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Auction Information

Collect: American Art

Tue Dec 07 - 01:00PM


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Freeman's

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Auctioneer ID#: 20881

Phone: 215.563.9275

License: RH000017L

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  • FRANK B. HOFFMAN (AMERICAN, 1888-1958)

    FRANK B. HOFFMAN (AMERICAN, 1888-1958)

  • OLIVER KEMP (AMERICAN, 1887-1934)

    OLIVER KEMP (AMERICAN, 1887-1934)

  • FRANK EARLE SCHOONOVER (AMERICAN,

    FRANK EARLE SCHOONOVER (AMERICAN,

  • EVERETT SHINN (AMERICAN, 1876-1953)

    EVERETT SHINN (AMERICAN, 1876-1953)

Lot: 1 - FRANK B. HOFFMAN (AMERICAN, 1888-1958) TROUT FISHERMAN

Frank B. Hoffman (American, 1888-1958) Trout Fisherman Signed and inscribed with artist's cypher bottom left, oil on board (18 x 24 in. (45.7 x 61cm)) Provenance Private Collection, Texas. Fort Worth Art Association, Fort Worth, Texas.Private Collection, California. Condition report: In very good overall condition. A tiny pinpoint of loss is present at upper center. A series of small brown marks near the signature may be surface soiling.Frame: 24 x 30 1/4 x 2 in.

Lot: 2 - OLIVER KEMP (AMERICAN, 1887-1934) UNTITLED (FISHING)

Oliver Kemp (American, 1887-1934) Untitled (Fishing) Signed bottom right, oil on canvas (23 3/4 x 15 1/2 in. (60.3 x 39.4cm)) Provenance Waddington's Auctioneers, Toronto, Ontario, n.d.Private Collection, California. Condition report: The relined canvas is in very good overall condition. A vertical black line is present in upper left, perhaps an old scratch or stretcher crease. The very slightest areas of craquelure are occasionally present, for example along the female figure's back. Inpainting is present where the trees meet the sky, along with two 1/2" areas underneath the reflection of the boat. Occasional flecks of inpainting are also present at bottom center. See Specialist's phtoso for details. Frame: 30 1/4 x 22 1/4 x 1 1/2 in.

Lot: 3 - FRANK EARLE SCHOONOVER (AMERICAN, 1877-1972) TWO TROUTS

Frank Earle Schoonover (American, 1877-1972) Two Trouts Signed, dated '1906,' and located 'Long Lake, Canada' bottom right, pastel on paper (8 x 11 in. (20.3 x 27.9cm)) Provenance Private Collection, California. Condition report: Note: this artwork was not examined out of the frame. Frame: 21 x 24 7/8 x 1 1/2 in.

Lot: 4 - EVERETT SHINN (AMERICAN, 1876-1953) DRAPED NUDE

Everett Shinn (American, 1876-1953) Draped Nude Signed bottom right, sanguine on paper Sheet size: 14 x 8 3/4 in. (35.6 x 22.2cm) Provenance Graham Gallery, New York, New York.Private Collection, California. Condition report: In good condition. The sheet is slightly rippling along the edges. Two hard creases are present along the right edge, one horizontal and measuring approximately 3" and one diagonal and also measuring approximately 3". The paper around the signature is slightly lighter, perhaps a result of a previous conservation treatment. The remnants of a signature ("INN") are present at the bottom center verso. The sheet is inscribed 'R-41-A' and '3' on the verso. The sheet is mounted such that the edges could not be examined. Frame: 22 3/4 x 16 x 1 in.

Lot: 5 - CHARLES HAROLD DAVIS (AMERICAN, 1856-1933) LANDSCAPE ON THE HUDSON RIVER

Charles Harold Davis (American, 1856-1933) Landscape on the Hudson River Signed bottom left, oil on canvas (28 1/4 x 35 1/4 in. (71.8 x 89.5cm)) Provenance Private Collection, California. Condition report: Frame: 38 3/4 x 45 3/4 x 2 1/2 in.

Lot: 6 - FRANK VINCENT DUMOND (AMERICAN, 1865-1951) NORTH RIVER

Frank Vincent Dumond (American, 1865-1951) North River Signed bottom left; also titled on upper stretcher verso, oil on canvas (24 x 30 in. (61 x 76.2cm)) Provenance Private Collection, California. Condition report: Frame: 28 1/8 x 34 7/8 x 1 1/2 in.

Lot: 7 - SYDNEY MORTIMER LAURENCE (AMERICAN, 1865-1940) UNTITLED (SHALLOW REFLECTIONS)

Sydney Mortimer Laurence (American, 1865-1940) Untitled (Shallow Reflections) Signed bottom left, oil on canvas (12 x 18 in. (30.5 x 45.7cm)) Provenance Private Collection, California. Condition report: Frame: 16 1/2 x 22 3/8 x 1 3/4 in.

Lot: 8 - BRUCE KURLAND (AMERICAN, 1938-2013) MAGNOLIAS AND DAMSEL FLY NYMPHS

Bruce Kurland (American, 1938-2013) Magnolias and Damsel Fly Nymphs Initialed and dated '79' bottom right, oil on panel (14 x 11 3/4 in. (35.6 x 29.8cm)) Provenance Collection of Francis Moro. Washburn Gallery, New York, New York.Private Collection, California. Footnote: Exhibited"Bruce Kurland: Insight into Still Life," Burchfield Center Western New York Forum for American Art, State University College at Buffalo, Buffalo, New York, October 9 - November 27, 1983. NoteBruce Kurland began his career in his native New York, where training at the National Academy and Art Students League instilled an appreciation for early Dutch and French still life painting. After a few gallery exhibitions in the 1960s, Kurland left the city in pursuit of a quieter life in rural New York, eventually establishing a permanent studio in Buffalo. Inspired by his bucolic surroundings, Kurland developed his most recognizable and popular work - surrealist still lives of plants, animals, and everyday objects with allusions to mortality and time. In Magnolias and Damsel Fly Nymphs, the self-predatory flies swirl around decaying branches while the pinks and reds imbue vibrancy and life into the painting. Paintings such as Arrangement with Magnolias depict a pitcher balancing precariously on its edge, defying gravity and suspended in time. By employing bright, cheerful colors to capture the oft-melancholic subject matter, in Kurland’s paintings are at once haunting reminders of our own impermanence while remaining reverent to the natural world. Condition report: Frame: 19 7/8 x 17 3/4 x 1 in.

Lot: 9 - BRUCE KURLAND (AMERICAN, 1938-2013) CAKES AND ANGELS

Bruce Kurland (American, 1938-2013) Cakes and Angels Signed, titled, dated '1997,' and located 'Buffalo' verso, oil on panel (12 x 10 in. (30.5 x 25.4cm)) Provenance Private Collection, California. Footnote: NotePlease see lot 8 for more information about this artist. Condition report: In very good overall condition. Pinpoint-sized white spots are present throughout the composition, though this appears inherent to the work rather than loss. Frame: 16 5/8 x 14 1/4 x 2 in.

Lot: 10 - BRUCE KURLAND (AMERICAN, 1938-2013) ARRANGEMENT WITH MAGNOLIAS

Bruce Kurland (American, 1938-2013) Arrangement with Magnolias Initialed upper right, oil and collage on panel (12 x 10 in. (30.5 x 25.4cm)) Provenance The Artist. Claude Bernard Gallery, Ltd., New York, New York. Michele Soskine, Inc., New York, New York.Private Collection, California. Footnote: Exhibited"Bruce Kurland: Insight into Still Life," Burchfield Center Western New York Forum for American Art, State University College at Buffalo, Buffalo, New York, October 9 - November 27, 1983. NotePlease see lot 8 for more information about this artist and artwork. Condition report: Frame: 15 3/4 x 13 3/4 x 1 1/2 in.

Lot: 11 - BRUCE KURLAND (AMERICAN, 1938-2013) STILL LIFE - SNIPE

Bruce Kurland (American, 1938-2013) Still Life - Snipe Signed, titled, dated '1997,' and located 'Buffalo' verso, oil on panel (14 x 12 in. (35.6 x 30.5cm)) Provenance Private Collection, California. Footnote: NotePlease see lot 8 for more information about this artist. Condition report: Frame: 18 5/8 x 16 1/4 x 2 in.

Lot: 12 - EDMUND DARCH LEWIS (AMERICAN, 1835-1910) WEST POINT - HUDSON RIVER

Edmund Darch Lewis (American, 1835-1910) West Point - Hudson River Signed and dated '1886' bottom right; also titled verso, oil on canvas (22 x 36 in. (55.9 x 91.4cm)) Provenance Private Collection, Pennsylvania. Condition report: Frame: 29 1/2 x 43 x 3 in.

Lot: 13 - ATTRIBUTED TO SEVERIN ROESEN (AMERICAN, 1815-1872) STILL LIFE WITH FRUIT, WINE GLASS ON MARBLE LEDGES

Attributed to Severin Roesen (American, 1815-1872) Still Life with Fruit, Wine Glass on Marble Ledges Oil on canvas (30 x 25 in. (76.2 x 63.5cm)) Provenance "Important American Paintings, Drawings & Sculpture," Christie's New York, New York, November 30, 1990, lot 14."American & California Paintings and Sculpture," Bonhams San Francisco, San Francisco, California, December 13, 2000, lot 3033.Private Collection, California. Footnote: Note For a nearly identical work(minus the oval) fully attributed to the master, please see Shannon's, sale of April 22, 1999, lot 118. Condition report: Frame: 36 x 31 x 2 in.

Lot: 14 - MARY RUSSELL SMITH (AMERICAN, 1842-1878) DRINKING FROM THE OLD CANTEEN

Mary Russell Smith (American, 1842-1878) Drinking From the Old Canteen Faintly initialed bottom right; also titled and inscribed 'Painted at Gettysburg, in 186/ by Mary Smith but unfinished' verso, oil on board (9 x 12 in. (22.9 x 30.5cm)) Provenance Private Collection, Pennsylvania. Condition report: In very good overall condition. A series of small, brown, circular spots of surface soiling appear in upper center. Very faint, blueish lines of surface soiling are also present in upper center. A pinpoint of paint loss is present along the left edge. A 1 1/2 inch strip of inpainting is present at bottom right edge. See Specialist's photos for details. Frame: 13 1/2 x 16 3/4 x 2 in.

Lot: 15 - ELIHU VEDDER (AMERICAN, 1836-1923) CART IN A FARMYARD

Elihu Vedder (American, 1836-1923) Cart in a Farmyard Signed bottom right, oil on canvas (9 1/2 x 13 in. (24.1 x 33cm)) Provenance Private Collection, New York, New York. Footnote: Exhibited"Myth and Reality: Elihu Vedder and American Painters in Italy," Questroyal Fine Art, New York, New York, May 10 - 31, 2012. Condition report: In very good overall condition. Small areas of inpainting are present in the lower right corner, right center, and lower left. See Specialist's photos for more details. Frame: 16 x 19 1/2 x 2 in.

Lot: 16 - ELIHU VEDDER (AMERICAN, 1836-1923) GIRL WITH A DISTAFF

Elihu Vedder (American, 1836-1923) Girl With a Distaff Oil on canvasExecuted in 1871. (11 7/8 x 6 5/8 in. (30.2 x 16.8cm)) Provenance Private Collection, New York, New York. Footnote: Exhibited"Viaggiatori Appassionati: Elihu Vedder e altri Paesaggisti Americani dell'Ottocento in Italia," Raffaele de Grada, San Gimignano, Italy, June 29 - September 29, 2002 (in the exhibition catalog no. 22 (illustrated). "Viaggiatori Appassionati: Elihu Vedder e altri Paesaggisti Americani dell'Ottocento in Italia," Museo Hendrik Christian Anderson, Rome, Italy, October 15, 2002 - January 12, 2003 (in the exhibition catalog no. 22 (illustrated). "Myth and Reality: Elihu Vedder and American Painters in Italy," Questroyal Fine Art, New York, New York, May 10 - 31, 2012, in the exhibition catalogue, no. 6 (illustrated). Condition report: In very good overall condition. The beginnings of craquelure are present along the extreme edges where the canvas meets the frame. There is no evidence of restoration when examined under UV light. Frame: 16 1/2 x 10 3/4 x 2 in.

Lot: 17 - ELIHU VEDDER (AMERICAN, 1836-1923) RUINS AT PORTO D'ANZIO

Elihu Vedder (American, 1836-1923) Ruins at Porto d'Anzio Signed and titled bottom left; also signed and titled again, dated '1911' and inscribed 'Where the statue of the so called/ "Fanciulla d'Anzio" was found,/ Sex still unascertained-/ Down there with G. Costa - long ago -/ painted "ditto"' verso, oil on canvas (7 3/4 x 12 1/2 in. (19.7 x 31.8cm)) Provenance Private Collection, New York, New York. Footnote: Exhibited"Myth and Reality: Elihu Vedder and American Painters in Italy," Questroyal Fine Art, New York, New York, May 10 - 31, 2012, in the exhibition catalogue, no. 16 (illustrated). Condition report: In overall very good condition. Three diagonal surface scratches are present along the lefthand side of the painting, the longest measuring approximately 2" in length. Two small spots of inpainting are present at center middle, the larger approximately 1/4" in diameter. See Specialist's photos for details. Frame: 12 3/4 x 17 5/8 x 1 in.

Lot: 18 - THOMAS HIRAM HOTCHKISS (AMERICAN, 1813-1896) GUBBIO, PERUGIA

Thomas Hiram Hotchkiss (American, 1813-1896) Gubbio, Perugia Dated 'Sep 2/67' bottom left; also signed in yellow pastel verso and inscribed 'Sketch by Hotchkiss/ given to/ E: Vedder/ Sep. 67-/ ... Perugia & Gubbio,' oil on board (10 7/8 x 7 1/4 in. (27.6 x 18.4cm)) Provenance The Artist.A gift from the above. Collection of Elihu Vedder, New York (per inscription verso).Private Collection, New York, New York. Footnote: Exhibited "Dreams and Shadows: Thomas H. Hotchkiss in Nineteenth-Century Italy," National Academy of Design, New York, New York, September 1993 - January 1994."Myth and Reality: Elihu Vedder and American Painters in Italy," Questroyal Fine Art, New York, New York, May 10 - 31, 2012, in the exhibition catalog, no. 12 (illustrated). Condition report: The painting is in good overall condition. Small, unobtrusive areas of craquelure are present, particularly along the righthand side of the painting. No evidence of restoration when examined under UV light. Frame: 15 7/8 x 12 1/8 x 2 in.

Lot: 19 - ROBERT LOFTIN NEWMAN (AMERICAN, 1827-1912) THE WANDERING MIND

Robert Loftin Newman (American, 1827-1912) The Wandering Mind Signed bottom left, oil on canvas (11 1/4 x 9 1/4 (28.6 x 23.5cm)) Provenance The Artist.Acquired directly from the above.Sir William Van Horne, Montreal, Canada.To his daughter, Miss Adaline Van Horne (by 1934).Private Collection, Ontario, Canada."Doyle at Home," Doyle New York, New York, New York, December 5, 2012, lot 89.Acquired directly from the above sale.Private Collection, Oregon. Footnote: Literature Marchal E. Landgren, Robert Loftin Newman, Smithsonian Institution Press, Washington, D.C., 1973, no. 152, pp. 39,171 (illustrated). Frederic F. Sherman, "Robert Loftin Newman" in Landscape and Figure Painters of America, Nabu Press, New York, 2010, p. 14 (illustrated, reproduced from Art in American 4 (April 1916): 177-184). Condition report: The painting is in good overall condition. Craquelure is present across the surface but appears stable at present. Examination under UV light reveals a milky green varnish across the composition which makes it difficult to inspect. Apart from inpainted fleckes in upper left corner, it is assumed that the purple recesses are the degradation of the varnish rather than restoration. Frame: 18 1/2 x 16 x 2 1/2 in.

Lot: 20 - ROBERT LOFTIN NEWMAN (AMERICAN, 1827-1912) SAPPHO

Robert Loftin Newman (American, 1827-1912) Sappho Oil on canvasExecuted circa 1896. (12 1/4 x 18 1/2 in. (31.1 x 46.3cm)) Provenance Macbeth Gallery, New York, New York.John Gellatly, New York, New York (by 1896).Macbeth Gallery, New York, New York (by 1919).Vose Galleries, Boston, Massachusetts. Frank K. NM. Rehn, New York, New York (by 1927). Joseph Katz, Baltimore, Maryland (by 1944).Victor D. Spark and Graham Gallery, New York, New York (by 1961).Private Collection, New York.Babcock Galleries, New York, New York.Private Collection, Oregon (acquired directly from the above in 2000). Footnote: Exhibited Knoedler & Co., New York, New York, November 13-December 2, 1939. Graham Gallery, New York, New York, September 20-October 21, 1961. Smithsonian Institution, National Collection of Fine Arts, Washington D.C., October 26, 1973-January 6, 1974. Tennessee Fine Arts Center, Nashville, Tennessee, February 8-April 28, 1974. Literature Marchal E. Landgren, Two American Romantics of the Nineteenth Century, Robert Loftin Newman and Albert Pinkham Ryder, Knoedler & Co., New York, 1939, no. 26. Robert Loftin Newman, Graham Gallery, new York, 1961, no. 1 (as Seated Woman). Marchal E. Langren, Robert Loftin Newman, Smithsonian Instution Press, Washington D.C., 1973, no. 136, pp. 79, 86 and 166 (illustrated). Condition report: Frame: 18 1/2 x 24 1/4 x 2 3/4 in.

Lot: 21 - HOVSEP PUSHMAN (AMERICAN, 1877-1966) THE MOOR MUSICIAN

Hovsep Pushman (American, 1877-1966) The Moor Musician Signed and dated '99' bottom right, oil on canvas (13 x 10 in. (33 x 25.4cm)) Provenance Private Collection, California. Condition report: The painting is in good condition. Craquelure is present across the surface but appears stable at present. Minor stretcher creases are present, particularly along the right edge, measuring about 5" in length. Frame: 16 1/4 x 13 1/2 x 1 1/4 in.

Lot: 22 - SAMUEL COLMAN (AMERICAN, 1832-1920) VIEW OF A TOWN

Samuel Colman (American, 1832-1920) View of a Town Signed bottom right, oil on boardExecuted in 1862. (9 5/8 x 12 7/8 in. (24.6 x 32.7cm)) Provenance Private Collection, New York, New York. Condition report: In very good condition. There are very minor areas of paint loss in the upper right and left corners where the artwork meets the frame. A horizontal line of inpainting is present at center right to restore a previously extant scratch, measuring approximately 3" in length. Frame: 18 3/4 x 21 7/8 x 3 in.

Lot: 23 - SAMUEL COLMAN (AMERICAN, 1832-1920) CAPRI AT SUNSET

Samuel Colman (American, 1832-1920) Capri at Sunset Signed bottom right, oil on canvasExecuted between 1871-1875. (9 1/8 x 15 3/8 in. (23.2 x 39.1cm)) Provenance Private Collection, New York, New York. Footnote: Exhibited"Myth and Reality: Elihu Vedder and American Painters in Italy," Questroyal Fine Art, New York, New York, May 10 - 31, 2012, in the exhibition catalogue, no. 21 (illustrated). Condition report: In stable, fair overall condition. Large areas of craquelure are present in the sky. The surface is worn at the extreme ages, presumably from wear where the canvas meets the frame. There is a small spot of inpainting in the center left area of the sky. See Specialist's photos for details. Frame: 17 1/4 x 23 1/8 x 3 in.

Lot: 24 - AFTER FREDERIC REMINGTON (AMERICAN, 1861-1909) BRONCO BUSTER

After Frederic Remington (American, 1861-1909) Bronco Buster Inscribed 'Frederic Remington' bottom right, also inscribed 'Silver/ Henry Bonnard Foundry/ Founder N.Y. 1895 Cast #AP/50' on the base, plated silver on granite base height: 22 in. (55.9cm)width: 20 in. (50.8cm)depth: 11 in. (27.9cm)base: 18 x 20 x 14 in. (45.7 x 50.8 x 35.6cm) Provenance Private Collection, South Carolina.

Lot: 25 - JOHN STEUART CURRY (AMERICAN, 1897-1946) JOHN BROWN

John Steuart Curry (American, 1897-1946) John Brown 1939, pencil signed bottom right, from the edition of 250, with wide margins, Associated American Artists, New York, New York, publisher. Lithograph on wove paper. Image size: 14 3/4 x 10 7/8 in. (37.5 x 27.6cm)Sheet size: 18 3/8 x 13 1/2 in. (46.7 x 34.3cm)[Cole, 34] Provenance Private Collection, Philadelphia, Pennsylvania. Condition report: In fair overall condition. The sheet is toned with timed and has gentle mat staining around the image. The sheet was previously laid to another sheet of paper, preventing the full examination of the back of the sheet. The sheet with occasional signs of early foxing in the margins. Remnants of previous mounting are present along the top edge. A horizontal tear measuring approximately 1" has been repaired along the center left margin. Surface soiling is present at center left and bottom left. Frame: 20 3/4 x 16 x 1/2 x 1/2 in.

Lot: 26 - FREDERICK CARL FRIESEKE (AMERICAN, 1874-1939) LADY SEWING

Frederick Carl Frieseke (American, 1874-1939) Lady Sewing Signed bottom left, watercolor on paperSight size: 9 x 7 1/4 in. (22.9 x 18.4cm) Provenance Private Collection, California. Condition report: In very good overall condition. The sheet with diagonal creases in the upper left and right corners that are largely flattened when framed. The sheet with a very minor ripple in the bottom right corner. Note: this artwork was not examined out of the frame.Frame: 20 1/2 x 18 1/2 x 2 1/4 in.

Lot: 27 - ROBERT HENRI (AMERICAN, 1865-1929) THE BOHEMIAN

Robert Henri (American, 1865-1929) The Bohemian Signed bottom left, pastel on paperSheet size: 19 1/4 x 12 1/2 in. (48.9 x 31.8cm) Provenance Acanthus & Reed, New Castle, Delaware."September Auction," Sloans & Kenyon, Chevy Chase, Maryland, September 18, 2016, lot 1325A. Acquired directly from the above sale.Private Collection, New York, New York. Condition report: In good condition. The sheet with occasional soft ripples along the edges. There is a hard, horizontal crease along the right edge, measuring approximately 1 1/2". The sheet is slightly mat stained around the edges, about 1/2" at the widest. The sheet is inscribed in pencil '14' bottom left corner.Frame: 26 1/8 x 18 5/8 x 1 1/2 in.

Lot: 28 - ROCKWELL KENT (AMERICAN, 1882-1971) STANDING FEMALE NUDE

Rockwell Kent (American, 1882-1971) Standing Female Nude With the Artist's Estate stamp bottom right, pencil on laid paper (12 1/2 x 8 1/4 in. (31.8 x 21cm)) Provenance The Artist.The Estate of the Artist. Private Collection, Virginia. Condition report: Frame: 21 3/4 x 17 1/2 x 1 in.

Lot: 29 - BORIS LOVET-LORSKI (AMERICAN, 1894-1973) HEAD OF A BEARDED MAN

Boris Lovet-Lorski (American, 1894-1973) Head of a Bearded Man Incised with signature bottom right, limestone on marble baseheight: 15 in. (38.1cm)width: 8 1/2 in. (21.6cm)depth: 10 in. (25.4cm)base: 7 7/8 x 7 7/8 x 7 7/8 in. (20 x 20 x 20cm) Provenance Collection of Fredrica Wagman, New York, New York.By descent in the family.Private Collection, New York, New York.

Lot: 30 - EILEEN PARNELL (IRISH, 1897-1987) LADY GODIVA

Eileen Parnell (Irish, 1897-1987) Lady Godiva Signed at base bottom right, also with 'ROMAN BRONZE WORK N.Y.' foundry mark on the rim of the base verso to the left, bronze with golden brown patina.height: 14 in. (35.6cm)width: 13 in. (33.0cm)depth: 4 1/2 in. (11.4cm) Provenance Rago Auctions, Lambertville, sale of May 20, 2007, lot 1411.Acquired directly from the above sale.Private Collection, Lambertville, New Jersey.Private Estate, New Jersey.

Lot: 31 - HOBSON PITTMAN (AMERICAN, 1900-1972) STILL LIFE WITH POPPIES

Hobson Pittman (American, 1900-1972) Still Life with Poppies Signed upper left, oil on board (14 1/4 x 22 in. (36.2 x 55.9cm)) Provenance Babcock Galleries, New York, New York.Private Collection, Pennsylvania. Condition report: In very good overall condition. Pinpoints of brown/black surface soiling are occasionally present on the white background. Frame: 18 7/8 x 26 1/4 x 1 1/2 in.

Lot: 32 - HOBSON PITTMAN (AMERICAN, 1900-1972) ROSES IN AN IRONSTONE PITCHER

Hobson Pittman (American, 1900-1972) Roses in an Ironstone Pitcher Signed bottom right, oil on canvas (16 1/2 x 12 1/4 in. (41.9 x 31.1cm)) Provenance Private Collection, Pennsylvania. Condition report: In good overall condition. The canvas is slightly rippling, most visible in the upper left corner. Occasional areas of craquelure are present, particularly at the extreme edges where the canvas meets the frame. The painting has been varnished in a way that makes examination under UV light difficult. See Specialist's photos for details. Frame: 22 3/8 x 18 3/8 x 2 in.

Lot: 33 - HOBSON PITTMAN (AMERICAN, 1900-1972) STUDY FOR STILL LIFE WITH FLOWERS; TOGETHER WITH TWO COMPANIONS

Hobson Pittman (American, 1900-1972) Study for Still Life with Flowers; together with two companions 1) Study for Still Life with PoppiesSigned and dated '58' upper left, pastel and pencil on paperSheet size: 12 7/8 x 20 in. (32.7 x 50.8cm) 2) Floral Still Life ISigned upper right, pastel on paperSheet size: 12 1/4 x 9 1/2 in. (31.1 x 24.1cm) 3) Floral Still Life IISigned upper left, pastel on paperSheet size: 12 1/4 x 9 1/2 in. (31.1 x 24.1cm) (3) Provenance 1) Private Collection, Pennsylvania. 2) Frank S. Schwartz & Son Philadelphia, Philadelphia, PennsylvaniaPrivate Collection, Pennsylvania. 3) Frank S. Schwartz & Son Philadelphia, Philadelphia, PennsylvaniaPrivate Collection, Pennsylvania. Footnote: ExhibitedPennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, n.d. Condition report: Frame 1: 21 x 26 1/2 x 1 in.mat stained, light ripples, hard crease bottom right 1", hinged along upper edge to matboardFrame 2: 21 1/2 x 18 1/2 x 1 in.hinged twice at topFrame 3: 21 1/2 x 18 1/2 x 1 in.ditto, inscribed in pencil '19248-B' bottom right verso

Lot: 34 - DANIEL GARBER (AMERICAN, 1880-1958) HOLCOMB'S MILL

Daniel Garber (American, 1880-1958) Holcomb's Mill 1922, edition of 75, pencil signed bottom right, stamp signed bottom center in plate, and inscribed 'DG Imp' bottom left, with wide margins. Drypoint and etching on cream paper. Image size: 5 1/4 x 6 7/16 in. (13.3 x 16.4cm)Sheet size: 6 7/8 x 8 1/2 in. (17.5 x 21.6cm)[Humphries, E6] Provenance Collection of Virginia and Stuart Peltz, Bucks County, Pennsylvania. Footnote: Literature"A Pageant of Bucks County Art: Dedication of The Bucks County Traveling Art Gallery," Bucks County Schools Directors Association, Bucks County, Pennsylvania, 1949.Kathleen A. Foster, "Daniel Garber: 1880-1958," Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, 1980, pg. 72. Condition report: Frame: 16 x 17 x 1 3/4 in.

Lot: 35 - DANIEL GARBER (AMERICAN, 1880-1958) FOREST ENTRANCE

Daniel Garber (American, 1880-1958) Forest Entrance 1932-33, edition of 50, pencil signed bottom right, stamp signed bottom left in plate, and inscribed 'DG Imp' bottom left, with wide margins. Drypoint and etching on cream paper. Image size: 5 7/8 x 6 3/4 in. (14.9 x 17.1cm)Sheet size: 9 x 10 in. (22.9 x 25.4cm)[Humphries, E27] Provenance Private Collection, Pennsylvania. Footnote: LiteratureKathleen A. Foster, "Daniel Garber: 1880-1958," Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, 1980, pg. 75. Condition report: In good overall condition. Very gentle ripples are present at the extreme edges. The sheet is inscribed '#12' in pencil bottom left, obscured by the mat when framed. Also inscribed '98.77' along bottom left edge. The sheet has remnants of previous mounting, including a series of pinprick holes along the top and bottom edges. The sheet has occasional early pinpoints of foxing that are largely unobtrusive. Small areas of surface soiling are present on the reverse. Frame: 15 3/8 x 17 x 3/4 x 1/2 in.

Lot: 36 - DANIEL GARBER (AMERICAN, 1880-1958) THE HERON

Daniel Garber (American, 1880-1958) The Heron 1923, pencil signed and numbered 58/60 (the raisonné calls for an edition of 61), stamp signed bottom right in plate, and inscribed 'DG Imp' bottom left, with wide margins. Drypoint and etching on cream paper. Image size: 6 3/4 x 5 7/8 in. (17.1 x 14.9cm)Sheet size: 9 1/2 x 10 1/2 in. (24.1 x 26.7cm)[Humphries, E8] Provenance Private Collection, Pennsylvania. Footnote: Literature"A Group of Unique and Distinguished Etchings by Daniel Garber," International Studio 83, no. 345, January 1926 (illustrated). Advertisement for Macbeth Gallery, International Studio 84, no. 348, May 1926 (illustrated). Kathleen A. Foster, "Daniel Garber: 1880-1958," Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, 1980, pg. 72-73."A Growing American Treasure: Acquisitions Since 1978," Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, 1984, pg. 25 (illustrated). Condition report: In good condition overall. The sheet has remnants of previous mounting along the extreme edges. The sheet is inscribed in pencil '58/60' bottom left below image, obscured when framed. The sheet is also incribed in pencil along bottom right edge, '4" S 4 1/2 B (5') Frame xx.' Note: the full sheet could not be examined because the sheet is very tighly mounted to the matboard along the top edge.Frame: 11 1/4 x 12 1/4 x 1/2 in.

Lot: 37 - ROBERT KULICKE (AMERICAN, 1924-2007) SUNSET AT NEW PALTZ

Robert Kulicke (American, 1924-2007) Sunset at New Paltz Signed and dated '85' bottom center, oil on board (6 x 9 in. (15.2 x 22.9cm)) Provenance Davis and Langdale Company, Inc., New York, New YorkAcquired directly from the above.Private Collection, Pennsylvania. Footnote: Exhibited "Robert M. Kulicke: Painting and Jewelry," Davis and Langdale Company, Inc., New York, New York, November 30, 1985 - January 4, 1986. Condition report: In very good condition. The piece is slightly small for the frame and may benefit from reframing to protect the artwork. Small areas of inpainting are present in the sky, particularly in the top center and lower right of the horizon. See Specialists's photos for details. Frame: 10 3/4 x 13 1/2 x 1 in.

Lot: 38 - MARY SMITH PERKINS TAYLOR (AMERICAN, 1875-1931) DELAWARE RIVER SCENE

Mary Smith Perkins Taylor (American, 1875-1931) Delaware River Scene Signed bottom right, signed again and dated '1905' verso, oil on board (4 1/2 x 5 3/4 in. (11.4 x 14.6cm)) Provenance Private Estate, Pennsylvania.Acquired directly from the above in 2008.Private Collection, Pennsylvania. Condition report: Frame: 10 1/4 x 11 1/2 x 1 in.

Lot: 39 - VIRA B. MCILRATH SCHEIBNER (AMERICAN, 1889-1956) TOLL GATE

Vira B. McIlrath Scheibner (American, 1889-1956) Toll Gate Signed bottom right; also inscribed with title on bottom right stretcher verso, oil on canvas (15 x 17 in. (38.1 x 43.2cm)) Provenance Private Collection, Carversville, Pennsylvania. Condition report: Frame: 20 1/4 x 22 1/4 x 2 in.

Lot: 40 - JOSEPH BARRETT (AMERICAN, B. 1936) NEAR THE DELAWARE

Joseph Barrett (American, B. 1936) Near the Delaware Signed and located 'Lahaska' bottom left; also initialed, located again, and titled verso, oil on canvas (20 x 24 in. (50.8 x 61cm)) Provenance Private Collection, Doylestown, Pennsylvania. Condition report: Frame: 28 1/4 x 32 1/4 x 1 in.

Lot: 41 - ALDRO THOMPSON HIBBARD (AMERICAN, 1886-1972) SNOW SCENE

Aldro Thompson Hibbard (American, 1886-1972) Snow Scene Signed bottom left, oil on canvas (14 1/2 x 19 1/2 in. (36.8 x 49.5cm)) Provenance Private Collection, Florida. Condition report: In very good overall condition. Some surface soiling is present in the upper left and right corners where the canvas meets the frame. Small flecks of inpainting are present in upper left sky as well as a 1/2" area along the lower left edge. See Specialist's photos for details. Frame: 24 x 29 x 1 1/2 in.

Lot: 42 - WALTER EMERSON BAUM (AMERICAN, 1884–1956) POINT PLEASANT

Walter Emerson Baum (American, 1884–1956) Point Pleasant Signed 'WE BAUM' bottom right; also illegibly dedicated 'to our good friend/Margaret Dolph/Hon*** Walter E. Baum' and located verso, oil canvasboard8 7/8 x 12 in. (22.5 x 30.5cm) Provenance The Artist.A gift from the above.Collection of Margaret Dolph.By descent in the family.Private Collection, California. Condition report: In overall good to very good condition, without any sign of inpainting as seen under UV light. The canvas would benefit from a light cleaning as we seen signs of yellowed varnish and some specks in certain areas of the work (see upper right corner).Frame: 14 1/2 x 17 1/2 x 1 1/2 in.

Lot: 43 - JOHN WELLS JAMES (AMERICAN, 1873-1951) BRIDGE OVER CANAL AT NEW HOPE

John Wells James (American, 1873-1951) Bridge Over Canal at New Hope Signed and dated '1935' bottom right; also inscribed 'Bridge over canal/ at New Hope, Pa/ Received from/ John Wells James/ January 6, 1938/ Robert Hood' verso, oil on board (13 x 15 3/4 in. (33 x 40cm)) Provenance The Artist.A gift from the above (per inscrioption verso).Collection of Robert Hood.Private Collection, Massachusetts. Condition report: In very good overall condition. Surface soiling is present at center right, with brown drip marks and smudges present as though a liquid was splashed on the canvas, though this is largely unobtrusive. There is no evidence of restoration when examined under UV light. Frame: 18 3/8 x 21 3/8 x 1 1/2 in.

Lot: 44 - HARRY LEITH-ROSS (AMERICAN, 1886-1973) REGINA PICKING FLOWERS

Harry Leith-Ross (American, 1886-1973) Regina Picking Flowers Signed bottom left, watercolor on paperSight size: 9 1/2 x 13 3/4 in. (24.1 x 34.9) Provenance Savageau Gallery, Denver, Colorado.Private Collection, Virginia. Condition report: Note: not examined out of frame.Frame: 19 1/2 x 23 x 1 in.

Lot: 45 - SUSAN GERTRUDE SCHELL (AMERICAN, 1891-1970) COVERED BRIDGE IN FALL LANDSCAPE

Susan Gertrude Schell (American, 1891-1970) Covered Bridge in Fall Landscape Signed bottom right, oil on canvas (34 1/2 x 39 1/2 in. (87.6 x 100.3cm)) Provenance The New Britain Museum of American Art, New Britain, Connecticut.Private Collection, New Jersey. Condition report: Frame: 46 3/4 x 52 x 3 in.

Lot: 46 - WALTER EMERSON BAUM (AMERICAN, 1884-1956) PORTRAIT OF A SEATED TEENAGE GIRL IN RED

Walter Emerson Baum (American, 1884-1956) Portrait of a Seated Teenage Girl in Red Signed upper right, signed again and located 'Sellersville, Pa' verso, oil on board (28 1/2 x 16 7/8 in. (72.4 x 42.9cm)) Provenance The Artist. Private Collection, Pennsylvania. Condition report: In very good overall condition. Occasional areas of light craquelure are present but are unobtrusive and stable. A milky green varnish has been applied to the top of the painting. Occasional flecks of inpainting are present throughout, most heavily concentrated to the left of the figure's legs. Inscribed 'Owned by W.E. Baum + Wife' top center verso. Frame: 31 1/2 x 20 x 1 1/2 in.

Lot: 47 - WALTER EMERSON BAUM (AMERICAN, 1884-1956) EXTENSIVE DELAWARE RIVER VALLEY

Walter Emerson Baum (American, 1884-1956) Extensive Delaware River Valley Signed bottom left, oil on board (5 1/4 x 6 7/8 in. (13.3 x 17.5cm)) Provenance Private Collection, Pennsylvania. Footnote: Exhibited"Annual Exhibition," The Miniature Painters, Sculptors, and Gravers Society of Washington, D.C., n.d. Condition report: In good, stable condition. A strip of horizontal inpainting is present at the horizon line, along with flecks in the foreground and two spots in the upper right corner. See Specialist's photos for details. Frame: 6 3/4 x 8 x 1/2 in.

Lot: 48 - CHRISTOPHER WILLETT (AMERICAN, B. 1959) WASHINGTON ARCH

Christopher Willett (American, B. 1959) Washington Arch Signed and located 'N.Y.' bottom right, oil on board (24 x 18 in. (61 x 45.7cm)) Provenance Private Collection, Pennsylvania. Condition report: Frame: 33 x 27 x 3 in.

Lot: 49 - CHRISTOPHER WILLETT (AMERICAN, B. 1959) BALLOON LADY, WASHINGTON SQUARE

Christopher Willett (American, B. 1959) Balloon Lady, Washington Square Signed bottom right; also signed, [erroneously] titled, and located 'N.Y. City' verso, oil on board (7 x 4 3/4 in. (17.8 x 12.1cm)) Provenance Private Collection, Pennsylvania. Footnote: Note The present work is a detail from the previous lot, where the Balloon Lady can be spotted at center left. Condition report: Frame: 16 1/2 x 14 1/4 x 3 1/2 in.

Lot: 50 - CHRISTOPHER WILLETT (AMERICAN, B. 1959) TRINITY CHURCH

Christopher Willett (American, B. 1959) Trinity Church Signed bottom right; also signed, titled, and located 'New York City' verso, oil on board (16 x 16 in. (40.6 x 40.6cm)) Provenance Private Collection, Pennsylvania. Condition report: In excellent overall condition.Frame: 22 1/2 x 22 1/2 x 2 1/4 in.

Lot: 51 - CHRISTOPHER WILLETT (AMERICAN, B. 1959) NEW YORK STOCK EXCHANGE

Christopher Willett (American, B. 1959) New York Stock Exchange Signed bottom left; also signed, titled, and located 'N.Y.' verso, oil on board (14 x 11 in. (35.6 x 27.9cm)) Provenance Private Collection, New Jersey. Condition report: Frame: 18 1/2 x 15 1/2 x 1 in.

Lot: 52 - CHRISTOPHER WILLETT (AMERICAN, B. 1959) SPRING VALLEY MILL BARN

Christopher Willett (American, B. 1959) Spring Valley Mill Barn Signed bottom right; also signed, titled, and located 'Buckingham Pa./ Bucks County' verso, oil on canvas (18 7/8 x 24 in. (48 x 61cm)) Provenance Private Collection, New Jersey. Condition report: In excellent overall condition. Frame: 22 1/4 x 28 1/4 x 1 1/2 in.

Lot: 53 - CHRISTOPHER WILLETT (AMERICAN, B. 1959) ON THE CORNER OF RIVER ROAD

Christopher Willett (American, B. 1959) On the Corner of River Road Signed bottom right; also signed, titled, and located 'North of New Hope, Pa.' verso, oil on board (14 1/8 x 17 1/4 in. (35.9 x 43.8cm)) Provenance Private Collection, Pennsylvania. Condition report: Frame: 17 x 20 1/4 x 1 in.

Lot: 54 - CHRISTOPHER WILLETT (AMERICAN, B. 1959) EARLY MORNING

Christopher Willett (American, B. 1959) Early Morning Signed bottom right; also signed, titled, inscribed 'View to Brookland [sic],' and located 'N.Y.' verso, oil on board (12 x 16 in. (30.5 x 40.6cm)) Provenance Private Collection, Pennsylvania. Condition report: In excellent overall condition. A very small, horizontal scratch is present along the top edge, presumably from wear where the panel meets the frame. No evidence of restoration when examined under UV light.Frame: 13 3/4 x 17 3/4 x 3/4 in.

Lot: 55 - CHRISTOPHER WILLETT (AMERICAN, B. 1959) THE PLAZA

Christopher Willett (American, B. 1959) The Plaza Signed bottom right; also signed, titled, and located 'New York City' verso, oil on board (8 x 9 7/8 in. (20.3 x 25.1cm)) Provenance Private Collection, New Jersey. Condition report: In very good condition. Frame: 14 1/2 x 16 1/2 x 1 in.

Lot: 56 - CHRISTOPHER WILLETT (AMERICAN, B. 1959) WASHINGTON SQUARE

Christopher Willett (American, B. 1959) Washington Square Signed bottom right; also signed, titled, and located 'New York' verso, oil on board (8 x 9 7/8 in. (20.3 x 25.1cm)) Provenance Private Collection, Pennsylvania. Condition report: In excellent overall condition. Frame: 15 1/2 x 17 5/8 x 2 3/4 in.

Lot: 57 - THURE THULSTRUP (AMERICAN, 1848-1930) BOARDROOM MEETING

Thure Thulstrup (American, 1848-1930) Boardroom Meeting Signed bottom left, oil on canvas (20 x 30 in. (50.8 x 76.2cm)) Provenance Private Collection, New York, New York. Condition report: Frame: 29 x 39 1/4 x 1 1/2 in.

Lot: 58 - LUDOLF LIBERTS (AMERICAN/LATVIAN, 1895-1959) BOULEVARD HAUSSMANN AT NIGHT, PARIS

Ludolf Liberts (American/Latvian, 1895-1959) Boulevard Haussmann at Night, Paris Signed bottom right, oil on canvasboard (8 7/8 x 11 3/4 in. (22.5 x 29.8cm)) Provenance Collection of Fredrica Wagman, New York, New York.By descent in the family.Private Collection, New York, New York Condition report: In very good overall condition. A small area of craquelure is present in the upper left corner though this may be inherent to the work. The canvas is very slighly worn in the bottom right corner where the canvas meets the frame. Frame: 14 x 17 x 1 in.

Lot: 59 - PHILIP JAMISON (AMERICAN, 1925-2021) PHILADELPHIA IN WINTER; TOGETHER WITH A COMPANION

Philip Jamison (American, 1925-2021) Philadelphia in Winter; together with a companion 1) Philadelphia in WinterSigned bottom left, watercolor on museum boardSight size: 9 1/4 x 14 1/2 in. (23.5 x 36.8cm)2) The Court HouseSigned bottom right, watercolor on museum boardSight size: 11 1/4 x 19 3/8 in. (28.6 x 49.2cm) (2) Provenance 1) Private Collection, Pennsylvania. 2) Hirschl & Adler Galleries, Inc., New York, New YorkPrivate Collection, Pennsylvania. Condition report: Frame 1: 17 x 21 5/8 x 1 1/2 in. Frame 2: 18 5/8 x 26 7/8 x 1 1/2 in.

Lot: 60 - CHARLES HARGENS (AMERICAN, 1893-1997) SERVING THE TURKEY (CHRISTMAS)

Charles Hargens (American, 1893-1997) Serving the Turkey (Christmas) Signed bottom right, oil on canvas (34 x 26 in. (86.4 x 66cm)) Provenance Bianco Gallery, Buckingham, Pennsylvania.Acquired directly from the above.Private Collection, New Hope, Pennsylvania. Condition report: Frame: 39 x 31 x 1 1/2 in.

Lot: 61 - ANDREW WYETH (AMERICAN, 1917-2009) AND JAMIE WYETH (AMERICAN, 1946) FOUR CHRISTMAS CARDS

Andrew Wyeth (American, 1917-2009) and Jamie Wyeth (American, 1946) Four Christmas Cards Each inscribed and dedicated verso, 2 watercolors (Andrew Wyeth), 1 ink on paper (Andrew Wyeth) and 1 lithograph (Jamie Wyeth)Four cards under one mount (4) (2 x 4 in. each (5.1 x 10.2cm)) Provenance The Artist(s).A gift from the above.Private Collection, South Carolina. Condition report: In good condition. The sheets appear to be lightly mat stained at the extreme edges. The lower right is foxing, particularly above Santa's head and in the upper right corner. The individual cards were not examined out of their plastic slipcovers for their protection. The inscriptions are listed below. Top left: 'Merry Christmas/ from/ Betsy and Andy'Top right: 'Betsy and Andy'Bottom left: 'Merry, merry Christmas/ Betsy and Andy' also '1947'Bottom right: 'Merry Christmas/ and a happy/ new year/ Betsy + Andy'Frame: 15 1/8 x 18 1/8 x 1/2 in.

Lot: 62 - JAMES CARROLL BECKWITH (AMERICAN, 1852-1917) ROYAL ROSE

James Carroll Beckwith (American, 1852-1917) Royal Rose Oil on canvas (23 1/2 x 18 in. (59.7 x 45.7cm)) Provenance Newhouse Galleries, New York. Private Collection, New York, New York. Condition report: In generally good to fair condition. Craquelure is occasionally present, most heavily concentrated in the figure's garment. The canvas is very slightly loose on the stretcher. A milky green varnish has been applied around the figure an on her garment, making restoration difficult to identify. The varnish is slightly visible to the naked eye as it presents slightly glossy as compared to the rest of the paint. See Specialist's photos for details. Frame: 31 x 25 1/2 x 2 1/2 in.

Lot: 63 - WILLIAM PENN MORGAN (AMERICAN, 1826-1900) REVERIE

William Penn Morgan (American, 1826-1900) Reverie Oil on canvas (15 1/2 x 11 1/2 in. (39.4 x 29.2cm)) Provenance Private Collection, Pennsylvania. Condition report: Frame: 25 x 21 x 2 1/2 in.

Lot: 64 - KARL WITKOWSKI (AMERICAN, 1860-1910) KNUCKS DOWN

Karl Witkowski (American, 1860-1910) Knucks Down Signed upper right, oil on canvas (24 1/2 x 28 1/4 in. (62.2 x 71.8cm)) Provenance Private Collection, Washington, D.C. Condition report: Frame: 29 x 32 7/8 x 1 1/2 in.

Lot: 65 - ALAN FOSTER (AMERICAN, 1892-1969) NOW - LET'S SEE

Alan Foster (American, 1892-1969) Now - Let's See Signed bottom right, dated 'Feb 1931' verso, oil on canvas (23 3/8 x 20 5/8 in. (59.4 x 52.4cm)) Provenance Freedoms Foundation at Valley Forge, Valley Forge, Pennsylvania. Condition report: Frame: 27 1/2 x 24 5/8 x 1 1/2 in.

Lot: 66 - CARL PAUL JENNEWEIN (GERMAN/AMERICAN, 1890-1978) HEAD OF A BABY

Carl Paul Jennewein (German/American, 1890-1978) Head of a Baby Incised with initials and dated '1935' bottom right, unglazed porcelain on wood baseheight: 6 in. (15.2cm)width: 4 in. (10.2cm) depth: 5 in. (12.7cm)base: 3 1/4 x 3 1/4 x 3 1/4 in. (8.3 x 8.3 x 8.3cm) Provenance Private Collection, Pennsylvania. Condition report: In excellent overall condition. Occasional areas of surface soiling on the porcelain.

Lot: 67 - BRUCE CRANE (AMERICAN, 1857-1937) STORM SCENE AT THE FARM

Bruce Crane (American, 1857-1937) Storm Scene at the Farm Signed bottom left, oil on canvas mounted on board (12 1/2 x 20 1/4 in. (31.8 x 51.4cm)) Provenance Bianco Gallery, Buckingham, Pennsylvania.Acquired directly from the above.Private Collection, Carversville, Pennsylvania. Condition report: Frame: 21 1/2 x 25 1/2 x 2 in.

Lot: 68 - JAMES BRADE SWORD (AMERICAN, 1839-1915) DELAWARE CANAL BRIDGE

James Brade Sword (American, 1839-1915) Delaware Canal Bridge Signed bottom right, oil on canvasboard (13 3/4 x 9 1/2 in. (34.9 x 24.1cm)) Provenance The Estate of Ann Wiesenthal, Philadelphia, Pennsylvania."American Art & Pennsylvania Impressionists," Freeman's, Philadelphia, Pennsylvania, December 8, 2013, lot 38.Acquired directly from the above sale.Private Collection, Pennsylvania. Condition report: Frame: 20 1/2 x 14 3/4 x 1 3/4 in.

Lot: 69 - SEYMOUR REMENICK (AMERICAN, 1923-1999) PHILADELPHIA ROOFTOPS

Seymour Remenick (American, 1923-1999) Philadelphia Rooftops Oil on board (8 x 11 1/2 in. (20.3 x 29.2cm)) Provenance Davis Galleries, New York, New York."Doyle at Home," Doyle New York, New York, September 10, 2013, lot 93. Acquired directly from the above sale.Private Collection, New York, New York. Condition report: The painting is in good, stable condition. There are several vertical lines of craquelure aross the surface of the painting. A small scratch, approximately 1" long, is present in the center of the sky. A small area of inpainting is present in the upper left sky. See Specialist's photos for details. Frame: 13 3/4 x 17 3/4 x 1 1/2 in.

Lot: 70 - CHARLES WARREN EATON (AMERICAN, 1857-1937) LANDSCAPE

Charles Warren Eaton (American, 1857-1937) Landscape Signed bottom right, oil on canvas (16 x 12 1/8 in. (40.6 x 30.8cm)) Provenance Private Collection, New York. Condition report: Frame: 24 3/8 x 20 5/8 x 3 1/2 in.

Lot: 71 - FREDERICK J. MULHAUPT (AMERICAN, 1871-1938) WATERFALL CREEK

Frederick J. Mulhaupt (American, 1871-1938) Waterfall Creek Signed bottom left, oil on board (8 x 9 3/4 in. (20.3 x 24.8cm)) Provenance Private Collection, New York, New York. Condition report: In very good overall condition. Light craquelure is present across the composition, particularly along the bottom and right edges. A 3" line of craquelure is present in the top left corner but appears stable at present. Inscribed 'Property of John F. Murphy' verso.Framed: 11 1/2 x 13 1/2 x 1 1/2 in.

Lot: 72 - FREDERICK J. MULHAUPT (AMERICAN, 1871-1938) TRANQUIL STREAM

Frederick J. Mulhaupt (American, 1871-1938) Tranquil Stream Signed bottom left, oil on board (8 x 10 in. (20.3 x 25.4cm)) Provenance Private Collection, New York, New York. Condition report: In very good overall condition. Horizontal lines of craquelure are present along the top of the composition but appear stable at present. Inscribed 'Property of John F. Murphy' verso. Frame: 11 1/2 x 13 1/2 x 2 in.

Lot: 73 - FRANKLIN DULLIN BRISCOE (AMERICAN, 1844-1903) PERILS OF THE SEA

Franklin Dullin Briscoe (American, 1844-1903) Perils of the Sea Signed and dated '1897' bottom right, oil on canvas (24 x 42 in. (61 x 106.7cm)) Provenance Private Collection, Pennsylvania. Condition report: Frame: 29 1/2 x 47 1/2 x 2 in.

Lot: 74 - FRANKLIN DULLIN BRISCOE (AMERICAN, 1844-1903) WAVES CRASHING ON THE ROCKS

Franklin Dullin Briscoe (American, 1844-1903) Waves Crashing on the Rocks Initialed bottom right, oil on paperSheet size: 2 13/16 x 4 5/16 in. (7.1 x 11cm) Provenance Private Collection, Pennsylvania. Condition report: Frame: 9 1/2 x 11 1/4 x 1 in.

Lot: 75 - FRANKLIN DULLIN BRISCOE (AMERICAN, 1844-1903) SHIPS AT SEA

Franklin Dullin Briscoe (American, 1844-1903) Ships at Sea Signed bottom right, oil on paper (2 3/4 x 5 1/2 in. (7 x 14 cm)) Provenance Private Collection, Pennsylvania. Condition report: Frame: 12 x 9 1/2 x 1 in.

Lot: 76 - EDWIN AUSTIN ABBEY (AMERICAN, 1852-1911) CAPRI COAST

Edwin Austin Abbey (American, 1852-1911) Capri Coast Signed and dated '1903' bottom right, oil on canvas mounted on board (9 7/8 x 14 in. (25.1 x 35.6cm)) Provenance Private Collection, Los Angeles, California.Private Collection, Bodega Bay, California (by descent). "American Art," Bonham's, New York, New York, November 19, 2014, lot 66.Acquired directly from the above sale.Private Collection, New York. Condition report: In very good condition. A small area of inpainting is present in the top left sky. See Specialist's photos for details. Frame: 14 3/4 x 18 7/8 x 1 in.

Lot: 77 - ANTHONY THIEME (AMERICAN 1888-1954) THE HARBOR

Anthony Thieme (American 1888-1954) The Harbor Signed bottom right, oil on canvas (14 3/4 x 21 1/4 in. (37.5 x 54cm)) Provenance Private Collection, Pennsylvania. Condition report: Frame: 23 1/2 x 31 1/2 x 2 1/2 in.

Lot: 78 - HENRY BAYLEY SNELL (AMERICAN, 1858-1943) CHILDREN PLAYING IN ROCK POOLS

Henry Bayley Snell (American, 1858-1943) Children Playing in Rock Pools Signed and dated illegibly bottom left, oil on canvas (10 1/2 x 13 3/8 in. (26.7 x 34cm)) Provenance The Artist.Private Collection, Virginia (by family descent)."Fine American Paintings and Sculpture," Freeman's, Philadelphia, Pennsylvania, December 6, 2009, lot 186.Acquired directly from the above sale.Private Collection, Pennsylvania. Condition report: Frame: 15 1/2 x 18 1/4 x 1 1/2 in.

Lot: 79 - RICHARD HAYLEY LEVER (AMERICAN, 1876-1958) BOATS BY THE WEST PIER, ST. IVES

Richard Hayley Lever (American, 1876-1958) Boats by the West Pier, St. Ives Signed bottom left, oil on board (9 3/8 x 12 3/8 in. (23.8 x 31.4cm)) Provenance Pocock Fine Art & Antiques, Fort Lauderdale, Florida.Private Collection, Illinois. Condition report: In good, stable condition. A very small area of craquelure is present in the upper left corner. Frame: 15 1/2 x 18 1/2 x 2 in.

Lot: 80 - GEORGE J. STENGEL (AMERICAN, 1872-1937) CRASHING WAVES

George J. Stengel (American, 1872-1937) Crashing Waves Signed bottom right, inscribed with artist's name and located 'Monterey, CA' verso, oil on board (9 7/8 x 12 in. (25.1 x 30.5cm)) Provenance Doyle, New York, n.d.Acquired directly from the above sale.Private Collection, Pennsylvania. Condition report: In very good overall condition. Vertical lines of craquelure are present throughout the composition but appear stable at present. Pinpoint areas of surface soiling are occasionally present along the top edge. A very small 'u' shaped scratch is present at top center. Frame: 14 5/8 x 16 5/8 x 1 1/2 in.

Lot: 81 - LEE LASH (AMERICAN, 1864-1935) ATLANTIC CITY INLET

Lee Lash (American, 1864-1935) Atlantic City Inlet Signed illegibly bottom right; also signed and titled verso, oil on board (9 7/8 x 11 7/8 in. (25.1 x 30.2cm)) Provenance Private Collection, New York, New York. Condition report: In excellent condition. Three very small chips of paint loss are present along the top edge where the painting meets the frame. No evidence of inpainting under UV light. Framed: 20 1/4 x 22 1/2 in.

Lot: 82 - ALICE KENT STODDARD (AMERICAN, 1885-1976) BY THE SHORE

Alice Kent Stoddard (American, 1885-1976) By the Shore Signed bottom right and with the Artist's Estate stamp on stretcher verso, oil on canvas (25 x 30 in. (63.5 x 76.2cm)) Provenance The Artist's Estate. David David Art Gallery, Philadelphia, Pennsylvania.Bianco Gallery, Buckingham, Pennsylvania.Acquired directly from the above in 1998. Private Collection, Pennsylvania. Condition report: Frame: 33 1/4 x 38 1/4 x 1 1/4 in.

Lot: 83 - PHILIP JAMISON (AMERICAN, 1925-2021) WILD IRIS

Philip Jamison (American, 1925-2021) Wild Iris Signed bottom left, watercolor on paperSheet size: 12 x 16 in. (30.5 x 40.6cm) Provenance Janet Fleischer Gallery, Philadelphia, Pennsylvania.Acquired directly from the above.Private Collection, Pennsylvania. Condition report: In excellent condition. The sheet with occasional spots of foxing, particularly in the bottom left corner and upper center. The foxing is more visible from the reverse. The sheet is very gently mat stained, which is obscured when framed. Inscribed '#1195' in pencil verso.Frame: 17 1/4 x 21 1/2 x 1 1/4 in.

Lot: 84 - PHILIP JAMISON (AMERICAN, 1925-2021) MAINE COAST SCENE

Philip Jamison (American, 1925-2021) Maine Coast Scene Signed bottom right, oil on board (10 x 11 5/8 in. (25.4 x 29.5cm)) Provenance Private Collection, Pennsylvania. Condition report: In very good overall condition. Small areas of craquelure are present at center. A pintpoint area of paint loss is present at center left. Frame: 17 3/4 x 19 x 1 in.

Lot: 85 - PHILIP JAMISON (AMERICAN, 1925-2021) HOUSE IN WINTER; TOGETHER WITH A COMPANION

Philip Jamison (American, 1925-2021) House in Winter; together with a companion 1) House in WinterSigned bottom left, oil on museum board framed under glass7 1/4 x 12 in. (18.4 x 30.5cm) 2) Landscape with FarmhouseSigned bottom left, watercolor on paperSight size: 10 x 19 1/4 in. (25.4 x 48.9cm) (2) Provenance Private Collection, Pennsylvania. Condition report: Frame 1: 15 x 19 1/4 in x 1 in.Frame 2: 18 x 27 x 1 in.Note: Second piece not examined out of frame.

Lot: 86 - PHILIP JAMISON (AMERICAN, 1925-2021) WINTER LANDSCAPE WITH FARM; TOGETHER WITH A COMPANION

Philip Jamison (American, 1925-2021) Winter Landscape with Farm; together with a companion 1) Winter Landscape with FarmSigned bottom left, watercolor on paperSight size: 9 x 15 1/2 in. (22.9 x 39.4cm) 2) Woodland BouquetSigned bottom left, inscribed 1986 on frame verso, watercolor on paperSight size: 6 1/4 x 16 1/8 in. (15.9 x 41cm) (2) Provenance Private Collection, Pennsylvania. Condition report: Frame 1: 17 1/8 x 23 1/8 x 1 in. Frame 2: 22 5/8 x 28 1/8 x 1 1/2 in.

Lot: 87 - RANULPH BYE (AMERICAN, 1916-2003) OUT FOR REPAIRS

Ranulph Bye (American, 1916-2003) Out For Repairs Signed and dated '84' bottom left, watercolor on paperSight size: 23 1/4 x 33 1/4 in. (59 x 84.5cm) Provenance Private Collection, Pennsylvania. Condition report: Artwork appears to be in excellent condition. Note: this artwork was not examined out of the frame to preserve the mounting. Frame: 35 x 45 1/2 x 1 3/4 in.

Lot: 88 - RANULPH BYE (AMERICAN, 1916-2003) BEYOND REPAIR

Ranulph Bye (American, 1916-2003) Beyond Repair Signed bottom right, titled and dated 'Aug. 15, 1986' verso, watercolor on paperSheet size: 20 x 28 in. (50.8 x 71.1cm) Provenance Private Collection, Pennsylvania. Condition report: The painting appears to be in excellent condition. The reverse of the sheet shows very faint discoloration that is not visible from the front. Occasional spots of surface soiling are present on the reverse. The sheet is very slightly unevenly trimmed, particularly in the top left corner and bottom center edge. This is obscured by the matting when framed. Please note that the edges of the sheet could not be examined from the front due to the mounting.Frame: 28 1/2 x 35 x 1 3/4 in.

Lot: 89 - ANTONIO PIETRO MARTINO (AMERICAN, 1902-1989) REGATTA DAY

Antonio Pietro Martino (American, 1902-1989) Regatta Day Signed bottom left; also inscribed with artist's name on stretcher verso, oil on canvas (31 x 41 in. (78.7 x 104.1cm)) Provenance Private Collection, Pennsylvania. Condition report: Frame: 37 x 46 1/2 x 1 in.

Lot: 90 - ANTONIO PIETRO MARTINO (AMERICAN, 1902-1989) HIDDEN COVE - POINT LOBOS

Antonio Pietro Martino (American, 1902-1989) Hidden Cove - Point Lobos Signed bottom right; also inscribed with artist's name and title on stretcher verso, oil on canvas (30 x 40 in. (76.2 x 101.6cm)) Provenance Private Collection, Pennsylvania. Condition report: Frame: 37 1/2 x 47 1/2 x 1 in.

Lot: 91 - HARRY VAN DER WEYDEN (AMERICAN, 1868-1952) BILLOWING CLOUDS

Harry van der Weyden (American, 1868-1952) Billowing Clouds Signed and dated '1899' bottom right, oil on canvas (25 3/4 x 32 1/4 in. (65.4 x 82.2cm)) Provenance Private Collection, Connecticut. Acquired directly from the above.Private Collection, New York, New York. Condition report: Frame: 34 x 40 x 2 1/2 in.

Lot: 92 - ARTHUR HOEBER (AMERICAN, 1854-1915) TREES

Arthur Hoeber (American, 1854-1915) Trees Signed and dated '1910' bottom left, oil on canvas (19 1/2 x 29 1/2 in. (49.5 x 74.9cm)) Provenance Private Collection, Virginia."American Art & Pennsylvania Impressionists," Freeman's, Philadelphia, Pennsylvania, December 8, 2013, lot 45.Acquired directly from the above sale.Private Collection, Philadelphia, Pennsylvania. Condition report: Frame: 25 1/2 x 35 1/2 x 2 in.

Lot: 93 - ANTHONY THIEME (AMERICAN, 1888-1954) BY THE RIVER

Anthony Thieme (American, 1888-1954) By the River Signed faintly bottom center, oil on canvas (7 1/2 x 9 1/2 in. (19.1 x 24.1cm)) Provenance Private Collection, New York, New York. Condition report: In overall good condition. The canvas has been mounted to a thin metal sheet which is affixed to a waxed canvas. Several small, circular spots of inpainting are present along the bottom and in the vertical plants. See Specialist's photos for details. Frame: 14 3/4 in x 16 3/4 x 1 in.

Lot: 94 - WILLIAM FRANCIS TAYLOR (AMERICAN/CANADIAN, 1883-1970) CANAL WITH BARGE

William Francis Taylor (American/Canadian, 1883-1970) Canal with Barge Signed bottom right, oil on canvas (25 x 30 in. (63.5 x 76.2cm)) Provenance The Artist.The Estate of the Artist.Acquired directly from the above.Private Collection, Pennsylvania. Condition report: Frame: 29 1/2 x 34 1/2 x 2 1/2 in.

Lot: 95 - ERNEST ALBERT (AMERICAN, 1857-1946) MILL BY THE RIVER

Ernest Albert (American, 1857-1946) Mill by the River Signed and dated '1935' bottom right, oil on canvas (32 1/4 x 40 1/4 in. (81.9 x 101.6cm)) Provenance Newman Galleries, Philadelphia, Pennsylvania.Private Collection, Pennsylvania. Condition report: Frame: 40 x 48 x 2 in.

Lot: 96 - MARY DENEALE MORGAN (AMERICAN, 1868-1948) TO DAY'S [SIC]

Mary DeNeale Morgan (American, 1868-1948) To Day's [sic] Signed bottom left, titled verso, oil on board (19 x 19 7/8 in. (43.8 x 50.5cm)) Provenance Private Collection, California.Private Collection, New York. Condition report: Frame: 20 5/8 x 21 1/2 in x 1 in.

Lot: 97 - BEN FOSTER (AMERICAN, 1852-1926) FOREST PATH

Ben Foster (American, 1852-1926) Forest Path Signed bottom left, oil on canvas (30 x 25 in. (76.2 x 63.5cm)) Provenance Private Collection, Pennsylvania. Condition report: Frame: 35 x 30 1/2 x 2 in.

Lot: 98 - FRANK VINCENT DUMOND (AMERICAN, 1865-1951) WILLOWS

Frank Vincent Dumond (American, 1865-1951) Willows Signed bottom left, oil on canvasboard (14 x 18 in. (35.6 x 45.7cm)) Provenance Private Collection, Florida."American Art & Pennsylvania Impressionists," Freeman's, Philadelphia, sale of December 8, 2013, lot 47.Acquired directly from the above sale.Private Collection, Pennsylvania. Condition report: In overall very good condition. Very minor surface soiling in the upper left sky. No evidence of restoration when examined under UV light. Frame: 17 1/4 x 21 1/2 x 2 in.

Lot: 99 - WILLIAM CHADWICK (AMERICAN, 1879-1962) MILLHOUSES ON THE BRANDYWINE RIVER

William Chadwick (American, 1879-1962) Millhouses on the Brandywine River Signed bottom left, oil on canvas (30 1/4 x 30 1/4 in. (76.8 x 76.8cm)) Provenance Private Collection, California. Footnote: Note For a smaller version of the present painting, please see Doyle, sale of May 6, 1992, lot 48. Condition report: Frame: 35 x 35 x 1 3/4 in.

Lot: 100 - ANTHONY MICHAEL AUTORINO (AMERICAN, 1937–2015) DELAWARE CANAL

Anthony Michael Autorino (American, 1937–2015) Delaware Canal Signed with conjoined letters and dated '85' bottom right, signed and dated again, titled verso, oil on canvas (16 x 24 in. (40.6 x 61cm)) Provenance Private Collection, Lambertville, New Jersey.Private Estate, New Jersey. Condition report: Frame: 23 1/2 x 31 1/2 x 1 3/4 in.

Lot: 101 - CHARLES WILLIAM WARD (AMERICAN, 1900-1962) EASTER

Charles William Ward (American, 1900-1962) Easter Signed bottom right; also signed, titled, and located 'Carversville, Pa' verso, oil on canvas mounted on board (18 x 12 1/4 in. (45.7 x 31.1cm)) Provenance The Estate of Selma Burke.Private Collection, Pennsylvania. Condition report: Frame: 29 x 23 1/4 x 2 in.

Lot: 102 - JOSEPH HIRSCH (AMERICAN, 1910-1981) TRUCKER

Joseph Hirsch (American, 1910-1981) Trucker Inscribed with artist's name on stretcher verso, oil on canvas (33 3/4 x 29 3/4 in. (85.7 x 75.6cm)) Provenance Estate of the Artist."Post-War & Contemporary Art," Doyle New York, New York, November 1, 2016, lot 122. Acquired directly from the above sale.Private Collection, New York, New York. Condition report: Frame: 40 x 36 x1 1/2 in.

Lot: 103 - ROBERT KULICKE (AMERICAN, 1924-2007) SLICE OF WATERMELON

Robert Kulicke (American, 1924-2007) Slice of Watermelon Signed and dated '85' bottom center, oil on board (7 3/4 x 10 in. (19.7 x 25.4cm)) Provenance Private Collection, Pennsylvania. Footnote: Exhibited"Robert M. Kulicke: Painting and Jewelry," Davis and Langdale Company, Inc., New York, New York, November 30, 1985 - January 4, 1986 (cover illustration). Condition report: In very good overall condition. Frame: 12 x 14 1/2 x 1 in.

Lot: 104 - ROBERT KULICKE (AMERICAN, 1924-2007) TWO PEARS ON DARK GROUND

Robert Kulicke (American, 1924-2007) Two Pears on Dark Ground Signed and dated '79' bottom center, oil on board (7 1/2 x 8 5/8 (19.1 x 21.9cm)) Provenance Davis and Long Company, New York, New York.Private Collection, Pennsylvania (acquired directly from the above). Footnote: Exhibited"Robert M. Kulicke: Recent Work," Davis and Long Company, New York, New York, December 1 - December 29, 1979. Condition report: In overall very good, stable condition. Visible board is present at the extreme edges though it appears inherent to the work rather than loss. A greenish varnish is present across the surface when examined under UV light, along with a 1/4" area of surface soiling in the bottom right corner. Frame: 14 1/2 x 15 1/4 x 1 in.

Lot: 105 - ROBERT KULICKE (AMERICAN, 1924-2007) CARNATIONS

Robert Kulicke (American, 1924-2007) Carnations Signed bottom center, oil on canvas mounted on board (11 1/4 x 7 7/8 in. (28.6 x 20cm)) Provenance Private Collection, Pennsylvania. Condition report: Frame: 11 3/4 x 8 1/2 x 1 1/4 in.

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