Auction Information
Auctioneer Swann Auction Galleries 212-254-4710
Auction Date Jun 14 Auction
Location
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New York, NY
Time 01:30PM
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Lot: 1 - THOMAS WORTH Jockey.

THOMAS WORTH Jockey. Watercolor and pencil on paper. 390x540 mm; 15 1/4x21 1/4 inches. Signed in ink, lower left recto. Worth (1834-1917) was one of America's most prolific 19th century illustrators and among the foremost contributors of

Lot: 2 - THOMAS WORTH Piere Lorillard Horses Exercising at

THOMAS WORTH Piere Lorillard Horses Exercising at East Islip, New York. Watercolor and pencil on card stock. 355x551 mm; 14x21 3/4 inches. Signed in ink, lower left recto; titled and inscribed "Robert Bonner Driving His Trotters" in ink, lower

Lot: 3 - THOMAS WORTH "You Pulled the Horse," A Country

THOMAS WORTH "You Pulled the Horse," A Country Race Track. Watercolor and pencil on card stock. 362x545 mm; 14 1/4x21 1/2 inches. Signed in ink, lower left recto and titled in ink, lower right recto.

Lot: 4 - THOMAS SULLY Nicholas Biddle.

THOMAS SULLY Nicholas Biddle. Pencil on cream laid paper, circa 1828. 180x145 mm; 7 1/8x5 3/4 inches. Ex-collection private collection, New Jersey. Sully (1783-1872) was an American portrait painter who was active in Philadelphia.

Lot: 5 - THOMAS COLE Italianate Lake Scene.

THOMAS COLE Italianate Lake Scene. Pencil on paper, circa 1840. 87x155 mm; 3 1/2x6 1/8 inches. Signed in pencil, lower left recto.

Lot: 6 - SAMUEL COLMAN Autumn Twilight: Farmington,

SAMUEL COLMAN Autumn Twilight: Farmington, Connecticut. Watercolor on paper, 1888. 254x432 mm; 10x17 inches. Signed and dated in ink, lower left recto. Ex-collection Mrs. H.O. Havemeyer, New York; sold her estate sale, Anderson Galleries,

Lot: 7 - FREDERICK DICKINSON WILLIAMS Landscape at Sunset.

FREDERICK DICKINSON WILLIAMS Landscape at Sunset. Oil on canvas, 1868. 355x255 mm; 14x10 inches. Signed and dated in oil, lower right recto.

Lot: 8 - WORTHINGTON WHITTREDGE River Landscape with

WORTHINGTON WHITTREDGE River Landscape with Sailboat. Oil on canvas. 320x197 mm; 12 1/2x7 3/4 inches. Signed in oil, lower right recto. Ex-collection private collection, New York. Whittredge (1820-1910) was a largely self-taught artist

Lot: 9 - J.G. HULETT Hudson River Landscape.

J.G. HULETT Hudson River Landscape. Oil on canvas. 540x895 mm; 21x35 1/4 inches. Signed in oil, lower right recto. Ex-collection private collection, New York.

Lot: 10 - ALFRED THOMPSON BRICHER Landscape.

ALFRED THOMPSON BRICHER Landscape. Oil on canvas, 1892. 236x280 mm; 9 3/8x11 1/8 inches. Signed with the artist's monogram and dated in oil, lower left recto. Ex-collection private collection, New York.

Lot: 11 - JOSEPH HENRY SHARP Still Life with Poppies.

JOSEPH HENRY SHARP Still Life with Poppies. Oil on canvas, 1890. 580x405 mm; 22 3/4x16 inches. Signed and dated in oil, lower left recto. Ex-collection private collection, New York. Sharp (1859-1953) was an American painter known

Lot: 12 - JOHN SINGER SARGENT Head of a Young Girl.

JOHN SINGER SARGENT Head of a Young Girl. Pencil on cream wove paper on tan card stock mount, circa 1875-78. 160x155mm; 6 1/4x6 1/8 inches. Signed in pencil, upper left recto. Sold Sotheby's, London, March 5, 1930, lot 115; L. Crispin

Lot: 13 - ELIHU VEDDER Lazarus Rising from the Tomb.

ELIHU VEDDER Lazarus Rising from the Tomb. Charcoal on board, circa 1899. 330x442 mm; 13x17 3/8 inches. Signed in charcoal, lower left recto. This is a study for the same-titled oil, 1899, now in the collection of the Museum of Fine Arts,

Lot: 14 - RICHARD E. MILLER Along the Seine, Paris.

RICHARD E. MILLER Along the Seine, Paris. Oil on canvas, circa 1899. 455x380 mm; 18x15 inches. Signed in oil, lower right recto. Offered Christie's, New York, September 28, 2010, lot 183; private collection, New York.

Lot: 15 - JOSEPH PENNELL The Spanish Steps, Rome.

JOSEPH PENNELL The Spanish Steps, Rome. Pen and ink and wash on paper, 1894. 349x542 mm; 13 3/4x21 3/8 inches. Initialed and dated in ink, lower left recto. Pennell (1857-1926) was born and trained in Philadelphia. Inspired by James A. M.

Lot: 16 - FREDERIC REMINGTON Study of a Soldier.

FREDERIC REMINGTON Study of a Soldier. Pen and ink on paper, circa 1900. 232x125 mm; 9 1/8x5 inches. Acquired Malbert Fine Arts, Chicago, by the current owner, with a copy of the original receipt; private collection, Florida.

Lot: 17 - CLAUDE (CLAUDINE) RAGUET HIRST Still Life with a

CLAUDE (CLAUDINE) RAGUET HIRST Still Life with a Pipe and Playing Cards. Watercolor on paper adhered to board. 385x325 mm; 15 1/4x12 3/4 inches. Signed and inscribed "N.Y." in watercolor, lower right recto. Hirst (1855-1942) began her

Lot: 18 - ARTHUR WESLEY DOW Landscape.

ARTHUR WESLEY DOW Landscape. Oil on board circa 1900-10. 266x227 mm; 10 1/2x8 7/8 inches. Initialed "AWD" in pencil, lower left verso. Ex-collection Columbia University Teachers College, New York; J. Mathieson Fine Art, New York; private

Lot: 19 - WILLIAM BRADFORD Inspiration Point, Yosemite.

WILLIAM BRADFORD Inspiration Point, Yosemite. Oil on board, 1879. 460x630 mm; 18x24 3/4 inches. Signed in oil, lower right recto. Ex-collection private collection, Massachusetts. This work has been reviewed and authenticated by

Lot: 20 - HOWARD RUSSELL BUTLER Arizona Sunset.

HOWARD RUSSELL BUTLER Arizona Sunset. Oil on canvas, 1907. 450x625 mm; 17 3/4x24 1/2 inches. Signed in oil, lower right recto.

Lot: 21 - EDGAR ALWIN PAYNE Turn in Canyon de Chelly,

EDGAR ALWIN PAYNE Turn in Canyon de Chelly, Arizona. Pencil on paper. 195x245 mm; 7 3/4x9 3/4 inches. Signed in pencil, lower right recto. With the original artist's label on the frame back. Ex-collection Elsie Payne, Los Angeles; private

Lot: 22 - BERTRAM HARTMAN Two oils on board.

BERTRAM HARTMAN Two oils on board. Both circa 1916. Both 160x215 mm; 6 1/4x8 1/2 inches. One inscribed "Canon de Chelly Arz. 1916 No. 47" in pencil, verso. Both ex-collection Zabriskie Gallery, New York.

Lot: 23 - JOSEPH PENNELL Ships in New York Harbor, Fog.

JOSEPH PENNELL Ships in New York Harbor, Fog. Watercolor and gouache on paper. 245x320 mm; 9 3/4x12 1/2 inches. Signed in pencil, upper left recto.

Lot: 24 - JOSEPH PENNELL View of New York Harbor, Winter.

JOSEPH PENNELL View of New York Harbor, Winter. Watercolor and gouache on paper. 220x300 mm; 8 3/4x11 7/8 inches. Signed in pencil, lower right recto. Ex-collection private collection, New York.

Lot: 25 - JOHN MARIN St. Martin-in-the-Field, Trafalgar

JOHN MARIN St. Martin-in-the-Field, Trafalgar Square, London. Watercolor on paper, 1908. 390x282 mm; 15 3/8x11 inches. Signed and dated "08" in watercolor, lower right recto. Ex-collection Photo-Secession Gallery, New York; private

Lot: 26 - ROBERT HENRI Standing Nude.

ROBERT HENRI Standing Nude. Watercolor and black chalk on cream wove paper. 505x315 mm; 20x12 1/2 inches. Acquired Swann Auction Galleries, New York, June 15, 2017, sale 2452, lot 72, by the current owner; private collection, New York.

Lot: 27 - ARTHUR B. DAVIES Four Draped Female Figures.

ARTHUR B. DAVIES Four Draped Female Figures. Charcoal and pastels on gray laid paper. 325x530 mm; 12 3/4x20 7/8 inches. Ex-collection Zabriskie Gallery, New York, with the labels on the frame back.

Lot: 28 - ALFRED H. MAURER Portrait of a Woman.

ALFRED H. MAURER Portrait of a Woman. Oil on board, circa 1920. 545x285 mm; 21 1/2x11 1/4 inches. Signed in ink, lower right recto. Ex-collection private collection, New York.

Lot: 29 - ARTHUR B. DAVIES Female Figures.

ARTHUR B. DAVIES Female Figures. White chalk on black paper. 550x1255 mm; 21 3/4x49 1/2 inches. Ex-collection Gallery 63, New York, with the label on the frame back; private collection, New York.

Lot: 30 - ARTHUR B. DAVIES Male Figures.

ARTHUR B. DAVIES Male Figures. White chalk on black paper. 550x1255 mm; 21 3/4x49 1/2 inches. Ex-collection Gallery 63, New York, with the label on the frame back; private collection, New York.

Lot: 31 - CARL SPRINCHORN Standing Female Figure.

CARL SPRINCHORN Standing Female Figure. Charcoal on paper, circa 1920. 252x202 mm; 10x8 inches. Initialed in ink, lower right recto. Ex-collection Zabriskie Gallery, New York.

Lot: 32 - JULIEN ALDEN WEIR Coastal Scene with a Sailboat.

JULIEN ALDEN WEIR Coastal Scene with a Sailboat. Color pastels on board, 1913. 305x170 mm; 12x6 3/4 inches. Ex-collection the estate of the artist, Connecticut, thence by descent; private collection, New York. Weir (1852-1919) was a

Lot: 33 - GEORGE LUKS A Day at the Zoo.

GEORGE LUKS A Day at the Zoo. Watercolor and pencil on paper, circa 1910-15. 257x197 mm; 10 1/8x7 3/4 inches. Signed in pencil, upper right recto. Ex-collection ACA Gallery, New York; private collection, New York; Davis Galleries, New

Lot: 34 - JEROME MYERS View of Paris.

JEROME MYERS View of Paris. Pencil on paper, 1914. 308x230 mm; 12 1/8x9 inches. Signed, dated "July 1914" and inscribed "Paris" in pencil, lower right recto. Ex-collection Kraushaar Galleries, New York; Margaret and Raymond Horowitz, New

Lot: 35 - JOHN SLOAN South Beach Bathers, Staten Island.

JOHN SLOAN South Beach Bathers, Staten Island. Oil on canvas, 1908. 317x445 mm; 12 5/8x17 1/2 inches. Signed in oil, lower left recto. Acquired from the Estate of Meyer P. and Vivian O. Potamkin by the current owner. Exhibited "The

Lot: 36 - WILLIAM GLACKENS Le Royal Conti-Isle Adam.

WILLIAM GLACKENS Le Royal Conti-Isle Adam. Oil on canvas, circa 1926. 380x507 mm; 15x20 inches. Ex-collection the estate of the artist; thence by descent to Ira Glackens, the artist's son; private collection, New York; sold Shannon's Fine

Lot: 37 - ERNEST ALBERT River Landscape at Sunset.

ERNEST ALBERT River Landscape at Sunset. Oil on canvas, 1937. 365x440 mm; 14 3/8x17 3/8 inches. Signed and dated in oil, lower right recto. Ex-collection private collection, New York.

Lot: 38 - IRVING RAMSEY WILES Tugboat in the Fog, New York.

IRVING RAMSEY WILES Tugboat in the Fog, New York. Watercolor on paper. 355x490 mm; 14x19 1/4 inches. Signed in blue crayon, lower left recto. Ex-collection Chapellier Galleries, New York, with the label on the frame back; private

Lot: 39 - MARTHA WALTER Beach Scene.

MARTHA WALTER Beach Scene. Oil on board. 232x288 mm; 9 1/8x11 3/8 inches. Signed in oil, lower right recto. Ex-collection Christine and R. Barclay Scull, Pennsylvania; private collection, New York. Walter (1875-1976) was an American

Lot: 40 - GERALD BROCKHURST Still Life with Flowers.

GERALD BROCKHURST Still Life with Flowers. Oil on canvas. 502x600 mm; 19 3/4x23 5/8 inches. Initialed in oil (indistinctly), lower right recto, and signed in pencil, verso.

Lot: 41 - HENRI FARRE Roses on a Glass Table.

HENRI FARRE Roses on a Glass Table. Oil on canvas, 1926. 632x985 mm; 24 3/4x38 3/4 inches. Signed and dated in oil, lower right recto. Ex-collection private collection, New York.

Lot: 42 - CLARENCE K. CHATTERTON View of a Church.

CLARENCE K. CHATTERTON View of a Church. Oil on canvas. 545x457 mm; 21 1/2x17 5/8 inches. Signed in oil, lower left recto. Ex-collection The Madison Gallery, Atlanta, with the label on the frame back; private collection, Vermont.

Lot: 43 - LOUIS ASTON KNIGHT River Landscape.

LOUIS ASTON KNIGHT River Landscape. Oil on canvas. 380x470 mm; 15x18 1/2 inches. Signed in oil, lower left recto. Acquired Phillips, New York, January 30, 1985, lot 476; thence by descent to the current owner; private collection, New York.

Lot: 44 - ERNEST HASKELL California Landscape.

ERNEST HASKELL California Landscape. Watercolor on wove paper, circa 1924. 300x457 mm; 12x17 3/4 inches. Signed in watercolor, lower left recto. Acquired directly from the artist; thence by descent to the current owner; private collection,

Lot: 45 - SAMUEL ROTHBORT My Daughter's Dolls.

SAMUEL ROTHBORT My Daughter's Dolls. Oil on board, circa 1915. 480x375 mm; 18 7/8x14 3/4 inches. Signed in oil, lower left recto. Rothbort (1882-1971) was born in Volkovist, Russia, and survived early on as a cantor, traveling to various

Lot: 46 - EVERETT SHINN Portrait Study of a Woman.

EVERETT SHINN Portrait Study of a Woman. Color pastels and charcoal on cream wove paper, 1908. 175x124 mm; 7x4 7/8 inches. Signed and dated in pencil, lower center recto.

Lot: 47 - EVERETT SHINN Bathing Nude with Towel.

EVERETT SHINN Bathing Nude with Towel. Color pastels on card stock, 1945. 285x190 mm; 11 1/4x7 1/2 inches. Signed and dated in black crayon, lower right recto. Ex-collection Davis Galleries, New York, with the label on the frame back;

Lot: 48 - EVERETT SHINN Group of Figures on a Garden

EVERETT SHINN Group of Figures on a Garden Terrace. Oil on canvas, circa 1907. 247x296 mm; 9 3/4x11 3/4 inches. This work and the following lot are likely related to Shinn's mural decorations for the Belasco Theatre on West 44th Street,

Lot: 49 - EVERETT SHINN Group of Figures at a Garden

EVERETT SHINN Group of Figures at a Garden Fountain. Oil on canvas, circa 1907. 250x300 mm; 9 7/8x11 3/4 inches. With--A copy of a letter of authenticity from the artist's son, David Shinn, dated January 30, 1966.

Lot: 50 - EVERETT SHINN The Rehearsal.

EVERETT SHINN The Rehearsal. Watercolor and pencil on paper. 245x205 mm; 9 3/4x8 1/8 inches. According to a 1964 letter of authenticity from the artist's son, David Shinn, accompanying this lot, this watercolor was created as a study for a

Lot: 51 - JOSEPH STELLA The Sewing Lesson.

JOSEPH STELLA The Sewing Lesson. Charcoal and pencil on paper, 1908. 584x365 mm; 23x14 1/2 inches. Signed and dated in pencil, lower left recto. Ex-collection Dr. Robert Gross, New Jersey; Harry Salpeter Gallery, New York, with the

Lot: 52 - JOSEPH STELLA Man Seated at a Window.

JOSEPH STELLA Man Seated at a Window. Charcoal and color pastels on paper. 380x292 mm; 15x11 1/2 inches. Signed in charcoal, lower right recto. Ex-collction Zabriskie Gallery, New York, with the label on the frame back. With-- Volcano,

Lot: 53 - OSCAR BLUEMNER Group of 6 figure drawings.

OSCAR BLUEMNER Group of 6 figure drawings. Pencil and color pencils on paper, 1897-1907. Two initialed in pencil, two dated, and three titled in pencil. Includes drawings of the artist's children, two portraits of a man and a young male nude

Lot: 54 - OSCAR BLUEMNER Group of 5 landscape pencil

OSCAR BLUEMNER Group of 5 landscape pencil drawings. Fort Lee, 1904. Signed, titled and dated in pencil, lower recto * Bloomfield, 1917. Signed, dated and titled in pencil, lower left recto * Soho, 1917. Signed, titled, dated and inscribed

Lot: 55 - OSCAR BLUEMNER Group of 5 landscape drawings.

OSCAR BLUEMNER Group of 5 landscape drawings. Bloomfield Plane, charcoal on tan wove paper, 1917. Signed, titled, dated and inscribed "6P SW" in pencil, lower recto * Bloomfield Lock, pencil on tan wove paper, 1917. Signed, titled, dated and

Lot: 56 - OSCAR BLUEMNER Group of 4 landscape drawings.

OSCAR BLUEMNER Group of 4 landscape drawings. Landscape, pen and ink on cream wove paper, 1913. Signed and dated in ink, lower left recto * Canalbänke, pencil and pen and ink on tan wove paper, 1916. Signed in black crayon and titled in

Lot: 57 - OSCAR BLUEMNER Group of 5 drawings.

OSCAR BLUEMNER Group of 5 drawings. Color pencils, color pastels and pencil on paper, 1928-35. One initialed and annotated with the artist's monogram in ink, two dated and annotated in pencil. Various sizes and conditions. Ex-collection

Lot: 58 - OSCAR BLUEMNER Group of 6 landscape drawings.

OSCAR BLUEMNER Group of 6 landscape drawings. Watercolors and pencil on paper, circa 1907-09. Three with the artist's monogram, dated and annotated in pencil; one dated in color pencils. Various sizes and conditions. Ex-collection private

Lot: 59 - OSCAR BLUEMNER Group of 6 pencil and charcoal

OSCAR BLUEMNER Group of 6 pencil and charcoal landscape drawings. Morris Canal, 1909. Signed, titled and dated in pencil, lower left recto * Hudson River 159 St., 1910. Signed, titled, dated and annotated "9:30 M" in pencil, lower right recto

Lot: 60 - GEORGE C. AULT Dunes.

GEORGE C. AULT Dunes. Pencil on cream wove paper, 1923. 190x278 mm; 7 1/2x11 inches. Signed and dated in pencil, lower right recto. Acquired directly from the artist's wife, with a copy of the bill of sale dated May 15, 1971, by the

Lot: 61 - NILES SPENCER Street Scene.

NILES SPENCER Street Scene. Pencil on paper, 1921. 395x305 mm; 15 1/2x12 inches. Signed and dated in pencil, lower right recto. Ex-collection Zabriskie Gallery, New York; and Kraushaar Galleries, New York, with the labels on the mat back.

Lot: 62 - ABRAHAM WALKOWITZ Bathers.

ABRAHAM WALKOWITZ Bathers. Oil on canvas, circa 1910. 552x763 mm; 21 3/4x30 1/8 inches. Signed in oil, lower right recto. Ex-collection Zabriskie Gallery, New York. Walkowitz (1878-1965) was born in Siberia to Jewish parents and

Lot: 63 - ABRAHAM WALKOWITZ Barns.

ABRAHAM WALKOWITZ Barns. Oil on canvas mounted on board. 450x550 mm; 17 3/4x21 3/4 inches. Signed in oil, lower right recto. Ex-collection Zabriskie Gallery, New York.

Lot: 64 - ABRAHAM WALKOWITZ Dock Scene.

ABRAHAM WALKOWITZ Dock Scene. Watercolor and pencil on paper. 380x550 mm; 15x21 3/4 inches. Signed in ink, lower left recto. Acquired directly from the Estate of Abraham Walkowitz by the current owner; private collection, New York.

Lot: 65 - ABRAHAM WALKOWITZ Rocky Cove.

ABRAHAM WALKOWITZ Rocky Cove. Watercolor on paper. 400x475 mm; 15 3/4x18 3/4 inches. Signed in ink, lower right recto, and titled in pencil, verso. Ex-collection Zabriskie Gallery, New York.

Lot: 66 - ABRAHAM WALKOWITZ Isadora Duncan.

ABRAHAM WALKOWITZ Isadora Duncan. Watercolor, pen and ink and pencil on paper. 353x215 mm; 14x8 1/2 inches. Signed in ink, lower center recto. Ex-collection private collection, Los Angeles.

Lot: 67 - ABRAHAM WALKOWITZ Bathers on Rocks.

ABRAHAM WALKOWITZ Bathers on Rocks. Watercolor and pencil on paper. 420x555 mm; 16 1/2x21 3/4 inches. Signed in ink, lower right recto. Acquired directly from the Estate of Abraham Walkowitz, by the current owner; private collection, New

Lot: 68 - ABRAHAM WALKOWITZ Two watercolors.

ABRAHAM WALKOWITZ Two watercolors. Isadora Duncan, Arms Outstretched. 280x200 mm; 11x7 3/4 inches * Isadora Duncan, Arms Closed. 280x155 mm; 11x6 1/8 inches. Signed in pencil, lower left recto.

Lot: 69 - ABRAHAM WALKOWITZ Two watercolors of Isadora

ABRAHAM WALKOWITZ Two watercolors of Isadora Duncan. Isadora Duncan in Green. 352x215 mm; 13 7/88 1/2 inches. Signed in pen and ink, lower right recto * Isadora Duncan in Blue. 352x215 mm; 13 7/88 1/2 inches. Signed in pen and ink, lower

Lot: 70 - ABRAHAM WALKOWITZ Three watercolors of Isadora

ABRAHAM WALKOWITZ Three watercolors of Isadora Duncan. Watercolor and pen and ink, one over pencil, on paper. Each approximately 255x200 mm; 10x7 7/8 inches. Each signed in pen and ink, lower right recto. Each acquired directly from the

Lot: 71 - ABRAHAM WALKOWITZ Three figure drawings.

ABRAHAM WALKOWITZ Three figure drawings. Each pencil on paper, circa 1918. Each 265x170 mm; 10 1/2x6 3/4 inches. Each signed, one dated, in pencil, lower recto. Ex-collection private collection, South Carolina.

Lot: 72 - ABRAHAM WALKOWITZ Three figure drawings.

ABRAHAM WALKOWITZ Three figure drawings. Each pencil and pen and ink on paper, circa 1918. Each 265x170 mm; 10 1/2x6 3/4 inches. Each signed in ink, two dated "1918" in pencil, lower recto. Ex-collection private collection, South Carolina.

Lot: 73 - ABRAHAM WALKOWITZ Anthropomorphic Abstract.

ABRAHAM WALKOWITZ Anthropomorphic Abstract. Color crayons and pencil on paper, 1912. 432x278 mm; 17x11 inches. Signed and dated in pencil, lower right recto. Ex-collection Zabriskie Gallery, New York.

Lot: 74 - ABRAHAM WALKOWITZ Abstraction (Vertical).

ABRAHAM WALKOWITZ Abstraction (Vertical). Pencil and pen and ink on paper. 350x215 mm; 13 3/4x8 1/2 inches. Signed in ink, lower right recto. Acquired directly from the Estate of Abraham Walkowitz, by the current owner; private collection,

Lot: 75 - ABRAHAM WALKOWITZ Three abstract studies.

ABRAHAM WALKOWITZ Three abstract studies. Each pen and ink on paper. Each 170x135 mm; 6 3/4x5 1/4 inches. Two initialed in ink, lower recto; two signed in ink, lower recto; two signed on the verso. Acquired directly from the Estate of

Lot: 76 - CHARLES BURCHFIELD Brook.

CHARLES BURCHFIELD Brook. Watercolor and pencil on paper, 1916. 300x225 mm; 11 3/4x8 7/8 inches. Signed and dated in pencil, lower right recto, and dated "March 1916" in pencil, verso. Ex-collection private collection, South Carolina.

Lot: 77 - CHARLES BURCHFIELD Untitled (Trees).

CHARLES BURCHFIELD Untitled (Trees). Watercolor and pencil on paper, 1916. 232x225 mm; 9 1/8x8 7/8 inches. Signed and dated in pencil, lower left recto. Ex-collection Brian Art Galleries, Buffalo, New York, 1987; private collection, New

Lot: 78 - CHARLES BURCHFIELD January Spring (Rooftops).

CHARLES BURCHFIELD January Spring (Rooftops). Watercolor and gouache on paper, 1918. 177x252 mm; 7x9 7/8 inches. Titled and dated "January 29, 1918" in pencil, verso. Ex-collection private collection, New York; thence by descent.

Lot: 79 - CHARLES BURCHFIELD January Spring.

CHARLES BURCHFIELD January Spring. Watercolor and gouache on paper, 1918. 172x251 mm; 6 3/4x9 7/8 inches. Titled and dated "Jan 29, 1918" in pencil, verso. Ex-collection private collection, New York; thence by descent. Accompanying

Lot: 80 - CHARLES BURCHFIELD Half Past Five.

CHARLES BURCHFIELD Half Past Five. Watercolor and gouache on paper, 1917. 350x251 mm; 13 7/8x10 inches. Titled and dated "Jan 2, 1917" in black crayon, verso. Ex-collection private collection, New York; thence by descent. Accompanying

Lot: 81 - CHARLES BURCHFIELD Lone Tree in Landscape.

CHARLES BURCHFIELD Lone Tree in Landscape. Watercolor and gouache on paper, circa 1916-20. 355x505 mm; 14x20 inches. Ex-collection private collection, New York; thence by descent. Accompanying this lot is a research report

Lot: 82 - CHARLES BURCHFIELD Red Trees Against the Lake.

CHARLES BURCHFIELD Red Trees Against the Lake. Watercolor and gouache on paper, 1915. 228x332 mm; 9x12 inches. Dated "Oct 1915" in pencil, verso. Ex-collection private collection, New York; thence by descent. Published in John W.

Lot: 83 - CHARLES BURCHFIELD Study for "Return of the

CHARLES BURCHFIELD Study for "Return of the Bluebirds". Brush and ink and wash and pencil on paper, 1952. 205x280 mm; 8x11 inches. Initialed and dated in pencil, lower left recto. Ex-collection Kathleen King; Thomas French Fine Art, Ohio,

Lot: 84 - CHARLES BURCHFIELD November Sunrise.

CHARLES BURCHFIELD November Sunrise. Pencil on paper, circa 1920. 149x391 mm; 5 7/8x9 3/8 inches. Titled in pencil, lower left recto. Ex-collection Brian Art Galleries, Buffalo; Geraldine Kelly Fine Art, Clarence, New York, with the labels

Lot: 85 - WILLIAM ZORACH Lighthouse, Fire Island, New York.

WILLIAM ZORACH Lighthouse, Fire Island, New York. Watercolor on cream wove paper, circa 1920. 365x530 mm; 14 1/2x21 inches. Signed in ink, lower right recto. Ex-collection The Downtown Gallery, New York, with the original label on the

Lot: 85A - WILLIAM YARROW Still Life.

WILLIAM YARROW Still Life. Oil on canvas, circa 1920. 760x630 mm; 30x24 3/4 inches. Signed in oil, lower right recto. Yarrow (1891-1941) was an American painter and muralist who was primarily active in Philadelphia. He studied at the

Lot: 86 - ROCKWELL KENT Walking Woman.

ROCKWELL KENT Walking Woman. Watercolor and gouache on paper, circa 1926. 245x346 mm; 9 1/2x13 3/4 inches. Ex-collection the Estate of Kathleen Kent Finney, Rockwell Kent's daughter; private collection, California.

Lot: 87 - ROCKWELL KENT Reverence.

ROCKWELL KENT Reverence. Gouache on paper on board, 1926. 230x305 mm; 9x12 inches. Signed and dated in pen and ink, lower left recto. Ex-collection the Estate of Barbara Kent Carter, Rockwell Kent's daughter; private collection,

Lot: 88 - GUY PÈNE DU BOIS Three Seated Men.

GUY PÈNE DU BOIS Three Seated Men. Watercolor and pencil on paper, 1926. 220x330 mm; 8 3/4x13 inches. Signed, dated and inscribed "Paris" in pencil, lower right recto. Ex-collection private collection, Pennsylvania.

Lot: 89 - HAYLEY LEVER Portrait of a Woman.

HAYLEY LEVER Portrait of a Woman. Oil on canvas, circa 1930. 541x440 mm; 31 3/8x17 1/4 inches. Ex-collection Zabriskie Gallery, New York, with the inventory number on the upper stretcher bar, verso. Though best known as a landscape and

Lot: 90 - LEOPOLD SEYFFERT Portrait of Bobbi Vernon (Mrs.

LEOPOLD SEYFFERT Portrait of Bobbi Vernon (Mrs. Leopold Seyffert). Oil on canvas, circa 1932. 902x748 mm; 35 3/8x29 1/2 inches. Signed and inscribed with the artist's studio address, "1 West 67 Street NYC" in oil, verso. Ex-collection the

Lot: 91 - BEATRICE WHITNEY VAN NESS Portrait of Barbara

BEATRICE WHITNEY VAN NESS Portrait of Barbara Bremer. Oil on canvas. 1004x752 mm; 39 3/8x29 1/2 inches. Signed in oil, lower right recto. Ex-collection the Copley Society of Boston, with the original label on the frame back. Van Ness

Lot: 92 - WILLIAM JEAN BEAULEY The New York Public Library

WILLIAM JEAN BEAULEY The New York Public Library from Fifth Avenue. Oil on board. 290x395 mm; 11 1/2x15 1/2 inches. Signed in oil, lower left recto.

Lot: 93 - GUY C. WIGGINS Coastal Scene with a Boat

GUY C. WIGGINS Coastal Scene with a Boat Oil on canvas on board, circa 1945. 295x390 mm; 11 3/4x15 1/2 inches. Signed and inscribed "NA" in oil, lower left recto. Acquired directly from the artist through The Old Lyme Art Association, Old

Lot: 94 - GUY C. WIGGINS Snow Storm, New York Public

GUY C. WIGGINS Snow Storm, New York Public Library, Fifth Avenue. Oil on board. 252x204 mm; 10x8 inches. Signed in oil, lower right recto. Ex-collection private collection, Tennessee. Wiggins (1883-1962) was born in Brooklyn into an

Lot: 95 - GUY C. WIGGINS St. Patrick's, New York, in Winter.

GUY C. WIGGINS St. Patrick's, New York, in Winter. Oil on board, circa 1940. 397x297 mm; 15 3/4x11 3/4 inches. Signed in black oil, lower left recto. Ex-collection private collection, Washington, D.C.; private collection, Massachusetts.

Lot: 96 - BERNARD GUSSOW Cityscape.

BERNARD GUSSOW Cityscape. Oil on canvas. 405x305 mm; 16x12 inches. Signed in oil, lower right recto. Inscribed with the artist's name in ink on the stretcher bars, verso. Acquired Swann Auction Galleries, New York, June 5, 2005, sale 2046,

Lot: 97 - FLORENCE WALTON POMEROY View of Lower Manhattan

FLORENCE WALTON POMEROY View of Lower Manhattan from Hoboken. Oil on canvas, circa 1940s. 600x670 mm; 23 3/4x26 3/8 inches. Signed in oil, lower right recto. Pomeroy (1889-1981) was born in East Orange, New Jersey, and studied in New York

Lot: 98 - GERTRUDE NASON East End, Boston.

GERTRUDE NASON East End, Boston. Color crayons and pastels over pencil on paper, circa 1930. 403x295 mm; 15 7/8x11 5/8 inches. Signed in pencil, lower right recto. Ex-collection the Boston Art Club; acquired Swann Auction Galleries, June

Lot: 99 - ARNOLD FRIEDMAN Landscape.

ARNOLD FRIEDMAN Landscape. Watercolor on paper, 1918. 260x363 mm; 10 1/4x14 1/4 inches. Signed in ink, lower right recto. Ex-collection private collection, New York.

Lot: 100 - ARNOLD FRIEDMAN Little Red Boat.

ARNOLD FRIEDMAN Little Red Boat. Oil on panel. 345x445 mm; 13 1/2x17 1/2 inches. Ex-collection Zabriskie Gallery, New York, with the label on the frame back.

Lot: 101 - BERTRAM HARTMAN New York View.

BERTRAM HARTMAN New York View. Watercolor on paper, double-sided. 580x380 mm; 22 3/4x15 inches. With the artist's estate ink stamp, lower right recto, and annotated in pencil, upper left recto. With a portrait of a woman in watercolor and

Lot: 102 - ELSIE DRIGGS Apollo and Daphne.

ELSIE DRIGGS Apollo and Daphne. Watercolor and pencil on paper, 1935. 378x350 mm; 14 7/8x13 3/4 inches. Signed in pencil, lower right recto. Ex-collection private collection, New York. Exhibited "Pioneering Women Artists, 1900-1940,"

Lot: 103 - PHILIP EVERGOOD Bar Scene.

PHILIP EVERGOOD Bar Scene. Gouache on card stock, 1935. 350x455 mm; 13 3/4x18 inches. Signed and dated in gouache, lower right recto.

Lot: 103A - PAUL LANDACRE The George Cukor Estate, Los

PAUL LANDACRE The George Cukor Estate, Los Angeles. Pencil on paper, 1936. 250x202 mm; 9 7/8x8 inches. Signed, titled and dated in pencil, lower recto.

Lot: 104 - WILL BARNET Park Scene.

WILL BARNET Park Scene. Oil on canvas, double-sided, 1937. 360x460 mm; 14 1/4x18 1/4 inches. Signed and dated in oil, lower right recto. With a portrait study in oil, verso. Counter-signed, titled and annotated, verso. With an original label

Lot: 105 - PEGGY BACON Sketchbook of Washington Restaurants.

PEGGY BACON Sketchbook of Washington Restaurants. Collection of approximately 32 charcoal and pencil drawings in leather-bound sketchbook, 1943-44. 200x125 mm; 7 3/4x5 inches. Signed with the artist's New York address and titled in ink; dated

Lot: 106 - ISABEL BISHOP Two drawings.

ISABEL BISHOP Two drawings. They Have Their Work Clothes On, charcoal and pencil on paper. 290x218 mm; 11 1/2x8 5/8 inches. Signed in charcoal, lower right recto, and titled in pencil, lower center recto * The Agent, charcoal and pencil on

Lot: 107 - MABEL DWIGHT Merry Christmas.

MABEL DWIGHT Merry Christmas. Watercolor on paper, circa 1935. 150x114 mm; 6x4 1/2 inches. Signed in pencil, lower left recto. Ex-collection private collection, Pennsylvania.

Lot: 108 - MAHONRI YOUNG Two Sketchbooks.

MAHONRI YOUNG Two Sketchbooks. Collection of approximately 86 pencil, pen and ink, watercolor and wash drawings in 2 sketchbooks (one with green binding, one with brown binding). 210x135 mm; 8 1/4x5 1/4 inches (green sketchbook, sheets);

Lot: 109 - GEORGE C. AULT Still Life with Onions and Garlic.

GEORGE C. AULT Still Life with Onions and Garlic. Watercolor and pencil on cream wove paper, 1944. 290x450 mm; 11 1/2x17 3/4 inches. Signed and dated in ink, lower left recto. Acquired from Freeman's, Philadelphia, December 7, 2014, lot

Lot: 110 - JANE PETERSON Palms and Boats.

JANE PETERSON Palms and Boats. Watercolor and pen and ink on paper. 298x476 mm; 11 3/4x18 3/4 inches. Signed in ink, lower left recto. Ex-collection private collection, New York.

Lot: 111 - OGDEN PLEISSNER Gateway in Tuscany.

OGDEN PLEISSNER Gateway in Tuscany. Brush and ink on paper, circa 1940s. 376x474 mm; 14 7/8x18 3/4 inches. Signed in ink, lower left recto. Ex-collection the Milch Galleries, New York; Macbeth Galleries, New York, with the original labels

Lot: 112 - REGINALD MARSH Study of a Locomotive.

REGINALD MARSH Study of a Locomotive. Charcoal on paper, circa 1930. 316x460 mm; 12 1/2x18 1/8 inches. Ex-collection private collection, New Jersey. A letter of authentication for this drawing may be obtained from Norman Sasowsky.

Lot: 113 - REGINALD MARSH Grand Windsor Hotel (Under the El,

REGINALD MARSH Grand Windsor Hotel (Under the El, New York). Pencil on cream wove paper, 1946. 780x563 mm; 30 3/4x22 1/4 inches. Dated in pencil, lower right recto. Ex-collection private collection, New York. This drawing has been

Lot: 114 - REGINALD MARSH Third Avenue.

REGINALD MARSH Third Avenue. Brush and ink and wash on paper, 1950. 563x783 mm; 22 1/4x30 7/8 inches. Signed and dated in pencil, lower right recto. Ex-collection Mr. and Mrs. John Clancy; Sheldon Ross Gallery, Birmingham, Michigan;

Lot: 115 - REGINALD MARSH Boardwalk Beauties.

REGINALD MARSH Boardwalk Beauties. Tempera on panel, 1953. 300x227 mm; 11 7/8x9 1/4 inches. Signed and dated in tempera, lower left recto. Ex-collection Senator William Benton, Connecticut, with the ink stamp and inventory number, verso;

Lot: 116 - REGINALD MARSH Two drawings.

REGINALD MARSH Two drawings. Girl on Merry-Go-Round Horse Facing to Right, pen and ink and chalk on tan paper, 1942. 215x140 mm; 8 1/2x5 1/2 inches. Dated in black chalk, upper right recto * Girl Walking, brush and ink and wash on invitation

Lot: 117 - REGINALD MARSH Figure Study Class.

REGINALD MARSH Figure Study Class. Pen and ink and brush and wash on paper, 1944. 274x408 mm; 10 3/4x16 inches. Signed, dated and dedicated in pencil, lower right and lower center recto. While Marsh (1898-1954) is best-known for his

Lot: 118 - REGINALD MARSH Sheet of Female Figure Studies.

REGINALD MARSH Sheet of Female Figure Studies. Pen and ink on cream wove paper, 1948. 228x303mm; 9x12 inches. Signed and dated in ink, lower right recto. Ex-collection private collection, Maryland.

Lot: 119 - REGINALD MARSH Sheet of Female Figure Studies.

REGINALD MARSH Sheet of Female Figure Studies. Pen and ink on paper, 1941. 225x300 mm; 8 7/8x11 3/4 inches. Signed and dated in ink, lower right recto. Ex-collection private collection, Maryland.

Lot: 120 - MIGUEL COVARRUBIAS Two drawings.

MIGUEL COVARRUBIAS Two drawings. Study for "Flapper". Signed in pencil, lower right recto * Study for "The Hard Gal". Titled in pencil, lower left recto. Both brush and ink and wash on paper, circa 1927. Both 342x240 mm; 13 1/2x9 1/2 inches.

Lot: 121 - MIGUEL COVARRUBIAS Study for "Strut".

MIGUEL COVARRUBIAS Study for "Strut". Brush and black and gray ink and wash and pencil on cream wove paper, circa 1927. 242x195 mm; 9 1/2x7 3/4 inches. Signed in pencil, lower right recto. A study for Negro Drawings, 1927. Ex-collection

Lot: 123 - EARL KERKAM Three figure drawings.

EARL KERKAM Three figure drawings. Seated Figure from Behind, brush and ink and wash on cream paper * Forward Facing Figure, watercolor on paper. Signed in pencil, lower right recto * Head of a Woman, brush and ink on paper. Various sizes

Lot: 124 - GASTON LACHAISE Standing Nude, Arm Outstretched.

GASTON LACHAISE Standing Nude, Arm Outstretched. Pencil on paper, circa 1925. 622x445 mm; 24 1/2x17 1/2 inches. Signed in pencil, lower left recto. Acquired Kraushaar Galleries, New York, with the original label and 2 letters of appraisal

Lot: 125 - JAN MATULKA Still Life with Fruit.

JAN MATULKA Still Life with Fruit. Watercolor and gouache over pencil on paper. 285x410 mm; 11 1/4x16 1/4 inches. Signed in pencil, lower left recto. Ex-collection private collection, Rhode Island.

Lot: 126 - JAN MATULKA Industrial Scene.

JAN MATULKA Industrial Scene. Watercolor on heavy cream wove paper, circa 1930. 285x447 mm; 11 1/4x17 5/8 inches. Signed in ink, lower right recto, and signed and titled in pencil, verso. Acquired Swann Auction Galleries, June 14, 2012,

Lot: 127 - JAN MATULKA Sorrow and Anguish.

JAN MATULKA Sorrow and Anguish. Oil on canvas, circa 1940. 960x860 mm; 38x34 inches. Signed in oil, lower left recto.

Lot: 128 - JAN MATULKA Standing Female Nude.

JAN MATULKA Standing Female Nude. Pencil on cream wove paper, circa 1920. 428x276 mm; 16 7/8x10 7/8 inches. Signed in pencil, lower right recto. Ex-collection private collection, Michigan.

Lot: 129 - KATHERINE SCHMIDT Flower Still Life.

KATHERINE SCHMIDT Flower Still Life. Oil on canvas, 1923. 495x400 mm; 19 5/8x15 3/4 inches. Signed and dated in oil, lower left recto. Ex-collection Gimbel Galleries, Philadelphia; and Zabriskie Gallery, New York, with the original labels

Lot: 130 - STEFAN HIRSCH Sunflowers.

STEFAN HIRSCH Sunflowers. Oil on board, 1940. 794x592 mm; 31 1/4x23 3/8 inches. Signed and dated in oil, lower left recto. Ex-collection Mr. and Mrs. George S. Franklin, Jr., Oyster Bay, New York; private collection, New York.

Lot: 131 - JOHN STEUART CURRY Plowing Before a Storm.

JOHN STEUART CURRY Plowing Before a Storm. Oil on canvas, circa 1935. 535x640 mm; 21x25 inches. Signed in oil, lower right recto. Curry (1897-1946), along with Thomas Hart Benton (1889-1975) and Grant Wood (1891-1942), is considered to be

Lot: 132 - ANDREW BUTLER Farm Landscape on the Plains.

ANDREW BUTLER Farm Landscape on the Plains. Oil on canvas, circa 1930. 496x752 mm; 19 1/2x29 5/8 inches. Ex-collection the estate of the artist; acquired Swann Auction Galleries, June 14, 2012, sale 2281, lot 44, by the current owner;

Lot: 133 - ANDREW BUTLER Farm Landscape with a Country Road.

ANDREW BUTLER Farm Landscape with a Country Road. Oil on canvas, 1936. 600x906 mm; 23 5/8x35 5/8 inches. Signed and dated in oil, lower left recto. Ex-collection the estate of the artist; acquired Swann Auction Galleries, June 14, 2012,

Lot: 134 - THOMAS HART BENTON Cabin in the Ozarks.

THOMAS HART BENTON Cabin in the Ozarks. Pen and ink and wash on paper, circa 1926. 180x240 mm; 7x9 1/2 inches. Signed in pencil, lower right recto. The current lot likely dates from around 1926, when Benton (1889-1975) undertook a walking

Lot: 135 - HENRY VARNUM POOR Three sketchbooks.

HENRY VARNUM POOR Three sketchbooks. Collection of approximately 40 watercolor, wash, pen and ink and charcoal drawings in 3 sketchbooks, circa 1940s. Various sizes. Signed in ink on the front pastedown, brown sketchbook; many sheets annotated.

Lot: 136 - WILLIAM SHARP Two oils on board.

WILLIAM SHARP Two oils on board. Point of the Law, oil on masonite board, 1948. 448x597 mm; 17 5/8x23 1/2 inches. Initialed in oil, lower right recto * Small-Bench Warrant, 1948. 345x396 mm; 13 3/4x15 5/8 inches. Initialed in oil, lower left

Lot: 137 - ALBERT PARELLA Two watercolors.

ALBERT PARELLA Two watercolors. House under Bridge. 446x576 mm; 17 1/2x22 3/4 inches. Signed in pencil, lower right recto * Street Scene. 446x657 mm; 17 1/2x25 inches. Both ex-collection Wilkes Gallery, Northport, New York.

Lot: 138 - FRANKLIN MORRIS Flatbush Avenue, Brooklyn.

FRANKLIN MORRIS Flatbush Avenue, Brooklyn. Oil on canvas. 470x730 mm; 18 1/2x28 5/8 inches. Signed in oil, lower right recto, and titled in ink on the upper stretcher bar, verso. Ex-collection private collection, New York.

Lot: 139 - HOWARD A. PATTERSON Two watercolor views of New

HOWARD A. PATTERSON Two watercolor views of New York. Both watercolor and pencil. Both 310x230 mm; 12 1/4x9 inches. Both signed in pencil, lower right recto. Both ex-collection private collection, New York.

Lot: 140 - ADOLF DEHN Beach at Quogue, New York.

ADOLF DEHN Beach at Quogue, New York. Watercolor on paper, 1955. 508x710 mm; 20x28 inches. Signed in ink, lower left recto. Ex-collection the Wallace Gallery, East Hampton, with the label on the frame back; private collection, New York.

Lot: 141 - JAMES MCBEY Torremolinos.

JAMES MCBEY Torremolinos. Watercolor and pen and ink on paper, 1950. 255x480 mm; 10x19 inches. Dated "16 Oct 1950" in pencil, lower right recto, and annotated in pencil, lower center recto.

Lot: 142 - JOHN FOLINSBEE Pond Island, Kennebec.

JOHN FOLINSBEE Pond Island, Kennebec. Oil on masonite. 386x588 mm; 15 1/4x23 1/8 inches. Signed in oil, lower right recto. Ex-collection private collection, Connecticut; private collection, Vermont.

Lot: 143 - GEORGE POST Motif No. 1, Rockport, Mass.

GEORGE POST Motif No. 1, Rockport, Mass. Watercolor on paper, 1946. 390x575 mm; 15 5/8x22 5/8 inches. Signed in pencil, lower right recto, and titled and dated in ink, verso.

Lot: 144 - DE HIRSCH MARGULES Two seascapes.

DE HIRSCH MARGULES Two seascapes. Both watercolor with color pastels and brush and ink on paper, 1954. Both 208x283 mm; 8 1/4x11 1/8 inches. Both signed, dated and dedicated in pencil, upper and lower right recto (one dedicated twice in upper

Lot: 145 - DE HIRSCH MARGULES Park Scene.

DE HIRSCH MARGULES Park Scene. Watercolor and gouache on heavy wove paper, 1936. 365x570 mm; 14 1/2x22 1/2 inches. Signed, dated and dedicated in ink, lower left recto. Ex-collection private collection, New York.

Lot: 146 - JOHN GRABACH Slave Power for a Bag of Oats.

JOHN GRABACH Slave Power for a Bag of Oats. Oil on canvas mounted on board. 294x395 mm; 11 5/8x15 1/2 inches. Signed in oil, lower left recto.

Lot: 147 - NELL BLAINE Outdoor Studio, Mykonos.

NELL BLAINE Outdoor Studio, Mykonos. Watercolor on paper, 1959. 275x390 mm; 10 3/4x15 1/4 inches. Signed, dated and titled in ink, lower left recto and titled, dated and inscribed "Outdoor studio by pigeon house Mykonos Greece (July), 1959,"

Lot: 148 - DAVID BURLIUK Two Russian Peasant Women.

DAVID BURLIUK Two Russian Peasant Women. Watercolor and gouache on paper, 1946. 406x328 mm; 16x13 inches. Signed and dated in ink, lower left recto, and titled and dated in gouache, verso. Ex-collection Irving Yamet Family Collection.

Lot: 149 - DAVID BURLIUK Peasant and Horse.

DAVID BURLIUK Peasant and Horse. Watercolor and gouache on paper. 280x390 mm; 11x15 1/2 inches. Signed and inscribed "N.Y." in ink, lower right recto. Ex-collection Irving Yamet Family Collection.

Lot: 150 - DAVID BURLIUK Two Seated Women.

DAVID BURLIUK Two Seated Women. Oil on canvas. 230x280 mm; 9x11 inches. Signed in oil, lower left recto. Ex-collection ACA Gallery, New York; acquired Swann Auction Galleries, June 9, 2011, sale 2250, lot 25, by the current owner; private

Lot: 151 - RAPHAEL SOYER Three watercolors.

RAPHAEL SOYER Three watercolors. Pensive Nude. Signed in pencil, lower right recto * Nude Flutist, 1967. Signed, dated and dedicated in pencil, lower right recto * Reclining Model with Black Hair. Signed in pencil, lower right recto. Various

Lot: 152 - RAPHAEL SOYER Group of 4 works on paper.

RAPHAEL SOYER Group of 4 works on paper. Reclining Nude, watercolor and pencil. Signed in pencil, lower right recto * Girl with Guitar, watercolor and pencil on paper. Signed in pencil, lower right recto * Hippie Couple, conté crayon

Lot: 153 - ISAAC SOYER Ballerinas.

ISAAC SOYER Ballerinas. Color pastels on paper. 600x450 mm; 23 5/8x17 3/4 inches. Signed in pastel, lower right recto. Ex-collection private collection, New York. Isaac (1902-1981) was the younger brother of Moses Soyer (1899-1987) and

Lot: 154 - ABRAHAM WALKOWITZ Portrait of Chaim Gross.

ABRAHAM WALKOWITZ Portrait of Chaim Gross. Oil on canvas mounted on board, circa 1960. 510x405 mm; 20x16 1/4 inches. Signed in oil, lower left recto. Walkowitz (1878-1965) and Chaim Gross (1904-1991) both studied art at the Alliance Art

Lot: 155 - CHAIM GROSS Judith.

CHAIM GROSS Judith. Bronze on black marble base, circa 1960. 11 1/2 inches, 295 mm (height, excluding marble base). Incised signature, inscribed "#2" and numbered 1/6 near the base. Gross (1904-1991) made another version of this subject,

Lot: 156 - CHAIM GROSS Female Acrobat.

CHAIM GROSS Female Acrobat. Bronze. 150 mm; 6 inches (height, excluding wood base). Incised signature, verso, and numbered 50/50 on right side of base.

Lot: 157 - CHAIM GROSS Mother and Child.

CHAIM GROSS Mother and Child. Bronze with dark brown patina. 135 mm; 5 3/4 inches (height, excluding wood base). Incised signature on the bronze base.

Lot: 158 - CHAIM GROSS Dancer.

CHAIM GROSS Dancer. Bronze. 155 mm; 6 1/4 inches (height, excluding wood base). Signed and numbered 22/50 on the bronze base.

Lot: 159 - JOSEPH SOLMAN Still Life with Boots on a Table.

JOSEPH SOLMAN Still Life with Boots on a Table. Gouache and black crayon on newsprint mounted on paper, 1962. 320x200 mm; 12 1/2x8 inches. Initialed in pencil, lower right recto.

Lot: 160 - JOSEPH SOLMAN Seated Man on a Subway Car.

JOSEPH SOLMAN Seated Man on a Subway Car. Gouache, watercolor and black crayon on newsprint, 1963. 375x270 mm; 14 3/4x10 1/2 inches. Initialed in crayon, lower right recto.

Lot: 161 - JOSEPH SOLMAN Subway Rider.

JOSEPH SOLMAN Subway Rider. Gouache on newsprint mounted on cardstock, circa 1960. 350x280 mm; 13 7/8x11 inches. Initialed in pencil, lower right recto. Acquired Swann Auction Galleries, March 10, 2005, sale 2036, lot 666, by the current

Lot: 162 - JOSEPH SOLMAN Subway Rider.

JOSEPH SOLMAN Subway Rider. Gouache and watercolor on newsprint mounted on heavy wove paper, 1964. 425x329 mm; 16 3/4x13 inches. Initialed in pencil, lower right recto.

Lot: 163 - JOSEPH SOLMAN The Dope Sheet.

JOSEPH SOLMAN The Dope Sheet. Gouache on newsprint mounted on cardstock, circa 1960. 364x193 mm; 14 3/8x7 7/8 inches. Initialed in pencil, lower right recto. Ex-collection Galerie Moderne at Brentano's, New York, with the original label;

Lot: 164 - WILLIAM GROPPER Rabbinical Student.

WILLIAM GROPPER Rabbinical Student. Brush and black and gray ink and wash on paper, circa 1950. 655x500 mm; 25 3/4x19 3/4 inches. Signed in ink, lower right recto, and signed and dedicated "From one Romanian Gropper to another" in pencil,

Lot: 165 - BEN SHAHN The News (Lucky Dragon).

BEN SHAHN The News (Lucky Dragon). Pen and ink on cream laid paper, 1957. 175x150 mm; 6 7/8x5 7/8 inches. Signed in ink, lower right recto. Ex-collection The Downtown Gallery, New York; Ben Shahn Estate, Roosevelt, New Jersey; Krevsky Fine

Lot: 166 - JOSEPH STELLA Handprint.

JOSEPH STELLA Handprint. Pencil and black ink handprint on off-white wove paper. 200x160 mm; 7 7/8x6 3/8 inches. Ex-collection Zabriskie Gallery, New York, with the label on the frame back. Exhibited "Joseph Stella: Paintings and Works

Lot: 167 - JOSEPH STELLA Leader Brand.

JOSEPH STELLA Leader Brand. Mixed-media collage and oil on board. 300x225 mm; 11 3/4x8 7/8 inches. Ex-collection Zabriskie Gallery, New York, with the label on the frame back. Exhibited "Joseph Stella: Paintings and Works on Paper,"

Lot: 168 - CARL HOLTY Two abstract watercolors.

CARL HOLTY Two abstract watercolors. Both 512x660 mm; 20 1/8x26 inches. Both signed in pencil, lower right recto. Ex-collection private collection, New York. Holty (1900-1973) was a German-born abstract painter who studied with Hans

Lot: 169 - STANTON MACDONALD-WRIGHT Return.

STANTON MACDONALD-WRIGHT Return. Conté crayon and red and black pencils on paper, 1956. 990x647 mm; 39 1/4x25 1/2 inches. Signed, titled and dated in pencil, lower center recto. Offered Grogan & Company, Boston, October 26, 2014,

Lot: 170 - ARSHILE GORKY Tabletop Still Life with Fruit Dish

ARSHILE GORKY Tabletop Still Life with Fruit Dish and Papers. Pencil on paper, double-sided, circa 1935. 224x301 mm; 8 3/4x11 7/8 inches. Inscribed "By Gorky for Hans Burkhardt," in pencil, verso. With a series of geometric studies in pencil,

Lot: 171 - CHARLES G. SHAW Abstraction.

CHARLES G. SHAW Abstraction. Oil on canvas. 555x455mm; 21 7/8x 17 7/8 inches. Signed in oil, lower right recto. Acquired from Lovisco Gallery, New York, by current owner; private collection, Canada.

Lot: 172 - ALBERT B. GALLATIN No. 10.

ALBERT B. GALLATIN No. 10. Oil on canvas, 1950. 510x610 mm; 20x24 inches. Signed and dated "April 1950" in oil, verso. Ex-collection Zabriskie Gallery, New York, with the original label on the stretcher bar.

Lot: 173 - MILTON AVERY March with Babushka.

MILTON AVERY March with Babushka. Conté crayon on paper, 1952. 424x350 mm; 16 3/4x13 3/4 inches. Signed and dated in ink, lower right recto, and titled in ink, verso. Ex-collection The Old Print Shop, New York, with the label on the

Lot: 174 - MILTON AVERY Commerce.

MILTON AVERY Commerce. Pencil on wove paper, 1929. 220x155 mm; 8 3/4x6 1/8 inches. Signed in pencil, lower right recto. Ex-collection Milton Avery Trust, New York; Frederick Baker, Chicago; Krevsky Fine Art, San Francisco, with the labels

Lot: 175 - MILTON AVERY Gray Head.

MILTON AVERY Gray Head. Oil and gouache on paper, 1951. 432x355 mm; 17x14 inches. Signed and dated in pencil, lower right recto, and signed, titled, dated and annotated in ink, verso. Offered Christie's, New York, November 28, 1995, lot

Lot: 176 - JOSEPH CORNELL Untitled.

JOSEPH CORNELL Untitled. Collage on board, circa 1960. 120x93 mm; 4 3/4x3 3/4 inches. Signed twice and inscribed "Kasoundra" in felt-tip pen and ink, verso. Ex-collection the avant-garde artist Kasoundra Kasoundra, New York.

Lot: 177 - JOSEPH CORNELL Rorschach Drawing.

JOSEPH CORNELL Rorschach Drawing. Brush and ink on paper. 140x216 mm; 5 5/8x8 1/2 inches. Ex-collection the avant-garde artist Kasoundra Kasoundra, New York. With--A collection of correspondences between Cornell and Kasoundra.

Lot: 178 - EUGENE BERMAN Three drawings.

EUGENE BERMAN Three drawings. The Angel Verona, pen and ink and wash on paper, 1959. Initialed and dated in ink, upper recto and titled and dated in pencil, verso * Travellers, pen and ink and wash on paper * Battle, pen and ink and wash on

Lot: 179 - JOHN ATHERTON Abstraction.

JOHN ATHERTON Abstraction. Gouache on card stock. 365x292 mm; 14 1/2x11 1/2 inches. Signed in ink, lower right recto. Ex-collection private collection, New York.

Lot: 180 - JOHN ATHERTON Rocking Horse.

JOHN ATHERTON Rocking Horse. Gouache on masonite board. 521x652 mm; 20 3/4x25 3/4 inches. Signed in gouache, lower right recto. Ex-collection the Society of Illustrators, with the label on the frame back.

Lot: 181 - CLARENCE CARTER The Bell Tolls.

CLARENCE CARTER The Bell Tolls. Gouache, watercolor and collage on paper, double-sided, 1975. 372x316 mm; 14 3/4x12 1/2 inches. Signed and dated in ink, lower left recto with a still life study in watercolor, verso. Ex-collection Gimpel

Lot: 182 - BYRON BROWNE Corrida.

BYRON BROWNE Corrida. Oil on canvas, 1959. 745x595 mm; 29 1/4x23 1/2 inches. Signed in oil, lower left recto, signed, titled and dated in pen and ink, verso. Ex-collection private collection, Michigan.

Lot: 183 - ANDREW WYETH Christmas Card.

ANDREW WYETH Christmas Card. Letterpress print in black with hand coloring in watercolor on card stock. 210x140 mm; 8 1/4x5 1/2 inches. Inscribed "Merry Christmas from Betsy & Andrew" in ink, lower right recto. Ex-collection Muson

Lot: 184 - THEODORE HAUPT Weird People.

THEODORE HAUPT Weird People. Oil on canvas, 1948. 745x990 mm; 29x39 inches. Signed and dated in oil, lower left recto. Ex-collection private collection, New York.

Lot: 185 - WILL BARNET Abstract Composition.

WILL BARNET Abstract Composition. Pencil, ink, watercolor and crayon on printed gallery announcement card, 1957. 120x160 mm; 4 3/4x6 1/4 inches. Signed in pencil, upper left recto. Acquired directly from the artist, by the current owner;

Lot: 186 - WILL BARNET Mother and Child.

WILL BARNET Mother and Child. Pen and ink on wove sketchbook paper, double-sided, circa 1955. 375x270 mm; 14 3/4x10 3/4 inches. Signed in pencil, lower center recto. Acquired directly from the artist by the current owner; private

Lot: 187 - WILL BARNET Boy and Cat.

WILL BARNET Boy and Cat. Charcoal and pencil on smooth wove paper, 1984. 690x600 mm; 27 1/4x23 3/4 inches. Signed in charcoal, lower right recto. The subject of the drawing is the artist's grandson, Willie. Ex-collection the London Arts

Lot: 188 - WILL BARNET Study for "Three Chairs".

WILL BARNET Study for "Three Chairs". Gouache and crayon on heavy wove tracing paper, 1990. 190x235 mm; 7 1/2x9 1/4 inches. Signed and dated in black crayon, lower right recto, with Barnet's annotations in crayon in the margins.

Lot: 189 - WILL BARNET Three Chairs.

WILL BARNET Three Chairs. Screenprint with extensive hand coloring in watercolor and gouache, 1993. 305x368 mm; 12x14 1/2 inches. Artist's proof, aside from the edition of 125 (see Szoke 197). Signed, dated, and inscribed "To Annich and Fatih

Lot: 190 - WILL BARNET Study for "Twilight".

WILL BARNET Study for "Twilight". Line print with extensive hand coloring in watercolor, circa 1989. 140x140 mm; 5 1/2x5 1/2 inches. Artist's proof, aside from the edition of 75 (see Szoke 187). Signed and inscribed "To Annich & Fatih

Lot: 191 - FAIRFIELD PORTER Evergreen Abstraction.

FAIRFIELD PORTER Evergreen Abstraction. Watercolor and pencil on cream wove paper. 380x545 mm; 15x21 1/2 inches. With a study for the watercolor in pencil, verso. Property from the estate of Anne E. C. Porter, with the estate stamp,

Lot: 192 - FAIRFIELD PORTER Rocky Coastal View.

FAIRFIELD PORTER Rocky Coastal View. Watercolor on cream wove paper, double-sided. 425x505 mm; 16 3/4x19 7/8 inches. Signed in ink, lower right verso. Property from the estate of Anne E. C. Porter, with the estate stamp, verso.

Lot: 193 - FAIRFIELD PORTER Seascape with a Sailboat.

FAIRFIELD PORTER Seascape with a Sailboat. Watercolor and pencil on cream wove paper. 450x580 mm; 17 3/4x22 3/4 inches. Signed in ink, lower right recto. Property from the estate of Anne E. C. Porter, with the estate stamp, verso.

Lot: 194 - FAIRFIELD PORTER Standard Service (Rural Main

FAIRFIELD PORTER Standard Service (Rural Main Street). Watercolor and pencil on cream wove paper, circa 1930. 380x555 mm; 15x21 7/8 inches. Property from the estate of Anne E. C. Porter, with the estate stamp, verso.

Lot: 195 - FAIRFIELD PORTER Harbor Scene with Fishery.

FAIRFIELD PORTER Harbor Scene with Fishery. Watercolor and pencil on wove paper. 325x560 mm; 12 3/4x22 inches. Signed in pencil, lower right verso. Property from the estate of Anne E. C. Porter, with the estate stamp, verso.

Lot: 196 - FAIRFIELD PORTER Boats on Drydock.

FAIRFIELD PORTER Boats on Drydock. Watercolor and pencil on wove paper. 370x580 mm; 14 1/2x22 3/4 inches. Signed in pencil, lower right verso. Property from the estate of Anne E. C. Porter, with the estate stamp, verso.

Lot: 197 - FAIRFIELD PORTER Coastal Scene.

FAIRFIELD PORTER Coastal Scene. Color pastels on cream wove paper. 300x455 mm; 11 7/8x18 inches. Signed in ink, lower right verso. Property from the estate of Anne E. C. Porter, with the estate stamp, verso.

Lot: 198 - FAIRFIELD PORTER Two sketchbooks.

FAIRFIELD PORTER Two sketchbooks. Collection of approximately 70 pencil, pen and ink and color pastels in two wire-bound sketchbooks. One 275x215 mm; 10 3/4x8 1/2 inches; the other 355x280 mm; 14x11 inches. Annotations in pencil throughout.

Lot: 199 - SALLY AVERY Couple.

SALLY AVERY Couple. Oil on canvas, 1984. 840x1265 mm; 33 1/4x49 1/2 inches. Signed and dated in oil, lower right recto, and signed, titled, dated and annotated "oil" in crayon, verso. Acquired directly from the artist by the current owner;

Lot: 200 - EMILIO CRUZ Floating Figures.

EMILIO CRUZ Floating Figures. Oil on canvas. 605x760 mm; 24x30 inches. Ex-collection Zabriskie Gallery, New York, with the inventory number on the upper stretcher bar, verso. Cruz (1938-2004) was an African-American artist of Cuban

Lot: 201 - STEPHEN PACE Apple Orchard and Farmhouse.

STEPHEN PACE Apple Orchard and Farmhouse. Oil on canvas, 1973. 860x1215 mm; 33 7/8x47 3/4 inches. Signed and dated in oil, lower right recto. Ex-collection Sachs Gallery, New York, with the label on the frame back; private collection,

Lot: 202 - WOLF KAHN Poisonous Yellow-Green.

WOLF KAHN Poisonous Yellow-Green. Oil on canvas, 2001. 653x502 mm; 25 3/4x19 3/4 inches. Signed in oil, lower left recto, and titled and dated in silver ink on the stretcher bar, verso. Born in Stuttgart in 1927, Kahn immigrated to the

Lot: 203 - JACK LEVINE Two watercolors.

JACK LEVINE Two watercolors. Haifa, 1990. 275x375 mm; 10 7/8x14 7/8 inches (sheet). Signed and dated in pencil, lower left recto * Rainy Day, Haifa, 1990. 275x375 mm; 10 7/8x14 3/4 inches. Signed and dated in pencil, lower left recto.

Lot: 204 - LENA GURR Metropolitan Movement.

LENA GURR Metropolitan Movement. Oil on canvas, 1958. 620x773 mm; 24 1/2x30 1/2 inches. Signed and dated in oil, lower right recto, and signed and titled in conté crayon on the upper stretcher bar, verso. Ex-collection Andrew Dickson

Lot: 205 - IRENE RICE PEREIRA Abstraction.

IRENE RICE PEREIRA Abstraction. Watercolor and gouache on paper. 286x155 mm; 11 1/4x6 1/8 inches. Signed in ink, lower right recto. Ex-collection private collection, New York.

Lot: 206 - WILLIAM THON Wind Song.

WILLIAM THON Wind Song. Watercolor on cream wove paper. 760x280 mm; 30x11 inches. Exhibited "William Thon," Midtown Galleries, New York, December 2-January 3, 1981, with the label on the frame back and with a pamphlet from the exhibition.

Lot: 207 - SEYMOUR LIPTON Study for Sculpture.

SEYMOUR LIPTON Study for Sculpture. Crayon on paper, 1966. 275x213 mm; 10 3/4x8 1/2 inches. Signed and dated in black crayon, recto. Ex-collection the artist Will Barnet, New York; thence by descent.

Lot: 208 - LESTER JOHNSON Four Heads.

LESTER JOHNSON Four Heads. Black ink and wash and color crayons on paper, 1942. 350x274 mm; 13 3/4x10 3/4 inches. Signed, dated and dedicated in ink, lower right recto. Ex-collection Dr. Stephen Pepper, New York; thence by descent to the

Lot: 209 - LESTER JOHNSON Silhouette (Dark Figure).

LESTER JOHNSON Silhouette (Dark Figure). Ink and tempera on board, 1960. 1018x660 mm; 40x26 inches. Signed and dated in pencil, center right recto. Ex-collection Zabriskie Gallery, New York.

Lot: 210 - LESTER JOHNSON Two Men Walking.

LESTER JOHNSON Two Men Walking. Oil on canvas, 1968. 1738x970 mm; 68 3/8x38 1/4 inches. Signed in oil, lower right recto, and signed and dated in oil, verso. Ex-collection Martha Jackson Gallery, New York, with the original label on the

Lot: 211 - LESTER JOHNSON On the Beach #4.

LESTER JOHNSON On the Beach #4. Oil on masonite, 1991. 295x400 mm; 11 5/8x15 3/4 inches. Signed and dated in oil, lower right. Acquired Swann Auction Galleries, November 12, 2018, sale 2398, lot 267, by the current owner; private

Lot: 212 - EDUARDO KINGMAN Group of 5 ink drawings.

EDUARDO KINGMAN Group of 5 ink drawings. Each brush and black ink and wash on paper, 1963-67. Each approximately 900x650 mm; 35 1/2x25 3/4 inches. Each signed and dated in ink. Ex-collection The Renate, Hans and Maria Hofmann Trust, New

Lot: 213 - LEONARD BASKIN Portrait of a Man with a Ruffled

LEONARD BASKIN Portrait of a Man with a Ruffled Collar. Brush and ink and wash on paper, 1965. 1010x680 mm; 39 3/4x26 3/4 inches. Signed and dated in ink, lower right recto.

Lot: 214 - LEONARD BASKIN Study of a Man in a Tall Hat.

LEONARD BASKIN Study of a Man in a Tall Hat. Brush and ink and wash on paper, 1962. 785x572 mm; 30 7/8x22 1/2 inches. Signed and dated in ink, lower right recto. Acquired directly from the artist by Irving Yamet; thence by descent to the

Lot: 215 - JAMES BROWN A Man Talking.

JAMES BROWN A Man Talking. Color pencils on paper, 1986. 215x140 mm; 8 1/2x5 1/2 inches. Initialed in pencil, lower right recto, and dated and inscribed "Paris" in pencil, verso. Ex-collection Galerie Maeght Lelong, Paris, with the label

Lot: 216 - REUBEN NAKIAN Leda and the Swan (Large).

REUBEN NAKIAN Leda and the Swan (Large). Bronze with dark brown patina, 1978. 290x290x145 mm; 11 1/2x11 1/2x5 3/4 inches (excluding wood base). Incised with the artist's signature, dated and numbered 2/7 near the base. Cast by the Renaissance

Lot: 217 - REUBEN NAKIAN Leda and the Swan (Small).

REUBEN NAKIAN Leda and the Swan (Small). Bronze with dark brown patina, 1978. 175x225x100 mm; 7x8 7/8x4 inches (excluding wood base). Incised with the artist's signature and date, lower right and numbered 2/7 near the base. Cast by the

Lot: 218 - REUBEN NAKIAN Standing Female Nude.

REUBEN NAKIAN Standing Female Nude. Bronze with dark brown patina, 1983. 285 mm; 11 1/4 inches (height, excluding marble base). Incised with the artist's initials, dated and numbered 2/9 on the base of the sculpture.

Lot: 219 - DAVID LEVINE Garment Worker.

DAVID LEVINE Garment Worker. Watercolor on paper, 1987. 290x245 mm; 11 1/2x9 3/4 inches. Signed and dated in pencil, lower left recto. Ex-collection Galerie Charles Bernard, Paris, with the original label; private collection, Belgium.

Lot: 220 - DAVID LEVINE Coney Island, New York.

DAVID LEVINE Coney Island, New York. Watercolor on paper mounted on card stock. 254x370 mm; 10x14 1/2 inches. Signed in pencil, lower right recto. Ex-collection private collection, New Jersey.

Lot: 221 - VERNON LOBB A Man Talking on a Telephone.

VERNON LOBB A Man Talking on a Telephone. Oil on canvas, 1963. 855x685 mm; 33 1/4x27 inches. Signed and dated in oil, lower left recto. Ex-collection Dr. Stephen Pepper, New York; thence by descent to the current owner.

Lot: 222 - ROBERT SOLOTAIRE U.S. Steel.

ROBERT SOLOTAIRE U.S. Steel. Oil on paper, circa 1982. 270x390; 10 3/4x15 3/4 inches. Ex-collection the artist; thence by descent to the current owner.

Lot: 223 - ROBERT SOLOTAIRE View of Park Avenue.

ROBERT SOLOTAIRE View of Park Avenue. Oil on canvas, 2002. 430x595 mm; 17x23 1/2 inches. Signed and dated in green oil, lower right recto. Ex-collection the artist; thence by descent to the current owner.

Lot: 224 - MARK BEARD Western Panorama with Sculpture of

MARK BEARD Western Panorama with Sculpture of Native American Warrior. Oil on 2 joined canvases, 1982. 1325x1975 mm; 52 1/4x77 3/4 inches. Signed and dated in oil, lower cebnter recto. Acquired from Vincent Fitzgerald & Co., New York,

Lot: 225 - LEONARD E. FISHER Boy with the Balloons.

LEONARD E. FISHER Boy with the Balloons. Arcylic on canvas, 1996. 760x910 mm; 30x35 7/8 inches. Signed and dated in acrylic, lower right recto, and signed, titled, dated and annotated in felt-tip pen and ink, upper stretcher bar, verso.

Lot: 226 - LEONARD E. FISHER Kite Flyer .

LEONARD E. FISHER Kite Flyer . Acrylic on canvas, 2005. 910x760 mm; 36x30 inches. Signed and dated in acrylic, lower right recto, and signed, titled, dated and annotated in felt-tip pen and ink, verso.

Lot: 227 - LEONARD E. FISHER Bubbles.

LEONARD E. FISHER Bubbles. Acrylic on canvas, 1998. 755x1015 mm; 29 3/4x40 inches. Signed and dated in acrylic, lower right recto, and signed, titled, dated and annotated in felt-tip pen and ink, upper stretcher bar, verso.

Lot: 228 - LEONARD E. FISHER The 4th of July.

LEONARD E. FISHER The 4th of July. Acrylic on board, 2014. 1260x1198 mm; 49 1/4x47 1/8 inches. Signed and dated in acrylic, lower right recto, and signed, titled, dated and annotated in felt-tip pen and ink, verso. Exhibited "Leonard

Lot: 229 - ROBERT BLISS Two Boys on the Beach.

ROBERT BLISS Two Boys on the Beach. Oil on masonite, 1962. 795x1200 mm; 31 1/4x47 1/4 inches. Signed and dated in oil, lower right recto and titled "2 Boys on Beach" in pencil, verso.

Lot: 230 - ROBERT BLISS Boy Sitting on Ledge.

ROBERT BLISS Boy Sitting on Ledge. Oil on masonite, circa 1961. 543x900 mm; 21 1/4x35 3/8 inches. Signed and dated in oil (indistinctly), lower right recto.

Lot: 231 - ROBERT BLISS Seated Boy in an Orange Shirt.

ROBERT BLISS Seated Boy in an Orange Shirt. Oil on masonite, circa 1960. 1585x927 mm; 62 1/2x36 1/2 inches. Signed in oil, upper left recto.

Lot: 232 - ROBERT BLISS Standing Boy in Yellow Trunks.

ROBERT BLISS Standing Boy in Yellow Trunks. Oil on masonite, 1969. 1055x445 mm; 41 1/2x17 1/2 inches. Signed and dated in oil, lower right recto.

Lot: 233 - ROBERT BLISS Boy Against a Blue Background.

ROBERT BLISS Boy Against a Blue Background. Oil on masonite, 1961. 1370x1080 mm; 54x42 3/8 inches. Signed and dated in oil, lower right recto.

Lot: 234 - ROBERT BLISS Seated Nude with Raised Arms.

ROBERT BLISS Seated Nude with Raised Arms. Color pastels on paper, 1962. 905x600 mm; 35 1/8x23 5/8 inches. Signed and dated in pencil, lower right recto.

Lot: 235 - ROBERT BLISS Reclining Youth.

ROBERT BLISS Reclining Youth. Oil on board, 1960. 600x1030 mm; 23 5/8x40 1/2 inches. Signed and dated in oil, lower left recto.

Lot: 236 - ROBERT BLISS Boy Seen from Behind, Standing.

ROBERT BLISS Boy Seen from Behind, Standing. Oil on masonite, 1964. 1200x900 mm; 47x35 1/4 inches. Signed and dated in oil, lower right recto.

Lot: 237 - ROBERT BLISS Standing Youth in Swim Trunks, Hands

ROBERT BLISS Standing Youth in Swim Trunks, Hands on Hips . Oil on masonite, 1960. 900x340 mm; 35 1/2x13 3/8 inches. Signed and dated in pencil, lower right recto.

Lot: 238 - ROBERT BLISS Standing Boy with Light Blue Swim

ROBERT BLISS Standing Boy with Light Blue Swim Trunks, Hands on Hips. Oil on masonite. 594x295 mm; 23 3/8x11 1/2 inches. Signed and dated in oil (indistinctly), lower left recto. Ex-collection Selected Artists Galleries, Inc., New York, with

Lot: 239 - ROBERT BLISS Boy Seated on a Wall.

ROBERT BLISS Boy Seated on a Wall. Oil on board, circa 1960. 370x243 mm; 14 5/8x9 1/2 inches. Signed in oil, lower right recto. Ex-collection Selected Artists Galleries, Inc., New York, with the original label on the frame back.

Lot: 240 - ROBERT BLISS Study of a Youth.

ROBERT BLISS Study of a Youth. Oil on masonite board. 895x595 mm; 35 1/4x23 3/8 inches.

Lot: 241 - ROBERT BLISS Portrait of a Boy.

ROBERT BLISS Portrait of a Boy. Oil on masonite board, 1958. 555x330 mm; 21 7/8x13 inches. Signed and dated in brown oil, lower right recto.

Lot: 242 - EGBERT CADMUS Two charcoal drawings.

EGBERT CADMUS Two charcoal drawings. Study after Michelangelo's "Dying Slave," circa 1893. 610x470 mm; 24x18 1/2 inches * Study after the "Discobolus," 1893. 610x470 mm; 24x18 1/2 inches. Initialed and dated in pencil, lower right recto.

Lot: 243 - JARED FRENCH Three pencil drawings.

JARED FRENCH Three pencil drawings. Head of Apollo at Jeu, circa 1935. Titled and annotated "terra cotta—larger than life (alinari)" in pencil, lower right recto * Standing Nude, circa 1935 * Draped Woman, circa 1935. A study for

Lot: 244 - JARED FRENCH Portrait of George Platt Lynes.

JARED FRENCH Portrait of George Platt Lynes. Plaster, circa 1940. 490 mm; 19 1/4 inches (height). Ex-collection Roberto Giannotta, thence by descent to private collection; private collection, Rome. Lynes (1907-1955) was an American

Lot: 245 - JARED FRENCH Etruscan Man.

JARED FRENCH Etruscan Man. Marble, circa 1935. 700 mm; 27 3/4 inches (height, including base). Ex-collection Roberto Giannotta, thence by descent to private collection; private collection, Rome.

Lot: 246 - JARED FRENCH Two pen and ink landscape drawings of

JARED FRENCH Two pen and ink landscape drawings of Spain. Rouda, on light tan tracing paper, 1926. 315x248 mm; 12 1/2x9 3/4 inches. Titled and dated "March 26" in ink, lower right recto * Port Vendres, on light tan tracing paper, 1926.

Lot: 247 - PAUL CADMUS Two pencil drawings of Spain.

PAUL CADMUS Two pencil drawings of Spain. Andratz, circa 1932 315x220 mm; 12 1/2x8 5/8 inches. Signed in pencil, lower right recto * Catalan y Dragonea, 1932. 156x220 mm; 6 1/4x8 5/8 inches. Signed, titled and dated in pencil, lower left

Lot: 248 - JARED FRENCH Three pencil landscape drawings of

JARED FRENCH Three pencil landscape drawings of Spain. Puerto de Andratz, 1932. Signed, titled and dated in pencil, lower left recto * Puerto de Andratz, 1932. Signed, titled and dated in pencil, lower right recto * Andratz, 1933. Signed,

Lot: 249 - PAUL CADMUS Profile Portrait of Jared French,

PAUL CADMUS Profile Portrait of Jared French, Mallorca. Pencil on light tan wove paper, circa 1932-33. 320x222 mm; 12 5/8x8 3/4 inches. Signed in pencil, lower right recto and inscribed "JF Mallorca 32 or 33" in pencil, lower left recto.

Lot: 250 - PAUL CADMUS Jared French, Mallorca.

PAUL CADMUS Jared French, Mallorca. Pencil on cream wove paper, 1933. 220x320 mm; 8 3/4x12 5/8 inches. Signed in pencil, lower right recto, and inscribed "JF Mallorca 33" in pencil, lower left recto. Ex-collection the artist's estate; Jon

Lot: 251 - PAUL CADMUS Jared French Reclining, Mallorca.

PAUL CADMUS Jared French Reclining, Mallorca. Pencil on cream wove paper, circa 1932-33. 240x310 mm; 9 1/2x12 1/4 inches. Signed and inscribed "JF Mallorca" in pencil, lower recto. Ex-collection the artist's estate; Jon F. Anderson and

Lot: 252 - JARED FRENCH Potrait of Paul Cadmus.

JARED FRENCH Potrait of Paul Cadmus. Pencil and red crayon on paper, 1931. 355x286 mm; 13 3/4x11 1/4 inches. Inscribed "Paul Cadmus from Jared French Menemsha 1931" and annotated "From Jersey, Oct. 8 1970" and "for Jon July 30, 1972" in

Lot: 253 - JARED FRENCH Portrtait of Paul Cadmus Reclining.

JARED FRENCH Portrtait of Paul Cadmus Reclining. Pen and ink on cream wove paper, 1937. 380x432 mm; 15x17 inches. Signed, dated and inscribed "For Monroe" in pen and ink, lower recto. Ex-collection Monroe Wheeler, New York; private

Lot: 254 - PAUL CADMUS Sheet of Studies with Reclining

PAUL CADMUS Sheet of Studies with Reclining Figures, Cats and Shoes. Pen and ink and pencil on light tan wove paper, double-sided, circa 1932-33. 260x370 mm; 10 1/4x14 1/2 inches. Signed in pencil, lower right recto. Ex-collection the

Lot: 255 - JARED FRENCH Portrait of Fidelma Cadmus.

JARED FRENCH Portrait of Fidelma Cadmus. Pencil on cream paper, circa 1935. 286x210 mm; 11 1/4x8 1/4 inches. Ex-collection Roberto Giannotta, thence by descent to private collection; Private collection, Rome.

Lot: 256 - JARED FRENCH Two portraits.

JARED FRENCH Two portraits. Study of a Woman with Long Hair, pencil on cream wove paper. 170x165 mm; 6 3/4x6 1/2 inches. Signed in pencil, lower right recto * Portrait Study, Looking Down, pencil on cream wove paper. 110x90 mm; 4 1/2x3 1/2

Lot: 257 - PAUL CADMUS Portrait of Margaret French.

PAUL CADMUS Portrait of Margaret French. Pencil on cream laid paper, 1944. 322x260 mm; 13x10 1/4 inches. Signed and dated in pencil, lower right recto, and titled in pencil, lower left recto. Ex-collection the artist's estate; Jon F.

Lot: 258 - JARED FRENCH Three pen and ink drawings.

JARED FRENCH Three pen and ink drawings. Woman from Behind, circa 1935. Signed in ink, lower right recto * Woman with Coat, circa 1935. Annotated in pencil, lower right recto * Woman, circa 1935. With another study of a woman with a feather

Lot: 259 - PAUL CADMUS Eulalia.

PAUL CADMUS Eulalia. Drypoint, circa 1926. 377x304 mm; 14 3/4x12 inches, full margins. Signed and annotated in pencil, lower margin. A superb, richly-inked impression of this extremely scarce drypoint. A portrait of the artist's cousin,

Lot: 260 - JARED FRENCH Portrait of Paul Cadmus.

JARED FRENCH Portrait of Paul Cadmus. Pencil and red pencil on cream wove paper, circa 1945. 300x205 mm; 11 7/8x8 1/8 inches. Ex-collection Paul Cadmus; Jon F. Anderson and Philis Raskind-Anderson, Connecticut.

Lot: 261 - JARED FRENCH Male Nude, Head Turned, Arms Raised.

JARED FRENCH Male Nude, Head Turned, Arms Raised. Pen and ink and pencil on cream wove paper, circa 1935. 300x240 mm; 11 7/8x12 1/2 inches. Signed in ink, lower center recto. Ex-collection Roberto Giannotta, thence by descent to private

Lot: 262 - JARED FRENCH Two studies of male nudes.

JARED FRENCH Two studies of male nudes. Seated Model, pencil on paper. 205x250 mm; 8 1/8x9 7/8 inches * Seated Nude from behind, pen and ink on paper, circa 1935. 355x275 mm; 14x10 7/8 inches. Signed in ink, lower right recto.

Lot: 263 - JARED FRENCH Man Holding a Medicine Ball.

JARED FRENCH Man Holding a Medicine Ball. Pen and ink and pencil on smooth cream wove apper, circa 1935. 246x191 mm; 9 3/4x7 1/2 inches. The study for the same-titled etching (see following lot). Ex-collection Paul Cadmus; Jon F.

Lot: 264 - JARED FRENCH Man Holding a Medicine Ball.

JARED FRENCH Man Holding a Medicine Ball. Etching on cream wove paper, circa 1935. 175x125 mm; 7x5 inches, full margins. Signed in pencil, lower right. A very good impression of this extremely scarce etching. Ex-collection Roberto

Lot: 265 - JARED FRENCH Acrobat.

JARED FRENCH Acrobat. Pencil, chalk and white gouache heightening on light tan wove paper, circa 1936. 213x156 mm; 8 1/2x6 1/8 inches. Ex-collection M. Knoedler & Co., New York; Paul Cadmus; Jon F. Anderson and Philis Raskind-Anderson,

Lot: 266 - JARED FRENCH Street Fight.

JARED FRENCH Street Fight. Etching, 1935. 190x250 mm; 7 1/2x9 7/8 inches, full margins. Edition of 25. Signed, titled, dated and annotated in pencil, lower right. Ex-collection Roberto Giannotta, thence by descent to private collection;

Lot: 267 - JARED FRENCH Two etchings.

JARED FRENCH Two etchings. Two Figures (Revelers), circa 1930. 200x150 mm; 7 7/8x5 7/8 inches, full margins * Acrobat, 1936. 150x100 mm; 6x4 inches, full margins. Signed, titled and dated in pencil, lower margin. Both ex-collection

Lot: 268 - JARED FRENCH Three Girls.

JARED FRENCH Three Girls. Etching, 1930. 358x130 mm; 14 1/8x5 inches, full margins. Signed in pencil, lower right, titled and inscribed "Edition of 25" and "Jared French- 5 St. Luke's Pl. N.Y.C." in pencil, lower left. A very good impression

Lot: 269 - JARED FRENCH Men in a Garden.

JARED FRENCH Men in a Garden. Oil on panel, circa 1934-35. 375x435 mm; 14 3/4x17 1/8 inches. Exhibited D.C. Moore Gallery, New York, with the original label on the frame back. Ex-collection the artist; Margaret French, gift from the

Lot: 270 - JARED FRENCH Landscape.

JARED FRENCH Landscape. Watercolor on wove paper. 185x270 mm; 7 1/4x10 3/4 inches. Signed in ink, lower left recto. Ex-collection Roberto Giannotta, thence by descent to private collection; private collection, Rome.

Lot: 271 - JARED FRENCH Folk Scene with an Amorous Couple.

JARED FRENCH Folk Scene with an Amorous Couple. Watercolor on paper. 390x300 mm; 15 1/4x11 7/8 inches. Signed in pencil, lower right recto. Ex-collection Roberto Giannotta, thence by descent to private collection; private collection, Rome.

Lot: 272 - JARED FRENCH Portrait of a Woman.

JARED FRENCH Portrait of a Woman. Pencil on paper. 290x212 mm; 11 3/8x8 3/8 inches. Signed in pencil, lower right recto. With-- Studies of Men, pen and ink and color pastels on paper. 252x188 mm; 10x7 inches. Initialed in ink, loewr right

Lot: 273 - PAVEL TCHELITCHEW Interiors (Skull).

PAVEL TCHELITCHEW Interiors (Skull). Brush and ink and wash on paper, 1944. 352x282 mm; 14x11 1/8 inches. Signed and dated in black ink, lower right recto. Ex-collection Tamara Toumanova; private collection, Los Angeles.

Lot: 274 - PAUL CADMUS Study for "Sloth."

PAUL CADMUS Study for "Sloth." Pen and sepia ink on tan paper, circa 1947. 590x447 mm; 23 1/4x17 1/2 inches. Signed and titled "Study for 'Sloth, Seven Deadly Sins'," in pencil, lower recto. This drawing is a study for Sloth, egg tempera,

Lot: 275 - PAVEL TCHELITCHEW The Sorceress.

PAVEL TCHELITCHEW The Sorceress. Brush and sepia ink and wash on tan wove paper, 1932. 300x195 mm; 11 3/4x7 3/4 inches. Signed and dated in pencil, lower right recto. Annotated "1939 in 25" in ink, verso. Ex-collection the Estate of William A.

Lot: 276 - PAVEL TCHELITCHEW Male Figure Studies.

PAVEL TCHELITCHEW Male Figure Studies. Brush and ink on paper, 1933. 265x207 mm; 10 1/2x8 1/8 inches. Signed and dated in ink, lower right recto. Ex-collection Tamara Toumanova; private collection, Los Angeles. Figure studies of

Lot: 277 - PAVEL TCHELITCHEW Two drawings.

PAVEL TCHELITCHEW Two drawings. Standing Male Nude, brush and ink and wash on tan paper, 1929. 373x85 mm; 14 3/4x3 1/2 inches. Signed and dated in ink, lower right recto * Circus Musicians, pencil on cream wove paper mounted on card stock.

Lot: 278 - PAVEL TCHELITCHEW Portrait of Robert Cluzan.

PAVEL TCHELITCHEW Portrait of Robert Cluzan. Color pastels on paper, 1930. 635x480 mm; 25x19 inches. Signed in ink and titled in pencil, verso. Sold Christie's, New York, with the labels on the frame back; private collection, Los Angeles.

Lot: 279 - FIDELMA CADMUS Elise on Fire Island.

FIDELMA CADMUS Elise on Fire Island. Black chalk on light blue laid paper. 274x409 mm; 10 3/4x16 inches. Signed in pencil, lower right recto, and titled titled in ink, lower left recto. Ex-collection Paul Cadmus; Jon F. Anderson and Philis

Lot: 280 - JARED FRENCH Male Nude Releasing a Woman.

JARED FRENCH Male Nude Releasing a Woman. Silverpoint on wove paper with a prepared white ground, circa 1940. 190x110 mm; 7 1/2x4 3/8 inches, full margins. Ex-collection Paul Cadmus; Jon F. Anderson and Philis Raskind-Anderson,

Lot: 281 - JARED FRENCH Study for "Painting and Sculpture."

JARED FRENCH Study for "Painting and Sculpture." Black chalk on cream laid paper, circa 1949. 625x355 mm; 24 1/2x14 inches. Signed in pencil, lower left recto. A study for the same-titled oil, 1949 (see Grimes number 23). Another later

Lot: 282 - JARED FRENCH Study for "Elemental Play."

JARED FRENCH Study for "Elemental Play." Pencil on paper, 1946. 320x422 mm; 12 5/8x16 5/8 inches. Titled and inscribed "#34" in pencil, lower left recto. Ex-collection Paul Cadmus; Jon F. Anderson and Philis Raskind-Anderson, Connecticut.

Lot: 283 - JARED FRENCH Study for "Learning."

JARED FRENCH Study for "Learning." Pencil on paper. 345x256 mm; 13 5/8x10 1/8 inches. Signed and titled in pencil, lower left recto. Ex-collection Roberto Giannotta, thence by descent to private collection; private collection, Rome

Lot: 284 - JARED FRENCH Study for "Man."

JARED FRENCH Study for "Man." Pencil on paper, 1947. 175x155 mm; 7x6 1/8 inches. Annotated in pencil, upper left recto. Ex-collection the artist's estate; Jon F. Anderson and Philis Raskind-Anderson, Connecticut.

Lot: 285 - PAUL CADMUS The Bath.

PAUL CADMUS The Bath. Etching, 1934. 180x210 mm; 7x8 1/4 inches, full margins. First edition (of 2). Artist's proof, aside from the edition of 75. Signed and annotated in pencil, lower margin. A superb, early impression. Ex-collection the

Lot: 286 - PAUL CADMUS Reclining Male Nude.

PAUL CADMUS Reclining Male Nude. Color lithograph. 210x180 mm; 8 1/4x7 inches, full margins. One of only several trial proofs, there was no completed edition. Signed and inscribed "Trial proof #7 in pencil, lower right. Ex-collection the

Lot: 287 - PAUL CADMUS Nude.

PAUL CADMUS Nude. Soft-ground etching, circa 1980. 210x210 mm; 8 1/4x8 1/4 inches. Artist's proof. Signed and numbered "AP 10/25" in pencil, lower margin. Ex-collection the artist's estate; Jon F. Anderson and Philis Raskind-Anderson,

Lot: 288 - PAUL CADMUS Studies for "Point O' View."

PAUL CADMUS Studies for "Point O' View." Collection of 13 pen and ink and pencil drawings, circa 1944. Studies for the same-titled painting, 1945, now in the collection of the Williams College Museum of Art, Williamstown, Massachussetts.

Lot: 289 - PAUL CADMUS Jon Anderson #1.

PAUL CADMUS Jon Anderson #1. Color crayons on light tan paper, 1965. 507x295 mm; 20x11 1/2 inches. Signed in pencil, lower left recto, and titled in pencil, upper right recto. Ex-collection the artist's estate; Jon F. Anderson and Philis

Lot: 290 - PAUL CADMUS Seated Male Nude.

PAUL CADMUS Seated Male Nude. Color crayons on black wove paper, circa 1970. 480x270 mm; 19x10 5/8 inches. Signed in white crayon, lower right recto. A study for David and Goliath, 1971, now in the Colorado Springs Fine Arts Center.

Lot: 291 - PAUL CADMUS Model Resting

PAUL CADMUS Model Resting Color chalks on light tan laid paper, circa 1970. 480x542 mm; 18x21 1/4 inches. Signed in pencil, lower left recto. Ex-collection the artist's estate; Jon F. Anderson and Philis Raskind-Anderson, Connecticut.

Lot: 292 - JARED FRENCH Portrait of Webster Aitken.

JARED FRENCH Portrait of Webster Aitken. Plaster, circa 1935. 260 mm; 10 1/4 inches (height, including base). Inscribed "614; Webster Aitken" by Jared French in pencil and ink on the base. Aitken (1908-1981) was a famous American classical

Lot: 293 - PAUL CADMUS Study for "Dancer Resting at Barre."

PAUL CADMUS Study for "Dancer Resting at Barre." Color chalks on light tan wove paper, circa 1974. 445x595 mm; 17 1/2x23 1/2 inches. Titled in pencil, "Preliminary Study for Dancer Resting at Barre" in pencil, lower right recto.

Lot: 294 - PAUL CADMUS Seated Nude (Literate Nude).

PAUL CADMUS Seated Nude (Literate Nude). Color chalks on light blue laid paper, circa 1970. 480x637 mm; 18 7/8x25 1/8 inches. Signed in white chalk, upper right recto, and signed and titled in pencil, lower right recto. Ex-collection the

Lot: 295 - PAUL CADMUS Nude Reclining on Bentwood Chairs with

PAUL CADMUS Nude Reclining on Bentwood Chairs with a Dog. Color chalks on light tan laid paper, circa 1975. 425x482 mm; 16 3/4x19 inches. Signed in pencil, lower right recto. Ex-collection the artist's estate; Jon F. Anderson and Philis

Lot: 296 - PAUL CADMUS Horace #5.

PAUL CADMUS Horace #5. Color chalks on light greenish gray laid paper, 1972. 197x265 mm; 7 3/4x10 1/2 inches. Signed in pencil, upper left recto, and titled in pencil, lower left recto. Ex-collection the artist's estate; Jon F. Anderson

Lot: 297 - PAUL CADMUS Mourka #3.

PAUL CADMUS Mourka #3. Color chalks on reddish brown laid paper, double-sided, circa 1970. 170x290 mm; 6 3/4x11 3/8 inches. Signed in white chalk, upper left recto, and titled in white chalk, lower left recto. Ex-collection the artist's

Lot: 298 - PAUL CADMUS Studies of Cats.

PAUL CADMUS Studies of Cats. Pen and ink on cream wove paper, circa 1935. 260x215 mm; 10 1/4x8 1/2 inches. Signed in ink, lower right recto. Ex-collection the artist's estate; Jon F. Anderson and Philis Raskind-Anderson, Connecticut.




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