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Auction Information
Auctioneer Swann Auction Galleries 212-254-4710
Auction Date Nov 16 Auction
Location
See Catalog
New York, NY
Time 01:30PM
Auctioneer's Other ListingsE-mail AuctioneerAuctioneer's Web Site
Auction Listing
AuctionZip Auctioneer ID# 2686

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Lot: 1 - ADOLPH GOTTLIEB Green Ground, Blue Disk.

ADOLPH GOTTLIEB Green Ground, Blue Disk. Color lithograph, 1966. 615x460 mm; 24x18 inches, full margins. Signed, dated and numbered 4/50 in white pencil, lower margin. A superb impression with fresh colors. Associated American Artists 37.

Lot: 2 - ADOLPH GOTTLIEB Flotsam.

ADOLPH GOTTLIEB Flotsam. Color screenprint on smooth, cream wove paper, 1967. 760x560 mm; 29 7/8x22 inches, full margins. Signed, dated and numbered 3/75 in pencil, lower margin. A very good impression with strong colors. Associated American

Lot: 3 - ADOLPH GOTTLIEB Levitation.

ADOLPH GOTTLIEB Levitation. Color screenprint, 1969. 520x430 mm; 20 1/2x17 inches, full margins. Signed, dated and numbered 86/90 in pencil, lower margin. A superb impression with strong colors. Associated American Artists 58.

Lot: 4 - ADOLPH GOTTLIEB Black and Gray.

ADOLPH GOTTLIEB Black and Gray. Color screenprint, 1967. 598x445 mm; 23 5/8x17 1/2 inches, full margins. Signed, dated and numbered 9/75 in ink, lower margin. A very good impression. Associated American Artists 47.

Lot: 5 - JACKSON POLLOCK Untitled.

JACKSON POLLOCK Untitled. Screenprint on Strathmore paper, 1951 (printed 1964). 420x470 mm; 16 1/2x18 1/2 inches, full margins. Numbered 46/50 in pencil, lower right. With The Pollock Estate blind stamp, lower left. Betty Parsons, who

Lot: 6 - WILLEM DE KOONING Untitled (Woman's Head).

WILLEM DE KOONING Untitled (Woman's Head). Charcoal with touches of oil on light tan wove paper, circa 1970. 470x598 mm; 18 1/2x23 1/2 inches. Signed and dedicated "Happy Birthday dear Maggi from Bill" in charcoal, lower recto.

Lot: 7 - WILLEM DE KOONING Untitled (Seated and Reclining

WILLEM DE KOONING Untitled (Seated and Reclining Women). Pencil on thin, cream wove paper, circa 1965-70. 230x305 mm; 9x12 inches. Signed in pencil, lower left recto. Ex-collection Galerie Maeght Lelong, New York, with the original label on

Lot: 7A - WILLEM DE KOONING Clam Digger.

WILLEM DE KOONING Clam Digger. Lithograph, 1966. 410x310 mm; 16 1/8x12 1/4 inches, full margins. Artist's proof, aside from the edition of 100. Signed and inscribed "A.P." in pencil, lower margin. Printed and published by Hollander's Workshop,

Lot: 8 - Self Portrait in a Convex Mirror by John Ashbery.

Self Portrait in a Convex Mirror by John Ashbery. Portfolio with complete text, recording of the poet and 8 lithographs, 1984. Each 450 mm; 18 inches (diameter) (sheets), full margins. Each print signed and numbered 14/175 in pencil, lower

Lot: 9 - WILLEM DE KOONING Poems by Frank O'Hara.

WILLEM DE KOONING Poems by Frank O'Hara. Portfolio with 17 lithographs on Japanese Kitakata appliqué, 1988. Each 352x280 mm; 13 7/8x11 inches (sheets), full margins. Edition of 550. With de Kooning's authorized facsimile signature and

Lot: 10 - WILLEM DE KOONING Untitled: Quatre Lithographies.

WILLEM DE KOONING Untitled: Quatre Lithographies. Color lithograph on Arches, 1986. 720x630 mm; 28 1/4x24 3/4 inches (sheet), full margins. Signed, dated and numbered 93/100 in pencil, lower margin. Published by Éditions de la

Lot: 11 - WILLEM DE KOONING Untitled: Quatre Lithographies.

WILLEM DE KOONING Untitled: Quatre Lithographies. Color lithograph on Arches, 1986. 720x630 mm; 28 1/4x24 3/4 inches (sheet), full margins. Signed, dated and numbered 93/100 in pencil, lower margin. Published by Éditions de la

Lot: 12 - WILLEM DE KOONING Figures in Landscape #6.

WILLEM DE KOONING Figures in Landscape #6. Color offset lithograph, 1980. 790x712 mm; 31x28 inches, full margins. Signed, dated and numbered 92/100 in pencil, lower margin. Published by the Institute of Contemporary Art, University of

Lot: 13 - WILLEM DE KOONING Untitled.

WILLEM DE KOONING Untitled. Color screenprint, 1972. 855x582 mm; 33 3/4x23 inches, full margins. Artist's proof, aside from the edition of 75. Signed and dedicated in pencil, lower margin. Printed by Ives-Sillman, New Haven, with the blind

Lot: 14 - WILLEM DE KOONING For Lisa.

WILLEM DE KOONING For Lisa. Color lithograph, 1984. 450x590 mm; 17 5/8x23 1/4 inches (sheet), full margins. Artist's proof, aside from the edition of 250. Signed in black crayon and inscribed "A.P." in pencil, lower margin. Published by Brand

Lot: 15 - ROBERT MOTHERWELL Untitled.

ROBERT MOTHERWELL Untitled. Open-bite etching printed in dark, brownish black on Auvergne à la main paper, 1966. 248x175 mm; 9 3/4x6 7/8 inches, full margins. Artist's proof, aside from the edition of 50. Signed, dedicated and inscribed

Lot: 16 - ROBERT MOTHERWELL Nocturne V * Nocturne VI.

ROBERT MOTHERWELL Nocturne V * Nocturne VI. Two lithographs on handmade Japanese Ganpi appliqué on Arches, 1967-88. Both 350x274 mm; 13 3/4x10 3/4 inches, full margins. Artist's proofs, aside from the editions of 50. Both initialed and

Lot: 17 - ROBERT MOTHERWELL Africa Suite #8.

ROBERT MOTHERWELL Africa Suite #8. Color screenprint on J. B. Green paper, 1970. 800x590 mm; 31 1/2x23 1/4 inches, full margins. Initialed and numbered 17/150 in pencil, lower margin. Printed by Kelpra Studio, London. Published by Marlborough

Lot: 18 - ROBERT MOTHERWELL The Basque Suite #8.

ROBERT MOTHERWELL The Basque Suite #8. Color screenprint on J. B. Green paper, 1970-71. 571x442 mm; 22 1/2x17 3/8 inches, full margins. Initialed and numbered 4/150 in pencil, lower right. Printed by Kelpra Studio, London. Published by

Lot: 19 - ROBERT MOTHERWELL The Dalton Print.

ROBERT MOTHERWELL The Dalton Print. Lithograph on light tan Rives BFK, 1979. 560x435 mm; 22x17 1/8 inches, full margins. Initialed and numbered 6/150 in ink, lower left. Printed and published by Tyler Graphics, Ltd., Bedford, with the blind

Lot: 20 - ROBERT MOTHERWELL Window.

ROBERT MOTHERWELL Window. Lithograph on Arches Cover, 1973. 495x394 mm; 19 1/2x15 1/4 inches, full margins. Signed and numbered 89/90 in pencil, lower right. Printed by Gemini G.E.L., Los Angeles, with the blind stamp lower right. Published by

Lot: 21 - ROBERT MOTHERWELL Sumurai II.

ROBERT MOTHERWELL Sumurai II. Lithograph printed in black on handmade natural Sekishu paper appliqué on 2 joined sheets of Napal handmade paper, 1979-80. 990x622 mm; 39x24 1/2 inches, full margins. Initialed and numbered 12/49 in ink,

Lot: 21A - ROBERT MOTHERWELL Stephen's Iron Crown Etched.

ROBERT MOTHERWELL Stephen's Iron Crown Etched. Color lift-ground etching and aquatint printed in cream and black on German Etching paper, 1981-82. 401x503 mm; 15 3/4x19 3/4 inches, full margins. Initialed and numbered 62/66 in ink, lower

Lot: 22 - ROBERT MOTHERWELL Art 1981 Chicago Print.

ROBERT MOTHERWELL Art 1981 Chicago Print. Color lithograph on Arches Cover, 1981. 864x635 mm; 34x25 inches (sheet), full margins. Signed and numbered 123/150 in pencil, lower right. Printed by Tyler Graphics, Ltd., Bedford, with the blind

Lot: 23 - ROBERT MOTHERWELL Red Open with White Line.

ROBERT MOTHERWELL Red Open with White Line. Color aquatint with soft-ground etching on Hawthorne of Larroque handmade paper, 1979. 457x914 mm; 18x36 inches (sheet), full margins. Initialed and numbered 3/56 in ink, lower left. Printed by

Lot: 24 - ROBERT MOTHERWELL Untitled.

ROBERT MOTHERWELL Untitled. Color aquatint and lift-ground etching on Arches Cover, 1972-73. 609x508 mm; 24x20 inches, full margins. Signed and numbered 10/50 in pencil, lower right. Printed by Catherine Mosley in the artist's studio,

Lot: 25 - ROBERT MOTHERWELL French Revolution Bicentennial

ROBERT MOTHERWELL French Revolution Bicentennial Suite, II. Color aquatint with collage on Whatman paper, 1987-88. 252x350 mm; 9 7/8x13 3/4 inches, full margins. Signed and numbered 12/35 in pencil, lower right. Printed by Catherine Mosley in

Lot: 26 - ROBERT MOTHERWELL The Red Queen.

ROBERT MOTHERWELL The Red Queen. Color aquatint and lift-ground etching and collage on German Etching paper, 1989. 597x450 mm; 23 1/2x17 3/4 inches, full margins. Initialed and numbered 20/40 in pencil, lower left. Printed by Catherine Mosley

Lot: 27 - ROBERT MOTHERWELL Mask (For Ingmar Bergman).

ROBERT MOTHERWELL Mask (For Ingmar Bergman). Color lithograph on TGL handmade paper, 1989. 1340x1070 mm; 52 3/4x42 1/4 inches, full margins. Signed and numbered 54/62 in pencil, lower center. Published by Tyler Graphics, Ltd., Bedford, with

Lot: 28 - ROBERT MOTHERWELL Hermitage.

ROBERT MOTHERWELL Hermitage. Color lithograph on Arches Cover, 1975. 1026x725 mm; 40 3/8x28 1/2 inches, full margins. Printer's proof, aside from the edition of 200. Annotated in the margins and initialed "KET" by the printer, Kenneth E.

Lot: 29 - ROBERT MOTHERWELL America--La France Variations

ROBERT MOTHERWELL America--La France Variations VI. Color lithograph and collage on white Arches Cover, 1983-84. 1175x816 mm; 46 1/2x32 1/8 inches (sheet), full margins. Artist's proof, aside from the edition of 70. Signed and inscribed "a.p.

Lot: 30 - ROBERT MOTHERWELL America--La France Variations

ROBERT MOTHERWELL America--La France Variations IX. Color lithograph on Arches collaged on Oatmeal Australian Bemboka handmade paper, 1983-84. 724x553 mm; 28 1/2x21 3/4 inches (sheet), full margins. Signed and numbered 30/60 in pencil, lower

Lot: 31 - ROBERT MOTHERWELL Riverrun.

ROBERT MOTHERWELL Riverrun. Color aquatint on German Etching paper, 1988. 280x502 mm; 11x19 3/4 inches, full margins. Initialed and numbered 34/37 in pencil, lower right. Printed by Catherine Mosley, in the artist's studio, Greenwich.

Lot: 32 - ROBERT MOTHERWELL Two color lithographs from El

ROBERT MOTHERWELL Two color lithographs from El Negro. Black Wall of Spain (Muro), 1981 * Through Black Emerge Purified (O Negro), 1982-83. Both 382x959 mm; 15x37 3/4 inches (sheet), full margins. Both signed and numbered 1/98 in pencil,

Lot: 33 - HELEN FRANKENTHALER Flotilla.

HELEN FRANKENTHALER Flotilla. Color screenprint on Rives BFK, 2006. 790x940 mm; 31x37 inches, full margins. Signed, dated and numbered 26/120 in pencil, lower left. Printed by Brand X Editions, Ltd., New York. Published by Lincoln Center/List

Lot: 34 - HELEN FRANKENTHALER Mirabelle.

HELEN FRANKENTHALER Mirabelle. Color lithograph on Arches Cover, 1985-90. 762x943 mm; 30x37 1/8 inches (sheet), full margins. Signed, dated and numbered 42/56 in white pencil, lower margin. Printed and published by Tyler Graphics, Ltd., Mount

Lot: 35 - HELEN FRANKENTHALER Solar Imp.

HELEN FRANKENTHALER Solar Imp. Color screenprint on cream wove paper, 2001. 1000x760 mm; 39 3/8x29 7/8 inches, full margins. Signed twice and numbered 46/126 in pencil, lower margin. Printed by Brand X Editions, Ltd., New York. Published by

Lot: 36 - JOAN MITCHELL Champs (Black, Gray and Green).

JOAN MITCHELL Champs (Black, Gray and Green). Color lithograph, 1991-92. 762x562 mm; 30x22 1/8 inches (sheet), full margins. Signed and numbered 38/125 in pencil, lower margin. Printed by Atelier Bordas, Paris. Published by Éditions Jean

Lot: 37 - JOAN MITCHELL Arbres (Black and Red).

JOAN MITCHELL Arbres (Black and Red). Color lithograph, 1991-92. 770x562 mm; 30 1/4x22 inches (sheet), full margins. Signed and numbered 21/125 in pencil, lower margin. Printed by Atelier Bordas, Paris. Published by Éditions Jean Fournier

Lot: 38 - JOAN MITCHELL Arbres (Black and Yellow).

JOAN MITCHELL Arbres (Black and Yellow). Color lithograph, 1991-92. 762x562 mm; 30x22

Lot: 39 - GRACE HARTIGAN Title page for Salute.

GRACE HARTIGAN Title page for Salute. Color screenprint, 1960. 290x355 mm; 11 1/2x14 inches, full margins. Artist's proof, before the editoin of 25 with letters. Printed and published by Tiber Press, New York. From Salute. A very good

Lot: 40 - SAM FRANCIS Untitled.

SAM FRANCIS Untitled. Color lithograph on PTI #120 Waterleaf paper, 1988. 1137x740 mm; 44 3/4x29 1/8 inches, full margins. Signed and numbered 19/50 in pencil, lower margin. Published by The Litho Shop, Inc., Santa Monica. A superb impression

Lot: 41 - SAM FRANCIS Untitled.

SAM FRANCIS Untitled. Color aquatint, 1993. 412x185 mm; 16 1/4x7 1/2 inches, full margins. Signed and numbered 1/26 in pencil, lower margin. A superb impression with vibrant colors. SFE 90.

Lot: 42 - SAM FRANCIS Joel Wach for Mayor.

SAM FRANCIS Joel Wach for Mayor. Color screenprint, 1992. 590 mm; 23 1/4 inches (sheet diameter), full margins. Signed and numbered 56/100 in pencil, lower margin. Published by Lapis Press, Los Angeles. A superb impression with vibrant colors.

Lot: 43 - SAM FRANCIS Untitled.

SAM FRANCIS Untitled. Lithograph on Rives BFK, 1975. 975x711 mm; 38 3/8x28 inches (sheet), full margins. Signed and numbered 24/28 in pencil, lower margin. Printed and published by The Litho Shop, Inc., Santa Monica, with the blind stamp lower

Lot: 44 - JAMES BROOKS Eastern.

JAMES BROOKS Eastern. Color lithograph on heavy, cream wove paper, 1982. 730x535 mm; 28 3/4x21 1/8 inches, full margins. Signed, titled, dated and numbered 23/150 in pencil, lower margin. A very good impression with strong colors.

Lot: 45 - LEE BONTECOU Silkscreen.

LEE BONTECOU Silkscreen. Screenprint on muslin mounted on illustration board, 1968. 355x330 mm; 14x13 inches, full margins. Signed and numbered 192/200 in pencil, lower margin. Published by Tanglewood Press, New York. From Ten from Leo

Lot: 46 - DOROTHY DEHNER Egyptian Theme.

DOROTHY DEHNER Egyptian Theme. Color screenprint, 1970. 440x589 mm; 17 3/8x23 1/4 inches, full margins. Signed, titled, dated and numbered 7/150 in pencil, lower margin. A very good impression with strong colors. Dehner (1901-1994) was a

Lot: 47 - LEE KRASNER Embrace.

LEE KRASNER Embrace. Color screenprint, 1974. 1025x641 mm; 40x25 inches, full margins. Signed and numbered 197/200 in pencil, lower margin. Printed and published by by Kennedy Graphics/Chromacorp, New York, for the 1976 Montreal Olympics. A

Lot: 48 - ROBERT DE NIRO, SR. Seated Woman.

ROBERT DE NIRO, SR. Seated Woman. Oil on heavy cream wove paper, 1954. 775x555 mm; 30 1/2x21 7/8 inches. Signed and dated in oil, lower right recto. Ex-collection Virginia Zabriskie Gallery, New York, with the label on the frame back; and

Lot: 49 - MICHAEL GOLDBERG Standing Nude.

MICHAEL GOLDBERG Standing Nude. Charcoal with color pastels and gouache on cream wove paper, 1968. 590x450 mm; 23 1/4x17 3/4 inches. Signed and dated in charcoal, lower right recto. Ex-collection Brutten-Herrick collection, Philadelphia;

Lot: 50 - MICHAEL GOLDBERG Untitled (from Odes).

MICHAEL GOLDBERG Untitled (from Odes). Color screenprint, 1961. 430x350 mm; 17x13 3/4 inches, full margins. Signed, dated, inscribed"Special Edition" and numbered 13/19 in pencil, lower margin. A very good impression.

Lot: 51 - MICHAEL GOLDBERG Untitled (from Odes).

MICHAEL GOLDBERG Untitled (from Odes). Color screenprint, 1961. 430x350 mm; 17x13 3/4 inches, full margins. Signed, dated, inscribed "Special Edition" and numbered 15/19 in pencil, lower margin. A very good impression.

Lot: 52 - AARON LEVY Study No. 3.

AARON LEVY Study No. 3. Oil on paper, circa 1960. 510x667 mm; 20 1/8x26 1/4 inches. Signed in pencil, lower right recto. Ex-collection Phoenix Gallery, New York, with the label on the frame back.

Lot: 53 - GABOR PETERDI Rolling Sand Dunes.

GABOR PETERDI Rolling Sand Dunes. Oil on canvas, 1954-55. 760x1263 mm; 30x49 3/4 inches. Signed and dated in oil, lower right recto, and signed, titled and dated in oil, verso.

Lot: 54 - ROBERT GOODNOUGH Collage Painting.

ROBERT GOODNOUGH Collage Painting. Acrylic and collage on board, 1980-2005. 420x420 mm; 16 1/2x16 1/2 inches. Signed in ink, lower right recto and signed, titled, dated and annotated in ink, verso. Ex-collection the artist and his wife, Miko

Lot: 55 - ROBERT GOODNOUGH Three paintings.

ROBERT GOODNOUGH Three paintings. Untitled, oil and acrylic and pen and black ink on canvas board, 2002. Signed and dated in pen and blue ink, lower right recto * Bananas, oil and acrylic on canvas board, 2004 * Primeval Forest Dinosaur, oil

Lot: 56 - ROBERT GOODNOUGH Three works.

ROBERT GOODNOUGH Three works. Self-Portrait Riding a Dinosaur, mixed media collage on paper, 1992. Signed and dated in pen and black ink, lower right recto. Exhibited ACA Galleries, New York, with the original label * Untitled, oil on canvas

Lot: 57 - LESTER BEALL Group of 5 paintings.

LESTER BEALL Group of 5 paintings. Each oil or gouache on paper, 1946-1952. Each signed in black ink, lower left or right verso. Various sizes and conditions. Acquired from the Estate of Joanna Beall Westermann, the artist's daughter, by

Lot: 58 - NICOLAS CARONE Untitled.

NICOLAS CARONE Untitled. Oil on canvas, circa 1950s. 505x585 mm; 19 7/8x23 inches. Signed in oil, lower right recto. Ex-collection Washburn Gallery, New York, with the label on the stretcher bar. Carone (1917-2010) was born in New York and

Lot: 59 - NICOLAS CARONE Untitled.

NICOLAS CARONE Untitled. Oil on canvas, circa 1957. 505x605 mm; 19 7/8x23 3/4 inches. Signed in oil, lower right recto. Ex-collection Washburn Gallery, New York, with the label on the stretcher bar.

Lot: 60 - PAUL JENKINS Phenomena Group Thing.

PAUL JENKINS Phenomena Group Thing. Watercolor on cream wove paper, 1961. 330x240 mm; 13x9 1/2 inches. Signed, titled, dated, and inscribed "Paris" in ink, verso.

Lot: 61 - ZAO WOU-KI Hortensias.

ZAO WOU-KI Hortensias. Color lithograph on Rives, 1953. 430x580 mm; 17x23 inches, wide margins. One of only 50 proofs printed in two colors, aside from the edition of 95 printed in 6 colors. Signed, dated and numbered 1/50 in pencil, lower

Lot: 62 - ZAO WOU-KI L'Escalier.

ZAO WOU-KI L'Escalier. Color etching on Rives, 1951. 317x246 mm; 12 1/2x9 3/4 inches, full margins. An hors commerce impression, aside from the edition of 50. Signed and numbered "H.C. 8/8" in pencil, lower margin. Printed by Leblanc, Paris.

Lot: 63 - ZAO WOU-KI Paysage de rêve.

ZAO WOU-KI Paysage de rêve. Color etching on Rives, 1951. 268x243 mm; 10 1/2x9 1/2 inches, full margins. Signed and numbered 18/50 in pencil, lower margin. Printed by Leblanc, Paris. A very good impression. Ågerup 67.

Lot: 64 - ZAO WOU-KI Sans titre.

ZAO WOU-KI Sans titre. Color lithograph on Rives, 1958. 472x425 mm; 18 5/8x16 3/4 inches, wide margins (trimmed to the image along the left and right edges). Signed, dated and numbered 132/150 in pencil, lower margin. Printed by Desjobert,

Lot: 64A - ZAO WOU-KI Sans titre.

ZAO WOU-KI Sans titre. Color lithograph on Arches, 1979. 430x409 mm; 17x16 inches, full margins. Signed, dated and numbered 91/99 in pencil, lower margin. Printed by Bellini, Paris. Published by the Bibliotheque Nationale, Paris, and Bellini,

Lot: 65 - ZAO WOU-KI San titre (Hommage à Nobutaka

ZAO WOU-KI San titre (Hommage à Nobutaka Shikanai). Color lithograph on Rives, 1991. 612x560 mm; 24x18 1/4 inches, full margins. Edition of 2757. Signed in pencil, lower right. Printed by Art Estampe, Paris. Published by Fuji

Lot: 66 - MARK TOBEY October.

MARK TOBEY October. Color lithograph, 1970-71. 431x674 mm; 17x26 1/2 inches, full margins. Signed, dated and numbered 115/200 in pencil, lower margin. Printed by Kurt Meier, Basel. Published by Galerie Beyeler, Basel. A very good impression.

Lot: 67 - MARK TOBEY Two color lithographs.

MARK TOBEY Two color lithographs. October, 1970-71. 431x674 mm; 17x26 1/2 inches, full margins. Signed, dated and numbered 36/200 in pencil, lower margin * The Passing, 1970. 670x480 mm; 26 3/8x18 7/8 inches, full margins. Signed, dated and

Lot: 68 - MARK TOBEY To Life.

MARK TOBEY To Life. Color etching, 1974. 348x275 mm; 13 3/4x10 7/8 inches, full margins. Signed and numbered 94/150 in pencil, lower margin. Printed by Ateliers Rigal, Paris. Published by Transworld Arts, New York. From Homage to Tobey.

Lot: 69 - MARK TOBEY Group of 4 prints.

MARK TOBEY Group of 4 prints. Divertimento, color etching, 1971. Signed and numbered 91/96 in pencil, lower margin * Transformation, color lithograph, 1974. Signed and numbered 93/100 in pencil, lower margin * Companionship, 1974. Signed and

Lot: 70 - MARK TOBEY Group of 5 prints.

MARK TOBEY Group of 5 prints. They've Come Back, color lithograph, 1971. Signed, dated and numbered 17/96 in pencil, lower margin * Apparuit, color lithograph, 1971. Signed, dated and numbered 33/75 in pencil, lower margin * Liberation,

Lot: 71 - CARLO BATTAGLIA Group of 5 works on paper.

CARLO BATTAGLIA Group of 5 works on paper. Each color pastels, crayons or pencils, circa 1960s-80s. One signed and dated "1981" in pencil, lower right; one signed and dated "1963," verso. Various sizes and conditions. Each gifted to the

Lot: 72 - FRANS KRAJCBERG Sem Título.

FRANS KRAJCBERG Sem Título. Pigment and paper relief, 1958. 267x190 mm; 10 1/2x7 1/2 inches. Signed and dated in pencil, lower left. Ex-collection Rose Fried Gallery, New York, with the label on the frame back. Born in Poland,

Lot: 73 - SERGE POLIAKOFF Composition Orange, Rouge et

SERGE POLIAKOFF Composition Orange, Rouge et Noire. Color etching on Arches, 1957-58. 195x115 mm; 7 3/4x4 1/2 inches, full margins. Artist's proof, aside from the edition of 100. Signed in pencil, lower right. Printed by Jean Signovert, Paris.

Lot: 74 - SERGE POLIAKOFF Composition Rose, Rouge et Bleue.

SERGE POLIAKOFF Composition Rose, Rouge et Bleue. Color lithograph on Rives, 1957. 330x250 mm; 13x9 7/8 inches, full margins. Artist's proof, aside from the edition of 75. Signed and inscribed "ep. d'artiste" in pencil, lower margin. Printed

Lot: 75 - CHEN TING-SHIH Vacation of the Stars #4.

CHEN TING-SHIH Vacation of the Stars #4. Color woodcut on Japan paper, 1971. 585x560 mm; 23x22 inches, full margins. Signed, titled, dated and numbered 4/18 in pencil, lower margin. With the artist's red ink stamp, lower left recto. A very

Lot: 76 - CHEN TING-SHIH Calligraphy #2.

CHEN TING-SHIH Calligraphy #2. Color woodcut, 1976. 572x762 mm; 22 1/2x30 inches (sheet), full margins. Signed, titled, dated and numbered 6/40 in pencil, lower margin. A very good impression.

Lot: 77 - JEAN ARP Formes préadamites.

JEAN ARP Formes préadamites. Cherry wood relief mounted on beige, linen-wrapped board, 1945. 270x260x22 mm; 10 5/8x10 1/4x 7/8 inches. Signed in ink on the original label, verso. Published by Allianz-Verlag, Zurich, with the ink stamp,

Lot: 78 - JEAN ARP Plakat Basel.

JEAN ARP Plakat Basel. Color lithograph, 1961. 910x900 mm; 35 1/2x35 1/8 inches, full margins. The deluxe edition of 75 before letters. Signed and numberd 70/75 in pencil, lower margin. Printed by Wasserman, Basel. Published by Kunsthalle,

Lot: 79 - JEAN ARP Le soleil recerclé.

JEAN ARP Le soleil recerclé. Color woodcut on Rives BFK, 1966. 267x214 mm; 10 1/2x8 1/2 inches, full margins. Signed and numbered 21/60 in pencil, lower margin. Published by Broder, Paris. From the same-titled portfolio. A very good,

Lot: 80 - JEAN ARP Gris-Noir.

JEAN ARP Gris-Noir. Color lithograph, 1966. 698x498 mm; 27 1/2x19 5/8 inches, full margins. Signed and numbered 74/100 in pencil, lower margin. Published by l'Œuvre Gravée, Zurich. A very good impression with strong colors. Arntz

Lot: 81 - JEAN ARP Documents Geigy.

JEAN ARP Documents Geigy. Color woodcut on Canson textured yellow wove paper, 1965. 548x375 mm; 21 5/8x14 3/4 inches, full margins. Signed and numbered 26/300 in pencil, lower margin. A very good impression with strong colors. Arntz 245.

Lot: 82 - JEAN ARP Komposition mit funf Formen.

JEAN ARP Komposition mit funf Formen. Color lithograph, 1964. 498x350 mm; 16 5/8x13 3/4 inches (sheet), full margins. Edition of 150. Signed in pencil, lower right. A very good impression. Arntz 358.

Lot: 83 - JEAN ARP Three prints.

JEAN ARP Three prints. Ramures, I, color woodcut, 1954. Signed and numbered 20/30 in pencil, lower margin * Affiche St. Gallen III, color screenprint, 1966. With the artist's estate stamp, lower right and numbered 32/100 in pencil, lower left

Lot: 84 - SONIA DELAUNAY Composition.

SONIA DELAUNAY Composition. Color lithograph on Fabriano paper, 1962. 685x490 mm; 27x19 1/4 inches, full margins. Edition of 60. Signed and dated in pencil, lower right. Published by Il Torchio, Milan, with the blind stamp lower right.

Lot: 85 - SONIA DELAUNAY Composition in Red, Green, Blue and

SONIA DELAUNAY Composition in Red, Green, Blue and Black. Color etching, 1968. 454x412 mm; 21 1/2x16 1/4 inches. Signed, dated and numbered 48/100 in pencil, lower margin. A very good impression.

Lot: 86 - SONIA DELAUNAY Composition.

SONIA DELAUNAY Composition. Color etching, 1964. 335x273 mm; 13 1/8x10 3/4 inches, full margins. Signed and dated in pencil, lower right. A very good impression.

Lot: 87 - KAREL APPEL Deux Figures.

KAREL APPEL Deux Figures. Color lithograph, 1969. 500x640 mm; 19 5/8x25 1/8 inches, full margins. Signed, dated and numbered 33/75 in pencil, lower margin. A very good impression of this early lithograph with strong colors.

Lot: 88 - KAREL APPEL She is Back Again.

KAREL APPEL She is Back Again. Color lithograph with embossing, 1974. 560x763 mm; 22x30 inches, full margins. Signed, dated and numbered 4/120 in pencil, lower margin. Printed and published by Editions Press, San Francisco, with the blind

Lot: 89 - THEO HIOS Composition.

THEO HIOS Composition. Oil on canvas, 1963. 1265x1520 mm; 49 7/8x59 7/8 inches. Signed and dated in oil, verso.

Lot: 90 - ERNST WILHELM NAY Die Wüste.

ERNST WILHELM NAY Die Wüste. Color aquatint and etching on Arches, 1965. 398x338 mm; 15 3/4x13 1/2 inches, full margins. Signed, dated and numbered 80/100 in pencil, lower margin. Printed by Georges Visat, Paris. Published by Edition

Lot: 91 - YVES KLEIN L' IKB, l'IKG, et l'immatériel

YVES KLEIN L' IKB, l'IKG, et l'immatériel vous souhaitent avec Yves Klein la santé pour toujours! Dry pigment, gold leaf and ink on paper, triptych, with the third panel titled, annotated and signed by Klein in ink, and dated verso,

Lot: 92 - YVES KLEIN Anthropometrie ANT 148.

YVES KLEIN Anthropometrie ANT 148. Color screenprint on heavy cream wove paper, 2001. 980x675 mm; 38 1/2x26 1/2 inches, full margins. Edition of 200. Published by Editions T.A.T. Arts, Paris. A superb impression with fresh colors. Based on

Lot: 93 - YVES KLEIN Three color screenprints.

YVES KLEIN Three color screenprints. Anthropometrie ANT 148, 2001. 980x675 mm; 38 1/2x26 1/2 inches, full margins * Anthropometrie ANT 83, two impressions, 2001. 557x750 mm; 22x29 1/2 inches, full margins. Both an edition of 200. Both

Lot: 94 - JEAN DUBUFFET Paysage aux Frondaisons.

JEAN DUBUFFET Paysage aux Frondaisons. Lithograph on Arches, 1953. 510x390 mm; 20 1/8x15 3/8 inches, full margins. One of 5 hors commerce impressions, aside from the edition of 20. Signed, titled, dated and inscribed "épreuve HC" in

Lot: 95 - JEAN DUBUFFET Joie Innocente.

JEAN DUBUFFET Joie Innocente. Lithograph on Arches, 1959. 510x390 mm; 20 1/4x15 1/2 inches, full margins. Signed, titled, dated and numbered 14/20 in pencil, lower margin. Printed and published by the artist, Paris. From Théâtre du

Lot: 96 - JEAN DUBUFFET Torrent.

JEAN DUBUFFET Torrent. Lithograph on Arches, 1959. 535x385 mm; 21x15 1/4 inches. Signed, titled, dated and numbered 30/30 in pencil, lower margin. Printed by the artist, Paris. From Les Phénomènes (Eaux, Pierres, Sable). A very good

Lot: 97 - JEAN DUBUFFET L'homme à la casquette.

JEAN DUBUFFET L'homme à la casquette. Lithograph on Arches, 1953. 508x152 mm; 20x6 inches, full margins. Signed, titled, dated and numbered 19/20 in pencil, lower margin. A superb impression of this extremely scarce, early lithograph.

Lot: 98 - JEAN DUBUFFET Site avec Trois Personnages (a).

JEAN DUBUFFET Site avec Trois Personnages (a). Color screenprint on Arches, 1974-76. 560x900 mm; 22x35 1/2 inches, full margins. Initialed, dated and numbered 15/50 in pencil, lower margin. Published by Pace Editions, New York. A very good

Lot: 99 - JEAN DUBUFFET Le Surintendant.

JEAN DUBUFFET Le Surintendant. Color screenprint on Bristol, 1972. 510x310 mm; 20 1/8x12 1/4 inches, full margins. Initialed, dated and numbered 37/120 in pencil, lower margin. Published by Jeanne Bucher, Paris, and Pace Editions, New York.

Lot: 100 - EDUARDO CHILLIDA Barcelona I.

EDUARDO CHILLIDA Barcelona I. Lithograph on cream wove paper, 1971. 710x505 mm; 28x20 inches, full margins. Signed and numbered 11/75 in pencil, lower margin. Printed by Damian Caus, Barcelona. Published by Sala Gaspar, Barcelona. A very good,

Lot: 101 - EDUARDO CHILLIDA Ce maudit moi III.

EDUARDO CHILLIDA Ce maudit moi III. Woodcut on Rives BFK, 1983. 320x240 mm; 12 3/4x9 1/2 inches (sheet), full margins. Signed and numbered 19/50 in pencil, lower margin. Printed by Taller Hatz, San Sebastián. Published by Erker Presse,

Lot: 102 - EDUARDO CHILLIDA Enda VI--Raza.

EDUARDO CHILLIDA Enda VI--Raza. Etching on Chine collé, 1976. 160x160 mm; 6 1/2x6 1/2 inches, full margins. Signed and numbered 20/50 in pencil, lower margin. Printed by Morsang, Paris. Published by Maeght, Paris. From the same-titled

Lot: 103 - ARTHUR LUIZ PIZA Sans titre.

ARTHUR LUIZ PIZA Sans titre. Mixed media on canvas, circa 1964. 325x238 mm; 12 7/8x9 3/8 inches. Signed in ink, lower right recto, and inscribed "116" in ink, verso. This work will be included in the forthcoming catalogue raisonné of

Lot: 104 - ARTHUR LUIZ PIZA Soleil rouge.

ARTHUR LUIZ PIZA Soleil rouge. Color etching, 1968. 605x480 mm; 23 7/8x19 inches, full margins. Signed and numbered 4/95 in pencil, lower margin. Published by L'Œuvre Gravée, Paris, with the blind stamp lower left. A very good

Lot: 105 - ESTEBAN VICENTE Point to Point.

ESTEBAN VICENTE Point to Point. Color aquatint, 1984. 653x1010 mm; 25 3/4x39 1/2 inches (sheet). Signed, titled, dated and numbered 8/50 in pencil, lower sheet edge. A very good impression with strong colors.

Lot: 106 - ESTEBAN VICENTE Madrigal II.

ESTEBAN VICENTE Madrigal II. Color lithograph, 1982. 560x712 mm; 22x28 inches, full margins. Artist's proof, aside from the edition of 150. Signed, titled, and numbered "A.P. 16/25" in pencil, lower margin. A very good impression with fresh

Lot: 107 - JESÚS RAFAEL SOTO Jai Alai.

JESÚS RAFAEL SOTO Jai Alai. Metal element on nylon string attached to painted wood 3-dimensional form, 1969. 495x155x150 mm; 19 1/2x6 1/4x6 inches. With the artist's incised signature and numbered 31/300 on the upper front of the base.

Lot: 108 - JESÚS RAFAEL SOTO Vibration: Black and Green.

JESÚS RAFAEL SOTO Vibration: Black and Green. Painted wood and metal multiple, 1969. 500x150x270 mm; 19 3/4x6x10 3/4 inches. With the artist's incised signature and numbered 102/300 on the upper front fo the base.

Lot: 109 - JOSEF ALBERS Prefatio.

JOSEF ALBERS Prefatio. Lithograph on Serir Whitewove paper, 1942. 298x400 mm; 11 3/4x15 3/4 inches, full margins. Signed, titled, dated and numbered 24/30 in pencil, lower margin. Printed by Reinhard Schumann, Hickory, North Carolina. From

Lot: 110 - JOSEF ALBERS Interim.

JOSEF ALBERS Interim. Lithograph on Serir Whitewove paper, 1942. 194x387 mm; 7 5/8x15 1/4 inches, full margins. Signed, titled, dated and numbered 26/30 in pencil, lower margin. Printed by Reinhard Schumann, Hickory, North Carolina. From

Lot: 111 - JOSEF ALBERS Multiplex D.

JOSEF ALBERS Multiplex D. Woodcut on ivory laid paper, 1948. 229x305 mm; 9x12 inches, full margins. Signed, titled, dated and numbered 17/30 in pencil, lower margin. Printed by Biltmore Press, Asheville. A very good impression of this

Lot: 112 - JOSEF ALBERS Wide Light.

JOSEF ALBERS Wide Light. Color screenprint on Mohawk Superfine Bristol paper, 1962. 279x279 mm; 11x11 inches, wide margins. Edition of 250. Printed by R. H. Norton, New Haven. Pulished by Ives-Sillman, Inc., New Haven. From Homage to the

Lot: 113 - JOSEF ALBERS GB I.

JOSEF ALBERS GB I. Color screenprint on German Etching paper, 1969. 348x348 mm; 21 1/2x21 1/2 inches, full margins. Initialed, titled, dated and numbered 66/125 in pencil, lower margin. Printed by Sirocco Screenprints, New Haven. Published by

Lot: 114 - JOSEF ALBERS WLS IX.

JOSEF ALBERS WLS IX. Color lithograph on handcut Arches Cover, 1966. 400x400 mm; 15 3/4x15 3/4 inches, full margins. Signed, titled, dated and numbered "53-125" in pencil, lower margin. Printed and published by Gemini G.E.L., Los Angeles, with

Lot: 115 - JOSEF ALBERS Porta Negra.

JOSEF ALBERS Porta Negra. Color screenprint on Mohawk Superfine Bristol paper, 1965. 279x279 mm; 11x11 inches, full margins. Edition of 50. Signed and dedicated in pencil, lower margin. Printed by Sirocco Screenprints, New Haven. Published by

Lot: 116 - JOSEF ALBERS Group of 6 color screenprints.

JOSEF ALBERS Group of 6 color screenprints. Equivocal * Palatial * Nacre * Emeraude * Profundo * Arrived. Each 1962 or 1965. Each 279x279 mm; 11x11 inches, full margins. Each an edition of 250. Each printed by R. H. Norton or Sirocco

Lot: 117 - JOSEF ALBERS I-S Va I.

JOSEF ALBERS I-S Va I. Color screenprint on Arches, 1969. 571x660 mm; 22 1/2x26 inches, full margins. Signed, titled, dated and numbered 116/150 in pencil, lower margin. Printed by Sirocco Screenprints, New Haven. Published by Ives-Sillman,

Lot: 118 - JOSEF ALBERS Variant VIII.

JOSEF ALBERS Variant VIII. Color screenprint on Rives BFK, 1967. 279x302 mm; 11x11 7/8 inches, full margins. Signed, titled, dated and numbered "45-200" in pencil, lower margin. Printed by Sirocco Screenprints, New Haven. Published by

Lot: 119 - JOSEF ALBERS Red Orange Wall.

JOSEF ALBERS Red Orange Wall. Color screenprint on Arches, 1970. 432x635 mm; 17x25 inches, full margins. Signed and numbered 45/100 in pencil, lower margin. Printed by Sirocco Screenprints, New Haven. Published by Ives-Sillman, Inc., New

Lot: 120 - JOSEF ALBERS MMA-3 Variant.

JOSEF ALBERS MMA-3 Variant. Color screenprint on Arches, 1970. 438x489 mm; 17 1/4x19 1/4 inches, full margins. Signed, titled, dated and numbered 12/100 in pencil, lower margin. Printed by Sirocco Screenprints, New Haven, with the blind stamp

Lot: 121 - JOSEF ALBERS I-S Va 3.

JOSEF ALBERS I-S Va 3. Color screenprint on Arches, 1969. 611x706 mm; 24x27 3/4 inches, full margins. Signed, titled, dated and numbered 90/150 in pencil, lower margin. Printed by Sirocco Screenprints, New Haven. Published by Ives-Sillman,

Lot: 122 - JOSEF ALBERS Two embossed prints.

JOSEF ALBERS Two embossed prints. Intaglio Duo E, 1959. 127x343 mm; 5x13 1/2 inches, full margins. Signed, titled, dated and numbered 13/25 in pencil, lower margin * Intaglio Solo XV, 1962. 190x257 mm; 7 1/2x10 1/8 inches, full margins.

Lot: 123 - JOSEF ALBERS Group of 4 embossed prints.

JOSEF ALBERS Group of 4 embossed prints. Intaglio Duo H, 1958. Signed, titled, dated and numbered 28/45 in pencil, lower margin * Intaglio Duo K, 1962. Signed, titled dated and numbered 11/29 in pencil, lower margin * Intaglio Solo XIV,

Lot: 124 - JOSEF ALBERS Two color screenprints.

JOSEF ALBERS Two color screenprints. MMA Pillars, 1970. 292x260 mm; 11 1/2x10 1/4 inches, full margins * MMA-3 Variant, 1970. 438x489 mm; 17 1/4x19 1/4 inches, full margins. Both an edition of 400, aside from the signed editions of 100. Both

Lot: 125 - ANNI ALBERS Red Meander.

ANNI ALBERS Red Meander. Color screenprint, 1969. 510x420 mm; 20 1/8x16 5/8 inches, full margins. Signed, titled, dated and numbered 40/50 in pencil, lower margin. A very good impression with vibrant colors.

Lot: 126 - AGNES MARTIN Paintings and Drawings: Stedelijk

AGNES MARTIN Paintings and Drawings: Stedelijk Museum Portfolio. Portfolio with complete text in two bound volumes and 10 lithographs on Vellum, 1990. Each lithograph 298x298 mm; 11 3/4x11 3/4 inches (sheets), full margins, loose as issued.

Lot: 127 - DANIEL BUREN Passage.

DANIEL BUREN Passage. Portfolio with 215 offset color lithographs in seven separate volumes, each volume a different color, 1972. 520x520 mm; 20 1/2x20 1/2 inches (sheets), soft bound as issued. Edition of 110. Printed by Artestudio,

Lot: 128 - RICHARD ANUSZKIEWICZ Untitled.

RICHARD ANUSZKIEWICZ Untitled. Enamel on masonite multiple, 1982. 177x139 mm; 7x5 1/2 inches. Signed and dated in pencil, lower right.

Lot: 129 - RICHARD ANUSZKIEWICZ Inward Eye.

RICHARD ANUSZKIEWICZ Inward Eye. Portfolio with text and 7 (of 10) color screenprints, 1970. 655x500 mm; 25 3/4x19 1/2 inches (sheets), full margins. Edition of 500. Signed and numbered "51" in pencil on the justification page. Printed

Lot: 130 - RICHARD ANUSZKIEWICZ Reflections III.

RICHARD ANUSZKIEWICZ Reflections III. Color screenprint with hand coloring in acrylic on gessoed masonite, 1979. 425x302 mm; 16 3/4x11 7/8 inches. Artist's proof, aside from the edition of 60. Signed and dated in black ink, verso. Published by

Lot: 131 - GENE DAVIS Signal.

GENE DAVIS Signal. Acrylic on canvas, 1973. 912x707 mm; 35 7/8x27 7/8 inches. This painting is the original design for the same-titled color screenprint, also from 1973. Property from the collection of Di and Lou Stovall. A gift

Lot: 132 - GENE DAVIS Tightrope.

GENE DAVIS Tightrope. Color lithograph, 1973. 464x695 mm; 18 1/4x27 3/8 inches, full margins. Signed, dated and numbered 70/75 in pencil, lower right. A very good impression with vibrant colors.

Lot: 133 - SOL LEWITT Two prints from Equivalent.

SOL LEWITT Two prints from Equivalent. Equivalent, Plate #08 * Equivalent, Plate #11. Both color linoleum cuts with photogravures on Somerset Satin White, 300 Gram paper, 2000. Both 305x457 mm; 12x18 inches (sheets), full margins. Both

Lot: 134 - SOL LEWITT Forms Derived from a Cube (Colors

SOL LEWITT Forms Derived from a Cube (Colors Superimposed), Plate #05. Color screenprint on Somerset Textured White, 300 Gram paper, 1991. 762x762 mm; 30x30 inches, full margins. Signed and numbered 32/35 in pencil, lower right. Printed by

Lot: 135 - SOL LEWITT Circles Divided into Eight Equal Parts

SOL LEWITT Circles Divided into Eight Equal Parts with Colors Superimposed in Each Part, Plate #01. Color screenprint on Arches Cover, 1989. 762x762 mm; 30x30 inches (sheet), full margins. Signed and numbered 22/40 in pencil, lower margin.

Lot: 136 - BORIS MARGO Message I.

BORIS MARGO Message I. Oil on linen stretched over plaster relief, circa 1970s. 668x560 mm; 26 1/4x22 1/8 inches. Ukranian-born Margo (1902-1995) grew up in Russia but settled permanently in the United States in 1930. He was a technically

Lot: 137 - FRANK STELLA Orofena.

FRANK STELLA Orofena. Color lithograph, screenprint and intaglio on TGL mould-made paper, 1998. 546x546 mm; 21 1/2x21 1/2 inches, full margins. Signed, dated and numbered 7/55 in pencil, lower right. Published by Tyler Graphics, Ltd., Mount

Lot: 138 - FRANK STELLA Metropolitan Museum of Art 1870-1970.

FRANK STELLA Metropolitan Museum of Art 1870-1970. Color lithograph poster, 1970. 876x876 mm; 34 1/2x34 1/2 inches, full margins. Edition of 250. Signed, dated and numbered 182/250 in pencil, lower right. Axsom IIC.

Lot: 139 - ELLSWORTH KELLY Red/Blue (Untitled).

ELLSWORTH KELLY Red/Blue (Untitled). Color screenprint on Mohawk Superfine Cover paper, 1964. 559x457 mm; 22x18 inches, full margins. Edition of 500. Printed by Ives-Sillman, Inc., New Haven, with the blind stamp lower right. Published by the

Lot: 140 - ELLSWORTH KELLY Untitled (Eight by Eight to

ELLSWORTH KELLY Untitled (Eight by Eight to Celebrate the Temporary Contemporary). Color lithograph on Arches 88 paper, 1983. 737x1041 mm; 29x41 inches (sheet), full margins. Signed and numbered 176/250 in pencil, lower right. Printed by

Lot: 141 - ELLSWORTH KELLY Two Curves.

ELLSWORTH KELLY Two Curves. Lithograph on white wove paper, 2011. 197x260 mm; 7 3/4x10 1/4 inches (sheet), full margins. Signed and numbered 61/100 in pencil, lower right. Printed and published by Gemini G.E.L., Los Angeles, with the ink stamp

Lot: 142 - ELLSWORTH KELLY Blue, Yellow and Red Squares.

ELLSWORTH KELLY Blue, Yellow and Red Squares. Color screenprint on Special Arjomari paper, 1970-71. 610x1829 mm; 24x72 inches, full margins. Signed and numbered 46/50 in pencil, lower right. Printed and published by Gemini G.E.L., Los Angeles,

Lot: 143 - ELLSWORTH KELLY Leaves.

ELLSWORTH KELLY Leaves. Lithograph on 350-gram Arches 88 paper, 1978. 762x1067 mm; 30x42 inches (sheet), full margins. Signed and numbered 25/30 in pencil, lower right. Printed and published by Gemini G.E.L., Los Angeles, with the blind stamps

Lot: 144 - CY TWOMBLY Untitled.

CY TWOMBLY Untitled. Color screenprint, 1973. 289x216 mm; 11 3/8x8 1/2 inches, full margins. Edition of 300. Published by Experiments in Art and Technology, Inc., New York. From The New York Collection for Stockholm. A very good impression

Lot: 145 - CY TWOMBLY Untitled.

CY TWOMBLY Untitled. Color offset lithograph printed in black and gray, 1970. 313x425 mm; 12 3/8x16 3/4 inches, full margins. Initialed and numbered 210/250 in pen and black ink on the label verso. Published by Verein Progressiver Galerien,

Lot: 146 - ALEXANDER CALDER The Big I.

ALEXANDER CALDER The Big I. Etching on cream wove paper, 1944. 175x225 mm; 7x8 7/8 inches, full margins. Signed, titled and numbered 9/30 in pencil, lower margin. Printed at Atelier 17, New York. Published by Wittenburn & Co., New York. A

Lot: 147 - ALEXANDER CALDER Composition (Yellow Boomerang and

ALEXANDER CALDER Composition (Yellow Boomerang and Circles). Color lithograph on Arches, circa 1970. 450x610 mm; 17 3/4x24 inches, full margins. Signed in red pencil and numbered 54/100 in pencil, lower right. A very good impression with

Lot: 148 - ALEXANDER CALDER Plankton.

ALEXANDER CALDER Plankton. Color lithograph. 578x780 mm; 22 3/4x30 3/4 inches (sheet), full margins. Signed and numbered 17/75 in pencil, lower margin. A very good impression.

Lot: 149 - ALEXANDER CALDER La Matraque Rouge.

ALEXANDER CALDER La Matraque Rouge. Color lithograph on Rives, 1968. 727x516 mm; 28 3/8x20 1/8 inches, full margins. Signed and numbered 80/90 in pencil, lower margin. Published by Maeght, Paris. A very good impression with strong colors.

Lot: 150 - ALEXANDER CALDER Potpourri en Ciel.

ALEXANDER CALDER Potpourri en Ciel. Color lithograph, 1975. 735x558 mm; 29x22 inches, full margins. Signed and numbered 40/90 in pencil, lower margin. Published by Maeght, Paris. A very good impression with strong colors.

Lot: 151 - ALEXANDER CALDER Os et Noeud.

ALEXANDER CALDER Os et Noeud. Color lithograph, 1968. 610x810 mm; 24x32 inches, full margins. Signed and numbered 59/100 in pencil, lower margin. A very good impression of this large ltihgoraph with strong colors.

Lot: 152 - ALEXANDER CALDER Composition with Discs and Black

ALEXANDER CALDER Composition with Discs and Black Spiral. Color lithograph, circa 1970. 660x966 mm; 26x38 inches (sheet). Signed and numbered 41/80 in pencil, lower margin. A very good impression.

Lot: 153 - ALEXANDER CALDER Spirale et Turbane.

ALEXANDER CALDER Spirale et Turbane. Color lithograph, circa 1965. 662x970 mm; 26x38 1/4 inches (sheet), full margins. Signed and numbered 16/125 in pencil, lower margin. A very good impression with strong colors.

Lot: 154 - ALEXANDER CALDER Maison des Arts et Loisirs de

ALEXANDER CALDER Maison des Arts et Loisirs de Sochaux. Color lithograph, 1971. 775x550 mm; 30 1/2x21 3/4 inches (sheet), wide margins. Signed and numbered 64/75 in pencil, lower margin. Printed by Imprimerie Arte, Paris. A very good

Lot: 155 - ALEXANDER CALDER Circles.

ALEXANDER CALDER Circles. Color lithograph, 1975-76. 510x750 mm; 20x29 1/2 inches, full margins. Artist's proof, aside from the edition of 175. Signed and inscribed "E.A." in pencil, lower margin. Printed by Mourlot, Paris. Published by Alba

Lot: 156 - ALEXANDER CALDER Composition with Circles.

ALEXANDER CALDER Composition with Circles. Color lithograph, 1971. 735x1090 mm; 29x42 7/8 inches, full margins. Signed, dedicated and dated in pencil, lower right.

Lot: 157 - ALEXANDER CALDER Le Bateau Lavoir.

ALEXANDER CALDER Le Bateau Lavoir. Color lithograph, circa 1970. 552x750 mm; 21 3/4x29 1/2 inches, full margins. Signed and numbered 41/75 in pencil, lower margin. A very good impression of this large lithograph with strong colors.

Lot: 158 - ALEXANDER CALDER Les Pyramides Grandes.

ALEXANDER CALDER Les Pyramides Grandes. Color lithograph, 1975. 745x1095 mm; 29 3/8x43 1/8 inches (sheet), full margins. Artist's proof, aside from the edition of 75. Signed and inscribed "EA" in pencil, lower margin. A very good impression of

Lot: 159 - ALEXANDER CALDER Le Soleil.

ALEXANDER CALDER Le Soleil. Color lithograph, 1976. 560x750 mm; 22 1/8x29 1/2 inches (sheet), full margins. Signed and numbered 18/125 in pencil, lower margin. A very good impression.

Lot: 160 - ALEXANDER CALDER Le Point de Non-Retour.

ALEXANDER CALDER Le Point de Non-Retour. Color lithograph, 1969. 495x715 mm; 19 1/2x28 1/8 inches, full margins. Signed and numbered 60/100 in pencil, lower margin. A very good impression.

Lot: 161 - ALEXANDER CALDER La Guirlande.

ALEXANDER CALDER La Guirlande. Color lithograph, circa 1970. 603x763 mm; 23 3/4x30 inches (sheet), full margins. Signed and numbered 113/125 in pencil, lower margin.

Lot: 162 - ALEXANDER CALDER Lo Oscuro Invade.

ALEXANDER CALDER Lo Oscuro Invade. Color lithograph, 1970. 610x820 mm; 24x32 1/4 inches, full margins. Initialed by Calder, signed by Carlos Franqui and numbered 48/500 in pencil, lower margin. Franqui (1921-2010), was a Cuban author and

Lot: 163 - ALEXANDER CALDER Flying Colors.

ALEXANDER CALDER Flying Colors. Set of 5 color lithographs, 1974. 508x660 mm; 20x26 inches (sheets). Each with the Flying Colors Collection embossed stamp, lower right. Commissioned by Braniff Airways, Dallas. Very good impressions. Calder

Lot: 164 - ALEXANDER CALDER The Circus.

ALEXANDER CALDER The Circus. Color lithograph, 1975. 665x949 mm; 26x38 inches, full margins. Signed and numbered 24/125 in pencil, lower margin. Published by Maeght, Paris. A very good impression. During the spring of 1925, Calder spent

Lot: 165 - ALEXANDER CALDER Lion Tamer.

ALEXANDER CALDER Lion Tamer. Color lithograph, circa 1974. 530x710 mm; 20 3/4x28 inches, full margins. Signed and numbered 23/75 in pencil, lower margin. A very good impression with strong colors.

Lot: 166 - ALEXANDER CALDER Les Affichistes.

ALEXANDER CALDER Les Affichistes. Color lithograph, 1965. 505x410 mm; 19 7/8x16 1/8 inches, full margins. Signed and numbered 132/150 in pencil, lower margin. Published by the Musée National d'Art Moderne, Paris. A good impression.

Lot: 167 - MANUEL MARÍN Sans titre.

MANUEL MARÍN Sans titre. Painted steel stabile, circa 2000. 420x665 mm; 19 1/2x26 1/4 inches. With the artist's incised signature on the base. Marín (1942-2007) was born in Spain and in his teens trained as a bullfighter. In

Lot: 168 - MANUEL MARÍN Sans titre.

MANUEL MARÍN Sans titre. Painted steel stabile, circa 2000. 420x640 mm; 16 1/2x25 1/4 inches. With the artist's incised signature on the base.

Lot: 169 - MANUEL MARÍN Sans titre.

MANUEL MARÍN Sans titre. Painted steel stabile, circa 2000. 335x720 mm; 13 1/4x28 3/8 inches. With the artist's incised signature on the base.

Lot: 170 - MANUEL MARÍN Sans titre.

MANUEL MARÍN Sans titre. Painted steel mobile, circa 2000. 1640 mm; 64 5/8 inches (furthest distance end to end). With the artist's incised signature on the largest black element.

Lot: 171 - BUCKMINSTER FULLER Skyscraper Suspension Bridge.

BUCKMINSTER FULLER Skyscraper Suspension Bridge. Pencil on cream wove paper, 1928-29. 210x280 mm; 8 1/4x11 inches. Ex-collection The Weston Gallery, Inc., Carmel, California, with the label, verso.

Lot: 172 - JOHN CAGE Untitled (Calendar).

JOHN CAGE Untitled (Calendar). Offset lithograph, 1983. 135x410 mm; 5 3/8x16 1/8 inches, wide margins. Signed, dated and numbered 225/250 in pencil, lower margin. The lower portion of the collaborative print made with Joseph Beuys. A very good

Lot: 173 - CARL ANDRE Collection of 30 postcards.

CARL ANDRE Collection of 30 postcards. Pen and black ink on postcards, depicting various European cities as well as installations by the artist, 1970-90. Mainly written to the artist's parents, Mr. and Mrs. G.H. Andre, from various travels

Lot: 174 - ROBERT SMITHSON The Angel and the Ant Lion.

ROBERT SMITHSON The Angel and the Ant Lion. Brush and ink and watercolor on cream wove paper, 1961. 610x459 mm; 24x18 1/8 inches. Signed, titled and dated in black ink, upper right recto. Exhibited "Robert Smithson, Retrospective:

Lot: 175 - LUCAS SAMARAS Untitled #2.

LUCAS SAMARAS Untitled #2. Color pastels on paper, 1961. 294x225 mm; 11 5/8x8 7/8 inches. Ex-collection Lee & Mary Myers, San Francisco; Anthony Ralph Gallery, New York, with the label on the frame back; acquired from the above by the

Lot: 176 - RICHARD DIEBENKORN Oakland Image.

RICHARD DIEBENKORN Oakland Image. Soft-ground etching, 1981. 254x343 mm; 10x13 1/2 inches, full margins. Initialed, dated and numbered 9/35 in pencil, lower margin. Printed and published by Crown Point Press, San Francisco. A very good

Lot: 177 - RICHARD DIEBENKORN Woman Seated in an Armchair.

RICHARD DIEBENKORN Woman Seated in an Armchair. Lithograph on Rives BFK, 1965. 630x492 mm; 24 3/4x19 1/2 inches, full margins. Initialed, dated and numbered 31/100 in pencil, lower margin. Printed and published by Original Press, San

Lot: 178 - RICHARD DIEBENKORN Reading.

RICHARD DIEBENKORN Reading. Soft-ground etching, 1990. 164x212 mm; 6 1/2x8 1/2 inches, full margins. Initialed, dated and numbered 7/15 in pencil, lower margin. Printed and published by Crown Point Press, San Francisco. A very good impression.

Lot: 179 - RICHARD DIEBENKORN Untitled #7.

RICHARD DIEBENKORN Untitled #7. Color lithograph printed in black and grays, 1993. 303x203 mm; 11 7/8x8 inches, full margins. Initialed and numbered 49/68 in pencil, lower margin, and with the artist's copyright blind stamp, lower right.

Lot: 180 - JASPER JOHNS Land's End II.

JASPER JOHNS Land's End II. Etching and aquatint on Arches, 1979. 857x619 mm; 33 3/4x24 3/8 inches, full margins. Signed, dated and numbered 55/60 in pencil, lower margin. Printed by Crommelynck, Paris. Published by Petersburg Press, New York.

Lot: 181 - JASPER JOHNS Savarin 1 (Cookie).

JASPER JOHNS Savarin 1 (Cookie). Lithograph printed in gray and black from three aluminum plates on Auvergne, Richard de Bas paper, 1978. 660x521 mm; 26x20 1/2 inches (sheet), full margins. Signed, dated and numbered 41/42 in pencil, lower

Lot: 182 - JASPER JOHNS Untitled.

JASPER JOHNS Untitled. Color screenprint on Patapar printing parchment, 1977. 241x238 mm; 9 1/2x9 3/8 inches, full margins. Edition of 3000. Printed by Simca Prints, Tokyo and New York. Published by Brooke Alexander, Inc., New York. A very

Lot: 183 - JASPER JOHNS Target.

JASPER JOHNS Target. Etching on handmade Jeff Goodman paper, 1967. 100x100 mm; 4x4 inches, full margins. Signed, dated and numbered 6/8 in pencil, lower margin. "JG, JJ" watermark. Printed and published by ULAE, West Islip. A superb,

Lot: 184 - ROBERT RAUSCHENBERG Front Roll.

ROBERT RAUSCHENBERG Front Roll. Lithograph printed in black and red on Rives BFK, 1964. 1041x737 mm; 41x29 inches (sheet), full margins. Signed, dated and numbered 13/39 in pencil, lower right. Published by ULAE, West Islip, with the blind

Lot: 185 - ROBERT RAUSCHENBERG CORE Poster.

ROBERT RAUSCHENBERG CORE Poster. Color screenprint with varnish overlay, 1965. 915x610 mm; 36x24 inches, full margins. Signed, dated and numbered 103/200 in felt-tip pen and black ink, lower right. A very good impression of this important,

Lot: 186 - ROBERT RAUSCHENBERG Equal Justice Under Law.

ROBERT RAUSCHENBERG Equal Justice Under Law. Color lithograph and screenprint with collage on wove paper, 1976. 775x685 mm; 30 3/8x22 7/8 inches, full margins. Signed, dated and numbered XXXIII/L in pencil, lower right. Printed by Styria

Lot: 187 - ROBERT RAUSCHENBERG Rookery Mounds--Night Tork.

ROBERT RAUSCHENBERG Rookery Mounds--Night Tork. Color lithograph, 1979. 1025x780 mm; 40 1/4x30 3/4 inches (sheet), full margins. Artist's proof, aside from the edition of 50. Signed, dated and inscribed "PP II" in pencil, lower margin. Printed

Lot: 188 - ROBERT RAUSCHENBERG Two Reasons Birds Sing.

ROBERT RAUSCHENBERG Two Reasons Birds Sing. Color screenprint with fabric collage, 1979. 765x480 mm; 30x18 7/8 inches, full margins. Signed, dated and numbered 90/100 in pencil, lower margin. Printed by Styria Studio, Inc., New York, with the

Lot: 189 - ROBERT RAUSCHENBERG Tanya's Veil (Whale).

ROBERT RAUSCHENBERG Tanya's Veil (Whale). Color offset lithograph on Coventry Pure Rag Fine Art paper, 1992. 245x135 mm; 9 3/4x5 3/8 inches, full margins. Signed and numbered 58/500 in pencil, lower margin. Published by The World Federation of

Lot: 190 - ROBERT RAUSCHENBERG Bellini #3.

ROBERT RAUSCHENBERG Bellini #3. Color lithograph and intaglio print on Arches, 1988. 1500x952 mm; 59x37 1/2 inches, full margins. Signed, dated and numbered 49/49 in pencil, lower margin. Published by ULAE, West Islip. A superb, richly-inked

Lot: 191 - ROBERT RAUSCHENBERG Soviet/American Array II.

ROBERT RAUSCHENBERG Soviet/American Array II. Color intaglio print on Saunders paper, 1988-90. 2248x1359 mm; 87 3/4x53 1/8 inches, full margins. Signed, dated and numbered 15/55 in pencil, lower margin. Published by ULAE, West Islip. A superb

Lot: 192 - ANDY WARHOL Wild Raspberries by Andy Warhol and

ANDY WARHOL Wild Raspberries by Andy Warhol and Suzie Frankfurt. Volume with complete set of 18 offset lithographs, 3 with hand coloring in watercolor (1 double-page), several with hot pink tissue guards, 1959. 435x280 mm; 17 1/8x11 inches

Lot: 193 - ANDY WARHOL Marilyn Monroe I Love Your Kiss

ANDY WARHOL Marilyn Monroe I Love Your Kiss Forever Forever. Color lithograph, 1964. 409x571 mm; 16 1/8x22 1/2 inches (sheet), full margins. Edition of 2000. Printed by Maurice Beaudet, Paris. Published by Kornfeld, Bern. From 1¢ Life. A

Lot: 194 - ANDY WARHOL Liz.

ANDY WARHOL Liz. Offset color lithograph, 1964. 558x558 mm; 22x22 inches, full margins. Edition of approximately 300. Signed and dated "67" in ball-point pen and black ink, lower right. Printed by Total Color, New York. Published by Leo

Lot: 195 - ANDY WARHOL Mao.

ANDY WARHOL Mao. Color screenprint on wallpaper, 1974. 1019x749 mm; 40 1/8x29 1/2 inches, full margins. Edition of 100 (signed in 1976), aside from the unlimited and unsigned edition. Signed and dated in felt-tip pen and red ink, lower right

Lot: 196 - ANDY WARHOL Jackie II.

ANDY WARHOL Jackie II. Color screenprint, 1966. 610x762 mm; 24x30 inches (sheet). Artist's proof, aside from the edition of 200. Signed with a rubber stamp and inscribed "A.P" in pencil, verso. Printed by KMF, Inc., New York. Published by

Lot: 197 - ANDY WARHOL (after) Liz

ANDY WARHOL (after) Liz. Offset color lithograph on cream wove paper, 1964. 555x555 mm; 21 3/4x21 3/4 inches, full margins. Published by the Morris International Gallery, Toronto, in conjunction with a 1965 exhibition of Warhol's work.

Lot: 198 - ANDY WARHOL Cow.

ANDY WARHOL Cow. Color screenprint on wallpaper, 1966 (printed 1971). 1156x756 mm; 45 1/2x29 3/4 inches (sheet), wide margins. Printed by Bill Miller's Wallpaper Studio, Inc., New York. Published by the artist, New York. A very good

Lot: 199 - ANDY WARHOL Flowers.

ANDY WARHOL Flowers. Offset color lithograph, 1964. 584x584 mm; 23x23 inches (sheet), full margins. Signed and dated "64" in ball-point pen and black ink, lower right. Printed by Total Color, New York. Published by Leo Castelli Gallery, New

Lot: 200 - ANDY WARHOL Flowers.

ANDY WARHOL Flowers. Screenprint on Arches, 1974. 1038x692 mm; 40 1/8x27 1/4 inches (sheet), full margins. Initialed in pencil, lower right recto, and signed, dated and numbered 26/200 in pencil, verso. Printed by Alexander Heinrici, New York.

Lot: 201 - ANDY WARHOL Campbell's Soup Can on a Shopping Bag.

ANDY WARHOL Campbell's Soup Can on a Shopping Bag. Color screenprint on a shopping bag, 1966. 420x240 mm; 16 1/2x9 1/2 inches. Published by the Institute of Contemporary Art, Boston. A very good impression. Feldman 4A.

Lot: 202 - ANDY WARHOL (after) Campbell's Soup

ANDY WARHOL (after) Campbell's Soup. Complete set of 10 color screenprints, circa 1970. Each 890x585 mm; 35x23 inches, full margins. Each stamped "Fill in your own signature" and "Published by Sunday B. Morning" in ink, verso. Very good

Lot: 203 - ANDY WARHOL Committee 2000.

ANDY WARHOL Committee 2000. Color screenprint on Lenox Museum Board, 1982. 762x508 mm; 30x20 inches, full margins. Signed and numbered 1401/2000 in pencil, lower right. Printed by Rupert Jasen Smith, New York, with the blind stamp lower left.

Lot: 204 - ANDY WARHOL Marilyn (Announcement).

ANDY WARHOL Marilyn (Announcement). Color screenprint, 1981. 305x305 mm; 12x12 inches, full margins. Signed in felt-tip pen and black ink, right side. The announcement for "Andy Warhol, A Print Retrospective, 1963-1981," at Castelli Graphics,

Lot: 205 - ANDY WARHOL (after) Flowers

ANDY WARHOL (after) Flowers. Color offset lithograph, 1964. 557x557 mm; 22x22 inches (sheet), full margins. Published by Leo Castelli Gallery, New York. The mailer announcement for the exhibition at Leo Castelli Gallery, November 21-December

Lot: 206 - ANDY WARHOL (after) Flowers

ANDY WARHOL (after) Flowers. Color screenprint on Museum Board. 914x914 mm; 36x36 inches, full margins. Stamped "Fill in your own signature" and "Published by Sunday B. Morning" in ink, verso. From Flowers Portfolio. A very good impression.

Lot: 207 - ANDY WARHOL Three color screenprints.

ANDY WARHOL Three color screenprints. Untitled (Halston Advertising Campaign: Men's Wear) * Untitled (Halston Advertising Campaign: Womens Accessories) * Untitled (Halston Advertising Campaign: Fragrance and Cosmetics). Each 1982. One signed

Lot: 208 - ANDY WARHOL (after) Mick Jagger

ANDY WARHOL (after) Mick Jagger. Offset color lithograph with printed text, circa 1975. 394x305 mm; 15 1/2x12 inches (sheet). Signed in felt-tip pen and black ink, right edge. See Feldman 143.

Lot: 209 - ANDY WARHOL (after) Mick Jagger

ANDY WARHOL (after) Mick Jagger. Complete set of 10 offset color lithograph gallery post cards on cream wove paper, 1975. Each 155x103 mm; 6 1/8x4 1/8 inches, full margins. Each signed in felt-tip pen and ink, recto. Published by Multiples,

Lot: 210 - ANDY WARHOL Marilyn (Announcement).

ANDY WARHOL Marilyn (Announcement). Color screenprint, 1981. 305x305 mm; 12x12 inches, full margins. The announcement for "Andy Warhol, A Print Retrospective, 1963-1981," at Castelli Graphics, New York, 1981. Based on the artist's

Lot: 211 - ANDY WARHOL (after) Marilyn Portfolio

ANDY WARHOL (after) Marilyn Portfolio. Complete set of 10 color screenprints on Museum Board. Each 914x914 mm; 36x36 inches, full margins. Each stamped "Fill in your own signature" and "Published by Sunday B. Morning" in ink, verso. Each with

Lot: 212 - ANDY WARHOL (after) Myths

ANDY WARHOL (after) Myths. Complete set of 10 offset color lithograph gallery post cards on cream wove paper, 1981. Each 175x175 mm; 6 7/8x6 7/8 inches (sheets). Each signed in felt-tip pen and black ink, recto. Published by Ronald Feldman

Lot: 213 - ROY LICHTENSTEIN Crying Girl.

ROY LICHTENSTEIN Crying Girl. Offset color lithograph, 1963. 438x590 mm; 17 1/4x23 1/4 inches, full margins. Printed by Colorcraft, New York. Published by Leo Castelli Gallery, New York. The original 2-fold mailer announcement for the

Lot: 214 - ROY LICHTENSTEIN Spray Can.

ROY LICHTENSTEIN Spray Can. Lithograph printed in blue, 1963 (published 1964). 321x270 mm; 12x10 5/8 inches, full margins. Edition of 2000. Printed by Maurice Beaudet, Paris. Published by Kornfeld, Bern. From 1¢ Life. Corlett 34.

Lot: 215 - ROY LICHTENSTEIN As I Opened Fire Poster.

ROY LICHTENSTEIN As I Opened Fire Poster. Three offset color lithographs, triptych, 1966. Each 610x497 mm; 24x19 inches, full margins. Printed by Drukkerj Luii & Co., Amsterdam. Published by the Stedelijk Museum, Amsterdam. Very good

Lot: 216 - ROY LICHTENSTEIN Brushstroke.

ROY LICHTENSTEIN Brushstroke. Offset color lithograph, 1965. 565x720 mm; 22 1/4x28 3/8 inches, full margins. Signed and numbered 101/280 in pencil, lower right. Printed by Chiron Press, New York. Published by Leo Castelli Gallery, New York. A

Lot: 217 - ROY LICHTENSTEIN Whaam!

ROY LICHTENSTEIN Whaam! Offset color lithograph diptych, 1967. Each panel 629x1473 mm; 24 3/4x29 inches, full margins. Edition of 3000. Signed in pencil, lower right on the second panel. Printed by Lautrec Photlitho, Leeds. Published by The

Lot: 218 - ROY LICHTENSTEIN Cathedral #2.

ROY LICHTENSTEIN Cathedral #2. Color lithograph on Special Arjomari paper, 1969. 1061x686 mm; 41 3/4x27 1/8 inches, full margins. Signed, dated and numbered 41/75 in pencil, lower margin. Printed and published by Gemini G.E.L., Los Angeles,

Lot: 219 - ROY LICHTENSTEIN Cathedral #4.

ROY LICHTENSTEIN Cathedral #4. Color lithograph on Special Arjomari paper, 1969. 1061x686 mm; 41 3/4x27 1/8 inches, full margins. Signed, dated and numbered 59/75 in pencil, lower margin. Printed and published by Gemini G.E.L., Los Angeles,

Lot: 220 - ROY LICHTENSTEIN Bull Head III.

ROY LICHTENSTEIN Bull Head III. Color lithograph, screenprint and line-cut on Arjomari paper, 1973. 533x725 mm; 21x28 1/2 inches, full margins. Signed, dated and numbered 21/100 in pencil, lower margin. Printed and published by Gemini G.E.L.,

Lot: 221 - ROY LICHTENSTEIN The Lamp.

ROY LICHTENSTEIN The Lamp. Color woodcut on natural handmade Okawara paper, 1981. 498x209 mm; 19 5/8x8 1/4 inches, full margins. Signed, dated and numbered 7/30 in pencil, lower right. Printed and published by Tyler Graphics, Ltd., Bedford. A

Lot: 222 - ROY LICHTENSTEIN Guild Hall East Hampton.

ROY LICHTENSTEIN Guild Hall East Hampton. Color screenprint poster, 1980. 770x845 mm; 30 3/8x33 1/4 inches, full margins. Signed and dated in pencil, lower right, and numbered 37/200 in pencil, verso. A very good impression.

Lot: 223 - ROY LICHTENSTEIN (after) Little Big Picture

ROY LICHTENSTEIN (after) Little Big Picture. Offset color lithograph poster, 1991. 910x610 mm; 35 7/8x24 inches (sheet), full margins. Signed in pencil, lower right. Printed by Ambassador Arts, New York. Published by the Whitney Museum of

Lot: 224 - ROY LICHTENSTEIN Modern Head Brooch.

ROY LICHTENSTEIN Modern Head Brooch. Color enamel on metal, 1968. 76x60 mm; 3x2 3/8 inches. With the artist's incised signature, verso. Published by Multiples, Inc., New York.

Lot: 225 - CLAES OLDENBURG Proposal for a Colossal Structure

CLAES OLDENBURG Proposal for a Colossal Structure in the Form of a Clothespin. Color screenprint on Arches paper, 1972. 540x345 mm; 21 1/4x13 1/2 inches, full margins. Signed and numbered 94/200 in pencil, lower margin. Printed by Chromacomp,

Lot: 226 - CLAES OLDENBURG Chicago Stuffed with Numbers.

CLAES OLDENBURG Chicago Stuffed with Numbers. Color lithograph on white Arches Cover mould-made paper, 1977. 1207x803 mm; 47 1/2x31 1/2 inches, full margins. Signed and numbered 21/85 in pencil, lower margin. Printed by Tyler Graphics,

Lot: 227 - CLAES OLDENBURG Knife Ship Superimposed on the

CLAES OLDENBURG Knife Ship Superimposed on the Solomon R. Guggenheim Museum. Color screenprint on bright white, smooth Coventry Rag 290-pound paper, 1986. 545x725 mm; 20 3/4x28 1/2 inches, full margins. Signed and numbered 39/75 in pencil,

Lot: 228 - CLAES OLDENBURG Alphabet in the Form of a Good

CLAES OLDENBURG Alphabet in the Form of a Good Humor Bar. Offset color lithograph poster on white, thick, smooth paper, 1970. 750x525 mm; 29 1/2x20 3/4 inches (sheet), full margins. Initialed in pencil, lower right. The poster version, with

Lot: 229 - CLAES OLDENBURG N.Y.C. Pretzel.

CLAES OLDENBURG N.Y.C. Pretzel. Color screenprint on three-ply cardboard, 1994. 152x165 mm; 6x6 1/2 inches. Unlimited edition. With the artist's copyright ink stamp, verso.

Lot: 230 - CLAES OLDENBURG Butt for Gantt.

CLAES OLDENBURG Butt for Gantt. Color lithograph on Arches, 1990. 255x255 mm; 10 1/8x10 1/8 inches, full margins. Initialed and numbered 107/250 in pencil, lower margin. Printed and published by Gemini G.E.L., Los Angeles, with the blind

Lot: 231 - CLAES OLDENBURG Study for Standing Mitt.

CLAES OLDENBURG Study for Standing Mitt. Offset color lithograph on Hammermill Antique Cover paper, 1976. 712x560 mm; 28x22 inches, full margins. Signed and numbered 45/50 in pencil, lower margin. Printed by Precision Colorplate Company,

Lot: 232 - CLAES OLDENBURG Two color offset lithographs.

CLAES OLDENBURG Two color offset lithographs. Proposal for a Cathedral in the Form of a Sink Faucet for Lake Union, Seattle, Washington, 1972. 819x624 mm; 32 1/4x24 1/2 inches (sheet), full margins. Signed, dedicated and numbered 288/300 in

Lot: 233 - JAMES ROSENQUIST For Artists.

JAMES ROSENQUIST For Artists. Color screenprint and collage on white Arches Cover paper, 1975. 764x567 mm; 30x22 1/4 inches, full margins. From the deluxe Roman numeral edition of 50 with the belt collage, aside from the regular edition of

Lot: 234 - JAMES ROSENQUIST Hitchhiker--Speed of Light.

JAMES ROSENQUIST Hitchhiker--Speed of Light. Color lithograph on Somerset paper, 1999. 790x930 mm; 31 1/8x36 5/8 inches, full margins. Signed, titled, dated and numbered 32/54 in pencil, lower margin. Published by ULAE, West Islip, with the

Lot: 235 - JAMES ROSENQUIST Brazil.

JAMES ROSENQUIST Brazil. Pigment print in colors on Japanese watercolor paper, 2013. 730x2000 mm; 28 3/4x78 3/4 inches, full margins. Signed and numbered 34/50 in felt-tip pen and black ink, lower right. A superb impression with strong colors.

Lot: 236 - ROBERT INDIANA The American Four.

ROBERT INDIANA The American Four. Color screenprint on Schoellers Parole double paper, 1970. 605x605 mm; 23 3/4x23 3/4 inches, full margins. Signed, titled, dated and numbered 8/200 in pencil, lower margin. Printed by Domberger KG,

Lot: 237 - City Center of Music and Drama.

City Center of Music and Drama. Complete portfolio with 7 color screenprints, 1968. 890x635 mm; 35x25 inches (sheets), full margins, loose as issued. One of 144 numbered copies, from a total edition of 153. Each print signed and numbered

Lot: 238 - ROBERT INDIANA The Mother of Us All.

ROBERT INDIANA The Mother of Us All. Group of 11 (of 13) color lithographs on Arches rag paper, 1977. Each 457x356 mm; 18x14 inches, full margins. Each signed, dated and numbered either 69/150 or 137/150 in pencil, lower margin. Printed by

Lot: 239 - JIM DINE Cincinnati I.

JIM DINE Cincinnati I. Lithograph on J. Green mould-made paper, 1969. 710x1030 mm; 28x40 5/8 inches (sheet), full margins. Signed and numbered 70/75 in pencil, lower right. A very good impression. Galerie Mikro 50.

Lot: 240 - JIM DINE Historia.

JIM DINE Historia. Color screenprint, lithograph and etching with hand coloring in watercolor on Crisbrook Waterleaf paper, 1971. 762x559 mm; 30x22 inches (sheet), full margins. Signed, dated and numbered 4/80 in pencil, lower margin. Printed

Lot: 241 - JIM DINE Pinocchio.

JIM DINE Pinocchio. Color screenprint and woodcut on wove paper, 2008. 760x532 mm; 30x21 inches, full margins. Artist's proof, aside from the edition of 118. Signed, dedicated and inscribed "proof" in pencil, lower margin. Published by the

Lot: 242 - KEITH HARING International Volunteer Day.

KEITH HARING International Volunteer Day. Color lithograph, 1988. 280x215 mm; 11 1/4x8 1/2 inches, full margins. Signed, dated and numbered 256/100 in pencil, lower margin. Printed by Emiliano Sorini, New York, with the blind stamp lower

Lot: 243 - KEITH HARING Kutztown.

KEITH HARING Kutztown. Screenprint on Rives, 1989. 760x560 mm; 30x22 inches (sheet), full margins. Edition of 99. With the Keith Haring Estate ink stamp and pencil notations, verso. A very good, evenly-printed impression. Littmann 134.

Lot: 244 - RED GROOMS Nineteenth Century Artists.

RED GROOMS Nineteenth Century Artists. Portfolio with complete text, 9 etchings and one drypoint on Rives BFK, 1976. 376x281 mm; 14 7/8x11 1/8 inches (sheets), full margins. Each print signed, titled, dated and numbered 8/40 in pencil, lower

Lot: 245 - MEL RAMOS A. C. Annie.

MEL RAMOS A. C. Annie. Offset color lithograph, 1971. 780x637 mm; 30 3/4x25 1/8 inches (sheet), full margins. Signed and dated in pencil, lower right, and with the ink stamped number "Ap 043/200," verso. Published by Edition Bischofberger,

Lot: 246 - TOM WESSELMANN Cynthia Nude.

TOM WESSELMANN Cynthia Nude. Color screenprint on Arches, 1982. 560x718 mm; 22 1/8x28 1/4 inches, full margins. Signed, dated and numbered 36/100 in pencil, lower left. Printed by Maurel Studios, New York. Published by Multiples, Inc., New

Lot: 247 - TOM WESSELMANN Still Life With Blonde And

TOM WESSELMANN Still Life With Blonde And Goldfish. Color Mixografía print on handmade paper, 2000. 850x1000 mm; 33 1/2x39 inches, full margins. Signed and numbered 45/75 in pencil, lower right. Published by Mixografía, Los Angeles.

Lot: 248 - CHRISTO Wrapped Book Modern Art.

CHRISTO Wrapped Book Modern Art. The book Modern Art by Sam Hunter and John Jacobus, wrapped in transparent polyethylene with twine and chord, 1978. 345x254x44 mm; 13 5/8x10x1 3/4 inches. Signed and numbered 16/120 in felt-tip pen and ink on

Lot: 249 - CHRISTO Corridor Store Front, Project.

CHRISTO Corridor Store Front, Project. Two-part screenprint with hinges, to be opened; front print die-cut and mounted on acetate; rear print mounted on wooden support, 1967-68. 705x555 mm; 27 3/4x21 7/8 inches. Edition of 75. Signed and

Lot: 250 - CHRISTO The Museum of Modern Art Wrapped, Project

CHRISTO The Museum of Modern Art Wrapped, Project for New York. Color lithograph on Arjomari paper, 1971. 830x630 mm; 32 3/4x24 3/4 inches, full margins. Signed and numbered 34/100 in pencil, upper right. Printed and published by Landfall

Lot: 251 - CHRISTO Wrapped Museum of Contemporary Art,

CHRISTO Wrapped Museum of Contemporary Art, Project for Chicago. Color lithograph on Arjomari paper, 1972. 1067x812 mm; 42x32 inches, full margins. Signed and numbered 42/60 in pencil, lower right. Printed and published by Landfall Press,

Lot: 252 - CHRISTO Study for Corridor Store Front--Back Room.

CHRISTO Study for Corridor Store Front--Back Room. Pencil and gouache on smooth wove paper, 1968. 710x558 mm; 28x22 inches. Signed and dated in pencil, lower right recto. The authenticity of this work has been confirmed by the artist's

Lot: 253 - CHRISTO Wrapped Building Project for 1 Times

CHRISTO Wrapped Building Project for 1 Times Square, New York. Color lithograph with collage of fabric, thread, transparent polyethylene and staples on Guarro paper, 1985. 715x565 mm; 28 1/8x22 1/4 inches (sheet), full margins. Artist's proof,

Lot: 254 - CHRISTO Allied Chemical Tower, Packed, Project for

CHRISTO Allied Chemical Tower, Packed, Project for 1 Times Square, New York (side). Color lithograph on Arjomari paper, 1971. 713x560 mm; 28x22 inches, full margins. Signed and numbered 34/100 in pencil, lower margin. Printed and published by

Lot: 255 - CHRISTO Allied Chemical Tower, Packed, Project for

CHRISTO Allied Chemical Tower, Packed, Project for 1 Times Square, New York(front). Color lithograph on Arjomari paper, 1971. 712x560 mm; 28x22 inches, full margins. Signed and numbered 34/100 in pencil, upper right. Printed and published by

Lot: 256 - CHRISTO Wrapped Floors, Project for Haus Lange

CHRISTO Wrapped Floors, Project for Haus Lange Museum, Krefeld. Color lithograph with collage of brown wrapping paper, hand painted cloth and staples on white Arches Cover mounted on cardboard, 1983. 565x720 mm; 22 3/8x28 3/8 inches (sheet),

Lot: 257 - CHRISTO Wrapped Walk Ways, Project for Stephen's

CHRISTO Wrapped Walk Ways, Project for Stephen's Green Par, Dublin. Color lithograph with collage of white cloth on Arches Cover White mounted on cardboard, 1983. 710x1120 mm; 28x44 1/8 inches (sheet), full margins. Signed, dated and numbered

Lot: 258 - CHRISTO America House Wrapped, Heidelberg.

CHRISTO America House Wrapped, Heidelberg. Screenprint on Schoeller-Hammer paper with collage of polyethylene, 1969. 905x630 mm; 35 1/2x24 5/8 inches, full margins. Signed and numbered 127/200 in pencil, center right. Printed by Druckerei

Lot: 259 - CHRISTO Ericsson Display Monitor Unit 3111,

CHRISTO Ericsson Display Monitor Unit 3111, Wrapped, Project for Personal Computer. Color lithograph with collage of transparent polyethylene, twine and color photograph, 1985. 715x577 mm; 28x22 1/2 inches, full margins. Signed, dated and

Lot: 260 - CHRISTO Wrapped Telephone, Project for L. M.

CHRISTO Wrapped Telephone, Project for L. M. Ericsson Model. Color lithograph with collage of fabric, twine and photograph, 1985. 715x563 mm; 28x22 inches, full margins. Signed, dated and numbered I/XX in pencil, lower margin. Printed by

Lot: 261 - CHRISTO Wrapped Motorcycle/Sidecar (Project for

CHRISTO Wrapped Motorcycle/Sidecar (Project for Harley-Davidson 1933 VL Model). Color lithograph with collage of broadcloth, polyethylene, twine and pencil, 1997. 472x554 mm; 19 5/8x21 7/8 inches (sheet), full margins. Artist's proof, aside from

Lot: 262 - CHRISTO Packed Hay, Project for the Institute of

CHRISTO Packed Hay, Project for the Institute of Contemporary Art, Philadelphia. Color screenprint on light brown cardboard, 1973. 560x765 mm; 22x30 inches, full margins. Artist's proof, aside from the edition of 200. Signed and inscribed

Lot: 263 - ALEX KATZ Olympic Swimmer.

ALEX KATZ Olympic Swimmer. Color screenprint on Arches, 1976. 1010x635 mm; 39 7/8x25 inches (sheet), full margins. Signed and numbered 158/200 in pencil, lower left. Printed by Laurence Rosen, Chiron Press, New York. Published by Kennedy

Lot: 264 - ALEX KATZ Gray Umbrella.

ALEX KATZ Gray Umbrella. Color lithograph on Arches, 1979. 512x763 mm; 20 1/8 x 30 inches (sheet), full margins. Signed and numbered 24/120 in pencil, lower left. Printed by Styria Studio, Inc., New York. Published by GHJ Graphics, Inc., New

Lot: 265 - ALEX KATZ The Green Cap.

ALEX KATZ The Green Cap. Color woodcut on Tosa Kozo paper, 1985. 311x457 mm; 12 1/2x17 7/8, full margins. Signed and numbered 136/200 in pencil, lower left. Printed by Tadashi Toda at Shi-un-do Print Shop, Kyoto. Published by Crown Point

Lot: 266 - ALEX KATZ Late July 1.

ALEX KATZ Late July 1. Color lithograph on Arches, 1971. 564x724 mm; 22 1/8x28 1/2 inches (sheet), full margins. Signed and numbered 11/120 in pencil, lower left. Printed by The Bank Street Atelier, Ltd., New York, with the blind stamp lower

Lot: 267 - ALEX KATZ Reflection.

ALEX KATZ Reflection. Color screenprint on Saunders Waterford white, hot press 410 gsm paper, 2010. 1470x1470 mm; 58x58 inches, full margins. Printer's proof, aside from the edition of 50. Signed and inscribed "P.P. 1/3" in pencil, lower left.

Lot: 268 - ALEX KATZ Diana.

ALEX KATZ Diana. Color linoleum cut on Rives de Lin white 350 gsm paper, 2014. 927x952 mm; 36 1/2x37 1/2 inches. An hors commerce impression, aside from the edition of 70. Signed and inscribed "HC 2" in pencil, lower left. Printed by

Lot: 269 - ALEX KATZ Night: William Dunas Dance III.

ALEX KATZ Night: William Dunas Dance III. Color lithograph on Arches Cover paper, 1983. 635x794 mm; 25x31 1/4 inches, full margins. Signed and numbered 58/100 in pencil, lower left. Printed by Siena Studios, Inc., New York. Published by Jackie

Lot: 270 - ALEX KATZ Ada with Sunglasses.

ALEX KATZ Ada with Sunglasses. Color screenprint on Arches Roll Stock Rag paper, 1990. 911x616 mm; 35 1/2x24 1/8 inches, full margins. Signed and numbered 2/150 in pencil, lower left. Published by Styria Studio, Inc., New York, with the ink

Lot: 271 - ALEX KATZ Black Dress 2 (Cecily).

ALEX KATZ Black Dress 2 (Cecily). Color screenprint on Saunders Waterford Hot Press White 425 gsm paper, 2015. 2030x508 mm; 80x20 inches. Signed and numbered 18/35 in pencil, lower left. Printed by Brand X Editions, Long Island City. Published

Lot: 272 - ALEX KATZ Sissel.

ALEX KATZ Sissel. Color aquatint on Cartiere Magnani Corona 400 g paper, 2006. 279x419 mm; 11x16 1/2 inches, full margins. Signed and numbered 37/50 in pencil, lower left. Printed by Giancarlo Sardella, Milano and Pesaro. Published by Galleria

Lot: 273 - ALEX KATZ Man with Pipe.

ALEX KATZ Man with Pipe. Color etching with aquatint on Rives BFK, 1984. 255x410 mm; 10x16 inches, full margins. Signed and numbered 131/185 in pencil, lower left. Printed by Aldo Crommelynck, Paris and New York. Co-published by Aldo

Lot: 274 - ALEX KATZ Give Me Tomorrow.

ALEX KATZ Give Me Tomorrow. Set of 9 (of 13) etching and aquatints on Hahnemühle 300 g paper, 1983. Each 308x267 mm; 12 1/8x10 1/2 inches, full margins. Each signed and numbered 39/40 in pencil, lower left. Printed by Aldo Crommelynck,

Lot: 275 - CHUCK CLOSE Self Portrait Screenprint 2012.

CHUCK CLOSE Self Portrait Screenprint 2012. Color screenprint on white wove paper, 2012. 1514x1270 mm; 59 1/2x50 inches, full margins. Artist's proof, aside from the edition of 80. Signed, dated and inscribed "T.P." in pencil, lower margin.

Lot: 276 - CHUCK CLOSE (after) The Chuck Close Mezzotint

CHUCK CLOSE (after) The Chuck Close Mezzotint "Keith." Portfolio with complete text and 10 photographic etchings on wove paper, 1972. 373x280 mm; 15 3/4x11 inches (sheets), full margins. Edition of only 20. Inscribed "number 17" in pencil

Lot: 277 - WAYNE THIEBAUD Suckers, State II.

WAYNE THIEBAUD Suckers, State II. Lithograph printed in red on Rives BFK, 1968. 406x559 mm; 16x21 7/8 inches (sheet), full margins. Signed, inscribed "State II" and numbered 135/150 in pencil, lower right. Printed and published by Gemini

Lot: 278 - WAYNE THIEBAUD Suckers.

WAYNE THIEBAUD Suckers. Etching on cream wove paper, 1964. 148x109 mm; 5 7/8x4 1/4 inches, full margins. Edition of 100. Signed in pencil, lower right. Printed and published by Crown Point Press, Oakland. A very good impression.

Lot: 279 - WAYNE THIEBAUD Souvenirs of Cities.

WAYNE THIEBAUD Souvenirs of Cities. Etching on buff Chine-collé on Italian mouldmade Tiepolo paper, 1979. 353x280 mm; 14x11 inches, full margins. Signed, dated and numbered 27/40 in pencil, lower margin. Printed by R. E. Townsend, Inc.,

Lot: 280 - WAYNE THIEBAUD Down 18th.

WAYNE THIEBAUD Down 18th. Etching printed in grayish blue on CMF wove paper, 1980. 505x405 mm; 19 7/8x15 7/8 inches, full margins. Signed, dated and numbered 20/50 in pencil, lower margin. Published by Crown Point Press, San Francisco, with

Lot: 281 - DAVID GILHOOLY Gilhooly 5 lb. Sampler.

DAVID GILHOOLY Gilhooly 5 lb. Sampler. Set of 9 glazed ceramics in a fabricated box, 1989. 215x254x70 mm; 8 1/2x10x2 3/4 inches. Edition of 25. Signed, dated and numbered "12" in pencil on the inner lid. Each ceramic with the artist's incised

Lot: 282 - DAVID GILHOOLY Gilhooly 10 lb. Sampler.

DAVID GILHOOLY Gilhooly 10 lb. Sampler. Set of 16 glazed ceramics in a fabricated box, 1989. 280x330x70 mm; 11x13x2 3/4 inches. Edition of 25. Signed, dated and numbered "19" in pencil on the inner lid. Each ceramic with the artist's incised

Lot: 283 - PHILIP PEARLSTEIN Two Female Nudes.

PHILIP PEARLSTEIN Two Female Nudes. Brush and brown ink and wash on cream wove paper. 365x430 mm; 14 1/2x17 inches. Signed in pencil, lower left recto.

Lot: 284 - PHILIP PEARLSTEIN Two Nudes on Navajo Blanket.

PHILIP PEARLSTEIN Two Nudes on Navajo Blanket. Color aquatint, 2006. 565x745 mm; 22 1/4x29 3/8 inches, full margins. Artist's proof, aside from the edition of 150. Signed, titled, dated and inscribed "A.P. 19/30" in pencil, lower margin.

Lot: 285 - PHILIP PEARLSTEIN Girl on Striped Rug.

PHILIP PEARLSTEIN Girl on Striped Rug. Lithograph printed in brown on Arches creme cover paper, 1972. 533x610 mm; 21x24 inches (sheet), full margins. Signed and numbered 30/70 in pencil, lower margin. Printed and published by Landfall Press,

Lot: 286 - PHILIP PEARLSTEIN Two prints.

PHILIP PEARLSTEIN Two prints. Ellen in Tutu, lithograph printed in brownish red on Arches, 1972. 641x838 mm; 25 1/4x33 3/8 inches (sheet), full margins. Signed and numbered 20/75 in pencil, lower margin * Nude on Iron Bench, aquatint and

Lot: 287 - LESTER JOHNSON Untitled (Large Head).

LESTER JOHNSON Untitled (Large Head). Oil on paper, 1960. 655x995 mm; 25 7/8x39 1/4 inches. Signed in pencil, lower right recto.

Lot: 288 - LESTER JOHNSON Two color screenprints.

LESTER JOHNSON Two color screenprints. Street Scene #1, 1979 * Two Girls, 1980. Both 755x554 mm; 29 3/4x21 7/8 inches, full margins. Both signed, titled and numbered 70/175 or 61/175 and one dated in pencil, lower margin. Very good

Lot: 289 - JONATHAN LASKER Journey to the Center.

JONATHAN LASKER Journey to the Center. Encaustic on paper, 1980. 560x760 mm; 22x30 inches. Gifted directly from the artist to the current owner, 1983. This work is included on the artist's website under "Complete Paintings."

Lot: 290 - ROBERT LOUGHLIN Irish Cop.

ROBERT LOUGHLIN Irish Cop. Mixed media, including oil and pennies, on canvas, 1983-84. 915x610 mm; 36x24 inches. Signed, titled and dated in felt-tip pen and black ink, verso. Exhibited Tracey Garet Gallery, New York, with the original label.

Lot: 291 - FAIRFIELD PORTER Interior.

FAIRFIELD PORTER Interior. Cut paper collage and watercolor on board, 1957. 510x610 mm; 20x24 inches. The maquette for the same-titled screenprint (Ludman 17). Property from the estate of Anne E. C. Porter, with the estate stamp,

Lot: 292 - FAIRFIELD PORTER Sixth Avenue I.

FAIRFIELD PORTER Sixth Avenue I. Color lithograph on Arches, 1971. 540x724 mm; 21 1/4x28 1/2 inches, full margins. Artist's proof, aside from the edition of 60. Signed, titled and numbered "AP 5/10" in pencil, lower margin. Printed by Bank

Lot: 293 - FAIRFIELD PORTER Ocean I (Second State).

FAIRFIELD PORTER Ocean I (Second State). Color lithograph on British handmade A.Millbourn paper, 1973. 343x673 mm; 13 1/2x26 1/2 inches, full margins. Signed andnumbered 40/40 in pencil, lower margin. Printed by Resam Press, New York.

Lot: 294 - FAIRFIELD PORTER Apples Blossoms I-III.

FAIRFIELD PORTER Apples Blossoms I-III. Three color lithographs on Arches, 1974. Each 514x641 mm; 20 1/4x25 inches, full margins. Each signed, inscribed "I-III' and numbered "Artist's Proof 2/10" or 20/50 in pencil, lower margin. Each printed

Lot: 295 - FAIRFIELD PORTER South Meadow.

FAIRFIELD PORTER South Meadow. Color lithograph on Arches, 1972. 521x762 mm; 20 1/2x30 inches, full margins. Signed and numbered 12/75 in pencil, lower margin. Printed by Bank Street Atelier, New York. Published by Brooke Alexander, Inc., New

Lot: 296 - SYLVIA PLIMACK MANGOLD Aquatint, Sugarlift and

SYLVIA PLIMACK MANGOLD Aquatint, Sugarlift and Golden Changes. Portfolio with complete text and 3 color etchings with aquatint on Rives BFK, 1977. Each 282x357 mm; 11 1/8x14 1/8 inches (sheets), full margins. Each signed and numbered 23/50 in

Lot: 297 - BARBARA HEPWORTH Three Forms Assembling.

BARBARA HEPWORTH Three Forms Assembling. Color lithograph on Japan paper, 1968. 582x460 mm; 23x18 inches, full margins. The deluxe edition of 35 on Japan paper, aside from the edition of 65 on Rives. Signed and numbered "XXXIV/XXXV" in

Lot: 298 - VICTOR PASMORE Points of Contact No. 11.

VICTOR PASMORE Points of Contact No. 11. Color screenprint, 1967. 605x1360 mm; 23 7/8x53 1/2 inches (sheet), full margins. Initialed, dated and numbered 69/70 in pencil, lower margin. Published by Kelpra Studio, London. A superb impression.

Lot: 299 - VICTOR PASMORE Two color etchings.

VICTOR PASMORE Two color etchings. Variations of Points of Contact No. 9, 1966. 322x378 mm; 12 3/4x14 7/8 inches, full margins * Turning and Turning in the Widening Gyre, 1974. 380x457 mm; 15x18 inches. Both initialed, dated "74" and numbered

Lot: 300 - RICHARD HAMILTON My Marilyn.

RICHARD HAMILTON My Marilyn. Color screenprint, 1965. 513x632 mm; 20 1/4x25 inches, full margins. Signed, dated "66" and numbered 67/75 in pencil, lower right. Printed by Kelpra Studio, London. Published by Editions Alecto, London. A superb

Lot: 301 - RICHARD HAMILTON The Oculist Witness (Marcel

RICHARD HAMILTON The Oculist Witness (Marcel Duchamp). Offset color lithograph with silver metalized polyester collage and applied clear polyester on heavy wove paper, 1967. 750x567 mm; 29 1/2x22 3/8 inches, full margins. Published by

Lot: 302 - DAVID HOCKNEY Henry at Table.

DAVID HOCKNEY Henry at Table. Lithograph printed in black and gray on Buff, Arches Cover, mould-made paper, 1976. 752x1056 mm; 29 5/8x41 1/2 inches, full margins. Signed, dated and numbered 5/96 in pencil, lower left. Printed and published by

Lot: 303 - DAVID HOCKNEY Henry in His Office.

DAVID HOCKNEY Henry in His Office. Lithograph on Kurodani handmade Japanese paper, 1976. 313x291 mm; 12 3/8x11 1/2 inches, full margins. Signed, dated and numbered 7/20 in red pencil, upper right. Printed and published by Gemini G.E.L., Los

Lot: 304 - DAVID HOCKNEY Ann Putting on Lipstick.

DAVID HOCKNEY Ann Putting on Lipstick. Lithograph on Okawara paper, 1979. 1060x470 mm; 41 3/4x18 1/2 inches, full margins. Signed, dated and numbered 12/75 in red crayon, lower right. Printed and published by Gemini G.E.L., Los Angeles, with

Lot: 305 - ALLEN JONES Two color offset lithographs from

ALLEN JONES Two color offset lithographs from Europaische Graphik VII. Leg Splash * Kneeling Woman. Both 1970. Both 655x505 mm; 25 3/4x19 7/8 inches (sheet), full margins. One an hors commerce impression, aside from the edition of 65. Both

Lot: 306 - JOHN CURRIN The Beggar's Alms.

JOHN CURRIN The Beggar's Alms. Etching with aquatint, sugarlift, spitbite and drypoint on Somerset soft white textured, 250 g/m2 paper, 2002. 254x203 mm; 10 1/2x8 1/2 inches, full margins. Signed, dated and numbered 56/70 in pencil, lower

Lot: 307 - FRANCIS BACON Triptych.

FRANCIS BACON Triptych. Color aquatint and etching on Guarro paper, 1981. 385x295 mm; 15 1/4x11 5/8 inches, full margins. An hors commerce impression, aside from the edition of 99. Signed and inscribed "H.C. 2/15" in pencil, lower margin.

Lot: 308 - FRANCIS BACON Metropolitan Museum of Art.

FRANCIS BACON Metropolitan Museum of Art. Color lithograph poster on Arches, 1975. 1145x860 mm; 44 7/8x33 5/8 inches, full margins. Signed in ink and numbered 196/200 in pencil, lower margin. Printed by Alexis Manaranche, Paris. Published by

Lot: 309 - FRANCIS BACON Metropolitan Museum of Art.

FRANCIS BACON Metropolitan Museum of Art. Color lithograph poster on Arches, 1975. 1145x860 mm; 44 7/8x33 5/8 inches, full margins. Signed in ink and numbered 129/170 in pencil, lower margin. Printed by Alexis Manaranche, Paris. Published by

Lot: 310 - FRANCIS BACON Triptych.

FRANCIS BACON Triptych. Offest color lithograph on Arches, 1976. 485x365 mm; 19 1/8x14 3/8 inches, full margins. Artist's proof, aside from the edition of 100. Inscribed "essai" in pencil, lower margin (the original felt-tip pen and ink

Lot: 311 - RICHARD LONG Every Grain of Sand.

RICHARD LONG Every Grain of Sand. Collection of approximately 57 drawings on more than 100 sheets (some joined), each pencil with colored pencils on tracing paper, circa 1998. The original maquette, each sheet is a hand drawn design by the

Lot: 312 - HOWARD HODGKIN Sand.

HOWARD HODGKIN Sand. Color lithograph with hand coloring in watercolor on Arches mould-made paper, 1983. 790x1018 mm; 31 1/8x40 inches, full margins. Initialed, dated and numbered 27/50 in pencil, lower center. Printed and published by

Lot: 313 - HOWARD HODGKIN Lotus.

HOWARD HODGKIN Lotus. Color screenprint with ebossing on Arches mould-made paper, 1980. 740x916 mm; 29x36 inches, full margins. Edition of 100. Signed and dated in pencil, lower center. Printed by Kelpra Studio, London. Published by Bernard

Lot: 314 - HOWARD HODGKIN Composition with Red.

HOWARD HODGKIN Composition with Red. Color lithograph, 1971. 480x630 mm; 18 3/4x24 5/8 inches, full margins. An hors commerce impression, aside from the edition of 65. Signed and inscribed "H.C." in pencil, lower margin. Published by Edition

Lot: 315 - SEAN SCULLY Heart of Darkness by Joseph Conrad.

SEAN SCULLY Heart of Darkness by Joseph Conrad. Portfolio with 8 color etchings with aquatint, 1992. 305x255 mm; 12x10 inches, full margins. Edition of 300. Signed in pencil and numbered 286 on the justification page. Published by the Limited

Lot: 316 - CARROLL DUNHAM Touching Two Sides.

CARROLL DUNHAM Touching Two Sides. Etching and drypoint on Richard de Bas pink paper, 1990. 518x675 mm; 20 3/8x26 1/2 inches (sheet). Signed, dated and numbered 50/52 in pencil, lower left. Printed and published by ULAE, West Islip, with the

Lot: 317 - JENNIFER BARTLETT In the Garden #190.

JENNIFER BARTLETT In the Garden #190. Diptych with one screenprint (a) and one woodcut (b), 1982. 411x554 mm; 16 1/8x21 3/4 inches (a); 411x549 mm; 16 1/8x21 5/8 inches (b), full margins. Signed, dated and numbered 42/52 in pencil, lower right

Lot: 318 - ROSS BLECKNER Untitled.

ROSS BLECKNER Untitled. Gouache on paper, 2013. 280x355 mm; 11x14 inches. Signed, dated and dedicated in pencil, lower right recto. Collection of the artist; private collection, New York; private collection, New York.

Lot: 319 - ROSS BLECKNER Dream and Do II.

ROSS BLECKNER Dream and Do II. Color screenprint, 1997. 830x1065 mm; 32 1/2x41 3/4 inches, full margins. Signed and numbered 19/75 in pencil, lower left. Published by Lococo Fine Art Publisher, St. Louis. A superb impression with strong

Lot: 320 - ROSS BLECKNER Untitled.

ROSS BLECKNER Untitled. Color screenprint, 2000. 412x635 mm; 16 1/4x25 inches. Signed, dated and numbered 54/100 in pencil, lower margin. A very good impression with strong colors.

Lot: 321 - JULIAN SCHNABEL Olatz López.

JULIAN SCHNABEL Olatz López. Color screenprint on Arches, 1992. 1365x1098 mm; 53 1/4x42 7/8 inches, full margins. Signed, dated and numbered 31/250 in pencil, lower margin. A very good impression of this large print with strong colors.

Lot: 322 - MARLENE DUMAS Lonely at the Top.

MARLENE DUMAS Lonely at the Top. Color lithograph printed in black on a yellowish tan background on Zerkall paper, 1989. 440x420 mm; 17 1/4x16 1/2 inches, full margins. Edition of 257. Signed and dated in pencil, lower right. Published by

Lot: 323 - FRANCESCO CLEMENTE Semen.

FRANCESCO CLEMENTE Semen. Color aquatint, etching, dry point and soft-ground with collage in silver on Fabriano Rosaspina paper, 1987. 1371x2286 mm; 54x90 inches (sheet), full margins. Signed and numbered 14/55 in pencil, lower right. Printed

Lot: 324 - DONALD SULTAN Still Life with Peach.

DONALD SULTAN Still Life with Peach. Color screenprint, 1988. 584x559 mm; 23x22 inches, full margins. Initialed and titled in pencil, left margin, and numbered 92/100 in pencil, lower right. Printed by Watanabe Studio, Ltd., Brooklyn.

Lot: 325 - RICHARD ARTSCHWAGER Interior.

RICHARD ARTSCHWAGER Interior. Color screenprint on wove paper, 1972. 713x1040 mm; 28 1/8x41 inches, full margins. Signed, dated and numbered 48/68 in pencil, lower margin. Printed by Heinrici Silkscreen, New York. Published by Brooke Alexander

Lot: 326 - LARRY STARK One Culture Under God.

LARRY STARK One Culture Under God. Complete set of 12 color photo screenprints, 1970. Each 445x585 mm; 17 1/2x23 inches (sheets), full margins. Each signed, titled, dated, inscribed "I-XII" in Roman numerals respectively and numbered 32/35 in

Lot: 327 - JEAN-MICHEL BASQUIAT Untitled: Four Prints.

JEAN-MICHEL BASQUIAT Untitled: Four Prints. Complete set of 4 color screenprints on Saunders 410 Hot Press Watercolor paper, 1983-2001. Each 1016x1016 mm; 40x40 inches, full margins. Each one of 15 artist's proof impressions, aside from the

Lot: 328 - JEAN-MICHEL BASQUIAT (after) Skateboard Triptych:

JEAN-MICHEL BASQUIAT (after) Skateboard Triptych: Quality Meats for the Public. Color screenprint on 3 Canadian maple wood skate decks, 2014. 805x615 mm; 31 5/8x24 1/4 inches. Published by SKATEROOM and The Estate of Jean-Michel Basquiat, New

Lot: 329 - JEAN-MICHEL BASQUIAT (after) Skateboard Quintych:

JEAN-MICHEL BASQUIAT (after) Skateboard Quintych: Untitled. Color screenprint on 5 Canadian maple wood skate decks, 2017. 1010x615 mm; 39 3/4x24 1/4 inches. Published by SKATEROOM and The Estate of Jean-Michel Basquiat, New York, with the

Lot: 330 - ED RUSCHA Be Careful Else We Be Bangin' on You,

ED RUSCHA Be Careful Else We Be Bangin' on You, You Hear Me? Color photogravure and screenprint, 2001. 458x355 mm; 18x14 inches (sheet), full margins. Signed, dated and numbered 32/60 in pencil, lower margin. Published by Graphicstudio, Tampa,

Lot: 331 - JOHN BALDESSARI To Insert: Person and Ladder

JOHN BALDESSARI To Insert: Person and Ladder (Red)/Hose/Smoke; Flowers and Plates (Blue Hope). Photogravure with color aquatint and spit-bite aquatint, 1991. 701x486 mm; 27 5/8x19 1/8 inches, full margins. Signed, dated and numbered 5/25 in

Lot: 332 - JOHN BALDESSARI Stairway, Coat and Person.

JOHN BALDESSARI Stairway, Coat and Person. Archival inkjet print, 2011. 508x404 mm; 20x16 inches, full margins. Signed in pen and ink and printed numbered 97/120 on the label, verso. Published by CCA Wattis Institute of Contemporary Arts, San

Lot: 333 - JOHN BALDESSARI Two Trucks.

JOHN BALDESSARI Two Trucks. Silver print, 1996. 290x500 mm; 11 3/8x19 3/4 inches (sheet), full margins. Signed and numbered 74/120 in ink, lower right. Published by Texte Zur Kunst, Berlin.

Lot: 334 - MARK DI SUVERO Johnny Appleseed.

MARK DI SUVERO Johnny Appleseed. Color digital print with hand coloring in acrylic, 2014. 308x427 mm; 12 1/8x16 7/8 inches, full margins. Signed in pencil and inscribed "trial proof" in felt-tip pen and ink, lower right. Published by the

Lot: 335 - CINDY SHERMAN Untitled (Fortune Teller).

CINDY SHERMAN Untitled (Fortune Teller). Chromogenic print, 1993. 165x127 mm; 6 1/2x5 inches, full margins. Signed and dated in ballpoint pen and ink, verso.

Lot: 336 - CINDY SHERMAN Untitled (Reading).

CINDY SHERMAN Untitled (Reading). Chromogenic print on Kodak paper, 1985. 356x355 mm;14x14 inches, full margins. Signed, dated and numbered 63/125 in ink, verso.

Lot: 337 - CINDY SHERMAN Pregnant Woman.

CINDY SHERMAN Pregnant Woman. Chromogenic print on Kodak paper, 1990-91. 430x278 mm; 17x11 inches, full margins. Signed, dated and numbered 95/125 in ink, verso.

Lot: 338 - CINDY SHERMAN Mrs. Claus.

CINDY SHERMAN Mrs. Claus. Chromogenic print, 1990. 331x255 mm; 13x10 inches, full margins. Signed and dated in pen and black ink, verso. A very good impression.

Lot: 339 - CINDY SHERMAN Untitled.

CINDY SHERMAN Untitled. Chromogenic print, 1986/1993. 176x329 mm; 7x13 inches, full margins. Signed and numbered 129/200 in pen and ink, verso. Published by Texte zur Kunst, Berlin.

Lot: 340 - JENNY HOLZER Inflammatory Essays: Shriek When the

JENNY HOLZER Inflammatory Essays: Shriek When the Pain Hits During Interrogation. Pewter multiple with engraved text, 1996. 50x68x12 mm; 2x2 3/4x 1/4 inches. With the artist's incised signature and numbered 27/100 on the base. Produced by C.

Lot: 341 - JENNY HOLZER Abuse of Power Comes as No Surprise :

JENNY HOLZER Abuse of Power Comes as No Surprise : Truisms and Essays. Bound volume of offset lithographs of truisms in English, French, German and Spanish, 1983. 215x210 mm; 8 1/2x8 1/4 inches (sheets), full margins. Published byThe Press of

Lot: 342 - ACT UP Art Box.

ACT UP Art Box. Wooden box with 6 mixed-media multiples and color hand-printed ink on inside box lid, 1994. 350x605x125 mm; 13 3/4x23 3/4x5 inches. Numbered 94/95 in felt-tip pen and black ink on the underside of the box. With the justification

Lot: 343 - KIKI SMITH My Secret Business.

KIKI SMITH My Secret Business. Offset lithograph, 1993. 598x460 mm; 23 1/2x18 inches, full margins. Artist's proof, aside from the edition of 255. Signed, dated and numbered "AP 19/25" in pencil, lower right. A very good impression.

Lot: 344 - KIKI SMITH Singing Siren.

KIKI SMITH Singing Siren. Cast plastic, motion sensor, sound device and audio, 2003. 267x102x127 mm; 10 1/2x4x5 inches. Edition of 200. With audio by Donald Rubinstein published by Desert Link Music. Published by The Fabric Workshop and

Lot: 345 - KIKI SMITH Virgin Mary Poster.

KIKI SMITH Virgin Mary Poster. Screenprint and rubber stamp on handmade Napalese paper, 1992. 508x746 mm; 20x29 3/8 inches (sheet, slightly irregular). Edition of 3000. Printed by Universität für angewandte Kunst, Vienna. Published

Lot: 346 - NAN GOLDIN Self Portrait Laughing, Paris.

NAN GOLDIN Self Portrait Laughing, Paris. Cibachrome print, 1999. 405x505 mm; 16x19 7/8 inches (sheet), full margins. Signed and numbered 54/200 in felt-tip pen and blue ink, verso. Published by Matthew Marks Gallery, New York, for Partners in

Lot: 347 - HELMUT NEWTON Nude.

HELMUT NEWTON Nude. Offset lithograph on smooth paper. 289x200 mm; 11 3/8x7 7/8 inches (sheet), full margins. Signed in felt-tip pen and black ink, lower right.

Lot: 348 - HELMUT NEWTON Bergstrom, Paris.

HELMUT NEWTON Bergstrom, Paris. Offset lithograph. 355x230 mm; 14x9 1/8 inches, full margins. Signed in pencil, lower right.

Lot: 349 - HELMUT NEWTON Berlin Nude.

HELMUT NEWTON Berlin Nude. Offset lithograph. 227x356 mm; 9x14 inches, full margins. Signed in pencil, lower right.

Lot: 350 - GERHARD RICHTER Besetztes Haus.

GERHARD RICHTER Besetztes Haus. Black and gray offset print on white lightweight cardboard, 1990. 435x600 mm; 17 1/4x23 1/2 inches, full margins. Signed, dated and numbered 68/100 in pencil, lower margin. Printed by Passavia Druckerei, Passau.

Lot: 351 - GERHARD RICHTER Haut II.

GERHARD RICHTER Haut II. Screenprint and frequency modulated offset print in bluish gray (printed in three shades of gray, and blue) on white, heavy rag paper, 2004. 609x899 mm; 24x35 1/2 inches, full margins. Printer's proof, aside from the

Lot: 352 - GERHARD RICHTER Eis 2.

GERHARD RICHTER Eis 2. Color screenprint in 41 colors on light ivory, heavy rag paper, 2003. 1016x813 mm; 40x32 inches, full margins. Signed, dated and numbered 40/108 in pencil, lower margin. Printed by Brand X Editions, Ltd., New York.

Lot: 353 - GÜNTHER FÖRG Texte zur Kunst.

GÜNTHER FÖRG Texte zur Kunst. Acrylic on wood multiple, 2000. 230x165x25 mm; 9x6 1/2x1 inches. Signed and dated in felt-tip pen and ink, verso, and numbered 6/120 in pencil on the label, verso. Published by Texte zur Kunst, Berlin.

Lot: 354 - GÜNTHER FÖRG Ohne Titel.

GÜNTHER FÖRG Ohne Titel. Color lithograph, 2001. 470x630 mm; 18 1/2x24 3/4 inches, full margins. Signed, dated and numbered 24/80 in pencil, lower margin. Printed by Hostrup-Pederson & Johansen, Denmark. A very good impression

Lot: 355 - GÜNTHER FÖRG Berliner Series.

GÜNTHER FÖRG Berliner Series. Set of 4 color screenprints on heavy white wove paper, 2001. Each 450x303 mm; 17 3/4x12 inches, full margins. Each signed, dated and numbered 53/55 in pencil, lower margin. Very good impressions with

Lot: 356 - GÜNTHER FÖRG Ohne Titel.

GÜNTHER FÖRG Ohne Titel. Color screenprint on wove paper, 2000. 1095x748 mm; 43 1/8x29 1/2 inches, full margins. Artist's proof, aside from the edition of 130. Signed, dated and inscribed "e.a." lower sheet edge. Published by Galerie

Lot: 357 - GÜNTHER FÖRG Ohne Titel.

GÜNTHER FÖRG Ohne Titel. Color screenprint on wove paper, 1993. 913x648 mm; 36x18 3/4 inches, full margins. Artist's proof, aside from the edition of 40. Signed, dated and inscribed "e.a." lower sheet edge. Published by Galerie

Lot: 358 - IMI KNOEBEL Anima Mundi 18-3.

IMI KNOEBEL Anima Mundi 18-3. Set of 3 collaged acrylic on plastic film mounted to aluminum, 2010. Each 458x355 mm; 18x14 inches. Edition of 5 hand painted variants. Each titled, dated and numbered 5/5 in felt-tip pen and black ink, verso.

Lot: 359 - MARWAN Kopf.

MARWAN Kopf. Tempera on canvas, 1976. 860x610 mm; 33 7/8x24 inches. Signed and dated in tempera, lower left recto. Marwan Kassab-Bachi (1934–2016), known simply as Marwan, was a Syrian artist based in Berlin. He studied art alongside

Lot: 360 - FRANZ WEST Par Bleu.

FRANZ WEST Par Bleu. Color screenprint on 200-gram hadmade paper, 2002. 400x498 mm; 15 3/4x19 5/8 inches (sheet), full margins. Signed, dated and numbered 90/120 in ballpoint pen and ink, lower margin. Printed by Andreas Stalzer, Vienna.

Lot: 361 - STEPHAN BALKENHOL Kuss 3.

STEPHAN BALKENHOL Kuss 3. Screenprint printed in black and gold on plywood, 2000. 420x298 mm; 16 1/2x11 inches. Signed, dated and numbered 14/50 in ink, verso. Published by Texte Zur Kunst, Berlin. A very good impression. Dobke 47.

Lot: 362 - FRIEDENSREICH HUNDERTWASSER One of Five Seamen (Il

FRIEDENSREICH HUNDERTWASSER One of Five Seamen (Il Mariniao). Color screenprint on Red Indian brown paper, 1975. 900x600 mm; 35 3/8x23 inches, full margins. One of 5 paper and color variants of 50 prints each. Signed, dated and annotated in

Lot: 363 - FRIEDENSREICH HUNDERTWASSER Good Morning City.

FRIEDENSREICH HUNDERTWASSER Good Morning City. Color screenprint, 1969-70. 765x470 mm; 30 1/4x18 1/2 inches, full margins. Edition of 10,000. Signed, annotated and numbered "7244" in ink, lower margin. Printed by Studio Quattro,

Lot: 364 - RICHARD ESTES Study VI, New York Harbor.

RICHARD ESTES Study VI, New York Harbor. Color woodcut, printed in 43 colors from 39 blocks, on warm, cream Japan paper, 1997. 245x195 mm; 9 3/4x7 3/4 inches, full margins. Signed and numbered 2/45 in pencil, lower margin. A superb,

Lot: 365 - RICHARD ESTES Picadilly Station.

RICHARD ESTES Picadilly Station. Color screenprint, 1979. 503x332 mm; 19 3/4x13 1/8 inches, full margins. Signed and numbered 17/100 in pencil, lower margin. Printed by Domberger KG, Stuttgart. Published by Parasol Press, New York. From Urban

Lot: 365A - RICHARD ESTES Urban Landscapes No. 3.

RICHARD ESTES Urban Landscapes No. 3. Group of 5 (of 8) color screenprints, 1981. 500x700 mm; 19 3/4x27 5/8 inches (sheets), full margins, loose as issued. Edition of 250, from a total edition of 265. Each print signed and numbered 90/250

Lot: 366 - DON EDDY Detail 1 of Bumper, Section XII: Isla

DON EDDY Detail 1 of Bumper, Section XII: Isla Vista. Acrylic on canvas, 1970. 860x1215 mm; 33 7/8x47 7/8 inches. Signed, titled, dated and annotated, verso. Ex-collection Galerie Hella Nebelung, Dusseldorf; acquired by the current owner,

Lot: 367 - ROBERT COTTINGHAM One Way.

ROBERT COTTINGHAM One Way. Lithograph with hand coloring in watercolor, 1984. 630x507 mm; 24 7/8x20 inches, full margins. Signed, titled, dated and numbered "III/XII" in pencil, lower margin. Printed by Lonetown Press, New York. Published by

Lot: 368 - ROBERT COTTINGHAM Ral's.

ROBERT COTTINGHAM Ral's. Llithograph with hand coloring in watercolor, 1983. 467x641 mm; 18 3/8x25 1/4 inches, full margins. Signed, titled, dated and numbered VI/XI in pencil, lower margin. Printed by Lonetown Press, Redding, Connecticut.

Lot: 369 - MARK BEARD Western Panorama with Sculpture of

MARK BEARD Western Panorama with Sculpture of Native American Warrior. Oil on 2-joined canvases, 1982. 1325x1975 mm; 52 1/4x77 3/4 inches. Signed and dated in oil, lower cebnter recto. Acquired from Vincent Fitzgerald & Co., New York, by

Lot: 370 - HUNT SLONEM Asian Woodpeckers.

HUNT SLONEM Asian Woodpeckers. Oil on canvas, 1994. 965x946 mm; 38x37 1/4 inches. Signed, titled and dated in blue pencil, on the canvas verso. Ex-collection private collection.

Lot: 371 - ALLAN KAPROW A small collection of works.

ALLAN KAPROW A small collection of works. Includes a framed exhibition mailer for Kaprow's seminal exhibition, "An Apple Shrine Environment," Judson Gallery, New York, November 30-December 24, 1960, which featured a mazelike puzzle filled with

Lot: 372 - PAUL SHARITS Bone Series.

PAUL SHARITS Bone Series. Acrylic on bone, 1980. 76x279 mm; 3x11 inches. Ex-collection private collection, Rhode Island. Published in Pfeffer, Paul Sharits: Catalogue Raisonné 1962-1992: A Retrospective, Cologne, 2016, page 517.

Lot: 373 - PAUL SHARITS Foot I.

PAUL SHARITS Foot I. Acrylic and broken glass on canvas, 1982. 762x1207 mm; 30x47 1/2 inches. Signed and titled in marker on the canvas verso. Ex-collection private collection, Rhode Island. Published in Pfeffer, Paul Sharits:

Lot: 374 - PAUL SHARITS Burnt Blouse: Flux Fashion X-Rags.

PAUL SHARITS Burnt Blouse: Flux Fashion X-Rags. Silk sleeveless women's blouse with burnt holes, 1991. Approximately 610 mm; 24 inches. With a Kodak photograph of a woman modelling the blouse. Ex-collection private collection, Rhode Island.

Lot: 375 - PAUL SHARITS The Fluxus Meeting You Box "X."

PAUL SHARITS The Fluxus Meeting You Box "X." Felt-covered box, containing multiples, including small sheets of paper and a yellow letter "H" eraser, 1991. 89x102x24 mm; 3 1/2x4x 7/8 inches. Ex-collection private collection, Rhode Island.

Lot: 376 - TATIANA LEWIN (TANIA) Abstract Sun.

TATIANA LEWIN (TANIA) Abstract Sun. Oil on masonite, circa 1970. 1064x1060 mm; 41 7/8x41 3/4 inches. Signed in oil, lower right recto. Tania (1920-1982) was a founding member of the organization City Walls, Inc., a group devoted to funding

Lot: 377 - VICTOR VASARELY Decreasing Squares.

VICTOR VASARELY Decreasing Squares. Color screenprint. 325x316 mm; 12 3/4x12 1/2 inches, full margins. Signed and numbered "VII/VII" in pencil, lower margin. With--the annotated maquette for the same print. 470x410 mm; 18 1/2x16 1/4

Lot: 378 - VICTOR VASARELY Two color screenprints.

VICTOR VASARELY Two color screenprints. Diamond. 520x520 mm; 20 1/2x20 1/2 inches, full margins. Signed and numbered 61/75 in pencil, lower margin * Two Spheres. 903x476 mm; 35 1/2x18 3/4 inches, full margins. Signed and numbered 136/225 in

Lot: 379 - CRAIG MCPHERSON Yankee Stadium at Night.

CRAIG MCPHERSON Yankee Stadium at Night. Mezzotint on BFK Rives, 1983. 600x895 mm; 23 5/8x35 1/4 inches, full margins. Signed and numbered 3/75 in pencil, lower margin. A superb, luminous impression.

Lot: 380 - YOZO HAMAGUCHI Twenty-Two Cherries.

YOZO HAMAGUCHI Twenty-Two Cherries. Color mezzotint, 1988. 542x232 mm; 21 3/8x9 1/8 inches, full margins. Artist's proof, aside from the edition of 150. Signed and inscribed "2/35 III" in pencil, lower margin. Published by Vorpal Gallery, New

Lot: 381 - YOZO HAMAGUCHI Mantric Music II (22 Cherries in 7

YOZO HAMAGUCHI Mantric Music II (22 Cherries in 7 States). Set of 7 color mezzotints, 1988. Each 541x232 mm; 21 3/8x9 1/8 inches, full margins. Each numbered "Ve 48/50" in pencil, lower left; the final state also signed in pencil, lower right.

Lot: 382 - HIROSHI SUGIMOTO In Praise of Shadows.

HIROSHI SUGIMOTO In Praise of Shadows. Lithograph on Japanese Torinko paper, 2003. 298x239 mm; 11 3/4x9 1/2 inches, full margins. Signed and numbered 206/225 in pencil, lower right. Published by the Serpentine Gallery, London. A very good

Lot: 383 - XIAOZE XIE The MoMA Library.

XIAOZE XIE The MoMA Library. Aquatint on white wove paper, 2006. 565x685 mm; 22 1/4x27 inches, full margins. Signed, dated and numbered 27/30 in pencil, lower margin. A very good impression.

Lot: 384 - RICHARD SERRA (after) The Drowned and the Saved

RICHARD SERRA (after) The Drowned and the Saved. Ink jet print, 1992. 137x172 mm; 5 3/8x6 3/4 inches, full margins. Signed by Serra in pencil, lower right. Photographed by Werner Hannappel. A photograph of Serra's same-titled work

Lot: 385 - AYA UEKAWA Exotic Comfort.

AYA UEKAWA Exotic Comfort. Pencil on cream wove paper, circa 2010. 608x480 mm; 24x18 7/8 inches.

Lot: 386 - TAKASHI MURAKAMI Two color offset lithographs.

TAKASHI MURAKAMI Two color offset lithographs. Summer Vacation * Planet 66. Both 2004. Both 451x451 mm; 17 5/8X17 5/8 inches, full margins. Both signed and numbered 46/300 or 47/300 in felt-tip pen and silver ink, lower right. Published by

Lot: 387 - MR. (IWAMOTO MASAKATSU) In Front of Expo Park.

MR. (IWAMOTO MASAKATSU) In Front of Expo Park. Watercolor and pen and ink on thin wove paper, 1999. 300x214 mm; 11 7/8x8 7/8 inches (folded). Dated and annotated in pen and ink, lower right recto.

Lot: 388 - GEORGE CONDO Untitled (VI).

GEORGE CONDO Untitled (VI). Etching on Hahnemühle paper, 1989. 235x178 mm; 9 1/4x7 inches, full margins. Artist's proof, aside from the edition of 55. Signed and inscribed "A.P. 1/6"in pencil, lower margin. Printed by Aldo Crommelynck,

Lot: 389 - GEORGE CONDO Untitled (Mental States playing card

GEORGE CONDO Untitled (Mental States playing card drawing). Pen and black ink on card, 2011. 88x63 mm; 3 1/2x2 1/2 inches. Signed and dated in ink, upper left recto. Within a box set and with one pack of playing cards. Published for the

Lot: 390 - GEORGE CONDO Untitled (Mental States playing card

GEORGE CONDO Untitled (Mental States playing card drawing). Pen and black ink on card, 2011. 88x63 mm; 3 1/2x2 1/2 inches. Signed and dated in ink, upper left recto. Within a box set and with one pack of playing cards. Published for the

Lot: 391 - JEFF KOONS Balloon Dog (Yellow).

JEFF KOONS Balloon Dog (Yellow). Metallic porcelain multiple, 2015 . 255x255 mm; 10 1/8x10 1/8 inches. Edition of 2300. Numbered 557/2300 on the base. Produced by Bernardaud, Limoges. Published by the Los Angeles Museum of Contemporary Art,

Lot: 392 - JEFF KOONS Balloon Dog (Blue).

JEFF KOONS Balloon Dog (Blue). Metallic porcelain multiple, 2002. 255x255 mm; 10 1/8x10 1/8 inches. Edition of 2300. Numbered 2196/2300 on the base. Produced by Bernardaud, Limoges. Published by the Los Angeles Museum of Contemporary Art, with

Lot: 393 - JEFF KOONS Balloon Dog (Orange).

JEFF KOONS Balloon Dog (Orange). Metallic porcelain multiple, 2015. 267x267 mm; 10 1/2x10 1/2 inches. Edition of 2300. With the artist's signature and edition number 306/2300 fired onto the back. Produced by Bernardaud, Limoges. Published by

Lot: 394 - JEFF KOONS Balloon Dog (Magenta).

JEFF KOONS Balloon Dog (Magenta). Metallic porcelain multiple, 2015. 267x267 mm; 10 1/2x10 1/2 inches. Edition of 2300. With the artist's signature and edition number 918/2300 fired onto the back. Produced by Bernardaud, Limoges. Published by

Lot: 395 - JEFF KOONS Balloon Swan (Yellow).

JEFF KOONS Balloon Swan (Yellow). Metallic porcelain multiple, 2017. 241x164x209 mm; 9 1/2x6 1/2x8 1/4 inches. Edition of 999. With the artist's signature, title, date and edition number 192/999 fired onto the base and numbered "192" ink pen

Lot: 396 - JEFF KOONS Balloon Rabbit (Red).

JEFF KOONS Balloon Rabbit (Red). Metallic porcelain multiple, 2017. 291x140x210 mm; 11 1/2x5 1/2x8 1/4 inches. Edition of 999. With the artist's signature, title, date and edition number 135/999 fired onto the base and numbered "135" in pen

Lot: 397 - JEFF KOONS Puppy.

JEFF KOONS Puppy. Glazed white porcelain vase, 1998. 450 mm; 17 3/4 inches (height). Edition of 3000. With the artist's incised signature, date and edition number 844/3000 on the base. Published by Art of This Century, New York and Paris.

Lot: 398 - EDUARDO SARABIA A Thin Line Between Love and Hate.

EDUARDO SARABIA A Thin Line Between Love and Hate. Glazed ceramic vase painted in blue with screenprint on two cardboard boxes, 2005. 635x395x315 mm; 25x15 1/2x12 3/8 inches. Signed, titled, dated and numbered "#8" on the base of the vase.

Lot: 399 - DAMIEN HIRST Till Death Do Us Part--Long Life

DAMIEN HIRST Till Death Do Us Part--Long Life Purple African Gold Purple Imperial Purple Skull. Color screenprint, glaze and foilblock on 410 gsm Somerset Satin, 2012. 501x351 mm; 19 3/4x13 3/4 inches, full margins. Signed and numbered 23/50

Lot: 400 - DAMIEN HIRST Hell.

DAMIEN HIRST Hell. Inkjet, glaze and foilblock on Hahnemühle photo rag ultra smooth 305gsm, 2012. 443x555 mm; 17 3/8x21 7/8 inches, full margins. Signed and numbered 10/55 in pencil, lower margin. Published by Other Criteria and Paul

Lot: 401 - DAMIEN HIRST The Magnificent 7.

DAMIEN HIRST The Magnificent 7. Set of 7 ping pong balls in the original cardboard box, 2000. 60x338x60 mm; 2 3/8x13 1/4x2 3/8 inches. Edition of 1500. Signed in felt tip pen and ink and ink stamp numbered "14/1500" on the base of the box.

Lot: 402 - BANKSY 10 Pound Banknote.

BANKSY 10 Pound Banknote. Di-faced tenner, 2004. 77x145 mm; 3x5 3/4 inches (sheet), full margins. Published by Santa's Ghetto, London, for the 2004 exhibition of Banksy's work.

Lot: 403 - TRACEY EMIN In My Mind II.

TRACEY EMIN In My Mind II. Polymer gravure, 2014. 275x200 mm; 10 7/8x7 7/8 inches, full margins. Signed, titled, dated and numbered 3/100 in pencil, lower margin. Published by White Cube Editions, London. A very good impression.

Lot: 404 - RICHARD PRINCE Untitled (50 Tweets).

RICHARD PRINCE Untitled (50 Tweets). Printed cardboard box with 50 color inkjet prints on semi-glossy paper, 2014. 337x185 mm; 13 1/4x7 1/4 inches (sheets), full margins, loose as issued. Edition of 50. Signed, dated and numbered 15/50 in

Lot: 405 - ROBERT LONGO Spanish Blood.

ROBERT LONGO Spanish Blood. Digital pigment print on white wove paper, 2011. 501x400 mm; 19 3/4x15 3/4 inches, full margins. Signed, dated and numbered 23/35 in pencil, lower margin. Published by Hatje Cantz Verlag, Ostfildern. A very good

Lot: 406 - ROBERT LONGO Bruce

ROBERT LONGO Bruce Digital pigment print, 2014. 416x685 mm; 16 3/827 inches, full margins. Signed, dated and numbered 31/35 in white crayon, lower margin. Published by Hatje Cantz Verlag, Ostfildern.

Lot: 407 - ROBERT LONGO Cadillac.

ROBERT LONGO Cadillac. Digital pigment print, 2012. 762x1270 mm; 30×50 inches, full margins. Signed, dated and numbered 2/30 in white pencil, lower margin. Published by Hatje Cantz Verlag, Ostfildern.

Lot: 408 - ROBERT LONGO Untitled (Old Glory), Left Side.

ROBERT LONGO Untitled (Old Glory), Left Side. Digital pigment print on white wove paper, 2011. 763x495 mm; 30x19 1/2 inches, full margins. Signed, dated and numbered 23/30 in pencil, lower margin. Published by Hatje Cantz Verlag, Ostfildern. A

Lot: 409 - CHRISTOPHER WOOL Untitled (Kölnischer

CHRISTOPHER WOOL Untitled (Kölnischer Kunstverein). Offset color lithograph on smooth, cream wove paper, 1991. 977x638 mm; 38 1/2x25 1/8 inches, full margins. Signed, dated and numbered 13/40 in pencil, verso. Published by Edition

Lot: 410 - CHRISTOPHER WOOL AND FELIX GONZALEZ-TORRES

CHRISTOPHER WOOL AND FELIX GONZALEZ-TORRES Untitled. Offset lithograph, 1993. 1346x940 mm; 53x37 inches. A collaborative work between the two artists, on the occasion of their joint exhibition for Printed Matter in Dia, New York; the text is

Lot: 411 - THOMAS RUFF Substrate.

THOMAS RUFF Substrate. 8-part leporello digital pigment print (Ditone) on 260 g Hahnemühle Baryta paper, 2009. 320x2000 mm; 12 1/2×78 3/4 inches. Signed in black ink and numbered 64/75 in pencil on a Schellmann Art Production label

Lot: 412 - THOMAS RUFF Nudes (VT 04).

THOMAS RUFF Nudes (VT 04). C-print, 2003. 279x210 mm; 11×8 1/4 inches (sheet), full margins. Artist's proof, aside from the edition of 100. Signed, dated and numbered "AP 9/20" in pencil, verso. Published by Schirmer-Mosel Verlag, Munich.

Lot: 413 - NORA LIGORANO AND MARSHALL REESE Untitled 2001.

NORA LIGORANO AND MARSHALL REESE Untitled 2001. Color screenprint, 2007. 659x762 mm; 26x30 inches, full margins. Artist's proof, aside from the edition of 50. Signed and numbered "AP 14/15" in pencil, lower margin. Published by Brand X

Lot: 414 - VIK MUNIZ Mounds.

VIK MUNIZ Mounds. Complete set of four laminated inkjet placemats, 2005. Each 300x280 mm; 15 1/2x12 1/4 inches (sheets), full margins. Edition of 200. One signed and numbered "19" on the label, verso. Published by Printed Matter, Inc., New

Lot: 415 - PETER DOIG Fisherman.

PETER DOIG Fisherman. Color aquatint and etching on Zerkall paper, 2004. 197x145 mm; 7 7/8x5 3/4 inches, full margins. Signed and dated in pencil, lower right. Proofed by the artist and Fritze Margull, Port of Spain, Trinidad and printed by

Lot: 416 - PETER DOIG Boathouse.

PETER DOIG Boathouse. Color aquatint and etching on Zerkall paper, 2004. 197x145 mm; 7 7/8x5 3/4 inches, full margins. Signed and dated in pencil, lower right. Proofed by the artist and Fritze Margull, Port of Spain, Trinidad and printed by

Lot: 417 - EL ANATSUI Pewter Variation.

EL ANATSUI Pewter Variation. Pigment print with hand collage and copper wire, 2015. Approximately 813x635x108 mm;32x25x4 1/4 inches (irregular edges). Signed "El," dated and numbered 9/10 in pencil, twice (for multiple orientations). Published

Lot: 418 - THOMAS NOZKOWSKI Untitled #2 * Untitled #5.

THOMAS NOZKOWSKI Untitled #2 * Untitled #5. Both color etching, aquatint, and drypoint, 2006. Both 273x346 mm; 10 3/4x13 5/8 inches (sheet), full margins. Both signed, dated and numbered 8/25 in pencil, verso. Very good impressions.

Lot: 419 - RICHARD TUTTLE The End.

RICHARD TUTTLE The End. Ceramic Earthenware with Low Fire Black Gloss Glaze and Ultramarine Gloss glaze, 2014. 110x90x70 mm; 4 3/8x3 1/2x2 3/4 inches. Initialed, titled, dated and numbered 10/75 in felt-tip pen and black ink on the blue

Lot: 420 - GHADA AMER and REZA FARKHONDEH Snowy White Heart

GHADA AMER and REZA FARKHONDEH Snowy White Heart. Color etching and aquatint on white wove paper, 2009. 605x457 mm; 23 7/8x18 inches, full margins. Signed by both artists, dated and numbered 32/84 in pencil, lower margin. Published by Pace

Lot: 421 - DANA SCHUTZ Untitled (Head of Timothy Leary).

DANA SCHUTZ Untitled (Head of Timothy Leary). Color lithograph and woodcut on Rives cover white 350glm2 paprt, 2005. 608x570 mm; 23 7/8x22 3/8 inches, full margins. Signed, dated and numbered 19/55 in pencil, lower margin. Printed by Maurice

Lot: 422 - FRIEDRICH KUNATH Untitled (Loneliness Finds Her

FRIEDRICH KUNATH Untitled (Loneliness Finds Her Own Way). Oil on canvas, 2005. 400x298 mm; 15 3/4x11 3/4 inches. Ex-collection Blum & Poe, Los Angeles; private collection; New York.




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