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Auction Information
Auctioneer Leland Little Auctions 919.644.1243
Auction Date Aug 26 Auction
Location
620 Cornerstone Ct.
Hillsborough, NC
Time 09:00AM
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Auction Listing
AuctionZip Auctioneer ID# 2104
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End-of-Summer Gallery Auction

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Sale Listing:

1   A Set of (16) Plates, "Trout of American Waters", Lynn Chase
made in Portugal, 1988, limited to an edition of 5000.
10 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


2   A Service for Twelve, Coalport Hunting Scene Tableware
bone china made in England, twelve each, dinner plate (10 7/8 in.), cups, saucers, bread and butter plates, salad plates, plus ten additional dinner plates for a total of (70) pieces.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


3   A Set of Eleven Wedgwood Dinner Plates
grape arbor pattern in silver tones with crimson highlights.
10.5 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


4   Mottahedeh Historic Charleston Reproduction Cider Jug
lidded form, Chinese export style, model HD 233.
11 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


5   76pc Limoges Porcelain Dinner Service
early 20th century, transfer decoration with with roses and gilt highlights, retailed through A. Cantôt in Paris.
Platter 16 in. long.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


6   Six Herend Porcelain Fishnet Rabbits
hand painted blue fishnet with gilt highlights, each marked.
Tallest 6.25 in.     


7   A Group of Eight Porcelain Trinket Boxes
five are Limited Editions for the American Horticultural Society with floral decorated lids; two are rectangular in form (some brass trim discoloration) and the eighth is a Herend egg shaped box.
Limoges rectangular box 1.75 x 3 7/8 x 2.5 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


8   Four Limoges Porcelain Boxes
including a Champagne bottle in an ice bucket, a melon, a strawberry, and an apple; each signed.
The strawberry is also marked for Tiffany & Co. as the retailer.
Private Collection, Raleigh, NC


9   Six Limoges Porcelain Boxes
all of garden vegetables including an eggplant, spring onion, pea pod, carrot, beet, and an unidentified vegetable; each signed.
Private Collection, Raleigh, NC


10   Four Limoges Porcelain Boxes
each of an animal theme and including a Dalmatian, fish bowl, frog, and rabbit; each signed.
Private Collection, Raleigh, NC


11   Five Limoges Porcelain Boxes
including a tiger, cheetah, leopard, fox, and a cheetah print handbag; each signed.
Private Collection, Raleigh, NC


12   Pair of German Hand Painted Porcelain Plaques
late 19th century, each painted with river and landscape, inscribed handmalerei and numbered 593 and 594, with impressed numbers to verso, in scroll decorated and gilt frames.
DOA 15 x 10.5 in; plaque 12 x 8 in.      


13   Group of Three Porcelain Boxes 
20th century, to include a figure of a recumbent ram; a lidded egg box with floral motif (marked Bernardaud Limoges France to underside, Gucci decoration to body of egg); and a tall double handled lidded compote with floral motif, unmarked. 
Tallest 13 x 9 in.      


14   Two Continental Faience Tablewares 
19th century, to include a large toby jug in traditional form, not marked (13 in.); also to include a tall reticulated yellow floral compote, not marked. 


15   19th Century Large Delft Wall Mounted Plate
tin glaze, blue and white decoration with floral motif; antique metal wall mounting, unmarked. 
13.25 in.      


16   Two Early Continental Porcelain Items 
early 20th century, to include a fluid lamp base with hand painted decoration; also to include a double handled center bowl with floral motif. 
Taller 10 in.      


17   Framed and Painted Porcelain Plaque
19th century, featuring a Swiss landscape with figure, verso with illegible stamp.
DOA 8 x 12 in.     


18   19th Century Large Delft Helmet Pitcher 
blue and white painted decoration with figural handle; knopped base, not marked. 
11.25 in.      


19   Pair of Continental Porcelain Footed Tazzas
19th century, with gilt and ruby decoration, with butterfly motif to center, handpainted numbers to underside. 
5 x 9.75 in.      


20   Four Antique Tableware Items
to include a large tin glazed and paint decorated charger, with floral border and central bouquet (restorations throughout); early English teapot and waste bowl, with hand painted floral decoration; and a transfer decorated cup with courting scene. 
Charger 13.5 in diameter.      
Private NC Collection


21   An Antique Paris Porcelain Teapot
19th century, with aqua and gilt highlights to molded decoration, with raised Haviland mark to underside.
9 in.     
Private Collection, Raleigh, NC


22   Paris Porcelain Large Pedestal Bowl
19th century, two part bolted form, hand painted with gilt highlights featuring floral sprays and masked ends.
13 x 15 in. diameter.     


23   An Antique Haviland Limoges Porcelain Fish Service
circa 1876-1889 mark; (12) pieces including (9) plates (9.5 in. diameter), fish platter, square serving dish; and a gravy boat with attached under plate; with shell and seaweed decorative motifs.
9.5 in.      


24   Set of (15) Paris Porcelain Plates by Le Rosey
hand painted with various landscape scenes in pink, gilt rim, marked.
10 in.     


25   Four Pieces of Samson Porcelain
19th century, including a pair of urns and a pair of shell dishes, hand painted, marked.
Tallest 5.5 in.     


26   Four 18th Century Porcelain Serving Dishes
including a lozenge form Royal Crown Derby dish with floral vine, a handled dish and a pair of cobalt rimmed bowls marked S.
Longest 10 in.     


27   Imperial Crown China Austria, Centerpiece Banquet Compote
19th century, in two parts, gilt accents, body decorated with forest scenes, marked. 
9 in x 14.5 in.      


28   Large Antique Wedgwood Center Tazza
19th century, relief decorated with fruit and floral design, marked. 
5 x 11.25 in.      


29   Group of Blue and White Continental Porcelain incl. Wedgwood 
19th or 20th century, to include two plates and pedestal all marked "Wedgwood"; also to include a small lidded jar, marked "Adams". 
Tallest 4 in.      


30   Group of Decorative Kitchen Accessories incl. Wedgwood
19th century, to include "Eastern Flower" creamer (marked Wedgwood); "Groups" creamer (marked Wedgwood); and a lidded sugar (unmarked) and creamer (with makers mark). 
Tallest 6 in.      


31   Two Staffordshire Figurines 
19th century, a young male and female figure both posed with figures of cows on a riverbank, with makers marks. 
6 in.      


32   Two Early Salt Glazed Kitchen Accessories
19th century, to include a blue relief pitcher with metal lid (unmarked); also to include a cream relief sugar bowl with hunting scene (unmarked). 
Taller 6 in.      


33   Antique Ironstone Platter
19th century, transfer decorated, marked Indian.
16 x 20 in.     


34   Eleven Mason's Ironstone Chinoiserie Plates
English, 19th century, transfer floral decoration with hand painted highlights, marked.
10 in.     


35   English Blue & White Well and Tree Platter
19th century, transfer decorated with gilt highlights, marked B & S.
21 x 18 in.     


36   Two Pieces of Royal Worcester Evesham Covered Dishes
to include a round serving dish and an oval serving dish, marked to underside. 
Round dish 10.5 in diameter.      
Private NC Collection


37   Antique English Transfer Decorated Soup Tureen
19th century, marked Dresden.
12 in.     


38   Eight Pratt Transfer Decorated Plates
19th century, including seven luncheon plates (8.75 in.) and one dessert plate (7.25 in.).


39   Two Pieces of Vintage Porcelain
including a Wedgwood baluster vase and a Capodimonte style lidded box, marked.
Taller 8 in.     


40   Seven Antique English Porcelain Plates
including three pieces of Adam's Titian Ware, a Spode plate, Minton's plate, and two Ironstone plates, marked.
Largest 10.5 in.     


41   (40pc) Minton Chinoiserie Decorated Tableware
England, circa 1860, transferware with hand painted highlights, including two lidded serving dishes, three platters, a chop plate, dinner plates, luncheon plates and soup bowls, marked "New Stone."
Platter 16 x 12 in.     


42   (26pc) Antique English Chinoiserie Tableware
19th century, transfer pattern with hand painted highlights including a lidded soup tureen, platters, bowls, serving dish and sauce boat with underplate, some marked.
Largest platter 20 x 15 in.     


43   Set of Twelve Sevres Style Armorial Porcelain Plates
late 19th century, cobalt and gilt rim decoration, center with floral wreath decoration and gilt crest, numbers marked to underside.
9 in diameter.      


44   Two Antique Transferware Lidded Serving Dishes
19th century, including a rectangular lidded dish with ship decoration marked Wedgwood Ferrara, and a shaped cobalt decorated dish with lion finial and interior with figures and zebra marked Rogers.
Blue dish 6 x 16 x 8 in.     


45   Two Sets of English Imari Plates
to include a set of seven Mason's Ironstone plates with decoration of Asian articles on a scroll, stamped to underside (one with rim chip); and a set of Spode plates with floral decoration in Imari colors, stamped to underside of rim (one with hairline). 
8 in diameter.      


46   Three Pairs of English Plates
to include a pair of Crown Staffordshire Chinoiserie decorated dessert plates (8 in.); a pair of Gaudy Welsh luncheon plates (9 in.); and a pair of Ashworth Chinoiserie decorated plates (10.25 in.); large repair.


47   Assorted Group of Antique English Imari Serving Pieces
19th century, including a lidded soup tureen marked Ironstone, a lozenge form pedestal bowl, pair of cake plates, and a Mason's platter.
Largest 10 x 16 x 9 in.     


48   Eleven Pieces of Cauldon Table Wares
to include a serving platter (12.5 x 10.75 in.); and eleven dessert plates (9 in.), all in allover transferware floral decoration, with gilt rim. 


49   Set of Copeland Late Spode Indian Tree Accessories
to include a large serving platter (17.5 x 13 in.); two small platters (10.5 x 7 in.); a dessert plate (8.5 in. diameter); and eleven soup bowls (10 in. diameter). 


50   Davenport Longport (19) Piece Dessert Set
to include three serving dishes, raised on four scrolled feet, along with (16) dessert plates, all with cobalt and gilt decorated rims, with scroll and floral motif, marked to underside. 
Dishes 2.5 x 11 x 9 in.      


51   Lladro Porcelain "Still Life"
number 5363, designed by Antonio Ramos, issued in 1986 and retired in 1998.
6 5/8 in.     


52   Lladro Porcelain "Sea Breeze"
designed by Salvador Debón, issued in 1974 and retired in 2003.
14.25 in.     


53   Two Lladro Porcelain Animal Sculptures
the first modeled as a puppy with a snail, marked (6.25 in.); the second a baby elephant (2 3/8 in.); both marked.


54   Steuben Glass Beaver
1975-1977, clear glass with garnet eyes, signed.
8 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


55   Steuben Glass Abstract Eagle
introduced 1975, modernist interpretation, signed.
6 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


56   Steuben Glass Goose in Flight
poised on a wave-form pedestal base, signed.
10 1/8 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


57   Three Steuben Glass Paperweights
two are apples and one is a cone spiral shell.
Apple 4.25 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


58   A Group of Seven Clear Crystal Coolers
to include: two Baccarat water fowl (tallest 3.5 x 4.5 in.) and a Baccarat rabbit; four Steuben animals.
Elephant 3 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


59   Two Steuben Glass Bowls
each signed.
Spiral bowl - 3.5 x 7 in. diameter; and Calyx bowl - 3.5 x 6.75 x 9.25 in.     


60   Steuben, Three Pieces of Modern Crystal
late 20th century, including a footed center bowl, classical style vase and a Chinese style pinched vase with applied prunts, signed.
Tallest 4.75 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


61   Five Orrefors Crystal Bowls
late 20th century, in two forms, signed.
Tallest 4 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


62   Two Pieces of Swedish Modern Art Glass
the first a tall stepped blue glass vase by Ann Wählstrom for Kosta Boda, signed and numbered 48757 to underside (8 in.); and the second a Pukeberg yellow and orange glass footed serving bowl, labeled (5 x 9 in diameter.)
Private NC Collection


63   Frank Lloyd Wright for Tiffany & Co., Pair of Crystal Candlesticks
late 20th century, tapered and paneled form, signed.
4 in. tall.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


64   Eight Tiffany & Co., Brandy Snifters
molded glass with fan and diamond pattern, marked.
5 in.     


65   Tiffany & Co., Crystal Obelisk
late 20th century, spiral cut glass, flush base signed.
14 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


66   A Set of Ten William Yeoward "Iona" Crystal Large Goblets
signed, in original boxes.
5 7/8 in.     
Private Collection, Raleigh, NC


67   A Set of Ten William Yeoward "Iona" Crystal Small Goblets
signed, in original boxes.
5.5 in.     
Private Collection, Raleigh, NC


68   A Pair of William Yeoward Crystal Bulb Forcing Vases
each etched with a wheat motif, signed, in the original presentation boxes.
5.5 in.     
Private Collection, Raleigh, NC


69   Baccarat Crystal Jam Jar with Cover
signed.
5.75 in.     


70   Baccarat Crystal Bottle Stand
late 20th century, faceted form with flared rim, signed.
3 x 13.5 in. diameter.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


71   Baccarat and Waterford Crystal Decanters
late 20th century, each signed.
Taller 13 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


72   Waterford "Kenmare" Cut Crystal Decanter
signed.
12.75 in.     
Private Collection, Raleigh, NC


73   A Set of Ten Waterford "Kenmare" Cut Glass Water Goblets
signed.
6 7/8 in.     
Private Collection, Raleigh, NC


74   A Set of Ten Waterford "Kenmare" Cut Glass Claret Wine Stems
signed.
6 in.     
Private Collection, Raleigh, NC


75   Set of Ten Waterford "Alana" Crystal Claret Stems
signed.
5 7/8 in.     


76   Set of Nine Waterford "Alana" Crystal Water Goblets
signed.
7 in.     


77   Partial Suite of Waterford "Colleen" Crystal Barware
(18) pieces including a set of (14) cocktail glasses (3 5/8 in.) and (4) water goblets (5.25 in.), signed, each with short stem.


78   A Collection of Waterford Crystal Barware
including a decanter (10.75 in.); a pair of "Lismore" champagne flutes; a "Lismore" double old fashioned; (3) "Kylemore" 10 oz tumblers; and a mini creamer and open sugar.


79   Waterford, Martini Grouping
three pieces, cut elongated diamond pattern, including a handled pitcher and two martini stems, signed.
Taller 6 in.     


80   Waterford, Nine Piece Cordial Service
each with cut elongated diamond pattern, including a lidded decanter and eight stems, signed.
Decanter 12.5 in., cordial 5 in.     


81   Nine Waterford Crystal Wine Goblets
each cut with cross and diamond pattern, tapered and faceted stems on a star cut foot, signed and labeled.
7.5 in.     


82   Ten Waterford "Kinsale" Water Goblets
each with cut elongated diamond pattern, faceted tear drop stems and star cut foot, signed.
6.75 in.     


83   Eight Waterford Dessert Wine Stems
each with cut elongated diamond pattern on a star cut foot, marked.
5.5 in.     


84   A Pair of Waterford Crystal Toasting Flutes and a Pair of Candlesticks
signed, the "Celebration - Success" flutes in the original presentation box.
Candlestick 7.5 in.     


85   Waterford Crystal Clock
signed.
5 x 7 x 2 in.     


86   Three Waterford Crystal Objects
including a clock, bowl and pedestal compote, signed.
Tallest 5.25 in.     


87   Waterford, Crystal Vase and Desk Clock
to include a tall crystal vase with repeating geometric design; and a small desk clock, each signed to bottom. 
Vase 10 x 5 in diameter.      
Private NC Collection


88   Marquis by Waterford, Three Crystal Vases
contemporary, cut modern designs, labeled.
Tallest 10 in.     


89   Vintage German Silverplate and Glass Ice Bucket
mid 20th century, mask handles, pressed glass.
11.5 in.     


90   Cut Glass Jewelry Casket
circa 1900, cut floral designs, hinged lid with silverplate mounts.
3 x 7 x 7 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


91   Pair of Antique Cut Glass Decanters and Coasters
including two 19th century cut glass decanters and two early 20th century silverplate and mahogany bottle coasters.
Taller 12 in.     
Private Collection, Greensboro, NC


92   Edwardian Crystal Chandelier in the Empire Style
circa 1910, brass with cut crystal drop prisms, graduated diamond strands, five light form with cut crystal bobeches.
37 x 31 in. diameter     
The Estate Collection of Mrs. Joan Cross Clodfelter, Chapel Hill, NC
Leland Little Auctions, March 14-15, 2014, lot 376


93   Georgian Style Serpentine Front Mahogany Sideboard
early 20th century, having five drawers and two cabinet doors featuring flame mahogany veneers raised on square tapered legs.
38.5 x 71 x 25.5 in.     


94   Custom Paint Decorated Georgian Style Pedestal Dining Table
late 20th century, mahogany, two part form, circular top with reeded edge over a pedestal base with turned columns, four down-swept reeded legs with brass paw feet on casters, the top and base with antiqued green painted surface.
30 x 72 in. diameter.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


95   Assembled Set of Five English Chippendale Style Mahogany Arm Chairs
late 20th century, two with ball and claw feet, three with straight molded legs, four with matching upholstered slip seats, one with alternate upholstery, straight leg chairs with Louisiana label. 
Larger pair 40 x 25.5 x 23 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


96   English Chippendale Elm Low Arm Chair
late 18th century, shell carved crest with carved ears, pierced back splat, shaped arms and arm supports, upholstered slip seat, straight legs with inside chamfer. 
37.5 x 26 x 20 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


97   English Hepplewhite Style Inlaid Demilune Console Table
late 20th century, figured burlwood veneers, center top with inlaid half paterae, banded bordered edge, paneled skirt, square tapered feet with lower cuff. 
32 x 45 x 19 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


98   George III Chest of Drawers
early 19th century, mahogany, pine secondary, converted originally from a commode / wash stand, now with four graduated drawers, with a bracket foot base. 
30 x 26 x 20 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


99   English Hepplewhite Inlaid Demi Lune Console Table
circa 1800, mahogany, mahogany veneers, pine secondary, scalloped skirts, on square tapered legs. 
31 x 64.5 x 24 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


100   George III Chest on Chest
late 18th century, three part form, mahogany, mahogany veneer, oak secondary, applied cove molded cornice with dentil trim, two over six graduated cock beaded drawers, raised on straight bracket foot base. 
75 x 43 x 20 in.      


101   Two Antique Chinoiserie Decorated Stands
19th century, black lacquer with gilt highlight, circular tops, turned standard, taller with scrolled tripod base, other with square stepped base. 
Taller 28 x 15 in. diameter.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


102   George III Mahogany Inlaid Necessary Stand
circa 1800, tray top with handles, single drawer above two cabinet doors, pull-out lower stand, on straight molded legs. 
33 x 19 x 17 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


103   Antique Campaign Chest
circa 1900, walnut, with brass inlay, hinged lid with open interior on flush base. 
17 x 49 x 17 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


104   English Inlaid Edwardian Diminutive Arm Chair
late 19th century, crest rail with herringbone stylized inlay, gothic influenced pierced back splat, upholstered slip seat, on square tapered legs with spade foot. 
32.5 x 18.5 x 17.5 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


105   Antique Hunting Case on Stand
19th century pine box with hinged lid and divided interior, possibly originally for fly fishing, set on a custom later oak stand.
DOA 30 x 43.5 x 13 in.     


106   Pair of George II Mahogany Side Chairs
18th century, shaped crest rail with pierced and carved back, over upholstered seat raised on cabriole legs.
38 x 24 x 20 in.     
Private Collection, Greensboro, NC


107   English Queen Anne Style Antique Wing Back Chair
circa 1900, upholstered with slip cushion, cabriole legs with raised pad feet. 
45.5 x 37 x 29 in.      
Note rear splayed cabriole legs with pad feet. 
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


108   George II Mahogany High Back Side Chair
18th century, mahogany veneers, four cabriole legs, the front with molded and stylized returns, on pad feet, later upholstery with slip seat. 
40 x 24 x 24 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


109   Georgian Inlaid Game Table
early 19th century, mahogany, mahogany veneer, with lightwood inlays, oak secondary, rectangular top with double line inlaid edge, hinged gate leg support, banded flush mounted drawer with inlaid escutcheon, raised on square tapered legs with elongated coffin line inlay and cuff. 
29 x 39 x 20 in.      


110   George III Mahogany Lady's Work Table
circa 1800, hinged lid with canted corners and reeded edge, divided interior, splayed square tapered legs with X stretcher base. 
30 x 20.75 x 16.5 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


111   Pair of George III Style Inlaid Bow Front Diminutive Chests of Drawers
20th century, mahogany, mahogany veneers, oak secondary, top with inlaid and banded bordered edge, inlaid frieze with central diamond, two over three graduated cockbeaded drawers. 
34.5 x 28 x 19 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


112   English School Painting of a Woman Caring for Sheep
oil on canvas, circa 1900, signed "P. Parrott" lower right, presented in gilt wood frame.
DOA 28 1/2 x 36 1/2 in.     


113   A Contemporary Barnyard Painting
oil on canvas, faint signature at lower right, presented in a gilt composition frame.
DOA 20.25 x 24.25 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


114   Decorative Painting of a Pointer
oil on canvas, contemporary, signed Shipley at lower right, in the style of George Stubbs, presented in a period appropriate gilt composition frame.
DOA 32 x 37.5 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


115   Antique English School Landscape Painting
oil on canvas, unsigned, with Reeves & Sons stencil on the verso, presented in a later frame.
SS 7.25 x 15.25 in.; DOA 14 x 21.5 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


116   Rémy Estève (French, 1917-2005), Étang Picard No. 1
oil on canvas, signed and inscribed on the verso, presented in the likely original gilt frame with linen liner.
DOA 24.75 x 30.75 in.     


117   A Victorian Allegorical Painting of a Young Child with Guardian Angel
oil on canvas, unsigned, mid-19th century, presented in a period gilt frame.
DOA 24.5 x 19.75 in.     


118   Sidney Yates Johnson (fl. 1901-1910), Two Scottish Highland Landscapes
oil on linen, both monogrammed JS, presented in similar ornate gilt composition frames.
DOA 16.5 x 22.5 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


119   Victorian Painting of a Gypsy Camp
oil on canvas (lined), unsigned, presented in a later gilt composition frame.
DOA 36.25 x 42 in.     


120   Antique Folky Barnyard Painting, 19th century
likely English or Continental, unsigned, oil on panel, presented in a period gilt frame.
DOA 6.75 x 11 5/8 in.     


121   William Wynne Ryland (British, 1732-1783), Three Mythological Engravings
color stipple engravings in circular format with added hand coloring, 18th century, color possibly added later, to include Porrigit Hic Veneri Lucida Dona Paris (The Judgment of Paris), Venus Presenting Helen to Paris..., and The Flight of Paris and Helen, each after paintings by Angelica Kauffman, presented in uniform antique circular giltwood frames, which retain text to verso.
DOA 16 in. diameter     


122   Pair of Burritt & Huntington Celestial Map Plates
with hand-colored border, published 1856, New York, presented in attractive uniform matting and wooden framing.
DOA 21 1/4 x 20 in.     


123   Group of (3) Antique Horse Racing Prints
hand-colored engravings, 19th century, titles include The Winning Post, The Struggler, and The-Racer, presented in grasscloth matting in similar frames.
DOA 12 1/4 x 14 1/2 in. (each approximately)     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


124   Mashad Carpet 
pink diamond shaped medallion on red field with floral and leaf motifs, multiple borders. 
13 ft. 1 in. x 10 ft. 10 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


125   Persian Runner 
red field with repeating medallions, multiple guard borders.
12 ft. x 2 ft. 6 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


126   Persian Area Rug
red field with ivory medallion within dark brown guard border and multiple minor guard borders. 
8 ft. 4 in. x 5 ft. 5in     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


127   Bidjar Area Rug
red field with repeating herati motif, dark blue guard border. 
5 ft. 10 in. x 3 ft. 11 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


128   Two Kurdish Area Rugs
first with rectangular pink/brown field with repeating boteh motifs, major guard border with rosette and floral motif (6 ft. 3 in. x 3 ft. 10 in.); the second with dark blue rectangular with repeating motif and pink guard border (5ft. 5 in. x 3 ft. 7 in.). 
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


129   Turkish Area Rug
red field with three connecting medallions and multiple guard borders. 
6 ft. 8 in. x 3 ft. 6 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


130   Karadje Style Carpet
brick red medallion on blue field with ivory spandrels, light blue guard border, two light blue minor borders. 
11 ft. 6 in. x 8 ft. 5 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


131   Needlepoint Carpet 
brown field with rectangular compartments each with floral and vine motif, floral and vine border. 
12 ft. 5 in. 9 ft. 2 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


132   A Continental Cast Iron Architectural Plaque
19th century, a heavy iron announcement board with eagle at top holding flags, mounted on a later white painted wooden easel. 
DOA: 50.5 x 22.5 in.     
Collection of John Sylvester, Durham, NC 


133   A Victorian Era Vulcan Jeweled Gas Stove Parlor Heater
late 19th century, classic heater as one would find in a late 19th century apartment building in New York, with decorative grill work in Victorian style, bejeweled on front, raised on four elegant feet.
17.5 x 17 x 9.5 in.     
Collection of John Sylvester, Durham, NC 


134   Small Bronze Bust of a 19th Century French Officer
no apparent signature or foundry mark. The subject is not to be confused with Napoleon III.
4.25 in. high     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


135   Suchy Otomar (Czech, b. 1882), Dancing Nude
bronze figure, set atop a square marble base, signed. 
HOA 17.5 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


136   An Artist Signed Bronze of a Dancer
circa 1980, inscribed signature and numbered 24/99 to base, the lithe figure in pointe shoes and with cold painted leotard.
27.75 x 8 5/8 x 8 5/8 in.     


137   Decorative Bust of a Man
late 20th century, composition, appears to be unsigned, on cylindrical base. 
HOA 9.5 in.      


138   Bronze Statue of Saint George Slaying the Dragon
patinated bronze on a marble base with date plaque reading 1899-1937.
12 x 9 x 4 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


139   Louis E. Cana, (French, 19th c.), Bronze Doré and Glass Centerpiece
large glass trumpet vase with scalloped rim held by two bronze eagles inset into large circular bronze base; base with gilt accents, raised on three whorl feet decorated with wolves on the hunt; center of the base decorated in relief forest scene; signed "E. Cana." 
14 x 12 in.      


140   Two Brass Cased Clocks
the first of demi-lune form with a dial marked Tiffany (case with scratches) Swiss made battery operated quartz movement, the top with dedication (5.25 in.); the second marked Chelsea with a wind-up mechanism, appears to be working.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


141   Edwardian Inlaid Bracket Clock
early 20th century, silverplate face, mahogany case with barber pole inlay and lower panel with intricate floral inlays in brass, mother of pearl and copper, French works marked D'Argent, with key and pendulum.
17 x 11 x 7 in.     
Private Collection, Greensboro, NC


142   Antique Danish Painted Tall Case Clock
19th century, red painted surface with gold highlight, painted metal face, signed M.P. Westh 1847, hinged raised panel waist door, the base with applied carved swags, on short stepped feet, with later pendulum and two weights, with case key. 
78 x 16 x 9 in.      


143   Antique English Rosewood Barometer, Marratt
19th century, London, rosewood case with engraved ivory panels and dial, marked.
36 x 4 in.     
Private Collection, Greensboro, NC


144   E.N. Welch, Rosewood Mantle Clock
19th century, eight day and thirty hour clock, face with Roman numerals, hinged door with eglomise panel of gilt cornucopia on black field, labeled to interior, with pendulum and key. 
16 x 10 x 4.5 in.      


145   Antler Handled Game Carving Set
composed of two pronged forks and two carving knives (13 and 9.5 in.), stainless steel, housed in a fitted wooden case, with manufacturer's plaque.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


146   A Collection of Four Decorative Keepsake Boxes
English, 19th century, mahogany and fruitwood veneers, two with Tunbridge inlay.
Largest 7 x 14.5 x 9 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


147   Antique Rosewood Document Box
19th century, Rosewood veneer, mother of pearl inlay, hollow interior.
45 x 12 x 9 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


148   Group of Vintage Toleware
including a pair of early 20th century lidded tea caddies, and a mid 20th century red painted desk set.
Tallest 10 in.     


149   Large Vintage Toleware Tray
early 20th century, painted decoration of a bird and flowers.
22 x 30 in.     


150   Tole Ware Faux Book Box
late 20th century, hinged lid, painted metal.
6 x 11 x 8 in.     


151   English Regency Brass Hot Water Dispenser
19th century, London mark, shell and paw feet decoration.
18 in.     


152   Coalbrookdale, Cast Iron Doorstop
19th century, cast iron with black paint, marked.
18 in. tall.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


153   Unusual Georgian Inlaid Ballot Box
19th century, mahogany, mixed light and dark wood inlays, hinged serpentine form lid with inlaid cartouche and brass slot, the facade with faux inlaid columns, open interior with barber pole and nautical star inlays.
15 x 9 x 13 in.     


154   Fine Georgian Letter Box
19th century, mahogany, mahogany veneer, hinged doors opening to reveal a divided dial calendar with divided compartments, over a lower flush mounted drawer.
13 x 12 x 11 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


155   Campaign Style Rosewood Lap Desk
19th century, brass inlays, lid with inlaid plaque engraved "J.C. Benbow Xmas 1872", interior with leather writing surface and divided wells.
7 x 18 x 10 in.      


156   Georgian Rosewood Tea Caddy
19th century, rosewood veneer with light wood inlays and bone escutcheon, hinged lid with velvet lining and hinged lead lined interior, raised on suppressed ball feet.
8 x 13 x 6 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


157   Antique Brass Candlesticks and Hurricane Shade
19th century, to include two pairs, the taller with push-up mechanism, along with a single hurricane shade .
Taller pair 11 in. Hurricane shade 18 in.      
Private NC Collection


158   Pair of Antique Figural Brass Candlesticks
19th century, with female figures presenting urns.
9.5 in.     


159   Two Reticulated Brass Fire Fenders
19th century, one with rosettes and other with lyres. 
Taller 10 x 39 x 10 in.      


160   Howard & Morse, 19th Century Wirework Fire Fender/Screen
New York, brass and iron, marked to top center of brass rim "Howard & Morse, Manufrs. N.Y."
24 x 42 x 16 in.     


161   Antique Fireplace Grouping
19th century, including a pair of Chippendale andirons with ball finial, spur knee and cabriole pad foot; together with a reticulated brass fire fender.
8 x 61 x 12 in.      


162   19th Century Antique British Leather Fire Bucket
green painted exterior with transfer decorated crest. 
13 in.      


163   Pair of French Rococo Style Brass Chenets
early 20th century, cast brass and iron, ornate reticulated scrollwork. 
14 x 14 x 22 in.      


164   Pair of Italian Rococo Style Carved and Gilt Wall Sconces
mid 20th century, two candlelight form.
20 x 10 x 4 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


165   Borghese, Pair of Gilt Bird Bookends
mid to late 20th century, gilt and antiqued composition, labeled.
9.5 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


166   Two Decorative Porcelain and Bronze Lidded Urns
late 20th century, painted porcelain with patinated bronze.
14 in. tall.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


167   Pair of Neoclassical Drop Prism Candlesticks
19th century, cast brass and iron with plume decoration.
7 in.     
Private Collection, Greensboro, NC


168   A Viennese Enameled Cabinet Miniature
19th century, an oval dish is supported by a figural standard, unmarked, decorated with mythological scenes and landscapes.
4.75 in.     


169   Delft Style Mounted Center Bowl
late 20th century, hand painted porcelain with iron and bronze mounts.
13 x 14 in. diameter.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


170   French Pewter Equelle with Cover
19th century, scroll form knob with overall scroll and foliate decoration, impressed marks to underside. 
6 x 12 x 7.5 in.      


171   Louis XVI Style Marble Top Side Cabinet
early 20th century, burlwood veneers, single upper drawer, cabinet door with shelved interior, ormolu mounts, square tapered legs with brass cap. 
32 x 16 x 13.5 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


172   Louis Phillipe Style Inlaid Marble Top Small Commode
early 20th century, mahogany veneers, rouge marble shaped demilune top, above three graduated bowfront drawers, flanked by two hinged cabinet doors, raised on tapered legs. 
34.5 x 28.5 x 14.5 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


173   Continental Diminutive Corner Cupboard
mid 20th century, mahogany and burl wood veneers, two part form, upper case with shaped glazed door, painted shelf interior, over banded hinged door with shelved interior, raised on short cabriole legs. 
71 x 24 x 16 in.      


174   English Red Leather Game Chair
early 20th century, brass tack trim, molded straight legs with stretcher base. 
35.5 x 27 x 24 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


175   Edwardian Mahogany Side Table
circa 1900, square top with gadrooned edge, fretwork at knees, on stretcher base with lower shelf. 
29.25 x 20 x 19.5 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


176   English Queen Anne Drop Leaf Dining Table
18th century, mahogany, pine secondary, gate leg supports with pad feet.
28 x 18 x 39 in.     


177   French Provincial Button Back Sofa
mid 20th century, shaped crest, slip seat, on scalloped skirt. 
31 x 77 x 33 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


178   English Queen Anne Drop Leaf Dining Table
18th century, mahogany, oak and pine secondary, rectangular top, each drop leaf with gate leg support, four tapered legs with raised pad foot. 
27.5 x 41 x 15 in; each leaf 17.5 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


179   Two Louis XVI Style Parlour Chairs
early 20th century, carved and gilt wood with damask upholstery including one arm chair and one side chair. 
Arm chair 40 x 24 x 24 in.      


180   Neoclassical Style Marble Top Table
mid 20th century, oval nicely marbleized ochre top, skirt with ormolu mounts, tall tapered fluted legs. 
25.25 x 44 x 21 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


181   Bowman Brothers, English Painted Writing Table
early 20th century, with original label "Camden Town London N.W.", inset tooled leather writing surface, black painted field with gilt handpainted highlights, single drawer, fluted legs, on stretcher base with center finial. 
29.25 x 49.75 x 31.5 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


182   French Provincial Secretaire Bookcase
late 20th century, two part form, cherry, steel hinges, upper case with glazed door and shelved interior, hinged lid with divided and drawered interior, over two paneled doors, raised on cabriole feet. 
70.5 x 33 x 19 in.      


183   Two Antique Queen Anne Side Chairs
18th century, mahogany, first with shaped and raised crest rail with pierced back splat, down swept shoe, slip seat, molded seat rail, cabriole legs and pad feet. 
39.5 x 20 x 17 in.      
Private NC Collection


184   George II Style Carved Oak Library Arm Chair
early 20th century, shaped crest, nicely upholstered, scrolled knuckles, cabriole legs, the front with an acanthus carved knee. 
44 x 28 x 27 in.      
Warm honey colored patina. 
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


185   Baker, French Provincial Style Dresser
mid 20th century, oak and burlwood veneer, rectangular top with molded edge, seven paneled drawers, scalloped skirt, raised on cabriole legs, labeled. 
33 x 66 x 19 in.      
Private NC Collection


186   Georgian Linen Press
early 19th century, three part form, mahogany, mahogany veneer, pine secondary, cove molded cornice, two hinged recessed gothic arched panel doors, interior with two shelves, lower cabinet with three cockbeaded drawers, on flush base. 
78 x 55 x 20 in.      


187   Continental Tilt Top Breakfast Table
19th century, pine, circular top, with birdcage, baluster turned standard, on tripod base with carved hairy paw feet. 
32 x 36 in diameter.     


188   Spanish Style Wrought Iron Floor Candelabra
20th century, seven light form, scrolled feet.
60 in.     


189   Pair of Hepplewhite Style Side Chairs
mid 20th century, mahogany, shaped crest rails with pierced and carved back support, over upholstered serpentine seats, molded legs and stretcher base.
37 x 22 x 17 in.     


190   Antique Italianate Painted Arm Chair
19th century, delicate frame with floral painted decorated, striped silk upholstery, on turned legs. 
38 x 23 x 21 in.      


191   Classical Style Small Center Table
mid 20th century, mahogany veneered pie-wedge top, ebonized column, tripod base with concave edges on suppressed bun feet. 
25 x 28 in diameter.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


192   Louis XV Style Marble Top Small Console Table
mid 20th century, molded marble top with serpentine form, black painted field with ormolu mounts, on tall cabriole legs. 
29.5 x 28 x 16 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


193   Pair of Italian Rococo Style Carved and Gilt Stands
19th century, wood and composition with later painted and gilt surface. 
42 x 20 x 20 in. Top surface accepts 8 in diameter.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


194   Pair of Custom Over Upholstered Slipper Chairs
late 20th century, red damask upholstery with tufted backs, ruffled skirts, raised on square legs.
34 x 30 x 27 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


195   Gorham Sterling Silver Sugar & Creamer Set
pattern number 909/910, no monograms.
3 in.     5.3 total troy oz.
Private Collection, Raleigh, NC


196   Pair of S. Kirk & Son "Repoussé" Sterling Silver Candlesticks
no monograms.
4.75 in.     
Private Collection, Raleigh, NC


197   Pair of Sterling Silver Candlesticks
mark of International Silver Co., tall turned standards, no monograms.
9.75 in.     


198   An Antique Gorham Sterling Silver Hand Mirror and Clothes Brush
pattern number 195, floral repoussé decoration, no monograms.
Hand mirror 8.5 x 4.75 in.     
Private Collection, Raleigh, NC


199   Taunton, Silverplate Bride's Basket
19th century, quadruple plated with original glass insert having enamel floral painted decoration, marked.
13 x 12 in. diameter.     


200   Wilcox, Aesthetic Period Silverplate Hot Water Dispenser
19th century, engraved floral decoration with burner, marked.
17.5 in.     


201   An Antique Silver Tea & Coffee Grouping
four items including an Old Sheffield Plate teapot, unmarked, circa 1800, oval form with lobed base, delicate engraving to hinge of cover (5.5 in.) (finial loose, minor bleeding); a teapot stand, mid-19th century, also unmarked; a Manhattan Plate Co. coffee pot in the Neoclassical style with engraved decoration; and a Cheltenham silverplate gallery tray, early 20th century (18.5 x 12.25 in.) (some bleeding to surface).


202   Pair of Sterling Silver Candelabra
mark of Fred M. Hirsch Co., convertible three-light form with scrolling arms, gadrooning to base and candle cups.
15.5 x 15.5 in.     


203   Vintage Silverplate Valuables Box
in the Renaissance Revival style, unmarked, with red velvet lining.
3 x 6.5 x 4.5 in.     


204   Two Victorian Silver & Cut Glass Dresser Jars
the first with Birmingham (1897) hallmarks and engraved St. Moritz / 1898 to the cover (3 x 2 5/8 in. diameter); the second with Birmingham (1898) hallmarks, no monogram (2.75 x 2.75 in. diameter).
Private Collection, Raleigh, NC


205   Five Sterling Silver & Cut Glass Dresser Jars
including a small ink well; one with English hallmarks.
.75 total troy oz.
Private Collection, Raleigh, NC


206   Three Sterling Silver & Cut Glass Dresser Jars
the largest with parcel gilt sterling cover by Gorham, pattern number S3164, monogrammed (3.5 in.); the second with parcel gilt sterling cover with English hallmarks; the third with parcel gilt sterling cover with Birmingham hallmarks.
2.55 total troy oz.
Private Collection, Raleigh, NC


207   Three Sterling Silver & Cut Glass Dresser Jars
including one with Gorham hallmarks and paneled straight sided glass jar (2.5 in.); the second with Wallace hallmarks; and the third with Georgian silver hallmarks to underside of cover with engine turned decoration (1.5 x 2.75 in. diameter); each monogrammed.
2.95 total troy oz.
Private Collection, Raleigh, NC


208   A German Silver Gilt Cigarette Case
retailed by Maison Lenoir of 14 Rue Royale in Paris, early 20th century, .900 silver, rectangular form of basketweave design, cabochon blue stone to clasp.
3.5 x 3.25 in.     
Maison Lenoir was the supplier to the King of Sweden, The King & Queen of Portugal, and the Duke of Orleans.


209   A Siamese Sterling Silver Goblet
marked to base Exotic Siam / Made in Siam Sterling, with chased scrolling acanthus border against a stippled ground to bowl and foot.
7.5 in.     


210   Antique Byzantine Style Icon with the Virgin Holding a Crucifix
polychrome and gilt wood, circa 1900, inscriptions to upper right and left corners, paneled wood.
15.5 x 12.5 in.     


211   Antique Russian Icon of the Mother of God Hodegetria (Theotokos of Tikhvin)
polychrome and gilt panel, circa 1900, slots to the reverse with wooden mounting blocks.
11.25 x 8 5/8 in.     


212   Antique Byzantine Style Icon with Virgin and Child
polychrome on shaped panel in the form of a tabernacle, circa 1900.
11.5 x 9.5 in.     


213   Jack Brubaker, Iron Lily Candleholder
late 20th century, wrought iron and brass, marked.
19 in.     
Collection of John Sylvester, Durham, NC 


214   Dorothy Gillespie (VA/FL, 1920-2012), Untitled
metal "ribbon" sculpture with enamel paint, signed and numbered 12/30, mounted to a black Lucite base.
13.5 x 5.5 x 4 in.     


215   Large Format Color Photograph of a Ballet Dancer
artist monogrammed and numbered 3/50 on the mat, framed under glass.
DOA 32.25 x 28.25 in.     


216   Clara Gutsche (Canadian/American, b. 1949), Les Soeurs Clarisses, Valleyfield
gelatin silver print, 1991, pencil signed, titled, and dated to verso, matted and framed.
DOA 24 1/2 x 28 1/4 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


217   Two Graphic Works - Gropper and Morrill
the first: a courtroom scene by William Gropper (NY, 1897-1977), lithograph printed in two colors, pencil signed lower right; the second: a print by Milly Freeman Morrill dated 1961/65, pencil signed, titled, dated, and numbered lower margin; both framed.
DOA 22 x 25 5/8 in. (the first), 33 5/8 x 24 1/2 in. (the second)     


218   after John Marin (Am., 1870–1953), Three Decorative Prints
mid 20th century, each matted and framed.
DOA 19 x 21 in. (largest)     


219   after Pablo Picasso (Spanish, 1881-1973), Nestor's Tales of the Trojan War
etching, 1974, retains Collector's Guild certificate and gallery label to frame backing, matted and framed.
Platemark 12 x 8 7/8 in.; DOA 20 1/2 x 17 in.     
Gallery C, Raleigh, NC


220   Pierre Bonnard (French, 1867-1947), Daphnis and Chloé
lithograph, circa 1902, matted and framed, and retains gallery label to frame backing. Bouvet 75.
Image Size 6 1/4 x 5 1/2 in.; DOA 15 x 13 1/8 in.     
Gallery C, Raleigh, NC


221   Karel Appel (Dutch, 1921-2006), Untitled
lithograph in colors, 1970, pencil signed, dated, and numbered 30/100 lower margin, a full sheet, blindstamp lower left, framed.
Sheet Size 31 1/2 x 23 1/4 in.; DOA 32 1/4 x 24 1/4 in.     


222   Marc Chagall (French/Russian, 1887-1985), Framed Cover for Derrière le Miroir (1962)
lithograph in colors, matted and framed. 
Image Size 14 1/2 x 10 3/4 in.; DOA 25 3/8 x 21 1/2 in.     
A nice, vibrant impression.


223   after Pablo Picasso (Spanish, 1881-1973), Satyr
lithograph, 1963, a Mourlot cover, retains gallery label to frame backing, matted and framed. Bloch 1108.
DOA 22 x 18 in.     
Gallery C, Raleigh, NC


224   after Pablo Picasso (Spanish, 1881-1973), Visage (from Cover of Tome III)
lithograph, circa 1955, printed by Mourlot, retains gallery label to frame backing, matted and framed. Bloch 795.
DOA 23 1/4 x 19 1/4 in.     
Gallery C, Raleigh, NC


225   Marc Chagall (French/Russian, 1887-1985), Nocturne at Vence
lithograph in colors, 1963, presented in attractive matting and silvered wooden framing, and retains gallery label to frame backing. Mourlot 400.
SS 12 1/8 x 9 3/8 in.; DOA 25 x 21 in.     
Gallery C, Raleigh, NC


226   Tom Stalmach (American, 20th C), Return of the Prodigal
etching, 1979, pencil signed, titled, dated, and numbered 23/200 lower margin, matted and framed.
DOA 32 3/8 x 27 3/8 in.     
From the Estate of the late H. Lee Fowlkes, Jr., Yanceyville, NC


227   Framed Still Life Titled Jasmine Teacup
mixed-media print in colors, indiscernible pencil signature with title and numbering (60/100) lower margin, matted and framed.
DOA 30 1/2 x 36 in.     
From the Estate of the late H. Lee Fowlkes, Jr., Yanceyville, NC


228   American School Industrial Landscape Watercolor
mid 20th century, illegibly signed and dated, matted and framed under glass.
Collection of John Sylvester, Durham, NC 


229   Mid Century Portrait of a Mother and Child, Oil on Canvas
oil on canvas, signed "Cuevas" lower right and dated 61, in gilt and painted frame with linen liner. 
DOA 38.5 x 32 in.      


230   The Pug, Oil on Canvas
portrait of a man, signed "Cuevas" and dated 61 lower right, in painted wood frame with linen liner, bears label to verso from Baltimore Art Gallery. 
DOA 39 x 33 in.      


231   Albert Abany (MA, b. 1921), Portrait of a Man Seated
oil on canvas, signed on the verso, presented in a period gilt composition frame.
DOA 39 1/8 x 31 in.     


232   Jean Sauls (GA, 1921-2011), Two Paintings
the first an oil on canvas painting of dunes and seagulls, signed, framed (DOA 13 x 15 in.); the second a watercolor and whitening on paper, signed, matted and framed under glass (DOA 7 1/8 x 9 1/8 in.).
Private NC Collection


233   James Augustus McLean (NC, 1904-1989), Two Drawings
both ink on paper, to include Spanish Dancer II and Nude Female Among Leaves, each pencil signed lower right, the second dated 1978, each attractively matted and framed and retain gallery labels to frame backing.
DOA 22 5/8 x 18 5/8 in. (the first), 18 5/8 x 14 5/8 in. (the second)     


234   James Augustus McLean (NC, 1904-1989), Two Nude Female Sketches
the first ink on paper with signature and date (1976) lower right, the second charcoal on paper with signature lower right, each attractively matted and framed and retain gallery labels to frame backing.
DOA 21 1/4 x 17 1/4 in. (the second slightly larger)     


235   Nadine Vartanian (NC, 1924-2015), Floral Still Life
watercolor and whitening on paper, signed and dated 1975 at lower right, matted and framed under glass.
DOA 36.5 x 30.5 in.     
Private NC Collection


236   Sali O'Neal (NC), Old Mill in N.C.
oil on board, signed and dated 1976, inscribed on the verso, presented in the likely original frame.
DOA 31 x 25 in.     
Originally from Miami, she moved to Hendersonville, NC in 1972 and taught art education.
Private NC Collection


237   Primrose McPherson Paschal (NC, 1915-1998), Portrait of Two Sisters and Their Cat
oil on paper, apparently unsigned, attractively matted and framed under glass.
DOA 35 x 26.75 in.     


238   Mary Le Grande Clark Holderness (NC, 1912-2002), Cathedral Flags
oil on canvas, inscribed on the verso Mary Le Grande Clark Holderness / From / Cathedral of Flags / Series / Begun / 1969, framed.
DOA 37 x 25 in.     
A highly regarded amateur artist, Holderness designed and created, together with artisan John P. F. Coleman, a stained glass window for a children's chapel in Washington D.C.


239   Mel Justice (NC), Da Vinci Heads
woodblock print in colors, 1970, pencil signed, titled, dated, and numbered 2/8 lower margin, presented in silvered frame.
DOA 31 x 24 1/2 in.     


240   Two Framed Abstract Compositions
to include an abstract expressionist oil on canvas, unsigned; to also include a modernist print, printed signature lower right.
DOA 23 1/8 x 27.25 in. (the first); 26 1/4 x 26 1/4 in. (the second)     


241   Jovan Obican (Croatian, 1918-1986), Musicians
acrylic, signed lower left, framed and mated under glass. 
DOA 23 x 26 in.      


242   Pair of Mid Century Paintings of the Running of the Bulls
circa 1950, acrylic on board, illegibly signed lower right, presented in red stained frames.
DOA 16 x 19 in.     


243   Modernist Stone Console Table
late 20th century, rectangular white marble top over hollow rectangular base with brass inlay. 
29 x 67 x 22 in.      


244   Designer Faux Bamboo Coffee Table
circa 1970, shaped brass framed top with glass, over faux bamboo base. 
16 x 42 in diameter.      


245   Designer Architectural Column Table Lamp
late 20th century, painted composition, with drum shade.
29 in.     


246   Manhattan Brass Co., Student Lamp
circa 1870s, red glass shade, marked.
24 in.     
Private Collection, Greensboro, NC


247   Vintage Carved Marble Floor Lamp
early 20th century, fluted columns with acanthus leaf decoration, with shade.
65 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


248   Carved Alabaster Table Lamp
veined alabaster, urn form standard on stepped base. 
HOA 27 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


249   Vintage Stained Glass Table Lamp
mid 20th century, multi colored stained and leaded glass shade in a poppy pattern with a patinated bronze tree form base, appears unmarked.
22 in. tall.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


250   Handel Bronze Urn Form Table Lamp Base
three lights, stamped HANDEL on the base with stitched Handel Lamps label on the underside, topped with a gilt open flower finial.
DOA 27 in.     


251   Art Deco Floor Lamp
early 20th century, iron, later paneled shade. 
HOA 65 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


252   Vintage Reverse Painted Table Lamp
early 20th century, glass shade with painted landscape, copper tone base, appears unmarked.
22 in.     


253   New England Antique Chest of Drawers
19th century, maple and pine, white pine secondary, applied scrolled backsplash, four long drawers, on later scalloped bracket feet. 
40 x 39 x 18.5 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


254   Southern Late Federal Chest of Drawers
mid 19th century, yellow pine and mixed woods, top with applied molded edge, two over three graduated drawers, rounded corners, on straight feet, black script to back board "A. Latta York Ville SC".
40 x 45 x 20.5 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


255   Antique Primitive Work Table
19th century, pine, two board top, raised on turned legs, with an unusual opening to both sides of skirt. 
27 x 27 x 47 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


256   Upholstered Club Chair and Ottoman
late 20th century, nicely upholstered, with slip cushion and back, demilune ottoman fits closely to form lounge, skirt on ottoman covers nicely turned legs. 
30 x 26 x 50 in. (LOA).     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


257   Hickory Chair Co., "Historical James River Plantations" Pembroke Table
mid 20th century, mahogany, oak secondary, drop leaves with butterfly supports, single drawer with line inlay, marked.
25 x 19 x 25 in.     
Private NC Collection


258   American Chippendale Single Drop Leaf Side Table
likely New England, late 18th century, mahogany, white pine secondary, rectangular top, single drop leaf with gate leg support, on square straight legs with inside chamfer. 
24 x 36 x 16 in. Leaf 17 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


259   Henredon, Red Leather Wing Chair
slip cushion, brass tack trim, tapered feet, labeled.
40 x 31 x 32 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


260   Hepplewhite Style Mahogany Serving Table
late 20th century. 
32.5 x 65 x 29.5 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


261   Southern Late Federal Mahogany D End Console Table
likely Virginia or North Carolina, circa 1820s, mahogany veneer, yellow pine secondary, nicely veneered skirt, ring turned legs with spiral twist on ball foot. 
29 x 50 x 20.5 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


262   attributed Thomas Day, Late Classical Sofa
Caswell County, NC, circa 1850, mahogany, mahogany veneers, carved and pierced central crest, shaped crest rail with high grade mahogany veneers, serpentine front seat rail with applied ribbon molding, on casters.
38.5 x 83 x 27 in.      
From a Chapel Hill Estate


263   American Chippendale Blanket Chest
late 18th century, white pine dove tailed case, lid with fishtail hinges and applied molded edge, interior with till to left side (lacking lid), base with two side by side lipped drawers, raised on ogee bracket feet with spurs. 
29.5 x 48.5 x 23 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


264   American Federal Breakfast Table
early 19th century, mahogany, mahogany veneer, poplar and mixed wood secondary, rectangular form, shaped drop leaves with butterfly supports, single flush mounted drawer, raised on turned and acanthus carved legs, with brass casters. 
29 x 26 x 39.5 in.      


265   Hitchcock Style Painted Settee
20th century, black field, with double seat and gilt highlights, splayed legs, on stretcher base. 
35 x 37 x 19 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


266   James L. Ferguson's Hamilton College Hitchcock Chair
late 20th century, black lacquered wood with gilt and painted decoration, back support with early scene of Hamilton College and signed S. Marshall, stenciled on seat rail "L. Hitchcock, Hitchcocks-ville Conn., Warranted" and gilt signed "James L. Ferguson '49, Charter Trustee 1973-1988."
31 x 24 x 16 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


267   Henkel Harris, Chippendale Style Bachelor's Chest
mid 20th century, solid mahogany, oak secondary, molded top with pull out dressing side and loper supports over four graduated lipped drawers, bracket foot base, sides with bail handles, marked and labeled.
31 x 33.5 x 18.5 in.     


268   Henkel Harris, Chippendale Style Chest of Drawers and Mirror
mid 20th century, solid mahogany, oak secondary, molded oval mirror with a chest having a molded top, two over three graduated and lipped drawers raised on a bracket foot base, marked.
Chest 34.5 x 42 x 20.5 in.     


269   Henkel Harris, Chippendale Style Lingerie Chest
mid 20th century, solid mahogany, oak secondary, molded top, seven lipped drawers raised on a bracket foot base, labeled and marked.
53 x 22 x 16 in.     


270   Henkel Harris, Queen Anne Style Fall Front Desk
mid 20th century, solid mahogany, oak secondary, one part form, hinged lid opens to reveal a divided and drawered interior over three lipped drawers, scalloped skirt with drop finials raised on tall cabriole legs, labeled and marked.
40 x 33 x 20 in.     


271   Painted and Upholstered Dressing Bench
late 20th century, scrolled arms, pierced base with straight legs, in allover black paint. 
29 x 54 x 19 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


272   Willow Creek, Sheraton Style Settee
late 20th century, pine, chevron over upholstery, loose cushion, turned legs, labeled. 
36 x 56 x 29 in.      
Private NC Collection


273   American Folk Art Whirligig
20th century, carved and paint decorated wood, wind turns the propeller and the worker saws.
11.5 x 19.5 in.     


274   A Group of Six Contemporary Dolls
cloth or composition, in traditional Charleston 19th century attire, several carry sweet grass baskets, with stands.
Tallest 13.5 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


275   Group of Vintage Nutmeg Graters
early 20th century, some wall mounted, two marked (The "Boye" Nutmeg Grater), one made in Germany, marked. 
Tallest 7.25 in.      


276   Mary Alice Hadley Serving And Table Accessories
to include a serving platter, pitcher and covered dish in bouquet pattern; two gift butter pats, cat, and a cookie jar form table lamp marked "Goodies". 
Platter 17 x 11.5 in.      
Private NC Collection


277   Mary Alice Hadley Large Set of Pottery Table Wares
all in country patterns with famers, animals and country scenes, to include two covered servers, ten mugs and cups, creamer, sugar, three bowls, seven dinner plates, ten various plates, fish and sheep figures, approximately 35 pcs. total.
Dinner plates 10.75 in diameter.      
Private NC Collection


278   Group of Seven Cole Pottery Miniatures
to include three frogs, two dogs, bird, and basket, some signed. 
Basket 3 in.     
Private NC Collection


279   Group of Pottery
to include a figure of an owl in mottled blue glaze, unmarked; a pottery form with painted figures of stags and figures; a bottle vase with indiscernible signature; and a pottery figure of a boar, unmarked. 
Owl 10.5 in.      
Private NC Collection


280   Rookwood Poppy Vase, W. P. McDonald
circa 1900, hand painted with full bloom and buds against a transitional glazed background in high gloss, underside with partial stamp and numbered 565/S and signed W.P.McD.
8 in.     


281   Group of Pottery
to include a Cole pottery candlestick, unsigned; bay pottery multipart vase; a Brooke Haven pottery dish; a center bowl with alley cats; and a small pitcher and small mug. 
Candlestick 13.5 in.      
Private NC Collection


282   Day of the Dead Papier Mache Skull
late 20th century, hand painted decoration in the traditional style.
8 in.     


283   An Antique Silk Embroidery of Strawberries in a Basket
circa 1900, presented under glass within a later velvet liner and frame.
DOA 11.75 x 17.25 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


284   Richard E. Roebuck (GA), Folky Cat Painting
oil on panel, signed, retaining the original gallery tag, framed.
DOA 11 x 7.75 in.     
Private NC Collection


285   American Large Brass Kettle
19th century, swing handle, unmarked. 
14 x 20 in diameter.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


286   Decorative Carved Wood Figure of an Owl
carved and burn decorated, with glass eye, signed A.J. Paradise and inscribed John 3:16. 
12.5 x 9.5 x 6 in.      
Private NC Collection


287   Two Folky Carved Wood Figures of Animals
to include a carved and painted figure of a chickadee on a branch of holly, signed Douglas Hanks Jr. and dated 1978 to base; and a craved figure of two horses, unmarked. 
DOA chickadee 6.5 x 10 x 5 in.      
Private NC Collection


288   Two Contemporary Pottery Figures
the first a figure of a walrus, signed S. Wacha 4 to tail; and a figure of small Sheriff smoking a cigar, signed Sam. 
Walrus 4 x 8 x 4 in.      
Private NC Collection


289   Three Miniature Bronze Animals
to include a figure of a schnauzer; a patinated figure of a pot belly pig; and a cold painted anthropomorphic figure of a white rabbit, all unmarked. 
Largest 3.75 in.      
Private NC Collection


290   Child's Toy Amish Barn with Animals
painted wood barn with lift top and interior with single shelf and notched "stalls" for animals, along with painted wood cows and horses and fences, bottom of barn inscribed "This barn was made by John M. Glick / Amish man form 'Zook's Corner's', / Lancaster County, PA. for / Sarah Christine Herndon for / Christmas 1980. With Love, / Gwen, Glenn and Oliver Melton."
10.5 x 17.5 x 12 in.      
Private NC Collection


291   Three Steiff Animals
to include a large Molly Löwe plush lioness, tag attached with safety pin; a miniature lioness and a miniature leopard, smaller cats unmarked. 
Largest 24 in long including tail.      
Private NC Collection


292   Two Pieces of Vintage Americana
including a 19th century firkin bucket with later Pennsylvania Dutch style painted decoration and a 19th century hanging shelf with later painted decoration.
Taller 15 in.     
Private NC Collection


293   Vernon Bryant Wood Duck Drake and Hen
each carved and vibrantly painted, impressed signature to bottoms, with wood stands. 
13 in.      
Private NC Collection


294   William Bailey Blue Wing Teal and Teal Hen
2006, carved and painted decoys, signed and dated to underside, attached to single stand. 
DOA 8 x 17 x 9.5 in.      
Private NC Collection


295   Antique Carved Figure of a Hunting Dog
19th century, on round base with gilt edge. 
6.25 x 8 x 6.5 in.     
Private NC Collection


296   Two Shorebird Carvings
the first a pair of folky carved shorebirds on driftwood base, unsigned (11 x 14 x 5 in.); and the second a carved and painted figure titled "Nesting Sandpiper", on a wood base, titled, signed A.G. Evans, dated 1985 and numbered 477 to underside (3.5 x 7 x 5 in.) 
Private NC Collection


297   Two Decorative Swan Decoys
the first a swan decoy with applied pinecone covering, signed John B. Todd to underside with impressed factory mark; and the second a carved and white painted decoy inscribed / signed "Wild Bill + Sis 1953 Louisiana Cypress". 
Larger 18.5 x 26 x 12 in.      
Private NC Collection


298   Group of Seven Miniature Carvings of Birds
to include ducks, Canada goose (attached to frame) and a songbird, one mallard signed Herb Daisey Jr. / Chincoteague, VA / "Mallard Drake". 
Songbird 6 in.      
Private NC Collection


299   Vintage Cut Metal Rooster Plant Stand
20th century, unsigned.
20 x 26 in.      


300   Modernist Iron and Stone Patio Table
mid 20th century, rectangular inset stone top, back iron base. 
22 x 32 x 22 in.      


301   Carved Marble Garden Seat
late 20th century, grey marble with incised landscape decoration to one side. 
16 x 11 in diameter.      
Private NC Collection


302   Chinese Elephant Form Garden Seat
early to mid 20th century, white glaze, well formed with pierced top. 
22 x 22 x 11 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


303   Contemporary Painted Barrel Form Planter
late 20th century, oak, blue painted surface with brass straps and iron plaque reading "Exposition Inter, D'Aviculture 1954, Rhone - Elevage, Prix D'Honneur"
10 x 25 x 12 in.     


304   Pair of Vintage Iron Garden Benches
early to mid 20th century, cast iron ends in black paint with painted wood slats.
28 x 48 x 22 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


305   Pair of Wrought Iron Garden Lounge Chairs
late 20th century, in black paint, reticulated floral decoration, with rear wheels and adjustable back. 
25 x 27 x 64 in.      
Private NC Collection


306   An Antique Bronze Garden Planter
the oval form pierced basket with lion mask ring handles, the whole supported upon a base with mermaid figures and acanthus scroll feet.
15 x 22 x 14 in.     


307   1968 Honda CB350 Motorcycle
VIN# CB3501031831 Engine # CB350 OE-1078845 Mileage: 12,812 miles

This 3 owner bike was owned by the same person for the last 45 years. It was last registered in 1987, and the like new condition of the chrome and rubber, indicates it has been stored in a climate controlled garage. The Blue/White paint remains bright, instrumentation is bright and clear, lines and wires are in excellent condition. Everything works electrically. The tires look good, but are too old to rely on. 
The dried gas in the gas tank, indicates that it was not put away for long term storage. The tank is soft in places on the top, but the paint remains bright. The tank will have to be replaced, or repaired and recoated. The petcock seems to function freely, but will need cleaning. 
New rubber lines were installed to the carburetors, and with a battery pack, it started. It ran as long as fuel was misted into the carburetors. 
This is a very nice original condition CB350, and even has the original tool kit. Does not include a battery. Clear Title.


308   Vintage Wooden Airplane Propeller Blade
unmarked by manufacturer, pine construction with protective metal sheathing on lead edge, fitted for a threaded hub socket.
35 in. LOA     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


309   Three St. Andrews Old Course Wooden Shaft Golf Clubs
the first being "The Duke" by Golf Classics, a two-piece putter that disassembles to fit in a custom tartan and leather carrying case; the other two putters with inset brass plates reading "St. Andrews." All three have tartan head covers.
LOA 37.5 in. each     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


310   Half Hull Model by Bill County
1995, mixed woods, signed to front and back panel.
5.5 x 24 in.     
Private NC Collection


311   Portable English Fisherman's Seat
marked Made In England, leather and steel construction.
Folded 34.75 in. LOA     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


312   James L. Ferguson's Liquor Briefcase
late 20th century, leather and brass, divided interior, monogramed.
10 x 13 x 5 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


313   Orvis Graphite Fly Rod Western Series
four piece, 31/8 oz., model 0589, 8.5" line, with canvas rod sock and metal case.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


314   Orvis Graphite HLS Fly Rod
four piece, 3 3/8 oz., 9 foot model, #6 line, with fitted canvas rod sock and metal case.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


315   Orvis Graphite HLS Fly Rod
model 9 foot 0392, four piece, 3.25 oz., #5 line, with rod sock and metal case.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


316   R.L Winston Fly Rod BIIx 
9 foot 4 weight, four piece, with rod sock and metal case.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


317   Two Vintage Orvis "Far & Fine" Graphite Fly Rods
two piece, Serial 0184 and Serial 0884 (1980s), 7'9", 2 1/8 oz. #5 line, cork grip, original rod sock and metal tube.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


318   Two Vintage Orvis Graphite Rods, "Trout" Graphite and "Powerhouse
1980s, Trout: 2 1/4 oz., #6 line, eight feet, in original rod sock and tube; Powerhouse 8 1/2 feet, #8 line; 2 7/8 oz with original sock and tube.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


319   A Group of Four Fly Fishing Rods
to include: a two piece 9 foot graphite rod by Orvis with rod sock; a four piece bamboo rod, 12 feet (discoloration to cork grip and some wood chips); a three piece bamboo rod, 9 feet (missing a metal guide at the end of the grip rod); an Orvis "Western", 9 feet, 3.5 oz., #6 line, with sock and tube. With Orvis canvas carry bag.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


320   Antique Fly Fishing Rod, Cased
likely Japanese, split bamboo, wrapped, with a tooled leather handle, six pieces, approximately 14 feet, all encased in a fitted pine box with hinged lid.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


321   Two Fly Rods
the first by Wright & McGill, Denco, two piece, 7 foot, line 6 model MB8A7; the second is by Daiwa, two piece 7.5 foot (loose metal part on the grip). The two rods share a metal case.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


322   Two Rods, Sage Graphite III and Orvis 865 T3 Mid-Flex
Sage model 590-4 #5 line, 9'0", 3 oz, four piece fly fishing rod with case and sock (chipping to the cork); the Orvis is also four piece, unmarked but likely 8'6" #5 line (light scratches0 with sock and case.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


323   Two Orvis Fly Fishing Reels
Battenkill III and Battenkill IV both with lines in padded cases.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


324   Two Orvis Fly Fishing Reels
an Orvis Multiplier 5-6 with line and canvas/leather case; the second is a Battenkill MarkI III with line and green leather case.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


325   Three Fishing Reels
Orvis Battenkill 7/8; Battenkill3/4; Hardy Brothers "The Golden Prince" reel, all in cases.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


326   Group of Five Reels
one a Ross "Evolution" in case; three Orvis, one of them marked "CFO
IV made in England"; one unmarked, all with lines.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


327   A Group of Fishing Accessories
leaders, over 100 flies.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


328   Two Fishing Rod Carrying Cases
the first by Orvis, green canvas and leather construction (31 in.) (moderate wear); the second made of a synthetic fabric, 2nd "Fishpond" logo (34 in.) (excellent condition).
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


329   Grouping of Fishing Accessories
to include: zippered canvas and leather wading boots with conforming pouch belt, both personalized on tooled leather panels; four fly rod tubes with Orvis carrying case; Rod Guard telescoping case (63 in. extended; 37 in. folded).
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


330   Two Orvis Fly Fishing Rod Carrying Cases
green canvas and leathern construction.
LOA 32 in. and 34 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


331   Two Orvis Fly Fishing Rod Carrying Cases
green canvas and leather construction.
Both 32 in. LOA     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


332   DMC Fiberglass "Gun Guard" Carrying Case
foam padded interior.
52 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


333   Three Shotgun Gun Carrying Cases
to include two personalized canvas bags with plush lining (33.5 in.); the third bag of faux leather with Venator label (51.5 in.).
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


334   Group of Shotgun Accessories
to include: vintage Winchester skeet thrower (17 in. long); two Peltor Sound-Trap headsets and twelve sets of foam earplugs; three gun cleaning rods; Buffalo Arms shoulder recoil pad; three leather and canvas English ammo pouches.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


335   Three English Canvas and Leather Gun Carrying Bags
to include: a brown canvas bag with a James Purdy & Sons label (45 in. closed) (moderate wear from much use); the second and third bags are identical, being labeled Holland & Holland products made of green canvas and leather (49 in. closed) (light wear from normal use).
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


336   Group of Six Antique Civilian Shot Flasks
19th century, two of brass construction with stamped Grecian palmettes on the sides, one marked by"AM. FLASK & CAP CO."; the remaining four flasks are of embossed leather, one showing a rabbit on one side and the other with an alert dog on both sides.
Tallest 8.75 in. LOA     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


337   Over 75 16 Gauge Shotgun Shells
Remington ShurShot and Remington Express.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


338   Approximately 200 12 Gauge Shotgun Shells
to include: Peters Special Dove Load; Winchester Super-X Long Range; Winchester Xpert; Federal High Power; Federal 2 3/4 Magnum; Federal Stee.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


339   Over 300 20 Gauge Shotgun Shells
to include Winchester Duck & Pheasant Load; Estate Cartridge Game and Target Load; Federal Field Load; Federal High Power.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


340   Over 300 28 Gauge Shotgun Shells
to includeL Winchester Super X; Winchester Target Load; PMC Heavy Field; Remington Express; Remington Express Long Range.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


341   Composite Model 1885 Winchester Hi-Wall Rifle
serial number 5377 indicates 1886 manufacture, .22 caliber, lever action, custom 25 in. round barrel stamped by maker A. Hubalek, replacement forestock, a Stevens buttstock; fitted with a Redfield 6X scope. Includes a lined gun bag.
LOA 42.5 in.     


342   Bronze and Driftwood Sculpture of a Whale
mid 20th century, appears unmarked.
DOA 3 x 13 x 3 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


343   Carved Stone Sculpture of Polar Bear and Cub
1977, carved green stone, oblong base with figures of polar bear and cub, signed to underside "Herb 1977 Canada". 
4.5 x 8.5 x 4.5 in.      
Private NC Collection


344   Paul Jeynes (NY., b.1927), Otters
cast and patinated bronze on a circular green marble base, signed and dated 1979, numbered 1/9.
8 x 10 in. diameter.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


345   Bronze Statue of Fighting Stag
late 20th century, cast and painted bronze set on an oval green marble plinth, appears unmarked.
10 x 15 x 10 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


346   Bronze and Stone Sculpture of Fighting Rams
20th century, bronze rams in dark brown patina, set atop a carved quartz mountain, on a black marble base, unsigned. 
DOA 6.5 x 15 x 7.5 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


347   Paul Jeynes (NY., b.1927), Bronze Whale
patinated bronze mounted to an oval green marble base, signed on the tail "Paul Jeynes ©1979, MAG 1983."
10 x 9 x 7 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


348   Three Northwest Coast Carved Masks
mid-century, the first represents the North Wind Blowing, the second, with open mouth, likely from Alaska; the third, with closed mouth, made from cedar. With devices for hanging.
Open Mouth 12.5 x 7.75 in.     


349   African Carving of a Turtle
hardwood. 
9 x 7 in.      
Private NC Collection


350   Inuit Stone Sculpture of a Man and Walrus
carved green stone, unsigned. 
7.5 x 8 x 11 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


351   African Bronze of a Big Cat
lost wax method, female cat with some inscribed detail.
6.25 x 13 in.     


352   Carved Ebony and Silver Elephant
early 20th century, carved ebony with ivory inserts and silver repousse cover, unmarked.
15 in.     


353   Four Woven Baskets 
all with geometric design.
Bowl 5.5 x 13 in. Tall Lidded Basket 14.5 x 6 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


354   A Group of (13) Baskets
most lidded, with tinted geometric highlights.
Tallest 11 x 9 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


355   Two South Carolina Sweet Grass Baskets 
traditional coiled construction, a bowl and a lidded open work canister.
2.5 x 1 1/8 in. and 12.5 x 7 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


356   Two Vintage Baskets
including a late 19th century double handled splint oak basket and a handled splint basket signed Annette Kleckner.
Larger 15 x 21 in. diameter.     
Private NC Collection


357   Pair of Chippendale Style Library Chairs
late 20th century, cherry, striped over upholstery, on molded legs with stretcher base. 
38 x 24 x 24 in.      


358   Kittinger, Williamsburg Reproduction Queen Anne Style Drop Side Table
mid 20th century, mahogany, top with shaped corners, gate leg, labeled. 
26 x 31 x 14 in.      
Private NC Collection


359   Wright Table Company Pembroke Table
late 20th century, mahogany, shaped drop leaves with hinged side support, two flush mounted drawers, raised on square tapered legs, labeled. 
29 x 20 x 35.5 in.      
Private NC Collection


360   Adams County Collection, Queen Anne Style Dressing Table
late 20th century, cherry, top with molded edge, two drawers with bold scalloped skirt, drop finials, raised on delicate cabriole legs, labeled. 
28 x 31 x 19 in.      
Private NC Collection


361   Sherill, Contemporary Over Upholstered Sofa
late 20th century, ivory colored damask upholstery, with three loose cushions and pleated skirt, labeled. 
32 x 80 x 36 in.      
Private NC Collection


362   Pair of Damask Upholstered Club Chairs
late 20th century, ivory colored with light blue piping, loose cushion, with paneled skirt. 
35 x 29 x 32 in.      
Private NC Collection


363   Northern Furniture Co., Federal Style Semi Tall Chest of Drawers
mid 20th century, mahogany, bow front, two over four drawers, raised on French bracket feet, labeled. 
48 x 36 x 22 in.      


364   Kittinger, Colonial Williamsburg Reproduction Twin Bed
mid 20th century, mahogany, turned and reeded posts, with wood rails, labeled. 
Headboard 40 x 41.5 in.      
Private NC Collection


365   Virginia Craftsmen, Tall Post Twin Bed
mid 20th century, cherry, turned and reeded posts, removable urn form finials, with tester, labeled. 
Headboard 76 x 39 in.      
Private NC Collection


366   Hunt, Country Furniture Trestle Base Dining Table
Wingdale, NY, mid 20th century, pine, chip carved top with three leaves, with through tenon construction, on trestle base, appears unmarked. 
30 x 60 x 44 in; each leaf 12 in.      


367   Kittinger, Chippendale Style One Drawer Table
mid 20th century, mahogany, top with applied molded edge, with scalloped skirt, lower shelf with single flush drawer, raised on square legs, labeled. 
24 x 19 x 19 in.      
Private NC Collection


368   Hickory White, Regency Style One Drawer Table
late 20th century, rosewood veneer, patinated bronze, lower shelf, raised on casters, labeled. 
28.5 x 25 x 25 in.      


369   Chippendale Style Painted Corner Cupboard
late 20th century, one part form, with antiqued blue and red painted surface; hinged glazed door with painted and lighted interior over two raised paneled doors with shelved interior, raised on flush base. 
78 x 48 x 24 in.      
In the style of the painted furniture of the Eastern Shore of Virginia.
Private NC Collection


370   Wernicke Co., Oak Barrister Bookcase
early 20th century, six part form, with four hinged glazed doors, labeled. 
62 x 34 x 12 in.      


371   Hunt, Country Furniture Set of Eight Windsor Dining Chairs
Wingdale, NY, mid 20th century, oak and pine, two arm chairs and six sides, marked. 
Arm chair 36 x 24 x 19 in.      


372   An American School Pastel of a New England Lighthouse
pastel on paper, unsigned, first half of the 20th century, presented under glass in a period gilt composition frame.
DOA 12.75 x 17 in.     
Private NC Collection


373   Two Vintage American School Paintings
the first a watercolor on paper, circa 1940s, unsigned, depicting a woman working in a small garden plot, framed under glass (DOA 23.5 x 19.5 in.); the second an oil on paper, mid 20th century, unsigned, matted and framed under glass (DOA 22.25 x 17.25 in.).
Private NC Collection


374   Vintage Expressionist Landscape Painting by Lee Ila
oil on board, signed at lower right, presented in a period frame with wide linen liner.
DOA 22.75 x 29 in.     
Private NC Collection


375   Beatrice Gildersleeve (CA, 1892-1933), Tending the Flock
watercolor on paper, signed at lower right, presented under glass in the likely original gilt frame.
DOA 14.5 x 18.5 in.     
Private NC Collection


376   Two Vintage American School Autumnal Landscape Paintings
the first an oil on canvas panel, signed at lower left B. Wilson, framed (DOA 14.5 x 16.25 in.); the second an oil on Masonite, unsigned, framed (DOA 13.5 x 16.5 in.).
Private NC Collection


377   Fred M. Hines (ME, 20th c.), High Tide
oil on board, signed at lower right, unframed.
DOA 9 x 12 in.     


378   Etta Near (CA/MI, 1885-1965), Seascape
oil on canvas, signed at lower right, unframed.
DOA 30 x 54 in.     


379   Ruth Cunningham (VA, 1904-1982), Winter Lines
oil on board, signed at lower right, presented in the likely original pickled frame.
DOA 20 x 16 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


380   Vintage Foster Bros. Gilt Tabernacle Mirror
labeled, carved rosette and dentil molding beneath a projecting cornice, carved quatrefoils to each corner of frame.
DOA 23 x 15.25 in.     
Private NC Collection


381   Two American Folk Art Winter Paintings in the style of Grandma Moses
the first an acrylic on canvas, signed at lower right Jamis '81, presented in the original frame (DOA 29.25 x 35 in.); the second an oil on board, signed at lower right Ruth Penman, framed (DOA 17 x 21 in.).
Private NC Collection


382   American School Landscape, Belvedier Brook
oil on canvas board, inscribed in pencil on the verso, the artist's last name appears to be Weber, presented in a period frame.
DOA 22 x 28 in.     
Private NC Collection


383   Robert M. Earle (NY, b. 1918), Architectural Scene with Figures
watercolor on paper, signed at lower right, matted and framed under glass, inscribed on the verso.
DOA 22.25 x 28 in.     
A member of the Associated Artists of Central New York and the United Scenic Artists of America, Earle exhibited frequently throughout the state of New York.


384   An American School Autumnal Landscape Painting
early 20th century, oil on canvas, unsigned, presented in a period gilt composition frame.
DOA 22.25 x 28 in.     


385   Joseph Anthony Atchison (D.C., 1895-1967), Live Oaks and River Boat
watercolor on paper, signed and dated 1941 at lower right, matted and framed under glass.
DOA 12.75 x 15.75 in.     
Private NC Collection


386   American School Painting, Monhegan Light
oil on board, unsigned, labeled on the verso, presented in a period gilt frame with linen liner.
DOA 16.5 x 20.5 in.     
Private NC Collection


387   Anna M. Robinson (MD, 19th/20th c.), A Young Gypsy
oil on canvas, inscribed and dated 1910 on the verso, presented in a period gilt composition frame.
DOA 33 x 25 in.     


388   Two American Country Regionalist Watercolors
the first by Donald Vande rLeest (WI, b. 1931), depicting the Harlick Dam & Mill in Racine, Wisconsin, matted and framed under glass (DOA 19 1/8 x 23 1/8 in.); the second Berthe Ann Stupak (PA) and depicting the Spring Hill Country Store, matted and framed under glass, retaining an exhibition label on the verso (DOA 20.5 x 26.5 in.).
Private NC Collection


389   Tore Asplund (IL/NY, 1903-1978), Roman Arch
oil on board, signed at lower left, retaining a 1973 Salmagundi Club Auction Sale & Exhibition label on the verso, framed.
DOA 20.5 x 17 in.     
A member of the National Academy, Asplund served three terms on the Academy Council. He was also a member of the Allied Artists, the Salmagundi Club, Audubon Artists, and the American Watercolor Society. 


390   Two Antique Watercolors of Farm Animals
the first by Francis Wheaton (NY, 1849-1942), signed, depicting a flock of sheep with their shepherd in a barnyard (DOA 14.5 x 18.75 in.); the second by Henry Earp Sr. (English, 1831-1914), depicting cattle and ducks in a lowlands landscape (DOA 14 x 18.75 in.); both presented under glass in matching gilt frames.
Private NC Collection


391   Spencer B. Nichols (CT/D.C., 1875-1950), Forest Interior
watercolor and gouache on paper on board, signed and dated 1908 at lower left, attractive matted and framed under glass in a period gilt oak frame.
DOA 24.5 x 24.25 in.     
Private NC Collection


392   Jon Houglum (NC), Sunset Vista
oil on canvas, signed and dated 1984 at lower right, presented in an attractive gilt frame.
DOA 35.75 x 41.75 in.     


393   Virginia Fouche Bolten (SC, 1929-2004), Marsh at Sunset
watercolor on paper, signed at lower left, matted and framed under glass.
DOA 21 x 28.5 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


394   Charles Henry Reynolds (OK/NM, 1902-1963), Riverscape
oil on board, signed lower left, framed with linen liner.
SS 8 3/8 x 11.5 in.; DOA 15.5 x 18.5 in.     
Reynolds is known for his peaceful portrayals of the southwestern landscape. He has had solo exhibitions at the New Mexico Museum of Art in Santa Fe and Tulsa's Philbrook Museum of Art.


395   William Ward Jr. (CA/MA, 1901-1985), Harbor View
oil on canvas, signed at lower left, with artist's copyright stamp on the verso, presented in the likely original frame.
DOA 32.5 x 42.5 in.     
Private NC Collection


396   att. Henry Gasser (NJ, 1909-1981), Two Watercolors
the first depicting a small harbor (DOA 17.75 x 22 in.) and the second a barnyard (DOA 18 x 22 in.), both unsigned, each matted and framed under glass.
DOA 17.75 x 22 in.     
Point Pleasant Galleries, Point Pleasant, NJ
Private NC Collection


397   Ron Stewart (AZ, b. 1941), Cold Company
watercolor and whitening on paper, signed and inscribed at lower left, dated 1975, matted and framed under glass.
DOA 19 x 23 1/8 in.     
Private NC Collection


398   Frederick Grant Young (MA, b. 1859), Still Life with Dahlias
oil on canvas, signed at lower left, presented in an ornate period Florentine style gilt composition frame.
DOA 20 x 24 in.     
Private Collection, Greensboro, NC


399   John Rogers (NY, 1906-1985), Homestead in Fall
watercolor on paper, signed at lower left, matted and framed under glass.
DOA 22 x 27 5/8 in.     
Private NC Collection


400   An American Regionalist Watercolor Painting
signed Schad at lower right, matted and framed under glass.
DOA 28.25 x 24 in.     
Private NC Collection


401   C. Baumgartner (20th century), The Antiques Shop in Winter
oil on canvas board, signed and dated 1966 at lower right, presented in a period frame.
DOA 28.5 x 32.5 in.     
Private NC Collection


402   A Vintage Painting by Mary Turczyn
oil on board, signed and dated October 1945 on the verso, presented in an attractive period frame.
DOA 17.75 x 21.25 in.     
Private NC Collection


403   Two Rural Landscape Paintings by Michael H. Murray (Canadian, 20th c.)
the first an oil on canvas on board, signed and dated 1992 at lower left, a label on the verso titles the work Haying, Ontario / Upper Canada Village, Canada (DOA 17.25 x 23 in.) (minor rubbing to frame); the second an oil on board, signed at lower right and titled at lower left Pressagny-le-Val, framed (DOA 14.25 x 18.5 in.) (some mildewing to sky).
Private NC Collection


404   Robert Cox (CA, 1934-2001), Still Life With Roses
oil on canvas, signed lower right, in painted and gilt frame. 
DOA 27 x 31 in.      


405   A Vintage Painting of a Woman by a Window
oil on canvas, circa 1970, signed Dore at lower right, presented in the likely original frame with linen liner, retaining a COA from Merrill Chase Galleries of Chicago, IL.
DOA 44 x 31 in.     


406   Kerman Area Rug
beige field with tree of life and vine and floral motif, red major guard border within minor guard borders. 
6 ft. 7 in. x 4 ft. 8 in.      


407   Hamadan Area Rug
center medallion with red field. 
6 ft. 3 in. x 4 ft. 2 in.      


408   Pak Persian Area Rug
wool foundation, rust field with repeating motifs within an ivory guard border. 
5 ft 4 x 4 ft 3 in.      
Private NC Collection


409   Turkamen Area Rug 
red field with repeating guls. 
6 ft. 4 in. x 3 ft. 6 in.      


410   Two Flat Weave Rugs
late 20th century, cotton foundation, both multicolored with geometric designs. 
6 ft 1 in x 3 ft 6 in. and 4 ft 5 in x 3 ft 3 in.      


411   Turkish Area Rug
wool foundation, large red center medallion on blue field with red spandrels within multiple guard borders. 
5 ft 6 in x 4 ft 3 in.      


412   Chinese Tufted Rug
beige field, with floral and foliate designs in autumn colors, with oak leaf border. 
9 ft 7 in x 7 ft 10 in.      
Private NC Collection


413   Turkish Carpet
wool foundation, rust field with blue and ivory poled medallion, with white, blue and rust guard border. 
8 ft 11 in x 7 ft 3 in.      
Private NC Collection


414   Two Oriental Rugs
first with center red medallion within dark blue guard border, 5 ft 1 in x 3 ft 11 in; and the second, center with rust panel on ivory field, 5 ft x 3 ft.
Private NC Collection


415   Arts and Crafts Style Rug
hand woven, cotton and wool foundation, rust field, with palmette and foliate design with wide green guard border. 
8 ft x 5 ft 7 in.      


416   Baluch Area Rug
dark red field with repeating medallions and carnation motif, within multiple guard borders, with flat weave to both ends. 
6 ft 9 in x 4 ft 3 in.      


417   Sumac Runner
grey field with repeating blue and red motifs with red guard border. 
10 ft 3 in x 2 ft 8 in.      


418   Bidjar Area Rug
diamond shaped salmon pink medallion on navy blue field, repeating motifs, orange major guard border within minor guard borders. 
6 ft. 5 in. x 4 ft. 9 in.      


419   Two Oriental Rugs
the first a Baluch, wool foundation, red field with center rectangular panel, with star and ram's head border, 5 ft 6 in x 4 ft 3 in. (with extensive wear and with hole to inner guard border); the second a Turkoman area rug, wool foundation, dark maroon field with repeating gul motif, 2 ft 10 in x 4 ft 10 in., (areas of pile loss, with selvedge wear, some loss to outer border).


420   Kurdish Storage Bag
wool foundation, flat weave with geometric designs in orange red, blue, ivory and grey. 
4 ft 6 in x 3 ft 3 in.      


421   Kashan Area Rug
red medallion on navy blue field with all over floral motif, multi-colored spandrels, dark blue main border within multiple minor borders. 
6 ft. 11 in. x 4 ft. 5 in.     


422   Two Persian Rugs
the first a Hamadan runner, dark brown field with two medallions and floral design elements, 8 ft 3 in x 2 ft 9 in; (good estate condition); and the second a Sarouk area rug, midnight blue field with urn and floral design, 4 ft 9 in x 3 ft (one folded corner; otherwise good estate condition).


423   Indo Persian Carpet
light blue field, with red medallion, ivory spandrels, with foliate motif, within multiple guard borders. 
12 ft 3 in x 8 ft 11 in.      
Private NC Collection


424   Baker, Chippendale Style Inlaid Mahogany Chest of Drawers
late 20th century, serpentine form, top with inlaid nautical star and banded edge, four graduated cock beaded drawers, flanked by canted corners with vertical line inlay, raised on shaped bracket feet, labeled. 
35 x 41.5 x 23 in.      
Private NC Collection


425   Davis Cabinet Co., French Provincial Style Side Cabinet
mid 20th century, walnut, shaped molded top over two faux tambour doors, over one drawer, raised on cabriole legs, labeled, also labeled to interior of drawer W&J Sloane. 
29 x 21 x 16 in.      


426   Pair of American Maple Upholstered Arm Chairs
early 20th century, nicely shaped frames with double rail stretchers, each with later upholstery and slip seats in separate patterns. 
34 x 24 x 20 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


427   Baker, Pair of French Provincial Bedside Cabinets
mid 20th century, oak and burl wood veneer, molded top, single paneled drawer over two hinged doors with wirework panel, scalloped skirt on cabriole legs, labeled. 
26 x 26 x 18 in.      
Private NC Collection


428   Drexel, French Provincial Style Dining Table
mid 20th century, walnut, oval top with book matched veneers, carved scalloped skirt, raised on cabriole legs with whorl foot, with two leaves, labeled. 
30 x 40 x 55 in. Each leaf 18 n.      
Private NC Collection


429   R & J Horner French Empire Style Marble Top Escritoire
late 19th century, mahogany, rectangular form, inset green marble top, single flush mounted drawer, with ormolu mounts, square tapered legs, stretcher base, with casters, labeled. 
31 x 39.5 x 24 in.      


430   Georgian Style Upholstered Library Arm Chair
mid 20th century, needlepoint upholstery with brass tack trim. 
36 x 25 x 24 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


431   Pair of Hepplewhite Side Chairs
19th century, mahogany, curved crest rail, pierced back splat, molded seat rail, square tapered legs, on stretcher base, with needlepoint slip seats. 
37 x 22 x 18 in.      


432   Hepplewhite Style Elongated Ferniere
mid 20th century, mahogany, case with applied trim, raised on square tapered legs with stretcher base and spade foot. 
35 x 61 x 14 in.      


433   Louis XVI Style Marble Top Circular Side Table
mid 20th century, mahogany, white marble top with pierced brass gallery, two drawers, one to each side, two pull-out drink slides with leather inserts, fluted tapered legs with brass cap. 
29 x 24 in diameter.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


434   Queen Anne Style One Drawer Table
circa 1900, mahogany, oak secondary, top with molded edge, cock beaded drawer, raise don cabriole legs with relief carved knee. 
27 x 25.5 x 16 in.      
Private NC Collection


435   George II Style Carved Mahogany Library Arm Chair
early 20th century, later needlepoint upholstery, acanthus carved arms and arm supports, four acanthus carved knee and raised pad feet. 
36 x 30 x 28 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


436   French Country Architectural Corner Cupboard
19th century elements, pine, one part form with upper open butterfly shelves flanked by fluted columns over two hinged paneled doors with shelved interior, applied bracket foot base.
76 x 43 x 27 in.     


437   French Shadow Box Trumeau 
late 20th century carved and gilt wood frame with a 19th century ostrich feather fan over a rectangular mirror.
51 x 28 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


438   Italian Carved and Gilt Pier Mirror
early 20th century, two panel rectangular mirror in an asymmetrical frame. 
57 x 25 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


439   Large Italianate Carved and Painted Mirror
late 20th century, distressed blue and gilt painted with scroll form pediment. 
DOA 60 x 48 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


440   Eight Piece Italianate Painted Parlor Suite
early 20th century, including a pair of arm chairs, pair of side chairs, triangular table, circular table with lower shelf, and a demilune marble top table with mirror, all in likely original painted surface with green field and urn decoration.
Demilune table 34 x 24 x 11 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


441   Pair of Louis XV Style Faueteuils
mid 20th century, walnut, over upholstered back, shaped down filled cushion, raised on cabriole legs with whorl feet. 
39 x 27 x 23 in.      


442   Louis XVI Style Painted Upholstered Settee
early 20th century, carved and green painted frame, the crest with bow, acanthus carved arm supports, stop fluted legs. 
37 x 57 x 30 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


443   An Aesthetic Period Porcelain Table Lamp
att. Royal Worcester, with decorative pierced brass stepped base.
HOA 36 in.     


444   Gothic Style Cast Brass Tall Pricket Stick
mid 20th century, solid cast brass in a tapered and paneled form on scrolled feet.
38 in.     


445   Neo-Classical Style Silverplate Table Lamp
early 20th century, spelter, double handled form with relief decoration of figures on horseback, with shade.
HOA 29 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


446   Delft Porcelain Table Lamp
late 20th century, hand painted, paneled shade, unmarked.
HOA 27 in.     


447   Decorative Toleware Lidded Canister Table Lamp
late 20th century, painted and gilt metal numbered 20, wood mounts, with shade.
23 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


448   Pair of French Empire Style Bouillotte Lamps
late 20th century, brass, two light form, with swan form candelabra base, paneled black shades. 
HOA 26 in.      


449   Antique Three Piece Girandole Set
19th century, gilt metal standards decorated with winged figures, marble bases, cut glass drop prisms.
Tallest 17.5 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


450   Chelsea House, Decorative Urn Form Table Lamp
late 20th century, painted composition, paneled shade, labeled.
31 in.     


451   Continental Cast Brass Wall Sconce
early 20th century, solid cast metal, two light form, with figures and swags.
19 x 12 x 7 in.     


452   Neoclassical Style Drop Prism Chandelier
mid 20th century, ten light form, cast brass with ram's heads, plumes and foliate, with ceiling cap and chain.
28 x 28 in. diameter.     


453   Jeanne Reeds, Pair of Designer Toleware Table Lamps
contemporary, painted metal shades and bases with gilt highlights, labeled.
28 in.     


454   Pair of Tole Ware Lidded Canister Table Lamps
19th century green decorated tole ware with panels featuring a portrait of a gypsy.
Canister 15 in. tall.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


455   French Style Brass Bouillotte Lamp
late 20th century, triple light form on lobed base, with shade. 
HOA 30 in.      
Private NC Collection


456   A Pair of Antique French Renaissance Revival Candelabra
late 19th century, unmarked, finely detailed copper mounts incorporating acanthus scrolls and masks of Pan, with attractive green glazed ceramic standard, five light form.
21.25 in.     


457   Pair of Federal Style Wall Sconces by Chapman
branded to the verso, made in Spain, mid-20th century, each of carved walnut in the form of an eagle with rosette and tassel motif surmounted by a ribbon bow, with central glass star, two light form with scrolled gilt arms.
27.5 x 12.5 x 6.25 in.     


458   A Chinese Paktong Wine Pot & English Pewter Measure
both 19th century.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


459   Three Decorative Eggs on Stands
20th century, to include a malachite egg on gilt stand, an enameled and gilt egg on hardwood stand, and a carved resin egg on hardwood stand. 
Tallest 4 in.      


460   Vintage Brass Grouping
including three pair of candlesticks, two single candlesticks and a lion mask door knocker.
Tallest 10.5 in.     


461   Group of Vintage Lacquered Boxes 
20th century, to include a small Russian jewelry casket with transfer decorated fairytale scene, gilt accents; also to include a pair of nesting heart boxes with floral motif. 
Taller 2.25 in.      


462   Three Continental Lidded Boxes 
20th century, to include two egg boxes both with floral motif, one marked "Limoges, France;" also to include a gilt and likely bronze small jewelry casket, unmarked. 
Tallest 3 in.      


463   Continental Grouping
19th and early 20th century, including a Mary Gregory lidded casket, a miniature portait watercolor on ivory, Minton red glazed pitcher with gilt highlights, and a dogwood decorated porcelain basket.
Tallest 7 in.     


464   Antique Brass Grouping
19th century, including three push-up candlesticks and pair of fire dogs.
Tallest 12 in.     


465   Virginia Metalcrafters for Colonial Williamsburg, Two Candlesticks
20th century, brass.
Taller 8 in.      
Private NC Collection


466   Assorted Vintage Table Linens
early 20th century.


467   Large Collection of Stamps and Stamp Albums
early to mid 20th century, to include several albums and group of loose stamps, including United Nations First Day Issues. 


468   Framed Collection of Odd Fellows Regalia
including ten silver tone medallions with associated braided cords, presented under glass in an antique gilt composition frame.
DOA 27.5 x 23.75 in.     


469   Two Spanish Military Breast Stars
as follows: Order of Military Merit, silver toned metal with red, white and blue enamel, 70mm diameter; Unknown order, possibly Castillian, of silver toned metal with red enamel, 62mm. 
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


470   Order of the Star of Grand Comoro
20th century, gilt metal with green enamel, 60mm wide. First issued by the Sultan of Comoros, an island off Africa's east coast between Mozambique and Madagascar.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


471   French Legion of Honor Grand Officer's Star
Third Republic, 1870-1940, silver with two hallmarks, 95mm diameter, very fine condition.
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


472   An Antique Portrait of an English Officer
oil on canvas, signed F. L. Kenzie at lower right, presented in a period gilt frame with composition ornament.
DOA 35.75 x 30.5 in.     
This painting was likely completed in the early 20th century and presents a romanticized portrait of a distinguished officer against a dramatic cloud filled background.
Private Collection, Greensboro, NC


473   Early 20th-Century Architectural Study of the Piazza Mastai, Rome
ink, watercolor, and gouache on paper, dated April 9, 1920, completed by Amory Leland Williams during his travelling fellowship to Rome through MIT, framed.
DOA 20 3/4 x 28 3/4 in.     


474   Framed Neoclassical Drawing of a Seated Figure
pen and ink and wash on laid paper, 18th century, presented in later gilt framing.
Sheet Size 7 x 4 3/4 in.; DOA 17 5/8 x 16 in.     


475   Neoclassical Style Parcel Gilt Wall Mirror
mid 20th century. 
48 x 36 in.      


476   A Pair of Dutch Maritime Paintings
oil on board, one signed, both contemporary, presented in matching gilt composition frames.
DOA 12.25 x 14.25 in.     


477   Three Antique English School Maritime Paintings
the first a watercolor on paper by Edmund Patten (English, exh. 1838-1842), inscribed President Rother and titled American discharging Timber at a Wharf,
attractively matted and framed under glass, retaining a gallery label for Alice Dodge Berkeley of London (DOA 13.75 x 10.5 in.); the second a watercolor of a ship in full sail, monogrammed at lower right, matted and framed under glass (DOA 10.5 x 8.5 in.); and the third a pencil sketch by George Edwards Hering (1805-1879), retaining a label from Fry of London identifying this as a study at Arran, Scotland, matted and framed under glass (DOA 9.75 x 12.75 in.).
Private NC Collection


478   Harold Latham (British, 1888-1971), Two Framed Landscape Paintings
oil on board, unsigned, presented in uniform gilt wood frames.
DOA 22 1/2 x 26 1/2 in. (the first), 18 3/8 x 22 1/2 in. (the second)     


479   Two Continental Landscape Paintings
the first a watercolor and graphite on paper, att. John Louis Petit (1801-1868), matted and framed under glass, retaining an old label affixed to the verso inscribed Lac de Gaube / Pyrenees (DOA 11.5 x 14.75 in.); the second an oil on board, illegibly signed at lower right, mid-20th century, framed (DOA 13.5 x 15.5 in.).
Private NC Collection


480   A Vintage Alpine Landscape Painting
oil on canvas, illegible signature at lower left, presented in an ebonized frame.
DOA 27 x 23 in.     


481   A Vintage Mediterranean Harbor Painting by Victores
oil on canvas, signed at lower right, presented in the likely original frame.
DOA 12.5 x 16 1/8 in.     
Private NC Collection


482   Miniature Portrait of a Boy
19th century, watercolor on ivory, framed under glass.
DOA 5 x 4.5 in.     


483   Two Antique Continental School Figure Drawings
the first a watercolor on paper dated Oct 16 '94, matted and framed under glass (DOA 11.5 x 11.5 in.); the second a sketch of an older man seated before a fireplace, possibly Dutch, 18th century or earlier (DOA 10.75 x 9.5 in.).
Private NC Collection


484   Pair of Mid Century Paris Market Scenes
oil on canvas, each depicting a different Paris street scene with market stalls and figures, signed "P. Romier" at bottom, in matching carved and distressed painted frames. 
DOA 25 x 21 in.      


485   Maurice Doncker (Belgian, 20th C), Farmyard Scene with Geese
oil on canvas, 1944, signed and dated lower right, presented in a silvered wooden frame.
DOA 28 5/8 x 32 1/2 in.     


486   A Vintage Miniature Painting of a Sleeping Dutchman
early 20th century, oil on unidentified medium, unsigned, presented under glass within an ebonized and gilt frame with green velvet liner.
DOA 8 1/8 x 7 in.     


487   Giuseppe Andreoni, Relief Plaque of Venus and Amor
possibly a 19th century marble composition plaque in a later gilt frame, signed in the casting and marked Roma 1875.
DOA 16 x 21.5 in.     


488   manner of Eugène Boudin (French, 1824-1898), Sur la Plage
oil on canvas, signed at lower left, contemporary, presented in an ornate gilt composition frame.
DOA 23.25 x 29.25 in.     


489   19th Century Continental Painting of a Lady
figure of a woman painted on a oval porcelain plaque in a gilt be-ribboned frame; painting and frame currently held within an antique velvet lined shadow box. 
HOA: 11 x 9 in.      


490   A. F. Polozov (Russian), Spring on Kryukov Canal
oil on canvas, signed and dated 1995 at lower right, inscribed in Cyrillic on the verso, presented in a gilt frame with linen liner.
DOA 17 x 24.25 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


491   A Pair of 19th Century Grand Tour Souvenir Paintings
gouache on paper, each depicting a peopled view along the Rhine River, unsigned, mid-19th century, matted and framed under glass.
DOA 20.25 x 26.25 in.     


492   Continental School (20th century), Woman Knitting
oil on canvas, monogrammed at lower left, presented in a period French style frame.
DOA 24.75 x 30.5 in.     
Private NC Collection


493   Antique Portrait of a German Man
oil on canvas, signed at lower right E. Birch and dated 1861, retaining a partial identification label on the verso, the original frame labeled for Franz Alsbach of Wiesbaden.
DOA 26 x 23 in.     


494   Dutch School (19th Century), Landscape with Figures and Fishermen
oil on canvas, 1875, indiscernible with date lower right, presented in later gilt frame.
DOA 20.5 x 23 5/8 in.     


495   Vintage Swedish Paint Decorated Diminutive Hutch
early 20th century, two part form, upper open case with three shelves, scalloped sides, lower cabinet with two paneled doors, open interior, having allover stylized flower decoration. 
68 x 34 x 17 in.      
Private NC Collection


496   French Provincial Step Back Hutch
late 20th century pine hutch with five drawers, over an earlier rectangular base, raised on turned legs. 
73 x 72 x 20 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


497   Georgian Inlaid Slant Front Desk
18th century, mahogany, mahogany veneer, light wood inlays, oak secondary, hinged molded lid with divided and drawered interior over four graduated and line inlaid drawers raised on bracket feet.
40.5 x 35 x 19 in.     


498   French Country Painted Buffet
19th century, rectangular form with canted corners, upper surface with dish groove, two drawers over paneled cabinet doors raised on turned feet.
42 x 61 x 17 in.     


499   Baker, Pair of Rattan Armchairs
circa 1980, custom down filled cushions, labeled. 
30 x 28 x 30 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


500   Two Similar Queen Anne Style Side Chairs
early 20th century, mahogany, shaped crest rail, shaped back splat, slip seat, cabriole legs with pad feet. 
42 x 19 x 18 in.      
Private NC Collection


501   English Style Toleware Coffee Table
contemporary, two part form, the oval top with black field, handled, with faux bamboo border, set on a faux bamboo stand with X stretcher. 
19 x 52 x 24 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


502   Cottage Pine Wash Stand
new England, circa 1900, applied shaped back splash, single drawer, with shaped lower shelf. 
34.5 x 34 x 18.5 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


503   Cottage Pine Display Cabinet
20th century, single hinged glass panel door, two shelved interior, right side paneled, the left side flush (not paneled).
48 x 32 x 11.5 in.      

From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


504   American Sheraton One Drawer Stand
circa 1830, maple and white pine, white pine secondary, one board pine top, single drawer, turned legs with button foot. 
26 x 22 x 18 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


505   American Grain Bin
19th century, white pine, hinged lid, divided interior with two compartments, straight legs from the solid with half moon cut. 
26.5 x 30 x 16.5 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


506   Vintage Decorative Tropical Floor Screen
with bamboo and screening, circa 1970s, four panel.
86 x 21 in. (each panel)     


507   Cottage Pine One Drawer Work Table
circa 1900, rectangular top, single drawer, on boldly turned legs. 
27.5 x 41 x 22 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


508   Chippendale Style Side Chair
mid 20th century, mahogany, shaped crest rail, pierced back splat, naugahyde upholstered seat, molded legs, stretcher base.
38 x 22 x 18 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


509   Jacobean Style Oak Joint Stool
mid 20th century, rectangular molded top, splayed turned legs, stretcher base. 
23 x 18 x 11 in.     


510   Southern Sheraton Work Table
19th century, walnut, pegged construction, raised on tapered turned legs. 
27.5 x 23.5 x 24 in.      


511   Continental Chip Carved Blanket Chest on Stand
mid 20th century, pine, dome top, hinged lid, with open interior, dove tailed case, with chip carved floral design, with matching chip carved stand. 
31 x 31 x 18 in.      


512   Vintage French Carved Side Chair
early 20th century, mahogany, pierced and shaped crest rail, pierced vasiform back splat, serpentine slip seat, carved skirt, on cabriole legs with stretcher. 
42 x 20 x 17 in.      
Private NC Collection


513   Vintage Italianate Card Table
mid 20th century, walnut, faux leather playing surface, top with reeded edge, over stop fluted tapered legs. 
30 x 30 x 30 in.      


514   French Country Distressed Painted Side Table
late 20th century, cherry, rectangular top, scalloped skirt, on square tapered legs. 
28 x 21 x 13 in.      


515   French Provincial Style Writing Desk
late 20th century, oak, rectangular shaped top with inset cork surface, five drawers, raised on bold cabriole legs. 
30 x 23 x 51 in.      


516   Two Antique Chairs
including an Italian faux bamboo campaign chair, marked Made in Italy; together with an American Classical carved mahogany caned seat chair. 
Campaign chair 34 x 20 x 24 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


517   Italianate Carved and Painted Bench
early 20th century, oak, distressed painted finish, rectangular caned seat on stretcher base. 
27 x 22 x 15 in.      


518   Contemporary Bamboo One Drawer Side Table
with woven grass panel to drawer front and lower shelf. 
32 x 20 x 19 in.      


519   Two French Country Painted Side Tables
late 20th century, oak, distressed painted finish; turned standards on scrolled legs. 
Circular table 29 x 25 in diameter.      


520   Chippendale Side Chair
18th century, elm and pine, shaped crest rail, pierced back splat, molded seat rail, straight molded legs with stretcher. 
36 x 21x 17 in.      


521   Sheraton Drop Leaf Dining Table
early 19th century, mahogany, pine secondary, rectangular form, with gate leg support with mushroom cap feet. 
28 x 22 x 46 in.     


522   Set of Five Queen Anne Style Dining Chairs
early 20th century, mahogany, shaped crest rail, curved vasiform back splat, slip seat, raised on cabriole legs with pad feet. 
43 x 21 x 19 in.      
Private NC Collection


523   Set of (15) Gilt Contemporary Ballroom Chairs
with faux bamboo motif, cushions to seats, marked Made in Spain. 
36 x 16 x 17 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


524   George III Style Mahogany Upholstered Arm Chair
early 20th century, relief carved down swept arms, relief carved straight legs with pierced stretcher base. 
40 x 27 x 29 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


525   Louis XVI Style Painted Window Seat
early 20th century, nicely upholstered seat, black field with gilt highlights, fluted tapered legs. 
25 x 35 x 15 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


526   English Hepplewhite Mahogany Game Table
early 19th century, pine secondary, rectangular top with reeded edge, having gate leg support, flush mounted cockbeaded drawer, on square tapered legs. 
29 x 34 x 20.5 in.      


527   Antique French Twin Size Bed
circa 1900, pine, shaped paneled boards, with wide shaped rails. 
Headboard 37 x 38 in.      
Private NC Collection


528   Pair of Regency Inlaid Faux Grain Painted Side Chairs
19th century, mahogany with a fine rosewood faux grain painted surface featuring brass inlays, pierced back support, slip seat and saber legs.
34 x 19 x 17 in.     


529   Chippendale Style Sofa
mid 20th century, mahogany, over upholstered with damask upholstery, raised on molded straight legs with stretcher base. 
36 x 72 x 29 in.      


530   Louis XVI Style Painted Dining Table
mid 20th century, oval form, black lacquered top over a cream painted and carved base with central support legs.
30 x 42 x 62 in.     


531   Chippendale Style Tilt Top Candle Stand
early 20th century, mahogany, top with molded edge, with birdcage, urn turned standard, raised on cabriole legs on ball and claw feet. 
28 x 19 in diameter.      


532   William and Mary Style Tavern Table
early 20th century, oak, rectangular top with relief carved edge, bulbous turned legs, on stretcher base. 
29 x 32 x 23 in.      


533   Cottage Pine Book Case
mid 20th century, one piece form, four shelved interior, fluted stiles, double raised panel sides, single lower long drawer. 
77 x 44 x 18 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


534   Cherry Dovetailed Blanket Chest
19th century, hinged top with applied rounded edge, interior with till, applied molded base with turned peg feet.
23 x 38 x 18.5 in.     


535   Southern Hepplewhite One Drawer Work Table
circa 1900, cherry, yellow pine secondary, rectangular top with nice overhang, skirt and tall square legs with enhanced blue painted surface. 
29.5 x 21 x 17 in.      
Private NC Collection


536   Antique Stenciled Rocker and Chair
likely Boston, 19th century, including a low rocker with rose stenciled crest rail, shaped plank seat and turned legs, together with a multi colored stenciled fruit basket crest rail with ball and bar back support, rush seat on turned legs with stenciled front stretcher.
Chair 34 x 18 x 16 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


537   American Folky Painted and Dovetailed Blanket Chest
19th century, white pine with an old red wash, top with applied rounded edge, interior with till, applied molded base set on turned peg feet.
23 x 41 x 19.5 in.     
Old possibly original surface and feet.


538   Vintage Over Upholstered Child's Club Chair
mid 20th century, pink gingham over upholstery. 
25 x 21 x 19 in.      
Private NC Collection


539   Antique Continental Dovetailed Blanket Chest
19th century, pine, single board top with applied strip board ends, fish tail hinges, interior with till, flush base.
20 x 37 x 21 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


540   Vintage Upholstered Club Chair
mid 20th century, nicely done with contemporary plaid upholstery, slip cushion and back pillow. 
33 x 28 x 28 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


541   Primitive Continental Coffee Table
comprised of 19th century worm wood, rectangular top with central single wide board with added ends, through tenon construction, raised on turned legs.
19 x 30 x 48 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


542   Continental Inlaid Oval Parlour Table
second half of the 19th century, top with mahogany veneer and ebonized figures of sprites, raised on a turned column base with four downswept scrolled legs. 
31 x 44 x 28 in.      
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


543   Hickory Chair Co., Pair of Over Upholstered Club Chairs
late 20th century, down slip cushions, pleated skirt, on molded legs, labeled. 
36 x 32 x 36 in.      
Private NC Collection


544   Pair of Regency Painted Arm Chairs
19th century, Greek key painted decoration, crest rail with relief carved lion mask, scrolled arms, caned seat, faux bamboo splayed legs. 
33 x 20 x 18 in.      


545   Queen Anne Style Upholstered Settee
early 20th century, shaped arms and rm supports, four cabriole legs with spade foot. 
39.5 x 45 x 29 in.      
Strong, well built frame. 
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


546   Potthast Brothers, Sheraton Style Sideboard
Baltimore, Maryland, early 20th century, mahogany, bow front form, top with applied backsplash, two drawers flanked by cabinet doors raised on turned and fluted legs, labeled.
45 x 64 x 24 in.     


547   Chippendale Style Inlaid Slant Front Desk
19th century, mahogany, with pine and mixed woods secondary, dove tailed case with light wood inlays, hinged lid opens to reveal a divided interior with prospect door and eight drawers, over four graduated drawers, raised on straight bracket feet. 
40.5 x 36 x 20 in.      
Private NC Collection


548   Queen Anne Style Over Upholstered Settee
mid 20th century, mahogany, red damask upholstery, tall back, scrolled arms, slip cushion, pleated skirt, raised on carved cabriole legs.
35 x 54 x 30 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


549   Pair of Neoclassical Style Painted Twin Size Tall Post Beds
late 20th century, black lacquered wood with painted laurel leaves and gilt rosettes, square tapered posts with turned finials, black painted wood hook rails.
Headboard 84 x 44 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


550   Pair of Custom Paint Decorated Tall Post Twin Size Beds
late 20th century, salmon and black field with gilt decoration having an antiqued finish, square tapered and canted corner posts with urn form finials, with bolts and wood rails.
Headboard 85 x 44 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


551   Vintage Leather Sofa
late 20th century, dark blue leather, with brass nail head trim, six loose cushions, raised on suppressed ball feet. 
28 x 84 x 36 in.      


552   Victorian Walnut Full Size Bed and Marble Top Dresser
late 19th century, featuring burlwood veneers, bed includes a tall paneled headboard with shaped paneled rails and foot board, together with a marble top dresser having three drawers and a hinged mirror.
Headboard 77 x 57 in. Dresser approximately 80 x 38 x 18 in.      


553   Leon Danchin (French, 1887-1939), Pair of Prints Illustrating Ducks in Flight
each pencil signed and with printed copyright information, presented in attractive uniform framing.
DOA 26 3/8 x 32 1/3 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


554   Two Framed Works
to include an Icelandic waterscape, 20th century, watercolor; to also include a later printing of Currier and Ives' The American National Game of Baseball; both framed.
DOA 16 x 19.5 in. (one slightly smaller)     


555   Currier & Ives, Two American Farm Scenes
hand-colored lithographs, published 1853, to include plates one and three, both prints after Fannie Palmer (1812-1876), the first woman to work as a professional artist in the United States, presented in uniform wooden framing.
DOA 23 1/4 x 30 1/4 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


556   Currier & Ives, Brook Trout - Just Caught
hand-colored lithograph, undated, retains label to frame backing, matted and presented in attractive birdseye maple veneer frame.
DOA 22 1/2 x 27 in.     
Judy Cormier, New York
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


557   Three Vintage Sporting Art Watercolors
the first a pastel on paper, illegibly signed at lower left, matted and framed under glass (DOA 10.75 x 18.75 in.); the second a watercolor, inscribed on the verso Sylvester Martin / 1856-1906 / United Kingdom / purchased from August Belmont, matted and framed under glass (DOA 11.5 x 11.5 in.); and the third a watercolor of a duck hunter in boat monogrammed at lower left LV, matted and framed under glass (DOA 9 5/8 x 12 5/8 in.).
Private NC Collection


558   Two Framed Antique Prints
the first: from Frank Leslie's Illustrated Newspaper (1862) picturing the Battle of Seccessionville at James Island, S.C.; the second: Abraham Munting's Dipsacus Spinosus Americanus, hand-colored engraving on cream laid paper; both prints matted and framed.
DOA 231/4 x 29 1/4 in. (the first), 21 5/8 x 17 in. (the second)     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


559   Two Paintings of Animals
the first an oil on canvas board signed Viv Snyder '06 and depicting an elephant, matted and framed under glass (DOA 23 x 19 in.); the second a watercolor on paper signed Bill Gilbert and depicting an American Avocet, matted and framed under glass, dated 1983 on the verso (DOA 24 x 18 in.).
Private NC Collection


560   A Decorative Painting of Rooster, Chicken, & Chick
oil on canvas, signed Borofsky at lower right, contemporary, framed.
DOA 19.5 x 23.5 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


561   Two Sylvan Landscapes 
color prints, 20th century, one with printed signature lower right, both framed.
DOA 30 1/2 x 34 5/8 in. (the first), 23 1/4 x 27 1/4 in. (the second)     


562   Gilt Framed Beveled Glass Wall Mirror
contemporary, with attractive simulated red bole peeking through gold surface.
42 x 24 in.     
Private NC Collection


563   Tom Wisner (MD, 1930-2010), Two Ink Drawings
the first titled Kathryn Over the Rocks Near Bay Bridge, signed and dated 1977, inscribed on the verso Captain Malcolm Wheatley and the Kathryn from Winggle Maryland, drawn from a photograph (DOA 14.74 x 17.75 in.); the second titled "City of Crisfield" Getting Out, signed and dated 1977, inscribed on the verso Capt Art Daniels at the Helm / His Son Terry in the push boat / Going out to Persimmon Bar out / of Solomons Harbor, drawn from a photograph (DOA 17.75 x 14.75 in.); presented under glass in matching mats and frames.
Private NC Collection


564   Lester George Hornby (American, 1882-1956), Three Continental Views
etchings, to include Rue de l'Ecole, Polytec, Paris (1909), Passage de la Petite Boucherie, Paris, and In the Giudecca, Venezia, two pencil signed, unframed.
Sheet Size 12 1/4 x 8 3/8 in. (others slightly smaller, one horizontal)     


565   after Ivan Ivanovich Shishkin (Russian, 1832-1898), Two Russian Prints
to include Morning in a Pine Forest and a scene with travelers, presented in uniform matting and framing.
DOA 19 1/4 x 22 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


566   A Vintage Floral Still Life Painting by G. S. Vanderpoel
oil on Lloyd's pure linen canvas panel, monogrammed at lower left, presented in a period French style frame.
DOA 27.25 x 23.25 in.     
Private NC Collection


567   Vintage Italianate Mirror
mid 20th century, giltwood and composition with inset paneled mirror frame, with Prince of Wales plume crest. 
40 x 25 in.      


568   Still Life with Fruit and Pot
oil on canvas, 20th century, unframed.
DOA 20 x 23 in. (the first)     


569   Group of (5) Framed Antique Botanical Prints
19th and 18th century, including three bookplates in matching frames, one hand colored print of a pear, and a print of impatiens, each matted and framed.
DOA 18 x 14 in. (the largest)     


570   Two Prints from Rev. F. O. Morris's A Natural History of the Nests and Eggs of British Birds
with hand coloring, 19th century, each featuring bird nest construction with example of an egg, matted and framed under glass.
DOA 16 x 12 in.     


571   Group of (50) Assorted Antique Prints - Primarily Zoological and Botanical
to include primarily 18th- and 19th-century hand-colored bookplate engravings, some lithography and several 20th-century examples included, unframed.
Sheet Size 11 x 15 in. (the largest)     
Many with vibrant, saturated hand coloring.


572   Two Framed Works - A Perspective View and an Alaskan Map
to include a hand-colored perspective view of Geneva; to also include an O. W. Gray Map of the Territory of Alaska (Russian America) Ceded by Russia to the United States, 19th century, hand colored; both framed.
DOA 16 7/8 x 21 1/2 in. (the first), 23 x 26 1/8 in. (the second)     


573   A Pair of Two Antique Duck Hunting Watercolors
circa 1900, each illegibly signed, matted and framed under glass.
DOA 17 x 20.5 in. and DOA 17.5 x 22.5 in.     
Private NC Collection


574   Volodymyr Podlevsky (Ukrainian), Wedding Melodies
oil on linen, signed at lower left, inscribed on the paper backing, attractively framed.
DOA 19 x 19 in.     
Podlevsky and his wife, Svitlana Moiseyeva, were honored in 2010 and 2016 with exhibitions of their paintings at the Ukrainian National Museum in Chicago, IL.

Volodymyr Podlevsky studied at the Lviv Institute of Applied and Decorative Arts in Ukraine. His artwork has been displayed in over 30 exhibits in the United States and Ukraine between 1990 and 2016.


575   An Antique English School Folk Art Painting
oil on canvas, unsigned, presented in a period frame.
DOA 12.5 x 16.5 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


576   Group of (8) Framed Decorative Prints with Tulips
20th century, presented in uniform matting and framing.
DOA 31 x 27 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


577   E.W. Smith (Philadelphia), Five Hand-Colored Botanical Engravings
19th century, each picturing red flowers and include (2) Camellia Mutabilis, Gesneria Seblour, Gladiolus Insignis and Maneltia Cordifolia, matted and framed.
DOA 15 1/2 x 12 in.     


578   A Vintage Federal Style Wall Mirror
circa 1940, labeled for Capitol of Baltimore, MD, ebonized cove molded frame with applied gilt balls and all surmounted by a spread winged eagle.
DOA 39 x 21 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


579   A Vintage Empire Style Mirror by Kittinger
with parcel gilt and ebonized frame, labeled, rectangular form with applied foliate and rosette decoration.
DOA 39.75 x 29.5 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


580   A Decorative Still Life Painting
late 20th century, oil on canvas, unsigned, framed.
DOA 37 x 33 in.     


581   A Pair of Venetian Paintings
oil on board, contemporary, unsigned, presented in ornate gilt composition frames.
DOA 11 3/8 x 13.25 in.     


582   Käthe Kollwitz (German, 1867-1945), Weberzug (March of the Weavers)
etching, from the series Weaver's Revolt (Ein Weberaufstand), unsigned, but with pencil markings lower sheet edge (likely during framing), matted and framed, with gallery stamp to frame backing.
Platemark 8 1/2 x 11 3/4 in.; DOA 15 3/4 x 20 3/4 in.     
Oktavec Bros. Art Shop, Baltimore, MD


583   Classical Eglomise Looking Glass
19th century, carved wood and composition with gilt finish, upper old eglomise panel featuring farm implements over a rectangular mirror flanked by fluted columns.
37 x 23 in.     
Retains old, likely original, glasses.


584   A Pair of French Paintings - Sur la Plage
oil on board, in the manner of Eugène Boudin (French, 1824-1898), each signed P. Salvi at lower right, contemporary, presented in ornate gilt composition frames.
DOA 13.5 x 15.5 in.     


585   Mid Century Oil Painting of Women Working in a Field
oil on canvas, signed Didi Fernandez and dated 66 lower left, in carved and painted wood frame. 
DOA 29.5 x 53.5 in.      


586   Group of (6) Framed Harper's Weekly Charleston Scenes
hand-colored, to include "Saturday Night in the Market, Charleston, S.C...;" "Palmetto-Tree, and Old Custom-House...;" "Custom House and Post-Office...;" ""City of Charleston, South Carolina;" "A Glimpse of Charleston and Bay...;" "The Mill House, Charleston...;" all matted and presented in uniform framing.
DOA 15 x 17 in. (each approximately; some vertically oriented)     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


587   Peter Moran (American, 1841-1914), Harvest in San Juan, New Mexico
etching on chine-collé, 1883, monogramed in plate lower right, matted and framed.
Platemark 6 x 12 3/8 in.; DOA 12 1/2 x 18 3/4 in.     


588   A Pair of Antique Framed Oval Looking Glasses
19th century with later mirrors.
DOA 39.5 x 33.5 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


589   Continental Carved and Painted Peer Mirror
19th century, oak frame with carved and painted wood and gesso having gilt highlights, the rectangular mirror flanked by acanthus carved and fluted columns.
57 x 34 in.     


590   Vintage Chinese Map of China
early 20th century, presented behind mat in later gilt wooden frame.
SS 14 x 18 in.; DOA 24.5 x 28.5 in.     
Collection of John Sylvester, Durham, NC 


591   Two 19th Century American Maps of the Far East
both steel engravings with outline color and presented in gilt wooden frames, as follows: Coulton's Japan (New York: G. W. & C. B. Coulton & Co., 1858), DOA 20.75 x 23.5 in. and Johnson's China and Japan (New York: Alvin J. Johnson & Son, 1868), 23 x 29.5 in.
Collection of John Sylvester, Durham, NC 


592   Map after Johann Homann, Asia
un-colored copperplate engraving, (Augsburg: Matthias Seutter, n.d., circa 1750), depicts the entirety of Asia. Two decorative vignettes. Presented behind mat in a gilt wooden frame. 
SS 19.5 x 22.75 in.; DOA 24.5 x 27.5 in.     
Collection of John Sylvester, Durham, NC 


593   A Japanese Lacquer and Keyaki Wood Ginger Jar
Meiji period (1868-1912), finely carved and modeled jar with lid that lifts off, decorated with fauna in raised silver, gold, green, and black lacquer on body and lid, a stunning collection piece.
7.5 in.     
Collection of John Sylvester, Durham, NC 


594   A Japanese Meiji Period Oil Lamp
late 19th or early 20th century, raised on four elegantly carved wooden curved legs, carved apron, fitted as oil lamp with decorative glass shade, on square wooden base.
29.5 in.     
Collection of John Sylvester, Durham, NC 


595   A Large Japanese Tsugaru Lacquer Box
20th century, finely crafted red, gold, and dark ginger tsugaru lacquer box with fitted cover having scalloped edges on either side for lifting lid, black interior and bottom, 
6.5 x 10 x 12.5 in.     
Collection of John Sylvester, Durham, NC 


596   A Japanese Bronze Furogama Tea Kettle and Brazier and an Oribe Tile
includes a chanoyu heater with charcoal base with two handles and raised up on three stout legs, fitted lid to top with blossom finial, and green oribe glaze square tile that can be used as a base for the bronze.

Tile: 1 x 11 x 11 in.     
Collection of John Sylvester, Durham, NC 


597   A Japanese Medicine Cabinet
antique, Okinawa, Japan, a wooden cabinet with ninety small drawers originally used perhaps for medicine, herbs, or seeds. 
33.5 x 32 x 8 in.     
Purchased in Japan.
Collection of John Sylvester, Durham, NC 


598   A Japanese Irori Hearth with Jizaikagi and Iron Tea Kettle
Modern, made to specifications of consignor's wife to bring her Japanese heritage to their home, beautiful wooden square hearth with copper liner, comes together with a traditional suspension rod (jizaikagi) and a wabi sabi keyaki hook for balance, includes an iron tea kettle, a unique interior or exterior wow feature for any home.
15 x 41 x 41 in.     
Collection of John Sylvester, Durham, NC 


599   A Woodblock Print by Mayumi Oda (Japanese, b. 1941)
late 20th century, ink and colors on paper, an early print edition of two sea goddesses under the moon, similar to later diptych print "Merciful Sea," but this earlier print has a different orientation of the women's bodies and the waves as well as facial details, confirmed an original print, framed under glass, not examined outside of glass.
26.25 x 20.5 in.     
Collection of John Sylvester, Durham, NC 


600   An Etching and a Print by Mayumi Oda (Japanese, b. 1941)
includes an etching and aquatint, Star Beauty, edition of 30, circa 1968, numbered "9/30" and signed and dated "'68 Mayumi," and an artist's proof entitled Rain, signed "Mayumi," white background with indigo blue ink, both framed under glass, not examined outside of the frame.
DOA: 13.5 x 11.5 in. (largest)     
Collection of John Sylvester, Durham, NC 


601   A Rare Drawing by Michio Ihara
dated in pencil "27 FEB 1959" on lower left hand side and signed in pen "Michio Ihara" directly below, ink on paper, Michio Ihara is a Japanese-American sculptor with public sculpture works in many cities including a piece named "Light and Movement" at New York's Rockefeller Center, this drawing is framed under glass, not examined outside of the frame.
19.25 x 26 in.     
Collection of John Sylvester, Durham, NC 


602   A Japanese Ink Calligraphy Two Panel Folding Screen
modern, ink on paper, calligraphy, three character signature in the lower right corner with a red artist's seal, within a larger gray mounting and golden wood framing, meant for display during a tea ceremony.
DOA: 25.25 x 68 in.      
Collection of John Sylvester, Durham, NC 


603   An Ink Painting of a Tiger
late 19th or early 20th century, Japanese or Korean, ink and ink wash on silk, very finely painted tiger with front paw raised and mouth open with teeth showing, eyes looking upwards, perhaps from a larger composition that would have included a moon above, framed under glass, not examined outside of frame.
DOA: 30.5 x 20.5 in.     
Purchased in Japan.
Collection of John Sylvester, Durham, NC 


604   A Vietnamese Lacquered Painting of Goldfish
late 20th century, black lacquered wood panel decorated with goldfish in iridescent orange, son mai is a traditional lacquer art form in Vietnam that can take months for a single work to be completed.
23.25 x 47.25 in.     
This lacquer painting was presented as a gift to the consignor for his service as an ambassador to the Bihn Long province. 
Collection of John Sylvester, Durham, NC 


605   A Chinese Blanc de Chine Guanyin Sculpture
Qing dynasty (1644-1911), an elegant porcelain sculpture of Guanyin, the Bodhisattva of Compassion, seated with flowing drapery and holding a scroll, offered with a raised carved wooden stand.
8.25 in.     
Collection of John Sylvester, Durham, NC 


606   Two Chinese Green Glazed Jars
20th century, two brightly glazed green porcelain jars.
8.25 in.     
Collection of John Sylvester, Durham, NC 


607   A Large Dragon Jardiniere
20th century, Thailand, heavy large rolled rim mouth storage jar for water, decorated with a dragon with Thai writing, above a band of flowers, below a wave pattern.
H: 27.5 in., Diameter: 20.5 in.     
Collection of John Sylvester, Durham, NC 


608   A Chinese Green Jar with Longevity Character Lid
antique, dark green crackle glaze similar to those used for funerary vessels in the Tang dynasty (618-907), un-glazed bottom, lid is aqua blue color with the outline of the symbol for Longevity in China, comes together with raised carved stand.
4.5 in.     
Collection of John Sylvester, Durham, NC 


609   A Chinese Export Lacquered and Gilded Tea Caddy
mid-19th century, the heavily gilded lacquered box with a processional scene amid temples on the lid and sides, the pewter liner engraved with immortals and ruyi clouds, handles on both sides of exterior and key hole on front panel, initials of consigner's family ancestor US Naval Officer Samuel Thomas, decorate interior box lid.
8.25 x 13.25 x 10.25 in.     
Collection of John Sylvester, Durham, NC 


610   A Chinese Ceramic Flower Stand
20th century or older, decorated with green, aqua, and golden glazes, elongated hexagonal shape base with round top, reticulated with designs of longevity knot, bats, and lotus blossoms, all signs of longevity. 
20.5 in.     
Purchased in Saigon in 1971.
Collection of John Sylvester, Durham, NC 


611   A Vietnamese Annamese Hoi An Dish
14 or 15th century, dark blue overglaze on porcelain, dark red bottom, matte finish from being underwater as part of a shipwrecked find.
Diameter: 9.75 in.     
Collection of John Sylvester, Durham, NC 


612   A Southeast Asian Mask
inset with colored glass around the forehead, an overall gilded surface, red pigment on lips.
9 in.     


613   Group of Asian Decorative Objects
19th and 20th century, to include a boxed group of "Mud Men" figurines (box is labelled); two small painted wooden icons, both with markings on the back; and a gilt and wood architectural element. 
Longest 20.5 in.      


614   Two Indian Wooden Carved Sculptures from Rajasthan
20th century or earlier, includes a well carved elephant painted with brightly colored designs and gold colored jewelry in traditional Rajasthani style, and a standing male figure painted in gold, red and green, with curled mustache, and wearing a crown, one of his arms is attached with an old nail and moves up and down, in this hand he holds an object, the man stands on a wooden painted base now attached to another base.
HOA: 11.25 in. (tallest)     


615   A Carved Wooden Yakshi Sculpture
this sculpture is in the style of of Hindu temple sculpture as seen in Central India Rajasthan, it is a female earth goddess, holding a love letter, and standing with her attendant. Similar to a stone sculpture of a yakshi from the 11th century in the collection of the Herbert F. Johnson Museum of Art at Cornell University.
42.5 in.     


616   Antique Cast Metal Head of Boddhisattva
circa 1900 or earlier, likely bronze, with dragon hairpiece, on later wood and fabric stand. 
HOA 22 in.      


617   Chinese Carved and Lacquered Four Panel Floor Screen
mid 20th century, featuring women in a courtyard, back panel with birds and water. 
72 x 64 in.      


618   Chinese Carved Diminutive Six Panel Floor Screen
mid 20th century, front carved and painted with figures on horseback, reverse painted with geese in pond. 
46 x 72 in.      


619   A Chinese Ink Painting of Fish
20th century, ink and ink wash on paper, calligraphy in black ink on right hand side with red artist's seal and a red seal on upper right corner of painting, two large fish are the focus of the painting swimming among abstract aquatic vegetarian, framed under glass, not examined outside of the frame.
DOA: 34 x 23.75 in.     


620   A Chinese Ancestor Portrait 
late 19th or early 20th century, ink and colors on paper, husband and wife pictured seated in winter robes against an empty background, framed under glass in heavy wooden frame with two Chinese decorative hangers, not examined outside of frame.
DOA: 51 x 37 in.     


621   A Chinese Painting of the Eight Daoist Immortals
early Qing dynasty, 18th century, ink and colors on paper, a very finely painted with meticulous detail of the Eight Daoist Immortals, each depicted with their appropriate attributes, either floating on water, flying amid the swirling clouds, or emerging from cave and hill, framed under glass, not examined outside of the frame.
DOA: 25.25 x 43.75 in.     


622   Japanese Porcelain Low Bowl
mid to late 20th century, white glaze, cobalt mark to underside.
4 x 9 in. diameter.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


623   Decorative Pair of Chinese Vases
late 20th century, hand painted, bulbous scalloped form, four character marks to underside.
12 in. tall.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


624   Pair of Chinese Lidded Porcelain Urns
mid 20th century, hand painted cobalt decoration, floral lids.
10 in. tall.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


625   Pair of Chinese Porcelain Vases
mid 20th century, hand painted with a pink field and floral decoration.
12 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


626   Three Matched Chinese Export Lidded Urns
early to mid 20th century, hand painted decoration, pink field, lidded.
17 in. tall.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


627   Antique Chinese Bronze Foo Dog
19th century, finely cast, hollow form.
7 in. tall.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


628   Three Carved Stone Snuff Bottles
late 20th century, including one carved Lapis and two rock crystal.
Tallest 3 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


629   Chinese Sang de Boeuf Porcelain Table Lamp
early 20th century, bulbous form, wood mounts, with shade.
Porcelain height 13 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


630   Antique Chinese Blue and White Decorated Foo Dog
circa 1900 or earlier, hollow form with hand painted decoration.
14 in. tall.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


631   Antique Chinese Porcelain Tall Vase
19th century, hand painted cobalt decoration with flower and character marks, signed to underside.
16 in. tall.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


632   Antique Chinese Porcelain Tall Vase
19th century, hand painted with cobalt decoration including character marks and foo dog handles.
17 in. tall.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


633   Two Antique Chinese Figural Bronze Water Droppers
19th century or earlier, including a recumbent dragon and a turtle.
Taller 2.5 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


634   Antique Group of Chinese Cast Metal Turtles
19th century, including two carrying children and one seal.
Tallest 2 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


635   Pair of Chinese Porcelain Cobalt Decorated Table Lamps
19th century, hand painted with blossoms and character marks with foo dog handles, wood mounts, with shades.
Height of porcelain 24 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


636   Pair of Designer Flambe Glaze Table Lamps
late 20th century, baluster shaped with foo mask handles, wood and brass mounts, with shades.
Porcelain 18 in. tall.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


637   Chinese Blue and White Decorated Lidded Urn Table Lamp
circa 1900 or earlier, decorated with a dragon in clouds decorated with foo lion masks, wood mounts, with shade.
Porcelain 18 in. tall.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


638   Chinese Style Porcelain Table Lamp
late 20th century, in the form a Chinese covered urn, in mustard yellow glaze, on wood base, with paneled shade. 
HOA 28.5 in.      
Private NC Collection


639   Pair of Decorative Chinese Flambe Glazed Table Lamps
late 20th century, bulbous baluster form with mottled deep turquoise glazes, wood mounts, with shades.
Pottery 14 in.     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


640   Chinese Silk Embroidered Shawl
early 20th century, white on white with figures in a landscape and ornate fringe ends.
66 x 66 in. (without fringe)     
From the Collection of Esther B. Ferguson, Secessionville Manor, Charleston, SC


641   A Bedside Table with Inset Marble Panel
20th century, a hardwood table with open back and raised shelf inset with white marble, shaped apron.
32 x 13 x 18.5 in.     
Collection of John Sylvester, Durham, NC 


642   Chinese Low Table
late 20th century, black lacquer surface, rectangular form, molded skirt, stylized legs. 
12 x 42 x 30 in.      


643   Set of Three Chinese Nesting Tables
early 20th century, hardwood with burl wood tops, base with stretcher and stylized scrolled feet.
Largest 23.5 x 16 x 12 in.     
Private Collection, Greensboro, NC


644   Chinese Carved Dragon Two Tier Stand
early 20th century, hard wood, the square top with carved stylized Greek key border, floral carved skirt, fully carved winged dragon supports, lower relief carved shelf with repeating dragon motif, raised on ball and claw feet, marked China.
30 x 19 x 19 in.     


645   Two Asian Accessories 
20th century, to include a Chinese export ginger jar and a Japanese center bowl on stand. 
Taller 6.25 in.      


646   Two Snuff Bottles
20th century, including an enameled copper bottle with decoration to both sides and a carved horn and metal mounted bottle.
Taller 3 in.     


647   Two Vintage Chinese Lacquered Boxes
early 20th century, including one with lock.
Larger 2.5 x 7 x 6 in.     


648   Three Chinese Porcelain Cabinet Vases
19th and 20th century, including a crackle wear vase, flambe vase and a famile verte stick vase.
Tallest 6 in.     


649   Three Canton Ginger Jars
19th century, cobalt decorated.
Tallest 5.5 in.     


650   Three Antique Canton Serving Dishes
19th century, hand painted cobalt decoration including plater, oval bowl and a lozenge form bowl.
Platter 16 x 13 in.     


651   Group of Asian Accessories
19th century, to include a ginger jar, with blue and white decoration featuring a cartouche with scholar's items (drilled); a hardwood lift lid bow with dragon decoration; two brass locks and a brass tsuba. 
Ginger jar 9 in.      
Private NC Collection


652   Fireworks in the Distance by Ogata Gekko (Japanese, 1859-1920)
1891, ink and colors on paper, from the series "Manners and Customs of Women"(Fujin fuzoku zukushi) an elegant lady stands on the balcony in a checkered kimono smiling slightly while fireworks explode over the water in the distance, a quiet and serene print, framed with mat under glass, not examined outside of the frame.
DOA: 20.75 x 16.75 in.     


653   A Woodblock Print by Utagawa Kunimori II (Japanese, active 1848-60)
Circa 1860, ink and colors on paper, two illustrated pages from a shunga picture book from the late Edo Period, depicting three couples engaged in amorous activity with kanji writing around them, Kunimori II was the pupil of the prolific woodblock print artist Kunisada, framed with mat under glass, not examined outside of frame. 
DOA: 14 x 17 in.     


654   Two Woodblock Prints by Terasaki Kogyo (Japanese, 1866-1919)
includes Hanami (Flower Viewing) and A Chinese Beauty Playing A Lute, ink and colors on paper, but produced as a kuchi-e or frontispiece for a novel or magazine, on one the artist's name Kogyo with red seal on the upper right corner, for the other the title and artist's name with red artist's seal is along the left hand side of the print, both prints have their original kuchi-e folds, two folds, because of their insertion in a magazine or book as an illustrative print, both date to Meiji period when this style of print type was in vogue in Japan.

DOA: 13.75 x 16.5 in. (largest)     


655   Tosuka by Utagawa Hiroshige II (Japanese, 1826-1869)
circa 1863, from the series "The Tokaido Road," number six in series, signed "Hiroshige ga" on lower left corner with date seal above, title in red cartouche in upper right hand corner, Hiroshige II was the pupil of Utagawa Hiroshige and adopted by this great ukiyo-e master in 1845, this print is framed with mat under glass, not examined outside of the frame.
DOA: 16.75 x 13.75 in.     


656   A Woodblock Print by Morikawa Chikashige (Japanese, active 1869-1882)
dated 1881 (Meiji 14), ink and colors on paper, Chikashige was the pupil of Kunichika, he specialized in actor prints in triptych and diptych formats, this print depicts two actors performing on stage, in rounded edge gilt frame with mat under glass, examined outside of frame and print is loose except for top that is secured with appropriate tape.
DOA: 22 x 17.5 in.     


657   Mallards in Flight and Full Moon by Ohara Koson (Japanese, 1877-1945)
signed in black ink and with red artist's seal below on lower left hand side, ink and colors on paper, two geese are depicted in flight, the lead goose's head and wing standing out against the full moon behind, an elegant and striking composition, finely framed in rounded edge gilt frame with gray mat under glass, not examined outside of frame. 
DOA: 14.5 x 20.25 in.     
Reportedly from the Robert O. Muller Collection.


658   Two Woodblock Prints by Eiichi Kotozuka (Japanese, 1906-1979)
includes Bamboo Forest and Bamboo in the Wind with Uchida publisher marks on lower corners of both, ink and colors on paper, Eiichi illustrates in his bamboo prints the graceful but strong nature of these trees as they bend but do not break, bamboo is a motif used in Asian culture to represent resilience, Eiichi was a popular artist working in the Shin Hanga tradition during mid-20th century,
identically framed in faux bamboo frames with mat under glass, not examined outside of frame.
DOA: 21 x 17 in.     


659   Two Woodblock Prints by Toshi Yoshida (Japanese, 1911-1995)
includes Okaramon and Benkei Bridge, circa 1940, signed in pencil in lower right bottom of page "Toshi Yoshida," colors and ink on paper, both prints have colorful scenes of women in brightly colored kimono at scenic spots in Japan, Toshi Yoshida the son of the great shin hanga artist Hiroshi Yoshida, framed identically under glass and laid over the mat, not examined outside of the frame.
SS: 10.5 x 7.75 in., DOA: 19.5 x 16.75 in.     


660   Two Woodblock Prints by Masao Ido (Japanese, b. 1945)
includes Autumn at Asuka dated to 1996, edition of 250, colors and ink on paper, a peaceful rural sunset scene of autumnal beauty in Asuka, in pencil under the printed image reads "Asuka no aki (in Japanese kanji), 96', Masao Ido, 83/250,"
and Kyoto Rock Garden circa 1995, ink and colors on paper, artist's red seal in lower right corner, illustrates a zen rock garden with sand and shadow from the trees, a reticulated bamboo fence in the background lending texture, both framed under glass, not examined outside of the frame. 

DOA: 18.75 x 27.75 in.     


661   A Japanese Four Panel Folding Screen
20th century, signed on bottom right panel together with red artist's seal, ink, colors, and gilding, decorated with four geese amid autumn grasses with one goose in flight coming to land with the others, the goose on the island connects eyes with the one flying in returning home to the family, autumnal grasses and birds is a classic fall image in Japan, seasons hold great importance in Japanese culture and in art showing a connection with nature and the quiet passing of time.
DOA: 36.5 x 73.5     


662   A Japanese Woodblock Print after Utagawa Hiroshige
a reproduction of a print by the famous Japanese print maker Utagawa Hiroshige from his series entitled The Fifty-Three Stations of the Tokaido Road first designed and printed during the Edo period (1615-1868), framed under glass, not examined outside of the frame.
DOA: 15.75 x 20 in.     
Estate of the late Priscilla Alexandra Waring, Princeton, NJ


663   Japanese Imari Bottle Vase as Lamp
20th century, having gilt highlights, drilled and mounted to a lucite base with drum shade.
32 in.     


664   Japanese Imari Charger and Platter
19th century, decorated to both sides, platter with character marks.
Charger 14 in. diameter.     


665   Set of Six Queen Anne Style Dining Chairs
early 20th century, to include two arm chairs and four side chairs, mahogany and burl wood veneer, crest rail relief carved with acanthus leaf and shell, vasiform back splats with high grade veneers, shaped slip seats, front legs featuring a shell carved knee on a drake foot. 
Arm chair 42 x 29 x 19 in.      



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