Auction Information
Auctioneer Be Hold 9144235806
Auction Date Jun 27 Auction
Location
See Catalog
Yonkers, NY
Time 11:00AM
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Lot: 1 - FABRIC SALESMAN WITH WARES, ¼ plate

FABRIC SALESMAN WITH WARES, ¼ plate daguerreotype, early seals, nice full case with original spine intact. The salesman poses with his wares on shelves behind him. A number of bolts of cloth are arranged in front. His hands rest on a horizontal

Lot: 2 - INTERRACIAL COUPLE, possibly at their wedding. 1/6

INTERRACIAL COUPLE, possibly at their wedding. 1/6 plate ambrotype. The young woman is of mixed race, so there was a mixed marriage in an earlier generation. There were then two generations that violated the mores of the era and much later. She is

Lot: 3 - MOTHER AND ADULT DAUGHTER by J. Gurney. Two fine

MOTHER AND ADULT DAUGHTER by J. Gurney. Two fine ¼ plate daguerreotypes in a double case, with Gurney's "189 Broadway" logo stamped on the mats. His gallery was at that address 1853- 1855 (Craig's Daguerreian.) There is fine gilding on the

Lot: 4 - MAN WITH HIS ARM IN A SLING. 1/6 plate

MAN WITH HIS ARM IN A SLING. 1/6 plate daguerreotype shows a man with his arm in a sling. He wears a soft hat with a cloak over his jacket. He has the appearance of an actor or other artist. Is he in a role of a character with a broken arm, or does

Lot: 5 - MATHEW BRADY, Portrait of William Jay. (1789 -

MATHEW BRADY, Portrait of William Jay. (1789 - 1858), 1/6 plate daguerreotype in Brady "Lyre" case, in stippled octagonal mat. Jay was the youngest son of John Jay, "founding father" of the U.S., first Chief Justice. This William was

Lot: 6 - MATHEW BRADY, The family of John Jay II. ½

MATHEW BRADY, The family of John Jay II. ½ plate daguerreotype in oversize case plus a full plate ambrotype.of his children. Jay (1817 - 1914) was the son of William [previous lot] and carried on his tradition. At the age of 17 he became a

Lot: 7 - JOHN JAY II'S DAUGHTERS. Two ¼ plate

JOHN JAY II'S DAUGHTERS. Two ¼ plate daguerreotypes. One shows Eleanor, the other Mary and Augusta. Both are tinted and in similar cases with floral design, rose silk pad., spines intact.

Lot: 8 - G. R. TREAT, Stamford, Connecticut. "Colonel"

G. R. TREAT, Stamford, Connecticut. "Colonel" William Jay. This son of John Jay was born in 1841. Here he is in 1856, 15 years old. He would become a Colonel in the Civil War, who fought at Gettysburgh, Mine Run, Chancellorsville and Appomattox. He

Lot: 9 - PAINTING OF CHARLES DICKENS, 1842. 1/6 plate

PAINTING OF CHARLES DICKENS, 1842. 1/6 plate daguerreotype. This was included with the Jay family material presented in the preceding lots, Dickens shared John Jay II's interest in international copyright, and they corresponded. The 30 year old

Lot: 10 - WILLIAM HENRY FOX TALBOT, Melrose Abbey. Salt

WILLIAM HENRY FOX TALBOT, Melrose Abbey. Salt print from calotype negative, ca. 1845. 6 7/8 x 8 3/8 - inch image on 7 ½ x 9 - inch paper. This image was published in Sun Pictures of Scotland (1845.) It is accompanied by a much lighter, smaller

Lot: 11 - DAVID OCTAVIUS HILL and ROBERT ADAMSON, "Master

DAVID OCTAVIUS HILL and ROBERT ADAMSON, "Master Miller, son of Prof. Miller." Salt print from calotype negative, 1845. 7 7/8 x 5 ¾ -inch image mounted on 11 x 7 3/8 -inch page. An inscription is on the bottom of the mount. This is Jimmy Miller,

Lot: 12 - ROGER FENTON, Helena and Louise in 'Les deux

ROGER FENTON, Helena and Louise in 'Les deux Petits Savoyards" at Windsor Castle, January 1854. 7 7/8 x 5 ½ -inch albumen print image on 10 7/8 x 7 ¾ -inch sheet, with a pen inscription in French on the bottom margin. The two young

Lot: 13 - ROGER FENTON. "The Sanitary Commission." 7 3/8 x 6

ROGER FENTON. "The Sanitary Commission." 7 3/8 x 6 ¼ -inch salt print on original 23 ¼ x 17 ½ -inch mount with imprinted title and other information imprinted on the mount, 1856. Published by T. Agnew and Sons. This is Dr. Sutherland

Lot: 14 - ROGER FENTON, "The Staff at Head Quarters." 7 x 5

14. ROGER FENTON, "The Staff at Head Quarters." 7 x 5 4/3 -inch salt print on original mount with identification of the officers and other information printed on the mount, 1856. Published by T. Agnew and Sons. The mount has been trimmed to 16 7/8 x

Lot: 15 - FRANCIS FRITH, :"The Pyramids of Sakkarah, from

FRANCIS FRITH, "The Pyramids of Sakkarah, from the North East." 6 3/8 x 9 -inch albumen print on 12 ¼ x 17 -inch mount. Signed and numbered in the negative, with an imprinted signature and 1847 date on the mount, with title printed on the mount.

Lot: 16 - MAXIME DU CAMP, "THEBES: Medinet - Habou." 1850,

MAXIME DU CAMP, "THEBES: Medinet - Habou." 1850, Plate 47 from "Egypte, Nubie, Palestine et Syrie" published 1852. Salt print from paper negative (Blanquard-Eduard process.) Title and other information printed on the mount. With imprinted tissue

Lot: 17 - HERBERT PONTING, Ananda Temple in Bagan, Burma. 9

HERBERT PONTING, Ananda Temple in Bagan, Burma. 9 5/8 x 17 -inch gold toned carbon print, 1906. Ponting is most known for his dramatic photographs of Scott's Terra Nova Arctic Expedition. Earlier he had traveled in Asia to cover the Russo-Japanese

Lot: 18 - JULIA MARGARET CAMERON, Alfred Tannyson, 1895.

JULIA MARGARET CAMERON, Alfred Tannyson, 1895. Albumen print flush mounted in a gilt board frame. The visible print is 9 ¾ x 8 -inches, and the outer dimensions of the frame are 12 ¼ x 10 ½ -inches. The frame has "From Life - 1865 -

Lot: 19 - CHARLES HIPPOLYTE AUBRY (1811 - 1877), Study of a

CHARLES HIPPOLYTE AUBRY (1811 - 1877), Study of a Vine, ca. 1865. 14 ¾ x 18 -inch albumen print on 18 ¼ x 22 -inch sheet. Aubrey's pen signature and decorative embossed stamp is on the bottom margin. From 1864 Aubry began making studies of

Lot: 20 - LANDSCAPE STUDIO BACKDROPS, Ca. 1870. Four albumen

LANDSCAPE STUDIO BACKDROPS, Ca. 1870. Four albumen prints on cabinet card mounts by an unknown photographer, probably French. These are elaborately painted backdrops. The cabinet cards were likely used to advertise these for the use of photographic

Lot: 21 - LOUIS GODEFROY LUCY-FOSSARIEU (1822 - 1892),

LOUIS GODEFROY LUCY-FOSSARIEU (1822 - 1892), Animals and plants in the Zoological and Botanical Gardens of the Bois de Boulogne, 1862. 13 albumen prints, 8 7/8 x 7 ½ -inches, mounted on large 21 x 12 -inch mounts. The attractively decorated

Lot: 22 - LOUIS EMILE DURANDELLE (1839 - 1917). 8 - albumen

LOUIS EMILE DURANDELLE (1839 - 1917). 8 - albumen print photographs of the construction of the railroad line from Montauban to Brive. The prints are 13 x 17 -inches, on large 18 ½ x 18 -inch mounts. The mounts have printed texts giving the site

Lot: 23 - ALOIS AUER, Microscopic enlargement of a larva

ALOIS AUER, Microscopic enlargement of a larva caught in a spider's web, 1850's. 9 5/8 x 7 3/8 -inch coated salt or albumen print on an 11 7/8 x 8 ¾ inch mount. The mount has an inscribed black framing line and a printed text on the bottom. The

Lot: 24 - ÉTIENNE JULES MAREY, Photographic gun, ca.

ÉTIENNE JULES MAREY, Photographic gun, ca. 1880. 3 5/8 x 5 1/8 -inch bromide silver print on an 8 ½ x 10 ½ -inch board mount. This is not Marey's photographic gun [see next Lot that is on a similar mount] but he thought to record it.

Lot: 25 - ÉTIENNE JULES MAREY, Disc with 12 photographs

ÉTIENNE JULES MAREY, Disc with 12 photographs of a seagull in flight, taken by Marey's photograhic gun. 4 ½ x 4 ½ -inch bromide silver print on a 10 3/8 x 8 -inch mount. Marey's gun was patented in 1882, based on the astronomer

Lot: 26 - OTTOMAR ANSCHUTZ, Teams of horses in motion, ca.

OTTOMAR ANSCHUTZ, Teams of horses in motion, ca. 1888. This was made with Anschutz's Chronophotographic camera (1882) with a very fast shutter and electrically timed release. It may look like an ordinary horse and carriage image, but study the legs

Lot: 27 - ALBERT LONDE (French, 1858 - 1917) "Cavalier au

ALBERT LONDE (French, 1858 - 1917) "Cavalier au Galop," 1887. Three motion studies, 6 ½ x 8 7/8 -inch albumen prints on 9 x 12 -inch board mounts. These show the horse rearing up on its hind legs. Included in this lot is Londe's "La Photograhie

Lot: 28 - EADWEARD MUYBRIDGE, Horse in Motion, 1887. 7 3/8

EADWEARD MUYBRIDGE, Horse in Motion, 1887. 7 3/8 x 15 ¼ -inch image.on a 19 x 13 ¾ -inch sheet, Plate 580 from Animals in Motion. The horse moves slowly as in the Anschutz image Lot 26. . This shows the graceful movements of the horse's

Lot: 29 - PAOLO GIOLI, (1941 - Italy), "Denrro la Ruota di

tPAOLO GIOLI, (1941 - Italy), "Dentro la Ruota di Sete - Eakins/Marey/ L'Uomo Scomposto" "[Into the Silk Wheel - Eakins/Marey/ The Fragmented Man." 1982. 13 ¾ x 10 -inch sheet. It uses the Polaroid backing, with the image

Lot: 30 - SHELDON JACKSON, "Introduction of Reindeer into

SHELDON JACKSON, "Introduction of Reindeer into Alaska", 1889 - 1893. Jackson was General Agent of Education for Alaska. These are two reports published by the Government Printing Office, bound together. The report is introduced by a letter to the

Lot: 31 - EDWARD S. CURTIS, "Hopi. Girls" Platinum print, 16

EDWARD S. CURTIS, "Hopi. Girls" Platinum print, 16 1/8 x 11 7/8 -inches. [4-] Signed in ink on the print, lower right. Number in the negative. Copyright notice on the verso. I am haunted by these beautiful hairstyles.

Lot: 32A - EDWARD S. CURTIS, 4 photogravures from The North

EDWARD S. CURTIS, 4 photogravures from The North American Indian. Images 15 3/8 x 12 3/ 8 -inches on 22 x17 7/8 -inch sheets or the reverse. From Copyright Photograph 1924 by E. S. Curtis beneath the image. "Photogravure Suffolk Eng. Co.

Lot: 33 - EDWARD S. CURTIS, "A Comanche Mother." From Volume

EDWARD S. CURTIS, "A Comanche Mother." From Volume 19. Photogravure from The North American Indian. 15 3/8 x 12 3/8 -inch image on 22 x 17 7/8 -inch sheet. "Photogravure Suffolk Eng. Co"

Lot: 34 - EDWARD S. CURTIS. "As it was in the Old Days."

EDWARD S. CURTIS. "As it was in the Old Days." Photogravure from The North American Indian. 12 3/8 x 15 3/8 -inch image on 17 7/8 x 22 -inch sheet, Holland Van Gelder watermark. From Volume 19. The diminished buffalo herd.

Lot: 35 - EDWARD S. CURTIS, "Atsika Warriers." Photogravure

EDWARD S. CURTIS, "Atsika Warriers." Photogravure from The North American Indian. Vol. 5. 15 3/8 x 12 3/8 -inch image on 17 7/8 x 22 - inch sheet. "Photogravure by John Andrew & Son."

Lot: 36 - HERMAN HEYN, OMAHA, "Stars Come Out, Oglala Sioux"

HERMAN HEYN, OMAHA, "Stars Come Out, Oglala Sioux" 1899. 9 x 6 ¾ -inch platinum print, with hand written title in the upper left in the negative, No. "225" and Copyright signed in the negative lower right. Heyn, along with Rinehart, made

Lot: 37 - HERMAN HEYN, OMAHA. "Sun Flower, Cheyenne." 1899.

HERMAN HEYN, OMAHA. "Sun Flower, Cheyenne." 1899. 9 x 6 ¾ -inch platinum print. No. "324" copyright in the negative in the lower right, and title in the upper left. He is more often identified as a Dakota Sioux. You can purchase

Lot: 38 - ALMA LAVENSON (1897 - 1989), "Taos Pueblo, 1941.

ALMA LAVENSON (1897 - 1989), "Taos Pueblo, 1941. Printed 1987. Lavenson was part of the group of California photographers that included Ansel Adams, Edward and Brett Weston, Imogen Cunningham. 12 ¾ x 9 7/8 -inch matte gelatin silver print,

Lot: 39 - BARON ADOLPH DE MEYER, Egyptian Guide, ca. 1900.

BARON ADOLPH DE MEYER, Egyptian Guide, ca. 1900. 8 x 6 - inch platinum print with De Meyer's Archive stamp verso with the number "004" written in. The number "309" is also written in pencil on the verso. This was probably made on De Meyer's and

Lot: 40 - ALVIN LANGDON COBURN, "Fountain at Trevi," ca.

ALVIN LANGDON COBURN, "Fountain at Trevi," ca. 1900. 3 5/8 x 4 ½ -inch platinum print. Notations in an unknown hand are said to be on the verso of the print, but it is tipped on to a 7 1/8 x 7 1/8 - inch paper so they can't be seen.

Lot: 41 - ALVIN LANGDON COBURN, "Thames," ca. 1900. 4 9/16 x

ALVIN LANGDON COBURN, "Thames," ca. 1900. 4 9/16 x 3 ¾ -inch platinum print. "Thames" in pencil in an unknown hand verso. Tipped on to a 9 ½ x 6 ½ - inch mount. Like previous lot from the Museum of Modern Art to a

Lot: 42 - HEINRICH KUHN, "Hans Kuhn," ca. 1906. Gum

HEINRICH KUHN, "Hans Kuhn," ca. 1906. Gum bichromate print 11 5/8 x 9 ¼ -inch image on 13 x 9 ¾ -inch textured paper. A beautiful portrait of the artist's son.

Lot: 43 - ALFRED STIEGLITZ, "Going to the Start" (1905).

ALFRED STIEGLITZ, "Going to the Start" (1905). Photogravure, 8 ½ x 7 5/8 image on 12 x 8 3/8 sheet. From Camera Work 12, 1905.

Lot: 44 - ALFRED STIEGLITZ, "Mauritania." (1911)

ALFRED STIEGLITZ, "Mauritania." (1911) Photogravure on tissue, 8 ¼ x 6 ½ -inch image on 11 x 8 1.8 -inch tissue. From Camera Work 36, 1911.

Lot: 45 - AUTOCHROME. Still life with Chinese Lantern, fan

AUTOCHROME. Still life with Chinese Lantern, fan in background, objects on table, ca. 1908. . 5 x 7 inch plate. This is a carefully composed and artfully made image. I believe it is by George H. Seely. He has some known autochromes of bowls with

Lot: 46 - EUGENE ATGET, "Hotel Beauvais, 68 Rue

EUGENE ATGET, "Hotel Beauvais, 68 Rue François Miron." 8 3/8 x 6 7/8 -inch albumen print, with title in Atget's hand on the verso. In a fine wooden frame. The print has nice brown tones. The scene is framed by columns. A carriage is parked at

Lot: 47 - WILLIAM DASSONVILLE, Tug and Pier. 1920's. Vintage

WILLIAM DASSONVILLE, Tug and Pier. 1920's. Vintage gelatin silver print on Dassonville charcoal black paper, 3 ½ x 4 ½ -inches. No inscriptions. Carefully composed.

Lot: 48 - WILLIAM DASSONVILLE, San Francisco Skyline from

WILLIAM DASSONVILLE, San Francisco Skyline from Fairmont Hotel, 1920's. Gelatin silver print, 11 x 12 ¼ -inches., with Estate Stamp on verso

Lot: 49 - GEORGII ZELMA, Musicians playing traditional

GEORGII ZELMA, Musicians playing traditional instruments, 1926, possibly printed ca. 1950 but seems earlier. . 4 x 3 -inch gelatin silver mounted on an envelope, with Zelma's signature, title, date and stamp plus red crayon symbol associated with the

Lot: 50 - HAROLD CAZNEAUX, Portrait of Edna Thomas (1885 -

HAROLD CAZNEAUX, Portrait of Edna Thomas (1885 - 1974.). 15 1/8 x 12 5/8 -inch chloro-bomide print. Cazneaux was the major Australian pictorialist photographer in the 1920's. This portrait of Thomas was taken during her tour of Australia in 1924 -

Lot: 51 - MADAME D'ORA (DORA KALLMUS), Portfolio of 6

MADAME D'ORA (DORA KALLMUS), Portfolio of 6 photogravures, nude studies of the dancer Rigmor Rasmussen, ca 1927. Images 8 5/8 x 6 ¼ -inch on 12 z 9 ¾ -inch sheets. The portfolio has a decorative cover in the style of the period., with the

Lot: 52 - FRANTISEK DRTIKOL. 2 nude studies, ca 1920's. Warm

FRANTISEK DRTIKOL. 2 nude studies, ca 1920's. Warm toned gelatin silver prints on divided back cartes postale, each with Drtikol's stamp verso. One has "from the collection of" written in pencil before the stamp.

Lot: 53 - FRANTISEK DRTIKOL., Node with bowl, cal 1920's.

FRANTISEK DRTIKOL., Nude with bowl, cal 1920's. Warm toned gelatin silver print on divided back carte postale with Drtikol's stamp verso. The carte has been trimmed to 4 ¾ x 3 ¼ -inches. As intended by Drtikol, the bottom margin does not

Lot: 54 - FRANTISEK DRTIKOL. Nude with cube and shadows,

FRANTISEK DRTIKOL. Nude with cube and shadows, 1920's. Warm toned gelatin silver print on divided back carte postale with Drtikol's stamp verso.. The carte has been trimmed to 4 7/8 x 3 ¼ -inches.

Lot: 55 - H. S. WONG, "Bloody Saturday." (1937). 7 1/8 x 9

H. S. WONG, "Bloody Saturday." (1937). 7 1/8 x 9 -inch ferrotyped gelatin silver print with red International News Photo stamp, pencil title, date and other notations verso. This is the first of a group of significant press photographs printed very

Lot: 56 - ROBERT CAPA, "Death of a Loyalist Soldier," 7

ROBERT CAPA, "Death of a Loyalist Soldier," 7 ½ x 5 - inch (19,20 x 12.80 cm) gelatin silver print, 1936, printed 1936 - 1938. . This has the Black Star Graybar Building credit stamp with "CAPA" written in pencil. "Death

Lot: 57 - USS SHAW EXPLODES AT PEARL HARBOR. 1941, printed

USS SHAW EXPLODES AT PEARL HARBOR. 1941, printed 1942. 7 x 9 -inch ferrotyped gelatin silver print. Wide World Photo stamp verso, with pencil measurements and notations, including "1942 -2" that probably indicates the printing date. The attached

Lot: 58 - ROBERT CAPA, Ruins of Agrigento, July 17th - 18th

ROBERT CAPA, Ruins of Agrigento, July 17th - 18th 1943. Printed 1943. 7 ½ x 7 -inch gelatin silver print, with Acme Newspictures credit stamp verso, and original slnipe dated 8/13/43. It reads "OUT OF HIDING… As the noise of battle

Lot: 59 - ROBERT CAPA, "To Invade," 1944, printed 1944. 8

ROBERT CAPA, "To Invade," 1944, printed 1944. 8 ¾ x 11 1/8 - inch gelatin silver print, with applied pigments. International News photo stamp plus various notations in red pen, black pen and pencil verso. A newspaper clipping glued to the back

Lot: 60 - ROBERT CAPA, Anti-tank gun near Anzio, 1944.

ROBERT CAPA, Anti-tank gun near Anzio, 1944. Printed 1944. 7 1/8 x 8 ¼ -inch gelatin silver print. Acme Newspicture stamp on verso, with pencil number and "Ref. Dept. NEA" stamp dated "2-14-44." The original snipe is attached but the top and

Lot: 61 - ROBERT CAPA, Treating German soldier, Bastogne,

ROBERT CAPA, Treating German soldier, Bastogne, 1945, printed 1945. 7 7/8 x 6 ¾ -inch ferrotyped gelatin silver print. Associated Press stamp verso, with red date stamp "WAR FILE 5 Feb.1945." A large snipe verso is dated 1/6/45. It reads

Lot: 62 - ROBERT CAPA, Snowy field, Bastogne, 1945, printed

ROBERT CAPA, Snowy field, Bastogne, 1945, printed 1945. 9 x 7 -inch ferrotyped gelatin silver print. Red Acme Newspictures stamp on verso. This was published in LIFE in January 1945. The snipe is dated 1/6/45. It reads "Advancing cautiously across a

Lot: 63 - ROBERT CAPA, Tanks, Bastogne, 1945, printed 1945.

ROBERT CAPA, Tanks, Bastogne, 1945, printed 1945. 6 5/8 x 8 ½ -inch ferrotyped gelatin silver print, International News Photo stamp on verso,. A snipe is attached dated "1.6.45" and a stamp "RECEIVED EXAMINER REFERENCE LIBRARY" dated Jan. 12,

Lot: 64 - ROBERT CAPA, Gliders.landing troops near Wesel. 9

ROBERT CAPA, Gliders.landing troops near Wesel. 9 ¾ x 6 1/8 -inch ferrotyped gelatin silver print. International News Photo stamp verso, plus a Spanish stamp, a number in pen and notation in Spanish. A snipe is glued to the back: "As First

Lot: 65 - ROBERT CAPA. Collaborationist with shaved head. 7

ROBERT CAPA. Collaborationist with shaved head. 7 x 9 - inch ferrotyped gelatin silver print, 1944, printed 1944. An Acme News Service stamp is on the verso, with notations in pencil and pen. This photograph was published in LIFE September 4, 1944. A

Lot: 66 - MARGARET BOURKE-WHITE, Looters in Frankfurt, 1945,

MARGARET BOURKE-WHITE, Looters in Frankfurt, 1945, printed 1945. 7 x 9 - inch ferrotyped gelatin silver print. Acme Newspictures stamp on verso, with notation in black pen, also stamp for REF DEPT. N.E.A. dated "4.13.45." The attached snipe is dated

Lot: 67 - JOE ROSENTHAL, Landing at Iwo Jima, 1945, printed

JOE ROSENTHAL, Landing at Iwo Jima, 1945, printed 1945. 5 ¾ x 10 ¼ -inch ferrotyped gelatin silver print. "AP WIREPHOTO" stamp, plus a stamp that seems to read "BURLON," red date stamp "Feb 24 1945" and typed snipe -- "Filled with tense

Lot: 68 - JOE ROSENTHAL, Raising the Flag on Iwo Jima, 1945,

JOE ROSENTHAL, Raising the Flag on Iwo Jima, 1945, printed 1945. 10 ¼ x 7 7/8 -inch ferrotyped gelatin silver print with Associated Press 1945 copyright printed on the bottom right. The verso has the Associated Press Copyright stamp, a Wide

Lot: 69 - W. EUGENE SMITH, Iwo Jima Beach, 1945, printed

W. EUGENE SMITH, Iwo Jima Beach, 1945, printed 1945. 8 ¼ x 6 ¾- inch ferrotyped gelatin silver print. "AP WIREPHOTO" stamp plus part of a red "2 - 28 - 45" stamp, with a typed text dated "2/27/45" - "A section of the beach where Marines

Lot: 70 - OVER THE TOP' Canadian forces at Arras, WWI, 1917,

OVER THE TOP' Canadian forces at Arras, WWI, 1917, printed later. 8 x 10 ferrotyped gelatin silver print with various notations, stamps and labels verso. One label is for a Canadian official photograph. Another is for the Signal Corps and National

Lot: 71 - DMITRI BALTERMANTS (1919 - 1990), "Granade Attack-

DMITRI BALTERMANTS (1919 - 1990), "Granade Attack- 1943" printed later (1950's?), 11 ½ x 8 ¼ -inch ferrotyped gelatin silver print with artist's stamp, pencil title in Russian (in his hand?) He is best known for his action photographs of

Lot: 72 - MAX YAVNO, "Muscle Beach", 1949, vintage or

MAX YAVNO, "Muscle Beach", 1949, vintage or near-vintage master print, 10 x 14 - inch gelatin silver print on heavy paper with title, date and other notations such as "Print 3/ 20 sec f11" in pencil in the artist's hand verso. I selected this from a

Lot: 73 - DAVID SEYMOUR (CHIM), Israel, Installing

DAVID SEYMOUR (CHIM), Israel, Installing searchlights at the barbed wire perimeter of the settlement of Mishmar Ayolon. 1952. Vintage 12 x 8 ¼ - inch gelatin silver print with Artist's Magnum stamp and a typed paper label numbered "13" with a

Lot: 74 - DAVID SEYMOUR (CHIM), Israel, Preparing a grave.

DAVID SEYMOUR (CHIM), Israel, Preparing a grave. Vintage 8 5/8 x 12 -inch gelatin silver print with Seymour's Magnum credit stamp, verso, No "31" in a circle in red crayon, other notations in pencil, and a typed label "31. Friends prepare a grave in

Lot: 75 - DAVID SEYMOUR (CHIM). Israel, Children praying in

DAVID SEYMOUR (CHIM). Israel, Children praying in school, 1951. Vintage 11 5/8 x 8 gelatin silver print with Seymour's Magnum credit stamp. Typed paper label has text with title "14. Israel's New Jews." Also "51 - 2" and number "14" in circle in red

Lot: 76 - DAVID SEYMOUR (CHIM), Israel, Woman weeping at a

DAVID SEYMOUR (CHIM), Israel, Woman weeping at a gravesite. 12 x 8 ½ -inch ferrotyped gelatin silver print, ca 1948, printed 1953. with artist's Magnum stamp on verso along with pencil notations and numbers.

Lot: 77 - DAVID SEYMOUR (CHIM), Israel, Woman soldier

DAVID SEYMOUR (CHIM), Israel, Woman soldier eating at mess. 11 5/8 x 8 ¼ ferrotyped gelatin silver print, 1952. Seymour's Magnum Stamp, number "52 -2" and number "368" in pencil verso, plus pen inscription "Young soldier's story-(youth with

Lot: 78 - JOHN BRYSON (1923 - 2005), Kuwait. 3 photographs

JOHN BRYSON (1923 - 2005), Kuwait. 3 photographs on heavy paper, ca. 1970. Bryson photographed for LIFE and other magazines. He is most known for his celebrity portraits of Hemingway, Katherine Hepburn, Marilyn Monroe and others. His archive is in

Lot: 79 - JOHN BRYSON, Middle East: Scenes in Gaza Strip and

JOHN BRYSON, Middle East: Scenes in Gaza Strip and Egypt. ca 1970's. 6 photographs, various sizes from 12 s 8 4/5 -inches to 10 ½ x 8 ¾ -inches. A military station in the Gaza desert, a woman and child in the Egyptian desert, a scene in

Lot: 80 - JOHN BRYSON, Scenes in Vietnam, ca. 1970's. 6

JOHN BRYSON, Scenes in Vietnam, ca. 1970's. 6 photographs, various sizes from 9 ¼ x 11 -inches to 10 ½ x `3 3/8 -inches. Viet Cong prisoners lined up, military installation in a village with woman and children in the foreground, a photo

Lot: 81 - JOHN BRYSON, Two scenes in Cambodia, ca. 1970's.

JOHN BRYSON, Two scenes in Cambodia, ca. 1970's. Cambodian troops on a city street with a large statue in the foreground. 9 ½ x 12 -inch gelatin silver print on heavy paper with mild rubbing in upper right corner. Bryson's Rapho Guilllumette

Lot: 82 - JOHN BRYSON. Two scenes in Ghana, ca. 1970's.

JOHN BRYSON. Two scenes in Ghana, ca. 1970's. Workers unloading a boat. 10 ¼ x 9 3/8 - inch matte gelatin silver print, 10 ¼ x 9 3/8 inches with Bryson's Rapho Guillumette and Beverly Hills stamps verso. Upper right corner rubbed [D3-] plus

Lot: 83 - JOHN BRYSON. 5 scenes of various subject, ca.

JOHN BRYSON. 5 scenes of various subject, ca. 1970's. Fine close view of a Mexican folk dancer, 10 ½ x 11 -inch matter gelatin silver print dry mounted to board, with Bryson's "Artist"stamp No. 72 and his Beverly Hills and Rapho

Lot: 84 - GEORGE RODGER. "Pygmy woman, Impenetrable Forest,

GEORGE RODGER. "Pygmy woman, Impenetrable Forest, Kigazi Uganda" Vintage ca. 1960. 11 3/8 x 8 ¾ matte gelatin silver print (or possibly a carbon print) with Rodger's Magnum Stamp on verso, pencil script title, reference to publication in

Lot: 85 - SANFORD H. ROTH, James Dean in GIANT, vintage

SANFORD H. ROTH, James Dean in GIANT, vintage 1955. 13 7/8 x 10 7/8 -inch gelatin silver print on heavy paper. The material on the verso includes Roth's credit stamp, an Agence Rapho stamp, a press snipe, and other notations. This large rich film

Lot: 86 - ANTON BRUEHL (1900 - 1982) "General Electric

ANTON BRUEHL (1900 - 1982) "General Electric Light Bulbs" 1927, printed later. 13 ½ x 10 ½ -inch gelatin silver print, signed with a number on verso. Bruehl came to the US from Australia and worked for Western Electric Company as an

Lot: 87 - GORDON COSTER, Photogram with scissors, 1930. 8 x

GORDON COSTER, Photogram with scissors, 1930. 8 x 10 -inch matte gelatin silver print, signed in pencil on the bottom margin and dated Dec. -17 - 1930."

Lot: 88 - KAREL HAJEK (Czech, 1900 - 1978). Street scene

KAREL HAJEK (Czech, 1900 - 1978). Street scene through the snow, 1939. Ferrotyped gelatin silver print, vintage 1939. Titled dated and signed in blue pen on the bottom margin.

Lot: 89 - JOHN GUTMANN, (1905 - 1998.) "In the Background

JOHN GUTMANN, (1905 - 1998.) "In the Background The Pimp, New Orleans, 1937". Printed later. Gelatin silver print, image 11 ½ x 14 ¼ -inches on 14 x 16 7/8 -inch sheet, signed in pencil verso, with title and date written in pencil on the

Lot: 90 - FONVILLE WINANS, (1911 - 1992), "Jig Dancers,"

FONVILLE WINANS, (1911 - 1992), "Jig Dancers," 1938, signed "Fonville" and dated in pencil. 20 x 16 -inch vintage gelatin silver print mounted on board. . Fonville was a beloved New Orleans photographer who photographed many scenes in the city. This

Lot: 91 - ELSA THALEMANN (Germany, 1901 - 1984), ca 1930,

ELSA THALEMANN (Germany, 1901 - 1984), ca 1930, printed ca 1960. 171, "Industrie - Rührgebiet." 6 5/8 x 8 7/8 -inch matte gelatin silver print, number, credit and title on a typed label affixed to the verso. She was one of the photographers

Lot: 92 - ELSA THALEMANN, Four photographs, 5 x 7 -inch

ELSA THALEMANN, Four photographs, 5 x 7 -inch matte gelatin silver prints, typed labels with number, credit and title affixed to the verso. One shows a tram car stopped at the end of the line. Another shows an open automobile stopped in Herne.

Lot: 93 - LISETTE MODEL, "French Gambler, Promenade des

LISETTE MODEL, "French Gambler, Promenade des Anglais, Nice" 1934, printed later. Semi gloss gelatin silver print that is probably not from a portfolio. 19 7/8 x 15 7/9 -inches.. Model's 1983 Estate Stamp on verso, with number B 4/4 and other numbers

Lot: 94 - LISETTE MODEL, "Promenade des Anglais, Nice"

LISETTE MODEL, "Promenade des Anglais, Nice" 1938, Printed 1977. 19 ½ x 15 ½ - inch ferrotyped gelatin silver print, signed and with 1977 copyright stamp on verso.

Lot: 95 - ESTHER BUBLEY, Greyhound Bus Station NYC, 1947,

ESTHER BUBLEY, Greyhound Bus Station NYC, 1947, printed 1947. 8 ¾ x 11 7/8 -inch gelatin silver print flush mounted to heavy board. Signed by Bubley in pen, with her stamp and other notations on the verso. Roy Stryker, coordinator of the FSA

Lot: 96 - ESTHER BUBLEY, Sleeping passengers, Greyhound Bus

ESTHER BUBLEY, Sleeping passengers, Greyhound Bus Station, NYC waiting room, 1947. 6 ¼ x 9 ½- inch ferrotyped gelatin silver prints. Each has Bubley's Standard Oil Co. credit stamp and return stamp, other notations in pencil and a label

Lot: 97 - ESTHER BUBLEY, Family with child in the

ESTHER BUBLEY, Family with child in the Greyhound Bus Station Waiting Room, 1947. 6 ¼ x 9 ½ -inch ferrotyped gelatin silver print, Standard Oil Co. credit stamp and return stamp, other notations in pencil and a label mounted with a

Lot: 98 - WRIGHT MORRIS, "Meeting House, Southbury

WRIGHT MORRIS, "Meeting House, Southbury Connecticut" 1940, printed later. 9 9/16 x 7 9/16 gelatin silver print, signed my Morris on the verso. See Peter Bunnell, Conversation with Dwight Morris: Critical Views and Responses, 1977, Plate 12.

Lot: 99 - EDMUND TESKE, "Seashell on the Rooftop" Vintage

EDMUND TESKE, "Seashell on the Rooftop" Vintage 1962 gelatin silver print, 15 x 9 ½ -inches, on a 18 x 10 -inch brown mount, in turn mounted on a large 31 x 23 12 -inch textured mount, signed by Teske in colored pencil on the first mount, signed

Lot: 100 - ERNST HAAS, 1921- 1986) "Greece" 1952, printed

ERNST HAAS, 1921- 1986) "Greece" 1952, printed before 1986. 13 5/8 x 12 7/8 -inch image on 20 x 15 7/8 sheet, gelatin silver print with Haas' studio stamp on verso. This is the first of a group of Haas's black and white photographs that makes me

Lot: 101 - ERNST HAAS, "The Kiss, New York" 1959. printed

ERNST HAAS, "The Kiss, New York" 1959. printed before 1986. 10 7/8 x 16 ¾ -inch image on 15 7/8 x 20 -inch sheet, gelatin silver print with Haas' studio stamp on verso.

Lot: 102 - ERNST HAAS, "Sailor, Guggenheim Museum New York"

ERNST HAAS, "Sailor, Guggenheim Museum New York" 1961, printed before 1986. 11 ¼ x 16 -inch image on 15 7/8 x 20 -inch sheet, gelatin silver print with Haas' studio stamp on verso. A wonderful abstract image that is also a back view portrait.

Lot: 103 - ERNST HAAS, Composition with tire, dog's feet,

ERNST HAAS, Composition with tire, dog's feet, bottles, horse's tail. Date unknown, printed before 1986. . 11 ¼ x 18 - inch image on 15 7/8 x 20 -inch paper, gelatin silver print with Haas' studio stamp on verso. This has the appearance of a

Lot: 104 - ERNST HAAS, Cloaked figure above the city. Date

ERNST HAAS, Cloaked figure above the city. Date unknown, printed before 1986. 13 7/8 x 13 -inch image on 29 x 15 7/8 -inch gelatin silver print with Haas' studio stamp on verso. The picture is carefully composed, like the others, but moody.

Lot: 105 - ARTHUR TRESS, "'Boy in Flood Dream' NY 1970." 15 x

ARTHUR TRESS, "'Boy in Flood Dream' NY 1970." 15 x 15 -inch image on 20 x 16 -inch sheet. Perhaps the most celebrated of Tress's "Dream Series" images, in which he tried to represent the nightmares of children. Titled dated and signed in pen on the

Lot: 106 - ARTHUR TRESS, "Bride and Groom, N.Y. 1970." 15 x

ARTHUR TRESS, "Bride and Groom, N.Y. 1970." 15 x 15 -inch image on 20 x 16 -inch sheet. The bi-gender couple takes their vows in a ruined church. Titled, dated and signed on the bottom margin.

Lot: 107 - ANDRÉ KERTÉSZ, "Gypsy Girl, Arles,

ANDRÉ KERTÉSZ, "Gypsy Girl, Arles, 1979." 13 x 10 ½ -inch gelatin silver print on 15 ¼ x 20 -inch sheet, signed and dated on the verso. The girl has a captivating expression. A minute fold at the extreme lower right tip, in the

Lot: 108 - JACK WELPOTT, "Kathleen Kelly - 1972" Vintage

JACK WELPOTT, "Kathleen Kelly - 1972" Vintage print dry mounted to mat board. 7 x 8 -inch image signed beneath the print, titled and boldly signed on the verso.

Lot: 109 - JULIO BELLO, Ernesto Che Guevara. 9 3/7 x 7 -inch

JULIO BELLO, Ernesto Che Guevara. 9 3/7 x 7 -inch gelatin silver print, 1960's, signed by Che and endorsed to "Boti Family" with this inscription--"Para la familia Boti con saludos revolucionarios" Bello's stamp is on the verso and "Propriedad de

Lot: 110 - NEIL ARMSTRONG, Edwin "Buzz" Aldrin on the moon.,

NEIL ARMSTRONG, Edwin "Buzz" Aldrin on the moon., 1969, printed 1969. A NASA photograph from the Apollo 11 mission. 10 1/8 x 8 -inch ferrotyped gelatin silver print with official NASA logo and information on the verso. Other prints I've encountered

Lot: 111 - DON WORTH, "Calathea Vittata, Oahu, 1977."

DON WORTH, "Calathea Vittata, Oahu, 1977." .11 x 8 3/8 -inch image on 14 x 11 -inch mount. Signed lightly in pencil beneath the print. The bottom margin has an embossed "Archival Print" and embossed signature. The title is written in pencil on the

Lot: 112 - KIPTON KUMLER, "Palm Leaf," 1970's. 8 ½ x 10

KIPTON KUMLER, "Palm Leaf," 1970's. 8 ½ x 10 ½ -inch platinum or platinum-palladian print archivally mounted to mat board. Signed in pencil on the mat beneath the print, and also on the verso, though that is not presently visible because of

Lot: 113 - JO ANN CALLIS, "Morphe 11," "Morphe12," "Morphe

JO ANN CALLIS, "Morphe 11," "Morphe12," "Morphe 13" ca. 1970. Three 7 x 9 5/8 -inch gelatin silver prints, dry mounted to board. Two are signed in pencil beneath the print. Callis (1940) was a student of Robert Heinecken's. She is a professor at Cal

Lot: 114 - LARRY CLARK, "Billy Mann - Tulsa 1968," gelatin

LARRY CLARK, "Billy Mann - Tulsa 1968," gelatin silver print 12 3/8 x 8 3/8 -inch image on 13 7/8 x 19 ¾ -inch sheet. Titled and signed in pencil verso, with Clark's name also printed in pencil beneath the signature. Written on the top of the

Lot: 115 - LARRY CLARK, Teenage Lust (1972). Printed later.

LARRY CLARK, Teenage Lust (1972). Printed later. Gelatin silver print, 8 ¾ x 12 ¼ -inch image on 10 7/8 x 14 -inch sheet. Signed and dated "1972" on the verso. This is the cover image of the book.

Lot: 116 - BILL OWENS, "Sex" from Suburbia, 1972. 9 1/8 x 12

BILL OWENS, "Sex" from Suburbia, 1972. 9 1/8 x 12 7/8 - inch image on 10 7/8 x 14 - inch sheet. Signed by Owens on the verso, with a stamp indicating this is 12 from an edition of 15 with 3 AP's, printed 2006.

Lot: 117 - JO WHALEY, "Mourning Dove, Winter, 1992", 1992. 14

JO WHALEY, "Mourning Dove, Winter, 1992", 1992. 14 x 10 ½ -inch C-print on Fuji paper. This is from her "Natura Morta" series. Whaley (1953- ) had a background in painting and theater design. Her works are carefully arranged in various themes,

Lot: 118 - ROBERT MAPPLETHORPE, Lisa Lyon doing leg press,

ROBERT MAPPLETHORPE, Lisa Lyon doing leg press, ca. 1981. 7 ½ x 7 ½ - inch gelatin silver print, framed. Signed on the verso by Lyon. This was given by Mapplethorpe to Lyon when they worked together on the book Lady, Lisa Lyon. Provenance:

Lot: 119 - PETER BEARD/MICHAEL GARLINGTON, Nude gymnast,

PETER BEARD/MICHAEL GARLINGTON, Nude gymnast, masked, (2004). 20 x 16 -inch gelatin silver print with applied paint and blood. The photograph of the gymnast is by Beard's friend the photographer Michael Garlington. Beard has endorsed it on the




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