CLOSE
( E-Mail, User ID, or Auctioneer ID )
(Uncheck if using a shared computer)


Auction Information
Auctioneer Swann Auction Galleries 212-254-4710
Auction Date May 22 Auction
Location
See Catalog
New York, NY
Time 01:30PM
Auctioneer's Other ListingsE-mail AuctioneerAuctioneer's Web Site
Auction Listing
AuctionZip Auctioneer ID# 2686

Online Bidding for this auction is available through AuctionZip!

Lot: 1 - ADOLPH GOTTLIEB Pink High.

ADOLPH GOTTLIEB Pink High. Color screenprint, 1969. 600x473 mm; 23 1/2x18 1/2 inches (sheet), full margins. Signed, dated and numbered 57/95 in pencil, lower margin. Published by Marlborough Graphics, Inc., New York. A very good impression

Lot: 2 - ADOLPH GOTTLIEB Red Ground.

ADOLPH GOTTLIEB Red Ground. Color screenprint, 1967. 770x565 mm; 30 1/4x22 1/4 inches, full margins. Signed, dated and numbered 64/75 in pencil, lower margin. A very good impression with vibrant colors. Associated American Artists 44.

Lot: 3 - ADOLPH GOTTLIEB Orange Oval.

ADOLPH GOTTLIEB Orange Oval. Color screenprint, 1972. 480x610 mm; 18 3/4x23 5/8 inches, full margins. Signed, dated and numbered 133/150 in pencil, lower margin. A superb impression with strong colors. After high school, Gottlieb

Lot: 4 - ADOLPH GOTTLIEB Flurry.

ADOLPH GOTTLIEB Flurry. Color screenprint, 1967. 560x765 mm; 22x30 inches (sheet), full margins. Signed, dated and numbered 28/75 in pencil, lower margin. Published by Malborough Graphics, Inc., New York. A very good impression. Associated

Lot: 5 - DAVID SMITH Untitled (Family).

DAVID SMITH Untitled (Family). Lithograph, 1954. 215x585 mm; 8 1/2x23 1/8 inches, full margins. Second state (of 2), with the background. Edition of 20. Signed, dedicated and annotated in ink, lower margin. Printed by Reginald Neal, University

Lot: 6 - DAVID SMITH Don Quixote.

DAVID SMITH Don Quixote. Lithograph with hand-coloring in watercolor on off-white wove paper, 1952. 455x605 mm; 18x23 3/4 inches, full margins. First state (of 2). Edition of approximately only 27. Signed, titled, dated, dedicated and

Lot: 7 - JACKSON POLLOCK Untitled.

JACKSON POLLOCK Untitled. Screenprint on Strathmore paper, 1951 (printed 1964). 420x570 mm; 16 1/2x22 1/2 inches, full margins. Numbered 38/50 in pencil, lower right. Authorized by Lee Pollock Kasner and with the Pollock Estate blind stamp,

Lot: 8 - JACKSON POLLOCK Untitled.

JACKSON POLLOCK Untitled. Screenprint on Strathmore paper, 1951 (printed 1964). 420x470 mm; 16 1/2x18 1/2 inches, full margins. Numbered 26/50 in pencil, lower right. Authorized by Lee Pollock Krasner and with the Pollock Estate blind stamp,

Lot: 9 - WILLEM DE KOONING Untitled (Seated and Reclining

WILLEM DE KOONING Untitled (Seated and Reclining Women). Pencil on light tan wove paper, circa 1965-70. 230x305 mm; 9x12 inches. Signed in pencil, lower left recto. De Kooning (1904-1997) began his well-known Woman series in 1950 and worked

Lot: 10 - WILLEM DE KOONING With Love.

WILLEM DE KOONING With Love. Lithograph printed in black on grayish cream Jeff Goodman paper, 1971. 285x245 mm; 11 1/4x9 3/4 inches, full margins. Signed, dated and numbered 7/40 in pencil, lower margin. Published by Hollander's Workshop and

Lot: 11 - WILLEM DE KOONING Poems by Frank O'Hara.

WILLEM DE KOONING Poems by Frank O'Hara. Portfolio with 17 lithographs on Japanese Kitakata appliqué, 1988. Each 352x280 mm; 13 7/8x11 inches (sheets), full margins. Edition of 550. With de Kooning's authorized facsimile signature and

Lot: 12 - WILLEM DE KOONING Untitled: Quatre Lithographies.

WILLEM DE KOONING Untitled: Quatre Lithographies. Color lithograph on Arches, 1986. 720x630 mm; 28 1/4x24 3/4 inches (sheet), full margins. Signed, dated and numbered XLIV/L in pencil, lower margin. Published by Éditions de la

Lot: 13 - ROBERT MOTHERWELL Untitled.

ROBERT MOTHERWELL Untitled. Open-bite etching printed in dark, brownish black on Auvergne à la main paper, 1966. 248x175 mm; 9 3/4x6 7/8 inches, full margins. Numbered 23/50 in pencil, lower left. Published by Éditions O.

Lot: 14 - ROBERT MOTHERWELL Untitled.

ROBERT MOTHERWELL Untitled. Lithograph on Arches, 1966. 480x360 mm; 19x14 inches, full margins. Signed and numbered 198/225 in pencil, lower margin. Printed by Irwin Hollander, New York, with the blind stamp lower right. Published by

Lot: 15 - ROBERT MOTHERWELL Africa Suite #8.

ROBERT MOTHERWELL Africa Suite #8. Color screenprint on J. B. Green paper, 1970. 800x590 mm; 31 1/2x23 1/4 inches, full margins. Artist's proof, aside from the edition of 150. Initialed and inscribed "a/p" in pencil, lower margin. Printed by

Lot: 16 - ROBERT MOTHERWELL The Basque Suite #5.

ROBERT MOTHERWELL The Basque Suite #5. Color screenprint printed in green, orange, black and red on J.B. Green paper, 1970-71. 571x442 mm; 22 1/2x17 3/8 inches, full margins. Initialed and numbered 125/150 in pencil, lower right. Printed by

Lot: 17 - ROBERT MOTHERWELL The Basque Suite #7.

ROBERT MOTHERWELL The Basque Suite #7. Color screenprint printed in blue, light blue and black on J.B. Green paper, 1970-71. 571x442 mm; 22 1/2x17 3/8 inches, full margins. Initialed and numbered 106/150 in pencil, lower right. Printed by

Lot: 18 - ROBERT MOTHERWELL Untitled.

ROBERT MOTHERWELL Untitled. Lithograph printed in blue on buff Arches Cover paper, 1966. 502x362 mm; 19 3/4x14 1/4 inches, full margins. Initialed and numbered 66/100 in pencil, lower margin. Printed and published by Hollander's Workshop, New

Lot: 19 - ROBERT MOTHERWELL Abyss.

ROBERT MOTHERWELL Abyss. Monotype printed in ochre with collage on hand-torn black Japanese paper, 1978. 451x604 mm; 17 3/4x23 3/4 inches, full margins. Edition of 25, lettered A-Y. Initialed and inscribed "Q/Y" in pencil, upper right. Printed

Lot: 20 - ROBERT MOTHERWELL Untitled.

ROBERT MOTHERWELL Untitled. Lithograph of buff Arches paper, 1971-72. 200x254 mm; 8x10 inches, full margins. Signed and numbered 12/80 in pencil and red crayon, lower right. Printed and published by Erker-Presse, St. Gallen. A very good

Lot: 21 - ROBERT MOTHERWELL The Red Queen.

ROBERT MOTHERWELL The Red Queen. Color aquatint and lift-ground etching and collage on German Etching paper, 1989. 597x450 mm; 23 1/2x17 3/4 inches, full margins. Initialed and numbered 20/40 in pencil, lower left. Printed by Catherine Mosley

Lot: 22 - ROBERT MOTHERWELL Seaside Studio.

ROBERT MOTHERWELL Seaside Studio. Color aquatint and etching on Whatman paper, 1990. 610x515 mm; 24x20 1/8 inches, full margins. Initialed and numbered 4/32 in pencil, lower right. Printed by Catherine Mosley in the artist's studio, Greenwich.

Lot: 23 - ROBERT MOTHERWELL Untitled.

ROBERT MOTHERWELL Untitled. Color lithograph with embossing on Arches, 1982. 762x572 mm; 30x22 1/2 inches (sheet), full margins. Trial proof, aside from the edition of 250. Signed and inscribed "TP" in pencil, lower right. Printed by Tyler

Lot: 24 - ROBERT MOTHERWELL The Quarrel.

ROBERT MOTHERWELL The Quarrel. Color lithograph on Arches, 1983. 885x645 mm; 34 7/8x25 1/2 inches, full margins. Signed and numbered 94/100 in pencil, lower margin. Printed by Tyler Graphics, Ltd., Bedford. The poem The Quarrel is by

Lot: 25 - ESTEBAN VICENTE East End.

ESTEBAN VICENTE East End. Color screenprint, circa 1970. 727x533 mm; 26 5/8x21 inches, full margins. Signed, titled and numbered 76/90 in pencil, lower margin. A sduperb impression with vibrant colors. Vicente (1903-2001) was born in Spain

Lot: 26 - RICHARD DIEBENKORN Seated Nude.

RICHARD DIEBENKORN Seated Nude. Lithograph on Rives BFK, 1965. 668x508 mm; 26 1/4x20 inches, full margins. Artist's proof, aside from the edition of 100. Initialed, dated and inscribed "t.p. II" in pen and black ink, lower margin. Printed and

Lot: 27 - RICHARD DIEBENKORN Seated Woman in Chemise.

RICHARD DIEBENKORN Seated Woman in Chemise. Lithograph on Rives BFK, 1965. 640x465 mm; 25 1/4x18 1/4 inches, full margins. Signed, dated and numbered 88/100 in pen and black ink, lower margin. Printed and published by Original Press, San

Lot: 28 - SAM FRANCIS An Other Set--Y (Triptych), right

SAM FRANCIS An Other Set--Y (Triptych), right panel. Color lithograph on Japan paper, 1964. 394x572 mm; 15 1/2x22 1/2 inches (sheet), full margins. Artist's proof, aside from the edition of 100. Signed and inscribed "artist's proof" in pencil,

Lot: 29 - SAM FRANCIS Turn.

SAM FRANCIS Turn. Color screenprint on Arjomari paper, 1972. 635x790 mm; 25x31 1/8 inches, full margins. Signed and numbered 8/70 in pencil, lower margin. Printed and published by Gemini G.E.L., Los Angeles. A superb impression with vibrant

Lot: 30 - SAM FRANCIS Untitled.

SAM FRANCIS Untitled. Color lithograph on PTI #120 Waterleaf paper, 1993. 1181x762 mm; 45 1/2x30 inches, full margins. Signed and numbered 27/50 in pencil, lower margin. Published by The Litho Shop, Inc., Santa Monica, with the blind stamp

Lot: 31 - HELEN FRANKENTHALER Air Frame.

HELEN FRANKENTHALER Air Frame. Color screenprint on Arches double-weight watercolor paper, 1965. 557x428 mm; 22x16 7/8 inches (sheet), full margins. Signed, dated and numbered 94/200 in pencil, lower margin. Printed by Chiron Press, New York.

Lot: 32 - JOAN MITCHELL Arbres (Black and Red).

JOAN MITCHELL Arbres (Black and Red). Color lithograph, 1991-92. 770x562 mm; 30 1/4x22 inches (sheet), full margins. Signed and numbered 34/125 in pencil, lower margin. Printed by Atelier Bordas, Paris. Published by Éditions Jean Fournier

Lot: 33 - JOAN MITCHELL Arbres (Black and Yellow).

ARBRES (BLACK AND YELLOW). JOAN MITCHELL Arbres (Black and Yellow). Color lithograph, 1991-92. 762x562 mm; 30x22 1/8 inches (sheet), full margins. Signed and numbered 37/125 in pencil, lower margin. Printed by Atelier Bordas, Paris. Published

Lot: 34 - JOAN MITCHELL Sunflower V.

JOAN MITCHELL Sunflower V. Color etching and aquatint on Arches, 1972. 680x437 mm; 26 3/4x17 1/4 inches, full margins. Signed and numbered 21/75 in pencil, lower margin. Printed and published by Maeght, Paris. A very good, richly-inked

Lot: 35 - JOAN MITCHELL Champs (Grey).

JOAN MITCHELL Champs (Grey). Color lithograph on Arches, 1981. 762x563 mm; 30x22 1/8 inches (sheet), full margins. Signed and numbered 52/125 in pencil, lower margin. Printed by Atelier Bordas, Paris. Published by Éditions Jean Fournier,

Lot: 36 - LOUISE NEVELSON Sky Shadow.

LOUISE NEVELSON Sky Shadow. Lead intaglio relief print on heavy, white wove paper, 1973. 610x435 mm; 31 1/8x25 inches, full margins. Signed, titled, dated and numbered 135/150 in pencil, lower margin. Printed by Sergio and Fausto Tosi, Milan.

Lot: 37 - LOUISE NEVELSON Brandeis Multiple.

LOUISE NEVELSON Brandeis Multiple. Bronze with dark brown patina, 1968. 100 mm; 4 inches (height, excluding Plexiglas base). Edition of 150. Incised artist's signature and date, verso. Published for the Brandeis University National Women's

Lot: 38 - LOUISE NEVELSON American Jewish Congress Print.

LOUISE NEVELSON American Jewish Congress Print. Color screenprint on Arches, 1974. 710x560 mm; 28x22 inches, full margins. Signed, dated and numbered 79/100 in pencil, lower margin. Published by Pace Editions, Inc., New York. A very good

Lot: 39 - LOUISE NEVELSON Untitled.

LOUISE NEVELSON Untitled. Color screenprint with varnish additions, 1973. 260x190 mm; 10 1/4x7 1/2 inches, full margins. Printer's proof, aside from the edition of 300. Signed and numbered "8/9 P.P." in pencil, lower margin. Printed by Styria

Lot: 40 - LOUISE NEVELSON Untitled.

LOUISE NEVELSON Untitled. Color screeprint on cream wove paper, 1974. 651x410 mm; 25 5/8x16 1/8 inches, full margins. Signed, dated and numbered XXIII/XXX in pencil, lower margin. Printed by Maurel Studios, New York. Published by

Lot: 41 - LOUISE NEVELSON Celebration #6.

LOUISE NEVELSON Celebration #6. Color aquatint, 1979. 985x690 mm; 38 3/4x27 1/4 inches, full margins. Signed, dated and numbered 43/50 in pencil, lower margin. Published by Pace Editions, Inc., New York. A superb impression with strong colors.

Lot: 42 - LEE BONTECOU Untitled.

LEE BONTECOU Untitled. Lithograph, 1973. 225x300 mm; 8 3/4x11 3/4 inches, full margins. Printer's proof, aside from the edition of 300. Signed and annotated "P.P. 8/9" in white pencil, lower right. Printed by Styria Studio, New York. Published

Lot: 43 - LEE BONTECOU Silkscreen.

LEE BONTECOU Silkscreen. Screenprint on muslin mounted on illustration board, 1968. 355x330 mm; 14x13 inches, full margins. Signed and numbered 69/100 in pencil, lower margin (the correct edition is 200, this edition number was incorrectly

Lot: 45 - PAUL JENKINS Aviary.

PAUL JENKINS Aviary. Color lithograph, 1971. 760x565mm; 30x22 1/4 inches, full margins. Artist's proof. Signed and dated in pencil, lower margin. A very good impression.

Lot: 46 - PAUL JENKINS Untitled.

PAUL JENKINS Untitled. Watercolor on paper, circa 1960. 374x278 mm; 14 3/4x10 7/8 inches. Signed in ink, lower center recto. Ex-collection private collection, New York.

Lot: 47 - PAUL JENKINS Two lithographs.

PAUL JENKINS Two lithographs. Dusk, color lithograph, 1972. 762x565 mm; 30x22 1/4 inches (sheet), full margins. Signed, dated and numbered 3/5 in pencil, lower right * Alternate, 1969. 579x452 mm; 22 7/8x17 3/4 inches (sheet), full margins.

Lot: 48 - WALASSE TING Hot and Sour Soup.

WALASSE TING Hot and Sour Soup. Portfolio with 50 poems and 22 color lithographs, 1969. 407x285 mm; 16 1/8x11 1/4 inches (sheets), loose as issued. Edition of 1050. Printed by Bjørn Rosengreen, Copenhagen. Published by the Sam Francis

Lot: 49 - JAMES BROOKS Composition.

JAMES BROOKS Composition. Watercolor, oil and gouache on paper, 1966. 355x397 mm; 14x15 3/4 inches. Signed and dated in ink, upper right recto.

Lot: 50 - JOHN LEVEE Untitled (Orange Dominant).

JOHN LEVEE Untitled (Orange Dominant). Gouache on paper, 1961. 565x760 mm; 22 1/4x30 inches. Signed and dated in ink, lower right recto. Exhibited "John Levee," Esther-Robles Gallery, January 29-February 17, 1962.

Lot: 51 - ROBERT GOODNOUGH Chapquar.

ROBERT GOODNOUGH Chapquar. Oil and acrylic on canvas, 2006. 755x1020 mm; 30x40 inches. Signed, titled and dated in pencil, verso. Ex-collection the artist and his wife, Miko Goodnough.

Lot: 52 - MICHAEL GOLDBERG Nude Study.

MICHAEL GOLDBERG Nude Study. Color pastels on paper, circa 1965. 603x455 mm; 24 3/4x18 inches. Signed, dated and dedicated in pencil, lower right recto. Ex-collection private collection, Maryland.

Lot: 53 - EDWARD M. CORBETT New Mexico #34.

EDWARD M. CORBETT New Mexico #34. Color pastels and charcoal on paper, 1954. 880x570 mm; 34 1/2x22 1/2 inches, full margins. Signed and dated in pencil, upper right recto. Ex-collection Grace Borghenicht Gallery, New York, with the label on

Lot: 54 - PHILIP GUSTON Street.

PHILIP GUSTON Street. Lithograph on Arches, 1970. 502x667 mm; 19 3/4x26 1/4 inches, full margins. Artist's proof, aside from the edition of 120. Signed, dated and inscribed "A.P." in pencil, lower margin. Published by the Skowhegan School of

Lot: 55 - PHILIP GUSTON Rug.

PHILIP GUSTON Rug. Lithograph on Rives BFK, 1980. 495x737 mm; 19 1/2x29 inches, full margins. Signed, titled, dated and numbered 47/50 in pencil, lower margin. Printed and published by Gemini, G.E.L., Los Angeles, with the blind stamps lower

Lot: 56 - JEAN DUBUFFET Loisirs.

JEAN DUBUFFET Loisirs. Color lithograph on Arches, 1961-62. 410x520 mm; 16 1/8x20 3/8 inches, full margins. An hors commerce impression, aside from the edition of 40. Signed, dated and inscribed "épreuve HC V/X" in pencil, lower margin.

Lot: 57 - JEAN DUBUFFET La Fleur de Barbe.

JEAN DUBUFFET La Fleur de Barbe. Portfolio with complete text and 5 illustrations printed in collotype on Arches, 1960. 490x320 mm; 19 1/4x12 5/8 inches (sheets), full margins. An hors commerce set, aside from the edition of 500.

Lot: 58 - JEAN DUBUFFET Champs de Silence from Les

JEAN DUBUFFET Champs de Silence from Les Phénomènes. Portfolio with complete text and 10 color lithographs on Arches, 1959. 632x445 mm; 25x17 1/2 inches, full margins (sheets). Edition of 18. Numbered "VIII" and signed and dated in

Lot: 59 - JEAN DUBUFFET Profil à droite.

JEAN DUBUFFET Profil à droite. Color lithograph on Arches, 1962. 520x380 mm; 20 1/2x15 inches, full margins. Signed, dated and numbered 28/30 in pencil, lower margin. Printed by Serge Lozingot, Paris. A superb, richly-inked impression of

Lot: 60 - JEAN DUBUFFET L'enfle-chique II.

JEAN DUBUFFET L'enfle-chique II. Color lithograph on Arches, 1961-63. 580x350 mm; 23x13 3/4 inches, full margins. Signed, dated and numbered 8/20 in pencil, lower margin. Printed by Serge Lozingot, Paris. A superb, richly-inked impression of

Lot: 61 - JEAN DUBUFFET L'échelle I.

JEAN DUBUFFET L'échelle I. Felt-tip pen and color inks on cream wove paper, 1966. 245x165 mm; 9 3/4x6 3/8 inches. Initialed and dated in white ink, lower right recto. Ex-collection private collection, New York. Published in

Lot: 62 - JEAN DUBUFFET Il y a by Jacques Berne.

JEAN DUBUFFET Il y a by Jacques Berne. Portfolio with complete text and 14 screenprints on Arches, 1979. 350x257 mm; 13 3/4x10 inches (sheets), full margins, loose as issued. One of 80 signed copies, from a total edition of 99. Signed by

Lot: 63 - JEAN DUBUFFET Affiche.

JEAN DUBUFFET Affiche. Color lithograph on Arches wove paper, 1968. 655x515 mm; 25 x20 1/4 inches, full margins. The deluxe edition, before the large offset lithograph poster edition. Initialed, titled and dated in pencil, lower margin.

Lot: 64 - ZAO WOU KI Paris Poems.

ZAO WOU KI Paris Poems. Portfolio with complete text and 6 lithographs (2 printed in colors), on Auvergne paper. 318x250 mm; 12 1/2x9 3/4 inches (sheets), loose as issued. Artist's proof, aside from the edition of 99. Printed by Desjobert,

Lot: 65 - ZAO WOU-KI Flore et faune.

ZAO WOU-KI Flore et faune. Color aquatint and etching on Arches, 1951. 315x490 mm; 12 1/2x19 3/8 inches, wide margins. Signed and numberted 30/200 in pencil, lower margin. Printed by Desjobert, Paris. Published by La Guilde Internationale de

Lot: 66 - ZAO WOU-KI Sans titre.

ZAO WOU-KI Sans titre. Color etching and aquatint on Arches, 1969. 570x410 mm; 22 1/2x16 inches, full margins. Signed, dated and numbered 72/95 in pencil, lower margin. Printed by Lacourière and Frélaut, Paris. Published by London

Lot: 67 - SERGE POLIAKOFF Composition bleue.

SERGE POLIAKOFF Composition bleue. Color lithograph on Rives BFK, 1958-59. 505x653 mm; 20x25 3/4 inches, full margins. Signed and numbered 106/110 in pencil, lower margin. Printed by Pons, Paris. Published by L'Oeuvre Gravée, Zurich. A

Lot: 68 - SERGE POLIAKOFF Composition rouge, carmin et

SERGE POLIAKOFF Composition rouge, carmin et jaune. Color lithograph on Rives BFK, 1958. 640x490 mm; 25 1/4x19 1/4 inches, full margins. Signed and numbered 44/125 in pencil, lower margin. Printed by Pons, Paris. Published by L'Oeuvre

Lot: 69 - SERGE POLIAKOFF Composition brune et rouge.

SERGE POLIAKOFF Composition brune et rouge. Color etching and aquatint on Arches, 1964. 365x490 mm; 14 1/4x19 1/4 inches, full margins. Artist's proof, aside from the edition of 75. Signed and numbered III/X in pencil, lower margin. Printed by

Lot: 70 - PIERRE SOULAGES Lithographie 26.

PIERRE SOULAGES Lithographie 26. Color lithograph on Arches, 1969. 775x570 mm; 30 3/4x22 1/2 inches (sheet), full margins. Signed and numbered 35/85 in pencil, lower margin. Printed by Mourlot, Paris. Published by La Hune, Paris. A superb

Lot: 71 - PIERRE SOULAGES Lithographie 38.

PIERRE SOULAGES Lithographie 38. Color lithograph on Arches, 1975. 601x453 mm; 23 5/8x17 3/4 inches, full margins. Signed and numbered 53/99 in pencil, lower margin. Printed by Mourlot, Paris. Published by Sentiers, Paris. A very good

Lot: 72 - THEODOROS STAMOS Feeding Station.

THEODOROS STAMOS Feeding Station. Oil on canvas, 1953. 1520x560 mm; 59 3/4x22 inches. Signed in pencil on the center stretcher. Ex-collection André Emmerich Gallery, New York; Louis K. Meisel Gallery, New York; M. Knoedler AG, Zurich,

Lot: 73 - ANTONI TÀPIES Pied et Trait Rouge.

ANTONI TÀPIES Pied et Trait Rouge. Color etching and aquatint on Arches, 1981. 533x676 mm; 20 7/8x26 3/4 inches, full margins. Signed and numbered 46/75 in pencil, lower margin. Published by Galerie Lelong, Paris. A very good impression

Lot: 74 - YVES KLEIN (after) Three color lithographs

YVES KLEIN (after) Three color lithographs. Anthropometrie ANT 148, 2001. 980x675 mm; 38 1/2x26 1/2 inches, full margins * Anthropometrie ANT 83, 2 impressions, 2001. 557x750 mm; 22x29 1/2 inches, full margins. Both an edition of 200. Both

Lot: 75 - EDUARDO CHILLIDA Susmur.

EDUARDO CHILLIDA Susmur. Woodcut on cream wove Auvergne paper, 1974. 100x113 mm; 4x4 1/2 inches, full margins. Signed and numbered 7/50 in pencil, lower margin. Printed by Fequet et Baudier, Paris. Published by Maeght, Paris. A very good,

Lot: 76 - EDUARDO CHILLIDA Sakon.

EDUARDO CHILLIDA Sakon. Lithograph on Rives BFK, 1968. 555x415 mm; 21 3/4x16 1/4 inches, full margins. Artist's proof, aside from the edition of 65. Signed and inscribed "P.A." in pencil, lower margin. Printed by Erker-Presse, St. Gallen.

Lot: 77 - ARTHUR LUIZ PIZA Caleidoscopio III.

ARTHUR LUIZ PIZA Caleidoscopio III. Color aquatint, etching and embossing, 1972. 472x340 mm; 18 3/4x13 1/2 inches, full margins. Signed and numbered 132/200 in pencil, lower margin. A superb impresion. Born in São Paulo in 1928, Piza

Lot: 78 - ARTHUR LUIZ PIZA Soleil rouge.

ARTHUR LUIZ PIZA Soleil rouge. Color etching, 1968. 605x480 mm; 23 7/8x19 inches, full margins. Signed and numbered 4/95 in pencil, lower margin. Published by L'Oeuvre Gravée, Paris, with the blind stamp lower left. A very good impression

Lot: 79 - HANS HARTUNG 2.

HANS HARTUNG 2. Color etching and aquatint on Arches, 1953. 113x260 mm; 4 1/2x10 1/4 inches, full margins. Signed and numbered 19/100 in pencil, lower margin. Printed by Lacourière, Paris. Published by Berggruen, Paris. A superb

Lot: 80 - MARK TOBEY Untitled (Red-Brown)

MARK TOBEY Untitled (Red-Brown) Gouache and ink on paper, 1965. 152x191 mm; 6x7 1/2 inches. Signed, dated and annotated in pen and ink, lower right. Achim Moeller, Managing Principal of the Mark Tobey Project LLC, New York, has confirmed

Lot: 81 - MARK TOBEY Two color lithographs.

MARK TOBEY Two color lithographs. Untitled, 1970. 285x285 mm; 11 1/4x11 1/4 inches, full margins. Signed, dated, and numered 31/47 in pencil, lower margin * Untitled, 1961. 230x315 mm; 9x 12 1/2 inches, full margins. Signed, dated, and

Lot: 82 - KAREL APPEL Personnage.

KAREL APPEL Personnage. Color lithograph, 1963. 740x527 mm; 29x20 7/8 inches, full margin. Signed, dated and numbered 91/95 in pencil, lower margin. A very good impression with vibrant colors.

Lot: 83 - KAREL APPEL Three color lithographs.

KAREL APPEL Three color lithographs. Figure et animal, 1962. Signed and numbered 149/210 in pencil, lower margin * Sans titre, 1966. Signed and numbered 155/200 in pencil, lower margin * Composition, 1968. Signed and numbered 26/200 in

Lot: 84 - KAREL APPEL Rhapsodie de ma nuit.

KAREL APPEL Rhapsodie de ma nuit. Color lithograph, 1958. 330x250 mm; 13x10 inches (sheet), full margins. Artist's proof, aside from the edition of 75. Signed, dated and inscribed "EA 6/25" in pencil, lower margin. From the same-titled

Lot: 85 - KAREL APPEL Creature.

KAREL APPEL Creature. Pen and ink on paper, 1955. 146x210 mm; 5 3/4x8 1/4 inches. Signed and dated in pencil, lower right recto. Ex-collection private collection, Montreal.

Lot: 86 - KAREL APPEL Three color lithographs.

KAREL APPEL Three color lithographs. Red Tail, 1971. Signed and numbered 100/100 in pencil, lower margin * Blue Faced Beast, 1971. Signed and numbered 99/100 in pencil, lower margin * Yellow Cheeks, 1971. Signed and numbered 99/100 in

Lot: 87 - KAREL APPEL Circus.

KAREL APPEL Circus. Portfolio with 8 (of 30) color woodcuts with carborundum on Arches, 1978. 760x560 mm; 29 7/8x22 inches (sheets), full margins, loose as issued. Edition of 130. Each signed and numbered or inscribed "E.A." in white

Lot: 88 - JEAN ARP Plakat Basel.

JEAN ARP Plakat Basel. Color lithograph, 1961. 910x900 mm; 35 1/2x35 1/8 inches, full margins. The deluxe edition of 75, before letters. Signed and numberd 41/75 in pencil, lower margin. Printed by Wasserman, Basel. Published by Kunsthalle,

Lot: 89 - JEAN ARP Peinture Murale Aubette.

JEAN ARP Peinture Murale Aubette. Color screenprint, 1959. 260x525 mm; 10 1/4x20 3/4 inches, full margins. Signed and numbered 24/75 in pencil, lower margin. From the album Jean Arp. A superb impression.

Lot: 90 - JEAN ARP Gris-Noir.

JEAN ARP Gris-Noir. Color lithograph, 1966. 698x498 mm; 27 1/2x19 5/8 inches, full margins. Signed and numbered 74/100 in pencil, lower margin. Published by L'Oeuvre Gravée, Zurich. A very good impression with strong colors. Arntz 361.

Lot: 91 - SONIA DELAUNAY Automne.

SONIA DELAUNAY Automne. Color lithograph, circa 1965. 908x655 mm; 35 3/4x25 3/4 inches, full margins. Unsigned artist's proof, aside from the edition of 75. Published by Editions d'Art, Paris. A superb, well inked impression with strong

Lot: 92 - SONIA DELAUNAY Hommage à Stravinsky.

SONIA DELAUNAY Hommage à Stravinsky. Color lithograph, 1970. 530x553 mm; 21x21 3/4 inches, full margins. Signed and numbered 51/100 in pencil, lower margin. A very good impression with strong colors. Delaunay's (1885-1979) lyrical

Lot: 93 - SONIA DELAUNAY Rhythme-Couleur.

SONIA DELAUNAY Rhythme-Couleur. Color lithograph, circa 1970. 480x320 mm; 19x12 1/2 inches, full margins. Signed and numbered 93/100 in pencil, lower margin. A very good impression with strong colors.

Lot: 94 - SONIA DELAUNAY Composition with Semicircles and

SONIA DELAUNAY Composition with Semicircles and Rectangles. Color etching and aquatint, circa 1970. 395x280 mm; 15 1/2x11 inches, full margins. Signed numbered 45/60 in pencil, lower margin. Printed by Lacourière, Paris with the blind

Lot: 95 - ALEXANDER CALDER La Scie et les Boules.

ALEXANDER CALDER La Scie et les Boules. Color aquatint, circa 1965. 467x335 mm; 18 1/2x13 inches, full margins. Signed and numbered 55/90 in pencil, lower margin. A very good impression of this scarce print, with strong colors.

Lot: 96 - ALEXANDER CALDER Aspect Lunaire.

ALEXANDER CALDER Aspect Lunaire. Color aquatint on Rives BFK, 1961. 333x471 mm; 13 1/8x18 1/2 inches, full margins. Signed and numbered 69/90 in pencil, lower margin. A very good impression of this scarce print. We have found only 4 other

Lot: 97 - ALEXANDER CALDER La Récolte (Harvest).

ALEXANDER CALDER La Récolte (Harvest). Aquatint on Rives BFK, 1962. 400x645 mm; 15 3/4x25 1/2 inches, full margins. Signed and numbered 70/90 in pencil, lower margin. Published by Maeght, Paris. A superb, dark and richly-inked impression

Lot: 98 - ALEXANDER CALDER Composition.

ALEXANDER CALDER Composition. Color lithograph, circa 1975. 500x652 mm; 19 3/4x25 3/4 inches (sheet), full margins. Signed and numbered 36/100 in pencil, lower right. A very good impression with strong colors.

Lot: 99 - ALEXANDER CALDER Le Serpent au coeur.

ALEXANDER CALDER Le Serpent au coeur. Color lithograph, 1972. 600x475 mm; 23 1/2x18 1/2 inches, full margins. Signed and numbered 31/75 in pencil, lower margin. With-- Acrobat on a Horse, color lithograph. 580x780 mm; 22 7/8x30 3/4 inches

Lot: 100 - ALEXANDER CALDER Cercles noir, rouge, bleu.

ALEXANDER CALDER Cercles noir, rouge, bleu. Color lithograph, 1973. 545x400 mm; 21 1/2x15 1/2 inches, full margins. Signed and numbered VI/XXV in pencil, lower right. A very good impression.

Lot: 101 - ALEXANDER CALDER Chevrons noir sur rouge et jaune.

ALEXANDER CALDER Chevrons noir sur rouge et jaune. Color lithograph, 1966. 525x745 mm; 20 3/4x29 3/8 inches, full margins. Signed and numbered 71/90 in pencil, lower margin. Published by Maeght, Paris. A very good impression.

Lot: 102 - ALEXANDER CALDER Trois Cercles.

ALEXANDER CALDER Trois Cercles. Color lithograph, circa 1970. 525x430 mm; 20 3/4x17 inches, full margins. Signed and numbered 33/75 in pencil, lower margin. A very good impression with strong colors.

Lot: 103 - ALEXANDER CALDER McGovern.

ALEXANDER CALDER McGovern. Gouache on paper, 1972. 760x560 mm; 30x22 inches. Signed and dated "11-7-72" in gouache, lower right recto. Ex-collection George J. Goodstadt, Inc. This work has been registered in the archives of the Calder

Lot: 104 - ALEXANDER CALDER McGovern.

ALEXANDER CALDER McGovern. Gouache on paper, 1972. 780x580 mm; 30 3/4x23 inches. Initialed and dated "72" in gouache, upper right recto. Ex-collection George J. Goodstadt, Inc. This work has been registered in the archives of the Calder

Lot: 105 - ALEXANDER CALDER Trois Oignons.

ALEXANDER CALDER Trois Oignons. Color lithograph, 1965. 550x755 mm; 21 3/4x29 3/4 inches (sheet), full margins. Signed and numbered 89/90 in pencil, lower margin. Published by Maeght, Paris. A very good impression.

Lot: 106 - ALEXANDER CALDER L'Etoffe.

ALEXANDER CALDER L'Etoffe. Color lithograph. 517x716 mm; 20 7/8x28 1/4 inches (sheet), full margins. Signed and numbered XXXVIII/L in pencil, lower margin. A very good impression with strong colors.

Lot: 107 - ALEXANDER CALDER Boules et Triangles.

ALEXANDER CALDER Boules et Triangles. Color lithograph, 1965. 538x750 mm; 21 1/4x29 inches (sheet), full margins. Signed and numbered 44/90 in pencil, lower margin. Published by Maeght, Paris. A very good impression.

Lot: 108 - ALEXANDER CALDER Portrait de Constantin Tacou.

ALEXANDER CALDER Portrait de Constantin Tacou. Color aquatint on Richard de Bas wove paper, 1974. 490x345 mm; 19 1/4x13 3/4 inches, full margins. Signed and numbered 70/80 in pencil, lower margin. A very good impression with strong colors.

Lot: 109 - ALEXANDER CALDER Spirals and Hoops.

ALEXANDER CALDER Spirals and Hoops. Color lithograph, circa 1965. 745x1090 mm; 29 1/2x39 3/8 inches (sheet), full margins. Signed and numbered 52/75 in pencil, lower margin. Published by Maeght, Paris. Ex-collection Augen Gallery,

Lot: 110 - MANUEL MARÍN Sans titre.

MANUEL MARÍN Sans titre. Painted steel stabile, circa 2000. 560x697 mm; 21 7/8x28 1/4 inches. With the artist's signature incised on the base. Marín (1942-2007) was born in Spain where he trained as a bullfighter in his teens.

Lot: 111 - MANUEL MARÍN Sans Titre.

MANUEL MARÍN Sans Titre. Painted steel mobile, circa 2000. 1640 mm; 64 5/8 inches (furthest distance end to end). With the artist's incised signature on the largest black element.

Lot: 112 - MANUEL MARÍN Sans Titre.

MANUEL MARÍN Sans Titre. Painted steel stabile, circa 2000. 328x550 mm; 12 3/4x21 7/8 inches. With the artist's incised signature on the base.

Lot: 113 - MANUEL MARÍN Sans titre.

MANUEL MARÍN Sans titre. Painted steel stabile, circa 2000. 720x310 mm; 28 3/8x12 1/4 inches. With the artist's incised signature on the base.

Lot: 114 - JOSEF ALBERS I-S k.

JOSEF ALBERS I-S k. Color screenprint on heavy etching paper, 1973. 635x635 mm; 25x25 inches, full margins. Signed, titled, dated and numbered 94/100 in pencil, lower margin. Printed by Sirocco Screenprints, New Haven. Published by

Lot: 115 - JOSEF ALBERS I-S LXXIIb.

JOSEF ALBERS I-S LXXIIb. Color screenprint on German Etching paper, 1972. 445x445 mm; 17 1/2x17 1/2 inches, full margins. Initialed, titled, dated and numbered 91/100 in pencil, lower margin. Printed by Sirocco Screenprints, New Haven.

Lot: 116 - JOSEF ALBERS I-S LXXIIa.

JOSEF ALBERS I-S LXXIIa. Color screenprint on German Etching paper, 1972. 445x445 mm; 17 1/2x17 1/2 inches, full margins. Initialed, titled, dated and numbered 65/100 in pencil, lower margin. Printed by Sirocco Screenprints, New Haven.

Lot: 117 - JOSEF ALBERS Interaction of Color.

JOSEF ALBERS Interaction of Color. Portfolio with complete text folder, bound text volume and 80 color screenprints, 1963. 330x255 mm; 12 7/8x9 3/8 inches (sheets), full margins, loose as issued. The German edition. Published by Josef

Lot: 118 - JOSEF ALBERS I-S Va I.

JOSEF ALBERS I-S Va I. Color screenprint on Arches, 1969. 571x660 mm; 22 1/2x26 inches, full margins. Signed, titled, dated and numbered 109/150 in pencil, lower margin. Printed by Sirocco Screenprints, New Haven. Published by Ives-Sillman,

Lot: 119 - JOSEF ALBERS I-S Va 6.

JOSEF ALBERS I-S Va 6. Color screenprint on Arches, 1969. 635x656 mm; 25x25 5/8 inches, full margins. Signed, titled, dated and numbered 47/150 in pencil, lower margin. Printed by Sirocco Screenprints, New Haven. Published by Ives-Sillman,

Lot: 120 - JOSEF ALBERS I-S d.

JOSEF ALBERS I-S d. Color screenprint on German etching paper, 1969. 349x349 mm; 13 3/4x13 3/4 inches, full margins. Signed, titled, dated and numbered 108/125 in pencil, lower margin. Printed by Sirocco Screenprints, New Haven. Published by

Lot: 121 - JOSEF ALBERS WLS XVI.

JOSEF ALBERS WLS XVI. Color lithograph on Arches, 1966. 400x400 mm; 15 3/4x15 3/4 inches, full margins. Edition of 125. Signed, titled and dated in pencil, lower margin. Printed and published by Gemini G.E.L., Los Angeles, with the blind stamp

Lot: 122 - JOSEF ALBERS KG.

JOSEF ALBERS KG. Color screenprint on Mohawk Superfine Bristol paper, 1966. 279x279 mm; 11x11 inches, full margins. Initialed, titled, dated and numbered 141/350 in pencil, lower margin. Printed by Sirocco Screenprints, New Haven. Published by

Lot: 123 - JOSEF ALBERS Poster for Olympic Games.

JOSEF ALBERS Poster for Olympic Games. Color screenprint on 250-gram Schöllers Hammer paper, 1970. 838x610 mm; 33x24 inches, full margins. One of only 8 proofs, aside from the numbered edition of 200. Signed and dated in pencil, lower

Lot: 124 - ELLSWORTH KELLY Red/Blue (Untitled).

ELLSWORTH KELLY Red/Blue (Untitled). Color screenprint on Mohawk Superfine Cover paper, 1964. 559x457 mm; 22x18 inches, full margins. Edition of 500. Printed by Ives-Sillman, Inc., New Haven, with the blind stamp lower right. Published by the

Lot: 125 - ELLSWORTH KELLY Blue and Orange and Green.

ELLSWORTH KELLY Blue and Orange and Green. Color lithograph on Rives BFK, 1964-65. 640x350mm; 25x13 3/4 inches, full margins. Signed and numbered 51/75 in pencil, lower margin. Printed and published by Maeght, Paris. A very good impression.

Lot: 126 - ELLSWORTH KELLY (after) Sample Portfolio

ELLSWORTH KELLY (after) Sample Portfolio . Portfolio with complete text and 10 color lithographs, 1970. 235x162 mm; 9 1/4x6 3/8 inches (sheet), full margins, loose as issued. Printed and published by Gemini G.E.L., Los Angeles. Original paper

Lot: 127 - ELLSWORTH KELLY Blue, Yellow and Red Squares.

ELLSWORTH KELLY Blue, Yellow and Red Squares. Color screenprint on Special Arjomari paper, 1970-71. 610x1829 mm; 24x72 inches, full margins. Signed and numbered 41/50 in pencil, lower right margin. Printed and published by Gemini G.E.L., Los

Lot: 128 - FRANK STELLA Referendum 70.

FRANK STELLA Referendum 70. Color screenprint on Special Arjomari paper, 1970. 810x810 mm; 31 7/8x31 7/8 inches, full margins. Signed, dated and numbered 179/300 in pencil, lower right. Published by Gemini G.E.L., Los Angeles, with the blind

Lot: 129 - FRANK STELLA Sinjerli Variation I.

FRANK STELLA Sinjerli Variation I. Color offset lithograph and screenprint on Arches Cover paper, 1977. 813x1079 mm; 32x42 1/2 inches, full margins. Signed, dated and numbered 65/100 in pencil, lower right. Published by Petersburg Press, New

Lot: 130 - FRANK STELLA Six Mile Bottom.

FRANK STELLA Six Mile Bottom. Lithograph on Special Arjomari paper, 1970. 406x559 mm; 16x22 inches (sheet), full margins. Signed, dated and numbered 11/75 in pencil, lower right. Printed and published by Gemini G.E.L., Los Angeles. From

Lot: 131 - ILYA BOLOTOWSKY Two color screenprints.

ILYA BOLOTOWSKY Two color screenprints. Red Tondo, 1979. 567x752 mm; 22 1/8x27 5/8 inches (sheet), full margins. Artist's proof, aside from the edition of 225. Signed and inscribed "9/35 AP" in pencil, lower margin * Vertical Ellipse, circa

Lot: 132 - ILYA BOLOTOWSKY Two color screenprints.

ILYA BOLOTOWSKY Two color screenprints. Diamond III, 1979. 492x492 mm; 19 1/2x19 1/2 inches, full margins. Artist's proof, aside from the edition of 225. Signed and inscribed "9/35 AP" in pencil, lower margin * White Diamond, 1979. 657x375

Lot: 133 - CY TWOMBLY Untitled.

CY TWOMBLY Untitled. Color screenprint, 1973. 289x216 mm; 11 3/8x8 1/2 inches, full margins. Edition of 300. Published by Experiments in Art and Technology, Inc., New York. From The New York Collection for Stockholm. A very good impression

Lot: 134 - ROBERT NATKIN Untitled.

ROBERT NATKIN Untitled. Acrylic on paper mounted on canvas, 1984. 545x740 mm; 21 1/2x21 1/4 inches. Signed in acrylic, lower right recto. Acquired directly from the artist at his studio in West Redding, Connecticut, by the current owner, 2005.

Lot: 135 - SOL LEWITT Color & Black.

SOL LEWITT Color & Black. Color etching and spit-bite aquatint on Somerset Textured White paper, 1991. 584x584 mm; 23x23 inches inches, full margins. Artist's proof, aside from the edition of 15. Signed and inscribed "AP 8/10" in pencil,

Lot: 136 - SOL LEWITT Color Rectangles.

SOL LEWITT Color Rectangles. Color screenprint on on Somerset Textured White paper, 1995. 752x578 mm; 29 5/8x22 3/4 inches, full margins. Signed and numbered 72/80 in pencil, lower right. Printed by Watanabe Studio, Ltd., Brooklyn. Published

Lot: 137 - SOL LEWITT Double Cubes in Grays and Colors

SOL LEWITT Double Cubes in Grays and Colors Superimposed. Color screenprint on Arches Cover paper, 1989. 406x724 mm; 16x28 1/2 inches, full margins. Signed and numbered 95/150 in pencil, lower right. Printed by Watanabe Studio, Ltd., Brooklyn.

Lot: 138 - SOL LEWITT Plate #6.

SOL LEWITT Plate #6. Offset lithograph on Fabriano paper, 1996. 165x250 mm; 6 1/2x9 7/8 inches, full margins. Signed and numbered 16/25 in pencil, lower margin. Published by Editore Noire, Torino. From Brushstrokes: Horizontal and Vertical.

Lot: 139 - BABE SHAPIRO Asphodel.

BABE SHAPIRO Asphodel. Oil on canvas, 1978. 1061x885 mm; 41 7/8x34 3/4 inches. Signed, titled and dated on the stretcher bar, verso. Ex-collection private collection, Massachussetts.

Lot: 140 - RICHARD ANUSZKIEWICZ Reflections III.

RICHARD ANUSZKIEWICZ Reflections III. Color screenprint with hand coloring in acrylic on gessoed masonite, 1979. 425x302 mm; 16 3/4x11 7/8 inches. Artist's proof, aside from the edition of 60. Signed and dated in black ink, verso. Published by

Lot: 141 - RICHARD ANUSZKIEWICZ Annual Edition.

RICHARD ANUSZKIEWICZ Annual Edition. Enamel on masonite, 1978. 140x135 mm; 5 1/2x5 1/4 inches. Signed and dated in pencil, lower right margin. With-- Anuszkiewicz, 1977. Bound volume with 202 illustrations. Signed, dated and dedicated "To

Lot: 142 - RICHARD ANUSZKIEWICZ Inward Eye.

RICHARD ANUSZKIEWICZ Inward Eye. Portfolio with complete text and 10 color screenprints, 1970. 655x500 mm; 25 3/4x19 1/2 inches (sheets), full margins. Edition of 500. Signed and numbered "43" in pencil on the justification page.

Lot: 143 - OMAR RAYO Acid-Wave.

OMAR RAYO Acid-Wave. Acrylic and wood on canvas, 3-dimensional, 1967. 665x665 mm; 26x26 inches. Signed, titled, inscribed "New York" and dated in ink, verso. Ex-collection Museo La Tertulia, Cali, Colombia; and the artist David Manzur.

Lot: 144 - JESÚS RAFAEL SOTO Jai Alai.

JESÚS RAFAEL SOTO Jai Alai. Multiple with metal element on nylon string attached to painted wood 3-dimensional form, 1969. 495x155x150 mm; 19 1/2x6 1/4x6 inches. With the artist's incised signature and numbered 31/300 on the upper front

Lot: 145 - JESÚS RAFAEL SOTO Permutation, 1955-1978.

JESÚS RAFAEL SOTO Permutation, 1955-1978. Mutliple with screenprint on Plexiglas and white plastic with metal rods, 1978. 210x150x90 mm; 8 1/4x6x3 1/2 inches. Signed and numbered 84/120 in ink on the label, verso. Published by Plura

Lot: 146 - JESÚS RAFAEL SOTO Dos Cuadritos.

JESÚS RAFAEL SOTO Dos Cuadritos. Multiple with screenprint on wood and painted metal, 1974. 275x275x115 mm; 11x11x4 1/2 inches. Signed and numbered 61/75 in ink on the original lavel, verso. Produced for the Banco Central de Venezuela,

Lot: 147 - JESÚS RAFAEL SOTO Jai Alai.

JESÚS RAFAEL SOTO Jai Alai. Set of 4 color screenprints on Plexiglas, 1969. Each 615x495 mm; 24 1/4x19 1/2 inches, full margins. Each with the artist's signature and numbered 227/300, incised lower right. Published by Marlborough Gallery

Lot: 148 - AGNES MARTIN Paintings and Drawings: Stedelijk

AGNES MARTIN Paintings and Drawings: Stedelijk Museum Portfolio. Portfolio with complete text in two bound volumes and 10 lithographs on Vellum, 1990. Each lithograph 298x298 mm; 11 3/4x11 3/4 inches (sheets), full margins, loose as issued.

Lot: 149 - GENE DAVIS Mostly Mozart.

GENE DAVIS Mostly Mozart. Color lithograph on wove paper, 1975. 650x1440 mm; 25 1/2x56 3/4 inches, full margins. Signed and numbered 50/144 in pencil, lower margin. Published by Lincoln Center/List Poster and Print Program, New York. A superb

Lot: 150 - CARL ANDRE Collection of 30 postcards.

CARL ANDRE Collection of 30 postcards. Pen and black ink on postcards, depicting various European cities and installations by the artist, 1970-90. Mainly written to the artist's parents, Mr. and Mrs. G.H. Andre, from locations around Europe.

Lot: 151 - PAUL SHARITS Two drawings.

PAUL SHARITS Two drawings. Isla de Espiritu Santo, Baja, felt-tip pen and color inks on graph paper, 1981. 254x203 mm; 10x8 inches * Yelapa, felt-tip pen and color inks on graph paper, 1982. 254x203 mm; 10x8 inches. Both signed, dated and

Lot: 152 - PAUL SHARITS Two drawings.

PAUL SHARITS Two drawings. La Playa Coyote/ La Paz, felt-tip pen and color inks on graph paper, 1981. 254x203 mm; 10x8 inches * La Playa Chamela, felt-tip pen and color inks on graph paper, 1982. 254x203 mm; 10x8 inches. Both signed, titled

Lot: 153 - PAUL SHARITS Broken Glass.

PAUL SHARITS Broken Glass. Mixed media, circa 1990. 120x158 mm; 4 3/4x6 1/4 inches. Ex-collection private collection, Rhode Island.

Lot: 154 - PAUL SHARITS Snake.

PAUL SHARITS Snake. Acrylic on wood , 1980. 25x508 mm; 1 1/4x19 1/8 inches. Ex-collection private collection, Rhode Island. Published, Paul Sharits: Catalogue Raisonné 1962-1992: A Retrospective, Cologne, 2016, page 517.

Lot: 155 - PAUL SHARITS Self-Portrait.

PAUL SHARITS Self-Portrait. Oil and acrylic on iron mounted on wood support, circa 1978. 950x693 mm; 37 1/4x27 1/4 inches. Ex-collection private collection, Rhode Island.

Lot: 156 - KEN FRIEDMAN Alexis.

KEN FRIEDMAN Alexis. Collection of 23 pen and ink drawings on white wove paper. 194x152 mm; 7 3/4x6 inches (sheets, loose as issued). With-- The Aesthetics. Artist's book by Ken Friedman, 1973. 185x205 mm; 7 1/4x8 inches (sheets, bound as

Lot: 157 - WILLIAM S. BURROUGHS Shotgun Art.

WILLIAM S. BURROUGHS Shotgun Art. Wove card stock (Oakland California Police Department fingerprint sheet) with gunshot holes. 200x200 mm; 8x8 inches. Signed in pencil and with the artist's copyright ink stamp, verso. With--Group of 5

Lot: 158 - ROBERT RAUSCHENBERG Test Stone 4.

ROBERT RAUSCHENBERG Test Stone 4. Lithograph on Rives BFK, 1967. 613x870 mm; 24x34 inches, full margins. Signed, dated and numbered 10/46 in pencil, lower right. Printed and published by Gemini G.E.L., Los Angeles, with the blind stamp lower

Lot: 159 - ROBERT RAUSCHENBERG Tanya.

ROBERT RAUSCHENBERG Tanya. Color lithograph with embossing on Angoumois à la main Richard de Bas paper, 1974. 460x350 mm; 18 1/8x13 3/4 inches, full margins. Signed, dated and numbered 39/50 in pencil, lower margin. Published by ULAE,

Lot: 160 - ROBERT RAUSCHENBERG XXXIV Drawings for Dante's

ROBERT RAUSCHENBERG XXXIV Drawings for Dante's Inferno. Portfolio with complete text, 1 lithograph and 34 color offset lithographs, 1964. 430x435 mm; 17x17 inches (sheets), full margins, loose as issued. The deluxe edition of 44. Signed in

Lot: 161 - ROBERT RAUSCHENBERG Mark.

ROBERT RAUSCHENBERG Mark. Lithograph on Angoumois à la main paper, 1964. 350x410 mm; 13 1/4x16 1/8 inches, full margins. Signed, titled, dated and numbered 3/42 in pencil, lower right. Published by ULAE, West Islip, with the blind stamp.

Lot: 162 - ROBERT RAUSCHENBERG Untitled.

ROBERT RAUSCHENBERG Untitled. Color offset lithograph on wove paper, 1968. 837x637 mm; 33x24 5/8 inches, full margins. Signed, dated and numbered 300/500 in pencil, lower right. Printed and published by Quarry, Local One/Amalgamated

Lot: 163 - ROBERT RAUSCHENBERG Earth Day 1990.

ROBERT RAUSCHENBERG Earth Day 1990. Color screenprint on Arches Cover paper, 1990. 1626x1080 mm; 64x42 1/2 inches, full margins. The deluxe edition of 75, before the text lower left. Signed, dated and numbered 51/75 in pencil. Published by

Lot: 164 - ROBERT RAUSCHENBERG Soviet/American Array II.

ROBERT RAUSCHENBERG Soviet/American Array II. Color intaglio print on Saunders paper, 1988-90. 2248x1359 mm; 87 3/4x53 1/8 inches, full margins. Signed, dated and numbered 15/55 in pencil, lower margin. Published by ULAE, West Islip. A superb

Lot: 165 - ROBERT RAUSCHENBERG Shoot from a Main Stem.

A ROBERT RAUSCHENBERG Shoot from a Main Stem. Color screenprint, solvent transfer and collage on Rives BFK, 1979. 776x580 mm; 30 1/2x23 inches (sheet), full margins. Artist's proof, aside from the edition of 100. Signed, dated and insribed

Lot: 166 - ROBERT RAUSCHENBERG Christmas.

ROBERT RAUSCHENBERG Christmas. Color offset lithograph, 1977. 171x115 mm; 6 3/4x4 1/2 inches, full margins. Signed, dated and numbered 120/150 in pencil, lower margin. Published by Styria Studio, New York, with the blind stamp lower center. A

Lot: 167 - ROBERT RAUSCHENBERG Tribute 21.

ROBERT RAUSCHENBERG Tribute 21. Color lithograph on Arches Infinity paper, 1994. 1030x680 mm; 40 1/2x26 3/4 inches (sheet), full margins. An hors commerce impression, aside from the edition of 50. Signed, dated and numbered "HC 9/22" in

Lot: 168 - JASPER JOHNS Recent Still Life.

JASPER JOHNS Recent Still Life. Lithograph on Italia paper, 1965-66. 857x482 mm; 34x19 inches, full margins. Signed, dated and numbered 76/100 in pencil, lower margin. Printed by ULAE, West Islip, with the blind stamp lower left. A superb

Lot: 169 - JASPER JOHNS Fragment--According to

JASPER JOHNS Fragment--According to What--Coathanger and Spoon. Color lithograph on Arches, 1971. 860x640 mm; 33 7/8x25 1/4 inches (sheet), full margins. Signed and dated in blue crayon, lower right, and numbered 63/71 in pencil, lower left.

Lot: 170 - JASPER JOHNS Bent Blue.

JASPER JOHNS Bent Blue. Lithograph on Rives BFK, 1971. 660x508 mm; 26x20 inches (sheet), full margins. Signed, dated and numbered 221/240 in pencil, lower margin. Printed by Zigmunds Priede, Minneapolis. Published by the Swiss Society for Fine

Lot: 171 - JASPER JOHNS Cicada.

JASPER JOHNS Cicada. Color lithograph on Arches 88 paper, 1981. 675x520 mm; 26 5/8x20 1/2 inches, full margins. Signed, dated and numbered 39/58 in pencil, lower margin. Printed by Chris Sukimoto and Christine Fox. Published by Gemini G.E.L.,

Lot: 172 - JASPER JOHNS Periscope.

JASPER JOHNS Periscope. Color etching and aquatint on Rives BFK, 1981. 860x613 mm; 33 7/8x24 1/8 inches, full margins. Signed, dated and numbered 84/88 in pencil, lower margin. Printed by Atelier Crommelynck, Paris. Published by Petersburg

Lot: 173 - JASPER JOHNS (after) Greenville County Museum of

JASPER JOHNS (after) Greenville County Museum of Art. Offset color lithograph poster, 1974. 850x772 mm; 33 3/8x30 1/8 inches (sheet), full margins. Signed in pencil, lower right. A very good impression.

Lot: 174 - ANDY WARHOL Flowers

ANDY WARHOL Flowers. Color offset lithograph, 1964. 557x557 mm; 22x22 inches (sheet), full margins. Printed by Total Color, New York. Published by Leo Castelli Gallery, New York. The mailer announcement for the exhibition at Leo Castelli

Lot: 175 - ANDY WARHOL Birmingham Race Riots.

ANDY WARHOL Birmingham Race Riots. Screenprint on cream wove paper, 1964. 508x610 mm; 20x24 inches (sheet), full margins. Edition of 500. Printed by Ives-Sillman, Inc., New Haven. Published by the Wadsworth Atheneum, Hartford. From Ten Works

Lot: 176 - ANDY WARHOL S&H Green Stamps.

ANDY WARHOL S&H Green Stamps. Color offset lithograph, 1965. 585x575 mm; 23x22 5/8 inches (sheet), full margins. Edition of approximately 300 signed impressions, aside from the edition of 6000 folded prints used as the mailing announcement

Lot: 177 - ANDY WARHOL Campbell's Soup Can (Tomato).

ANDY WARHOL Campbell's Soup Can (Tomato). Color screenprint on a shopping bag, 1966. 420x240 mm; 16 1/2x9 1/2 inches, full margins. Published by the Institute of Contemporary Art, Boston. A very good impression with bright colors. Feldman 4A.

Lot: 178 - ANDY WARHOL Campbell's Soup Can (Tomato).

ANDY WARHOL Campbell's Soup Can (Tomato). Color screenprint on a shopping bag, 1966. 420x240 mm; 16 1/2x9 1/2 inches. Signed in felt-tip pen and ink, right side. Published by the Institute of Contemporary Art, Boston. A very good impression.

Lot: 179 - ANDY WARHOL Mao.

ANDY WARHOL Mao. Color screenprint on Beckett High White paper, 1972. 914x914 mm; 36x36 inches, full margins. Signed in ball-point pen and ink and numbered 59/250 with a rubber stamp, verso. Printed by Styria Studio, Inc., New York. Published

Lot: 180 - ANDY WARHOL Mao.

ANDY WARHOL Mao. Original Xerox Print on Typewriter Paper, 1973. 280x215 mm; 11x8 1/2 inches, full margins. Signed and numbered 232/300 in pen and black ink with artist's stamp at lower margin, verso. Printed by Julie Martin, New York.

Lot: 181 - ANDY WARHOL Flowers.

ANDY WARHOL Flowers. Screenprint with hand coloring in watercolor on Arches, 1974. 1038x692 mm; 40 7/8x27 1/4 inches (sheet), full margins. Artist's proof, aside from the edition of 300. Signed, dated and inscribed "A.P. 2/50" in pencil, lower

Lot: 182 - ANDY WARHOL Committee 2000.

ANDY WARHOL Committee 2000. Color screenprint on Lenox Museum Board, 1982. 762x508 mm; 30x20 inches, full margins. Signed and numbered 1048/2000 in pencil, lower right. Printed by Rupert Jasen Smith, New York, with the blind stamp lower left.

Lot: 183 - ANDY WARHOL (after) Myths

ANDY WARHOL (after) Myths. Complete set of 10 offset color lithograph gallery postcards on cream wove paper, 1981. Each 175x175 mm; 6 7/8x6 7/8 inches (sheets). Each signed in felt-tip pen and black ink, recto. Published by Ronald Feldman Fine

Lot: 184 - ANDY WARHOL (after) Mick Jagger

ANDY WARHOL (after) Mick Jagger. Complete set of 10 offset color lithograph gallery postcards on cream wove paper, 1975. Each 155x103 mm; 6 1/8x4 1/8 inches, full margins. Edition of 250. Each signed in felt-tip pen and ink, recto. Printed by

Lot: 185 - ANDY WARHOL Marilyn (Annoucement).

ANDY WARHOL Marilyn (Annoucement). Color screenprint, 1981. 305x305 mm; 12x12 inches, full margins. Signed in felt-tip pen and black ink, left side. The announcement for "Andy Warhol, A Print Retrospective, 1963-1981," at Castelli Graphics,

Lot: 186 - ANDY WARHOL Marilyn (Annoucement).

ANDY WARHOL Marilyn (Annoucement). Color screenprint, 1981. 305x305 mm; 12x12 inches, full margins. The announcement for "Andy Warhol, A Print Retrospective, 1963-1981," at Castelli Graphics, New York, 1981. Based on the artist's

Lot: 187 - ANDY WARHOL (after) Marilyn Portfolio

ANDY WARHOL (after) Marilyn Portfolio. Complete set of 10 color screenprints on Museum Board. Each 914x914 mm; 36x36 inches, full margins. Each stamped "Fill in your own signature" and "Published by Sunday B. Morning" in ink, verso. Superb

Lot: 188 - ANDY WARHOL (after) Campbell's Soup

ANDY WARHOL (after) Campbell's Soup. Complete set of 10 color screenprints, circa 1970. Each 890x585 mm; 35x23 inches (sheets), full margins. Each stamped "Fill in your own signature" and "Published by Sunday B. Morning" in ink, verso. Very

Lot: 189 - ANDY WARHOL (after) Endangered Species

ANDY WARHOL (after) Endangered Species. Complete set of 10 offset color lithograph gallery postcards on cream wove paper, 1983. Each 151x107 mm; 6x4 1/4 inches (sheets), full margins. Each signed in felt-tip pen and ink, recto. Published by

Lot: 190 - ROY LICHTENSTEIN Crak!

ROY LICHTENSTEIN Crak! Color offset lithograph on lightweight, white wove paper, 1963-64. 473x687 mm; 18 5/8x27 inches (sheet), wide margins. Edition of 300. Signed and dated in pencil, lower right. Printed by Colorcraft, New York.

Lot: 191 - ROY LICHTENSTEIN Crying Girl.

ROY LICHTENSTEIN Crying Girl. Color offset lithograph, 1963 . 438x590 mm; 17 1/4x23 1/4 inches, full margins. Printed by Colorcraft, New York. Published by Leo Castelli Gallery, New York. The original 2-fold mailer announcement for the

Lot: 192 - ROY LICHTENSTEIN Explosion.

ROY LICHTENSTEIN Explosion. Color lithograph on Rives BFK, 1967. 557x432 mm; 22x17 inches (sheet), full margins. Signed and numbered 11/100 in pencil, lower margin. Printed and published by Hollander's Workshop, Inc., New York. From Portfolio

Lot: 193 - ROY LICHTENSTEIN Shipboard Girl.

ROY LICHTENSTEIN Shipboard Girl. Color offset lithograph on textured white wove paper, 1965. 663x487 mm; 26x19 1/4 inches, full margins. Signed in pencil, lower right. Published by Leo Castelli Gallery, New York. A very good impression.

Lot: 194 - ROY LICHTENSTEIN Whaam!

ROY LICHTENSTEIN Whaam! Color offset lithograph diptych, 1967. Each panel 629x740 mm; 24 3/4x29 1/8 inches (sheets), full margins. Edition of 3000. Signed in pencil, lower right on the second panel. Printed by Lautrec Photlitho, Leeds.

Lot: 195 - ROY LICHTENSTEIN As I Opened Fire Poster.

ROY LICHTENSTEIN As I Opened Fire Poster. Set of 3 color offset lithographs, 1966. Each 610x497 mm; 24x19 5/8 inches (sheets), full margins. The last panel signed in pencil, lower right. Printed by Drukkerij Luii & Co., Amsterdam.

Lot: 196 - ROY LICHTENSTEIN Cathedral #4.

ROY LICHTENSTEIN Cathedral #4. Color lithograph on Special Arjomari paper, 1969. 1061x686 mm; 41 3/4x27 1/8 inches, full margins. Signed, dated and numbered 59/75 in pencil, lower margin. Printed and published by Gemini G.E.L., Los Angeles,

Lot: 197 - ROY LICHTENSTEIN Haystack.

ROY LICHTENSTEIN Haystack. Color screenprint on C. M. Fabriano—100/100 Cotone paper, 1969. 365x436 mm; 14 3/8x17 1/4 inches, full margins. Signed, dated and numbered 101/250 in pencil, lower margin. Published by Gabriele Mazzotta

Lot: 198 - ROY LICHTENSTEIN Seascape.

ROY LICHTENSTEIN Seascape. Color screenprint collage on blue Rowlux, folded card, 1965. 130x197 mm; 5 1/4x7 3/4 inches, full margins. Edition unknown but likely very small. Based on a work in the Tremaine Collection, Connecticut, this was

Lot: 199 - ROY LICHTENSTEIN Salute to Aviation.

ROY LICHTENSTEIN Salute to Aviation. Color screenprint on smooth, white wove paper, 1968. 1089x548 mm; 42 7/8x21 5/8 inches, full margins. Signed, dated and numbered 107/135 in pencil, lower margin. Printed by Sirocco Screenprints, New Haven,

Lot: 200 - ROY LICHTENSTEIN Handshake Poster.

ROY LICHTENSTEIN Handshake Poster. Color offset lithograph on smooth wove paper, 1962. 362x522 mm; 14 1/4x20 3/4 inches, full margins. Published by Leo Castelli Gallery, New York. Signed in pencil, lower right. With folds as issued. A very

Lot: 201 - S.M.S. (SHIT MUST STOP).

S.M.S. (SHIT MUST STOP). Set of 6 portfolios with mixed-media objects and ephemera, 1968. Edition of 2000. Published by Letter Edged in Black Press, Inc., New York. Original cardboard boxes. Various sizes and conditions. Founded by the artist

Lot: 202 - ROY LICHTENSTEIN Twin Mirrors.

ROY LICHTENSTEIN Twin Mirrors. Color screenprint on white wove paper, 1970. 863x532 mm; 33 7/8x20 7/8 inches, full margins. Artist's proof, aside from the edition of 250. Signed, dated and inscribed "A.P. XXI" in pencil, lower margin. Printed

Lot: 203 - ROY LICHTENSTEIN Mirror #5.

ROY LICHTENSTEIN Mirror #5. Color lithograph and screenprint on Special Arjomari paper, 1972. 870x616 mm; 34 1/4x24 1/4 inches, full margins. Signed, dated and numbered 75/80 in pencil, lower center. Printed and published by Gemini G.E.L., Los

Lot: 204 - ROY LICHTENSTEIN Modern Head Brooch.

ROY LICHTENSTEIN Modern Head Brooch. Color enamel on metal, 1968. 76x60 mm; 3x2 3/8 inches. With the artist's incised signature, verso. Published by Multiples, Inc., New York, with the stamp verso.

Lot: 205 - ROY LICHTENSTEIN Modern Head Brooch.

ROY LICHTENSTEIN Modern Head Brooch. Enamel on metal, 1968. 76x60 mm; 3x2 3/8 inches. With the artist's incised signature, verso. Published by Multiples, Inc., New York, with the stamp verso.

Lot: 206 - ROBERT INDIANA The Figure Five.

ROBERT INDIANA The Figure Five. Color screenprint on white Schoeller's Parole paper, 1971. 908x756 mm; 35 3/4x29 3/4 inches, full margins. Signed, dated and numbered 21/200 in pencil, lower margin. Printed by Domberger KG, Stuttgart. Published

Lot: 207 - ROBERT INDIANA Purim: The Four Facets of Esther

ROBERT INDIANA Purim: The Four Facets of Esther (II). Color screenprint on white wove paper, 1967. 683x555 mm; 26 3/8x21 3/8 inches, full margins. Signed, titled, dated and numbered 57/90 in pencil, lower margin. Printed by the Chiron Press,

Lot: 208 - ROBERT INDIANA Yield Brother.

ROBERT INDIANA Yield Brother. Color screenprint on white Schoeller's Parole paper, 1971. 908x756 mm; 35 3/4x29 3/4 inches, full margins. Signed, dated and numbered 11/200 in pencil, lower margin. Printed by Domberger KG, Stuttgart. Published

Lot: 209 - ROBERT INDIANA Ahava.

ROBERT INDIANA Ahava. Color screenprint on white wove paper, 1993. 630x630 mm; 24 3/4x24 3/4 inches, full margins. Edition of 150. Signed, titled, dated "5753" and numbered 13/150 in pencil, lower margin. A very good impression.

Lot: 210 - ROBERT INDIANA First Love.

ROBERT INDIANA First Love. Color aquatint, 1991. 303x275 mm; 12x10 3/4 inches, full margins. Signed, titled, dated and numbered 44/66 in pencil, lower margin. A superb impression of this very scarce print with vibrant colors.

Lot: 211 - JAMES ROSENQUIST Terrarium.

JAMES ROSENQUIST Terrarium. Color lithograph on white Arches Cover paper, 1978. 746x1140 mm; 29 3/8x44 7/8 inches, full margins. Signed, titled, dated and numbered 65/100 in pencil, lower margin. Printed by Aripeka, Ltd., Aripeka. Published by

Lot: 212 - JAMES ROSENQUIST Just Desert, Israel.

JAMES ROSENQUIST Just Desert, Israel. Color etching and aquatint on Pescia Italia paper, 1978. 450x910 mm; 17 3/4x35 7/8 inches, full margins. Printer's proof, aside from the edition of 78. Signed, titled, dated and inscribed "P.P. 6/6" in

Lot: 213 - JAMES ROSENQUIST Three prints.

JAMES ROSENQUIST Three prints. On Stage, color aquatint and drypoint on white Somerset Satin paper, 1981 * Appearance, color etching and aquatint on white Somerset Satin paper, 1981 * Plume, color etching and aquatint on white Somerset Satin

Lot: 214 - JAMES ROSENQUIST Pot of Gold.

JAMES ROSENQUIST Pot of Gold. Color etching and aquatint with applied gold leaf on Copperplate Deluxe paper, 1977. 530x360 mm; 20 7/8x14 1/8 inches, full margins. Signed, titled, dated and numbered 20/39 in pencil, lower margin. Printed and

Lot: 215 - JAMES ROSENQUIST Talking Flower Ideas.

JAMES ROSENQUIST Talking Flower Ideas. Color offset lithograph on smooth, white wove paper, 1987. 513x910 mm; 20 1/8x35 1/2 inches, full margins. Signed, titled, dated and numbered 118/200 in pencil, lower margin. Published by the Hearst

Lot: 216 - JAMES ROSENQUIST After Berlin V.

JAMES ROSENQUIST After Berlin V. Color lithograph on heavy, white wove paper, 1999. 705x813 mm; 27< 3/4x32 inches, full margins. Signed, dated and numbered 31/50 in pencil, lower margin. Published by Graphicstudio, University of South

Lot: 217 - LARRY RIVERS The Last Civil War Veteran (State I).

LARRY RIVERS The Last Civil War Veteran (State I). Lithograph on Arches, 1961. 450x330 mm; 17 3/4x13 inches, full margins. Signed, dated and numbered "11/20 I" in pencil, lower margin. Published by ULAE, West Islip, with the blind stamp lower

Lot: 218 - LARRY RIVERS Queen of Clubs.

LARRY RIVERS Queen of Clubs. Color lithograph and screenprint on Arches, 1979. 720x524 mm; 28 1/4x20 1/2 inches, full margins. Signed, dated and numbered 67/200 in pencil, lower right. Printed by Styria Studio, New York, with the blind stamp

Lot: 219 - SAUL STEINBERG Portrait of R.

SAUL STEINBERG Portrait of R. Color lithograph, 1970. 320x408 mm; 12 3/4x16 inches, full margins. Signed and numbered 47/100 in pencil, lower center. A very good impression.

Lot: 220 - JIM DINE The Picture of Dorian Gray by Oscar Wilde

JIM DINE The Picture of Dorian Gray by Oscar Wilde. Portfolio with complete text and 12 color lithographs (2 with collage), 1968. 450x320 mm; 17 3/4x12 5/8 inches (sheets), full margins. Edition of 200. Printed by Desjobert and Leblanc, Paris.

Lot: 221 - JIM DINE Calico.

JIM DINE Calico. Color screenprint on Cartridge paper, 1965. 1000x760 mm; 39 1/2x30 inches, full margins. Edition of 200. Signed in pencil, lower left. From 11 Pop Artists III. Printed by Knickerbocker Machine & Foundry, Inc., New York.

Lot: 222 - JIM DINE Girl and Her Dog I.

JIM DINE Girl and Her Dog I. Color etching and aquatint on mould-made paper, 1971. 682x540 mm; 26 7/8x24 1/4 inches, full margins. Signed, dated and numbered 15/75 in pencil, lower right. Printed and published by Petersburg Press, London. A

Lot: 223 - JIM DINE Picabia I (Cheer).

JIM DINE Picabia I (Cheer). Lithograph with collage, hand-worked by the artist over half-tone images, on Hodgkinson mould-made paper, 1971. 1397x1016 mm; 55x40 inches (sheet), full margins. Signed, dated and numbered 65/75 in white pencil,

Lot: 224 - JIM DINE A Little Girl.

JIM DINE A Little Girl. Etching, soft-ground etching, aquatint and electric tools with hand coloring in oil on Rives BFK, 1979. 603x496 mm; 23 3/4x19 1/2 inches, full margins. Signed and numbered 31/33 in pencil, lower margin. Printed by

Lot: 225 - JIM DINE Two color etchings with hand coloring in

JIM DINE Two color etchings with hand coloring in watercolor. The Poet Assassinated, 1971. 685x540 mm; 27x21 1/4 inches, full margins. Signed, dated and numbered 24/75 in pencil, lower margin * Realistic Poet Assassinated, 1971. 685x540 mm;

Lot: 226 - JIM DINE The New French Tools 5--Boulevard Victor,

JIM DINE The New French Tools 5--Boulevard Victor, Double Sky. Etching, aquatint and electric tools printed in black from 2 plates, with hand coloring in blue acrylic before printing, on Rives BFK, 1984. 807x1159 mm; 32x45 1/2 inches (sheet),

Lot: 227 - JIM DINE The Jerusalem Plant #6.

JIM DINE The Jerusalem Plant #6. Lithograph on Arches, 1982. 930x1370 mm; 36 1/2x54 inches, full margins. Signed, dated and numbered 5/20 in pencil, lower margin. Printed and published by ULAE, West Islip. A superb, richly-inked impression.

Lot: 228 - JIM DINE The Temple of Flora.

JIM DINE The Temple of Flora. Portfolio with complete text, 28 drypoint engravings and an additional engraving, Details from Nancy's Garden, on Chine appliqué, 1978. 445x295 mm; 17 1/2x11 1/2 inches, full margins (engraving); 520x350

Lot: 229 - JIM DINE A Well Painted Strelitzia.

JIM DINE A Well Painted Strelitzia. Etching with hand coloring in blue, green and red oil on Copperplate Deluxe paper, 1980. 902x604 mm; 35 1/2x23 3/4 inches, full margins. Signed and numbered 14/33 in white pencil, lower left margin. Printed

Lot: 230 - JIM DINE A Sunny Woodcut.

JIM DINE A Sunny Woodcut. Color woodcut with hand coloring in green and blue spray enamel on John Koller handmade paper, 1982. 587x464 mm; 23 3/8x18 1/4 inches, full margins. Signed, dated and numbered 26/42 in pencil, lower margin. Printed by

Lot: 231 - JIM DINE Yellow Robe.

JIM DINE Yellow Robe. Color lithograph on Arches, 1986. 635x488 mm; 25x19 1/4 inches, full margins. Signed, dated and numbered 23/30 in pencil, lower margin. Published by the Graphics Art Council of the Los Angeles County Museum of Art, with

Lot: 232 - CLAES OLDENBURG Typewriter Eraser.

CLAES OLDENBURG Typewriter Eraser. Offset color lithograph on Rives BFK, 1970. 480x205 mm; 19x8 1/8 inches, full margins. Initialed, dated and numbered 135/250 in pencil, lower margin. Printed by Imprimeries Réunies, Lausanne. Published

Lot: 233 - CLAES OLDENBURG Landscape with Noses.

CLAES OLDENBURG Landscape with Noses. Sugar-lift and color spit-bite aquatint on Lenox 100 paper, 1975. 159x173 mm; 6 1/8x6 5/8 inches, full margins. Signed, dated and numbered 14/35 in pencil, lower margin. Printed by Crown Point Press,

Lot: 234 - CLAES OLDENBURG Woman Entwined in Giant Electric

CLAES OLDENBURG Woman Entwined in Giant Electric Cord (Edition A). Soft-ground etching and spit-bite aquatint on Rives BFK. 768x546 mm; 30 1/4x21 1/2 inches, full margins. Signed and numbered 38/50 in pencil, lower margin. Printed and

Lot: 235 - CLAES OLDENBURG Symbolic Self-Portrait with

CLAES OLDENBURG Symbolic Self-Portrait with Equals. Offset color lithograph on white, thick, smooth Louvain Supreme Vellum Bristol 150-pound paper, 1971. 724x530 mm; 28 1/2x20 7/8 inches, full margins. Signed and numbered 81/300 in pencil,

Lot: 236 - CLAES OLDENBURG Museum á la Mode.

CLAES OLDENBURG Museum á la Mode. Color lithograph on Coventry Smooth paper, 1994. 450x365 mm; 17 5/8x14 1/4 inches, full margins. Artist's proof, aside from the edition of 175. Signed and numbered "III/XXV" in pencil, lower margin.

Lot: 237 - WAYNE THIEBAUD Suckers, State II.

WAYNE THIEBAUD Suckers, State II. Lithograph printed in red on Rives BFK, 1968. 406x559 mm; 16x21 7/8 inches (sheet), full margins. Signed, inscribed "State II" and numbered 135/150 in pencil, lower right. Printed and published by Gemini

Lot: 238 - CHRISTO 56 Stacked Barrels.

CHRISTO 56 Stacked Barrels. Color screenprint on 150g paper, 1969. 570x340 mm; 22 1/2x13 1/2 inches, full margins. Artist's proof, aside from edition of 60. Signed in pencil, lower margin. Printed by Rolf Weeber, Breda. Published by Galerie

Lot: 239 - CHRISTO Wrapped Sylvette, Project for Washington

CHRISTO Wrapped Sylvette, Project for Washington Square Village, New York. Color collotype and color screenprint with collage on cream wove Fabriano paper, 1972. 650x503 mm; 25 5/8x19 3/4 inches (sheet), full margins. Signed and numbered 13/90

Lot: 240 - RICHARD ESTES East River, New York.

RICHARD ESTES East River, New York. Color screenprint, 1989. 457x305 mm; 17 3/4x12 5/8 inches, full margins. Artist's proof, aside from the edition of 100. Signed and inscribed "A.P." in pencil, lower margin. Printed by Michael Domberger,

Lot: 241 - KEITH HARING Ludo.

KEITH HARING Ludo. Portfolio with complete text and 5 color lithographs on Arches, 1985. 660x480 mm; 26x19 inches (sheets), full margins, loose as issued. One of 90 numbered copies. Signed in pencil and numbered 35 on the justification page.

Lot: 242 - TOM WESSELMANN Great American Nude.

TOM WESSELMANN Great American Nude. Color screenprint, 1968. 336x375 mm; 12 7/8x14 3/4 inches (sheet), full margins. Edition of 300. From the same-titled series. A very good impression with fresh colors. Wesselmann's (1931-2004) series

Lot: 243 - KEITH HARING Kutztown.

KEITH HARING Kutztown. Screenprint on Rives, 1989. 760x560 mm; 30x22 inches (sheet), full margins. Edition of 99. With the Keith Haring Estate ink stamp and pencil notations, verso. A very good, evenly-printed impression. Littmann 134.

Lot: 244 - RICHARD LINDNER Fun City.

RICHARD LINDNER Fun City. Portfolio with complete text and 12 color lithographs and 2 lithographic collages, 1971. 667x508 mm; 26 1/4x20 inches, full margins (11 prints, in portfolio); 675x1001 mm; 26 1/2x39 1/2 inches (1 individual print),

Lot: 245 - RICHARD LINDNER Group of 11 lithographs.

RICHARD LINDNER Group of 11 lithographs. Uptown, 1971. Signed in pencil, lower margin. From Fun City * Fifth Ave., 1971. Signed in pencil, lower margin. From Fun City * Out-of-Towners, 1971. Artist's proof, signed in pencil, lower margin.

Lot: 246 - PHILIP PEARLSTEIN Two Reclining Nudes.

PHILIP PEARLSTEIN Two Reclining Nudes. Lithograph on Monadnock Buff paper, 1971. 560x764 mm; 22x30 inches (sheet), full margins. Signed and numbered 68/120 in pencil, upper left. Printed by Shorewood-Bank Street Atelier, New York. Published by

Lot: 247 - ALEX KATZ Gray Umbrella.

ALEX KATZ Gray Umbrella. Color lithograph on Arches, 1979. 512x763 mm; 20 1/8x30 inches (sheet), full margins. Signed and numbered 6/120 in pencil, lower left. Printed by Styria Studio, Inc., New York. Published by GHJ Graphics, Inc., New

Lot: 248 - ALEX KATZ Skowhegan Costume Ball.

ALEX KATZ Skowhegan Costume Ball. Lithograph on Arches, 1969. 695x507 mm; 27 x20 inches, full margins. Signed and numbered 45/75 in pencil, lower left margin. Printed by Bank Street Atelier, New York. Published by the Skowhegan School of

Lot: 249 - ALEX KATZ Late July 1.

ALEX KATZ Late July 1. Color lithograph on Arches, 1971. 560x750 mm; 22 1/2x29 1/2 inches, full margins. Signed and numbered 99/120 in pencil, lower margin. Printed by Bank Street Atelier, New York, with the blind stamp lower right. Published

Lot: 250 - FAIRFIELD PORTER Apple Blossoms I-III.

FAIRFIELD PORTER Apple Blossoms I-III. Three color lithographs, 1974. Each 514x641 mm; 20 1/4x25 inches, full margins. Artist's proofs, aside from the edition of 50. Each signed, inscribed "I-III' and numbered "4/10 Artist's Proof" or "3/10

Lot: 251 - FAIRFIELD PORTER Ocean I (Second State).

FAIRFIELD PORTER Ocean I (Second State). Color lithograph on British handmade A. Millbourn paper, 1973. 325x666 mm; 12 3/4x26 1/4 inches, full margins. Signed and numbered 35/40 in pencil, lower margin. Printed by Resam Press, New York.

Lot: 252 - FAIRFIELD PORTER Dog at the Door.

FAIRFIELD PORTER Dog at the Door. Color lithograph on Arches, 1971. 755x560 mm; 27 3/4x22 inches, full margins. Signed and numbered 99/120 in pencil, lower margin. Printed and published by Bank Street Atelier Ltd., New York, with the blind

Lot: 253 - ALICE NEEL Bather with Red Hat.

ALICE NEEL Bather with Red Hat. Color lithograph on Arches, 1982. 970x575mm; 38 1/4x22 1/2 inches, full margins. Signed, dated, and numbered 62/175 in pencil, lower margin.

Lot: 254 - ALICE NEEL The Family.

ALICE NEEL The Family. Color lithograph on Arches, 1982. 798x680mm; 31 1/2x26 3/4inches, full margins. Signed, dated, and numbered 62/175 in pencil, lower margin. A very good impression with strong colors. Neel (1900-1984) is known as one

Lot: 255 - ALICE NEEL Nancy and Olivia (Mother and Child).

ALICE NEEL Nancy and Olivia (Mother and Child). Color lithograph, 1982. 660x610 mm; 26x24 inches, full margins. Signed, dated, and numbered 62/175 in pencil, lower margin.

Lot: 256 - ROBERT COTTINGHAM Art.

ROBERT COTTINGHAM Art. Color screenprint, 1973. 532x532 mm; 21x21 inches, full margins. Edition of 1000. Signed in pencil, lower right. A very good impression.

Lot: 257 - ROBERT COTTINGHAM Everybody's Bookshop,

ROBERT COTTINGHAM Everybody's Bookshop, Everybody's Books. Color lithograph, 1975. 464x455 mm; 18 1/4x17 7/8 inches, full margins. Signed, titled, dated and numbered 162/200 in pencil, lower margin, with blindstamp. Printed by Landfall Press,

Lot: 258 - ROBERT COTTINGHAM Rolling Stock #13.

ROBERT COTTINGHAM Rolling Stock #13. Color lithograph on Somerset paper, 1993. 430x430 mm; 17x17 inches, full margins. Signed, titled, dated and numbered 36/50 in pencil, lower margin. From the same-titled portfolio. A very good impression.

Lot: 259 - ROBERT COTTINGHAM Empire.

ROBERT COTTINGHAM Empire. Color screenprint, 2009. 650x1001 mm; 25 1/2x39 1/2 inches, full margins. Edition of 108. Signed, titled, dated and dedicated in pencil, lower margin. A superb impression with vibrant colors.

Lot: 260 - ROBERT CREELEY and R

ROBERT CREELEY and R.B. KITAJ A Day Book. Portfolio with complete text and 8 color screenprints, 4 color etchings and one color lithograph, 1972. 615x420mm; 24 1/4x16 1/2 inches, full margins (sheets), loose as issued. Edition of 200. Each

Lot: 261 - BEN NICHOLSON Olympic Fragment II.

BEN NICHOLSON Olympic Fragment II. Etching on cream wove paper, 1965. 200x245 mm; 9x10 inches, full margins. Signed, dated and numbered 31/50 in pencil, lower margin. Printed by François Lafranca, with the blind stamp lower left.

Lot: 262 - BEN NICHOLSON Zeichnungen, Gemãlde, Reliefs,

BEN NICHOLSON Zeichnungen, Gemãlde, Reliefs, 1911-1968. Portfolio with complete text and numerous color illustrations and one etching, 1968-69. 325x285 mm; 12 3/4x11 1/4 inches (sheets). The deluxe edition of 10 with the original etching

Lot: 263 - ELISABETH FRINK Horse.

ELISABETH FRINK Horse. Color etching and aquatint on Arches, 1986. 210x128 mm; 8 1/4x5 inches, full margins. Signed and numbered 26/100 in pencil, lower margin. Printed at Kelpra Studio, London. Published by Harpvale Books, Salisbury. From the

Lot: 264 - BARBARA HEPWORTH Opposing Forms.

BARBARA HEPWORTH Opposing Forms. Portfolio with complete text and 12 color lithographs on TH Saunders wove paper, 1969-70. 780x580 mm; 30 3/4x22 7/8 inches, full margins (sheets), loose as issued. Each signed and numbered 9/60 in pencil, lower

Lot: 265 - FRANCIS BACON Self Portrait.

FRANCIS BACON Self Portrait. Color lithograph on Arches, 1977. 850x635 mm; 33 1/2x25 inches, full margins. Signed in ink and numbered 148/180 in pencil, lower margin. Printed by Mourlot, Paris. Published by Galerie Claude Bernard, Paris. A

Lot: 266 - FRANCIS BACON Study for Self-Portrait.

FRANCIS BACON Study for Self-Portrait. Color offset lithograph on wove paper, 1984. 810x605 mm; 32x23 3/4 inches, full margins. Signed and numbered 174/182 in pencil, lower margin. Published by Marlborough Gallery, New York, with the label on

Lot: 267 - DAVID HOCKNEY Sexton Disguised as a Ghost Stood

DAVID HOCKNEY Sexton Disguised as a Ghost Stood Still as a Stone. Etching and aquatint on Hodgkinson hand made wove paper, 1970. 238x268 mm; 9x10 1/2 inches, full margins. Signed and numbered 87/100 in pencil, lower margin. Published by

Lot: 268 - DAVID HOCKNEY Riding Around on a Cooking Spoon.

DAVID HOCKNEY Riding Around on a Cooking Spoon. Etching and aquatint on Hodgkinson hand made wove paper, 1969. 164x252 mm; 6 1/2x10 inches, full margins. Signed and numbered 49/100 in pencil, lower margin. Published by Petersburg Press,

Lot: 269 - DAVID HOCKNEY Fourteen Poems.

DAVID HOCKNEY Fourteen Poems. Portfolio with complete text and 12 etchings on Crisbrook paper, 1966. 463x330 mm; 18 1/4x13 inches (sheets), full margins, bound as issued. Signed and numbered 286/500 in pencil on the justification page. Printed

Lot: 270 - DAVID HOCKNEY Celia.

DAVID HOCKNEY Celia. Etching on J. Green mould made paper, 1969. 685x545 mm; 27x21 1/2 inches, full margins. Signed, dated and numbered 22/75 in pencil, lower margin. Printed by Maurice Payne, London. Published by Petersburg Press, London. A

Lot: 271 - DAVID HOCKNEY Peter.

DAVID HOCKNEY Peter. Etching on J. Green mould made paper, 1969. 687x543 mm; 27 1/8x21 3/8 inches, full margins. Signed, dated and numbered 19/75 in pencil, lower margin. Printed by Maurice Payne, London. Published by Petersburg Press, London.

Lot: 272 - DAVID HOCKNEY In an Old Book.

DAVID HOCKNEY In an Old Book. Etching on Crisbrook paper, 1966. 357x225 mm; 13 3/4x8 7/8 inches, full margins. Signed, dated and numbered 42/75 in pencil, lower margin. Published by Editions Alecto, London. From Illustrations for Fourteen

Lot: 273 - DAVID HOCKNEY (after) The Prisoner (For Amnesty

DAVID HOCKNEY (after) The Prisoner (For Amnesty International) . Color offset lithograph, 1977. 735x600 mm; 29x23 5/8 inches, full margins. The deluxe, signed edition of 100, aside from the unsigned edition of 2000. Signed and numbered 64/100 in

Lot: 274 - DAVID HOCKNEY Michael Crichton.

DAVID HOCKNEY Michael Crichton. Lithograph on buff Arches Cover paper, 1976. 224x275 mm; 8 3/4x10 3/4 inches. Signed, dated and numbered 86/93 in pencil, lower margin. Printed and published by Gemini G.E.L., Los Angeles, with the blind stamp

Lot: 275 - ALLEN JONES Two color lithographs.

ALLEN JONES Two color lithographs. Hermaphrodite Head, 1964. 750x563 mm; 29 1/2x22 1/4 inches (sheet), full margins. Signed, dated and numbered 27/75 in pencil, lower margin * Hermaphrodite Torso, 1965. 760x560 mm; 29 3/4x 22 inches (sheet),

Lot: 276 - HOWARD HODGKIN In Tangier.

HOWARD HODGKIN In Tangier. Color screenprint on Huntsman Velvet paper, 1991. 682x750 mm; 26 3/4x29 1/2 inches, full margins. Artist's proof, aside from the edition of 72. Initialed, dated and inscribed "A.P. 8/12" in pencil, lower margin.

Lot: 277 - HOWARD HODGKIN Gossip.

HOWARD HODGKIN Gossip. Color screenprint on Somerset paper, 1995. 742x1044 mm; 29 1/4x41 1/8 inches, full margins. Initialed, dated and numbered 92/108 in pencil, lower margin. Published by the Lincoln Center/List Art Posters & Prints, New

Lot: 278 - HOWARD HODGKIN Red Palm.

HOWARD HODGKIN Red Palm. Color lithograph with pochoir hand coloring in ultramarine blue, Naples yellow and emerald green gouache on buff Arches cover paper, 1986-87. 1080x1350 mm; 42 1/2x53 1/4 inches, full margins. Initialed, dated and

Lot: 279 - HOWARD HODGKIN Sand.

HOWARD HODGKIN Sand. Color lithograph with hand coloring in watercolor on Arches mould made paper, 1983. 790x1018 mm; 31 1/8x40 inches, full margins. Initialed, dated and numbered 27/50 in pencil, lower center. Printed and published by

Lot: 280 - HOWARD HODGKIN Jarid's Porch.

HOWARD HODGKIN Jarid's Porch. Color lithograph with hand coloring in gouache on Lexington handmade paper, 1977. 512x610 mm; 20 1/4x24 inches (sheet), full margins. Signed, dated and numbered 43/100 in pencil, lower margin. Published by

Lot: 281 - EDUARDO PAOLOZZI Moonstrips Empire News Vol. 1.

EDUARDO PAOLOZZI Moonstrips Empire News Vol. 1. Porfolio with complete text and 100 color screenprints, 1967. 380x250 mm; 15x9 7/8 inches, full margins (sheets), loose as issued. Edition of 500 with 6 signed and numbered 62/500 in pencil,

Lot: 282 - FRANCIS NEWTON SOUZA Untitled (Woman) * Untitled

FRANCIS NEWTON SOUZA Untitled (Woman) * Untitled (Woman in a Landscape). Both chemical alteration, goauche and felt-tip pen and ink on printed magazine paper, 1991 and 1997. Both 226x215 mm; 9x8 1/2 inches. Both signed and dated in felt-tip

Lot: 283 - GERHARD RICHTER Besetztes Haus.

GERHARD RICHTER Besetztes Haus. Black and gray offset print on white lightweight cardboard, 1990. 435x600 mm; 17 1/4x23 1/2 inches, full margins. Signed, dated and numbered 68/100 in pencil, lower margin. Printed by Passavia Druckerei, Passau.

Lot: 284 - JOSEPH BEUYS Vitex Agnus Castus.

JOSEPH BEUYS Vitex Agnus Castus. Color offset lithograph on cream wove paper, 1973. 605x440 mm; 24x17 3/8 inches, full margins. Signed and numbered 761/100 in pencil, lower margin. Punlished by Edition Staeck, Heidelberg, and Edizioni Lucio

Lot: 285 - FRIEDENSREICH HUNDERTWASSER Look at it on a Rainy

FRIEDENSREICH HUNDERTWASSER Look at it on a Rainy Day (Regentag Portfolio). Portfolio with complete text and 10 color screenprints with metallic embossing, 1971. 486x665 mm; 19 1/4x26 1/4 inches (sheet), full margins, loose as issued. Signed

Lot: 286 - FRIEDENSREICH HUNDERTWASSER The False Eyelash.

FRIEDENSREICH HUNDERTWASSER The False Eyelash. Color lithograph on Arches, 1967. 610x490 mm; 24x19 1/4 inches, full margins. Signed and numbered 51/100 in pencil, lower margin. Printed by Mourlot, Paris. Published by Hanover Gallery, London. A

Lot: 287 - FRIEDENSREICH HUNDERTWASSER The Boy with Green

FRIEDENSREICH HUNDERTWASSER The Boy with Green Hair. Color lithograph, 1967. 520x370 mm; 20 1/2x14 1/2 inches, full margins. Signed, dated, and numbered 23/100 in pencil, lower margin. Printed by Mourlot, Paris. Published by Galerie Karl

Lot: 288 - FRIEDENSREICH HUNDERTWASSER Let us Pray.

FRIEDENSREICH HUNDERTWASSER Let us Pray. Color screenprint with metallic embossing, 1981. 540x670 mm; 21 1/4x26 1/4 inches, full margins. Signed, dated, annotated and numbered 263/428 in black ink, lower right. Printed by Claudio Barbato,

Lot: 289 - FRIEDENSREICH HUNDERTWASSER Song of the Whales.

FRIEDENSREICH HUNDERTWASSER Song of the Whales. Color woodcut, 1979. 515x368 mm; 20 1/4x14 1/2 inches, full margins. Signed, dated and numbered 164/250 in black ink, lower margin. Printed by T. Matsuoka Surishi, Uchida Koegi Kobo, Kyoto.

Lot: 290 - GÜNTHER FÖRG Ohne Titel.

GÜNTHER FÖRG Ohne Titel. Color screenprint on wove paper, 1993. 913x648 mm; 36x18 3/4 inches, full margins. Artist's proof, aside from the edition of 40. Signed, dated and inscribed "e.a.," lower margin. Published by Galerie

Lot: 291 - GÜNTHER UECKER Komposition.

GÜNTHER UECKER Komposition. Lithograph, 1970. 355x355 mm; 14x14 inches, full margins. Signed, dated and numbered 34/100 in pencil, lower margin. A superb, richly-inked impression.

Lot: 292 - SAMIA HALABY Untitled.

SAMIA HALABY Untitled. Color pencils on cream wove paper, 1975. 485x683 mm; 19 1/8x26 7/8 inches. Signed and dated in pencil, lower margin.

Lot: 293 - BRICE MARDEN Untitled Press Series #6.

BRICE MARDEN Untitled Press Series #6. Lithograph on Italia paper, 1972. 205x268 mm; 8 1/4x10 1/2 inches, full margins. Signed, dated and numbered 42/46 in pencil, lower margin. Printed and published by Untitled Press, Inc., Captiva Island,

Lot: 294 - BRICE MARDEN Untitled.

BRICE MARDEN Untitled. Etching on Arches, 1971. 375x596 mm; 14 3/4x23 1/2 inches, full margins. Signed, dated and numbered 15/50 in pencil, lower margin. Printed by Nona Hershey, New York. Published by Parasol Press, New York. A superb,

Lot: 295 - JOHN COPNALL Untitled.

JOHN COPNALL Untitled. Brush and ink on canvas with paper, canvas and ink collage, 1981. 790x687 mm; 31x27 1/2 inches. Signed and dated in felt-tip pen and black ink, upper right recto.

Lot: 296 - THOMAS NOZKOWSKI Composition.

THOMAS NOZKOWSKI Composition. Oil on canvas, circa 1980. 559x763 mm; 22x32 1/8 inches. Signed in pen and ink, verso. Ex-collection private collection, Los Angeles.

Lot: 297 - JULES OLITSKI Untitled.

JULES OLITSKI Untitled. Acrylic on laid paper, 1974. 290x268 mm; 11 1/2x10 1/2 inches. Signed, dated, dedicated and inscribed "at l'oubrador" in pencil, upper left recto. Acquired directly from artist by the current owner, 1974.

Lot: 298 - JACK ROTH Abstract Composition.

JACK ROTH Abstract Composition. Gouache and pencil on cream wove paper, 1982. 426x360 mm; 16 3/4x14 inches. Signed, dated, dedicated and inscribed "Sayo 9" in pencil, lower right recto. Ex-collection private collection, New York.

Lot: 299 - RICHARD SERRA Out the Window at the Square Diner.

RICHARD SERRA Out the Window at the Square Diner. Lithograph on Arches Cover paper, 1981. 355x280 mm; 14x11 inches, full margins. Signed, dated and numbered 12/50 in pencil, lower right. Published by Gemini G.E.L., Los Angeles, with the blind

Lot: 300 - RICHARD SERRA Eidid III.

RICHARD SERRA Eidid III. Aquatint on Fabriano Murillo paper, 1991. 447x602 mm; 17 5/8x23 3/4inches, full margins. Signed, dated and numbered 8/54 in pencil, lower margin. Printed and published by Gemini G.E.L., Los Angeles, with the blind

Lot: 301 - RICHARD SERRA Untitled (Film Forum Print).

RICHARD SERRA Untitled (Film Forum Print). Screenprint on PTI Supra 100 paper, 1990. 623x450 mm; 24 1/2x17 3/4 inches, full margins. Signed, dated and numbered 360/500 in pencil, lower left. Published by Gemini G.E.L., Los Angeles, with the

Lot: 302 - JOHN CHAMBERLAIN Conversations with Myself.

JOHN CHAMBERLAIN Conversations with Myself. Portfolio with complete text and numerous black and white illustrations on Wahon paper, 1992. Approximately 155x155 mm; 6 1/8x6 1/8 inches (sheets). Signed in pen and ink on the third blank page and

Lot: 303 - JOHN CHAMBERLAIN Lineup #18.

JOHN CHAMBERLAIN Lineup #18. Color screenprint on white wove paper, 1998. 295x325 mm; 11 1/2x12 1/2 inches, full margins. Signed, dated and numbered 38/63 in pencil, lower margin. Published by Pace Prints, New York. A very good impression with

Lot: 304 - VIJA CELMINS Untitled (Tree).

VIJA CELMINS Untitled (Tree). Etching and drypoint, 1986. 90x95 mm; 3 1/2x3 3/4 inches, full margins. Artist's proof, aside from the edition of 120. Signed, dated and inscribed "A/P" in pencil, lower margin. Printed by Simmelink/Sukimoto

Lot: 305 - JAMES TURRELL Mapping Spaces.

JAMES TURRELL Mapping Spaces. Portfolio with 5 color etchings with aquatint, photo-etching, soft-ground and drypoint, 1987. 558x785 mm; 21 7/8x31 inches (sheets), loose as issued, full margins. The Roman numeral edition of 10, aside from the

Lot: 306 - JAMES TURRELL Infinite Light Book.

JAMES TURRELL Infinite Light Book. Portfolio with complete text and 14 color plates, 2001. 277x277 mm; 11x11 inches (sheets), loose as issued. Edition of 300. Signed and dated "April 22, 2002" in ink on first page. Published by the Scottsdale

Lot: 307 - PAT STEIR Berlin Waterfall.

PAT STEIR Berlin Waterfall. Color screenprint on wove paper, 1993. 980x935 mm; 38 1/2x36 3/4 inches (sheet), full margins. Signed and numbered 44/108 in pencil, lower margin. Published by the Lincoln Center/List Art Print and Poster Program,

Lot: 308 - PAT STEIR Tiny Waterfall.

PAT STEIR Tiny Waterfall. Color screenprint, 2004. 876x382 mm; 34 1/2x15 inches (sheet), full margins. Signed, dated and numbered 24/40 in pencil, lower margin. Published by Pace Editions, Inc., New York. A superb impression.

Lot: 309 - WILLIAM T. WILEY Two etchings.

WILLIAM T. WILEY Two etchings. I Keep Fooling Around Hopin' I Won't Have to Start Here, 1981. Signed, dated and numbered 25/25 in pencil, lower margin * Finding the Proper Ruler, 1986. Signed, dated and numbered 34/50 in pencil, lower margin.

Lot: 310 - VITO ACCONCI Waterpark City, Toronto--Perimeter

VITO ACCONCI Waterpark City, Toronto--Perimeter Studies. Color pastels on white wove paper, 2004. 607x912 mm; 23 7/8x36 inches. Signed, titled, and dated in pencil, lower right recto. Ex-collection private collection, New York.

Lot: 311 - VITO ACCONCI Inside a Room of Sky: Memphis.

VITO ACCONCI Inside a Room of Sky: Memphis. Color inkjet print, 2001. 482x656 mm; 19x25 3/4 inches, full margins. Printer's proof, aside from the edition of 50. Signed and inscribed "PP 6/6"; "Acconci Studio: Inside a Room of Sky: Memphis" in

Lot: 312 - JENNIFER BARTLETT Earth.

JENNIFER BARTLETT Earth. Soft-ground etching and aquatint on Rives BFK, 1992. 840x845 mm; 33 1/8x33 1/4 inches (sheet), full margins. Signed, dated, numbered 65/80 and inscribed "4 of 4" in pencil, lower margin. Published by Creative Works

Lot: 313 - ERIC FISCHL Move.

ERIC FISCHL Move. Color lithograph, 2001. 1065x778 mm; 43x31 inches (sheet), full margins. Signed, dated and numbered 31/32 in pencil, lower margin. Courtesy of the artist to Lower Manhattan Cultural Council; acquired at their fundraising

Lot: 314 - ERIC FISCHL Inner Tube.

ERIC FISCHL Inner Tube. Color aquatint, 1989. 900x1375 mm; 35 3/8x54 1/8 inches (sheet), full margins. Signed, dated and numbered 81/100 in pencil, lower margin. Published by Parasol Press, Ltd., New York. A very good impression with strong

Lot: 315 - JEAN-MICHEL BASQUIAT Leg of a Dog, from Da Vinci.

JEAN-MICHEL BASQUIAT Leg of a Dog, from Da Vinci. Screenprint on warm cream Japan paper, 1983. 1016x794 mm; 40x31 1/4 inches (sheet), full margins. Printer's proof, aside from the edition of 11. Published by New City Editions, Venice,

Lot: 316 - JEAN-MICHEL BASQUIAT (after) Skateboard Triptych:

JEAN-MICHEL BASQUIAT (after) Skateboard Triptych: Trumpet. Color screenprint on 3 Canadian maple wood skate decks, 2017. 805x615 mm; 31 5/8x24 1/4 inches. Published by SKATEROOM and the Estate of Jean-Michel Basquiat, New York, with the

Lot: 317 - JEAN-MICHEL BASQUIAT (after) Skateboard Triptych:

JEAN-MICHEL BASQUIAT (after) Skateboard Triptych: Skull. Color screenprint on 3 Canadian maple wood skate decks, 2014. 805x615 mm; 31 5/8x24 1/4 inches. Published by SKATEROOM and the Estate of Jean-Michel Basquiat, New York, with the copyright

Lot: 318 - JENNY HOLZER Protect Me From What I Want.

JENNY HOLZER Protect Me From What I Want. Text on Resopal plate fixed on heavy board, 1990. 320x252 mm; 12 1/2x9 7/8 inches, full margins. Edition of 200. Published by Bébert, Rotterdam. From Contemporary Archaeology, Pandora Part Three.

Lot: 319 - BARBARA KRUGER Untitled (Surveillance is your

A BARBARA KRUGER Untitled (Surveillance is your busywork). Color lithograph, 1983. 277x710 mm; 11x28 inches (sheet), full margins. An unused New York City subway placard poster for the project on U.S. public transport enacted by Kruger in the

Lot: 320 - CINDY SHERMAN Untitled.

CINDY SHERMAN Untitled. Silver print, 1975. 415x282 mm; 15 1/4x11 1/8 inches, full margins. Edition of 175. Signed, dated and numbered 47/125 in pencil, verso. A very good impression. Schor 17.

Lot: 321 - ROBERT LONGO (after) Men in the Cities: Gretchen

ROBERT LONGO (after) Men in the Cities: Gretchen. Offset lithograph poster, 1991. 1000x508 mm; 39 1/4x20 inches, full margins. Signed in ink, lower right. Published by ACT UP and Amnesty International. Robert Longo became famous in the

Lot: 322 - ROBERT LONGO (after) Men in the Cities: Eric

ROBERT LONGO (after) Men in the Cities: Eric. Offset lithograph poster, 1991. 1050x634 mm; 39 1/2x25 inches, full margins. Signed ink, lower right. Published by ACT UP and Amnesty International.

Lot: 323 - RAYMOND PETTIBONE Untitled (Inside the Bookcase).

RAYMOND PETTIBONE Untitled (Inside the Bookcase). Lithograph, 2007. 368x520 mm; 14 1/2x20 1/2 inches, full margins. Signed and numbered 29/175 in pencil, lower margin. A very good impression with strong contrasts.

Lot: 324 - RICHARD PRINCE Untitled (de Kooning).

RICHARD PRINCE Untitled (de Kooning). Collage with color offset lithograph, hand-cutting, hand-painting and assemblage on inset board, 2008. 210x210mm; 8 1/4x8 1/4 inches, full margins. Signed in pencil, lower center recto, and numbered 3/26

Lot: 325 - LAWRENCE WEINER 8 Works of Lawrence Weiner.

LAWRENCE WEINER 8 Works of Lawrence Weiner. Offset lithograph poster, 1973. 775x605 mm, 30 1/2x23 3/4 inches, full margins. Edition of 330. Numbered 67 on the justification leaflet. With-- A Primer, 1972. 145x105 mm; 5 3/4x4 1/8 inches

Lot: 326 - LAWRENCE WEINER Untitled.

LAWRENCE WEINER Untitled. Print on plastic, 1985. 325x248 mm; 12 3/4x9 3/4 inches, full margins. Signed, dated and numbered 131/200 in black ink, upper left recto.

Lot: 327 - LAWRENCE WEINER Water in Milk Exists.

LAWRENCE WEINER Water in Milk Exists. Pen and black and silver ink with photograph card collage poster maquette, 2008. 263x185 mm; 10 1/4x7 1/4 inches. Signed, dated and numbered "VI/X" in felt-tip pen and black ink, lower right recto.

Lot: 328 - LAWRENCE WEINER Turf, Stake and String.

LAWRENCE WEINER Turf, Stake and String. Self-adhesive vinyl sheet with drawings, 1968. 158x219 mm; 6 1/4x8 5/8 inches, full margins. Edition of 40. Published by The Letter Edged in Black Press, Inc., New York. From S.M.S. No. 5. Founded

Lot: 329 - ACT UP Art Box.

ACT UP Art Box. Wooden box with 6 mixed-media multiples and color hand-printed ink on inside box lid, 1994. 350x605x125 mm; 13 3/4x23 3/4x5 inches. Numbered 3/95 in felt-tip pen and black ink on the underside of the box. With the justification

Lot: 330 - KIKI SMITH Squirrel.

KIKI SMITH Squirrel. Lithograph with collage on wove paper, 1998. 225x157 mm; 8 7/8x6 1/4 inches, full margins. Edition of 20. Signed and dated in pencil, lower right. Published by Griffelkunst, Hamburg. From the White Mammals series. A very

Lot: 331 - ARMAN Sport of Kings.

ARMAN Sport of Kings. Multiple with cigars and epoxy resin, 1973. 195x33x185 mm; 7 3/4x1 1/2x7 1/4 inches. Incised artist's signature and numbered 14/70 on lower left.

Lot: 332 - ARMAN Two color lithographs from the Romantic

ARMAN Two color lithographs from the Romantic Suite. Both 1976. Both approximately 630x966 mm; 24 3/4x38 inches (sheets), full margins. Both signed and numbered 73/100 in pencil, lower margin. Very good impressions.

Lot: 333 - VICTOR VASARELY MC 116.

VICTOR VASARELY MC 116. Colored resin multiple on synthetic support, 1970. 850x148x148 mm; 33 1/2x6x6 inches. Signed in white acrylic, and titled and numbered 11/50 in pen and ink on the original label.

Lot: 334 - VICTOR VASARELY Zaphir.

VICTOR VASARELY Zaphir. Color screenprint, 1966. 500x500mm; 19 1/2x19 1/2 inches, full margins. Edition of 275. Signed and numbered 201/275 in pencil, lower margin. With--RICHARD ANUSZKIEWICZ, Untitled, color screenprint. 646x500 mm; 25

Lot: 335 - VICTOR VASARELY Decreasing Squares.

VICTOR VASARELY Decreasing Squares. Color screenprint. 325x316 mm; 12 3/4x12 1/2 inches, full margins. Signed and numbered "VII/VII" in pencil, lower margin. With--The annotated maquette for the same print. 470x410 mm; 18 1/2x16 1/4

Lot: 336 - VICTOR VASARELY Zoeld (Blue/Yellow).

VICTOR VASARELY Zoeld (Blue/Yellow). Polystyrene luran multiple, 1974. 1000x1000 mm; 39 1/2x39 1/2 inches. Signed in pen and ink, lower right recto, and signed and numbered 1/8 in felt-tip pen and black ink and ball-point pen and ink on the

Lot: 337 - VICTOR VASARELY Orion Noir Positive.

VICTOR VASARELY Orion Noir Positive. BASF Polystyrene multiple, 1970. 1050x1000 mm; 41 1/2x39 1/2 inches. Signed in pen and ink, lower right recto, and signed and numbered 34/34 in felt-tip pen and black ink and ball-point pen and ink on the

Lot: 338 - VICTOR VASARELY Orion Noir Negative.

VICTOR VASARELY Orion Noir Negative. BASF Polystyrene multiple, 1975. 1050x1000 mm; 41 1/2x39 1/2 inches. Signed in pen and ink, lower right recto, and signed and numbered 5/32 in felt-tip pen and black ink and ball-point pen and ink on the

Lot: 339 - VICTOR VASARELY Majus II.

VICTOR VASARELY Majus II. Polystyrene luran multiple, 1974. 1000x1000 mm; 39 1/2x39 1/2 inches. Signed in pen and ink, lower right recto, and signed and numbered 8/8 in felt-tip pen and black ink and ball-point pen and ink on the original

Lot: 340 - VICTOR VASARELY Zoeld (Blue/Green).

VICTOR VASARELY Zoeld (Blue/Green). Polystyrene luran multiple, 1975. 1000x1000 mm; 39 1/2x39 1/2 inches. Signed in pen and ink, lower right recto, and signed and numbered 8/8 in felt-tip pen and black ink and ball-point pen and ink on the

Lot: 341 - VICTOR VASARELY Group of 4 color screenprints.

VICTOR VASARELY Group of 4 color screenprints. Folclore Planetario, 1964. Edition of 125. Signed in pencil, lower right * Lapidaire, 1968. Signed and numbered 95/150 in pencil, lower margin. From the same-titled portfolio * Hommage à

Lot: 342 - VICTOR VASARELY Two acrylic and wood multiples.

VICTOR VASARELY Two acrylic and wood multiples. Axo. Artist's proof, aside from the edition of 50. Signed and inscribed "EA" in pen and ink * Blue Gold Totem, 1980. Signed and numbered 57/100 in pen and ink. With-- Tri Vega, color

Lot: 343 - VICTOR VASARELY Image-Miroir.

VICTOR VASARELY Image-Miroir. Screenprint on aluminum, 1965. 457x400x400 mm; 18x15 3/4x15 3/4 inches. Signed in pen and ink, near the base. From Discours de la Methode.

Lot: 344 - VICTOR VASARELY Pleione.

VICTOR VASARELY Pleione. Color screenprint, 2 impressions, 1961. 307x310 mm; 11 7/8x12 1/8 inches, full margins. Edition of 138. Both signed in pencil, lower right. Very good impressions.

Lot: 345 - JACK YOUNGERMAN Untitled.

JACK YOUNGERMAN Untitled. Acrylic on paper, 1969. 1001x765 mm; 39 3/4x30 1/8 inches. Signed and dated in white pencil, lower right recto.

Lot: 346 - BERNAR VENET Random Combination of Indeterminate

BERNAR VENET Random Combination of Indeterminate Lines. Aquatint on heavy cream wove paper, 1996. 275x220 mm; 10 7/8x8 3/4 inches, full margins. Signed, dated and numbered 5/40 in pencil, lower margin. Published by GraphicStudio, Tampa, with

Lot: 347 - MARK DI SUVERO Johnny Appleseed.

MARK DI SUVERO Johnny Appleseed. Color digital print with hand coloring in acrylic, 2014. 308x427 mm; 12 1/8x16 7/8 inches, full margins. Signed in pencil and inscribed "trial proof" in felt-tip pen and ink, lower right. Published by the

Lot: 348 - LESLEY DILL Unraveled Light.

LESLEY DILL Unraveled Light. Screenprints with mixed-media collage, 2 impressions (one in yellow; one in green), 2002. Both 1016x730 mm; 40x28 3/4 inches, full margins. Both signed and numbered 3/10 or 4/10 in pencil, lower margin. Both very

Lot: 349 - DONALD SULTAN Four Oranges.

DONALD SULTAN Four Oranges. Color screenprint on wove paper, 1993. 765x765 mm; 30 1/8x30 1/8 inches, full margins. Signed, titled and dated in pencil, left margin, and numbered 79/108 in pencil, lower right. Published by The Lincoln

Lot: 350 - STEPHANIE PRYOR Untitled (Nature Series I).

STEPHANIE PRYOR Untitled (Nature Series I). Acrylic on tracing paper mounted on board, 2004. 298x400 mm; 11 3/4x15 3/4 inches. Signed, titled and dated on the reverse of the backing board. Ex-collection CRG Gallery, New York, with the original

Lot: 351 - NICOLE CHARBONNET Erased Riley.

NICOLE CHARBONNET Erased Riley. Acrylic and oil with paper collage on canvas, 2008. 755x758 mm; 29 3/4x29 7/8 inches. Signed and dated in oil, verso.

Lot: 352 - CHRISTIAN BOLTANSKI and RAPHAEL CLUZEL Cicatrices

CHRISTIAN BOLTANSKI and RAPHAEL CLUZEL Cicatrices. Set of 6 photographs with pamphlet Cinq Photographies de l'album de la famille D. by Christian Boltanski and Cicatrices and letter, both written by Raphael Cluzel, 1990. Signed by Raphael

Lot: 353 - ANN HAMILTON Untitled.

ANN HAMILTON Untitled. Archival pigment print, 2002. 485x607 mm; 19x23 7/8 inches, full margins. Signed and dated in pencil, lower right verso.

Lot: 354 - CHRISTOPHER WOOL Untitled.

CHRISTOPHER WOOL Untitled. Portfolio with complete set of 6 heliogravures on Zerkall 270 gram paper, 1997. 640x500 mm; 25 1/4x19 3/4 inches, full margins (sheets), loose as issued. Edition of 30. Each signed, dated and numbered 17/30 in

Lot: 355 - PETER DOIG Maracas.

PETER DOIG Maracas. Color aquatint and etching on cream wove paper, 2004. 295x200 mm; 11 5/8x8 inches, full margins. Signed, dated and numbered 111/120 in pencil, lower margin. Printed by G. Fritze Margull, Berlin. Published by Texte zur

Lot: 356 - PETER DOIG Haus der Bilder.

PETER DOIG Haus der Bilder. Color aquatint and etching on Zerkall paper, 2004. 195x137 mm; 7 3/4x5 1/2 inches, full margins. Signed and dated in pencil, lower right. Proofed by the artist and Fritze Margull, Port of Spain, Trinidad. Printed by

Lot: 357 - GHADA AMER Superman and the Birds.

GHADA AMER Superman and the Birds. Color screenprint, 2002. 560x420 mm; 22x16 1/2 inches, full margins. Signed, dated and numbered 30/30 in pencil, lower margin. A very good impression with strong colors.

Lot: 358 - GEORGE CONDO More Sketches of Spain--For Miles

GEORGE CONDO More Sketches of Spain--For Miles Davis, 5. Etching and aquatint on Guarro paper, 1991. 480x565 mm; 19x22 1/2 inches, full margins. Signed and numbered 26/40 in pencil, lower margin. Printed by Alexandre Tornabell de Amer, Gerona.

Lot: 359 - GEORGE CONDO Untitled 12.

GEORGE CONDO Untitled 12. Etching, 1989. 235x177 mm; 9 1/4x7 inches, full margins. Signed and numbered 47/55 in pencil, lower margin. Published by Ediciones Polígrafa, Barcelona. A very good impression.

Lot: 360 - JULIAN OPIE Watching Suzanne (back) No. 7.

JULIAN OPIE Watching Suzanne (back) No. 7. Screenprint on acrylic panel, 2006. 830x565x30 mm; 32 5/8x22 1/4x1 1/4 inches. Signed and numbered 5/25 in felt-tip pen and ink on the label, verso. Published by Alan Cristea Gallery, London, with the

Lot: 361 - ELIZABETH PEYTON Prince Harry and Prince William.

ELIZABETH PEYTON Prince Harry and Prince William. Color screenprint on white wove paper, 2000. 614x481 mm; 24 1/8x19 inches (sheet), full margins. Signed, dated and numbered 279/350 in pencil, lower margin. Published by Derriere L'Étoile,

Lot: 362 - SAM TAYLOR-WOOD Crying Men (Jude Law).

SAM TAYLOR-WOOD Crying Men (Jude Law). C-print mounted on aluminium, 2003. 745x1000 mm; 29 x39 inches. Numbered 1/6 on the original label on the frame back. From the Crying Men series. Ex-collection White Cube, London, with the

Lot: 363 - DAMIEN HIRST Till Death Do Us Part--Long Life

DAMIEN HIRST Till Death Do Us Part--Long Life Purple African Gold Purple Imperial Purple Skull. Color screenprint, glaze and foilblock on 410 gsm Somerset Satin paper, 2012. 501x351 mm; 19 3/4x13 3/4 inches, full margins. Signed and numbered

Lot: 364 - BANKSY 10 Pound Banknote.

BANKSY 10 Pound Banknote. Di-faced tenner, 2004. 77x145 mm; 3x5 3/4 inches (sheet), full margins. Published by Santa's Ghetto, London, for the 2004 exhibition of Banksy's work.

Lot: 365 - BANKSY (after) Walled Off Hotel— Box Set

BANKSY (after) Walled Off Hotel— Box Set. Framed color print and a hand painted multiple with the concrete base and model wall section, 2017. 250x45x250 mm; 9 7/8x1 3/4x9 7/8 inches (print); 145x85x125 mm; 5 3/4x3 1/2x4 7/8 inches

Lot: 366 - RENE RICARD Tomorrow's Another Day..

RENE RICARD Tomorrow's Another Day.. Acrylic on canvas, 2011. 608x456 mm; 24x18 inches. Initialed "R" in red acrylic, upper right and lower left recto. Exhibited "Rene Ricard: Sonnets from the Portuguese," Vito Schnabel, New York, May

Lot: 367 - RENE RICARD Blow Jobs.

RENE RICARD Blow Jobs. Acrylic on canvas, 2011. 908x606 mm; 35 3/4x23 7/8 inches. Signed and dated in white oil, lower center recto.

Lot: 368 - ROBERT LAZZARINI Brass Knuckles.

ROBERT LAZZARINI Brass Knuckles. Brass multiple, 2010. 127x178x102 mm; 5x7x4 inches. With the certificate including edition '8/12' and signed and dated in ink by the artist. Acquired Bryce Wolkowitz Gallery, New York, by the current owner.

Lot: 369 - ROBERT LAZZARINI Teacup and Saucer.

ROBERT LAZZARINI Teacup and Saucer. Set of 2 porcelain cups and saucers with metal spoons, 2003. 76x191 mm; 3x7 1/2 inches. From Peter Norton Family Christmas Project. Lazzarini (born 1965) is primarily a sculptor, who is best known for

Lot: 370 - EDUARDO SARABIA A Thin Line Between Love and Hate.

EDUARDO SARABIA A Thin Line Between Love and Hate. Glazed ceramic vase painted in blue with screenprint on two cardboard boxes, 2005. 635x395x315 mm; 25x15 1/2x12 3/8 inches. Signed, titled, dated and numbered "#8" on the base of the vase.

Lot: 371 - CHRIS LEVINE Kate's Light.

CHRIS LEVINE Kate's Light. Archival color ink jet print, 2013. 320x420 mm; 12 1/2x16 1/2 inches, full margins. Edition of 25. Signed and numbered "2" in an edition of 25" and signed by the artist. Signed in pencil, lower right. Published by

Lot: 372 - THOMAS RUFF Nude with Stockings (BU 04).

THOMAS RUFF Nude with Stockings (BU 04). Iris print on heavy white wove paper, 2001. 260x330 mm; 10 1/4x13 inches, full margins. Signed and numbered 39/50 in pencil, verso. Published in Winzen, Thomas Ruff Photography 1979 to the Present, New

Lot: 373 - WILL COTTON Mona Cotton Candy Dress.

WILL COTTON Mona Cotton Candy Dress. Color lithograph, 2012. 304x235 mm; 12x9 1/4 inches (sheet), full margins. Signed, dated and numbered 29/70 in pencil, lower margin. Published by Pace Editions, Inc., New York. A very good impression.

Lot: 374 - RUSSELL YOUNG Red Lips (Mick Jagger).

RUSSELL YOUNG Red Lips (Mick Jagger). Color screenprint, 2010. 810x615 mm; 32x24 1/4 inches (sheet), full margins. Signed and numbered 4/50 in white crayon, lower right. A very good impression with strong colors.

Lot: 375 - TAKASHI MURAKAMI Oval (Peter Norton Christmas

TAKASHI MURAKAMI Oval (Peter Norton Christmas Project). Colored plastic, vinyl, mini CD, 2000. 255 mm; 10 inches (height). Edition of 3000. Signed with molded manufacturer's mark on underside. Produced and published by CUBE Peter Norton Family

Lot: 376 - TAKASHI MURAKAMI Two color offset lithographs.

TAKASHI MURAKAMI Two color offset lithographs. I do not rule my dreams, my dreams rule me, 2011. 665x565 mm; 26 1/4x22 1/4 inches (sheet), full margins. Initialed and numbered 182/300 in silver metallic ink, lower right * MCRST, 1962-2011,

Lot: 377 - KEHINDE WILEY After La Negresse, 1872.

KEHINDE WILEY After La Negresse, 1872. Multiple in cast marble dust and resin, 2006. 275x200x125 mm; 10 3/4x7 3/4x4 7/8 inches. Signed, dated '09' and numbered 96/250 in pen and black ink, on the base. Published by Cerealart, Philadelphia.

Lot: 378 - KARA WALKER Freedom, a Fable: A Curious

KARA WALKER Freedom, a Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times. Bound pop-up book, with offset lithographs and five laser-cut, pop-up silhouettes on wove paper, 1997. 230x198 mm; 9 1/8x7 3/4 inches (sheets,

Lot: 379 - SWOON Edline.

SWOON Edline. Color screenprint, 2016. 440x587 mm; 17 3/8x23 1/8 inches, full margins. Signed and numbered 17/225 in pencil, lower margin. A very good impression.

Lot: 380 - JEFF KOONS Flowers.

JEFF KOONS Flowers. Color lithograph on Somerset Velvet paper, 2001. 946x686 mm; 37 1/4x27 inches, full margins. Signed, dated and numbered 38/150 in pencil, lower margin. Published by Art of This Century, New York. A very good impression of

Lot: 381 - JEFF KOONS Balloon Dog (Blue).

JEFF KOONS Balloon Dog (Blue). Metallic porcelain multiple, 2002. 255x255 mm; 10 1/8x10 1/8 inches. Edition of 2300. Numbered 925/2300 on the base. Produced by Bernardaud, Limoges. Published by the Los Angeles Museum of Contemporary Art, with

Lot: 382 - JEFF KOONS Split-Rocker Vase.

JEFF KOONS Split-Rocker Vase. Glazed white porcelain vase, 2012. 360x400x330 mm; 14 1/4x15 3/4x13 inches. With the artist's red ink signature and numbered 337/3500 on the base. Produced by Bernardaud, Limoges. With the original presentation

Lot: 383 - JOSEPH KOSUTH Two screenprints.

JOSEPH KOSUTH Two screenprints. Untitled, printed in colors on black wove paper, 1991. 597x995 mm; 23 3/4x39 1/4 inches (sheet), full margins. Signed and numbered 21/50 in pencil and with the artist's studio blind stamp, lower right *

Lot: 384 - YAYOI KUSAMA Two Pumpkins.

YAYOI KUSAMA Two Pumpkins. Two cast resin multiples, contained in the original paper covered boxes. 2013. Each 102x89x89 mm; 4x3 1/2x3 1/2 inches. With the artist's ink stamp on the base. Published by Benesse Holdings, Inc., Naoshima, Japan.

Lot: 385 - AI WEIWEI Artist's Hand.

AI WEIWEI Artist's Hand. Electroplated rhodium on cast urethane resin, 2017. 127x102x102 mm; 5x4x4 inches. Edition of 1000. Incised signature on base. With the original box. Created for the Public Art Fund, New York, exhibition Good Fences




Auctioneer License Information:

    Auction Listings provided by AuctionZip.com. Although the information published herein is from sources deemed reliable, AuctionZip.com expressly disclaims any liability for errors, omissions or changes regarding any information provided for this auction. Potential buyers are urged to verify auction date, time, and content directly through the auctioneer's website or by contacting the auctioneer directly. The terms and conditions of the auction may or may not be published in this listing. ALL TERMS AND CONDITIONS AND OTHER ANNOUNCEMENTS MADE THE DAY OF THE AUCTION ARE BINDING AND TAKE PRECEDENCE OVER ANY INFORMATION FOUND HEREIN.