Auction Information
Auctioneer Swann Auction Galleries 212-254-4710
Auction Date Sep 19 Auction
Location
See Catalog
New York, NY
Time 10:30AM
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Lot: 1 - WILLIAM BLAKE Then a Spirit Passed before My Face.

WILLIAM BLAKE Then a Spirit Passed before My Face. Engraving on Chine collé, 1825. 195x147 mm; 7 3/4x5 7/8 inches, full margins. Edition of 215. Published by the artist and J. Linnell, London. From Illustrations of the Book of Job. A

Lot: 2 - WILLIAM BLAKE So the Lord Blessed the Latter End

WILLIAM BLAKE So the Lord Blessed the Latter End of Job More than the Beginning. Engraving on Chine collé, 1825. 194x147 mm; 7 5/8x5 1/4 inches, full margins. Edition of 215. Published by the artist and J. Linnell, London. From

Lot: 3 - JEAN-LÉON GÉRÔME Étude d'un

JEAN-LÉON GÉRÔME Étude d'un Magistrat. Pencil on cream wove paper, circa 1852. 312x188 mm; 12 3/8x7 3/8 inches. Signed and inscribed "Augustus" in pencil, right recto. A studying for the standing male magistrate, in

Lot: 4 - EUGÈNE DELACROIX

EUGÈNE DELACROIX Méphistophélès dans les airs. Lithograph, 1828. 273x240 mm; 10 3/4x9 1/2 inches, full margins. Third state (of 5). Published by Charles Motte, Paris. From Faust. A very good impression of this important

Lot: 5 - EUGÈNE DELACROIX Études d'apres

EUGÈNE DELACROIX Études d'apres Michelange. Two pencil drawings on cream wove paper (formerly one sheet), circa 1830. Each 250x190 mm; 9 7/8x7 3/8 inches. One sheet with the artist's red ink stamp (Lugt 838a, lower left recto).

Lot: 6 - EUGÈNE DELACROIX Tigre en Arrêt.

EUGÈNE DELACROIX Tigre en Arrêt. Cliché-verre on smooth, cream wove paper, 1854. 165x195 mm; 6 1/2x8 inches, full margins. Second state (of 2), the the artist's name lower left. A very good impression. Delteil 131; Melot 131.

Lot: 7 - THÉODORE GÉRICAULT A Party of

THÉODORE GÉRICAULT A Party of Life-Guards. Lithograph, 1821. 270x340 mm; 10 3/4x13 1/4 inches, full margins. Second state (of 2), with the printer's address. Printed by Charles Joseph Hullmandel, London. Published by Rodwell and

Lot: 8 - THÉODORE GÉRICAULT Mameluck

THÉODORE GÉRICAULT Mameluck Défendant un Trompette Blessé. Lithograph, 1818. 345x280 mm; 13 5/8x11 1/8, wide margins. A superb, evenly-printed impression. According to Delteil, "Très rare." Delteil 9.

Lot: 9 - HONORÉ DAUMIER Jean Charles Persil, le

HONORÉ DAUMIER Jean Charles Persil, le Scrupuleux, Magristrat et Depute, Pair de France. Bronze with dark brown patina, 1832-35. 195x190x100 mm; 7 7/8x7 1/2x4 inches (height/width/depth). Numbered 15/25 verso. Cast by Fonte Barbedienne,

Lot: 10 - HONORÉ DAUMIER Voyage à travers les

HONORÉ DAUMIER Voyage à travers les populations empressées. Lithograph, 1834. 230x315 mm; 9x11 1/2 inches, full margins. Printed by Delaunois, Paris. Published by Aubert, Paris. From La Caricature. An early impression sur

Lot: 11 - PAUL GAVARNI Group of 8 lithographs.

PAUL GAVARNI Group of 8 lithographs. Et toi? mon chéri, 1853. Second state (of 2). Printed by Lemercier, Paris. Published by Librairie Nouvelle, Paris. From Les Lorettes Vieilles, Masques et Visages. Ex-collection Edgar Degas, Paris,

Lot: 12 - RODOLPHE BRESDIN Le Bon Samaritaine.

RODOLPHE BRESDIN Le Bon Samaritaine. Lithograph on cream wove paper, 1861. 560x440 mm; 22x17 3/8 inches. Préaud's first state B (of 2), with the "white bird" lower left and with the black "ink smudge" on the left leg of the striped-tail

Lot: 13 - RODOLPHE BRESDIN Moulin à eau.

RODOLPHE BRESDIN Moulin à eau. Etching on Chine collé on cream wove paper, 1866. 168x89 mm; 6 5/8x3 1/2 inches, wide margins. First state (of 2), before the completed border line. Ex-collection J.H. de Bois (Lugt 733, recto); and

Lot: 14 - JEAN-FRANÇOIS MILLET La Grande Bergére.

JEAN-FRANÇOIS MILLET La Grande Bergére. Etching on cream laid Japan paper, 1862. 310x228 mm; 12 1/8x9 inches, full margins. Printed by Delâtre, Paris. Published by Cadart, Paris. A very good, richly-inked impression.

Lot: 15 - FÉLIX BRACQUEMOND (after Millet) Le Printemps

FÉLIX BRACQUEMOND (after Millet) Le Printemps. Etching on vellum, 1888. 485x342 mm; 19x13 1/2 inches, full margins. Ninth state (of 9). Signed by Bracquemond in pencil, lower right. Published by Georges Petit, Paris. A very good

Lot: 16 - JEAN-FRANÇOIS MILLET (after) L'Angélus

JEAN-FRANÇOIS MILLET (after) L'Angélus. Etching, 1881. 450x530 mm; 17 3/4x20 3/4 inches, full margins. Signed by Charles-Albert Waltner in crayon, lower right. A very good impression. Waltner (1846-1925), a Parisian

Lot: 17 - JEAN-BAPTISTE-CAMILLE COROT Environs de Rome.

JEAN-BAPTISTE-CAMILLE COROT Environs de Rome. Etching on cream laid paper, 1866. 284x210 mm; 11 1/4x8 1/4 inches, wide margins. Second state (of 3). Printed by Delâtre, Paris, with the address lower right. Published by Cadart and Luquet,

Lot: 18 - JEAN-BAPTISTE-CAMILLE COROT Une Famille à

JEAN-BAPTISTE-CAMILLE COROT Une Famille à Terracine. Lithograph printed in reddish brown on light tan Chine appliqué, 1871. 261x405 mm; 10 3/8x16 inches, full margins. Edition of approximately 50. Published by Alfred Robaut, Paris,

Lot: 19 - JEAN-BAPTISTE-CAMILLE COROT Poete et la Muse.

JEAN-BAPTISTE-CAMILLE COROT Poete et la Muse. Cliché-verre on cream wove paper, 1871. 188x153 mm; 7 1/2x6 1/8 inches, full margins. Delteil 94; Melot 94.

Lot: 20 - CHARLES-FRANÇOIS DAUBIGNY Paysage au bord de

CHARLES-FRANÇOIS DAUBIGNY Paysage au bord de l'étang. Red chalk on cream laid paper, circa 1855. 322x495 mm; 12 3/4x19 1/2 inches. With the artist's red ink stamp (Lugt 518, lower right recto).

Lot: 21 - JOHAN BARTHOLD JONGKIND Soleil Couchant, Port

JOHAN BARTHOLD JONGKIND Soleil Couchant, Port d'Anvers. Etching, 1868. 148x231 mm; 5 7/8x9 1/8 inches, full margins. Fourth state (of 4). Printed by Delâtre, Paris. Published by Cadart and Luce, Paris. A very good, richly-inked

Lot: 22 - JOHAN BARTHOLD JONGKIND Three etchings.

JOHAN BARTHOLD JONGKIND Three etchings. Vue de la ville de Maaslins (Hollande), 1862. Fourth state (of 4). Printed by Delâtre, Paris. Published by Cadart, Paris * Batavia, 1868. Second state (of 2). Edition of 355. Printed by Salmon,

Lot: 23 - FÉLIX BRACQUEMOND Portrait d'Edmond de

FÉLIX BRACQUEMOND Portrait d'Edmond de Goncourt. Etching, 1881. 510x340 mm; 20 1/8x13 1/2 inches, full margins. Eighth state (of 9), before the title and publisher's address. Signed and dedicated "a mon ami Clavel" in ink, lower right. A

Lot: 24 - FRANÇOIS BONVIN Graveur, Effet de Lampe.

FRANÇOIS BONVIN Graveur, Effet de Lampe. Etching, 1861. 217x163 mm; 8 1/2x6 3/8 inches, full margins. A very good impression. Bonvin was a Parisian artist and one of the top French realist painters of the mid-19th century. Weisberg

Lot: 25 - TAVÍK FRANTIŠEK ŠIMON Le Graveur

TAVÍK FRANTIŠEK ŠIMON Le Graveur par lui-même. Etching, 1917. 155x110 mm; 6 1/8x4 3/8 inches, full margins. Sixth state (of 6). Edition of 100. Signed and numbered "44" in pencil. With the artist's red ink stamp, lower

Lot: 26 - JAMES A. M. WHISTLER Annie, Seated.

JAMES A. M. WHISTLER Annie, Seated. Etching printed in dark brownish black on antique cream laid paper, 1858-59. 129x96 mm; 5 1/8x3 3/4 inches, full margins. MacDonald's third state (of 3), an earlier impression in this state, with the long,

Lot: 27 - JAMES A. M. WHISTLER Bibi Lalouette.

JAMES A. M. WHISTLER Bibi Lalouette. Etching and drypoint on tissue-thin Japan paper, 1859. 230x153 mm; 9x6 inches, full margins. MacDonald's second state (of 2), with pentimenti of the heads lower left and lower right still faintly visible.

Lot: 28 - JAMES A. M. WHISTLER Bibi Valentin.

JAMES A. M. WHISTLER Bibi Valentin. Etching and drypoint on cream laid Japan paper, 1859. 152x227 mm; 6x9 inches, full margins. MacDonald's second state (of 2), with the left hand defined and all the additional work completed. A very good

Lot: 29 - JAMES A. M. WHISTLER La Vieille aux Loques.

JAMES A. M. WHISTLER La Vieille aux Loques. Etching and drypoint printed in dark brownish black, 1858. 205x147 mm; 8 1/8x5 5/8 inches, wide margins. MacDonald's third state (of 4). Printed by Delâtre, Paris. From Douze eaux-fortes

Lot: 30 - JAMES A. M. WHISTLER Billingsgate.

JAMES A. M. WHISTLER Billingsgate. Etching and drypoint, 1859. 148x224 mm; 5 3/4x8 5/8 inches, full margins. McDonald's ninth state (of 9), before cancellation. A very good impression. Kennedy 47; Glasgow 51.

Lot: 31 - JAMES A. M. WHISTLER Hurlingham.

JAMES A. M. WHISTLER Hurlingham. Etching and drypoint on cream laid paper, 1879. 135x198 mm; 5 1/4x7 7/8 inches, full margins. MacDonald's fourth state (of 4). A very good impression with strong contrasts. Kennedy 181; Glasgow 184.

Lot: 32 - JAMES A. M. WHISTLER The Wine Glass.

JAMES A. M. WHISTLER The Wine Glass. Etching on cream wove paper, 1859. 83x55 mm; 3 1/4x2 1/8 inches, full margins. MacDonald's second state (of 2), with the additional vertical shading lines in the background. A superb, richly-inked

Lot: 33 - JAMES A. M. WHISTLER San Giorgio.

JAMES A. M. WHISTLER San Giorgio. Etching and drypoint, 1879-80. 203x293 mm; 8x11 1/2 inches with butterfly tab. MacDonald's fourth state (of 5), before the butterfly signature in the plate. Signed with the butterfly and inscribed "imp" in

Lot: 34 - JAMES A. M. WHISTLER Chelsea Wharf.

JAMES A. M. WHISTLER Chelsea Wharf. Etching on antique cream laid paper, 1863. 91x190 mm; 3 5/8x7 1/2 inches, wide margins. MacDonald's second state (of 2), with the butterfly lower right. Signed with the butterfly and inscribed "imp" on the

Lot: 35 - JAMES A. M. WHISTLER The Little Mast.

JAMES A. M. WHISTLER The Little Mast. Etching printed in dark brownish black on Japan paper, 1879-80. 269x184 mm; 10 5/8x7 1/4 inches, full margins. MacDonald's eighth state (of 8). Signed with the butterfly and inscribed "imp" in pencil on

Lot: 36 - JAMES A. M. WHISTLER Ponte del Piovan.

JAMES A. M. WHISTLER Ponte del Piovan. Etching and drypoint on antique, cream laid paper, 1880. 220x145 mm; 8 5/8x5 3/4 inches, wide margins. MacDonald's sixth state (of 7). Edition of approximately 30. Signed with the butterfly and inscribed

Lot: 37 - JAMES A. M. WHISTLER The Temple.

JAMES A. M. WHISTLER The Temple. Etching printed in dark brown on antique cream laid paper, 1880-81. 98x150 mm; 4x6 inches. Edition of approximately 30. Signed with the butterfly and inscribed "imp" in pencil on the tab, lower left. From

Lot: 38 - JAMES A. M. WHISTLER Upright Venice.

JAMES A. M. WHISTLER Upright Venice. Etching printed in dark brown on antique cream laid paper, circa 1879-80. 256x179 mm; 10 1/8x7 inches, wide margins. MacDonald's third to fourth state (of 8), with the four patches of foul biting at the

Lot: 39 - OTTO BACHER The Rialto Bridge and Grand Canal,

OTTO BACHER The Rialto Bridge and Grand Canal, Venice. Etching,1880s. 115x250 mm; 4 1/2x9 7/8 inches, full margins. Signed in pencil, lower left. A very good impression of this extremely scarce etching.

Lot: 40 - FRANK DUVENECK The Bridge of Sighs, Venice (First

FRANK DUVENECK The Bridge of Sighs, Venice (First Plate). Etching and drypoint on Chine collé, 1883. 277x218 mm; 11x8 5/8 inches, full margins. Signed in pencil, lower right. A brilliant, richly-inked impression of this extremely scarce

Lot: 41 - MORTIMER L. MENPES Whistler the Proud—Two

MORTIMER L. MENPES Whistler the Proud—Two Faces. Drypoint on laid paper, 1892-1902. 185x136 mm; 7 1/4x5 3/8 inches, wide margins. Signed and inscribed "imp" in pencil, lower right. A very good impression of this scarce print.

Lot: 42 - ÉDOUARD MANET Les Chats.

ÉDOUARD MANET Les Chats. Etching and aquatint printed in dark brownish black, 1868-69. 177x221 mm; 7x8 7/8 inches, full margins. First state (of 2), before cancellation. A very good, strong impression of this scarce print, with warm

Lot: 43 - ÉDOUARD MANET Berthe Morisot.

ÉDOUARD MANET Berthe Morisot. Etching printed in dark brownish black on cream laid paper, 1872. 119x79 mm; 4 3/4x3 1/4 inches, full margins. Second state (of 3), before the cleaning of the lower margin, with the delicate lines in the

Lot: 44 - CAMILLE PISSARRO Ètudes de Femme au Bonnet.

CAMILLE PISSARRO Ètudes de Femme au Bonnet. Watercolor and pencil on cream wove paper, 1891. 190x100 mm; 7 1/2x4 inches. With the artist's initials ink stamp (Lugt 613c, lower right recto). Ex-collection Franz Bader Gallery,

Lot: 45 - CAMILLE PISSARRO Femme vidant une brouette.

CAMILLE PISSARRO Femme vidant une brouette. Etching and drypoint printed in black on antique cream laid paper, 1880. 320x233 mm; 12 3/4x9 1/4 inches, full margins. Third state (of 11). One of only 4 or 5 impressions in this state, there were

Lot: 46 - CAMILLE PISSARRO Marché aux Légumes,

CAMILLE PISSARRO Marché aux Légumes, à Pointoise. Etching and drypoint printed in dark brownish black, 1891. 250x204 mm; 9 7/8x7<7/8> inches, full margins. Second state (of 2). Edition of 500. A very good impression.

Lot: 47 - CAMILLE PISSARRO Place de la République,

CAMILLE PISSARRO Place de la République, à Rouen (avec tramway). Etching, 1883. 170x165 mm; 5 1/2x6 1/2 inches; wide margins. Second state (of 2). Edition of 40. With the artist's blue ink stamp (Lugt 613d, lower right recto) and

Lot: 48 - CAMILLE PISSARRO Cours-la-Reine (ou Bords de la

CAMILLE PISSARRO Cours-la-Reine (ou Bords de la Seine, à Rouen). Etching, aquatint and drypoint, 1884. 123x140 mm; 4x5 1/2 inches, full margins. Third state (of 3). Inscribed "2 état no. 2" in pencil. lower left. A superb impression

Lot: 49 - PIERRE-AUGUSTE RENOIR Le Chapeau Épinglé

PIERRE-AUGUSTE RENOIR Le Chapeau Épinglé (2e planche) . Lithograph on thin Japan paper, 1897. 600x492 mm; 23 5/8x19 1/4 inches, full margins. Edition of 100, aside from the editions of 50 impressions printed in sanguine and 50

Lot: 50 - PIERRE-AUGUSTE RENOIR Le Chapeau Épinglé

PIERRE-AUGUSTE RENOIR Le Chapeau Épinglé (1e planche). Etching, circa 1894. 111x83 mm; 4 3/8x3 1/4, full margins. A very good impression. This etching is based on an 1893 oil and pastel painting by Renoir which represents the

Lot: 51 - BERTHE MORISOT Jeune femme au repos.

BERTHE MORISOT Jeune femme au repos. Drypoint on heavy cream wove paper, 1889. 75x113 mm; 3x4 1/2 inches, wide margins. First state (of 3), before the cancellation and reworking of the plate. With the artist's initials ink stamp (Lugt 388b,

Lot: 52 - PAUL CÉZANNE Portrait de Cézanne par

PAUL CÉZANNE Portrait de Cézanne par lui-même. Lithograph printed in black on smooth, imitation Japan paper, circa 1898. 325x280 mm; 12 3/4x11 inches, full margins. The deluxe edition, aside from the edition of approximately 200

Lot: 53 - MARY CASSATT Margot Leaning Against Her Mother.

MARY CASSATT Margot Leaning Against Her Mother. Drypoint on light blue laid paper, circa 1902. 241x165 mm; 9 1/2x6 1/2 inches, full margins. Second state (of 2). Signed in pencil, lower right. A very good impression of this extremely scarce

Lot: 54 - MARY CASSATT Margot Resting her Arms on Back of

MARY CASSATT Margot Resting her Arms on Back of Armchair. Drypoint, circa 1903. 213x146 mm; 8 3/8x5 3/4 inches, full margins. Second state (of 2). Signed in pencil, lower right. A very good impression of this extremely scarce print. Breeskin

Lot: 55 - MARY CASSATT The Crocheting Lesson.

MARY CASSATT The Crocheting Lesson. Drypoint on light blue laid paper, circa 1902. 445x267 mm; 17 1/2x10 1/2 inches, full margins. One of only 6 impressions on blue laid paper winthin the edition of 50. Second state (of 2). Signed, numbered

Lot: 56 - JAMES JACQUES TISSOT Le Journal.

JAMES JACQUES TISSOT Le Journal. Etching and drypoint, 1883. 376x290 mm; 14 7/8x11 3/8 inches, full margins. With the artist's red ink stamp (Lugt 1545, lower right recto), and inscribed "d'ètat définitif" in pencil, lower left. A

Lot: 57 - JAMES JACQUES TISSOT Dimanche Matin.

JAMES JACQUES TISSOT Dimanche Matin. Etching and drypoint, 1883. 400x190 mm; 15 3/4x7 1/2 inches, full margins. Signed in pencil, lower left, and with the artist's red ink stamp (Lugt 1545, lower right recto). A superb, richly-inked impression

Lot: 58 - JAMES JACQUES TISSOT L'Été.

JAMES JACQUES TISSOT L'Été. Etching and drypoint on cream laid paper, 1878. 376x208 mm; 14 3/4x8 3/8 inches, full margins. Edition of approximately 100. A superb, dark and early impression with strong contrasts. The sitter is

Lot: 59 - JAMES JACQUES TISSOT Mavourneen.

JAMES JACQUES TISSOT Mavourneen. Drypoint and etching, 1877. 373x202 mm; 14 3/4x8 inches, full margins. Edition of approximately 100. With the artist's red ink stamp (Lugt 1545, lower right recto). A superb, richly-inked impression of this

Lot: 60 - JAMES JACQUES TISSOT Le Chapeau Rubens.

JAMES JACQUES TISSOT Le Chapeau Rubens. Drypoint on cream laid paper, 1875. 254x161 mm; 10x6 1/2 inches, full margins. Edition of 50. With the artist's red ink stamp (Lugt 1545, lower left recto). A superb impression of this very scarce, early

Lot: 61 - JAMES JACQUES TISSOT Soirée d'Été.

JAMES JACQUES TISSOT Soirée d'Été. Etching and drypoint, 1882. 232x397 mm; 9 1/8x15 3/8 inches, full margins. Second state (of 2), with the additional shading around the left eye and the left side of the composition completed.

Lot: 62 - JAMES JACQUES TISSOT L'Eventail.

JAMES JACQUES TISSOT L'Eventail. Drypoint and etching, 1876. 110x154 mm; 4 3/8x6 1/8 inches, full margins. Edition of 100. A very good impression of this scarce print. Wentworth 24.

Lot: 63 - JAMES JACQUES TISSOT Portrait de Miss L . . . (Il

JAMES JACQUES TISSOT Portrait de Miss L . . . (Il Faut Qu'une Porte Soit Ouverte). Drypoint, 1876. 375x210 mm; 14 3/4x8 1/4 inches, wide margins. Edition of 50. With the artist's red ink stamp (Lugt 1545, lower left recto). A very good

Lot: 64 - JAMES JACQUES TISSOT Le Hamac.

JAMES JACQUES TISSOT Le Hamac. Etching and drypoint, 1880. 278x184 mm; 10 3/8x7 1/4 inches, full margins. Edition of approximately 100. With the artist's red ink stamp (Lugt 1545, lower right recto). A brilliant, richly-inked and early,

Lot: 65 - JAMES JACQUES TISSOT Querelle d'Amoureux.

JAMES JACQUES TISSOT Querelle d'Amoureux. Etching and drypoint, circa 1876. 303x180 mm; 11 7/8x7 1/8 inches, full margins. Edition of 50. Signed in pencil, lower right. With the artist's red ink stamp (Lugt 1545, lower left recto). A very

Lot: 66 - JAMES JACQUES TISSOT L'Histoire Ennuyeuse.

JAMES JACQUES TISSOT L'Histoire Ennuyeuse. Etching and drypoint on antique cream laid paper, 1878. 315x203 mm; 12 3/8x8 inches, full margins. Edition of approximately 100. A very good impression. Wentworth 32.

Lot: 67 - PAUL CÉSAR HELLEU Lady Dureon.

PAUL CÉSAR HELLEU Lady Dureon. Color drypoint, circa 1900. 536x335 mm; 21 1/4x13 1/8 inches, full margins. Signed in pencil, lower right. A very good, richly-inked impression.

Lot: 68 - PAUL CÉSAR HELLEU Le Chapeau Rose.

PAUL CÉSAR HELLEU Le Chapeau Rose. Color drypoint on cream wove paper. 543x340 mm; 21 3/8x 13 1/4 inches, full margins. Signed in pencil, lower right. A very good impression of this scarce print.

Lot: 69 - PAUL CÉSAR HELLEU La Duchesse de Marlborough.

PAUL CÉSAR HELLEU La Duchesse de Marlborough. Drypoint, circa 1900. 536x337 mm; 21 1/8x13 3/8 inches, full margins. Signed in pencil, lower left. Ex-collection Alfred Beurdeley (Lugt 421, lower right recto). A superb impression with

Lot: 70 - PAUL CÉSAR HELLEU Ellen.

PAUL CÉSAR HELLEU Ellen. Color lithograph on Chine appliqué, circa 1900. 385x240 mm; 15 1/4x9 1/2 inches, full margins. Signed and titled in pencil, lower margin. A portrait of the artist's daughter. A very good impression of

Lot: 71 - PAUL CÉSAR HELLEU Madame Helleu.

PAUL CÉSAR HELLEU Madame Helleu. Color pencils and chalk on cream wove paper, circa 1900. 394x313 mm; 15 1/2x12 1/4 inches. Signed in pencil, upper left recto. Ex-collection private collection, New York. A portrait of the artist's

Lot: 72 - ANDERS ZORN The Ford.

ANDERS ZORN The Ford. Etching and drypoint printed in reddish brown on cream laid paper, 1912. 200x148 mm; 7 7/8x5 7/8 inches, full margins. Second state (of 2). Signed in pencil, lower right. A superb, richly-inked impression. Asplund 249;

Lot: 73 - ANDERS ZORN An Irish Girl (Annie).

ANDERS ZORN An Irish Girl (Annie). Etching, 1894. 278x198 mm; 11x7 7/8 inches, full margins. Edition of approximately 30. Signed and in pencil, lower right. A brilliant, dark impression of this, scarce early etching. Delteil 84; Asplund 85;

Lot: 74 - ANDERS ZORN Auguste Rodin.

ANDERS ZORN Auguste Rodin. Etching, 1906. 213x156 mm; 8 3/8x6 1/8 inches, full margins. Signed in pencil, lower right. A very good impression of this scarce, important etching. Delteil 203; Asplund 207; Hjert/Hjert 136.

Lot: 75 - ANDERS ZORN Reading.

ANDERS ZORN Reading. Etching, 1893. 234x157 mm; 9 1/8x6 1/8 inches, full margins. Third state (of 3). Signed in pencil, lower right. A very good impression of this scarce etching. Zorn's (1860-1920) intimate portrait of the Chicago

Lot: 76 - ANDERS ZORN Gopsmor Cottage.

ANDERS ZORN Gopsmor Cottage. Etching printed in dark brownish black, 1917. 286x195 mm; 11 1/4x7 3/4 inches, full margins. Third state (of 3). Signed in pencil, lower right. A very good, richly-inked, dark impression. Asplund 275; Hjert/Hjert

Lot: 77 - ANDERS ZORN Valkulla.

ANDERS ZORN Valkulla. Etching and drypoint printed in dark brownish black on cream laid paper, 1912. 298x198 mm; 11 3/4x7 7/8 inches, full margins. Signed in pencil, lower right. A very good, dark, richly-inked impression. Asplund 251;

Lot: 78 - PAUL GAUGUIN L'Univers est Crée.

PAUL GAUGUIN L'Univers est Crée. Woodcut on Chine volant, 1893-94. 270x425 mm; 10 3/4x16 1/2 inches, full margins. Proof, aside from the edition of 100 published by the artist's son, Pola Gauguin, in 1921, with less accentuated cracking

Lot: 79 - PAUL GAUGUIN Maruru.

PAUL GAUGUIN Maruru. Woodcut on Chine volant, 1893-94. 205x357 mm; 8 1/8x13 7/8 inches, full margins. Edition of 100, published by the artist's son, Pola Gauguin, in 1921. Signed "Pola Gauguin imp" and inscribed "Paul Gauguin fecit" in

Lot: 80 - PAUL GAUGUIN Paysage aux Meules.

PAUL GAUGUIN Paysage aux Meules. Crayon on paper, circa 1880-85. 162x232 mm; 6 5/8x9 1/8 inches. Ex-collection Schweitzer Gallery, New York, with the label verso; private collection, Detroit. This work is accompanied by a copy of the

Lot: 81 - PAUL GAUGUIN La Orana Maria.

PAUL GAUGUIN La Orana Maria. Lithograph printed in bluish black on light tan imitation Japan paper, 1894-95. 282x194 mm; 11 1/8x7 3/4 inches, full margins. Edition of 200. From L'Epreuve. A very good impression of this scarce lithograph.

Lot: 82 - PAUL GAUGUIN Portrait de Stéphane

PAUL GAUGUIN Portrait de Stéphane Mallarmé. Etching and drypoint on cream wove paper, 1891. 185x147 mm; 7x5 3/4 inches, full margins. Third state (of 3), after cancellation. A superb, richly-inked and dark impression with the

Lot: 83 - HENRI FANTIN-LATOUR L'Amour Désarmé (2e

HENRI FANTIN-LATOUR L'Amour Désarmé (2e planche). Lithograph on China paper, 1892. 305x210 mm; 12 1/8x8 1/8 inches, full margins. Second state (of 2). Editon of 25. Signed in crayon, lower right. A very good impression. Hédiard

Lot: 84 - PAUL SIGNAC Au Bord de la Rivière.

PAUL SIGNAC Au Bord de la Rivière. Watercolor and pencil on paper, 1930. 210x239 mm; 8 1/4x9 3/8 inches. Signed, titled and dated in pencil, lower left recto. Ex-collection Galerie Levy, Lyon, France; Gerhard Wurzer Gallery, Houston; Park

Lot: 85 - PAUL SIGNAC Homme sur Cheval.

PAUL SIGNAC Homme sur Cheval. Watercolor and pencil on cream wove paper, double-sided, 1920-25. 205x137 mm; 8 1/8x5 3/8 inches. Signed in pencil, lower right recto. With a study of a horse in pencil, verso. Ex-collection Arie Den Breems,

Lot: 86 - THÉOPHILE-ALEXANDRE STEINLEN Amoureux sur, un

THÉOPHILE-ALEXANDRE STEINLEN Amoureux sur, un Banc. Color soft-ground etching with aquatint, 1902. 348x501 mm; 13 5/8x19 3/4 inches, full margins. Second state (of 5). Signed faintly in pencil, lower right. Crauzat 71.

Lot: 87 - JEAN-LOUIS FORAIN Two lithographs.

JEAN-LOUIS FORAIN Two lithographs. Rue Laffite, circa 1892. 260x2115 mm; 10 1/4x8 1/2 inches, wide margins. Signed and inscribed "ici a 50 exp. no 41" in pencil, upper right * Chez L'husisier, circa 1891. 192x226 mm; 7 1/2x10 1/4 inches, wide

Lot: 88 - HENRI TOULOUSE-LAUTREC Mademoiselle Marcel Lender,

HENRI TOULOUSE-LAUTREC Mademoiselle Marcel Lender, en buste. Lithograph printed in olive green on imitation Japan paper, 1895. 329x244 mm; 13x9 5/8 inches, full margins. Third state (of 4). The deluxe edition of 111. Initialed and numbered

Lot: 89 - HENRI TOULOUSE-LAUTREC Jane Avril.

HENRI TOULOUSE-LAUTREC Jane Avril. Lithograph, 1893. 266x215 mm; 10 1/2x8 1/2 inches, full margins. First state (of 3). Edition of 500. Printed by Ancourt & Cie, Paris. Published by L'Estampe Originale, Paris. From Le Café Concert. A

Lot: 90 - HENRI TOULOUSE-LAUTREC Two lithographs.

HENRI TOULOUSE-LAUTREC Two lithographs. Yvette Guilbert, sur la Scène, printed in black with a light tan tint stone, 1898. 299x242 mm; 11 3/4x9 1/2 inches, full margins. Edition of 350. Published by Bliss, Sand & Co., London. From

Lot: 91 - HENRI TOULOUSE-LAUTREC Un Monsieur et une Dame,

HENRI TOULOUSE-LAUTREC Un Monsieur et une Dame, Programme pour "l'Argent." Color lithograph on cream wove paper, 1895. 319x238 mm; 12 1/2x9 3/8 inches (sheet), full margins. Second state (of 2). Printed by Eugene Verneau, Paris. A superb,

Lot: 92 - ÉDOUARD VUILLARD Les Deux Belles-sœurs.

ÉDOUARD VUILLARD Les Deux Belles-sœurs. Color lithograph on China paper, 1899. 350x280 mm; 13 3/4x11 inches, full margins. Third state (of 3). Edition of 100. Printed by Auguste Clot, Paris. Published by Vollard, Paris, for Paysages

Lot: 93 - KER-XAVIER ROUSSEL L'Éplucheuse.

KER-XAVIER ROUSSEL L'Éplucheuse. Lithograph on light gray laid paper, 1893. 195x154 mm; 7 5/8x6 1/8 inches, full margins. A very good impression of this extremely scarce lithograph. We have found only one other impression at auction

Lot: 94 - PIERRE BONNARD Nus: Deux Positions.

PIERRE BONNARD Nus: Deux Positions. Pencil on paper, circa 1915-1920. 305x194 mm; 12x7 5/8 inches. Initialed in ink, lower right recto. Exhibited Royal Academy of Arts, "Pierre Bonnard, 1867-1947: Academy of Arts Winter Exhibition",

Lot: 95 - PIERRE BONNARD Garde Municipal.

PIERRE BONNARD Garde Municipal. Lithograph on cream wove paper, 1893. 260x150 mm; 10 1/4x6 1/4 inches, full margins. Edition of 100. Signed and inscribed "no. 47" in pencil, lower left. A very good impression. Bouvet 26.

Lot: 96 - PIERRE BONNARD Jeune Femme au bas noirs.

PIERRE BONNARD Jeune Femme au bas noirs. Lilthograph on blue wove paper, 1893. 286x127 mm; 11 1/4x5 inches, full margins. Edition of 100. Signed and inscribed "No. 97" in pencil, lower left. A very good impression of this scarce lithograph.

Lot: 97 - MAURICE DENIS Amour.

MAURICE DENIS Amour. Complete set of 13 color lithographs, 1892-99. The lithograph couverture 526x413 mm; 20 3/4x16 5/8 inches, wide margins; the other 12 lithographs 530x405 mm; 21x16 inches, full margins. Edition of 100. Three signed and

Lot: 98 - RAOUL DU GARDIER Three color aquatints with

RAOUL DU GARDIER Three color aquatints with etching. Sur la Plage, 1905. Signed and numbered 22/60 in pencil, lower margin * Sous les Parasoles, circa 1905. Signed and inscribed in pencil, lower right * Le Thé, 1915. Signed and numbered

Lot: 99 - BERNARD BOUTET DE MONVEL Three color aquatints

BERNARD BOUTET DE MONVEL Three color aquatints with etching. Sur le Channel, circa 1900. 174x426 mm; 6 7/8x16 3/4 inches, full margins. Signed and dedicated "A Eugene Delâtre, Bien amicalement, Bernard de Monvel" in pencil, lower margin *

Lot: 100 - ERNEST GAILHAC "GAYAC" La Charmeuse de Gnomes.

ERNEST GAILHAC "GAYAC" La Charmeuse de Gnomes. Etching, drypoint and aquatint, 1913. 290x390 mm; 11 3/8x15 1/4 inches, full margins. Numbered 29/30 in pencil, lower left. A very good impression of this extremely scarce print. With—

Lot: 101 - HENRI GUÉRARD Collection of approximately 60

HENRI GUÉRARD Collection of approximately 60 prints. Including woodcuts and carton gravés. Many signed in pencil or ink and with the artist's red ink stamp (Lugt 1157 and 3481). Various sizes and conditions. Very good impressions.

Lot: 102 - PROSPER-ALPHONSE ISAAC Diplôme de la

PROSPER-ALPHONSE ISAAC Diplôme de la Société Franco-Japonaise de Paris. Color woodcut on Japan paper, 1912. 440x262 mm; 17 3/8x10 3/8 inches, full margins. With the artist's red ink stamp (Lugt 4990, lower right recto). A very

Lot: 103 - HENRI EVENEPOEL Au Square.

HENRI EVENEPOEL Au Square. Color lithograph, 1897. 330x229 mm; 13x9 inches, full margins. Edition of 2000. Published by L'Estampe Moderne, Paris, with the blindstamp (Lugt 2790, lower right). A very good impression with strong colors.

Lot: 104 - RICHARD RANFT Group of 5 color aquatints with

RICHARD RANFT Group of 5 color aquatints with etching. Le Retour du Bal, 1900. Signed and numbered 41/60 in pencil, lower margin * La Promenade en Charrette. Signed and numbered 15/50 in pencil, lower margin * Elégantes au Balcon.

Lot: 105 - EDGAR CHAHINE La Promenade.

EDGAR CHAHINE La Promenade. Color etching, aquatint and drypoint, 1902. 454x655 mm; 17 7/8x25 3/4 inches, full margins. Signed and numbered 16/50 in pencil, lower left. A very good impression. Tabanelli 92.

Lot: 106 - EUGÈNE DELÂTRE Bords de Seine.

EUGÈNE DELÂTRE Bords de Seine. Color aquatint and etching, 1922. 305x495 mm; 12x19 1/2 inches, wide margins. Signed in blue pencil and inscribed "52" in pencil, lower margin. A superb, richly-inked impression. Laran 27.

Lot: 107 - EUGÈNE DELÂTRE Group of 4 color

EUGÈNE DELÂTRE Group of 4 color aquatints. Homme Couché dans l'Herbe, 1898. Signed in blue pencil, lower right. Printed by Auguste Delâtre, Paris, father of the artist, with his ink stamp (Lugt 104, lower margin) * Village

Lot: 108 - JAMES ENSOR L'Artiste par lui-même.

JAMES ENSOR L'Artiste par lui-même. Etching, 1886. 100x70 mm; 4 1/8x3 inches, full margins. Third state (of 3). Signed in pencil, lower margin. A very good impression of this scarce, early etching. A self-portrait of the artist at age

Lot: 109 - JAMES ENSOR Portrait d'Ernest Rousseau.

JAMES ENSOR Portrait d'Ernest Rousseau. Drypoint on imitation Japan paper, 1887. 240x180 mm; 9 1/2x7 inches, full margins. Fourth state (of 4). Signed, titled and dated in pencil, lower margin, and counter signed in pencil, verso. A very good

Lot: 110 - JAMES ENSOR La Vengeance de Hop-Frog.

JAMES ENSOR La Vengeance de Hop-Frog. Etching on imitation Japan paper, 1898. 356x244 mm; 14x9 5/8 inches, full margins. Second state (of 2). Signed, titled, dedicated and dated in pencil, lower margin. A superb, richly-inked impression with

Lot: 111 - JAMES ENSOR La Vengeance de Hop-Frog.

JAMES ENSOR La Vengeance de Hop-Frog. Etching with hand coloring in watercolor and gouache on imitation Japan paper, 1898. 356x244 mm; 14x9 5/8 inches, full margins. Second state (of 2). Signed, dated and titld in pencil, lower margin. A

Lot: 112 - JAMES ENSOR La Blague de l'Éléphant.

JAMES ENSOR La Blague de l'Éléphant. Etching on cream imitation Japan paper, 1888. 178x238 mm; 7 1/8x9 3/8 inches, full margins. Signed, titled and dated in pencil, lower margin. Ex-collection unkown collector (Lugt 3498, verso). A

Lot: 113 - FÉLIX VALLOTTON La Foule à Paris.

FÉLIX VALLOTTON La Foule à Paris. Woodcut, 1892. 135x192 mm; 5 3/8x7 1/2 inches, full margins. Edition of 25. Signed in pencil, lower right. A very good impression of this scarce woodcut. Vallotton/Goerg 91. Property from the

Lot: 114 - FÉLIX VALLOTTON A. Edgar Poe.

FÉLIX VALLOTTON A. Edgar Poe. Woodcut, 1894. 155x120 mm; 6 1/8x4 5/8, full margins. Edition of 100. Signed and numbered "63" in blue pencil, lower margin. A very good, richly-inked impression. Vallotton/Goerg 147. Property from the

Lot: 115 - FÉLIX VALLOTTON Le Chapeau Vert.

FÉLIX VALLOTTON Le Chapeau Vert. Color lithograph on thin China paper, 1896. 385x256 mm; 15x10 1/8 inches, full margins. Second state (of 2). Edition of 100. Signed and numbered "25" in blue crayon, lower right. A very good impression.

Lot: 116 - JEAN-ÉMILE LABOUREUR Group of 4 color

JEAN-ÉMILE LABOUREUR Group of 4 color woodcuts. Le Peignoir Rayé, 1902. Edition of 15 (from an intended edition of 40). Signed, titled and dated in pencil, lower left * Baigneuse, 1902. Edition of 16 (from an intended edition of 40).

Lot: 117 - JEAN-ÉMILE LABOUREUR Three woodcuts.

JEAN-ÉMILE LABOUREUR Three woodcuts. Le Cor au Papier Peint Rayé, 2 impressions, 1907. One in the first state, the other in the second state (of 2). Edition of 7 in the first state and 150 in the second state. The first state signed

Lot: 118 - JEAN-ÉMILE LABOUREUR Collection of 19

JEAN-ÉMILE LABOUREUR Collection of 19 woodcuts. Many signed and numbered in pencil, lower margin. Various sizes and conditions. Very good impressions. From the estate of Eric Carlson.

Lot: 119 - JEAN-ÉMILE LABOUREUR Collection of 30 prints.

JEAN-ÉMILE LABOUREUR Collection of 30 prints. Including etchings and engravings. Many signed and numbered in pencil, lower margin. Various sizes and conditions. With— La Maison de Marie, pencil on cream wove paper; etching and

Lot: 120 - JEAN-ÉMILE LABOUREUR New York, Le Soir.

JEAN-ÉMILE LABOUREUR New York, Le Soir. Woodcuts on Japan paper, 3 impressions, 1905. 310x178 mm; 12 1/4x6 7/8 inches, full margins. Edition of 40. Each signed and numbered in pencil, lower margin. Very good impressions. Laboureur 619.

Lot: 121 - JEAN-ÉMILE LABOUREUR Collection of 13

JEAN-ÉMILE LABOUREUR Collection of 13 woodcuts. Many signed and numbered in pencil or with artist's monogram stamp (not in Lugt). Various sizes and conditions. Very good impressions. With— Le Mirror Ovale, color woodcut on board,

Lot: 122 - JEAN-ÉMILE LABOUREUR Collection of 14 prints.

JEAN-ÉMILE LABOUREUR Collection of 14 prints. Including etchings, drypoints, lithographs and a color monotype. Many signed in pencil, lower margin. With— Portrait d'homme en profil, watercolor, 1909. Signed, dated and inscribed

Lot: 123 - JEAN-ÉMILE LABOUREUR Lassitude.

JEAN-ÉMILE LABOUREUR Lassitude. Color woodcut printed in violet, orange, blue, yellow, gray and black on cream wove paper, 1912. 240x268 mm; 9 1/2x10 1/2 inches, full margins. Third state (of 3). Signed and numbered 3/35 in pencil, lower

Lot: 124 - PETER BEHRENS Der Kuss.

PETER BEHRENS Der Kuss. Color woodcut on cream laid Japan paper, 1898. 274x217 mm; 10 3/4x8 5/8 inches, full margins. Edition of 1100. From Pan. A very good impression with strong colors.

Lot: 125 - THOMAS MORAN The White Squadron's Farewell Salute

THOMAS MORAN The White Squadron's Farewell Salute to the Body of John Ericsson, New York Bay, August 23, 1890. Etching on Japan paper, 1898-99. 580x843 mm; 23x33 1/4 inches, full margins. Signed in pencil, lower right, and signed by Edward

Lot: 126 - FRANK W. BENSON The Punter.

FRANK W. BENSON The Punter. Etching on cream wove paper, 1927. 200x300 mm; 7 7/8x11 7/8 inches, full margins. Edition of 150. Signed in pencil, lower left. A superb, richly-inked and luminous impression. Paff 273.

Lot: 127 - FRANK W. BENSON Riverman.

FRANK W. BENSON Riverman. Etching on cream wove paper, 1920. 153x100 mm; 6x4 inches, full margins. Edition of 150. Signed in pencil, lower left. A very good impression. Paff 195.

Lot: 128 - FRANK W. BENSON Two etchings.

FRANK W. BENSON Two etchings. Duck Hunter, 1914. 150x200 mm; 6x7 7/8 inches, full margins. Signed and numbered 50/50 in pencil, lower margin * Duck Stamp Design, 1942. 76x127 mm; 3x5 inches, wide margins. Edition of 100. Signed in pencil,

Lot: 129 - FRANK W. BENSON Sunrise.

FRANK W. BENSON Sunrise. Etching on cream wove paper, 1920. 175x275 mm; 6 7/8x10 3/4 inches, full margins. Second state (of 2). Edition of 150. Signed in pencil, lower left. A very good impression. Paff 180.

Lot: 130 - FRANK W. BENSON Duck Blind.

FRANK W. BENSON Duck Blind. Etching on cream wove paper, 1925. 198x275 mm; 7 7/8x10 3/4 inches, wide margins. Edition of 150. Signed in pencil, lower left. A superb impression. Paff 245.

Lot: 131 - FRANK W. BENSON Boats at Dawn.

FRANK W. BENSON Boats at Dawn. Etching on cream wove paper, 1920. 200x277 mm; 7 7/8x10 7/8 inches, full margins. Edition of 150. Signed in pencil, lower left. A very good, dark impression with strong contrasts. Paff 190.

Lot: 132 - CHILDE HASSAM Easthampton.

CHILDE HASSAM Easthampton. Etching, 1917. 190x290 mm; 7 1/4x11 3/8 inches, full margins. Signed with the artist's cypher and inscribed "imp" in pencil, lower right. A brilliant, dark impression with strong contrasts and with the artist's tack

Lot: 133 - CHILDE HASSAM Colonial Church, Gloucester.

CHILDE HASSAM Colonial Church, Gloucester. Etching, 1923. 333x247 mm; 13 1/8x9 3/4 inches, full margins. Signed with the artist's cypher and inscribed "imp" in pencil, lower right. A very good impression with strong impressions.

Lot: 134 - CHILDE HASSAM The Old House, Cos Cob.

CHILDE HASSAM The Old House, Cos Cob. Etching, 1915. 162x212 mm; 6 3/8x8 3/8 inches, full margins. Signed with the artist's cypher and inscribed "imp" in pencil, lower right. A very good impression of this scarce etching, with the artist's

Lot: 135 - PORTFOLIO Bicentennial Pageant of George

PORTFOLIO Bicentennial Pageant of George Washington. Complete set of 20 etchings, 1932. 370x495 mm; 14 1/2x19 1/2 inches (sheets), full margins, loose as issued. Each signed in pencil, lower margin. Published by The American Art Foundation,

Lot: 136 - CHILDE HASSAM Girl in a Modern Gown.

CHILDE HASSAM Girl in a Modern Gown. Etching and drypoint, 1922. 278x174 mm; 10 7/8x6 7/8 inches, full margins. Signed with the artist's cypher and inscribed "imp" in pencil, lower right. A very good, richly-inked impression of this extremely

Lot: 137 - EDWARD HOPPER East Side Interior.

EDWARD HOPPER East Side Interior. Etching on wove paper, 1922. 200x250 mm; 8x10 inches, full margins. Edition of approximately 100. Signed in pencil, lower right. A brilliant, richly-inked and early impression with very strong contrasts and no

Lot: 138 - JOHN MARIN Marketplace, Frauen Kirche, Nuremberg.

JOHN MARIN Marketplace, Frauen Kirche, Nuremberg. Etching, 1910. 195x245 mm; 7 3/4x9 3/4 inches, full margins. First state (of 2). Edition of only 10. Signed in pencil, lower right. Published by Alfred Stieglitz, New York. A superb impression

Lot: 139 - JOHN MARIN Campiello S. Rocco, Venice.

JOHN MARIN Campiello S. Rocco, Venice. Etching on Japan paper, 1907. 157x221 mm; 6 1/4x4 3/4 inches, full margins. Edition of approximately 30. Signed in pencil, lower right. A very good impression of this extremely scarce etching. We have

Lot: 140 - GEORGE BELLOWS Buisness-Men's Class.

GEORGE BELLOWS Buisness-Men's Class. Lithograph on thin laid paper, 1916. 290x435 mm; 11 3/8x17 1/8 inches, full margins. Edition of 64. Signed, titled and inscribed "No. 37" in pencil, lower margin. A very good impression of this scarce

Lot: 141 - GEORGE BELLOWS In the Park, Light.

GEORGE BELLOWS In the Park, Light. Lithograph, 1916. 406x538 mm; 16x21 1/4 inches, full margins. Edition of 59. Signed, titled and inscribed "No. 29" in pencil, lower margin. A very good impression. Mason 31.

Lot: 142 - GEORGE BELLOWS Dempsey and Firpo.

GEORGE BELLOWS Dempsey and Firpo. Lithograph on cream wove paper, 1923-24. 459x568 mm; 18x22 3/8 inches, wide margins. Edition of 103. Signed and titled in pencil, lower margin, and signed by the printer, Bolton Brown, in pencil, lower left.

Lot: 143 - GEORGE BELLOWS The Pool-Player.

GEORGE BELLOWS The Pool-Player. Lithograph on cream wove paper, 1921. 133x260 mm; 5 1/4x10 1/4 inches, full margins. Edition of 40. Signed in pencil, lower right, and signed and inscribed "imp" by the printer, Bolton Brown, in pencil, lower

Lot: 144 - GEORGE BELLOWS In the Subway.

GEORGE BELLOWS In the Subway. Lithograph on cream wove paper, 1921. 216x179 mm; 8 3/8x7 inches, full margins. Edition of approximately only 16. Signed and titled in pencil, lower margin, and signed by the printer, Bolton Brown, in pencil,

Lot: 145 - GEORGE BELLOWS Study for Judge Peter J. Olney.

GEORGE BELLOWS Study for Judge Peter J. Olney. Brush and ink on cream laid paper, 1914. 205x135 mm; 8 1/8x 5 1/4 inches. Signed in crayon, lower right recto. Ex-collection estate of the artist; private collection, New York. The portrait of

Lot: 146 - WILLIAM GLACKENS Study of a Woman Walking.

WILLIAM GLACKENS Study of a Woman Walking. Pencil on light tan laid paper, circa 1910. 215x140 mm; 8 1/2x5 1/2 inches. Signed in crayon, lower right recto. Ex-collection private collection, Maryland. Glackens (1870-1938) was known to

Lot: 147 - JOHN SLOAN Hanging Clothes.

JOHN SLOAN Hanging Clothes. Monotype on cream wove paper, 1907. 136x175 mm; 5 1/2x7 inches, full margins. Signed, dated and annotated in pencil, lower margin. Ex-collection Kraushaar Galleries, New York, with the label. A very good impression

Lot: 148 - JOHN SLOAN Copyist at the Metropolitan Museum.

JOHN SLOAN Copyist at the Metropolitan Museum. Etching, 1908. 191x227 mm; 7 1/2x9 inches, full margins. Eighth state (of 8). Edition of 75 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" in pencil, lower margin. A

Lot: 149 - JOHN SLOAN The Women's Page.

JOHN SLOAN The Women's Page. Etching, 1905. 127x177 mm; 5x7 inches, full margins. Edition of 100. Signed, titled and inscribed "100 proofs" in pencil, lower margin. From New York City Life. A superb, richly-inked impression with very strong

Lot: 150 - JOHN SLOAN Kraushaar's.

JOHN SLOAN Kraushaar's. Etching, 1926. 102x128 mm; 4x5 inches, full margins. Edition of 75 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" in pencil, lower margin. A very good impression with strong contrasts.

Lot: 151 - JOHN SLOAN Robert Henri.

JOHN SLOAN Robert Henri. Etching on laid paper, 1902. 171x114 mm; 6 3/4x4 1/2 inches, full margins. Edition of 75 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" in pencil, lower margin. A superb impression with

Lot: 152 - JOHN SLOAN Hell Hole.

JOHN SLOAN Hell Hole. Etching and aquatint, 1917. 204x253 mm; 8x10 inches, full margins. Second state (of 2). Edition of 110 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" in pencil, lower margin. A very good

Lot: 153 - GUSTAVE BAUMANN Mending the Seine (Provincetown).

GUSTAVE BAUMANN Mending the Seine (Provincetown). Color woodcut, 1917. 245x285 mm; 9 5/8x11 1/4 inches, full margins. Signed, titled and numbered "II 38/125" in pencil, lower margin. With the artist's ink stamp, lower right. A very good

Lot: 154 - GUSTAVE BAUMANN Autumnal Glory.

GUSTAVE BAUMANN Autumnal Glory. Color woodcut, 1917. 330x330 mm; 13x13 inches, wide margins. Edition of 120. Signed, titled and inscribed "No. 30 of 120" in pencil, lower margin. With the artist's ink stamp, lower right. A superb, richly-inked

Lot: 155 - GUSTAVE BAUMANN The Bishop's Apricot.

GUSTAVE BAUMANN The Bishop's Apricot. Color woodcut, circa 1920. 143x191 mm; 5 5/8x7 1/2 inches, full margins. Signed, titled and numbered 19/100 in pencil, lower margin. With the artist's ink stamp, lower right. A very good impression of this

Lot: 156 - EDNA BOIES HOPKINS The Mountaineer (Andy Walking

EDNA BOIES HOPKINS The Mountaineer (Andy Walking with his Mule). Color woodcut on Japan paper, 1917. 258x232 mm; 10 1/4x9 1/4 inches, full margins. Signed and inscribed "no 6" in pencil, lower margin. A very good impression of this extremely

Lot: 157 - MARGARET J. PATTERSON In the High Hills.

MARGARET J. PATTERSON In the High Hills. Color woodcut on Japan paper, circa 1920. 282x223 mm; 11 1/8x8 1/2 inches, full margins. Edition of 100. Signed in pencil, lower right. A superb impresson with richly-inked colors. Bakker 80.

Lot: 158 - IDA MARIE PERRAULT Wild Flowers.

IDA MARIE PERRAULT Wild Flowers. Color woodcut, circa 1935. 356x308 mm; 14x12 inches, full margins. Titled, numbered 12/100 and inscribed "Original woodblock by Marie Perrault. Print by R.P." in pencil, lower margin. Printed by Raoul Perrault,

Lot: 159 - BROR J. O. NORDFELDT Mist, the Anglers.

BROR J. O. NORDFELDT Mist, the Anglers. Color woodcut on Japan paper, 1906. 220x322 mm; 8 3/44x12 3/4 inches (sheet). Signed, dated and inscribed "232" in pencil, lower left. A very good impression. Donovan 10.

Lot: 160 - BROR J. O. NORDFELDT Three Travelers Crossing a

BROR J. O. NORDFELDT Three Travelers Crossing a Bridge in the Snow. Color woodcut on Japan paper, 1906. 205x263 mm; 8 1/8x10 3/8 inches, full margins. Signed, dated and inscribed "no. 157" in pencil, lower right. A very good impression.

Lot: 161 - BROR J. O. NORDFELDT North Sea Fishermen.

BROR J. O. NORDFELDT North Sea Fishermen. Color woodcut on Japan paper, 1906. 230x380 mm; 9x15 inches; full margins. Signed, dated and inscribed "no 93" in ink, upper left. A very good impression. Donovan 11.

Lot: 162 - ELIE NADELMAN The Dry Points of Elie Nadelman.

ELIE NADELMAN The Dry Points of Elie Nadelman. Complete set of 22 drypoints, 1951. 483x3546 mm; 19x14 inches, full margins. Edition of 50. Printed by Charles S. White, New York. Published by Curt Valentin, New York. Original linen portfolio

Lot: 163 - LYND WARD Collection of 23 prints.

LYND WARD Collection of 23 prints. Wood engravings and mezzotints, circa 1929-46. Each signed in pencil, lower right, some numbered and/or dated in pencil, lower margin. Some from In Praise of Folly, Frankenstein, or Faust. Various sizes and

Lot: 164 - ROCKWELL KENT Man at Mast.

ROCKWELL KENT Man at Mast. Wood engraving on Japan paper, 1929. 202x140 mm; 8x5 1/2 inches, full margins. Edition of 100. Signed in pencil, lower right. A superb, dark, evenly-printed impression. Burne-Jones 33.

Lot: 165 - ROCKWELL KENT Northern Night.

ROCKWELL KENT Northern Night. Color wood engraving printed in black with white tint linoleum cut, 1930. 142x208 mm; 5 1/2x8 1/4 inches, full margins. Edition of 120. Signed in pencil, lower right. A very good impression. Burne-Jones 53.

Lot: 166 - ROCKWELL KENT Boatman.

ROCKWELL KENT Boatman. Lithograph on cream wove paper, 1929. 350x255 mm; 13 3/4x10 inches, full margins. Edition of 150. Signed in pencil, lower right. A very good impression. With— Mala (Danseuse), lithograph on cream wove paper,

Lot: 167 - CLARE LEIGHTON Snow Shovellers, New York.

CLARE LEIGHTON Snow Shovellers, New York. Wood engraving on thin cream wove paper, 1929. 205x155 mm; 8 1/8x6 1/8 inches, wide margins. Signed, titled and numbered 17/50 in pencil, lower margin. A superb, dark and evenly-printed impression.

Lot: 168 - THE WOODCUT SOCIETY, KANSAS CITY Group of 10 wood

THE WOODCUT SOCIETY, KANSAS CITY Group of 10 wood engravings and woodcuts. J.J. LANKES, Southern Scene, 1932. Signed, titled and numbered 90/200 in pencil, lower margin * WALTER J. PHILLIPS, Vista Lake, 1932. Signed and numbered 90/200 in

Lot: 169 - PAUL LANDACRE Forest Girl.

PAUL LANDACRE Forest Girl. Wood engraving on thin Japan paper, 1936. 215x154 mm; 8 1/2x6 inches, full margins. Signed, titled and numbered 53/60 in pencil, lower margin. A very good, evenly-printed impression.

Lot: 170 - PAUL LANDACRE Hills and the Sea–Malibu

PAUL LANDACRE Hills and the Sea–Malibu Coast. Wood engraving on wove paper, circa 1930. 150x200 mm; 5 7/8x7 7/8 inches, full margins. Signed, titled and numbered 31/50 in pencil, lower margin. A superb impression of this very scarce

Lot: 171 - PAUL LANDACRE Sultry Day.

PAUL LANDACRE Sultry Day. Wood engraving, 1937. 209x152 mm; 8 1/4x6 inches, full margins. Edition of approximately 200. Published by the American Artists Group, New York. A superb, evenly-printed impression. Wien 170.

Lot: 172 - ARNOLD RÖNNEBECK Rain in the Jemez Mountains,

ARNOLD RÖNNEBECK Rain in the Jemez Mountains, New Mexico. Lithograph, 1931. 250x370 mm; 9 3/4x14 1/2 inches, full margins. Signed, dated, titled and numbered 19/50 in pencil, lower margin. Ex-collection the artist's estate. A very good

Lot: 173 - ARNOLD RÖNNEBECK Polo Players.

ARNOLD RÖNNEBECK Polo Players. Crayon on cream wove paper, circa 1924. 279x130 mm; 11x15 1/8 inches. Signed in crayon, lower right recto. Ex-collection the artist's estate.

Lot: 174 - GENE KLOSS Noonday Shadows.

GENE KLOSS Noonday Shadows. Etching, 1941. 174x212 mm; 6 7/8x8 3/8 inches. Edition of 75. Signed and titled in pencil, lower margin. A very good impression. Kloss 376.

Lot: 175 - GENE KLOSS Courtyard in Chimayó.

GENE KLOSS Courtyard in Chimayó. Etching, 1973. 190x228 mm; 7 1/2x9 inches, wide margins. Signed, titled and numbered 8/75 in pencil, lower margin. A very good impression. Kloss 547.

Lot: 176 - MARTIN LEWIS Kankakei.

MARTIN LEWIS Kankakei. Oil on canvas, circa 1921. 409x330 mm; 16 1/8x13 inches. Signed and titled in oil, lower right recto, and titled in pen and ink, verso. Ex-collection the artist's estate, New York; Lucille Deming Lewis, the artist's

Lot: 177 - MARTIN LEWIS Gokei (Road Through Boulder Creek).

MARTIN LEWIS Gokei (Road Through Boulder Creek). Watercolor on paper, circa 1921. 530x455 mm; 20 7/8x17 7/8 inches. Signed and titled in watercolor, lower right recto. Ex-collection the artist's estate, New York; Lucille Deming Lewis, the

Lot: 178 - MARTIN LEWIS Night in New York.

MARTIN LEWIS Night in New York. Etching, 1932. 213x225 mm; 8 3/8x8 7/8 inches, full margins. Edition of 135. Signed in pencil, lower right. Printed by Charles S. White, New York. Published by the Chicago Society of Etchers, with the blind

Lot: 179 - MARTIN LEWIS Arch, Midnight.

MARTIN LEWIS Arch, Midnight. Drypoint, 1930. 205x295 mm; 8 1/8x11 5/8 inches, full margins. Edition of 99. Signed in pencil, lower right. A superb, richly-inked and luminous impression. McCarron 84.

Lot: 180 - MARTIN LEWIS Break in the Thunderstorm.

MARTIN LEWIS Break in the Thunderstorm. Drypoint, 1930. 315x252 mm; 12 3/8x9 7/8 inches, full margins. Second state (of 2). Edition of approximately 66. Signed in pencil, lower right. A brilliant, richly-inked impression of this extremely

Lot: 181 - MARTIN LEWIS Chance Meeting.

MARTIN LEWIS Chance Meeting. Drypoint, 1940-41. 265x188 mm; 10 1/2x7 1/2 inches, full margins. Edition of 105. Signed in pencil, lower right. Published by the Society of American Etchers, New York. A superb, luminous, richly-inked impression

Lot: 182 - MARTIN LEWIS Ha'nted.

MARTIN LEWIS Ha'nted. Drypoint and sand ground on wove paper, 1932. 336x227 mm; 13 1/4x9 inches, full margins. Edition of 107. Signed in pencil, lower right. A brilliant, luminous and richly-inked impression with very strong contrasts and no

Lot: 183 - MARTIN LEWIS The Tree, Manhattan.

TREE MARTIN LEWIS The Tree, Manhattan. Drypoint, 1930. 328x252 mm; 12 7/8x9 7/8 inches, full margins. Artist's proof, aside from the edition of 91. Signed and inscribed "imp" and "Trial no. 4" in pencil, lower margin. A superb impression.

Lot: 184 - MARTIN LEWIS Little Penthouse.

MARTIN LEWIS Little Penthouse. Drypoint, 1931. 250x173 mm; 9 7/8x6 7/8 inches, full margins. Edition of 75. Signed in pencil, lower right. A brilliant, richly-inked impression with luminous highlights and with all the fine details distinct.

Lot: 185 - MARTIN LEWIS Quarter of Nine, Saturday's Children.

MARTIN LEWIS Quarter of Nine, Saturday's Children. Drypoint printed in dark brownish black on cream wove paper, 1929. 252x326 mm; 9 7/8x12 7/8 inches, full margins. Edition of 107. Signed and inscribed "imp" in pencil, lower right. A superb,

Lot: 186 - MARTIN LEWIS Men Working on Elevated Train Tracks,

MARTIN LEWIS Men Working on Elevated Train Tracks, Looking at Airplane in Sky. Etching, circa 1919. 275x295 mm; 10 3/4x11 5/8 inches, full margins. Signed in pencil, lower right. A very good impression of this exceedingly scarce etching. We

Lot: 187 - MARTIN LEWIS Glow of the City.

MARTIN LEWIS Glow of the City. Drypoint printed in dark brownish black on cream laid paper, 1929. 285x361 mm; 11 1/4x14 1/4 inches, full margins. Edition of 110. Signed and inscribed "imp" in pencil, lower right. A brilliant, dark,

Lot: 188 - MARTIN LEWIS Politics.

MARTIN LEWIS Politics. Drypoint and sand ground, 1936. 245x266 mm; 9 7/8x10 1/2 inches, full margins. Second state (of 2). Edition of approximately only 27. Signed in pencil, lower right. A very good impression of this scarce drypoint.

Lot: 189 - MARTIN LEWIS Boss of the Block.

MARTIN LEWIS Boss of the Block. Etching and aquatint, 1939. 280x185 mm; 11x7 1/4 inches, full margins. Edition of 212. Signed in pencil, lower right. A very good, richly-inked impression. Lewis produced this print to benefit the League

Lot: 190 - MARTIN LEWIS Winter on White Street.

MARTIN LEWIS Winter on White Street. Drypoint and sand ground on cream wove paper, 1934. 276x175 mm; 10 7/8x6 7/8 inches, full margins. Artist's proof in the second state (of 3), aside from the edition of approximately 41. Signed and

Lot: 191 - MARTIN LEWIS Rain on Murray Hill.

MARTIN LEWIS Rain on Murray Hill. Drypoint printed in dark bluish, greenish black on cream wove paper, 1928. 200x300 mm; 7 7/8x11 7/8 inches, full margins. Edition of 110. Signed and inscribed "imp" in pencil, lower right. A brilliant,

Lot: 192 - JOHN SLOAN Snowstorm in the Village.

JOHN SLOAN Snowstorm in the Village. Etching, 1925. 177x128 mm; 7x5 inches, full margins. Third state (of 3). Edition of 100. Signed, titled and inscribed "100 proofs" in pencil, lower margin. A superb, richly-inked good impression. Morse 216.

Lot: 193 - JOHN TAYLOR ARMS West Forty-Second Street, Night.

JOHN TAYLOR ARMS West Forty-Second Street, Night. Color etching and aquatint, 1922. 272x171 mm; 10 5/8x6 3/4 inches, full margins. Second state (of 2). Edition of 100. Signed in pencil, lower right. Fletcher 122. With— Sunlight on

Lot: 194 - HOWARD COOK New York Night.

HOWARD COOK New York Night. Lithograph, 1931. 254x305 mm; 10x12 inches, full margins. Edition of 35 (from an intended edition of 75). Signed and dated in pencil, lower right. A superb, richly-inked and luminous impression. Duffy 162.

Lot: 195 - HOWARD COOK Queensboro Bridge.

HOWARD COOK Queensboro Bridge. Etching and aquatint, 1930. 277x183 mm; 11x7 1/4, full margins. Edition of 40 (from an intended edition of 50). Signed, dated, numbered 7/50 and inscribed "imp" in pencil, lower margin. A very good impression.

Lot: 196 - HOWARD COOK Skyscraper.

HOWARD COOK Skyscraper. Wood engraving, 1928. 457x219 mm; 18x8 5/8 inches, full margins. Edition of 40 (from an intended edition of 50). Signed, dated "1929" numbered 45/50 and inscribed "imp" in pencil, lower right. A brilliant, richly-inked

Lot: 197 - HOWARD COOK Chrysler Building.

HOWARD COOK Chrysler Building. Wood engraving, 1930. 256x170 mm; 10 1/8x6 3/4 inches, wide margins. Edition of 50 (from an intended edition of 75). Signed, dated and inscribed "imp." and "75" in pencil, lower margin. A superb, richly-inked

Lot: 198 - HOWARD COOK Financial District.

HOWARD COOK Financial District. Lithograph, 1931. 340x266 mm; 13 3/8x10 1/2 inches, full margins. Edition of 75. Signed, dated and inscribed "75" in pencil, lower margin. A very good impression. Duffy 155.

Lot: 199 - HOWARD COOK Lower Manhattan.

HOWARD COOK Lower Manhattan. Wood engraving, 1930. 123x79 mm; 4 7/8x3<1/8> inches, full margins. Edition of 50. Signed and dated "1929" in pencil, lower right. A very good impression. Duffy 131.

Lot: 200 - HOWARD COOK Engine Room.

HOWARD COOK Engine Room. Lithograph, 1930. 256x300 mm; 10 1/8x12 1/4 inches, full margins. Edition of 35 (from an intended edition of 75). Signed, dated and inscribed "75" in pencil, lower margin. A superb, dark, richly-inked impression. Duffy

Lot: 201 - HOWARD COOK Group of 4 prints.

HOWARD COOK Group of 4 prints. Self Portrait, wood engraving, 1931. Edition of 50. Signed and dated in pencil, lower right * Southern Pioneers, aquatint, soft-ground and etching, 1936-37. Edition of 20 (from an intended edition of 30). Signed

Lot: 202 - Group of 8 prints.

Group of 8 prints. WALT KUHN. Mirabell, lithograph, 1925 * BARBARA LATHAM. A Cook Christmas Card, woodcut, 1926 * Bouquet, woodcut * PEGGY BACON. Antique Beauty, drypoint, 1933 * ALINE FRUHAUF. Self Portraits, lithograph, 1931 * MARGUERITE

Lot: 203 - THOMAS HART BENTON Cradling Wheat.

THOMAS HART BENTON Cradling Wheat. Lithograph, 1939. 246x306 mm; 9 3/4x12 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good impression with strong contrasts.

Lot: 204 - ROCKWELL KENT The Flame.

ROCKWELL KENT The Flame. Wood engraving, 1928. 204x141 mm; 8x5 1/2 inches, full margins. Edition of 100. Signed in pencil, lower right. A superb impression of this scarce print. Burne-Jones 24.

Lot: 205 - ROBERT RIGGS Psychopathic Ward.

ROBERT RIGGS Psychopathic Ward. Lithograph, circa 1940. 363x479 mm; 14 1/4x18 7/8 inches, full margins. Edition of approximately 50. Signed and titled in pencil, lower margin. A superb impression of this scarce lithograph. Bassham 78.

Lot: 206 - WERNER DREWES Floral Still Life.

WERNER DREWES Floral Still Life. Oil on parchment, circa 1950. 172x135 mm; 6 7/8x5 3/8 inches. Signed in oil, lower right recto.

Lot: 207 - WERNER DREWES Two prints.

WERNER DREWES Two prints. Composition VII, woodcut, 1934. 243x318 mm; 9 1/2x12 1/2 inches, full margins. Signed, dated and numbered 2/20 in pencil, lower margin * Shimmering Waters, color woodcut, 1962. 290x440 mm; 11 1/2x17 1/4 inches, full

Lot: 208 - MAYBELLE STAMPER Group of 9 color lithographs.

MAYBELLE STAMPER Group of 9 color lithographs. Subjugation, 1950 * Wings # One, 1951 * The Jungle, 1951-52 * Four Ladie's Ear-Sea Shells, 1952 * Star in Forehead, 1952 * Three Lines of Writing, 1956 * Head August Nine, 1958 * New Ocean,

Lot: 209 - SAMUEL MARGOLIES Storm Over City Hall.

SAMUEL MARGOLIES Storm Over City Hall. Etching and aquatint, 1936. 300x217 mm; 11 7/8x8 1/2 inches, full margins. Edition of approximately only 25. Signed and titled in pencil, lower margin. A superb, richly-inked impression of this extremely

Lot: 210 - SAMUEL MARGOLIES Builders of Babylon.

SAMUEL MARGOLIES Builders of Babylon. Aquatint and etching, 1949. 365x281 mm; 14 1/4x11 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good, richly-inked

Lot: 211 - SAMUEL MARGOLIES Bridge to Babylon.

SAMUEL MARGOLIES Bridge to Babylon. Aquatint and etching, circa 1940. 70x80 mm; 2 3/4x3 1/8 inches, full margins. Edition of approximately 200. Signed and titled in pencil, lower margin. Published by the Miniature Print Society. A very good

Lot: 212 - SAMUEL MARGOLIES Men of Steel.

SAMUEL MARGOLIES Men of Steel. Drypoint, circa 1940. 378x295 mm; 14 7/8x11 5/8 inches, wide margins. Edition of 250. Signed and titled in pencil, lower margin. Published by Associated American Artists, New York. A very good, dark impression

Lot: 213 - SAMUEL CHAMBERLAIN Manhattan Twilight.

SAMUEL CHAMBERLAIN Manhattan Twilight. Etching and drypoint printed in dark brownish black, 1932. 336x240 mm; 13 1/4x9 3/8 inches, full margins. Signed and numbered 66/100 in pencil, lower margin. A superb, luminous impression of this very

Lot: 214 - WILLIAM C. MCNULTY In the Fifties (The Whirlpool).

WILLIAM C. MCNULTY In the Fifties (The Whirlpool). Etching, circa 1930. 340x180 mm; 13 1/2x7 1/4 inches, wide margins. Signed and titled in pencil, lower margin. A very good impression. McNulty (1889-1963) was born in Ogden, Utah, and

Lot: 215 - LOUIS LOZOWICK Storm over Manhattan.

LOUIS LOZOWICK Storm over Manhattan. Lithograph, 1935. 250x340 mm; 9 7/8x13 1/2 inches, full margins. Edition of 189. Signed and dated "36" in pencil, lower right. Printed by George Miller, New York. Published by Associated American Artists,

Lot: 216 - STOW WENGENROTH High Arches, Brooklyn Bridge.

STOW WENGENROTH High Arches, Brooklyn Bridge. Lithograph, 1960. 375x296 mm; 14 5/8x11 1/2 inches, full margins. Edition of 50. Signed and inscribed "Ed/50" in pencil, lower margin. A superb impression of this very scarce lithograph. We

Lot: 217 - STOW WENGENROTH Serenity.

STOW WENGENROTH Serenity. Lithograph, 1951. 301x454 mm; 11 3/4x17 7/8 inches, full margins. Edition of 100. Signed and inscribed "Ed/100" in pencil, lower margin. A very good impression. Stuckey 199.

Lot: 218 - STOW WENGENROTH Descending Skies.

STOW WENGENROTH Descending Skies. Lithograph, 1932. 187x324 mm; 7 3/8x12 3/4 inches, full margins. Edition of 75. Signed in pencil, lower right. A very good, dark impression. Stuckey 32.

Lot: 219 - STOW WENGENROTH Hawaii Advertisement No. 1.

STOW WENGENROTH Hawaii Advertisement No. 1. Lithograph, 1940. 226x287 mm; 8 7/8x11 1/4 inches, full margins. Edition of approximately only 12. Signed in pencil, lower right. A very good impression of this scarce lithograph with strong

Lot: 220 - THOMAS HART BENTON Down the River.

THOMAS HART BENTON Down the River. Lithograph, 1939. 318x252 mm; 12 1/2x10 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb, richly-inked impression.

Lot: 221 - THOMAS HART BENTON Island Hay.

THOMAS HART BENTON Island Hay. Lithograph, 1945. 255x322 mm; 10x12 5/8 inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good, dark impression. As the title

Lot: 222 - THOMAS HART BENTON Back from the Fields.

THOMAS HART BENTON Back from the Fields. Lithograph, 1945. 245x325 mm; 9 3/4x12 3/4 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good impression. Fath 66.

Lot: 223 - THOMAS HART BENTON Cradling Wheat.

THOMAS HART BENTON Cradling Wheat. Lithograph, 1939. 246x306 mm; 9 3/4x12 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good impression with strong contrasts.

Lot: 224 - THOMAS HART BENTON The Meeting.

THOMAS HART BENTON The Meeting. Lithograph, 1941. 228x295 mm; 9x11 5/8 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good impression. Benton (1889-1975)

Lot: 225 - THOMAS HART BENTON Aaron.

THOMAS HART BENTON Aaron. Lithograph, 1941. 328x242 mm; 12 7/8x9 1/2 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good, well-inked impression with strong

Lot: 226 - THOMAS HART BENTON Instruction.

THOMAS HART BENTON Instruction. Lithograph, 1940. 265x315 mm; 10 3/8x12 3/8 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impression. Fath 41.

Lot: 227 - THOMAS HART BENTON New England Farm.

THOMAS HART BENTON New England Farm. Lithograph, 1951. 230x355 mm; 9x14 inches, full margins. Intended edition of 300, likely smaller. Signed in pencil, lower right. Published by The Friends of Art of Kansas State University, Manhattan,

Lot: 228 - THOMAS HART BENTON Slow Train Through Arkansas.

THOMAS HART BENTON Slow Train Through Arkansas. Lithograph, 1941. 255x326 mm; 10x12 3/4 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impression with strong

Lot: 229 - THOMAS HART BENTON Loading Corn.

THOMAS HART BENTON Loading Corn. Lithograph, 1945. 242x325 mm; 9 1/2x12 3/4 inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good, dark impression. Fath 65.

Lot: 230 - THOMAS HART BENTON The Race.

THOMAS HART BENTON The Race. Lithograph, 1942. 225x337 mm; 8 7/8x13 1/4 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb, richly-inked impression of this

Lot: 231 - THOMAS HART BENTON Swampland.

THOMAS HART BENTON Swampland. Lithograph, 1940. 450x320 mm; 17 3/4x12 1/2 inches, full margins. Edition of 100. Signed in pencil, lower right. Published by Twentieth-Century Fox Film Corporation, Los Angeles, to publicize the movie Swamp

Lot: 232 - JOHN STEUART CURRY John Brown.

JOHN STEUART CURRY John Brown. Lithograph, 1939. 378x277 mm; 14 7/8x11 inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb, strong and dark impression of this

Lot: 233 - GRANT WOOD February.

GRANT WOOD February. Lithograph, 1941. 225x300 mm; 9x11 3/4 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impression. This eerily enigmatic lithograph,

Lot: 234 - PETER HURD The Texas Nomads.

PETER HURD The Texas Nomads. Lithograph, 1937. 305x420 mm; 12x16 1/2 inches, full margins. Edition of 40 (from an intended edition of 50). Signed, titled and inscribed "Ed. 50" in pencil, lower margin. A very good impression of this extremely

Lot: 235 - BERNARD STEFFEN Haying.

BERNARD STEFFEN Haying. Lithograph, circa 1940. 220x327 mm; 8 3/4x13 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good impression.

Lot: 236 - JAN MATULKA View of Hill Town in Czechoslovakia.

JAN MATULKA View of Hill Town in Czechoslovakia. Linoleum cut on cream laid paper, 1921. 284x265 mm; 11 1/4x10 1/2 inches, full margins. Unidentified blind stamp, lower left recto. With a drawing of a female nude in conté crayon, verso.

Lot: 237 - CHARLES BURCHFIELD Beech Tree and the Valley of

CHARLES BURCHFIELD Beech Tree and the Valley of the Little Beaver. Etching printed in dark brownish black, 1919. 130x210 mm; 5 1/8x8 1/4 inches, full margins. Edition of approximately only 10. Signed and dated in pencil, lower right. A superb

Lot: 238 - MAX WEBER Beautification.

MAX WEBER Beautification. Lithograph, 1932. 393x458 mm; 15 1/2x18 inches, full margins. Signed in pencil, lower right. A superb, dark, richly-inked impression. Rubenstein 109.

Lot: 239 - MAX WEBER The Mirror #2.

MAX WEBER The Mirror #2. Lithograph, circa 1929. 210x330 mm; 8 1/4x13 inches, full margins. Edition of 40. Signed and numbered "40-1" in pencil, lower right. A superb, dark impression of this scarce lithograph. Rubenstein 80.

Lot: 240 - YASUO KUNIYOSHI Burlesque Queen.

YASUO KUNIYOSHI Burlesque Queen. Lithograph, 1933. 298x244 mm; 11 3/4x9 5/8 inches, full margins. Edition of 100. Inscribed "100 prints" in pencil, lower left. Published by the American Artists School, New York, with the ink stamp verso. A

Lot: 241 - YASUO KUNIYOSHI Two lithographs.

YASUO KUNIYOSHI Two lithographs. Circus Performer Balanced on a Ball, 1930. 359x260 mm; 14 1/8x10 1/4 inches, full margins. Signed, dated and inscribed "100 proofs" in pencil, lower margin. Printed by George Miller, New York * Carnival, 1949.

Lot: 242 - MABEL DWIGHT Houston Street Burlesque.

MABEL DWIGHT Houston Street Burlesque. Lithograph, 1928. 247x200 mm; 9 3/4x7 7/8 inches, full margins. Edition of 50. Signed and dated in pencil, lower right. Printed by George Miller, New York. A very good impression. Robinson/Pirog 37.

Lot: 243 - PEGGY BACON The Patroness.

PEGGY BACON The Patroness. Drypoint, 1927. 253x201 mm; 10x8 inches. Signed and titled in pencil, lower margin. A superb impression of this scarce print. We have found only 3 other impressions at auction in the past 30 years. A

Lot: 244 - ROBERT RIGGS Corner No. 1.

ROBERT RIGGS Corner No. 1. Lithograph, circa 1932-33. 334x438 mm; 13 1/8x17 1/4 inches, full margins. Edition of approximately 15 to 50. Signed and titled in pencil, lower margin. A superb, evenly-printed and dark impression of this scarce

Lot: 245 - ROBERT RIGGS Center Ring.

ROBERT RIGGS Center Ring. Lithograph, 1933. 365x495 mm; 14 3/8x19 1/2 inches, full margins. Edition of approximately 14. Signed and titled in pencil, lower margin. A very good, dark impression. Bassham 30.

Lot: 246 - HENRI FARRE Group of 6 etchings.

HENRI FARRE Group of 6 etchings. Getting One Away * Over the Top * Breakin' Loose * Slippery Going * The Open Field * Touchdown. Each 348x483 mm; 13 3/4x19 1/8 inches, full margins. Each signed in pencil, lower margin. Very good impressions.

Lot: 247 - BENTON SPRUANCE Design for America #2.

BENTON SPRUANCE Design for America #2. Lithograph, 1935. 415x243 mm; 16 3/8x9 1/2 inches, full margins. Signed, titled and numbered 9/40 in pencil, lower margin. A very good impression of this scarce lithograph. Fine/Looney 118.

Lot: 248 - GLENN O. COLEMAN Minetta Lane.

GLENN O. COLEMAN Minetta Lane. Lithograph, 1928. 282x280 mm; 11 1/8x11 inches, wide margins. Signed, dated and numbered 47/50 in pencil, lower left. A good, dark and well-inked impression of this scarce lithograph.

Lot: 249 - WILL BARNET Makeshift Kitchen.

WILL BARNET Makeshift Kitchen. Etching and aquatint, 1935. 175x200 mm; 6 7/8x7 7/8 inches, wide margins. Edition of 20. Signed and titled in pencil, lower margin. Printed and published by the artist, New York. A very good impression of this

Lot: 250 - PAUL CADMUS Carabiniere.

PAUL CADMUS Carabiniere. Color screenprint, 1955. 197x127 mm; 7 3/4x5 inches, full margins. Signed and numbered 63/100 in yellow crayon, lower margin. The frontispiece for Soldiers with Torches, by Donald Windham. A superb impression of this

Lot: 251 - PAUL CADMUS Going South.

PAUL CADMUS Going South. Etching, 1934. 246x125 mm; 9 3/4x5 inches, full margins. First state (of 2), before the artist's name in the plate, lower left. Edition of approximately only 15. Signed in pencil, lower right. Published by the American

Lot: 252 - PAUL CADMUS Dancers Resting.

PAUL CADMUS Dancers Resting. Lithograph printed in black on olive green paper with hand coloring in white and cream crayon, 1974. 560x395 mm; 22x15 1/2 inches, full margins. Edition of 40. Signed and inscribed "8.XL" in white crayon, upper

Lot: 253 - PAUL CADMUS Waiting for Rehearsal.

PAUL CADMUS Waiting for Rehearsal. Etching, 1984. 282x202 mm; 11 1/4x8 1/8inches, full margins. Signed, titled and numbered 8/175 in pencil, lower margin. Printed by Pelavin, New York, with the blind stamp lower right. A very good impression.

Lot: 254 - PAUL CADMUS Polo Spill.

PAUL CADMUS Polo Spill. Etching, 1938. 178x246 mm; 7 1/8x9 3/4 inches, full margins. Second edition. Edition of 10. Signed, titled and inscribed "I/X II" in pencil, lower margin. A superb, evenly-printed impression with strong contrasts.

Lot: 255 - JARED FRENCH Acrobat.

JARED FRENCH Acrobat. Etching, 1936. 150x100 mm; 6x4 inches, wide margins. Signed in pencil, lower right. With— Male Portrait, 2 impressions, etchings. 100x75 mm; 4x3 inches, wide margins. Very good impressions. Ex-collection

Lot: 256 - JARED FRENCH Group of 5 etchings.

JARED FRENCH Group of 5 etchings. Drinkers, 3 impressions, circa 1930. 202x152 mm; 8x6 inches, full margins. Various states * Couple, 2 impressions, circa 1950. 200x150 mm; 7 7/8x6 inches, full margins. Ex-collection Roberto Giannotta;

Lot: 257 - MILTON AVERY Little Girl.

MILTON AVERY Little Girl. Drypoint, 1936. 222x119 mm; 8 3/4x4 3/4 inches, full margins. Signed and numbered 35/60 in pencil, lower margin. A superb, richly-inked impression of this very scarce print. We have found only 5 other impressions

Lot: 258 - MILTON AVERY Sally with Beret.

MILTON AVERY Sally with Beret. Drypoint printed in dark brownish black, 1939. 201x162 mm; 7 7/8x6 3/8 inches, full margins. Signed, dated and numbered 24/100 in pencil, lower margin. A very good, well-inked impression with warm plate tone.

Lot: 259 - MILTON AVERY Nude Reclining.

MILTON AVERY Nude Reclining. Drypoint printed in dark brownish black, 1939. 92x184 mm; 3 5/8x7 1/4 inches, full margins. Signed, dated and numbered 33/60 in pencil, lower margin. A superb, richly-inked impression of this very scarce print.

Lot: 260 - MILTON AVERY Trees by the Sea.

MILTON AVERY Trees by the Sea. Color woodcut printed in brown and black on Japan paper, 1953. 248x353 mm; 9 3/4x13 7/8 inches, full margins. Artist's proof, aside from the edtion of 20. Signed, dated and inscribed "artist's proof" in pencil,

Lot: 261 - MILTON AVERY Lamb.

MILTON AVERY Lamb. Woodcut on Japan paper, 1954. 248x356 mm; 9 3/4x14 inches, full margins. Artist's proof, aside from the edition of 20. Signed, dated and inscribed "artist's proof" in pencil, lower margin. A superb, richly-inked proof

Lot: 262 - MILTON AVERY Fish.

MILTON AVERY Fish. Woodcut printed in blue on cream Japan paper, 1952. 65x230 mm; 2 3/4x9 1/4 inches, full margins. Artist's proof, aside from the edition of 100. Signed and dated in pencil, lower margin. A superb, richly-inked impression.

Lot: 263 - MILTON AVERY Silly Hen.

MILTON AVERY Silly Hen. Woodcut on Japan paper, 1953. 63x146 mm; 2 1/2x5 3/4 inches, full margins. One of only several artist's proofs (according to Lunn, only several proofs were pulled, the block was lost and there was no published edition).

Lot: 264 - MILTON AVERY Dawn.

MILTON AVERY Dawn. Color woodcut printed in yellow and black on Japan paper, 1952. 181x229 mm; 7 1/8x9 inches, small margins. Second state (of 2), printed in colors. Edition of 100. Signed and dated in pencil, lower left. A superb,

Lot: 265 - LUIGI RIST A Garden Opal.

LUIGI RIST A Garden Opal. Color woodcut, 1943. 230x355 mm; 9x14 inches, wide margins. Signed in ink, lower right, and titled in pencil, lower left. A very good impression with vibrant colors. Williams 14.

Lot: 266 - LUIGI RIST Two color woodcuts.

LUIGI RIST Two color woodcuts. Peperoni, circa 1948. 202x253 mm; 7 7/8x10 1/4 inches, wide margins. Signed in ink, lower right, and titled in pencil, lower left * Scallops. 205x273 mm; 8 1/8x10 3/4 inches, full margins. Signed in ink, lower

Lot: 267 - STUART DAVIS Anchor.

STUART DAVIS Anchor. Lithograph, 1936. 215x328 mm; 8 1/2x12 7/8 inches, full margins. Edition of 100. Signed in pencil, lower right. Published by the American Artists School, New York, with the ink stamp verso. A very good impression.

Lot: 268 - MAURICIO LASANSKY Sol y Luna.

MAURICIO LASANSKY Sol y Luna. Engraving, etching, soft-ground etching, aquatint, scraping and burnishing, 1945. 403x530 mm; 15 7/8x20 7/8 inches, wide margins. Signed, titled and numbered 21/35 in pencil, lower margin. A brilliant impression

Lot: 269 - BEN SHAHN Martin Luther King

BEN SHAHN Martin Luther King. Wood engraving, 1966. 480x395 mm; 18 7/8x15 1/2 inches, full margins. Signed in brown ink and numbered 34/300 in pencil, lower margin. Printed and signed by Stefan Martin in pencil, lower left. Published by

Lot: 270 - STEVEN WHEELER Hello Steve.

STEVEN WHEELER Hello Steve. Bound volume with complete text, 13 color screenprints and frontispiece, 1947. 252x325 mm; 10x12 7/8 inches (sheets), full margins, bound as issued. Edition of 513. Printed by Aldus Printers and Press Eight, New

Lot: 271 - LEOPOLDO MÉNDEZ 25 Prints of Leopoldo

LEOPOLDO MÉNDEZ 25 Prints of Leopoldo Méndez. Portfolio with complete text and 21 woodcuts (of 25) and an additional impression of Sudor de Sangre, 1943. 265x200 mm; 10 1/2x7 inches (sheets), full margins, loose as issued. One

Lot: 272 - DIEGO RIVERA Zapata.

DIEGO RIVERA Zapata. Lithograph, 1932. 413x335 mm; 16 1/4x13 1/4 inches, full margins. Signed, dated and numbered 100/100 in pencil, lower margin. A superb impression of this large, scarce and important lithograph. Rivera (1886-1957), who

Lot: 273 - DIEGO RIVERA El Sueño (La Noche de los

DIEGO RIVERA El Sueño (La Noche de los Pobres). Lithograph, 1932. 412x302 mm; 16 1/4x12 inches, full margins. Artist's proof, aside from the edition of 100. Signed, dated and inscribed "Epreuve d'artiste" in pencil, lower margin.

Lot: 274 - DIEGO RIVERA Dos Mujeres.

DIEGO RIVERA Dos Mujeres. Pencil on wove paper, circa 1935. 345x221 mm; 13 1/2x8 1/2 inches. Signed and dedicated in pencil, lower left recto. Ex-collection Ines Drago Bausili, New York, gift from the artist to her family (Bausili was the

Lot: 275 - DIEGO RIVERA Desnudo de Dolores Olmedo.

DIEGO RIVERA Desnudo de Dolores Olmedo. Lithograph on cream wove paper, 1930. 420x235 mm; 16 1/2x9 1/4 inches, full margins. Signed, dated and numbered 32/100 in pencil, lower margin. Published by Weyhe Gallery, New York. A superb,

Lot: 276 - DIEGO RIVERA Retrato de Emma Dunbar.

DIEGO RIVERA Retrato de Emma Dunbar. Lithograph, 1932. 265x180 mm; 10 1/2x7 1/4 inches, full margins. Signed, dated and numbered 7/10 in pencil, lower left. A very good impression of this extremely scarce lithograph.

Lot: 277 - JOSÉ CLEMENTE OROZCO Paisaje Mexicana.

JOSÉ CLEMENTE OROZCO Paisaje Mexicana. Lithograph, 1930. 317x440 mm; 12 3/8x17 1/4 inches, full margins. Signed and numbered 48/100 in pencil, lower margin. Published by Alma Reed, Delphic Studios, New York. A superb impression of this

Lot: 278 - JOSÉ CLEMENTE OROZCO Manifestación.

JOSÉ CLEMENTE OROZCO Manifestación. Lithograph, 1935. 336x422 mm; 13 1/4x16 5/8 inches, full margins. Edition of 120. Signed in pencil, lower right. A superb impression of this scarce lithograph. Hopkins 25.

Lot: 279 - JOSÉ CLEMENTE OROZCO Fin de Fiesta (Miseria).

JOSÉ CLEMENTE OROZCO Fin de Fiesta (Miseria). Lithograph, 1935. 305x390 mm; 12x15 3/8 inches, full margins. Signed and numbered 97/120 in pencil, lower margin. A superb, dark and richly-inked impression of this scarce lithograph. Hopkins

Lot: 280 - MIGUEL COVARRUBIAS Head of a Balinese Girl.

MIGUEL COVARRUBIAS Head of a Balinese Girl. Lithograph, circa 1930. 260x210 mm; 10 1/2x8 inches, full margins. Artist's proof, aside from the edition of 50. Signed and inscribed "A.P" in pencil, lower margin. A very good impression of this

Lot: 281 - MIGUEL COVARRUBIAS Mexican Street Scene.

MIGUEL COVARRUBIAS Mexican Street Scene. Lithograph, circa 1940. 317x247 mm; 12 1/2x9 3/4 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good impression.

Lot: 282 - MIGUEL COVARRUBIAS Rumba.

MIGUEL COVARRUBIAS Rumba. Lithograph, 1942. 240x345 mm; 9 1/2x13 5/8 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good impression.

Lot: 283 - MIGUEL COVARRUBIAS Rice Granary, Bali.

MIGUEL COVARRUBIAS Rice Granary, Bali. Lithograph, circa 1943. 310x240 mm; 12 1/8x9 1/2 inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good impression.

Lot: 284 - MIGUEL COVARRUBIAS Portrait of Somerset Maugham.

MIGUEL COVARRUBIAS Portrait of Somerset Maugham. Gouache on paper, circa 1925. 287x205 mm; 11 3/8x8 1/8 inches. Signed in gouache, lower left recto. Ex-collection private collection, gifted by the artist thence by descent; acquired Myers

Lot: 285 - DAVID A. SIQUEIROS Zapata.

DAVID A. SIQUEIROS Zapata. Lithograph, 1930. 520x388 mm; 20 1/4x15 1/4 inches, full margins. Signed and numbered 14/50 in pencil, lower margin. A superb, dark and richly-inked impression of this important lithograph.

Lot: 286 - DAVID A. SIQUEIROS Two color lithographs.

DAVID A. SIQUEIROS Two color lithographs. Gladiatores, on Japon nacré, 1968. 550x425 mm; 21 3/4x16 3/4 inches, full margins. Signed and numbered IV/XXV in pencil, lower margin. From the Mexican Suite * Bailarina. 680x507 mm; 27x20 1/8

Lot: 287 - DAVID A. SIQUEIROS Group of 7 color lithographs.

DAVID A. SIQUEIROS Group of 7 color lithographs. Tierra Roja, 1968. Signed and numbered 142/300 in pencil, lower margin * El Vuelo, 1968. Signed and numbered 28/300 in pencil, lower margin. Both from the Mexican Suite * Vista Aerea, 1969.

Lot: 288 - FRANCISCO ZÚÑIGA Mujer desnuda y

FRANCISCO ZÚÑIGA Mujer desnuda y niñ0. Green crayon on cream wove paper, 1973. 645x495 mm; 25 1/2x19 1/2 inches. Signed and dated in crayon, lower right recto. Ex-collection Sindin Galleries, New York, with the label on the

Lot: 289 - FRANCISCO ZÚÑIGA Mujeres de México.

FRANCISCO ZÚÑIGA Mujeres de México. Color lithograph, 1973. 559x762 mm; 22 1/4x30 1/4 inches, full margins. Signed, dated and numbered 23/100 in pencil, lower left. Published by Editions Press, San Francisco. From The Mexican

Lot: 290 - FRANCISCO ZÚÑIGA Mujer reposando en una

FRANCISCO ZÚÑIGA Mujer reposando en una silla. Reddish brown chalk on light tan laid paper, 1975. 503x655 mm; 20x26 1/4 inches. Signed and dated in black crayon, lower left recto. Published in Francisco Zúñiga

Lot: 291 - RUFINO TAMAYO Gato.

RUFINO TAMAYO Gato. Color lithograph, 1959. 480x647 mm; 18 3/4x25 1/2 inches, full margins. Signed and numbered 68/100 in pencil, lower margin. Printed in Paris (according to Pereda, the lithography workshop and publisher are unknwon). A very

Lot: 292 - RUFINO TAMAYO Cabeza Blanca.

RUFINO TAMAYO Cabeza Blanca. Color aquatint and etching, 1976. 745x565 mm; 29 1/4x22 1/2 inches (sheet), full margins. Signed and numbered 20/75 in crayon, lower margin. Published by Polígrafa, Barcelona. From Rufino Tamayo 16

Lot: 293 - RUFINO TAMAYO Figura en Ocre.

RUFINO TAMAYO Figura en Ocre. Color aquatint and etching, 1976. 731x560 mm; 28 7/8x22 inches (sheet). Signed and numbered 20/75 in black crayon, lower margin. Published by Polígrafa, Barcelona. From Rufino Tamayo 16 aguafuertes 1976. A

Lot: 294 - RUFINO TAMAYO Figura Hierática.

RUFINO TAMAYO Figura Hierática. Color aquatint and etching, 1979. 760x560 mm; 29 7/8x22 inches (sheet), full margins. Signed and numbered 82/99 in white crayon, lower margin. Printed and published by Polígrafa, Barcelona. From

Lot: 295 - RUFINO TAMAYO Personajes con Pajaros.

RUFINO TAMAYO Personajes con Pajaros. Color Mixografía, 1988. 1100x895 mm; 43 1/4x35 1/8 inches (sheet), full margins. An hors commerce impression, aside from the edition of 100. Signed and inscribed "HC 15/18" in white crayon, lower

Lot: 296 - RUFINO TAMAYO Personaje con Sombrero.

RUFINO TAMAYO Personaje con Sombrero. Color aquatint and etching, 1979. 760x560 mm; 30x22 inches (sheet), full margins. Signed and numbered 11/99 in white pencil, lower margin. Printed and published by Polígrafa, Barcelona. From Rufino

Lot: 297 - RUFINO TAMAYO Cabeza en Rojo.

RUFINO TAMAYO Cabeza en Rojo. Lithograph, 1973. 755x555 mm; 29 3/4x21 3/4 inches (sheet), full margins. Signed and numbered 18/50 in white crayon, lower margin. Printed and published by Polígrafa, Barcelona. From Rufino Tamayo 15

Lot: 298 - RUFINO TAMAYO Juglar.

RUFINO TAMAYO Juglar. Color aquatint and etching, 1979. 760x560 mm; 29 7/8x22 inches (sheet), full margins. Signed and numbered 82/99 in white crayon, lower margin. Printed and published by Polígrafa, Barcelona. From Rufino Tamayo 15

Lot: 299 - RUFINO TAMAYO Cabeza en Gris.

RUFINO TAMAYO Cabeza en Gris. Color aquatint and etching, 1979. 755x555 mm; 29 3/4x22 inches (sheet), full margins. Signed and numbered 83/99 in crayon, lower margin. Printed and published by Polígrafa, Barcelona. From Rufino Tamayo 15

Lot: 300 - RUFINO TAMAYO Hombre Rojo.

RUFINO TAMAYO Hombre Rojo. Color Mixografía, 1976. 773x560 mm; 30 1/2x22 1/8 inches (sheet), full margins. Signed and numbered "IX/XXXV" in pencil, lower center. Printed by Taller de Gráfica Mexicana, Mexico City. Published by

Lot: 301 - RUFINO TAMAYO Perfil con Sombrero.

RUFINO TAMAYO Perfil con Sombrero. Color Mixografía, 1982. 790x595 mm; 31x23 1/2 inches, full margins. Signed and numbered 38/100 in pencil, lower margin. Printed and published by Taller de Gráfica Mexicana, Mexico City. A very good

Lot: 302 - FERNANDO BOTERO Desnudo.

FERNANDO BOTERO Desnudo. Color offset lithograph, 1983. 347x286 mm; 13 5/8x11 1/4 inches, full margins. Signed and numbered 84/200 in pencil, lower margin. A superb impression with vibrant colors.

Lot: 303 - ROBERTO MATTA The New School.

ROBERTO MATTA The New School. Portfolio with complete set of 10 etchings and the title page etching printed in colors, 1943-44 (printed in 1980). 283x380 mm; 15x11 1/4 inches (sheets), full margins, loose as issued. One of 70 numbered

Lot: 304 - ROBERTO MATTA Two color etchings and aquatints

ROBERTO MATTA Two color etchings and aquatints from Les Oh! Tomobiles. Planche 6 * Planche 7. Both 1972. Both 415x550 mm; 16 1/4x21 3/4 inches, full margins. Both signed and numbered 17/100 in pencil, lower margin. Both printed and published

Lot: 305 - ARTHUR LUIZ PIZA Three color etchings with

ARTHUR LUIZ PIZA Three color etchings with aquatint and embossing. Béryl, 1967. Signed and numbered 76/90 in pencil, lower margin * Fantôme, 1973. Signed and numbered 81/99 in pencil, lower margin * Composición. Signed and

Lot: 306 - MARCEL DUCHAMP 50th Anniversary of the Famous

MARCEL DUCHAMP 50th Anniversary of the Famous International Armory Show 1913. Offset color lithograph poster, 1963. 1090x655 mm; 42 3/4x25 3/4 inches, full margins. Signed, dated and numbered 140/200 in red crayon, lower right. Published to

Lot: 307 - MARCEL DUCHAMP Coffee Mill.

MARCEL DUCHAMP Coffee Mill. Etching on cream wove paper, 1947. 180x80 mm; 7 1/8x3 1/8 inches, full margins. Numbered 45/200 in pencil, lower left. Second state (of 2), after cancellation. A very good, evenly-printed impression. Duchamp

Lot: 308 - JACQUES VILLON (after) Composition

JACQUES VILLON (after) Composition. Color aquatint, 1928. 490x340 mm; 19 1/4x13 3/8 inches, full margins. Signed and numbered 158/200 in pencil, lower margin. Published by Galerie Bernheim-Jeune, Paris. A very good impression of this color

Lot: 309 - MARCEL DUCHAMP (after) La Mariée

MARCEL DUCHAMP (after) La Mariée. Color aquatint and etching, 1934. 500x315 mm; 19 5/8x12 inches, wide margins. Signed by both Duchamp and Villon, and numbered 19/200 in pencil, lower margin. Etched by Jacques Villon. Published by Galerie

Lot: 310 - JACQUES VILLON Marcel Duchamp.

JACQUES VILLON Marcel Duchamp. Etching, 1953. 320x245 mm; 12 5/8x9 3/4 inches, full margins. Artist's proof, aside from the edition of 60. Signed and inscribed "epreuve d'artiste" in pencil, lower margin. A very good impression.

Lot: 311 - JACQUES VILLON Baudelaire (Sans le Socle).

JACQUES VILLON Baudelaire (Sans le Socle). Etching with additions in ink on cream wove paper, circa 1920. 415x278 mm; 16 1/4x10 7/8 inches, full margins. One of only several artist proofs, aside from the edition of 500 and before publication

Lot: 312 - MARIE LAURENCIN La Mort d'Aimée.

MARIE LAURENCIN La Mort d'Aimée. Color lithograph, 1930. 280x300 mm; 10 7/8x11 3/4 inches, full margins. Second state (of 2). Signed and numbered 108/115 in pencil, lower margin. A very good impression. Marchesseau 151.

Lot: 313 - MARIE LAURENCIN Portrait de l'Artiste.

MARIE LAURENCIN Portrait de l'Artiste. Lithograph on imitation Japan paper, 1927. 370x275 mm; 14 5/8x10 7/8 inches, full margins. Signed and numbered 26/100 in pencil, lower margin. Published by Jacquart, Paris. A very good impression.

Lot: 314 - ARISTIDE MAILLOL Tête de Femme.

ARISTIDE MAILLOL Tête de Femme. Red chalk on cream laid paper. 106x187 mm; 4 1/4x7 3/8 inches. Ex-collection Maurice Sternberg Gallery, Chicago; sold Christie's, New York, May 13, 1992, lot 225; private collection, Illinois. The

Lot: 315 - ARISTOLDE MAILLOL Two early woodcuts.

ARISTOLDE MAILLOL Two early woodcuts. Femme étendue sur une draperie, 1894-95. 78x221 mm; 3x8 3/4 inches, wide margins. Signed with the artist's monogram and numbered 23/75 in pencil, lower margin. Published by Henri M. Petiet, Paris,

Lot: 316 - PABLO PICASSO Salome.

PABLO PICASSO Salome. Drypoint, 1905. 405x350 mm; 16x13 3/4 inches, full margins. Edition of 250. Van Gelder watermark. Printed by Louis Fort, Paris. Published by Vollard, Paris. From La Suite des Saltimbanques. A superb impression with

Lot: 317 - PABLO PICASSO Les Saltimbanques.

PABLO PICASSO Les Saltimbanques. Drypoint, 1905. 286x330 mm; 11 1/4x13 inches, full margins. Edition of 250. Van Gelder Zonen watermark. Printed by Louis Fort, Paris. Published by Vollard, Paris. From La Suite des Saltimbanques. A superb

Lot: 318 - PABLO PICASSO Lysistrata.

PABLO PICASSO Lysistrata. Portfolio with complete text and 6 etchings, 1934. 290x203 mm; 11 3/8x8 inches (sheets), full margins. Edition of 1500. Signed in pencil and numbered "283" in red crayon on the justification page. Published by the

Lot: 319 - PABLO PICASSO Sculpteur, Modèle et Sculpture

PABLO PICASSO Sculpteur, Modèle et Sculpture assise. Drypoint, 1933. 318x185 mm; 12 5/8x7 1/4 inches, full margins. The deluxe edition of 50 on large format Montval paper, aside from the regaular edition of 260 on smaller paper. Signed in

Lot: 320 - PABLO PICASSO Deux Modèles Vêtus.

PABLO PICASSO Deux Modèles Vêtus. Etching, 1933. 267x193 mm; 10 1/2x7 3/4 inches, full margins. Edition of 260. Signed in pencil, lower right. Vollard watermark. Printed by Lacourière, Paris. Published by Vollard, Paris. A

Lot: 321 - PABLO PICASSO Le Viol, VII.

PABLO PICASSO Le Viol, VII. Aquatint, etching and drypoint, 1933. 198x278 mm; 7 7/8x11 inches, full margins. Edition of 260. Signed in pencil, lower right. Vollard watermark. Printed by Lacourière, Paris. Published by Vollard, Paris. A

Lot: 322 - PABLO PICASSO Sculpteur et Modèle debout.

PABLO PICASSO Sculpteur et Modèle debout. Etching, 1933. 367x295 mm; 14 1/2x11 5/8 inches, full margins. Edition of 260. Signed in pencil, lower right. Picasso watermark. Printed by Lacourière, Paris. Published by Vollard, Paris. A

Lot: 323 - PABLO PICASSO Le Hibou au Crayon.

PABLO PICASSO Le Hibou au Crayon. Lithograph, 1947. 645x482 mm; 25 3/8x19 inches, full margins. Signed and numbered 10/50 in pencil, lower margin. A very good, richly-inked impression with strong contrasts. Bloch 412; Mourlot 57; Reuße

Lot: 324 - PABLO PICASSO Homme nu assis avec femme nue sur le

PABLO PICASSO Homme nu assis avec femme nue sur le genoux. Etching on Richard de Bas laid paper, 1955. 257x308 mm; 10 1/8x12 inches, full margins. Artist's proof, aside from the edition of 65 printed in 1961. Signed in pencil, lower right.

Lot: 325 - PABLO PICASSO (after) Téte de Faun

PABLO PICASSO (after) Téte de Faun. Soft-ground etching and aquatint on Japon nacré, circa 1955. 303x254 mm; 11 7/8x10 inches, wide margins. Signed and numbered 67/200 in pencil, lower margin. Published by Crommelynck, Paris. A

Lot: 326 - PABLO PICASSO Cirque.

PABLO PICASSO Cirque. Lithograph, 1945. 298x395 mm; 11 3/4x15 5/8 inches, full margins. Signed and numbered 16/50 in pencil, lower margin. A very good impression of this early lithograph. Bloch 385; Mourlot 24; Reuße 121

Lot: 327 - PABLO PICASSO Le Vieux Roi.

PABLO PICASSO Le Vieux Roi. Lithograph, 1959. 655x503 mm; 25 3/4x19 7/8 inches, wide margins. Edition of 1000. With the artist's red ink stamp signature, lower right. A very good impression. Bloch 869; Mourlot 317; Reuße 748.

Lot: 328 - PABLO PICASSO Femme Nue Pêchant des Truites

PABLO PICASSO Femme Nue Pêchant des Truites à la Main. Color linoleum cut printed in tan and black, 1962. 524x637 mm; 20 5/8x25 1/8 inches, full margins. First state (of 3). Edition of approximately 68. With the artist's ink stamp

Lot: 329 - PABLO PICASSO Face with Circles.

PABLO PICASSO Face with Circles. Glazed terre de fäience turned pitcher painted in green, red, blue and white, with decoration in engobes under partial brushed glaze, gray patina and interior glaze, 1969. 293 mm; 11 1/2 inches (height).

Lot: 330 - PABLO PICASSO Dancing.

PABLO PICASSO Dancing. Partially glazed terre de fäience platter painted in red, white and black, with decoration in engobes, knife engraved, 1957. 390x310 mm; 15 1/2x12 1/2 inches. Edition of 400. Inscribed "Edition Picasso Madoura" on

Lot: 331 - PABLO PICASSO Exposition Vallauris 1962.

PABLO PICASSO Exposition Vallauris 1962. Color linoleum cut printed in brown and yellow, 1962. 640x530 mm; 25 1/8x20 7/8 inches, full margins. Signed and numbered 72/175 in pencil, lower margin. Printed by Arnéra, Vallauris. Published by

Lot: 332 - PABLO PICASSO (after) Bacchanale

PABLO PICASSO (after) Bacchanale. Color aquatint, circa 1960. 475x560 mm; 18 3/4x22 1/8 inches, full margins. Signed and numbered 202/300 in pencil, lower margin. Published by Crommelynck, Paris, with the blind stamp lower left. A brilliant,

Lot: 333 - PABLO PICASSO (after) Bethsabée

PABLO PICASSO (after) Bethsabée. Color aquatint, 1966. 265x375 mm; 10 1/2x14 3/4 inches, full margins. Signed and numbered 93/300 in pencil, lower margin. Published by Crommelynck, Paris, with the blind stamp lower left. A superb

Lot: 334 - PABLO PICASSO (after) Intériour Rouge avec un

PABLO PICASSO (after) Intériour Rouge avec un Transatlantique Bleu. Color aquatint, circa 1960. 410x330 mm; 16 1/8x13 inches, full margins. An unsigned proof impression, aside from the edition of 300. Published by Atelier Crommelynck,

Lot: 335 - PABLO PICASSO Le Colombe en Vol, fond Noir.

PABLO PICASSO Le Colombe en Vol, fond Noir. Lithograph, 1950. 500x645 mm; 19 3/4x25 1/2 inches; full margins. Signed and numbered 7/50 in pencil, lower margin. Printed by Mourlet, Paris. A superb, well-inked impression. Picasso created Le

Lot: 336 - PABLO PICASSO Personnages et Nu.

PABLO PICASSO Personnages et Nu. Etching, 1960. 267x210 mm; 10 1/2x8 1/4 inches, full margins. Signed and numbered 48/50 in pencil, lower margin. A very good impression. Bloch 986; Baer 1071.

Lot: 337 - PABLO PICASSO Au Theatre: Meurtre.

PABLO PICASSO Au Theatre: Meurtre. Etching, 1966. 225x320 mm; 8 3/4x12 7/8 inches, full margins. With the artist's ink stamp signature and numbered 40/50 in pencil, lower margin. Printed by Crommelynck, Mougins. Published by Galerie Louise

Lot: 338 - PABLO PICASSO Toros en Vallauris.

PABLO PICASSO Toros en Vallauris. Color linoleum cut, 1955. 900x595 mm; 25 3/4x20 1/4 inches, full margins. Signed in red and blue crayon and numbered 120/200 in pencil, lower margin. A very good impression with strong colors. Bloch 1265;

Lot: 339 - PABLO PICASSO Series 347:003.

PABLO PICASSO Series 347:003. Etching, 1968. 295x515 mm; 11 3/4x20 1/4 inches, full margins. Signed and numbered 35/50 in pencil, lower margin. Published by Galerie Louise Leiris, Paris. From 347 Gravures. A very good impression of this large

Lot: 340 - PABLO PICASSO Series 347:301 (Raphael et

PABLO PICASSO Series 347:301 (Raphael et Fornarina). Etching, 1968. 150x205 mm; 6x8 1/4 inches, full margins. Signed and numbered 35/50 in pencil, lower margin. Published by Galerie Louise Leiris, Paris. From 347 Gravures. A very good

Lot: 341 - PABLO PICASSO Series 347:210.

PABLO PICASSO Series 347:210. Aquatint, 1968. 60x85 mm; 2 3/8x3<3/8> inches, full margins. Signed and numbered 26/50 in pencil, lower margin. Published by Galerie Louise Leiris, Paris. From 347 Gravures. A very good impression. Bloch

Lot: 342 - PABLO PICASSO Series 347:137.

PABLO PICASSO Series 347:137. Aquatint, 1968. 85x60 mm; 3 3/8x2 3/8 inches, full margins. Signed and numbered 26/50 in pencil, lower margin. Published by Galerie Louise Leiris, Paris. From 347 Gravures. A very good, well-inked impression.

Lot: 343 - PABLO PICASSO Series 347:214.

PABLO PICASSO Series 347:214. Aquatint, 1968. 120x60 mm; 4 7/8x2 1/2 inches, full margins. Signed and numbered 47/50 in pencil, lower margin. Published by Galerie Louise Leiris, Paris. From 347 Gravures. A very good impression. Bloch 1599;

Lot: 344 - GEORGES BRAQUE La Théogenie d'Hèsiode.

GEORGES BRAQUE La Théogenie d'Hèsiode. Etching and drypoint on cream wove paper, 1932. 366x298 mm; 14 1/4x11 5/8 inches, full margins. First state (of 2), before the reduction of the plate and the removal of the bird remarqué

Lot: 345 - GEORGES BRAQUE La Théogenie d'Hèsiode.

GEORGES BRAQUE La Théogenie d'Hèsiode. Etching and drypoint on cream wove paper, 1932. 370x300 mm; 14 5/8x12 inches, full margins. First state (of 2), before the reduction of the plate. Signed in brown crayon, lower right, and

Lot: 346 - GEORGES BRAQUE Athênê.

GEORGES BRAQUE Athênê. Color lithograph, 1932. 370x300 mm; 14 5/8x11 7/8 inches, full margins. Signed and numbered 62/75 in pencil, lower right. Printed by Berdon, Paris. Published by the artist, Paris. Considered by Braque

Lot: 347 - GEORGES BRAQUE Nature Morte III (Verre et Fruits).

GEORGES BRAQUE Nature Morte III (Verre et Fruits). Color lithograph, 1921. 203x400 mm; 8x15 3/4 inches, full margins. An hors commerce impression, aside from the edition of 120. Signed and inscribed "H.C." in pencil, lower margin. Printed by

Lot: 348 - GEORGES BRAQUE Two prints.

GEORGES BRAQUE Two prints. Oiseaux, color lithograph, 1962. 310x260 mm; 12 1/4x10 1/4 inches, full margins. An hors commerce impression, aside from the edition of 75. Signed and inscribed "H.C." in pencil, lower margin. Printed by Mourlot,

Lot: 349 - GEORGES BRAQUE (after) L'Echo

GEORGES BRAQUE (after) L'Echo. Color lithograph, 1960. 500x620 mm; 19 3/4x24 1/4 inches, wide margins. Signed and numbered 127/300 in pencil, lower margin. Published by Maeght, Paris, with the blind stamp lower left. A very good impression of

Lot: 350 - GEORGES BRAQUE L'Atelier.

GEORGES BRAQUE L'Atelier. Color lithograph, 1961. 425x520 mm; 16 3/4x20 1/2 inches, wide margins. The Roman numeral edition of 25, aside from the Arabic numeral edition of 75. Signed and numbered V/XXV in pencil, lower margin. Printed by

Lot: 351 - GEORGE BRAQUE (after) Les Deux Oiseaux

GEORGE BRAQUE (after) Les Deux Oiseaux. Color lithograph, 1963. 935x1140 mm; 36x45 inches, full margins. A scarce, large paper proof, before text. A superb impression of this monumental color lithograph; very scarce in ths issue. Based on

Lot: 352 - GEORGES BRAQUE (after) Le Nid Vert

GEORGES BRAQUE (after) Le Nid Vert. Color aquatint and etching, circa 1950. 228x316 mm; 8 7/8x12 5/8 inches, full margins. Signed and numbered 251/300 in pencil, lower margin. Printed by Crommelynck, Paris, with the blind stamp lower left.

Lot: 353 - GEORGES BRAQUE Si je mourais là-bas.

GEORGES BRAQUE Si je mourais là-bas. Color woodcut, 1962. 250x230 mm; 10x9 inches, full margins. Signed and numbered 40/70 in pencil, lower margin. Printed by Féquet and Baudier, Paris. Published by Louis Broder, Paris. From the

Lot: 354 - GEORGES BRAQUE (after) Théière et Fruits

GEORGES BRAQUE (after) Théière et Fruits. Color collotype, circa 1950. 341x648 mm; 13 3/8x25 1/2 inches, wide margins. Signed and numbered 13/150 in pencil, lower margin. Published by Guy Spitzer, Paris, with the blind stamp lower

Lot: 355 - GEORGES BRAQUE (after) La Nappe jaune

GEORGES BRAQUE (after) La Nappe jaune. Color aquatint, circa 1950. 255x430 mm; 10 1/4x17 inches, wide margins. Signed and numbered 123/300 in pencil, lower margin. Published by Maeght, Paris. A very good impression with strong colors. Maeght

Lot: 356 - LOUIS MARCOUSSIS La Table.

LOUIS MARCOUSSIS La Table. Color etching and engraving, 1930. 243x177 mm; 9 5/8x7 inches, full margins. Signed and numbered 24/120 in pencil, lower margin. Published by Jeanne Bucher, Paris. A very good impression of this scarce, important

Lot: 357 - LOUIS MARCOUSSIS Le Soir, ou Intérieur au

LOUIS MARCOUSSIS Le Soir, ou Intérieur au Pain Breton. Etching and aquatint, 1932. 295x235 mm; 11 5/8x9 1/4 inches, full margins. Third state (of 3). Signed and numbered 19/100 in pencil, lower margin. Printed by Lacourière, Paris. A

Lot: 358 - LOUIS MARCOUSSIS Viareggio (La Dépêche

LOUIS MARCOUSSIS Viareggio (La Dépêche de Toulouse). Drypoint, 1926. 276x215 mm; 10 7/8x8 3/8 inches, full margins. One of only two artist's proofs in the first state (of 2), aside from the edition of 50. Signed and inscribed "1et

Lot: 359 - JEAN METZINGER (after) La Tasse de Thé

JEAN METZINGER (after) La Tasse de Thé. Color aquatint, 1929. 476x443 mm; 18 3/4x17 1/2 inches, full margins. Signed by both Metzinger and Villon and numbered 117/200 in pencil, lower margin. Etched by Jacques Villon. Published by Galerie

Lot: 360 - HENRI MATISSE Madame Pompadour.

HENRI MATISSE Madame Pompadour. Lithograph on Chine appliqué, 1951. 357x300 mm; 14 1/8x11 3/4 inches, full margins. Signed by the artist in pencil, lower right, and numbered 89/200 by another hand in pencil, lower left. With the printed

Lot: 361 - HENRI MATISSE Portraits.

HENRI MATISSE Portraits. Bound volume with complete text, one lithograph and numerous color illustrations, 1955. 313x246 mm; 12 1/4x9 1/2 inches (frontispiece), full margins. One of 2,850 copies (500 printed in English). Numbered 1826 on the

Lot: 362 - HENRI MATISSE Danseuse Endormie au Divan.

HENRI MATISSE Danseuse Endormie au Divan. Lithograph, 1925-26. 280x465 mm; 11x18 3/8 inches, full margins. Signed and numbered 72/130 in pencil, lower left. Published by Galerie d'Art Contemporain, Paris. From Dix danseuses. A very good,

Lot: 363 - HENRI MATISSE Odalisque Couchée.

HENRI MATISSE Odalisque Couchée. Etching on cream wove paper, 1948. 199x299 mm; 7x11 3/4 inches, full margins. With the artist's name inscribed by an unknown hand in pencil, lower right. A very good, dark impression with strong contrasts.

Lot: 364 - HENRI MATISSE (after) Odalisque au Coffret Rouge

HENRI MATISSE (after) Odalisque au Coffret Rouge. Color aquatint and etching, circa 1952. 420x555 mm; 16 1/2x21 3/4 inches, full margins. Signed and numbered 134/200 in pencil, lower margin. Printed by Lacourière, Paris. A superb,

Lot: 365 - HENRI MATISSE (after) Petit Intérieur Bleu

HENRI MATISSE (after) Petit Intérieur Bleu.< Color aquatint, circa 1952. 505x420mm; 20x16 inches, full margins. Signed and numbered 164/200 in pencil, lower margin. Printed by Lacourière, Paris. A very good impression. Duthuit

Lot: 366 - HENRI MATISSE Le Tobogan.

HENRI MATISSE Le Tobogan. Color pochoir, 1947. 420x651 mm; 16 5/8x25 5/8 inches (sheet), full margins. The deluxe edition of 100, aside from the vertical center-folded book edition of 270. Published by Tériade, Paris. From Jazz. A very

Lot: 367 - HENRI MATISSE Formes.

HENRI MATISSE Formes. Color pochoir, 1947. 420x651 mm; 16 3/8x25 5/8 inches (sheet), full margins. The deluxe edition of 100, aside from the vertical central-folded book edition of 270. Published by Tériade, Paris. From Jazz. A very good

Lot: 368 - FERNAND LÉGER (after) Composition

FERNAND LÉGER (after) Composition Géométrique. Color screenprint, 1954-55. 425x232 mm; 16 3/4x9 1/4 inches, full margins. Signed in ink and numbered 34/200 in pencil, lower margin. Printed by Jean Bruller, Paris. Published by La

Lot: 369 - FERNAND LÉGER (after) Trois Soueurs sur fond

FERNAND LÉGER (after) Trois Soueurs sur fond Rouge. Color screenprint, 1954-55. 455x340 mm; 18x13 1/2 inches, full margins. Signed in ink and numbered 34/200 in pencil, lower margin. Printed by Jean Bruller, Paris. Published by La Guilde

Lot: 370 - FERNAND LÉGER (after) Portrait de Femme

FERNAND LÉGER (after) Portrait de Femme. Color screenprint, 1954-55. 333x256 mm; 13 1/8x10 1/8 inches, full margins. Signed in ink and numbered 34/200 in pencil, lower margin. Printed by Jean Bruller, Paris. Published by La Guilde

Lot: 371 - GEORGES ROUAULT Dors mon amour.

GEORGES ROUAULT Dors mon amour. Color aquatint, 1934. 311x193 mm; 12 1/4x8 1/8 inches, full margins. Edition of 280. Printed by Lacouriere, Paris. Published by Vollard, Paris. From Cirque de l'Etoile Filante. A superb impression with vibrant

Lot: 372 - GEORGES ROUAULT Ballerine.

GEORGES ROUAULT Ballerine. Color aquatint, 1932. 304x200mm; 11 7/8x7 3/4 inches, full margins. Edition of 270. Printed by Maurice Potin, Paris. Published by Vollard, Paris. From Cirque. A superb, richly-inked impression with strong colors.

Lot: 373 - JULES PASCIN Group of 8 prints.

JULES PASCIN Group of 8 prints. Les Américaines, etching, 1917. Signed in pencil, lower right. Edition of 100 * Nègres en Floride, soft-ground etching, 2 impressions ,1928. Both signed in pencil, lower right * Encore l'enfant

Lot: 374 - TSUGUHARU FOUJITA Autoportrait au Chat.

TSUGUHARU FOUJITA Autoportrait au Chat. Color woodcut on Japan paper, circa 1930. 338x255 mm; 13 3/8x10 1/8 inches, full margins. Edition of 120. With the artist's blindstamp, lower right recto. Numbered 18 in red pencil, lower left verso.

Lot: 375 - TSUGUHARU FOUJITA La Femme au Chat.

TSUGUHARU FOUJITA La Femme au Chat. Engraving on vellum, 1927. 350x450 mm; 13 3/4x17 3/4 inches, full margins. The deluxe edition of 26 on vellum, aside from the edition on wove paper published by the Chalcographie du Louvre, Paris. Signed and

Lot: 376 - TSUGUHARU FOUJITA Maternité au Voile Rouge.

TSUGUHARU FOUJITA Maternité au Voile Rouge. Color lithograph, 1964. 455x320 mm; 18x12 3/4 inches, full margins. Signed and numbered 24/100 in ink, lower margin. A very good impression of this scarce lithograph. Ex-collection Kimiyo

Lot: 377 - ANDRÉ DERAIN Bateaux à Collioure.

ANDRÉ DERAIN Bateaux à Collioure. Color lithograph, circa 1920. 446x332 mm; 17 1/8x13 inches, full margins. With the artist's ink stamp signature and numbered 57/100 in pencil, lower margin. A very good impression.

Lot: 378 - KEES VAN DONGEN Le Carrousel et le Fiacre.

KEES VAN DONGEN Le Carrousel et le Fiacre. Color lithograph, circa 1950. 425x273 mm; 16 3/4x10 7/8 inches, full margins. Signed in pencil, lower left. Published by La Guilde de la Gavure, Geneva and Paris. A very good impression with strong

Lot: 379 - KEES VAN DONGEN Claudine, ou Mlle Oeuie de Lynx.

KEES VAN DONGEN Claudine, ou Mlle Oeuie de Lynx. Color lithograph, circa 1950. 350x235 mm; 14x9 1/2 inches, full margins. Artist's proof, aside from the edition of 150. Signed and inscribed "EA 6/24" in pencil, lower margin. A very good

Lot: 380 - MAURICE DE VLAMINCK Le Sausseron.

MAURICE DE VLAMINCK Le Sausseron. Color lithograph on Chine volant, 1921. 465x630 mm; 18 3/8x24 7/8 inches, full margins. Edition of 100. Signed and inscribed "no. 67" in pencil, lower margin. Printed by Charlot Frères, Paris. Published

Lot: 381 - RAOUL DUFY (after) Le Havre

RAOUL DUFY (after) Le Havre. Color lithograph, circa 1950. 480x680 mm; 19x26 3/4 inches, wide (full ?) margins. With the artist's red ink stamp signature and numbered 5/200 in pencil, lower left. A very good impression.

Lot: 382 - RAOUL DUFY Cortege d'Amphitrite (Le Vieux Port de

RAOUL DUFY Cortege d'Amphitrite (Le Vieux Port de Marseille). Color lithograph on Chine volant, 1921. 320x440 mm; 12 3/4x17 1/2 inches, full margins. Artist's proof, aside from the edition of 33. Signed and inscribed "epreuve d'artiste sur

Lot: 383 - RAOUL DUFY Fluctuat Nec Mergitur (La Seine devant

RAOUL DUFY Fluctuat Nec Mergitur (La Seine devant Paris). Lithograph with hand coloring in watercolor, circa 1935. 289x365 mm; 11 3/8x14 3/8 inches, full margins. Signed in pencil, lower right. A very good impression of this scarce lithograph.

Lot: 384 - RAOUL DUFY Two lithographs.

RAOUL DUFY Two lithographs. Golfe Juan, Vue de la Terrasse de la Villa Beau-Site, 1926. 385x480 mm; 15 1/4x19 inches, full margins. Signed and numbered 21/50 in pencil, lower right * La Batteuse de blé, circa 1925. 195x300 mm; 7 3/4x12

Lot: 385 - LOVIS CORINTH Walchensee Landschaft.

LOVIS CORINTH Walchensee Landschaft. Watercolor, 1922. 360x515 mm; 14 1/4x20 1/4 inches. Signed, dated and annotated in pen and ink, lower left recto. Ex-collection Galerie St. Etienne, New York; private collection, New York. Corinth

Lot: 386 - MAX LIEBERMANN Tiergarten mit Reitern und

MAX LIEBERMANN Tiergarten mit Reitern und Spaziergangern. Drypoint, 1924. 183x240 mm; 7 3/8x9 3/8 inches, full margins. Edition of 100. Signed in pencil, lower right. A very good, dark impression of this scarce print with strong contrasts.

Lot: 387 - MAX LIEBERMANN Two prints.

MAX LIEBERMANN Two prints. Aus dem Judenviertel in Amsterdam: Karrenhandel , etching, 1908. 148x194 mm; 5 1/2x7 5/8 inches, wide margins. Edition of 30. Signed in pencil, lower right. Schiefler 73 * Mann flieht vor Menschenmenge, lithograph.

Lot: 388 - MAX LIEBERMANN In der Kniepe.

MAX LIEBERMANN In der Kniepe. Charcoal on paper, circa 1910. 130x226 mm; 5 1/8x9 inches. Signed and inscribed in charcoal, lower right recto. Ex-collection private collection, New Jersey.

Lot: 389 - LESSER URY Herr mit Zylinder vor einem

LESSER URY Herr mit Zylinder vor einem Kaffeehausfenster — in Rückenansicht. Etching and drypoint on cream laid paper, 1923. 240x175 mm; 9 3/8x7 inches, full margins. Edition of 110. Signed in pencil, lower left. A very good

Lot: 390 - EDVARD MUNCH Gråtende Akt.

EDVARD MUNCH Gråtende Akt. Lithograph on Japan paper, 1908. 276x114 mm; 10 7/8x4 1/2 inches, full margins. The deluxe edition of 15 on Japan paper, aside from the edition of 60 on wove paper. Signed in pencil, lower right. Printed by

Lot: 391 - EDVARD MUNCH Badende kvinner.

EDVARD MUNCH Badende kvinner. Open-bite etching, drypoint and burnishing printed in dark brownish black on cream wove paper, 1895. 223x324 mm; 9x12 7/8 inches, full margins. Fifth state (of 14). Signed and titled in pencil, lower margin, and

Lot: 392 - OSKAR KOKOSCHKA Selbstbildnis.

OSKAR KOKOSCHKA Selbstbildnis. Lithograph printed in dark brownish black on heavy cream wove paper, 1914. 455x305 mm; 18x12 inches, full margins. Artist's proof, aside from the edition of 125. Signed and inscribed "Probedruck" in pencil, lower

Lot: 393 - EGON SCHIELE Selbstbildnis.

EGON SCHIELE Selbstbildnis. Bronze, 1917 (cast later). 275 mm; 10 3/4 inches (height). With the artist's signature, dated "© 1980" and numbered 300/300 on the base. Published by the Collector's Club, Vienna, 1980. Kallir, 1990, page 651.

Lot: 394 - EMIL NOLDE Frau N. (Frau Ada Nolde).

EMIL NOLDE Frau N. (Frau Ada Nolde). Drypoint on cream laid paper, 1911. 232x185 mm; 9 1/4x7 3/8 inches, full margins. Second state (of 3), after the reduction of the plate. Edition of approximately only 20. Signed and titled in pencil, lower

Lot: 395 - MAX BECKMANN Der Seiltänzer.

MAX BECKMANN Der Seiltänzer. Drypoint on cream wove paper, 1921. 258x258 mm; 10 1/4x10 1/4 inches, full margins. Edition of 125. Signed in pencil, lower right. Published by Marées Gesellshaft, Berlin, with the blind stamp lower right

Lot: 396 - ERICH HECKEL Liegende.

ERICH HECKEL Liegende. Color woodcut on Chine volant, 1913. 181x107 mm; 7 1/4x4 1/4 inches, full margins. Second state (of 2). Signed and dated in pencil, lower right. Published by R. Piper & Co., Marées-Gesellschaft, Munich. From

Lot: 397 - OTTO LANGE Dame in Grun.

OTTO LANGE Dame in Grun. Color woodcut on imitation Japan paper, 1916. 355x238 mm; 14x9 3/8 inches, full margins. Edition of 125. Signed in pencil, lower right. Published by Euphorion Verlag, Berlin. From Die Schaffenden, with the blind stamp

Lot: 398 - KÄTHE KOLLWITZ Schwangere Frau.

KÄTHE KOLLWITZ Schwangere Frau. Aquatint, etching, drypoint and soft-ground etching printed in dark brownish black, 1910. 377x236 mm; 14 7/8x9 3/8 inches, full margins. Fourth state (of 7). Signed and numbered 7/50 in pencil, lower

Lot: 399 - KÄTHE KOLLWITZ Mütter gebt von euerm

KÄTHE KOLLWITZ Mütter gebt von euerm Überfluß! Lithograph on cream wove paper, 1926. 344x321 mm; 13 1/2x12 5/8 inches, wide margins. First state (of 3), before the text. Signed in pencil, lower right. A superb,

Lot: 400 - KÄTHE KOLLWITZ Besuch im Kinderkrankenhaus.

KÄTHE KOLLWITZ Besuch im Kinderkrankenhaus. Lithograph on smooth, light tan wove paper, 1926. 275x338 mm; 10 3/4x13 inches, full margins. First state (of 2). Proof, aside from the edition of 30 on Japan. Signed in pencil, lower right. A

Lot: 401 - WILHELM LEHMBRUCK Sitzendes Mädchen, Kopf

WILHELM LEHMBRUCK Sitzendes Mädchen, Kopf geneigt. Drypoint, 1912. 293x254 mm; 11 5/8x10 inches, full margins. Edition of approximately only 20. Signed in pencil, lower right. A very good, early impression of this extremely scarce print.

Lot: 402 - JEANNE MAMMEN Stehender weiblicher Akt mit

JEANNE MAMMEN Stehender weiblicher Akt mit gelocktem Haar von rechts. Pencil on wove paper, circa 1930. 505x388 mm; 19 7/8x15 1/4 inches. Initialed in pencil, lower left recto. Ex-collection Förderverein der Jeanne-Mannen-Stiftung,

Lot: 403 - JEANNE MAMMEN Sitzende Frau im Unterkleid von

JEANNE MAMMEN Sitzende Frau im Unterkleid von vorn, Kopf nach rechts. Pencil on wove paper, circa 1925-28. 505x388 mm; 19 7/8x15 1/4 inches. Initialed in pencil, lower left recto. Ex-collection Förderverein der Jeanne-Mannen-Stiftung,

Lot: 404 - OTTO MUELLER Drei Madchen im Profil.

OTTO MUELLER Drei Madchen im Profil. Lithograph with hand coloring in watercolor, 1921. 305x405 mm; 12x16 inches, wide margins. Signed and inscribed "probe II" in pencil, lower margin. A very good impression. Karsch 111.

Lot: 405 - MAX PECHSTEIN Mastrichten.

MAX PECHSTEIN Mastrichten. Lithograph with hand coloring in watercolor, 1917. 307x431 mm; 12 1/8x17 inches. Edition of 45. Signed and dated in pencil, lower right. Published by Fritz Gurlitt, Berlin. From Italienische Fischer. A very good

Lot: 406 - MAX PECHSTEIN Am Meer III.

MAX PECHSTEIN Am Meer III. Etching on Japan paper, 1912. 250x225 mm; 9 3/4x10 inches, full margins. Edition of 20. Signed in pencil, lower right. A very good impression of this extremely scarce etching. We have found only 3 other

Lot: 407 - OTTO DIX Balanceakt.

OTTO DIX Balanceakt. Drypoint on cream wove paper, 1922. 299x197 mm; 11 3/4x7 3/4 inches, full margins. Signed, titled and numbered 31/50 in pencil, lower margin. Published by the artist, Dresden. From Zirkus. A brilliant, richly-inked

Lot: 408 - LYONEL FEININGER Hafen.

LYONEL FEININGER Hafen. Woodcut on cream wove paper, 1918. 163x220 mm; 6 1/2x8 3/4 inhes, full margins. Artist's proof, aside from the edition of 50. Signed and titled in pencil, lower margin, and with the artist's work number "1899" in

Lot: 409 - LYONEL FEININGER Barke und Brigg auf See.

LYONEL FEININGER Barke und Brigg auf See. Woodcut on cream laid paper, 1918. 177x180 mm; 7x7 1/8 inches, full margins. Second state (of 2). Signed in pencil, lower left. Published by Karl Lang Verlag, Munich. From Die Febel, Erste Mappe. A

Lot: 410 - LYONEL FEININGER Horse Frightened by a Locomotive.

LYONEL FEININGER Horse Frightened by a Locomotive. Pencil on paper, double-sided, 1940. 124x200 mm; 4 7/8x7 7/8 inches. Dated "28 XII 40" in pencil, upper right recto. With a study of a locomotive in pencil, verso. Ex-collection of the

Lot: 411 - LYONEL FEININGER Spaziergänger.

LYONEL FEININGER Spaziergänger. Woodcut on cream laid Japan paper, 1918. 370x295 mm; 14 1/2x11 5/8 inches, full margins. Edition of 100. Signed in pencil, lower left. Printed by Staatliches Bauhaus, Weimar, with the blind stamp (Lugt

Lot: 412 - LYONEL FEININGER Zug auf der Brücke.

LYONEL FEININGER Zug auf der Brücke. Woodcut on fibrous, cream laid Japan paper, 1918. 92x116 mm; 3 5/8x4 5/8 inches, full margins. Second state (of 2). Edition of 50. Signed in pencil, lower left. From Zwölf Holzschnitte von Lyonel

Lot: 413 - EL LISSITZKY Der Prounenraum.

EL LISSITZKY Der Prounenraum. Lithograph, 1923. 446x600 mm; 17 1/8x23 5/8 (sheet), full margins. Edition of 50. Signed in pencil, lower right. Printed by Robert Leunis and Chapman GmbH, Hanover. From 1. Kestnermappe, Proun. A very good

Lot: 414 - ERIKA GIOVANNA KLIEN Kirchturm (Church Tower).

ERIKA GIOVANNA KLIEN Kirchturm (Church Tower). Charcoal and watercolor on paper, circa 1922. 180x110 mm; 7 1/8x4 3/8 inches. Ex-collection Rachel Adler Gallery, New York, with the label verso; private collection, New York. Klein

Lot: 415 - SONIA DELAUNAY Compositions, Couleurs, Idees.

SONIA DELAUNAY Compositions, Couleurs, Idees. Set of 36 (of 40) color pochoirs, 1930. 322x244 mm; 12 5/8x9 5/8 inches (sheets), full margins, loose as issued. Published by Éditions d'Art Charles Moreau, Paris. Original paste board

Lot: 416 - OLGA FRÖBE-KAPTEYN Collection of 14 color

OLGA FRÖBE-KAPTEYN Collection of 14 color screenprints. Each circa 1930. Each 495x360 mm; 19 1/2x14 1/4 inches, full margins. Published by Vincenzo Bona, Turin. Very good impressions with vibrant colors. Fröbe-Kapteyn (1881-1962)

Lot: 417 - FLORENCE HENRI Poster for Hanover Gallery.

FLORENCE HENRI Poster for Hanover Gallery. Color lithograph, 1923. 252x210 mm; 10x8 inches, full margins. Signed and dated in pencil, lower left. A very good impression of this scarce lithograph. We have found only 2 other impressions at

Lot: 418 - JOAN MIRÓ A Toute Épreuve.

JOAN MIRÓ A Toute Épreuve. Color woodcut, 1958. 520x370 mm; 20 1/2x14 1/2 inches, full margins. Signed and numbered 16/125 in pencil, lower margin. Printed by Fequet et Baudier, Paris. Published by Gérald Cramer, Geneva and

Lot: 419 - JOAN MIRÓ La Bague d'Aurore.

JOAN MIRÓ La Bague d'Aurore. Color etching and aquatint on cream wove paper, 1957. 140x114 mm; 5 1/2x4 1/2 inches, full margins. Signed and numbered 41/60 in pencil, lower margin. Printed by Crommelynck and Dutrou, Paris. Published by

Lot: 420 - JOAN MIRÓ (after) Le Chien bleu

JOAN MIRÓ (after) Le Chien bleu. Color aquatint and etching, circa 1960. 617x480 mm; 24 3/8x19 inches, full margins. Signed and numbered 160/300 in pencil, lower margin. Printed by Crommelynck, Paris. Published by Maeght, Paris. A superb

Lot: 421 - JOAN MIRÓ Grand Duc I.

JOAN MIRÓ Grand Duc I. Color aquatint and etching, 1965. 675x530 mm; 26 5/8x20 7/8 inches, full margins. Signed and numbered 73/75 in pencil, lower margin. Printed and published by Maeght, Paris. A very good impression with strong colors.

Lot: 422 - JOAN MIRÓ Oiseau Zéphyr.

JOAN MIRÓ Oiseau Zéphyr. Color lithograph, 1960. 345x530 mm; 13 5/8x20 7/8 inches, full margins. Signed and numbered 7/100 in pencil, lower margin. Printed by Mourlot, Paris. Published by Maeght, Paris. A very good impression with

Lot: 423 - JOAN MIRÓ Règne Végétale.

JOAN MIRÓ Règne Végétale. Color aquatint and carborundum, 1968. 460x335 mm; 18 1/4x13 1/2 inches, full margins. Signed and numbered 65/75 in pencil, lower margin. Printed and published by Maeght, Paris. A superb impression

Lot: 424 - JOAN MIRÓ Le Chef des Équipages.

JOAN MIRÓ Le Chef des Équipages. Color etching, aquatint and carborundum, 1973. 1370x600 mm; 54x23 3/4 inches (sheet), full margins. Signed and numbered 19/50 in pencil, lower margin. Printed by Morsang, Paris. Published by Maeght,

Lot: 425 - JOAN MIRÓ Les Deux Amis.

JOAN MIRÓ Les Deux Amis. Color etching, aquatint and carborundum, 1969. 720x1060 mm; 28 3/8x41 3/4 inches, full margins. Signed and numbered 38/75 in pencil, lower margin. Printed by Maeght, Saint-Paul. Published by Maeght, Paris. A very

Lot: 426 - JOAN MIRÓ Pygmées sous la Lune.

JOAN MIRÓ Pygmées sous la Lune. Color etching and aquatint, 1972. 535x680 mm; 21x26 3/4 inches, full margins. An hors commerce impression, aside from the edition of 50. Signed and inscribed "HC" in pencil, lower margin. Printed and

Lot: 427 - JOAN MIRÓ L'Essayage II.

JOAN MIRÓ L'Essayage II. Color lithograph, 1969. 1260x865 mm; 49 3/4x34 1/8 inches, full margins. Signed and numbered 20/30 in pencil, lower margin. Printed and published by Maeght, Paris. A superb impression of this large, scarce

Lot: 428 - JOAN MIRÓ Affiche pour l'Exposition

JOAN MIRÓ Affiche pour l'Exposition Sculptures. Color lithograph, 1970. 770x540 mm; 30 3/8x21 1/4 inches (sheet), full margins. Signed and numbered 40/150 in pencil, lower margin. Printed and published by Maeght, Paris. A superb

Lot: 429 - JOAN MIRÓ Quiriquibú.

JOAN MIRÓ Quiriquibú. Color lithograph, 1976. 750x560 mm; 29 1/2x22 1/8 inches (sheet), full margins. Signed and numbered 27/99 in pencil, lower margin. Printed and published by Polígrafa, Barcelona. A very good impression.

Lot: 430 - JOAN MIRÓ L'Enfance d'Ubu.

JOAN MIRÓ L'Enfance d'Ubu. Portfolio with complete text and 20 pencil signed color lithographs, 4 additional color lithographs and a color lithgraph mounted on the front cover (as issued), 1975. 321x502 mm; 12 5/8x19 3/4 inches (sheets),

Lot: 431 - JOAN MIRÓ À la Porte Couverte de Neige.

JOAN MIRÓ À la Porte Couverte de Neige. Lithograph on Japon nacré, 1967. 240x180 mm; 9 1/2x7 inches, full margins. Signed and number ed17/25 in pencil, lower margin. Printed and published by Maeght, Paris. From Hai-Ku. A very

Lot: 432 - JOAN MIRÓ Les Essencies de la Terra.

JOAN MIRÓ Les Essencies de la Terra. Lithograph, 1968. 298x285; 11 5/8x11 1/8 inches, full margins. An hors commerce impression, aside from the edition of 225. Signed and inscribed "HC" in pencil, lower margin. Printed by Mourlot, Paris.

Lot: 433 - JOAN MIRÓ Barcelona.

JOAN MIRÓ Barcelona. Aquatint, etching and carborundum, 1972-73. 700x1030 mm; 27 5/8x40 3/4 inches (sheet), full margins. An hors commerce impression, aside from the edition of 50. Signed and inscribed "H.C." in pencil, lower margin.

Lot: 434 - STANLEY W. HAYTER Tropic of Cancer.

STANLEY W. HAYTER Tropic of Cancer. Engraving, etching and soft-ground etching, 1949. 550x698 mm; 21 3/4x27 1/2 inches, full margins. Signed, titled, dated and numbered 4/50 in pencil, lower margin. A superb, richly-inked impression of this

Lot: 435 - SALVADOR DALÍ L'Incantation.

SALVADOR DALÍ L'Incantation. Heliogravure reworked in drypoint, 1960. 357x260 mm; 14 1/8x10 1/4 inches, full margins. Signed in pencil, lower right. Printed by Leblanc, Paris. Published by P. Argillet, Paris. From Les Rois Mages by

Lot: 436 - SALVADOR DALÍ Isis Soutenant Osiris

SALVADOR DALÍ Isis Soutenant Osiris Mutilé (Pietà). Etching and heliogravure, 1960. 355x247 mm; 14x9 3/4 inches, full margins. Signed and numbered XIII/XX in pencil, lower margin. Printed by Leblanc, Paris. Published by

Lot: 437 - SALVADOR DALÍ Picador.

SALVADOR DALÍ Picador. Color lithograph on cream wove paper, 1965. 730x530 mm; 29x21 inches, full margins. Signed and numbered 137/300 in pencil, lower margin. Published by Sydney Z. Lucas, Paris, with the ink stamp lower left. From the

Lot: 438 - SALVADOR DALÍ Leda.

SALVADOR DALÍ Leda. Color drypoint with etching and aquatint, 1963-65. 505x405 mm; 20x16 inches, full margins. Edition of 150. Signed and dated in pencil, lower right. Published by Pierre Argillet, Paris. From Mythologie. A superb,

Lot: 439 - SALVADOR DALÍ Le Nu à Guitarre.

SALVADOR DALÍ Le Nu à Guitarre. Color lithograph, 1970. 510x720 mm; 20 1/8x28 3/8 inches, full margins. Signed and numbered 117/120 in pencil, lower margin. Printed by Desjobert, Paris. A very good impression. Field 74.

Lot: 440 - SALVADOR DALÍ Le Sang du Yin et le Yang.

SALVADOR DALÍ Le Sang du Yin et le Yang. Color drypoint with lithograph and embossing, 1974. 990x700 mm; 39x27 5/8 inches (sheet), full margins. Signed and numbered 144/195 in pencil, lower margin. Published by Jean Lavigne, Paris. From

Lot: 441 - SALVADOR DALÍ Les Songes Drôlatiques de

SALVADOR DALÍ Les Songes Drôlatiques de Pantagruel. Portfolio with 25 color lithographs on Japon nacré, 1973. 760x540 mm; 30x21 1/4 inches (sheets), full margins, loose as issued. Artist's proofs, aside from the edition of

Lot: 442 - SALVADOR DALÍ Marquis de Sade.

SALVADOR DALÍ Marquis de Sade. Portfolio with complete text and 25 color lithographs, 1969. 655x502 mm; 25 3/4x19 3/4 inches (sheets), full margins, loose as issued. Edition of 160. Numbered 96/160 in black ink on the justification

Lot: 443 - SALVADOR DALÍ La Venus aux Fourrure.

SALVADOR DALÍ La Venus aux Fourrure. Complete set of 16 color drypoints on Japon nacré, 1969. 382x280 mm; 15x11 inches, full margins, loose as issued. One of 145 deluxe hors-texte suites on Japon nacré, aside from the

Lot: 444 - JACQUES LIPCHITZ Thesée et le Minotaure.

JACQUES LIPCHITZ Thesée et le Minotaure. Etching, aquatint and drypoint, 1943-44. 350x285 mm; 13 7/8x11 1/4 inches, full margins. Signed and numbered 44/50 in pencil, lower margin. Ex-collection Henri M. Petiet, Paris, with the ink stamp

Lot: 445 - ANDRÉ MASSON Study for "L'Aspiration."

ANDRÉ MASSON Study for "L'Aspiration." Brush and ink and wash on cream wove paper, circa 1954. 303x220 mm; 12x8 5/8 inches. Signed in brush and ink, lower right recto. Ex-collection Galerie Chereau, Paris; private collection, New

Lot: 446 - ANDRÉ MASSON Profil rose.

ANDRÉ MASSON Profil rose. Color lithograph. 585x451 mm; 23 1/8x18 inches, full margins. Signed and numbered 81/200 in pencil, lower margin. A very good impression with strong colors.

Lot: 447 - ANDRÉ MASSON Je Rêve.

ANDRÉ MASSON Je Rêve. Portfolio with complete text and 10 color lithographs, 1975. 655x505 mm; 26x20 inches (sheets), full margins, loose as issued. One of 125 numbered copies on Arches. Signed in pencil and numbered 33 on the

Lot: 448 - JEAN COCTEAU Le Vieillard et Les Adolescents (Le

JEAN COCTEAU Le Vieillard et Les Adolescents (Le Satiricon). Partially glazed terre de faïence plate, 1961. 360 mm; 14 1/8 inches (diameter). Signed in green, lower right, and inscribed "Edition originale de Jean Cocteau" and "Atelier

Lot: 448A - JEAN COCTEAU Portrait de Pablo Picasso à la

JEAN COCTEAU Portrait de Pablo Picasso à la Pipe en profil. Pencil and ink on paper, circa 1917. 210x155 mm; 8 1/4x6 1/4 inches. Ex-collection the estate of the artist, with the estate stamp in blue ink, lower left recto; thence by

Lot: 449 - VICTOR BRAUNER Cadaver Exquis.

VICTOR BRAUNER Cadaver Exquis. Pen and ink on paper, 1958. 250x198 mm; 9 7/8x7 3/4 inches. Signed and dated in pen and ink, lower right recto. Ex-collection private collection, Connecticut. This work is accompanied by a certificate of

Lot: 450 - LÉOPOLD SURVAGE Three linoleum cuts.

LÉOPOLD SURVAGE Three linoleum cuts. La Naissance de la Conscience * Rapport de chaque chose avec son essence * La Connaissance. Each 1935. Each signed, dated, inscribed "I-III," "II-III" or "III-III" and numbered 14/20 in pencil, lower

Lot: 451 - LÉOPOLD SURVAGE Pégase

LÉOPOLD SURVAGE Pégase. Portfolio with complete text and 10 engravings, 1965. 445x345 mm; 17 5/8x13 5/8 inches (sheets), full margins, loose as issued. Number 113 from an edition of 210. Dedicated in ink by Survage on the title page.

Lot: 452 - RENÉ MAGRITTE Homme au Chapeau Melon.

RENÉ MAGRITTE Homme au Chapeau Melon. Etching printed in black with pale ochre background on Japon nacré, 1969. 195x147 mm; 7 7/8x5 7/8 inches, full margins. With the artist's ink stamp signature, lower right, and numbered 133/150

Lot: 453 - RENÉ MAGRITTE Poire et Rose (Les Moyens

RENÉ MAGRITTE Poire et Rose (Les Moyens d'Existence). Color etching, 1968. 142x110 mm; 5 5/8x4 3/8 inches, full margins. An hors commerce impression, aside from the edition of 150. Inscribed "H.C." in pencil, lower left. With the

Lot: 454 - RENÉ MAGRITTE (after) Trois Pommes

RENÉ MAGRITTE (after) Trois Pommes. Color lithograph, circa 1968. 450x550 mm; 17 3/4x21 5/8 inches, full margins. Signed by the artist's widow, Georgette Magritte, and numbered 7/150 in pencil, lower margin. A very good impression with

Lot: 455 - MARC CHAGALL Regards sur Paris.

MARC CHAGALL Regards sur Paris. Portfolio with complete text, 3 color lithographs by Chagall and 30 color lithographs by other artists (including Villon, Van Dongen, Masson, Picasso and Braque), 1963. 390x300 mm; 15 1/2x12 inches (sheets),

Lot: 456 - MARC CHAGALL Verve, Revue Artistique et

MARC CHAGALL Verve, Revue Artistique et Littéraire. Bound volume with complete text, 3 color lithographs, 5 lithographs and numerous illustrations, 1953. 355x270 mm; 14 1/8x10 3/4 inches (sheets). Edition of 6000. Printed by Mourlot,

Lot: 457 - MARC CHAGALL Programme pour la Soirée.

MARC CHAGALL Programme pour la Soirée. Program with complete text and color lithograph cover, 1963. 385x285 mm; 15 1/4x11 1/4 inches (sheets), full margins, loose as issued. One of 500 numbered copies on Arches wove paper, from a

Lot: 458 - MARC CHAGALL Cirque.

MARC CHAGALL Cirque. Portfolio with complete text, 23 color lithographs and 15 lithographs, 1967. 430x330 mm; 17x13 inches (sheets), full margins, loose as issued. One of 250 numbered copies on Arches wove paper, from a total edition of

Lot: 459 - MARC CHAGALL Vitraux pour Jérusalem.

MARC CHAGALL Vitraux pour Jérusalem. Portfolio with complete text, 3 color lithographs and 4 lithographs, 1963. 355x270 mm; 14x10 3/4 inches (sheets), loose as issued. One of 250 numbered copies on Arches wove paper, from a total

Lot: 460 - MARC CHAGALL La Poésie.

MARC CHAGALL La Poésie. Portfolio with complete text and one color lithograph, 1976. 470x385 mm; 18 1/2x15 1/4 inches (sheets), full margins, losse as issued. One of 110 numbered copies on Arches wove paper, from a total edition of

Lot: 461 - MARC CHAGALL Les Sept Péchés Capitaux.

MARC CHAGALL Les Sept Péchés Capitaux. Bound volume with complete text, 2 pencil-signed etchings printed in reddish brown on Japan paper and 15 etchings printed in black on cream wove paper, 1926. 250x190 mm; 9 7/8x7 1/2 inches

Lot: 462 - MARC CHAGALL Der Akrobat mit der Geige.

MARC CHAGALL Der Akrobat mit der Geige. Etching and drypoint printed in dark brownish black on cream wove paper, 1924. 418x318 mm; 16 1/2x12 1/2 inches, full margins. Third state (of 3). Edition of approximately 150. Printed by Louis Fort,

Lot: 463 - MARC CHAGALL La Création de l'Homme.

MARC CHAGALL La Création de l'Homme. Etching with hand coloring in watercolor, 1931-39. 305x230 mm; 12 1/8x9 1/8 inches, full margins. Initialed and numbered 71/100 in pencil, lower margin. Printed by Haasen, Paris. The project initiaited

Lot: 464 - MARC CHAGALL La Vision d'Ezechiel.

MARC CHAGALL La Vision d'Ezechiel. Etching and aquatint with hand coloring in watercolor, 1931-39. 293x242 mm; 11 5/8x9 5/8 inches, full margins. Initialed and numbered 90/100 in pencil, lower margin. Printed by Haasen, Paris. The project

Lot: 465 - MARC CHAGALL Aaron et le Chandelier.

MARC CHAGALL Aaron et le Chandelier. Etching with hand coloring in watercolor, 1931-39. 290x236 mm; 11 1/2x9 1/2 inches, full margins. Initialed and numbered 92/100 in pencil, lower margin. Printed by Haasen, Paris. The project initiaited by

Lot: 466 - MARC CHAGALL Josué et la Pierre de Sichem.

MARC CHAGALL Josué et la Pierre de Sichem. Etching and aquatint with hand coloring in watercolor, 1931-39. 298x230 mm; 11 3/4x9 inches, wide margins. Initialed and numbered 27/100 in pencil, lower margin. Printed by Haasen, Paris. The

Lot: 467 - MARC CHAGALL (after) The Praying Jew (Rabbi of

MARC CHAGALL (after) The Praying Jew (Rabbi of Vitebsk). Color etching and aquatint on Chine collé, 1937. 500x385 mm; 19 3/4x15 1/4 inches, full margins. Signed and numbered 93/100 in pencil, lower margin. Published by Éditions

Lot: 468 - MARC CHAGALL Grand Corbeille.

MARC CHAGALL Grand Corbeille. Color lithograph, 1975. 670x535 mm; 26 1/2x21 inches, full margins. Signed and numbered 1/50 in pencil, lower margin. A very good impression with strong colors. Mourlot 747.

Lot: 469 - MARC CHAGALL Corbeille de Fruits et Ananas, Paris.

MARC CHAGALL Corbeille de Fruits et Ananas, Paris. Color lithograph, 1964. 665x500 mm; 26 3/8x19 1/2 inches, full margins. Artist's proof, aside from the edition of 50. Signed and inscribed "epreuve d'artiste I/XXV" in pencil, lower margin. A

Lot: 469A - MARC CHAGALL Couverture de Menu.

MARC CHAGALL Couverture de Menu. Color lithograph, 1964. 320x247 mm; 12 1/2x9 3/4 inches, folded menu. Signed, dated and dedicated by Chagall in ink. Edition of 400. From the inaugural dinner of the Maeght Foundation at La Colombe d'Or,

Lot: 470 - MARC CHAGALL Composition noire.

MARC CHAGALL Composition noire. Lithograph on wove paper, 1977. 560x375 mm; 22 1/8x14 1/2 inches, full margins. Signed and numbered 15/50 in pencil, lower margin. Published by Maeght, Paris. A very good impression. Mourlot 905.

Lot: 471 - MARC CHAGALL L'Acrobate vert.

MARC CHAGALL L'Acrobate vert. Color lithograph, 1979. 317x224 mm; 12 5/8x9 inches, full margins. Signed and numbered 10/50 in pencil, lower margin. Printed by Mourlot, Paris. Published by Maeght, Paris. A superb impression with strong colors.

Lot: 472 - MARC CHAGALL Maternite au Centaur.

MARC CHAGALL Maternite au Centaur. Color lithograph, 1957. 235x230 mm; 9 1/4x9 1/8 inches, full margins. Signed and numbered 55/90 in pencil, lower margin. Printed by Mourlot, Paris. Published by Maeght, Paris. Mourlot 195.

Lot: 473 - MARC CHAGALL (after) Jerusalem Windows: The Tribe

MARC CHAGALL (after) Jerusalem Windows: The Tribe of Levi. Color lithograph, 1961. 625x460 mm; 24 5/8x18 1/8 inches, full margins. Signed and numbered 189/200 in pencil, lower margin. Lithographed by Charles Sorlier, Paris. A superb impression

Lot: 474 - MARC CHAGALL La Tour de David.

MARC CHAGALL La Tour de David. Color lithograph on Japon nacré, 1979. 210x150 mm; 8 1/4x6 inches, full margins. Signed and numbered 16/100 in pencil, lower margin. Printed by Mourlot, Paris. Published by Éditions Les Amis de Message

Lot: 475 - MARC CHAGALL (after) Carmen

MARC CHAGALL (after) Carmen. Color lithograph, 1966. 1005x650 mm; 39x25 3/8 inches (sheet), full margins. Edition of 3000. Printed by Mourlot, Paris. Published by Editions of the Metropolitan Opera, New York. A very good impression with strong

Lot: 476 - MARC CHAGALL (after) The Magic Flute

MARC CHAGALL (after) The Magic Flute. Color lithograph, 1967. 1010x660 mm; 39 3/4x25 7/8 inches, full margins. Edition of 3000. Printed by Mourlot, Paris. Published by Editions of the Metropolitan Opera, New York. A very good impression with

Lot: 477 - HENRY MOORE Figures with Sky Background II.

HENRY MOORE Figures with Sky Background II. Color lithograph, 1981. 257x346 mm; 10 1/8x13 5/8 inches, full margins. Artist's proof, aside from the edition of 50. Signed and numbered IV/XV in pencil, lower margin. Printed by Curwen Prints,

Lot: 478 - HENRY MOORE Sculptural Ideas I.

HENRY MOORE Sculptural Ideas I. Color aquatint and etching, 1980. 251x346 mm; 9 7/8x13 5/8 inches, full margins. Signed and numbered 10/50 in pencil, lower margin. Printed by 2 RC Editrice, Rome, with the blind stamp lower left. Published by

Lot: 479 - HENRY MOORE Sculptural Ideas V.

HENRY MOORE Sculptural Ideas V. Color aquatint and etching, 1980. 251x346 mm; 9 7/8x13 5/8 inches, full margins. Signed and numbered 10/50 in pencil, lower margin. Printed by 2 RC Editrice, Rome, with the blind stamp lower left. Published by

Lot: 480 - HENRY MOORE Heads, Figures and Ideas.

HENRY MOORE Heads, Figures and Ideas. Portfolio with color lithograph and numerous illustrations, 1958. 471x330 mm; 18 5/8x13 inches (sheets), full margins. One of 150 numbered copies. Numbered 52 on the justification page. The color

Lot: 481 - HENRY MOORE Reclining Figures.

HENRY MOORE Reclining Figures. Portfolio with complete text and 6 color lithographs, 1973. Each 658x505 mm; 25 7/8x19 7/8 inches (sheets), wide margins, loose as issued. An hors commerce impression, aside from the edition of 50. Each signed,

Lot: 482 - GIORGIO MORANDI Natura morta

GIORGIO MORANDI Natura morta Etching on cream laid paper, 1933. 258x304 mm; 10 1/8x12 inches, full margins. Third state (of 4). Signed and numbered 6/30 in pencil, lower margin. A superb, well-inked impression with very strong contrasts.

Lot: 483 - GIORGIO DE CHIRICO Scuola di Gladiatori II.

GIORGIO DE CHIRICO Scuola di Gladiatori II. Color lithograph, 1929. 305x410 mm; 12x16 1/4 inches, full margins. Signed and numbered 93/100 in pencil, lower margin. Published by Éditions des Quatre Chemins, Paris. From Metamorphosis. A

Lot: 484 - GIORGIO DE CHIRICO Il Trovatore.

GIORGIO DE CHIRICO Il Trovatore. Color lithograph, 1972. 590x445 mm; 23 1/4x17 1/2 inches, full margins. Signed, titled and numbered 37/99 in pencil, lower margin. Published by Alberto Caprini, Rome, with the blind stamp lower right. A very

Lot: 485 - GINO SEVERINI Nature morte au pigeon, poires et

GINO SEVERINI Nature morte au pigeon, poires et raisin. Color pochoir with hand coloring in gouache, 1927. 265x355 mm; 10 1/2x13 7/8 inches, full margins. Signed in pencil, lower right. A very good impression with strong colors.

Lot: 486 - ALBERTO GIACOMETTI Rue d'Alésia.

ALBERTO GIACOMETTI Rue d'Alésia. Color lithograph, 1954. 651x540 mm; 25 5/8x21 1/4 inches, full margins. Signed and numbered 184/200 in pencil, lower margin. Published by Maeght, Paris. A very good impression with strong colors. Lust

Lot: 487 - MARINO MARINI Marino from Goethe.

MARINO MARINI Marino from Goethe. Color aquatint and etching, 1979. 630x490 mm; 25x19 3/8 inches, full margins. Initialed in blue pencil, lower right, and numbered XII/L in pencil, lower left. Printed by Labyrinth, Florence. Published by ZWR,

Lot: 488 - MARINO MARINI Marino from Shakespeare II.

MARINO MARINI Marino from Shakespeare II. Color aquatint, 1978. 485x380 mm; 19 1/8x15 inches, full margins. Signed and numbered XI/L in pencil, lower margin. Printed by Labyrinth, Florence. Published by ZWR, London. From the same-titled

Lot: 489 - MARINO MARINI Idea del Cavaliere.

MARINO MARINI Idea del Cavaliere. Color lithograph, 1971. 540x407 mm; 21 1/4x16 1/8 inches, full margins. Artist's proof, aside from the edition of 50. Signed and inscribed "E.A." in pencil, lower margin. Printed by Mourlot, Paris. Published

Lot: 490 - ROLF NESCH Apis.

ROLF NESCH Apis. Color relief metal print, 1968. 400x500 mm; 15 3/4x21 5/8 inches, full margins. Signed, titled, dated and inscribed "V tilstand Tiré par l'artiste" in pencil, lower margin. A superb impression of this very scarce print

Lot: 491 - ROLF NESCH Eselreiter.

ROLF NESCH Eselreiter. Color metal relief print, 1968. 495x317 mm; 19 1/2x12 5/8 inches, full margins. Signed and numbered 224/300 in pencil, lower margin. A very good impression with vibrant colors.

Lot: 492 - ROLF NESCH Blume.

ROLF NESCH Blume. Color metal relief print, 1969. 190x240 mm; 7 5/8x9 1/2 inches, full margins. Signed and numbered 16/25 in pencil, lower margin. A very good impression with strong colors.

Lot: 493 - HANS BELLMER Petite Traite de Morale.

HANS BELLMER Petite Traite de Morale. Set of 10 etchings, 1968. 376x281 mm; 14 7/8x11 1/8 inches (sheets), full margins. Edition of 150. Each signed in pencil, lower right. Published by Éditions Georges Visat, Paris. Very good

Lot: 494 - SHIKO MUNAKATA Hawk Woman.

SHIKO MUNAKATA Hawk Woman. Woodcut on thin paper, 1958. 404x313 mm; 15 3/8x12 1/4 inches, full margins. Signed, dated and numbered 101/200 in pencil, lower right. With the artist's red ink stamp, lower right. A very good impression.

Lot: 495 - MAURITS C. ESCHER Day and Night.

MAURITS C. ESCHER Day and Night. Color woodcut printed in black and gray on tissue-thin laid Japan paper, 1935. 391x677 mm; 15 3/8x26 5/8 inches, full margins. Signed and inscribed "eigendruk" in pencil, lower margin. A superb impression.

Lot: 496 - MAN RAY Cadeau.

MAN RAY Cadeau. Cast metal multiple, 1974. 165 mm; 6 1/2 inches (height). Signed, titled and numbered 1829/5000 in white ink on the handle. Cast by the Mirano Foundry, Venice. Produced by Giorgio Barutti, Venice. Published by Luciano

Lot: 497 - MAN RAY Metronome.

MAN RAY Metronome. Color screenprint on light tan acetate, 1970. 517x285 mm; 20 3/8x11 1/4 inches, full margins. Initialed and numbered 8/100 in pencil, lower margin. A very good impression on this scarce print.

Lot: 498 - MAN RAY Premier Promenade.

MAN RAY Premier Promenade. Color lithograph, circa 1960. 355x510 mm; 14x20 1/4 inches, full margins. Signed and numbered 96/130 in pencil, lower margin. A very good impression with strong colors. Based on the artist's same-titled

Lot: 499 - PAUL REBEYROLLE Portrait d'homme assis.

PAUL REBEYROLLE Portrait d'homme assis. Oil on canvas, 1950. 600x361 mm; 23 5/8x14 1/4 inches. Signed and dated in oil, upper left recto. Ex-collection Marlborough Gallery, New York, with the label on the frame back; private collection,

Lot: 500 - MANOLO VALDÉS Sin Título (Mujer en

MANOLO VALDÉS Sin Título (Mujer en profil). Pencil and watercolor on white wove paper, mounted on the front free fly-leaf of Manolo Valdés: the Timelessness of Art, 2000. 245x180 mm; 9 3/4x7 inches. Signed, dated and dedicated

Lot: 501 - MANOLO VALDÉS Retrato de una Niña.

MANOLO VALDÉS Retrato de una Niña. Charcoal on paper. 227x302 mm; 9x11 7/8 inches. Signed in charcoal, lower right recto. Ex-collection Rosa Valdés, wife of the artist, New York; gifted to the current owner, private

Lot: 502 - BERNARD BUFFET Two color lithographs.

BERNARD BUFFET Two color lithographs. Homme qui crache de feu * Trapeziste. Both 1968. Both 683x475 mm; 27x18 3/4 inches, full margins. Both an edition of 120. Both signed in ink and numbered in pencil, lower left. Printed and published by

Lot: 503 - BERNARD BUFFET Paris, La Tour Eiffel.

BERNARD BUFFET Paris, La Tour Eiffel. Color lithograph, 1962. 522x663 mm; 20 1/2x26 inches, full margins. Signed and numbered 25/150 in pencil, lower margin. Printed by Mourlot, Paris. Published by Alain Mazo and Co., Paris. A very good

Lot: 504 - BERNARD BUFFET Dahlias sur fond Jaune.

BERNARD BUFFET Dahlias sur fond Jaune. Color lithograph, 1962. 495x645 mm; 19 1/2x25 1/2 inches, full margins. Signed and numbered 147/220 in pencil, lower margin. Published by Les Peintres Témoins leur Temps, Paris. A superb impression




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