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Auction Information
Auctioneer Doyle New York 212-427-2730
Auction Date May 01 Auction
Location
See Catalog
New York, NY
Time 10:00AM
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Auction Listing
AuctionZip Auctioneer ID# 2445

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Lot: 1 - Yaacov Agam THE BLESSING STAR Color agamograph

Yaacov Agam (b. 1928) THE BLESSING STAR Color agamograph, signed and numbered 88/99 in blue ink, the full sheet, framed. 13 1/4 x 13 1/2 inches; 337 x 343 mm. Overall 22 3/4 x 22 1/4 inches; 578 x 565 mm. Estate of Marion Victor Perini

Lot: 2 - Josef Albers VARIANT X Color screenprint

Josef Albers (1888-1976) VARIANT X (DANILOWITZ 173.10) Color screenprint, 1966, on Rives BFK paper, signed with initials, dated, titled and numbered 134/200 in pencil, from Ten Variants, published by Ives-Sillman, Inc., New Haven, with good

Lot: 3 - John Taylor Arms GOTHIC GLORY, SENS CATHEDRAL

John Taylor Arms (1887-1953) GOTHIC GLORY, SENS CATHEDRAL (FLETCHER 218) Etching, 1929, on oatmeal flecked laid paper, signed, dated and inscribed Second State in ink, from the edition of 140, with full margins, framed. 15 1/8 x 9 1/4 inches;

Lot: 4 - Frank Auerbach RECLINING FIGURE II Color

Frank Auerbach (b. 1931) RECLINING FIGURE II Color photolithograph and screenprint, 1966, signed and numbered 64/70 in pencil, with full margins, framed. 23 x 31 5/8 inches; 584 x 803 mm. Provenance: Berry-Hill Galleries, New York

Lot: 5 - Frank Auerbach PORTRAIT OF GERDA BOEHM Color

Frank Auerbach PORTRAIT OF GERDA BOEHM Color photolithograph and screenprint, 1967, signed and numbered 16/70 in pencil, with full margins, framed. 31 1/2 x 23 1/8 inches; 800 x 587 mm. Provenance: Berry-Hill Galleries, New York

Lot: 6 - Frank Auerbach PLAYING CARD--TWO HEADS OF J.Y.M.

Frank Auerbach PLAYING CARD--TWO HEADS OF J.Y.M. Color photolithograph and screenprint, 1969, signed twice and numbered 17/70 in pencil, published by Marlborough Graphics, London, with full margins, framed. 32 1/2 x 24 1/8 inches; 826 x 613 mm.

Lot: 7 - Milton Avery JAPANESE LANDSCAPE Drypoint printed

Milton Avery (1885-1965) JAPANESE LANDSCAPE (LUNN 15) Drypoint printed in dark brown, 1939, on cream wove paper, signed, dated 1937 and numbered 94/100 in pencil, with full margins, framed. 3 3/8 x 7 7/8 inches; 86 x 200 mm. Sheet 10 1/8 x

Lot: 8 - Jennifer Bartlett HOMAN-JI SERIES I Complete set

Jennifer Bartlett (b. 1941) HOMAN-JI SERIES I (ORLANDO MUSEUM 27) Complete set of three color screenprints with gold, silver and platinum leaf, 1993, on Echizen Kizuki Hosho paper, the third signed with initials, dated and inscribed C of C, the

Lot: 9 - Jennifer Bartlett HOUSES Color screenprint

Jennifer Bartlett HOUSES Color screenprint, 2005, on wove paper, signed, dated and numbered 59/108 in pencil, printed by Brand X Editions, Long Island City and with their blindstamp, with full margins, framed. 30 1/8 x 30 1/8 inches; 765 x 765

Lot: 10 - George Bellows THE PARLOR CRITIC Lithograph

George Bellows (1882-1925) THE PARLOR CRITIC (MASON 80) Lithograph, 1921, on tissue-thin laid Japan paper, signed in pencil, also signed and inscribed imp by the printer, Bolton Brown, from the edition of 38, with full margins, framed. 8 1/2 x

Lot: 11 - Thomas Hart Benton THE RACE Lithograph

Thomas Hart Benton (1889-1975) THE RACE (FATH 56) Lithograph, 1942, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with good margins, framed. 8 7/8 x 13 1/4 inches; 225 x 337 mm. Sheet 11 1/8 x

Lot: 12 - Thomas Hart Benton NIGHT FIRING Lithograph

Thomas Hart Benton NIGHT FIRING (F. 57) Lithograph, 1943, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with full margins, framed. 8 3/4 x 13 1/8 inches; 222 x 333 mm. Sheet 11 5/8 x 16

Lot: 13 - Thomas Hart Benton WRECK OF THE OL' 97 Lithograph

Thomas Hart Benton WRECK OF THE OL'' 97 (F. 63) Lithograph, 1944, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with full margins, framed. 10 3/8 x 15 inches; 264 x 381 mm. Sheet 13 x 17 1/8

Lot: 14 - Pierre Bonnard FEMME AU PARAPLUIE Color lithograph

Pierre Bonnard (1867-1947) FEMME AU PARAPLUIE (BOUVET 33; ROGER-MARX 35) Color lithograph, 1895, on cream wove paper, signed in pencil, from La Revue Blanche, with full margins, framed. 8 1/2 x 5 inches; 216 x 127 mm. Sheet 12 5/8 x 9 5/8

Lot: 15 - Georges Braque OISEAU DES FORÊTS (OISEAU

Georges Braque (1882-1963) OISEAU DES FORÊTS (OISEAU XVII) (VALLIER 127) Color lithograph, 1958, on Arches paper, signed and numbered 56/75 in pencil, published by Nicolas Rauch, Geneva, with full margins, framed. 15 3/4 x 18 1/8 inches;

Lot: 16 - Georges Braque PROFIL GREC Color lithograph from

Georges Braque PROFIL GREC (SEE V. 146) Color lithograph, 1960, signed and numbered 40/50 in pencil, from the poster edition with text, printed and published by Maeght, Paris, the full sheet, framed. Sheet 22 x 17 3/4 inches; 559 x 451 mm.

Lot: 17 - Georges Braque AFFICHE POUR L'EXPOSITION GEORGES

Georges Braque AFFICHE POUR L''EXPOSITION GEORGES BRAQUE--RENÉ CHAR (V. 185) Color lithograph, 1963, on Japon nacré paper, signed and numbered 48/75 in pencil, published by Edwin Engelberts, Geneva, with wide margins, framed. 8 7/8 x

Lot: 18 - After Georges Braque LE NID VERT Color etching and

After Georges Braque LE NID VERT (MAEGHT 1028) Color etching and aquatint, circa 1950, on Rives BFK paper, signed and numbered 48/300 in pencil, printed by Crommelynck, Paris and with their blindstamp, published by Maeght, Paris, with wide

Lot: 19 - After Georges Braque FEMME EN CHAISE LONGUE; LE

After Georges Braque FEMME EN CHAISE LONGUE; LE TORÉADOR Color offset lithographs, circa 1956, on cream wove paper, signed and numbered 65/75 and 9/75, respectively, in pencil, with full margins, framed. (2) Larger 13 3/8 x 9 7/8 inches;

Lot: 20 - After Georges Braque MARINE NOIRE Color lithograph

After Georges Braque MARINE NOIRE (M. 1044E) Color lithograph, circa 1960, on Rives BFK paper, signed and numbered 200/400 in pencil, published by Maeght, Paris, with good or full margins, framed. 19 5/8 x 28 5/8 inches; 498 x 727 mm.

Lot: 21 - Bernard Buffet NATURE MORTE À LA

Bernard Buffet (1928-1999) NATURE MORTE À LA CAFETIÈRE (MOURLOT 14) Color lithograph, 1955, on Rives BFK paper, signed and numbered 64/300 in pencil, published by La Guilde de la Gravure, Geneva and with their blindstamp, with good

Lot: 22 - Charles Burchfield AUTUMN WIND Lithograph

Charles Burchfield (1893-1967) AUTUMN WIND (PRASSE 191) Lithograph, 1951, on wove paper, signed and titled in pencil, from the edition of 60, with (full?) margins, framed. 7 1/2 x 13 1/2 inches; 191 x 343 mm. Sheet 11 3/4 x 15 7/8 inches;

Lot: 23 - Charles Burchfield CROWS IN MARCH Lithograph

Charles Burchfield CROWS IN MARCH (P. 192) Lithograph, 1951, on wove paper, signed and titled in pencil, from the edition of 60, with (full?) margins, framed. 13 3/4 x 9 7/8 inches; 347 x 250 mm. Sheet 15 7/8 x 11 7/8 inches; 403 x 302 mm.

Lot: 24 - Charles Burchfield SUMMER BENEDICTION Lithograph

Charles Burchfield SUMMER BENEDICTION (P. 193) Lithograph, 1951-52, on wove paper, signed in pencil, from the edition of 260, published by the Print Club of Cleveland and with their inkstamp verso (Lugt 2049b), with full margins, framed. 12 x 9

Lot: 25 - Alexander Calder CHEVALIER Color lithograph

Alexander Calder (1898-1976) CHEVALIER Color lithograph, 1969, on wove paper, signed and numbered 50/125 in pencil, the full sheet, framed. Sheet 29 1/2 x 21 1/4 inches; 749 x 540 mm.

Lot: 26 - Alexander Calder CIRCUS Color lithograph

Alexander Calder THE CIRCUS Color lithograph, on wove paper, signed and inscribed H.C. in pencil, published by Maeght, Paris, the full sheet, framed. Sheet 26 1/8 x 38 1/4 inches; 663 x 972 mm.

Lot: 27 - Alexander Calder BATEAU NOIR Color lithograph

Alexander Calder BATEAU NOIR Color lithograph, on wove paper, signed and numbered 43/100 in pencil, the full sheet, framed. Sheet 22 3/4 x 30 5/8 inches; 578 x 778 mm. Estate of Hilda Johnson

Lot: 28 - Alexander Calder OCTOPUS Color lithograph

Alexander Calder OCTOPUS Color lithograph, 1975-76, on Arches paper, signed and numbered 5/175 in pencil, from Our Unfinished Revolution, published by Alba Editions, New York, to aid the National Emergency Civil Liberties Committee, the full

Lot: 29 - Alexander Calder WHITE CIRCLES AND ELLIPSES Color

Alexander Calder WHITE CIRCLES AND ELLIPSES Color lithograph, 1975-76, on Arches paper, signed and numbered 5/175 in pencil, from Our Unfinished Revolution, published by Alba Editions, New York, to aid the National Emergency Civil Liberties

Lot: 30 - Alexander Calder CIRCLE WITH EYES Color lithograph

Alexander Calder CIRCLE WITH EYES Color lithograph, 1975-76, on Arches paper, signed and numbered 5/175 in pencil, from Our Unfinished Revolution, published by Alba Editions, New York, to aid the National Emergency Civil Liberties Committee, the

Lot: 31 - Leonetto Cappiello PAPIER À CIGARETTES, JOB

Leonetto Cappiello (1875-1942) PAPIER À CIGARETTES, JOB Color lithograph, 1933, printed by Vercasson, Paris, with full margins, framed. 33 1/2 x 21 3/4 inches; 851 x 552 mm. Estate of Collette T. Kean

Lot: 32 - Leonora Carrington BIRD BATH Color screenprint

Leonora Carrington (1917-2011) BIRD BATH Color screenprint, 1974, on wove paper, signed and numbered 146/150 in pencil, published by Brewster Editions, New York, with full margins. 28 x 22 inches; 711 x 559 mm. Sheet 34 1/2 x 27 3/8 inches;

Lot: 33 - Patrick Caulfield NAPKIN AND ONIONS; BIG SAUSAGE;

Patrick Caulfield (1936-2005) NAPKIN AND ONIONS; BIG SAUSAGE; DRESSED LOBSTER (CRISTEA 28; 55; 63) Color screenprints, 1972, 1978, 1980, on wove paper, signed, the first and second numbered 43/72 and 77/150, the third dated and inscribed 8/14 AP

Lot: 34 - Patrick Caulfield TULIPS; CURTAIN AND BOTTLE;

Patrick Caulfield TULIPS; CURTAIN AND BOTTLE; PARIS SEPARATES (C. 32; 34; 36) Color screenprints, 1973, on wove paper, signed and inscribed AP in pencil, printed by Kelpra Studio, London and with their inkstamp verso, published by Waddington

Lot: 35 - Patrick Caulfield SIGNATURE POTS; LAMP AND PINES

Patrick Caulfield SIGNATURE POTS; LAMP AND PINES (C. 42; 45) Color screenprints, 1975, on wove paper, signed and numbered 70/70 in pencil, printed by Kelpra Studio, London and with their inkstamp verso, published by Waddington Graphics, London,

Lot: 36 - Patrick Caulfield PIPE IN BOWL; CIGAR; GREY PIPE

Patrick Caulfield PIPE IN BOWL; CIGAR; GREY PIPE (C. 50; 57; 64) Color screenprints, 1976, 1978, 1981, on wove paper, signed, the first and third numbered 31/76 and 34/75, the second inscribed 11/14 AP in pencil, printed by Kelpra Studio, London

Lot: 37 - Patrick Caulfield FERN POT; PLANT POT Two color

Patrick Caulfield FERN POT; PLANT POT (C. 59; 61) Color screenprints, 1979-80, on wove paper, signed and numbered 46/65 and 88/100, respectively, in pencil, printed by Kelpra Studio, London and with their inkstamp verso, published by Waddington

Lot: 38 - Marc Chagall L'ACROBATE AU VIOLON Etching and

Marc Chagall (1887-1985) L''ACROBATE AU VIOLON (KORNFELD 40) Etching and drypoint, 1924, on wove paper, signed in pencil, published by Ambroise Vollard, Paris, with full margins, framed. 16 3/8 x 12 1/2 inches; 416 x 318 mm. Sheet 22 3/4 x

Lot: 39 - Marc Chagall FEMME DE POTIPHAR Hand-colored

Marc Chagall LA FEMME DE POTIPHAR (CRAMER BOOKS 30) Hand-colored etching, 1931-39, on Arches paper, signed with initials and numbered 59/100 in pencil, from Le Bible, published by Tériade, Paris, with wide margins, framed. 11 3/4 x 9 3/4

Lot: 40 - Marc Chagall SAÜL ET DAVID Hand-colored

Marc Chagall SAÜL ET DAVID (C. BOOKS 30) Hand-colored etching, 1931-39, on Arches paper, signed with initials and numbered 57/100 in pencil, from Le Bible, published by Tériade, Paris, with good margins, framed. 11 3/4 x 9 5/8

Lot: 41 - Marc Chagall ORACLE SUR BABYLONE Hand-colored

Marc Chagall ORACLE SUR BABYLONE (C. BOOKS 30) Hand-colored etching, 1931-39, on Arches paper, signed with initials and numbered 25/100 in pencil, from Le Bible, published by Tériade, Paris, with wide margins, framed. 12 1/2 x 9 3/4

Lot: 42 - Marc Chagall JACQUES LASSAIGNE, CHAGALL Complete

Marc Chagall JACQUES LASSAIGNE, CHAGALL (MOURLOT 192-207; SEE C. BOOKS 34) Complete set of 15 lithographs (including cover and frontispiece), 1957, on wove paper, bound (as issued), with complete text in French, from the edition of 6000,

Lot: 43 - Marc Chagall TEMPLE ET HISTOIRE DE BACCHUS Color

Marc Chagall TEMPLE ET HISTOIRE DE BACCHUS (M. 346; C. BOOKS 46) Color lithograph, 1961, on Arches paper, signed and numbered 30/60 in pencil, from Daphnis et Chloé, published by Tériade, Paris, with full margins, framed. 16 3/4 x 25

Lot: 44 - Marc Chagall COUPLE SUR FOND NOIR II Color

Marc Chagall COUPLE SUR FOND NOIR II (M. 707A) Color lithograph, 1973, on Japon nacré paper, published by Maeght, Paris, with full margins, framed. 13 x 9 7/8 inches; 330 x 251 mm. Sheet 21 5/8 x 16 3/4 inches; 549 x 425 mm.

Lot: 45 - Marc Chagall L'INTÉRIEUR Color lithograph

Marc Chagall L''INTÉRIEUR (M. 931) Color lithograph, 1978, on Arches paper, signed and numbered 34/50 in pencil, with full margins, framed. 12 3/4 x 9 7/8 inches; 324 x 251 mm. Sheet 23 x 17 3/4 inches; 584 x 451 mm. Estate of Fred

Lot: 46 - Marc Chagall JACOB AET LES ANGES Color lithograph

Marc Chagall JACOB ET LES ANGES (M. 966) Color lithograph, 1980, on Arches paper, signed and numbered 34/50 in pencil, with full margins, framed. 14 3/8 x 11 3/4 inches; 365 x 298 mm. Sheet 25 1/4 x 17 3/8 inches; 641 x 441 mm. Estate of

Lot: 47 - Marc Chagall LITHOGRAPHIE I-VI Complete set of of

Marc Chagall CHAGALL LITHOGRAPHE I-VI (MOURLOT 281-292; 391-402; 577-78; 729-30, C. BOOKS 43; 56; 77; 94) Complete set of of six volumes with 28 lithographs, 1960-1986, bound (as issued), with complete text in English, published by André

Lot: 48 - After Marc Chagall ROMEÓ ET JULIETTE Color

After Marc Chagall ROMEÓ ET JULIETTE (SORLIER 96) Color lithograph by Charles Sorlier, 1964, from the edition of 5000, published by the French Tourist Bureau, Paris, the full sheet. Sheet 25 x 39 inches; 635 x 991 mm. Dorothy Lewis

Lot: 49 - After Marc Chagall L'OISEAU BLEU Color lithograph

After Marc Chagall L''OISEAU BLEU (S. 114) Color lithograph by Charles Sorlier, 1968, signed in ink, from the edition of 2000, published by Biennial Editions of Menton, with full margins, framed. Sheet 30 x 20 inches; 762 x 508 mm. Dorothy

Lot: 50 - Edgar Chahine LA TERRASSE Aquatint and drypoint

Edgar Chahine (1874-1947) LA TERRASSE (TABANELLI 26) Aquatint and drypoint, 1899, on cream laid paper, signed and dedicated a Monsieur Sagot in pencil, with full margins, framed. 13 3/4 x 11 3/4 inches; 349 x 298 mm. Sheet 21 5/8 x 14 1/4

Lot: 51 - Eduardo Chillida LEVITATION I Lithograph

Eduardo Chillida (1924-2002) LEVITATION I (VAN DER KOELEN 64006) Lithograph, 1964, on Rives BFK paper, signed and numbered 82/150 in pencil, published by Maeght, Paris, the full sheet, framed. Sheet 14 7/8 x 11 inches; 377 x 279 mm.

Lot: 52 - John Coburn WASTELAND; SUMMER GARDEN; GARDEN OF

John Coburn (1925-2006) WASTELAND; SUMMER GARDEN; GARDEN OF DESIRE; FLAME TREE Color screenprints, 1976, on wove paper, signed, dated, titled and numbered 5/40, 30/40, 44/50 and 2/40, respectively, in pencil, with full margins. (4) Largest 27

Lot: 53 - Howard Cook BROOKLYN BRIDGE Lithograph

Howard Cook (1901-1980) BROOKLYN BRIDGE (DUFFY 214) Lithograph, 1949, on cream wove paper, signed, dated and inscribed to the printer, Thanks, George! in pencil, from the edition of 20, printed by George C. Miller, New York, with full margins,

Lot: 54 - Salvador Dalí ALICE'S ADVENTURES IN

Salvador Dalí (1904-1989) ALICE''S ADVENTURES IN WONDERLAND (FIELD 69-5 A-M; M./L. 321-333) Complete set of one etching and 12 color heliogravures with woodcut remarque, 1969, on Mandeure paper, signed on the title page, numbered 218 of

Lot: 55 - Stuart Davis HOTEL CAFÉ Lithograph

Stuart Davis (1892-1964) HOTEL CAFÉ (COLE/MEYER 4) Lithograph, 1928-29, on light beige chine collé paper, signed and numbered 17/30 in pencil, with full margins, framed. 10 1/4 x 7 7/8 inches; 260 x 200 mm. Sheet 19 5/8 x 12 1/2

Lot: 56 - Stuart Davis RUE DE RATS Lithograph

Stuart Davis RUE DE RATS (C./M. 5) Lithograph, 1928-29, on light beige chine collé paper, signed and numbered 3/30 in pencil, with good margins, framed. 10 1/8 x 15 1/4 inches; 257 x 387 mm. Sheet 12 3/4 x 18 inches; 324 x 457 mm.

Lot: 57 - Stuart Davis ARCH NO. 1 Lithograph

Stuart Davis ARCH NO. 1 (C./M. 6) Lithograph, 1929, on light beige chine collé paper, signed and numbered 16/30 in pencil, with full margins, framed. 9 x 13 inches; 228 x 330 mm. Sheet 12 3/4 x 19 5/8 inches; 323 x 498 mm. Property

Lot: 58 - Stuart Davis AU BON COIN Lithograph

Stuart Davis AU BON COIN (C./M. 8) Lithograph, 1929, on light beige chine collé paper, signed and numbered 26/30 in pencil, with full margins, framed. 7 7/8 x 9 7/8 inches; 200 x 228 mm. Sheet 12 3/4 x 19 5/8 inches; 323 x 498 mm.

Lot: 59 - Stuart Davis RUE DE L'ECHAUDE Lithograph

Stuart Davis RUE DE L''ECHAUDÉ (C./M. 12) Lithograph, 1929, on light beige chine collé paper, signed and numbered 18/30 in pencil, with full margins, framed. 9 x 14 1/8 inches; 228 x 358 mm. Sheet 14 1/8 x 21 inches; 358 x 553 mm.

Lot: 60 - Stuart Davis COMPOSITION Lithograph

Stuart Davis COMPOSITION (C./M. 18) Lithograph, 1931, on cream wove paper, signed and inscribed artist''s proof in pencil, one of five proofs (aside from the edition of 25), with wide margins, framed. 10 x 9 inches; 254 x 229 mm. Sheet 17

Lot: 61 - After Stuart Davis IVY LEAGUE Color screenprint

After Stuart Davis IVY LEAGUE (C./M. P. 79) Color screenprint, 1953, on cream wove paper, with the stencil signature, with full margins, still affixed at top left sheet corner verso to Edith G. Halpert 1953 holiday greetings card (as issued). 5

Lot: 62 - Adolf Dehn AFTERNOON IN CENTRAL PARK Lithograph

Adolf Dehn (1815-1968) AFTERNOON IN CENTRAL PARK (LUMSDAINE/O''SULLIVAN 303) Lithograph, circa 1937, on Rives paper, signed in pencil, from the edition of unknown size, published by the Federal Art Project, WPA, New York and with their inkstamp,

Lot: 63 - Adolf Dehn NEW YORK SKY LINE Lithograph

Adolf Dehn NEW YORK SKY LINE (L./O. 490) Lithograph, 1952, on cream wove paper, signed, dated, titled and numbered 14/25 in pencil, with full margins, framed. 11 7/8 x 16 inches; 302 x 406 mm. Sheet 15 1/4 x 19 3/4 inches; 381 x 502 mm.

Lot: 64 - After Robert Delaunay ARC DE TRIOMPHE; SAINT

After Robert Delaunay (1885-1941) ARC DE TRIOMPHE; FENÊTRE SUR LA VILLE; SAINT SÉVERIN; LA TOUR Two lithographs and two photolithographs, 1926-69, on Rives BFK paper, signed, dated, titled, numbered 40/75 and dedicated by the artist''s

Lot: 65 - Sonia Delaunay-Terk CINEMA; NOIR ET BLANC Two

Sonia Delaunay-Terk (1885-1975) CINÉMA; NOIR ET BLANC Lithographs (the first printed in color), on Arches paper, signed, numbered 62/75 and 21/75, respectively, the second dated 1936-69, in pencil, with full margins. (2) Larger 17 3/4 x

Lot: 66 - Sonia Delaunay-Terk RONDE Color lithograph

Sonia Delaunay-Terk RONDE Color lithograph, 1937-70, on Arches paper, signed, dated and inscribed H.C. 21/25 in pencil, with full margins. 15 1/8 x 15 1/8 inches; 384 x 384 mm. Sheet 25 5/8 x 19 5/8 inches; 651 x 498 mm. Dorothy Lewis

Lot: 67 - Sonia Delaunay-Terk JOCKER Color lithograph

Sonia Delaunay-Terk JOCKER Color lithograph, 1969, on Arches paper, signed and numbered 38/75 in pencil, with full margins. 19 7/8 x 9 5/8 inches; 505 x 244 mm. Sheet 25 3/4 x 20 inches; 654 x 508 mm. Dorothy Lewis 2013 Irrevocable Trust

Lot: 68 - Sonia Delaunay-Terk JEUX D'ENFANTS Color

Sonia Delaunay-Terk JEUX D''ENFANTS Color lithograph, 1970, on wove paper, signed and numbered 57/75 in pencil, with full margins. 27 x 22 inches; 686 x 559 mm. Sheet 30 1/8 x 22 7/8 inches; 765 x 581 mm. Dorothy Lewis 2013 Irrevocable

Lot: 69 - Sonia Delaunay-Terk LA VERTE Color lithograph

Sonia Delaunay-Terk LA VERTE Color lithograph, 1970, on Arches paper, signed, dated and inscribed EA X/XXV in pencil, with full margins, framed. 21 3/4 x 15 3/4 inches; 552 x 400 mm. Sheet 25 5/8 x 19 3/4 inches; 651 x 502 mm. The

Lot: 70 - Sonia Delaunay-Terk THUNDERBIRD Color lithograph

Sonia Delaunay-Terk THUNDERBIRD Color lithograph, 1973, on Arches paper, signed and inscribed HC XXII/XXV in pencil, with full margins, framed. 20 7/8 x 17 inches; 530 x 432 mm. Sheet 29 7/8 x 22 1/8 inches; 459 x 562 mm. The Estate of

Lot: 71 - Sonia Delaunay-Terk BALLONS JAUNES Color

Sonia Delaunay-Terk BALLONS JAUNES Color lithograph, on Arches paper, signed and numbered 69/75 in pencil, with full margins, framed. 25 x 18 7/8 inches; 635 x 479 mm. Sheet 30 x 22 inches; 762 x 559 mm. The Estate of Barbara Cook

Lot: 72 - Sonia Delaunay-Terk CARRE ROUGE Color lithograph

Sonia Delaunay-Terk CARRÉ ROUGE Color lithograph, on Arches paper, signed and inscribed HC XIX/XXV in pencil, with full margins, framed. 22 1/2 x 17 3/4 inches; 572 x 451 mm. Sheet 30 x 22 1/4 inches; 762 x 565 mm. The Estate of

Lot: 73 - Sonia Delaunay-Terk LOSANGE Color lithograph

Sonia Delaunay-Terk LOSANGE Color lithograph, on wove paper, signed and numbered 35/75 in pencil, with full margins, framed. 22 5/8 x 18 3/4 inches; 575 x 476 mm. Sheet 25 3/4 x 19 7/8 inches; 654 x 505 mm. Dorothy Lewis 2013 Irrevocable

Lot: 74 - Sonia Delaunay-Terk SYNCOPÉ Color lithograph

Sonia Delaunay-Terk SYNCOPÉ Color lithograph, on Arches paper, signed and inscribed E.A. 1/10 in pencil, with full margins. 20 5/8 x 18 3/8 inches; 524 x 467 mm. Sheet 30 x 22 inches; 762 x 559 mm. Dorothy Lewis 2013 Irrevocable

Lot: 75 - Erik Desmazières INTÈRIEUR À PRESSY

Érik Desmazières (b. 1948) INTÉRIEUR À PRESSY (FITCH 125) Etching, aquatint and roulette, 1991, on Rives BFK paper, signed, dated, titled and numbered 22/90 in pencil, with full margins. 24 3/4 x 39 5/8 inches; 629 x 1006

Lot: 76 - Richard Diebenkorn COMBINATION Color etching and

Richard Diebenkorn (1922-1993) COMBINATION Color etching and aquatint, 1981, on Arches paper, signed, dated and numbered 13/40 in pencil, from Clubs and Spades, published by Crown Point Press, Oakland and with their blindstamp, with full

Lot: 77 - Jim Dine HEART FOR FILM FORUM Color woodcut

Jim Dine (b. 1935) HEART FOR FILM FORUM (CULLEN 60) Color woodcut, 1993, on Mohawk Superfine Cover paper, signed with initials and numbered 25/500 in pencil, co-published by the artist and Pace Editions, Inc., New York, with full margins, framed.

Lot: 78 - Kees van Dongen CAVALIER ARABE Color lithograph

Kees van Dongen (1877-1968) CAVALIER ARABE (JUFFERMANS JL 17) Color lithograph, circa 1930, on Arches paper, signed and inscribed Epreuve d'' artiste-VIII/XXX in pencil (aside from the numbered edition of 100), with full margins. 14 5/8 x 11

Lot: 79 - Kees van Dongen CÉRÈS (BUSTE DE FEMME)

Kees van Dongen CÉRÈS (BUSTE DE FEMME) (J. JM 8) Color heliogravure and offset lithograph, 1948, on Rives BFK paper, signed and numbered 88/200 in pencil, published by Éditions Carmen Guillard, Paris, with full margins. 21 3/8 x

Lot: 80 - Kees van Dongen CLAUDINE (MLLE OEUIE DE LYNX)

Kees van Dongen CLAUDINE (MLLE OEUIE DE LYNX) (J. JL 28) Color lithograph, circa 1950, on wove paper, signed and inscribed E.A. 8/24 in pencil (aside from the numbered edition of 150), with full margins. 13 7/8 x 9 1/4 inches; 352 x 240 mm.

Lot: 81 - Kees van Dongen JEAN-MARIE WITH HAT AND PIPE (LE

Kees van Dongen JEAN-MARIE WITH HAT AND PIPE (LE BONHEUR) (SEE J. P. 175) Color lithograph, 1955, on Arches paper, signed in blue crayon and inscribed 31/46 E.A. in pencil (aside from the edition of unknown size), with full margins. 20 1/2 x

Lot: 82 - Kees van Dongen MARCELLE LEONI Color lithograph

Kees van Dongen MARCELLE LEONI (J. JL 30) Color lithograph, 1959, on Arches paper, signed in blue ballpoint pen and inscribed Epreuve d''artiste in pencil (aside from the numbered edition of 200), with full margins. 18 1/2 x 15 1/4 inches; 470

Lot: 83 - Kees van Dongen BRIGITTE BARDOT Color lithograph

Kees van Dongen BRIGITTE BARDOT (J. JL 42B) Color lithograph, 1964, on Arches paper, signed in blue ballpoint pen and numbered 7/150 in pencil, with full margins. 22 7/8 x 17 3/8 inches; 581 x 441 mm. Sheet 28 7/8 x 21 3/4 inches; 733 x 552

Lot: 84 - Kees van Dongen FEMME SUR LA PLAGE, TROUVILLE

Kees van Dongen FEMME SUR LA PLAGE, TROUVILLE (J. JL 43) Color lithograph, 1966, on Arches paper, signed and numbered 46/99 in pencil, with full margins, framed. 20 1/2 x 17 1/2 inches; 521 x445 mm. Sheet 29 5/8 x 22 inches; 752 x 559 mm.

Lot: 85 - Kees van Dongen [SEATED NUDE WITH PEARL NECKLACE]

Kees van Dongen [SEATED NUDE WITH PEARL NECKLACE] (SEE J. JB 24) Etching, 1966-68, on cream wove paper, signed and numbered 33/34 in pencil (aside from the edition for Charles Baudelaire, Les Fleurs du Mal), with the Van Dongen blindstamp, with

Lot: 86 - Arthur Welsey Dow IPSWICH LANDSCAPE Color woodcut

Arthur Welsey Dow (1857-1922) IPSWICH LANDSCAPE Color woodcut, circa 1893-95, on laid mulberry paper, from Along Ipswich River, with full margins, framed. 5 x 2 1/4 inches; 127 x 57 mm. Sheet 5 3/4 x 2 7/8 inches; 146 x 73 mm. Property

Lot: 87 - Marcel Duchamp PULLED AT FOUR PINS Etching

Marcel Duchamp (1887-1968) PULLED AT FOUR PINS (SCHWARZ 609) Etching, 1964, on wove paper, signed and numbered 56/100 in pencil, with full margins. 12 1/2 x 8 3/4 inches; 318 x 222 mm. Sheet 25 1/2 x 18 1/4 inches; 648 x 464 mm.

Lot: 88 - Albrecht Dürer THE BATH HOUSE Woodcut

Albrecht Dürer (1471-1528) THE BATH HOUSE (BARTSCH 128; MEDER 266) Woodcut, circa 1498, a very good, Meder d or possibly earlier impression, with an undecipherable watermark, laid on card, trimmed on or within the borderline, framed.

Lot: 89 - Maurits Cornelis Escher DAY AND NIGHT Woodcut

Maurits Cornelis Escher (1898-1972) DAY AND NIGHT (BOOL/KIST/LOCHER/WIERDA 303) Woodcut printed in black and grey, 1935, on tissue-thin laid Japan paper, signed, titled Dag en Nacht and inscribed Houtsnede in pencil, with good margins, framed.

Lot: 90 - Charles Fazzino NONSTOP NEW YORK Three-dimensional

Charles Fazzino (b. 1955) NONSTOP NEW YORK Three-dimensional color screenprint and glitter multiple, 1994, signed and numbered 177/475 in pencil, with full margins, framed. 15 1/2 x 12 inches; 394 x 305 mm. Overall 26 x 22 inches; 660 x 559

Lot: 91 - Charles Fazzino AS AMERICAN AS APPLE PIE!

Charles Fazzino AS AMERICAN AS APPLE PIE! Three-dimensional color screenprint and glitter multiple, signed, titled and numbered 148/300 in pencil, with full margins, framed. 10 1/2 x 7 1/2 inches; 267 x 191 mm. Overall 22 1/4 x 19 1/4 x 3

Lot: 92 - Lyonel Feininger DORF (VILLAGE) Woodcut

Lyonel Feininger (1871-1956) DORF (VILLAGE) (PRASSE W301) Woodcut, 1918-19, on oatmeal-tan carbon-copy paper, signed in pencil, one of only three known proofs, with full margins, framed. 6 7/8 x 7 7/8 inches; 175 x 200 mm. Sheet 8 5/8 x 11

Lot: 93 - John Ferren SEA FORMS Color wood engraving

John Ferren (1905-1970) SEA FORMS Color wood engraving, 1937, on Japon nacré paper, edition of seven and an unknown number of artist''s proofs, with full margins, framed. 14 1/2 x 14 1/2 inches; 368 x 368 mm. Sheet 22 1/4 x 19 5/8

Lot: 94 - Sam Francis UNTITLED Color lithograph

Sam Francis (1923-1994) UNTITLED (LEMBARK SUPP. SF 359) Color lithograph, 1993, on 112 Waterleaf paper, signed and numbered 55/100 in pencil, published by The Litho Shop, Inc., Santa Monica, the full sheet, framed. 23 1/4 x 23 1/4 inches; 603 x

Lot: 95 - Mark Freeman SECOND AVENUE "EL" Lithograph

Mark Freeman (1908-2003) SECOND AVENUE "EL" Lithograph, 1933, signed, dated 34, titled and inscribed Ed. 75 in pencil, from the edition of 75, with full margins, framed. 10 1/4 x 14 1/4 inches; 260 x 362 mm. Sheet 12 3/4 x 20 inches; 324 x

Lot: 96 - Elisabeth Frink GUILLEMOT Color lithograph

Elisabeth Frink (1930-1993) GUILLEMOT (WISEMAN 20) Color lithograph, 1967, on J. Green paper, signed and inscribed Artist''s Proof in pencil, one of five proofs (aside from the numbered edition of 50), published by Leslie Waddington Prints Ltd.,

Lot: 97 - Elisabeth Frink CHANTICLEER AND THE FOX; MILLER'S

Elisabeth Frink CHANTICLEER AND THE FOX; MILLER''S TALE I-II; THE REEVE''S (THE REEVE''S TALE) (W. 27-30a) Etchings and aquatints, 1970, signed, titled and numbered 68/70, 26/70, 31/70 and 70/70, respectively, in pencil, from The Canterbury

Lot: 98 - Elisabeth Frink CORRIDA I-III; CORRIDA V;

Elisabeth Frink CORRIDA I-III; CORRIDA V; REJONEADORA I-III (W. 78-80; 82-85) Color lithographs, 1972, on T.H. Saunders paper, signed and numbered 67/72 (3), 61/72, 62/72, 28/72 and 43/72 in pencil, from Corrida, published by Leslie Waddington

Lot: 99 - Elisabeth Frink GOGGLED HEAD Color etching

Elisabeth Frink GOGGLED HEAD (W. 86) Color etching, 1973, signed, titled and numbered 31/52 in pencil, printed by White Ink, London and with their blindstamp, published by Leslie Waddington Prints Ltd., London, with full margins. 21 3/4 x 17

Lot: 100 - Elisabeth Frink GOSHAWK Color etching and aquatint

Elisabeth Frink GOSHAWK (W. 107) Color etching and aquatint, 1974, on J. Green paper, signed and numbered 28/50 in pencil, from Birds of Prey, printed by White Ink, London and with their blindstamp, published by Leslie Waddington Prints Ltd.,

Lot: 101 - Elisabeth Frink PEREGRINE FALCON Color etching

Elisabeth Frink PEREGRINE FALCON (W. 109) Color etching, 1974, on J. Green paper, signed and numbered 19/50 in pencil, from Birds of Prey, printed by White Ink, London and with their blindstamp, published by Leslie Waddington Prints Ltd.,

Lot: 102 - Elisabeth Frink STRAWBERRY ROAN Color etching and

Elisabeth Frink STRAWBERRY ROAN (W. 122) Color etching and aquatint, 1980, on Velin Arches paper, signed and numbered 28/75 in pencil, printed by Kelpra Studio, London and with their blindstamp, published by Waddington Graphics, London and with

Lot: 103 - Elisabeth Frink ROLLING OVER HORSE Color etching

Elisabeth Frink ROLLING OVER HORSE (W. 123) Color etching and aquatint, 1980, on Velin Arches paper, signed and numbered 51/75 in pencil, printed by Kelpra Studio, London and with their blindstamp, published by Waddington Graphics, London and

Lot: 104 - Elisabeth Frink VISZLA Color etching and aquatint

Elisabeth Frink VISZLA A (W. 124) Color etching and aquatint, 1980, on Velin Arches paper, signed and numbered 26/75 in pencil, printed by Kelpra Studio, London and with their blindstamp, published by Waddington Graphics, London and with their

Lot: 105 - Elisabeth Frink VISZLA B Color etching and

Elisabeth Frink VISZLA B (W. 125) Color etching and aquatint, 1980, on Velin Arches paper, signed and numbered 51/75 in pencil, printed by Kelpra Studio, London and with their blindstamp, published by Waddington Graphics, London and with their

Lot: 106 - Sir Terry Frost BLACK ON MAUVE GREY Color

Sir Terry Frost (1915-2003) BLACK ON MAUVE GREY (KEMP 42) Color screenprint, 1968, on Kent paper, signed, dated and numbered 60/75 in pencil, printed by Kelpra Studio, London and with their inkstamp verso, published by Leslie Waddington Prints,

Lot: 107 - Sir Terry Frost RED AND BLACK ON GREY Color

Sir Terry Frost RED AND BLACK ON GREY (K. 45) Color screenprint, 1968, on Kent paper, signed, dated and inscribed Artist Proof in pencil (aside from the numbered edition of 75), printed by Kelpra Studio, London and with their inkstamp verso,

Lot: 108 - Sir Terry Frost RED, BLUE, ORANGE ON YELLOW Color

Sir Terry Frost RED, BLUE, ORANGE ON YELLOW (K. 51) Color lithograph, 1969, on Arches paper, signed, dated and inscribed VIII Artist''s Proof in pencil (aside from the numbered edition of 75), published by Leslie Waddington Prints, London, with

Lot: 109 - Sir Terry Frost ORANGE DUSK Color lithograph

Sir Terry Frost ORANGE DUSK (K. 56) Color lithograph, 1970, on Rives BFK paper, signed, dated and inscribed Artist''s Proof in pencil (aside from the numbered edition of 75), with full margins. 26 1/2 x 20 1/8 inches; 673 x 511 mm. Sheet 33

Lot: 110 - Sir Terry Frost STACKED ON THE SIDE Color

Sir Terry Frost STACKED ON THE SIDE (K. 58) Color lithograph, 1970, on Rives BFK paper, signed, dated and numbered 48/75 in pencil, published by Leslie Waddington Prints, London, with full margins. 19 1/4 x 27 1/2 inches; 489 x 699 mm. Sheet

Lot: 111 - Red Grooms MATISSE IN NICE Color lithograph

Red Grooms (b. 1937) MATISSE IN NICE (KNESTRICK 134) Color lithograph, 1992, signed, dated and numbered 5/45 in pencil, published by Shark''s Inc., Lyons, Colorado, the full sheet, framed. Sheet 22 1/4 x 29 3/4 inches; 565 x 756 mm.

Lot: 112 - Robert Gwathmey END OF THE DAY Color screenprint

Robert Gwathmey (1903-1988) END OF THE DAY (WILLIAMS 4) Color screenprint, 1944, signed in ink, with full margins, framed. 12 1/4 x 14 inches; 311 x 356 mm. Sheet 17 x 18 1/4 inches; 432 x 464 mm.

Lot: 113 - Barbara Hepworth RANGATIRA II Color screenprint

Barbara Hepworth (1903-1975) RANGATIRA II Color screenprint, 1969, on TH Saunders paper, signed and numbered 21/60 in pencil, from Opposing Forms, published by Marlborough Fine Art, London, with full margins, framed. Sheet 30 1/2 x 22 7/8

Lot: 114 - David Hockney IN A CHIAROSCURO Color etching and

David Hockney (b. 1937) IN A CHIAROSCURO (S.A.C. 207; TOKYO 186) Color etching and aquatint, 1976-77, on Inveresk mould-made paper, signed and numbered 87/200 in pencil, from The Blue Guitar, published by Petersburg Press, London and New York,

Lot: 115 - David Hockney ANN LOOKING AT HER PICTURE

David Hockney ANN LOOKING AT HER PICTURE (M.C.A.T. 235; T. 270) Lithograph, 1980, on wove paper, signed, dated and numbered 36/50 in pencil, printed by Tyler Graphics, Ltd., Mount Kisco and with their blindstamp, with full margins, framed.

Lot: 116 - David Hockney JAMES Lithograph

David Hockney JAMES (GEMINI G.E.L. 922; M.C.A.T. 243) Lithograph, 1980, on Arches Cover paper, signed, dated and numbered 25/100 in pencil, published by Gemini G.E.L., Los Angeles and with their blindstamps, the full sheet, framed. Sheet 24 x

Lot: 117 - David Hockney UNTITLED (FOR JOE WACHS) Color

David Hockney UNTITLED (FOR JOE WACHS) (GEMINI 93-1348) Color lithograph and screenprint, 1993, on wove paper, signed, dated and numbered 57/130 in pencil, co-published by the artist and Gemini G.E.L., Los Angeles and with their blindstamps, with

Lot: 118 - Howard Hodgkin NICK'S ROOM Hand-colored color

Howard Hodgkin (1932-2017) NICK''S ROOM (HEENK 35) Hand-colored color lithograph, 1977, on Lexington handmade paper, signed and inscribed PP in pencil, one of two printer''s proofs (aside from the numbered edition of 100), published by

Lot: 119 - Howard Hodgkin PUT OUT MORE FLAGS Hand-colored

Howard Hodgkin PUT OUT MORE FLAGS (H. 90) Hand-colored color etching, aquatint and carborundum, 1992, signed with initials, dated and numbered 54/75 in pencil, published by the Modern Art Museum of Fort Worth, Texas, the full sheet, framed.

Lot: 120 - Edward Hopper NIGHT SHADOWS Etching

Edward Hopper (1882-1967) NIGHT SHADOWS (LEVIN 82) Etching, 1921, on Van Gelder Zonen paper, signed in pencil, edition of approximately 500, from The New Republic Portfolio, with full margins, framed. 7 x 8 1/4 inches; 178 x 210 mm. Sheet

Lot: 121 - Louis Icart SUMMER SHADE; HYDRANGEAS Two

Louis Icart (1880-1950) SUMMER SHADE; HYDRANGEAS (HOLLAND/CATANIA/ISEN 191a; 373) Hand-colored color drypoint and aquatints, 1923 and 1929, respectively, signed, the first numbered 64/100, in pencil, the second with the artist''s blindstamp, with

Lot: 122 - Louis Icart IMPUDENCE; LOUISE Two hand-colored

Louis Icart IMPUDENCE; LOUISE (H./C./I. 261, 317) Hand-colored color drypoint and aquatints, 1926 and 1927, respectively, signed, the first inscribed Ep. d''a, in pencil, the second with the artist''s blindstamp, with margins, framed. (2)

Lot: 123 - Louis Icart LITTLE KITTENS; JEALOUSY Two

Louis Icart LITTLE KITTENS; JEALOUSY (H./C./I. 299; 301) Hand-colored color drypoint and aquatints, 1926 and 1927, respectively, signed and numbered 160 and 176, respectively, in pencil, with the artist''s blindstamp, with margins, framed. (2)

Lot: 124 - Jasper Johns COAT HANGER AND SPOON Color

Jasper Johns (b. 1930) COAT HANGER AND SPOON (FIELD 142; ULAE 96) Color lithograph, 1971, on Arches paper, signed, dated and numbered 54/76 in pencil, from Fragment-According to What, printed and published by Gemini G.E.L., Los Angeles and with

Lot: 125 - Alex Katz PORTRAIT OF ADA Color lithograph

Alex Katz (b. 1927) PORTRAIT OF ADA (SCHRÖDER 288) Color screenprint, 1993, on cream wove paper, signed and numbered 53/100 in pencil, from 23 Artistes pour Médecins du Monde, the full sheet. Sheet 26 1/8 x 26 1/2 inches; 663 x 673

Lot: 126 - Ellsworth Kelly WALL Etching and aquatint

Ellsworth Kelly (1923-2015) WALL (AXSOM 177) Etching and aquatint, 1976-79, on Arches Cover paper, signed and numbered 4/50 in pencil, published by Tyler Graphics Ltd., Bedford, New York and with their blindstamp, with full margins. 16 1/4 x 13

Lot: 127 - Ellsworth Kelly 18 COLORS (CINCINNATI) Color

Ellsworth Kelly 18 COLORS (CINCINNATI) (AXSOM 193) Color lithograph, 1979-82, on Arches Cover paper, signed and numbered 15/57 in pencil, published by Gemini G.E.L., Los Angeles and with their blindstamps, with full margins, framed. 7 1/2 x 78

Lot: 128 - Gene Kloss RIO GRANDE FOOTBRIDGE Drypoint

Gene Kloss (1903-1996) RIO GRANDE FOOTBRIDGE (KLOSS 430) Drypoint, 1948, signed and titled in pencil, from the edition of 35, with (full?) margins, framed. 11 x 14 inches; 279 x 356 mm. Sheet 12 7/8 x 17 inches; 327 x 432 mm.

Lot: 129 - Gene Kloss RETURN OF THE WOODGATHERERS; FIESTA

Gene Kloss RETURN OF THE WOODGATHERERS; FIESTA PARASOL (K. 434; 530) Etching, aquatint and drypoint and an etching, 1949 and 1969, signed and titled, the second inscribed imp and numbered 17/75 in pencil, the first from the edition of 35, with

Lot: 130 - Jeff Koons PUPPY Glazed white ceramic vase

Jeff Koons (b. 1955) PUPPY Glazed white ceramic vase, 1998, with incised signature and date and stamp numbered 1639/3000 on the underside, published by Art of this Century, New York and Paris and with their stamp. Height 17 1/2 inches; 445 mm.

Lot: 131 - Yayoi Kusama PUMPKINS Two painted cast resin

Yayoi Kusama (b. 1929) PUMPKINS Painted cast resin multiples, with stamped artist name and copyright on the underside, published by Benesse Holdings, Inc., Japan, with original boxes. (2) Each height 4 inches; 102 mm.

Lot: 132 - Clare Leighton STOOKING Wood engraving

Clare Leighton (1898-1989) STOOKING (FLETCHER 213) Wood engraving, 1933, on Japan paper, signed, titled and numbered 10/30 in pencil, from The Farmer''s Year, with (full?) margins, framed. 8 x 10 3/4 inches; 203 x 273 mm. Sheet 11 1/8 x 14

Lot: 133 - Martin Lewis ON THE BRIDGE Watercolor on paper

Martin Lewis (1881-1962) ON THE BRIDGE Watercolor on paper, signed in ink lower left, the full sheet, framed. Sheet 17 3/4 x 20 3/4 inches; 451 x 527 mm. Provenance: Sale, Christie''s, New York, September 26, 1986, lot 250 Estate of

Lot: 134 - Martin Lewis THE GREAT SHADOW Drypoint

Martin Lewis THE GREAT SHADOW (MCCARRON 44) Drypoint, 1925, on wove paper, signed and inscribed imp in pencil, from the edition of 86, with good margins, framed. 9 7/8 x 7 inches; 251 x 178 mm. Sheet 13 1/8 x 9 7/8 inches; 333 x 251 mm.

Lot: 135 - Martin Lewis UNDER THE STREET LAMP Etching

Martin Lewis UNDER THE STREET LAMP (MCC. 70) Etching, 1928, on laid F.J. Head paper, signed and inscribed imp in pencil, from the edition of approximately 83, with full margins, framed. 14 7/8 x 9 3/8 inches; 378 x 238 mm. Sheet 19 x 13 1/2

Lot: 136 - Martin Lewis EAST SIDE NIGHT, WILLIAMSBURG BRIDGE

Martin Lewis EAST SIDE NIGHT, WILLIAMSBURG BRIDGE (MCC. 71) Drypoint, 1928, on cream laid paper, signed in pencil, from the edition of 69, with full margins, framed. 10 x 11 7/8 inches; 254 x 302 mm. Sheet 13 3/8 x 16 3/8 inches; 340 x 416

Lot: 137 - Martin Lewis WET SATURDAY Drypoint

Martin Lewis WET SATURDAY (MCC. 81) Drypoint, 1929, on cream laid paper, signed and inscribed imp in pencil, from the edition of 72, with full margins, framed. 10 x 10 3/8 inches; 254 x 264 mm. Sheet 14 1/4 x 15 1/4 inches; 362 x 387 mm.

Lot: 138 - Martin Lewis SPRING NIGHT, GREENWICH VILLAGE

Martin Lewis SPRING NIGHT, GREENWICH VILLAGE (MCC. 85) Drypoint and sandpaper ground, 1930, on cream laid paper, signed in pencil, from the edition of 92, with full margins, framed. 10 x 12 3/8 inches; 254 x 314 mm. Sheet 13 1/2 x 15 7/8

Lot: 139 - Martin Lewis NIGHT IN NEW YORK Etching

Martin Lewis NIGHT IN NEW YORK (MCC. 102) Etching, 1932, on cream laid paper, signed in pencil, from the edition of 135, published by the Chicago Society of Etchers and with their blindstamp, with good or full margins, framed. 8 1/2 x 8 7/8

Lot: 140 - Sol LeWitt BRUSHSTROKES IN ALL DIRECTIONS Color

Sol LeWitt (1928-2007) BRUSHSTROKES IN ALL DIRECTIONS (KRAKOW 1994.05) Color screenprint, 1994, on Folio white paper, signed and numbered 39/500 in pencil, published by Film Forum, New York, with full margins, framed. 16 x 16 inches; 406 x 406

Lot: 141 - Roy Lichtenstein SHIPBOARD GIRL Color offset

Roy Lichtenstein (1923-1997) SHIPBOARD GIRL (CORLETT II 6) Color offset lithograph, 1965, on wove paper, signed in pencil, from the edition of unknown size, published by Leo Castelli Gallery, New York, with full margins, framed. 26 1/16 x 19

Lot: 142 - Roy Lichtenstein DR. WALDMANN Color woodcut and

Roy Lichtenstein DR. WALDMANN (C. 173) Color woodcut and embossing, on Arches Cover paper, 1980, signed, dated and numbered 15/50 in pencil, from Expressionist Woodcuts, published by Gemini G.E.L., Los Angeles and with their blindstamps and

Lot: 143 - Roy Lichtenstein RED AND YELLOW APPLE Color

Roy Lichtenstein RED AND YELLOW APPLE (C. 195) Color woodcut, 1983, on Iwano Kizuki Hosho paper, signed, dated and numbered 45/60 in pencil, from Seven Apple Woodcuts, published by Petersburg Press, London and New York, with full margins,

Lot: 144 - Louis Lozowick BROOKLYN BRIDGE Lithograph

Louis Lozowick (1892-1973) BROOKLYN BRIDGE (FLINT 48) Lithograph, 1930, on Rives BFK paper, signed and dated in pencil, from the edition of 100, with full margins, framed. 13 1/16 x 7 7/8 inches; 332 x 200 mm. Sheet 15 7/8 x 11 3/8 inches;

Lot: 145 - Louis Lozowick SUBWAY CONSTRUCTION Lithograph

Louis Lozowick SUBWAY CONSTRUCTION (F. 86) Lithograph, 1931, signed, dated and numbered 12/50 in pencil, with full margins, framed. 6 11/16 x 13 1/16 inches; 170 x mm. Sheet 11 1/4 x 15 3/4 inches; 286 x 400 mm. Property from a Private

Lot: 146 - After René Magritte LE PRÊTRE MARIÉ

After René Magritte (1898-1967) LE PRÊTRE MARIÉ (KAPLAN/BAUM 13) Color etching and aquatint, 1968, on cream wove paper, with the stamped signature and numbered 15/150 in pencil, from Signe de Survie au Temps d''Amour, published by

Lot: 147 - Man Ray UNTITLED (MENTON); UNTITLED (DEUX FIGURES)

Man Ray (1890-1976) UNTITLED (MENTON); UNTITLED (DEUX FIGURES) (ANSELMINO 33; 27) Color lithographs, 1967 and 1971, respectively, signed, the first numbered 18/40, the second inscribed E.A. (aside from the numbered edition of 200) in pencil, the

Lot: 148 - Man Ray MON PREMIER AMOUR; REBUS Color soft-ground

Man Ray MON PREMIER AMOUR; REBUS (A. 62; 2) Color soft-ground etchings and aquatints, 1971 and 1972, the first on laid paper, the second on Japon nacré paper, signed and inscribed E.A. in pencil, the first printed and published by Edizioni

Lot: 149 - Samuel Margolies 59TH AND FIFTH Etching and

Samuel Margolies (1897-1974) 59TH AND FIFTH Etching and aquatint, 1936, signed and titled in pencil, published by the Federal Art Project, WPA, New York and with their inkstamp, with full margins. 8 7/8 x 11 1/2 inches; 225 x 292 mm. Sheet

Lot: 150 - Marino Marini PERSONNAGES DU SACRE DU PRINTEMPS V,

Marino Marini (1901-1980) PERSONNAGES DU SACRE DU PRINTEMPS V, VII (GUASTALLA L118; L120) Color lithographs, 1974, on Arches paper, signed and numbered 75/75 in pencil, co-published by Société Internationale d''Art XXe Siècle,

Lot: 151 - Reginald Marsh NEW YORK SKYLINE Etching

Reginald Marsh (1898-1954) NEW YORK SKYLINE (SASOWSKY 167) Etching, 1936, on cream wove paper, inscribed with the artist''s name, initialed and numbered 10 in pencil by the artist''s wife, from the eleventh state of eleven, edition of less than

Lot: 152 - Reginald Marsh TOMBS PRISON Etching

Reginald Marsh TOMBS PRISON (S. 65) Etching, 1929, on cream laid paper, signed and numbered 7 in pencil, from the fifth state of five, edition of 12, with margins, framed. 8 x 9 7/8 inches; 203 x 251 mm. Sheet 8 7/8 x 11 1/8 inches; 225 x

Lot: 153 - Reginald Marsh PEOPLES FOLLIES Engraving

Reginald Marsh PEOPLES FOLLIES (S. 178) Engraving, 1938, signed and inscribed Forty Proofs in pencil, from the fourth state of four, with full margins, framed. 9 1/2 x 12 inches; 241 x 305 mm. Sheet 10 1/2 x 13 1/4 inches; 267 x 337 mm.

Lot: 154 - Alice Trumbull Mason SUSPENSION Color etching and

Alice Trumbull Mason (1904-1971) SUSPENSION Color etching and aquatint, 1946, on J. Whatman handmade paper, signed, dated, titled and numbered 9/30 in pencil, with good margins, framed. 9 7/8 x 14 5/8 inches; 251 x 371 mm. Sheet 14 3/8 x 18

Lot: 155 - Alice Trumbull Mason INTRANSITIVE Color etching

Alice Trumbull Mason INTRANSITIVE Color etching and aquatint, 1949, on Arnold Unbleached paper, signed, dated, titled and numbered 5/25 in pencil, with good margins, framed. 15 1/2 x 9 3/4 inches; 394 x 248 mm. Sheet 21 3/4 x 15 inches; 552

Lot: 156 - Henri Matisse JEUNE FILLE EN ROBE FLEURIE AU COL

Henri Matisse (1869-1954) JEUNE FILLE EN ROBE FLEURIE AU COL D''ORGANDI (DUTHUIT 429) Lithograph, 1923, on chine volant paper, signed and numbered 38/50 in pencil, with full margins, framed. 8 5/8 x 5 7/8 inches; 219 x 149 mm. Sheet 14 7/8

Lot: 157 - Henri Matisse LA CAPELINE DE PAILLE D'ITALIE

Henri Matisse LA CAPELINE DE PAILLE D''ITALIE (D. 430) Lithograph, 1923, on chine volant paper, signed and inscribed Essai in pencil, with (full?) margins, framed. 17 3/4 x 15 3/4 inches; 451 x 400 mm. Sheet 23 1/8 x 17 7/8 inches; 587 x

Lot: 158 - Henri Matisse NU AU FAUTEUIL SUR FOND MOUCHARABIEH

Henri Matisse NU AU FAUTEUIL SUR FOND MOUCHARABIEH (D. 470) Lithograph, 1925, on Arches paper, signed and numbered 22/50 in pencil, with full margins, framed. 21 1/2 x 17 1/4 inches; 546 x 438 mm. Sheet 25 7/8 x 19 7/8 inches; 657 x 505 mm.

Lot: 159 - Henri Matisse BUSTE, ROBE FLEURIE Etching

Henri Matisse BUSTE, ROBE FLEURIE (D. 137) Etching, 1929, on chine collé paper, signed and numbered 11/15 in ink, with full margins, framed. 8 7/8 x 6 inches; 225 x 152 mm. Sheet 15 x 11 inches; 381 x 279 mm.

Lot: 160 - Henri Matisse POEMS DE CHARLES D'ORLEANS Complete

Henri Matisse POEMS DE CHARLES D''ORLÉANS (D. BOOKS 28) Complete portfolio with 54 color lithographs, 1950, on Arches paper, signed in pencil by the artist on the justification, the justification numbered 801, from the edition of 1200 (total

Lot: 161 - Peter Milton INTERIOR VI: SOUNDINGS Etching and

Peter Milton (b. 1930) INTERIOR VI: SOUNDINGS (MILTON 112) Etching and engraving, 1989, on Somerset paper, signed, dated, titled and numbered 111/175 in pencil, with full margins, framed. 30 x 23 3/4 inches; 762 x 603 mm. Sheet 38 1/8 x 30

Lot: 162 - Joan Miró PERSONNAGE ET OISEAU Color

Joan Miró (1893-1983) PERSONNAGE ET OISEAU (MOURLOT 68) Color lithograph, 1948, on Rives BFK paper, signed, located and dated Paris 17/12/48 and inscribed epreuve d''essai in pencil (aside from the numbered edition of 75), published by

Lot: 163 - Joan Miró CONSTELLATIONS Complete portfolio

Joan Miró CONSTELLATIONS (M. 261; CRAMER BOOKS 58) Complete set of one color lithograph and 22 color pochoir reproductions after gouaches by the artist, 1959, on Arches paper, the first signed and numbered 321/350 in pencil, the

Lot: 164 - Joan Miró CONSTELLATIONS Color etching

Joan Miró CONSTELLATIONS (DUPIN 270; C. BOOKS 58) Color etching, 1959, on Arches paper, signed and inscribed H.C. in pencil (aside from the numbered edition of 50), from the same-titled portfolio, published by Pierre Matisse, New York, with

Lot: 165 - Joan Miró ALBUM 19, PLANCHE 5 Color

Joan Miró ALBUM 19, PLANCHE 5 (M. 248) Color lithograph, 1961, on Rives BFK paper, signed with initials and numbered 34/75 in pencil, from the same-titled suite, printed and published by Maeght, Paris, the full sheet, framed. Sheet 26 3/8

Lot: 166 - Joan Miró OUVRAGE DU VENT II Color aquatint

Joan Miró OUVRAGE DU VENT II (D. 343) Color aquatint, 1962, on Rives BFK paper, signed and numbered 52/75 in pencil, published by Maeght, Paris, with full margins, framed. 8 5/8 x 23 1/8 inches; 219 x 587 mm. Sheet 20 1/2 x 32 inches;

Lot: 167 - Joan Miró LUNE ET VENT Color aquatint

Joan Miró LUNE ET VENT (D. 346) Color aquatint, 1963, on Rives BFK paper, signed and numbered 74/75 in pencil, published by Maeght, Paris, with full margins, framed. Sheet 20 1/2 x 31 5/8 inches; 521 x 803 mm. A Private New York

Lot: 168 - Joan Miró FOND MARIN I Color aquatint

Joan Miró FOND MARIN I (D. 357) Color aquatint, 1963, on Rives BFK paper, signed and numbered 35/50 in pencil, with full margins. 14 1/4 x 20 1/2 inches; 362 x 521 mm. Sheet 22 1/4 x 29 7/8 inches; 565 x 759 mm.

Lot: 169 - Joan Miró LA CASCADE Color lithograph

Joan Miró LA CASCADE (M. 391) Color lithograph, 1964, on wove paper, signed and numbered 6/75 in pencil, printed and published by Maeght, Paris, the full sheet, framed. Sheet 35 1/2 x 23 3/4 inches; 902 x 603 mm. A Private New York

Lot: 170 - Joan Miró LES ESSÈNCIES DE LA TERRA

Joan Miró LES ESSÈNCIES DE LA TERRA (M. 576; SEE C. BKS. 123) Brush and ink under color lithograph, 1968, on Japon nacré paper, signed and numbered 71G/100 in pencil, from the edition of 100 color variants, published by

Lot: 171 - Joan Miró LA FEMME ARBORESCENTE Color etching

Joan Miró LA FEMME ARBORESCENTE (D. 649) Color etching and aquatint, 1974, on Arches paper, signed and numbered 8/50 in pencil, published by Maeght, Paris, the full sheet, framed. Sheet 43 3/4 x 29 1/2 inches; 1111 x 737 mm.

Lot: 172 - Joan Miró L'ENFANCE D'UBU Color lithograph

Joan Miró L''ENFANCE D''UBU (M. 1015) Color lithograph, 1975, on Arches paper, signed and numbered 68/120 in pencil, from the same-titled portfolio, published by Tériade, Paris, with full margins, framed. Sheet 12 3/4 x 20 inches;

Lot: 173 - Joan Miró TRES JOANS Color etching and

Joan Miró TRES JOANS (D. 1034) Color etching and aquatint, 1978, on Arches paper, signed and numbered 9/99 in pencil, printed and published by Ediçiones Polígrafa, Barcelona/Morsang, Paris, with full margins, framed. 20 7/8 x 42

Lot: 174 - Joan Miró LA MELODIE ACIDE Complete set of 14

Joan Miró LA MÉLODIE ACIDE (M. 1212-1225) Complete set of 14 color lithographs, 1980, on Arches, each numbered 460/1500, the justification numbered 460, published by Au Pont des Arts, Paris, with full margins, in original oatmeal

Lot: 175 - Joan Miró MIRÓ LITHOGRAPHS I-IV Set of

Joan Miró MIRÓ LITHOGRAPHS I-IV (MOURLOT 854; 857-867; 1036-1047; 1112-1117; 1255-1260; CRAMER BOOKS 160; 198; 230; 249) Set of four volumes of the catalogue raisonné for lithographs by the artist, with 32 lithographs, 1972-81, on

Lot: 176 - After Joan Miró MAUVE DE LA LUNE Color

After Joan Miró MAUVE DE LA LUNE (MAEGHT 1704) Color offset lithograph, 1952, on Arches paper, signed, dated and numbered 36/300 in pencil, published by Maeght, Paris, with full margins, framed. 16 1/4 x 12 1/2 inches; 413 x 318 mm.

Lot: 177 - Henry Moore RECLINING FIGURE Mixed media offset

Henry Moore (1898-1986) RECLINING FIGURE Mixed media offset print with embossing, on Alpha wove paper, signed in pencil, numbered II/XIII in black crayon, an artist''s proof aside from the numbered edition of 50, published by Nathan Silberberg,

Lot: 178 - Alphonse Mucha TÊTES BYZANTINES Two color

Alphonse Mucha (1860-1939) TÊTES BYZANTINES: BRUNETTE, BLONDE (RENNERT/WEILL 40) Color lithographs, 1897, from Variant I, printed by F. Champenois, Paris, trimmed into the image on two sides, with margins on two sides, framed together.

Lot: 179 - Alphonse Mucha FLEURS Set of four color

Alphonse Mucha FLEURS (R./W. 49) Set of four color lithographs, 1898, printed by F. Champenois, Paris, published by La Plume, Paris, with margins, framed together in two frames. Each 40 x 16 1/4 inches; 1016 x 413 mm. Property of a Private

Lot: 180 - Alphonse Mucha JOB Color lithograph

Alphonse Mucha JOB (R./W. 51) Color lithograph, 1898, printed by F. Champenois, Paris, with full margins, framed. 55 1/4 x 37 inches; 1403 x 940 mm. Property of a Private New Jersey Collector

Lot: 181 - Alphonse Mucha MOËT & CHANDON Complete set of

Alphonse Mucha MOËT & CHANDON (BOWERS/MARTIN 301-310) Complete set of ten color lithograph menu cards, 1900, published by F. Champenois, Paris, with (full?) margins, framed together with a print of Camille Lemonnier, in four frames.

Lot: 182 - Emil Nolde TISCHGESELLSCHAFT Etching and aquatint

Emil Nolde (1867-1956) TISCHGESELLSCHAFT (SCHIEFLER 38) Etching and aquatint printed in bluish black, 1906, on Van Gelder paper, signed in pencil, from the fourth state of four, with good margins, framed. 6 x 7 5/8 inches; 152 x 194 mm.

Lot: 183 - Pablo Picasso LE SALTIMBANQUE AU REPOS Drypoint

Pablo Picasso (1881-1973) LE SALTIMBANQUE AU REPOS (BLOCH 10) Drypoint, 1905, on cream wove paper, edition of 250, from Saltimbanques, published by Ambroise Vollard, Paris, 1913, with good margins, framed. 4 7/8 x 3 5/8 inches; 124 x 92 mm.

Lot: 184 - Pablo Picasso LE BAIN Drypoint

Pablo Picasso LE BAIN (BLOCH 12) Drypoint, 1905, on Van Gelder paper, edition of 250, from Saltimbanques, published by Ambroise Vollard, Paris, 1913, with wide margins, framed. 13 1/2 x 11 1/2 inches; 343 x 292 mm. Sheet 21 1/4 x 18 1/8

Lot: 185 - Pablo Picasso PEINTRE DEVANT SON TABLEAU Etching

Pablo Picasso PEINTRE DEVANT SON TABLEAU (B. 92) Etching, 1927, on wove paper, signed and numbered 14/99 in brown ink (faded), from Le Chef--d''Oeuvre Inconnu, published by Ambroise Vollard, Paris, 1934, with full margins, framed 11 x 7 3/4

Lot: 186 - Pablo Picasso MARIE-THÉRÈSE

Pablo Picasso MARIE-THÉRÈSE CONSIDÉRANT SON EFFIGIE SURRÉALISTE SCULPTÉE (B. 187) Etching, 1933, on laid paper with the Picasso watermark, signed in pencil, from the total edition of 310, from the Vollard suite, with

Lot: 187 - Pablo Picasso L'ATELIER DE CANNES Color lithograph

Pablo Picasso L''ATELIER DE CANNES (B. 794) Color lithograph, 1956, on Arches paper, the cover for Ces Peintres Nos Amis, printed and published by Mourlot, Paris in 1960, framed. Sheet 17 3/4 x 12 3/4 inches; 451 x 324 mm. Estate of

Lot: 188 - Pablo Picasso LA DANSE DES FAUNES Lithograph

Pablo Picasso LA DANSE DES FAUNES (B. 830) Lithograph printed in black and cream, 1957, on Arches paper, with the artist''s stamped signature, from the edition of 1000, with full margins, framed. 16 1/8 x 20 7/8 inches; 410 x 530 mm. Sheet

Lot: 189 - Pablo Picasso LES MODES CHANGENT: DEUX COUPLES

Pablo Picasso LES MODES CHANGENT: DEUX COUPLES (B. 1556) Etching, 1968, on wove paper, signed in pencil, numbered 24/50, from La Série 347, published by Galerie Louise Leiris, Paris, with full margins, framed. 7 1/2 x 4 5/8 inches; 191 x

Lot: 190 - Pablo Picasso PETIT CHOUETTE Painted white ceramic

Pablo Picasso PETIT CHOUETTE (NOT IN ALAIN RAMIÉ) Painted and partially glazed (interior only) white ceramic pitcher, circa 1949, with the Madoura Plein Feu and D''Apres Picasso pottery stamps on the base. Height 5 1/2 inches; 140 mm.

Lot: 191 - Pablo Picasso CHOUETTE AUX TRAITS Painted and

Pablo Picasso CHOUETTE AUX TRAITS (A.R. 121) Painted and partially glazed white ceramic vase, 1951, from the edition of 300, inscribed Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on the base. Height 11

Lot: 192 - Pablo Picasso SUJET POISSON Painted red ceramic

Pablo Picasso SUJET POISSON (A.R. 139) Painted red ceramic pitcher, 1952, from the edition of 500, inscribed Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on base. Height 4 3/4 inches; 121 mm. Length 7

Lot: 193 - Pablo Picasso PICADOR Painted and partially glazed

Pablo Picasso PICADOR (A.R. 160) Painted and partially glazed white ceramic plate, 1952, from the edition of 500, incised Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on the reverse. 7 7/8 x 7 7/8 inches;

Lot: 194 - Pablo Picasso PICADOR Painted and partially glazed

Pablo Picasso PICADOR (A.R. 201) Painted and partially glazed white ceramic plate, 1953, aside from the numbered edition of 200, with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse. 9 1/2 x 9 1/2 inches;

Lot: 195 - Pablo Picasso VISAGE Painted and partially glazed

Pablo Picasso VISAGE (A.R. 288) Painted and partially glazed (interior only) white ceramic pitcher, 1955, incised Edition Picasso and Madoura and with the Edition Picasso and Madoura Plein Feu pottery stamps on the base. Height 12 inches;

Lot: 196 - Pablo Picasso FEMME Painted white ceramic pitcher

Pablo Picasso FEMME (A.R. 297) Painted and partially glazed (interior only) white ceramic pitcher, 1955, inscribed Edition Picasso and with the D''Apres Picasso and Madoura Plein Feu pottery stamps on the base. Height 12 1/2 inches; 318 mm.

Lot: 197 - Pablo Picasso JOUER DE FLUTE ET CHEVRE Painted and

Pablo Picasso JOUEUR DE FLÛTE ET CHÈVRE (A.R. 382) Painted and glazed white ceramic plaque, 1956, from the edition of 450, with the Empreinte Originale de Picasso and Madoura Plein Feu pottery stamps on the reverse. 10 x 9 3/4 inches;

Lot: 198 - Pablo Picasso DANSEURS Painted and partially

Pablo Picasso DANSEURS (A.R. 388) Painted and partially glazed white ceramic plaque, 1956, from the edition of 500, with the Madoura Plein Feu and Empriente Originale de Picasso pottery stamps on the reverse. 7 1/2 x 7 1/2 inches; 191 x 191 mm.

Lot: 199 - Pablo Picasso SUJET COLOMBE, MAT Painted white

Pablo Picasso SUJET COLOMBE, MAT (A.R. 433) Painted white ceramic vase, 1959, numbered 38/100, inscribed Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on the base. Height 6 5/8 inches; 168 mm. Length 11

Lot: 200 - Pablo Picasso VISAGE White ceramic plate

Pablo Picasso VISAGE (A.R. 533) White ceramic plate, 1965, numbered 40/100, inscribed T. 119 and with the Empreinte Originale de Picasso and Madoura Plein Feu pottery stamps on the reverse. 10 5/8 x 10 3/4 inches; 270 x 273 mm. Estate of

Lot: 201 - Pablo Picasso LOSANGE AU VISAGE Red ceramic tile,

Pablo Picasso LOSANGE AU VISAGE (A.R. 627) Red ceramic tile, 1971, from the edition of 500 (presumably numbered on the reverse). 5 7/8 x 5 7/8 inches; 149 x 149 mm.

Lot: 202 - Pablo Picasso PETIT CARRÉ AU SOLEIL Red

Pablo Picasso PETIT CARRÉ AU SOLEIL (A.R. 631) Red ceramic tile, 1971, from the edition of 500 (presumably numbered on the reverse). 5 7/8 x 5 7/8 inches; 149 x 149 mm.

Lot: 203 - Alain Ramié PICASSO CATALOGUE OF THE EDITED

Alain Ramié PICASSO, CATALOGUE OF THE EDITED CERAMIC WORKS 1947-1971 The complete catalogue raisonné of Picasso''s ceramic editions, in English, published in 1988 by Galerie Madoura. Overall 11 3/4 x 9 5/8 x 1 5/8 inches; 298 x 244

Lot: 204 - After Pablo Picasso TOROS Complete set of fifteen

After Pablo Picasso TOROS Complete set of fifteen offset lithographs and one additional offset lithograph, 1960, on Arches paper, the first fifteen numbered 1/500, the sixteenth lithograph inscribed Planche supplementaire/offerte a mon ami

Lot: 205 - After Pablo Picasso COLOMBE AU SOLEIL Color

After Pablo Picasso COLOMBE AU SOLEIL Color lithograph, on Rives BFK paper, signed and numbered 167/200 in pencil, with full margins, framed. Sheet 23 1/4 x 29 7/8 inches; 591 x 759 mm.

Lot: 206 - After Pablo Picasso TÊTE DE BOUFFON Color

After Pablo Picasso TÊTE DE BOUFFON Color lithograph, 1964, on Rives BFK paper, signed in blue crayon, numbered 164/200, with full margins. 25 5/8 x 19 3/4 inches; 651 x 502 mm. Sheet 21 1/2 x 29 3/8 inches; 546 x 746 mm. Estate of

Lot: 207 - After Pablo Picasso IMAGINARY PORTRAIT Color

After Pablo Picasso IMAGINARY PORTRAIT Color offset lithograph, 1969, inscribed A 47/250, from the American edition of Imaginary Portraits, printed by Marcel Salinas and with his blindstamp, published by Harry N. Abrams, Inc., New York, the

Lot: 208 - After Pablo Picasso IMAGINARY PORTRAIT Color

After Pablo Picasso IMAGINARY PORTRAIT Color offset lithograph, 1969, inscribed A 47/250, from the American edition of Imaginary Portraits, printed by Marcel Salinas, published by Harry N. Abrams, Inc., New York, the full sheet, framed.

Lot: 209 - After Pablo Picasso IMAGINARY PORTRAIT Color

After Pablo Picasso IMAGINARY PORTRAIT Color offset lithograph, 1969, inscribed A 47/250, from the American edition of Imaginary Portraits, printed by Marcel Salinas and with his blindstamp, published by Harry N. Abrams, Inc., New York, the

Lot: 210 - Camille Pissarro PORTRAIT DE PAUL CÉZANNE

Camille Pissarro (1830-1903) PORTRAIT DE PAUL CÉZANNE (DELTEIL 13) Etching, 1874, on cream laid paper, with the artist''s monogram inkstamp (Lugt 613f), numbered 39/75, from the posthumous edition printed in 1920 (there were also 18-20

Lot: 211 - Robert Rauschenberg VISITATION I Color lithograph

Robert Rauschenberg (1925-2008) VISITATION I (FOSTER 29) Color lithograph, 1965, on Rives BFK paper, signed, dated and inscribed AP in pencil (aside from the numbered edition of 42), published by ULAE, West Islip and with their blindstamp, with

Lot: 212 - Robert Rauschenberg CORE POSTER Color offset

Robert Rauschenberg CORE POSTER (F. 32) Color offset lithograph and screenprint with varnish, 1965, on wove paper, signed, dated and numbered 99/200 in ink, printed by Ives-Sillman, New Haven, and with their blindstamp, the (full?) sheet, framed.

Lot: 213 - Robert Rauschenberg CHARMS AGAINST HARMS Color

Robert Rauschenberg CHARMS AGAINST HARMS Color offset lithograph, 1993, signed, dated and numbered 76/100 in pencil, the full sheet. Sheet 40 3/8 x 27 7/8 inches; 1026 x 708 mm.

Lot: 214 - Odilon Redon TÊTE D'ENFANT AVEC FLEURS

Odilon Redon (1840-1916) TÊTE D''ENFANT AVEC FLEURS (MELLERIO 169) Lithograph, 1897, on chine appliqué paper, numbered 34/35 in pencil, with good margins, framed. 9 7/8 x 8 1/4 inches; 251 x 210 mm. Sheet 14 3/4 x 11 inches; 375 x

Lot: 215 - Rembrandt van Rijn JOSEPH AND POTIPHAR'S WIFE

Rembrandt van Rijn (1606-1669) JOSEPH AND POTIPHAR''S WIFE; JOSEPH TELLING HIS DREAMS (BARTSCH 39, 37) Etchings, 1634 and 1638, respectively, good but later impressions, the first with small margins and three sides, small to thread margins at

Lot: 216 - Gerhard Richter ORCHIDEE II Color offset

Gerhard Richter (b. 1932) ORCHIDEE II (BUTIN 103) Color offset lithograph, 1998, on white cardboard mounted between Plexiglas plates, signed, dated and numbered 17/25 in felt-tip pen verso, published by the artist, Cologne, the full sheet.

Lot: 217 - Larry Rivers QUEEN OF CLUBS Color lithograph and

Larry Rivers (1923-2002) QUEEN OF CLUBS Color lithograph and screenprint, 1979, on Arches paper, signed, dated and numbered 84/200 in pencil, printed by Styria Studio, New York and with their blindstamp, published by Clarkson N. Potter, New York,

Lot: 218 - Carl Rungius FRIENDS AGAIN Etching and drypoint

Carl Rungius (1869-1959) FRIENDS AGAIN (CROUCH 5) Etching and drypoint, 1925, signed in pencil, with good margins, framed. 6 1/4 x 8 1/2 inches; 159 x 216 mm. Sheet 11 3/4 x 13 5/8 inches; 298 x 346 mm.

Lot: 219 - Carl Rungius ALARMED Etching and drypoint

Carl Rungius ALARMED (C. 6) Etching and drypoint, 1925, signed in pencil, with good margins. 6 1/4 x 8 1/2 inches; 159 x 216 mm. Sheet 11 3/4 x 13 5/8 inches; 298 x 346 mm.

Lot: 220 - Ed Ruscha ABSOLUT RUSCHA Color offset lithograph

Ed Ruscha (b. 1937) ABSOLUT RUSCHA Color offset lithograph, 1988, signed and dated in pencil, with full margins. 41 3/4 x 30 3/8 inches; 1060 x 772 mm. Sheet 45 1/4 x 33 1/4 inches; 1149 x 845 mm. This lot is accompanied by a certificate

Lot: 221 - Ed Ruscha IT IS A GO Color lithograph

Ed Ruscha IT IS A GO Color lithograph, 2009, signed, dated and numbered 43/50 in pencil, printed by Hamilton Press, Los Angeles and with their blindstamp, with full margins. 23 3/8 x 19 1/8 inches; 594 x 486 mm.

Lot: 222 - Kiyoshi Saito BUDDHA ASYURA (D) Color woodcut

Kiyoshi Saito (1907-1997) BUDDHA ASYURA (D) Color woodcut, 1959, signed in black ink, dated, titled and numbered 64/100 in pencil, with the self-carved, self-printed artist''s label affixed to the frame backing paper, with full margins, framed.

Lot: 223 - Kiyoshi Saito STEADY GAZE Color woodcut

Kiyoshi Saito STEADY GAZE Color woodcut, on Japan paper, signed in ink, with full margins, framed. 14 1/4 x 9 inches; 362 x 229 mm. Estate of Marion Victor Perini

Lot: 224 - Colin Self PRELUDE TO 1000 OBJECTS Four etchings

Colin Self (b. 1941) BLACKBIRD I; BLACKBIRD II; WILLOW; GRAIN Etchings and aquatints, 1971, signed, dated, inscribed and numbered 21/60 verso, numbers 1, 2, 5 and 6 from Prelude to 1000 Objects, published by Editions Alecto, London and with

Lot: 225 - Gino Severini COMMEDIA DELL'ARTE Color lithograph

Gino Severini (1883-1966) COMMEDIA DELL''ARTE (MELONI 34) Color lithograph, 1958, on cream wove paper, signed and numbered 103/175 in pencil, published by L''Oeuvre Gravée, Paris, and with their blindstamp, with full margins, framed. 25

Lot: 226 - Ben Shahn PLEIADES Hand-colored color screenprint

Ben Shahn (188-1969) PLEIADES (PRESCOTT 42) Hand-colored color screenprint, 1960, on Japan paper, signed in red ink, from the edition of approximately 54, with full margins, framed. 18 1/8 x 24 1/2 inches; 460 x 622 mm. Sheet 20 3/8 x 26 1/2

Lot: 227 - Tavík Frantisek Simon [EUROPEAN SCENES] Seven

Tavík Frantisek Simon (1877-1942) IN THE WIND BY THE SEA; CHARLES BRIDGE AND HRADCANY; CARNIVAL IN PARIS; COURT OF THE CONVENT OF SAINT AGNES; ÉGLISE SAINT-SÉVERIN, PARIS; BRETON COAST; LA SAINTE CHAPELLE, PARIS; NOVÝ SVET IN

Lot: 228 - Théophile Steinlen L'ÉTÉ, CHAT SUR

Théophile Steinlen (1859-1923) L''ÉTÉ, CHAT SUR UNE BALUSTRADE (CRAUZAT 292) Color lithograph, 1909, signed in pencil, from the edition of 250, published by E. Sagot, Paris and with their blindstamp, with margins at right side,

Lot: 229 - Théophile Steinlen L'HIVER, CHAT SUR UN

Théophile Steinlen L''HIVER, CHAT SUR UN COUSSIN (CRAUZAT 293) Color lithograph, 1909, from the edition of 250, published by E. Sagot, Paris, framed. Sheet 19 1/8 x 23 inches; 486 x 584 mm.

Lot: 230 - John Storrs ROMANTIC NIGHT (EAGLE) Woodcut

John Storrs (1885-1956) ROMANTIC NIGHT (EAGLE) (FRACKMAN 31) Woodcut, 1916, on Rives BFK, inscribed 11th of 16=1st 16 in pencil, with full margins, framed. 4 1/8 x 4 1/8 inches; 104 x 104 mm. Sheet 9 3/4 x 7 7/8 inches; 247 x 200 mm.

Lot: 231 - Rufino Tamayo COYOTE Color lithograph

Rufino Tamayo (1899-1991) COYOTE (PEREDA 34) Color lithograph, 1950, on Rives BFK paper, signed and numbered 99/100 in pencil, with full margins, framed. 16 1/2 x 21 1/8 inches; 419 x 537 mm. Sheet 19 7/8 x 25 5/8 inches; 505 x 651 mm.

Lot: 232 - Rufino Tamayo HOMBRE Color lithograph

Rufino Tamayo HOMBRE (P. 37) Color lithograph, 1950, on Rives BFK paper, signed and numbered 52/100 in pencil, with full margins, framed. 20 3/4 x 17 1/2 inches; 527 x 445 mm. Sheet 25 5/8 x 19 7/8 inches; 651 x 505 mm. Estate of Elinor

Lot: 233 - Rufino Tamayo TORSE DE FEMME Color lithograph

Rufino Tamayo TORSE DE FEMME (P. 108) Color lithograph, 1969, on Rives BFK paper, signed and numbered 84/150 in pencil, from Mujeres, published by Touchstone Publishers, New York, with full margins. 27 1/4 x 20 7/8 inches; 692 x 530 mm.

Lot: 234 - Rufino Tamayo FIGURA EN JARRAS Color aquatint

Rufino Tamayo FIGURA EN JARRAS (P. 274) Color aquatint, 1980, on Guarro paper, signed and numbered 74/99 in black crayon, printed and published by Ediçiones Polígrafa, Barcelona, the full sheet, framed. Sheet 29 3/4 x 22 inches; 756

Lot: 235 - James Jacques Tissot SOIRÉE D'ÉTÉ

James Jacques Tissot (1836-1902) SOIRÉE D''ÉTÉ (WENTWORTH 56) Etching and drypoint, 1881, on cream laid paper, from the second state of two, edition of approximately 100, with full margins, framed. Sheet 14 3/8 x 22 1/8 inches;

Lot: 236 - Cy Twombly NATURAL HISTORY, PART I, NO. III

Cy Twombly (1928-2011) MUSHROOMS NO. III (BASTIAN 44) Hand-colored color lithograph, collotype and collage, 1975-76, on Fabriano Bütten paper, signed with initials and numbered 69/98 in pencil, from Natural History, Part I, Mushrooms,

Lot: 237 - Cy Twombly QUERCUS ROBUR Color lithograph, from

Cy Twombly QUERCUS ROBUR (B. 54) Color lithograph and collotype, 1975-76, on Fabriano Bütten paper, signed with initials and numbered 35/98 in pencil, from Natural History, Part II, Some Trees of Italy, published by Propyläen Verlag,

Lot: 238 - Elizabeth O'Neill Verner DO AS YOU CHOOSE ALLEY,

Elizabeth O''Neill Verner (1883-1979) DO AS YOU CHOOSE ALLEY, CHARLESTON Etching, on cream wove paper, signed, titled and numbered 34/80 in pencil, with (full?) margins, framed. 6 7/8 x 5 inches; 175 x 127 mm. Sheet 11 1/8 x 8 3/4 inches;

Lot: 239 - Andy Warhol LOVE IS A PINK CAKE Complete set of 25

Andy Warhol (1928-1987) LOVE IS A PINK CAKE (FELDMAN/SCHELLMAN IV.27-50) Complete set of 25 offset lithographs, 1953, on pale blue wove paper, with accompanying poetry by Ralph Thomas Ward, from the edition of approximately 100, published by the

Lot: 240 - Andy Warhol HAPPY BUTTERFLY DAY Hand-colored

Andy Warhol HAPPY BUTTERFLY DAY Hand-colored offset lithograph, circa 1955, on cream wove paper, with full margins. Sheet 13 7/8 x 10 inches; 352 x 254 mm. Provenance: The artist Billy Cecil (William Cissell), a New York artist and set

Lot: 241 - Andy Warhol CAMPBELL'S SOUP CAN ON A SHOPPING BAG

Andy Warhol CAMPBELL''S SOUP CAN ON A SHOPPING BAG (F./S. 4) Color screenprint on a paper shopping bag, 1964, from the edition of approximately 300, published by Bianchini Gallery, New York. 6 x 3 1/2 inches; 152 x 89 mm. Bag 19 1/2 x 17 1/8

Lot: 242 - Andy Warhol LIZ Color offset lithograph

Andy Warhol LIZ (F./S. II.7) Color offset lithograph, 1964, on wove paper, signed in black ballpoint pen, from the edition of approximately 300, published by Leo Castelli Gallery, New York, with margins, framed. 21 7/8 x 21 7/8 inches; 556 x

Lot: 243 - Andy Warhol LA GRANDE PASSION Color offset

Andy Warhol LA GRANDE PASSION (F./S. IIIB.28) Color offset lithograph, 1984, on white wove paper, signed and dated in pencil, printed by Rupert Jasen Smith, New York, published by Carillon Importers, Ltd., New Jersey, with full margins. 38 x 36

Lot: 244 - James Abbott McNeill Whistler ANNIE SEATED Etching

James Abbott McNeill Whistler (1834-1903) ANNIE SEATED (KENNEDY 30; GLASGOW 32) Etching, circa 1858, on cream laid paper, MacDonald''s third state of three, with good margins, framed. 5 1/8 x 3 7/8 inches; 130 x 98 mm. Sheet 7 7/8 x 5 3/4

Lot: 245 - James Abbott McNeill Whistler EN PLEIN SOLEIL

James Abbott McNeill Whistler EN PLEIN SOLEIL (K. 5; G. 11) Etching, 1858, MacDonald''s third state of three, from Twelve Etchings from Nature, printed by Delâtre, Paris, with good margins, framed. 4 x 5 3/8 inches; 102 x 137 mm. Sheet

Lot: 246 - James Abbott McNeill Whistler VENUS Etching and

James Abbott McNeill Whistler VENUS (K. 59; G. 60) Etching and drypoint, 1859, on tissue-thin cream laid Japan paper, MacDonald''s second state of two, with (full?) margins, framed. 6 x 9 inches; 152 x 229 mm. Sheet 8 x 11 1/4 inches; 203 x

Lot: 247 - Ray Charles White RESONATE Enamel on anodized

Ray Charles White (b. 1961) RESONATE Screenprinted enamel on anodized aluminum, 2003, signed with initials and inscribed A.P. 1/4 in felt tip marker verso, published by Durham Press, Pennsylvania, the full sheet, framed. 20 x 66 inches; 508 x

Lot: 248 - Zao Wou-Ki UNTITLED Color lithograph

Zao Wou-Ki (1921-2013) UNTITLED (AGERUP 159) Color lithograph, 1965, on Rives BFK paper, signed, dated and numbered 13/200 in pencil, published by the International Graphic Arts Society, New York, with good margins, framed. 23 3/8 x 14 3/4

Lot: 249 - Francisco Zúñiga MADRE E HIJA Color

Francisco Zúñiga (1912-1998) MADRE E HIJA (BREWSTER 14) Color lithograph and screenprint, 1974, on Fabriano paper, signed, dated and numbered 4-99 in pencil, printed by Kyron, S.A., Mexico D.F. and with their inkstamp verso,




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