traveled with his friend Pissaro throughout the French countryside. Unable to support his family, in 1884 they moved to Denmark where his wife’s family would support them. Frustrated by the disapproval of his wife and her family, Gauguin returned to Paris to paint and travel. One of his excursions was to Arles to visit with Vincent Van Gogh. As an outsider and a rogue at heart, he attempted to reject “the influence of civilization”. In 1891, abandoning any effort to be a family man, he traveled to Tahiti. Once there, entranced and inspired by the beauty and openness of Polynesian young women, he fathered many children. 1893 was his final return to France believing that his work now would be highly acclaimed. It was not, and in 1895 he returned to Tahiti. He died in French Polynesia in 1903. The fox is a symbol of lasciviousness. Gauguin himself referred to the fox as “the Indian symbol of perversity” and it appeared in his work (see Gauguin’s painting “Loss of Virginity”).

Lot: 70 - FRENCH ART NOUVEAU MARBLE AND GILT BRONZE BUST

19th c., sgn. D. Watrin bust of woman with applied gilt bronze head scarf and dress; mounted on a green marble plinth, the front with an embossed bronze plaque depicting a woman working in a field; 22”h; 13”w; 8”d; weighs 49 pounds

Lot: 71 - JAPONAISE AESTHETIC MOVEMENT BAMBOO DESK

c. 1890, poss. R.J. Horner, New York gallery with bamboo architectural crest and drawers; the rectangular writing surface with ornate inset, tooled leather top with fan and floral design; three frieze drawers; out-curving bamboo legs joined by stretcher; overall and randomly placed are small inlaid Japanese geometric designs; 49”h; 42”w; 23”d

Lot: 72 - TIFFANY STUDIOS BRONZE CANDLESTICK

Tiffany Studios New York D881; 17.5”h; socket with green glass; Queen Anne’s lace floral base, 8”diam.

Lot: 73 - PAIR OF AUSTRIAN ART NOUVEAU CERAMIC VASES

stamped Royal Dux, Austria with iris decoration, 12” tall

Lot: 74 - (on 3) ROOKWOOD POTTERY ART DECO TRIANGULAR BOX

incised mark / XXXI (1931) / 6192 /A; blue glaze with conforming triangular lid; 5.5”h; sides 5” Small corner chip on underside the lid.; along with a PAIR ROOKWOOD POTTERY BOOKENDS, GIRL ON A BENCH incised Rookwood mark / XIX / 2446; grey/blue glaze; light blue/gray glaze; 5.5”h; 4.25”w; 4”d Provenance: Christies’ East, New York 1/4” chip on base of one; the other has a 1”hairline on bottom and small glaze loss at back corner.

Lot: 75 - ANTIQUE TURKISH TEXTILE / CICIM

19th c. or earlier 52 by 16 in.; mounted and framed under glass; 75 by 22.5 in. From the collection of a Cambridge, MA gentleman acquired by while traveling in Turkey in the 1980’s.

Lot: 76 - ANTIQUE TURKISH SUZANI ARCHWAY TEXTILE

19th c.; Bukhara/Uzebekistan overall pinwheel design; needlework on linen; 88”h; 67”w From the collection of a Cambridge, MA gentleman acquired by while traveling in Turkey in the 1980’s.

Lot: 77 - ANTIQUE TURKISH TEXTILE DOOR PANEL

Anatolia, 8’; 54”w Purchased in the 1960’s on a trip to Turkey.

Lot: 78 - ANTIQUE TURKISH TEXTILE / CICIM

red needlework on linen; 44.5 by 17 in.; mounted and framed under glass 47.5 by 20.5 in.

Lot: 79 - (2) COPTIC FRAGMENTS, FRAMED AS ONE

one painted on linen, 5 by 7 in. the other, woven textile with two fish, 3 by 4.5 in. mounted on cloth, framed 9 by 12 in.

Lot: 80 - TURKISH TEAPOT SUZANI

sgnd. and dated, 1965 on cotton backing; 98” x 138”

Lot: 81 - TURKISH SUZANI

vibrant black and red design made in three panels on cotton muslin foundation; 90”x 40”

Lot: 83 - (on 2) ITALIAN ECCLESIASTICAL VESTMENTS

the first, chasuble cape, pale green velvet long vest with silvered metallic applique to front and back; linen lined; , 47 by 25” (wear to velvet in places; loose threads to design on front and neck); the other, a chasuble robe in red velvet with gold metallic trim, lined, 43 by 33”, with red velvet tippet/stole with metallic applique and fringe

Lot: 85 - 19TH C. DOUBLE SAILOR’S SHELL VALENTINE

CHRISTMAS PRESENT FROM WILLY TO MAGGEY FROM INDIA; the other side a heart; octagonal frame, 9”

Lot: 86 - 19TH C. DOUBLE SAILOR’S SHELL VALENTINE

A PRESENT FROM A FRIEND; the other side with heart and crab; octagonal wood frame: 9”

Lot: 87 - 19TH C. DOUBLE SAILOR’S SHELL VALENTINE

HOME SWEET HOME; the other side a heart; octagonal wood frame; 9”

Lot: 88 - 19TH C. DOUBLE SAILOR’S SHELL VALENTINE

FORGET ME NOT; the other side a heart; octagonal frame; 9”

Lot: 89 - 19TH C. DOUBLE SAILOR’S SHELL VALENTINE

HOME AGAIN; the other side a heart; octagonal wood frame, 9”h

Lot: 90 - 19TH C. SAILOR’S DOUBLE SHELL VALENTINE

FORGET ME NOT; the other side a heart; octagonal wood frame; 9”

Lot: 91 - 19TH C. DOUBLE SAILOR’S VALENTINE

THINK OF ME; heart to other side; octagonal wood frame; 9”

Lot: 92 - 19TH C. WHALE BONE SWIFT

spool cup at top and turned table clamp; total 18”; 31” diam. when open

Lot: 93 - CHINA TRADE BLACK LACQUER AND GILT SHAVING MIRROR

c. 1815, tilting oval mirror set on oval base, the top surface decorated with center oval depicting a Federal house in a landscape; overall grape vine decoration; two frieze drawers; shaped skirt; 7.5”h; 21”w; 14”d; 29”h overall For a similar example see: Carl Crossman, “The Decorative Arts of the China Trade”, pg. 284.

Lot: 93A - LARGE CHINA TRADE LACQUERED TEA TRAY WITH EAGLE

oval-form with cut-out handles; black lacquer with scalloped gilt and floral edge, center oval with American eagle holding monogrammed shield; 31.25”l; 22.25”w

Lot: 94 - (pair) JOHN F. FRANCIS (Pennsylvania, 1808-1886)

oval still lifes of fruit o/c (relined); oval 14.5 by 18 in.; framed 19 by 23 in. labels on reverse Newman Gallery... Philadelphia/Bryn Mawr Francis, born in Philadelphia, in the mid 19th century became known as one of the premier artists of the revival of still-life painting. Most of his work is unsigned and undated. Early in his career he was an itinerant portrait painter and silhouettist. He spent approx. 25 years traveling throughout rural Pennsylvania and Delaware. Around 1850, he turned exclusively to still life using techniques of 17th c. still life Dutch painters.

Lot: 95 - THOMAS BALL (Boston, 1819-1911) MARBLE SCULPTURE

bust of a young girl wearing a head scarf sgn. and dated T. BALL 1875 15.5”h; 14”w at shoulders; on marble plinth 22”h total

Lot: 96 - attrib. SAMUEL MILLER (Boston, 1807-1853) PRIMITIVE

young girl picking flowers o/c (relined); 36 by 29 in.; original walnut frame 41 by 34 in. Little is known of Samuel Miller beyond that he was born in Boston in 1807 and lived in Charlestown where in 1852 he was listed as a portrait painter. He died in Boston in 1853 of heart disease. At least sixteen portraits with stylistic similarities have been attributed to him. Provenance: From a private Southern collection

Lot: 97 - 19TH C. AMERICAN NAVAL STUMPWORK

stumpwork and needlework depicting American flag with 42 stars, c. 1890, an eagle, E Pluribus Unum banner, anchor, and a life preserver subduing a dragon 34.5 by 22.5 in.; framed 37.75 by 26 in.

Lot: 98 - AMERICAN PORTRAIT, 18th c.

poss. China Trade, portrait of gentleman o/c; unframed, 34.75 by 26 in.; Provenance : The Coleman family, Hartford, Connecticut.

Lot: 99 - THOMAS HEWES HINCKLEY (American, 1813-1896)

view of Daniel Webster’s prize Ayrshire bull in the pasture sgn. and dated l.c. T. W. Hinckley 1851 o/c (relined); 26.25 by 36.25 in.; framed 29.5 by 40 in. Daniel Webster during a trip to Ayr, Scotland, his family birthplace, he was impressed with Ayrshire cattle. He imported a herd of the breed to his farm in Mansfield, Massachusetts which he had purchased in 1836 a few years before his trip to Scotland. He commissioned the British trained American artist Hinckly to do this painting with the stipulation that his prize bull be the focal point. The mountains most likely are artistic license. Webster died one year after this was painted.

Lot: 100 - AMERICAN, 19th c.

portrait of George Washington o/c laid down on masonite; 30.5 by 25 in.; ornate gilt frame 41 by 36 in.

Lot: 101 - PAIR OF NEW HAMPSHIRE HEPPLEWHITE MAHOGANY CARD TABLES

prob. Portsmouth, New Hampshire, c. 1790-1800 serpentine top with canted corners; satinwood apron with flaming satinwood panel and line inlay; canted, inlaid pilasters on tapering legs with line and cuff inlay; 29”h; 35”w; 17”d Prov: From a private collection, purchased Moore House American Antiques, Charleston, South Carolina.

Lot: 102 - NEW YORK HEPPLEWHITE INLAID MAHOGANY PEMBROKE TABLE

bowed ends with drawer, false drawer to other end; oval fan inlay and bell flower inlay to tapering legs; 28”h; 33”w; 13”d; with oval leaves up, 40”diam.

Lot: 103 - MASSACHUSETTS CHIPPENDALE MAHOGANY BOWFRONT CHEST

attrib. Luther/Joseph Metcalf, Medway, Massachusetts; in old color overhanging molded top above four graduated drawers with original oval brass; bold ogee feet (now with casters); 33”h; case 39”w; 19”d; top 42”w Provenance: Swan family of Barrington, Rhode Island

Lot: 104 - FLAT IRON LOCOMOTIVE WEATHERVANE

20”h; 46”long

Lot: 105 - SMALL-SIZED BOSTON FEDERAL MAHOGANY SERVER

attrib. Thomas Seymour (1794-1816), two frieze drawers with satinwood fronts above pair of cupboard doors flanked by liquor drawers with satinwood fronts, the interiors fitted with compartments; on tapering reeded legs; 40”h; 43”w; 23”d

Lot: 106 - BOSTON FEDERAL INLAID MAHOGANY SERPENTINE CARD TABLE

attrib. John and Thomas Seymour; old color; shaped top with cookie corners and lunette inlay; satinwood panel to apron; tapering fluted legs; 29.5”h; 36”w; 17.75”d From a home in Maine.

Lot: 107 - PAIR OF NEW YORK FEDERAL MAHOGANY SIDECHAIRS

bell flower inlay to back top rail; over-upholstered seats; tapering legs with cuff inlay; 36.5”h; 21”w; 18” seat height

Lot: 108 - MASSACHUSETTS CHIPPENDALE MAHOGANY BLOCK FRONT CHEST-ON-CHEST

c. 1770-80, rich deep color; full bonnet top with urn and flame finials; top part with deeply carved shell flanked by two short drawers bove four graduated drawers with original pine tree brasses; blocked-front bottom part with four graduated drawers; on original bracket base; 89”h (incl. center finial); case 42”w; 22”d This piece pictured in Wallace Nutting Furniture Treasury/Mostly of American Origin, MacMillan, plate 304. First published in 1928. Owner of chest identified as W.W. Smith, Providence, RI.

Lot: 109 - CHIPPENDALE MAHOGANY SERVING TRAY

c. 1800, molded scalloped edge; 16” diam. From the collection of a New York couple.

Lot: 110 - NEW YORK FEDERAL MAHOGANY WORK TABLE

astragal ends; hinged lift top, interior with center, adjustable felt work surface and small compartments, astragal compartment with hinged lids; two drawers with satinwood fronts and wood knobs, one false, the lower a deep pull-out with attached pleated bag with tassels; on fluted, urn and ring pedestal on flared legs; 30.5”h; 25.75”w; 14”d

Lot: 111 - NEW JERSEY FEDERAL INLAID MAHOGANY TALL CLOCK

The Barber/Fuller Family tall clock New Jersey or New York hood with scrolled crest with brass finials and full, fluted columns; painted ship dial; inlaid mahogany case with fluted quarter columns; flared feet; 96”tall; 19”w; 9.5”d Provenance: Descended through the Barber/Fuller family in Maine. Family history from 1958 (included)”...told my mother (when a “very small girl”) the “Old Clock”, as it was always called, had been in the family for over 100 years, having originated with the Barbers. All this occurred in Boonton, N.J....”

Lot: 112 - PENNSYLVANIA QUEEN ANNE SHELL-CARVED WALNUT LOWBOY

18th c., molded top; long drawer over three; shaped skirt with carved shell drop; cabriole legs with shell carved knees ending in trifid feet; 29.5”h; 34.5”w; 23.5”d

Lot: 113 - BOSTON FEDERAL MAHOGANY LOLLING CHAIR

attrib. Lemuel Churchill carved molding to edge of legs and arm supports; back 44”h; seat 17”h; 25”w

Lot: 114 - BOSTON/SALEM CHIPPENDALE MAHOGANY WING CHAIR

untouched; shaped crest; scrolled arms; full molded straight legs; back 49”h; seat frame 30”w; 15”

Lot: 115 - RHODE ISLAND FEDERAL INLAID MAHOGANY CARD TABLE

top with inlaid leaf edges and serpentine corners; line inlay to apron, oval inlay to pilasters; urn inlay to tapering legs; 29.5”h; 36”w; 18.75d

Lot: 116 - PHILADELPHIA QUEEN ANNE CARVED WALNUT ARMCHAIR

19th c., scrolling and shell carved crest; boldly shaped splat; scrolling knuckle arms, slip seat; cabriole legs ending in ball and claw feet; back 42”h; seat 18”h; 23”w Provenance: Purchased Christie’s New York 2014

Lot: 117 - PAIR OF MASSACHUSETTS LEATHER FIRE BUCKETS, 1823

Cambridge, Massachusetts, original paint, one, No. 1 /CAMBRIDGE/U.F.S/ E. DAVIS / 1823 the other, No. 1 /CAMBRIDGE /U.F.S / J. FISHER / (date rubbed); each 12”h

Lot: 118 - EXCEPTIONAL NEW ENGLAND HEPPLEWHITE 1-DRAWER STAND

original surface, cut-corner rectangular top, original bale handle, tapering legs; 29”h; 14”w; 21”d From the Ohio collection of G.W. Samaha, one of Bill’s favorite pieces. Sold CRN Auctions, lot 52, 11/6/2022

Lot: 119 - PAIR OF RHODE ISLAND WINDSOR BOW-BACK ARMCHAIRS

seven-spindle back with pipe stem turnings; applied arms; boldly turned, splayed legs joined by H-stretcher; back 40.5”h; saddle seat 18”h 18”w

Lot: 120 - NEW ENGLAND CHIPPENDALE TIGER MAPLE TALL CHEST

molded top over five graduated drawers, bracket base, 47”h; case 36”; 20”d

Lot: 121 - SMALL-SIZED VERMONT SPONGE-DECORATED BLANKET CHEST

c. 1825, attrib. Matteson, South Shaftsbury, Vermont hinged lid; one drawer; bracket base; 29.%”h; 36”w; 18”d

Lot: 123 - LARGE LIGNUM VITAE MORTAR AND PESTLE

19th c., mortar with turned decoration, 9.75”h; 9.25”diam.; pestle is 12”l

Lot: 124 - NEW ENGLAND COUNTRY TEA TABLE

18th c.; octagonal scrubbed top; boldly turned legs joined by stretchers; 29”h; 26”w; 18”d

Lot: 125 - NEW ENGLAND QUEEN ANNE TIGER MAPLE CANDLESTAND

shaped, tilting top, snake-feet; turned post; 29”h; top 22” by 18”

Lot: 126 - AMERICAN PAINTED TABLE-TOP DESK

hinged lid painted with scenic village view in the manner of Rufus Porter; overall green paint, interior with four cubby holes; 11”h; 26”w; 21.5”d Provenance: Lots 126-138 are from the Americana collection of a New York State couple.

Lot: 127 - NEW ENGLAND PILGRIM CENTURY CANDLESTAND

c. 1680, in old black paint; 25.5”h; round top 16.5”, shrinkage 16.25” Provenance: The Americana collection of a New York couple who purchased the candlestand at an estate auction about 50 years ago, in Wilton, Connecticut. That owner had purchased it from Americana dealer Lillian Cogan, Farmington, Connecticut.

Lot: 128 - WILLIAM AND MARY WAINSCOT SIDECHAIR WITH HEART CUT-OUT

c. 1700, poss. Germantown, Pennsylvania; heart cut-out to crest; solid paneled back and plank seat; box turned legs joined by turned stretchers; back 42”h; seat 17”w, 18.5”h Provenance: The Americana collection of a New York couple

Lot: 129 - WILLIAM AND MARY WAINSCOT WALNUT SIDECHAIR

17th c., open back, plank seat; turned front legs joined by flat stretchers; 32”h; seat 14”h, 16”w Provenance: The Americana collection of a New York couple

Lot: 130 - EARLY MINIATURE SPICE BOX

1800, perhaps earlier; in the form of a miniature blanket chest; old grain surface; lift-off lid with wood knob, old screw at back to swivel the lid (never had hinges); three small drawers with original wood knobs; boot-jack front and ends; 8”h; 7”w; 4”d Provenance: The Americana collection of a New York couple 2

Lot: 131 - 18TH C. BURL BOWL

old dry surface; ring-turned band to outer surface near edge; 11” diam. Provenance: The Americana collection of a New York couple

Lot: 132 - NEW ENGLAND PILGRIM CENTURY CHILD’S DESK

hinged slant-lid above two drawers with original wood pulls; interior fitted with two drawers with original wood pulls; bun feet; painted on bottom 1791 and a smaller 1792; 20”h; 14.5”w; 10.5”d Provenance: The Americana collection of a New York couple

Lot: 133 - SMALL-SIZED NEW ENGLAND TAVERN TABLE

oval top, shaped skirt on all sides; turned splayed legs joined by flat stretchers; 23”h; top 27” by 16.75” Provenance: The Americana collection of a New York couple

Lot: 134 - PENNSYLVANIA WALNUT HANGING WALL BOX

c. 1800; lift top with drawer below; dovetailed front; sectioned interiors to box and drawer; 13”h; 11”w; 10”d Provenance: The Americana collection of a New York couple

Lot: 135 - PENNSYLVANIA WALNUT DOCUMENT BOX

dry surface; hinged lid with original iron hinges; original etched brass escutcheon; dovetailed sides; original turned feet; 8”h; 18”w; 15”d Provenance: The Americana collection of a New York couple

Lot: 136 - EARLY AMERICAN HANGING CABINET

17/18th c.; poss. Pennsylvania; applied flat molded top; paneled door, original iron hinges, escutcheon, and hanging brackets; interior fitted with two shelves and three cubby holes; molded base; 24”h; 21”w; 11.5”d Provenance: The Americana collection of a New York couple

Lot: 137 - SMALL PENNSYLVANIA WALNUT VALUABLES BOX

good dry color; dovetailed edges; molded, hinged top; original brass escutcheon; scrolled bracket feet; 5”h; 13.5”w; 8”d Provenance: The Americana collection of a New York couple

Lot: 138 - NEW ENGLAND BALL-FOOT, TABLE-TOP SPICE CHEST

nine, square, dovetailed drawers with original wood pulls; turned ball feet; 24”h; 21”w; 10.5”d Provenance: The Americana collection of a New York couple

Lot: 139 - HESSIAN SOLDIER WOODEN WHIRLIGIG IN OLD RED PAINT

26”h; 40”long; 21”at widest on iron stand

Lot: 140 - SOUTHERN HEPPLEWHITE INLAID WALNUT STAND

drawer with banded inlay with embossed eagle pull; bell flower and line inlay to all four tapering legs; 27.5”h; 21.5”w; 17.5”d

Lot: 141 - SMALL-SIZED NEW ENGLAND CHIPPENDALE CHERRY CHEST

molded top; four graduated drawers; bracket feet; 31.5”h; case 35”w; 17.5”d; top 36”w

Lot: 142 - CONNECTICUT QUEEN ANNE CHERRY BREAKFAST TABLE

attrib. Chapin; good dry surface; turned post, snake feet; 29”h; birdcage, round tilting top 31.5” diam.

Lot: 143 - 19TH C. IRON SIGN, APPOMATTOX

TO OLD / APPOMATTOX, C.H. (court house); traces of black paint, 12”h; 23.5”w The Civil War Battle of Appomattox Court House took place on April 9, 1865. On that day General Robert E. Lee, commander of the Confederate forces, surrendered his Army of Northern Virginia to Lieutenant General Ulysses S. Grant.

Lot: 144 - EARLY PAINTED WOOD CANE

carved handle a woman’s head wearing a bonnet; cane with multicolored speckles on mustard ground; 35.5” Originally from a family in Salem, Massachusetts. Comes with an aluminum shipping case.

Lot: 145 - NEW ENGLAND QUEEN ANNE MAHOGANY LOWBOY

18th c., probably Connecticut, overhanging molded top; 30”h; case 29”w; 18”d

Lot: 146 - CHIPPENDALE INLAID WALNUT BLOCK-FRONT DESK

c. 1770, overall dry color; fall-front lid with compass inlay lid to center and corners; the interior fitted with eight line-inlaid drawers and cubby holes centering a concave door revealing drawers and cubby holes; four graduated drawers with old, not original, brass; bracket base; 43”h; 38”w; 21”d This desk is an anomaly. Visually it appears American made . The secondary wood of the fitted amphitheater interior is oak and appears to be of English construction. Secondary wood of the blocked case drawers is pine.

Lot: 147 - PAIR OF NEWPORT CHIPPENDALE MAHOGANY SIDE CHAIRS

poss. John Goddard, shaped crestrail with carved ears and fan; pierced splat; slip seats straight stop-fluted legs joined by stretcher; 37”h; 21”w; 16”d; 18” seat height

Lot: 148 - PENNSYLVANIA CHIPPENDALE MAHOGANY SLIPPER ARMCHAIR

shaped crestrail; pierced splat; oversized slip seat; bold cabriole legs ending in ball and claw feet, 38.5”h; 33”w at out-curving arms; 15.5” seat height

Lot: 149 - BOSTON FEDERAL GILTWOOD MIRROR, DOGGETT

paper label JOHN DOGGETT, /Gilder,/Looking Glass and Picture Framer/Roxbury Street; all original; gold reverse painted panel of basket of fruit; 41 by 25 in. Note on tape verso: Left in will of Mary E. Whitney to Joanne L. Whitney.

Lot: 150 - NEW ENGLAND CHIPPENDALE MAHOGANY SLANT-LID DESK

c. 1770, shell carved, blocked interior; four graduated drawers; bracket base; 43.5”h; case 40”w; 22”d

Lot: 151 - MOUNTED EMBOSSED BRASS AMERICAN EAGLE

19th c., in three parts, a pair of wings and the body; mounted on old board; eagle 12”h; 34”long; board 16”h; 42”w

Lot: 152 - CARVED AND PAINTED BROOK TROUT, IRVINE

sgn. on reverse Lawrence C. Irvine, Winthrop, Maine 24” carved and painted fish on a 12.5” x 28.5” panel

Lot: 152A - CARVED AND PAINTED BROOK TROUT, IRVINE

sgn. on reverse Lawrence C. Irvine, Winthrop, Maine trout, 10” x 19”; mounted on oval board with painted background; 12.5” x 28.5”

Lot: 152B - CARVED AND PAINTED SALMON, IRVINE

sgn. on reverse Lawrence C. Irvine, Winthrop, Maine salmon, 23”; mounted on an oval panel 14” x 33”

Lot: 154 - SPANISH CARVED MADONNA

18th/19th c.; bone face, neck, and hands, glass eyes; wood torso attached to wood cage; wearing a long, crimped human hair wig; jointed wood arms; velvet attire; standing on carved and polychromed oval base with three cherub heads; total 40”h; figure 31”; base 21”w; 11.5”d

Lot: 155 - CONTINENTAL, 18th c.

portrait of woman wearing pearl necklace and earrings inscribed on reverse, illegible ...Louis?...Grauin von H...Brederode Gch...? o/p; 14 by 11 in.; framed 17.75 by 14 in.

Lot: 156 - CONTINENTAL, 18th c.

portrait of a woman wearing a pearl necklace, pendant and pin o/c laid down on metal; 28 by 23 in.; framed 34 by 29 in.

Lot: 157 - BRITISH, 18th c.

portrait of a gentleman, hand resting on a book o/c (old wax reline); 48.5 by 32 in.; framed 55.5 by 39 in.

Lot: 159 - FRENCH, 19th c.

Liberty with flag gazing out to sea /also known as Marianne, the personification of the French Republic o/c; 25.5 by 22 in.; framed 34 by 31 in.

Lot: 160 - (on 2) after JACOB OCHTERVELT (Dutch, 1634-1682)

Singprobe (singing rehersal); written on canvas verso Ochtervett / Singprobe the other, the music lesson; writing verso illegible both sgn. illegibly l.r.; 23 by 18.5 in.; both unframed

Lot: 161 - 19TH C. KPM PORTRAIT PAINTING ON PORCELAIN

portrait of woman with flowers in her hair sgn. l.l. Nach C. Keisel (sitter); l.r. v. L. Schinzel also sgn. on reverse l.r. Nach C. Kiesel / v. L. Schinzel: also 255 315 N incised KPM/W and sceptEr on reverse; 12.25 by 10.25 in.; ornate gilt frame 20 by 17.5 in. From the estate of a Massachusetts gentleman, well-known and respected for many years by CRN.

Lot: 162 - 19TH C. KPM PORTRAIT PAINTING ON PORCELAIN

two smiling sisters, one reading a book on reverse incised scepter mark KPM/W / 316 255, also illegible handwriting 12.5 by 10.25 in.; ornate gilt frame 20 by 18 in. From the estate of a Massachusetts gentleman.

Lot: 163 - 19TH C. BERLIN KPM PORTRAIT PAINTING ON PORCELAIN

Kinderidyll, young girl in meadow with leaf on head sgn l.r. R. Dietrich; on reverse; incised scepter KPM; also written in script Kinderidyll / after M. Wunsch (Marie Wunsch, 1862-1898) 7.75 by 10.25 in.; ornate gilt frame 16 by 18.5 in. From the estate of a Massachusetts gentleman.

Lot: 164 - BERLIN KPM PAINTING ON PORCELAIN

two young girls seated on a rock sgn. l.r. Schin..l; on reverse incised scepter KPM / W 3 oval 6.75 by 5 in.; brass frame 8.5 by 5.75 in. From the estate of a Massachusetts gentleman.

Lot: 165 - 19TH C. GERMAN PAINTING ON PORCELAIN

young girl carrying a plate of violets unsigned; red circle mark on reverse MADE IN GERMANY, also in blue script Piccola nach Blaas; after Eugene Blaas (German, 1843-1932) oval 5.75 by 4.25 in.; ornate pierced gilt frame From the estate of a Massachusetts gentleman.

Lot: 166 - SET OF (10) DRESDEN PORCELAIN PLATES, KLEMM, 8”

blue stamp RK (Richard Klemm) Dresden / Germany with crown; shaped edge with gilt swags, cobalt border centering unique, hand-painted garden courting scenes; 8” Provenance: Bucknell Family, Philadelphia Richard Klemm founded a porcelain decorating studio in Dresden in 1869 and was one of the most sought after studios. The Klemm style was similar to the Meissen factories style of that time.

Lot: 167 - SUPERB PAIR ITALIAN ROCOCO INLAID SERPENTINE COMMODES

18th c., Northern Italy, overall extensive inlay, three serpentine drawers with banded inlay; flared feet; impressive size, 40”h; 55”w; 25”d Provenance: from a New England home purchased from a Boston antiques dealer in the 1950’s.

Lot: 168 - PAIR OF ITALIAN RENAISSANCE PAINTED WALNUT SCABELLI

painted and gilded decoration; mermaids to crest and back supports; 39”h; 15”w; 14”w; 19” seat height

Lot: 169 - 17TH C. CONTINENTAL IRON, DOME-TOP VALUABLES TRUNK

iron bound with applied iron side carrying handles and two lock escutcheons; traces of green paint and painted decoration; two keys; 14”h; 19”w; 10.5”d

Lot: 170 - PAIR OF ITALIAN BAROQUE WALNUT ARMCHAIRS

upholstered with Flemish tapestry panels; 57”h; 26.5”w; 26”d; seat height 22”

Lot: 171 - PAIR OF ITALIAN ORNATELY CARVED MARBLE PEDESTALS

seven sections held with rod; 43”h; top 14” diam.

Lot: 172 - SET OF (6) FRENCH PORCELAIN ROYAL PORTRAIT PLATES

19th c, sgn. and dated in red script L.J.B. Paris 1881, also each portrait identified; hand-painted portraits of historical French women; gold rimmed scalloped edge with Bucknell family monogram B in pink border; portraits are Marie Antoinette, Dchs du Maine, Mme Tallien, Mme Recamier, Posse de Lamballe, Charlotte Corday (this dated 1880) Provenance: Bucknell Family, Philadelphia

Lot: 173 - (13) LIMOGES HAND-PAINTED BOTANICAL DESSERT PLATES

stamped Limoges / T.V in bell, and in green T&V Limoges France Deposes; as well as each floral identified in Latin script with genus and specie; scalloped gilt edge, yellow border with intricate scrolling gilt decoration, the centers with thirteen unique, hand-painted floral,; (12) signed L. Meage, (1) by Lacroix; 9” Provenance: Bucknell Family, Philadelphia

Lot: 174 - FRENCH LOUIS XVI INLAID MARBLE TOP COMMODE, STUMPFF

Jean Chrysostome Stumpff (Paris, 1731-1806) STUMPFF incised on right corner under the pudding marble top; three drawers with original brass ring pulls and escutcheons; 32”h; 42.5”w; 19.5”d

Lot: 175 - FLEMISH VERDUE WALL TAPESTRY

stag pursued by dog in a wooded landscape 87” by 110”; with 3.5” hanging straps

Lot: 176 - ENGLISH GEORGE III CARVED GILTWOOD SOFA

shaped back and arms; serpentine front; eight floral carved cabriole legs; back 39”h inc. carved flower; 78”w; 28”d Prov.: Sotheby’s London October 31, 2017, lot 284

Lot: 177 - ENGLISH REGENCY MAHOGANY LIBRARY TABLE

attrib. Gillows, rectangular tilting top with banded inlaid edge with entwined line inlay top; drawer to apron; turned trestle legs joined by turned stretchers; 27.5”h; tilting top 51”w; 39.5”d

Lot: 178 - NAPOLEONIC PRISONER OF WAR BONE GAME BOX

War of 1812; French/English; sliding lid with four glass panels of figural watercolors (two with water stains); all sides with landscape watercolor panels,six total; 28 dominos; 3.25”h; 10”l; 4”d

Lot: 179 - 19TH C. ARTICULATED WOOD LAY FIGURE

original patina; 25”

Lot: 180 - IRISH CHIPPENDALE CARVED MAHOGANY SUPPER TABLE

top with seven circular sections, 11” diam.; the edge with alternating carved fans; acanthus carved post and knees; ball and claw feet; 28.5”h; birdcage, tilting top 35.5”diam.

Lot: 181 - ENGLISH METAMORPHIC LIBRARY ARMCHAIR / STEPS

19th c., carved horizontal back splat; scrolling arms; caned seat with cushion; seat unhooks and falls forward to create four steps; 42.5”h; 22”w; 20”d; 22” seat height

Lot: 182 - MERCHANT SHIPPERS’ FLOOR GLOBE, 18”

Geroge Philips & Son, London, c. 1930 three mahogany turned and fluted legs joined by stretchers; lower set of stretchers inset with compass; 47”h; chapter ring 24”diam.

Lot: 183 - (8) SET OF FRENCH TRANSFERWARE PLATES, GREAT DISCOVERIES

6.75” series, Les Grandes Decouvertes du siecle, creamware plates with shaped edges, blue border decoration and transfer images of unique scenes of industry in the centers, stamped on back, Terre De Fer / FRANCE, included are #’s, 2,4, 5, 6, 7, 9, 10, 11 Provenance: Bucknell Family, Philadelphia

Lot: 184 - 19TH C. ENGLISH or AMERICAN CELLARETTE

c. 1830, rectangular sarcophagus-form; walnut veneer with ebonized banding; lead lined interior with drain hole; 23”h; 32”w; 22”d

Lot: 185 - EARLY ENGLISH CARVED OAK TABLE DESK

17/18th c.; scrolling and various carving to lid, top, front and sides; iron lid hinges and lock; 9”; 23”w; 22.5”d From the home and collection of a New York couple.

Lot: 186 - (8) AUSTRIAN CRYSTAL AND GOLD DECANTER AND SHERRY SET

(7) stemmed miniature goblets or sherry glasses with cut and incised decoration and applied gold foliate design around bowl and rims, 3.5”h; base diam.,1.5”; along with matching claret decanter with applied gold floral surrounding swag and rim and rope twisted handle; 10”h, including original stopper; 3.5” base diam. Provenance: Bucknell Family, Philadelphia

Lot: 187 - SMALL-SIZED PORTUGUESE ROCOCO SERPENTINE COMMODE

molded top over three serpentine drawers with ornate brass hardware; shaped, shell carved apron; sides also shell carved; acanthus caved knees; cabriole legs ending in ball and claw feet; 33”h; 37.5”w; 20”d

Lot: 188 - RELIGIOUS STAINED GLASS WINDOW

18/19th c., Madonna and Child standing within a Gothic arch; details painted from the reverse; 33.5 by 15 in. (incl. 2”w later frame)

Lot: 189 - PAIR OF PORTUGUESE CARVED HARDWOOD SIDECHAIRS

18th c., good patina; pierced and carved crest; ornately carved and pierced splats; wide balloon slip seats; carved knees, cabriole legs ending in ball and claw feet; 42”h; seat 16.5”h; 22.5”d

Lot: 190 - CONTINENTAL INLAID TABLE TOP CABINET

two banks of three diamond inlaid drawers flanking optical inlaid cupboard door with with small drawer below; bun feet; 17.5”h; 26.5”w; 10”d

Lot: 191 - PAIR OF 18TH C. BRASS CANDLESTICKS

prob. Dutch; 9”h; 8.5”diam.

Lot: 192 - AUSTRIAN BIEDERMEIER OPTICAL INLAID STAND

19th c., square top with optical block inlay; straight canted post with with triffid base; 28”h; 18”sq.

Lot: 193 - PAIR OF OF FRENCH BRONZED METAL RELIEF PLAQUES

20th c., Neocalssical-style profile busts of helmeted classical warriors; 19.5 by 13”; recent frames 23.5” x 17”

Lot: 194 - ITALIAN GRAND TOUR CLASSICAL BRONZE

19th c., depicting Rape of Polyxena ,13.75” The original marble was commissioned for thel Loggia de Lanzi in Florence.

Lot: 195 - CONTINENTAL INLAID WALNUT TABLETOP CABINET/WRITING DESK

poss. German, c. 1840, old color, inlaid lift top, pair of molded doors with interior attached compartments, the interior fitted with drawers; large cast brass shaped hinges; 20”h; 20”w; 12”d

Lot: 196 - ITALIAN NEO-CLASICAL INLAID COMMODE

c. 19in the manner of Giuseppe Maggiolini frieze drawer conforming inlay to side, above two drawers with geometric inlay; canted corners, tapering feet; 31”h; 36”w; 19”d

Lot: 197 - PAIR OF DUTCH BRASS CHENETS

early 19th c., turned, stepped brass finial on large orb; the base with female figurehead, dolphin feet; 21”h

Lot: 198 - FRENCH EMPIRE ORMOLU MOUNTED FALL-FRONT DESK

c. 1830, mirrored fall-front lid flanked by full columns with ormolu caps; frieze drawer; ormolu mounts to pilaster above full-round column legs with ormolu caps and base; platform base on ball feet; ; 51”h; 31”w; 16”d

Lot: 199 - PAIR OF FRENCH LARGE BRONZE CANDELABRUM

19th c., 9-light; standing classical figure/herm of Dionysus holding nine candle arms; 29”h

Lot: 200 - ENGLISH GEORGIAN SHELL TEA CADDY

sarcophgus-form with intricate mother of pearl inlay to the hinged lid and bowed front; the interior filled with double shell-lidded compartments; wood ball feet; 6”h; 8”w; 5”d

Lot: 200A - ENGLISH GEORGIAN SHELL TEA CADDY

retangular-form; large plated escutcheon, the interior fitted with double lidded compartments; metal ball feet: 5.5”h; 7”w; 4”d

Lot: 200B - ENGLISH GEORGIAN SHELL TEA CADDY

sarcophagus-form; double lidded interior; wood bun feet; 6”h; 9”w; 5”d

Lot: 200C - ENGLISH GEORGIAN SHELL TEA CADDY

rectangular-form with rounded corners; double lidded interior; with key; 5”h; 7”w; 4”d

Lot: 200D - ENGLISH GEORGIAN SHELL TEA CADDY

rectangular-form with rounded corners; double lidded interior; metal ball feet; 5”h; 7”w; 4”d

Lot: 201 - PAIR OF CHINESE CARVED HARDWOOD CHINESE FLOOR SCREENS

Qing Dynasty late 19th c. inset reverse painting on glass of large group of people in a pavilion setting; the glass set in pierced frame; mirrored on reverse; glass 29” by 19” (sight); frames slide into pierced hardwood stands with carved foo dog feet; overall 50.5” by 30”

Lot: 202 - CHINESE COLORED INK PAINTING ON PAPER

19th c., prob. earlier; depicting a family on a veranda; 43.5 by 34 in.

Lot: 203 - CHINESE SILVER WEDDING NECKLACE, MOUNTED

Miao, Southern China, 19th c. ornately embossed round neckpiece with two rows of insect embossed pendants, the lower row with attached bells; necklace 15” by 20”w; mounted on black velvet, silver frame under glass 33.5” by 41.5” From a Connecticut gentleman’s collection.

Lot: 204 - WANG WEIBAO (China, b. 1942) INK WASH

mountain landscape with stream ink wash on paper; 34.5 by 69 in.; framed 43.5 by 87 in. The mat is a patterned textile.

Lot: 205 - CHINESE HARDWOOD CONSOLE TABLE

19th c., demilune-form, conforming inset marble top; pierced apron; cabriole legs joined by stretcher; 32”h; 32”w; 16”d

Lot: 206 - CHINESE MINIATURE CARVED HARDWOOD STAND

inset marble to top; 14”h; 8.25”sq.

Lot: 207 - LARGE PAIR OF CHINESE EXPORT FAMILE ROSE VASES

mid 19th c., ruffled edge top, highly gilded applied foo dogs to neck and dragons to base of neck; fine overall decoration with panels of birds, florals and dragons; 23”h

Lot: 208 - CHINESE PORCELAIN DRAGON VASE

raised gold dragon, bat and floral decoration, applied foo dog head handles; 12.5”h

Lot: 209 - BRONZE SHAKYAMUNI BUDDHA

seated on lotus, touching the earth mudra (Bhumisparsha mudra); 9.5”h; 8”w; 6”d2089

Lot: 210 - PAIR OF CHINESE LACQUER MELON-FORM TEA CADDIES

19th c., double compartments with etched pewter lids, 6”h; 10”diam.

Lot: 210A - OVERSIZED TEA CADDY WITH PEWTER INSERTS

c. 1830, burl-veneered, serpentine lid and front; the interior fitted with large, scenic engraved Chinese pewter tea canister flanked by two smaller engraved canisters; brass drop handles; 9.75”h; 19.25”w; 8.5”d Provenance: From the home of a Baltimore woman.

Lot: 211 - PAIR OF CHINESE EXPORT MANDARIN GARDEN BARRELS

19th c.; hexangonal-form; panels of figures in a pavilion; cut outs tto tops ans sides; tops 12”; 19”h

Lot: 213 - (on 11) GROUP OF VARIOUS CHINESE EXPORT PORCELAIN

pair of Mandarin oval serving plates; 10.5” by 9”; shaped rectanguar try, 10” by 5”; and (2) mandarin plates, 8”; along with (6) various export lids

Lot: 214 - (on 9) GROUP OF VARIOUS CHINESE EXPORT PORCELAIN

mandarin ruffled vase, 13.5” (hairline); mandarin covered baluster-form vase, 13” (repaired rim and cover); small pair of mandarin vases, 9”; a small pair of mandarin blauster-form vases, 7.5”; and a pair of small oval serving plates, 8” by 6.5”; and a square serving dish, 9”sq. (large edge chip)

Lot: 217 - LARGE ARTICULATED METAL JAPANESE SNAKE

c. 1900; imbricated iron scales with open mouth and applied painted metal eyes; 7’1”long

Lot: 218 - FINE JAPANESE SATSUMA SAMURAI BOWL

20th c., nine samurai in a landscape wearing raised gilt armour; four red kanji signature marks on bottom; 3.5”h; 8.5”diam.; in original cloth covered box From a Cambridge, Massachusetts home, purchased by the present owner’s mother during a trip to Japan in the 1960’s.

Lot: 219 - JAPANESE SATSUMA DISH

20th c., scalloped edge; approx. 28 figures, male and female, seated in gilt enhanced kimono; complex panel of kanji text; two kanji signature; 2”h; 7” diam. From a Cambridge, Massachusetts home, purchased in Japan in the 1960’s.

Lot: 220 - (on 9) GROUP OF JAPANESE SATSUMA PORCELAIN

SET OF (5) SAKE CUPS, footed, with figural decoration and kanji to interiors, 2.5”; a PAIR OF COVERED VASES with foo dog finials, figural decoration and raised gold details, 12.5”h; and a SMALL FOOTED VASE with celestial beings and raised gold decoration, 7.5”

Lot: 221 - JAPANESE SAMURAI SUIT OF BODY ARMOUR

as found

Lot: 225 - 19TH C. ISFAHAN/ARABIC BRONZE CELESTIAL TABLE GLOBE

Qajar period, c. 1850, armillary globe 6”diam; mounted in bronze stand total 9”h

Lot: 226 - (2) SMALL ENGLISH BONE LADIES’ TOILETTE BOXES

17/18th c., the larger, the hinged lid with etched border centering a pair of etched hand-held mirrors with inlaid mother-of-pearl ‘glass’; .5”h; 3.25”w; 2.25”d; the other with hinged lid inset with inset painted Roman Classical procession,; the interior velvet with mirror to lid; .25”h; 3.5”w; 1.5”d

Lot: 227 - SMALL ENGLISH EDWARDIAN SHELL SEWING BOX

green shell, fitted completely with various sewing implements, compartments; the inside of the hinged lid finely tufted; 2.5”h; 9”w; 5”d

Lot: 228 - (on 9) VARIOUS SHELL AND FAUX SHELL SMALL ITEMS

(4) card cases, two with mother-of-pearl inlay, the largest 4.5” by 3” (one with lid detached); small 825 silver box the lid inlaid with diamond-form shell, 1”h,3.75”w, 3”d; a box with silver un-monogramed plaque on hinged lid, 1”h, 5”w, 3.5”d; and a rectangular box with hinged lid, probably shell, 4.5”h; 14”w; 5.5”; along with, a Tsubota Pearl faux tortoise cigarette case, clasp marked Japan, 4.5 by 3.5” and faux shell lighter, 2.5” Tsubota Pearl has been crafting cigarette cases and lighters in Japan since 1952.

Lot: 229 - ANGLO-INDIAN CALAMANDER BRASS-BOUND TABLE DESK

gallery with hinged letter holder compartment flanked by glass inkwells; fold-out, velvet-lined writing surface; overall applied brass ornamentation set with tiger eye stones; 9.5”h; 14.5”w; 10.5”d, 16.5”d when open

Lot: 230 - (on 14) GROUP VARIOUS UNRELATED SMALL ITEMS

(7) shagreen items in various shades of greens, a square inkwell with hallmarked silverl collar, 3”h, a change purse, (2) match holders, a small case, and a compact, and a small purse in pink; along with a faux-shagreen Jacob & Co. biscuit tin (scratchees); a laquered patch box the hinged lid painted with two bathing women, 3”; a grain painted tin box with hinged lid, 2.5”h; a scallop shell snuff box, 2”; another shell snuff box, 2”; a French gilt metal ring box in the form of a display cabinet, 3.5”h, 3”diam.; a miniature putti decorated sedan chair with beveled glass, 7”h; 4”w

Lot: 231 - 19TH C. CAST IRON RECUMBENT LION

old black paint, 13”h; 28”h

Lot: 233 - FRENCH CLOISONNÉ, ONYNX AND BRASS MANTEL CLOCK

19th c., oval-form, bowed, beveled glass to all sides; 21”h; 11”w; 8”d

Lot: 234 - FRENCH TIN FOLK ART DOLL BANK

late 19th/early 20th c.; bisque doll head with glass eyes, teeth, wood articulated arms, tin torso (remnants of French paper label) and legs; 19.5” tall This doll was de-accessioned from the Margaret Woodbury Strong Museum in Rochester, NY. The museum originally contained an extensive collection of dolls and children’s toys of the late 19th c. The museum changed its focus and is now called “The Museum of Play” displaying children’s play items from the mid 20th c to date. At one time this doll was displayed in a store for the purpose of raising money for children in orphanages.

Lot: 235 - JULES STEINER BISQUE HEAD DOLL

incised on back of neck J.STEINER / BIE S.G.D.B /PARIS /FIRE A21 / signature J. Steiner / 1990 jointed elbow, wrists, and ankles; original clothing including ermine cape; earrings and bracelet; 32 tall

Lot: 236 - SIMON HALBIG BISQUE HEAD DOLL, #13

teeth and closing glass eyes; jointed limbs; hat and coat only; 23” tall

Lot: 237 - THATCHER’S SURVEYING INSTRUMENT #4013

paper label on box Keuffel & Esser Co....127 Fulton St./42 Ann St., New York.... No. 4013 / serial 1556; manufacturers engraved bone label on lid interior and base of instrument; serial number inscribed on wood base; original wood box; instrument 23” knob to wood knob; box 7.5”h; 24”w; 8.5”d

Lot: 239 - (3) DISNEY/WARNER ANIMATION ART CELLS, CHUCK JONES

all sgn. Chuck Jones (1912-2002) Yosemite Sam, Bugs Bunny in King Arthur’s Court, Warner Bros, Inc. 1978; Bugs Bunny, 1980; Daffy Duck, The Return of the Duck Dodgers in the 24.5 Century, 1980; Daffy Duck and Porky Pig, The Return of the Duck Dodgers..., 1980 8 by 9.5” (sight); matted and framed 13.5 by 15” All with certificate of authenticity on reverse.

Lot: 239A - (on 2) THREE DISNEY/WARNER ANIMATION ART CELLS, CHUCK JONES

all sgn. Chuck Jones (1912-2002) mounted as one, left is Wile E. Coyote, 1979,; the other Road Runner, 1979; matted and framed as one 15” by 28” matted and framed ; the other, Bugs Bunny’s Bustin Out All Over Special, matted and framed 9.5 by 11.5” (sight); framed 15 by 17” Both with certificate of authenticity.

Lot: 239B - WALT DISNEY/WARNER ANIMATION ART CELL, CHUCK JONES

Hunting Season, sgn. Chuck Jones Elmer Fudd with dropped rifle surrounded by seven Disney cartoon characters holding hunting “Season” signs; 64/200 Jan 1983 / c Warner Bros Inc. 1983 and 3608-8 and Gold Seal Authenticated by Linda Jones...; 13.5 by 16.5”; matted, unframed

Lot: 239C - LARGE GROUP OF WALT DISNEY/ WARNER ANIMATION CELLS

appears to be a smurf cartoon, unframed

Lot: 239D - LARGE GROUP OF WALT DISNEY/WARNER ANIMATION CELLS

appears to be a smurf cartoon, unframed

Lot: 240 - CARVED AND PAINTED CAROUSEL OSTRICH

40”h; 32”w; 12”d From the home and collection of a Baltimore woman.

Lot: 241 - CARVED CAROUSEL CHARIOT SIDE

foliate and stylized dolphin design, stripped of paint ; 38’h; 73”l From the home and collection of a Baltimore woman.

Lot: 242 - LEO, DEMECHKO CARVED CAROUSEL-STYLE LION

ROBERT DEMECHKO carved into strap; Robert Demechko (1965-2021); glass eyes; pickled whitewash finish; brass label “Leo by Robert Demechko” on wheeled base; 6”h; 35”w; 14.5”d From the home and collection of a Baltimore woman.

Lot: 243 - RINGLING BROTHERS POSTER, 100 CLOWNS

RINGLING BROS. AND BARNUM & BAILEY / SPECIAL CONGRESS OF CLOWNS GATHERED THIS YEAR EVERY COUNTRY ON EARTH 26.25 by 39 in.; framed 32 by 44.75 in. From the home and collection of a Baltimore woman.

Lot: 244 - LOUIS VUITTON HAT TRUNK

Louis Vuitton Paris label; as well as John Wanemaker Sole Distributer New York and Philadelphia label; 15.75”h; 23.75”w; 11”d

Lot: 245 - LOUIS VUITTON SUITCASE, 848390

19”h; 24”w; 7”d

Lot: 246 - LOUIS VUITTON VALISE SUITCASE, 848035

20.5”h; 32”w; 10”d

Lot: 247 - LOUIS VUITTON STEAMER TRUNK, 165583

monogram EDM; side travel decals inc. Grand Hotel; 23.5” h; 43.5” w; 22.5” d

Lot: 248 - LOUIS VUITTON STEAMER TRUNK

label LOUIS VUITTON LONDON/PARIS #37312; tray insert; iron drop handles and hardware; side monogram in red E.B.B.; inset casters; 23”h; 39.5”w; 21.5”d

Lot: 249 - GOYARD STEAMER TRUNK

bone label on outside both corners of lid; interior with three inserts and a stationary compartment; label E. Goyard....Paris; side metal handles; monogram LRW; 21”h; 39.5”w; 21.5”d

Lot: 250 - CHELSEA MILLENNIUM SHIP’S BELL MANTEL CLOCK

inscribed on reverse: This is the third Millennium Limited Edition #2003; along with with original box; 10”diam.; on wood and brass base 14”w (of 1000). The Millennium clock signifies most eminent artists and scientists whose names are engraved on the brass molding of the clock base inspired by the Bella Pratt heroic female figures of Art and Science, 1911, at the entrance of the Boston Public Library. Chelsea Clock Co., Boston, founded 1897. Chelsea produced their first ship’s bell clock in 1900.

Lot: 251 - CONTINENTAL PAINTED CONSOLE TABLE

early 19th c., demi-lune form, applied carving on frieze; carved roped twist legs joined by H-stretcher with center finial; 35”h; 43”w; 19.25”d

Lot: 252 - SET OF (12) LIMOGES DINNER PLATES, AHRENFELDT

embossed gold rim with green border and central gold snowflake design; marked CA France C. Ahrenfeldt Limoges pour Tyndale & Mitchell Co. / Philadelphia; 9.5” Provenance: Part of the Bucknell family dinner service used at their mansion in Philadelphia.

Lot: 254 - (2) 19TH C. GERMAN PAINTINGS ON PORCELAIN PLAQUES

woman with mandolin written on reverse after Wagner; MADE IN GERMANY within red circle; 7 by 5 in.; framed 12.5 by 10.5 in.; the other, classical woman with a cherub incised 311 on reverse 6.25 by 4.25 in.; framed 12 by 9.75 in.; both with red velvet mat

Lot: 259 - 19TH C. EAST INDIAN BULLOCK CART TABLE

trapezoid-shaped with applied iron strapping; mounted on three old cabriole legs with strapping; 20”h; 42.5”at widest; 22”d

Lot: 260 - DECORATIVE WROUGHT IRON AND STAINED GLASS FIRE SCREEN

20th c., purple flower and vine design; 32”h; 39”w; panel 24” by 32”

Lot: 261 - (on 8) BACCARAT FACETED SULFIDE PORTRAIT PAPERWEIGHTS

(6) with Baccarat mark: Martin Luther King; JF Kennedy; Winston Churchill; Abraham Lincoln (minor flake on base); Teddy Roosevelt; Eleanor Roosevelt; along with (2) by C.R. Albret: double portrait of JFK and Jackie; Franklin Roosevelt

Lot: 261A - (on 15) VARIOUS FACETED SULFIDE PORTRAIT PAPERWEIGHTS

(6) Baccarat: Washington; Eisenhower; Wilson; Truman; Adlai Stevenson; Herbert Hoover; along with (1)1977 St. Louis, Jimmy Carter; (8) C.R. Albret, France: Jefferson; (2) Golda Mair; (2) double portraits M. Begin/Anwar Sadat; (2) Moshe Dayan; Ben Gurion

Lot: 262 - HOWDY DOODY WIND-UP TIN LITHO PIANO TOY

Unique Arte, New York (founded 1916) Buffalo Bill (Bob Smith) playing piano, Howdy dancing, 8”h

Lot: 262A - (4) HOWDY DOODY STRING PUPPETS

1950’s composition heads Howdy Doody; Mr. Bluster, Clarabell the Clown, Dilly Dally; approx. 16”

Lot: 264 - GORHAM SILVER PLATED CLOCHE AND PAIR OF VEGETABLES

cloche with undertray, 20” tray, 13”h; along with a pair of small oval covered serving dishes with strainer inserts; 9”l’ 5”h; monogrammed Provenance: Bucknell family, Philadelphia, PA.

Lot: 267 - CONTINENTAL EMBOSSED LOW LEATHER SCREEN

19th c., configured from old elements; three panels, front and back brown embossed leather, the top section with embossed classical faces, floral and vase decoration; lower panels with embossed crowned porcupine and dragons; 51”h; each panel 20”w

Lot: 269 - PAIR OF DECORATIVE FRENCH STANDS

one drawer; shelf below; ormolu mounts; 26.5”h; 18.5”w; 14.75”d

Lot: 270 - LA MAISON DE LOUIS CARTIER PORCELAIN, PAIR OF VASES

(2) decorated with leopard, dogs, parrots, gold pavilions and trees, 9”h; both with original red boxes From the home of a Baltimore woman.

Lot: 271 - (on 9) LA MAISON DE LOUIS CARTIER PORCELAIN, FOR TWO

matches the previous lot: (2) dinner plates, 10.25”; (2) luncheon plates, 8.5”; (2) bread plates, 6.5”; a double handle bouillon cup with saucer, 4.75”; and an extra saucer From the home of a Baltimore woman.

Lot: 272 - LA MAISON DE LOUIS CARTIER PORCELAIN

matches the previous lot: (2) serving plates, 11.75”diam., one plate with original red box; and a cache pot, 6.75”h; 7”diam. From the home of a Baltimore woman.

Lot: 273 - (on 5) LA MAISON DE LOUIS CARTIER PORCELAIN, VARIOUS TABLEWARE

matches the previous lot: an oval covered box/butter dish, with original red box, 7”w; a bulbous vase, 7”h; pair of votive holders, 4”diam., and an ashtray, 7” From the home of a Baltimore woman.

Lot: 274 - LA MAISON DE LOUIS CARTIER, PAIR OF VASES

matches the the previous lot, 9”h; with original red boxes From the home of a Baltimore woman.

Lot: 275 - MUST DE CARTIER LADIES’ TANK WRISTWATCH

gold plated, face marked Must de Cartier; on reverse Must de Cartier Tank / Swiss Made / Vermel / Argent 925/ Plaque or G 2cm 1613 CC291524; blue cabochon stone set in the winding knob, gold colored clasp marked Cartier, Swiss Made, Stainless Steel; crocodile leather band; case approximately 7/8”h All of the jewelry lots are from the home of a Baltimore woman.

Lot: 276 - LE MUST DE CARTIER VINTAGE SILVER GODRON LIGHTER

c. 1990, marked on the bottom, Cartier 19878 V and on lid; Cartier, Paris; with gold detail band set with cabochon sapphire

Lot: 277 - MUST DE CARTIER 18k SMALL LADIES TANK WRISTWATCH

marked on back Cartier Paris/ Tank Quartz/ 18 k/ Swiss Made; 828001/ 0615 ; marked on brown alligator band Must de Cartier, Paris; 18k buckle; cabochon sapphire jewel set winder, watch face approximately 1/2”

Lot: 278 - PRISTINE MUST DE CARTIER BLUE MARBLE PEN

original white exterior box with label: Ref. # ST150106 / Des. Stylo Bille Must Bleu Marbre pen in original red leather case; red leather folio containing authenticity papers; pen still in original plastic casing; pen measures 5.25”; leather box 7”

Lot: 279 - JEAN DESPRES (French, 1889 - 1980) SILVER COLLAR NECKLACE

c. 1939-1940, signed and with maker's mark hammered graduated silver panels spaced by silver links and accented by silver beading: internal circumference 14¼ inches; gross weight approx. 96 dwts, By the age of sixteen, Després was apprenticing with a goldsmith and jeweler. He studied design and his aesthetic was influenced by artists such as the Cubist Georges Braque. As WWI began, Després worked for the government constructing airplane parts. The utilitarian aspects of machine parts inspired his later work. Després is most well-known for his Art Deco designs that incorporate silver, semi-precious stones, and enamel. He has attracted celebrity patrons such as Andy Warhol and Paul Signac. His work can be found in the permanent collections of many museums including the Metropolitan Museum of Art, New York City.

Lot: 280 - DUKE FULCO DI VERDURA VINTAGE CUFF BRACELET

Duke Fulco Di Verbura (Italy/America, 1898-1978) rounded, wood cuff with bezel-set round brilliant-cut diamonds, grey cultured pearls both set in 18k gold; also inset with 18k yellow gold studs; inner side with inset round gold circle marked 750 and cross -haped insignia of Verdura; inside 6.25 in.; gross weight 30.7 dwts Fulco Santostefano della Cerda, Duke of Verdura and Marquis of Murata la Cerda was an influential Italian jeweler. He began his career in Paris with Coco Chanel for whom he designed her iconic Maltese Crosscuff bracelets. Celebrity clients included Walis Simpson and Diana Vreeland. In 1941 he collaborated with Salvadore Dali on a collection of jewelry designs.

Lot: 281 - (2) GOLD AND GEMSTONE STATEMENT RINGS

very large faceted amethyst set in 14k yellow gold pronged setting, marked and stamped, stone measures .75’ x .5”, total weight 7.9 g. ; along with a similarly sized and faceted smoky quartz set in rope-turned pronged setting, unmarked but tests for 10K, total weight, 6.2 g; both approximately size 5

Lot: 282 - BLACK OPAL, 14K AND DIAMOND STATEMENT RING

large, approximately 5 carat, teardrop-cut black opal set in Art Nouveau style shield shaped setting marked 585, 14K with (5) inset diamond chips on bottom edge; total weight, 8g.; approx. size 7

Lot: 282A - ROY LICHTENSTEIN (American, 1923-1997) ENAMEL PIN

Modern Head Enamel Pin, 1968 Roy Lichtenstein signature on reverse and stamped c.1968 Roy Lichtenstein / for Multiples In; silver and enamel pin multiple set with pin and pendant hardware; From the edition of 250 fabricated by David Lane, New York, published by Multiples, Inc., New York, 3” by 2 1/4” Mounted and matted on custom silver frame, 10.25 by 9.5 in. From the home of a Baltimore woman.

Lot: 283 - ALBERT PALEY 14K GOLD SCULPTURAL RING

c. 1970, stamped PALEY and 14k sculpted gold with inset cabochon labradorite; .5” x .25”; total weight 12 g.; size 5 Pieces by Albert Paley (b. 1944) can be found in the permanent collections of major museums including the Metropolitan Museum of Art in New York, the Museum of Fine Arts in Boston, the Museum of Fine Arts in Houston, and the Victoria and Albert Museum in London.

Lot: 284 - in the manner of ALBERT PALEY, 14K GOLD STACKING RING

vintage 1970’s, unmarked, tests for 14k triangular two-part puzzle ring with (2) cabochon moonstones, each approx. 7/16” x 1/4”; total weight 22.6 g.; size 5

Lot: 285 - 14K GOLD EROTIC BANGLE, DONALD PYWELL

signed Pywell, marked 14k carved connected figures, oval shaped, 1.75” by 2.25 (interior); 28.6 g.

Lot: 286 - (3) DONALD PYWELL CUSTOM STUDIO 14K AND GEM BROOCHES

the largest with tumbling geometric shapes, 2 small gold and 1 large pink rutilated quartz set in gold, set with 3 small diamonds, approx. .07 carats each; stamped on back PYWELL / 14k; 3.75” x 1.5”, total weight 32.3 g.; a channeled white matte quartz set in gold with emerald cut pink gem, possibly pink sapphire, approx. .5 carat, marked on back PYWELL / 14k, 2’ x 1”, total weight 10.4 g.; and a small stylized profile pin sculpted from matte blue glass, set in gold, marked PYWELL / 14k, 1” x 1”, total weight 4.8

Lot: 287 - (4) DONALD PYWELL 14K/ 18K STUDIO BROOCHES AND GOLD BAR PINS

Raspberry Leaf Pin by Pywell marked 18k, six leaves on branch with six red berry clusters, 3.25” x 3.5”, total weight, 36.6 g.; a stylized Art Nouveau motif pin with freshwater pearl drop marked PYWELL, 14k; 2.75” x 1”, total weight 6 g ; along with (2) knotted bar pins with small gemstones, possibly ruby and emerald, illegibly marked, tests for 10k; 1.75” long., total weight 3.5 g.

Lot: 288 - (4) 14k GOLD AND WHITE OPAL NECKLACES AND 2 EARRINGS

vintage 14K chain with drop pendant, approx. 2 carat teardrop cabochon cut brilliant white opal set in 14k with a small .1 carat diamond and gold loop, 17” chain, total weight 2.3 g; along with artist signed 14k studio necklace with large, irregular shaped milky opal; total weight, 4.0 g.; single studio artist earring sgn., 14k; 1.0 total weight; and single drop earring with small milky opal in copper setting

Lot: 288A - (on 10) VARIOUS GOLD CHAINS

(8) 14k various size and style chains, total weight; 34.5 g; and (2) 12k chains; total weight 2.5 g

Lot: 288B - (on 19) ASSORTED GOLD JEWELRY, 14K AND OTHER

sgn. Pywell, 14k suite of three bow-form pairs of earrings and pendant, 10.7 g; (2) pairs of Pywell 14k gold stirrup earrings, 4.6 g.; a small pair of 14k hoop earrings with small, pyramid cut garnet set, total weight 2.4 g.; a very small, size 4, 14k ring set with(20) small round cut diamonds, total weight, 2 g.; a pair sgn. RM 14k drop earrings with cabochon cut moonstones, approx. 3/8” diam., total weight, 3g.; a 10k ring set with small oval ruby and (2) small diamonds (missing 2 other stones), total weight 1.6g.; a small crest ring marked BDA, 10k, with blue stone, size 1, 3.0g; along with (4) gold wire rings and a 10k small band

Lot: 289 - (6) DONALD PYWELL STERLING STATEMENT NECKLACES

from the Silver Reflections Collection inspired by the Betsy James Wyeth Collection; Tom Clark Shoe sterling necklace, 18” sterling chain with 2.75” shoe pendant, 1.83 troy oz.; a Nouveau Earth Pendant, 1.5” round pendant with classical woman in profile, marked sterling on 18” chain, 1.22 troy oz.; a large sterling corn pendant, 2.5” on 18” chain with a smaller, 1.5” version, also on 18” sterling chain; 1.5 troy oz.; with matching corn stud earrings, 1”; .2 troy oz; total weight of all together; 4.77 troy oz. From the home of a Baltimore woman.

Lot: 289A - (on 10) LOT OF STERLING SILVER CHAINS AND LIBERTY SILVER COIN

1986 $1 silver eagle coin mounted as a pendant with 23” rope sterling chain, 1.63 troy oz; 29” sterling box chain, 1.23 troy oz; marked 925 / ITALY braided chain, 29”, .2 troy oz.; marked 925 MEX, 18” thick, fixed braided chain, .4 troy oz; (2) delicate 15”, 925 chains, .158 troy oz; 23” tested silver chain, .39 troy oz.; tested silver 30” open link chain, .38 troy oz.; tested 19.5” intricate box chain, .5 troy oz, (missing clasp); tested silver 30” delicate box chain, .21 troy oz. From the home of a Baltimore woman.

Lot: 290 - (on 20) ARTIST SIGNED STERLING SILVER STUDIO JEWELRY

20th c. (2) sterling cuff bracelets with incised decoration and stones, the first set with three 11mm and four 3.4mm round cabochon moonstones, the second set with two 10.2mm amethyst, 1 x 7.4mm and two 3.4mm peridot stones, both signed illegibly and marked Sterling; (5) items sgn. Barnes - (2) mixed metal rings, marked sterling / 14k; one with tiny moonstone, the other set with a small amethyst and tiny peridot- sterling w/ gold feather motif pendant on 14” sterling chain- pair of sterling drop earrings with black drop; a pair of 925 earrings and matching pendant each set with 11.7mm cabochon moonstone; artist sgn. sterling pendant set with organic pearl on 18” sterling chain; sculptural sterling pendant on black cord; pair of sterling drop earrings with set green stone and incised dancing figures; vintage silver bicycle pin with moving wheels and handlebars, 3.5”; 2”h; sgn. and dated silver pin, abstract lighthouse with similar earrings; and (2) silver bird pins

Lot: 290A - (on 18) STERLING / 14k DESIGNER STUDIO JEWELRY, ED LEVIN, PYWELL

(5) sgn. Ed Levin / sterling/14k, vintage 3-d abstract modernist set of earrings and matching pendant on 16” chain, sterling exterior with 14k interior wash and suspended ball; along with matching pair of Orbit earrings sgn. Levin sterling and 14k; (7) sgn. Pywell / Sterling; modernist pendant and earring set, solid triangular drop with brushed surface and set circle, on silver chain; 1.37 troy oz.; with 2 pairs of Pywell .75” round stud earrings with relief bronco decoration, .4 troy oz.; a pair of AVI SOFFER / 925 vintage sterling and ancient roman glass stud earrings, 1”; along with signed sterling hammered disc with etched decoration, 1” diam., on 22” sterling chain; .3 troy oz., vintage marked sterling starfish pin, .21 troy oz., 1.5” w.; marked sterling and U studio ring, sculpted silver with green stone, size 5; and silver studio ring, pyramid set with lapis panels, size 5

Lot: 291 - (on 9) VINTAGE SILVER JEWELRY, REINA and NORSELAND

vintage silver sculptural necklace and bracelet set marked 925 / AAR / TA- 0S, Antonio Reina who worked with Margot van Voorhies Carr of Margot de Taxco fame, 15” necklace; 6” (interior ) bracelet, 5.5 troy oz.; along with a vintage 925 / GENUINE NORSELAND floral leaf bracelet, 7”, .82 troy oz.; a Sterling intricate floral motif link bracelet set with 3 moonstones, 7” with matching clip earrings; a LORI BONN 925 necklace set with 30mm x 24mm amber pinned chevron, 70g 19"; with similarly set rectangular amber stud earrings, .75” h; a marked SKAGEN ring and bracelet black orbs in copper colored setting, ring size 5, 7” bracelet

Lot: 292 - (on 20) ANTIQUE JEWELRY, GOLD , SILVER AND PEARLS

1819 sterling silver English crown coin with St. George slaying the dragon in enamel, 1.5” diam.; with pair similar coins made into earrings, 1896; Victorian 14k shaped brooch with rectangular bloodstone, 1.75” x 1.25”, 10.7g total weight; a Victorian oval micro mosaic floral pin in silver setting, 2”; a 19th c. morpho butterfly scenic pin, 1.5” diam, sgn. and stamped Elm Brevette; (2)14k signet rings, 8.3 g.; a large 14k filigree yellow and rose gold ring with etched carnelian, 1.75”, 11.8 g. total weight; a 14k gold set with cabochon carnelian; 6.4 g. total weight, .75”l.; a 12k or 14k repousse gold pin, 1.25” diam.; 3.9 g.; (3) etched gold bangles, smallest marked 14k, 3.9 g. - the medium tests for 10k, 10.5 g., largest 10k, 25 g.: a cultured pearl necklace, 15”; a sterling wreath lapel clip, 1” diam.; a large rhinestone shoe clip, 4” marked illeg. (missing one stone); an etched “skrimshaw” pendant; and costume jewelry gold colored hinged bangle set with green stones

Lot: 293 - (3) VINTAGE NAVAJO STERLING SILVER AND TURQUOISE NECKLACES

Navajo squash blossom set with luminous blue gem turquoise, silver bench beads and flared cones, 26”; a Navajo pearl beaded necklace with incised pendant set with ten turquoise stones, artist signed N / T, 24”, beads incl. 3”pendant; along with a Navajo pearl graduated sterling silver necklace, 22”

Lot: 294 - (18) NATIVE AMERICAN/ MEXICAN SILVER AND JEWELRY

vintage pawn silver linked concha belt with incised whirling log decoration, set with turquoise stone on buckle, 30”; a silver (tested) cuff with incised decoration set with two teardrop turquoise stones; a silver cuff with deep blue turquoise stone set in feather motif silver; a Navajo double oval silver ring set with two turquoise stones; a silver ring with brown and turquoise oval stone; a sterling vintage bar pin set with oval coral or carnelian, pin 2.5”; a pair of sterling and coral cuff earrings sgn. D. Maycotte, 1”; a graduated turquoise bead necklace, 18”; and a small graduated turquoise, shell and coral necklace, 13”; a Mexican silver ring with face-carved green stone; a large sterling ring with striped stone; a large intricate carnelian ring; a large 925 Mexican cuff with rope turned decoration, 1.5”w; a hinged organic silver cuff; a Mexican silver cuff with gold colored stirrup; a Peruvian silver sectioned scenic bracelet; land a Peruvian silver cuff with black oval stone

Lot: 295 - STERLING SILVER ROCOCO-STYLE FOOTED TUREEN

round, melon-form with foliate handles, shaped lid with flower finial; marked 925 on lid and base and illegible touch mark on the base; 10”h; 12.75”w; 55 troy oz.

Lot: 296 - STERLING SILVER TAZZA

marked Stirling Castle / PAT APPLIED FOR / STERLING / S91007 flat plate with controlled glass bubble in stem, chased shell feet; 6.5”h; 12” diam.

Lot: 297 - PAIR OF GEORGIAN SILVER SAUCE BOATS, SKEEN

William Skeen, London, 1767-1768 both hallmarked on bottom with acanthus capped flying scroll handles, raised on three hoof feet, crimped rims, eagle inscription on front cartouche; 4.5”h; 7”l; 17.2 troy oz.

Lot: 298 - PAIR STERLING SILVER RETICULATED CAKE STANDS

19th c., marked Bailey Banks & Biddle / STERLING / L / 581 open floral decoration on base and rim, central monogram B J B (for Bertha Jayne Bucknell); 4”h; 11” diam; 45.94 troy oz. Provenance: Bucknell family, Philadelphia. This and the next eight lots remained with the family until now.

Lot: 299 - LARGE STERLING SILVER REPOUSSE WATER PITCHER

19th c., The Bailey Banks and Biddle Company multiple marks on bottom, sterling, and hallmarks; floral repousse pattern, monogram B J B (for Bertha Jayne Bucknell); 7”h; 9”w; 31.38 troy oz. Provenance: Bucknell family, Philadelphia

Lot: 300 - STERLING SILVER RETICULATED CENTER BOWL, CALDWELL

19th c., marked J.E. Caldwell & Co./ Sterling / 1218 deep floral repousse border, central monogram B J B, (for Bertha Jayne Bucknell) 1.5”h; 10” diam.; 18.7 troy oz. Provenance: Bucknell family, Philadelphia

Lot: 301 - SET OF (8) ALVIN STERLING SILVER GOBLETS

stamped ALVIN STERLING / S249 unadorned with flared bases and rims; 6.5”h; 3.5” rim diam.; 32.2 troy oz. Provenance: Bucknell Family, Philadelphia

Lot: 302 - STERLING SILVER REPOUSSE BREAD PLATE

marked Bailey Banks & Biddle Co / B S C / Sterling; inscribed in script Nov. 16 “97, central monogram, B J B (for Bertha Jayne Bucknell); embossed floral decoration; 2”h; 12”w; 9”d; 12.08 troy oz. Provenance: Bucknell family, Philadelphia.

Lot: 303 - PAIR ENGLISH GORHAM STERLING SILVER COVERED VEGETABLES

hallmarked and marked Sterling 180 on the bottom made in Gorham’s Birmingham, England factory, c. 1914, in the aesthetic style: convertible to two open vegetables, removable finials; monogrammed L J B; 12”w Provenance: Bucknell family, Philadelphia.

Lot: 304 - PAIR STERLING SILVER 3-LIGHT CANDLABRUM

dated 1859, marked Sterling / 925 / 226 on base and candle arm; convertible to single light candlestick; weighted, 14”h; 12”w; 10”h as a single

Lot: 305 - ARTS AND CRAFTS STERLING SILVER LARGE BOWL

marked STERLING / 66-8, with three shields; wave and flower decoration around rim 2”h; 14” diam.; 31.9 troy oz. Provenance: Bucknell family, Philadelphia.

Lot: 306 - (5) ASSORTED STERLING SILVER

S. Kirk & Son bowl, 9”; a reticulated plate, 8”; a small Art Nouveau embossed candy dish, 6”; Bailey Banks & Biddle monogrammed Bucknell rectangular candy dish, 7”; a miniature Paul Revere bowl, 4”; 24 troy ounces total Provenance: Bucknell family, Philadelphia.

Lot: 307 - (16) ASSORTED GROUP OF SMALL STERLING SILVER

a small Russian kovsh; (2) small sauce boats, Bailey Banks & Biddle and Caldwell; a footed creamer, Caldwell; a small weighted creamer; (2) chased nut dishes; a pair of salts with bird handles (inserts missing); (2) embossed cupid napkin rings (one dented); (3) salt shakers, 1.5”; a reticulated dish with botanical pressed flowers (cracked glass); 19.5 troy oz. weighable Provenance: Bucknell family, Philadelphia.

Lot: 308 - PAIR OF CONTEMPORARY CARVED COLUMNAR PEDESTALS

with inset marble tops; 30”h; 16” diam.

Lot: 309 - VINTAGE ANGLO-INDIAN-STYLE SILVERED METAL-CLAD SUITE

settee and four sidechairs; all surfaces clad in embossed , silvered tin the crest rails ending in plated silver brass rams heads; slip seats; settee 34”h; 43”w; sidechairs 34”h; 25”w

Lot: 315 - KUBA RUNNER

c. 1900, excellent color, design and condition; 3’6” x 10’2”

Lot: 316 - CAUCASIAN RUNNER

late 19th c.; 12’ 7” x 3’ 2”

Lot: 317 - CLOUD BAND KAZAK SCATTER RUG

4’4” x 7’8”

Lot: 318 - ANTIQUE CAUCASIAN SCATTER RUG

4’3” x 6’8”

Lot: 319 - LARGE BIDJAR ROOMSIZE CARPET

12 ft. x 19 ft.

Lot: 320 - ANTIQUE BOKHARA RUG

mid 19th c., overall design; 5’4” x 9’6”

Lot: 321 - ROOMSIZE HEREZ RUG

9’ x 14’8”

Lot: 322 - 19th c. CAUCASIAN RUNNER RUG

4’ x 9’10”

Lot: 323 - CAUCASIAN RUG

3’5” x 7’4”

Lot: 324 - RUSSIAN CAUCASION RUG

c. 1930 - 1940; 5’9” by 9’2”

Lot: 325 - BOKHARA SCATTER RUG

3’5” by 7’5”

Lot: 326 - ROOMSIZE NICHOLS RUG

plum with purple border; 9’ x 11’6”

Lot: 327 - ANTIQUE PERSIAN RUNNER

3’2” x 17’

Lot: 328 - PERSIAN SCATTER RUG

4’6” x 6’3”