Auction Information

Lot: 258 - Clementine Hunter (American/Louisiana, 1886-1988)

Clementine Hunter (American/Louisiana, 1886-1988), "Haulin' Cotton", oil on canvas board, monogrammed mid-right, 12 in. x 16 in., framed, overall 13 in. x 17 in. x 5/8 in. Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

Lot: 259 - Clementine Hunter (American/Louisiana, 1886-1988)

Clementine Hunter (American/Louisiana, 1886-1988), "Eating Watermelon", oil on canvas board, monogrammed lower right, 12 in. x 16 in., framed, 13 in. x 17 in. x 5/8 in. Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

Lot: 260 - William Woodward (American/Louisiana, 1859-1939)

William Woodward (American/Louisiana, 1859-1939), "Still Life with Pineapple", 1899, oil on canvas, signed, dated and inscribed "N.O. La" lower left, incised initials and date lower right, pencil-signed and "Tulane University" inscribed on stretcher, 16 in. x 20 in., framed.

Lot: 261 - Colette Pope Heldner (American/Louisiana, 1902)

Colette Pope Heldner (American/Louisiana, 1902-1990), "New Orleans", 1932, oil on board, signed, dated and titled lower left, partial sketch en verso, 20 in. x 16 in., framed, overall 22 7/8 in. x 18 7/8 in. x 1 1/8 in. Provenance: Acquired from the artist in New Orleans; Private Collection, Germany, c. 1932

Lot: 262 - Knute Heldner (Swedish/Louisiana, 1877-1952)

Knute Heldner (Swedish/Louisiana, 1877-1952), "Bayou Scene with Figure in Pirogue", oil on canvas, signed lower right, "James Brute Gallery, Houston, TX" label on backing, 16 in. x 20 in., framed, overall 21 3/8 in. x 25 3/8 in. x 2 in.

Lot: 263 - Mildred Nungester Wolfe (American/Mississippi)

Mildred Nungester Wolfe (American/Mississippi, 1912-2009), "Harbour", 1970, oil on canvas, signed lower left, signed, titled and handwritten label with artist and date on reverse of frame, 30 in. x 24 in., framed, overall 36 5/8 in. x 30 1/2 in. x 2 1/4 in.

Lot: 264 - Karl Wolfe (American/Mississippi, 1904-1984)

Karl Wolfe (American/Mississippi, 1904-1984), "Landscape with Bridge", oil on canvas, signed lower right, 20 in. x 27 1/2 in., framed, overall 27 in. x 34 3/4 in. x 1 1/2 in.

Lot: 265 - Walter Inglis Anderson (American/Mississippi)

Walter Inglis Anderson (American/Mississippi, 1903-1965), "Terns", pen and ink on paper, unsigned, titled and numbered "3238-D", receipt and letter from "Tilden-Foley Gallery, New Orleans" attached en verso, 10 1/2 in. x 8 in., framed, overall 17 3/8 in. x 14 1/8 in. x 3/4 in.

Lot: 266 - John McCrady (American/Louisiana, 1911-1968)

John McCrady (American/Louisiana, 1911-1968), "Robert Adwood Corbin, IV (1931-1948)", 1949, oil on canvas, signed and dated lower right, brass title plate on reverse of frame, 26 in. x 22 3/8 in., framed, overall 29 5/8 in. x 26 in. x 1 3/4 in.

Lot: 267 - Will Henry Stevens (American/Louisiana, 1881)

Will Henry Stevens (American/Louisiana, 1881-1949), "Flight", 1945, oil on board, signed and dated lower right, signed and illegibly inscribed en verso, "Robert M. Hicklin, Jr." and 2 "The Charleston Renaissance Gallery" labels with artist, title and date on backing board, handwritten label with artist and inscribed "#045 - Hicklin" on reverse of frame, 25 7/8 in. x 30 in., framed, overall 35 1/2 in. x 39 3/4 in. x 1 3/8 in. Provenance: The Charleston Renaissance Gallery, Charleston, SC. Note: Will Henry Stevens was a pioneer of Modernism in the South who worked simultaneously in both abstract and representational styles. Stevens came to New Orleans in 1921 to teach at Newcomb College, a position he held until the year prior to his death. Stevens became part of the active and exciting art circle centered around the French Quarter. Prior to and during his tenure in New Orleans, he also worked in and visited New York, where he was exposed to current international developments in artistic styles. During a trip to New York in the 1930s, Stevens was greatly influenced by many art forms, including Sung Dynasty paintings, Taoism, the poetry of Emerson, Thoreau and Whitman, and modernist painters such as Wassily Kandinsky and Paul Klee. Both artists had a strong influence on Stevens’ aesthetic. “Flight” from 1945 offered here is a paradigmatic example of the artist’s talent. The magnitude and depth of the dynamic composition, penetrating color palette and large scale combine to create a rare masterwork in the artist’s oeuvre. Stevens’ mature abstract works are his most sought-after, and one of this caliber is rarely seen at auction. Ref.: Gruber, Richard J. "Will Henry Stevens." 64 Parishes. www.64parishes.org. Accessed Jan. 6, 2023.

Lot: 268 - Southern School, 1896

Southern School, 1896, "The Oaks, Selma, AL", watercolor on paper, initialed "AB" and dated lower right, "The Charleston Renaissance Gallery, Charleston, SC" label and 2 handwritten labels on backing paper, 11 in. x 19 7/8 in., framed, overall 18 in. x 25 3/4 in. x 1 in. Provenance: The Charleston Renaissance Gallery, Charleston, SC.

Lot: 269 - Emily Hamilton Huger (American/Louisiana, 1881)

Emily Hamilton Huger (American/Louisiana, 1881-1946, active Newcomb College, 1897-1902), "Mossy Landscape", oil on canvas, unsigned, inscribed on stretcher and reverse of frame, 30 in. x 40 in., framed, overall 37 3/8 in. x 47 3/8 in. x 1 3/4 in. Provenance: Descended in the family of the Artist.

Lot: 270 - Carrie Bell Sliger (American/Louisiana, 1869)

Carrie Bell Sliger (American/Louisiana, 1869-1962), "Portrait of a Man with a Cane", oil on canvas on board, signed lower right, 16 in. x 12 in., framed, overall 21 1/8 in. x 17 1/8 in. x 1 3/4 in.

Lot: 271 - Irma Gladys Levi Logan (American/Louisiana, 1899)

Irma Gladys Levi Logan (American/Louisiana, 1899-1978), "New Orleans Cityscape", oil on canvas laid on panel, signed lower left, artist biography en verso, 23 1/2 in. x 29 1/2 in., framed, overall 26 7/8 in. x 32 7/8 in. x 1 3/8 in. Note: Irma Logan was born in New Orleans and attended both Newcomb College and Columbia University. After a career in business, she retired from the Roosevelt Hotel in 1965 and decided to return to her creative passion. She studied with local artists such as George Dunbar, Kendall Shaw, Harold Carney and Leonard Flettrich and exhibited at the Downtown Gallery, St. Charles Gallery and in several juried shows including the 1973 Artists’ Biennial at the New Orleans Museum of Art. While her contemporaries found great public success in their artistic careers, Logan preferred a more private career, making her works hidden gems today. Her rare paintings have not thus far appeared on the secondary market; in fact, this is the first work by Logan to be sold at auction. The lot offered here is a sweeping and stylized view of New Orleans featuring recognizable French Quarter landmarks in the foreground, such as Saint Louis Cathedral and the Pontalba building. The snaking Mississippi River guides the composition towards the background where the city skyline is further highlighted against a cloudy sky. The canvas’ skewed perspective captures the sprawling city’s vibrant aesthetic, and the resulting work serves as a testament to Logan’s innate talent.

Lot: 272 - Florence Bartley Smithburn (American/Indiana)

Florence Bartley Smithburn (American/Indiana, 1904-1989), "On the Path at the Farm", oil on canvas, "F. B. Smithburn Estate" stamp lower right, 20 1/8 in. x 25 in., framed, overall 24 3/4 in. x 29 5/8 in. x 1 5/8 in. Provenance: Williams Galleries, Nashville, TN.

Lot: 273 - Bruce Bordelon (American/Louisiana, b. 1940)

Bruce Bordelon (American/Louisiana, b. 1940), "Tugboats", oil on canvas board, signed lower left, 16 in. x 20 in., framed, overall 20 1/8 in. x 24 1/4 in. x 1 in.

Lot: 274 - Bruce Bordelon (American/Louisiana, b. 1940)

Bruce Bordelon (American/Louisiana, b. 1940), "Market Scene", 2011, oil on canvas, signed and dated en verso, 16 in. x 20 in., framed, overall 20 in. x 24 in. x 1 1/4 in.

Lot: 275 - Southern Carved Cherrywood Sugar Chest

Southern Carved Cherrywood Sugar Chest, early-to-mid 19th c., likely Kentucky or Virginia, hinged top, divided interior, paneled case, ring and baluster-turned legs, h. 30 1/2 in., w. 40 1/2 in., d. 18 in. Provenance: Descended in the Flowers/Rhoads family of Kentucky and Virginia (see accompanying document) Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 276 - Acadian Painted Ladderback Side Chair

Acadian Painted Ladderback Side Chair, 19th c., turned finials, slatted back, rush seat, tapered feet, h. 37 1/4 in., w. 18 in., d. 14 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 277 - Acadian Painted Child's Chair

Acadian Painted Child's Chair, early 19th c., turned finials, shaped slats, possibly original rush seat, sausage-turned legs, stretchers, h. 22 in., w. 14 in., d. 11 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 278 - Southern "Gros Rouge" Yellow Pine Blanket

Antique Southern "Gros Rouge" Yellow Pine Blanket Chest, early 19th c., molded hinged top, strap hinges, interior till, front monogram with "IB", shoe feet, h. 22 1/2 in., w. 47 1/2 in., d. 21 1/2 in. Provenance: Neal Auction, Nov. 22, 2015, lot 1089. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 279 - American Painted Pine Campaign Trunk

American Painted Pine Campaign Trunk, mid-19th c., inscribed "Capt. R. McC. Jones, R&D.R.R.", cast iron handles, h. 16 in., l. 35 1/2 in., d. 20 in. Provenance: Descended in the family of Confederate Captain Robert McCandish Jones, First Virginia Regiment via Mrs. James Bertrand Cox; Neal Auction, May 26, 2022, lot 236. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 280 - Acadian Painted Cypress Table

Acadian Painted Cypress Table, early 19th c., plank top with chamfered corners, tapered legs, pegged construction, worn painted surface,, h. 31 in., w. 54 1/4 in., d. 36 in.

Lot: 281 - Large Acadian Cypress Huntboard

Large Acadian Cypress Huntboard, 19th c., Opelousas, LA, plank top, frieze drawers, tapered legs, h. 30, w. 117 in., d. 34 in. Note: feet have been repaired/raised. Provenance: Estate of Reuel Lacy "Sonny" and June Ann Anderson, Baton Rouge, LA.

Lot: 282 - Vernacular Southern Carved Mixed Woods Sideboard

Vernacular Southern Carved Mixed Woods Sideboard, 19th c., serpentine superstructure with incised floral decoration and spindled shelf, over short drawers, case with banks of drawers centered by inset cabinet door with applied star, toupie feet, h. 62 3/4 in., w. 65 5/8 in., d. 24 1/4 in.

Lot: 283 - Group of Dodie Thayer and Wannopee Lettuceware

Group of Dodie Thayer and Wannopee Lettuceware, incl. 9 Dodie Thayer bowls, impressed marks, dia. 5 1/4 in.; the remainder from Wannopee, New Milford, CT, impressed or stamped marks, incl. 10 salad plates, dia. 7 1/2 in., 2 plates, dia. 6 in., a cup, 2 square serving bowls, 5 misc. pla tes, and a bowl from unknown maker, 30 pcs.

Lot: 284 - Rudolph T. Lux Porcelain Portrait Pitcher

Rudolph T. Lux (German/New Orleans, 1815-1858) Porcelain Portrait Pitcher, c. 1855, depicting John H. Keller, his proper left arm resting on a copy of the Daily Picayune, the background showing a house, his soap manufactory, and a large birdhouse, signed to the right of the paper "R.T. Lux/N.O."; under the spout, in gilt lettering, "John H. Keller"; the reserve, verso, painted with a bird tending to its nest, amongst floral blooms, h. 9 1/4 in., w. 8 1/2 in., d. 5 1/2 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 285 - Rookwood Art Pottery Jardiniere

Rookwood Art Pottery Jardiniere, 1891, artist mark for Amelia Browne Sprague, standard glaze with poppies, h. 7 in., dia. 9 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 286 - George Ohr Pottery Bowl

George Ohr Pottery Bowl, c. 1900, script signature, dimpled sides, with brown and green glaze, h. 3 3/4 in., dia. 5 1/2 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 287 - Boehm Porcelain Figural of "Symbol of Freedom"

Monumental Boehm Porcelain Figural Group of "Symbol of Freedom", 1982, limited edition #10, celebrating the bicentennial of the bald eagle as the symbol of the United States, h. 30 in., w. 33 in., d. 22 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 288 - Pair of Boehm Porcelain "White Doves"

Pair of Boehm Porcelain Figures of "White Doves with Cherry Blossom", 1983, limited edition #36, h. 29 1/4 in., w. 14 in., d. 19 in. and h. 18 1/2 in., w. 18 in., d. 23 1/2 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 289 - Boehm Porcelain Figure of "Panda with Cub"

Boehm Porcelain Figure of "Panda with Cub", limited edition #90, wood base, h. 17 1/4 in., w. 14 in., d. 14 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 290 - Boehm Porcelain "Brown Pelican"

Boehm Porcelain "Brown Pelican", limited edition, h. 21 in., w. 15 in., d. 17 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 291 - Carved Rosewood Etagere Console, attr. Roux

American Rococo Carved Rosewood Etagere Console, c. 1860, attr. to Alexander Roux, New York, scrolled architectonic crest centered by a lion's mask, latticework brackets, shaped shelves, serpentine top with conforming diaper pattern and floral frieze centered by a maiden bust, floral cabriole legs, scrolled stretcher centered by a large acanthus and cabochon medallion, h. 88 in., w. 68 in., d. 30 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. Note: The stunningly carved etagere offered here is nearly identical in overall form, proportions, and decorative details as a labeled Alexander Roux etagere conserved in the collection of the Metropolitan Museum of Art (acc. 1971.219). Perhaps the most extravagantly carved examples of American Rococo furniture, Alexander Roux pieces feature sculptural naturalist elements such as animal masks and robustly modeled flowers and foliage, in addition to elements distinctive to Roux furniture like latticework and diamond motifs, as seen on the present lot. Ref.: “Etagere, c. 1855,” The Metropolitan Museum of Art. metmuseum.org/art/collection/search/3555.

Lot: 292 - Carved Rosewood Etagere, attr. Meeks

American Rococo Carved Rosewood Etagere, mid-to-late 19th c., attr. to J. & J.W. Meeks, New York, surmounted by an architectonic rosette crest, arched mirror plate flanked by shelves with mirrored backing, turned supports, foliate brackets, lower section with serpentine top, floral and foliate-carved apron and scrolled cabriole legs, mirrored back, shaped shelves, conforming base, h. 105 in., w. 57 in., d. 23 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 293 - Carved Rosewood Single-Door Armoire, Mallard

American Rococo Carved Rosewood Single-Door Armoire, mid-19th c., attr. to retailer Prudent Mallard, New Orleans, closely related to the Landsdowne group, later urn and foliate crest, arched cornice, lobed finials, egg and dart molding, mirrored door, ribbon-molded surround, shelf interior with medial belt of drawers, base with deep drawer and rounded corners, h. 114 in., w. 59 in., d. 25 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 294 - Carved Rosewood Double Door Armoire, Mallard

American Rococo Carved Rosewood Double Door Armoire, mid-19th c., attr. to retailer Prudent Mallard, New Orleans, original scrolled floral basket crest, arched cornice with egg and dart molding, paneled doors, foliate and floral brackets, fitted interior, base with two deep drawers, disc feet, h. 121 in., w. 75 in., d. 26 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 295 - Carved Rosewood Duchesse Dressing Table, Mallard

American Rococo Carved Rosewood Duchesse Dressing Table, 19th c., attr. to retailer Prudent Mallard, New Orleans, oval mirror with floral and cabochon crest, foliate supports, dished marble top, cabochon medallion frieze, acanthine cabriole legs and shaped stretcher, beaded finial, h. 74 in., w. 42 in., d. 23 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 296 - Rosewood, Grained Triple-Door Wardrobe, Mallard

American Rococo Carved Rosewood and Grained Triple-Door Wardrobe, mid-19th c., attr. to retailer Prudent Mallard, New Orleans, surmounted by a lobed floral urn and scrolled crest, spherule finials, arched cornice, scrolled paneled doors, mirrored center door, chamfered acanthus mounted stiles, shelf interior, base with deep drawer and egg and dart molding, disc feet, h. 123 1/2 in., w. 76 in., d. 26 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. Note: The mirrored three-door armoire in the present lot is nearly identical in overall form and decoration, with the exception of the crest, to an armoire original to the Lansdowne residence in Natchez, purchased from famed 19th century New Orleans retailer Prudent Mallard. Ref.: Lansdowne, Natchez. lansdowneplantation.com/tour.html

Lot: 297 - American Rococo Carved Rosewood Sewing Table

American Rococo Carved Rosewood Sewing Table, mid-19th c., likely New York, hinged top with ribbon molding, fitted interior, lower drawer, pierced pendant, scrolled trestle base, floral basket-carved stretcher, casters, h. 30 in., w. 24 1/2 in., d. 17 3/4 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 298 - Rococo Carved and Laminated Rosewood Armchairs

Rare Pair of American Rococo Carved and Laminated Rosewood Armchairs, mid-19th c., New York, floral urn crest, scrolled reticulated foliate crest rail, padded back and arms, foliate seat rail, cabriole legs, h. 43 in., w. 25 1/2 in., d. 32 in. Note: See Schwartz, Stanek and True, The Furniture of John Henry Belter and The Rococo Revival, fi. 22. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. Note: While closely related to the work of John Henry Belter, scholars Marvin Schwartz, Edward Stanek, and Douglas True consider a nearly identical chair published in The Furniture of John Henry Belter and the Rococo Revival to be the work of an unknown New York cabinetmaker (fig. 22).

Lot: 299 - American Rococo Carved Walnut Etagere Cabinet

American Rococo Carved Walnut Etagere Cabinet, mid-to-late 19th c., scrolled reticulated shelf superstructure centered by a foliate medallion crest, serpentine lower case with convex glass doors, cabriole legs, h. 99 1/2 in., w. 58 in., d. 17 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 300 - American Rococo Carved Rosewood Side Table

American Rococo Carved Rosewood Side Table, mid-19th c., inset marble top, scrolled acanthine apron centered by a cabochon medallion, scrolled supports, turned finial, scrolled sabre legs, h. 28 1/2 in., w. 25 in., d. 19 in.

Lot: 301 - American Rococo Carved Rosewood Work Table

American Rococo Carved Rosewood Work Table, mid-19th c., New York, serpentine hinged top opens to mirrored fitted interior, conforming frieze with applied foliate decoration, cabochon cartouche corners, cabriole legs, casters, h. 28 in., w. 23 in., d. 16 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 302 - Rosewood Center Table, attr. J. & J.W. Meeks

American Rococo Carved and Laminated Rosewood Center Table, 19th c., attr. to J. & J.W. Meeks, NY, later marble turtle top, reticulated fruit and floral frieze, pierced cabriole legs, gadrooned stretchers, surmounted by fruit-filled urn, scrolled toes, casters, likely original finish, h. 31 in., w. 46 1/2 in., d. 30 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 303 - American Brass Solar-Style Lamp

American Brass Solar-Style Lamp, fluted columnar standard, electrified, h. 31 in., dia. 11 in.

Lot: 304 - Patinated Bronze Two-Light Argand Lamp

American or English Patinated Bronze Two-Light Argand Lamp, 19th c., vasiform standard, electrified, h. 18 in., w. 17 in., d. 8 1/2 in.

Lot: 305 - American Brass and Gilt Bronze Solar Lamp

American Brass and Gilt Bronze Solar Lamp, 19th c., foliate shaft, stepped marble base, foliate cut shade, h. 24 in., dia. 8 1/2 in.

Lot: 306 - American Solar-Style Lamp

American Solar-Style Lamp, fluted column, stepped marble base, electrified, h. 28 in., dia. 9 1/2 in.

Lot: 307 - Pair Bronze Single-Light Argand Lamps

Pair of American or English Bronze Single-Light Argand Lamps, 19th c., vasiform font, foliate standard, paw feet, electrified, h. 23 in., w. 13 in., d. 6 1/2 in.

Lot: 308 - American or English Bronze Sinumbra Lamp

American or English Bronze Sinumbra Lamp, 19th c., scroll and foliate designs, electrified, h. 33 in., dia. 12 1/2 in.

Lot: 309 - American Patinated Metal Banker's Lamp

American Patinated Metal Banker's Lamp, early 20th c., green overlay shade, base incorporating inkwells and pen rest, h. 16 1/2 in., w. 9 in., d. 8 in.

Lot: 310 - American Gilt Lacquered Brass, Bronze Solar Lamp

American Gilt Lacquered Brass and Bronze Solar Lamp, 19th c., molded font, tapered fluted standard, stepped marble base, cut and etched glass shade, prisms, h. 21 in., dia. 7 1/4 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 311 - American Gilt Bronze Solar Lamp, Starr Fellows

American Gilt Bronze Solar Lamp, c. 1850, attr. to Starr Fellows, foliate baluster on marble base, frosted and cut shade, h. 23 3/4 in., dia. 9 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 312 - American Brilliant Cut Glass Lamp

American Brilliant Cut Glass Lamp, star and strawberry pattern, h. 16 3/4 in., dia. 9 1/2 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 313 - American Brilliant Cut Glass Lamp

American Brilliant Cut Glass Lamp, h. 17 3/4 in., dia. 9 1/2 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 314 - Pair American Cut Crystal Six-Light Chandeliers

Pair of Antique American Cut Crystal Six-Light Chandeliers Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 315 - Carved, Laminated Rosewood Settee, attr. Belter

American Rococo Carved and Laminated Rosewood Settee, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as "Cornucopia", highly carved floral urn crests, grape and cornucopia crest rail, tufted back, foliate uprights, seat rail with floral sprays, cabriole legs, casters, h. 47 1/2 in., w. 71 in., d. 35 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 316 - Rosewood Center Table, attr. Belter

American Rococo Carved and Laminated Rosewood Center Table, c. 1850-1860, attr. to John Henry Belter, New York, white marble turtle top, elaborately carved grape, floral and acanthus frieze, scrolled cabriole legs surmounted by floral clusters, scrolled stretcher centered by an abundant fruit and floral urn, foliate scrolled toes, casters, h. 28 1/2 in., w. 39 1/2 in., d. 28 1/2 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 317 - Four Rosewood Slipper Chairs, attr. Belter

Four American Rococo Carved and Laminated Rosewood Slipper Chairs, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as "Fountain Elms", floral crest flanked by grape clusters, scrolled grapevine and acorn seatback, serpentine seat, rosette-carved cabriole legs, casters, h. 44 in., w. 18 in., d. 20 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 318 - Carved, Laminated Rosewood Sofa, attr. Belter

Very Fine American Rococo Carved and Laminated Rosewood Sofa, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as "Fountain Elms", arched back surmounted by finely carved floral crests, undulating reticulated foliate crest rail, tufted seat back, scrolled arms, highly carved floral seat rail, cabriole legs, casters, h. 47 in., w. 84 in., d. 36 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 319 - Pair Rosewood Armchairs, attr. Belter

Pair of American Rococo Carved and Laminated Rosewood Armchairs, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as "Fountain Elms", floral tall crest, scrolled crest rail, with trumpet accents, acorn and vine reticulated surround, tufted seat back, molded arms, floral carved seat rail, cabriole legs, scrolled toes, casters, h. 44 1/2 in., w. 23 1/2 in., d. 30 3/4 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 320 - Pair Rosewood Slipper Chairs, attr. Belter

Pair of American Rococo Carved and Laminated Rosewood Slipper Chairs, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as "Fountain Elms", rosette-carved crest, undulated scrolled seat back, acorn and foliate accents, molded seat rail, cabriole legs, casters, h. 43 1/2 in., w. 18 in., d. 21 1/2 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 321 - Pair Rosewood Meridiennes, attr. Belter

Pair of American Rococo Carved and Laminated Rosewood Meridiennes, 19th c., attr. to John Henry Belter, New York, in the pattern commonly referred to as "Fountain Elms", floral crest, scrolled undulated crest rail with trumpet accents, foliate decoration, molded arm, floral seat rail, cabriole legs, casters, h. 40 in., w. 41 in., d. 28 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 322 - Pair Rosewood Slipper Chairs, attr. Belter

Rare Pair of American Rococo Carved and Laminated Rosewood Slipper Chairs, c. 1850-1860, attr. John Henry Belter, New York, C-scroll motif seat back, surmounted by a floral crest and entwined grape vine decoration, floral seat rail, cabriole legs, casters, h. 43 in., w. 18 1/2 in., d. 21 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 323 - Rosewood Center Table, attr. Belter

American Rococo Carved and Laminated Rosewood Center Table, 19th c., attr. to John Henry Belter, New York, turtle-shaped marble top, reticulated grape vine and floral scroll apron, floral cluster cabriole legs, scrolled stretcher centered by a fruit and floral basket, casters, h. 29 in., w. 39 1/2 in., d. 28 1/2 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 324 - Rosewood Armchair, attr. Belter

American Rococo Carved and Laminated Rosewood Armchair, c. 1850-1860, attr. John Henry Belter, New York, closely related to the Belter "patent model" chair, floral crest, C-scroll crest rail, tufted back, padded arms, foliate uprights, heavily floral-carved seat rail and cabriole legs, casters, h. 43 in., w. 26 in., d. 30 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New OrleansNote: The exceptionally rare chair in the present lot is closely related to the “Patent Model” 12-inch chair that was presented by Belter to the U.S. Patent Office on February 23, 1858, illustrated in Dubrow, American Furniture of the 19th Century: 1840-1880, pp. 18-19.

Lot: 325 - Rosewood Triple-Back Sofa, attr. Belter

American Rococo Carved and Laminated Rosewood Triple-Back Sofa, c. 1850-1860, attr. to John Henry Belter, New York, variant of the pattern commonly referred to as "Rosalie", grape and floral crests, oval center flanked by scrolled winged seat backs, molded floral seat rail, cabriole legs, casters, h. 41 in., w. 81 in., d. 32 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 326 - Three Rosewood Side Chairs, attr. Belter

Three American Rococo Carved and Laminated Rosewood Side Chairs, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as "Rosalie", fruit and floral crest, scrolled crest rail, serpentine seat, cabriole legs, casters, h. 37 1/2 in., w. 19 in., d. 18 in.

Lot: 327 - Pair Rosewood Foot Stools, attr. Belter

Rare Pair of American Rococo Carved Rosewood Footstools, c. 1850-1860, attr. to John Henry Belter, New York, tufted seat, serpentine foliate rail, cabriole legs, scrolled toes, casters, h. 15 1/2 in., w. 18 in., d. 18 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 328 - Irish Inlaid Oak Tallcase Clock

Irish Inlaid Oak Tallcase Clock, c. 1800, dial marked "JAS: FRAZER/ COMBER", painted dial with a soldier on horseback, pendulum door flanked by brass-mounted quarter columns, h. 91 in., w. 21 in., d. 10 in.

Lot: 329 - Mahogany, Gilt Banjo Clock "Curtis & Dunning"

American Mahogany and Gilt Banjo Clock, c. 1825, dial with script signature "Warranted by Curtis & Dunning/Burlington/Vt.", 8-day movement, rope molded frames, verre eglomise tablets with foliate design and Apollo driving his chariot, h. 33 in., w. 10 in., d. 4 in. Provenance: C.L. Pricket, Fine Inc., Yardley, PA, Apr. 1990.

Lot: 330 - Brass Crystal Regulator Clock "S. Marti & Cie."

Antique French Gilt Brass Crystal Regulator Clock, c. 1900, striking gong movement marked "S. Marti & Cie.", porcelain dial depicting Father Time and marked "Boston", beveled glass with reticulated borders, faux mercury pendulum, h. 12 1/2 in., w. 7 1/2 in., d. 6 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 331 - French Carriage Clock for Tiffany

Antique French Carriage Clock for Tiffany, c. 1900, striking gong with alarm movement marked "Couaillet Freres/Made in France", dial marked "Tiffany & Co.", 11 jewels, strike with repeat on command, subsidiary alarm dial, h. with handle extended 6 1/2 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 332 - Carved, Gilt, Ebonized Clock Compendium

Empire-Style Carved, Gilt and Ebonized Clock Compendium, c. 1900, thermometer marked by retailer "Paul Meyrowitz, Fifth Ave., New York", the chronometer-style clock by Waltham, h. 42 in., w. 11 1/2 in., d. 2 3/4 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 333 - Louis XVI-Style Bronze and Marble Mantle

Antique Louis XVI-Style Bronze and Marble Mantle Clock, dial marked "Baullier a. Paris", striking bell movement marked "ETIENNE MAXANT" (active 1880-1905), fluted column case flanked by maidens, h. 22 in., w. 13 1/2 in., d. 7 3/4 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 334 - Carved Walnut, Burl Sideboard, labeled Roux

Important American Renaissance Carved Walnut and Burl Sideboard, mid-19th c., interior paper label reading "A. Roux, Cabinet Maker, 481 Broadway, New York" for Alexander Roux, shelf superstructure surmounted by a scrolled figural putti and lion's mask crest with abundant fruited urn, shelves centered by a grape basket reserve and flanked by wolf masks and foliate scrolled brackets, molded inset variegated marble top, four frieze drawers, base with sculptural hung and harvest relief-carved doors flanked by alcove niches, conforming plinth base, oak secondary wood, h. 96 in., w. 90 in., d. 27 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. Note: This elegant and exuberantly carved sideboard is a rare example of the finest work by New York cabinetmaker Alexander Roux and features the firm’s paper label on the interior. The sideboard shares many similarities with an Alexander Roux sideboard in the collection of the Metropolitan Museum of Art, including the overall form, figural crest, and winding foliate scrolls. Among the New York Renaissance-revival cabinetmakers, Roux was most known for adapting the European “altar of gastronomy” form that incorporated themes of hunt and harvest, as evident in the Metropolitan Museum example and the sideboard in the present lot. Roux displayed a similar sideboard at the Crystal Palace Exhibition of 1853 in New York and was commissioned to make a pair of related sideboards for the Astor family. Ref.: “Sideboard, ca. 1853,” The Metropolitan Museum of Art. metmuseum.org/toah/works-of-art/1993.168.

Lot: 335 - Ebonized Walnut, Marquetry Center Table, Herter

Exceptionally Rare American Rococo Ebonized Walnut and Marquetry Center Table, c. 1855-1865, New York, likely Gustav Herter, turtle-shaped top, paneled frieze centered by a maiden mask cartouche, scrolled cabriole legs surmounted by mythological masks, scrolled X-stretcher centered by an abundant floral basket, scrolled toes, h. 34 1/2 in., w. 52 1/2 in., d. 33 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. Note: German cabinetmaker Gustave Herter immigrated to New York in 1848 and quickly rose to prominence as one of New York’s preeminent cabinetmakers during the 1850s. Herter’s robustly carved furniture often incorporated sculptural figural carvings and imported marquetry from Paris, as evident on a center table held in the collection of the Metropolitan Museum of Art (acc. 2017.135) that shares similar aspects to the table in the present lot. Herter later formed the Herter Brothers firm with his brother Christian and their creations decorated some of the most prestigious residences of the Gilded Age. Ref.: “Center Table, ca. 1860,” The Metropolitan Museum of Art. metmuseum.org/art/collection/search/712140; Howe, Katherine S., et al. Herter Brothers: Furniture and Interiors for a Gilded Age. Museum of Fine Arts, Houston, 1994, pp. 132-133, 137.

Lot: 336 - American Renaissance Carved Mahogany Consoles

Rare Pair of American Renaissance Carved Mahogany Consoles, mid-to-late 19th c., probably New York, Egyptian marble top, fluted backsplash and frieze, robustly carved scrolled acanthine supports, conforming plinth, acanthus paw feet, h. 39 in., w. 36 1/2 in., d. 22 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 337 - Rosewood Parlor Cabinet, likely Allen & Bro.

Rare American Renaissance Bronze-Mounted Rosewood Parlor Cabinet, late 19th c., likely Allen & Bro., Philadelphia, fluted floating plinth top, foliate frieze drawers, demilune case with caryatid figural stiles centered by a Classical relief plaque, paneled trophee doors, guilloche cabochon base, lobed dish feet, h. 42 in., w. 61 1/4 in., d. 24 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 338 - Walnut and Burl Cylinder Bureau, Allen & Bro.

American Renaissance Carved Walnut and Burl Cylinder Bureau, c. 1870, attr. to Allen & Bro., Philadelphia, anthemion scrolled architectonic crest, scalloped finials, figural bird returns, fall-front door opens to fitted interior, two lower drawers, paneled lower returns, foliate brackets, turned columnar supports, scrolled trestle base, h. 57 in., w. 31 in., d. 23 in. Provenance: Neal Auction, April 16, 2011, lot 137. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 339 - Renaissance Revival Carved Mahogany Dining Suite

Monumental English Renaissance Revival Carved Mahogany Dining Suite, mid-to-late 19th c., incl. dining table, server, and twelve side chairs; dining table with serpentine top with rounded corners and a molded edge, conforming frieze, robust foliate cabriole legs surmounted by ram's heads, casters, 4 extension leaves, h. 29 1/2 in., w. (extended) 168 in., d. 58 in.; en suite server with trophee medallion-decorated frieze centered by a coat of arms, robust cabriole leg supports surmounted by ram's heads, shaped plinth base, h. 41 in., w. 94 in., d. 35 1/4 in.; side chairs surmounted by a cherub and lion cartouche crest, fruit and floral crest rail, acanthine padded back, seat rail centered by a winged putto, ram's head-mounted cabriole legs, hoof feet, casters, h. 39 1/2 in., w. 22 in., d. 25 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 340 - Wooton Walnut "Extra Grade" Rotary Desk

Rare Wooton Gilt-Incised and Ebonized Walnut "Extra Grade" Rotary Desk, c. 1876-1892 and later, brass label reading "Wooton's Rotary Desk Patented", inset gilt tooled leather top, three frieze drawers, side pedestals with rotating fitted inserts, decorative paneled case, plinth base, extensive recent restoration, h. 31 1/2 in., w. 71 in., d. 33 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 341 - American Renaissance Walnut Occasional Table

American Renaissance Inlaid and Ebonized Walnut Occasional Table, c. 1870, molded oval top with inlaid medallion, architectonic supports, stylized hoof feet, h. 29 1/2 in., w. 21 in., d. 15 in. Provenance: Neal Auction, Sept. 10, 2011, lot 408. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 342 - Carved Mahogany Rocking Chair, attr. Hunzinger

American Aesthetic Carved Mahogany "Innovative" Rocking Chair, 19th c., attr. to Hunzinger, New York, in the pattern referred to as "Lollipop", arched spindled back with floral roundel crest, reeded seat rail, spring rocker, spiral-turned stretchered base, h. 34 in., w. 19 in., d. 26 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 343 - Carved Mahogany Rocking Chair, labeled Hunzinger

American Aesthetic Carved Mahogany "Innovative" Rocking Chair, 19th c., labeled "Hunzinger, in the pattern referred to as "Lollipop", Pat. April 3-88", arched spindled back with roundel crest, reeded seat rail, spring rocker, stretchered base, casters, h. 33 in., w. 19 in., d. 26 1/2 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 344 - Walnut, Burl Commode, stenciled Pottier & Stymus

American Aesthetic Carved Walnut and Burl Commode, 19th c., stenciled "Pottier & Stymus, New York", inset marble top with rounded corners, frieze drawer with Greek key motif, paneled door with bosses, fluted columnar stiles, conforming base, h. 28 3/4 in., w. 22 in., d. 20 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 345 - American Renaissance Mahogany Vitrine

Rare American Renaissance Mother-of-Pearl and Brass Inlaid Mahogany Vitrine, late 19th c., New York, top with leaf-carved edge, concave glass sides and paneled door, glass shelf interior, molded base, toupie feet, h. 47 in., w. 43 3/4 in., d. 17 1/2 in. Provenance: Neal Auction, Nov. 19, 2011, lot 439. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 346 - American Modern Gothic Carved Walnut Sidebaord

American Modern Gothic Brass and Polychrome Ceramic Tile-Mounted Carved Walnut Sideboard, late 19th c., manner of Daniel Pabst, Philadelphia, incised shaped superstructure with two shelves, triangular aprons, columnar supports, base with three drawers, incised cabinet doors and stiles, bracketed base, strapwork hinges, h. 87 1/2 in., w. 61 in., d. 24 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 347 - Modern Gothic Carved Walnut and Burl Bookcase

American Modern Gothic Carved Walnut and Burl Bookcase, late 19th c., stepped cornice, applied scalloped decoration, glazed doors, columnar stiles, base with two deep drawers, blocked plinth base, h. 94 5/8 in., w. 54 1/8 in., d. 17 in. Provenance: Neal Auction, Feb. 13, 2011, lot 1154. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 348 - Carved Oak Cabinet, poss. Horner

American Renaissance Carved Oak Cabinet, late 19th c., possibly R.J. Horner, New York, shaped cornice, foliate mask centered by a mythological mask, convex glass panel doors, lion's mask scrolled stiles, shelf interior, paw feet, h. 66 1/2 in., w. 44 in., d. 16 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 349 - American Renaissance Rosewood Bedside Commode

American Renaissance Carved Rosewood Bedside Commode, c. 1860-1870, shaped marble top, frieze drawer, scrolled canted stiles, paneled cabinet door, conforming base, casters, h. 30 1/4 in., w. 19 1/4 in., d. 17 1/4 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 350 - American Coin Silver Claret Jug, Wm. F. Ladd

American Coin Silver Claret Jug, Wm. F. Ladd, New York, act. c. 1827-1889, hinged lid with floral finial, scroll handle, pyriform body elaborately chased and centering the figure of Poseidon and his trident, raised on dolphin supports, domed foot featuring various shells , stiff leaf foot rim, h. 14 in., wt. 46.90 troy ozs.

Lot: 351 - Sterling Silver Cake Basket, D. Buchanon & Son

Good Antique American Sterling Silver Cake Basket, ret. D. Buchanon & Son Inc., Richmond, VA, c. 1890, reticulated floral design, oblong form with swing handle, reticulated feet, h. 11 3/4 in. (to top of handle)), w.14 ½ in., d. 10 ¼ in., wt. 39.35 troy ozs. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 352 - Sterling Silver Fruit Stand, William Gale & Son

American Sterling Silver Fruit Stand, William Gale & Son, New York, 1862, oval with stiff leaf and berry loop handles, Greek key and beaded border, pedestal foot with conforming border, h. 4 ¼ in., w. 14 1/8 in., d. 8 3/4 in., wt. 18.90 troy ozs. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 353 - Sterling Silver Butter Dish, John Wendt

American Neo-Grec Sterling Silver "Medallion" Butter Dish, John Wendt for Black, Ball & Co., New York, c. 1870, domed cover with Spartan helmet finial, dish with handles mounted with maiden's masks, Greek key border, pedestal foot with beading, retains pierced liner, h. 6 in., w. 7 3/8 in., wt. 21.50 troy ozs.

Lot: 354 - Gorham Neo-Grec Coin Silver "Medallion" Sauceboat

Gorham Neo-Grec Coin Silver "Medallion" Sauceboat, c. 1870, ret. Starr & Marcus, New York, act. 1865-1877, handle mounted with maiden's mask, footed body with flat chased scroll decoration, h. 5 1/2 in., w. 8 5/8 in., wt. 9.75 troy ozs. Provenance: Estate of Clarice Galatoire Gooch, New Orleans.

Lot: 355 - Hyde & Goodrich Coin Silver Soup Ladle

New Orleans Coin Silver Soup Ladle, Hyde & Goodrich, act. 1828-1861, marked "HYDE & GOODRICH" in rectangle and with curious marks; upturned fiddle typt with short mid rib, shallow oval bowl with molded shoulders, old script monogram, l. 13 1/8 in., wt. 7.30 troy ozs. Ref.: Crescent City Silver, pp.1-25.

Lot: 356 - New Orleans Sterling Silver Souvenir Flatware

Group of New Orleans Sterling Silver Souvenir Flatware, primarily spoons, various makers, incl. Durgin, Gorham, Paye & Baker and Mechanics; some ret. M. Scooler and A.M. Hill; various themes incl. pleicans, Andrew Jackson, Crescent City, etc.; wt.18.55 troy ozs. (25 pcs.) Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 357 - New Orleans Sterling Silver Souvenir Flatware

Group of New Orleans Sterling Silver Souvenir Flatware, primarily spoons, various makers, incl. Gorham, Shiebler, Towle, Paye & Baker and Mechanics; ret. incl. A.B. Griswold and Coleman Adler; various themes incl. pelicans, alligators, fish, Mardi Gras, cotton, etc.; wt. 17.85 troy ozs. (22 pcs.)

Lot: 358 - Krider & Co. Sterling Silver Sauceboat/Underplate

Antique American Sterling Silver Sauceboat and Underplate, Peter L. Krider & Co., Philadelphia, act. c. 1870-1903, grape, grapeleaf and vine chasing, sauceboat interior retains traces of gilt wash, h. 4 1/2 in., 8 in., d. 6 in., wt. 15.20 troy ozs. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 359 - Dominick & Haff Sterling Silver Wine Coasters

Pair of Dominick & Haff Sterling Silver Repousse Wine Coasters, pattern 58, ret. Bailey, Banks & Biddle, Philadelphia,, late 19th/early 20th c., turned wood bottom, h. 2 1/8 in., dia. 8 1/8 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 360 - Brilliant Cut Glass Pitcher, Dominick & Haff

American Brilliant Cut Glass Pitcher with Sterling Silver Repousse Collar and Lip, hallmarked Dominick & Haff, New York, act. 1868-1928, pattern 415, date mark for 1909, h. 12 7/8 in. Provenance: Estate of Gordon & Vera Noakes, Detroit, MI. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 361 - American Brilliant Cut Glass Ewer

American Brilliant Cut Glass Ewer with Sterling Silver Mounts, c. 1900, the silver collar and lip hallmarked Tiffany & Co. Makers, cast with shells and flowers, h. 12 1/8 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 362 - Gorham Sterling Silver Dressing Set

Gorham "Victorian-Chased" Sterling Silver Dressing Set, incl. hand mirror (l. 9 5/8 in.), hairbrush (l. 8 1/4 in.) and comb (l. 7 5/8 in., in fitted Gorham presentation case. (3 pcs.) Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 363 - J. E. Caldwell Sterling Silver Filigree Vase

Antique American Sterling Silver Filigree Trumpet Vase, J.E. Caldwell, Philadelphia, c. 1900, with glass liner, h. 12 1/2 in.

Lot: 364 - Gorham Sterling Silver and Crystal Encrier

Gorham Art Nouveau Sterling Silver and Crystal Encrier, early 20th c., n. B2607, stand and cover decorated en suite with flat chasing, note chip to top of inkpot, overall h. 5 ¼ in., w. 12 in., d. 7 1/8 in., stand wt. 12.55 troy ozs. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 365 - Three Austrian .900 Silver Plaques

Three Austrian .900 Silver Plaques, early 20th c., each marked "MUNZAMT WIEN 900"and "St. Schwartz", titled "Allegro", "Adagio", and "Rondo", 3 1/8 in. x 3 1/8 in., total wt. 22 troy oz. "

Lot: 366 - Gorham Silver-Mounted Hammered Copper Loving Cup

Gorham Athenic Silver-Mounted Hammered Copper Loving Cup in the Art Nouveau Taste, Gorham date mark for 1901, h. 8 ½ in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 367 - Horace E Potter Sterling & Rosewood Tea Strainer

American Arts & Crafts Sterling Silver and Rosewood Tea Strainer, Horace E. Potter, Cleveland, OH, 1897-1907, marked "HE POTTER/STERLING", hand wrought, l. 5 1/8 in.; together with a Shiebler sterling letter opener, late 19th/early 20th c., l. 7 ¼ in.; total wt. 3.45 troy ozs.

Lot: 368 - Porter Blanchard Sterling Silver Water Pitcher

Porter Blanchard (1886-1973, act. Gardner, MA 1915-1923, Burbank, CA 1923-1973)Handwrought Sterling Silver Water Pitcher, mid-20th c., scroll handle, molded lip and foot, hammered surface, h. 10 1/8 in., wt. 32.45 troy ozs.

Lot: 369 - Rupert Geissler Sterling Silver Flagon

American Sterling Silver Flagon, Rupert Geissler, New York, h. 11 in., wt. 24.30 troy ozs.

Lot: 370 - Paul Storr Sterling Silver Ewer

George III Sterling Silver Ewer, Paul Storr, London, 1801, of oinochoe form, h. 14 in., wt. 40.45 troy ozs.

Lot: 371 - Danile Smith & Robert Sharp Sterling Coffee Pot

George III Sterling Silver Coffee Pot, Daniel Smith & Robert Sharp, London, 1768, domed cover with flame finial, baluster form with scrolled spout, gadrooned foot rim, carved and ebonized fruitwood handle, h. 11 in., wt. 29.05 troy ozs.

Lot: 372 - Michael Plummer Sterling Silver Punch Strainer

George III Sterling Silver Punch Strainer, Michael Plummer, London, 1792, mark ent. 1791, reeded rim and loop handle, clip engraved with wyvern crest, w. 6 5/8 in., wt. 2.95 troy ozs.

Lot: 373 - Mosely & Co. Sterling Silver Table Candlesticks

Set of Four George III Sterling Silver Table Candlesticks, John Green, Roberts, Mosley & Co., Sheffield, 1795 and 1796, each with urn-form candle cup and removable bobeche, tapered shaft, spreading foot with engraved swan's neck crest, bright-cut decoration, gadroon banding throughout, h. 11 5/8 in., filled base. Note old repairs to two.

Lot: 374 - George Gordon & Co. Silver Sugar Bowl

Anglo-Indian Silver Sugar Bowl, George Gordon & Co., Madras, act. 1821-1848, marked "GG&Co", ovolo rim, lion's head and ring handles, reeded body, circular plinth on suppressed ball feet, h. 4 in., w. 6 1/2 in., wt. 12.80 troy ozs. Note: The Gordon family were prominent colonial silversmits in Madras, beginning with Hugh Gordon who arrived in 1792.

Lot: 375 - Good Group of Georgian Sterling Silver Flatware

Good Group of Georgian Sterling Silver Flatware, incl. soup ladle, Thomas Northcote & George Bourne, London, 1794, l. 13 ½ in.; marrow scoop, John Parker I & Edward Wakelin, London, 1770, l.9 ¼ in.; and marrow scoop, London, 1808, maker's mark rubbed, l. 9 1/4 ; together with cheese scoop, Martin Hall & Co. (Richard Martin & Ebenezer Hall), Sheffield, 1870, with bone handle, l. 8 1/2 in.; total wt. (weighable) 8.10 troy ozs.

Lot: 376 - Louisiana School, 20th c

Louisiana School, 20th c., "Swamp Scene with Egrets", oil on canvas, signed "Seagor" lower right, 36 1/8 in. x 48 1/8 in., framed, overall 44 3/8 in. x 56 1/2 in. x 2 1/4 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 377 - William Ousley (American/Louisiana, 1866-1953)

William Ousley (American/Louisiana, 1866-1953), "West Fork of Calcasieu River, LA", 1928, oil on canvas, signed, titled and dated lower right, dated and inscribed en verso, 15 in. x 25 3/4 in., framed, overall 20 in. x 30 3/4 in. x 1 1/4 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 378 - William Ousley (American/Louisiana, 1866-1953)

William Ousley (American/Louisiana, 1866-1953) "LA Sunset", 1928, oil on canvas, signed and titled lower right, signed, dated and inscribed en verso, 14 7/8 in. x 30 in., framed, overall 15 5/8 in. x 33 5/8 in. x 1 1/4 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 379 - William Ousley (American/Louisiana, 1866-1953)

William Ousley (American/Louisiana, 1866-1953) "West Fork of Calcasieu River, LA", oil on canvas, signed lower right, titled and inscribed "Autumn" lower center, signed, titled and inscribed en verso, inscribed on stretcher, 15 7/8 in. x 27 1/4 in., framed, overall 17 1/4 in. x 28 3/8 in. x 1 1/4 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 380 - William Ousley (American/Louisiana, 1866-1953)

William Ousley (American/Louisiana, 1866-1953), "West Fork of Calcasieu River LA No. 541", 1931, oil on canvas, signed lower right, titled and inscribed "Spring" lower center, signed, titled, dated and inscribed en verso, 18 in. x 34 in., framed, overall 22 in. x 38 1/8 in. x 1 1/4 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 381 - Alexander John Drysdale (American/Louisiana)

Alexander John Drysdale (American/Louisiana, 1870-1934), "Live Oak on the Bayou with Waterlilies", oil on board, signed lower left, pencil-inscribed en verso, 10 in. x 29 7/8 in., framed, overall 11 3/4 in. x 32 5/8 in. x 1 in. Provenance: Neal Auction Company, Apr. 27, 2014, lot 1065.

Lot: 382 - Alexander John Drysdale (American/Louisiana)

Alexander John Drysdale (American/Louisiana, 1870-1934), "Bayou Scene with Live Oak", oil wash on board, signed lower right, 10 in. x 29 7/8 in., framed, overall 12 3/4 in. x 32 3/4 in. x 1 1/4 in.

Lot: 383 - Alexander John Drysdale (American/Louisiana)

Alexander John Drysdale (American/Louisiana, 1870-1934), "Dusk on a Louisiana Bayou", 1909, oil on board, signed and dated lower left, remnants of 2 labels en verso, 10 1/8 in. x 17 in., framed, overall 15 1/2 in. x 22 in. x 1 1/2 in. Provenance: Neal Auction Company, Nov. 17, 2012, lot 326.

Lot: 384 - Alexander John Drysdale (American/Louisiana)

Alexander John Drysdale (American/Louisiana, 1870-1934), "Bayou Scene with Live Oak", oil on canvas, signed lower left, 3 labels on reverse of frame, one label with artist on stretcher, 10 1/8 in. x 20 1/8 in., framed, overall 17 1/4 in. x 27 3/8 in. x 2 1/4 in.

Lot: 385 - Alexander John Drysdale (American/Louisiana)

Alexander John Drysdale (American/Louisiana, 1870-1934), "Louisiana Marsh, Early Morning", 1921, oil on canvas board, signed and dated lower left, pencil-signed, titled, dated and inscribed en verso, 14 in. x 20 in., framed, overall 17 3/4 in. x 23 3/4 in. x 1 1/4 in. Provenance: Neal Auction Company, Sept. 11, 2011, lot 984.

Lot: 386 - Alexander John Drysdale (American/Louisiana)

Alexander John Drysdale (American/Louisiana, 1870-1934), "Bayou Scene with Live Oak", oil wash on board, signed lower right, 6 in. x 20 in., framed, overall 8 1/2 in. x 22 1/2 in. x 1 3/8 in.

Lot: 387 - Alexander John Drysdale (American/Louisiana)

Alexander John Drysdale (American/Louisiana, 1870-1934), "Louisiana Bayou", oil wash on board, signed lower left, 6 in. x 20 in., framed, overall 7 5/8 in. x 21 1/2 in. x 1 1/8 in.

Lot: 388 - Alexander John Drysdale (American/Louisiana)

Alexander John Drysdale (American/Louisiana, 1870-1934), "Louisiana Bayou" and "Live Oak and Bald Cypress", 2 oil washes on board, each signed lower left, 9 1/2 in. x 19 3/8 in. and 10 1/2 in. x 20 in., framed alike, each overall 16 3/4 in. x 26 1/4 in. x 1 in. (2 pcs.)

Lot: 389 - Eliot Candee Clark (American/Virginia, 1883-1980)

Eliot Candee Clark (American/Virginia, 1883-1980), "Springtime Afternoon", oil on canvas, signed lower right, inscribed en verso, "R.H. Love Galleries, Chicago, IL" label with artist and title on backing board, 14 in. x 20 in., framed with title plaque, overall 19 1/2 in. x 25 5/8 in. x 3 1/4 in.

Lot: 390 - Harold Rudolph (American/Louisiana, 1850-1884)

Harold Rudolph (American/Louisiana, 1850-1884), "Bayou Landscape", 1879, oil on canvas, signed and dated lower left, "H. W. Gear" stamp on stretcher, 29 in. x 36 in., framed, overall 33 in. x 40 1/8 in. x 2 1/4 in. Note: Harold Rudolph was active in New Orleans in the 1870s and 1880s during a period when many of the great Louisiana landscape artists of the state were in their prime. While less is known today about Rudolph than some of his contemporaries, he was praised in the New Orleans Republican and Daily Picayune newspapers shortly after his arrival in the city for both his portrait paintings and landscapes. Rudolph exhibited his work with the W.E. Seebold Gallery on Canal Street where he had a studio on the upper level and later at their location on Prytania Street. Following the death of his brother-in-law and partner in portrait painting in 1877, Rudolph focused primarily on scenes of the Louisiana countryside, although relatively few of his landscapes are extant today. Particularly skilled at depicting sunsets and sunrises, in the rare canvas offered here from 1879, Rudolph masterfully portrays a fiery sunset at last glow reflected in the bayou in the foreground. The scene is framed by darkened cypress trees and a moss-draped oak, while a cabin is hidden within the shadows. A lone figure contemplates the sunset from his perch beneath the oak tree adding a sense of narrative and charm to the timeless scene.

Lot: 391 - Jean Joseph Vaudechamp (French/Louisiana, 1790)

Jean Joseph Vaudechamp (French/Louisiana, 1790-1866), "Portrait of a Lady", 1834, oil on canvas, signed and dated upper left, "Ottoz, Paris" canvas stamp en verso, 32 in. x 25 1/2 in., framed, overall 39 5/8 in. x 33 1/2 in. x 3 1/2 in.

Lot: 392 - Southern School, 19th c

Southern School, 19th c., "Steamboat Henry Lee", oil on canvas, unsigned, 28 1/8 in. x 36 in., framed, overall 37 1/8 in. x 44 7/8 in. x 3 1/2 in. Provenance: Estate of Reuel Lacy "Sonny" and June Ann Anderson, Baton Rouge, LA.

Lot: 393 - John James Audubon (American, 1785-1851)

John James Audubon (American, 1785-1851), "Roseate Tern", Plate 240, hand-colored engraving with aquatint, from The Birds of America, Havell edition, "J. Whatman Turkey Mill 1835" watermark visible, sheet 38 1/4 in. x 25 5/8 in., framed, overall 41 3/4 in. x 32 5/8 in. x 1 3/4 in.

Lot: 394 - After John James Audubon (American, 1785-1851)

After John James Audubon (American, 1785-1851), "Passenger Pigeon", Plate 62, later reproduction, from The Birds of America, sheet 38 5/8 in. x 26 3/4 in., framed, overall 42 5/8 in. x 34 5/8 in. x 1 1/4 in. Provenance: Estate of Warren A. Goldstein, Esq., New Orleans.

Lot: 395 - Bronze Figural Group of "Coming through the Rye"

Bronze Figural Group of "Coming through the Rye", after Frederic Sackrider Remington, signature inscribed on self-base, h. 27 in., w. 28 in., d. 26 in., wood base, overall h. 29 in.

Lot: 396 - After George Caleb Bingham (American/Missouri)

After George Caleb Bingham (American/Missouri, 1811-1879), "Stump Speaking", 1856, hand-colored engraving with aquatint mounted to board, engraved by Louis Adolphe Gautier (French, act. 1844-1887), printed by Goupil & Co., Paris, published by Goupil & Co., New York, 22 1/4 in. x 30 in., framed, overall 34 1/2 in. x 42 in. x 1 1/4 in.

Lot: 397 - American Late Classical Carved Mahogany Bedstead

American Late Classical Carved Mahogany Bedstead, c. 1840, Philadelphia, paneled headboard with acorn rolling pin and turned disc finials, turned posts, conforming footboard, h. 57 in., w. 58 in., l 72 in., Provenance: Purchased in Philadelphia c. 1840; thence descended in a New Orleans family.

Lot: 398 - American Late Classical Rosewood Music Cabinet

American Late Classical Rosewood Music Cabinet, c. 1835, New York, marble top, ribbon-molded paneled door, fitted interior, scrolled apron, pierced trestle base, h. 38 in., w. 19 1/2 in., d. 14 1/2 in. Provenance: Ex-collection Major Edward Bushrod Stahlman, Nashville, TN; Neal Auction Company, June 8, 2002, lot 805.

Lot: 399 - American Late Classical Mahogany Silver Chest

American Late Classical Carved Mahogany Silver Chest, c. 1830-1840, New York, upper deep drawer, paneled door flanked by turned foliate columns, lower drawer, foliate paw feet, h. 47 in., w. 28 in., d. 20 in.

Lot: 400 - American Late Classical Mahogany Work Table

American Late Classical Carved and Inlaid Mahogany Work Table, c. 1840, hinged top opens to fitted interior, bolection frieze drawer, columnar standard, circular plinth, scrolled sabre legs, paw feet, casters, h. 28 1/2 in., w. 18 1/2 in., d. 16 in.

Lot: 401 - American Late Classical Giltwood Mirror

American Late Classical Giltwood Mirror, c. 1830, Philadelphia, fleur-de-lis medallion corners, molded surround, divided mirror plate, h. 60 in., w. 48 1/2 in.

Lot: 402 - American Late Classical Mahogany Work Table

American Late Classical Carved Mahogany Work Table, c. 1840, New York, two drawers, foliate ring-turned legs, brass cuffs, casters, h. 29 in., w. 21 1/2 in., d. 17 1/4 in.

Lot: 403 - American Classical Mahogany Pedestal Dining Table

American Classical Mahogany Two-Part Pedestal Dining Table, c. 1840, New York, drop-leaf ends, bolection frieze, columnar standard, shaped plinth, bossed scrolled feet, casters, h. 29 in., w. (closed) 41 in., w. (open) 80 1/2 in., d. 20 1/4 in.

Lot: 404 - Classical Rosewood Duchesse Dressing Table

American Classical Carved Rosewood Duchesse Dressing Tble, 19th c., attr. to J. & J.W. Meeks, New York, octagonal mirror, conforming scrolled supports, serpentine marble top, frieze with fitted drawer, robustly scrolled supports, mirrored back, shaped plinth base, molded feet, casters, h. 62 in., w. 41 in., d. 20 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 405 - American Late Classical Carved Mahogany Sideboard

American Late Classical Carved Mahogany Sideboard, c. 1840, frieze with bolection drawers flanking candle slide and center drawer, Ionic columns, paneled doors, plinth base, foliate paw feet, h. 43 in., w. 71 in., d. 21 1/2 in.

Lot: 406 - American Late Classical Mahogany Center Table

American Late Classical Carved Mahogany Center Table, c. 1830-1840, New York, hexadecagonal white marble top, conforming ogee frieze, vasiform standard, heavily scrolled legs, casters, h. 29 1/4 in., dia. 37 in.

Lot: 407 - American Late Classical Carved Mahogany Wardrobe

Fine American Late Classical Carved Mahogany Wardrobe, 19th c., attr. to Anthony Quervelle, Philadelphia, flared cornice with reeded edge, Gothicized tympanum, Ionic columns, paneled doors with foliate and floral decoration, shelf interior with medial belt of drawers, side compartments, base with niches and pine cone finials, paired dolphin feet, h. 95 in., w. 84 in., d. 30 1/2 in. Note: See Boor, p. 178. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 408 - Late Classical Diminutive Mahogany Dressing Chest

American Late Classical Diminutive Mahogany Dressing Chest, c. 1840-1850, Boston, oval mirror with Gothicized supports, case with four drawers, compressed ball feet, h. 53 1/2 in., w. 28 1/2 in., d. 16 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 409 - American Gothic Rosewood Table

American Gothic Rosewood Table, mid-19th c., prob. New York, serpentine top with inset sienna marble, foliate medallion frieze, drop finials, scrolled trestle base, arched trefoil stretcher, h. 29 in., w. 26 1/2 in., d. 16 in. Provenance: Neal Auction, Oct. 6, 2021, lot 17. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 410 - American Gothic Carved Walnut Hall Chair

American Gothic Carved Walnut Hall Chair, mid-to-late 19th c., architectonic crest with scrolled foliate decoration, turned stiles, padded back and arms, spherule terminals, anthemion-carved seat rail, disc-turned legs, casters, h. 54 1/2 in., w. 26 in., d. 29 1/2 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 411 - American Gothic Carved Rosewood Dresser

American Gothic Carved Rosewood Dresser, mid-19th c., New York, rectangular mirror flanked by ringed columns and niches, shaped marble top, four graduated drawers with stylized panels, conforming stiles, serpentine apron, disc feet, h. 88 1/2 in., w. 47 in., d. 25 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 412 - American Gothic Carved Mahogany Bookcase

Monumental American Gothic Carved Mahogany Bookcase, mid-19th c., New York, surmounted by foliate pinnacles, quatrefoil crest and frieze, niche-paneled stiles and glazed doors, upper case with shelf interior, lower case with trefoil triangular apron, paneled cabinet doors, molded plinth base, h. 129 in., w. 92 in., d. 23 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 413 - Carved Rosewood Tripart Armoire, poss. Roux

Monumental American Gothic Carved Rosewood Tripartite Armoire, mid-19th c., New York, possibly Alexander Roux, spyre pedimented crests surmounted by foliate-turned finials and crockets, mirrored center door, trefoil columnar stiles, blocked base with three deep drawers, birdseye maple fittings, h. 124 in., w. 95 in., d. 27 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. Note: The decorative elements of the rare American Gothic tripart armoire in the present lot relate closely to the Gothic furniture of New York cabinetmaker Alexander Roux. The cluster column stiles of the armoire are nearly identical to a table and chair by Roux illustrated in American Furniture of the 19th Century by Eileen and Richard Dubrow. Ref.: Dubrow, Eileen and Richard. American Furniture of the 19th Century. Schiffer Publishing, 1983 and 2000, p. 61.

Lot: 414 - American Brilliant Cut Glass Compote

American Brilliant Cut Glass Compote, hobstar design, h. 9 1/4 in., dia. 9 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 415 - Pair of American Overlay Glass Trumpet Vases

Pair of American Overlay Glass Trumpet Vases, 19th c., possibly Boston & Sandwich Glass Co., tall footed form in ruby red, cut to clear in punty design, h. 14 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 416 - Diamond Point Flint Glass Centerpiece Compote

Antique Navette-Form Diamond Point Flint Glass Centerpiece Compote, h. 8 1/2 in., l. 13 1/2 in.

Lot: 417 - Cut Glass Covered Punchbowl

Antique Cut Glass Covered Punchbowl, h. 12 in., dia. 9 1/4 in.; together with two Ofnah Crystal ladles, l. 13 1/2 in. (3 pcs.) Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 418 - Two Glass Hurricane Shades

Two Antique Glass Hurricane Shades, h. 23 in. and 20 in.

Lot: 419 - Baccarat Crystal Decanters and a Baccarat Bowl

Pair of Baccarat Crystal Decanters and a Baccarat Bowl, decanters marked, faceted, h. 8 3/4 in., bowl marked, h. 3 1/4 in.; together with two other crystal decanters, unmarked, taller 10 1/2 in.

Lot: 420 - Baccarat Crystal "Harmonie" Decanters and Bucket

Set of Baccarat Crystal "Harmonie" Decanters and Ice Bucket, all marked, incl. pair of round whiskey decanters, h. 12 5/8 in.; square decanter, h. 9 1/2 in.; and ice bucket, h. 5 in.; together with Baccarat crystal "Harcourt" decanter, h. 12 1/4 in. (5 pcs.) Provenance: Estate of Warren A. Goldstein, Esq., New Orleans.

Lot: 421 - Three Baccarat Crystal "Harmonie" Vases

Three Baccarat Crystal "Harmonie" Vases, marked, h. 7 7/8 in., 9 1/8 in., and 11 3/4 in. (3 pcs.) Provenance: Estate of Warren A. Goldstein, Esq., New Orleans.

Lot: 422 - Daum Modernist Glass Center Bowl

Daum Modernist Glass Center Bowl, marked, h. 3 1/2 in., w. 8 1/4 in., d. 8 1/4 in.

Lot: 423 - Pair of Venini Murano Glass Octagonal Obelisks

Pair of Venini Murano Glass Octagonal Obelisks, c. 1955, acid stamped "Venini/Murano/Italia", h. 15 7/8 in.

Lot: 424 - Group of Steuben Glass Figures and Bowls

Group of Steuben Glass Figures and Bowls, incl. 3 "low-footed" bowls, etched marks, model #7909, designed in 1942 by John Dreves, largest dia. 11 in.; ice bucket or wine cooler, etched mark, h. 7 in.; penguin figure, etched march, h. 6 1/4 in.; together with 2 Baccarat crystal rabbit figures, marked, h. 3 1/4 in.; Baccarat crystal candleholder, h. 6 in.; and crystal dolphin figure, marked "F.S. 1981", l. 6 1/2 in. (9 pcs.) Provenance: Estate of Warren A. Goldstein, Esq., New Orleans.

Lot: 425 - Lalique "Zeila" Black Crystal Panther Sculpture

Lalique "Zeila" Black Crystal Panther Sculpture, marked, originally designed by Marie-Claude Lalique, h. 4 1/4 in., w. 14 1/2 in., d. 2 3/4 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 426 - Lalique Crystal "Cote d'Or" Charger

Lalique Crystal "Cote d'Or" Charger, etched mark, dia. 15 7/8 in., with original box. (2 pcs.) Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 427 - Tiffany Favrile Glass Vase

Tiffany Favrile Glass Vase, early 20th c., etched marks "L.C. Tiffany/Favrile/1433 H", intaglio cut leafy vine design, h. 12 1/4 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 428 - Tiffany Favrile Glass Vase

Tiffany Favrile Glass Vase, c. 1905, engraved "L.C.Tiffany Y6563 Favrile", pulled feather design, h. 3 in., dia. 3 1/4 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 429 - Tiffany Favrile Glass Bowl

Tiffany Favrile Glass Bowl, early 20th c., with original paper label, and etched marks "L.C. Tiffany/Favrile/1925", intaglio-cut leafy vine design, h. 3 3/8 in., dia. 8 1/8 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 430 - Four Bohemian Cut-to-Clear Glass Bowls

Four Bohemian Cut-to-Clear Glass Bowls, incl. ruby cut-to-clear glass rose bowl, h. 6 in.; ruby cut-to-clear glass bowl, dia. 10 in.; cobalt cut-to-clear glass rose bowl, h. 6 in.; and cobalt cut-to-clear glass bowl, dia. 10 in. (4 pcs.) Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 431 - Classical Painted, Stenciled Fancy Chairs

Six American Classical Painted and Stenciled Fancy Chairs, early 19th c., scrolled crest rail, slat back, caned seat, ring-turned legs, h. 32 1/2 in., w. 17 1/2 in., d. 18 in.

Lot: 432 - American Classical Carved Mahogany Sofa

American Classical Carved Mahogany Sofa, early 19th c., probably Boston, scrolled crest rail with acanthine accents, outswept arms, blocked base, cabochon-carved turned feet, casters, h. 37 in., w. 83 in., d. 25 in.

Lot: 433 - American Classical Gilded Mahogany Pier Table

American Classical Gilded Mahogany Pier Table, early 19th c., New York, marble top, bolection frieze, columnar supports with foliate capitals, incurvate plinth, mirrored back flanked by pilasters, tapered melon feet, h. 37 in., w. 41 1/2 in., d. 18 in. Provenance: According to rear collection label, 24 Arlington Place, Buffalo, NY.

Lot: 434 - Ebonized and Gilt-Stenciled Music Stand

Antique American Classical-Style Ebonized and Gilt-Stenciled Music Stand, manner of Hugh & John Finley, Baltimore, lyre-form sheet-holder, folding candle cups, spiral-fluted standard, flared tripod base, h. 47i n., w. 15 1/4 in., d. 18 in. Provenance: Neal Auction Company, October 12, 2002, lot 401.

Lot: 435 - American Classical Carved Mahogany Work Table

American Classical Carved Mahogany Work Table, c. 1820, Philadelphia, School of Anthony Quervelle, hinged top opens to fitted interior, two lower drawers, bulbous foliate standard, circular plinth, acanthus paw feet, casters, h. 29 3/4 in., w. 22 3/4 in., d. 17 in.

Lot: 436 - American Classical Carved Rosewood Games Table

American Classical Carved Rosewood Games Table, c. 1820, School of Isaac Vose, Boston, foldover swivel top, later leather playing surface, paneled apron flanked by foliate scrolls, reverse-tapered standard, incurvate plinth, scrolled feet, casters, h. 29 in., w. 36 in., d. 18 3/4 in.

Lot: 437 - American Classical Carved Mahogany Work Table

American Classical Carved Mahogany Work Table, c. 1820, drop-leaf top, two drawers, upholstered work basket, incurvate plinth, paw feet, h. 29 in., w. (closed) 18 1/4 in., w. (open) 33 3/4 in., d. 20 1/2 in.

Lot: 438 - American Classical Carved Mahogany Sofa

American Classical Carved Mahogany Sofa, mid 19th c., probably Philadelphia, scrollback crest rail, outswept acanthine arms, bolection seat rail, foliate scrolled paw feet, h. 36 in., w. 90 in., d. 24 in.

Lot: 439 - American Classical Mahogany Pembroke Table

American Classical Carved Mahogany Pembroke Table, early 19th c., attr. to Henry Connelly, Philadelphia, serpentine drop-leaf top, finialed pilasters, frieze drawer, reeded trestle base, scrolled sabre legs, raised on spherules, h. 28 1/2 in., w. 36 in., d. 20 1/2 in. Provenance: Didier Inc., New Orleans; Neal Auction Company, Feb. 8, 2020, lot 188. Ref.: Boor. Philadelphia Empire Furniture, p. 197, fig. 71. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 440 - American Classical Mahogany Drop-Leaf Table

American Classical Stenciled and Carved Mahogany Drop-Leaf Table, c. 1825, New York, turned pendants, foliate pedestal, acanthine paw feet, h. 28 in., w. 38 1/2 in., d. 24 1/2 in. Provenance: Neal Auction, Sept. 11, 2010, lot 366. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 441 - American Classical Carved Mahogany Games Tables

Associated Pair of American Classical Carved Mahogany Games Tables, early 19th c., Boston, foldover top with canted corners, cove-molded frieze, foliate scrolled lyre base, acanthus sabre legs, brass paw feet, casters, h. 29 1/2 in., w. 35 1/2 in., d. 18 in., other h. 29 1/4 in., w. 35 1/2 in., d. 18 1/2 in. Provenance: Neal Auction, Feg. 4, 2012, lot 71. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 442 - American Classical Carved Mahogany Work Table

Important American Classical Carved Mahogany Work Table, c. 1830, labeled "Charles H. White and John F. White", Philadelphia, gadrooned lift top, work compartment, two bolection drawers, foliate and bead-carved standard, incurvate plinth, acanthine paw feet casters, darkened original finish, h. 29 in., w. 22 in., d. 16 in. Provenance: Dr. and Mrs. John William Boor, Philadelphia; Neal Auction, Nov. 20, 2010, lot 203. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 443 - lassical Mahogany Games Table, attr. Whightman

American Classical Carved Mahogany Games Table, early 19th c., attr. to Thomas Wightman, Boston, shaped foldover top with molded edge, conforming frieze, foliate-scrolled lyre base with inset brass rods, molded acanthine sabre legs, brass paw feet, casters, h. 30 1/2 in., w. 36 1/2 in., d. 19 in. Provenance: Neal Auction, Nov. 21, 2009, lot 232. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 444 - American Classical Mahogany Tilt-Top Candlestand

American Classical Carved Mahogany Tilt-Top Candlestand, early 19th c., New York, manner of Duncan Phyfe, oval top, turned standard, outswept acanthine legs, scrolled toes, h. 28 in., w. 26 in., d. 18 in. Provenance: Neal Auction, May 22, 2010, lot 6. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 445 - American Classical Carved Mahogany Work Table

American Classical Carved Mahogany Work Table, early 19th c., foliate-carved paneled stiles, turned and foliate-carved legs, h. 31 in., w. 25 in., d. 17 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 446 - American Classical Giltwood Tripartite Mirror

American Classical Giltwood Tripartite Mirror, early 19th c., blocked cornice, split columnar surround with acanthus cabochon accents, divided mirror plate, foliate base, h. 27 1/2 in., w. 61 in.

Lot: 447 - American Classical Carved Mahogany Work Table

American Classical Carved Mahogany Work Table, early 19th c., New England, outset corners, ring-turned stiles, two drawers, spiral-turned legs, toupie feet, h. 29 1/2 in., w. 20 1/2 in., d. 16 1/2 in. Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH; Neal Auction, Feb. 16, 2016, lot 989. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 448 - Classical Mahogany Armchair, attr. Whitecar

American Classical Carved Mahogany Armchair, c. 1820. attr. to Thomas Whitecar, Philadelphia, pierced slats, reeded stiles, vasiform reeded arm supports, rounded seat rail, turned and tapered legs, h. 32 in., w. 18 in., d. 17 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 449 - American Classical Carved Rosewood Canterbury

American Classical Carved Rosewood Canterbury, c. 1815-1820, prob. Philadelphia, spherule finials, shaped slatted dividers, base drawer, turned legs, brass cuffs, casters, h. 18 1/2 in., w. 18 in., d. 14 in. Provenance: Neal Auction, Nov. 20, 2010, lot 4. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 450 - American Classical Inlaid Mahogany Work Table

American Classical Carved and Brass Inlaid Mahogany Work Table, early 19th c., New York, molded top, top drawer fitted with adjustable writing surface, lower drawer, turned pendants, foliate standard and legs, hairy paw feet, casters, h. 31 in., w. 21 1/2 in., d. 17 1/2 in. Provenance: Neal Auction, Nov. 21, 2020, lot 242. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 451 - Pair of American Classical Cherrywood Rope Beds

Pair of American Classical Cherrywood Rope Beds, c. 1830-1840, heavily turned posts and finials, scrolled headboard, stretchered footboard, h. 45 in., w. 36 in., d. 75 in.

Lot: 452 - Walnut and Birdseye Maple Chest of Drawers

American Late Classical Walnut and Birdseye Maple Chest of Drawers, c. 1840, frieze drawer, three lower drawers, turned columnar stiles, turned urn-form feet, h. 43 in., w. 43 in., d. 21 1/2 in.

Lot: 453 - American Classical Giltwood Mirror

American Classical Giltwood Mirror, early 19th c., ring-turned surround, blocked rosette corners, divided mirror plate, h. 21 in., w. 41 1/2 in.

Lot: 454 - Tiffany Studios Bronze and Glass Jewelry Box

Tiffany Studios Bronze and Glass "Grapevine" Jewelry Box, early 20th c., marked TIFFANY STUDIOS/NEW YORK/816", two removable trays, on ball feet, h. 3 in., w. 6 3/4 in., d. 4 in.

Lot: 455 - Tiffany Studios "Vine Border" Table Lamp

Tiffany Studios "Vine Border" Table Lamp, shade impressed "TIFFANY STUDIOS/NEW YORK", base stamped "TIFFANY STUDIOS/NEW YORK/618", leaded glass, patinated bronze, h. 18 1/2 in., dia. 12 1/4 in.

Lot: 456 - Pair of Pairpoint Cut-Glass and Onyx Candlesticks

Pair of Pairpoint Cut-Glass and Onyx Candlesticks, early 19th c., marked, with silver-plate mounts, h. 15 1/4 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 457 - American Aesthetic Carved Rosewood Firescreen

American Aesthetic Carved Rosewood Firescreen, late 19th c., lily and acanthus surround, needlepoint screen, h. 60 in., w. 39 1/2 in. Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Lot: 458 - Folk Art Tin Rooster Weathervane on Wood Stand

Folk Art Tin Rooster Weathervane on Wood Stand, full bodied, wood stand, h. 28 1/2 in., w. 24 1/4 in., d. 9 1/2 in.

Lot: 459 - Animation Production Cels of Jiminy Cricket

Two Animation Production Cels of Jiminy Cricket from Pinocchio, 1940, Disney Studios, Jiminy and a butterfly, displayed over Courvoisier Galleries background, pencil titled on mats, retail label, verso of frame from R.H. Macy & Co., NY, sight 3 in. x 3 1/2 in.

Lot: 460 - American Federal Figured Mahogany Games Table

American Federal Figured Mahogany Games Table, early 19th c., serpentine foldover top, conforming frieze, molded tapered legs, h. 29 1/2 in., w. 36 in., d. (closed) 18 1/2 in., d. (open) 37 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 461 - American Federal Carved Mahogany Pembroke Table

American Federal Carved Mahogany Pembroke Table, c. 1800, shaped drop-leaf top, frieze drawer, reeded tapered legs, brass cuffs, casters, h. 29 in., w. 32 in., d. 23 in. Provenance: Neal Auction Company, Apr. 18, 2015, lot 587. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 462 - American Chippendale Carved Mahogany Games Table

American Chippendale Carved Mahogany Games Table, c. 1770-1780, Mid-Atlantic, foldover top with molded edge, fluted legs, h. 29 in., w. 34 in., d. 17 in. Provenance: Neal Auction, Feb. 4, 2012, lot 484. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 463 - American Queen Anne Carved Mahogany Side Chair

American Queen Anne Carved Mahogany Side Chair, first half 18th c., Connecticut River Valley, shaped crest rail, vasiform splat, rush seat, turned legs, bulbous stretcher, Spanish feet, h. 41 in., w. 19 in., d. 18 in. Provenance: Acquired Henry Stern, New Orleans; Neal Auction, Jul. 8, 2017, lot 357; extensively researched by forensic antiquarian Anthony Bloise. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 464 - American Santo Domingo Mahogany Dining Table

Fine American Federal Santo Domingo Mahogany Two-Part Dining Table, early 19th c., Baltimore, top with reeded edge, blocked frieze, heavily reeded legs, toupie feet, incl. two leaves, h. 29 in., l. 71 in., d. 47 1/2 in. Provenance: Descended in the family of John Eager Howard; Didier Inc., 2008. Note: The sophisticated and versatile dining table offered here, featuring finely reeded legs associated with Baltimore cabinetmakers of the late Federal period, descended in the family of American politician and soldier John Eager Howard (1752-1827). John Eager Howard was a decorated colonel during the Revolutionary War and went on to hold several congressional positions. He was elected as the fifth governor of Maryland in 1788 and served three consecutive one-year terms as governor. This table was part of the furnishings of Howard’s vast Maryland estate named Belvidere. Completed in 1794, Belvidere was renowned for its Georgian-style architecture and elegant interiors. Thomas Twining, founder of the English tea company, visited the home in 1798 and noted that it “possessed all the elegance of an English villa.” In 1815, Howard donated a parcel of his estate’s land for the construction of Baltimore’s Washington Monument. After Howard’s death in 1827, most of the interior contents of Belvidere were sold, however, the family retained some important pieces, including this table. The mansion was demolished in 1874 to make room for Baltimore’s urban expansion. A hotel of the same namesake was constructed on the former site of the mansion in 1903. In 2019, Neal Auction sold a finely figured and inlaid sideboard from the same family collection of the descendants of John Eager Howard that was also sold through esteemed New Orleans antiquarian Don Didier (see Neal Auction, September 14, 2019, lot 92). Ref.: Alexander, Robert L. et al. The Architecture of Baltimore: An Illustrated History. Baltimore: The Johns Hopkins University Press, 2004, pp. 33-35; “Margaret ‘Peggy’ Oswald Chew Howard (1760-1824).” Archives of Maryland. MSA SC 3520-2232. Maryland State Archives; Papenfuse, Edward C. “Remembering John Eager Howard and His Vision for Baltimore.” April 24, 2018. www.rememberingbaltimore.net.

Lot: 465 - American Federal Giltwood Bullseye Mirror

American Federal Giltwood Bullseye Mirror, early 19th c., surmounted by a spreadwing eagle perched on a foliate pedestal, reeded surround decorated with spherules, ebonized liner, convex mirror plate, foliate pine cone pendant, h. 53 in., w. 33 in.

Lot: 466 - American Federal Mahogany Bowfront Chest

American Federal Mahogany Bowfront Chest, early 19th c., shaped top, conforming case with four graduated drawers, reeded stiles and legs, toupie feet, h. 42 in., w. 41 1/2 in., d. 24 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 467 - American Federal Rosewood and Mahogany Etagere

American Federal Rosewood and Mahogany Etagere in the Sheraton Taste, early 19th c., prob. Boston, cedrela secondary wood, acorn finials, baluster-turned supports and legs, lower drawer, brass cuffs, casters, h. 52 1/2 in., w. 16 in., d. 16 in. Provenance: Neal Auction, Sept. 15, 2012, lot 400. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 468 - American Sheraton Carved Mahogany Pembroke Table

American Sheraton Carved Mahogany Pembroke Table, early 19th c., shaped drop-leaf top, frieze drawer, banded stiles reeded tapered legs, brass cuffs, casters, h. 28 1/2 in., w. 20 1/2 in., d. 32 in. Provenance: Neal Auction, June 22, 2019, lot 299. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 469 - American Federal Tiger Maple Bench

American Federal Tiger Maple Bench, 19th c., probably New England, slatted back and sides surmounted by acorn finials, cylindrical legs, h. 34 1/2 in., w. 44 3/4 in., d 28 in.

Lot: 470 - Philadelphia Carved Mahogany Corner Cabinet

Antique Philadelphia Chippendale-Style Carved Mahogany Corner Cabinet, broken arch crest with tasseled rosette terminals, centered by a cabochon cartouche with bellflower, raised panel doors, interior with scalloped shelves, molded base on tall scalloped bracket feet, h. 95 in., w. 45 in., d. 20 1/2 in.

Lot: 471 - American Carved Mahogany Triple Chairback Sette

Antique American Chippendale-Style Carved Mahogany Triple Chairback Settee, foliate scrolled crest, entwined splats, scrolled arms, foliate cabriole legs, ball and claw feet, h. 44 1/2 in., w. 65 in., d. 21 in

Lot: 472 - Federal-Style Inlaid Mahogany Wig Stand

Antique Federal-Style Inlaid Mahogany Wig Stand, lidded oval case, pilaster standard, foliate collar, incurvate plinth, compressed ball feet, h. 40 in., w. 16 in., d. 13 in.

Lot: 473 - American Mahogany Miniature Bookcase

Antique American Mahogany Miniature Bookcase, upper case with ogee cornice, glazed doors, shelf interior, lower case with five drawers, turned feet, h. 28 1/4 in., w. 18 3/4 in., d. 9 1/2 in. Provenance: Neal Auction, Sept. 10, 2017, lot 917. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 474 - American Classical Eglomise and Mahogany Mirror

American Classical Eglomise and Mahogany Mirror, c. 1810-1815, Philadelphia, cove-molded cornice with applied foliate frieze, lobed columnar stiles, blocked base, h. 51 in., w. 25 in. Provenance: Neal Auction, November 20, 2010, lot 131. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 475 - Georgian Tortoiseshell Tea Caddy

Georgian Tortoiseshell Tea Caddy, 19th c., shallow pyramid lid, impressed design front, interior with lidded compartment, h. 6 in., w. 4 1/8 in., d. 3 3/4 in.

Lot: 476 - George III Tortoiseshell Tea Caddy

George III Tortoiseshell Tea Caddy, 19th c., interior with two lidded compartments, ball feet, h. 5 in. w. 6 3/4 in., d. 3 3/4 in.

Lot: 477 - Georgian Tortoiseshell Tea Caddy

Georgian Tortoiseshell Tea Caddy, 19th c., domed lid, the interior with cut-glass mixing bowl and spoon, compressed ball feet, h. 6 in., w. 4 1/2 in., d. 4 1/2 in.

Lot: 478 - Georgian Tortoiseshell Tea Caddy

Georgian Tortoiseshell Tea Caddy, 19th c., interior with lidded compartment, h. 5 in., w. 4 1/2 in., d. 3 1/4 in.

Lot: 479 - Two Brass-Mounted and Inlaid Burl Wood Lap Desks

Two Georgian Brass-Mounted and Inlaid Burl Wood Lap Desks, 19th c., fitted interiors, larger h. 7 1/4 in., w. 18 in., d. 10 in.

Lot: 480 - Satinwood-Banded and Inlaid Mahogany Sideboard

Fine George III Satinwood-Banded and Inlaid Mahogany Sideboard in the Adam Taste, c. 1800, shaped top, blocked frieze drawer, two deep drawers, side compartment, fluted tapered legs, spade feet, h. 37 3/4 in., w. 80 1/4 in., d. 29 in.

Lot: 481 - George III Inlaid Mahogany Pedestal Dining Table

George III Inlaid Mahogany Pedestal Dining Table, c. 1790, reeded and satinwood-banded top, turned columnar supports, reeded sabre legs, brass paw feet, casters, h. 29 1/2 in., w. 87 1/2 in., d. 46 in.

Lot: 482 - Twelve George III-Style Mahogany Dining Chairs

Twelve George III-Style Mahogany Dining Chairs, incl. two armchairs, ten side chairs, serpentine crest rail, Gothicized pierced splat, scrolled arms, molded legs, stretchers, armchair h. 38 in., w. 26 1/2 in., d. 18 in., side h. 37 in., w. 22 in., d. 18 in.

Lot: 483 - George III Inlaid Burl Walnut Chest of Drawers

Fine George III Inlaid Burl Walnut Chest of Drawers, late 18th c., top with entwined herringbone motif, two short over three long drawers, lower drawer with concave nautical star, bracket feet, h. 39 1/2 in., w. 43 in., d. 19 1/2 in Provenance: Estate of Warren A. Goldstein, Esq., New Orleans.

Lot: 484 - George III Carved Walnut Chest-on-Chest

George III Carved Walnut Chest-on-Chest, late 18th c., flared cornice with chamfered corners, fluted stiles, upper case with three short over three long drawers, conforming lower case with three drawers, bracketed base, h. 70 in., w. 42 in., d. 23 in.

Lot: 485 - George III Inlaid Satinwood Wardrobe

George III Inlaid Satinwood Wardrobe, early 19th c., shaped crest surmounted by urn finials, paneled doors, two deep drawers, shaped bracket feet, h. 93 1/2 in., w. 58 in., d. 27 in.

Lot: 486 - George III Mahogany Chest-on-Chest

George III Mahogany Chest-on-Chest, early 19th c., ogee cornice, three short over three long drawers, base with three graduated drawers, tall bracket feet, h. 70 1/2 in., w. 41 in., d. 22 in. Provenance: Henry Stern, New Orleans.

Lot: 487 - Chippendale-Style Mahogany Piecrust Tea Table

Antique Chippendale-Style Mahogany Piecrust Tea Table, shaped dished tilt top, turned standard, acanthine cabriole legs, ball and claw feet, h. 28 in., dia. 28 in.

Lot: 488 - George III Mahogany Dumbwaiter

George III Mahogany Dumbwaiter, early 19th c., dished circular shelves, baluster support, cabriole legs, casters, h. 35 1/2 in., dia. 23 in.

Lot: 489 - George III-Style Inlaid Mahogany Dresser Base

Antique George III-Style Inlaid Mahogany Dresser Base, banded top with chamfered corners, concave shell-carved drawers, cabriole legs, ball and claw feet, h. 34 1/4 in., w. 83 in., d. 23 in.

Lot: 490 - George III Figured Walnut Slant Front Bureau Desk

George III Figured Walnut Slant Front Bureau Desk, fall-front door, fitted interior, four graduated drawers, bracket feet, h. 43 in., w. 36 in., d. 18 in.

Lot: 491 - Diminutive George III Walnut Chest of Drawers

Diminutive George III Walnut Chest of Drawers, late 18th c., molded top, two short over three long drawers, bracket feet, h. 32 1/4 in., w. 32 1/2 in., d. 18 1/2 in.

Lot: 492 - Assembled Eight George III Mahogany Dining Chairs

Assembled Set of Eight George III Mahogany Dining Chairs in the Adam Taste, late 18th c., incl. two armchairs and six side chairs, fluted crest rail, spindled back, stretchered base, h. 36 in., w. 21 in., d. 19 1/2 in.

Lot: 493 - Brass-Mounted, Inlaid Mahogany Sideboard

Large Antique George III-Style Brass-Mounted and Inlaid Mahogany Sideboard, 19th c., urn-finialed gallery, demilune top, two deep drawers centered by frieze drawer and tambour doors, tapered legs, spade feet, h. 58 in., w. 78 1/2 in., d. 27 1/2 in.

Lot: 494 - George III-Style Carved Mahogany Dining Chairs

Six George III-Style Carved Mahogany Dining Chairs, incl. two arm chairs and four side chairs, pierced backs, straight acanthine crest rail, entwined splat, foliate scrolled arms, molded legs, armchair h. 37 3/4 in., w. 25 in., d. 19 1/2 in., side chair h. 36 3/4 in., w. 21 1/4 in., d. 18 in.

Lot: 495 - Gorham Sterling Silver Flatware Service

Extensive Gorham "Versailles" Pattern Sterling Silver Flatware Service, pat. 1888, incl. 36 dinner forks (l. 7 3/4 in.), 18 luncheon forks (l. 6 3/4 in.), 12 each: dinner knives (l. 9 3/4 in., blunt blades), knives (l. 9 in., modern blades), luncheon knives (l. 8 3/4 in., blunt blades), fish/salad forks, bouillon spoons, iced tea spoons and butter knives (fh), 11 dessert spoons, 13 pastry forks, 24 teaspoons, 14 fruit/orange spoons, 24 demitasse spoons (incl. 12 with gilt wash bowls), 16 tablespoons, pierced tablespoon, 3 cold meat forks, 2 gravy ladles, salad serving fork (l. 8 5/8 in.) and spoon (l. 9 1/4 in.), 2 cheese scoops, tomato server, sugar spoon, Carving knife and fork (hh), l. 12 in., flat server (hh) and cheese knife (hh), total wt. (weighable) 319.35 troy ozs. (254 pcs.) Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 496 - Two American Sterling Silver Ladles

Two American Sterling Silver Ladles, incl. Gorham "Versailles" pattern soup ladle, pat. 1888, bowl retaining gilt wash, l. 12 1/2 in.; and Frank Smith grape and grapevine motif punch ladle, l. 13 3/4 in.; total wt. 16.85 troy ozs. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 497 - American Sterling Silver Flatware Serving Pieces

Good Group of American Sterling Silver Flatware Serving Pieces, incl. Dominick & Haff "Trianon Pierced (pat. 1885) oversized salad serving fork & spoon, gilt wash tines and bowl, l. 11 1/2 in.; "Trianon Pierced" silver gilt and enamel oversized salad serving fork and spoon, l.11 1/2 in.; Reed & Barton "Love Disarmed" (pat. 1899) salad serving fork and spoon, l. 10 1/2 in.; Reed & Barton "Francis I" (pat. 1907) salad serving fork and spoon, gilt wash tines and bowl, l. 9 1/2 in.; Gorham sterling and bone fish serving fork and knife, l. 11 3/4 in.; Durgin "Iris" (pat. 1900)cold meat fork, gilt wash tines, l. 9 5/8 in.; ; and Whiting "Lily" (pat. 1902) sugar sifter spoon, l. 5 3/4 in., total wt. (weighable) 55.30 troy ozs.

Lot: 498 - Kirk "Repousse" Pattern Sterling Silver Flatware

Kirk "Repousse" Pattern Sterling Silver Flatware, pattern introduced 1828, incl. 12 each: forks (l. 7 1/4 in.), knives (l. 8 7/8 in.) and dessert spoons; 15 salad forks, 13 teaspoons, 15 iced tea spoons, 11 butter knives (fh), tablespoon, berry spoon (l. 9 1/8 in.), salad serving fork (9 1/2 in.), master butter knife, jelly server (l. 6 3/4 in.), small carving knife and fork (hh), and ice cream slice (hh) (l. 10 3/4 in.), total wt. (weighable) 113.20 troy ozs., (103 pcs.); in a fitted storage chest.

Lot: 499 - Oneida "Damask Rose" Sterling Silver Flatware

Cased Set of Oneida "Damask Rose" Pattern Sterling Silver Flatware, pat. 1946, incl. 12 each: knives (l. 9 3/8 in.), salad forks, cream soup spoons, iced tea spoons, butter knives (hh) and demitasse spoons; 14 each: forks (l. 7 3/4 in.) and cocktail forks, 26 teaspoons, 1 dessert spoon (l. 7 in.), 1 butter knife (fh); cold meat fork, 2 tablespoons, casserole spoon, gravy ladle, master butter knife (fh), jelly server, lemon fork, bonbon spoon, sugar tongs and cheese knife (hh); together with associated sterling serving pieces of various patterns: sugar tongs, jelly server, relish spoon and 3 pickle forks, total wt. (weighable) 124.85 troy ozs. (146 pcs.) in period mid-century blondwood storage case.

Lot: 500 - French 1st Standard Silver Table Forks & Spoons

Set of Ten French 1st Standard Silver Table Forks and Tablespoons in the Louis XVI Taste, Henri-Louis Chenailler, 277 rue Sainte-Martin, Paris, mid-19th c., each l. 8 3/8 in., total wt. 58.60 troy ozs.

Lot: 501 - Group of Christofle Silverplate Flatware

Group of Christofle Silverplate Flatware, incl. 6 melon forks, pattern CTF325; and 12 cocktail forks, pattern CTF35

Lot: 502 - French Silver Ragout Spoon

Antique French Silver Ragout Spoon, 18th c., l. 13 7/8 in., wt. 5.95 troy ozs.

Lot: 503 - Tiffany & Co. Makers Sterling Silver Revere Bowl

Tiffany & Co. Makers Sterling Silver Revere Bowl, c. 1955-1965, pattern 23619, h. 5 in., dia. 10 ¼ in., wt. 31.45 troy ozs.

Lot: 504 - Tiffany & Co. Makers Sterling Silver Tray

Tiffany & Co. Makers Sterling Silver Circular Tray, mark for 1948-1955, pattern introduced 1928, molded border, script monogram, reverse engraved with 1950 presentation; TOETHER WITH a Towle sterling circular tray, #54260, each dia. 10 in.; total wt. 26.30 troy ozs.

Lot: 505 - Tiffany & Co. Makers Sterling Vegetable Dish

Tiffany & Co. Makers Sterling Silver Oblong Open Vegetable Dish, c. 1955-1965, pattern 23591, scallop shell handles, h. 1 1/4 in., w. 13 1/8 in., d. 7 5/8 in.; together with a Gorham sterling sugar and creamer, pattern 392 & 393, h. 2 5/8 in.; total wt. 27.65 troy ozs.

Lot: 506 - Tiffany & Co. Makers Sterling Silver Compote

Tiffany & Co. Makers Sterling Silver Compote, c.1902-1907, pattern introduced 1900, h. 4 in., dia. 8 3/4 in., wt. 19.05 troy ozs.

Lot: 507 - Black, Starr & Frost Sterling Vegetable Dish

Good American Sterling Silver Covered Vegetable Dish, Black, Starr & Frost, New York, in the neo-classical taste, 1918 NY Stock Exchange presentation, h. 5 1/2 in., w. 12 3/8 in., d. 9 1/4 in., wt. 48.95 troy ozs.

Lot: 508 - Gorham Sterling Silver Oval Platter

Gorham Sterling Silver Oval Platter, date mark for 1929, serpentine border, 16 1/8 in. x 11 3/4 in., wt. 34.30 troy ozs.

Lot: 509 - American Sterling Silver Centerbowl, Frank Smith

American Sterling Silver Centerbowl Frank Smith, Gardner, MA, act. 1886-1958, everted rim with robust scroll border, h. 3 ½ in., dia. 15 ½ in., wt. 32.85 troy ozs. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 510 - American Sterling Silver Centerbowl, Frank Smith

American Sterling Silver Centerbowl, Frank Smith, Gardner, MA, act. 1886-1958, everted rim with robust scroll border, h. 3 ½ in., dia. 15 ½ in., wt. 32.85 troy ozs. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 511 - American Rococo Sterling Silver Centerbowl

Antique American Rococo Sterling Silver Centerbowl, probably early 20th c., oval, everted rim with cut-out handles, boldly scrolled decoration with shells and floral clusters, C-scroll feet, h. 5 ¼ in., w. 16 3/4 in., d. 13 ½ in., wt. 38.90 troy ozs. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 512 - Mauser Art Nouveau Sterling Silver Serving Dish

Mauser Art Nouveau Sterling Silver Serving Dish, New York, c. 1900, oblong with swirl decoration, floral scroll feet, h. 2 in., w. 14 1/8 in., d. 10 3/8 in., wt. 30.50 troy ozs. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 513 - Gorham Sterling Silver Small Tureen

Gorham Sterling Silver Small Tureen, no. A1090, oval with domed cover and loop handles, floral and scroll repousse decoration, h. 6 ½ in., w. 13 in., d. 8 in., wt. 32.60 troy ozs. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 514 - Reed & Barton Sterling Silver Oval Footed Bowl

Reed & Barton "Francis I" Pattern Sterling Silver Oval Footed Bowl, no. X566F, h. 3 3/8 in., w. 12 ½ in., d. 9 3/4 in., wt. 21.65 troy ozs. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 515 - Six Webb Silver Co. Sterling Silver Julep Cups

Set of Six American Sterling Silver Julep Cups, Web Silver Co., Philadelphia. mid-20th c., h. 3 1/2 in., total wt. 18.30 troy ozs.

Lot: 516 - Sterling Silver Open Vegetable Dishes

Pair of American Sterling Silver Open Vegetable Dishes, Bailey, Banks & Biddle, Philadelphia, no. 1822C, shaped oval with molded rim and flat chased floral scroll decoration, h. 2 1/8 in., w. 12 3/4 in., d. 9 1/2 in., wt. 44.10 troy ozs. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 517 - Gorham Sterling Silver Salt and Pepper Castors

Gorham Sterling Silver Salt and Pepper Castors in the Georgian Taste, no. 37, h. 4 3/4 in.; together with Whiting sterling bowl, no. 80, date mark for 1909, dia. 8 3/4 in.; total wt. 13.25 troy ozs. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 518 - Small American Sterling Silver Table Objects

Group of Small American Sterling Silver Table Objects, incl. pair of Frank M. Whiting wine coasters with turned woods bottoms, Gorham "Chantilly" crumber, Gorham bread tray, no. 3845, date mark for 1895, and Gorham heart-shaped dish, no. 4324, date mark for 1896; total wt. (weighable) 17.10 troy ozs. (5 pcs.)

Lot: 519 - Three American Sterling Silver Porringers

Three American Sterling Silver Porringers, incl. David Carlson, Gardner, MA, act. 1920-1931, l. 7 ½ in.; Tiffany & Co. Makers, c. 1955-1965, l. 4 3/8 in.; and Manchester Silver Co., l. 5 ¼ in. "as is"; total wt. 12.85 troy ozs.

Lot: 520 - Baltimore Sterling Silver Repousse Covered Jar

Baltimore Sterling Silver Repousse Covered Jar, Ritter & Sullivan, act. 1900-1915, floral repousse on stippled ground, h. 4 3/8 in.; together with violet motif repousse dish, Alvin, early 20th c., dia. 6 in.; total wt. 11.50 troy ozs.

Lot: 521 - Gorham Sterling Silver After-Dinner Coffee Pot

Art Nouveau Gorham Sterling Silver After-Dinner Coffee Pot, pattern A7871, date mark for 1909, floral decor, h. 10 1/2 in., wt. 19.35 troy ozs.

Lot: 522 - Maison Boin-Taburet, Paris Silverplate Plateau

Maison Boin-Taburet, Paris Silverplate Mirrored Plateau, c. 1900, marked "BOINTABURET A PARIS", est. 1873, reeded surround with rubbed gilt foliate detail, 35 1/2 in. x 23 5/8 in.

Lot: 523 - Good Group of Small Sterling Silver Objects

Good Group of Small Sterling Silver Objects, incl. Buccellati napkin ring, h. 1 1/2 in., dia. 2 in.; repousse vesta case, Simons Brothers, Philadelphia, 1897 presentation inscription, h. 2 5/8 in.; Newport jigger, h. 2 1/2 in.; and repousse cabinet cup and saucer, floral decoration, overall h. 2 1/4 in., w. 4 3/4 in.; total wt. 6.35 troy ozs. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Lot: 524 - William Gottlieb (American/New York, 1917-2006)

William Gottlieb (American/New York, 1917-2006), "Billie Holiday", c. 1948 negative creation date, 1979 print date, gelatin silver print, signed lower left, signed, titled, dated and 2 artist stamps one with print date en verso, partial artist label on backing board, sheet 14 in. x 11 in., framed, overall 22 1/4 in. x 18 1/4 in. x 1 in. Provenance: Estate of Warren A. Goldstein, Esq., New Orleans.

Lot: 525 - Benjamin "Ben" Shahn (Lithuanian/American, 1898)

Benjamin "Ben" Shahn (Lithuanian/American, 1898-1969), "Road Closed", c. 1935 negative creation date, later print, gelatin silver print, unsigned, commissioned by the Resettlement Administration/Farm Security Administration for the U.S. Department of Agriculture, inscribed and 2 partial Farm Security Administration stamps one with artist en verso, label with artist and date and "Ambiance by Parker, Nashville, TN" label on backing board, 6 in. x 9 1/2 in., framed, overall 12 3/4 in. x 16 1/4 in. x 1 1/2 in. Note: While known primarily as a social realist painter who worked with Diego Rivera and Frida Kahlo, Ben Shahn was also a photographer for a decade from 1935 to 1945. His roommate and good friend, Walker Evans, would take him around New York, and they would shoot street photography together, which Shahn primarily used as a reference tool for his paintings. In 1935, Evans took a job with the Resettlement Administration, and Shahn jumped at the chance to join him. From 1935 to 1938, he, along with Evans and Dorothea Lang, were driven around the South by his wife Bernarda Bryson to document the area. The trip yielded not only some of the most powerful depictions of the Great Depression (and poverty in general), but also some of the most famous photographs in the history of the medium. Shahn’s work had always been about protest, fighting against injustice and prejudice, and photography was the perfect way to express his progressive ideas and shed light on the unfairness that afflicted so much of the general populace at the time. He consciously avoided using concepts he learned in his academic training, choosing instead to focus only on the subject at hand as is evident in the photo offered here: a quaint yet powerful view of an empty street and carousel, the absence of people deafening in black and white. In subsequent years Shahn’s use of the camera slowly declined until the late 1940s when he stopped using it altogether, but his images from that era continue to resonate to this day. Ref.: Harlan, Phillip. “An Interview with Ben Shan”, ASX. Mar. 19, 2011. www.americansuburbx.com. Accessed Jan. 10, 2023.

Lot: 526 - Helmut Newton (German/Australian)

Helmut Newton (German/Australian, 1920-2004), "Two Playmates on Back Porch with Lemon Tree, L.A.", negative creation date 1986, print date 1990, gelatin silver print, pencil-signed, titled, dated and numbered "3/10" en verso, pencil-inscribed with artist, title, date, numbered "3/10" and "Gallery for Fine Photography, New Orleans, LA" label on backing board, image 22 1/4 in. x 18 3/4 in., sheet 23 1/2 in. x 19 1/2 in., original frame; overall 32 1/4 in. x 26 1/4 in. x 1 1/2 in.; accompanied by 3 vintage Playboy magazines featuring the photo and models, copy of letter of provenance from A Gallery for Fine Photography, correspondence with Playboy and 2 exhibition posters. (8 pcs.). Provenance: A Gallery for Fine Photography, New Orleans, LA, 1991. Ill.: Newton, Helmut. "Helmut Newton's Playmates". Playboy. Sept. 1987, Vol. 34, No. 9: 86. Note: “For his part Newton has transformed – or at least profoundly influenced – the erotic fantasies of our time and his influence extends farther than he would have imagined, making him a kind of sorcerer’s apprentice, who has unleashed a perpetual motion of contemporary images.” – Karl Lagerfeld From the late 1950s through the late 1990s, Helmut Newton permanently pushed the boundaries and altered the limits of fashion, photography and the way the camera lens views sexuality. Newton never referred to himself as an artist but as a “hired gun” doing what was necessary to accomplish the job, but his unique vision helped to shape the styles of such publications and fashion houses as Vogue, French Vogue, Elle, Yves-Saint Laurent and Chanel by not so subtly blending art, commerce and eroticism. His relationship with Playboy, however, was markedly different than the others. His photographic allusions to film noir and surrealist art were in stark contrast to what the pages of the “gentleman’s magazine” typically published. Further deviating from Playboy’s standard layouts, Newton’s photographs featured women with virtually no makeup and unstyled hair. When referring to “Two Playmates on Back Porch with Lemon Tree, L.A.” on offer here, Newton recalled, “…what interested me most was they came from small provincial towns, not big city girls… I placed the girls in all American settings – back yards, a house trailer…. I’m a B-Movie freak and some American life is like a B-Movie.” Newton’s bold, cinematic approach unveiled an alternative view of fantasy and voyeurism to the glossy, airbrushed world of Playboy. Ref.: Hencz, Adam. “At the Centennial of Helmut Newton’s Birth Where does his Legacy Stand Today”. Artland Magazine. 2020. www.magazine.artland.com. Accessed Aug. 9, 2022. Newton, Helmut. “Helmut Newton’s Playmates”. Playboy. 34.9 (1987): 86. Note: Neal Auction would like to thank Matthias Harder, Director of the Helmut Newton Foundation, for his assistance with the cataloguing of this lot.

Lot: 527 - Clarence John Laughlin (American/Louisiana, 1905)

Clarence John Laughlin (American/Louisiana, 1905-1985), "The Apparition, Woodlawn Plantation (No.5)", 1941 negative creation date, 1973 print date, gelatin silver print mounted to board, unsigned, 2 artist stamps one with date, inscribed with title, date and "Historic New Orleans Collection" stamp on reverse of mount, handwritten label with title and date on backing board, 10 3/8 in. x 13 7/16 in., framed, overall 16 1/4 in. x 20 1/8 in. x 1 in. Ill.: Laughlin, Clarence John. Ghosts Along the Mississippi. New York: John Scribner's Sons, 1921, pl. 96.

Lot: 528 - Walker Evans (American/Missouri, 1903-1975)

Walker Evans (American/Missouri, 1903-1975), "Corner of Uncle Sam Plantation House and Garçonnière, Convent, Louisiana", 1935 negative creation date, later print, gelatin silver print, unsigned, artist stamp and inscribed with title and date en verso, "A Gallery For Fine Photography, New Orleans, LA" label on reverse of mat, 10 in. x 8 in., framed, overall 18 in. x 15 in. x 1 in.

Lot: 529 - Walker Evans (American/Missouri, 1903-1975)

Walker Evans (American/Missouri, 1903-1975), "Greek Revival House, From Across Street, Macon, Georgia", 1935 negative creation date, later print, gelatin silver print, unsigned, artist stamp and inscribed en verso, "A Gallery For Fine Photography, New Orleans, LA" label on reverse of mat, 8 in. x 9 7/8 in., framed, overall 15 in. x 17 3/4 in. x 1 in.

Lot: 530 - Walker Evans (American/Missouri, 1903-1975)

Walker Evans (American/Missouri, 1903-1975), "Longwood Plantation House, Natchez, Mississippi", negative creation date 1935, later print, unsigned, artist stamp and inscribed with title and date en verso, "A Gallery For Fine Photography, New Orleans, LA" label on reverse of mat, 10 in. x 8 in., framed, overall 18 in. x 15 in. x 1 in.

Lot: 531 - Louisiana School, 19th/20th c

Louisiana School, 19th/20th c., "Arlington Historic House, Franklin, Louisiana", gelatin silver print mounted to board, unsigned, inscribed on reverse of mount, 9 1/4 in. x 11 1/2 in., framed, overall 15 1/4 in. x 16 1/4 in. x 1 in. Provenance: Albania Plantation Onsite Auction, Neal Auction Company, May 22, 2004, lot 346.

Lot: 532 - George Nakashima Trestle Dining Table

George Nakashima Trestle Dining Table, c. 1955, New Hope, Pennsylvania, black walnut, two-plank bookmatched top, two free edges, three rosewood butterflies, the underside with client's name "Bogle", h. 29 in., w. 72 3/4 in., d. 36 in. Provenance: John Larkin and Elizabeth Bogle, Maple Glen, PA (from the artist); thence by descent

Lot: 533 - Pair of George Nakashima "Captain's" Chairs

Pair of George Nakashima "Captain's" Chairs, c. 1955, New Hope, Pennsylvania, black walnut, the underside with client's name "Larkin", h. 28 1/2 in., w. 23 3/4 in., d. 20 in. Provenance: John Larkin and Elizabeth Bogle, Maple Glen, PA (from the artist); thence by descent

Lot: 534 - Eileen Gray Chrome and Glass Side Table

Eileen Gray Chrome and Glass Side Table, late 20th c., adjustable h. 20 in to 35 in., dia. 20 in.

Lot: 535 - Maison Bagues Mirrored, Gilt Bronze Coffee Table

Maison Bagues Mirrored and Gilt Bronze Coffee Table, c. 1940s, mirrored oval top, bellflower and foliate surround and legs, flared feet, h. 16 in., w. 44 in., d. 18 3/4 in. Provenance: Alan Moss, New York.

Lot: 536 - Rogers & Goffigon Custom-Upholstered Sofa

Rogers & Goffigon Custom-Upholstered Sofa, peach grosgrain upholstery, loose cushion and pillows, skirt with Samuel & Sons bullion fringe, h. 29 /12 in., w. 81 in., d. 24 in.

Lot: 537 - Paul Ferrante Glass and Metal Coffee Table

Paul Ferrante Glass and Patinated Metal "Branch" Coffee Table, h. 20 in., w. 40 in., d. 40 in.

Lot: 538 - Six Henredon Ming-Style Caned Mahogany Armchairs

Six Henredon Ming-Style Caned Mahogany Armchairs, c. 1960, h. 40 in., w. 22 1/2 in., d. 20 in.

Lot: 539 - Pair of Art Deco Club Chairs

Pair of Art Deco Club Chairs, lobed, padded back, white piping, wood accents, h. 30 1/2 in., w. 37 1/2 in., d. 34 1/2 in.

Lot: 540 - Hunt Slonem (American/Louisiana, b. 1951)

Hunt Slonem (American/Louisiana, b. 1951), "Bunnies", 2012, oil on panel, signed, dated and inscribed en verso, 28 3/4 in. x 39 1/2 in., framed, overall 34 1/2 in. x 45 in. x 1 1/4 in.

Lot: 541 - George Bauer Dunbar (American/Louisiana, b. 1927)

George Bauer Dunbar (American/Louisiana, b. 1927), "Heart", gold leaf on red clay, signed lower center, 14 in. x 12 in., unframed.

Lot: 542 - George Bauer Dunbar (American/Louisiana, b. 1927)

George Bauer Dunbar (American/Louisiana, b. 1927), "Heart", palladium leaf on black clay, signed lower right, 9 3/4 in. x 9 in., unframed.

Lot: 543 - George Bauer Dunbar (American/Louisiana, b. 1927)

George Bauer Dunbar (American/Louisiana, b. 1927), "Torso", clay on panel, signed lower left and right, partial signature en verso, 7 3/4 in. x 9 in., framed, overall 7 3/4 in. x 9 1/4 in. x 2 1/8 in.

Lot: 544 - David Harouni (Iranian/Louisiana, b. 1962)

David Harouni (Iranian/Louisiana, b. 1962), "Don Miquel, Mexico", 1990 and "Miquel", 1990, 2 oils on masonite, both signed lower right, inscribed "1" and "2" en verso, both with handwritten labels on backing paper with artist name and title, one with date, each 8 in. x 7 in., framed alike, overall 12 1/4 in. x 11 1/2 in. x 1 3/4 in. (2 pcs.)

Lot: 545 - Rain Webb (American/Louisiana, 20th c.)

Rain Webb (American/Louisiana, 20th c.), "Study for Neighborhood Archeology Mural", 1987/1993, acrylic on canvas, signed and dated lower left, signed, dated and heavily inscribed en verso, handwritten inscription attached en verso, 28 in. x 28 in., framed, overall 30 5/8 in. x 30 5/8 in. x 1 3/4 in. Note: Rain Webb is known for his mesmerizing paintings which can be seen around New Orleans at locations such as Jacques-Imo’s and, more recently, Boil Seafood House. His artwork has been an integral part of the cultural aesthetic of the city for decades, with perhaps none more recognizable than his landmark mural “Neighborhood Archeology” that formerly graced the side of the Apple Barrel bar on Frenchmen Street. According to Gambit’s Blake Pontchartrain: “Webb asked Philipe Benet, who owned the property in the 1980s, if he could paint a mural on the side of the building to pay tribute to the history and culture of New Orleans.” The lot on offer here is a study for that painting. Centered is a gray-haired academic, green parrot perched on his shoulder, who is studying an artifact while sitting within an excavation site that features the Mississippi riverbend. In the background, the horizon line is adorned with buildings found on Frenchmen Street. This smaller-scale version is the last remaining vestige of the beloved image, as it was eventually painted over following Hurricane Katrina, making it a veritable artifact of New Orleans history. Ref.: “Blake Pontchartrain.” Gambit. July 8, 2014: 13

Lot: 546 - Peter Mars (American/Louisiana, b. 1959)

Peter Mars (American/Louisiana, b. 1959), "The Right Decision", 1989, mixed media on board, signed lower right, signed, titled, artist stamp, numbered "0589" and inscribed en verso, 17 in. x 12 in., unframed.

Lot: 547 - Jeffrey Cook (American/Louisiana, 1961-2009)

Jeffrey Cook (American/Louisiana, 1961-2009), "Abstract Composition in Red", oil and mixed media on panel, unsigned, 19 3/4 in. x 15 3/4 in., unframed.

Lot: 548 - Nancy Renfro (American/Texas, 1937-1993)

Nancy Renfro (American/Texas, 1937-1993), "The Dance", oil on canvas, signed lower left, inscribed "Webber" en verso, 50 in. x 40 in., framed, overall 55 1/2 in. x 45 1/2 in. x 2 1/2 in.

Lot: 549 - Michael Banks (American/Alabama, b. 1972)

Michael Banks (American/Alabama, b. 1972), "Hands Holding Flowers and Rosaries", 2 paint and tar on panels, each signed lower right, 16 in. x 24 in. and 20 in. x 24 in., both unframed. (2 pcs.) Note: Michael Banks is a contemporary self-taught artist from Guntersville, Alabama. As an artistically inclined and resourceful child, Banks drew and painted with whatever materials he could find, including his mother’s lipstick. This resourcefulness led to a later appreciation for found materials and experimentation. Following the devastating loss of his mother, then twenty-year-old Banks struggled with his mental health and could not paint for five years. Fortunately, Banks regained his creative spark after recalling his mother’s encouragement, and his artistic career has since flourished. He often speaks of his drive to create as an unstoppable force or curse, stating it is “paint or die.” The works offered in this lot each feature a lone reaching hand, a flower, and a rosary, all repeating motifs in Banks’ work. The relaxed hands delicately balance the long stems, contrasting with the fervent angular marks in the surface. Banks’ paintings are constructed in layers, frequently with roofing tar as the base that is scraped and incised in a deliberately expressive manner that provides a sense of energy and mystery to his creations. Ref.: “Meet The Artist: Michael Banks.” Kentuck. www.kentuck.org. Accessed Jan. 10, 2023; “Michael Banks.” Mike’s Art Truck. www.mikesarttruck.com. Accessed Jan. 10, 2023.

Lot: 550 - Mario Villa (Nicaraguan/Louisiana, 1953-2021)

Mario Villa (Nicaraguan/Louisiana, 1953-2021), "Fate", 2000/2003, oil on canvas, signed and dated lower left, signed, dated and partial inscription en verso, handwritten label with title on reverse of frame, 36 in. x 24 in., framed, overall 41 in. x 29 in. x 1 1/2 in.

Lot: 551 - Jehudith Sobel (Polish, 1924-2012)

Jehudith Sobel (Polish, 1924-2012), "Landscape with Two Figures", 1962, oil on canvas, signed and dated lower left, 24 in. x 30 in., unframed.

Lot: 552 - Jehudith Sobel (Polish, 1924-2012)

Jehudith Sobel (Polish, 1924-2012), "Abstract Interior", 1958, watercolor on paper mounted to board, signed and dated lower right, 24 in. x 19 in., unframed. Note: Jehudith Sobel began her artistic career at the Academy of Fine Arts in Lodz, Poland where she was introduced to the burgeoning Constructivist movement. This era, when she studied under Kazemir Malevich’s assistant Wladyslaw Streminski, is referred to as her “academic period.” After her schooling, she lived and worked in Israel for five years where she showed in many galleries and museums and began developing her individual style. Upon moving to New York in 1956, Sobel landed a solo show at the Jewish Museum in New York City and was included in several group exhibitions around the city. She and her architect husband bought a summer home in Woodstock, NY where she became involved in the Woodstock Artists Association. Informed by her Constructivist instructors as well as global art trends at the time gearing towards abstraction, Sobel’s work references these movements while maintaining her own distinct style with rich, complex colors and expressive brushwork. Despite her roots in the abstract, her compositions depict everyday life, frequently focusing on interior scenes and landscapes as is evident the lots on offer here. Ref.: “Jehudith Sobel”. Bellus Fine Art. www.bellusfineart.com. Accessed: Jan. 11, 2023.

Lot: 553 - Yankel Ginzburg (Russian/American/Israeli)

Yankel Ginzburg (Russian/American/Israeli, b. 1945), "Emerging", 1992, serigraph on 4 acrylic adjustable panels, signed and numbered "23/99" on self-base, h. 28 in., w. 24 in., d. 10 in. Note: Yankel Ginzburg is an interdisciplinary artist who initially started as a painter then expanded his oeuvre to include prints, tapestry, jewelry, furniture and sculpture. He first gained artistic recognition with his large-scale canvases, but through experimentation with paint and glass, found a way to use light and color in a new and engaging way. Ginzburg’s acrylic sculptures are “a painters view of the third dimension,” and the one on offer here “Emerging” showcases his unique technique of using biomorphic forms punctuated by a strong, bright palette. Ref.: Ziegler, J.C. and Yankel Ginzburg. “Yankel Ginzburg Biography.” Yankel Ginzburg. 2013. www.yankelginzburg.com. Accessed Jan. 11, 2023

Lot: 554 - Charles Henry Alston (American/New York)

Charles Henry Alston (American/New York, 1907-1977), "Grim Reaper", pencil and crayon on vellum laid on board, pencil-signed lower center, 16 in. x 12 1/2 in., framed, overall 25 1/4 in. x 21 7/8 in. x 1 3/4 in.

Lot: 555 - Lance Letscher (American/Texas, b. 1962)

Lance Letscher (American/Texas, b. 1962), "Water", 2001, mixed media collage on masonite mounted to board, signed and titled on reverse of mount, "D. Berman Gallery, Austin, TX" label with artist, title and date on backing board, 10 1/2 in. x 13 1/4 in., framed, overall 19 1/2 in. x 22 1/4 in. x 3 in. Provenance: D. Berman Gallery, Austin, TX. Note: As a child Lance Letscher would clean out empty rental properties for his grandparents, creating stories around the items the previous tenants had left behind. This childhood activity would eventually become part of his creative process in rummaging for old magazines, books, notebooks and record covers - the “traces of other people” - that end up in his collages. Originally starting his artistic life as a sculptor, the process of collage interested him greatly and led to a shift in the focus of his work. The nature of the medium involves taking the work of other people and disassociating it from the original intent, creating questions of what something was before, who made it and how does it relate now. Letscher claims he does no sketches and has no idea of the finished product when he sits down to create: “I am all about working in a way that takes as much of the control from my conscious mind as possible.” This method results in a balance between the ambiguity of abstraction and a loose narrative that forms from the natural associations he makes with the objects. His background in sculpture is also clearly present with many of his works being constructed in multiple layers, as seen in the two fascinating lots on offer here. Often Letscher mounts his collages on wood and then cuts the wood and rearranges the pieces creating “a three-dimensional illusion.” The artist refers to his works as “unfinished thoughts…they are dysfunctional models that have a feeling of precarious equilibrium that I really identify with.” Ref.: Perlaky, Daniel. “Traces of Other People’s Lives Manifested from a Profound and Excruciating Sense of Boredom.” 2011. Bleach. www.bleachonline.com. Accessed Jan. 10, 2023.

Lot: 556 - Lance Letscher (American/Texas, b. 1962)

Lance Letscher (American/Texas, b. 1962), "Lightning Rod", 2004, mixed media collage on masonite mounted to panel, signed and titled on reverse of mount, "D. Berman Gallery, Austin, TX" label with artist, title and date on backing board, 10 1/2 in. x 8 in., framed, overall 21 in. x 18 1/2 in. x 1 5/8 in. Provenance: D. Berman Gallery, Austin, TX.

Lot: 557 - Erin Cone (American/Texas, b. 1976)

Erin Cone (American/Texas, b. 1976), "Spotlight", 2006, oil on canvas, initialed lower right, titled and dated on stretcher, artist card on stretcher, 18 in. x 33 in., unframed.

Lot: 558 - Erin Cone (American/Texas, b. 1976)

Erin Cone (American/Texas, b. 1976), "Couplet 2", 2013, oil on canvas, initialed lower right, signed, titled and dated on stretcher, 24 in. x 18 in., unframed.

Lot: 559 - Chris Doyle (American/New York, b. 1959)

Chris Doyle (American/New York, b. 1959), "Prophet", 2013, watercolor on paper, "Catharine Clark Gallery, San Francisco, CA" labels with artist, title and date on backing paper, 32 in. x 32 in., framed, overall 36 1/4 in. x 36 1/8 in. x 1 1/8 in. Note: Chris Doyle is a multi-disciplinary artist based in Brooklyn, New York. He received his Bachelor of Fine Arts at Boston College in 1981 and his Master of Architecture from Harvard University in 1985. His work ranges from large-scale public installations to crude stop-motion animation to starkly vivid and intricate watercolor paintings. Throughout his career, Doyle focuses on humanity’s relationship to the natural world with his work reflecting themes of “the tension between the individual and the group in a culture fiercely devoted to progress.” The painting offered today is reminiscent of his 2012 series of watercolors “The Savage State” in which he reinterprets Thomas Cole’s “The Course of Empire” (1833-1836), illustrating the forest floor and the trees overhead through fractured geometry. This depiction of the angelic child as “the prophet” with the group of children listening intently remarks upon the reality that the next generation must confront what the previous one has overlooked, especially when considering humans’ relationship with the earth. Doyle’s characteristic sharp lines and shapes contrast with the hazy glow of the prophet figure. The stark off-center angle of negative space cuts into the canopy of trees above, adding compositional dynamism and a visual thread to his other works. Ref.: “Bio.” Chris Doyle. www.chrisdoylestudio.com. Accessed Jan. 10, 2023; “Chris Doyle.” Catherine Clark Gallery. www.cclarkgallery.com. Accessed Jan. 10, 2023 Note: Sold to benefit the Greater Baton Rouge Food Bank.

Lot: 560 - Jose Basso (Chilean, b. 1949)

Jose Basso (Chilean, b. 1949), "Luna de Dia", 2021, oil on canvas, signed lower right, label with artist, title and date on backing paper, 35 in. x 23 in., framed, overall 37 1/2 in. x 25 1/2 in. x 2 1/8 in.

Lot: 561 - Pedro Friedeberg (Mexican, b. 1936)

Pedro Friedeberg (Mexican, b. 1936), "Hand Chairs", 4 carved giltwood sculptures, each signed on underside, h. 4 1/4 in., w. 2 1/2 in., d. 3 1/4 in. to h. 6 in., w. 3 3/4 in., d. 4 3/4 in. (4 pcs.)

Lot: 562 - Pedro Friedeberg (Mexican, b. 1936)

Pedro Friedeberg (Mexican, b. 1936), "Hand Foot Table", carved giltwood with glass top, signed on underside, h. 24 1/4 in., dia. 22 in.

Lot: 563 - Francisco Bajen (Spanish, 1912-2014)

Francisco Bajen (Spanish, 1912-2014), "Cristos", oil on canvas, signed lower right, partial label inscribed "Bajen" on stretcher, 36 3/8 in. x 26 in., framed, overall 45 1/8 in. x 34 5/8 in. x 2 1/4 in.

Lot: 564 - Joan Miro (Spanish, 1893-1983)

Joan Miro (Spanish, 1893-1983), "Le Marteau sans Maitre (Dupin 957)", 1976, color etching with aquatint on Japon nacre, pencil-signed and numbered "VIII/L" lower margin, deluxe edition of 50 on Japon nacre, aside from edition of 125, "Martin Lawrence Galleries" label with artist and title on backing, printed by Morsan, Saint Michel sur Orge, published by Le Vent d'Arles, Paris, 11 1/4 in. x 9 in., framed, overall 27 1/4 in. x 24 1/8 in. x 7/8 in.; accompanied by a copy of a certificate of authenticits with print information attached to backing board.

Lot: 565 - Ann McLeod (American/Arizona, 20th c.)

Ann McLeod (American/Arizona, 20th c.), "Waves Crashing on Rocks", oil on canvas, signed lower right, "Atlantis, Koloa, HI" label on backing paper, 18 in. x 30 3/4 in., framed, overall 24 7/8 in. x 37 1/2 in. x 1 1/2 in.

Lot: 566 - LeRoy Neiman (American, 1921-2012)

LeRoy Neiman (American, 1921-2012), "Kilamanjaro Bulls", 1992, serigraph in colors, pencil-signed and numbered "162/375" lower margin, 27 in. x 37 1/2 in., framed, overall 43 3/4 in. x 55 1/2 in. x 2 in.; accompanied by a copy of the certificate of authenticity from Galerie Michelangelo. (2 pcs.)