Auction Information
Auctioneer Leland Little Auctions 919.644.1243
Auction Date Jun 16 Auction
Location
See Catalog
Hillsborough, NC
Time 10:00AM
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AuctionZip Auctioneer ID# 2104

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Lot: 1 - 18KT Gold, Ruby, and Sapphire Multi-Strand

an articulated multi-strand bracelet connected by an ornate floral clasp featuring a central bezel set oval cut ruby weighing approximately 1.05 carats and with bezel set round cut ruby accents weighing approximately .40 total carat and bezel set

Lot: 2 - 18KT Gold Rope Chain Necklace

a long gold rope chain with a textured finish and completed with a box clasp, stamped Italy / 18KT. 8.50mm x 45 in. 65.9 dwt. Private Collection and by Descent from a South Orange, New Jersey Estate Additional high-resolution photos are available

Lot: 3 - 18KT Tri Color Gold Panthère Bracelet,

an open flexible design with panther head motif terminals, with thin rows of coiled gold that alternate in yellow, green, and rose gold, signed, numbered 511164, and stamped 750. 3/8 x 6.25 in. 29.8 dwt. Accompanied with original retailer's

Lot: 4 - 18KT Gold, Venetian Glass, Mother-of-Pearl, and

centered on a bezel set round green Venetian glass cameo depicting a winged lion in a square mounting accented with cultured pearls (5.5mm) at the corners, with cabochon half-moon dyed green chalcedony stones bezel set to each side, mount with bead

Lot: 5 - 18KT Gold, Venetian Glass, and Mother-of-Pearl

each bezel set with a horizontal oval green Venetian glass intaglio featuring Pegasus backed with mother-of-pearl, mount with bead detailing three quarters around and bar set to the bottom with rope detailing, completed with collapsible posts with

Lot: 6 - High Karat Gold and Gem Set Bracelet

the center cushion shape station with one bezel set and gold backed blue and gold rectangular tablet with a conforming surround set with seed pearls and with a burr accented frame connected to a high polish and textured gold bracelet with seed pearl

Lot: 7 - Unmounted Diamond with Platinum and Diamond Mount

the pear brilliant cut diamond weighing 2.06 carats (actual) with E color and SI2 clarity, its platinum mount accented to each side with one trillion cut diamond weighing approximately .35 total carat (H color, VS clarity), mount stamped platinum.

Lot: 8 - Wide 18KT White Gold Diamond Band

a seven row, slightly domed band with (245) round brilliant cut diamonds weighing approximately 6.86 total carats with F-G color and VS clarity, stamped 750. 11mm; Ring size 7 6.60 dwt Additional high-resolution photos are available at

Lot: 9 - 14KT Gold and Sapphire Link Necklace

necklace comprised of hammered gold and tapered oval links completed with a toggle clasp and round cabochon sapphire end caps with sapphires weighing approximately 2.30 total carats, testing 14KT. 8.5mm x 17 in. 44.5 dwt Private Collection and

Lot: 10 - Platinum, Sapphire, and Diamond Ring, Atelier

centering on one half bezel set oval brilliant cut blue sapphire weighing approximately 2.30 carats and accented to each side with one bezel set round brilliant cut diamond weighing approximately .60 total carat (H-I color, VS2-SI1 clarity), mount

Lot: 11 - 14KT Gold, Aquamarine, and Diamond Ring

an open, modern design featuring a prong set emerald cut aquamarine (15.81 x 13.18 x 10.76mm) weighing approximately 14.07 carats, with round brilliant cut diamond accents weighing approximately .16 total carat ( G-H color, SI clarity) set in the

Lot: 12 - 14KT Gold and Aquamarine Drop Earring Jackets

consisting of prong set pear shape aquamarine stones (20.82 x10.73 x 7.98mm) and (21.55 x 10.05 x 7.08mm) weighing approximately 14.49 total carats, testing 14KT. 1 in. 3.9 dwt. The aquamarines have a very sightly greenish blue hue, a medium

Lot: 13 - Gold Aquamarine Pendant Necklace

featuring a horizontal, prong set emerald cut aquamarine (25.0 x 18.16 x 12.85mm) weighing approximately 36.60 carats prong set in a scrolled mount stamped 18KT and attached to each side to a gold rope chain stamped 14KT. Pendant 1 x .75 in.;

Lot: 14 - Vintage 14KT Gold Charm Bracelet

the stamped 14KT gold bracelet comprised of oval links with heart motif to center and suspending (12) charms to include a pair of ice skates testing 14KT, a building charm stamped 18KT, a $10 Liberty Head coin bezel set, an Eiffel Tower testing 14KT,

Lot: 15 - 18KT Gold and Gem Set Necklace, Girovi

necklace comprised of three strands of engraved oval gold links with six gold spacer bands with rope twist and bead detailing and accented with bezel set cabochon emeralds, sapphires, and rubies, completed with bold and engraved spring ring clasp,

Lot: 16 - 18KT Gold and Gem Set Bracelet, Girovi

bracelet comprised of three strands of engraved oval links with four spacer bands with wirework and bead details accented with bezel set cabochon emeralds, sapphires, and rubies, completed with a bold and engraved spring ring clasp, signed, marked

Lot: 17 - Platinum, 18KT Gold, and Diamond Bangle, Tiffany &

from the "Etoile" collection, a tubular hinged design with ten flush set diamonds weighing approximately .30 total carat ( G color, VS1 clarity), signed Tiffany & Co. / 750 / PT950. 7 in. 24.3 dwt. With retailer's presentation box.

Lot: 18 - 18KT Gold and Diamond Brooch and Earrings, signed

each designed in a six petal flower motif, brooch accented to the center with five prong set round brilliant cut diamond accents weighing approximately .32 total carat (G-H color, VS clarity), completed with single pin stem and locking C clasp, with

Lot: 19 - 18KT Gold and Diamond Ear Clips, Gubelin

of abstract form and each with nine prong set round brilliant cut diamonds weighing approximately .63 total carat for the pair (G color, VS clarity), completed with Omega clip backs, stamped 750 and with maker's mark. 11/16 in. 8.2 dwt. With

Lot: 20 - 18KT Gold "Happy Diamonds" Ring, Chopard

centered with a square form frame with a bezel set floating diamond (2.0mm), crystal signed, signed to interior and marked 9730279 / 82 / 2938 - 20, stamped 750 for 18KT. Ring size 6.5 7.3 dwt. Additional high-resolution photos are available at

Lot: 21 - Platinum and Diamond Ring

centered on a square emerald cut diamond weighing 2.04 carats (actual) (H color, SI2 clarity) with a pavé set diamond halo, pavé diamonds half way down the shank and diamond accents on the profile weighing approximately .32

Lot: 22 - Platinum and Diamond Eternity Band

an eternity band design with (39) pavé set diamonds weighing approximately .59 total carat with G-H color and SI-I clarity. Ring size 4.75 2.0 dwt. Custom designed for consignor by C.J. Charles Jewelry of La Jolla, CA. Additional

Lot: 23 - Unmounted Marquise Cut Diamond with 14KT Gold and

the Marquise cut diamond weighing 1.60 carats (actual) with J color and SI1 clarity, with yellow gold mount set with two tapered baguette cut diamonds weighing approximately .27 total carat (H-I color, SI clarity), testing 14KT. Ring size 3.75

Lot: 24 - 14KT Gold, Diamond, and Onyx Ring

the round brilliant cut diamond weighing 1.33 carats (actual) ( J color, SI1 clarity) prong set and centered in a carved black onyx plaque and with eight channel set round brilliant cut diamonds weighing approximately 0.64 total carat ( H-I color,

Lot: 25 - Vintage 14KT Gold Charm Bracelet

the stamped 14KT oval charm bracelet comprised of textured and high polish yellow gold links suspending nine charms to include: a vessel set to each side with an oval cut garnet and with British hallmarks and stamped 375 for 9KT, a school nursing

Lot: 26 - 18KT Gold and Multi-Gemstone Butterfly Brooch,

in a butterfly motif with round brilliant cut light brown diamonds set to the antennae and weighing approximately .10 total carat (VS-SI clarity), the body set with round brilliant cut brown diamonds weighing approximately .68 total carat (VS-SI

Lot: 27 - 14KT Gold Wide Omega Necklace

designed in a domed Omega style with a box clasp and figure eight safety clasp, stamped 14KT / Italy. 10mm x 15.50 in. 23.49 dwt. Additional high-resolution photos are available at LelandLittle.com

Lot: 28 - 14KT Gold, Amethyst, and Diamond Ring

centering on one prong set oval faceted amethyst (15.78 x 11.74 x 8.89mm) weighing approximately 9.21 carats and accented to the shoulders with three prong set Marquise cut diamonds weighing approximately .60 total carat (H-I color, SI clarity) and

Lot: 29 - 18KT Gold and Gem Set Ring, signed

the four triangular open work panels with bead detailing centering on one bezel set cabochon emerald weighing approximately .47 carat and with bezel set diamond, ruby, and sapphire accents, stamped 18KT, with a maker's mark, and additional obscured

Lot: 30 - 18KT Gold and Sapphire Bracelet

the woven mesh bracelet gathered at the center with a gold wrap featuring five prong set round cut blue sapphire accents and completed with an integrated clasp, with hallmarks and additional markings. 1 in. (at widest) x 7.25 in. 35.8 dwt.

Lot: 31 - Vintage Platinum and Diamond Brooch

circa 1950s, in a stylized diamond spray design with a vintage Marquise cut diamond set to the top and weighing approximately 1.21 carats (F color, VS2 clarity), surrounded by six vintage Marquise cut diamonds weighing approximately 1.39 total carats

Lot: 32 - Unmounted Old European Cut Diamond with 18KT White

the old European cut diamond weighing 1.02 carats (actual) with J color and VVS1 clarity, the white gold mount with two prong set old European cut diamonds weighing approximately .08 total carat (H-I color, SI-I clarity). Ring size 6.5 2 dwt.

Lot: 33 - Unmounted Round Brilliant Cut Diamond with Vintage

the loose round brilliant cut diamond weighing 1.14 carat (actual) with H color and SI1 clarity, the vintage mounting with four transitional round cut diamonds weighing approximately 0.24 carats total ( H-I color, SI-I clarity), with a knife edge

Lot: 34 - Vintage Platinum, Diamond, and Synthetic Sapphire

the flexible line bracelet with (20) bead set round brilliant cut diamonds alternating with (20) channel set step cut synthetic blue sapphires, with milgrain accents to the platinum mount terminating in a box clasp marked for platinum and signed G.C.

Lot: 35 - Platinum Topped Gold, Diamond, and Synthetic

in an Art Deco design with bead and bezel set old European cut diamonds weighing approximately 4.21 total carats (H-K color, SI-I clarity) and with synthetic sapphire accents, with milgrain detailing set on a gold triple shank hinged bangle with

Lot: 36 - Three Edwardian Bar Brooches and an Edwardian

an Edwardian 18KT gold bar brooch with a 5.35mm round pearl center with excellent luster, a clean surface and acceptable nacre quality, along with .46 total carat of old European cut diamonds set in white gold finished with milgrain detailing and a

Lot: 37 - Etruscan Revival Gold, Amethyst, Enamel, and Seed

of hinged bangle form, with a three dimensional geometric form center station featuring one round faceted amethyst (18.90mm) accented to four points with a seed pearl and further accented with black and white enamel, scrolled, and engraved details.

Lot: 38 - Antique Gold, Diamond, Pearl, and Hardstone Cameo

a carved hardstone cameo depicting a frolicking woman and child, set in a gold mount with a bow motif surmount and suspending multiple tendrils below detailed with pearls and with rose cut diamond accents weighing approximately 1.73 total carats,

Lot: 39 - Art Deco Platinum and 14KT White Gold, Diamond,

featuring an alternating diamond and synthetic sapphire square link bracelet with a later added 14KT white gold chain, centered with a round brilliant cut diamond weighing 1.19 carats (actual) (H color, VS2 clarity) (with GIA report), two old

Lot: 40 - Vintage 14KT Gold and Gemstone Charm Bracelet &

consisting of one fancy link charm bracelet with (18) attached charms to include: a round disc with a Finnish flag motif (stamped 14K), a Minnesota motif charm (stamped 14K), a dog charm (stamped 14K), a round wreath charm (stamped 14K), a carved

Lot: 41 - Vintage 14KT Gold Bracelet

the wide and flexible gold slide bracelet comprised of round and tube form links in a buckle motif suspending multiple tassels, testing 14KT. 1.25 in. x 7 in. (length adjustable up to 8.5 in.) 45.1 dwt. From a NC Estate and by Descent A Chapel

Lot: 42 - 18KT Gold, Citrine, and Smoky Quartz Ring

centering on one prong set rectangular emerald cut citrine weighing approximately 44.14 carats and accented to the sides with one prong set step cut smoky quartz weighing approximately 19.88 total carats, stamped 750 for 18KT. 15/16 in.; Ring size

Lot: 43 - Vintage 14KT Gold and Diamond Bangle Watch, Elbee

manual wind, a wide Florentine finish tapered bangle with a watch set to the center, the signed white dial with applied gold dot and triangle hour markers, surrounded by round and baguette cut diamond accents weighing approximately 1.44 total carats

Lot: 44 - Antique 18KT Gold and Enamel Bracelet, Tiffany &

of oval, hinged bangle form, with engraved and scrolled detailing and with black enamel highlights, completed with integrated clasp and safety chain, signed and marked for 18KT. 5/8 x 6 in. inner circumference 18.5 dwt. Additional

Lot: 45 - High Karat Gold, Emerald, and Diamond Ring, Julia

centering on an oval emerald (18.37 x 13.83 x 9.32mm) weighing approximately 11.42 carats set with four diamond tipped prongs in a beaded mounting with round brilliant cut diamond accents weighing approximately .68 carats (G-H color, VS clarity), the

Lot: 46 - Gent's 14KT Gold, Emerald, and Diamond Ring

the custom made ring in rectangular form to the front with ten square step cut emeralds weighing approximately 1.75 total carats, channel set within a conforming rectangular surround of (14) square cut and four princess cut diamonds and the shoulders

Lot: 47 - 18KT Gold, Diamond, and Emerald Bangle Bracelet

a wide tapered bangle with engraving and textured detailing and a raised floral bouquet motif that features single cut diamond accents weighing approximately .50 total carat (I-J color, I clarity) and cabochon emerald accents weighing approximately

Lot: 48 - 18KT Gold Emerald and Diamond Ring, H. Stern

centering on a yellow gold bezel set oval cut emerald weighing approximately 1.05 carats affixed to two white gold bands set with round brilliant cut diamonds weighing approximately .58 total carat ( G color, VS clarity), stamped 750 and signed.

Lot: 49 - 18KT White Gold, Emerald, and Diamond Bracelet

bracelet with nine oval cut emeralds weighing approximately 2.81 total carats and with medium light to medium color prong set in rectangular pavé diamond halo links, connected with pavé set diamond bar links, completed with a

Lot: 50 - 14KT Gold Charm Bracelet

the stamped 14KT gold double link bracelet suspending five gold charms to include: one in a ewer motif with prong set citrine, amethyst, and garnet gemstones (1.5 in.), a violin case with wire work and bead detailing and coral and turquoise accents

Lot: 51 - Pair of 18KT Gold and Tahitian Pearl Earrings

each set with one round Tahitian pearl (10.05mm and 10.20mm) with a floral form surround, completed with posts and Omega clip backs, stamped 18KT. 11/16 in. 6.4 total dwt. Pearls with good luster, gray body color, pink overtones, clean surface

Lot: 52 - 14KT Gold, Pearl, Sapphire, and Diamond Necklace

strung knotted with near round pearls measuring 7.0mm to 7.5mm and completed with a gem set clasp centering on an emerald cut sapphire weighing approximately 1.15 carat and accented with round brilliant cut diamonds weighing approximately .24 total

Lot: 53 - 14KT Triple Strand Pearl Choker with Diamond Set

the triple strand necklace strung knotted with (125) round cultured pearls measuring approximately 8.50mm and terminating in rectangular form clasp with pavé set round brilliant cut diamonds weighing approximately 1.79 carats with G-H

Lot: 54 - 14KT Gold, Diamond, and Seed Pearl Bangle Bracelet

the antique style bracelet in a hinged, scrolled and floral motif centering on one prong set old mine cut diamond weighing approximately .34 carat (H color, VS2 clarity) with pearl set petals, the scrolled elements set with graduating seed pearls and

Lot: 55 - Vintage 14KT Gold Charm Bracelet

circa 1950s, the stamped 14KT gold oval link bracelet with (33) charms to include: an 1888 Great Britain Gold Sovereign / Victoria Jubilee coin, a Turkish Kurush gold coin, others in sports and figural motifs to include skis, a badminton racket,

Lot: 56 - 18KT Gold Woven Necklace, Marchisio

the necklace in a wide textured design with a tongue and groove clasp, signed Marchisio for Giovanni Marchisio, with Italian hallmarks, and stamped 750. .5 x 17.75 in. 48.6 dwt. Private Collection and by Descent from a South Orange, New Jersey

Lot: 57 - 18KT Gold Woven Bracelet, Marchisio

in flexible form, the textured yellow gold woven bracelet completed with an integrated box clasp, signed Marchisio, with Italian hallmarks 195 TO, and stamped 750. .5 x 7.75 in. 28.3 dwt Private Collection and by Descent from a South Orange, New

Lot: 58 - Two Gold, Pearl, and Gem Set Brooches

the first designed as a grape cluster with a satin finish yellow gold leaf background and gold support, completed with single pin stem, stamped 750 and with a maker's mark (1 5/8 in.); the second designed with a pearl cluster having ruby and diamond

Lot: 59 - 18KT Gold Knot Bracelet, David Webb

in an articulated link design with textured knot and rope motif links and finished with a tongue and groove clasp, signed and stamped 18KT. 13/16 x 6 in. 89.0 dwt. Private Collection and by Descent from a South Orange, New Jersey Estate

Lot: 60 - High Karat Gold Opal Necklace

the round woven chain necklace completed with an urn shape screw clasp featuring granulation detailing and with bezel set round and pear shape cabochon opals weighing approximately 2.53 total carats. 24.25 in. 34.9 dwt. Private Collection and by

Lot: 61 - Gold, Diamond, and Shell Snail Brooch

designed in a snail motif, the spiral shell atop a blackened gold body diamond accented throughout with pavé set round brilliant cut diamonds weighing approximately 2.54 total carats (Top Light Brown color, VS-SI clarity), completed with

Lot: 62 - 18KT Gold, Opal, and Diamond Ring, Katy Briscoe

centered on an oval cabochon Peruvian opal weighing approximately 8.16 carats bezel set with columned detailing and a bezel set diamond at each end, an open swirl design shank with four bezel set diamonds, stamped 18KT and signed by maker.

Lot: 63 - 18KT Gold, Blue Topaz, and Diamond Brooch /

in satin finish yellow gold in a stylized Maltese cross motif centering on one square checkerboard cut blue topaz (12.0 x 12.0 x 7.58mm) weighing approximately 7.41 carats and with round brilliant cut diamond accents weighing approximately .24 carat

Lot: 64 - 14KT Gold and Diamond Earrings, Olga Tritt

circa 1960s, in a curved and stylized feather design, each with a diamond station of pavé set round brilliant cut diamonds weighing approximately 1.22 total carats ( F-G color, VS clarity) completed with clip backs, signed and stamped

Lot: 65 - Platinum and Diamond Earrings, Tiffany & Co.

each stud earring featuring four bezel set round brilliant cut diamonds weighing approximately .48 total carat ( F-G color, VS clarity), signed and stamped PT 950. 6.5mm 1.6 dwt. Additional high-resolution photos are available at

Lot: 66 - 14KT White Gold and Diamond Ring

in a waterfall design with (27) prong set round brilliant cut diamonds weighing approximately 3.19 total carats (G-H color, VS-SI clarity), stamped 14K. Ring size 7 4.6 dwt. A Worthington Valley, Maryland Estate Additional high-resolution

Lot: 67 - Wide 14KT Gold Woven Bracelet

featuring three rope bracelets connected by gold ball stations and with two flat woven fox tail motif strands that weave through the ball stations, all connected at the tongue and groove clasp, stamped 14KT. 7/8 x 7.5 in. 50.7 dwt. Private

Lot: 68 - 18KT Two Color Gold and Diamond Ring

the white gold mount in a floral motif centering on one prong set emerald cut diamond (8.21 x 5.28 x 3.96mm) weighing approximately 1.69 carats (I color, I1 clarity) and accented to the four points with prong set pear cut diamonds weighing

Lot: 69 - 14KT Gold Necklace and Bracelet Suite

necklace consisting of open swirl links connected by small oval links and completed with a hook closure, stamped 14KT; bracelet en suite and completed with a spring ring clasp, testing 14KT. Necklace .75 x 26 in.; Bracelet .75 x 7.5 in. 24.6 total

Lot: 70 - Gold Charm Bracelet

featuring a five-row multi strand bracelet composed of alternating flat curb link and rope chains and completed with a box clasp that has a purple enameled pansy motif and center diamond accent, charms to include: a round Jamaica charm (stamped

Lot: 71 - 18KT Gold, Coral, Jade, Lapis, and Onyx Parrot

in a whimsical parrot motif, body of carved coral, lapis, jade, onyx, and mother-of-pearl with a shaped gold support, completed with single pin stem and C clasp, stamped 18K / 750 / AG and with maker's mark. 2.25 in. 8.6 dwt. Additional

Lot: 72 - 14KT Gold and Gem Set Bird Brooch, signed

in a whimsical motif as a bird standing on a branch, with textured feather detailing, a round ruby eye, and five round green stones (likely emeralds) prong set along the branch, stamped 14KT and with maker's mark TC JI. 1 3/16 x 2 in. 10.5 dwt.

Lot: 73 - 14KT Multi-Charm Charm Bracelet

the round double link bracelet with charms of various motifs to include: a Henry Dankner wedding charm, thimble, silhouettes, equestrian theme, music, sailing and skiing, three baby rings, and a 10KT 1958 St. Mary's Junior College class ring. Most

Lot: 74 - 18KT White Gold, Diamond, and Pink Sapphire

a channel set line bracelet with curved links alternating in (30) round pink sapphires weighing approximately 3.30 total carats and (30) round brilliant cut diamonds weighing approximately 3.30 total carats (G-H color, SI clarity), with a maker's

Lot: 75 - 14KT Gold Ruby & Diamond Ballerina Ring

centered on a pear cut ruby (8.5 x 6.5 x 3.21mm) weighing approximately 1.39 carats surrounded by two rows of tapered baguette cut diamonds weighing approximately 4.19 total carats ( G-H color, VS-SI clarity), stamped 14KT. Ring size 6.25 5.3

Lot: 76 - 18KT Gold, Ruby, and Diamond Ring, LeVian

in a bypass design and channel set to the front with two rows of square cut rubies weighing approximately 2.07 total carats intersecting rows of channel set baguette cut diamonds weighing approximately .57 total carats (H-I color, SI-I clarity), with

Lot: 77 - Gold Coin Pendant

the 1877 $20 Liberty Head gold coin bezel set in a gold mount with cut out Marquise detailing and rope edging, mount testing 14KT. 1 7/8 in. diameter x 2.25 in. (including bail) 26.2 dwt Private Collection and by Descent from a South Orange, New

Lot: 78 - 14KT Gold and Synthetic Ruby Coin Necklace

pendant set with a 1904 $5 Liberty Head gold coin within a ribbon motif gold bezel enhanced with channel set baguette cut synthetic rubies with a rope twist motif border and testing 14KT, suspended from a rope twist watch chain (likely 10KT gold) and

Lot: 79 - 14KT Gold and Diamond Earrings

in an open spiral design, each with (29) prong set round brilliant cut diamonds weighing approximately 2.73 total carats for the pair (G-H color, SI-I clarity), completed with posts and Omega clip backs, stamped 14KT. 11/16 in. 5.8 dwt. Purchased

Lot: 80 - 18KT Gold Demi Parure

featuring a pierced plaque design bracelet with alternating dragon and floral motif links, finished with a box clasp and a safety chain with a heart and key charm, stamped 18KT (6.5 in.); earrings en suite of oval form with a pierced floral motif,

Lot: 81 - 14KT Gold and Diamond Buckle Lariat Necklace and

the lariat style double row rope necklace with a white gold buckle motif clasp accented with bead set round brilliant cut diamonds weighing approximately .41 total carat ( G-H color, VS-SI clarity); bracelet en suite with a white gold buckle motif

Lot: 82 - 14KT Gold and Gemstone Charm Bracelet

the stamped 14KT gold bracelet comprised of textured gold links with five attached corrugated round discs with various gem set center accents to include citrine, peridot, diamond, and topaz. Two charms stamped 14KT and have obscured hallmark, others

Lot: 83 - 14KT Gold Curb Link Bracelet, Zelman & Friedman

alternating textured and smooth links in a flat curb link style finished with a box clasp and a figure eight safety catch, stamped 14KT and with maker's mark. 8.70mm x 7.25 in. 26.6 dwt. Additional high-resolution photos are available at

Lot: 84 - 18KT Modernist Ring

in bark finish yellow gold and designed as two interlocking rectangular forms, stamped 750 and with an obscured maker's mark. 1 in.; Ring size 7.25 7.0 dwt. Additional high-resolution photos are available at LelandLittle.com

Lot: 85 - Triple Strand Coral Necklace

necklace comprised of three strands of graduated nugget orangey-red coral beads (7.0mm to 18.0mm) and completed with a silver hook and eye clasp. Inner strand 22.5 in; Outer strand 28 in. Accompanied with original receipt from the Ansel Adams

Lot: 86 - Sterling Silver and Wood Cuff Bracelet, William

designed as an ebony wood cuff with various size inlaid sterling silver discs, signed. 1.25 x 5 in. (with a 1 3/8 in. opening) 44 dwt. Additional high-resolution photos are available at LelandLittle.com

Lot: 87 - Sterling Silver Modernist Cuff Bracelet, Erika

a Modernist design with a polished wide cuff bracelet that creates an open pyramid motif that splits into four flat sections, signed and stamped Mexico / 925. 4 x 6 in. with a 1 1/8 in. opening 4.78 total troy oz. Additional high-resolution

Lot: 88 - Collection of (21) North African Berber Silver

Morocco, 19th-20th century, serving as garment fasteners, each one is somewhat singular in style and shape; six pieces with enamel inlay; all presented against a black ground in a contemporary silver-toned metal frame. Ranging from approximately 3

Lot: 89 - Gent's 18KT Gold "Calatrava" Watch, Patek Philippe

manual wind, the round gold case with hobnail pattern bezel, with gold tone dial, applied gold stick hour markers and black hands, completed with a tapered gold band with double channel fold over clasp signed Patek Philippe / Geneve / 750, with Swiss

Lot: 90 - Gent's "Navitimer 1884 Limited Edition" Watch,

automatic, chronometer, the round stainless steel case with rotating bezel, the signed black dial with luminescent hands and bar hour markers, day/month/date aperture at the 12:00 hour, completed with Breitling black rubber strap band with steel

Lot: 91 - Gent's 18KT Gold and Stainless Steel "Calisto"

manual wind, the round stainless steel case with a yellow gold unidirectional rotating bezel, the signed gray dial with blue subsidiary dials, applied gold and luminescent stick hour markers and hands, completed with a brown crocodile strap band,

Lot: 92 - Gent's Stainless Steel "Submariner" Watch, Rolex

circa 1970, model 5513, serial number 2647606, stainless steel case with a black bi-directional rotating timing bezel, the matte black dial with luminescent hour markers and hands, with seconds' sweep, dial marked 660 ft. / 200m, completed with

Lot: 93 - Gent's Vintage "Oyster Perpetual" Watch, Rolex

circa 1953, model 6084, serial number 914760, the stainless steel case with smooth bezel, ivory tone dial with chevron and Arabic numeral hour markers and luminescent hands, with second hand sweep, completed with a black leather strap band. Case

Lot: 94 - Vintage Stainless Steel "Oyster Perpetual Date"

circa 1945 or 1958, automatic, reference #367500 and model #6535, the round steel case with engine turned bezel and signed white dial with applied gold tone triangular hour markers, date window at the 3:00 hour and with second hand sweep, completed

Lot: 95 - 1960 Triumph TR3A

VIN: TS55900L Mileage: 67,522 equipped with a 1991cc engine producing 100 hp, 4 speed manual transmission, and front disc brakes. Exterior is white, with navy blue interior and white piping. This TR3A was purchased by the current owner in

Lot: 96 - 1966 Austin-Healey 3000 BJ8 Mark III

VIN/Chassis # H-BJ8-L/31816 Mileage: 44,816 Executed title in possession, and BMIHT certificate. equipped with a 3.0 liter in-line 6 cylinder/150 hp engine, 4-speed transmission with overdrive, and power assisted brakes, this Big Healey

Lot: 97 - One-Owner 1967 Chevrolet Camaro

VIN: 124377N241674 Mileage: 1,769 showing; 83,280 original with an original sale price of $3017.13, year correct 327ci V8 with 210 hp, and two-speed Powerglide automatic transmission. Exterior Madeira Maroon paint with black vinyl top, interior

Lot: 98 - 1969 Pontiac GTO

VIN: 242379Z127639 Mileage: 99,081 showing , 30k on engine replacement with Jasper long block replacement 400 ci V8, TH400 three speed automatic transmission, dual exhaust, power steering and brakes, air conditioning, 12 bolt Posi-traction rear

Lot: 99 - Rare 1930 Ford Model A Sport Coupe

VIN: A2827733 Mileage: 3678 with 40 hp, 4 cylinder engine and three-speed transmission, could reach 55 mph. Retains "buggy spring suspension". The fuel system is gravity fed, by the tank that is mounted just above the engine in the windshield

Lot: 100 - Edward Wormley (American, 1907-1995), Janus

Dunbar, 1960s, yellow velvet upholstered wide-angular frame, tufted back and loose tufted cushion with four pillows, raised on seven mahogany legs with stretcher. 30 x 102 x 38 in. From the Collection of Charlotte Rodman, Southern Pines, NC

Lot: 101 - Edward Wormley (American, 1907-1995), Leather

Dunbar, 1960s, dark stained mahogany, light brown leather upholstery, tufted cushion, on splayed legs, labeled. 15 x 29 x 29 in. From the Collection of Charlotte Rodman, Southern Pines, NC Charlotte is a NC native with a lifelong interest in art.

Lot: 102 - Edward Wormley (American, 1907-1995), Set of Eight

Dunbar, 1960s, mahogany, two armchairs and six side chairs, curved panel back with yellow velvet upholstered seats, on square legs, labeled. Armchair 33 x 24 x 21 in. From the Collection of Charlotte Rodman, Southern Pines, NC Charlotte is a NC

Lot: 103 - Edward Wormley (American, 1907-1995), Dining Table

Dunbar, 1960s, mahogany, banded rectangular top, raised on four straight concave legs, with one leaf, labeled. 29.5 x 44 x 66 in. Leaf 24 in. From the Collection of Charlotte Rodman, Southern Pines, NC Charlotte is a NC native with a lifelong

Lot: 104 - Russell Woodard, Aluminum Chaise Lounge

1960s, down-swept slat form, later white Naugahyde upholstered cushions, unmarked. 27 x 57 x 33 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 105 - Russell Woodard, Aluminum Settee

1960s, shaped slat form, with later white leather upholstered seat cushion, unmarked. 26.5 x 62 x 29 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 106 - Russell Woodard, Aluminum Settee

1960s, down-swept slatted frame with original brown velvet upholstered fitted cushions, unmarked. 27 x 62 x 28 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 107 - Russell Woodard, Aluminum Chair and Ottoman

1960s, down-swept slatted aluminum frame with original green velvet upholstered cushions, unmarked. Chair 27 x 32 x 27 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 108 - Russell Woodard, Sculptura Pair of Settees

designed 1956, white painted iron, unmarked. 27.5 x 52 x 27 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 109 - Russell Woodard, Sculptura Chaise Lounge

designed 1956, white painted metal, adjustable back on wheels, unmarked. 33 x 25 x 66 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 110 - Russell Woodard, Sculptura Chairs and Low Table

designed 1956, including a pair of white painted metal arm chairs and a black painted metal circular table, unmarked. Chair 28 x 27 x 22 in., table 17 x 30 in. diameter. Additional high-resolution photos are available at LelandLittle.com

Lot: 111 - Diego Matthai (Mexican, b. 1942), Set of Six

1970s, chrome plated metal, rush seats, signed to back seat rail. 33.25 x 20 x 19 in. From the Estate of the late Nicholas and Jeanne Arena, Chapel Hill, NC Nicholas and Jeanne Arena met while studying at the Museum College of Art in Philadelphia.

Lot: 112 - att. Diego Matthai (Mexican, b. 1942), Chrome and

1970s, thick rectangular glass top over a tubular chrome plated base, unmarked. 30.5 x 80 x 42 in. From the Estate of the late Nicholas and Jeanne Arena, Chapel Hill, NC Nicholas and Jeanne Arena met while studying at the Museum College of Art in

Lot: 113 - Warren Platner (American, 1919-2006), Pair of Side

Knoll, 1966, polished steel and glass, each with clear acrylic ring base, unmarked. 18 x 16 in. diameter. Additional high-resolution photos are available at LelandLittle.com

Lot: 114 - Milo Baughman (American, 1923-2003), Pair of

Selig, 1970s, later printed upholstery, loose cushion, on chrome base, unmarked. 26 x 31 x 32 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 115 - Richard Schultz (American, b. 1926), Petal

1960s, teak eight-petal top on white painted aluminum base, unmarked. 15 x 42 in diameter. From the Estate of the late Nicholas and Jeanne Arena, Chapel Hill, NC Nicholas and Jeanne Arena met while studying at the Museum College of Art in

Lot: 116 - Alberto Rosselli (Italian, 1921-1976),

Saporiti Italia, circa 1990, rich brown leather, two part sectional with loose cushions, on a recessed back, plastic base, marked. Each section 20 x 90 x 32 in. From the Estate of the late Nicholas and Jeanne Arena, Chapel Hill, NC Nicholas and

Lot: 117 - Eero Saarinen (Finnish/American, 1910-1961), Set

Knoll, 1950s, including seven BR51 side chairs and one armchair, velcro suede cushions, white polypropylene on swivel enameled aluminum base, labeled. Armchair 31 x 26 x 23 in. From the Estate of the late Nicholas and Jeanne Arena, Chapel Hill, NC

Lot: 118 - Eero Saarinen (Finnish/American, 1910-1961), Tulip

Knoll, 1950s, white laminate top with enameled aluminum base, unmarked. 29 x 42 in diameter. From the Estate of the late Nicholas and Jeanne Arena, Chapel Hill, NC Nicholas and Jeanne Arena met while studying at the Museum College of Art in

Lot: 119 - Eero Saarinen (Finnish/American, 1910-1961), Tulip

Knoll, 1950s, white laminate top with enameled aluminum base, unmarked. 20 x 18 in diameter. From the Estate of the late Nicholas and Jeanne Arena, Chapel Hill, NC Nicholas and Jeanne Arena met while studying at the Museum College of Art in

Lot: 120 - Harry Bertoia (American, 1915-1978), Teak Bench

Knoll, designed 1952, slat teak over white enameled steel base, labeled. 15.5 x 72 x 18.5 in. From the Estate of the late Nicholas and Jeanne Arena, Chapel Hill, NC Nicholas and Jeanne Arena met while studying at the Museum College of Art in

Lot: 121 - Harry Bertoia (American, 1915-1978), Pair of

Knoll, designed 1950s, white enameled steel frames with tan Naugahyde cushions, with Knoll International labels. 30 x 33.5 x 31 in. From the Estate of the late Nicholas and Jeanne Arena, Chapel Hill, NC Nicholas and Jeanne Arena met while studying

Lot: 122 - Ludwig Mies van der Rohe (German, 1886-1969), Pair

Knoll, designed 1929, black leather, polished steel frame, with tufted button cushions, with conforming ottomans, labeled. Chair 30 x 30 x 30 in. From the Estate of the late Nicholas and Jeanne Arena, Chapel Hill, NC Nicholas and Jeanne Arena met

Lot: 123 - Ludwig Mies van der Rohe (German, 1886-1969),

Knoll, designed 1929, thick square glass top, on polished steel base, unmarked. 19 x 40 x 40 in. From the Estate of the late Nicholas and Jeanne Arena, Chapel Hill, NC Nicholas and Jeanne Arena met while studying at the Museum College of Art in

Lot: 124 - Le Corbusier (Swiss/French 1887-1965), LC3 Black

designed 1928, down filled black leather loose cushions on a tubular chrome plated frame, unmarked. 26 x 71 x 28 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 125 - Florence Knoll (American, b. 1917), Leather Club

1960s, brushed steel frame with stitched brown leather and woven ocher upholstered loose cushions, unmarked. 32 x 32 x 31 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 126 - Danish Rosewood Sideboard

1960s, likely by Falster Møbelfabrik, case with rounded edges, four sliding doors with three central felt lined drawers flanked by shelved compartments, raised on turned and tapered legs, back right corner of case stamped "EK, Made in

Lot: 127 - Jens Quistgaard (Denmark, 1919-2008), Danish

1960s, Løvig, two-part form, rectangular top with hinged divided compartment can close to form a recessed bookshelf or open to provide a deep flat surface over four drawers with lipped pulls, on straight legs with stretcher base, unmarked.

Lot: 128 - Nils Jonsson, Danish Teak Sideboard

1960s, Hugo Troeds, long rectangular case with five drawers flanked by sliding panel doors with shelved interior raised on turned tapered legs, unmarked. 31 x 75 x 17.5 in. Collection of Isabel Samfield, Durham, NC Additional high-resolution

Lot: 129 - Nils Jonsson, Danish Teak Server

1960s, Hugo Troeds, rectangular form with two sliding panel doors with single interior shelf raised on turned and tapered legs, with partial label. 28 x 37 x 16 in. Collection of Isabel Samfield, Durham, NC Additional high-resolution photos are

Lot: 130 - William Katavolos (American, b.1924), T

New York, 1960s, for Leathercrafter, original stitched black leather sling on black iron tri-leg base, unmarked. 31 x 24 x 29 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 131 - Guido Gambone (Italian, 1909-1969) Two Pottery

circa 1950, hand formed pottery with white and earthen glazed designs, each signed "Gambone, Italy" with paper labels (G/287 and G/163). Taller 15.25 in. From the Collection of Charlotte Rodman, Southern Pines, NC Charlotte is a NC native with a

Lot: 132 - Alfredo Barbini (Italian, 1912-2007), Pair of

1950s, for Camer, blown cased glass with interior white and gold flecked design, ribbed exterior in teardrop shape mounted to the original black painted metal bases, unmarked. HOA 38 in. Additional high-resolution photos are available at

Lot: 133 - Gino Cenedese (Italian, 1907-1973), Three Large

1950s, Murano, graduated set cast glass with purple and pink rims, solid tapered stands, labeled and signed. Tallest 17 in. The unique Scavo technique developed by Cenedese is meant to replicate the look of rock crystal or an early un-earthed

Lot: 134 - Gino Cenedese (Italian, 1907-1973), Three Murano

1950s, each in blue glass, including a pair of Scavo swirled decanters and a quilted decanter, each with conforming stoppers, polished pontils, signed and labeled. Tallest 15 in. Additional high-resolution photos are available at

Lot: 135 - Fulvio Bianconi (Italian, 1915-1996), Threaded Art

1970s, Murano, blue glass with green threaded decoration, polished pontil, unmarked. 10.5 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 136 - Amanda Brisbane (British, b. 1964), Art Glass

2004, sand cast and fire polished with seashell motif, signed and dated. 11 x 15 x 13 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 137 - Françoise Schein (Belgian, b. 1953),

steel box with wood, water, objects, collages, light; signed on the verso. DOA 66 x 10.5 x 50 in. (sculpture), 24.5 x 32 in. (print) Carl Linnaeus, also known as Carl von Linné, was born in Sweden in 1707. He is regarded as the "Father

Lot: 138 - Françoise Schein (Belgian, b. 1953),

to include a silkscreen print titled Line of Time, pencil signed and inscribed, presented in heavy metal and wooden frame (DOA 24.5 x 30 in.) Private Collection from Eastern North Carolina Additional high-resolution photos are available at

Lot: 139 - Prunella Clough (British, 1919-1999), Untitled

oil on canvas, signed at lower right, circa 1962, presented in the likely original gilt frame with linen liner, retaining a Grosvenor Gallery label to the verso. SS 29.5 x 33.5 in.; DOA 34.5 x 38.5 in. Born into an affluent and "minor" aristocratic

Lot: 140 - Donald McIntyre (British, 1923-2009), The

oil on board, signed at lower left, presented under glass within a canvas liner. SS 19.75 x 23.75 in.; DOA 28.75 x 32.75 in. An artist from a young age while growing up in Scotland, McIntyre trained as a dentist. At the age of 40 he retired from

Lot: 141 - Donald McIntyre (British, 1923-2009), Fishing

oil on board, signed at lower right, presented in the likely original frame. SS 19.5 x 24.75 in.; DOA 23.25 x 28.5 in. An artist from a young age while growing up in Scotland, McIntyre trained as a dentist. At the age of 40 he retired from his

Lot: 142 - Donald McIntyre (British, 1923-2009), Coastal Town

oil on board, signed at lower right, matted and framed under glass. SS 19.5 x 23 in.; DOA 29 x 33 in. An artist from a young age while growing up in Scotland, McIntyre trained as a dentist. At the age of 40 he retired from his practice to paint

Lot: 143 - Bruno Schmeltz (French, b. 1938), Autoportrait

oil on canvas, signed, presented in an aluminum frame. DOA 32.25 x 46 in. Beginning his career as a copyist at the Louvre, Schmeltz's first major exhibition was mounted in Paris in 1974 by Pierre Cardin and Pascal Bonafoux. Since then, he has

Lot: 144 - Michel Dubré (French, b. 1942),

acrylic on panel, signed, retaining gallery label to the verso, framed. DOA 33.5 x 47 in. Accompanied by an artist's monograph of unknown publication date. Galerie Alain Blondel, Paris, France Private Collection, Jackson, Mississippi New

Lot: 145 - Yuri Gorbachev (Russian, b. 1948), Still Life

oil and gold on canvas, signed at lower right, inscribed in English and Cyrillic on the verso, presented in a contemporary gilt frame with linen liner and gilt fillet. SS 29.5 x 29.5 in.; DOA 36.5 x 36.5 in. The Caitlyn Gallery, Clayton, MO A

Lot: 146 - Roger Mühl (French, 1929-2008), Le

oil on canvas, signed at lower center, retaining a gallery label to the verso, presented in a handsome gilt frame with linen liner. SS 46.5 x 50.5 in.; DOA 54 x 58 in. David Findlay Galleries, New York, NY Additional high-resolution photos are

Lot: 147 - Leonardo Nierman (Mexican, b. 1932), Ruins

acrylic on masonite, artist signed at lower left, titled to verso, accompanied by original gallery paperwork, presented in giltwood frame with linen. SS 23.75 x 15.75 in.; DOA 30.25 x 22 5/8 in. Merrill Chase Galleries, Chicago, IL Private

Lot: 148 - Leonardo Nierman (Mexican, b. 1932), Summer

acrylic on masonite, artist signed at lower left, titled to verso, accompanied by original gallery paperwork, presented in giltwood frame with linen. SS 23 5/8 x 15.75 in.; DOA 30 3/8 x 22.25 in. Merrill Chase Galleries, Chicago, IL Private

Lot: 149 - Francisco Toledo (b. 1940), Untitled

oil and gold leaf on canvas, inscribed on the verso "Toledo / IV-66," framed. SS 13.75 x 11.75 in.; DOA 16.25 x 14.25 in. We wish to thank Mr. Fernando Ortiz for authenticating this painting. Accompanied by a Certificate of Authenticity from

Lot: 150 - Zao Wou-Ki (French/Chinese,

lithograph in colors, 1952, pencil signed in Pinyin and Chinese characters and numbered 33/250 lower margin, additional pencil inscription lower left beneath matting, printed by E. and J. Desjobert, Paris, published by La Guilde Internationale de la

Lot: 151 - Zao Wou-Ki (French/Chinese,

lithograph in colors, 1951, pencil signed in Chinese characters and numbered 111/200 lower margin, additional pencil inscription lower margin edge and to verso, published by La Guilde International de la Gravure, Geneva and sheet bears their

Lot: 152 - Zao Wou-Ki (French/Chinese,

lithograph in colors, 1956, pencil signed in Pinyin and Chinese and numbered 14/60 lower margin, printed by E. and J. Desjobert, Paris, matted and framed, not under glass. Image Size 14 3/8 x 26 3/8 in.; DOA 23 3/4 x 35 in. Born in Beijing and

Lot: 153 - Joan Miró (Spanish, 1893-1983),

etching and aquatint in colors with carborundum, 1970, pencil signed and marked as hors de commerce (H.C.) lower margin, published by Maeght, Paris, accompanied by original gallery certificate, housed in giltwood frame with silk matting. Dupin 535.

Lot: 154 - Joan Miró (Spanish, 1893-1983),

lithograph in colors, 1973, pencil signed and numbered 12/150, the full sheet, matted and framed. Sheet Size 33 7/8 x 23 1/4 in.; DOA 41 1/2 x 31 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 155 - Chagall, Marc. Vitraux pour

(Paris: Musée Des Arts Décoratifs, 1961), numbered 43/100 and pencil signed by Chagall, small quarto (9.75 in.), sturdy paper wraps, the collection consisting of stained glass windows representing the Twelve Tribes of Israel.

Lot: 156 - Wassily Kandinsky (Russian, 1866-1944), Zwi

woodcut print in colors, 1938, monogrammed in the plate lower left, edition of 1200 printed in XXe Siècle under Kandinsky's supervision, housed in attractive matting and gilt framing. Image Size 4 1/8 x 6 1/4 in.; DOA 13 3/8 x 14 3/4 in.

Lot: 157 - Wassily Kandinsky (Russian, 1866-1944),

woodcut print in colors, on wove paper, 1908/1911, matted and framed. Image Size 6 1/2 x 6 in.; Sheet Size 10 x 9 7/8 in.; DOA 13 1/2 x 12 1/2 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 158 - (after) Wassily Kandinsky (Russian, 1866-1944),

lithograph in colors, pencil signed (likely by printer or publisher) 131/300 at lower left, matted and framed. Image Size 13 3/4 x 18 1/8 in.; DOA 24 3/8 x 28 1/4 in. A crisp, bright print. William Bennett Gallery, New York, NY Additional

Lot: 159 - Salvador Dalí (Spanish, 1904-1989),

etching and aquatint printed in colors with gold pochoir, 1965, pencil signed and marked "Epreuve d'Artiste" lower margin, aside from the edition of 175, attractively matted and framed. Michler/Löpsinger 138. Platemark 14 1/4 x 20 3/4

Lot: 160 - Pablo Picasso (Spanish, 1881-1973), Sculpteur

aquatint, 1966, from the Sable Mouvant portfolio, unsigned, from an edition of 220, matted and framed. Bloch 1187. Platemark 15 x 10 3/4 in.; DOA 25 1/2 x 21 in. A strong impression. Additional high-resolution photos are available at

Lot: 161 - Rufino Tamayo (Mexican, 1899-1991),

lithograph in colors, 1983, signed in crayon lower right, numbered 198/250 in crayon lower left, sheet bears blindstamps, the full sheet, housed in custom framing. Pereda 307. Sheet Size 30 x 21 3/4 in.; DOA 41 3/4 x 33 1/3 in. Private Collection

Lot: 162 - Willem de Kooning (American/Dutch,

the complete book with 17 original lithographs by de Kooning on Japanese Kitakata appliqué, bears de Kooning's authorized facsimile signature and numbered 93 of an edition of 550 on the justification page, published by the Limited

Lot: 163 - Robert Motherwell (American, 1915-1991), Three

the complete book with 27 original lithographs by Motherwell on chine-appliqué, signed in pencil on the justification page by Motherwell and Paz, numbered 93 out of 750 in pencil, published by the Limited Editions Club, New York, NY,

Lot: 164 - Ellsworth Kelly (American, 1923-2015), Un Coup

the complete Mallarmé Suite containing eleven original lithographs by Kelly, pencil signed by Kelly and numbered 93/300 on the limitation page, published by the Limited Editions Club, New York, NY, 1992, presented in original cloth

Lot: 165 - Peter Lik (Australian, b. 1959), 25th

ink signed on justification page, #5220 of a worldwide edition of 7500, 580 pages, a compilation of works from the photographer's first 25 years, leather bound, housed in original linen-covered clamshell presentation box. Box 21 3/8 x 15 3/8 x 4 1/4

Lot: 166 - Alexander Calder (American, 1898-1976), Untitled

lithograph in colors, pencil signed and numbered 23/75, the full sheet, housed in attractive matting and gilt framing. Sheet Size 25 1/2 x 19 1/2 in.; DOA 35 7/8 x 29 in. A nice, richly-inked impression. Additional high-resolution photos are

Lot: 167 - Edna Andrade (American,

collage on paper, 1988, pencil signed, titled, and dated, presented in floater frame, retaining gallery labels on the reverse. Sheet Size 30 x 23 in.; DOA 33 x 25.75 in. Marian Locks Gallery, Philadelphia, PA Additional high-resolution photos

Lot: 168 - Wolf Kahn (American/German, b. 1927), Greens

silkscreen in colors, 1985, pencil signed, dated, and inscribed "CEI #1" lower margin, on Arches paper, retains label from previous Noble Maritime Collection Art Auction, which lists the print's title as Pond in Summer, matted and framed. Image

Lot: 169 - LeRoy Neiman (American, 1921-2012), Bistro

serigraph in colors, 1987, pencil signed, marked as hors de commerce and numbered (H.C. 245/275) lower margin, aside from the edition of 375, printed by Styria Studio, Ltd., New York, NY and bears their blindstamp lower left, housed in silvered frame

Lot: 170 - Phillip Pavia (NY/CT, 1912-2005), Untitled

black and white marble sculpture, signed and dated 1989. 14.75 in. Pavia was an influential force in the New York art scene from the 1940's until his death at the age of 93. He befriended Jackson Pollock while studying at the Art Students League

Lot: 171 - Billy Hall (NC), Glowing Wood Sculpture

2005, turned from a single piece of wood with thin walls and polished clear lacquered surface, brass chain and outlet plug producing a rich amber color when lit, signed and dated. Wood 13 x 12 in. diameter. Additional high-resolution photos are

Lot: 172 - NC Outsider Art Whirligig, Vollis Simpson

one of his taller constructions, painted sheet metal and found parts designed as a cow atop a slim metal pole with two pinwheels, based on a wheel rim, unsigned. In two parts. 62 x 34 in. A NC native, Simpson was an outsider artist who created

Lot: 173 - NC Outsider Art Whirligig, Vollis Simpson

yard art construction composed of found materials, sheet metal, painted, designed with a spotted cat seated below and flanked by, fan blades, raised on a tall metal pole fitted into a wheel rim base. 56.5 x 25 in. A NC native, Simpson was an

Lot: 174 - NC Outsider Art Whirligig, Vollis Simpson (NC

yard art construction of painted sheet metal and found parts in the form of a prop airplane, with an American flag decal, raised on a metal tube with a circular metal disk, unsigned. In two parts. 28.5 x 13.5 in. A NC native, Simpson was an

Lot: 175 - NC Outsider Art Whirligig, Vollis Simpson

a yard art construction composed of sheet metal and found parts, painted, designed as an abstract prop airplane atop a twisted pipe attached to a gear base, unsigned. In two parts. 30.75 x 14 in. A NC native, Simpson was an outsider artist who

Lot: 176 - Vintage Folk Art Whirligig

second quarter 20th century, carved wood, fiber board, and fabric. When propelled by the wind, two workers sharpen a blade, with custom stand. Whirligig 29 x 9.5 in. DOA 38.5 x 29 in. From the Collection of the late Nicholas Ellis, New York, NY

Lot: 177 - Important Floor Vase, Wiggle Waggle, Mark Hewitt

a finely formed tall vase from the Firing Elle, Spring 2017, celadon glaze, stamped on the unglazed foot of the vase. 56 x 22 in. Vase shown at the Kiln Opening at Mark Hewitt's Pottery, Spring 2017. Additional high-resolution photos are

Lot: 178 - Maud Gatewood (NC, 1934-2004), Siren

acrylic on canvas, monogrammed and dated 1989, inscribed on the verso, gallery wrapped canvas. 60 x 54 in. The daughter of the Caswell County sheriff, Maud Gatewood was born and raised in the rural town of Yanceyville, NC. She began her art studies

Lot: 179 - Maud Gatewood (NC, 1934-2004), Snowing

acrylic on canvas, monogrammed and dated 1974, framed. DOA 61.25 x 73.5 in. The daughter of the Caswell County sheriff, Maud Gatewood was born and raised in the rural town of Yanceyville, NC. She began her art studies at the age of 10 at Averett

Lot: 180 - Maud Gatewood (NC, 1934-2004), Mary Lea

mixed media on paper, circa 1980s, unsigned, a drawing of Maud's mother with a family-owned Thomas Day dresser in Yanceyville, matted and framed under glass, retaining three gallery and collection labels to the verso. SS 27.25 x 21 5/8 in.; DOA

Lot: 181 - Maud Gatewood (NC, 1934-2004), Spots: Herd in

serigraph in colors, 1979, pencil signed, dated, titled, and numbered 73/75 lower margin, matted and framed. Image Size 16 x 20 in.; DOA 24 1/4 x 27 1/4 in. An overall crisp and bright image. From the Collection of Charlotte Rodman, Southern

Lot: 182 - Maud Gatewood (NC, 1934-2004), Beach Window

etching and aquatint, 1979, pencil signed, dated, titled, and numbered 6/40 lower margin, matted and framed. Platemark 17 1/2 x 17 3/4 in.; DOA 24 1/8 x 24 1/8 in. A nice, crisp impression. From the Collection of Charlotte Rodman, Southern Pines,

Lot: 183 - Maud Gatewood (NC, 1934-2004), Field in

silkscreen prints in colors, 1983 and 1987 respectively, each with printed signature and date, housed in uniform matting and framing. Image Size 16 1/4 x 11 in.; DOA 23 x 17 1/2 in. Additional high-resolution photos are available at

Lot: 184 - Claude Howell (NC, 1915-1997), Fisherman's

oil on canvas, signed and date 1946 at lower left, titled and numbered 1271 on the stretcher, the verso of the canvas with oil painting of two women, retaining two exhibition labels to verso, presented in a later frame. SS 35.25 x 25.25 in.; DOA

Lot: 185 - Claude Howell (NC, 1915-1997), Market Woman

watercolor and ink on paper, signed and dated 1939 at lower left, matted and framed under glass, an old hand-written label has been retained and affixed to the verso. SS 9.5 x 7 3/8 in.; DOA 17.5 x 14 3/8 in. Born in Wilmington, Howell received his

Lot: 186 - Claude Howell (NC, 1915-1997), Mending Nets:

serigraph in colors, 1977, pencil signed, dated, titled, and numbered 141/300, matted and framed. Image Size 18 x 24 in.; DOA 24 1/4 x 29 1/4 in. Born in Wilmington, Howell received his early artistic training from an eccentric British transplant,

Lot: 187 - Claude Howell (NC, 1915-1997), Three Men on a

serigraph in colors, 1991, pencil signed, dated, titled, and numbered 43/300 lower margin, matted and framed. Image Size 19 1/4 x 24 in.; DOA 26 1/2 x 31 1/4 in. Born in Wilmington, Howell received his early artistic training from an eccentric

Lot: 188 - Claude Howell (NC, 1915-1997), Five Men - A Study

graphite on paper, signed and dated 1954, matted and framed under glass. SS 4.25 x 6 5/8 in.; DOA 12.75 x 14.75 in. From the Collection of Charlotte Rodman, Southern Pines, NC Charlotte is a NC native with a lifelong interest in art. She grew up

Lot: 189 - John Beerman (NC), Untitled (Desert View)

etching and aquatint with 24-carat gilt border, 1989, pencil signed, dated, and numbered 31/36 lower margin, retains Somerhill Gallery label, housed in custom giltwood matting and framing. Image Size 13 x 15 1/2 in.; DOA 25 x 26 3/8 in. A

Lot: 190 - Hobson Pittman (NC/PA, 1899-1972), Reflections

oil on canvas, unsigned, presented in wooden floater frame, retaining an NCMA label to the verso. DOA 61.5 x 67.25 in. Born in rural Edgecombe County, NC, Pittman moved to Pennsylvania in 1918. After several one-man shows in Philadelphia, he was

Lot: 191 - Hobson Pittman (NC/PA, 1899-1972), Ladies,

oil on cardboard, unsigned, framed under glass, retaining an NCMA label to the verso. DOA 32 x 44 in. Born in rural Edgecombe County, NC, Pittman moved to Pennsylvania in 1918. After several one-man shows in Philadelphia, he was represented in the

Lot: 192 - Hobson Pittman (NC/PA, 1899-1972), Chalice with

pastel on paper, signed at lower right, circa 1947, matted and framed under glass, retaining NCMA label to verso. SS 11.75 x 18 in.; DOA 23.25 x 29.25 in. Born in rural Edgecombe County, NC, Pittman moved to Pennsylvania in 1918. After several

Lot: 193 - Hobson Pittman (NC/PA, 1899-1972), Petunias

pastel on paper, signed at lower right, circa 1960s, matted and framed under glass, retaining a NCMA label to the verso. SS 18 x 23.75 in.; DOA 24.75 x 28.75 in. Born in rural Edgecombe County, NC, Pittman moved to Pennsylvania in 1918. After

Lot: 194 - Hobson Pittman (NC/PA, 1899-1972), Roses

pastel on laid paper, signed and titled at upper right, matted and framed under glass, retaining an NCMA label and M. Knoedler & Co., Inc. gallery to the verso. Sheet 20 x 25.5 in.; DOA 29.5 x 34 in. Born in rural Edgecombe County, NC, Pittman

Lot: 195 - Hobson Pittman (NC/PA, 1899-1972), Still Life:

pastel on paper, signed and dated 1971 at lower left, retaining two NCMA labels to verso, matted and framed under glass. SS 23.75 x 17.75 in.; DOA 31.5 x 27.5 in. Born in rural Edgecombe County, NC, Pittman moved to Pennsylvania in 1918. After

Lot: 196 - Hobson Pittman (NC/PA, 1899-1972), Poppies

pastel on paper, signed at upper left, matted and framed under glass, retaining an NCMA label to the verso. SS 23.75 x 18 in.; DOA 31.5 x 27 3/8 in. Born in rural Edgecombe County, NC, Pittman moved to Pennsylvania in 1918. After several one-man

Lot: 197 - Hobson Pittman (NC/PA, 1899-1972), Pink

oil on masonite, signed at upper right, presented in a linen liner. SS 6 x 10 3/8 in.; DOA 7.75 x 12.25 in. Born in rural Edgecombe County, NC, Pittman moved to Pennsylvania in 1918. After several one-man shows in Philadelphia, he was represented

Lot: 198 - Mabel Pugh (NC, 1891-1986), Still Life with

oil on canvas, signed and dated 1953 at lower right, inscribed on the verso, presented in a period faux bamboo frame. SS 17.5 x 15.75 in.; DOA 19 x 17 in. Born in Morrisville, NC, Mabel Pugh studied at Peace College (then Peace Institute) in

Lot: 199 - Mabel Pugh (NC, 1891-1986), Water Carriers

the first a lithograph that is pencil signed, titled, and numbered 22/3 lower margin; the second a woodcut print that is pencil signed and titled lower margin; both matted and framed. Image Size 13 x 8 7/8 in., DOA 19 1/8 x 15 1/4 in. (the first);

Lot: 200 - Doris Ulmann (NY/NC, 1882–1934),

platinum print, circa 1925-1932, pencil signed to the mount at right, matted, unframed. Lot includes a copy of the following text written by the consignor, Philip Walker Jacobs, where he references this photograph of Richard Berry Harrison on page

Lot: 201 - Danny Robinette (NC, 1954-2005), The Cutting

acrylic on canvas, signed at lower right, appears to be dated 1986, framed. DOA 31.75 x 41.5 in. Born in Iredell County in North Carolina's western Piedmont, Danny Robinette was primarily a self-taught artist. He reveled and excelled at depicting

Lot: 202 - Joe Cox (NC, 1915-1997), Landscape with Teal

acrylic on masonite, signed and dated 1959 at lower right, retains several gallery labels, housed in likely original frame. SS 36 x 48 in.; DOA 36 5/8 x 48.75 in. Born in Indianapolis, Cox studied art at the John Herron Art School and the

Lot: 203 - Paul Minnis (NC), Nags Head Beach House

acrylic on canvas, signed and dated "Minnis 83" at lower left, retains label to stretcher, framed. SS 47.5 x 71.5 in.; DOA 53.25 x 77 in. This beachscape depicts Stinson Cottage ("Stinson Ranch"), a historic Nags Head beach house dating to 1903.

Lot: 204 - Paul Minnis (NC), Autumn Grasses

acrylic on canvas, 1982, signed and dated at lower left, retains label to stretcher, framed. SS 36 x 48 in.; DOA 37 1/8 x 49 in. A former art instructor at UNC-Wilmington alongside Claude Howell, Minnis' work is present in the collections of the

Lot: 205 - Paul Minnis (NC), The Pier at Wrightsville

acrylic on canvas, signed and dated 1983 at lower left, retains label to stretcher, framed. SS 29.75 x 34.5 in.; DOA 30 5/8 x 40.25 in. A former art instructor at UNC-Wilmington alongside Claude Howell, Minnis' work is present in the collections of

Lot: 206 - Jeremiah Miller (NC), Currituck Storm

oil on canvas, signed and 1994, presented in a maple frame. DOA 49.25 x 168 in. Private Collection from Eastern North Carolina Additional high-resolution photos are available at LelandLittle.com

Lot: 207 - Jeremiah Miller (NC), Dismal Stump

oil on canvas, signed at lower left, inscribed and dated 1994 on the verso, presented in a maple floater frame. DOA 3775 x 29.5 in. Private Collection from Eastern North Carolina Additional high-resolution photos are available at LelandLittle.com

Lot: 208 - Jeremiah Miller (NC), Lowcountry Bottom

oil on canvas, signed at lower right, inscribed and dated 1994 on the verso, presented in a maple floater frame. DOA 37.75 x 29.5 in. Private Collection from Eastern North Carolina Additional high-resolution photos are available at

Lot: 209 - M. J. Cunningham (NC), Preconscious

acrylic on canvas, signed and titled on the verso, framed. DOA 30.25 x 40 in. Accompanied by a letter from the artist to the consignor dated 2006. Additional high-resolution photos are available at LelandLittle.com

Lot: 210 - Vernon Pratt (NC, 1941-2000), Figure 1959

oil on canvas, signed, inscribed on the verso, framed. DOA 34.75 x 36 in. Vernon Pratt was an associate professor of art at Duke University. A graduate of Phillips Academy in Andover, MA, Pratt enrolled at Duke in 1958 but finished his

Lot: 211 - MaryLou Higgins (NC, 1926-2012), Imparting

graphite on canvas, signed and dated 1994 at lower right, presented in a very fine white gold leaf frame with composition ornament at corners. SS 35.25 x 23.25 in.; DOA 43 x 30.5 in. Somerhill Gallery, Chapel Hill, NC A Private Collection,

Lot: 212 - Carol Bechtel (FL), Rocket Man

acrylic on canvas, signed at lower right and on the verso, presented in a floater frame. DOA 47.75 x 33.5 in. Carol Bechtel describes her abstract paintings as follows: "My work is about how things go together or touch or separate. I am fascinated

Lot: 213 - Philip Moose (NC, 1921-2001), Along Lake

oil on masonite, signed at lower left, presented in the likely original frame. SS 29 x 35.25 in.; DOA 36 x 41.5 in. Born in Newton, NC, Philip Moose knew he wanted to be an artist from the age of ten. He went up to New York City in 1940 to study at

Lot: 214 - Stan Dann (CA, 1913-2013), Inside Outside

carved and polychromed wood hanging sculpture, signed and dated "Stan Dann '88" at lower right, titled to verso, unframed. 27.75 x 25.75 x 1 7/8 in. Artist Stan Dann began his career with an advertising firm in San Francisco in the 1960s, where his

Lot: 215 - Paul Russotto (American, 1944-2014), Three

each a mixed media paper collage, each signed, presented in similar white gold leaf frames with Bark Frameworks, Inc. of New York label to the verso. #1 SS 7.75 x 9.25 in., DOA 19.5 x 20.25 in.; #2 SS 7.5 x 12 in., DOA 19.5 x 23 in.; #3 SS 9.25 x 7

Lot: 216 - Ou Chujian (Chinese/CA, b. 1950),
Bath


oil on canvas, signed at lower left, inscribed on the verso, framed. SS 29.25 x 23.25 in.; DOA 35.5 x 29.5 in. Born in Guangzhou, China, Ou Chujian now lives in San Francisco, California. A highly regarded contemporary realist, his work has been

Lot: 217 - Clayton Beck (IL, b. 1964), Helena

oil on linen, signed at lower right, framed. SS 39.5 x 47.5 in.; DOA 46.5 x 54.5 in. Alexandra Stevens Gallery of Fine Art, Sante Fe, NM From the Collection of a Gentleman, Charlotte, NC Additional high-resolution photos are available at

Lot: 218 - Clayton Beck (IL, b. 1964), Kimberly

oil on canvas, signed at lower right, presented in an attractive gilt and ebonized frame. SS 17 5/8 x 23.5 in.; DOA 26 x 32 in. Alexandra Stevens Gallery of Fine Art, Sante Fe, NM From the Collection of a Gentleman, Charlotte, NC Additional

Lot: 219 - 1967 Martin O-18 Flat Top Guitar

serial #224730, bound spruce top with mahogany sides. Hardshell case included. Good finger picking guitar with deep tone. From the Collection of Charlotte Rodman, Southern Pines, NC Charlotte is a NC native with a lifelong interest in art. She

Lot: 220 - Yamaha G2 Grand Piano

Japan, 1970, serial 1068338, walnut case, with corresponding artist's bench. 39.75 x 66 x 58 in. Collection of Isabel Samfield, Durham, NC Additional high-resolution photos are available at LelandLittle.com

Lot: 221 - Baldwin Model L Grand Piano

1972, serial 199331, mahogany case, with corresponding artist's bench. 39 x 58 x 74 in. All proceeds from the sale of this private collection are being donated to Samaritan's Purse, Boone, NC Additional high-resolution photos are available at

Lot: 222 - Swiss Single Comb Cylinder Music Box on Conforming

unmarked, late 19th century, four interchangeable brass cylinders; ratchet-wound movement with Change/Repeat and Play/Stop levers; exterior surfaces of burled veneers with ebonized trim, the book-matched lid featuring a central medallion consisting

Lot: 223 - A Rare Dutch Marquetry Inlaid Metamorphic Games

second half of the 19th century, mahogany, mahogany veneer, intricate and detailed multi-function game table, including three hinged lids as follows: the top with central Dutch town square and reading "Afbeelding van den Dam van Amsterdam", flanked

Lot: 224 - Dutch Marquetry Inlaid Diminutive Console Table

mid-19th century, mahogany, mahogany veneer, oak secondary, shaped molded top, above a single cock beaded drawer, four tall cabriole legs with pad feet, allover figural floral and avian inlays. 28.5 x 28.5 x 15 in. Estate of the Late Dr. Robert

Lot: 225 - Pair of Antique Carved and Painted Solomonic

Italian, 18th century, well developed carving with red field with allover grape vine, on later custom faux painted marble capital and molded plinth. 45.5 x 9 x 9 in. From the Collection of the late Nicholas Ellis, New York, NY Additional

Lot: 226 - A Japanese Lacquered Cabinet on a Carved Giltwood

the circa 1800 or earlier, a Japanese lacquered cabinet featuring mother-of-pearl inlays with a motif of roosters and flowers, with incised copper hinges and corner mounts, case interior with eight divided and decorated drawers, raised on a period

Lot: 227 - Pair of Antique Chinoiserie Marble Top Diminutive

circa 1890, serpentine form, oak secondary wood, faux painted stone top, two over three graduated drawers with bold scrolled bracket feet, the whole with original chinoiserie paint in green field with gilt highlights of figures in courtyards,

Lot: 228 - Frédéric Schmit, French

circa 1920, mahogany and mixed wood veneers, rectangular top with multiple inlaid borders and corner rosettes with ormolu trim, single drawer with faux drawer reverse having repeating inlays and swag ormolu mounts to corners, raised on tall tapered

Lot: 229 - Large Louis XVI Style Trumeau Mirror

early 20th century, oak, relief carved frame with paneled columns, acanthus leaf and shell carving, upper shaped panel with oil on canvas painting of a still life with roses in an urn, by Julien Stappers (Belgian, 1875-1960), signed lower right,

Lot: 230 - Adams Style Carlton House Writing Desk

circa 1890, satin wood with mixed wood inlays, mahogany secondary, one part form, 'U' shaped cabinet with allover painted floral sprays, ribbon, portraits and musical vignettes, upper case with six central small drawers flanked by concave hinged

Lot: 231 - George III Mahogany Campaign Chest On Chest with

circa 1800, upper chest with central fall-front butler's desk, sliding panel opens to reveal divided interior with short drawers, flanked by four drawers over one long drawer, each with scratch bead edge, lower chest with two long drawers with

Lot: 232 - George III Inlaid Mahogany Cellaret on Stand

circa 1800, diminutive form, mahogany veneers, light and dark wood inlays, oak secondary, two-part, the case with hinged lid featuring an oval inlay to top, interior with divided compartments, case sides with applied handles, the frame with molded

Lot: 233 - George III Inlaid Chest on Chest with Butler's

late 18th century, three-part form, oak and pine secondary, removable cornice featuring cove molding, stylized dentil molding and above a fluted frieze with inlaid rosettes, upper case features two side by side drawers above two long drawers all with

Lot: 234 - George III Mahogany Serpentine Front Chest of

late 18th century, mahogany veneer, oak and pine secondary, veneered top with applied molded edge, four graduated cock beaded drawers, conforming shaped bracket foot base. 32.5 x 42 x 24 in. Estate of the Late Dr. Robert Hogan Gaskins Jr., of

Lot: 235 - English Regency Mahogany Rent Table

early 19th century, mahogany veneers, pine and mahogany secondary, two-part form, circular rotating top with later brown leather inset, with banded mahogany veneer edge, total of eight drawers, four of which are false drawers, four of which are

Lot: 236 - English Queen Anne Carved Mahogany Drop Leaf Table

mid-18th century, oak secondary, diminutive form with demilune drop leaves with gate leg support, veneered skirt to each side; four tall legs featuring a relief carved shell at knee, pad feet. 28.5 x 35.75 x 13.5 in. Each leaf 14 in. Estate of the

Lot: 237 - George II Mahogany Drop Leaf Six Leg Dining Table

mid-18th century, oak secondary, large rectangular top with bold demilune drop leaves, each leaf with double gate leg support, mahogany veneered skirt to each side, raised on six turned tapered legs with raised pad foot. 29.5 x 65.5 x 22 in. Each

Lot: 238 - William IV Rosewood and Leather Daybed

circa 1830, octagonal rail form arm, on bold paneled legs, with later tufted black leather cushion and four bolster pillows, later spring support. 29 x 86 x 36 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 239 - Tall Case Clock, Richard Lear Pinhey, Plymouth

early 19th century, appears to be figured maple case, yellow pine secondary, brass face with second hand and dated dial, Roman numerals, with spread-winged eagle and motto "Tempus Fugit," face engraved with floral, hound, and rabbit, brass works,

Lot: 240 - Welsh Step Back Flat Wall Inlaid Oak Cupboard

late 18th century, pine secondary, mahogany veneers, light and dark wood quarter fan inlays, two-part form, upper flat wall cupboard with applied molded cornice above three open shelves with two hinged door cabinets, the base with a mahogany veneered

Lot: 241 - Coalbrookdale, Renaissance Revival Cast Iron

late 19th century, two-part form, upper panel with ornate reticulated scrollwork having a central beveled mirror and two hooks, inset white marble top with beveled edge over a single drawer, dual umbrella wells, raised on trefoil legs with ornate

Lot: 242 - Pair of Gothic Style Cast Iron Garden Benches

early 20th century, white painted iron, with quatrefoil back and arms and honeycomb seat, straight legs with stretcher base, unmarked. 34 x 54 x 21 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 243 - Pair of Large Painted and Cast Iron Hounds

late 20th century, black paint, hollow cast, modeled as seated dogs, one having collar at feet and other with game bird, raised on lozenge form plinths. 36 x 40 x 16 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 244 - Set of Four Victorian Cast Iron Classical Garden

19th century, five-part form with white painted surface, featuring scroll and acanthus decoration, on stepped plinths. 28 x 22 in diameter. Additional high-resolution photos are available at LelandLittle.com

Lot: 245 - Victorian Cast Iron Fern Garden Bench

late 19th century, black painted iron, with relief fern and scroll decoration. 33 x 55 x 16 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 246 - Three-Piece Cast Iron Fern Pattern Garden Set

early 20th century, the set to include a pair of matched benches and a single armchair, all three featuring fern motif to back, pierced scrolled seat, and splayed legs. Bench 33.5 x 55 x 20 in. Armchair 33.5 x 24 x 22 in. Additional

Lot: 247 - Set of Four Victorian Cast Iron Fern Chairs

late 19th century, black paint, with relief fern and scroll decoration. 32 x 23 x 24 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 248 - Rococo Revival Cast Iron Garden Table

19th century, black painted surface, circular top with reticulated geometric pattern, on scroll and foliate leg base. 29.5 x 34 in diameter. Additional high-resolution photos are available at LelandLittle.com

Lot: 249 - Pair of Large Neoclassical Style Figural Bronze

late 19th century, electrified three light form with winged classically dressed female figures holding a five arm candelabra standing atop a bronze mounted marble plinth. 46 x 15 x 14 in. Impressive size and form with an attractive deep brown

Lot: 250 - Plume & Atwood "Harvard" Double Arm Student Lamp

fourth quarter of the 19th century, marked to burner adjustments, electrified, heavy cast brass frame with decoration in the Renaissance Revival style, with later glass hurricane shades and milk glass hobnail shades. 15.5 x 21 in. (frame only)

Lot: 251 - Tiffany Studios, Three Piece Grapevine Desk

circa 1900, patinated bronze and green/white slag glass including a letter rack, hexagonal lidded ink well, desk pad in embossed black leather with bronze and glass ends, letter rack marked "Tiffany Studios, New York." Letter rack 6.25 x 10 x 2.5

Lot: 252 - Tiffany Studios, Telescoping Root Lamp

circa 1910, cased blown glass shade, with allover pulled design, signed L.C.T. at upper rim, on a conforming patinated bronze naturalistic form base, stamped Tiffany Studios New York. HOA 16 in.; shade 7.25 in diameter. From the Collection of the

Lot: 253 - L.C. Tiffany, Engraved Green Favrile Footed

circa 1900, bowl with green to transparent white diamond pattern with interior engraved vine decoration, baluster standard on circular foot, cut and polished pontil, signed and numbered "1212, L.C. Tiffany - Jue.(?) Favrile." 3.25 x 6.25 in.

Lot: 254 - L.C. Tiffany, Seven Pieces of Favrile Art Glass

circa 1900, including a swirled candlestick (drilled for lamp); tooled rim shade; two crempt edge salts; one swirled salt; one footed salt and one pinched side panel shot glass, each signed. Tallest 5.75 in. Additional high-resolution photos are

Lot: 255 - att. Quezal, Six Pulled Feather Art Glass Shades

early 20th century, gold iridescent pulled feather decoration including a matched set of four (fitter rim 3.25 in.) and two graduated shades (fitter rims 2.25 in.), each with tooled rims, unmarked. Largest 5.5 in. Additional high-resolution

Lot: 256 - Charles Schnieder (1881-1952), Art Deco Glass Vase

1930s, blown glass with mottled yellow/orange decoration set in an iron frame, unmarked. 12 x 9 in. diameter. Additional high-resolution photos are available at LelandLittle.com

Lot: 257 - Loetz, Silver Overlay Pinch Bottle Vase

circa 1900, tooled rim, with Art Nouveau silver overlay, hand chased details, iridescent glass with pulled blue design, polished pontil, silver overlay marked sterling and with maker's mark for La Pierre Mfg. Co. 9.5 in. Additional

Lot: 258 - Loetz, Crete Pompas Signed Vase

circa 1899, green iridescent glass with clear threading, tapered neck with baluster mouth and squat base, signed on clear threading to underside "Loetz." 8.5 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 259 - Baccarat, Set of Massena Stemware for Eight

(16) pieces, mid-20th century, including eight wine goblets and eight white wine stems, each with cut fluted designs, marked. Wine goblet 7 in.; white wine 6.5 in. The Estate of Mary Gorham Bynum of Rockingham and Pinehurst, NC Additional

Lot: 260 - An Antique Russian Icon of the Virgin of Kazan

the silver oklad with 1908-1926 Kokoshnik mark for Moscow and Cyrillic maker's mark, hand-painted depiction of the Madonna and Christ Child, presented under glass in a shadow box frame with brass liner. DOA 21 x 13.75 in. The Estate of Mary Gorham

Lot: 261 - Two Antique Russian Icons

the first a hand-painted depiction of Saint Nicholas with silvered brass oklad, presented under glass in an ebonized and walnut frame, circa 1900 (DOA 10.5 x 8.5 in.) (wear to silverplating, two cracks to glass); the second a chromolithograph

Lot: 262 - Two Antique Russian Icons

the first depicting the Virgin of Kazan with silver gilt oklad, 1894 hallmarks for Moscow and Cyrillic maker's mark, mounted with a later velvet backing and silvered frame (Icon 7 x 5 5/8 in., DOA 15.5 x 14 1/8 in.) (some loss to paint); the second

Lot: 263 - Lesser Ury (German, 1861-1931), Landscape

pastel on board, signed at lower right, illegible inscription to the verso, presented under glass in a period frame. Board 19.5 x 13.75 in.; DOA 23 x 17.5 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 264 - Jakob Nieweg (Dutch, 1877-1955), Blossoming Tree

oil on canvas, signed with monogram and dated 1935 at lower right, presented in a later frame. SS 21 x 17.5 in.; DOA 28 x 23.25 in. The son of a pastor, Nieweg studied theology and followed in his father's career. He resigned from the church in

Lot: 265 - Giuseppe Giardiello (Italian, 1877-1920), The

oil on canvas, signed and inscribed "Napoli" at lower left, presented in an antique gilt composition frame. SS 37.5 x 26 in.; DOA 46.75 x 34.5 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 266 - follower of Gabriel Gresly (1712-1756), Trompe

oil on canvas, unsigned, 18th century or earlier, depicting the 1743 etching after David Teniers the Younger Le Buveur Flamand (The Flemish Drinker) "tacked" against a wood panel and hanging above a portrait medallion, unframed. 18 1/8 x 15 in.

Lot: 267 - John Gleich (German, 1879-ca.1927), Encounter in

oil on canvas, signed at lower left, presented in a later gilt frame. SS 17.5 x 13 in.; DOA 24 x 19 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 268 - Joseph Thors (English, circa 1835-1900), Pastoral

oil on canvas (lined), signed at lower left, presented in a period gilt composition frame. SS 23.5 x 35.5 in.; DOA 37.5 x 49.5 in. Collection of Mr. & Mrs. Steve Dent, Jacksonville, FL Additional high-resolution photos are available at

Lot: 269 - Karl-Josef Kuwasseg (Austrian/French, 1802-1877),

oil on canvas (lined), signed at lower right, presented in a period gilt composition frame. SS 17.5 x 14.25 in.; DOA 24 x 21 in. Collection of Philip Walker Jacobs, Wilmington, NC Additional high-resolution photos are available at LelandLittle.com

Lot: 270 - Franck Brissot (French, 1818-1892), Approaching

oil on panel, signed at lower right, presented in a period, likely original, gilt composition frame. SS 14 x 17.5 in.; DOA 24.25 x 27.5 in. From the Collection of the late Nicholas Ellis, New York, NY Additional high-resolution photos are

Lot: 271 - J. C. Frisch (German, 19th century), The Smugglers

oil on canvas, signed at lower left, presented in an ornate, likely original, gilt composition frame. SS 9.75 x 13.75 in.; DOA 21.5. x 25.5 in. From the Collection of the late Nicholas Ellis, New York, NY Additional high-resolution photos are

Lot: 272 - Italian School Painting of a Young Beauty

circa 1900, oil on canvas, signed at lower left, presented in the likely original gilt composition frame. SS 31.5 x 19 in.; DOA 40 x 27.5 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 273 - circle of Georg Desmarées (1697-1776),

oil on canvas (lined), unsigned, presented in a later frame. SS 33 x 24.5 in.; DOA 39.5 x 31.5 in. Family history recalls that this is a portrait of Graf von Preysing, an old Bavarian line. Collection of Dr. Sigrid J. Nelius of Dresden and

Lot: 274 - G. P. Mayer (18th century), Portrait of

oil on canvas, inscribed to verso "G. P. Mayer / 1796," painted in an oval, presented in an antique gilt frame. SS 20 x 15 in.; DOA 29 x 23.5 in. Collection of Dr. Sigrid J. Nelius of Dresden and Mannheim, Germany Additional high-resolution photos

Lot: 275 - Johann Baptist Hirschmann (German, 1770-1829),

pastel on paper, signed and dated 1825 at lower right, drawn in a feigned oval, presented under glass in an antique gilt composition frame. SS 15.25 x 12 in.; DOA 22 x 18.5 in. A note from the family identifies this as a portrait of Mrs. Sigmund

Lot: 276 - Portrait of Sigmund von Renner (1727-1800)

oil on canvas (lined), unsigned, 18th century, presented in a later antique gilt frame with composition ornament to corners. SS 31 x 26 in.; DOA 37.25 x 32.25 in. Collection of Dr. Sigrid J. Nelius of Dresden and Mannheim, Germany Additional

Lot: 277 - Anton Zottmayr (German, circa 1800-1850), A Pair

oil on canvas (lined), unsigned, circa 1830, presented in period, possibly original, gilt wood frames with applied composition ornament. SS 27.25 x 23.5 in.; DOA 34.25 x 30.5 in. These portraits depict Herr von Renner of Mannheim, Germany, and his

Lot: 278 - Theodor Bohnenberger (German, 1868-1941), Portrait

oil on canvas, signed at lower left, inscribed "Müchen / 1905" at lower left, presented in a period frame with Fritz Bielass of Dresden label to verso. SS 44 x 31 in.; DOA 52 x 39 in. Collection of Dr. Sigrid J. Nelius of Dresden and

Lot: 279 - Otto Pippel (German, 1878-1960), Der Tolensee

oil on canvas, signed at lower right, retaining an artist's label to the verso, presented in the likely original frame. SS 17.75 x 22.5 in.; DOA 26.5 x 31 in. Accompanied by a copy of Der Maler, Otto Pippel published by H. Kräutershen

Lot: 280 - Casimir van den Daele (Belgian, 1818-1880),

oil on canvas, signed and dated "C. van den Daele 1859" at left, housed in an antique giltwood frame. SS 33.75 x 26 in.; DOA 41 x 33.5 in. Estate of the Late Dr. Robert Hogan Gaskins Jr., of Greenville and Jacksonville, NC Additional

Lot: 281 - Virgilio Tojetti (Italian, 1851-1901), Classical

oil on canvas, signed and with indiscernible date at lower right, housed in original giltwood liner with later frame. SS 14 x 8 in.; DOA 20.25 x 14.25 in. "American and European Art," Barridoff Galleries - South Portland, ME, July 31, 2002, Lot 110

Lot: 282 - An Antique Continental Genre Painting

oil on canvas, with unidentified artist's monogram at lower right, presented in a later gilt composition frame. SS 22.5 x 18.5 in.; DOA 32 x 27.5 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 283 - A Pair of Antique Old Master Landscape Paintings

likely Italian, late 18th century, oil on pine with applied composition ornament to create an integral "frame" with ebonized and gilt decoration surrounding an oval landscape scene with figures. DOA 13 x 15 in. (each) Additional high-resolution

Lot: 284 - An Antique Italian School Papal Portrait

oil on canvas, late 18th century, likely depicts Pope Pius VI where his hand is raised in benediction gesture, no visible signature, housed in antique frame. SS 14.25 x 11.25 in.; DOA 20.75 x 17 5/8 in. Collection of Mr. & Mrs. Steve Dent,

Lot: 285 - Suzanne Eisendieck (German/French, 1906-1998),

oil on canvas, signed at lower left, presented in the original gilt composition frame with linen liner. SS 37.5 x 28 in.; DOA 45 x 35.5 in. Wally Findlay Galleries, Inc., Palm Beach, FL (accompanied by original guarantee dated January 23, 1984)

Lot: 286 - George Augustus Holmes (English, 1822-1911),

oil on canvas (lined), signed and dated at lower left, presented in a later gilt composition frame with linen liner, the verso of the frame inscribed "Findlay," retaining two old collection stickers to stretcher. SS 24.25 x 33 in.; DOA 33 x 41 in.

Lot: 287 - English School (18th century), A Pair of Portraits

oil on canvas (lined), unsigned, both half length and in a feigned oval, the woman with ruddy complexion and wearing a fine floral gown with ribbon and lace ornament, the man wearing a maroon suit and holding a wind instrument, each presented in

Lot: 288 - W. R. Stone (British, 19th century), Fleeing the

oil on canvas (lined), signed at lower right, presented in a later frame. SS 30.5 x 49.75 in.; DOA 36.5 x 56 in. "19th Century European Paintings," Sotheby's - Olympia, London, 1 October 2003, lot 63 Additional high-resolution photos are

Lot: 289 - An Antique Pre-Raphaelite School Painting of a

oil on canvas (lined), unsigned, late 19th century, presented in a later gilt composition frame. SS DOA 34.75 x 30.75 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 290 - att. Ernest Walbourn (British,

oil on canvas, signed "E. Walbourn" at lower left, presented in antique giltwood frame. SS 15.5 x 23 3/8 in.; DOA 21.5 x 29.5 in. Collection of Mr. & Mrs. Steve Dent, Jacksonville, FL Additional high-resolution photos are available at

Lot: 291 - John Bowers (English, 20th century), Three Ship

each an oil on board, each signed at lower right, each presented in a gilt and figured veneer frame with gallery plaque; the first depicting HMS Euryalus / 51 Gun Steam Frigate 2371 tons. 400 h.p. / L.245 ft., B.50 ft. 9 ins. (DOA 14.5 x 19.5 in.);

Lot: 292 - Robin Johnson (British, active circa 1871-1880),

oil on canvas, signed at lower right, housed in antique but later giltwood frame. SS 24.5 x 32.5 in.; DOA 31.5 x 39.5 in. Estate of the Late Dr. Robert Hogan Gaskins Jr., of Greenville and Jacksonville, NC Additional high-resolution photos are

Lot: 293 - English School (18th century), Portrait of a

oil on canvas (lined), unsigned, inscribed on the stretcher bar "Miss Euphemia Ramsay of Whitehill Afterwards / Wife to Roger Aytoun 7th Laird of Inchdarnie," retaining a paper label for James Walker of Edinburg (circa 1851-1854). DOA 37 x 32 in.

Lot: 294 - William Goodall (English, 1757-1844), Suite of

each of ink and colors on paper, each signed and inscribed by the artist below the painting, birds depicted include Eider, Duck, female, Wild Goose, Sparrow Hawk, and Buzzard; each attractively matted and framed under glass. SS 12.25 x 7.25 in.;

Lot: 295 - An Antique Painting of the Scottish Highlands

oil on canvas (lined), monogrammed "CHR" at lower left, presented in a very fine period gilt composition frame. DOA 37.5 x 56 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 296 - Victorian Taxidermy Bird Diorama

featuring mounted birds of North America including snipe, wood pecker, blue jay, humming birds, blue bird, gold finch, meadowlark, and others, presented in an oval glass domed cover with ebonized wood base. 21 x 21 x 9 in. Additional

Lot: 297 - Victorian Shell Work Diorama

mid-19th century, ornate floral diorama with shell, wire, silk, with central watercolor of domed building, flanked by pair of mounted birds, presented under a glass dome with a custom rosewood base. 29 x 14 x 10 in. From the Collection of the late

Lot: 298 - Victorian Shadowbox Bird Diorama

late 19th century, walnut case, with faux painted sky interior, featuring eleven exotic birds mounted behind glass. 21 x 27 x 7 in. From the Estate of the late Mary Briggs Shuford, Blowing Rock, NC Additional high-resolution photos are available

Lot: 299 - An Unusual Pearlware Covered Teapot

Staffordshire, 1780-1795, the pearlware vessel is veneered with Turners' Waste, the inlaid checker pattern below the rim was likely created on a thin slip of clay and then applied, the lower portion of the body is engine turned, lid with acorn

Lot: 300 - Two Parian Ware Figures

the first is stamped "Mintons" with the date mark for 1870, being a large sculpture of a classical beauty pouring water into a tall urn, inscribed on the platform base "A. Carrier" (A. Carrier Belleuse) (25.75 in.) ( chip to the cloth fold); the

Lot: 301 - Two Parian Classical Figures

second half 19th century, the first is the well-known figure of Pandora originally modeled by Carrier-Belleuse, stamped on the bottom "Mintons" with date mark for 1862 (17 x 5.5 in.) (slight mark near the navel); the second figure (16.75 x 5.5 in.)

Lot: 302 - A Pair of Parian Ware Ewers

mid-19th century, attributed to T.J. & J. Meyer, Longport after models by John Flaxman, Sr., one ewer is modeled with a Satyr holding the horns of a ram's mask above fruited garlands, the second is modeled with a Triton grasping a dolphin mask

Lot: 303 - A Set of KPM Porcelain Cabinet Plates

(16 pc.) 19th century, each plate centered with a hand-painted floral cluster surrounded by a gilt decorated reticulated rim with lattice and scroll foliate design, undersides marked with scepter and orb. 8 7/8 in. Often alongside the Berlin

Lot: 304 - Antique Continental Painting on Porcelain Plaque

circa 1900, of the fine quality painting and porcelain in the style of KPM, pastoral scene of a relaxing shepherd and shepherdess amid their flock, unsigned. Plaque 16.5 x 13 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 305 - A Group of Samson Armorial Porcelain

France, second half 19th century, five pieces each decorated in a Famille Rose motif, one side centered with a coat-of-arms, to include: a pair of hexagonally paneled baluster lamps each electrified but with original covers should restoration as

Lot: 306 - A Large Earthenware Plaque by Charles Ferdinand

circa 1880, enamels on large earthenware plaque, signed "C. F. Hürten," finely painted with a tabletop still life incorporating translucent grapes, a plump peach, stoneware jar and a ripe melon on an architectural stone ledge. 15.25 x

Lot: 307 - Three Royal Bonn Portrait Vases Signed

made in Germany, 19th century, a pair of hand painted baluster vases with a facing pair of young beauties depicted against a background of lush landscape, roses in full bloom, and a small architectural folly in the background, gilt highlights, both

Lot: 308 - Royal Copenhagen Sculpture, Helge Christoffersen

Denmark, circa 1940s, stoneware modeled as a child with a squirrel, marked on the bottom with initials "HC" and three wavy lines. 15.5 x 10.5 in Additional high-resolution photos are available at LelandLittle.com

Lot: 309 - An Assembled Set of Royal Copenhagen Fluted Lace

(58) pieces to include full and half lace pieces. Full Lace: six 9 7/8 in. dinner plates #1084, five bread and butter plates #1088, six salad plates 7.75 in. #1086, six soup plates #1170, three cream jugs #1140, two open sugar #1112, six butter pats

Lot: 310 - A Cannalee Cased French Carriage Clock

1870-80s, retailed by Tiffany & Co., having a gilt brass case with beveled glass panels on five sides, ribbed and hinged carrying handle, the white porcelain face displays the hours with Roman numerals, the minutes with Arabic numerals, steel cut

Lot: 311 - French Carriage Clock with Case

late 19th-early 20th century, having an Anglaise style gilt brass case with bun feet, beveled glass panels on five sides, a hinged angular reeded handle, a white porcelain face with Roman numerals, eight day movement with hour and half hour strike,

Lot: 312 - English Hatton and Harris Two-Day Marine

mid-19th century, signed silvered 3.5 in. dial with Roman numerals and a subsidiary seconds dial, key-wound movement, the underside of the brass case is engraved Wind Up to the Left Hand Every Two Days, the instrument being set in a conforming

Lot: 313 - Victorian English Orrery by George Philip & Son

late 19th century, a crank-wound geared mechanism revolves models of the earth and the moon, its post support fitted with candle cup and reflector, the whole being set into a porcelain disc imprinted with directional points, the seasons, the zodiac,

Lot: 314 - Tabriz Carpet

navy field with center ivory medallion, field with vine and floral design elements, ivory spandrels, dark blue major guard border. 11 ft. 7 in. x 18 ft. 8 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 315 - Vintage Kashan Carpet

1940s, navy blue field with repeating floral and palmette design elements, red guard border within multiple guard borders. 8 ft. 8 in. x 11 ft. 10 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 316 - Kerman Area Rug

ivory field with all over foliate and boteh design within multiple guard borders with repeating motifs. 4 ft. 7 in. x 6 ft. 10 in. From the Estate of the late Mary Briggs Shuford, Blowing Rock, NC Additional high-resolution photos are available at

Lot: 317 - Kerman Carpet

dark blue field with an eight pointed center medallion, field with floral and scrolled design elements, red main border within three minor borders. 10 ft. 4 in. x 13 ft. 8 in. From the Estate of the late Mary Briggs Shuford, Blowing Rock, NC

Lot: 318 - Caucasian Shirvan Runner

navy blue field with repeating stylized boteh, ivory border with a serrated leaf and tulip motif, multiple minor borders. 3 ft. 1 in. x 11 ft. 4 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 319 - Semi Antique Bakhtiari Garden Rug

all over diamond shaped floral filled medallions, dark blue major guard border. 13 ft. 6 in. x 17 ft. 4 in. From the Estate of the late Mary Briggs Shuford, Blowing Rock, NC Additional high-resolution photos are available at LelandLittle.com

Lot: 320 - att. Youqua or Studio (fl. 1840-1870), The Great

oil on canvas, presented in a later frame, unsigned. Stretcher 12.5 x 28 3/8 in. Depicting travelers along the Great Wall based likely on drawings by Lt. John Bradley Wood of the 31st Regiment of Foot. See Martyn Gregory Catalogue 97, Images

Lot: 321 - A Pair of 19th Century Chinese Export Paintings

each an oil on canvas laid to card, unsigned, mid-19th century, both depicting Chinese junks in a calm harbor with crew, presented in antique gilt oval frames. DOA 14.75 x 12 in. (each approximately) From the Collection of the late Nicholas Ellis,

Lot: 322 - Four Chinese Paintings on Pith Paper

Qing dynasty (1644-1911), 19th century or earlier, ink and colors on pith paper, each painting features a man engaged in an activity, two with tasks of manual labor and two at leisure playing go and interacting with a monkey, the compositions are

Lot: 323 - A Matched Pair of Chinese Framed Fan Face

Qing dynasty (1644-1911), both are watercolor and ink on paper, includes one with delicately painted flowers, a colophon and signature on the left side of the fan with two red seals, and the second with rocks, flowers, and a pair of birds executed in

Lot: 324 - A Monumental Chinese Painting of the Daoist

late Ming or early Qing dynasty, 17th century, this immense painting is a striking composition with mountain peaks above a landscape dominated by swirling Chinese clouds meeting with surging waves, above a red moon against a dark blue sky, probably

Lot: 325 - A Chinese Celestial Guardian King Painting

Qing dynasty (1644-1911), ink and colors on paper, the figure holds a sword in one hand and has a blue mang dragon encircling him, dressed in elaborate and colorful armor, his facial hair is executed in thin black lines, red Chinese character marks

Lot: 326 - A Woman's Bridal Dragon Coat Mang Ao

Qing dynasty (1644-1911), 19th century, orange-red silk coat embroidered with five five-clawed dragons in gold thread, clouds and li shui with pairs of peaches, the neck with an unusual embroidered collar decorated with black flowers and longevity

Lot: 327 - A Chinese Bronze Hu Vase with Beast Mask

late Qing dynasty, 18th century, mottled bronze vessel in shape of the archaistic hu form, rounded body and slightly flared neck rising from a recessed foot, the body is simply decorated with one raised band of decoration, a pair of loose ring

Lot: 328 - A Pair of Chinese Jade Table Screens

late 19th or early 20th century, white jade with relief carved with three figures walking amid a lush Chinese landscape with blossoming trees and bats flying overhead with swirling Chinese clouds at the top of the scene, all highlighted with gilding,

Lot: 329 - A Pair of Chinese Blue and White Porcelain Covered

both jars with double blue ring marks to underside, of baluster form decorated with plum blossom branches, matching domed covers peach form finial and flared rim. 12.75 in. The double blue rings were used as a mark on ceramics in China during the

Lot: 330 - A Tall Chinese Copper Red and Blue Porcelain

Qing dynasty (1644-1911), 19th century or earlier, decorated with copper red and blue with a light celadon ground, a tapered square baluster vase with flared neck over square shoulders, decorated with a detailed continuous hand painted landscape that

Lot: 331 - A Chinese Longquan Style Celadon Vase

19th or earlier, a pale celadon glaze with incised decoration of peony blossom with swirling vines, the neck has an abbreviated pattern of lappets and a raised ring, underside is glazed except for foot rim. 9.75 in. The Longquan celadon tradition

Lot: 332 - A Chinese Famille Rose Drum Garden Stool

Qing dynasty (1644-1911), 19th century, the body of porcelain drum is elaborately decorated with auspicious symbols in vivid colors, a myriad of birds and lush flowers including a pair of peacocks on one side and a pair of phoenixes on the reverse

Lot: 333 - A Chinese Famille Rose Drum Garden Stool

Qing dynasty (1644-1911), 19th century, decorated in traditional Famille Rose pattern with shaped registers alternating between figures on outdoor terraces and lush fruit and roses with birds and butterflies, overlapping coins on the sides, gilt

Lot: 334 - A Chinese Famille Rose Drum Garden Stool

late 19th or early 20th century, the body of the porcelain drum is decorated with two large registers with Chinese figures on outdoor terraces, between these two registers are double coins linked in pairs surrounded by flowers and bats, the top is

Lot: 335 - A Grand Chinese Punch Bowl with Dragons

late 19th century or early 20th century, porcelain with overglaze enamels in yellow and robins egg blue ground with orange-red and black dragons flying amid large white flowers, comes together with a carved wooden stand. Diameter 16 in. The Estate

Lot: 336 - A Pair of Chinese Wucai Porcelain Warming Dishes

Qing dynasty (1644-1911), 19th century or early 20th century, porcelain warming dishes decorated with ornate motifs and florals in the vibrant wucai color palette popular in the Ming dynasty, rim is outlined in cobalt blue. Diameter 9.75 in. The

Lot: 337 - A Chinese Porcelain Stacked Container

Tongzhi period (1862-1874), includes four stacking containers all with Tongzhi mark to underside, white ground porcelain with coin-shaped medallions with various patterns in yellow, pink, green, and blue decorating the top and sides, each container

Lot: 338 - A Pair of Chinese Blue and White Planters with

Qing dynasty (1644-1911), with a six-character Qianlong mark to underside of both planters and trays, planters are painted with three roundels depicting flower baskets and planters with different foliage and fauna emerging from the rim, a ground of

Lot: 339 - A Tall Chinese Porcelain Covered Vase

Qing dynasty (1644-1911), late 19th or early 20th century, elegant tall meiping vase with small domed cover with finial, allover hand painted with beautiful depictions of flower baskets and butterflies. 25 in. Additional high-resolution photos

Lot: 340 - A Chinese Porcelain Snuff Bottle with a Katydid

Daoguang period (1821-1850) four character mark in iron red, a porcelain snuff bottle decorated in polychrome enamels with a katydid on either side, this was a popular subject for snuff bottles during the early 19th century because it represented

Lot: 341 - A Chinese Lacquered Snuff Bottle with Inlay and

with four character Qianlong period (1735-96) mark to underside, lacquer with gilt ground on front and back sides, decorated with Chinese children playing outdoor games set with hard stone inlay, a key motif on the narrow sides of the bottle with

Lot: 342 - A Chinese Bronze and Cloisonne Buddha

late Qing dynasty, 19th century, the Buddha is crafted with his three chins for past, present, and future, his elongated "princely" ears, and his top knot showing his overwhelming wisdom, he sits in a meditative position with eyes cast downward, his

Lot: 343 - A Chinese Porcelain Figurine

early 20th century, a Chinese deity seated upon a tiger and dressed in elaborate robes decorated with the eternal knot motif and peaches. 11 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 344 - A Marble Bodhisattva Statue

20th century, marble tinted with color, loss of legs from lower thigh down, loss of most of left arm and some of right arm, with protruding belly, drapery across chest and down lower body with tied portion just below stomach, beads, long earlobes,

Lot: 345 - A Chinese Carved Wooden Antique Jewelry Box with

circa 1900, finely carved wooden jewelry box with a dragon amid swirling clouds carved in relief on the cover, the sides are decorated with bats and coins, all sides of box are outlined with a carved relief key motif, front unlatches and lifts to

Lot: 346 - Near Pair of Antique Chinese Hongmu Low Tables

Qing dynasty (1644-1911), 19th century, rectangular form, banded top with molded edge, open scroll and ball skirt, raised on turned shaped legs, one table retaining an old Kwong Sang Hong Kong label. 11 x 16 x 30 in. The Estate of Mary Gorham Bynum

Lot: 347 - Chinese Hardwood Tri-Part Stand

Qing dynasty (1644-1911), circa 1900, rectangular form, with three staggered top display surfaces, Chinese fretwork skirts, tall molded straight legs, central lower shelf, flush base. 35 x 37.5 x 11.75 in. Additional high-resolution photos are

Lot: 348 - Chinese Carved Hardwood Arm Chair

Qing dynasty (1644-1911), late 19th century, shaped crest rail, relief carved and pierced backsplat featuring a bat flanked by two phoenix birds over a central plaque with phoenix bird and foo lion, with repeating rosette motif, shaped and carved

Lot: 349 - An Important Two-Panel Japanese Screen with Snow

Edo period (1615-1868), 18th century, two panel with gold leaf background clouds, a pine tree covered in snow sits on the right panel of the screen with bamboo at its base and an autumn colored vine wrapping around its trunk, there is a blue stream

Lot: 350 - A Japanese Folding Screen with Scenes from The

Edo period, early to mid 19th century, Tosa School, twelve scenes from chapters of the classic novel The Tale of Genji (Genji monogatari) set in two sections per screen, ink and colors painted on paper with flecks of gold, applied to a gold leaf six

Lot: 351 - A Japanese Four Panel Folding Screen

late Edo period, 18th or 19th century, decorated with a narrative scene possibly from The Tale of Heike, a Heian period dressed lady and her attendant stand on a veranda on the left two panels of the screen and on the right two panels are warriors

Lot: 352 - An East Asian Buddhist Painting

Japan or Korea, 19th century, ink and colors on silk, features seven figures, the top two are bodhisattvas, the center three figures are Buddhist monks, and the two figures below are Zen Buddhist monks, each figure is labeled, finely detailed faces

Lot: 353 - A Very Fine Japanese Kutani Porcelain Plaque

19th century, painted with three boys gathered by the riverside, tarashikomi technique used to detailed the rocks and grass groupings, ink wash gives movement to the waves, the boys faces are soft and delicate, the border is full of decadent Kutani

Lot: 354 - Two Meiji Period Japanese Shibayama Inlay

Meiji period (1868-1912), both panels have immensely rich detail articulated in shell, mother-of-pearl, and bone along with carved wood, each has a vivid blue circular panel in the center of a deep black rectangular ground, the circular panels are

Lot: 355 - Three Japanese Woodblock Prints by Hiroshi Yoshida

ink and colors on paper, first Azalea Garden, 1935, Yoshida's jizuri stamp on upper left margin, in margin below in pencil is written "Azalea Garden" and "Hiroshi Yoshida," artist's brush signature and red seal on lower right hand corner of print,

Lot: 356 - Kozu, Osaka by Kawase Hasui (Japanese,

ink and colors on paper, woodblock print from the series Souvenirs of Travel, Third Series (Tabi miyage dai sanshu), a dark pavilion is illuminated from the side by moonlight while in the background the electric lights of Osaka shine, title in left

Lot: 357 - Five Etchings and Aquatints by Tanaka Ryohei

Five framed Japanese monochrome etchings and aquatints by Tanaka Ryohei (b. 1933), each pencil signed and dated, includes Wind Bell signed in pencil in lower margin "34/150" "T.Ryohei '95," and Wachi, No. 1 signed in pencil in lower margin "37/150"

Lot: 358 - Four Etchings and Aquatints by Tanaka Ryohei

Four framed Japanese monochrome etchings and aquatints by Tanaka Ryohei (b. 1933), each pencil signed and dated, all beautifully framed in Japan with identical dark wooden frames, framed under glass. DOA 10.75 x 8.75 (largest) Collection of a

Lot: 359 - Two Etchings and Aquatints by Tanaka Ryohei

Two framed Japanese monochrome etchings and aquatints by Tanaka Ryohei (b. 1933), each pencil signed and dated, both identically framed in Japan with identical black wooden frames, framed under glass. DOA 12 x 15.75 in. Collection of a Gentleman

Lot: 360 - A Japanese Woodblock Print by Okiie Hashimoto

dated 1957, impression 4 in an edition of 50, ink and colors on paper, written in pencil in margin below image is title in Japanese kanji, 4/50, Okiie Hashimoto, 1957, artist's red seal on lower left of image, a stunning visual representation of

Lot: 361 - A Korean Pensive Bodhisattva Sculpture

Silla dynasty or Three Kingdoms period style, sculpted in bronze in a pensive stance holding one hand to his calm face, eyelids lowered in meditation, and one hand on his crossed ankle, his other leg solidly resting upon a lotus base, waterfall

Lot: 362 - A Pair of Korean Paintings

Joeson dynasty (1392-1910), 18th or 19th century, ink and colors on paper, depicts the ideal world of immortals featuring the Guardian kings and other deities descending towards the earth on clouds, a blend of Buddhist and Confucian iconography, very

Lot: 363 - An Impressive Burmese Mandalay Period Standing

Burma (Myanmar), mid-19th century, lacquered wooden Buddha with gilding, inlaid glass, and mirrors, a broad band across the forehead, tight curls, the uttarasanga robe is worn in the open mode and is folded decoratively over the left shoulder, the

Lot: 364 - A Large Persian Qajar Molded Tile

Iran, Qajar Dynasty (1779-1924), late 18th or early 19th century, a molded terracotta rectangular tile featuring three musicians against a lush garden, the scene is outlined with a Persian blue border, all areas of decoration have black outlines. 9

Lot: 365 - Two Indian Miniature Court Paintings

19th century or earlier, opaque watercolor and gold on paper, the first is a portrait of a Singh depicted in profile wearing royal earrings, headpiece, necklaces, armlet, and holding a jeweled sword standing on an ornate terrace with a rich blue

Lot: 366 - Two Indian Miniature Court Paintings

circa 1850 or earlier, opaque watercolor and gold on paper, the first painting is a portrait of a Singh, perhaps the Singh Maharana Sarup, at target practice, the second painting is of two men, a royal figure resting on a rug leaning against a

Lot: 367 - Georges Bareau (French, 1866-1931), La

gilt bronze with foundry mark of F. Barbedienne of Paris, inscribed signature, mounted to a marble and bronze plinth. HOA 11 in. Bareau studied at the École des Beaux-Arts in Paris. He first exhibited his work at the Salon in 1899 and

Lot: 368 - Louis Hottot (French, 1834-1905), Moroccan Beauty

late 19th century, bronze tone white metal with cold-painted decoration, signed to bottom edge of dress. 56 x 24 x 21 in. From the Collection of the late Nicholas Ellis, New York, NY Additional high-resolution photos are available at

Lot: 369 - Raoul Verlet (French, 1857-1923), Bronze Sculpture

mark of Jaboeuf et Rouard Fondeurs of Paris (active 1901-1917), inscribed signature to base. 15.75 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 370 - Emmanuel Villanis (French, 1858-1914), Art Nouveau

early 20th century, patinated bronze, depicting a beautiful young woman holding flowers, standing on a large flower form base, signed to base. 23.5 x 14 x 13 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 371 - Rafaelo Batelli (Italy, 1856-1928), Carved Marble

circa 1900, the helmeted goddess of wisdom and war is shown wearing scale armor adorned with Medusa's head, the whole on an integral turned base. HOA 14 1/8 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 372 - after Pierre-Auguste Renoir (French, 1841-1919),

a mid-20th century posthumous bronze casting, inscribed signature in the casting, mounted to a stepped granite plinth. DOA 12 x 11 x 7 in. Renoir began working in bronze towards the end of his life, due to failing eyesight. This sculpture was one

Lot: 373 - Frederic Victor Guinzburg (American, 1897-1978),

early 20th century, painted plaster bust of a woman, signed and inscribed "Roma" to verso, bears indiscernible partial copyright date. 23 x 8 x 8.5 in. From the Estate of the late Nicholas and Jeanne Arena, Chapel Hill, NC Nicholas and Jeanne

Lot: 374 - Ernst Neizvestny (NY/Russia, 1926-2016),

bronze, inscribed to the integral base and mounted to a hardwood plinth. HOA 8.75 in. Neiznestny immigrated to the United States in 1975 when he tired of pushing against the oppressive socialist realism favored by the Soviet state. He first ignited

Lot: 375 - Marvin Oliver (WA), Raven I Bronze

late 20th century, life size patinated bronze with cold painted berry, signed and numbered 17/50. 12 x 23 x 7 in. From the Estate of the late Mary Briggs Shuford, Blowing Rock, NC Additional high-resolution photos are available at LelandLittle.com

Lot: 376 - Victor Issa (CO), Awakening

bronze with dark applied patina, inscribed signature and dated 2001 to the base, number 5/9, mounted to a marble base. HOA 24 in. From the Collection of a Gentleman, Charlotte, NC Additional high-resolution photos are available at LelandLittle.com

Lot: 377 - Victor Issa (CO), Spring

bronze with applied patina, inscribed signature and dated 1997 to the base, numbered 2/45, mounted to a marble base. HOA 24 in. From the Collection of a Gentleman, Charlotte, NC Additional high-resolution photos are available at LelandLittle.com

Lot: 378 - Thomas J. Madden (MT), Sky Rider

bronze with applied patina and gold and silver overlay, inscribed signature and dated 1996, numbered 1/36, presented atop a hardwood plinth with gallery plaque. HOA 20.75 in. From the Collection of a Gentleman, Charlotte, NC Additional

Lot: 379 - Thomas Day, Late Classical Armoire with Signed

Milton, Caswell County, NC, 1850s, rosewood veneer, poplar and yellow pine secondary, multi-piece form, applied cornice with stylized relief carved crest, above an open frieze with recessed classical arch, upper central door with double panel looking

Lot: 380 - attributed to William Chiles, Mahogany Dresser

Yanceyville, Caswell County, NC, circa 1860, mahogany, mahogany veneer, poplar and yellow pine secondary, hinged shaped rectangular mirror supported with stylized yet distinctive mirror supports above a central inset marble top flanked by two

Lot: 381 - attributed to Thomas Day, Bureau With Centered

Milton, Caswell County, NC, circa 1850, mahogany, mahogany veneer, poplar and white pine secondary, multi-part form, ogee figured veneer cornice above a centered hinged rectangular mirror, supported by two hinged panel door cabinets with shelved

Lot: 382 - attributed to Thomas Day, Late Classical Wardrobe

Milton, Caswell County, NC, circa 1850, mahogany, mahogany veneer, yellow pine secondary, eight-part form, ogee molded cornice over two hinged paneled doors opening to reveal a divided and shelved interior, on a reticulated scrolled bracket foot

Lot: 383 - Southern Federal Inlaid Mahogany Sideboard

attributed to Eastern North Carolina, circa 1800, mahogany veneers, yellow pine and poplar secondary, rectangular case with bow front stepped central section, central upper long drawer above two hinged cabinet doors, flanked by two small upper

Lot: 384 - Southern Chippendale Walnut Chest of Drawers

Piedmont, North Carolina, circa 1800, poplar secondary, dove tailed case featuring a walnut top with bold applied molded cornice, two upper side by side lipped drawers when removed reveal an interior upper cavity, currently retaining one secret

Lot: 385 - Southern Diminutive Flat Wall Open Pewter Cupboard

attributed to North Carolina, circa 1800, yellow pine, oak, one piece form, open upper cabinet with shelves and plate rails, open pie shelf, the base with a single raised panel hinged door with a shelved interior, flush base with a scalloped skirt.

Lot: 386 - Southern Federal Inlaid Mahogany Sideboard

attributed to eastern Virginia, circa 1800, mahogany veneers, light and dark wood line inlay, yellow pine secondary, deep sideboard featuring a concave central section with upper drawer with side-by-side inlaid faux panels, above two hinged cabinet

Lot: 387 - Southern Chippendale Walnut Desk and Bookcase

attributed to the Shenandoah Valley of Virginia, Winchester region, late 18th century, yellow pine and poplar secondary, two-part form, the top featuring a bold cove molded broken arch pediment with applied carved rosettes, a larger open frieze with

Lot: 388 - Large Southern Folky Walnut Carved Corner Cupboard

Gaston County, North Carolina, early 19th century, yellow pine and poplar secondary, one-piece form, shaped folky pediment featuring a central reeded plinth with two rosettes, three turned finials, above two hinged cabinet doors with eight window

Lot: 389 - Southern Federal Inlaid Walnut Chest of Drawers

eastern Virginia or North Carolina, circa 1810, yellow pine secondary, top with applied veneered edge at side with lightwood edge highlight, four graduated cock beaded drawers, each with lightwood line inlay and inlaid diamond escutcheon, the top

Lot: 390 - Southern Federal Tall Case Cherry Clock

attributed to Kentucky, poplar secondary, bonnet with broken arch pediment, four turned columns, hinged glass tombstone door, painted metal face with second hand and date dial surmounted by a moon dial, rosettes to each corner, case with single cock

Lot: 391 - Southern Painted Punched Tin Flat Wall Milk Safe

Piedmont, North Carolina, second half of the 19th century, poplar and yellow pine, one-piece form, allover brown wash, top with applied molding, two upper hinged doors each with original geometric punched tin panels, each side with repeating motif

Lot: 392 - Southern Painted Punched Tin Corner Cupboard

Piedmont, North Carolina, mid to late 19th century, one-piece form with allover red wash, yellow pine, applied molded cornice, two upper hinged doors, each with original punched tin panels featuring hearts, diamonds, and central star, shelved

Lot: 393 - Mid-Atlantic Chippendale Walnut Chest of Drawers

attributed to Eastern Pennsylvania, circa 1800, poplar secondary, top with molded edge and applied tiered second molding, four graduated lipped drawers with figured walnut, reeded quarter columns, applied molding to base, four original bold ogee

Lot: 394 - Baltimore Federal Inlaid Mahogany Pembroke Table

circa 1790, white pine secondary, demilune drop leaf with single butterfly support, top with line inlaid edge, single bow front drawer with inlaid escutcheon, flanked by an inlaid leaf and acorn oval paterae to each corner, faux drawer to the

Lot: 395 - Sheraton Mahogany Wash Stand

attributed to Baltimore, circa 1810-20, mahogany veneer, white pine and poplar secondary, hinged lid opens to reveal an interior divided tray above a faux panel, above a single flush drawer, above a hinged compartment door, raised on tall ring turned

Lot: 396 - American Classical Carved Mahogany Sofa

probably Philadelphia, circa 1820s, mahogany veneer, veneered rolled crest rail with acanthus carved scrolled returns, upholstered back and seat, scrolled arms with acanthus carved support, convex applied molded seat rail, raised on carved paw feet

Lot: 397 - Federal Inlaid Demilune Mahogany Card Table

Mid-Atlantic, circa 1790-1800, oak, white pine secondary, hinged lid with molded concave edge, gate leg support, vertically veneered skirt with lower edge featuring light and dark wood inlay, raised on tall tapered legs with lower inlaid cuff. 29.25

Lot: 398 - New England Federal Mahogany Inlaid Work Stand

early 19th century, mahogany, mahogany veneers, white pine secondary, shaped top with reeded edge, serpentine front and porringer corners, two serpentine front inlaid drawers, case raised on tall tapered reeded legs. 29.25 x 18 x 16 in. Estate of

Lot: 399 - New England Queen Anne Maple High Boy

attributed to Connecticut, late 18th century, chestnut and white pine secondary, two-part form, top with applied cornice featuring dentil molding, upper case with five lipped graduated drawers, the base with applied molded top edge, above a single

Lot: 400 - New England Late Federal Secretary Desk

circa 1820 - 30, mahogany, mahogany veneer, white pine secondary two-part form, crest featuring a broken arch pediment and a central reeded plinth above two hinged doors, each with two tombstone glass panels, interior with three side by side small

Lot: 401 - Pair of Philadelphia Chippendale Walnut Side

circa 1770s, one bearing remnants of Benjamin Randolph paper label, shaped crestrail, pierced distinctive backsplat with shaped shoe, upholstered slip seat, molded seat rail, cabriole legs with front ball and claw feet. 38 x 23 x 20 in. Considered

Lot: 402 - David Silvette (VA, 1909-1992), Madonna of the

oil on canvas, signed and inscribed at center left "David Silvette / after / Gari Melchers 1923," presented in a period gilt frame, the top stretcher with stamp for Robert Stone Gallery of Richmond, Virginia. DOA 44.75 x 42.75 in. This painting is

Lot: 403 - Pair of Antebellum Portraits of a Husband and Wife

oil on canvas laid on board, unsigned, circa 1860, presented in period appropriate gilt frames. DOA 38 x 32 in. Oral family history identifies the sitters as Conrad Gansevoort Carver and Terresa Quinby Carver. Conrad was born in 1800 in Pittsford,

Lot: 404 - Ralph Albert Blakelock (NY/CA, 1847-1919), Forest

oil on matboard, unsigned, inscribed on the verso "C. Bert Goff" and "State Ho(illegible)," framed under glass. SS 11.25 x 7.25 in.; DOA 14.25 x 10.25 in. This painting is accompanied by a copy of the 1947 Whitney Museum of American Art exhibition

Lot: 405 - Henry Singlewood Bisbing (PA/France, 1849-1933),

oil on canvas, signed at lower left, retaining remnant of a hand-written label to verso, presented in a later appropriate gilt plein air style frame. SS 13.5 x 28.5 in.; DOA 21.25 x 36 in. An accomplished animal painter, Bisbing began his studies

Lot: 406 - Carle Blenner (American, 1862-1952), A Young

oil on A. V. Benoit artist board, signed at upper left, late 19th century, presented in a period gilt composition frame. SS 9.75 x 7.75 in.; DOA 17.5 x 15.5 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 407 - Colin Campbell Cooper (PA/CA, 1856-1937),

mixed media on board, unsigned, retaining a partial label on the verso with artist's name, presented in a later frame with linen liner. SS 23.5 x 17.5 in.; DOA 32.75 x 26.5 in. Collection of Mr. & Mrs. Steve Dent, Jacksonville, FL Additional

Lot: 408 - William Fitler (NY, 1857-1915), Twilight Glow

oil on canvas, signed at lower right "W. C. Fitler," presented in the a very fine, likely original, gilt composition frame retaining label for the NYC gallerist J. Bohne. SS 13.5 x 19.5 in.; DOA 23.5 x 29 in. Born in Philadelphia, Fitler studied at

Lot: 409 - George Elmer Browne (CT/MA, 1871-1946), In the

oil on canvas board, signed at lower right, presented in a period frame. SS 11.5 x 15.5 in.; DOA 14.5 x 18.5 in. Collection of Mr. & Mrs. Steve Dent, Jacksonville, FL Additional high-resolution photos are available at LelandLittle.com

Lot: 410 - Carl Nordell (1885-1957), Deep River

oil on canvas, signed at lower right, inscribed on top stretcher, presented in a period gilt frame. SS 31.5 x 39.5 in.; DOA 38 x 45.5 in. I. R. Grimm, Oil City, PA Additional high-resolution photos are available at LelandLittle.com

Lot: 411 - Thomas R. Curtin (VT/MA, 1899-1977), Crashing

oil on canvas board, signed at lower left, presented in the likely original gilt composition frame. SS 7.75 x 9.75 in.; DOA 14.5 x 16 in. Curtin studied at the National Academy of Design In New York, the Art Student League of New York and the

Lot: 412 - Anthony Thieme (MA, 1888-1954), Marsh Scene with

oil on canvas (lined), signed at lower left, presented in a period frame. SS 7.5 x 9.5 in.; DOA 11 x 13 in. From the Collection of Charlotte Rodman, Southern Pines, NC Charlotte is a NC native with a lifelong interest in art. She grew up in

Lot: 413 - William Steen (American, 20th century), The

oil on canvas (lined), signed at lower left, presented in a period gilt frame with gallery plaque. SS 24.25 x 29.25 in.; DOA 33.5 x 38 in. A tributary of the Broad River, the Pacolet River runs through a small portion of Western North Carolina,

Lot: 414 - John Whorf (MA, 1903-1959), Full Sail

watercolor on paper laid on card, signed and dated 1930 at lower right, framed under glass. Image size 14.75 x 20.75 in.; DOA 20.75 x 26.5 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 415 - Hurlstone Fairchild (AZ/IL, 1893-1966), Desert

oil on canvas, signed at lower right, presented in a period frame, inscribed on the verso "Santa Anna / California / Jan. 2, 1948." SS 24.75 x 29.5 in.; DOA 31 x 35.25 in. Accompanied by a copy of the original sales receipt signed by the artist and

Lot: 416 - Arthur Sarnoff (NY, 1912-2000), "Three Fingers"

oil on canvas, signed and inscribed at lower left, presented in the likely original weathered frame with linen liner. SS 23.5 x 19.5 in.; DOA 35 x 30.5 in. Brooklyn born, Sarnoff studied at the Industrial School and Grand Central School of Art in

Lot: 417 - George Bertrand Mitchell (American, 1874-1966),

oil on canvas, inscribed "G. B. Mitchell" on one stretcher bar, unframed. 28 x 22 in. Collection of Philip Walker Jacobs, Wilmington, NC Additional high-resolution photos are available at LelandLittle.com

Lot: 418 - Five Antique Shaker Picket Fence Berry

Kentucky, late 19th century, tulip poplar, wire wrapped staves, including two circular baskets with double hinged handles, a near pair of oval baskets with arched handles, and a rectangular basket with double hinged handles. Largest 4 x 11 in.

Lot: 419 - A. Elmer Crowell (1862-1952), Canada Goose Decoy

East Harwich, Massachusetts, early 20th century, carved two-piece construction with overall paint, inset glass eyes; the underside stamped with Crowell's oval cartouche and crudely carved with owner's initials "W H N." This bird was made for the

Lot: 420 - Alvirah Wright (1869-1951), Redhead Drake Decoy

unsigned, Duck, North Carolina, first quarter 20th century, carved wood with realistic paint decoration, two-piece construction. Included is an x-ray report showing nail locations. 9.5 x 15.5 x 7.25 in. Additional high-resolution photos are

Lot: 421 - Joe Hayman (1896-1974), Widgeon Drake Decoy

Coinjock, North Carolina, unsigned, carved and painted wood, three-piece construction, weighted bottom. 10.25 x 15.25 x 7.75 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 422 - Cast Iron Eagle and Eaglets Mechanical Bank

late 19th century, patent date 1883, cold painted iron, with glass eyes. 6 x 9 x 4 in. Retaining old surface with proper working mechanisms. From the Collection of the late Nicholas Ellis, New York, NY Additional high-resolution photos are

Lot: 423 - Identified Vintage Models of a Schooner and a

mid-20th century, both handmade of wood and canvas, presented behind glass in custom wooden cases; the schooner's post rail is marked "Canadienne" with tiny impressions whereas the case has an exterior I.D. brass plate reading "Coastal Whaler CHASE

Lot: 424 - Antique Wool Trapunto Needlework

worked in multi-color wool on silk ground, depicting a lively poodle carrying a flower basket, flanked on either side by birds perched on flowering trees with embroidered leaves all on a chenille worked lawn, presented in a cove molded bird's eye

Lot: 425 - A Very Fine Antique Sailor's Woolwork (or Woolie)

English, mid-19th century, depicting a fully dressed three masted sailing ship with the Red Ensign anchored before a rolling landscape with buildings and windmills, charmingly populated by figures in two row boats near shore, presented under glass in

Lot: 426 - Scottish Presentation Dirk Made by Peter Henderson

1924, his name stamped on the blade; the second metal band on the leather sheath is engraved, " Presented by Capt. W. B. MacGeorge M.C. to the Pipe Band 2nd H. L. I. 30/11/24"; directly below the throat is a metal plate embossed with an elephant

Lot: 427 - Steyr Mannlicher Schoenauer Sporting Carbine

matching serial number 23074 on 17.25 in. barrel and receiver, bore approximately .25 caliber, bolt action with double trigger, full walnut stock, the barrel stamped by disributor F. W. Vandrey of Hamburg, the rifle fitted with an Austrian Swarovski

Lot: 428 - Steyr Mannlicher Schoenauer Sporting Rifle

serial number 2802 on 22 in. barrel marked 9 x 57, bore approximately 8mm, bolt action with double trigger, full walnut stock, the rifle fitted with an Austrian Swarovski scope marked HABICHT 1,5-4,5X20A NOVA. This gun requires FFL transfer. Private

Lot: 429 - Steyr Mannlicher Schoenauer Sporting Carbine

serial number 8755 on 19.25 in. barrel, bore approximately 8mm, bolt action with double trigger, full walnut stock, the rifle fitted with an Austrian 5X scope marked Joh. SPRINGER'S ERBEN / WEIN. This gun requires FFL transfer. Private Collection,

Lot: 430 - Colt Ned Buntline Commemorative Single Action Army

serial number NB1762, New Frontier .45, 12 in. barrel, six-shot cylinder, nickel-plated finish, checkered hard rubber grips with a rearing colt and an American eagle on each side. Presented under glass in a lidded walnut case. This gun requires FFL

Lot: 431 - Colt Third Generation Single Action Army Revolver

serial number S07907A,.45 caliber, 7.5 in. barrel, six-shot cylinder, nickel-plated finish, walnut grips. This gun requires FFL transfer. Private Collection, Charlotte, NC Additional high-resolution photos are available at LelandLittle.com

Lot: 432 - Colt Third Generation Buntline Single Action Army

serial number SA47427, .44 Special, 12 in. barrel, six-shot cylinder, nickel-plated finish, walnut grips. This gun requires FFL transfer. Private Collection, Charlotte, NC Additional high-resolution photos are available at LelandLittle.com

Lot: 433 - Colt Third Generation Single Action Army Revolver

serial number S06147A, .45, 4.75 in. barrel, six-shot cylinder, nickel-plated finish, walnut grips with a rearing colt inset. This gun requires FFL transfer. Private Collection, Charlotte, NC Additional high-resolution photos are available at

Lot: 434 - Colt Third Generation Single Action Army Revolver

serial number S39827A, .38 Special, 5.5 in. barrel, six-shot cylinder, nickel-plated finish, checkered hard rubber grips with a rearing colt and an American eagle on each side. This gun requires FFL transfer. Private Collection, Charlotte, NC

Lot: 435 - Colt Third Generation Single Action Army Revolver

serial number S15465A, .45 caliber, 4.75 in. barrel, six-shot cylinder, nickel-plated finish, polished ebony grips. This gun requires FFL transfer. Private Collection, Charlotte, NC Additional high-resolution photos are available at

Lot: 436 - Colt Third Generation Single Action Army Revolver

serial number S48727A, .45 caliber, 4.75 in. barrel, six-shot cylinder, nickel-plated finish, checkered hard rubber grips with a rearing colt and an American eagle on each side. This gun requires FFL transfer. Private Collection, Charlotte, NC

Lot: 437 - Colt Ned Buntline Commemorative Single Action Army

serial number NB0900, New Frontier .45, 12 in. barrel, six-shot cylinder, nickel-plated finish, checkered hard rubber grips with a rearing colt and an American eagle on each side. Presented under glass in a lidded walnut case. This gun requires FFL

Lot: 438 - Colt Third Generation Single Action Army Revolver

serial number SA48728, .45 caliber, 7.5 in. barrel, six-shot cylinder, blued finish, checkered hard rubber grips having rearing colt logo and American eagle on both sides. This gun requires FFL transfer. Private Collection, Charlotte, NC Additional

Lot: 439 - Colt Third Generation Single Action Army Revolver

serial number SA52789, .357 Magnum, 7.5 in. barrel, six-shot cylinder, nickel-plated finish, bone grips. This gun requires FFL transfer. Private Collection, Charlotte, NC Additional high-resolution photos are available at LelandLittle.com

Lot: 440 - Colt Third Generation Single Action Army Revolver

serial number S39962A, .45, 5.5 in. barrel, six-shot cylinder, nickel-plated finish, checkered hard rubber grips with a rearing colt and an American eagle on each side. This gun requires FFL transfer. Private Collection, Charlotte, NC Additional

Lot: 441 - Colt Third Generation Single Action Army Revolver

serial number SA47866, .45 caliber, 4.75 in. barrel, six-shot cylinder, standard blued and case-hardened finish, checkered hard rubber grips with a rearing colt and an American eagle on each side. This gun requires FFL transfer. Private

Lot: 442 - Colt Third Generation Single Action Army Revolver

serial number S38265A, .45 caliber, 4.75 in. barrel, six-shot cylinder, blued and case-hardened finish, checkered hard rubber grips with a rearing colt and an American eagle on each side. This gun requires FFL transfer. Private Collection,

Lot: 443 - Sturm Ruger Blackhawk Single Action Revolver

serial number 5868, .30 carbine caliber, 7.5 in. barrel, six-shot cylinder, blued finish, custom bone grips. This gun requires FFL transfer. Private Collection, Charlotte, NC Additional high-resolution photos are available at LelandLittle.com

Lot: 444 - Winchester Model 1885 Low Wall Single Shot Rifle

serial number 48937, lever action, the 27 in. octagonal barrel fitted with a folding bead site at the muzzle and a folding aperture sight on the tang, walnut stock, later modern mounts for a scope have been added. Made before December 31, 1898.

Lot: 445 - Likely Catawba Valley North Carolina Percussion

unsigned, mid-19th century, 42 in. octagonal barrel with approximately 10mm bore, several radiate circular punches on top flat behind rear sight; striped walnut stock simulating maple; brass furniture, double-set triggers, no nose cap as made, wooden

Lot: 446 - Rare Broadside Promoting an Exhibition of Siamese

at The Union Museum of Wax Figures & Fine Arts, New York City, 1830s, illustrated with a woodcut of Chang and Eng, below which is descriptive copy reading, in part: "Two Youths, born in the Kingdom of Siam, whose bodies are, by a wonderful

Lot: 447 - Seutter Map of Eastern North America Referencing

Seutter, Matthias. Accurata delineatio celeberrimae regionis Ludovicianae vel Gallice Louisiane ol. Canadae et Floridae Adpellatione in Septemtrionali America... (Augsburg, 1730), copperplate engraving with hand color, the map clearly delineating

Lot: 448 - Tallis's Illustrated Atlas and Modern History

(London and New York: John Tallis and Company, 1851), folio (14.75 in.), three-quarter morocco over marbled boards, consisting of 83 maps engraved by John Rapkin with outline color, an engraved frontis with a map of Liverpool beneath a waterfront

Lot: 449 - Jansson, Jan. Insulae Americanae in Oceano

...cum Terris adiacentibus (Amsterdam, circa 1640), copperplate engraving with outline color, German text en verso, the chart depicts the Caribbean and adjacent regions. Presented behind mat in wooden frame. DOA 23 x 28 in.; SS 15.75 x 21.25 in.

Lot: 450 - Del'Isle, Guillaume. Carte Du Canada ou de la

(Paris: Chez L'Auteur, 1703), copperplate engraving with outline color. Matted behind glass in a silver-toned wooden frame. Sheet 21.5 x 29.75 in.; DOA 30 x 35 in. Additional high-resolution photos are available at LelandLittle.com

Lot: 451 - Early City Plan of Paris by George Braun and Franz

copperplate engraving with later hand-coloring from Civitates Orbis Terrarum (Cologne, 1572), Latin text en verso. Matted behind glass in a custom wooden frame. Plate 12.75 x 18 3/8 in.; DOA 20.5 x 27.5 in. With description from dealer Richard B.

Lot: 452 - Sartine, Antoine de. Carte Réduite

...De L'Amerique Septentrionale Contenant Partie du Nouveau Jersey, le Pen-sylvanie, le Mary-land, la Virginie, la Caroline Septentrionale, la Caroline Meridionale et la Georgie. (Paris: Depot General de la Marine, 1778), copperplate engraving,

Lot: 453 - Rembrandt van Rijn (Dutch, 1606-1669), Self

etching on laid paper, circa 1642, possibly Usticke's second state (of 3), retains gallery labels, thread margins, matted and presented in gilt frame. Platemark 3 1/4 x 2 5/16 in.; Sheet Size 3 1/2 x 2 3/8 in.; DOA 15 1/2 x 14 in. Merrill Chase

Lot: 454 - Richard Earlom (British, 1743-1822), after Frans

mezzotint and etching, 1774-88, titles to include "A Fruit Market," "A Herb Market," "A Fish Market," and "A Game Market," published by John Boydell, London, housed in uniform matting and framing. Platemark 16 1/8 x 22 3/4 in. (the first), 16 1/4 x

Lot: 455 - Antique Three-Volume Compilation of 18th-Century

to include approximately 960 engravings by Sébastien I Leclerc (French, 1637–1714), organized and mounted into three antique leather-bound volumes, compiled circa 1812, sheets bear hand-written explanatory text by the

Lot: 456 - Louis Icart (French, 1888-1950), Desire

etching and aquatint in colors with added hand coloring, 1926, pencil signed lower right, with copyright information upper left, housed in original oval giltwood frame with possible later paint. Platemark 14 x 19 3/4 in.; DOA 21 x 26 1/4 in.

Lot: 457 - Louis Icart (French, 1888-1950), 'Noir et

etching and aquatint in colors with added hand color, 1940, pencil signed lower right, with printed copyright information upper left, sheet bears windmill blindstamp, housed in wooden frame with linen matting. Platemark 19 3/4 x 17 3/4 in.; DOA 30

Lot: 458 - after John James Audubon (American, 1785-1851),

hand-colored lithograph, 1844, No. 7, Plate XXXI from The Viviparous Quadrupeds of North America, published by J. T. Bowen, Philadelphia, PA, matted and framed. Image Size 19 3/8 x 23 1/2 in. (including text); Sheet Size 22 x 28 in.; DOA 27 1/4 x

Lot: 459 - after John James Audubon (American, 1785-1851),

hand-colored lithograph, 1847, No. 25, Plate CXXI from The Viviparous Quadrupeds of North America, published by J. T. Bowen, Philadelphia, PA, matted and framed. Image Size 18 3/8 x 24 7/8 in. (including text); Sheet Size 21 1/4 x 27 3/8 in.; DOA

Lot: 460 - James Abbott McNeill Whistler (American,

etching on chine-collé, 1858, second state of four, from Twelve Etchings of Nature, bears collector's mark of Philippe Burty (1830-1890), a Whistler collector who coined the term japonisme, matted, unframed. Platemark 6 1/4 x 9 in.;

Lot: 461 - James Abbott McNeill Whistler (American,

etching and drypoint on laid paper, circa 1879, with Whistler's butterfly in plate lower left, matted and framed. Platemark 5 1/4 x 7 3/4 in.; DOA 12 1/2 x 14 1/2 in. Collection of Philip Walker Jacobs, Wilmington, NC Additional high-resolution

Lot: 462 - James Abbott McNeill Whistler (American,

etching on laid paper, signed and dated 1859 in the plate at lower right, retains labels to verso, housed in original matting and framing. Platemark 6 x 9 in.; DOA 12 1/2 x 15 in. Frederick Keppel & Co., New York, NY Collection of Mr. &

Lot: 463 - James Abbott McNeill Whistler (American,

etching on laid paper, signed and dated 1859 in the plate lower right, wide (full?) margins, matted and presented in giltwood frame. Platemark 6 x 9 in.; Sheet Size 9 5/8 x 12 in.; DOA 14 x 16 7/8 in. Additional high-resolution photos are

Lot: 464 - George Bellows (American, 1882-1925),

lithograph, 1923, pencil signed and titled lower margin, from The Wind Bloweth, unframed. Mason 151. Image Size 16 1/4 x 19 1/4 in.; Sheet Size 19 x 25 in. Collection of Mr. & Mrs. Steve Dent, Jacksonville, FL Additional high-resolution

Lot: 465 - John Sloan (American, 1871-1951), Girls

etching on laid paper, 1914, pencil signed and inscribed lower margin, edition of 55 from an intended edition of 100, state II/II, full margins, retains gallery label, matted, unframed. Platemark 3 5/8 x 2 3/8 in.; Sheet Size 8 3/4 x 6 1/4 in. A

Lot: 466 - John Taylor Arms (American, 1887-1953), Four

to include "A Gargoyle, Lincoln Cathedral" (1920), "Ugly Devil" (1924), "A Devil of Notre Dame" (1929), and "Une Chimère" (1947), each pencil signed lower left, three also numbered, unframed. Platemark 1 7/8 x 3 1/8 in., Sheet Size 6 1/4

Lot: 467 - Thomas Hart Benton (American, 1889-1975), Jesse

lithograph, 1942, pencil signed lower right, edition of 250, published by Associated American Artists, New York, NY and retains their label, unframed. Fath 55. Image Size 13 3/8 x 10 in.; Sheet Size 15 3/8 x 12 1/4 in. Collection of Mr. & Mrs.

Lot: 468 - Thomas Hart Benton (American, 1889-1975), A

lithograph, 1937, pencil signed lower right, edition of 250, published by Associated American Artists, New York, NY, unframed. Fath 15. Image Size 10 x 14 3/8 in.; Sheet Size 11 7/8 x 16 in. Image overall crisp and clean. Collection of Mr. &

Lot: 469 - Thomas Hart Benton (American, 1889-1975),

lithograph, 1939, pencil signed lower right, edition of 250, published by Associated American Artists, New York, NY, unframed. Fath 26. Image Size 9 5/8 x 12 5/8 in.; Sheet Size 10 1/2 x 13 1/2 in. "Books and Prints," Doyle - New York, NY, November

Lot: 470 - Thomas Hart Benton (American, 1889-1975), White

lithograph, 1945, pencil signed lower right, edition of 250, published by Associated American Artists, New York, NY and accompanied by their label, unframed. Fath 67. Image Size 10 x 12 3/4 in.; Sheet Size 11 1/4 x 14 5/8 in. "American &

Lot: 471 - Thomas Hart Benton (American, 1889-1975),

lithograph, 1937, pencil signed lower right, edition of 193, published by Associated American Artists, New York, NY, full margins, unframed. Fath 17. Image Size 9 1/8 x 12 1/2 in.; Sheet Size 11 7/8 x 16 1/8 in. A bright, clean sheet. Collection

Lot: 472 - Gene Kloss (NM/CA, 1903-1996), The Open

etching, drypoint, and aquatint, 1941, pencil signed and titled lower margin, edition of 50, matted and framed. Platemark 10 x 13 7/8 in.; DOA 19 1/2 x 23 5/8 in. A richly-inked impression. Collection of Mr. & Mrs. Steve Dent, Jacksonville, FL

Lot: 473 - Rockwell Kent (American, 1882-1971), Five Signed

woodcuts, 1925, each pencil signed lower right, rare edition of 26 signed by Kent, one sheet with Arches watermark, matted, unframed. Image Size 7 1/2 x 5 3/8 in. (each approximately); Sheet Sizes 9 5/8 x 8 1/2 in. (first), 9 3/4 x 8 1/2 in.

Lot: 474 - Jamie Wyeth (American, b. 1946), S.O.S.

color drypoint etching, 1981, pencil signed and numbered 137/150 lower margin, matted and framed. Platemark 15 3/4 x 19 3/4 in.; DOA 32 x 36 in. A crisp impression on a clean sheet. Private Collection of a Lady, Hillsborough, NC Additional

Lot: 475 - Reed & Barton "Francis I" Sterling Silver Tea &

the seven piece service including a spirit kettle, coffee pot, teapot, sugar bowl with cover, parcel gilt creamer, waste bowl, and double handled tray (LOA 30.5 in.); no monograms, date symbols range from 1931 to 1935. 331.9 total troy oz. A

Lot: 476 - A Set of Four Gorham "Chantilly - Grand" Sterling

pattern number A602, weighted base, three with 1901 date symbol, the fourth without a date symbol, no monograms, each with original removable bobeche. 10 5/8 in. Rothschild's Inc. Antiques, New Orleans, LA A Private Collection, Raleigh, NC

Lot: 477 - Gorham "Buttercup" Sterling Silver Flatware

(163) pieces, service for twelve, including: (12) steak knives (9.25 in.); (12) knives (8.75 in.); (14) forks (7 in.) (nine with old hallmark); (12) salad forks (eleven with old hallmark); (12) butter spreaders (six with old hallmark); (11) cocktail

Lot: 478 - Gorham "Chantilly" Sterling Silver Flatware

(116) pieces including: (10) knives (9.5 in.); (6) knives (9 1/8 in.); (12) forks (7.5 in.); (8) forks (6 7/8 in.); (17) teaspoons; (6) gumbo soup spoons; (2) cream soup spoons; (6) bouillon spoons; (12) fruit spoons; (10) salad / fish forks (5.75

Lot: 479 - Wallace "Grande Baroque" Sterling Silver Flatware

(104) pieces including: (9) knives (9.75 in.); (10) forks (8 in.); (25) salad forks; (28) teaspoons; (10) cream soup spoons; (10) seafood / cocktail forks; (12) butter knives; no monograms. 128.25 total weighable troy oz. From the Estate of the

Lot: 480 - Wallace "Grande Baroque" Sterling Silver Flatware

(54) pieces, service for eight, including: (8) knives (9 in.); (8) forks (7.5 in.); (8) salad forks; (9) teaspoons; (8) iced tea spoons; (2) tablespoons; (3) salt spoons; (3) butter spreaders; child's fork (bent tine); pie server; and two-piece

Lot: 481 - Gorham "King Edward" Sterling Silver Flatware

(119) pieces including: (4) knives (9 1/8 in.); (11) knives (8 7/8 in.); (8) steak knives; (9) forks (7 1/8 in.); (5) forks (7.5 in.); (13) salad forks; (6) seafood / cocktail forks; (14) teaspoons; (8) cream soup spoons; (5) demitasse spoons; (8)

Lot: 482 - Gorham "Strasbourg" Sterling Silver Flatware

(111) pieces including: (7) knives (9 5/8 in.) (old hallmarks); (6) knives (8.5 in.) (old); (9) knives (8.75 in.) (new hallmarks); (4) steak knives (new); (13) forks (7 in.) (old); (6) forks (new); (5) salad forks (old); (7) salad forks (new); (11)

Lot: 483 - A Pair of Sterling Silver Five Light Candelabra

with London (1945) import marks and German hallmarks, two-part convertible form in the 18th century style, no monograms. HOA 12 5/8 in. 90.5 total troy oz. The Estate of Mary Gorham Bynum of Rockingham and Pinehurst, NC Additional high-resolution

Lot: 484 - Towle "Louis XIV" Sterling Silver Flatware

(99) pieces including: (8) knives with older blades (8 5/8 in.); (7) knives with newer blades (8.75 in.); (15) forks (7.25 in.); (14) salad forks; (12) round soup spoons; (11) teaspoons; (4) 5 o'clock spoons; (1) dessert / oval soup spoon; (12) iced

Lot: 485 - A Very Fine American Sterling Silver Tea & Coffee

mark of Durham Silver Co., circa 1950-1960, pattern number 224, hand-chased; a five piece service including coffee pot (11.5 in.), teapot, sugar bowl with cover, creamer, and waste bowl. No monograms, sold with a Wallace "Baroque" silverplate double

Lot: 486 - Reed & Barton "Georgian Rose" Sterling Silver

(85) pieces, service for eight, including: (8) knives (9 1/8 in.); (8) forks (7 in.); (8) salad forks; (8) iced tea spoons; (17) teaspoons; (8) seafood / cocktail forks; (8) cream soup spoons; (8) butter spreaders; (3) tablespoons; serving fork;

Lot: 487 - A Large Gorham Sterling Silver Punch Bowl

Paul Revere reproduction, with 1950 date symbol, pattern number 41663, no monogram. 7.5 x 14 in. diameter 74.7 troy oz. Estate of the Late Dr. Robert Hogan Gaskins Jr., of Greenville and Jacksonville, NC Additional high-resolution photos are

Lot: 488 - A Stieff for Colonial Williamsburg Sterling Silver

including a coffee pot (11.5 in.), sugar bowl, and creamer by Stieff presented on a round tray by Alvin; no monograms. 62.9 total troy oz. Estate of the Late Dr. Robert Hogan Gaskins Jr., of Greenville and Jacksonville, NC Additional

Lot: 489 - Oneida "Virginian" Sterling Silver Flatware

(72) pieces, service for twelve, including: (12) knives (9 1/8 in.); (12) forks (7 1/8 in.); (12) salad forks; (12) round soup spoons; (12) teaspoons; and (12) butter knives. No monograms. 65.15 weighable troy oz. Additional high-resolution

Lot: 490 - Towle "Louis XIV" Sterling Silver Flatware Service

(73) pieces including: (12) knives (9.25 in.); (6) forks (7.75 in.); (6) forks (7.25 in.); (12) salad forks; (12) teaspoons; (6) bouillon spoons; (7) butter spreaders; (6) tablespoons; casserole spoon; two-piece carving set; child's fork; and bon bon

Lot: 491 - A Set of Eight Sterling Silver Wine Goblets

mid-20th century, made in Mexico, hallmarked, no monograms. 7 in. 71.55 troy oz. Additional high-resolution photos are available at LelandLittle.com

Lot: 492 - Reed & Barton "Tapestry" Sterling Silver Flatware

(61) pieces, service for twelve, including: (12) knives (9 in.); (12) forks (7.5 in.); (12) salad forks; (12) oval soup / dessert spoons; (12) teaspoons; pie server; and (3) non-matching silverplate servers. No monograms. 65.65 total weighable troy

Lot: 493 - Towle "Silver Flutes" Sterling Silver Flatware

(60) pieces, service for eight, including: (8) knives (8.75 in.); (8) forks; (11) salad forks; (13) teaspoons; (6) cream soup spoons; (6) butter knives; gravy ladle; lemon fork; sugar spoon; tablespoon; pierced tablespoon; and (2) bon bon spoons. No

Lot: 494 - Gorham "Buttercup" Sterling Silver Flatware

(57) pieces including: (10) knives (8.5 in.); (13) forks (7 in.) (with old hallmarks); (1) fork (6.75 in.) (with old hallmark); (1) fork (7 in.) (new hallmark); (3) salad forks (6.75 in.) (new hallmark); (3) salad forks (6 3/8 in.) (new hallmark);

Lot: 495 - Four International "Royal Danish" Sterling Silver

the first a round vegetable bowl, pattern number D299-2; the second a bread tray, pattern number J46-2 (13 in.); the third a mayonnaise bowl, pattern number G23-2; and the fourth a large bon bon bowl, pattern number B163-2. No monograms. 50.35 total

Lot: 496 - Dominick & Haff "Pointed Antique" Sterling Silver

(48) pieces, service for eight, including: (8) knives (8 5/8 in.); (8) forks (7.25 in.); (8) salad forks; (8) dessert / oval soup spoons; (8) teaspoons; and (8) butter spreaders. With applied period monogram "MGB." 52.3 total weighable troy oz. The

Lot: 497 - Gorham "Camellia" Sterling Silver Flatware Service

(58) pieces, service for eight, including: (8) knives (9 1/8 in.); (8) forks (7.5 in.); (8) salad forks; (6) dessert / oval soup spoons; (8) teaspoons; (8) butter spreaders; (6) butter spreaders; master butter knife; lemon fork; serving fork; sugar

Lot: 498 - An American Sterling Silver Ewer

mark of Black, Starr & Frost of New York, NY, baluster form with hand-chased and repousse floral decoration, period script monogram to body below spout. 16.75 in. 35.5 troy oz. From the Collection of Charlotte Rodman, Southern Pines, NC

Lot: 499 - A Sterling Silver Platter of New Orleans Interest

retailed by Hausmann & Sons of New Orleans, early 20th century, unknown manufacturer, oval form, the flange with chased and repousse grapevine motif, no monogram. 18 x 12.5 in. 37.05 troy oz. As You Like It Silver Shop, New Orleans, LA A

Lot: 500 - S. Kirk & Son "Repousse" Sterling Silver Flatware

(84) pieces including: (8) knives (8 7/8 in.); (8) forks (7.25 in.); (8) salad forks; (10) teaspoons; (6) 5 o'clock spoons; (6) oval soup / dessert spoons; (8) iced tea spoons; (4) cream soup spoons; (8) butter spreaders; (2) child's spoons; (2)

Lot: 501 - S. Kirk & Son "Repousse" Sterling Silver Center

pattern number 179A, hand-decorated, no monogram. 3 x 11.5 in. diameter 21 troy oz. Additional high-resolution photos are available at LelandLittle.com

Lot: 502 - A Set of Six Sterling Silver Goblets by S. Kirk &

pattern number 4105, circa 1925-1932 hallmark, each with finely chased grapevine design, no monogram or engraving to open cartouche. 6.75 in. 32.2 total troy oz. Harper's Antiques, New Orleans, LA A Private Collection, Raleigh, NC Additional

Lot: 503 - A Very Fine S. Kirk & Son Sterling Silver Ewer

pattern number 50A, circa 1896-1924 hallmark, hand-chased and repousse grape vine design to elegantly tall baluster form body, the scroll handle terminating in a dolphin mask as it connects to the rim, no monogram or engraving. 15 in. 34 troy oz.

Lot: 504 - An Antique Gorham Sterling Silver Demitasse Set

three pieces including a coffee pot in the Turkish style (9 in.), sugar bowl, and creamer; each with 1892 date symbol, pattern number 3815, no monograms. 28.25 total troy oz. Additional high-resolution photos are available at LelandLittle.com

Lot: 505 - Three Antique Sterling Silver Tablewares, Tiffany

the first a round tray in the "Chrysanthemum (flowers and buds)" pattern with circa 1892-1902 hallmark, pattern number 5766, with ornate period monogram to center "SHG" and foliate scrollwork to rim (12 in. diameter); the second a small Art Nouveau

Lot: 506 - A Tiffany & Co. Sterling Silver Hot Milk Jug

made by William Gale for Tiffany & Co., circa 1860-1865, with period "ESP" monogram to body, decorative elements in the Grecian style and raised on four finely cast paw feet, hinged cover. 7.5 in. 15.65 troy oz. Additional high-resolution

Lot: 507 - A Boston Coin Silver Water Pitcher

mark of Newell Harding & Co., circa 1830-1860, hand-chased floral and scroll decoration, later ribbon style monogram to waist. 14.25 in. 24.2 troy oz. Additional high-resolution photos are available at LelandLittle.com

Lot: 508 - Asheville Arts & Crafts Period Sterling Silver

mark of Paul Greene, hand-wrought, a round platter engraved "North Carolina Open Tennis Championship / 1931 / Mens Singles" and with applied medallion for the Biltmore Forest Country Club. 13 in. diameter 27.8 troy oz. From the Estate of the late

Lot: 509 - A Set of Twelve Art Deco Sterling Silver Tumblers

mark of Meriden Brittania Co. of Connecticut, pattern number WP462, each with period monogram "HGB." 5 3/8 in. 65.5 total troy oz. The Estate of Mary Gorham Bynum of Rockingham and Pinehurst, NC Additional high-resolution photos are available at

Lot: 510 - Reed & Barton "Hampton Court" Sterling Silver Tea

six pieces including coffee pot (8.75 in.), teapot, sugar bowl with cover, parcel gilt creamer, parcel gilt waste bowl, and double handled serving tray (LOA 24.5 in.); no monograms, with 1953 date symbols. 162.1 total troy oz. The Estate of Mary

Lot: 511 - Lunt "Chateau Thierry" Sterling Silver Flatware

(169) pieces, service for eighteen, including: (18) knives (8 7/8 in.); (18) forks (7.25 in.); (13) salad forks; (26) 5 o'clock spoons; (12) teaspoons; (6) gumbo soup spoons; (6) cream soup spoons; (12) bouillon spoons; (12) demitasse spoons; (12)

Lot: 512 - A Large Sterling Silver Trumpet Vase

mark of Graff, Washbourne, & Dunn, retailed by Cowell & Hubbard Co. of Cleveland, with Neoclassical style engraved decoration and period monogram. 15 in. 34.4 troy oz. Additional high-resolution photos are available at LelandLittle.com

Lot: 513 - Georg Jensen "Acanthus" Sterling Silver Flatware

(54) pieces, service for twelve, including: (12) knives (9 in.); (12) forks (7 1/8 in.); (12) salad forks; (12) small teaspoons; and (6) grapefruit spoons. No monograms. 49.4 total weighable troy oz. Additional high-resolution photos are

Lot: 514 - An Antique German .800 Silver Figural Centerpiece

circa 1900, unidentified maker, the circular tazza with cutwork flange held aloft by four finely cast cherubs, hallmarks to central medallion featuring a vignette of lovers in 18th century attire. 5 x 17 in. diameter 51 troy oz. Additional

Lot: 515 - Birks Sterling Silver Tray and Sauce Boat &

the first a double handled oval serving tray with engraved floral and foliate decoration, raised on four button feet, no monogram (LOA 21.25 in.); and a sauce boat marked "Original Hall Marked 1755" and with matching undertray, no monograms. 63.75

Lot: 516 - A Victorian Silver Tea & Coffee Service

mark of Martin, Hall & Co., London (1876) hallmarks, the four piece service including a coffee pot (11.75 in.), teapot, sugar bowl, and creamer; each with period armorial engraving to one side, each with ornate hand-chased floral and foliate

Lot: 517 - An Edwardian Silver Tea & Coffee Service

mark of William Aitken, Birmingham (1904) hallmarks, four pieces including a coffee pot (9.5 in.), teapot, sugar bowl, and creamer; each with period monogram "KSG" and English registry number 407137. 63.05 total troy oz. The Estate of Mary Gorham

Lot: 518 - A George V Silver Tea & Coffee Service

mark of Ellis Jacob Greenberg, London (1929); the five piece service in the 18th century Neoclassical style and including a coffee pot (7 5/8 in.), teapot, sugar bowl with cover, creamer, and waste bowl; no monograms; of elegant restrained design

Lot: 519 - A George V Silver Presentation Salver

mark of William Hutton & Sons, Sheffield (1915) hallmarks, in the Chippendale style and raised on three hoof feet, the center engraved "Presented to / Sir Richard Burbridge 1st Bart. / Chairman of / Dickins & Jones Limited / by the /

Lot: 520 - A Large George V Silver Presentation Trophy Cup

mark of S. Blanckensee & Sons Ltd., Chester (1930) hallmarks, engraved to one side "1922-1932 / A / Joseph Berggrun / SES Collaborateurs / En Commemoration Du 10em Anniversaire / De La Fondation Du Conservatoire" and with thirteen signatures

Lot: 521 - An Elizabeth II Silver Wine Cooler

mark of J. A. Campbell of London, 2000, classic contemporary cylindrical form with applied bar handles, no monograms or engraving. 8 in. 39.2 troy oz. A Private Collection, Raleigh, NC Additional high-resolution photos are available at




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