Auction Information

Lot: 1 - Louis XVI-Style Giltwood Overmantel Mirror

Louis XVI-Style Giltwood Overmantel Mirror, 19th c., reticulated floral crest, foliate finials, arched beveled mirror plate, beaded surround and liner, acanthus and pinecone corners, h. 75 in., w. 48 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 2 - Louis XV-Style Verte Peinte, Parcel Gilt Chairs

Two Antique Louis XV-Style Verte Peinte and Parcel Gilt Chairs . inc. one armchair and one side chair, serpentine rosette crest, scrolled arms, foliate apron, cabriole legs, scrolled toes, armchair h. 39 1/2 in., w. 27 in., d. 22 in., side chair h. 38 in., w. 22 in., d. 19 in.

Lot: 3 - Louis XVI-Style Kingwood Dressing Table

Antique Louis XVI-Style Inlaid and Bronze-Mounted Kingwood Dressing Table, divided mirrored back, two glove drawers, kneehole frieze drawers, tapered legs, h. 57 in., w. 40 1/2 in., d. 21 1/2 in.

Lot: 4 - Kingwood and Parquetry Occiasional Table

Antique Louis XV-Style Bronze Mounted Kingwood and Parquetry Occasional Table, turtle top, serpentine blind frieze drawer, cabriole legs, sabots, h. 29 in., w. 31 1/2 in., d. 21 in.

Lot: 5 - Louis XV-Style Bronze-Mounted Kingwood Bueau Plat

Antique Louis XV-Style Bronze-Mounted Kingwood Bureau Plat, inset tooled leather top with acanthine corners, serpentine frieze with three drawers, reverse with faux drawers, cabriole legs, sabots, h. 30 in., w. 65 in., d. 32 in.

Lot: 6 - Louis XVI-Style Trumeau Mirror

Louis XVI-Style Creme Peinte and Parcel Gilt Trumeau Mirror, molded cornice, village scene reserve, egg and dart molding, h. 73 in., w. 40 in.

Lot: 7 - Louis XV-Style Giltwood Console

Antique Louis XV-Style Giltwood Console, associated marble top, rocaille frieze, beaded cabriole legs, foliate feet, floral stretcher, h. 35 in., w. 43 1/2 in., d. 19 1/2 in.

Lot: 8 - Louis XVI-Style Mahogany Console Table

Louis XVI-Style Bronze-Mounted Mahogany Console Table, rouge marble top, blocked frieze centered by putto reserve, tapered legs, foliate cuffs, h. 32 1/2 in., w. 43 1/2 in., d. 23 1/2 in.

Lot: 9 - Louis XV-Style Gilt Bronze Three-Tier Desserte

Louis XV-Style Gilt Bronze Three-Tier Desserte, shaped marble tops, acanthine scrolled supports, paw feet, h. 41 in., w. 37 in., d. 24 in.

Lot: 10 - Pair of Louis XV-Style Carved Giltwood Settees

Pair of Louis XV-Style Carved Giltwood Settees, reticulated floral crest, scrolled crest rail, serpentine seat rail, cabriole legs, scrolled toes, h. 39 in., w. 62 1/2 in., d. 29 in.

Lot: 11 - Napoleon III Ebonized, Boullework Parlor Cabinet

Napoleon III Bronze-Mounted, Ebonized and Boullework Parlor Cabinet, late 19th c., shaped top with egg and dart edge, arched glazed panel doors, stiles mounted with mythological masks, conforming plinth base, h. 44 in., w. 74 1/2 in., d. 20 1/4 in.

Lot: 12 - Napoleon III Inlaid and Ebonized Parlor Cabinet

Napoleon III Inlaid and Ebonized Parlor Cabinet, late 19th c., shaped top, conforming case with Chinoiserie decoration, paneled doors flanked by double column supports and ogee glazed panel cabinet doors, blocked base, h. 43 1/2 in., w. 75 in., d. 18 in.

Lot: 13 - Continental Rococo Giltwood Overmantel Mirror

Continental Rococo Giltwood Overmantel Mirror, 19th c., floral swagged rocaille crest, foliate and ribbon-molded surround, h. 74 in., w. 46 1/2 in.

Lot: 14 - Pair of Louis XVI-Style Trumeau Mirrors

Pair of Louis XVI-Style Painted and Parcel Gilt Trumeau Mirrors, cabochon cornice, swagged chinoiserie reserve, cartouche mirror plate, foliate decoration, h. 94 in., w. 44 in.

Lot: 15 - French Bronze Vernis Martin Mantel Clock

French Bronze Vernis Martin Mantel Clock, 19th c., Japy Freres striking gong movement, h. 13 1/4 in., w. 9 1/4 in., d. 5 in.

Lot: 16 - French Morbier Tall Case Clock

Antique French Morbier Tall Case Clock, walnut case, h. 90 1/2 in., w. 17 1/2 in., d. 11 in.

Lot: 17 - Napoleon III "William Tell" Mantel Clock

Napoleon III Gilt Bronze "William Tell" Mantel Clock, 19th c., caped figure holding a crossbow, silk thread striking bell movement, h. 19 in., w. 12 1/2 in., d. 4 1/4 in.

Lot: 18 - Empire-Style Brass Clock, "FS Medaille d'Or"

Antique Empire-Style Brass Clock, 19th c., striking bell movement marked "GS Medaille d'Or", h. 3 3/4 in., w. 5 1/2 in., d. 6 in.

Lot: 19 - Attributed to Edward Darley Boit (American)

Attributed to Edward Darley Boit (American, 1842-1916), "Villerville", oil on canvas, signed lower right, faintly titled lower left, Paris canvas stamp en verso, 15 in. x 21 3/4 in., framed, overall 20 7/8 in. x 27 1/2 in. x 3 1/4 in.

Lot: 20 - Georges Washington (French, 1827-1910)

Georges Washington (French, 1827-1910), "Horsemen by an Oasis", oil on canvas, signed lower left, 18 1/4 in. x 21 3/4 in., framed, overall 25 in. x 21 1/2 in. x 1 1/2 in.

Lot: 21 - Christophe Fratin (French, 1801-1864)

Christophe Fratin (French, 1801-1864), "Elephant with Howdah and Rider", bronze, signed on self-base, h. 23 in., w. 19 in., d. 6 1/2 in. Provenance: Estate of Angela Gross Folk, Bernardsville, NJ.

Lot: 22 - Thomas Couture (French, 1815-1879)

Thomas Couture (French, 1815-1879), "Portrait of Monginot", chalk on paper, initialed lower right, unfinished portrait of a woman en verso, inscribed lower left and right, "Sotheby's, NY" labels on backing board and reverse of frame, 24 in. x 17 1/4 in., framed with artist and title plaque, overall 33 3/4 in. x 29 in. x 2 in. Provenance: Sotheby's, New York, Oct. 29, 2002, lot 43.

Lot: 23 - Thomas Couture (French, 1815-1879)

Thomas Couture (French, 1815-1879), "Portrait of a Young Woman in Profile", oil on canvas, initialed mid-right, "Roberts Art Gallery, Toronto" plaque on reverse of frame, 19 in. x 16 5/8 in., framed, 26 3/4 in. x 24 1/2 in. x 2 1/2 in.

Lot: 24 - Thomas Couture (French, 1815-1879)

Thomas Couture (French, 1815-1879), "Portrait of a Girl", oil on canvas, initialed lower right, 15 3/4 in. x 12 3/8 in., unframed. Note: Thomas Couture was born in 1815 approximately thrity miles north of Paris in Senlis, France. He had very little ambition or interest in education growing up, much to his father’s displeasure. He was, however, considered a talented artist at a young age.

Lot: 25 - French School, 19th c

French School, 19th c., "Reading Tea Leaves", oil on canvas, unsigned, 37 1/4 in. x 33 7/8 in., framed, overall 41 in. x 38 in. x 2 1/2 in.

Lot: 26 - Continental School, 19th c

Continental School, 19th c., "Winter Palace Scene", oil on canvas, unsigned, 13 in. x 19 in., framed, overall 20 3/4 in. x 26 1/2 in. x 4 in.

Lot: 27 - Continental School, late 19th/early 20th c

Continental School, late 19th/early 20th c., "Women Laundering", oil on canvas, unsigned, 26 1/8 in. x 30 1/4 in., framed, overall 31 3/4 in. x 35 3/4 in. x 1 1/2 in.

Lot: 28 - Continental School, 19th c

Continental School, 19th c., "Village Road with Water Mill", oil on canvas, faintly inscribed "m. hobbema / 1663" lower left, 32 in. x 47 1/2 in., framed, 36 3/4 in. x 52 1/4 in. x 2 1/4 in.

Lot: 29 - Thomas Barker of Bath (British, 1769-1847)

Thomas Barker of Bath (British, 1769-1847), "Washing Sheep", oil on canvas, unsigned, handwritten partial label with artist name and title on stretcher, 27 5/8 in. x 41 1/4 in., framed with artist and title plaque, overall 48 5/8 in. x 35 1/2 in. x 2 3/4 in.

Lot: 30 - French School, 19th c

French School, 19th c., "Portrait of a Lady with Fan", oil on canvas, initialed "C.M." lower right, "Eugene Stahl, Paris" label, "De Mouchelles, Detroit, MI" label and inscribed "Stahl" on stretcher, 76 1/2 in. x 49 1/2 in., unframed.

Lot: 31 - Pair of Carved Marble Figures of Maidens

Pair of Carved Marble Figures of Maidens with Putti, each draped maiden with cherub attendant, h. 38 1/2 in., w. 11 in., d. 10 in., bronze bases, overall h. 41 in.

Lot: 32 - Continental School, 19th c

Continental School, 19th c., "Genre Scene", oil on panel, unsigned, 19 7/8 in. x 17 1/2 in., framed, overall 22 1/2 in. x 20 in. x 1 1/8 in.

Lot: 33 - Gilbert Munger (American, 1837-1903)

Gilbert Munger (American, 1837-1903), "Castle on the Hill", oil on panel, signed lower left, 14 1/2 in. x 21 3/8 in., framed, overall 27 3/8 in. x 34 1/2 in. x 3 3/4 in.

Lot: 34 - Eugene Quinton (French, 1853-1892)

Eugene Quinton (French, 1853-1892), "The Young Archer", 1888, patinated bronze, signed, dated and "F. Barbedienne, Fondeur, Paris" and "654" inscribed on self-base, h. 38 1/2 in., w. 20 1/2 in., d. 15 3/4 in. Provenance: Estate of Angela Gross Folk, Bernardsville, NJ.

Lot: 35 - Continental School, 19th c

Continental School, 19th c., "Scholar with Ruff", oil on canvas, unsigned, 32 5/8 in. x 27 7/8 in., framed, overall 37 1/4 in. x 32 in. x 2 in.

Lot: 36 - Edouard Charles Armand-Dumaresq (French, 1826)

Edouard Charles Armand-Dumaresq (French, 1826-1895), "Soldier with Rifle", 1860, watercolor on paper, signed and dated lower left, 14 1/4 in. x 9 3/4 in., framed, overall 20 3/4 in. x 16 1/4 in. x 1 1/8 in.

Lot: 37 - Edouard Charles Armand-Dumaresq (French, 1826)

Edouard Charles Armand-Dumaresq (French, 1826-1895), "Pierre Cambronne of Waterloo", watercolor and pastel on paper, signed lower right, 2 handwritten period labels with artist and sitter on backing board, 12 in. x 9 3/4 in., framed, overall 26 in. x 20 3/8 in. x 1 1/2 in.

Lot: 38 - Cast Stone and Marble Bust of Napoleon Bonaparte

Cast Stone and Marble Bust of Napoleon Bonaparte with Imperial Eagle, unsigned, h. 28 in., w. 20 in., d. 14 in.

Lot: 39 - John Theodore Heins (British, 1697-1756)

John Theodore Heins (British, 1697-1756), "Portrait of Margretta Marsham", 1726, oil on canvas, signed and dated "Heins Fec. 1726" lower left, inscribed "Margretta Marsham 1726" upper left, 30 1/8 in. x 24 3/4 in., framed, overall 41 3/4 in. x 35 3/4 in. x 1 3/4 in. Provenance: Neal Auction Company, June 8, 2002, lot 466.

Lot: 40 - Rembrandt Van Rijn (Dutch, 1606-1669)

Rembrandt Van Rijn (Dutch, 1606-1669), "The Crucifixion: Small Plate (Bartsch 80; Biorklund 35-11; New Hollestein 143)", etching, signed in plate, watermark visible, 3 5/8 in. x 2 5/8 in., unframed. Provenance: The Little Studio, Port Washington, NY, c. 1970s.

Lot: 41 - Patinated Bronze "Dancing Faun of Pompeii"

Italian Patinated Bronze of "Dancing Faun of Pompeii", inscribed "Chiurazzi/Napoli" on self-base, h. 31 1/2 in., w. 12 1/2 in., d. 11 1/8 in.

Lot: 42 - Giovanni Battista Piranesi (Italian, 1720-1778)

Giovanni Battista Piranesi (Italian, 1720-1778), "A Pianta dell'Avanzo di Parete...", "A Pianta di un Seplocro sulla Via Tiburtina...", "A Pianta di Fabbrica Magnifica Sepolcrale...", "Trovasi Questa Fabbrica...", "A Spaccato del Mausleo di Ottaviano Augusto...", "A Due Frammento di Tavoli...", "A Questa Pianta di Forma Quadrata...", "Iscrizioni de Sodati Pretriani" and "A Frammento di Marro di Gran Coperchio...", 1756/1757, 9 etchings, from "Le Antichita Romane, published by Angelo Rotili, Rome, sheets 22 in. x 31 1/2 in. to 22 1/4 in. x 17 in., unframed. (9 pcs.). Note: Sold to benefit Friends of the New Orleans Public Library.

Lot: 43 - Marble Figural Group of Woman and Child

Large Marble Figural Group of Woman and Child on the Seashore, h. 68 1/2 in.

Lot: 44 - Painted Iron, Slate Top Dining Table

Directoire-Style Painted Iron and Slate Top Dining Table, octagonal top, conforming frieze, tapered spindled legs, flat bar feet, h. 29 5/8 in., w. 50 in., d. 49 1/2 in

Lot: 45 - Empire-Style Bronze-Mounted Mahogany Bookcase

Empire-Style Bronze-Mounted Mahogany Bookcase, stenciled "Hopilliart & Leroy, Paris", blocked cornice, stiles surmounted by Classical busts and ending in paired feet, glazed panel doors, shelf interior, ball feet, h. 96 1/2 in., w. 108 in., d. 20 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 46 - Bronze-Mounted Mahogany Demilune Tall Commodes

Pair of French Neoclassical Bronze-Mounted Mahogany Demilune Tall Commodes, early 19th c., galleried inset marble top, upper case with tambour door and fitted interior, lower case with shelf interior, tapered legs, brass cuffs, h. 43 3/4 in., w. 24 1/2 in., d. 12 1/2 in. Provenance: Parc Monceau Antiques, Atlanta, GA.

Lot: 47 - Italian Neoclassical Burl Walnut Secretaire

Antique Italian Neoclassical Burl Walnut Secretaire, stepped hinge top, drop-front writing drawer with fitted interior, over four drawers, conforming bracketed base, h. 49 in., w. 66 in., d. 27 1/2 in.

Lot: 48 - Italian Rococo-Style Carved Giltwood Oval Mirrors

Pair of Italian Rococo-Style Carved Giltwood Oval Mirrors, draped surround surmounted by a floral swag crest, h. 49 in., w. 33 in.

Lot: 49 - Continental Bronze-Mounted Marble Pedestals

Pair of Continental Bronze-Mounted Marble Pedestals, stepped capital, floral paneled standard, bracketed plinth base, h. 43 1/2 in., w. 16 in., d. 16 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 50 - Italian Rococo-Style Giltwood Armchairs

Pair of Antique Italian Rococo-Style Giltwood Armchairs, pierced rocaille crest, heart-shaped padded back, scrolled arms, conforming apron, cabriole legs, h. 48 in., w. 30 in., d. 25 in.

Lot: 51 - Italian Rococo-Style Carved Oak Mirror

Antique Italian Rococo-Style Carved Oak Mirror, extensive rocaille surround, cushion mirror plate, h. 53 in., w. 45 in.

Lot: 52 - Reverse Painted Glass and Giltwood Mirror

Large Continental Reverse Painted Glass and Giltwood Mirror, blocked reeded bolection surround, scroll and foliate trellis motif, h. 84 in., w. 48 in.

Lot: 53 - French Bronze Five-Light Bouillotte Lamp

French Bronze Five-Light Bouillotte Lamp, red tole shade, h. 22 in., dia. 13 in.

Lot: 54 - Louis XV-Style Bronze Five-Light Chandelier

Diminutive Louis XV-Style Bronze Five-Light Chandelier, 19th c., foliate arms, electrified, h. 12 in., dia. 16 in.

Lot: 55 - Louis XVI-Style Bronze Eight-Light Chandelier

Louis XVI-Style Bronze Eight-Light Chandelier, standard with female busts, foliate arms, h. 41 in., dia. 34 in.

Lot: 56 - Continental Six-Light Chandelier

Continental Six-Light Chandelier, acanthus-carved standard, foliate arms, h. 26 in., dia. 31 in.

Lot: 57 - Continental Giltwood Twelve-Light Chandelier

Continental Giltwood Twelve-Light Chandelier, foliate and scroll-carved design, h. 30 in., dia. 29 in.

Lot: 58 - Four Empire-Style Gilt, Patinated Bronze Sconces

Four Empire-Style Gilt and Patinated Bronze Two-Light Sconces, arrow backplate, mounted with a medallion of a centurion, h. 19 1/2 in., w. 10 in., d. 4 in.

Lot: 59 - Neoclassical-Style Bronze Eight-Light Chandelier

Neoclassical-Style Bronze Eight-Light Chandelier, vasiform standard, mounted with female busts and grotesque masks, h. 36 in., dia. 35 in.

Lot: 60 - Pair of Louis XVI-Style Bronze Sconces

Pair of Louis XVI-Style Bronze Five-Light Sconces, flame and urn backplate, foliate arms, h. 18 in., w. 13 in. d. 9 1/2 in.

Lot: 61 - Louis XVI-Style Bronze Sixteen-Light Chandelier

Louis XVI-Style Bronze Sixteen-Light Chandelier, vasiform standard cast with trophees and female busts and masks, foliate arms, h. 52 in., dia. 36 in.

Lot: 62 - Continental Iron Eight-Light Pricket Chandelier

Continental Iron Eight-Light Pricket Chandelier, suspension chains, fleur-de-lis decoration, h. 53 in., w. 50 in., d. 15 in.

Lot: 63 - French Provincial Fruitwood Table

French Provincial Fruitwood Table, early 19th c., foldover plank top, tapered legs, h. 30 in., w. 62 1/2 in., d. 27 3/4 in.

Lot: 64 - French Provincial Mixed Woods Document Cabinet

Antique French Provincial Two-Part Mixed Woods Document Cabinet, upper case with arched cornice, cartouche-paneled doors, fluted stiles, deep lower case with paneled doors, interior fitted with document drawers, h. 93 in., w. 65 in., d. 39 in.

Lot: 65 - French Provincial Carved Walnut Games Table

Antique French Provincial Carved Walnut Games Table, inset needlepoint top, frieze with drawer and shell decoration, foliate cabriole legs, h. 27 1/2 in., w. 32 in., d. 32 in.

Lot: 66 - Regence Bronze-Mounted Carved Walnut Commode

Regence Bronze-Mounted Carved Walnut Commode, early 18th c., molded top, quarter column stiles, three drawers, paneled returns, h. 35 in., w. 50 1/2 in., d. 25 in.

Lot: 67 - French Carved Walnut Buffet a Deux Corps

French Provincial Carved Walnut Buffet a Deux Corps, 18th c., arched cornice, frieze carved with a drafter's medallion, scrolled cartouche doors, medial drawers, serpentine apron, cabriole legs, h. 94 in., w. 55 1/2 in., d. 23 in.

Lot: 68 - Pair of Regence-Style Carved Oak Fauteuils

Pair of Regence-Style Carved Oak Fauteuils, illegibly signed, serpentine crest rail, caned back and seat, scrolled arms, rocaille cabriole legs, h. 41 in., w. 23 in., d. 20 in.

Lot: 69 - Louis XV-Style Truemeau Mirror

Antique Louis XV-Style Painted and Parcel Gilt Trumeau Mirror, pastoral reserve with courting couple, raised paneled stiles, rocaille decoration, h. 63 1/2 in., w. 48 in.

Lot: 70 - Louis XVI-Style Kingwood, Parquetry Games Table

Antique Louis XVI-Style Bronze-Mounted Kingwood and Parquetry Games Table, foldover swivel top, baize playing surface, serpentine frieze drawer fitted with gaming pieces, cabriole legs, sabots, h. 31 in., w. 32 1/2 in., d. 24 in.

Lot: 71 - Louis XV Carved Walnut Chaise Percee

Louis XV Carved Walnut Chaise Percee, 18th c., rocaille crest rail, caned back and seat, leather cushions, scrolled arms, dovetailed serpentine seat rail, cabriole legs, h. 34 1/2 in., w. 23 in., d. 15 in.

Lot: 72 - French Provincial Carved Walnut Panetiere

French Provincial Carved Walnut Panetiere, 19th c., turned finials, serpentine crest, turned slats, cartouche paneling, disc feet, h. 28 in., w. 35 in., d. 18 1/4 in.

Lot: 73 - Pair of Louis XV-Style Carved Walnut Fauteuils

Pair of Louis XV-Style Carved Walnut Fauteuils, 19th c., serpentine crest rail, padded arms, rocaille seat rail, cabriole legs, h. 44 in., w. 27 1/2 in., d. 24 in.

Lot: 74 - French Provincial Oak Buffet

Antique French Provincial Oak Buffet, plank top, cartouche paneled doors, paneled stiles, h. 39 in., w. 54 in., d. 26 1/4 in.

Lot: 75 - Louis XV-Style Truemeau Mirror

Antique Louis XV-Style Painted and Parcel Gilt Trumeau Mirror, molded cornice, rocaille surround, paneled stiles, courting couple reserve, h. 67 in., w. 36 1/2 in.

Lot: 76 - Louis XV Provincial Fruitwood Commode

Louis XV Provincial Fruitwood Commode, 18th c., molded top, two frieze drawers, whorl medallions, cartouche-paneled doors, serpentine apron, cabriole legs, h. 42 in., w. 54 1/2i n., d. 23 1/2 in.

Lot: 77 - William Ousley (American/Louisiana, 1866-1953)

William Ousley (American/Louisiana, 1866-1953), "The Old Tree at Ousley's Landing at Bagdad, LA", 1933, oil on canvas, signed lower right, signed, titled, dated and heavily inscribed en verso, 24 3/4 in. x 15 1/8 in., framed, overall 29 1/4 in. x 19 3/4 in. x 1 3/4 in.

Lot: 78 - William Ousley (American/Louisiana, 1866-1953)

William Ousley (American/Louisiana, 1866-1953), "West Fork of the Calcasieu River, SW LA", oil on canvas, signed lower right, inscribed lower center, signed, titled and heavily inscribed en verso, 20 1/4 in. x 38 1/4 in., framed, overall 25 1/4 in. x 43 3/8 in. x 2 1/2 in.

Lot: 79 - Don Reggio (American/Louisiana, b. 1950)

Don Reggio (American/Louisiana, b. 1950), "19th Century Acadian à la W.H.B.", 2007, oil on canvas, signed lower right, signed, titled and dated en verso, 12 in. x 24 in., framed, overall 16 3/4 in. x 28 3/4 in. x 1 1/4 in.

Lot: 80 - Louisiana School, 20th c

Louisiana School, 20th c., "Shade Tree", oil on masonite, signed "Goble" lower left, 20 in. x 24 in., framed, overall 22 3/4 in. x 26 7/8 in. x 1 3/8 in.

Lot: 81 - Clarence Millet (American/Louisiana, 1897-1959)

Clarence Millet (American/Louisiana, 1897-1959), "The Red Barn", oil on canvas laid on board, signed lower right, signed and titled en verso, 13 1/2 in. x 15 1/8 in., framed, overall 16 1/8 in. x 17 7/8 in. x 1 1/8 in. Provenance: Neal Auction Company, Apr. 13, 2019, lot 185.

Lot: 82 - Robert Malcolm Rucker (American/Louisiana, 1932)

Robert Malcolm Rucker (American/Louisiana, 1932-2001), "Birch Trees", oil on canvas board, signed lower left, 19 7/8 in. x 15 7/8 in., framed, overall 22 5/8 in. x 18 3/4 in. x 2 in.

Lot: 83 - Alexander John Drysdale (American/Louisiana)

Alexander John Drysdale (American/Louisiana, 1870-1934), "Louisiana Bayou", oil wash on board, signed lower left, 2 artist biographies on backing paper, 8 1/8 in. x 20 3/16 in., framed, overall 11 3/4 in. x 23 5/8 in. x 1 1/2 in.

Lot: 84 - Alexander John Drysdale (American/Louisiana)

Alexander John Drysdale (American/Louisiana, 1870-1934), "Bayou Landscape at Sunset", 1915, oil wash on board, pencil-signed and dated lower left, 20 in. x 30 in., framed, overall 24 7/8 in. x 34 7/8 in. x 1 1/4 in.

Lot: 85 - Alexander John Drysdale (American/Louisiana)

Alexander John Drysdale (American/Louisiana, 1870-1934), "Louisiana Bayou with Cypress and Oak Trees", 1916, oil wash on board, signed and dated lower left, "W.E. Seebold, New Orleans, LA" label on backing board, 15 7/8 in. x 20 in., framed, overall 21 3/4 in. x 25 3/4 in. x 2 in.

Lot: 86 - Alexander John Drysdale (American/Louisiana)

Alexander John Drysdale (American/Louisiana, 1870-1934), "Louisiana Landscape with Moss-Laden Live Oaks and Cabin", 1897, oil on canvas, signed and dated lower left, 20 in. x 25 in., framed, overall 23 3/4 in. x 28 7/8 in. x 2 in.

Lot: 87 - Alexander John Drysdale (American/Louisiana)

Alexander John Drysdale (American/Louisiana, 1870-1934), "Bayou Landscape with Oak Tree and Waterlilies", oil wash on board mounted to heavy board, signed lower left, 19 3/4 in. x 29 7/8 in., framed, overall 27 3/4 in. x 37 in. x 1 in. Provenance: Neal Auction Company, June 22, 2019, lot 418.

Lot: 88 - Alexander John Drysdale (American/Louisiana)

Alexander John Drysdale (American/Louisiana, 1870-1934), "Bayou Landscape with Pirogue", oil wash on board, signed lower left, 9 7/8 in. x 20 in., framed, overall 12 1/2 in. x 22 5/8 in. x 1 in.

Lot: 89 - Alexander John Drysdale (American/Louisiana)

Alexander John Drysdale (American/Louisiana, 1870-1934), "Bayou Landscape with Sunset", oil wash on board, signed lower right, 20 in. x 29 7/8 in., framed, overall 22 1/2 in. x 32 1/2 in. x 1 in.

Lot: 90 - Alexander John Drysdale (American/Louisiana)

Alexander John Drysdale (American/Louisiana, 1870-1934), "Live Oak on the Bayou", oil wash on board, signed lower left, 7 1/8 in. x 20 in., framed, overall 9 1/4 in. x 22 1/4 in. x 1/4 in. Provenance: Historic Albania Plantation, Jeanerette, LA.

Lot: 91 - Walter Inglis Anderson (American/Mississippi)

Walter Inglis Anderson (American/Mississippi, 1903-1965), "Purple Gallinules", watercolor and graphite on paper, unsigned, artist estate stamp lower right, 2 handwritten labels with title on backing paper, 8 3/8 in. x 11 in., framed, overall 17 in. x 19 in. x 1 1/4 in.

Lot: 92 - Walter Inglis Anderson (American/Mississippi)

Walter Inglis Anderson (American/Mississippi, 1903-1965), "Redhead Scaups", watercolor and graphite on paper, unsigned, artist estate stamp lower right, 8 1/4 in. x 10 7/8 in., framed, overall 13 7/8 in. x 16 1/8 in. x 2 1/2 in.

Lot: 93 - Walter Inglis Anderson (American/Mississippi)

Walter Inglis Anderson (American/Mississippi, 1903-1965), "Mallard and Scaup", watercolor and graphite on paper, unsigned, artist estate stamp lower right, 2 handwritten labels with title on backing paper, 8 1/2 in. x 11 in., framed, overall 17 in. x 19 in. x 1 1/4 in.

Lot: 94 - Walter Inglis Anderson (American/Mississippi)

Walter Inglis Anderson (American/Mississippi, 1903-1965), "Boat-Tailed Grackles", watercolor and graphite on paper, unsigned, artist estate stamp lower right, 2 handwritten labels with title on backing paper, 11 in. x 8 3/8 in., framed, overall 19 1/2 in. x 16 1/2 in. x 1 1/4 in.

Lot: 95 - Walter Inglis Anderson (American/Mississippi)

Walter Inglis Anderson (American/Mississippi, 1903-1965), "Hermit Crabs", watercolor and graphite on paper, unsigned, artist estate stamp lower right, 2 handwritten labels with title on backing paper, 8 1/4 in. x 11 in., framed, overall 17 in. x 19 in. x 1 1/4 in.

Lot: 96 - Walter Inglis Anderson (American/Mississippi)

Walter Inglis Anderson (American/Mississippi, 1903-1965), "Horn Island", watercolor and graphite on paper, unsigned, artist estate stamp lower right, 7 in. x 10 7/8 in., framed, overall 15 3/4 in. x 18 7/8 in. x 1 1/4 in.

Lot: 97 - Walter Inglis Anderson (American/Mississippi)

Walter Inglis Anderson (American/Mississippi, 1903-1965), "Biloxi Beach Scene", linocut, unsigned, 19 1/4 in. x 37 7/16 in., framed, overall 21 3/4 in. x 40 in. x 1 in. Provenance: Neal Auction Company, Apr. 17, 2022, lot 695. Ill.: Pickard, Mary Anderson and Patricia Pinson, eds. Form and Fantasy: The Block Prints of Walter Anderson. Jackson: University Press of Mississippi, 2007, p. 83.

Lot: 98 - [Early Louisiana History]

[Early Louisiana History], Baudry des Lozieres, Louis Narcisse. Voyage a la Louisiana, et sur le Continent de l'Amerique Septentrionale, fait dans les annees 1794-1798, Paris, Dentu, 1802, octavo (7 3/4 in. x 4 3/4 in., engraved folding map by Collin (9 1/2 in. x 14 in.), full calf, gilt lettering, Field 99, Howes B243, Sabin 3979; together with an oak box, h. 6 1/4 in., w. 11 1/2 in., d. 10 1/5 in., and a pair of bookends Provenance: William Armstead Robinson III, Shreveport, LA

Lot: 99 - Double Hemisphere World Map

Double Hemisphere World Map, "Mappe-Monde Geo Hydrographique du Globe", Gerard Valck, Amsterdam, 17th c., hand-colored engraved map, with vignettes of the four seasons, 16 6/8 in. x 20 1/2 in. (neat lines), framed Provenance: William Armstead Robinson III, Shreveport, LA

Lot: 100 - [Edgar Degas Illustrated Book]

[Edgar Degas Illustrated Book], Maupassant, Guy de, La Maison Tellier, Paris, Ambrose Vollard, 1934, folio (13 in. x 10 1/2 in.), number 260 of 325 examples, paper wraps, with 19 etchings (2 in color) after Edgar Degas monotypes, pages loose as issued

Lot: 101 - [Degas/Vollard Livre d'Artiste]

[Degas/Vollard Livre d'Artiste], Degas, Paris, Bernheim-Jeune & Cie. Editeurs, 1918, reprint of the 1914 edition by Vollard, folio (14 3/4 in. x 10 1/2 in.), with 98 illustrations (4 in color), number 233 from an edition of 275 on papier Japon, full inlaid purple leather with gilt tooling, the endpapers and slipcase cover of handmade marbled paper Provenance: Dedication from Paris, 1964 to known art collector "Francois L. Schwarz"

Lot: 102 - [Degas/Vollard Livre d'Artiste]

[Degas/Vollard Livre d'Artiste], Louys, Pierre Mimes des Courtisanes de Lucien, Paris, Ambroise Vollard, 1935, quarto (12 3/4 in. x 10 in.), with 22 (4 in color) etchings after monotypes by Edgar Degas, this copy numbered "L", one of 20 hors-commerce copies aside from the edition of 305, half-leather, with original slip-case, marbled end papers, Rives paper

Lot: 103 - [Edgar Degas Illustrated Book]

[Edgar Degas Illustrated Book], Halevy, Ludovic, La Famille Cardinal, Paris, Auguste Blaizot & Fils, 1938, with 32 etchings (6 in color) after monotypes by Edgar Degas, folio (13 in. x 10 in.), original paper wraps, Rives paper, edition of 350, this one printed for M. Paul Haasen, one of the printers; together with three plates from a 1948 edition of La Famille Cardinal

Lot: 104 - [Edgar Degas Illustrated Book]

[Edgar Degas Illustrated Book], Halevy, Ludovic, La Famille Cardinal, Paris, Auguste Blaizot & Fils, 1938, with 32 etchings (6 in color) after monotypes by Edgar Degas, folio (13 in. x 10 in.), original paper wraps, Rives paper, number 135 of the edition of 350

Lot: 105 - [Turkish World War I Prints]

[Turkish World War I Prints], Krausz, Wilhelm Victor, Bildnesse und Skizzen aus der Turkei im Welkrieg, Wein, 1916, folio (19 3/4 in. x 16 in.), with 31 (of 34) passepartout leaves, each with one to three mounted color plates, loose, as issued, blind-stamped linen folder

Lot: 106 - Pair of George II-Style Carved Giltwood Consoles

Pair of George II-Style Carved Giltwood Consoles, inset marble top, extensive rocaille decoration, cabriole legs, paw feet, h. 34 1/2 in., w. 51 in., d. 21 in.

Lot: 107 - George III-Style Carved Mahogany Sideboard

Antique George III-Style Carved Mahogany Sideboard, 19th c., stamped "GILLOWS * LANCASTER...", serpentine top, conforming case with long frieze drawer, tapered legs, spade feet. h. 36 1/2 in., w. 78 in., d. 28 1/4 in.

Lot: 108 - George III Figured Mahogany Slant-Front Desk

George III Figured Mahogany Slant-Front Desk, late 18th/early 19th c., fall-front lid, fitted interior, four graduated beaded drawers, bracket feet, h. 44 1/2 in., w. 39 1/2 in., d. 20 in. Provenance: Estate of Warren A. Goldstein, Esq., New Orleans.

Lot: 109 - Fine George III Inlaid Mahogany Chest-on-Chest

Fine George III Inlaid Mahogany Chest-on-Chest, early 19th c., stepped cornice, upper case with chamfered stiles, five drawers, lower case with three drawers, flared legs, satinwood banding and string inlay, h. 75 in., w. 41 1/2 in., d. 21 1/4 in.

Lot: 110 - George III-Style Mahogany Sofa

Antique George III-Style Mahogany Sofa, serpentine crest and seat, incurvate uprights, tapered legs, h. 36 in., w. 78 in., d. 32 in.

Lot: 111 - Georgian-Style Mahogany Breakfront Bookcase

Antique Georgian-Style Mahogany Breakfront Bookcase, stepped cornice, geometric glazed doors, paneled lower cabinet doors flanked by pedestals with three drawers, h. 87 1/2 in., w. 81 1/2 in., d. 18 in.

Lot: 112 - Mahogany Cylinder Secretary Bookcase

Fine Antique George III-Style Inlaid Mahogany Cylinder Secretary Bookcase, mid-to-late 19th c., stamped "Maple & Co. Ld", London, dentil-molded cornice, arched glazed doors, cylinder lid with patera inlay, to fitted interior with sliding leather writing surface, kneehole configuration of drawers, tapered legs, spade feet, h. 91 in., w. 46 1/2 in., d. 27 3/4 in. Provenance: The Hawfield, Blakeney, Gloucestershire, U.K. (See accompanying documents found in drawer. Note: A photo of the desk inside the Hawfield country house can be viewed at www.theforestreview.co.uk/news/historic-house-on-marked-for-ps29m-212606

Lot: 113 - Sheraton-Style Carved Mahogany Dining Chairs

Twelve Sheraton-Style Carved Mahogany Dining Chairs, 19th c., incl. 2 arms and 10 sides, shield backs with entwined foliate scrolls, molded arms, floral blocked tapered legs, spade feet, armchair h. 38 in., w. 22 1/2 in., d. 19 in., side chair h. 37 in., w. 20 in., d. 17 in.

Lot: 114 - English Cast Iron Pub Table

English Cast Iron Pub Table, 19th c., "Slavery Abolished" model, mahogany top, reticulated frieze decoration with masks, cabriole legs surmounted by caryatids with Union Jack shields, paw feet, h. 29 1/2 in., dia. 25 in.

Lot: 115 - George III Inlaid Walnut and Oak Chest of Drawers

George III Inlaid Walnut and Oak Chest of Drawers, early 19th c., banded drawers, two drawers over three long drawers, bracket feet, h. 36 in., w. 37 in., d. 20 1/4 in.

Lot: 116 - Georgian Mahogany Demilune Sideboard

Antique Georgian Mahogany Demilune Sideboard, brass galleried top, frieze drawer, paneled cabinet doors, tapered legs, spade feet, h. 49 in., w. 80 in., d. 27 1/4 in.

Lot: 117 - George III Mahogany Slant-Front Desk

George III Mahogany Slant-Front Desk, early 19th c., fall-front lid, fitted interior, four graduated drawers, bracket feet, h. 42 1/4 in., w. 36 in., d. 18 1/2 in.

Lot: 118 - Georgian-Style Mahogany Piecrust Tea Table

Antique Georgian-Style Mahogany Piecrust Tea Table, dishedop, bird cage support, fluted standard, foliate tripod base, pad feet, h. 31 in., dia. 25 in.

Lot: 119 - Large Handel Bronze and Leaded Glass Table Lamp

Large Handel Bronze and Leaded Glass Table Lamp, c. 1915, stylized floral base and magnolia-design shade both marked "HANDEL", five cluster Hubbell sockets, with acorn pulls, h. 30 1/2 in., dia. 24 1/2 in.

Lot: 120 - Pair of American Cut Glass Three-Light Sconces

Pair of American Cut Glass Three-Light Sconces, 20th c., ropetwist arms, foliate-etched hurricane shades, h. 23 in., w. 12 in., d. 15 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 121 - Large American Blown Glass Hall Lantern

Large American Blown Glass Hall Lantern, 19th c., foliate chains, green tinted glass, electrified, h. 31 in., dia. 18 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 122 - American Victorian Gilt, Patinated Metal Gasolier

American Victorian Gilt and Patinated Metal Four-Arm Gasolier, foliate canopy, rope-form supports, central Cupid figure, h. 34 in., dia. 25 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 123 - Large American Blown Glass Hall Lantern

Large American Blown Glass Hall Lantern, 19th c., h. 26 in., dia. 18 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 124 - Continental Patinated Metal Chandelier

Continental Patinated Metal Three-Light Chandelier, h. 24 in., dia. 27 in.; together with pair of patinated metal two-light sconces, fitted with removable copper jardiniere, h. 15 in. w. 13 in., d. 11 in.

Lot: 125 - Regency-Style Bronze Eight-Light Gasolier

Regency-Style Bronze Eight-Light Gasolier, late 19th c., tiered form with faceted prisms, foliate designs, floral-etched shades, h. 45 in., dia. 34 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 126 - Monumental Gilt Bronze, Cut Crystal Chandelier

Monumental Antique Louis XV-Style Gilt Bronze and Cut-Crystal Forty-Two Light Chandelier, canopy issuing scrolled tendrils, foliate and vasiform standard, scrolled foliate arms, extensively hung with prisms, electrified, h. 63 in., dia. 45 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 127 - Gilt Bronze and Cut Crystal Chandelier

Antique Louis XVI-Style Gilt Bronze and Cut Crystal Sixteen-Light Figural Chandelier, bowknot canopy, over floral wreath, the standard surmounted by bids amongst clouds, scrolled floral mounts, h. 52 in., dia. 34 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 128 - Pair of Louis XVI Gilt Bronze Figural Sconces

Pair of Louis XVI Gilt Bronze Four-Light Figural Sconces, each fluted backplate with cherub holding olive branch arms, electrified, h. 22 in., w. 19 in., d. 15 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 129 - Attributed to John Wesley Jarvis (British, 1781)

Attributed to John Wesley Jarvis (British, 1781-1840, active Louisiana, 1821-1834), "Elizabeth Jarvis Child (1782-1853)" and "Lewis Child (1781-1829)", 2 oils on canvas, both unsigned, typewritten label with sitters' information and remnant label attached to backing boards, 20 1/8 in. x 16 in., framed alike, overall 23 5 /8 in. x 18 5/8 in. x 1 5/8 in. Note: Born in England in 1781, John Wesley Jarvis’ family moved and settled in Philadelphia in the mid-1780’s. Around 1796 he started an apprenticeship under Edward Savage and moved with Savage to New York in 1801. A year later Jarvis set out on his own as an engraver and miniature and portrait painter, eventually becoming the leading portraitist in New York City between 1800 and 1820. Though he considered his home to be New York, Jarvis traveled and had extended residencies in Charleston, Baltimore, and New Orleans among other cities. At the peak of his success in 1814, he was commissioned to paint a series of portraits of military heroes from the War of 1812 for New York City Hall, a job he took over from Gilbert Stuart after Stuart had disagreements with the patrons of the project. Jarvis was known for his ostentatious style, consumption of alcohol and recklessness with his finances. In the early 1820’s he suffered a debilitating stroke while in New Orleans that left him partially paralyzed, and he spent the remainder of his life with his widowed sister Elizabeth Jarvis Child (1782-1830) in New York until he died in 1840. The pair of paintings presented here are of his sister and later caretaker, Elizabeth and her husband Lewis Child (1781-1829). They are likely preparatory sketches by Jarvis who completed at least one other more detailed portrait of his sister that is conserved in collection of the Princeton University Art Museum. These works, executed with looser brushstrokes and with visible graphite outlines, serve as fascinating glimpses into the famed portraitist’s creative process, and the sensitivity with which he renders the kind dignity and soft features of his sister perhaps reflect the fondness he had for the sibling who would take care of him in the last years of his life.

Lot: 130 - George Louis Viavant (American/Louisiana, 1872)

George Louis Viavant (American/Louisiana, 1872-1925), "Nature Morte: Blue Crab", 1920, watercolor on paper mounted to board and affixed to frame, signed, dated and inscribed "N.O." lower left, sight 15 3/8 in. x 9 3/8 in., framed, overall 22 1/2 in. x 16 1/2 in. x 1 1/4 in.

Lot: 131 - George Louis Viavant (American/Louisiana, 1872)

George Louis Viavant (American/Louisiana, 1872-1925), "Nature Morte: Crawfish", 1920, watercolor on paper mounted to board and affixed to mat, signed, dated and inscribed lower left, 19 1/4 in. x 12 1/4 in., framed, 22 1/2 in. x 16 1/2 in. x 1 1/4 in.

Lot: 132 - William Henry Buck (Norwegian/Louisiana, 1840)

William Henry Buck (Norwegian/Louisiana, 1840-1888), "Jackson Square, New Orleans", oil on board, signed and inscribed "Sketch by Buck. N.O." lower right, 9 in. x 12 in., framed, overall 13 in. x 15 7/8 in. x 2 1/4 in. Note: William Henry Buck emigrated from Norway to the United State around 1865. He arrived in New Orleans circa 1870 where he worked as a clerk for a cotton factory. During the late 1870s and early 1880s, Buck studied with Richard Clague and was one of his closest followers. By 1880, Buck had opened his own studio at 26 Carondelet Street in New Orleans, where he was instrumental in defining the easel-sized painting market. Buck created the most expansive known body of work in the nineteenth century portraying the rivers, lakes, bayous and environs of New Orleans and its surrounding areas. His passion for capturing the Louisiana landscape is evident in the exquisite and subtle luminosity and carefully composed compositions of his works. While his rural bayou landscapes are perhaps his best known, a handful of urban scenes of New Orleans also appear in the artist’s oeuvre though very rarely do they surface at auction. This recently discovered work is the only known painting by Buck of New Orleans’ most famous landmark setting. Buck’s take on the iconic scene is a charming, light-filled composition with a slightly skewed perspective and hints of the famous bayou painter’s classic style. The blue sky with puffy clouds, the delicate brushwork of the foliage and the detail of the architecture present a scene as detailed as it is timeless. The path in the garden invites the viewer into the square, where the statue of Andrew Jackson, erected in 1856 and silhouetted against the backdrop of St. Louis Cathedral, takes center stage in place of the artist’s characteristic moss-draped oak. As beautiful as it is historic, this painting places Buck at the very heart of not only the Louisiana bayou but also the ever-changing city he called home, portraying a unique glimpse of life in New Orleans during an exciting period of growth and transformation. Ref.: Lewis, Richard Anthony. “William Henry Buck.” 64 Parishes. www.64parishes.org. Accessed Mar. 9, 2023; Wiesendanger, Martin and Margaret. 19th Century Louisiana Paintings from the Collection of W.E. Groves. Gretna, LA: Pelican Publishing Company, 1971.

Lot: 133 - Robert Wadsworth Grafton (American, 1876-1936)

Robert Wadsworth Grafton (American, 1876-1936, active Louisiana, 1916-1920), "Reflections of Luggar's Landing, New Basin Canal", 1918, oil on canvas board, signed and dated lower right, artist name inscribed en verso, 16 in. x 20 in., framed, overall 23 3/4 in. x 27 7/8 in. x 3 1/4 in. Provenance: Neal Auction Company, Jan. 30, 2010, lot 324. Note: In the early twentieth century, American Impressionism started flourishing in the Midwest, centered in Indianapolis and South Indiana's Brown County art colony (which had ties to Chicago). Inspired and encouraged by the artists T.C. Steele, William Forsyth and John Ottis Adams—collectively known as the Hoosier Group—the next generation of artists were motivated to paint landscapes of the world around them. Robert Grafton and his friend and fellow Indiana artist, Louis Oscar Griffith, often visited New Orleans where they were captivated by the historic buildings and waterways that made up the city as well as the lively art community which was largely centered in the French Quarter. In the painting offered here, Grafton used thick, lush brushwork to beautifully render the reflections of the boats in the water of the New Basin Canal. Luggers were small single sail wooden boats used regionally to bring seafood (mainly oysters) from the coast to the city, and they were extremely important to the economy of New Orleans during the 1914 to 1920 period in which Grafton painted. As shipping and refrigeration technology evolved, the canal became less and less important, and by 1950 it was completely filled in to create the Lafitte Corridor, Pontchartrain Express Way and West End Boulevard. Grafton’s painting captures the vibrancy and color of a very particular time in the city’s history.

Lot: 134 - Robert Wadsworth Grafton (American, 1876-1936)

Robert Wadsworth Grafton (American, 1876-1936, active Louisiana, 1916-1920), "Young Woman before a Mirror in a Blue Silk Robe", 1916, oil on canvas laid on panel, signed and dated lower left, partial sketch en verso, 30 in. x 25 1/2 in., framed, overall 36 1/4 in. x 31 5/8 in. x 2 1/4 in.

Lot: 135 - George Frederick Castleden (British/Louisiana)

George Frederick Castleden (British/Louisiana, 1861-1945), "Jackson Square, New Orleans", 1927, oil on canvas board, signed lower left, inscribed and dated en verso, 9 7/8 in. x 7 7/8 in., framed, overall 12 1/2 in. x 10 1/2 in. x 3/4 in.

Lot: 136 - Alberta Kinsey (American/Louisiana, 1875-1952)

Alberta Kinsey (American/Louisiana, 1875-1952), "Street Vendor", oil on canvas board, signed lower right, "Farish Art Store, New Orleans, LA" label on reverse of frame, 13 in. x 9 1/4 in., framed, overall 15 5/8 in. x 11 7/8 in. x 1 3/8 in.

Lot: 137 - Don Wright (American/Louisiana, 1938-2007)

Don Wright (American/Louisiana, 1938-2007), "French Quarter Scene", 1978, oil on canvas board, signed and dated lower right, 12 in. x 16 in., framed, overall 17 1/2 in. x 21 1/2 in. x 1 1/2 in.

Lot: 138 - Morris Henry Hobbs (American/Louisiana, 1892)

Morris Henry Hobbs (American/Louisiana, 1892-1967), "Boats and Dock on the Mississippi, New Orleans", 1938, watercolor on paper mounted to board, signed, dated and inscribed "New Orleans" lower right, "Pickwick Galleries, Winnetka, IL" label on backing paper, 9 7/8 in. x 13 7/8 in., framed, overall 17 in. x 21 in. x 3/4 in.

Lot: 139 - Morris Henry Hobbs (American/Louisiana, 1892)

Morris Henry Hobbs (American/Louisiana, 1892-1967), "Blue Tugboat on the Mississippi, New Orleans", 1938, watercolor on paper mounted to board, signed, dated and inscribed "New Orleans" lower right, "Pickwick Galleries, Winnetka, IL" label on backing paper, 8 7/8 in. x 11 7/8 in., framed, overall 16 in. x 19 in. x 1 in.

Lot: 140 - Warner Hoople (American/Texas, 1904-1989)

Warner Hoople (American/Texas, 1904-1989), "Slade Oil & Gas, Inc., McCrary No. 1", 1958, watercolor on paper, pencil-signed and dated lower center, titled and dated lower right, titled en verso, 20 in. x 26 1/4 in., framed, overall 28 3/8 in. x 34 1/2 in. x 2 1/4 in.

Lot: 141 - Alfred Ernest Lang (American/New Hampshire)

Alfred Ernest Lang (American/New Hampshire, 1879-1950), "Florida Landscapes", 3 oils on canvas board, 2 signed lower right, one signed lower left, each 8 7/8 in. x 10 7/8 in., unframed. (3 pcs.).

Lot: 142 - Joe Selby (American/Florida, 1893-1960)

Joe Selby (American/Florida, 1893-1960), "USCGC Unalga", 1932, gouache on board laid on panel, signed and dated lower right, label with title on backing board, 13 1/2 in. x 23 1/4 in., framed, overall 27 1/4 in. x 33 1/8 in. x 1 3/4 in.

Lot: 143 - Irish Inlaid Mahogany Serpentine Sideboard

Irish George III String Inlaid Mahogany Serpentine Sideboard, late 18th c., brass gallery with urn finials, deep drawer with cellarette fitting, baize-lined frieze drawer, scrolled brackets, tapered legs, h. 51 in., w. 69 1/2 in., d. 26 3/4 in. Provenance: Waldhorn & Adler, 343 Royal St., New Orleans.

Lot: 144 - Georgian-Style Carved Mahogany Library Armchair

Antique Georgian-Style Carved Mahogany Library Armchair, heavily scrolled arms, foliate cabriole legs, h. 39 in., w. 28 in., d. 25 1/2 in.

Lot: 145 - Mahogany Concertina Action Games Table

George III Mahogany Concertina Action Games Table, late 18th c., foldover top with reeded edge, baize playing surface, entwined scrolled brackets, chamfered legs, h. 28 3/4 in., w. 35 1/4 in., d. 17 1/4 in. Provenance: Waldhorn's & Adler, 343 Royal St., New Orleans.

Lot: 146 - Inlaid and Carved Oak Welsh Dresser

Antique Inlaid and Carved Oak Welsh Dresser, 19th c., cornice with pierced hearts and scrollwork plate shelves flanked by paneled cabinets and short drawers, base with four drawers, paneled doors, cabriole legs and pad feet, h. 83 in., w. 72 in., d. 18 1/4 in.

Lot: 147 - Tropical Hardwood Wardrobe on Stand

Anglo-Colonial Tropical Hardwood Wardrobe on Stand, 19th c., ogee cornice, paneled doors, base with two drawers, anthemion blocks and lobed baluster legs, h. 77 in., w. 53 in., d. 22 in.

Lot: 148 - William IV Carved Mahogany Piano Stool

William IV Carved Mahogany Piano Stool, c. 1830-1840, needlepoint seat, lotus standard, incurvate triangular plinth base, scrolled feet, h. 18 in., dia. 17 in.

Lot: 149 - English Regency Carved Mahogany Console Table

Fine English Regency Carved Mahogany Console Table, 19th c., stamped "Edwards & Roberts", arched backsplash with urn and griffin decoration, shaped top with gadrooned edge, paneled frieze with foliate swags, floral-carved scrolled supports, incurvate plinth, h. 59 in., w. 72 in., d. 25 in.

Lot: 150 - Regency-Style Mahogany Extension Dining Table

Regency-Style Inlaid Mahogany Two Pedestal Extension Dining Table, banded top, lobed pedestals, sabre legs, casters, h. 29 in., w. (open) 128 in., d. 45 in.

Lot: 151 - Chippendale-Style Carved Mahogany Dining Chairs

Eight Chippendale-Style Carved Mahogany Dining Chairs, incl. two armchairs and six side chairs, serpentine crest rail, entwined splat, cabriole legs, ball and claw feet, blue damask upholstery, armchair h. 38 in., w.22 1/2 in., d. 19 in.; side chair h. 38 in., w. 22 1/2 in., d. 19 in.

Lot: 152 - Chippendale-Style Inlaid and Burl Walnut Highboy

Fine Chippendale-Style Inlaid and Burl Walnut Highboy, late 19th/early 20th c., broken arch cornice centered by a flame finial, upper case with six drawers, lower case with three drawers, cabriole legs, ball and claw feet, h. 95 in., w. 52 in., d. 24 1/2 in. Provenance: Bocage Plantation, Darrow, LA

Lot: 153 - Regency Carved Mahogany Etagere Console

Regency Carved Mahogany Etagere Console, early 19th c., four-tiered superstructure with turned supports, flared turned legs, h. 69 1/2 in., w. 48 in., d. 15 in.

Lot: 154 - English Carved and Inlaid Mahogany Center Table

English Renaissance Revival Carved and Inlaid Mahogany Center Table, late 19th c., segmented marquetry top, foliate standard, gadrooned plinth, acanthine paw feet, h. 29 1/2 in., dia. 36 in.

Lot: 155 - English Aesthetic Giltwood Mirror

English Aesthetic Giltwood Mirror, late 19th c., floral and anthemion surround, later beveled mirror plate, h. 57 in., w. 46 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 156 - Two Miniature George Ohr Art Pottery Jugs

Two Miniature George Ohr Art Pottery Jugs, brown glaze, unmarked, h. 7/8 in. and 3/4 in. Reference: Hecht, Eugene.George Ohr The Greatest Art Potter on Earth, New York, Skira Rizzoli, 201, pg. 58

Lot: 157 - Paris Polychrome and Gilt Porcelain Tableware

Paris Polychrome and Gilt Porcelain Tableware, incl. platter, impressed marks, reserved with putti and maidens, pink rim, dia. 13 1/2 in.; and bowl, reserved with courting couples, interior painted with flowers, blue ground, h. 4 1/4 in., dia. 11 1/2 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 158 - Royal Worcester Polychrome Porcelain Figures

Pair of Royal Worcester Polychrome Porcelain Figures of Water Carriers, 19th c., marked, h. 18 in. and 16 1/2 in. Note: both lacking vessels at base.

Lot: 159 - James Michalopoulos (American/Louisiana, b. 1951)

James Michalopoulos (American/Louisiana, b. 1951), "Elegia", oil on canvas, unsigned, artist label en verso, 48 in. x 24 in., framed, overall 49 1/4 in. x 25 1/4 in. x 1 3/4 in. Ill.: Michalopoulos, James. Michalopoulos. New Orleans: Cattywompus Press, 2003, p. 114.

Lot: 160 - James Michalopoulos (American/Louisiana, b. 1951)

James Michalopoulos (American/Louisiana, b. 1951), "Tender for Tchopitoulas [sic]", 1994, oil on canvas, signed lower left, signed, titled, dated and inscribed en verso, 35 3/8 in. x 48 in., framed, overall 36 1/2 in. x 48 7/8 in. x 3/4 in.

Lot: 161 - James Michalopoulos (American/Louisiana, b. 1951)

James Michalopoulos (American/Louisiana, b. 1951), "September Two", 1996, oil on canvas, signed lower left, signed, dated and artist label en verso, titled, inscribed and label with title on stretcher, 28 in. x 22 in., framed, overall 29 in. x 22 7/8 in. x 1 in.

Lot: 162 - Hunt Slonem (American/Louisiana, b. 1951)

Hunt Slonem (American/Louisiana, b. 1951), "Dutch Bunny", 2005, oil on board, signed, titled and dated en verso, 12 in. x 10 in., framed, 20 7/8 in. x 18 3/4 in. x 1 1/2 in.

Lot: 163 - Hunt Slonem (American/Louisiana, b. 1951)

Hunt Slonem (American/Louisiana, b. 1951), "Citrons", 2006, oil on canvas, signed, titled and dated en verso, "PintArt, Acapulco" label on backing paper, 47 1/2 in. x 47 5/8 in., framed, overall 50 1/2 in. x 50 3/8 in. x 1 3/8 in.

Lot: 164 - Hunt Slonem (American/Louisiana, b. 1951)

Hunt Slonem (American/Louisiana, b. 1951), "Lories II", 2006, oil on panel, signed, titled and dated en verso, "PintArt, Acapulco" label en verso, 29 3/4 in. x 23 5/8 in., framed, overall 30 3/4 in. x 24 1/2 in. x 1 in.

Lot: 165 - Hunt Slonem (American/Louisiana, b. 1951)

Hunt Slonem (American/Louisiana, b. 1951), "Untitled", oil on canvas board, unsigned, 29 1/2 in. x 39 1/2 in., framed, overall 30 1/4 in. x 40 3/8 in. x 1 in.

Lot: 166 - Hunt Slonem (American/Louisiana, b. 1951)

Hunt Slonem (American/Louisiana, b. 1951), "Ocelots", 2009, oil on canvas, signed, titled and dated en verso, 62 in. x 77 in., framed, overall 63 3/4 in. x 79 1/8 in. x 2 5/8 in.

Lot: 167 - Hunt Slonem (American/Louisiana, b. 1951)

Hunt Slonem (American/Louisiana, b. 1951), "Cherry Conure", 2003, oil on canvas, signed, titled and dated en verso, "PintArt, Acapulco" stamp on backing paper, 48 in. x 71 3/4 in., framed, overall 50 3/8 in. x 74 1/2 in. x 2 in.

Lot: 168 - Hunt Slonem (American/Louisiana, b. 1951)

Hunt Slonem (American/Louisiana, b. 1951), "Whisper", 2006, oil on canvas, signed, titled and dated en verso, "PintArt, Acapulco" label on backing paper, 40 in. x 29 1/2 in., framed, overall 42 1/2 in. x 32 1/4 in. x 1 3/8 in.

Lot: 169 - Hunt Slonem (American/Louisiana, b. 1951)

Hunt Slonem (American/Louisiana, b. 1951), "Amazons", 1999, oil on panel, signed, titled, dated, dedicated "For Angelina" and "Iberica de Marcos, Mexico City" label en verso, 24 1/8 in. x 20 5/8 in., framed, 28 3/8 in. x 24 7/8 in. x 1 1/4 in.

Lot: 170 - Hunt Slonem (American/Louisiana, b. 1951)

Hunt Slonem (American/Louisiana, b. 1951), "Lories", 1998, oil on canvas, signed, titled, dated and dedicated "For Angelina" en verso, 37 in. x 36 5/8 in., framed, 43 in. x 42 5/8 in. x 1 1/4 in.

Lot: 171 - Elemore Morgan, Jr. (American/Louisiana)

Elemore Morgan, Jr. (American/Louisiana, 1931-2008), "Winter: Tee Robe Road", 2000, acrylic on masonite, initialed lower left, signed, titled and dated on brace, 18 in. x 94 3/4 in., unframed. Exh.: "Art and Life in Louisiana: Elemore Morgan, Sr. & Elemore Morgan, Jr.", The Ogden Museum of Southern Art, New Orleans, 2006. Note: Known as one of the South's premier landscape painters, Elemore Morgan Jr. captured the coastal prairies of southwest Louisiana with his vibrant and large-scale paintings. Morgan was born in Baton Rouge and raised on his grandfather’s farm in what was then a rural area. His father was a noted photographer who often allowed his son to accompany him on his artistic travels throughout the state, inspiring in Morgan an early love of Louisiana. Morgan studied art at Louisiana State University under Caroline Durieux, Ralston Crawford and David Le Doux, before serving in the United States Air Force in the Korean War. In 1954, he continued his education at the Ruskin School of Art at Oxford University, graduating in 1957. Morgan returned to Louisiana and began teaching at then Southwestern Louisiana University in Lafayette in 1965. His thirty-two-year tenure at the school would see Morgan influence and mentor hundreds of artists, even as he continued to paint and further his own successful career. Morgan found inspiration in the oak trees, terraced fields, stormy skies, vernacular architecture and vast spaces of the marshes. The majority of his en plein air paintings focused on a thirty-mile square area between Kaplan, Abbeville and Maurice, Louisiana. In the work offered here, Morgan depicts Tee Robe Road in Kaplan, highlighting the atmospheric effect of humid air under a winter sun. Following in the footsteps of the Fauvists with their use of color and the Impressionists with their emphasis on light, Morgan’s gestural paintings are a lasting legacy for Louisiana and future generations of American landscape artists. Ref.: “Elemore Morgan, Jr.” Arthur Roger Gallery. www.arthurrogergallery.com. Accessed Mar. 9, 2023; Marszalek, Keith I. “The Ogden Mourns the Loss of Artist Elemore Morgan, Jr.” The Times-Picayune. May 20, 2008. www.nola.com. Accessed Mar. 9, 2023.

Lot: 172 - Michael Crespo (American/Louisiana, 1947-2010)

Michael Crespo (American/Louisiana, 1947-2010), "1000 Herons Rising", 2004, oil on linen, signed en verso, titled on stretcher, "David Lusk Gallery, Memphis, TN" label with artist, title and date on reverse of frame, 58 5/8 in. x 50 3/4 in., framed, overall 68 1/2 in. x 60 5/8 in. x 2 in. Provenance: David Lusk Gallery, Memphis, TN. Note: Michael Crespo was born in New Orleans in 1947. He received his Bachelor of Fine Arts from Louisiana State University and Master of Fine Arts from City University of New York. He returned to LSU as a member of the faculty, where he spent thirty-five years as a beloved professor and eventually served as the director of the School of Art. He sadly passed away in 2010 after losing his battle with cancer. Crespo’s work is often referred to as “mysterious” and “haunting.” He distilled his subjects down to their quintessential forms, which he overlayed on simple, dark backgrounds. In the painting offered here, a graceful heron is suspended in an inky backdrop, flying over the horizon as if hovering in outer space. Luminous and focused brushstrokes pierce the darkness to illuminate the bird, imbuing it with a sense of ethereal calm. As his widow Libby Johnson has said: “Michael lived his life with the consciousness of places only he could see. Those places live in his work.” Ref.: Ronco, Savanna. “The Mysteries of Michael Crespo.” Sacannaronco’s Blog. Oct. 31, 2012. www.savannaronco.wordpress.com. Accessed Mar. 9, 2023.

Lot: 173 - George Rodrigue (American/Louisiana, 1944-2013)

George Rodrigue (American/Louisiana, 1944-2013), "Black Louisiana", oil on canvas, signed lower left, signed, titled and artist stamps on stretcher, artist stamps and business card on reverse of frame, 12 in. x 22 in., framed with artist plaque, overall 19 3/4 in. x 29 3/4 in. x 3 in. Provenance: Acquired from the artist; Roland Begneaud Family Collection, Lafayette, LA.

Lot: 174 - George Rodrigue (American/Louisiana, 1944-2013)

George Rodrigue (American/Louisiana, 1944-2013), "Boudreaux in a Barrel", 1972, oil on canvas, signed lower left, signed and inscribed en verso, titled, inscribed and artist stamps on stretcher, exhibition label with title and date on reverse of frame, 36 in. x 28 in., framed with artist and title plaque, overall 43 1/2 in. x 35 1/4 in. x 2 1/4 in. Provenance: Acquired from the artist; Roland

Lot: 175 - George Rodrigue (American/Louisiana, 1944-2013)

George Rodrigue (American/Louisiana, 1944-2013), "Felix and Annabelle", 1974, oil on canvas, signed lower left, signed, titled, artist stamp and inscribed on stretcher, exhibition label with title on reverse of frame, 24 in. x 36 in., framed with artist plaque, overall 31 3/4 in. x 43 3/4 in. x 2 1/2 in. Provenance: Acquired from the artist; Roland Begneaud Family Collection, Lafayette, LA. Ill.: Rodrigue, George. The Cajuns of George Rodrigue. Birmingham: Oxmoor House, 1976, p. 93. Exh.: "George Rodrigue: Cajuns and Blue Dogs / Paintings from Louisiana Family Collections 1971-2008", Louisiana State Museum Wedell Williams Aviation and Cypress Sawmill Museum, Patterson, LA, July 17 - Nov. 29, 2008. Note: When George Rodrigue decided to graphically interpret his home state of Louisiana, he focused on the live oak tree as his symbol, pushing it to the front of the canvas and cropping it at the top. With a raised horizon line, the light shines from beneath the trees illuminating the rich surface of the bayou. The light also originates from the figures that inhabit Rodrigue’s bayous, clothed in white against the dark oaks. To Rodrigue, this light symbolized the hope of the Cajun people for their new home in Louisiana. In this work, two friends who became lovers sit beneath the romantic and enduring oaks where, according to legend, Evangeline waited for her Gabriel.

Lot: 176 - George Rodrigue (American/Louisiana, 1944-2013)

George Rodrigue (American/Louisiana, 1944-2013), "Louisiana Oaks", 1971, oil on canvas, signed lower left, signed and dated en verso, signed, dated and artist stamps on stretcher, 9 in. x 12 in., framed, overall 15 3/4 in. x 18 3/4 in. x 1 5/8 in. Provenance: Acquired from the artist; Private Collection, FL. Note: Returning to Louisiana from studies at the Art Center College of Design in Los Angeles in 1967, George Rodrigue worked to refine his unique vision of his home state. Combining his recent studies in school with his reflections on past artistic interpretations of the Louisiana landscape, Rodrigue spent 1968 to 1971 focusing on the bayous of Acadiana. The very early works included elements such as small figures or cabins. However, Rodrigue quickly dropped these components in favor of focusing on the oak tree, a graphic element that became a hallmark for the artist. The painting offered here from 1971 has a rich surface that depicts a landscape clearly both familiar and beloved by the artist. Saturated in rich, dark colors, Rodrigue’s bayou is a carefully arranged composition dominated by the silhouetted oak tree in the background and the diagonal dark river or coulee in the foreground. This canvas and others from the period are significant windows into the development of a series of works that would define Louisiana landscape painting in the late twentieth century.

Lot: 177 - George Rodrigue (American/Louisiana, 1944-2013)

George Rodrigue (American/Louisiana, 1944-2013), "Hat in Hand", 1980, oil on canvas, signed lower left, signed and dated en verso, titled, inscribed and artist stamps on stretcher, exhibition label with title and date on reverse of frame, 36 in. x 24 in., framed, overall 44 1/2 in. x 3 3/4 in. x 2 1/2 in. Provenance: Acquired from the artist; Roland Begneaud Family Collection, Lafayette, LA. Exh.: "George Rodrigue: Cajuns and Blue Dogs / Paintings from Louisiana Family Collections 1971-2008", Louisiana State Museum Wedell Williams Aviation a nd Cypress Sawmill Museum, Patterson, LA, July 17 - Nov. 29, 2008. Note: Jolie Blonde was a source of repeated inspiration for George Rodrigue throughout his career, much like the oak tree or Blue Dog. The artist first depicted the emblematic image in 1974 and followed with more than one hundred versions of the iconic Cajun figure. Seated, standing, holding a flower or wearing a hat, Jolie Blonde paintings highlight Rodrigue's distinctive graphic style and creatively unite portraiture and legend. In the 1920s, a prisoner in Port Arthur, Texas wrote a beautiful waltz as he pined for his lost love. The song “Jolie Blonde” became the Cajun national anthem recorded by many musicians over the years. Rodrigue provided the famous figure a visual image, however, first from his imagination and later utilizing models, such as in this painting from 1980. A beautiful Jolie Blonde is framed within the Louisiana landscape, glowing in classic Rodrigue fashion against the dark oaks and framed by blazing red azaleas. As intended by the artist, the canvas reveals little about the model, but rather represents a timeless moment in Acadiana. Ref.: Rodrigue, Wendy. "From Jolie Blonde to Bodies: Paintings of Women." Musings of an Artist's Wife. Dec. 15, 2009. www.legacyarttour.org. Accessed Mar. 9, 2023; Rodrigue Wendy. "Portraits: The Kingfish and Uncle Earl." Musings of an Artist's Wife. Dec. 6, 2009. www.legacyarttour.org. Accessed Mar. 9, 2023.

Lot: 178 - Rosewood Bedroom Suite, stenciled "A. Roux"

Fine American Rococo Carved Rosewood Bedroom Suite, mid-19th c., stenciled "A. Roux, French Cabinetmaker, Nos. 479 & 481 Broadway, New York", for Alexander Roux, incl. bedstead, pair of wash stands, armoire and dresser; bedstead with figural cherub crest; armoire with mask and scroll floral crest and mirrored door; lobed finials, foliate paneled decoration, bedstead h. 80 in., l. 76 in., w. 60 1/2 in.; dresser h. 105 in., w. 49 in., d. 21 in.; wash stands h. 31 in., w. 18 1/2 in., d. 18 in.; armoire h. 109 in., w. 52 in., d. 23 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 179 - Burl Walnut Sideboard, attr. Alexander Roux

Monumental American Rococo Carved Burl Walnut Sideboard, mid-to-late 19th c., attr. to Alexander Roux, New York, robustly carved acanthus crest centered by a mask cartouche, foliate mirror surround flanked by latticework brackets, shaped variegated marble top with gadrooned surround, incised frieze drawers, cartouche cabinet doors, stepped conforming base, h. 119 in., w. 94 1/2 in., d. 25 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 180 - Carved Rosewood Triple Door Armoire, attr. Roux

Monumental American Rococo Carved Rosewood Triple Door Wardrobe, mid-19th c., attr. to Alexander Roux, New York, scrolled crest centered by acanthus medallion, mirrored doors with foliate decoration, foliate scrolled stiles, serpentine blocked base fitted with deep drawers, birdseye maple interior, h. 109 in., w. 100 in., d. 23 1/2 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 181 - Carved Rosewood Center Table, prob. Roux

American Rococo Carved Rosewood Center Table, mid 19th c., probably Alexander Roux, New York, turtle top with inset variegated marble and foliate edge, acanthine apron centered by a medallion, scrolled legs with rosette sprays, rocaille stretcher, casters, h. 29 1/2 in., w. 50 in., d. 33 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 182 - Rosewood Duchesse Dressing Table, prob. Roux

American Rococo Carved Rosewood Duchesse Dressing Table, mid-19th c., probably Alexander Roux, New York, mirror with floral surround, acanthus supports, serpentine marble top, frieze drawer carved with flower basket, fitted interior, floral scrolled cabriole legs, X-stretcher centered by a lobed finial, h. 73 in., w. 45 in., d. 24 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 183 - Carved Walnut Sofa, likely Roux

American Renaissance Carved Walnut Sofa, mid-19th c., likely Alexander Roux, New York, arched high back with elaborately carved foliate crest centered by a cabochon scrolled medallion, guilloche crest rail, lobed finials, barley twist supports and stretchers, padded arms with lion's head supports, floral-blocked feet, h. 56 in., w. 84 in., d. 26 in.

Lot: 184 - American Rococo Carved Rosewood Etagere Cabinet

American Rococo Carved Rosewood Etagere Cabinet, mid-to-late 19th c., New York, surmounted by a rocaille crest, spire finials, turned supports, mirror back, shaped shelves, serpentine top, conforming frieze drawer, mirrored cabinet doors flanked by alcove shelves, cabriole legs, h. 111 in., w. 64 in., d. 22 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 185 - Carved Rosewood Armoire, attr. ret. Mallard

American Rococo Carved Rosewood Single-Door Armoire, mid-19th c., attr. to retailer Prudent Mallard, New Orleans, closely related to the Lansdowne group, later urn and foliate crest, arched cornice, lobed finials, egg and dart molding, mirrored door, ribbon-molded surround, shelf interior with medial belt of drawers, base with deep drawer and rounded corners, h. 114 in., w. 59 in., d. 25 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 186 - Carved Rosewood Armoire, attr. ret. Mallard

American Rococo Carved Rosewood Double-Door Armoire, mid-19th c., attr. to retailer Prudent Mallard, New Orleans, closely related to the Lansdowne group, later crest, lobed finials, egg and dart molding, mirrored doors, ribbon-molded surround, shelf interior, stiles with foliate scrolled brackets, conforming base, disc feet, h. 114 in., w. 72 in., d. 26 1/2 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 187 - American Rococo Carved Rosewood Corner Etagere

American Rococo Carved Rosewood Corner Etagere, mid-19th c., New York, cabochon crest, extensive scrolled acanthus decoration, gadrooned shelves with mirrored backs, scrolled base, h. 63 1/2 in., w. 24 in., d. 17 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 188 - American Rococo Carved Rosewood Work Table

American Rococo Carved Rosewood Work Table, 19th c., hinged sarcophagus top, fitted interior, two lower drawers, cabriole legs, h. 30 in., w. 24 in., d. 18 1/2 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 189 - American Rococo Giltwood Mirror

Fine American Rococo Giltwood Mirror, mid-19th c., probably New York, scrolled acanthus and latticework crest, beaded surround, scrolled acanthus pendants, h. 51 in., w. 63 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 190 - Carved Rosewood Armoire, labeled "J. & J.W. Meeks"

American Rococo Carved Rosewood Armoire, mid-19th c., labeled "J. & J.W. Meeks Makers, No. 14 Vesey St., New York", lobed finials, arched beaded crest centered by a foliate cabochon medallion, acanthine brackets, mirrored door, chamfered base with deep drawer, bracket feet, h. 99 in., w. 50 in., d. 25 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 191 - American Rococo Carved Rosewood Armoire

American Rococo Carved Rosewood Armoire, mid-19th c., New York, scrolled fruit and foliage crest, lobed finials, arched cornice, foliate accents, mirrored door, birdseye maple interior, base with deep drawer, scrolled bracket skirt, h. 106 in., w. 50 in., d. 25 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 192 - Rosewood Bookcase, stenciled "E.W. Hutchings"

American Rococo Carved Rosewood Bookcase, mid-19th c., stenciled "E.W. Hutchings, 475 Broadway, N.Y.", broken arch cornice, turned finials, foliate decoration, arched glass doors, shelf interior, paneled lower cabinets, plinth base, disc feet, h. 112 in., w. 58 in., d. 22 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 193 - Mahogany Cigar Humidor, attr. William Woodward

Rare American Mahogany Arts and Crafts Cigar Humidor, c. 1911, attr. to William Woodward (1859-1939), New Orleans, with label "NC WW Lounge 1911", rectangular top with raised block corners and brass nail heads, cedar-lined interior with central well, the frieze with rectangular plaques, slatted sides, square channeled legs, stretcher with open coffer, on block feet, h. 27 3/4 in., w. 19 1/2 in., d. 22 in. Provenance: Janvier Family, St. Francisville, LA; Neal Auction, New Orleans, Oct. 22, 2002, lot 624

Lot: 194 - Pair of American Bronze Figural Brackets

Pair of American Bronze Figural Brackets, cartouche backplate, acanthus scrolls with female bust terminals, h. 15 in., w. 4 in., d. 11 1/2 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 195 - Carved Alabaster Pedestal

Antique Carved Alabaster Pedestal, 19th c., h. 38 3/4 in., w. 14 in., d. 14 in.

Lot: 196 - Pair of Baroque-Style Carved Marble Pedestals

Pair of Baroque-Style Carved Marble Pedestals, 20th c., with lion masks, garlands and cherubs, h. 44 in., w. 15 1/2 in., d. 15 1/2 in

Lot: 197 - Continental Patinated Bronze Figural Pilaster

Continental Patinated Bronze Figural Pilaster, h. 67 in., w. 17 in., d. 7 in.

Lot: 198 - Pair of Continental Patinated Brass Torcheres

Pair of Continental Patinated Brass Five-Light Torcheres, scroll base, on triangular plinth, h. 75 in., w. 18 in., d. 19 in.

Lot: 199 - Louis Philippe Gilt, Patinated Bronze Candelabra

Pair of Louis Philippe Gilt and Patinated Bronze "Winged Victory" Figural Six-Light Candelabra, 19th c., after a design by Pierre-Philippe Thomire (1751-1843), pedestal with palmette collar, wreaths and classical masks, stepped base, h. 34 in., w. 11 in., d. 16 in.

Lot: 200 - Continental Cast Stone Classical Relief Plaque

Continental Cast Stone Classical Relief Plaque, 20th c., h. 24 in., w. 45 in., d. 2 1/2 in.

Lot: 201 - Continental Carved Marble Relief Plaque

Continental Carved Marble Classical Relief Plaque, depicting Hermes, Orpheus, and Eurydice, after the panel now in the Museo Archeologico di Napoli, h. 46 1/2 in., w. 37 1/2 in., d. 2 in.

Lot: 202 - After Luca Della Robbia (Italian, 1400-1482)

After Luca Della Robbia (Italian, 1400-1482), "Trumpeters with Dancing Children" from the Cantoria Frieze, c. 1911, plaster cast, wood, from P.P. Caproni & Bro., Boston, MA, h. 41 in., w. 38 1/2 in., d. 7 in. Ref.: Caproni & Bro. Catalogue of Plaster Reproductions, 1911, p. 109

Lot: 203 - Continental Cast Stone Portrait Bust and Pedestal

Continental Cast Stone Portrait Bust and Pedestal, bust on socle base, h. 19 1/2 in., w. 8 in., d. 10 1/2 in., painted stone pedestal, total h. 59 in.

Lot: 204 - Eleven French Copper Pots and Pans

Eleven French Copper Pots and Pans, various forms and sizes, largest h. 5 in., dia. 12 3/4 in.

Lot: 205 - Six Continental Boxes

Six Antique Continental Boxes, various forms, with gilt metal, enamel, one with micromosaic, largest h. 2 3/8 in., w. 3 1/4 in., d. 2 1/2 in.

Lot: 206 - French Etui a Billets Doux/ "Love Letter" Holders

Seven Antique French Etui a Billets Doux/ "Love Letter" Holders, 19th c., various materials incl. gilt metal, enamel, tortoiseshell, Vernis Martin, one with wax seal, longest 5 1/2 in.

Lot: 207 - Seven Antique French Objets de Vertu

Seven Antique French Objets de Vertu, incl. a Louis XVI silver-gilt mounted jasper snuff box; a shagreen octagonal etui; two engraved and silver mounted crystal perfume bottles; a hardstone wax seal; a two-sided portrait holder; and a gilt-metal mounted shagreen and mother-of -pearl calendar book, with month pages, pencil, and a 1821 calendar; calendar 3 1/2 in. x 2 1/2 in.

Lot: 208 - Continental Rococo-Style Bronze Fire Screens

Pair of Continental Rococo-Style Bronze Fire Screens, h. 31 in., w. 26 in., d. 9 in.

Lot: 209 - French Cast Iron Napoleonic Fireback

Antique French Cast Iron Napoleonic Fireback, 19th c., cast with relief of garland-bearing angels, over portrait medallion, h. 32 1/2 in., w. 39 1/2 in.

Lot: 210 - George III Tortoiseshell Tea Caddy

George III Tortoiseshell Tea Caddy, 19th c., incurvate body, canted corners, interior with two lidded compartments, h. 6 1/2 in., w. 7 3/4 in., d. 5 in.

Lot: 211 - American Rococo Carved Rosewood Sofa

Important American Rococo Carved and Laminated Rosewood Sofa, c. 1850-1860, New York, attr. to the "bird-pattern maker", reticulated grapevine crest rail, triple-arched tufted back, molded arms, serepntine floral seat rail, cabriole legs, casters, h. 44 in., w. 83 1/2 in., d. 35 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 212 - Rosewood Meridiennes, attr. John Henry Belter

Pair of American Rococo Carved and Laminated Rosewood Meridiennes, c. 1850-1860, attr. to John Henry Belter, New York, floral crest, scrolled reticulated crest rail with grapevine motif, tufted back, trumpeted arm, molded floral cluster seat rail, cabriole legs, casters, h. 38 1/2 in., w. 43 in., d. 27 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. Note: Closely related to Belter's "Tuthill King" and "Patent Model" patterns. See Dubrow American Furniture of the Nineteenth Century.

Lot: 213 - Rosewood Sofa, attr. to John Henry Belter

American Rococo Carved and Laminated Rosewood Sofa, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as "Rosalie", serpentine floral crest, molded arms, floral seat rail, cabriole legs, casters, h. 37 in., w. 62 in., d. 29 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 214 - Rosewood "Multi-Form" Tables, attr. Baudouine

Rare Pair of American Rococo Carved Rosewood "Multi-Form" Tables, mid-19th, attr. to Charles Baudouine, New York, convertible to center table or pair of consoles or pair of foldover games tables, serpentine foldover top, floral apron, scrolled legs and stretchers, casters, h. 29 1/2 in., w. 50 1/2 in., d. (closed) 17 1/4 in., d. (open) 54 1/2 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. Note: This lot is identical to a “multi-form” rosewood table bearing the stenciled mark of Charles Baudouine (wc. 1829-1856) purchased in 1852 by J. Watson Williams and installed in his Utica mansion, Fountain Elms, now in the Munson-Williams-Proctor Institute. Another table nearly identical to this lot is in the Bayou Bend Collection, Houston. Reference: D’Ambrosio. Masterpieces of American Furniture from the Munson-Williams-Proctor Institute, p. 87, fig. 29; Tracy, et al. 19th c. America Furniture and Other Decorative Arts, fig. 133.

Lot: 215 - Rosewood Parlor Suite, attr. J. & J.W. Meeks

American Rococo Carved and Laminated Rosewood Parlor Suite, mid-19th c., attr. to J. & J.W. Meeks, New York, in the pattern commonly referred to as "Henry Clay", incl. sofa, 2 armchairs and 4 side chairs, reticulated grapevine crest rail, tufted back, molded arms, serpentine seat rail, cabriole legs, casters, sofa h. 51 in., w. 65 1/2 in., d. 36 in.; armchair h. 48 1/2 in., w. 27 in., d. 30 in.; side chair h. 42 1/2 in., w. 19 1/2 in., d. 25 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.7

Lot: 216 - Rosewood Center Table, attr. J. & J.W. Meeks

American Rococo Carved Rosewood Center Table, 19th c., attr. to J. & J.W. Meeks, New York, shaped marble top, reticulated beaded frieze and floral scrolled apron, C-scrolled supports, shaped stretcher surmounted by lobed finial, disc feet, h. 30 in., w. 47 in., d. 30 1/4 in. Provenance: Bocage Plantation, Darrow, LA

Lot: 217 - Rosewood Armchairs, attr. to J. & J.W. Meeks

Pair of American Rococo Carved and Laminated Rosewood Armchairs, 19th c., attr. to J & J.W. Meeks, New York, in the pattern commonly referred to as "Henry Ford", acanthus and floral crest, gadrooned reticulated crest rail, tufted back, molded arms, serpentine seat rail, cabriole legs, casters Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 218 - English Carved Rosewood, Needlepoint Firescreen

English Rococo Revival Carved Rosewood and Needlepoint Firescreen, mid-19th c., pierced rocaille crest, cartouche surround with floral and pheasant reserve, scrolled trestle base, casters, h. 52 1/2 in., w. 37 1/2 in., d. 19 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 219 - English Carved Rosewood Sunderland Table

English Rococo Revival Carved Rosewood Sunderland Table, mid-19th c., gadrooned folding top, lobed baluster supports, scrolled and blocked trestle base, shaped stretcher, casters, h. 29 in., w. 39 in., d. (closed) 19 in., d. (open) 36 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 220 - Mahogany Sideboard, labeled "Allen & Appleyard"

Monumental English Carved Mahogany Sideboard, early 20th c., labeled "Allen & Appleyard, Liverpool", mirror back with foliate scroll crest centering anthemion, shaped base with paneled doors, incised stiles, conforming plinth, figured woods throughout, h. 107 in., w. 90 in., d. 29 1/2 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 221 - American Renaissance Carved Oak Library Table

American Renaissance Carved Oak Library Table, late 19th c., possibly R.J. Horner, New York, foliate carved top with two frieze drawers, griffin supports, shaped plinth base, h. 28 1/2 in., w. 55 in., d. 37 in. Provenance: By repute, New Orleans Chess Club, late 19th c.

Lot: 222 - Walnut Parlor Cabinet, stenciled "Henry Turner"

American Renaissance Gilt and Verdigris Bronze-Mounted, Parcel Ebonized and Gilt Incised Burl Walnut Parlor Cabinet, mid-to-late 19th c., stenciled "Henry Turner, Boston, Mass.", scrolled paneled backsplash surmounted on urn finial, trapezoidal top, frieze drawer, paneled cabinet door with classical reserve, foliate apron, disc feet, h. 63 in., w. 41 1/4 in., d. 17 1/4 in.

Lot: 223 - American Aesthetic Table, attr. Kimbel & Cabus

American Aesthetic Ebonized and Gilt-Incised Table, late 19th c., attr. to Kimbel & Cabus, New York, top with chamfered corners, frieze drawer, turned bracketed supports surmounted by floral panels, trestle base, casters, h. 29 1/4 in., w. 36 in., d. 23 1/4 in.

Lot: 224 - Ray George Ellis (American/Pennsylvania)

Ray George Ellis (American/Pennsylvania, 1921-2013), "Lunch at McGarvey's (Annapolis, Maryland)", 1982, oil on canvas, signed lower right, pencil-titled and typed label with artist and title on stretcher, "Lambremont Art Care, New Orleans, LA" label on reverse of frame, 20 in. x 23 7/8 in., framed with artist and title plaque, overall 28 1/2 in. x 34 3/8 in. x 2 in. Ill.: Ellis, Ray and Walter Cronkite. South by Southeast. Birmingham: Oxmoor House, Inc., 1983, pl. 9.

Lot: 225 - Harold Hitchcock (British, 1914-2009)

Harold Hitchcock (British, 1914-2009), "A Summer Morning", 1971, watercolor on board, monogrammed and dated lower left, signed, titled and dated en verso and on backing board, "Robert Fisher LTD, London" label with artist on backing board, 21 1/8 in. x 30 in., framed, overall 26 1/2 in. x 35 1/4 in. x 1 1/2 in.

Lot: 226 - Bruce Bordelon (American/Louisiana, b. 1940)

Bruce Bordelon (American/Louisiana, b. 1940), "Rocky Shore", 1998, oil on canvas, signed and dated lower left, 36 in. x 48 in., unframed.

Lot: 227 - Barry Stone Bailey (American/Louisiana)

Barry Stone Bailey (American/Louisiana, 1952-2021), "Asymmetric Still Life on Table", 2013, mixed media on wood, signed and dated on reverse of tabletop, h. 30 in., w. 9 1/2 in., d. 13 in.

Lot: 228 - Jean Seidenberg (American/Louisiana, 1930-2022)

Jean Seidenberg (American/Louisiana, 1930-2022), "Two Seated Figures", 1961, oil on canvas, signed and dated upper right, 46 in. x 40 1/8 in., framed, overall 46 7/8 in. x 41 in. x 2 in. Provenance: Collection of New Orleans Artist and Conservator Lillian Louise Beeson (1933-2021).

Lot: 229 - Attributed to Ida Rittenberg Kohlmeyer (American)

Attributed to Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997), "Male Figure" and "Female Figure", 2 charcoals and Raffaelli crayon on paper, each signed lower right, one with partial sketch en verso, 19 7/8 in. x 11 in. and 25 3/8 in. x 17 7/8 in., framed alike, each overall 28 1/4 in. x 19 1/4 in . x 3/4 in. (2 pcs.).

Lot: 230 - Noel Rockmore (American/Louisiana, 1928-1995)

Noel Rockmore (American/Louisiana, 1928-1995), "People in the City", 1962, oil on canvas, signed and dated lower center, 46 1/2 in. x 40 in., framed, overall 53 3/4 in. x 47 3/8 in. x 1 1/4 in.

Lot: 231 - Noel Rockmore (American/Louisiana, 1928-1995)

Noel Rockmore (American/Louisiana, 1928-1995), "Untitled: One Wrecking Ball", 1964, oil on masonite, signed and dated lower left, artist information label attached en verso, 20 in. x 30 in., unframed. Provenance: Collection of Sandra Zahn-Oreck (1940-2021).

Lot: 232 - Noel Rockmore (American/Louisiana, 1928-1995)

Noel Rockmore (American/Louisiana, 1928-1995), "Untitled: Two Wrecking Balls", 1964, oil on masonite, signed and dated lower right, artist information label attached en verso, 20 in. x 30 in., unframed. Provenance: Collection of Sandra Zahn-Oreck (1940-2021).

Lot: 233 - Noel Rockmore (American/Louisiana, 1928-1995)

Noel Rockmore (American/Louisiana, 1928-1995), "Street Scene", 1966, oil on masonite, signed and dated lower right, artist information label attached en verso, 20 in. x 39 3/4 in., unframed. Provenance: Collection of Sandra Zahn-Oreck (1940-2021).

Lot: 234 - Noel Rockmore (American/Louisiana, 1928-1995)

Noel Rockmore (American/Louisiana, 1928-1995), "Supper by the River", 1962, oil on masonite, signed and dated lower right, 15 1/4 in. x 21 1/4 in., framed, overall 24 in. x 30 in. x 2 1/4 in.

Lot: 235 - Bunny Matthews (American/Louisiana, 1951-2021)

Bunny Matthews (American/Louisiana, 1951-2021), "Vic and Nat'ly", 1988/1989, 3 color pencil and markers on paper, each signed and dated lower right, each dated and label with dialogue for characters en verso, 7 7/8 in. x 14 in. to 9 3/4 in. x 14 3/16 in., unframed. (3 pcs.)

Lot: 236 - Purvis Young (American/Florida, 1943-2010)

Purvis Young (American/Florida, 1943-2010), "Triptych", 3 oils on paper, 2 signed, each 10 3/4 in. x 8 in. to 10 3/4 in. x 8 1/2 in., framed together, overall 17 in. x 35 1/4 in. x 1 5/8 in.

Lot: 237 - Bruce "Dapper Bruce Lafitte" Davenport, Jr.

Bruce "Dapper Bruce Lafitte" Davenport, Jr. (American/Louisiana, b. 1972), "Gladys Knight and the Pips" and "Duke Ellington", 2022, 2 markers on paper, each signed mid-right, both signed and dated lower right, each titled lower center, both initialed lower left, each signed and inscribed en verso, each 8 in. x 10 in., unframed. (2 pcs.)

Lot: 238 - Bruce "Dapper Bruce Lafitte" Davenport, Jr.

Bruce "Dapper Bruce Lafitte" Davenport, Jr. (American/Louisiana, b. 1972), "Tyson Kickin' Butt" and "Tyson Vs. Bonecrusher", 2022, 2 markers on paper, each signed and dated lower right, both titled lower center, each initialed lower left, both signed and inscribed en verso, 8 in. x 10 in. and 10 in. x 8 in., unframed. (2 pcs.)

Lot: 239 - Robert Gordy (American/Louisiana, 1933-1986)

Robert Gordy (American/Louisiana, 1933-1986), "Woman in Water", 1970, color felt tip pen on paper, signed and dated lower center, label with artist, title and date on reverse of mat, 13 3/4 in. x 12 1/2 in., matted, overall 21 7/8 in. x 16 in. Provenance: Neal Auction Company, Oct. 3, 2004, lot 1233.

Lot: 240 - Enrique Alferez (Mexican/Louisiana, 1901-1999)

Enrique Alferez (Mexican/Louisiana, 1901-1999), "Portrait of the Artist's Daughter", graphite on paper, signed lower right, 24 in. x 18 in., framed, overall 31 1/4 in. x 24 1/4 in. x 1 in.

Lot: 241 - Tiffany & Co. Makers Sterling Silver Candelabra

Pair of Tiffany & Co. Makers Sterling Silver Three-Light Candelabra in the Aesthetic Taste, mark for 1891-1902, pattern introduced 1900, engraved presentation "Sept. 7, 1907" on underside, h. 14 7/8 in., w. 15 in. wt. 119.05 troy ozs. Provenance: Antiquest, Inc., New York, NY, 1995.

Lot: 242 - Tiffany & Co. Makers Sterling Silver Ewer

Monumental Tiffany & Co. Makers Belle Epoque Sterling Silver Ewer, mark for 1891-1902, pattern introduced 1895, robustly cast with cavorting cupids, rosebuds and scrolls, h. 23 3/8 in., wt. 78.55 troy ozs. Provenance: Sotheby's, New York, Jan. 21, 2012, lot 65.

Lot: 243 - Frank M. Whiting Sterling Silver Coffee Service

Frank M. Whiting "Botticelli" Pattern Sterling Silver After-Dinner Coffee Service, early 20th c., incl. after-dinner coffee pot (h. 9 1/2 in.), open sugar and creamer; total wt. 28.55 troy ozs. (3 pcs.)

Lot: 244 - Meriden Britania Sterling Tea and Coffee Service

American Sterling Silver Tea and Coffee Service, Meriden Britannia, early 20 th c., incl. kettle-on-stand (h. 13 1/2 in. to top of handle), coffee pot (h. 9 1/4 in.), teapot, covered sugar, creamer and waste, each with octagonal paneled body with flat-chased foliate scroll decoration, foliate scroll handles and spouts, and foliate bracketed paw feet; total wt. 145.85 troy ozs.; together with associated silverplate footed tea tray (27 in. x 17 1/2 in.); note kettle lacking burner.

Lot: 245 - Martin Hall Co. Sterling Tea/Coffee Service

Good English Victorian Sterling Silver Tea and Coffee Service, London, Martin Hall & Co. (Richard Martin & Ebenezer Hall), 1874-1875, kettle Goldsmiths & Silversmiths Co. Ltd., 1908; incl. kettle-on-stand (h. 13 1/2 in. to top of handle), coffee pot (h. 10 1/2 in.), teapot, open sugar and creamer, pots with bird, acorn and oakleaf finials and eagle's head spouts, floral and scroll chasing throughout, C-scroll cartouches, scroll handles, reticulated skirts with scroll feet; total wt. 119.95 troy ozs.

Lot: 246 - Late Georgian Sheffield Plate Tea Tray

Late Georgian Sheffield Plate Tea Tray, c. 1830, engraved crest, robust gadroon border with anthemion corners, foliate loop handles and scroll feet, 26 3/4 in. x 17 3/4 in.

Lot: 247 - Reed & Barton Sterling Silver Flatware Service

Extensive Reed & Barton "Marlborough" Pattern Sterling Silver Flatware Service, pat. 1906, incl. 36 forks (l. 7 1/4 in.), 20 forks (l. 7 3/4 in.), 41 salad forks, 22 oyster forks, 14 knives (l. 9 1/8 in.), 17 knives (l. 9 5/8 in.), 3 knives (l. 9 3/4 in.), 6 gumbo spoons, 12 cream soup spoons, 20 dessert spoons, 35 teaspoons, 23 iced tea spoons, 8 demitasse spoons (incl. 1 as-is), fruit spoon, 17 butter knives (fh), 7 tablespoons, berry/casserole spoon, 2 cold meat forks (l. 8 in.), 2 master butter knives, 2 jelly servers, 2 sugar shells, sugar spoon, bonbon spoon, gravy ladle, cream ladle, lemon fork, carving knife and fork (l. 8 5/8 in. and 10 1/4 in.), 2 pie servers and 3 cheese knives; total wt. (weighable) 319.85 troy ozs. (302 pcs.)

Lot: 248 - Adolph Himmel Coin Silver Syrup Pitcher

New Orleans Coin Silver Syrup Pitcher, Adolphe Himmel (1825/6-1877), wc. 1869-1877 for Hyde & Goodrich 1828-1861, marked "HYDE & GOODRICH" in arc, over "H" over "NEW ORLEANS" in complementary arc, pyriform body with floral and foliate repousse, applied flared foot with running curule-and-cross banding, scroll handle, cover with later finial, h. 6 3/4 in., wt. 12.15 troy ozs. Ref.: Crescent City Silver, identical foot rim ill. pp. 43 and 52. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 249 - Pair of Gorham Sterling Silver Candelabra

Pair of Gorham Sterling Silver Five-Light Candelabra, with removable candlearms, urn-shaped candlecups, and reeded scrolling arms, weighted bases, h. 14 1/2 in.

Lot: 250 - Emilia Castillo Sterling Fish-Form Bottle Opener

Emilia Castillo, Taxco, Sterling Silver Fish-Form Bottle Opener, eye inlaid with mother-of-pearl and onyx, segmented flexible body, marked with registration number, extended length 6 3/4 in., standing h. 3 1/4 in., wt. 4.50 troy ozs.

Lot: 251 - Carved Mahogany Games Tables, attr. Quervelle

Pair of American Classical Carved Mahogany Games Tables, c. 1820, attr. to Anthony Quervelle, Philadelphia, foldover top, bolection frieze, foliate standard, shaped plinth, hairy paw feet, casters, h. 29 1/2 in., w. 36 in., d. (closed) 17 3/4 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 252 - American Classical Carved Mahogany Tester Bed

Fine American Classical Carved Mahogany Tester Bed, early 19th c., New York, molded tester, pineapple and foliate-carved posts, scrolled fruit and acanthus headboard, figured rails, foliate feet, casters, h. 106 in., l. 74 1/2 in., w. 54 1/2 in.

Lot: 253 - American Classical Mahogany Reclining Armchair

American Classical Carved Mahogany Reclining Armchair, early-to-mid 19th c., Boston, tufted back, foliate scrolled arms, tapered legs, casters, h. 44 1/2 in., w. 29 1/2 in., d. 28 in.

Lot: 254 - Large American Classical Giltwood Pier Mirror

Large American Classical Giltwood Pier Mirror, c. 1830-40, molded surround, later mirror plate, h. 74 in., w. 37 in.

Lot: 255 - Large American Classical Giltwood Pier Mirror

Large American Classical Giltwood Pier Mirror, mid-19th c., flared surround, antique mirror plate, h. 78 1/2 in., w. 32 1/2 in.

Lot: 256 - Carved Mahogany Games Tables, attr. Connelly

Pair of American Classical Carved Mahogany Games Tables, early 19th c., attributed to Henry Connelly, Philadelphia, chamfered foldover swivel top, dolphin lyre support, reeded sabre legs, foliate cuffs, casters, h. 30 1/4 in., w. 36 in., d. 19 in.

Lot: 257 - Stenciled Mahogany Pier Table, poss. Meeks

American Classical Ebonized, Parcel Gilt, and Stenciled Mahogany Pier Table, c.1825-1830, New York, possibly J. & J.W. Meeks, marble top, blocked frieze, Ionic columns with marble standards, incurvate plinth, mirrored back, robustly carved foliate paw feet, h. 38 in., w. 39 1/2 in., d. 20 in.

Lot: 258 - American Classical Carved Mahogany Sofa

American Classical Carved Mahogany Sofa, c. 1825-1830, probably Philadelphia, tubular scrolled crest rail, foliate uprights, bolection seat rail, cornucopia bracketed paw feet, h. 34 1/2 in., w. 85 in., d. 24 1/2 in.

Lot: 259 - American Late Classical Rosewood Washstand

American Late Classical Rosewood Washstand, mid-19th c., New York, molded chamfered marble top, frieze drawer, conforming case with paneled door, bracketed base, h. 30 in., w. 26 in., d. 18 3/4 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 260 - American Late Classical Rosewood Tester Bed

Fine American Late Classical Rosewood Tester Bed, mid-19th c., molded tester with chamfered corners, cluster column posts, triple arched paneled headboard, paneled rails, conforming feet, casters, h. 121 1/2 in., l. 76 1/2 in., w. 65 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 261 - Mahogany Cheval Mirror, likely J. & J.W. Meeks

American Gothic Carved Mahogany Cheval Mirror, mid-19th c., New York, likely J. & J.W. Meeks, foliate finial, spiral turned supports, applied quatrefoil decoration, base with turned pendants, bracket legs, casters, h. 87 1/2 in., w. 52 in., d. 24 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 262 - American Gothic Carved Rosewood Side Tables

Associated Pair of American Gothic Carved Rosewood Side Tables, mid-19th c., New York, each top with inset sienna marble, spire pendants, pierced trestle base, shaped stretcher, h. 30 in., w. 26 in., d. 16 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 263 - American Gothic Carved Rosewood Hall Chair

American Gothic Carved Rosewood Hall Chair, mid-19th c., probably New York, pedimented foliate crest with pierced quatrefoils, blocked seat rail, tapered legs, casters, h. 40 1/2 in., w. 18 in., d. 20 1/2 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 264 - American Cast Iron Sugar Kettle

American Cast Iron Sugar Kettle, 19th c., labeled "warranted 31 gal.", wrought iron handle, h. 17 in., dia. 32 in. Provenance: Bocage Plantation, Darrow, LA

Lot: 265 - French Provincial Pine Door

Antique French Provincial Pine Door, South of France, sunburst motif, wrought iron hardware, h. 72 1/2 in., w. 39i n.

Lot: 266 - Patinated Bronze Garden Fountain, signed S. Keliam

Monumental Neoclassical-Style Patinated Bronze Garden Fountain, signed "S. Keliam", four satyr-head spouts, over basin cast with cabochons, fruit scrolls and lion masques; octagonal base with standing full-figured classical maidens depicting Lasaone, Laloire, Veronica and Meranie, h. 87 in., dia. 52 in.

Lot: 267 - Patinated Bronze Pelican Fountain signed S. David

American Patinated Bronze Figural Pelican Fountain, 20th c., signed "S. David", standing on wood pier, h. 78 in., w. 22 in., d. 39in.

Lot: 268 - Patinated Bronze Fountain of Resting Pelican

American Patinated Bronze Figural Fountain of Resting Pelican on Pier, 21st c., signed "S. David", h. 57 in., w. 22 in., d. 44 in.

Lot: 269 - French Cast Iron Garden Statues, "A. Durenne"

Pair of French Cast Iron Garden Statues, signed "A. Durenne", modeled as Cupid holding a torchere, h. 65 in., w. 15 in., d. 10 in.

Lot: 270 - Cast Stone Garden Figures of the Four Seasons

Four Antique Cast Stone Garden Figures of the Four Seasons, on circular plinth base, h. 32 in.

Lot: 271 - Decorative Patinated Metal Garden Figure

Decorative Patinated Metal Garden Figure, modeled as a putto with flute, h. 32 in.

Lot: 272 - Continental Inlaid Granite Figures of Dalmations

Pair of Continental Inlaid Granite Figures of Dalmatians, seated form, plinth base, h. 39 1/2 in., w. 14i n., d. 23 in.

Lot: 273 - American Painted Cast Iron Garden Urn

Large American Painted Cast Iron Campagna-Form Garden Urn, lobed rim, tall plinth pedestal base with laurel wreath, h. 48 in., dia. 30 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 274 - American Painted Cast Iron Garden Suite

Antique American Painted Cast Iron Garden Suite, incl. table, two armchairs and three side chairs, table lacking glass top, grapevine motif, cabriole legs, ball and claw feet, table h. 29 in., w. 66 in., d. 32 1/4 in., armchair h. 32 in., w. 21 1/2 in., d. 17 in., side chair h. 33 in., w. 19 in., d. 17 in.

Lot: 275 - Charles Alfred Meurer (German/American, 1865)

Charles Alfred Meurer (German/American, 1865-1955), "Trompe l'Oeil with Coins, Matches and Pipe", oil on masonite, initialed and inscribed en verso, 15 1/4 in. x 18 5/8 in., framed, overall 20 in. x 23 1/8 in. x 1 1/2 in.

Lot: 276 - James D. Parks (American, 1907-1983)

James D. Parks (American, 1907-1983), "Daydreaming", oil on canvas board, signed lower right, "Aaron Galleries, Glenview, IL" label and handwritten label with title en verso, 28 in. x 21 7/8 in., framed with artist and title plaque, overall 31 3/4 in. x 25 5/8 in. x 2 1/8 in. Provenance: Treadway Toomey Auctions, Oak Park, IL, Dec. 6, 2014, lot 603.

Lot: 277 - After Frank Lloyd Wright (American, 1869-1959)

After Frank Lloyd Wright (American, 1869-1959), "Nakoma" and "Nakomis", 1974, 2 patinated bronzes, inscribed "FLW" on sides, each marked "The Frank Lloyd Wright Foundation" with edition numbers 108A/500 and 108B/500, Shidoni Foundry, Nesuque, NM, cast from original terracotta sculpture s, h. 17 1/2 in., w. 4 in., d. 7 in. and h. 12 in., w. 4 in., d. 5 in

Lot: 278 - Joseph Stella (Italian/New York, 1877-1946)

Joseph Stella (Italian/New York, 1877-1946), "Still Life", oil on canvas, signed lower center, signed and titled en verso, signed and illegibly inscribed on stretcher, 10 in. x 11 in., framed, overall 15 in. x 15 3/4 in. x 2 3/4 in. Note: Born in Italy outside of Naples, Joseph Stella came to New York at the age of eighteen and immediately strayed from his original plans of becoming a doctor and instead pursued a career in modern art. Receiving a scholarship to study at the Arts Students League under William Merritt Chase and later Robert Henri, Stella refined his draftsmanship and use of composition under Chase’s strict tutelage. The greatest lesson he learned came from Henri and his advice to look for artistic subjects anywhere, “even the mundane.” This directive would serve Stella greatly in his observation of city life and the immigrant population he was part of at the time and led to the creation of some of his greatest canvases—particularly his series on the Brooklyn Bridge. After graduating from the Students League, Stella absorbed all he could about modern art studying Cubism, Fauvism and Dadaism, all the while still visiting and copying still lives of the great masters at the Museum of Modern Art—a favorite pastime of his mentor Chase. Stella discovered his preferred style after a meeting with fellow Italians Umbertto Boccioni and Gino Severini and his subsequent exposure to Futurism. Raised in a small village, the move New York was a culture shock he never got over, and Futurism expressed everything about the modern bustling metropolis he found fascinating: newness, dynamism, speed and the embrace of all things mechanical. After his participation in the infamous Armory Show of 1913, Stella became a fixture in American modern art scene befriending the likes of Alfred Stieglitz, Francis Picabia and Marcel Duchamp, whom he assisted on a trip to a plumbing wholesale store to purchase what would become one of Duchamp’s most famous sculptures. Throughout his career, Stella never lost the love for still lifes that he acquired from William Merritt Chase. His compositions were rooted in Futurist concepts, particularly the use of sharp lines (force lines) to lead the eye around the canvas. Stella also employed the bright strong colors he adapted from the Fauvists to complement the sense of rhythm and tension between his objects. His usage of heavy impasto blended with thin layers of paint was a method of brushwork taught to him by Chase as a means of adding depth and movement to the basic composition. The lot on offer here is a great example of these techniques showcasing the unique position Stella holds in American art as one who melded the teaching and academic processes of the nineteenth century with the new rebellious ideas of the twentieth. Ref.: Murawski, Michael. “Spotlight Essay: Joseph Stella”. Mildred Lane Kemper Art Museum. Nov. 2008. www.kemperartmuseum.wustl.edu. Accessed Mar. 9, 2023.

Lot: 279 - Grant Wood (American/Iowa, 1891-1942)

Grant Wood (American/Iowa, 1891-1942), "Two Women", graphite on paper, signed lower right, 15 5/8 in. x 7 1/4 in., framed, overall 22 3/8 in. x 14 1/4 in. x 1 in. Provenance: Neal Auction Company, Apr. 16, 2011, lot 294.

Lot: 280 - Feliciano Bejar (Mexican, 1920-2007)

Feliciano Bejar (Mexican, 1920-2007), "Geometric Composition", 1974, woven tapestry, signed and dated lower right, 72 1/2 in. x 69 3/4 in., unframed.

Lot: 281 - After Yves Tanguy (French, 1900-1955)

After Yves Tanguy (French, 1900-1955), "Feu à Éclat (Wittrock A)", 1953, color lithograph, pencil-signed, dated "Mars 1953" and numbered "26/30" lower margin, edition of 50, signed and dated "1950" in plate lower left, "Arches" watermark visible, 17 3/4 in. x 15 5/8 in., matted, overall 28 in. x 23 in. Provenance: Swann Galleries, New York, NY, Sept. 24, 2015, lot 607.

Lot: 282 - Leon Bibel (Polish/American, 1913-199

Leon Bibel (Polish/American, 1913-1995), "Urban Turmoil", 1936, pen and ink on paper, unsigned, artist estate stamp on reverse of mount, "Park Slope Gallery, Brooklyn, NY" label on backing paper, 10 1/2 in. x 8 in., framed, overall 19 in. x 16 3/4 in. x 1 in.; accompanied by a copy of a certificate of authenticity from the Estate of Leon Bibel and Park Slope Gallery, signed by Neysa Bibel with title and date. (2 pcs.)

Lot: 283 - Jacob El Hanani (Moroccan/Israeli, b. 1947)

Jacob El Hanani (Moroccan/Israeli, b. 1947), "Old Jaffo", 1970, oil and ink on canvas, signed and dated lower right, signed, titled, dated and inscribed en verso, sight 35 3/4 in. x 33 3/4 in., framed, overall 36 3/8 in. x 34 1/4 in. x 1 1/2 in.

Lot: 284 - Chuah Thean Teng (Chinese/Malaysian,

Chuah Thean Teng (Chinese/Malaysian, 1912-2008), "At the Fruit Stall", 1975, batik on cloth, signed lower right, label with signature, artist stamp, title and date and "Yahong Gallery, Penang, Malaysia" label attached en verso, 24 in. x 18 1/2 in., framed, overall 28 in. x 22 1/2 in. x 2 1/2 in.; accompanied by booklet Batik Painting by Teng. (2 pcs.)

Lot: 285 - Zao Wou-ki (Chinese/French, 1921-2013)

Zao Wou-ki (Chinese/French, 1921-2013), "Paysage au Soliel", 1950, color etching, signed lower right margin, inscribed "épreuve d'essai" lower left margin, "Guilde de la Gravure" blind stamp lower left, partial "BFK Rives" watermark visible, "Uptown Art Galleries, Oklahoma City, OK" label and artist biography on backing paper, 9 5/8 in. x 9 5/8 in., framed, overall 22 in. x 15 in. x 1 in.

Lot: 286 - Walasse Ting (Chinese/American, 1929-2010)

Walasse Ting (Chinese/American, 1929-2010), "Woman with Fish", acrylic on rice paper, artist stamp upper left, 2 "Dyansen Gallery, Boston" labels with artist and title on backing paper, 23 1/2 in. x 14 1/4 in., framed, overall 31 7/8 in. x 22 3/4 in. x 1 1/2 in. Note: Walasse Ting was raised in Shanghai, China and although largely self-taught, he took classes at the Shanghai Art Academy as a teenager. At the age of seventeen, Ting left Shanghai to live in Hong Kong and then settled in Paris, France in 1952. There, he was exposed to the works of Henri Matisse and started experimenting in oils and printmaking mediums. At the same time, the avant-garde art scene in Paris was growing and Ting befriended CoBrA group members Pierre Alechinsky and Asger Jorn. The CoBrA group rejected the popular mid-century art trends such as naturalism and “sterile” abstraction and instead embraced surrealism with a childlike sense of play. In an exchange of skills, Ting helped Alechinsky learn traditional calligraphy techniques while the groups philosophies led Ting to experiment more with color and subject matter. In 1963, Ting relocated to New York City where he would live and work the rest of his life. He also began working with what would become his life’s favorite painting subject –women. His depictions of nude women disarm the viewer with their bright cheery color palettes but confront the viewers gaze with the stark sensuality that references Courbet’s “Origin of the World.” The lot offered here is not as explicit as other Ting portraits. However, with her nude body coyishly covered by an ornate fan, her brightly colored accessories and her averted gaze, this painting is a great example of the raw intensity of Ting’s work. Ref.: Kuipers, Bert. “丁雄泉 Ting’s Muse; The History of Walasse Ting.” Gallerease. Apr. 1, 2020. www.gallerease.com. Accessed Mar. 10, 2023; Sicard, D. “Walasse Ting.” Chinese New Art. www.chinesenewart.com. Accessed Mar. 10, 2023.

Lot: 287 - Guy Edward Grey-Smith (Australian, 1916-1981)

Guy Edward Grey-Smith (Australian, 1916-1981), "Rocks", 1962, oil on masonite, signed and dated lower right, "Vincent Price Collection, Sears, Roebuck and Co." labels with title, artist and "NO 52522" on backing paper, handwritten labels with title and artist and inscribed en verso, 24 in. x 36 in., framed, overall 28 7/8 in. x 40 1/2 in. x 1 1/4 in. Note: Born in 1916 in the western Australian wheatbelt, Guy Edward Grey-Smith joined the Royal Australian Air Force in 1936. Shortly after getting married in 1939, he was stationed in France during the onset of World War II when his plane was shot down, and he was captured as a prisoner of war. His wife Helen Grey-Smith, a designer and textile artist, sent him art materials while he was in captivity. During this time his interest in art sparked, and after developing his creative voice through art therapy treatment during post-war rehabilitation, he enrolled in Chelsea School of Art in 1945 where he studied painting and pottery until he returned with Helen to Australia in early 1948. Following their homecoming, the couple had two children while Guy honed his focus on getting his and Helen’s art careers off the ground. They organized exhibitions and garnered enthusiastic supporters of his work throughout the 1950s. Meanwhile he developed a passion for artist labor rights, leading him to organize similarly disaffected Australian artists and eventually found the Western Australian branch of the Contemporary Art Society in 1966. It was also around this time that Grey-Smith discovered the work of Nicolas de Stael, the influence of which is apparent in the lot on offer here entitled “Rocks” with its thick, confident slabs of complimentary colors. Its near complete abstraction of the terrain provides a view into the shift from figurative art to Abstract Expressionism. This piece was originally part of The Vincent Price Collection, founded by famed actor and art collector Vincent Price in collaboration with Sears. Starting in 1962, Price was given “carte blanche” by Sears to source all the artwork being offered in the collection. The program’s aim was to make owning original artwork financially accessible to everyday Americans, and Price’s search lead him to find contemporary artist such as Grey-Smith who were relatively unknown to American audiences. Price evidently saw the skill in his body of work as several of his paintings were included in this collection. Ref.: Davis, Annette. Guy Grey-Smith: Guy Grey-Smith’s Landscapes of Western Australia. Perth: Edith Cowan University, 1996.

Lot: 288 - James Browning "Jamie" Wyeth (American)

James Browning "Jamie" Wyeth (American/Pennsylvania, b. 1946), "Hen on Nest", "91, 75, 93, 84 (Cows)", "Bee Shadow" and "Runaway Pig", 1980, "The Farm" portfolio set of 4 etchings and drypoints, each pencil-signed and numbered "24/150" lower margin, each with "1980 Jamie Wyeth" copyright stamp en verso, sheets 25 in. x 20 in., unframed in original linen hardcover folio. Provenance: Neal Auction Company, Feb. 4, 2012, lot 1003.

Lot: 289 - Art Moderne Giltwood and Specimen Marble Table

Italian Art Moderne Giltwood and Specimen Marble Table, gameboard top, fluted flared standard, circular plinth base, h. 31 in., dia. 40 in.

Lot: 290 - French Art Moderne Table Lamps

Pair of French Art Moderne Lacquered Wood and Gilt Metal Lamp Tables, c. 1950, manner of Eugene Printz and Jean Durand, plinth top, spherule and scroll apron, arched base, h. 32 3/4 in., w. 45 in., d. 25 in. Provenance: Rago Auctions, June 15, 2014, lot. 713.

Lot: 291 - Contemporary Acrylic and Glass Coffee Table

Contemporary Acrylic and Glass Coffee Table, 20th c., Greek key legs, h. 16 1/2 in., w. 47 in., d. 32 in.

Lot: 292 - Art Moderne Lacquered Side Table

Art Moderne Lacquered Side Table, inset black marble top, stretcher shelf, cabriole legs, h. 26 in., w. 17 1/2 in., d. 10 1/2 in.

Lot: 293 - Contemporary Neoclassical-Style Painted Bed

Contemporary Neoclassical-Style Painted Bed, benchmade, fluted posts with diamond finials, pedimented dentil-molded headboard, molded rails, h. 76 in., l. 77 in., w. 56 in.

Lot: 294 - Attributed to Fontana Arte Chandelier

Attributed to Fontana Arte Bronze, Brass and Etched Glass Ten-Light Chandelier, 1930-40s, metal with incised designs, central frieze of thick plate glass with etched designs of marine life, h. 45 in., w. 53 in., d. 11 in.

Lot: 295 - Six Verner Panton-Style Chairs

Six Verner Panton-Style Chairs, after the original design from 1967, h. 33 3/4 in., w. 19 in., d. 21 in.

Lot: 296 - Six Extra Large Baccarat Crystal Tumblers

Six Extra Large Baccarat Crystal "Harmonie" Tumblers, h. 4 5/8 in., dia. 3 1/2 in., with boxes, h.

Lot: 297 - Twelve Hungarian Cut-to-Clear Crystal Wine Glasse

Twelve Hungarian Cut-to-Clear Crystal Wine Glasses, by Ofnah, Hungary, with star and grapes design, h. 6 1/2 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 298 - Group of Hungarian Cut-to-Clear Glass Bowls

Group of Hungarian Cut-to-Clear Glass Bowls, various forms and colors, tallest h. 3 1/4 in. (28 pcs.) Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 299 - Hungarian Cut-to-Clear Crystal Stemware

Group of Hungarian Cut-to-Clear Crystal Stemware, incl. 12 red wine, 10 white wine and 6 snifters, tallest h. 8 1/2 in. (28 pcs.) Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 300 - Hungarian Cut-to-Clear Crystal Glassware

Group of Hungarian Cut-to-Clear Crystal Glassware, incl. 4 martini, 6 champagne, 2 cordials, lidded jar, wine and others, tallest h. 8 in. (20 pcs.) Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 301 - Three Art Glass Vases

Three Art Glass Vases, green and gold vases marked "Orient & Flume", other signed illegibly, tallest h. 10 3/4 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 302 - Steve Kaufman (American, 1960-2010)

Steve Kaufman (American, 1960-2010), "Einstein State II (Homage to Genius Series)", 1996, hand-embellished screenprint on canvas, signed, numbered "164/195" and licensing stamps en verso, certificate of tirage and label from "Martin Lawrence Gallery, Los Angeles, CA" with artist, title and date attached to stretcher, 36 in. x 36 in., unframed. Provenance: Martin Lawrence Gallery, Lahaina, Hawaii.

Lot: 303 - Herr Nilsson (Swedish, 20th c.)

Herr Nilsson (Swedish, 20th c.), "Part Of Your World", 2021, stenciled spray paint on paper, signed and numbered "2/14" lower right, 22 1/2 in. x 30 1/4 in., framed, overall 26 1/2 in. x 34 1/2 in. x 1 in. Note: Published by Rena Malaren to raise funds for the Clean Street Project.

Lot: 304 - Hank Willis Thomas (American/New York, b. 1976)

Hank Willis Thomas (American/New York, b. 1976), "All Li es Matter", 2019, screenprint on black woven paper, signed, dated and numbered "205/400" lower right, published by the Public Art Fund, New York, 24 in. x 18 in., unframed.

Lot: 305 - Chakaia Booker (American/New Jersey, b. 1953)

Chakaia Booker (American/New Jersey, b. 1953), "Untitled", 2021, lithograph and chine-collé on embossed paper, pencil-signed and dated lower right, pencil-numbered "89/100" lower left, printed with master printer Justin Sanz at Robert Blackburn's printmaking workshop New York, published by Flint Institute of Arts, MI, 21 in. x 14 in., unframed; with Flint Print Club information sheet with artist, title, date and edition size. (2 pcs.).

Lot: 306 - Renee Stout (American/Washington, D.C., b. 1958)

Renee Stout (American/Washington, D.C., b. 1958), "What The Oracle Said", 2020, archival pigment print, pencil-signed, titled, dated and numbered "10/18" lower margin, 14 in. x 11 in., unframed.

Lot: 307 - Alvin Demar Loving, Jr. (American/New York, 1935)

Alvin Demar Loving, Jr. (American/New York, 1935-2005), "Untitled", etching, pencil-signed and inscribed "artist proof" lower margin, 25 3/4 in. x 23 3/8 in., unframed.

Lot: 308 - Albert Huie (Jamaican, 1920-2010)

Albert Huie (Jamaican, 1920-2010), "Proverbial Portfolio", 11 woodblock prints, all pencil-signed and titled lower margin, watermarks visible, 8 in. x 6 in. to 10 1/2 in. x 7 3/4 in., in original hardcover portfolio, overall 16 1/4 in. x 12 in. x 3/4 in. (11 pcs.)

Lot: 309 - Seydou Keita (Malian, 1921-2001)

Seydou Keita (Malian, 1921-2001), "Untitled", negative creation date 1956-1959, print date 1999, gelatin silver print, signed and dated en verso, 2 "Christie's" labels, one with artist, on backing board, 7 in. x 5 in., framed, overall 12 1/4 in. x 8 5/8 in. x 1/2 in.

Lot: 310 - Theatrical Chicago Photography Studio

Theatrical Chicago Photography Studio, "Louis Armstrong the World's Finest Trumpeter", 1930, gelatin silver print, titled en verso, autographed, personalized and dated by Louis Armstrong mid-right, "Theatrical Chicago" lower center in negative, 9 1/2 in. x 7 1/2 in., framed, overall 15 1/2 in. x 13 1/4 in. x 3/4 in.

Lot: 311 - Ava Photography Studio of London

Ava Photography Studio of London, "Louis Armstrong", 1931, gelatin silver print, autographed, personalized and dated by Louis Armstrong lower center, "Ava Studios" lower right in negative, 9 5/8 in. x 7 5/8 in., framed, overall 13 in. x 11 in. x 3/4 in.

Lot: 312 - Frank Relle (American/Louisiana, b. 1976)

Frank Relle (American/Louisiana, b. 1976), "Clio", 2011, c-print, signed, titled and dated lower margin, inscribed and numbered "6/15" en verso, signed and dated artist label attached to backing paper, 22 in. x 16 in., framed, overall 27 3/4 in. x 35 1/4 in. x 1 1/4 in. Ill.: New York Times, Mar. 14, 2014.

Lot: 313 - Harry Morey Callahan (American, 1912-1999)

Harry Morey Callahan (American, 1912-1999), "Cora Kelley Ward", 7 gelatin silver prints mounted to board, each pencil-signed on mount, 4 1/2 in. x 3 3/4 in. to 6 3/4 in. x 5 3/8 in., unframed. (7 pcs.) Provenance: Estate of American Abstract Expressionist Cora Kelley Ward (1920-1989); thence by descent.

Lot: 314 - Federal Inlaid Mahogany Bowfront Chest of Drawers

Federal Inlaid Mahogany Bowfront Chest of Drawers, late 18th c., likely New England, four graduated drawers, flared legs, serpentine apron, h. 35 in., w. 43 in., d. 23 in.

Lot: 315 - Pair of American Federal Tiger Maple Poster Beds

Pair of American Federal Tiger Maple Poster Beds, early 19th c., New England, large acorn finials, turned posts, arched paneled headboard, h. 80 in., l. 78 in., w. 39 in.

Lot: 316 - American Federal Inlaid Cherrywood Serving Table

American Federal Inlaid Cherrywood Bowfront Serving Table, early 19th c., possibly Maryland, three frieze drawers, conch shell brackets, tapered legs, spade feet, h. 33 in., w. 54 1/2 in., d. 24 3/4 in.

Lot: 317 - New England William and Mary Walnut Highboy

Rare New England William and Mary Walnut Highboy, early 18th c., likely New Haven or Boston, stepped cornice, bolection frieze drawer, upper case with five drawers, lower case with three drawers, shaped apron, trumpet-turned legs, serpentine stretcher, bulbous feet, oak and white pine secondary woods, h. 67 in., w. 40 1/2 in., w. 21 3/4 in. Provenance: Antiquarians Grace and Elliot Snyder, South Egremont, MA, 2011. Note: Bolection frieze drawer base includes pencil inscription "the Property of Hannah Jones, came from England in the year 1662."

Lot: 318 - Federal Inlaid Black Walnut Chest of Drawers

Rare Virginia Federal Inlaid Black Walnut Chest of Drawers, c. 1800-1810, Shenandoah Valley, raised base with splayed bracket feet, yellow pine, poplar, walnut, and sycamore secondary woods, h. 42 3/4 in., w. 39 1/4 in., d. 21 in. Provenance: Estate Antiques, Charleston, SC, 1992; thoroughly examined by expert John Bivens, Wilminton, NC, in 1991 (see accompanying document).

Lot: 319 - Connecticut Queen Anne Carved Cherrywood Highboy

Connecticut Queen Anne Carved Cherrywood Highboy, c. 1750, bonnet top with broken arch cornice, turned finials, fan-carved drawers, scalloped apron, cabriole legs, pad feet, dovetailed case, pine secondary wood, h. 86 in., w. 38 1/2 in., d. 21 1/2 in. Provenance: Kenneth E. Tuttle Antiques, Gardiner, ME, 2005. Note: In the 1730s, Boston cabinetmakers applied Queen Anne design features like the broken-arch cornice and cabriole legs to the flat-top William & Mary-style high chest. This distinctively American design became popular with cabinetmakers throughout New England. The fine example offered here, constructed of cherrywood, includes features such as pad feet, fan carvings, a dovetailed case, and drop-finials that are hallmarks of this quintessential New England form. Ref.: “Chest of Drawers.” The Metropolitan Museum of Art. metmuseum.org/art/collection/search/4278. Accessed October 27, 2022.; “High Chest.” Historic New England. historicnewengland.org/explore/collections-access/gusn/172354/. Accessed October 27, 2022.

Lot: 320 - Southern "Gros Rouge" Yellow Pine Blanket Chest

Antique Southern "Gros Rouge" Yellow Pine Blanket Chest, early 19th c., molded hinged top, strap hinges, interior till, front monogram with "IB", shoe feet, h. 22 1/2 in., w. 47 1/2 in., d. 21 1/2 in. Provenance: Neal Auction, Nov. 22, 2015, lot 1089. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 321 - Southern Cherrywood Sugar Chest

Southern Cherrywood Sugar Chest, early-to-mid 19th c., likely Kentucky or Virginia, hinged top, divided interior, paneled case, ring and baluster-turned legs, h. 30 1/2 in., w. 40 1/2 in., d. 18 in. Provenance: Descended in the Flowers/Rhoads family of Kentucky and Virginia (see accompanying document) Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 322 - Southern Federal Cherrywood Sugar Chest

Southern Federal Cherrywood Sugar Chest, early 19th c., Tennessee, hinged top, paneled case, turned legs, h. 32 3/4 in., w. 38 in., d. 19 in.

Lot: 323 - [Early New York View]

[Early New York View], after William Burgis (active 1722-1736), "Fort George with the City of New York from the SW.", c. 1794, hand-colored engraving by John Carwitham, published by Carington Bowles, London, watermark "EDMEADS & PINE" with Strasburg lily over 1794, image 11 1/4 in. x 17 3/8 in., sheet 16 in. x 21 in., framed, overall 25 1/4 in. x 20 in. x 5/8 in.

Lot: 324 - John James Audubon (American, 1785-1851)

John James Audubon (American, 1785-1851), "Red-Bellied Squirrel", Plate XXXVIII, hand-colored lithograph, from The Viviparous Quadrupeds of North America, Bowen edition, sheet 27 1/2 in. x 21 1/2 in., unframed.

Lot: 325 - John Woodhouse Audubon (American, 1812-1862)

John Woodhouse Audubon (American, 1812-1862), "Rocky Mountain Goat", Plate CXXVIII, hand-colored lithograph, from Viviparous Quadrupeds of North America, Bowen edition, sheet 21 in. x 27 5/8 in., unframed.

Lot: 326 - John James Audubon (American, 1785-1851)

John James Audubon (American, 1785-1851), "White American Wolf", Plate LXXII, hand-colored lithograph, from The Viviparous Quadrupeds of North America, Bowen edition, sheet 21 1/2 in. x 27 1/4 in., unframed.

Lot: 327 - John Woodhouse Audubon (American, 1812-1862)

John Woodhouse Audubon (American, 1812-1862), "Grizzly Bear", Plate CXXXI, hand-colored lithograph, from The Viviparous Quadrupeds of North America, Bowen edition, sheet 21 1/4 in. x 27 1/4 in., unframed.

Lot: 328 - After Joseph Wolf (Prussian/British, 1820-1899)

After Joseph Wolf (Prussian/British, 1820-1899), "Felis Rufa", 1883, hand-colored lithograph, from A Monograph of the Felidae or Family of the Cats, printed by M. & H. Hanhart, London, published by Daniel Giraud Elliot (1835-1915), London, with corresponding text, sheet 18 3/4 in . x 23 5/8 in., unframed.

Lot: 329 - Frank Anderson (American/New York, 1844-1891)

Frank Anderson (American/New York, 1844-1891), "House along a Path", 1869, oil on canvas, initialed and dated lower right, 14 in. x 20 1/4 in., framed, overall 17 5/8 in. x 23 3/4 in. x 1 3/4 in.

Lot: 330 - Hermann Fuechsel (German/American, 1833-1915)

Hermann Fuechsel (German/American, 1833-1915), "Mountain Landscape with Lake", oil on canvas, signed and illegibly dated lower left, canvas stamp en verso, 11 in. x 19 in., framed, 16 3/4 in. x 25 in. x 2 1/2 in.

Lot: 331 - William Keith (Scottish/American, 1838-1911)

William Keith (Scottish/American, 1838-1911), "Wooded Landscape", oil on canvas laid on board, signed and inscribed lower right, 11 3/4 in. x 23 3/4 in., framed, overall 15 5/8 in. x 27 1/2 in. x 1 1/2 in.

Lot: 332 - Arthur Diehl (American, 1870-1929)

Arthur Diehl (American, 1870-1929), "The Watering Place", oil on beaverboard, signed lower right, inscribed and "The Patricia Weiner Gallery, Cincinnati, OH" label with artist and title en verso, 11 1/2 in. x 17 in., framed, overall 14 in. x 19 5/8 in. x 1 in.

Lot: 333 - David Johnson (American, 1827-1908)

David Johnson (American, 1827-1908), "Byram Lake, NY", oil on board, monogrammed lower right, signed, titled and inscribed en verso, 7 3/4 in. x 11 3/4 in., framed, overall 11 3/4 in. x 15 7/8 in. x 1 5/8 in. Note: David Johnson was a self-taught artist born in New York City in 1827. While Johnson did briefly take painting lessons with Jasper Cropsey, it is likely that his time with Cropsey was simply an opportunity for him to hone his already well-established talent. By that time, he had experienced several career milestones such as exhibiting with the National Academy of Design as well as the American Art Union. Johnson was an Associate of the National Academy of Design, then was later chosen as a full Academician. He also exhibited at the 1876 Centennial Exposition in Philadelphia where he won a first-class medal in art and at the 1877 Paris Salon. The 1870s marked the peak of Johnson’s career and a shift in his style as his canvases began to reflect the influence of the French Barbizon School. Like many of his contemporaries, he spent time in popular locales of the Northeast including Lake George, White Mountains, and the Catskills as well as central New York state. He faithfully recorded many pastoral and river landscape scenes, such as the painting offered here which features his distinctive intertwined monogram that he adopted in the 1860s. This piece, entitled “Byram Lake, NY,” is reminiscent of Johnson’s later style with a hazy mountainous background and dark, lush trees echoing the Barbizon School and perfectly showcasing how the artist earned the nickname “American Rousseau.” Ref.: American Paradise: The World of the Hudson River School. New York: The Metropolitan Museum of Art, 1987; “David Johnson (1827-1908).” Bedford Fine Art Gallery. www.bedfordfineartgallery.com. Accessed Mar. 10, 2023.

Lot: 334 - Semi-Antique Heriz Runner

Semi-Antique Heriz Runner, red ground, repeating medallions, 2 ft. 4 in. x 13 ft.

Lot: 335 - Heriz Carpet

Heriz Carpet, red ground, stylized design, 8 ft. 6 in. x 12 ft.

Lot: 336 - Heriz Rug

Heriz Rug, red ground, stylized floral design, 7 ft. 8 in. x 10 ft. 10 in.

Lot: 337 - Pakistani Wool Carpet

Pakistani Wool Carpet, salmon ground, stylized floral design, 6 ft. x 9 ft. 3 in.

Lot: 338 - Persian Carpet

Persian Carpet, red ground, cream border, floral design, 10 ft. 6 in. x 14 ft.

Lot: 339 - Persian Runner

Persian Runner, red and cream ground, floral design, 5 ft. x 15 ft. 7 in.

Lot: 340 - Persian Runner

Persian Runner, blue ground, repeating medallions, 3 ft. 1 in. x 20 ft.

Lot: 341 - Antique Caucasian Karabagh Long Rug

Antique Caucasian Karabagh Long Rug, c. 1885, 3 ft. 9 in. x 9 ft. 6 in.

Lot: 342 - Chinese Carpet

Chinese Carpet, blue ground with dragons, cloud border, 9 ft. x 12 ft. 5 in.

Lot: 343 - Antique Bakshaish Runner

Antique Bakshaish Runner, Northwest Persia, 19th c., blue ground, allover herati pattern, rosette and serrated leaf border, 4 ft. 9 in. x 10 ft. 9 in.

Lot: 344 - Persian Hamadan Carpet

Persian Hamadan Carpet, maroon ground, geometric designs, 4 ft. 4 in. x 7 ft. 6 in.

Lot: 345 - Persian Hamadan Carpet

Persian Hamadan Carpet, red ground, central medallions, 4 ft. 4 in. x 7 ft. 3 in.

Lot: 346 - Persian Qashqai Carpet

Persian Qashqai Carpet, blue and red ground, repeating medallions, 4 ft. 3 in. x 9 ft. 5 in.

Lot: 347 - Persian Qashqai Carpet

Persian Qashqai Carpet, red ground, triple medallions, 6 ft. 1 in. x 11 ft. 9 in.

Lot: 348 - Persian Kerman Carpet

Persian Kerman Carpet, blue and cream ground, floral design, 9 ft. x 12 ft. 5 in.

Lot: 349 - Persian Kerman Carpet

Persian Kerman Carpet, red ground, blue border, central medallion, floral designs, 10 ft. x 13 ft.

Lot: 350 - Persian Mahal Carpet

Persian Mahal Carpet, red ground, cream border, central medallion, floral designs, 9 ft. 3 in. x 13 ft.

Lot: 351 - Persian Kerman Carpet

Persian Kerman Carpet, red ground, blue border, floral design, 9 ft. 5 in. x 13 ft.

Lot: 352 - Persian Heriz Carpet

Persian Heriz Carpet, red ground, central medallion, serrated spandrels, 7 ft. 8 in. x 11 ft. 6 in.

Lot: 353 - Persian Heriz Carpet

Persian Heriz Carpet, red ground, central medallion, 8 ft. 2 in. x 10 ft. 9 in.

Lot: 354 - A & Furst Blackened Gold and Cognac Citrine Ring

A & Furst 18 kt. Blackened Gold and Cognac Citrine Ring, marked, size 6.5. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 355 - Elizabeth Locke Gold and Carved Citrine Bee Ring

Elizabeth Locke 18 kt. Yellow Gold and Carved Citrine Intaglio Bee Ring, signed, size 5.75 **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 356 - White Gold and Tahitian South Sea Pearl Necklace

14 kt. White Gold and Tahitian South Sea Pearl Necklace, strand of 31 graduated round greyish silver to dark grey "aubergine" pearls, 13.00-15.70 mm, scalloped bead clasp, l. 18 1/2 in.; GGA report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 357 - 14 kt. White Gold and South Sea Pearl Necklace

14 kt. White Gold and South Sea Pearl Necklace, strand of 37 graduated off round white cultured pearls, 10.00-14.00 mm, plunger style bead clasp, l. 18 1/2 in.; AIGL report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 358 - Yellow Gold and Golden South Sea Pearl Necklace

14 kt. Yellow Gold and Golden South Sea Pearl Necklace, strand of 37 graduated round cultured pearls, 10.00-14.00 mm, scalloped bead clasp, l. 17 1/2 in.; AIGL report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 359 - Ilias Lalaounis Gold, Ruby, Enamel Cross Pendant

Ilias Lalaounis (1920-2013) 18 kt. Yellow Gold, Ruby and Blue Enamel Cross Pendant, Lalaounis Byzantine Collection, probably c. 1970s, bezel-set with 5 cabochon rubies (totaling approx. 2.00 cts.) with blue enamel accents, 2/12 in. (to top of bail) x 1 3/8 in., wt. 13.83 dwts.; on 18 kt. 3.00 mm. fancy link chain, l. 27 in., wt. 20.58 dwts.; accompanied by Boudreaux's Fine Jewelrs appraisal report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 360 - Lalaounis Gold, Ruby, Sapphire, Enamel Cross

Ilias Lalaounis (1920-2013) 18 kt. Yellow Gold, Ruby, Sapphire and Green Enamel Cross Pendant, Lalaounis Byzantine Collection, probably c. 1970s, bezel-set with 5 cabochon rubies (totaling approx. 2.00 cts.) and 6 round faceted blue sapphires (totaling approx. 0.54 cts.) with green enamel accents, l. 2 5/8 in. (to top of bail) x 1 5/8 in., wt. 17.42 dwts.; on 14 kt. 3.25 mm. rope chain, l. 29 in., wt. 9.65 dwt. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 361 - Bulgari 18 kt. Yellow Gold Fancy Link Chain

Bulgari 18 kt. Yellow Gold Fancy Link Chain, marked "BVLGARI ROMA", l. 36 in., 36.88 dwts. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 362 - Gold, Diamond and Opal Pendant/Brooch

14 kt. Yellow Gold, Diamond and Opal Pendant/Brooch, central oval cabochon opal, accented by numerous round diamonds; ornate pierced filigree design, l. 3 in., 12.40 dwts. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 363 - Gold Diamond and Ruby Sacred Heart Pendant Brooch

14 kt. White, Rose and Yellow Gold Diamond and Ruby Sacred Heart Pendant Brooch=, custom made by Bernard & Grunning, New Orleans, set with 2 pear-shaped rubies, total wt. approx. .20 ct.; 12 round diamonds, total wt. approx. 0.12 ct.; engraved on back "to my darling wife, Dec. 25, 1951"; with removable platinum and diamond jacket set with approx. 160 diamonds, total wt. approx. 4.00 cts.; with original jewelers box from Bernard & Grunning. Provenance: Estate of Clare Mistrot, Metairie, LA; Private collection New York. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 364 - Audemars Piguet 18k Gold Pocket Watch

Audemars Piguet 18k Gold Pocket Watch, serial #30647, 19 jewels, subsidiary seconds dial, dia. 1 5/8 in. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 365 - 18 kt. Yellow Gold Ladies Rolex Watch

18 kt. Yellow Gold Ladies Rolex Watch, dial marked "Rolex/Oyster Perpetual/Lady Datejust/Officialy Certified Chronometer, band stamped "Rolex" and "750", dia. 20 mm **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 366 - 18 kt. Yellow Gold, Emerald and Diamond Ring

18 kt. Yellow Gold, Emerald and Diamond Ring, center bezel set oval mixed cut emerald, wt. approx. 1.95 cts., 9.30 x 7.40 x 5.00 mm; halo with 16 round brilliant cut diamonds, total wt. approx. 0.86 ct., F-G color, VS1-SI1 clarity; size 6.75 ; AIGL report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 367 - 18 kt. Yellow Gold, Emerald and Diamond Ring

18 kt. Yellow Gold, Emerald and Diamond Ring, center bezel set octagonal step cut emerald, wt. approx. 5.63 cts., 11.10 x 8.70 x 7.01 mm; flanked by six tension set round brilliant cut diamonds, total wt. approx. 1.32 cts., J-L color, VS2-SI2 clarity; size 6.5; AIG report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 368 - 18 kt. Yellow Gold, Emerald and Diamond Ring

18 kt. Yellow Gold, Emerald and Diamond Ring, center prong set octagonal step cut emerald, wt. approx. 13.82 cts., 15.60 x 12.66 x 9.14 mm; ornate bezel set with 16 baguette cut, emerald cut, marquise cut and round brilliant cut diamonds, total wt. approx. 3.28 cts., H-I color, VS2-SI2 clarity; size 6; SGL report **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 369 - Yellow Gold, Emerald, Diamond Earrings

Pair of 18 kt. Yellow Gold, Emerald and Diamond Earrings, two center prong set octagonal cut emeralds, total wt. approx. 7.04 cts.; double bezels set with 70 channel set baguette cut diamonds and 72 pave set round brilliant cut diamonds, total wt. approx. 2.48 cts., F-H color, VS1-SI2 clarity; SGL report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 370 - White Gold, Emerald and Diamond Stud Earrings

Pair of 18 kt. White Gold, Emerald and Diamond Stud Earrings, 2 center oval brilliant step cut emeralds, total wt. approx. 3.64 cts.; bezels set with numerous round diamonds, total wt. approx. 1.49 cts.; GIA report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 371 - Pair of Platinum, Emerald and Diamond Earrings

Pair of Platinum, Emerald and Diamond Earrings, 2 center emerald cut emeralds, total wt. approx. 4.95 cts.; bezels with numerous round brilliant cut diamonds, total wt. approx. 1.25 cts.; GGA report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 372 - 18 kt. White Gold, Emerald and Diamond Ring

18 kt. White Gold, Emerald and Diamond "Toi et Moi" Ring, prong set octagonal mixed cut emerald, wt. approx. 2.37 cts., 8.96 x 6.75 x 5.51 mm; prong set cushion brilliant cut diamond, wt. approx. 1.01 cts., 6.42 x 5.40 mm, J color, SI1 clarity; size 7; GGA and GIA reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 373 - Platinum, Emerald and Diamond Ring

Platinum, Emerald and Diamond Ring, center prong set rectangular step cut emerald, wt. exact 3.46 ct., 10.52 x 7.87 x 5.42 mm; bezel and shoulders set with 30 prong set round diamonds, total wt. approx. 0.76 ct., F-H color, SI1-I1 clarity; size 6.5; AIG and GIA reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 374 - 18 kt. White Gold, Emerald and Diamond Ring

18 kt. White Gold, Emerald and Diamond Ring, center prong set octagonal step cut emerald, wt. approx. 4.95 cts., 10.02 x 9.19 x 7.31 mm; flanked by 2 rectangular step cut diamonds, total wt. approx. 0.29 cts., H color, VS1 clarity; size 7; GIA and SGL reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 375 - Platinum, Emerald and Diamond Ring

Platinum, Emerald and Diamond Ring, center emerald faceted cut emerald, wt. approx. 1.02 cts., 6.75 x 5.00 mm; accented by 39 round brilliant cut diamonds, total wt. approx. 0.94 ct., G-H color, SI1-SI2 clarity; size 6.5; GGA report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 376 - Art Deco-Style White Gold, Emerald Bracelet

Art Deco-Style 18 kt. White Gold, Emerald, Diamond and Enamel Bracelet, mounted with 3 oval brilliant faceted cut emeralds, total wt. approx. 3.08 cts.; surrounded by approx. 454 round brilliant cut diamonds, total wt. approx. 7.29 cts., F-G color, VS2-SI1 clarity; l. 7 1/2 in.; GGA report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 377 - Art Deco-Style White Gold, Emerald Necklace

Art Deco-Style 18 kt. White Gold, Emerald, Diamond and Enamel Necklace, mounted with 5 octagonal step faceted cut emeralds, total wt. approx. 11.75 cts.; surrounded by approx. 478 round brilliant cut diamonds, total wt. approx. 11.03 cts., F-G color, VS2-SI1 clarity; accented with 4 black enamel links; l. 17 in.; GGA and GIA reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 378 - Oscar Friedman Gold, Emerald, Diamond Earrings

Pair of Oscar Friedman 18 kt. White Gold, Emerald and Diamond Earrings, 2 center prong set oval mixed cut emeralds, total wt. approx. 3.96 cts.; bezels with black enamel accents and mounted with 24 round brilliant cut diamonds, total wt. approx. 1.05 cts.; AIGL report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 379 - White Gold, Emerald and Diamond Necklace

18 kt. White Gold, Emerald and Diamond Necklace, central octagonal step faceted cut emerald, wt. approx. 8.45 ct., 13.72 x 11.59 x 7.05 mm; bezel and three strands set with 117 marquise, princess, pear, oval, round and emerald cut diamonds, total wt. approx. 16.72 cts., G-I color, VS1-SI1 clarity; l. 18 in.; GGA and GIA reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 380 - Gold, Artificial Sapphire, Seed Pearl Bracelet

Antique 14 kt. Yellow Gold, Artificial Sapphire and Seed Pearl Station Bracelet, c. 1920, set with 5 oval blue artificial sapphires, l. 7 in. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 381 - 18 kt. Yellow Gold and Sapphire Cross Pendant

18 kt. Yellow Gold and Sapphire Cross Pendant, spurious "Cartier" inscription, mounted with 11 invisibly set square cut blue sapphires, total wt. approx. 1.20 cts.; l. (incl. bail) 1 1/4 in. Note: Not authenticated as Cartier. Note: The Duchess of Windsor owned a Cartier charm bracelet of gem-set Latin crosses like the pendant offered here. It features in numerous photographs, notably some of the Cecil Beaton photographs of her wedding. The bracElet sold at auction in London on Nov. 30, 2010, lot. 17. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 382 - 18 kt. White Gold, Diamond and Blue Sapphire Ring

18 kt. White Gold, Diamond and Blue Sapphire Ring, center bezel set round diamond, wt. approx. 1.01 cts.; flanked by 4 marquise shape blue sapphires, total wt. approx. 0.79 ct.; openwork setting mounted with numerous round diamonds; size 7. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 383 - Platinum, Blue Sapphire and Diamond Ring

Platinum, Blue Sapphire and Diamond Ring, center prong set oval mixed cut blue sapphire, wt. approx. 0.80 ct., 6.62 x 4.76 x 3.30 mm; double halo and shoulders set with 48 round diamonds, total wt. approx. 0.62 ct., G-H color, VS1-VS2 clarity; size 6.75; GIA and AIGL reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 384 - Oscar Friedman Gold, Sapphire, Diamond Bracelet

Oscar Friedman 14 kt. White Gold, Blue Sapphire and Diamond Bracelet, mounted with 17 prong set pear shape mixed cut blue sapphires, total wt. approx. 11.91 cts., 6.40 x 4.70 x 2.96 mm; bezels with approx. 289 prong set round brilliant cut diamonds, total wt. approx. 2.32 cts., F-H color, SI2-I2 clarity; l. 6 3/4 in.; AIGL report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 385 - Oscar Friedman Gold, Sapphire, Diamond Necklace

Oscar Friedman 14 kt. White Gold, Blue Sapphire and Diamond Necklace, mounted with 45 oval shape mixed cut sapphires, total wt. approx. 35.08 cts., 6.00 x 4.00-7.00 x 5.00 mm; bezels set with approx. 670 round brilliant cut diamonds, total wt. approx. 7.07 cts., G-I color, SI3-I2 clarity; l. 17 in.; AIGL report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 386 - 14 kt. White Gold, Star Sapphire and Diamond Ring

14 kt. White Gold, Star Sapphire and Diamond Ring, center oval cabochon cut star sapphire, total wt. approx. 15.96 cts., 16.21 x 13.27 mm; bezel and shoulders set with 68 round brilliant cut diamonds, total wt. approx. 1.05 cts., G-H color, SI2-I1 clarity; size 7; GGA report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 387 - Platinum and Cabochon Ruby Man's Ring

Platinum and Cabochon Ruby Man's Ring, spurious "Cartier" inscription and serial number "10177", center bezel set cabochon ruby, wt. approx. 3.50 cts., size 8.5; Note: moderate natural inclusions under magnification (proof of natural origin). Please note this item is not authenticated as Cartier. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 388 - Platinum, Cabochon Ruby and Diamond Ring

Platinum, Cabochon Ruby and Diamond Ring, center prong set round cabochon ruby, wt. approx. 2.87 cts.; bezel with numerous round brilliant and marquise cut diamonds, total wt. approx. 0.37 ct., G-H color, VS clarity; size 5.75; IAS report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 389 - Art Deco-Style Platinum, Diamond and Ruby

Art Deco-Style Platinum, Diamond and Ruby Ring, bezel set round diamond, wt. approx. 1.21 cts.; openwork bezel set with numerous diamonds; shoulders set with numerous rubies; size 7. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 390 - 14 kt. White Gold, Red Sapphire and Diamond Ring

14 kt. White Gold, Red Sapphire and Diamond Ring, center prong set oval brilliant faceted cut sapphire, wt. approx. 3.60 ct., 9.58 x 7.62 x 5.89mm; flanked by 2 trillion cut diamonds, total wt. approx. 1.48 cts., J-K color, VS1-VS2 clarity; size 6; GGA and AGL reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 391 - Platinum, Ruby and Diamond Ring

Platinum, Ruby and Diamond Ring, center oval mixed cut ruby, wt. approx. 2.52 cts., 8.43 x 7.02 x 4.84 mm; bezel and openwork shoulders set with 120 round diamonds, total wt. approx. 0.61 cts., F-H color, VS1-SI1 clarity; size 6.5; AIGL and GIA reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 392 - Platinum, Ruby and Diamond Ring

Platinum, Ruby and Diamond Ring, center pear brilliant faceted cut Burmese ruby, wt. approx. 4.78 cts., 10.98 x 8.91 x 6.25 mm; bezel and shoulders set with 26 round brilliant cut diamonds, total wt. approx. 0.97 ct., F-G color, VS1-VS2 clarity; size 6.75; GGA and GIA reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 393 - 14 kt. White Gold, Ruby and Diamond Bracelet

14 kt. White Gold, Ruby and Diamond Bracelet, mounted 63 oval, pear, and marquise faceted cut Burmese rubies, total wt. approx. 74.65 cts.; accented by 84 round brilliant cut diamonds, total wt. approx. 1.09 cts., G-H color, SI2-I1 clarity; l. 7 in.; GGA and GIA reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 394 - 14 kt. White Gold, Ruby and Diamond Bib Necklace

14 kt. White Gold, Ruby and Diamond Bib Necklace, mounted with 146 oval and pear mixed cut Burmese rubies, total wt. approx. 187.94 cts.; bezels and butterfly links set with approx. 936 round brilliant cut diamonds, total wt. approx. 8.60 cts., G-H color, SI2-I1 clarity; l. 16 1/2 in .; GGA and GIA reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 395 - White Gold, Ruby and Diamond Dangle Earrings

Pair of 14 kt. White Gold, Ruby and Diamond Dangle Earrings, mounted with 14 oval mixed cut rubies, total wt. approx. 15.64 cts.; bezels and butterfly links set with 294 round brilliant cut diamonds, total wt. approx. 2.14 cts., G-H color, SI2-I1 clarity; l. 2 1/4 in.; GGA and GIA reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 396 - 18 kt. Yellow Gold and Diamond Bracelet

18 kt. Yellow Gold and Diamond Bracelet, set with 44 round brilliant cut diamonds, total wt. approx. 10.59 cts., 3.70-3.80 mm, G-I color, VS1-SI1 clarity; l. 7 1/4 in.; AIGL report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 397 - 18 kt. Yellow Gold and Diamond Ring

18 kt. Yellow Gold and Diamond Ring, center bezel set emerald cut diamond, total wt. approx. 2.18 cts.; size 6. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 398 - White Gold, Yellow Diamond and Diamond Ring

18 kt. White Gold, Yellow Diamond and Diamond Ring, center prong set cushion modified brilliant cut fancy yellow diamond, wt. approx. 0.33 ct., 3.68 x 3.66 x 2.62 mm; bezel and shoulders set with 24 round brilliant cut diamonds, total wt. approx. 0.30 ct., F-G color, VS1-VS2 clarity; size 6.75; GGA and GIA reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 399 - White Gold, Yellow Diamond and Diamond Ring

18 kt. White Gold, Yellow Diamond and Diamond Ring, center cushion modified brilliant cut fancy light yellow diamond, wt. approx. 2.01 cts., 6.77 x 6.71 x 4.72 mm; shoulders and stylized asymmetric bezel set with 41 marquise, pear brilliant and round brilliant cut diamonds, total wt. approx. 0.83 ct., F-G color, VS1-VS2 clarity; size 6.5; GGA and GIA reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 400 - Gold, Yellow Diamond and Diamond Ring

18 kt. White Gold, Yellow Gold, Yellow Diamond and Diamond Ring, center cut cornered rectangular modified brilliant cut natural fancy intense yellow diamond, wt. approx. 3.40 cts., 8.84 x 7.32 x 5.23 mm; flanked by 2 emerald cut diamonds, total wt. approx. 1.03 cts., I-J color, IF clarity; size 6.75; GGA and 2 GIA reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 401 - Art Deco-Style Platinum and Diamond Ring

Art Deco-Style Platinum and Diamond Ring, marked "HT & NY", center bezel set diamond, wt. approx 1.00 ct.; accented by numerous diamonds, total wt. approx. 1.25 cts.; size 6. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 402 - Art Deco-Style Platinum and Diamond Ring

Art Deco-Style Platinum and Diamond Ring, center bezel set round brilliant cut diamond, wt. approx. 1.01 cts., H color, I1 clarity; accented by 58 baguette and round brilliant cut diamonds, total wt. approx. 0.64 ct., F-G color, SI1-SI2 clarity; size 7; AIGL report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 403 - 18 kt. White Gold and Diamond Ring

18 kt. White Gold and Diamond Ring, mounted with 3 central bezel set round diamonds, total wt. approx. 1.28 cts.; accented by numerous round diamonds; size 7. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 404 - Pair of 18 kt. White Gold and Diamond Earrings

Pair of 18 kt. White Gold and Diamond Earrings, stylized cascade design with numerous prong-set round shaped diamonds, total wt. approx. 7.50 cts., l. 1 1/4 in. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 405 - Pair of 18 kt. White Gold and Diamond Earrings

Pair of 18 kt. White Gold and Diamond Earrings, stylized cuff design set with numerous baguette cut diamonds, flanked by 48 round diamonds, l. 3/4 in. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 406 - 14 kt. White Gold and Diamond Hoop Earrings

Pair of 14 kt. White Gold and Diamond Hoop Earrings, set with 54 round diamonds, total wt. approx. 5.57 cts., F-G color; dia. 1 1/4 in. with Guild Laboratories report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 407 - 18 kt. White Gold and Diamond Stud Earrings

Pair of 18 kt. White Gold and Diamond Stud Earrings, 2 center round brilliant cut diamonds, wt. approx. 1.12 cts. and 1.04 cts. F color; halos set with 42 round diamonds, total wt. approx. 0.43 ct., E-F color; with Guild Laboratories report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 408 - 18 kt. White Gold and Diamond Stud Earrings

Pair of 18 kt. White Gold and Diamond Stud Earrings, 2 prong set round brilliant cut diamonds, total wt. approx. 2.02 cts., G-H color, I1-I2 clarity; GGA report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 409 - 14 kt. White Gold and Diamond Bangle Bracelet

14 kt. White Gold and Diamond Bangle Bracelet, set with numerous marquise, round and pear shape diamonds, total wt. approx. 4.31 cts.; flexible opening; inner circ. 6 1/4 in. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 410 - 14 kt. White Gold and Diamond Bracelet

14 kt. White Gold and Diamond Bracelet, set with 45 round diamonds, total wt. approx. 9.23 cts., G-H color, SI-I1 clarity; l. 7 in.; with Guild Laboratories report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 411 - 18 kt. White Gold and Diamond Bracelet

18 kt. White Gold and Diamond Bracelet, set with 37 graduated round brilliant cut diamonds, total wt. approx. 7.97 cts., 3.50-4.00 mm, G-H color, VS2-SI1 clarity; l. 7 in.; AIGL report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 412 - 14 kt. White Gold and Graduated Diamond Necklace

14 kt. White Gold and Graduated Diamond Necklace, set with 13 round diamonds, total wt. approx. 1.28 cts., H-I color, SI-I1 clarity; and 172 round diamonds, total wt. approx. 4.60 cts., G-H color, SI-I1 clarity; l. 17 in. with Guild Laboratories report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 413 - 14 kt. White Gold and Diamond Necklace

14 kt. White Gold and Diamond Necklace, set with 140 round diamonds, total wt. approx. 11.24 cts., G-H color, SI-I1 clarity; l. 16 1/2 in.; with Guild Laboratories report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 414 - 14 kt. White Gold and Diamond Necklace

14 kt. White Gold and Diamond Necklace, set with approx. 181 graduated round brilliant cut diamonds, total wt. approx. 9.52 cts., F-G color, SI2-I1 clarity, l. 17 1/4 in.; GGA report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 415 - 18 kt. Rose Gold, Pink Diamond and Diamond Ring

18 kt. Rose Gold, Pink Diamond and Diamond Ring, center bezel set round brilliant cut Faint Pinkish Brown diamond, wt. approx. 0.90 ct., 5.96-6.05 x 3.87 mm, SI1; starburst style bezel set with numerous round diamonds, total wt. approx. 0.58 ct.; size 6.5; GIA report and copy of GGA report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 416 - White Gold, Rose Gold and Pink Diamond Earrings

Pair of 18 kt. White Gold, Rose Gold and Pink Diamond Dangle Earrings, 2 center cushion modified brilliant cut pink diamonds, total wt. approx. 1.03 cts.; bezels and links set with numerous diamonds, total wt. approx. 0.80 ct.; l. 1 1/16 in.; 2 GIA reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 417 - Gold, Pink Diamond and Diamond Ring

18 kt. White Gold, Rose Gold, Pink Diamond and Diamond Ring, center cushion modified brilliant cut fancy light pink diamond, wt. approx. 1.01 cts., 5.32 x 5.05 x 4.04 mm; shoulders and bezel set with numerous diamonds, total wt. approx. 0.60 ct.; size 6.5; GIA report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 418 - Rose Gold, Pink Diamond and Diamond Bracelet

18 kt. Rose Gold, Pink Diamond and Diamond Bracelet, set with numerous prong set mixed shape pink diamonds, total wt. approx. 14.61 cts.; accented by numerous round brilliant cut diamonds, total wt. approx. 4.00 cts., G-H color, VS clarity; l. 7 in.; IAS and GIA reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 419 - White Gold, Rose Gold, Pink Diamond, Diamond Ring

18 kt. White Gold, Rose Gold, Pink Diamond and Diamond Ring, center modified octagonal brilliant cut Fancy Pink-Brown diamond, wt. approx. 2.02 cts., 8.59 x 6.72 x 4.45 mm, VS2; shoulders set with old European cut diamonds, total wt. approx. 0.70 cts.; size 6.25; GIA report and copy of GGA report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 420 - 18 kt. Rose Gold and Diamond Sunburst Ring

18 kt. Rose Gold and Diamond Sunburst Ring, center rectangular cut diamond, wt. approx. 2.06 cts.; bezel and shoulders set with numerous round diamonds, total wt. approx. .69 ct.; size 6.75 **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 421 - Gold, Morganite, Diamond Earrings

Pair of 14 kt. Rose Gold, White Gold, Morganite and Diamond Earrings, 2 center rectangular cushion faceted cut morganites, total wt. approx. 15.34 cts.; accented by 24 round brilliant cut diamonds, total wt. approx. 0.95 ct., G-H color, SI1-SI2 clarity; l. 2 in.; GGA report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 422 - 14 kt. Rose Gold, Morganite and Diamond Pendant

14 kt. Rose Gold, Morganite and Diamond Pendant on 14 kt. Rose Gold Chain, pendant set with modified brilliant cut pear shape morganite, wt. approx. 3.88 cts.; accented by 36 round brilliant cut diamonds, total wt. approx. 0.18 ct.; chain l. 18 in. ; AIGL report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 423 - 18 kt. White Gold, Pink Sapphire and Diamond Ring

18 kt. White Gold, Pink Sapphire and Diamond Ring, center octagonal step cut purplish pink sapphire; bezel set with numerous round diamonds; size 6.5; GIA report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 424 - Yellow and White Gold, Pink Sapphire Diamond Ring

18 kt. Yellow and White Gold, Pink Sapphire and Diamond "Toi et Moi" Ring, central cushion brilliant faceted cut purplish pink sapphire, wt. approx. 2.83 cts.; central round brilliant cut diamond, wt. approx. 1.00 ct.; band set with 8 round brilliant cut diamonds, total wt. approx. 0.16 ct.; size 7; GGA and GIA reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 425 - White Gold, Pink Sapphire, Diamond Necklace

14 kt. White Gold, Pink Sapphire and Diamond Necklace, set with approx. 68 pear brilliant faceted cut pink sapphires, total wt. approx. 31.81 cts.; bezels set with approx. 550 round brilliant cut diamonds, total wt. approx. 6.58 cts., G-H color, SI2-I1 clarity; l. 17 1/4 in.; GGA report. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 426 - 14 kt. White Gold, Aquamarine and Morganite Ring

14 kt. White Gold, Aquamarine and Morganite Ring, center emerald cut aquamarine, wt. approx. 1.75 cts.; flanked by 2 morganites, total wt. approx. 0.70 ct.; size 6. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 427 - White Gold, Alexandrite and Diamond Ring

18 kt. White Gold, Alexandrite and Diamond Ring, center prong set oval mixed cut natural alexandrite, wt. exact 1.08 ct., 6.00 x 5.69 x 3.81 mm; bezel and should set with 22 prong set round brilliant cut diamonds, total wt. approx. 0.48 ct., E-G color, SI1-I1 clarity; size 6.5; AIG and GIA reports. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**

Lot: 428 - Platinum, Tanzanite and Diamond Ring

Platinum, Tanzanite and Diamond Ring, signed "HALLH", center mixed cut tanzanite, wt. approx. 3.00 cts.; flanked by 2 bezel set diamonds, total wt. approx. 0.20 ct.; size 6. **Please note: Payment for all jewelry and coin purchases must be made by cash, check or wire transfer.**