Lot: 1 - HEINRICH ALDEGREVER Tarquin and Lucretia.
HEINRICH ALDEGREVER Tarquin and Lucretia. Engraving, 1539. 121x79 mm; 4 3/4x3 1/4 inches. Trimmed on the plate mark. A good impression of this scarce print; after an engraving by Georg Pencz. With--A group of 4 engravings from the Large
Lot: 2 - ALBRECHT ALTDORFER The Rest on the Flight into
ALBRECHT ALTDORFER The Rest on the Flight into Egypt. Engraving, circa 1515-19. 96x48 mm; 3 3/4x1 7/8 inches. A superb Winzinger a impression, with strong contrasts and richly-inked overall. Trimmed on the plate mark. Bartsch 5; Winzinger
Lot: 3 - ALBRECHT ALTDORFER Two woodcuts from The Fall and
ALBRECHT ALTDORFER Two woodcuts from The Fall and Redemption of Man. The Flagellation * Christ Crowned with Thorns. Both 1515. Both 73x49 mm; 3x2 inches, thread margins. Both superb, evenly-printed impressions showing no signs of wear.
Lot: 4 - JACOB BINCK Bathsheba at the Bath.
JACOB BINCK Bathsheba at the Bath. Engraving, circa 1525. 103x60 mm; 4 1/8x2 3/8 inches, thread margins. A very good impression of this extremely scarce print. We have found only 2 other impressions at auction in the past 20 years. Bartsch
Lot: 5 - ABRAHAM BLOEMAERT The Three Maries.
ABRAHAM BLOEMAERT The Three Maries. Chiaroscuro woodcut printed in light brown and etching printed in black on cream laid paper. 95x83 mm; 3 3/4x3 1/4 inches. Trimmed on the plate mark. Hollstein 8.
Lot: 6 - FERDINAND BOL Bust of a Young Lady with a Plumed
FERDINAND BOL Bust of a Young Lady with a Plumed Cap (Saskia). Etching and drypoint, 1644. 103x76 mm; 4 1/8x3 inches (oval), small margins. A superb impression of this scarce print, with the delicate wiping scratches in the background and with
Lot: 7 - FERDINAND BOL Portrait of an Officer
FERDINAND BOL Portrait of an Officer (Self-Portrait). Etching and drypoint, 1645. 139x111 mm; 5 1/2x4 3/8 inches. Second state (of 2). Ex-collection Pierre Mariette, dated 1690 in ink (Lugt 1790, verso); Adolf Daniel Crakau (Lugt 89, verso);
Lot: 8 - FERDINAND BOL Portrait of a Man with a High Hat.
FERDINAND BOL Portrait of a Man with a High Hat. Etching and drypoint, circa 1645. 148x111 mm; 5 7/8x4 1/2 inches, narrow to thread margins. A very good impression of this extremely scarce print, with crisp, partially inky plate edges. Bartsch
Lot: 9 - FERDINAND BOL Two etchings.
FERDINAND BOL Two etchings. Bearded Old Man, Profile to Right. 75x55 mm; 3x2 1/4 inches (oval), small margins * The Old Man with a Leaf of Trefoil on his Coat. 88x74 mm; 3 1/2x2 7/8 inches, thread margins. Both very good impressions.
Lot: 10 - PIETER BRUEGEL (after) Christ and the Adulteress
PIETER BRUEGEL (after) Christ and the Adulteress. Engraving, 1579. 265x337 mm; 10 1/2x13 3/8 inches, narrow margins. Third state (of 3). Coat-of-Arms watermark. A superb impression with strong contrasts. Hollstein 11.
Lot: 11 - ANTONIO DA CANAL, IL CANALETTO Imaginary View of
ANTONIO DA CANAL, IL CANALETTO Imaginary View of Padua. Etching, circa 1740. 304x432 mm; 12x17 inches, wide margins. Third state (of 3). Ex-collection Piero Gall (Lugt supplement 1061a, verso). A superb, well-inked impression with strong
Lot: 12 - ANTONIO DA CANAL, IL CANALETTO La Libreria.
ANTONIO DA CANAL, IL CANALETTO La Libreria. Etching, circa 1740. 144x208 mm; 5 3/4x8 1/4 inches, narrow margins. Third state (of 3). A very good impression of this scarce print. Bromberg 18.
Lot: 13 - ANTONIO DA CANAL, IL CANALETTO Paesaggio con un
ANTONIO DA CANAL, IL CANALETTO Paesaggio con un Pellegrino in Preghiera. Etching, circa 1740. 143x212 mm; 5 3/4x8 3/8 inches, small margins. Third state (of 3). A very good impression. Bromberg 27.
Lot: 14 - BARTOLOMEO CORIOLANO Alliance of Peace and
BARTOLOMEO CORIOLANO Alliance of Peace and Abundance. Chiaroscuro woodcut printed in greenish-gray and black, 1627. 210x155 mm; 8 1/4x6 1/8 inches, narrow margins. A good impression. Bartsch 10.
Lot: 15 - BARTOLOMEO CORIOLANO The Virgin and Child with the
BARTOLOMEO CORIOLANO The Virgin and Child with the Infant St. John. Chiaroscuro woodcut printed in brown and black, 1647. 170x148 mm; 6 3/4x5 7/8 inches (oval), thread margins. A very good, richly-inked impression of this scarce print. Bartsch
Lot: 16 - JEAN-BAPTISTE-SIMEON CHARDIN (after) Le Faiseur de
JEAN-BAPTISTE-SIMEON CHARDIN (after) Le Faiseur de Chateaux de Carte. Engraving, 1737. 273x310 mm; 10 3/4x12 1/4 inches, small margins. Engraved by Pierre Filloeul. A very good impression, with some of the delicately engraved guide lines for
Lot: 17 - JEAN-BAPTISTE-SIMEON CHARDIN (after) La
JEAN-BAPTISTE-SIMEON CHARDIN (after) La Gouvernante. Engraving, 1739. 367x266 mm; 14 1/2x10 1/2 inches, wide margins. Engraved by Nicolas Bernard Lépicié. Bocher 24.
Lot: 18 - ANTOINE-JEAN DUCLOS Two etchings with engraving.
ANTOINE-JEAN DUCLOS Two etchings with engraving. Le Concert * Le Bal Paré. Both 1773. Both 321x432 mm; 12x17 inches, small margins. Both very good impressions.
Lot: 19 - ALBRECHT DÜRER The Peasant and his Wife.
ALBRECHT DÜRER The Peasant and his Wife. Engraving, circa 1497-98. 108x77 mm; 4 1/4x3 1/8 inches. A very good Meder c-d impression with strong contrasts. With thread margins or trimmed on the plate mark. Bartsch 83; Meder 86.
Lot: 20 - ALBRECHT DÜRER Samson Fighting with the Lion.
ALBRECHT DÜRER Samson Fighting with the Lion. Woodcut, circa 1496-97. 378x276 mm; 15x11 inches. A superb, dark and evenly-printed Meder c impression, showing little or no signs of wear. Vase with a Cross watermark (Meder 148, which he
Lot: 21 - ALBRECHT DÜRER The Vision of the Seven
ALBRECHT DÜRER The Vision of the Seven Candlesticks. Woodcut, circa 1497. 395x285 mm; 15 1/2x11 5/8 inches, small margins. A superb, evenly-printed and dark impression from the 1498 German text edition, with strong contrasts and showing
Lot: 22 - ALBRECHT DÜRER Samson Fighting with the Lion.
ALBRECHT DÜRER Samson Fighting with the Lion. Woodcut, circa 1496-97. 378x276 mm; 15x11 inches, small margins. A good Meder f-g impression. Coat-of-arms watermark. Bartsch 2; Meder 107.
Lot: 23 - ALBRECHT DÜRER The Martyrdom of St.
ALBRECHT DÜRER The Martyrdom of St. Catherine. Woodcut, 1498. 395x291 mm; 15 5/8x11 1/2 inches, thread margins. A good Meder d impression. Fleur-de-lis in a circle watermaker (Meder 119, which he dates to after 1550). Ex-collection
Lot: 24 - ALBRECHT DÜRER The Apocalypse.
ALBRECHT DÜRER The Apocalypse. Complete set of 16 woodcuts, 1496-98. Each approximately 390x287 mm; 15 1/2x11 1/4 inches. Each from the 1511 Latin text edition. Meder 163, 165, 166, 172, 174, 176 and 178 with a tower with a crown and a
Lot: 25 - ALBRECHT DÜRER The Flagellation.
ALBRECHT DÜRER The Flagellation. Woodcut, circa 1497-1500. 384x276 mm; 15 1/4x10 7/8 inches. A good, dark Meder d impression after the 1511 Latin text edition, with strong contrasts. Augsburg coat-of-arms with the letter M watermark
Lot: 26 - ALBRECHT DÜRER Joachim's Offering Rejected.
ALBRECHT DÜRER Joachim's Offering Rejected. Woodcut, circa 1504. 296x213 mm; 11 3/4x8 5/8 inches, narrow to thread margins. A very good, dark and evenly-printed impression from the 1511 Latin text edition, with strong contrasts. Bartsch
Lot: 27 - ALBRECHT DÜRER The Presentation in the
ALBRECHT DÜRER The Presentation in the Temple. Woodcut, circa 1504-5. 300x213 mm; 11 7/8x8 3/8 inches, small margins. A very good Meder e impression, after the 1511 Latin text edition. Small city gate watermark (Meder 266, which he dates
Lot: 28 - ALBRECHT DÜRER The Betrothal of the Virgin.
ALBRECHT DÜRER The Betrothal of the Virgin. Woodcut, 1504-5. 297x212 mm; 11 3/4x8 3/8 inches, thread margins. A good, dark Meder g impression after the 1511 Latin text edition. Bartsch 82; Meder 194.
Lot: 29 - ALBRECHT DÜRER The Circumcision.
ALBRECHT DÜRER The Circumcision. Woodcut, circa 1505. 296x211 mm; 11 3/4x8 3/8 inches, thread margins. A very good Meder d-e impression after the 1511 Latin text edition, with strong contrasts and little signs of wear. Bartsch 86; Meder
Lot: 30 - ALBRECHT DÜRER The Small Horse.
ALBRECHT DÜRER The Small Horse. Engraving, 1505. 165x108 mm; 6 3/8x4 1/4 inches. A brilliant, richly-inked and dark Meder a impression. Bull's head watermark (Meder 62, which he dates from the middle to late 1400s). Trimmed on or just
Lot: 31 - ALBRECHT DÜRER The Presentation the Temple.
ALBRECHT DÜRER The Presentation the Temple. Woodcut, circa 1505. 298x210 mm; 11 3/4x8 1/4 inches, small margins. A good Meder c-d-e impression with strong contrasts. Bartsch 88; Meder 200.
Lot: 32 - ALBRECHT DÜRER The Death of the Virgin.
ALBRECHT DÜRER The Death of the Virgin. Woodcut, 1510. 292x208 mm; 11 1/2x8 1/8 inches, narrow margins. A good Meder f impression after the 1511 Latin text edition. Shield with a diagonal band watermark (Meder 246, which he dates to
Lot: 33 - ALBRECHT DÜRER Christ on the Mount of Olives.
ALBRECHT DÜRER Christ on the Mount of Olives. Etching, 1515. 218x155 mm; 8 5/8x6 1/8 inches, small margins. A very good, clearly-printed and dark Meder II impression, with strong contrasts and faint traces of the rust marks. Bartsch 19;
Lot: 34 - ALBRECHT DÜRER The Virgin Surrounded by Many
ALBRECHT DÜRER The Virgin Surrounded by Many Angels. Woodcut, 1518. 302x216 mm; 12x8 1/2 inches, small margins. A superb, richly-inked Meder IIa impression, with even the most densely cross-hatched areas printing dark and clearly.
Lot: 35 - ALBRECHT DÜRER The Virgin Nursing the Child.
ALBRECHT DÜRER The Virgin Nursing the Child. Engraving, 1519. 118x75 mm; 4 3/4x3 inches, thread margins. A superb, dark and evenly-printed Meder a impression, with all the fine lines and densely cross-hatched areas printing clearly and
Lot: 36 - ANTHONY VAN DYCK Erasmus of Rotterdam.
ANTHONY VAN DYCK Erasmus of Rotterdam. Etching and drypoint, circa 1630. 243x157 mm; 9 5/8x6 1/8 inches, wide margins. Hollstein's second state (of 4); Mauquoy/Hendrickx's fifth state (of 5). Arms of Amsterdam watermark (Mauquoy/Hendrickx 211,
Lot: 36A - JEAN-HONORÉ FRAGONARD Deux Prophetes.
JEAN-HONORÉ FRAGONARD Deux Prophetes. Etching, 1764. 96x140 mm; 3 3/4x5 1/2 inches, full margins. First state (of 2), before the number. A superb, early impression of this scarce print, with crisp, inky plate edges. Wildenstein 19.
Lot: 37 - JEAN-HONORÉ FRAGONARD Three etchings.
JEAN-HONORÉ FRAGONARD Three etchings. Mucius Scaevola, circa 1762 * St. Luke * Figural Scene . Each in the first state (of 2), before numbers. Various sizes and conditions. Very good impressions.
Lot: 38 - PHILIP GALLE (after Maerten van Heemskerck) The
PHILIP GALLE (after Maerten van Heemskerck) The Seven Wonders of the World and the Ruins of the Coliseum. Complete set of 8 engravings, circa 1550. Each approximately 212x260 mm; 8 3/8x10 1/4 inches. With thread margins or trimmed on the plate
Lot: 39 - CLAUDE GELLÉE, LE LORRAIN Le Campo Vaccino.
CLAUDE GELLÉE, LE LORRAIN Le Campo Vaccino. Etching, 1636. 203x263 mm; 8x10 3/8 inches, narrow to thread margins. Seventh state (of 9). A good, evenly-printed impression. Mannocci 17.
Lot: 40 - HENDRICK GOLTZIUS The Last Supper.
HENDRICK GOLTZIUS The Last Supper. Engraving, 1585. 277x370 mm; 11x14 5/8 inches, narrow margins. First state (of 2). Coat-of-arms watermark. A very good impression of this scarce print with strong contrasts. Bartsch 9.
Lot: 41 - HENDRICK GOLTZIUS Two engravings from The Life of
HENDRICK GOLTZIUS Two engravings from The Life of the Virgin. The Visitation, 1593. 461x350 mm; 18 1/4x13 3/4 inches * The Adoration of the Magi, 1593. 475x352 mm; 18 3/4x14 inches. First state (of 5). Both with thread margins or trimmed on
Lot: 42 - FRANCISCO JOSÉ DE GOYA Ruega por ella.
FRANCISCO JOSÉ DE GOYA Ruega por ella. Etching and aquatint, circa 1799. 204x150 mm; 8x5 7/8 inches, full margins. First edition. From Los Caprichos. A very good impression. Delteil 68; Harris 66.
Lot: 43 - FRANCISCO JOSÉ DE GOYA Y aun no se van!
FRANCISCO JOSÉ DE GOYA Y aun no se van! Etching and aquatint, circa 1799. 215x150 mm; 8 1/2x6 inches, full margins. First edition. From Los Caprichos. A very good impression. Delteil 96; Harris 94.
Lot: 44 - FRANCISCO JOSÉ DE GOYA Mejor es Holgar
FRANCISCO JOSÉ DE GOYA Mejor es Holgar Etching and aquatint, circa 1799. 215x150 mm; 8 1/2x6 inches, full margins. First edition. From Los Caprichos. A very good impression. Delteil 110; Harris 108.
Lot: 45 - FRANCISCO JOSÉ DE GOYA El Que No Te Ama,
FRANCISCO JOSÉ DE GOYA El Que No Te Ama, Burlando Te Difama. Etching and aquatint, circa 1815. 240x350 mm; 9 1/2x13 3/4 inches, wide margins. First edition. A very good impression with the delicate drypoint scratches on the breeches of
Lot: 46 - FRANCISCO JOSÉ DE GOYA Echan Perros al Toro.
FRANCISCO JOSÉ DE GOYA Echan Perros al Toro. Etching and aquatint, circa 1815. 245x355 mm; 9 3/4x14 inches, wide margins. First edition. From La Tauromaquia. A very good impression. Delteil 248; Harris 228.
Lot: 47 - FRANCISCO JOSÉ DE GOYA Dos a Uno, Meten la
FRANCISCO JOSÉ DE GOYA Dos a Uno, Meten la Paja en el Culo. Aquatint and etching, circa 1824. 245x355 mm; 9 5/8x14 inches, full margins. First published edition. Published by L'Art, Paris. A superb, dark impression. Delteil 220; Harris
Lot: 48 - FRANCISCO JOSÉ DE GOYA Two etchings with
FRANCISCO JOSÉ DE GOYA Two etchings with aquatint from La Tauromaquia. Otro Modo de Cazar á Pie * Un Caballero Español Mata un Toro Despues de Haber Perdido el Caballo. Both circa 1816. Both 245x354 mm; 9 5/8x13 7/8 inches, full
Lot: 49 - FRANCISCO JOSÉ DE GOYA Three etchings with
FRANCISCO JOSÉ DE GOYA Three etchings with aquatint from Los Caprichos. Nadie se conoce * Aquellos polbos * Quien lo creyera. Each circa 1799. Each from the second edition, still before the plates were bevelled. Very good impressions.
Lot: 50 - ITALIAN SCHOOL, 16TH-CENTURY Three engravings.
ITALIAN SCHOOL, 16TH-CENTURY Three engravings. MASTER OF THE DIE. Psyche's Father Consulting the Oracle * GIORGIO GHISI. Hercules, Bacchus, Pan and Another God, circa 1560 * MARCANTONIO RAIMONDI (after). The Virgin and the Cradle. Various
Lot: 51 - NICOLAS LAVREINCE (after) Le Collin Maillard (Le
NICOLAS LAVREINCE (after) Le Collin Maillard (Le Bandeau favorable). Color aquatint and etching, circa 1780. 335x280 mm; 13 1/4x11 1/8 inches (sheet). Trimmed on or inside the plate mark, into the lower margin with only the top half of the
Lot: 52 - LUCAS VAN LEYDEN Saint Mary Magdalen in the
LUCAS VAN LEYDEN Saint Mary Magdalen in the Desert. Engraving, circa 1506. 115x88 mm; 4 1/2x3 1/2 inches, thread margins. A very good impression of this scarce print, with all the delicate lines printing clearly. Bartsch 123.
Lot: 53 - LUCAS VAN LEYDEN Esther before Ahasueras.
LUCAS VAN LEYDEN Esther before Ahasueras. Engraving, 1518. 226x178 mm; 9x7 inches, thread margins. First state (of 3). Partial bishop's crozier watermark. A very good impression of this large print. Bartsch 31.
Lot: 54 - JAN VAN LONDERSEEL Landscape with Nimrod and the
JAN VAN LONDERSEEL Landscape with Nimrod and the Tower of Babel. Etching. 370x506 mm; 14 5/8x20 inches. Strasburg coat-of-arms watermark. Trimmed to the image. A very good, evenly-printed impression of this large, scarce print. Hollstein 2.
Lot: 55 - ANDREA MANTEGNA (school of) Triumph of Caesar:
ANDREA MANTEGNA (school of) Triumph of Caesar: Soldiers Carrying Trophies. Engraving, circa 1485-90. 230x260 mm; 9 1/8x10 1/4 inches. Ex-collection Earl Bathurst, according to a pencil inscription verso. With thread margins 3 sides, trimmed
Lot: 56 - ISRAEL VAN MECKENEM St. Christopher.
ISRAEL VAN MECKENEM St. Christopher. Engraving, circa 1480-90. 166x110 mm; 6 1/2x4 3/8 inches, narrow to thread margins. Ex-collection Fürst zu Fürstenberg (Lugt 2811, verso). A superb impression of this extremely scarce print, with
Lot: 57 - HARMEN JANSZ MULLER Collection of 42 engravings.
HARMEN JANSZ MULLER Collection of 42 engravings. Mainly sets from the Old Testament after Maetern van Heemskerck and Gerard van Groeningen. Each approximately 200x280 mm; 8x11 inches, small margins. Very good impressions. Hollstein 1-18, 29-32,
Lot: 58 - ADRIAEN VAN OSTADE The Breakfast.
ADRIAEN VAN OSTADE The Breakfast. Etching, circa 1664. 221x265 mm; 8 3/4x10 1/2 inches. Fourth state (of 12). With thread margins or trimmed on the plate mark. A superb, dark and early impression. According to Godefroy, "Extrèmente
Lot: 59 - BERNARDINO PASSARI St. Anthony Abbot and the Body
BERNARDINO PASSARI St. Anthony Abbot and the Body of St. Paul the Hermit Supported by Angels. Etching, 1582. 402x266 mm; 15 7/8x10 1/2 inches, thread margins. A good, dark impression of this scarce print. Bartsch 75.
Lot: 60 - GIOVANNI B. PIRANESI A Vast Gallery with Arches.
GIOVANNI B. PIRANESI A Vast Gallery with Arches. Etching, engraving and burnishing, 1749. 417x553 mm; 16 1/2x22 7/8 inches, small to narrow margins. First state (of 6). From the Carceri. A very good, early impression; extremely scarce in this
Lot: 61 - GIOVANNI B. PIRANESI Veduta dell'Esterno della
GIOVANNI B. PIRANESI Veduta dell'Esterno della Gran Basilica di S. Pietro in Vaticano. Etching, 1748. 397x600 mm; full margins. Fourth state (of 7). Fleur-de-lis in a circle watermark (Hind 1). From the Vedute di Roma. A very good
Lot: 62 - GIOVANNI B. PIRANESI Obelisco Egizio.
GIOVANNI B. PIRANESI Obelisco Egizio. Etching, 1759. 545x405 mm; 21 3/8x15 7/8 inches, wide margins. First state (of 7). From the Vedute di Roma. A brilliant, richly-inked impression with strong contrasts and with all the details printing
Lot: 63 - GIOVANNI B. PIRANESI Veduta del Palazzo fabbricato
GIOVANNI B. PIRANESI Veduta del Palazzo fabbricato sul Quirinale. Etching, 1749. 405x615 mm; 15 7/8x24 1/8 inches, full margins. Second state (of 6). Fleur-de-lis in a double circle watermark (Hind 3). From the Vedute di Roma. A very good
Lot: 64 - GIOVANNI B. PIRANESI Two etchings from the Vedute
GIOVANNI B. PIRANESI Two etchings from the Vedute di Roma. Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo, 1766. 457x692 mm; 18x27 1/4 inches, wide margins. Second state (of 5) * Veduta interna del Pronao del Panteon, 1769.
Lot: 65 - GIOVANNI B. PIRANESI Two etchings from the
GIOVANNI B. PIRANESI Two etchings from the Grotteschi. The Tomb of Nero * The Monumental Tablet. Both circa 1750. Both approximately 390x540 mm; 15 1/2x21 1/4 inches, wide margins. Both in the penultimate state. Both good impressions.
Lot: 66 - GIOVANNI B. PIRANESI Two etchings from Differentes
GIOVANNI B. PIRANESI Two etchings from Differentes Vues de Pesto. View Showing the Remains of the Ancient City Walls of Pesto, 1778 * View of the Eighteen Side Columns of the Basilica, 1778. Focillon 583 and 586. With--FRANCESCO PIRANESI.
Lot: 67 - GIOVANNI B. PIRANESI Three etchings from the
GIOVANNI B. PIRANESI Three etchings from the Vedute di Roma. Veduta della Basilica di S. Lorenzo fuor delle mura, 1750. Third state (of 5) * Veduta del Palazzo Odescalchi, 1753. First state (of 5) * Veduta interna dell'Atrio del Portico di
Lot: 68 - GIOVANNI B. PIRANESI Three etchings from the
GIOVANNI B. PIRANESI Three etchings from the Vedute di Roma. Veduta della Basilica di S. Paolo fuor delle mura, 1748. Third state (of 6) * Veduta del Palazzo Odescalchi, 1753. Second state (of 5) * Veduta del Tempio di Cibele a Piazza della
Lot: 69 - REMBRANDT VAN RIJN Jan Cornelis Sylvius, Preacher.
REMBRANDT VAN RIJN Jan Cornelis Sylvius, Preacher. Etching, drypoint and engraving, 1623. 166x142 mm; 6 5/8x5 5/8 inches, thread margins. Biörklund's second state (of 2); Usticke's third state (of 3); White and Boon's second state (of 2).
Lot: 70 - REMBRANDT VAN RIJN Christ Disputing with the
REMBRANDT VAN RIJN Christ Disputing with the Doctors: Small Plate. Etching, 1630. 90x68 mm; 3 1/2x2 5/8 inches, small margins. Biörklund's third state (of 3); Usticke's fifth state (of 6); White and Boon's third state (of 3). A fine
Lot: 71 - REMBRANDT VAN RIJN Bust of a Man Wearing a High
REMBRANDT VAN RIJN Bust of a Man Wearing a High Cap, Three-Quarters Right: The Artist's Father. Etching, 1630. 102x84 mm; 4 1/8x3 3/8 inches, narrow margins. Biörklund's second state (of 2); Usticke's fourth state (of 6); White and Boon's
Lot: 72 - REMBRANDT VAN RIJN Bust of an Old Man with a
REMBRANDT VAN RIJN Bust of an Old Man with a Flowing Beard: Head Bent Forward. Etching, 1630. 90x78 mm; 3 5/8x3 inches, thread margins. Ex-collection G. T. Clough (Lugt 1220, verso). A fine, early impression of this scarce print, with the foul
Lot: 73 - REMBRANDT VAN RIJN Man in a Coat and Fur Cap
REMBRANDT VAN RIJN Man in a Coat and Fur Cap Leaning against a Bank. Etching, circa 1630. 111x77 mm; 4 3/8x3 1/8 inches, narrow margins. Biörklund's third state (of 3); Usticke's first state (l) (of 3); White and Boon's third state (of 3).
Lot: 74 - REMBRANDT VAN RIJN Old Beggar Woman with a Gourd.
REMBRANDT VAN RIJN Old Beggar Woman with a Gourd. Etching, circa 1630. 100x47 mm; 4x1 7/8 inches, small margins. Biörklund's second state (of 2); Usticke's only state (i); White and Boon's second state (of 2). A good, dark impression.
Lot: 75 - REMBRANDT VAN RIJN The Artist's Mother Seated, in
REMBRANDT VAN RIJN The Artist's Mother Seated, in an Oriental Headdress: Half Length. Etching, 1631. 147x131 mm; 5 3/4x5 1/4 inches, thread margins. Biörklund's second state (of 3); Usticke's third state (of 4); White and Boon's second
Lot: 76 - REMBRANDT VAN RIJN The White Negress.
REMBRANDT VAN RIJN The White Negress. Etching, circa 1630. 98x77 mm; 3 7/8x3 inches, narrow margins. Biörklund's second state (of 2); Usticke's second state (e) (of 2); White and Boon's second state (of 2). A good, evenly-printed
Lot: 77 - REMBRANDT VAN RIJN The Artist's Mother with her
REMBRANDT VAN RIJN The Artist's Mother with her Hand on her Chest: Small Bust. Etching, 1631. 94x65 mm; 3 3/4x2 5/8 inches. Biörklund's second state (of 4); Usticke's seventh state (of 7); White and Boon's second state (of 2). Trimmed on
Lot: 78 - REMBRANDT VAN RIJN Jupiter and Antiope: The
REMBRANDT VAN RIJN Jupiter and Antiope: The Smaller Plate. Etching and drypoint, circa 1631. 85x113 mm; 3 3/8x4 1/2 inches, thread margins. Biörklund's second state (of 2); Usticke's second state (e) (of 2); White and Boon's second state
Lot: 79 - REMBRANDT VAN RIJN The Raising of Lazarus: The
REMBRANDT VAN RIJN The Raising of Lazarus: The Larger Plate. Etching, engraving and drypoint, circa 1632. 37x260 mm; 14 5/8x10 1/4 inches, wide margins. Biörklund's ninth state (of 9); Usticke's eighth state (of 10); White and Boon's tenth
Lot: 80 - REMBRANDT VAN RIJN Old Man with Beard, Fur Cap and
REMBRANDT VAN RIJN Old Man with Beard, Fur Cap and Velvet Cloak Etching and drypoint, 1632. 138x129 mm; 5 1/2x5 1/8 inches. Biörklund's fourth state (of 4); Usticke's third state (of 3); White and Boon's third state (of 3). Trimmed on the
Lot: 81 - REMBRANDT VAN RIJN The Raising of Lazarus: The
REMBRANDT VAN RIJN The Raising of Lazarus: The Larger Plate. Etching, engraving and drypoint, circa 1632. 371x256 mm; 14 5/8x10 1/8 inches, small to thread margins. Biörklund's ninth state (of 9); Usticke's eighth state (of 10); White and
Lot: 82 - REMBRANDT VAN RIJN Self Portrait in a Cap and
REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x106 mm; 5 3/8x4 1/4 inches, thread margins. Biörklund's third state (of 3); Usticke's third state (of 5); White and Boon's second state (of
Lot: 83 - REMBRANDT VAN RIJN The Descent from the Cross:
REMBRANDT VAN RIJN The Descent from the Cross: Second Plate. Etching and engraving on Chine collé, 1633. 531x412 mm; 21x16 1/4 inches, thread margins. Biörklund's fifth state (of 5); Usticke's fifth state (of 5); White and Boon's
Lot: 84 - REMBRANDT VAN RIJN Self Portrait in a Cap and
REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 137x105 mm; 5 1/2x4 1/8 inches, small margins. Biörklund's third state (of 3); Usticke's third state (of 5); White and Boon's second state (of 2).
Lot: 85 - REMBRANDT VAN RIJN The Descent from the Cross:
REMBRANDT VAN RIJN The Descent from the Cross: Second Plate. Etching and engraving on Chine collé, 1633. 531x412 mm; 21x16 1/4 inches, wide margins. Biörklund's fifth state (of 5); Usticke's fifth state (of 5); White and Boon's fifth
Lot: 86 - REMBRANDT VAN RIJN Joseph's Coat Brought to Jacob.
REMBRANDT VAN RIJN Joseph's Coat Brought to Jacob. Etching, circa 1633. 107x81 mm; 4 1/4x3 1/4 inches, small margins. Biörklund's second state (of 2); Usticke's third state (of 4); White and Boon's second state (of 2). A good impression.
Lot: 87 - REMBRANDT VAN RIJN The Angel Appearing to the
REMBRANDT VAN RIJN The Angel Appearing to the Shepherds. Etching, engraving and drypoint, 1634. 260x216 mm; 10 1/4x8 1/2 inches, narrow margins. Biörklund's third state (of 3); Usticke's third state (of 5); White and Boon's third state (of
Lot: 88 - REMBRANDT VAN RIJN Christ at Emmaus: The Smaller
REMBRANDT VAN RIJN Christ at Emmaus: The Smaller Plate. Etching and drypoint, 1634. 103x73 mm; 4x2 7/8 inches, thread margins. Usticke's first state (of 2). Ex-collection John MacGowan (Lugt 1496, verso); and Robert Dighton (Lugt 727, lower
Lot: 89 - REMBRANDT VAN RIJN The Stoning of St. Stephen.
REMBRANDT VAN RIJN The Stoning of St. Stephen. Etching and drypoint, 1635. 96x86 mm; 3 3/4x3 3/8 inches, small margins. Biörklund's second state (of 2); Usticke's second state (of 4); White and Boon's second state (of 2). A good, dark
Lot: 90 - REMBRANDT VAN RIJN Saint Jerome Kneeling in
REMBRANDT VAN RIJN Saint Jerome Kneeling in Prayer, Looking Down. Etching, 1635. 115x83 mm; 4 1/2x3 1/4 inches, small margins. Usticke's second state (of 3). A good, dark impression. Bartsch 102; Biörklund 35-H; Hollstein (White and
Lot: 91 - REMBRANDT VAN RIJN The First Oriental Head.
REMBRANDT VAN RIJN The First Oriental Head. Etching, 1635. 151x126 mm; 6x5 inches, small margins. Biörklund's second state (of 3); Usticke's only state (l); White and Boon's second state (of 3). A superb, evenly-printed impression with
Lot: 92 - REMBRANDT VAN RIJN Old Bearded Man in a High Fur
REMBRANDT VAN RIJN Old Bearded Man in a High Fur Cap, with Eyes Closed. Etching, circa 1635. 112x101 mm; 4 1/2x4 inches, narrow margins. Usticke's third state (of 5). A very good, dark impression with strong contrasts. Bartsch 290;
Lot: 93 - REMBRANDT VAN RIJN Saint Jerome Kneeling in
REMBRANDT VAN RIJN Saint Jerome Kneeling in Prayer, Looking Down. Etching, 1635. 115x83 mm; 4 1/2x3 1/4 inches, small margins. Usticke's second state (e) (of 3) with the short diagonal scratch under the signature printing clearly. A very good
Lot: 94 - REMBRANDT VAN RIJN The Crucifixion: Small Plate.
REMBRANDT VAN RIJN The Crucifixion: Small Plate. Etching, circa 1635. 93x68 mm; 3 5/8x2 3/4 inches, narrow to thread margins. Usticke's first state (of 2), with the broken line in Christ's abdomen. A good, evenly-printed impression with the
Lot: 95 - REMBRANDT VAN RIJN Old Bearded Man in a High Fur
REMBRANDT VAN RIJN Old Bearded Man in a High Fur Cap, with Eyes Closed. Etching, circa 1635. 112x101 mm; 4 1/2x4 inches, small margins. Usticke's third state (of 5). A very good, dark impression with the delicate wiping scratches in the
Lot: 96 - REMBRANDT VAN RIJN The First Oriental Head.
REMBRANDT VAN RIJN The First Oriental Head. Etching, 1635. 151x126 mm; 6x5 inches, small margins. Biörklund's second state (of 3); Usticke's only state (l); White and Boon's second state (of 3). A superb, evenly-printed impression with
Lot: 97 - REMBRANDT VAN RIJN The Second Oriental Head.
REMBRANDT VAN RIJN The Second Oriental Head. Etching, circa 1635. 153x127 mm; 6x5 inches, narrow to thread margins. Usticke's second state (of 2). Arms of Amsterdam watermark (Ash/Flecther I). A superb, dark impression of this extremely
Lot: 98 - REMBRANDT VAN RIJN The Strolling Musicians.
REMBRANDT VAN RIJN The Strolling Musicians. Etching, circa 1635. 140x119 mm; 5 1/2x4 3/4 inches, thread margins. Biörklund's second state (of 2); Usticke's second state (e) (of 3); White and Boon's third state (of 3). A very good, dark
Lot: 99 - REMBRANDT VAN RIJN Self Portrait with Saskia.
REMBRANDT VAN RIJN Self Portrait with Saskia. Etching, 1636. 105x97 mm; 4 1/8x3 7/8 inches, narrow to thread margins. Biörklund's third state (of 3); Usticke's second state (i) (of 6), with the horizontal scratch across Saskia's breast
Lot: 100 - REMBRANDT VAN RIJN The Strolling Musicians.
REMBRANDT VAN RIJN The Strolling Musicians. Etching, circa 1635. 140x119 mm; 5 1/2x4 3/4 inches, narrow to thread margins. Biörklund's first state (of 2); Usticke's first state (of 3); White and Boon's first state (of 3). A superb, dark
Lot: 101 - REMBRANDT VAN RIJN Self Portrait with Saskia.
REMBRANDT VAN RIJN Self Portrait with Saskia. Etching, 1636. 105x97 mm; 4 1/8x3 7/8 inches, thread margins. Biörklund's third state (of 3); Usticke's third state (of 6); White and Boon's third state (of 3). A very good, dark impression
Lot: 102 - REMBRANDT VAN RIJN Joseph Telling his Dreams.
REMBRANDT VAN RIJN Joseph Telling his Dreams. Etching, 1638. 111x80 mm; 4 3/8x3 1/4 inches, narrow margins. Biörklund's fourth state (of 4); Usticke's fourth state (of 5), with the diagonal shading on the table top; White and Boon's third
Lot: 103 - REMBRANDT VAN RIJN Self Portrait in a Velvet Cap
REMBRANDT VAN RIJN Self Portrait in a Velvet Cap and Plume. Etching, 1638. 135x106 mm; 5 3/8x4 1/4 inches, small margins. Biörklund's third state (of 3); Usticke's second state (l) (of 3); White and Boon's third state (of 3). A very good,
Lot: 104 - REMBRANDT VAN RIJN Joseph Telling his Dreams.
REMBRANDT VAN RIJN Joseph Telling his Dreams. Etching, 1638. 111x80 mm; 4 3/8x3 1/4 inches, narow to small margins. Biörklund's third state (of 4); Usticke's second state (of 5); White and Boon's second state (of 3). Arms of Amsterdam
Lot: 105 - REMBRANDT VAN RIJN Self Portrait in a Velvet Cap
REMBRANDT VAN RIJN Self Portrait in a Velvet Cap and Plume. Etching, 1638. 132x102 mm; 5 1/4x4 inches, narrow margins. Biörklund's third state (of 3); Usticke's third state (e) (of 3); White and Boon's third state (of 3). A very good,
Lot: 106 - REMBRANDT VAN RIJN Joseph Telling his Dreams.
REMBRANDT VAN RIJN Joseph Telling his Dreams. Etching, 1638. 111x80 mm; 4 3/8x3 1/4 inches, narrow to thread margins. Biörklund's fourth state (of 4); Usticke's second state (of 5); White and Boon's third state (of 3). A very good, dark
Lot: 107 - REMBRANDT VAN RIJN Self Portrait in a Velvet Cap
REMBRANDT VAN RIJN Self Portrait in a Velvet Cap and Plume. Etching, 1638. 132x102 mm; 5 1/4x4 inches. Biörklund's third state (of 3); Usticke's second state (i) (of 3); White and Boon's third state (of 3). Trimmed on the plate mark. A
Lot: 108 - REMBRANDT VAN RIJN Self Portrait in a Velvet Cap
REMBRANDT VAN RIJN Self Portrait in a Velvet Cap and Plume. Etching, 1638. 135x104 mm; 5 3/8x4 1/8 inches, small margins. Biörklund's third state (of 3); Usticke's second state (of 3), with the diagonal scratch upper left and with the
Lot: 109 - REMBRANDT VAN RIJN The Death of the Virgin.
REMBRANDT VAN RIJN The Death of the Virgin. Etching and drypoint, 1639. 400x312 mm; 15 3/4x12 1/4 inches. Biörklund's fourth state (of 4); Usticke's fourth state (of 5); White and Boon's third state (of 3). Trimmed on or inside the plate
Lot: 110 - REMBRANDT VAN RIJN The Presentation in the Temple:
REMBRANDT VAN RIJN The Presentation in the Temple: Oblong Print. Etching, circa 1640. 215x292 mm; 8 1/2x11 5/8 inches, small margins. Biörklund's third state (of 3); Usticke's fourth state (of 6), before the Jean rework; White and Boon's
Lot: 111 - REMBRANDT VAN RIJN The Presentation in the Temple:
REMBRANDT VAN RIJN The Presentation in the Temple: Oblong Print. Etching, circa 1640. 215x292 mm; 8 1/2x11 5/8 inches, small margins. Biörklund's second state (of 3); Usticke's third state (of 6), before the complete shading of the bare
Lot: 112 - REMBRANDT VAN RIJN The Virgin and Child in the
REMBRANDT VAN RIJN The Virgin and Child in the Clouds. Etching and drypoint, 1641. 169x107 mm; 6 7/8x4 1/4 inches, narrow margins. Usticke's second state (of 2). A very good, well-inked impression with all the delicate lines printing clearly
Lot: 113 - REMBRANDT VAN RIJN Woman at a Door Hatch Talking
REMBRANDT VAN RIJN Woman at a Door Hatch Talking to a Man and Children. Etching, 1641. 95x63 mm; 3 3/4x2 1/2 inches, small margins. Biörklund's second state (of 2); Usticke's second state (of 3). A very good, dark impression. Bartsch
Lot: 114 - REMBRANDT VAN RIJN Cornelis Claesz Anslo,
REMBRANDT VAN RIJN Cornelis Claesz Anslo, Preacher. Etching and drypoint on fibrous cream laid Japan paper, 1641. 175x155 mm; 7x6 1/8 inches. Biörklund's third state (of 4); Usticke's fourth state (of 6); White and Boon's second state (of
Lot: 115 - REMBRANDT VAN RIJN Man Drawing from a Cast.
REMBRANDT VAN RIJN Man Drawing from a Cast. Etching, circa 1641. 97x66 mm; 3 7/8x2 5/8 inches, small margins. Biörklund's third state (of 3); Usticke's third state (of 5), before the coarse reworking of the plate; White and Boon's third
Lot: 116 - REMBRANDT VAN RIJN The Raising of Lazarus: Small
REMBRANDT VAN RIJN The Raising of Lazarus: Small Plate. Etching, 1642. 151x115 mm; 6x4 1/2 inches, thread margins. Biörklund's second state (of 2); Usticke's second state (e) (of 3); White and Boon's second state (of 2). A very good
Lot: 117 - REMBRANDT VAN RIJN Christ Healing the Sick (The
REMBRANDT VAN RIJN Christ Healing the Sick (The Hundred Guilder Print). Etching, engraving and drypoint, circa 1643-49. 279x388 mm; 11 1/8x15 1/4 inches, narrow margins. Biörklund's second state (of 2), with the Baillie rework; Usticke's
Lot: 118 - REMBRANDT VAN RIJN Self Portrait in a Flat Cap and
REMBRANDT VAN RIJN Self Portrait in a Flat Cap and Embroidered Dress. Etching, circa 1642. 95x63 mm; 3 3/4x2 3/8 inches, narrow margins. Biörklund's second state (of 2); Usticke's second state (e) (of 3). A very good, dark and
Lot: 119 - REMBRANDT VAN RIJN Abraham and Isaac.
FROM THE PAAR AND LE SECQ COLLECTIONS REMBRANDT VAN RIJN Abraham and Isaac. Etching, 1645. 157x130 mm; 6 1/4x5 1/8 inches, narrow margins. Biörklund's second state (of 2); Usticke's second state (of 3), before the Jean rework. A superb,
Lot: 120 - REMBRANDT VAN RIJN Christ Carried to the Tomb.
REMBRANDT VAN RIJN Christ Carried to the Tomb. Etching and drypoint, circa 1645. 132x107 mm; 5 1/4x4 1/4 inches, narrow to thread margins. Usticke's only state (l). A very good, evenly-printed impression with strong contrasts. Bartsch 84;
Lot: 121 - REMBRANDT VAN RIJN Beggar Woman Leaning on a
REMBRANDT VAN RIJN Beggar Woman Leaning on a Stick. Etching, 1646. 80x63 mm; 3 1/8x2 1/2 inches, wide margins. Biörklund's second state (of 2); Usticke's third state (of 6). A very good, evenly-printed impression. Bartsch 170;
Lot: 122 - REMBRANDT VAN RIJN Nude Man Seated on the Ground
REMBRANDT VAN RIJN Nude Man Seated on the Ground with One Leg Extended. Etching, 1646. 98x160 mm; 3 7/8x6 1/4 inches. Biörklund's second state (of 2); Usticke's second state (of 4), with burr on the folds of drapery between the raised leg
Lot: 123 - REMBRANDT VAN RIJN Nude Man Seated and Another
REMBRANDT VAN RIJN Nude Man Seated and Another Standing with a Woman and a Baby. Etching, circa 1646. 195x130 mm; 7 5/8x5 1/8 inches, small margins. Biörklund's fourth state (of 4); Usticke's fourth state (of 7); White and Boon's third
Lot: 124 - REMBRANDT VAN RIJN Jan Asselyn, Painter.
REMBRANDT VAN RIJN Jan Asselyn, Painter. Etching and drypoint on thin cream laid paper, circa 1647. 216x171 mm; 8 1/2x6 3/4 inches, narrow margins. Biörklund's third state (of 4); Usticke's third state (of 6); White and Boon's second state
Lot: 125 - REMBRANDT VAN RIJN The Artist Drawing from a
REMBRANDT VAN RIJN The Artist Drawing from a Model. Etching, circa 1647. 232x186 mm; 9 1/4x7 3/8 inches, small margins. Biörklund's second state (of 2); Usticke's second state (of 2); White and Boon's second state (of 2). A good, dark
Lot: 126 - REMBRANDT VAN RIJN Self Portrait Drawing at a
REMBRANDT VAN RIJN Self Portrait Drawing at a Window. Etching and drypoint, 1648. 160x130 mm; 6 3/8x5 1/8 inches, small margins. Biörklund's fifth state (of 5); Usticke's fifth state (of 8); White and Boon's fifth state (of 5). A very
Lot: 127 - REMBRANDT VAN RIJN Jews in the Synagogue.
REMBRANDT VAN RIJN Jews in the Synagogue. Etching, drypoint and burin, 1648. 73x130 mm; 2 7/8x5 1/8 inches, narrow margins. Biörklund's third state (of 3); Usticke's fifth state (of 7), before the Bernard rework; White and Boon's third
Lot: 128 - REMBRANDT VAN RIJN Jews in the Synagogue.
REMBRANDT VAN RIJN Jews in the Synagogue. Etching, 1648. 73x130 mm; 2 7/8x5 1/8 inches, narrow to thread margins. Biörklund's third state (of 3); Usticke's fifth state (of 7), before the Jean and Bernard rework; White and Boon's third
Lot: 129 - REMBRANDT VAN RIJN Beggars Receiving Alms at a
REMBRANDT VAN RIJN Beggars Receiving Alms at a Door. Etching, 1648. 165x130 mm; 6 1/2x5 1/8 inches, narrow. Biörklund's third state (of 3); Usticke's fifth state (of 6); White and Boon's third state (of 3). Ex-collection unknown
Lot: 130 - REMBRANDT VAN RIJN Jews in the Synagogue.
REMBRANDT VAN RIJN Jews in the Synagogue. Etching, drypoint and burin, 1648. 73x130 mm; 2 7/8x5 1/8 inches, thread margins. Biörklund's second state (of 3); Usticke's second state (of 7), before the Watelet rework; White and Boon's second
Lot: 131 - REMBRANDT VAN RIJN Landscape with a Cow.
REMBRANDT VAN RIJN Landscape with a Cow. Etching, circa 1650. 103x131 mm; 4 1/8x5 1/4 inches, small to narrow margins. Biörklund's third state (of 3); Usticke's fourth state (of 6); White and Boon's third state (of 3). A very good,
Lot: 132 - REMBRANDT VAN RIJN The Flight into Egypt: A Night
REMBRANDT VAN RIJN The Flight into Egypt: A Night Piece. Etching 1651. 128x111 mm; 5x4 3/8 inches, small margins. Biörklund's fifth state (of 5); Usticke's sixth state (of 9); White and Boon's sixth state (of 6). A very good, dark
Lot: 133 - REMBRANDT VAN RIJN Clement de Jonghe, Printseller.
REMBRANDT VAN RIJN Clement de Jonghe, Printseller. Etching and drypoint on cream laid paper, 1651. 208x161 mm; 8 1/4x6 3/8 inches, small margins. Biörklund's sixth state (of 6); Usticke's eighth state (of 9); White and Boon's sixth state
Lot: 134 - REMBRANDT VAN RIJN David at Prayer.
REMBRANDT VAN RIJN David at Prayer. Etching, 1652. 143x94 mm; 5 3/4x3 3/4 inches, small margins. Biörklund's third state (of 3); Usticke's second state (i) (of 3), with the horizontal scratch across David's back showing distinctly; White
Lot: 135 - REMBRANDT VAN RIJN Faust.
REMBRANDT VAN RIJN Faust. Etching and drypoint, circa 1652. 211x163 mm; 8 3/8x6 1/2 inches, thread margins. Biörklund's fourth state (of 4); Usticke's fourth state (of 7); White and Boon's fourth state (of 4). A very good, dark and
Lot: 136 - REMBRANDT VAN RIJN Christ Disputing with the
REMBRANDT VAN RIJN Christ Disputing with the Doctors. Etching, 1652. 128x217 mm; 5 1/8x8 5/8 inches, small to narrow margins. Biörklund's first state (of 3), before the rust spots; Usticke's first state (of 3); White and Boon's first state
Lot: 137 - REMBRANDT VAN RIJN The Circumcision in the Stable.
REMBRANDT VAN RIJN The Circumcision in the Stable. Etching, 1654. 97x148 mm; 4x5 7/8 inches, small margins. Biörklund's second state (of 2); Usticke's second state (e) (of 3); White and Boon's second state (of 2), with the blank spaces
Lot: 138 - REMBRANDT VAN RIJN The Virgin and Child with the
REMBRANDT VAN RIJN The Virgin and Child with the Cat and Snake. Etching, 1654. 96x146 mm; 3 3/4x5 3/4 inches, small margins. Biörklund's second state (of 2); Usticke's second state (e) (of 4), with the delicate diagonal shading on the
Lot: 139 - REMBRANDT VAN RIJN Christ Seated Disputing with
REMBRANDT VAN RIJN Christ Seated Disputing with the Doctors. Etching, 1654. 96x144 mm; 3 7/8x5 3/4 inches, narrow margins. Usticke's second state (of 3). A very good impression with strong contrasts. Bartsch 64; Biörklund 54-E; Hollstein
Lot: 140 - REMBRANDT VAN RIJN The Descent from the Cross by
REMBRANDT VAN RIJN The Descent from the Cross by Torchlight. Etching, 1654. 210x163 mm; 8 1/4x6 1/2 inches, small margins. Biörklund's second state (of 2); Usticke's second state (of 3), before the Bernard rework. A good, dark impression.
Lot: 141 - REMBRANDT VAN RIJN Christ at Emmaus: The Larger
REMBRANDT VAN RIJN Christ at Emmaus: The Larger Plate. Etching, 1654. 212x162 mm; 8 3/8x6 1/2 inches, narrow margins. Biörklund's third state (of 3); Usticke's third state (of 4); White and Boon's third state (of 3). A superb, dark
Lot: 142 - REMBRANDT VAN RIJN The Adoration of the Shepherds:
REMBRANDT VAN RIJN The Adoration of the Shepherds: with the Lamp. Etching, circa 1654. 103x129 mm; 4 1/8x5 1/8 inches, small margins. Biörklund's second state (of 2); Usticke's second state (i) (of 3); White and Boon's second state (of 2).
Lot: 143 - REMBRANDT VAN RIJN The Circumcision in the Stable.
REMBRANDT VAN RIJN The Circumcision in the Stable. Etching, 1654. 97x146 mm; 4x5 3/4 inches. Biörklund's first state (of 2); Usticke's first state (of 3); White and Boon's first state (of 2), with the blank spaces upper center and upper
Lot: 144 - REMBRANDT VAN RIJN Christ at Emmaus: The Larger
REMBRANDT VAN RIJN Christ at Emmaus: The Larger Plate. Etching on tissue-thin cream laid paper, 1654. 212x162 mm; 8 3/8x6 1/2 inches, narrow margins. Biörklund's third state (of 3); Usticke's third state (of 4); White and Boon's third
Lot: 145 - REMBRANDT VAN RIJN The Adoration of the Shepherds:
REMBRANDT VAN RIJN The Adoration of the Shepherds: with the Lamp. Etching, circa 1654. 103x129 mm; 4 1/8x5 1/8 inches, small margins. Biörklund's second state (of 2); Usticke's second state (e) (of 3); White and Boon's second state (of 2).
Lot: 146 - REMBRANDT VAN RIJN The Goldsmith.
REMBRANDT VAN RIJN The Goldsmith. Etching and drypoint, 1655. 80x58 mm; 3 1/8x2 1/4 inches, thread margins. Biörklund's second state (of 2); Usticke's second state (of 3); White and Boon's second state (of 3). Ex-collection unknown
Lot: 147 - REMBRANDT VAN RIJN The Goldsmith.
REMBRANDT VAN RIJN The Goldsmith. Etching and drypoint, 1655. 80x58 mm; 3 1/8x2 1/4 inches, narrow to thread margins. Biörklund's first state (of 2); Usticke's first state (of 3); White and Boon's first state (of 3). Ex-collection
Lot: 148 - REMBRANDT VAN RIJN Abraham Francen, Apothecary.
REMBRANDT VAN RIJN Abraham Francen, Apothecary. Etching, circa 1657. 156x208 mm; 6 1/8x8 1/4 inches, small margins. Biörklund's tenth state (of 10); Usticke's ninth state (of 9); White and Boon's tenth state (of 10). A very good, dark
Lot: 149 - REMBRANDT VAN RIJN Abraham Francen, Apothecary.
REMBRANDT VAN RIJN Abraham Francen, Apothecary. Etching, circa 1657. 156x208 mm; 6 1/8x8 1/4 inches, thread margins. Biörklund's tenth state (of 10); Usticke's seventh state (e) (of 9); White and Boon's tenth state (of 10). A very good,
Lot: 150 - REMBRANDT VAN RIJN Christ and the Woman of
REMBRANDT VAN RIJN Christ and the Woman of Samaria: An Arched Print. Etching and drypoint on thin, cream laid paper, 1657-58. 125x160 mm; 5x6 1/4 inches, small margins. Biörklund's third state (of 3); Usticke's fourth state (i) (of 4);
Lot: 151 - REMBRANDT VAN RIJN Negress Lying Down.
REMBRANDT VAN RIJN Negress Lying Down. Etching, drypoint and engraving, 1658. 82x155 mm; 3 1/4x6 1/8 inches, small to narrow margins. Biörklund's third state (of 3); Usticke's third state (of 5); White and Boon's third state (of 3). A
Lot: 152 - REMBRANDT VAN RIJN Jan Antonides van der Linden,
REMBRANDT VAN RIJN Jan Antonides van der Linden, Physician. Etching, circa 1665. 130x106 mm; 4 1/8x4 1/4 inches. Biörklund's sixth state (of 6); Usticke's seventh state (of 7); White and Boon's fifth state (of 5). Trimmed on the plate
Lot: 153 - JUSEPE DE RIBERA The Martyrdom of St. Bartholomew.
JUSEPE DE RIBERA The Martyrdom of St. Bartholomew. Etching, 1624. 326x242 mm; 12 7/8x9 5/8 inches, thread margins. First state (of 2). Ex-collection William Charp (Lugt 2650, verso). A very good, evenly-printed impression with contrasts.
Lot: 154 - AEGIDIUS SADELER Vestigi delle Antichita di Roma,
AEGIDIUS SADELER Vestigi delle Antichita di Roma, Tivoli, Pozzuolo et altri Luochi. Group of 45 etchings with an etched title page and etched dedication page, 1606 (published 1660). 275x390 mm; 10 3/4x15 1/2 inches (sheets), wide margins. Very
Lot: 155 - ANTONIO SALAMANCA (publisher) Tomb of Pope Julius
ANTONIO SALAMANCA (publisher) Tomb of Pope Julius II, San Pietro in Vincoli, Rome. Engraving, 1554. 417x270 mm; 16 1/2x10 5/8 inches, wide margins. A very good impression. Though Julius II's final resting place is actually at St. Peter's
Lot: 156 - MARTIN SCHONGAUER Christ on the Mount of Olives.
MARTIN SCHONGAUER Christ on the Mount of Olives. Engraving, circa 1480. 164x114 mm; 6 1/2x4 1/2 inches, narrow margins. Ex-collection Josef Dankó (Lugt 763, verso). From the Passion. A very good, dark impression with strong contrasts.
Lot: 157 - MARTIN SCHONGAUER St. Andrew.
MARTIN SCHONGAUER St. Andrew. Engraving, circa 1480. 88x45 mm; 3 1/2x1 3/4 inches.With thread margins or trimmed on the plate mark. A good impression of this extremely scarce, early print. Bartsch 35; Lehrs 43.
Lot: 158 - NICOLAS LE SUEUR Europa and the Bull.
NICOLAS LE SUEUR Europa and the Bull. Chiaroscuro woodcut printed in light bluish gray, light brown and black, circa 1740. 423x280 mm; 16 3/4x11 inches, wide margins. A very good impression. LeBlanc 20.
Lot: 159 - GIOVANNI D. TIEPOLO St. Francesco di Paula Cures a
GIOVANNI D. TIEPOLO St. Francesco di Paula Cures a Possessed Man. Etching, circa 1750. 190x105 mm; 7 1/2x4 1/4 inches, small margins. Fourth state (of 4). A very good, evenly-printed impression of this scarce print, with strong contrasts.
Lot: 160 - ANTONIO DE TRENTO (after Parmigianino) Narcissus
ANTONIO DE TRENTO (after Parmigianino) Narcissus at the Well. Chiaroscuro woodcut printed in light greenish blue and black, circa 1525. 285x182 mm; 11 1/4x7 1/4 inches, narrow margins. Ex-collection unknown collector (Lugt supplement 82a,
Lot: 161 - JAN VAN DE VELDE Mayus (May).
JAN VAN DE VELDE Mayus (May). Etching, 1616. 155x300 mm; 6 1/8x11 3/4 inches, narrow margins outside the border line. First state (of 2). Small restoration right edge above the landscape. A very good, early impression of this scarce print.
Lot: 162 - JAN VAN DE VELDE The Twelve Months.
JAN VAN DE VELDE The Twelve Months. Group of 9 (of 12) etchings, 1616. Each approximately 277x356 mm; 11x14 inches. Each with narrow to thread margins or trimmed on the plate marks; most with scattered edge tears and small corner losses;
Lot: 163 - CLAES JANSZ VISSCHER Procession with Feasting
CLAES JANSZ VISSCHER Procession with Feasting Lepers. Etching, 1608. 174x230 mm; 6 7/8x9 inches, thread margins. Second state (of 2). Foolscap watermark. A very good impression of this scarce print. Hollstein 111.
Lot: 164 - FRANZ EDMUND WEIROTTER Landscape (Cottages on a
FRANZ EDMUND WEIROTTER Landscape (Cottages on a Lake). Etching. 100x189 mm; 4x7 1/2 inches, thread margins. Ex-collection unknown collector, ink stamp verso (not in Lugt). A very good impression.
Lot: 165 - JOHANNES WIERICX (after Dürer) The Small
JOHANNES WIERICX (after Dürer) The Small Horse. Engraving, circa 1565. 160x105 mm; 6 3/8x4 1/4 inches. A superb, dark impression of this scarce print with strong contrasts. Based on the same-titled engraving by Dürer from 1505
Lot: 166 - JOHANNES WIERICX (after Dürer) Adam and Eve
JOHANNES WIERICX (after Dürer) Adam and Eve. Engraving, 1566. 245x192 mm; 9 3/4x7 5/8 inches, small to narrow margins. A very good, evenly-printed and dark impression of this scarce print with strong contrasts. Mauquoy-Hendrickx 54.
Lot: 167 - ALBERT BESNARD Les Morphinomanes.
ALBERT BESNARD Les Morphinomanes. Etching and drypoint, 1887. 234x370 mm; 9 1/4x14 5/8 inches, wide (full ?) margins. Signed in pencil, lower right. Ex-collection unknown collector, ink stamp verso (not in Lugt). A superb, dark impression of
Lot: 168 - WILLIAM BLAKE When the Morning Stars Sang Together
WILLIAM BLAKE When the Morning Stars Sang Together & All the Sons of God Shouted for Joy. Engraving on Chine collé, 1825. 220x172 mm; 8 5/8x6 3/4 inches, full margins. From Illustrations of the Book of Job. A very good, dark impression
Lot: 169 - FÉLIX BUHOT Le Petit Enterrement.
FÉLIX BUHOT Le Petit Enterrement. Etching, roulette, aquatint and drypoint printed on antique cream laid paper, circa 1880. 86x115 mm; 3 3/8x4 1/2 inches, wide margins. Second state (of 2). A very good impression. Bourcard/Goodfriend
Lot: 170 - FÉLIX BUHOT Une Jetée en Angleterre.
FÉLIX BUHOT Une Jetée en Angleterre. Etching, drypoint and roulette on tissue-thin cream laid Japan paper, 1879. 302x202 mm; 12x8 inches, full margins. Fifth state (of 8). With the artist's red ink stamp (Lugt 977, lower center
Lot: 171 - MARY CASSATT Margot Wearing a Bonnet (No. 3).
MARY CASSATT Margot Wearing a Bonnet (No. 3). Drypoint on cream laid paper, circa 1902. 228x158 mm; 9x6 inches, wide margins. A very good, evenly-printed impression with warm plate tone. Breeskin 181.
Lot: 172 - MARY CASSATT Sara Smiling.
MARY CASSATT Sara Smiling. Drypoint on cream laid paper, circa 1904. 196x136 mm; 7 3/4x5 inches, full margins. A good impression. Breeskin 195.
Lot: 173 - MARY CASSATT Looking into the Hand Mirror (No. 3).
MARY CASSATT Looking into the Hand Mirror (No. 3). Drypoint on cream laid paper, circa 1905. 210x145 mm; 8 3/4x5 3/4 inches, full margins. A very good impression with burr in the woman's and child's hair and on some of the contours. Breeskin
Lot: 174 - MARY CASSATT Denise Holding her Child.
MARY CASSATT Denise Holding her Child. Drypoint on cream laid paper, circa 1905. 208x150 mm; 8 1/4x5 7/8 inches, full margins. Second state (of 2). A very good impression. Breeskin 204.
Lot: 175 - MARY CASSATT The Manicure.
MARY CASSATT The Manicure. Drypoint on cream laid paper, circa 1908. 210x149 mm; 8 1/4x5 7/8 inches, wide margins. A very good, well-inked impression with burr on the mother's hair. Breeskin 199.
Lot: 176 - PAUL CÉZANNE Portrait de Cézanne par
PAUL CÉZANNE Portrait de Cézanne par lui-même. Lithograph printed in gray on cream laid paper, circa 1898. 325x280 mm; 12 3/4x11 inches, full margins. Edition of approximately 100. Printed by Auguste Clot, Paris. Arches Ingres
Lot: 177 - EDGAR DEGAS Autoportrait.
EDGAR DEGAS Autoportrait. Etching on imitation Japan paper, 1857. 230x144 mm; 9x5 3/8 inches, wide (full ?) margins. Fourth state (of 4), after cancellation. A good, clearly-printed impression. Delteil 1; Adhémar 13.
Lot: 178 - EDGAR DEGAS and GEORGE W THORNLEY Chez la Modiste
EDGAR DEGAS and GEORGE W THORNLEY Chez la Modiste. Lithograph printed in blue on greenish blue wove paper, circa 1888-89. 235x270 mm; 9 1/4x10 5/8 inches, wide margins. Edition of 100. Printed by Atelier Becquet, Paris. Published by
Lot: 179 - EDGAR DEGAS and GEORGE W THORNLEY La Sortie de
EDGAR DEGAS and GEORGE W THORNLEY La Sortie de Bain. Lithograph printed in blue on pale cream Chine appliqué on a greenish blue wove backing sheet, circa 1888-89. 223x300 mm; 8 3/4x11 7/8 inches, wide margins. Edition of 100. Printed by
Lot: 180 - EDGAR DEGAS and GEORGE W THORNLEY Petit Danseuse
EDGAR DEGAS and GEORGE W THORNLEY Petit Danseuse à l'Éventail. Lithograph printed in black on pale cream Chine appliqué on a greenish blue wove backing sheet, circa 1888-89. 263x171 mm; 10 3/8x6 3/4 inches, wide margins. Edition
Lot: 181 - EUGÈNE DELACROIX Juive d'Alger.
EUGÈNE DELACROIX Juive d'Alger. Etching, 1833. 213x173 mm; 8 1/2x6 7/8 inches, full margins. Second state (of 4), still with the small cross lower right. Printed by Delâtre, Paris. Published by Cadart and Luquet, Paris, for the
Lot: 182 - MAURICE DENIS Sur la Canape d'Argent pale.
MAURICE DENIS Sur la Canape d'Argent pale. Color lithograph, 1898. 407x291 mm; 16x11 1/2 inches, full margins. Edition of 100. Signed in pencil, lower right. Printed by Auguste Clot, Paris. Published by Vollard, Paris. From Amour. A superb
Lot: 183 - FRANK DUVENECK Laguna Veneta.
FRANK DUVENECK Laguna Veneta. Etching on Chine collé, 1881. 197x345 mm; 7 3/4x13 1/2 inches, wide margins. Edition of approximately only 40. Published by Robert Dunthorne, London. A very good impression of this extremely scarce print.
Lot: 184 - PAUL GAUGUIN Mahna No Varua Ino.
PAUL GAUGUIN Mahna No Varua Ino. Woodcut on Chine volant, 1893-94. 202x352 mm; 8x14 inches, full margins. Edition of 100. Signed and annotated by the artist's son, Pola Gauguin, and inscribed "No. 53" in pencil. A very good impression.
Lot: 185 - PAUL GAUGUIN Deux Femmes Maories accroupies.
PAUL GAUGUIN Deux Femmes Maories accroupies. Lithograph on smooth, cream imitation Japan paper, 1894-95. 160x202 mm; 6 3/8x8 inches, full margins. Edition of approximately 200. From L'Epreuve--Album d'Art. A very good impression of this
Lot: 186 - PAUL CÉSAR HELLEU Madame Letellier.
PAUL CÉSAR HELLEU Madame Letellier. Drypoint, circa 1890. 548x340 mm; 21 5/8x13 1/2 inches, wide margins. Signed in pencil, lower left. A superb impression of this large print, with richly-inked burr.
Lot: 187 - PAUL CÉSAR HELLEU Femme lisant.
PAUL CÉSAR HELLEU Femme lisant. Drypoint, circa 1900. 325x400 mm; 12 3/4x15 3/4 inches, full margins. Signed in pencil, lower right. A very good, dark impression.
Lot: 188 - PAUL CÉSAR HELLEU La Rade des Crowes.
PAUL CÉSAR HELLEU La Rade des Crowes. Drypoint, circa 1898. 240x400 mm; 9 1/2x15 3/4 inches, full margins. Signed in pencil, lower left. A very good impression with well-inked burr.
Lot: 189 - PAUL CÉSAR HELLEU La Visage encadré,
PAUL CÉSAR HELLEU La Visage encadré, Madame Helleu. Color drypoint, circa 1900. 278x400 mm; 10 7/8x15 3/4 inches, wide margins. Signed in pencil, lower left. A very good impression of this scarce print. Montesquiou 42.
Lot: 190 - PAUL CÉSAR HELLEU Woman Embroidering.
PAUL CÉSAR HELLEU Woman Embroidering. Drypoint, circa 1900. 365x280 mm; 14 1/2x11 1/8 inches, wide margins. Signed in pencil, lower right. A very good, well-inked impression.
Lot: 191 - PAUL CÉSAR HELLEU Le Noeud bleu.
PAUL CÉSAR HELLEU Le Noeud bleu. Color drypoint, circa 1900. 540x337 mm; 21 1/4x13 1/4 inches, wide margins. Signed in pencil, lower left. A very good impression of this large, important print. Montesquiou 40.
Lot: 192 - DAVID LUCAS (after Constable) Salisbury Cathedral
DAVID LUCAS (after Constable) Salisbury Cathedral. Mezzotint, etching, stipple engraving and roulette on Chine collé, 1835-37. 655x772 mm; 25 3/4x30 3/8 inches. Proof before the published editions. Trimmed on or just inside the plate
Lot: 193 - EDOUARD MANET Jeanne (le Printemps).
ON IMITATION JAPAN PAPER EDOUARD MANET Jeanne (le Printemps). Etching on imitation Japan paper, 1882. 248x183 mm; 9 3/4x7 1/4 inches, full margins. Third state (of 5), with aquatint but before letters and printed on imitation Japan paper. The
Lot: 194 - EDOUARD MANET (after) L'Olympia
EDOUARD MANET (after) L'Olympia. Color aquatint and etching, 1929. 405x583 mm; 16x23 inches, wide margins. Signed in pencil, lower right. Etched by Jacques Villon. A very good impression. Ginestet/Pouillon 647 (Villon).
Lot: 195 - CHARLES MERYON Tourelle de la Rue de la
CHARLES MERYON Tourelle de la Rue de la Tixéranderie. Etching on Chine collé, 1852. 250x131 mm; 9 1/4x5 1/8 inches, full margins. Third state (of 4), before the inscriptions. Hudelist watermark. A brilliant, early impression.
Lot: 196 - CHARLES MERYON La Tour de l'Horloge.
CHARLES MERYON La Tour de l'Horloge. Etching and engraving on Chine collé, 1852. 261x187 mm; 10 1/4x7 1/4 inches, wide margins. Seventh state (of 10). Hallines watermark. With--Le Petit Pont, etching on Chine collé, 1850. 261x195
Lot: 197 - CHARLES MERYON Oceanie, Peche aux Palmes.
CHARLES MERYON Oceanie, Peche aux Palmes. Etching, 1863. 160x343 mm; 6 3/8x13 1/2 inches, wide margins. Fifth state (of 6), before letters. Hallines watermark. A superb, richly-inked impression with strong contrasts. Schneiderman 88.
Lot: 198 - JEAN-FRANÇOIS MILLET La Cardeuse.
JEAN-FRANÇOIS MILLET La Cardeuse. Etching printed in brownish-black on light tan laid Japan paper, 1855-56. 256x177 mm; 10 1/4x7 inches, full margins. A superb, richly-inked impression with warm plate tone. Delteil 15; Melot 15.
Lot: 199 - SAMUEL PALMER The Early Ploughman.
SAMUEL PALMER The Early Ploughman. Etching, 1861. 133x197 mm; 5 3/8x7 7/8 inches, small margins. Fifth state (of 9). Partial proprietary watermark. A very good, dark impression. Lister 9.
Lot: 200 - CAMILLE PISSARRO Marché de Pontoise.
CAMILLE PISSARRO Marché de Pontoise. Drypoint printed in dark brownish black, 1888. 99x62 mm; 4x2 1/2 inches, full margins. First state (of 3). One of only 2 known impressions in this state (there are a total of 9 known lifetime
Lot: 201 - CAMILLE PISSARRO Marché à Gisors (Rue
CAMILLE PISSARRO Marché à Gisors (Rue Cappeville). Color etching printed in blue, yellow, red and black, circa 1894. 200x140 mm; 7 7/8x5 1/2 inches, full margins. Seventh state (of 7). Edition of 11 (plus the bon à tirer
Lot: 202 - CAMILLE PISSARRO Faneuses.
CAMILLE PISSARRO Faneuses. Etching printed in dark brown on cream laid paper, 1890. 197x135 mm; 7 3/4x5 1/4 inches, full margins. Twelfth state (of 12). Edition of 100. From Histoire des Peintres Impressionistes. A very good impression.
Lot: 203 - CAMILLE PISSARRO Baigneuse vue de dos.
CAMILLE PISSARRO Baigneuse vue de dos. Etching and drypoint printed in dark brown on light tan wove paper, 1894-95. 87x73 mm; 3 1/2x3 inches, full margins. Fifth state (of 5). Edition of approximately only 5 in this state (there are a total of
Lot: 204 - CAMILLE PISSARRO Quai de Paris, à Rouen.
CAMILLE PISSARRO Quai de Paris, à Rouen. Etching and drypoint printed in black on antique cream laid paper, 1896. 180x175 mm; 7 1/8x6 7/8 inches, full margins. Seventh state (of 8). The only known impression in this state (there are a
Lot: 205 - CAMILLE PISSARRO and GEORGE W. THORNLEY 25
CAMILLE PISSARRO andGEORGE W. THORNLEY 25 Lithographies. Portfolio with complete text and 25 lithographs printed in either brown, light purple-brown or greenish brown on cream chine appliqué mounted on stiff cream wove paper, circa 1900.
Lot: 206 - ODILON REDON Yeux Clos.
ODILON REDON Yeux Clos. Lithograph on smooth, cream wove paper, 1890. 318x242 mm; 12 3/8x9 5/8 inches. Possibly a proof aside from the first and second editions with text, of 50 impressions each. Printed by Becquet, Paris. A very good
Lot: 207 - ODILON REDON L'Art Céleste.
ODILON REDON L'Art Céleste. Lithograph printed in black on Chine appliqué, 1894. 316x257 mm; 12 1/2x10 1/4 inches, full margins. Edition of 50. Printed by Furstein, Paris. A superb impression of this extremely scarce print, with all
Lot: 208 - ODILON REDON Quel est le but de tout cela?
ODILON REDON Quel est le but de tout cela? Lithograph on Chine volant, 1896. 311x250 mm; 12 1/4x9 7/8 inches, full margins. Printed by Clot, Paris. Published by Vollard, Paris. From La Tentation de Saint-Antoine. Mellerio 151.
Lot: 209 - PIERRE-AUGUSTE RENOIR Le Chapeau Épinglé
PIERRE-AUGUSTE RENOIR Le Chapeau Épinglé (2ème planche). Drypoint on cream wove paper, 1894. 133x95 mm; 5 1/4x3 3/4 inches, full margins. Second state (of 2). With the ink stamped signature, lower right. A superb impression
PIERRE-AUGUSTE RENOIR Baigneuse assise. Soft-ground etching printed in black on cream wove paper, circa 1897. 220x140 mm; 8 5/8x5 1/2 inches, full margins. With the artist's ink stamp signature, lower right. A very good impression. Delteil
Lot: 211 - PIERRE-AUGUSTE RENOIR Le Chapeau
PIERRE-AUGUSTE RENOIR Le Chapeau Épinglé. Lithograph on cream laid paper, 1898. 600x489 mm; 23 5/8x19 1/4 inches, full margins. Edition of approximately 100. Printed by Auguste Clot, Paris. Published by Vollard, Paris. Arches
Lot: 212 - PIERRE-AUGUSTE RENOIR Étude de femme nue,
PIERRE-AUGUSTE RENOIR Étude de femme nue, assise, variante. Lithograph, 1904. 165x160 mm; 6 1/2x6 1/4 inches, full margins. Second state (of 2). Edition of 950. With the stamped signature, lower left. Published by Vollard, Paris. From
Lot: 213 - PIERRE-AUGUSTE RENOIR Femme au Cep de Vigne,
PIERRE-AUGUSTE RENOIR Femme au Cep de Vigne, Variante. Lithograph, 1904. 175x118 mm; 7x4 3/4 inches, wide margins. Edition of 950. With the ink stamp signature, lower left. Published by Vollard, Paris. From L'Album des Douze Lithographies
PIERRE-AUGUSTE RENOIR Femme nue couchée (tournée à droite), 1re planche. Drypoint on cream wove paper, 1906. 127x200 mm; 5 1/8x8 inches, full margins. With the ink stamped signature, lower right. A superb, dark impression with
PIERRE-AUGUSTE RENOIR Femme nue assise. Soft-ground etching on cream laid paper, 1906. 188x149 mm; 7 3/8x5 7/8 inches, full margins. A superb, dark impression. Delteil 12.
Lot: 216 - PIERRE-AUGUSTE RENOIR Étude pour une
PIERRE-AUGUSTE RENOIR Étude pour une Baigneuse. Drypoint on cream wove paper, circa 1906. 237x175 mm; 8 3/4x6 1/2 inches, full margins. With the artist's signature ink stamp, lower right. A superb, richly-inked impression with all the
Lot: 217 - PAUL SIGNAC Les Bateaux à Flessingue.
PAUL SIGNAC Les Bateaux à Flessingue. Color lithograph on cream wove paper, 1895. 323x402 mm; 12 3/4x16 inches, full margins. Fourth state (of 4). Edition of 40. A very good impression of this scarce print. Kornfeld 12.
Lot: 218 - THEOPHILE STEINLEN Le Vieux Chat.
THEOPHILE STEINLEN Le Vieux Chat. Color soft ground etching, drypoint and aquatint, 1902. 188x295 mm; 7 1/2x11 3/4 inches, full margins. Second state (of 2). Signed, dedicated and numbered 20/25 in pencil, lower margin. A very good impression
Lot: 219 - JAMES JACQUES TISSOT Matinée de Printemps.
JAMES JACQUES TISSOT Matinée de Printemps. Drypoint, 1875. 506x279 mm; 20x11 inches, full margins. Edition of approximately 100. A brilliant, richly-inked impression with velvety burr and selective wiping of the plate. Wentworth 13.
Lot: 220 - JAMES JACQUES TISSOT L'Auberge des Trois-Corbeaux.
JAMES JACQUES TISSOT L'Auberge des Trois-Corbeaux. Etching and drypoint, 1877. 216x295 mm; 8 1/2x11 5/8 inches, full margins. Third state (of 3). A very good, dark and evenly-printed impression with warm plate tone. Wentworth 29.
Lot: 221 - JAMES JACQUES TISSOT L'Enfant Prodigue.
JAMES JACQUES TISSOT L'Enfant Prodigue. Complete set of 4 etchings with drypoint and etched title page on cream laid paper, 1882. Each 311x375 mm; 12 1/4x14 3/4 inches, full margins. Each in the second state (of 2). Edition of 400. Superb,
Lot: 222 - JAMES JACQUES TISSOT Le Matin.
JAMES JACQUES TISSOT Le Matin. Mezzotint on Chine collé, 1886. 489x260 mm; 19 1/4x10 1/4 inches, full margins. Second state (of 2). Edition of 650. A very good impression. Wentworth 82.
Lot: 223 - HENRI TOULOUSE-LAUTREC Affiche pour Elles.
HENRI TOULOUSE-LAUTREC Affiche pour Elles. Color lithograph on cream wove paper, 1896. 605x453 mm; 23 3/4x17 7/8 inches. Fourth state (of 4). A very good impression. Delteil 179; Adhémar 200; Adriani 171.
Lot: 224 - JOHN HENRY TWACHTMAN French Landscape.
JOHN HENRY TWACHTMAN French Landscape. Etching and drypoint, circa 1884-89. 210x150 mm; 8 1/4x5 7/8 inches, full margins. Edition of approximately only 19. Inscribed "JHT per AT" by the artist's son, Alden Twachtman, in pencil, lower right. A
Lot: 225 - JOHN HENRY TWACHTMAN Abandoned Mill.
JOHN HENRY TWACHTMAN Abandoned Mill. Etching, circa 1888-89. 125x89 mm; 5x3 1/2 inches, full margins. Edition of approximately 32. Inscribed "JHT per AT" by the artist's son, Alden Twachtman, in pencil, lower right. A very good impression.
Lot: 226 - JOHN HENRY TWACHTMAN Windy Day.
JOHN HENRY TWACHTMAN Windy Day. Etching, circa 1888-89. 99x124 mm; 4x4 7/8 inches, full margins. Edition of approximately 28. Inscribed "JHT per AT" by the artist's son, Alden Twachtman, in pencil, lower right. A very good impression with
Lot: 227 - SUZANNE VALADON Grand-Mère et Enfant.
SUZANNE VALADON Grand-Mère et Enfant. Soft-ground etching, 1908. 307x225 mm; 12 1/4x9 inches, wide margins. Signed in pencil, lower right. A very good impression of this scarce print. Petrides 14.
Lot: 228 - FÉLIX VALLOTTON Les Cygnes.
FÉLIX VALLOTTON Les Cygnes. Woodcut on cream wove paper, 1892. 135x175 mm; 5 3/8x7 inches, full margins. Edition of 100. Signed in penciln, lower right. A very good, dark impression. Vallotton/Goerg 100.
Lot: 229 - JAMES A.M. WHISTLER Annie Seated.
JAMES A.M. WHISTLER Annie Seated. Etching printed on cream laid paper, 1858. 129x96 mm; 5 1/8x3 3/4 inches, wide margins. Second state (of 2). A superb impression with crisp, inky plate edges. Kennedy 30.
Lot: 230 - JAMES A.M. WHISTLER Billingsgate.
JAMES A.M. WHISTLER Billingsgate. Etching printed in dark brownish-black on cream laid paper, 1859. 148x222 mm; 5 7/8x8 7/8 inches, wide margins. Eighth state (of 8). Kennedy 47.
Lot: 231 - JAMES A.M. WHISTLER Soupe à Trois Sous.
JAMES A.M. WHISTLER Soupe à Trois Sous. Etching and drypoint on cream laid Japan paper, 1859. 154x230 mm; 6 1/8x9 1/8 inches, full margins. A very good, well-inked impression with warm plate tone. Kennedy 49.
Lot: 232 - JAMES A.M. WHISTLER Bibi Valentin.
JAMES A.M. WHISTLER Bibi Valentin. Etching on cream laid Japan paper, 1859. 152x227 mm; 6x9 inches, wide margins. Second state (of 2). A superb impression with warm plate tone and all the fine details printing clearly and with crsip, inky
Lot: 233 - JAMES A.M. WHISTLER Drouet.
JAMES A.M. WHISTLER Drouet. Etching and drypoint on cream laid paper, 1859. 227x153 mm; 8 7/8x6 inches. Second state (of 2). Trimmed with narrow margins and with an unsigned tab lower left. A superb impression with strong contrasts. Kennedy
Lot: 234 - JAMES A.M. WHISTLER Rotherhithe.
JAMES A.M. WHISTLER Rotherhithe. Etching and drypoint on antique cream laid paper, 1860. 277x202 mm; 10 3/4x7 7/8 inches, full margins. Either an intermediate state between the second and third states (of 3) or the third state (of 3), with the
Lot: 235 - JAMES A.M. WHISTLER Millbank.
JAMES A.M. WHISTLER Millbank. Etching, 1861. 100x125 mm; 4x5 inches, wide (full ?) margins. Fifth state (of 5). Beehive in an elaborate coat-of-arms watermark. A very good, dark impression with strong contrasts and crisp, partially inky plate
Lot: 236 - JAMES A.M. WHISTLER Fulham.
JAMES A.M. WHISTLER Fulham. Etching and drypoint on imitation Japan paper, 1879. 135x205 mm; 5 1/4x8 inches, wide margins. Second state (of 2). A superb, richly-inked impression. Kennedy 182.
Lot: 237 - JAMES A.M. WHISTLER The Tiny Pool.
JAMES A.M. WHISTLER The Tiny Pool. Etching and drypoint, 1879. 98x67 mm; 3 7/8x2 5/8 inches, full margins. Third state (of 3). A superb, dark impression with crisp, inky plate edges. Kennedy 173.
Lot: 238 - JAMES A.M. WHISTLER Little Dordrecht.
JAMES A.M. WHISTLER Little Dordrecht. Etching, circa 1880 (printed later). 95x130 mm; 3 3/4x5 1/4 inches, full margins. A good impression of this scarce print. Kennedy 243.
Lot: 239 - JAMES A.M. WHISTLER Wheelwright.
JAMES A.M. WHISTLER Wheelwright. Etching and drypoint printed in dark brownish black on antique cream laid paper, 1886. 125x173 mm; 5x6 7/8 inches. Fifth state (of 5). Edition of approximately 30. Signed with the butterfly and inscribed "imp"
Lot: 240 - ANDERS ZORN A Dark Corner.
ANDERS ZORN A Dark Corner. Etching on cream laid paper, 1903. 202x153 mm; 8x6 inches, full margins. Second state (of 2). Signed in pencil, lower right. Partial Van Gelder watermark. A very good, dark impression. Delteil 174; Asplund 175;
Lot: 241 - ANDERS ZORN The Bride's Maid.
ANDERS ZORN The Bride's Maid. Etching, 1905. 150x197 mm; 6x7 3/4 inches, full margins. Signed in pencil, lower right. A very good, dark impression. Delteil 191; Asplund 192; Hjert/Hjert 204.
Lot: 242 - ANDERS ZORN The Swan.
ANDERS ZORN The Swan. Etching printed in dark brown on cream laid paper, 1915. 250x200 mm; 9 7/8x7 7/8 inches, full margins. Signed in pencil, lower right. A very good impression with warm plate tone. Asplund 269; Hjert/Hjert 276.
Lot: 243 - ANDERS ZORN The Two.
ANDERS ZORN The Two. Etching, 1916. 195x146 mm; 7 5/8x5 3/4 inches, full margins. Second state (of 2). Signed in pencil, lower right. Fortuna watermark. A very good impression with inky plate edges. Asplund 195; Hjert/Hjert 278.
Lot: 244 - ANDERS ZORN Alder.
ANDERS ZORN Alder. Etching printed in dark brown on cream laid paper, 1917. 177x115 mm; 7x4 1/2 inches, full margins. Signed in pencil, lower right. A good, strong impression. Asplund 277; Hjert/Hjert 282.
Lot: 245 - ANDERS ZORN The Cabin.
ANDERS ZORN The Cabin. Etching, 1917. 296x196 mm; 11 3/4x7 3/4 inches, wide (full ?) margins. Third state (of 3). Signed in pencil, lower right. A good impression. Asplund 279; Hjert/Hjert 284.
Lot: 246 - ANDERS ZORN Against the Current.
ANDERS ZORN Against the Current. Etching on cream laid paper, 1919. 115x165 mm; 4 1/2x6 1/2 inches, full margins. Second state (of 2). Signed in pencil, lower right. A very good, evenly-printed impression. Asplund 288; Hjert/Hjert 289.
Lot: 247 - IVAN LE LORRAINE ALBRIGHT Fleeting Time Thou Hast
IVAN LE LORRAINE ALBRIGHT Fleeting Time Thou Hast Left Me Old. Lithograph, 1945. 347x243 mm; 13 5/8x9 5/8 inches, full margins. Edition of 250. Signed and titled in pencil, lower margin. Published by Associated American Artists, New York. A
Lot: 247A - IVAN LE LORRAINE ALBRIGHT Self Portrait at 55 East
IVAN LE LORRAINE ALBRIGHT Self Portrait at 55 East Division Street. Lithograph, 1947. 363x260 mm; 14 3/8x10 1/4 inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A
Lot: 248 - JOHN TAYLOR ARMS West Forty-Second Street.
JOHN TAYLOR ARMS West Forty-Second Street. Etching, 1920. 330x268 mm; 13x10 1/2 inches, full margins. Edition of 75. Signed, dated and dedicated in pencil, lower right. Printed by Frederick Reynolds, New York. A superb impression of this
Lot: 249 - JOHN TAYLOR ARMS Guardians of the Spire.
JOHN TAYLOR ARMS Guardians of the Spire. Etching, 1921. 171x252 mm; 6 3/4x9 7/8 inches, full margins. Edition of 75. Signed and dated in pencil, lower right. A very good impression. With--AXEL FRIDELL. Marsh Landscape, etching. 205x275
Lot: 250 - JOHN TAYLOR ARMS In Memorium.
JOHN TAYLOR ARMS In Memorium. Etching, 1939. 370x304 mm; 14 5/8x12 inches, full margins. Second state (of 2). Edition of 312. Signed, dated and dedicated in pencil, lower margin. A brilliant, clearly-printed impression. Fletcher 317.
Lot: 251 - MILTON AVERY Lamb.
MILTON AVERY Lamb. Color woodcut on thin, cream Japan paper, 1954. 248x356 mm; 9 3/4x14 inches, full margins. Signed, dated and numbered 12/20 in pencil, lower margin. A very good impression of this scarce print, with strong colors. Lunn 58.
Lot: 252 - PEGGY BACON Aesthetic Pleasure.
PEGGY BACON Aesthetic Pleasure. Drypoint, 1936. 250x390 mm; 9 3/4x15 1/4 inches, full margins. Signed and titled in pencil, lower margin. A brilliant impression with richly-inked burr. With--The Comely Family, drypoint, 1919. 128x155 mm;
Lot: 253 - GUSTAVE BAUMANN Silver Sky.
GUSTAVE BAUMANN Silver Sky. Color woodcut, 1916. 320x345 mm; 12 5/8x13 5/8 inches, wide margins. Signed, titled and numbered 49/125 in pencil, lower margin. A superb impression of this scarce print, with vibrant colors. Acton 116.
Lot: 254 - GUSTAVE BAUMANN Bound for Taos.
GUSTAVE BAUMANN Bound for Taos. Color woodcut, 1930. 242x282 mm; 9 1/2x11 1/4 inches, full margins. Signed, titled and numbered 24/125 in pencil, lower margin. A superb impression with strong colors. Acton 89.
Lot: 255 - GUSTAVE BAUMANN Processional.
GUSTAVE BAUMANN Processional. Color woodcut, 1936. 330x325 mm; 13x12 3/4 inches, wide margins. Signed, titled, dated and numbered 16/75 in pencil, lower margin. A superb impression of this scarce print, with strong colors. cf. Acton 2.
Lot: 256 - ROMARE BEARDEN Noah, The Third Day (Noah's Ark).
ROMARE BEARDEN Noah, The Third Day (Noah's Ark). Color screenprint, 1974. 915x760 mm; 36x30 inches, full margins. Signed, dated, inscribed "P.R. V" and numbered 13/100 in pencil, lower margin. From the Prevalence of Ritual portfolio. A very
Lot: 257 - ROMARE BEARDEN The Open Door.
ROMARE BEARDEN The Open Door. Color lithograph, 1979. 600x450 mm; 23 5/8x17 5/8 inches, full margins. Signed and numbered 125/175 in pencil, lower margin. A very good impression with strong colors. Gelburd/Rosenberg 29.
Lot: 258 - GEORGE BELLOWS The Tournament.
GEORGE BELLOWS The Tournament. Lithograph on Chine appliqué, 1921. 380x465 mm; 15x19 1/4 inches, full margins. Edition of 63. Signed, titled and numbered "42" in pencil, lower margin, and signed by the printer, Bolton Brown, in pencil,
Lot: 259 - GEORGE BELLOWS The Jury.
GEORGE BELLOWS The Jury. Lithograph on cream wove paper, 1916. 305x413 mm; 12x16 1/4 inches, full margins. Third state (of 3). Edition of approximately 50. Signed, titled and inscribed "No. 33" in pencil, lower margin. A superb, dark and
Lot: 260 - GEORGE BELLOWS Study of Mary.
GEORGE BELLOWS Study of Mary. Lithograph on smooth, cream wove paper, 1923. 289x255 mm; 11 1/4x10 inches, wide (full ?) margins. Edition of 50. Signed and titled in pencil, lower margin, and signed by the printer, Bolton Brown, in pencil lower
Lot: 261 - GEORGE BELLOWS The Plaid Shawl.
GEORGE BELLOWS The Plaid Shawl. Lithograph on cream wove paper, 1923. 340x246 mm; 13 1/4x9 5/8 inches, full margins. Edition of 31. Signed and titled in pencil, lower margin, and signed by the printer, Bolton Brown, in pencil, lower left. A
Lot: 262 - FRANK W. BENSON Deer Hunter.
FRANK W. BENSON Deer Hunter. Etching, 1924. 200x277 mm; 7 7/8x10 7/8 inches, full margins. Edition of 150. Signed in pencil, lower left. A very good, richly-inked impression with strong contrasts. Paff 229.
Lot: 263 - FRANK W. BENSON Two Canoes.
FRANK W. BENSON Two Canoes. Etching, 1927. 150x195 mm; 6x7 3/4 inches, full margins. Edition of 150. Signed in pencil, lower left. A very good impression. Paff 266.
Lot: 264 - FRANK W. BENSON Still Life.
FRANK W. BENSON Still Life. Lithograph on smooth, cream laid paper, 1927. 395x305 mm; 15 1/8x12 inches, full margins. Artist's proof, aside from the edition of 6 signed by Benson and the printer, Bolton Brown. A superb impression of this
Lot: 265 - THOMAS HART BENTON Plowing it Under.
THOMAS HART BENTON Plowing it Under. Lithograph, 1934. 207x340 mm; 8 1/8x13 3/8 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. Fath 8.
Lot: 266 - THOMAS HART BENTON The Race.
THOMAS HART BENTON The Race. Lithograph, 1942. 225x337 mm; 8 7/8x13 1/4 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good impression. Fath 56.
Lot: 267 - THOMAS HART BENTON Loading Corn.
THOMAS HART BENTON Loading Corn. Lithograph, 1945. 242x325 mm; 9 1/2x12 3/4 inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good, dark impression with strong
Lot: 267A - THOMAS HART BENTON The Hymn Singer.
THOMAS HART BENTON The Hymn Singer. Lithograph, 1950. 407x315 mm; 16x12 3/8 inches, full marging. Edition of 500. Signed and titled in pencil, lower margin. Published by Twayne Publishers, New York. A very good impression of this scarce
Lot: 268 - EDWARD BOREIN New Bucking Horse.
EDWARD BOREIN New Bucking Horse. Etching on imitation Japan paper. 204x128 mm; 8x5 inches, full margins. Signed in pencil, lower right. A superb, dark impression of this scarce print. Galvin 72.
Lot: 269 - EDWARD BOREIN Bronco.
EDWARD BOREIN Bronco. Etching printed in dark brown on cream wove paper. 115x90 mm; 4 1/2x3 1/2 inches, wide margins. A very good impression with warm plate tone. Galvin 74.
Lot: 270 - STUART DAVIS Study for a Drawing.
STUART DAVIS Study for a Drawing. Color screenprint, 1955. 187x195 mm; 7 3/8x7 3/4 inches, full margins. Signed and numbered 10/100 in pencil, lower margin. A very good impression of this scarce print, with strong colors. Cole/Myers 25.
Lot: 271 - MABEL DWIGHT Houston Street Burlesque.
MABEL DWIGHT Houston Street Burlesque. Lithograph, 1928. 249x203 mm; 9 3/4x8 inches, full margins. Edition of 50. Signed and dated in pencil, lower right. A very good impression. Robinson/Pirog 37.
Lot: 272 - ELIZA D. GARDINER Children Feeding Pigeons.
ELIZA D. GARDINER Children Feeding Pigeons. Color woodcut, circa 1920. 290x341 mm; 11 1/2x13 1/2 inches, wide margins. Signed in pencil, lower right. A good impression.
Lot: 273 - ROBERT GWATHMEY Share Croppers.
ROBERT GWATHMEY Share Croppers. Color screenprint, 1944. 368x305 mm; 14 1/2x12 inches, wide margins. Signed in ink, upper right. A strong impression of this scarce, early print. Williams 3.
Lot: 274 - MARSDEN HARTLEY Apples in a Basket.
MARSDEN HARTLEY Apples in a Basket. Lithograph on light tan wove paper, 1923. 335x470 mm; 13 1/4x18 1/2 inches, full margins. Edition of approximately 25. Signed and dated in pencil, lower right. A superb impression of this scarce print, with
Lot: 275 - CHILDE HASSAM The Old Mulford House, Easthampton.
CHILDE HASSAM The Old Mulford House, Easthampton. Etching, 1926. 210x275 mm; 8 1/4x10 3/4 inches, full margins. Signed with the cypher and inscribed "imp" in pencil, lower right. A superb impression of this scarce print, with the tack holes
Lot: 276 - LUIGI KASIMIR New York, Brooklyn Bridge, No. 1.
LUIGI KASIMIR New York, Brooklyn Bridge, No. 1. Color etching and aquatint, circa 1930. 285x425 mm; 11 1/4x16 3/4 inches, full margins. Signed and numbered 22/150 in pencil, lower margin. A very good impression.
Lot: 277 - LUIGI KASIMIR New York, Brooklyn Bridge, No. 2.
LUIGI KASIMIR New York, Brooklyn Bridge, No. 2. Color etching and aquatint, circa 1930. 300x438 mm; 11 7/8x17 1/4 inches, full margins. Signed and numbered 83/100 in pencil, lower margin. A very good impression.
Lot: 278 - LUIGI KASIMIR New York, Brooklyn Bridge, Footpath.
LUIGI KASIMIR New York, Brooklyn Bridge, Footpath. Color etching and aquatint, 1937. 438x301 mm; 17 1/4xx11 7/8 inches, full margins. Signed and numbered 62/100 in pencil, lower margin. A very good impression.
Lot: 279 - ARMIN LANDECK Manhattan Nocturne.
ARMIN LANDECK Manhattan Nocturne. Drypoint, 1938. 183x305 mm; 7 1/8x12 inches, full margins. Edition of 100. Signed in pencil, lower right. A brilliant, early impression printed with great clarity and contrast overall. Kraeft 70.
Lot: 280 - ARMIN LANDECK 11 West 11th Street.
ARMIN LANDECK 11 West 11th Street. Etching and drypoint, 1939. 325x245 mm; 12 3/4x9 5/8 inches, full margins. Edition of 100. Signed, dated and inscribed "Ed.100" in pencil, lower margin. A superb, dark impression with rich burr. Kraeft 79.
BLANCHE LAZZELL Wood Block Prints, Exhibition. Color woodcut, circa 1915-20. 140x195 mm; 5 1/2x7 3/4 inches, full margins. A very good impression of this extremely scarce color print. We have not found another impression at auction in the
Lot: 282 - MARTIN LEWIS Derricks at Night.
MARTIN LEWIS Derricks at Night. Drypoint, 1927. 200x301 mm; 7 7/8x11 7/8 inches, full margins. Second state (of 2). Edition of approximately 105. Signed and inscribed "imp" in pencil, lower right. A brilliant, early impression with
Lot: 283 - MARTIN LEWIS Tree, Manhattan.
MARTIN LEWIS Tree, Manhattan. Drypoint on warm, cream laid paper, 1930. 328x252 mm; 12 7/8x9 7/8 inches full margins. Edition of 91. Signed in pencil, lower right. A brilliant, luminous impression. McCarron 87.
Lot: 284 - MARTIN LEWIS Chance Meeting.
MARTIN LEWIS Chance Meeting. Drypoint, 1940-41. 265x188 mm; 10 1/2x7 1/2 inches, full margins. Edition of 105. Signed in pencil, lower margin. A luminous, richly-inked impression with velvety burr. McCarron 131.
Lot: 285 - REGINALD MARSH Huber's Museum.
REGINALD MARSH Huber's Museum. Lithograph on Chine appliqué, 1928. 222x346 mm; 8 3/4x13 1/2 inches, full margins. Edition of approximately 35. Signed and inscribed "35 proofs" in pencil, lower margin. A very good impression of this
Lot: 286 - REGINALD MARSH Irving Place Burlesque.
REGINALD MARSH Irving Place Burlesque. Lithograph on Chine appliqué, 1928. 247x292 mm; 9 3/4x11 1/2 inches, wide margins. Edition of 25. Signed and inscribed "25 proofs" in pencil, lower margin. A very good impression of this scarce
REGINALD MARSH Speakeasy--Julius' Annex. Etching, 1929. 152x203 mm; 6x8 inches, small margins. Third state (of 3). Edition of only approximately 10. Signed "Felicia Marsh" by the artist's wife, titled and numbered "4" in pencil, lower margin.
Lot: 288 - REGINALD MARSH Erie R.R. and Factories.
REGINALD MARSH Erie R.R. and Factories. Etching, engraving and drypoint, 1930. 203x304 mm; 8x12 inches, wide margins. Sixth state (of 6). Edition of approximately 50. Signed and numbered "8" in pencil, lower margin. A brilliant, early
Lot: 289 - REGINALD MARSH Beach Picnic.
REGINALD MARSH Beach Picnic. Engraving, 1939. 128x179 mm; 5x7 inches, full margins. Third state (of 3). Edition of 20. Signed in pencil, lower right. A very good impression of this scarce print. Sasowsky 182.
Lot: 290 - JOSÉ CLEMENTE OROZCO The Franciscan and the
JOSÉ CLEMENTE OROZCO The Franciscan and the Indian. Lithograph, 1926. 315x268 mm; 12 1/2x10 5/8 inches, wide margins. Edition of 100. Signed in pencil, lower right. A very good impression of this scarce, early print. Hopkins 2.
Lot: 291 - JOSÉ CLEMENTE OROZCO Soldados Mexicanos.
JOSÉ CLEMENTE OROZCO Soldados Mexicanos. Lithograph, 1928. 280x460 mm; 11x18 inches, full margins. Signed nand numbered 55/100 in pencil, lower right. Partial BFK Rives watermark. A variant of the National Preparatory School, Mexico
Lot: 292 - JOSÉ CLEMENTE OROZCO Rear Guard.
JOSÉ CLEMENTE OROZCO Rear Guard. Lithograph, 1929. 343x473 mm; 13 3/4x18 5/8 inches, full margins. Edition of 100. Signed in pencil, lower right. Published by the Weyhe Gallery, New York. A very good, dark impression. Hopkins 18.
Lot: 293 - JOSÉ CLEMENTE OROZCO Brothel.
JOSÉ CLEMENTE OROZCO Brothel. Lithograph, 1935. 305x390 mm; 12x15 3/8 inches, full margins. Edition of 120. Signed in pencil, lower right. A superb, richly-inked impression of this very scarce print. Hopkins 26.
Lot: 294 - JOSÉ CLEMENTE OROZCO Cabeza de Mujer.
JOSÉ CLEMENTE OROZCO Cabeza de Mujer. Etching, 1935. 143x197 mm; 5 5/8x7 3/4 inches, full margins. Artist's proof, aside from the edition of 25. Signed and inscribed "P/A" in pencil, lower margin. A very good impression. With--Mujer
Lot: 295 - JOSÉ CLEMENTE OROZCO Loca.
JOSÉ CLEMENTE OROZCO Loca. Etching and aquatint on cream laid paper, 1944. 265x172 mm; 10 1/2x6 3/4 inches, wide margin. Edition of 100. Signed in pencil, lower right. A very good, dark impression. Hopkins 38.
Lot: 296 - BIRGER SANDZEN Sunshine Creek.
BIRGER SANDZEN Sunshine Creek. Linoleum cut, 1935. 305x455 mm; 12x18 inches, full margins. Edition of 100. Signed and titled in pencil, lower margin. A very good impression of this large print.
Lot: 297 - BEN SHAHN Silent Music.
BEN SHAHN Silent Music. Screenprint, 1950. 430x895 mm; 16 7/8x35 1/8 inches, full margins. Signed and numbered 97/17 in black ink, lower left. A very good impression of this large print. Prescott 11.
Lot: 298 - BEN SHAHN TV Antennae.
BEN SHAHN TV Antennae. Screenprint, 1953. 410x921 mm; 16 1/8x36 3/4 inches, full margins. Signed in red ink and numbered 96/100 in black ink, lower margin. A very good impression of this scarce print. Prescott 20.
Lot: 299 - BEN SHAHN Psalm 133.
BEN SHAHN Psalm 133. Offset lithograph, 1965. 305x492 mm; 12x19 3/8 inches, full margins. Signed and numbered 72/300 in violet crayon, lower right. Published by the Lawyers Constitutional Defense Committee of the American Civil Liberties
Lot: 300 - BEN SHAHN Birds over the City.
BEN SHAHN Birds over the City. Color lithograph, 1968. 740x550 mm; 29x21 5/8 inches (sheet), full margins. Signed in red ink and numbered 17/135 in pencil, lower margin. A superb impression. Prescott 78.
Lot: 301 - CHARLES SHEELER Architectural Cadence.
CHARLES SHEELER Architectural Cadence. Color screenprint, 1954. 159x222 mm; 6 1/4x8 3/4 inches, full margins. Printer's proof, aside from the edition of 100. Signed and dated in pencil, lower right. Printed by Floriano Vecchi at the Tiber
Lot: 302 - DAVID A. SIQUIEROS La Penitenciaria.
DAVID A. SIQUIEROS La Penitenciaria. Woodcut, 1930. 97x83 mm; 3 7/8x3 1/4 inches, full margins. Signed, titled, dated and numbered 46/300 in pencil, lower margin. A very good impression of this early print.
Lot: 303 - JOHN SLOAN Will Bradner.
JOHN SLOAN Will Bradner. Etching, 1903. 184x127 mm; 7 1/4x5 inches, full margins. Edition of only 30 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" in pencil, lower margin. A superb, richly-inked impression.
Lot: 304 - JOHN SLOAN Knees and Aborigines.
JOHN SLOAN Knees and Aborigines. Etching, 1927. 177x152 mm; 7x6 inches, full margins. Third state (of 3). Edition of 75 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" in pencil, lower margin. A very good
Lot: 305 - JOHN SLOAN The Shell of Hell!
JOHN SLOAN The Shell of Hell! Etching and mezzotint, 1939. 127x101 mm; 5x4 inches, full margins. Second state (of 2). Edition of 45 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" in pencil, lower margin. A very
Lot: 306 - JOHN SLOAN Shine, Washington Square.
JOHN SLOAN Shine, Washington Square. Etching, 1923. 125x177 mm; 4 7/8x7 inches, full margins. Edition of 80 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" and "Peter Platt imp" in pencil, lower margin. A superb,
Lot: 307 - STOW WENGENROTH New York Nocturne.
STOW WENGENROTH New York Nocturne. Lithograph, 1945. 251x430 mm; 10x17 inches, full margins. Edition of 85. Signed in pencil, lower right. A very good impression of this scarce print. Stuckey 146.
Lot: 308 - GRANT WOOD January.
GRANT WOOD January. Lithograph, 1936. 230x303 mm; 9 1/8x12 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good impression. Cole 3.
Lot: 309 - GRANT WOOD In the Spring.
GRANT WOOD In the Spring. Lithograph, 1939. 230x305 mm; 9x12 inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good impression. Cole 13.
Lot: 310 - WILLIAM ZORACH Sailing.
WILLIAM ZORACH Sailing. Linoleum cut, circa 1916. 180x165 mm; 7 1/8x6 1/2 inches, full margins. Signed in pencil, lower right. A superb, dark impression of this extremely scarce print. We have not found another impression at auction in the
Lot: 311 - JEAN ARP Documents Geigy.
JEAN ARP Documents Geigy. Color woodcut on Canson textured blue wove paper, 1965. 548x375 mm; 21 5/8x14 3/4 inches, full margins.Artist's proof, aside from the edition of 300. Signed in pencil, lower left. With--Composition, color woodcut,
Lot: 312 - MAX BECKMANN Holzbrucke.
MAX BECKMANN Holzbrucke. Drypoint on cream wove paper, 1922. 286x238 mm; 11 3/8x9 3/8 inches, wide margins. Edition of 150. Signed in pencil, lower right. Published by Arndt Beyer, Leipzig. From Die Zweite Jahresgabe des Kreises Graphischer
Lot: 313 - GEORGES BRAQUE Oiseau bleu et jaune.
GEORGES BRAQUE Oiseau bleu et jaune. Color lithograph, 1960. 330x505 mm; 13x20 inches, full margins. An hors commerce impression, aside from the edition of 75. Signed and inscribed "H.C." in pencil, lower margin. Printed and published by
Lot: 314 - GEORGES BRAQUE Le tir à l'arc.
GEORGES BRAQUE Le tir à l'arc. Woodcut printed in violet on Japon nacré, 1960. 185x137 mm; 7 1/4x5 1/2 inches, full margins. An hors commerce impression, aside from the edition of 70. Signed and inscribed "H.C." in pencil, lower
Lot: 315 - GEORGES BRAQUE (after) Les Marguerites
GEORGES BRAQUE (after) Les Marguerites. Color aquatint, circa 1950. 625x405 mm; 24x15 7/8 inches, full margins. Signed and numbered 109/300 in pencil, lower margin. A very good impression. Maeght 1002.
Lot: 316 - BERNARD BUFFET Restaurant Chez Barbe, Montmartre.
BERNARD BUFFET Restaurant Chez Barbe, Montmartre. Drypoint, 1969. 473x630 mm; 18 5/8x24 3/4 inches, full margins. Signed and numbered 94/100 in pencil, lower margin. A superb, richly-inked impression with strong contrasts. Reinz 69.
Lot: 317 - MASSIMO CAMPIGLI Donne Fiori.
MASSIMO CAMPIGLI Donne Fiori. Color lithograph, 1957. 575x392 mm; 22 3/4x15 1/2 inches, full margins. Signed, dated and numbered 175/175 in pencil, lower margin. Published by L'Oeuvre Gravée, Paris and Zurich. A very good impression.
Lot: 318 - MARC CHAGALL L'Homme guidé par
MARC CHAGALL L'Homme guidé par l'Éternel. Etching and aquatint with hand coloring in watercolor, 1931-39. 277x250 mm; 11x9 7/8 inches, full margins. Initialed and numbered 2/100 in pencil, lower margin. Printed by Haasen, Paris.
Lot: 319 - MARC CHAGALL Mère et Enfant à la Tour
MARC CHAGALL Mère et Enfant à la Tour Eiffel. Lithograph, 1954. 330x250 mm; 13x9 7/8 inches, full margins. Artist's proof, aside from the edition of 75. Signed and inscribed "épreuve d'artiste" in pencil, lower margin. A very
Lot: 320 - MARC CHAGALL Couple à l'Oiseau.
MARC CHAGALL Couple à l'Oiseau. Lithograph, 1959. 485x325 mm; 19 1/8x12 7/8 inches, full margins. Signed and numbered 19/40 in pencil, lower margin. A very good impression. Mourlot 211.
Lot: 321 - MARC CHAGALL XXe Siècle.
MARC CHAGALL XXe Siècle. Color lithograph, 1966. 305x455 mm; 12x18 inches, full margins. First state (of 2). Signed and numbered 14/75 in pencil, lower margin. Printed by Mourlot, Paris. Published by XXe Siècle, Paris. Arches
Lot: 322 - MARC CHAGALL Le Rêve de Paris.
MARC CHAGALL Le Rêve de Paris. Color lithograph, 1969-70. 890x640 mm; 35x25 1/4 inches, full margins. Artist's proof, aside from the edition of 75. Signed and inscribed "Epreuve d'artiste" in pencil, lower margin. Published by Maeght,
Lot: 322A - MARC CHAGALL Bouquet à la Tour Eiffel.
MARC CHAGALL Bouquet à la Tour Eiffel. Color lithograph, 1958. 610x460 mm; 24x18 1/4 inches, full margins. Artist's proof, aside from the edition of 90. Signed and inscribed "Epreuve d'artiste" in pencil, lower margin. Arches watermark.
Lot: 323 - MARC CHAGALL Soleil d'Hiver.
MARC CHAGALL Soleil d'Hiver. Color lithographs, 1974. 480x325 mm; 19x12 3/4 inches, full margins. Signed and numbered 29/50 in pencil, lower margin. A very good impression with strong colors. Mourlot 716.
Lot: 324 - MARC CHAGALL Le Roi David.
MARC CHAGALL Le Roi David. Color lithograph on Japon nacré, 1974. 170x120 mm; 6 3/4x4 3/4 inches, full margins. Signed and numbered 40/40 in pencil, lower margin. A very good impression of this scarce print. Mourlot 720.
Lot: 325 - MARC CHAGALL The Four Seasons.
MARC CHAGALL The Four Seasons. Color lithograph on Arches cream wove paper, 1974. 940x640 mm; 37x26 inches (sheet), full margins. Artist's proof, aside from the poster edition of 5000. Signed and inscribed "Epreuve d'artiste" in pencil, lower
Lot: 326 - MARC CHAGALL (after) La Sirène
MARC CHAGALL (after) La Sirène. Color wood engraving, 1950. 335x227 mm; 13 1/4x9 inches, full margins. Edition of 150. Signed, numbered "59" and annotated in pencil, lower right. From Estampes. A very good impression with strong colors.
Lot: 327 - MARC CHAGALL (after) Romeo and Juliet
MARC CHAGALL (after) Romeo and Juliet. Color lithograph, 1964. 635x990 mm; 25x39 inches, full margins. Edition of 5000. Signed in black crayon, lower left. Printed by Mourlot, Paris. Published by the French Tourist Bureau, Paris. A very good
Lot: 328 - MARC CHAGALL (after) The Magic Flute
MARC CHAGALL (after) The Magic Flute. Color lithograph, 1967. 1010x660 mm; 39 3/4x25 7/8 inches, full margins. Edition of 3000. Printed by Mourlot, Paris. Published by the Editions of the Metropolitan Opera, New York. A very good impression
Lot: 329 - MARC CHAGALL (after) Sirène au Poète
MARC CHAGALL (after) Sirène au Poète. Color lithograph, 1967. 618x460 mm; 24 3/8x18 1/8 inches, full margins. Artist's proof, aside from the edition of 150. Signed and inscribed "épreuve d'artiste" and numbered 6/25 in pencil,
Lot: 330 - GIORGIO DE CHIRICO La cabina nei bagni misteriosi.
GIORGIO DE CHIRICO La cabina nei bagni misteriosi. Color lithograph, 1968. 410x510 mm; 16 1/4x20 1/4 inches, full margins. Signed and numbered 2/75 in pencil, lower margin. Printed by Alberto Caprini, Rome. A very good impression. Ciranna
Lot: 331 - SALVADOR DALÍ St. Jacques.
SALVADOR DALÍ St. Jacques. Color lithograph on Rives BFK, 1958. 580x457 mm; 22 7/8x18 inches, full margins. Signed, dated and numbered 51/172 in pencil, lower margin. Printed by Manequin, Paris. Published by Joseph Foret, Paris. A very
Lot: 332 - JEAN DUBUFFET Jeux et travaux.
JEAN DUBUFFET Jeux et travaux. Color lithograph, 1953. 660x505 mm; 26x20 inches, full margins. An hors commerce impression, aside from the edition of 60. Signed, titled and inscribed "épreuve HC" in white pencil, lower margin. A very
Lot: 333 - JEAN DUBUFFET Le guerrier.
JEAN DUBUFFET Le guerrier. Color lithograph, 1958. 302x173 mm; 12x6 3/4 inches, full margins. Signed, dated and numbered 17/25 in pencil, lower margin. A very good impression of this scarce print. Webel 393.
Lot: 334 - JEAN DUBUFFET Banque de L'Hourloupe à jouer
JEAN DUBUFFET Banque de L'Hourloupe à jouer et à tirer. Portfolio with complete text and 53 color screenprints on stiff card stock, 1967. 250x165 mm; 9 7/8x6 1/2 inches (sheets), full margins, loose as issued. One of 350 numbered
Lot: 335 - MARCEL DUCHAMP (after) La Mariée
MARCEL DUCHAMP (after) La Mariée. Color aquatint and etching, 1934. 500x315 mm; 19 5/8x12 inches, wide (full ?) margins. Signed by both Duchamp and Villon and numbered 35/200 in pencil, lower margin. Etched by Jacques Villon. Published
Lot: 336 - TSUGUHARU FOUJITA La Femme au Chat.
TSUGUHARU FOUJITA La Femme au Chat. Drypoint. 350x450 mm; 13 3/4x17 3/4 inches, full margins. Artist's proof. Signed and inscribed "epreuve d'artiste" in pencil, lower margin. Published by the Chalcographie du Louvre, Paris. A very good
Lot: 337 - ALBERTO GIACOMETTI Homme debout.
ALBERTO GIACOMETTI Homme debout. Lithograph, 1957. 275x180 mm; 10 7/8x7 1/8 inches, wide margins. Edition of 100. Signed in pencil, lower right (the edition number erased and barely visible lower left). Published by Maeght, Paris. A very
Lot: 338 - ALBERTO GIACOMETTI Nu.
ALBERTO GIACOMETTI Nu. Lithograph, 1961. 315x185 mm; 12 1/2x7 1/4 inches, full margins. A proof aside from the edition printed for the cover of Derrière le Miroir. A very good impression. Lust 148.
Lot: 339 - ERICH HECKEL Der Mann (Selbstbildnis).
ERICH HECKEL Der Mann (Selbstbildnis). Woodcut printed in black on soft wove paper, 1913. 427x210 mm; 16 7/8x8 1/4 inches, full (5 1/2- to 6 3/4-inch) margins. Edition of only several. Signed, titled and dated in pencil, lower margin. A
Lot: 340 - KÄTHE KOLLWITZ Selbstbildnis.
KÄTHE KOLLWITZ Selbstbildnis. Etching printed in dark brownish-black on cream wove paper, 1921. 217x266 mm; 8 5/8x10 1/2 inches, full margins. Sixth state (of 6). Signed and numbered 30/120 in pencil, lower margin. Published by F.
Lot: 341 - KÄTHE KOLLWITZ Die Eltern.
KÄTHE KOLLWITZ Die Eltern. Woodcut on cream wove paper, 1923. 350x422 mm; 13 3/4x16 1/2 inches, full margins. Fifth state (of 7). Signed and numbered 5/100 in pencil, lower margin. A superb, evenly-printed and well-inked impression.
Lot: 342 - KÄTHE KOLLWITZ Begrüssung.
KÄTHE KOLLWITZ Begrüssung. Etching, 1892. 118x87 mm; 4 3/4x3 1/2 inches, full margins. Second state (of 2). Signed in pencil, lower right. A good, strong impression of this early print. Klipstein 13.
Lot: 343 - JEAN-ÉMILE LABOUREUR Le Tir forain.
JEAN-ÉMILE LABOUREUR Le Tir forain. Engraving, 1920-21. 265x226 mm; 10 1/2x9 inches, full margins. Signed and numbered 19/85 in pencil, lower right. A superb impression of this important print. Laboureur 191.
Lot: 344 - JEAN-ÉMILE LABOUREUR Le Cage.
JEAN-ÉMILE LABOUREUR Le Cage. Etching and aquatint printed in black and sanguine, 1928. 210x150 mm; 8 1/4x6 inches, full margins. Signed and numbered 8/68 in pencil, lower margin. A very good impression. Laboureur 366.
Lot: 345 - MARIE LAURENCIN Le Cygne.
MARIE LAURENCIN Le Cygne. Lithograph on simili Japon, 1926. 230x180 mm; 9x7 1/8 inches, full margin. Edition of 110. Signed in pencil, lower right. A very good impression. Marchesseau 102.
Lot: 346 - MARIE LAURENCIEN Promenade.
MARIE LAURENCIEN Promenade. Color lithograph, 1930. 205x250 mm; 8 1/8x9 7/8 inches, full margins. Signed and numbered 62/115 in pencil, lower margin. A good impression of this scarce print. Marchesseau 145.
Lot: 347 - MARIE LAURENCIN Christine ou l'Amazone.
MARIE LAURENCIN Christine ou l'Amazone. Color lithograph on wove paper. 295x420 mm; 11 1/2x16 1/2 inches, full margins. Signed and numbered 43/115 in pencil, lower margin. A very good impression. Marchesseau 153.
Lot: 348 - MARIE LAURENCIN Le Chant.
MARIE LAURENCIN Le Chant. Color lithograph, 1945. 330x450 mm; 13x17 3/4 inches, wide margins. Signed and numbered 18/150 in pencil, lower margin. Published by Jacquart, Paris. A very good impression of this large print. Marchesseau 233.
Lot: 349 - FERNAND LÉGER L'Oiseau magique.
FERNAND LÉGER L'Oiseau magique. Aquatint and color screenprint, 1953. 556x364 mm; 22x14 3/8 inches, full margins. Signed in ink (faded) and numbered 1/75 in pencil, lower margin. Printed by Haasen, Paris. A very good impression with
Lot: 350 - FERNAND LÉGER (after) Composition
FERNAND LÉGER (after) Composition. Color screenprint, 1954-55. 247x280 mm; 9 3/4x11 inches, full margins. Signed in ink and numbered 141/200 in pencil, lower margin. Published by La Guilde de la Gravure, Paris. From Album of 10
Lot: 351 - RENÉ MAGRITTE (after) Lithographies I, II and
RENÉ MAGRITTE (after) Lithographies I, II and III. Three portfolio with complete text and 24 color lithographs, 2004. 780x580 mm; 30 3/4x22 7/8 inches (sheets), full margins, loose as issued. One of 300 numbered copies. Numbered 284 in
Lot: 352 - MAN RAY Image à Deux Faces.
MAN RAY Image à Deux Faces. Color lithograph on Japon nacré, 1970. 653x495 mm; 25 3/4x19 1/2 inches, full margins. Artist's proof, aside from the edition of 99. Initialed and dedicated in pencil, lower margin. A very good impression
Lot: 353 - MAN RAY The Rope Dancer Accompanies Herself with
MAN RAY The Rope Dancer Accompanies Herself with her Shadows. Color lithograph on Japon nacré, 1972. 500x698 mm; 19 5/8x31 3/8 inches, full margins. Artist's proof, aside from the edition of 99. Signed and dedicated in pencil, lower
Lot: 354 - MARINO MARINI Guerriero.
MARINO MARINI Guerriero. Color lithograph, 1968. 326x491 mm; 12 7/8x19 3/8 inches, full margins. Signed and numbered 34/50 in pencil, lower margin. Printed by Mourlot, Paris. Published by Société Internationale d'Art XXe
Lot: 355 - MARINO MARINI From Color to Form VIII.
MARINO MARINI From Color to Form VIII. Color lithograph, 1969. 395x520 mm; 15 1/2x20 1/2 inches, full margins. Signed and numbered 16/50 in pencil, lower margin. Printed by Mourlot, Paris. Published by Société Internationale d'Art
Lot: 356 - HENRI MATISSE Mlle. M. M.
HENRI MATISSE Mlle. M. M. Etching on grayish cream Chine collé, 1920. 146x99 mm; 5 3/4x3 7/8 inches, full margins. Edition of 1000. Signed in ink, lower right. Bound in Cinquante dessins, numbered 743 on the justification page. A
Lot: 357 - HENRI MATISSE Nu assis dans un Fauteuil au
HENRI MATISSE Nu assis dans un Fauteuil au Décor fleuri. Lithograph on thin laid paper, 1924. 485x325 mm; 19 1/8x12 7/8 inches, full margins. Signed and numbered 105/250 in pencil, lower margin. A superb, evenly-printed impression with
Lot: 358 - HENRI MATISSE Nu allongé, jambes
HENRI MATISSE Nu allongé, jambes repliées. Etching, 1929. 103x141 mm; 4 1/8x5 5/8 inches, full margins. Artist's proof, aside from the edition of 25. Signed and inscribed "Essai" in pencil, lower right. A very good impression of this
Lot: 359 - HENRI MATISSE Ulysses by James Joyce.
HENRI MATISSE Ulysses by James Joyce. Bound volume with complete text and 6 soft ground etchings, 1935. 300x230 mm; 11 3/4x9 inches (sheets), full margins. One of 1500 numbered copies. Numbered 871 in ink, on the justification page. Signed
Lot: 360 - HENRI MATISSE Danseuse acrobate.
HENRI MATISSE Danseuse acrobate. Lithograph on Arches wove paper, circa 1948. 506x384 mm; 20x15 1/4 inches (sheet), full margins. Artist's proof, before the printed initials and aside from the edition of 25 (which was printed in sanguine and
Lot: 361 - HENRI MATISSE Vierge et Enfant sur fond
HENRI MATISSE Vierge et Enfant sur fond étoilé. Lithograph on Chine appliqué, 1951. 308x245 mm; 12 1/8x9 5/8 inches, full margins. Signed and numbered 72/200 in pencil, lower right. A very good impression. Duthuit 647.
Lot: 362 - HENRI MATISSE (after) Nature Morte au Magnolia
HENRI MATISSE (after) Nature Morte au Magnolia. Color wood engraving, 1950. 222x305 mm; 8 3/4x12 inches, full margins. Artist's proof, aside from the edition of 150 (with "Épreuve d'Artiste" printed lower right). Signed in pencil, lower
Lot: 363 - JOAN MIRÓ Cahiers d'Art.
JOAN MIRÓ Cahiers d'Art. Two color pochoirs, 1934. Both approximately 316x247 mm; 12 1/2x9 3/4 inches, full margins. Both printed by Crété, Paris. Published by Cahiers d'Art, Paris. Both very good impressions with vibrant
Lot: 364 - JOAN MIRÓ Série III.
JOAN MIRÓ Série III. Color etching and aquatint, 1952-53. 241x300 mm; 9 1/2x11 7/8 inches, full margins. Signed and numbered 5/50 in pencil, lower margin. Printed by Lacourière, Paris. Published by Maeght, Paris. A very good
Lot: 365 - JOAN MIRÓ Diane d'Éphèse.
JOAN MIRÓ Diane d'Éphèse. Lithograph, 1958. 660x500 mm; 26x19 3/4 inches, full margins. An hors commerce impression, aside from the edition of 100. Signed and inscribed "H.C." in pencil, lower margin. Printed by Mourlot, Paris.
Lot: 366 - JOAN MIRÓ Le Prophète la Nuit.
JOAN MIRÓ Le Prophète la Nuit. Color aquatint, 1965. 680x530 mm; 26 3/4x20 7/8 inches, full margins. Signed and numbered 19/75 in pencil, lower margin. Printed and published by Maeght, Paris. A very good impression with strong
Lot: 367 - JOAN MIRÓ Ubu Roi.
JOAN MIRÓ Ubu Roi. Color lithograph, 1966. 410x630 mm; 16 1/4x24 7/8 inches, full margins. Signed and numbered 29/75 in pencil, lower margin. Printed by Mourlot, Paris. Published by Tériade, Paris. From the same-titled portfolio.
Lot: 368 - JOAN MIRÓ El Sobreviviente Visita los
JOAN MIRÓ El Sobreviviente Visita los Pájaros. Color etching and aquatint, 1972. 185x230 mm; 7 1/4x9 1/8 inches, full margins. Signed and numbered 111/150 in pencil, lower margin. Printed by Maeght, Paris. Published by Le Vent
Lot: 369 - JOAN MIRÓ El Sobreviviente Visita los
JOAN MIRÓ El Sobreviviente Visita los Pájaros. Color etching and aquatint, 1972. 185x230 mm; 7 1/4x9 1/8 inches, full margins. Signed and numbered 111/150 in pencil, lower margin. Printed by Maeght, Paris. Published by Le Vent
Lot: 370 - JOAN MIRÓ Godalla.
JOAN MIRÓ Godalla. Color lithograph, 1973. 795x578 mm; 31 3/8x22 3/4 inches, full margins. Signed and numbered 28x75 in pencil, lower margin. Printed and published by Polígrafa, Barcelona. A very good impression with strong colors.
Lot: 371 - JOAN MIRÓ Quiriquibú.
JOAN MIRÓ Quiriquibú. Color lithograph, 1976. 750x560 mm; 29 1/2x22 1/8 inches, full margins. Signed and numbered 28/99 in pencil, lower margin. Printed and published by Polígrafa, Barcelona. A very good impression. Mourlot
Lot: 372 - JOAN MIRÓ Personatges Solars.
JOAN MIRÓ Personatges Solars. Color etching, aquatint and embossing, 1974. 630x900 mm; 24 3/4x35 1/2 inches (sheet), full margins. Signed and numbered 17/50 in pencil, lower margin. Printed and published by Gustavo Gili, Barcelona. A
Lot: 373 - JOAN MIRÓ Bonjour Max Ernst.
JOAN MIRÓ Bonjour Max Ernst. Color aquatint and carborundum, 1976. 660x505 mm; 26x20 inches (sheet), full margins. An hors commerce impression. Signed and inscribed "H.C." in pencil, lower margin. A good, strong impression with fresh
Lot: 374 - JOAN MIRÓ (after) Composition sur Fond Vert
JOAN MIRÓ (after) Composition sur Fond Vert. Color lithograph, 1950. 348x468 mm; 13 3/4x18 1/2 inches, full margins. Signed, dated and numbered 137/400 in pencil, lower margin. Printed and published by Maeght, Paris. A very good
Lot: 375 - JOAN MIRÓ (after) Graphismes
JOAN MIRÓ (after) Graphismes. Color lithograph, 1961. 395x858 mm; 15 5/8x33 3/4 inches, full margins. Signed and numbered 27/300 in pencil, lower margin. Published by Maeght, Paris, with the blind stamp lower left. A very good impression
Lot: 375A - HENRY MOORE Opening Form I.
HENRY MOORE Opening Form I. Color lithograph on TH Saunders, 1979. 270x343 mm; 10 5/8x13 1/2 inches, full margins. Artist's proof, aside from the edition of 50. Signed and numbered IX/XV in pencil, lower margin. Printed by Curwen Prints Ltd.,
Lot: 376 - HENRY MOORE Six Reclining Figures.
HENRY MOORE Six Reclining Figures. Color lithograph, 1957. 436x353 mm; 17 1/4x13 7/8 inches, full margins. Signed and numbered 8/60 in pencil, lower margin. Printed by Mourlot, Paris. Published by Berggruen & Cie., Paris. A very good
Lot: 377 - HENRY MOORE Studies for Sculpture on Blue Grey
HENRY MOORE Studies for Sculpture on Blue Grey Background. Color lithograph, 1957. 432x349 mm; 17x13 3/4 inches, full margins. Signed and numbered 24/60 in pencil, lower margin. Printed by Mourlot, Paris. Published by Berggruen & Cie., Paris.
Lot: 378 - EMIL NOLDE Hamburg, Kran.
EMIL NOLDE Hamburg, Kran. Etching, aquatint, drypoint and punch work, 1910. 304x402 mm; 12x15 7/8 inches, full margins. Second state (of 2). Edition of approximately only 12. Signed and titled in pencil, lower margin. Van Gelder watermark.
Lot: 379 - EMIL NOLDE Tänzerinnen.
EMIL NOLDE Tänzerinnen. Woodcut on absorbant, cream Japan paper, 1917. 235x312 mm; 9 1/4x12 1/4 inches, full margins. Edition of approximately only 12. Signed in pencil, lower right. A superb impression of this extremely scarce print,
Lot: 380 - PABLO PICASSO Trois Nus debout.
PABLO PICASSO Trois Nus debout. Etching, 1927. 194x276 mm; 7 3/4x11 inches, full margins. Signed and numbered 87/99 in brown ink, lower margin. Published by Vollard, Paris. From Le Chef-d'Oeuvre Inconnu. A very good, well-inked impression.
Lot: 381 - PABLO PICASSO Femme nue devant une Statue.
PABLO PICASSO Femme nue devant une Statue. Etching, 1931. 312x221 mm; 12 1/2x8 3/4 inches, full margins. Edition of 260. Signed in pencil, lower right. Picasso watermark. Printed by Lacourière, Paris. Published by Vollard, Paris. A
Lot: 382 - PABLO PICASSO Modèle nu et Sculptures.
PABLO PICASSO Modèle nu et Sculptures. Etching, 1933. 378x297 mm; 15x11 3/4 inches, full margins. Edition of 260. Signed in pencil, lower right. Picasso watermark. Printed by Lacourière, Paris. Published by Vollard, Paris. A
Lot: 383 - PABLO PICASSO Modèle et Grande Sculpture de
PABLO PICASSO Modèle et Grande Sculpture de Dos. Etching and drypoint, 1933. 268x192 mm; 10 5/8x7 5/8 inches, full margins. Edition of 260. Signed in pencil, lower right. Vollard watermark. Printed by Lacourière, Paris. Published
Lot: 384 - PABLO PICASSO Sculpteur et Modèle
PABLO PICASSO Sculpteur et Modèle agenouillé. Etching, 1933. 367x298 mm; 14 1/2x11 3/4 inches, full margins. Edition of 260. Signed in pencil, lower right. Picasso watermark. Printed by Lacourière, Paris. Published by
Lot: 385 - PABLO PICASSO Sueño y Mentira de Franco.
PABLO PICASSO Sueño y Mentira de Franco. Etching and aquatint, 1937. 310x420 mm; 12 1/4x16 5/8 inches, full margins. With the ink stamp signature and numbered 399/850 in pencil, lower margin. A superb, dark impression. Bloch 297; Baer
Lot: 386 - PABLO PICASSO Petit Nu assis au miroir.
PABLO PICASSO Petit Nu assis au miroir. Lithograph, 1947. 311x487 mm; 12 1/4x19 1/4 inches, full margins. Signed and numbered 15/50 in pencil, lower left. A very good impression. Bloch 451; Mourlot 100; Reuße 231.
Lot: 387 - PABLO PICASSO Inès et son enfant.
PABLO PICASSO Inès et son enfant. Lithograph, 1947. 660x500 mm; 26x19 3/4 inches (sheet), full margins. Signed and numbered 40/50 in pencil, lower margin. Arches watermark. A very good impression. Bloch 415; Mourlot 61; Reuße 170.
Lot: 388 - PABLO PICASSO Recordant el Doctor Reventós.
PABLO PICASSO Recordant el Doctor Reventós. Engraving, drypoint and roulette on Japon nacré, 1951. 140x100 mm; 5 1/2x4 inches, full margins. Signed and numbered 92/180 in pencil, lower margin. Published by Editorial Gustavo Gili,
Lot: 389 - PABLO PICASSO Un Poème dans chaque Livre.
PABLO PICASSO Un Poème dans chaque Livre. Drypoint on Japon ancien, 1956. 198x265 mm; 7 7/8x10 1/2 inches, full margins. Artist's proof, aside from the edition of 40. Signed in red crayon, lower right (according to Baer, there are a
Lot: 390 - PABLO PICASSO Wood-Owl Woman.
PABLO PICASSO Wood-Owl Woman. Partially glazed terre de faïence vase painted in black and white, 1951. 300 mm; 11 3/4 inches (height). Edition of 500. Inscribed "Edition Picasso" and with the Madoura Plein Feu and Edition Picasso stamps,
Lot: 391 - PABLO PICASSO Vase with Bunch.
PABLO PICASSO Vase with Bunch. Glazed terre de faïence plate painted in ivory, black and brown, 1956. 250 mm; 10 inches (diameter). Numbered 91/300 in black, on the base. With the Madoura Plein Feu and Empreinte Originale de Picasso
Lot: 392 - PABLO PICASSO Three Figures on Trampoline.
PABLO PICASSO Three Figures on Trampoline. Glazed terre de faïence convex plaque painted in black and ivory, 1956. 200 mm; 8 inches (diameter). Edition of 500. With the Empriente Originale de Picasso and Madoura Plein Feu stamps, verso.
Lot: 393 - PABLO PICASSO Flute Player and Goat.
PABLO PICASSO Flute Player and Goat. Glazed terre de faïence convex plate painted in ivory and black accentuated with oxidized paraffin, 1956. 250 mm; 10 inches (diameter). Edition of 450. With the Empriente Originale de Picasso and
Lot: 394 - PABLO PICASSO Beach Scene.
PABLO PICASSO Beach Scene. Glazed terre de faïence convex wall plaque painted in ivory and black accentuated with oxidized paraffin, 1956. 250mm; 9 7/8 inches (diameter). Edition of 450. With the Empreinte Originale de Picasso and Madoura
Lot: 395 - PABLO PICASSO L'Atelier de Cannes.
PABLO PICASSO L'Atelier de Cannes. Color lithograph, 1958. 441x322 mm; 17 1/2x12 3/4 inches, full margins. Printed by Mourlot, Paris. A good impression with strong colors. Bloch 794; Mourlot 279; Reuße 677.
Lot: 396 - PABLO PICASSO Le Vieux Roi.
PABLO PICASSO Le Vieux Roi. Lithograph, 1959. 655x503 mm; 25 3/4x19 7/8 inches, full margins. Edition of 1000. With the stamped signature in red ink, lower right. A very good impression. Bloch 869; Mourlot 317; Reuße 748.
Lot: 397 - PABLO PICASSO Faunes et Chevre.
PABLO PICASSO Faunes et Chevre. Color linoleum cut on cream wove paper, 1959. 529x633 mm; 20x24 7/8 inches, wide margins. Signed and numbered 22/50 in pencil, lower margin. Arches watermark. A very good, well-inked impression of this large,
Lot: 398 - PABLO PICASSO Series 347:326.
PABLO PICASSO Series 347:326. Etching, 1968. 206x267 mm; 8 1/8x10 1/2 inches, full margins. Signed and numbered 45/50 in pencil, lower margin. A very good, evenly-printed impression with strong contrasts. Bloch 1806; Baer 1823.
Lot: 399 - PABLO PICASSO (after) Cubist Composition: Still
PABLO PICASSO (after) Cubist Composition: Still Life. Color pochoir, circa 1920. 455x548 mm; 18x21 5/8 inches, full margins. Signed and numbered 12/100 in pencil, lower margin. A very good impression of this scarce, early print.
Lot: 400 - PABLO PICASSO (after) La Casserole
PABLO PICASSO (after) La Casserole émaillée. Color wood engraving, 1950. 233x297 mm; 9 1/4x11 3/4 inches, full margins. Edition of 150. Signed and numbered "110" in pencil, lower right. From Estampes. A superb impression with
Lot: 401 - PABLO PICASSO (after) Tête de Faun
PABLO PICASSO (after) Tête de Faun. Aquatint and roulette on Japon nacré, circa 1950. 302x253 mm; 11 7/8x9 7/8 inches, full margins. Signed and numbered 71/200 in pencil, lower margin. Published by Crommelynck, Paris, with the blind
Lot: 401A - PABLO PICASSO (after) Nature Morte avec Figure
PABLO PICASSO (after) Nature Morte avec Figure. Color pochoir, circa 1920. 300x185 mm; 12x7 1/4 inches, full margins. Signed and numbered 27/100 in pencil, lower left. Published by Paul Rosenberg, Paris. A very good impression of this scarce,
Lot: 402 - PABLO PICASSO (after) Interieur Rouge avec un
PABLO PICASSO (after) Interieur Rouge avec un Transatlantique Bleu. Color aquatint, 1959. 405x330 mm; 16x13 inches, full margins. Signed and numbered 237/300 in red pencil, lower margin. A very good impression with strong colors.
Lot: 403 - PABLO PICASSO (after) Bouteille de Rhum
PABLO PICASSO (after) Bouteille de Rhum. Color collotype and stencil, circa 1965. 600x495 mm; 23 5/8x19 1/2 inches, full margins. Signed and numbered 64/250 in pencil, lower margin, and numbered 64/250 in ink, verso. Published by Guy Spitzer,
Lot: 404 - PABLO PICASSO (after) Bethsabée
PABLO PICASSO (after) Bethsabée. Color aquatint, 1966. 265x375 mm; 10 1/2x14 3/4 inches, full margins. Signed and numbered 100/300 in pencil, lower margin. Published by Crommelynck, Paris, with the blind stamp lower left. A superb
Lot: 405 - PABLO PICASSO (after) Les Portraits Imaginaires
PABLO PICASSO (after) Les Portraits Imaginaires. Color lithograph, 1969. 652x502 mm; 25 5/8x19 3/4 inches, full margins. Numbered F220/250 in pencil, lower left. Printed by Marcel Salinas. Published by Harry N. Abrams, Inc., New York. From
Lot: 406 - GEORGES ROUAULT La Sybille de Cumes.
GEORGES ROUAULT La Sybille de Cumes. Color lithograph, circa 1928. 532x383 mm; 21x15 1/8 inches, wide margins. Numbered 107/250, lower margin. Arches watermark. A superb impression of this extremely scarce print, with strong colors. Wofsy
Lot: 407 - GEORGES ROUAULT Douce Amere.
GEORGES ROUAULT Douce Amere. Color aquatint, 1934. 311x193 mm; 12 1/4x8 1/8 inches, full margins. Edition of 280. Printed by Lacouriere, Paris. Published by Vollard, Paris. From Cirque de l'Etoile Filante. A superb impression with vibrant
Lot: 408 - GEORGES ROUAULT Enfant de la Balle.
GEORGES ROUAULT Enfant de la Balle. Color aquatint on Japon Impériale, 1935. 311x210 mm; 12 1/4x8 1/4 inches, full margins. Edition of 35. Printed by Lacourière, Paris. Published by Vollard, Paris. From Cirque de l'Étoile
Lot: 409 - KURT SCHWITTERS Komposition mit Kopf im
KURT SCHWITTERS Komposition mit Kopf im Linksprofil. Lithograph on light tan wove paper, 1921. 245x210 mm; 9 3/4x8 1/4 inches, full margins. Edition of 100. Signed in pencil, lower right. From Bauhaus-Mappe 3. Small restored loss extreme
Lot: 410 - YVES TANGUY Yves Tanguy by André Breton.
YVES TANGUY Yves Tanguy by André Breton. Bound volume with complete text and one pen and ink and watercolor drawing, 1946. 302x230 mm; 12x9 inches (sheets), full margins. One of only several hors commerce copies reserved for the artist
Lot: 411 - JACQUES VILLON Composition.
JACQUES VILLON Composition. Color aquatint, 1927. 490x335 mm; 19 1/4x13 1/8 inches, full margins. Signed and numbered 47/200 in pencil, lower margin. Published by Galerie Bernheim-Jeune, Paris. A very good impression with strong colors.
Auctioneer License Information:Auction Listings provided by AuctionZip.com. Although the information published herein is from sources deemed reliable, AuctionZip.com expressly disclaims any liability for errors, omissions or changes regarding any information provided for this auction. Potential buyers are urged to verify auction date, time, and content directly through the auctioneer's website or by contacting the auctioneer directly. The terms and conditions of the auction may or may not be published in this listing. ALL TERMS AND CONDITIONS AND OTHER ANNOUNCEMENTS MADE THE DAY OF THE AUCTION ARE BINDING AND TAKE PRECEDENCE OVER ANY INFORMATION FOUND HEREIN.
